WEBVTT - Reading: Unintended Consequences

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<v Speaker 1>Oh, my goodness, gracious, it's the podcast Behind the Bastards

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<v Speaker 1>that this is that you're listening to right now on

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<v Speaker 1>the internet dot com. Sylvie, how was? How was that?

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<v Speaker 1>We're doing good? We're doing great. We're doing great. We're

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<v Speaker 1>doing good. Okay great? Well with me to help me

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<v Speaker 1>do great is my buddy Carl cassarda from Enranged TV. Carl,

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<v Speaker 1>are you doing I'm doing all right. I'm glad to

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<v Speaker 1>be here again, though I've really enjoyed our last collaboration,

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<v Speaker 1>and uh looking forward to the topic we have today.

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<v Speaker 1>Oh boy, today is gonna be a fun one. We're

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<v Speaker 1>doing another book episode. We're actually going to record hopefully

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<v Speaker 1>to today, although we generally just do one a week

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<v Speaker 1>because this this helps me get ahead for some travel

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<v Speaker 1>that I have planned. And my goodness, Carl, we have

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<v Speaker 1>quite a book uh for everyone today. So I received

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<v Speaker 1>in the mail from a fan a couple of weeks

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<v Speaker 1>ago a hard cover copy of a book called An

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<v Speaker 1>Tended Consequences. Now, Sophie, Carl knows this book. Everyone who's

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<v Speaker 1>in gun culture is aware of this book. You want

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<v Speaker 1>to you want to describe that that cover to our audience.

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<v Speaker 1>It's a I think I think it's the Declaration of

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<v Speaker 1>Independence on fire? Is that what I'm seeing? That's certainly

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<v Speaker 1>part of it. Yeah, I can only see the top

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<v Speaker 1>of it. Can you say, okay, one sec let me

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<v Speaker 1>get my let let me let me see if I

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<v Speaker 1>can properly here we go. So I'm just gonna google it.

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<v Speaker 1>Consequences book cover. Oh, I recommend people at home check

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<v Speaker 1>this one. I take it back because all I could

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<v Speaker 1>see was the top, which is the Declaration of Independence

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<v Speaker 1>on fire. But it looks like a soldier attacking a

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<v Speaker 1>topless woman with who's been blindfolded. Yeah. I think she's

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<v Speaker 1>a Lady Justice. You can see her scales, they're right. Yeah,

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<v Speaker 1>So it's it's like some sort of swat team operative

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<v Speaker 1>attack Lady Justice. And there's nipples you can see, like

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<v Speaker 1>it's full there's full frontal ludity on the cover of

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<v Speaker 1>John Ross's Unintended Consequences. Yeah, it's a super hot Lady

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<v Speaker 1>Justice getting the full Alien Gonzalez treatment with a full

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<v Speaker 1>swat team guy with an MP five. What a choice,

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<v Speaker 1>What a series of choices? Um? Yeah, and I think

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<v Speaker 1>he wrote this. When exactly was this published? Um? I

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<v Speaker 1>think actually so, yeah, this would have been right after

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<v Speaker 1>Elian Gonzalez, because I think you're right, Carl, they're very

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<v Speaker 1>clearly like doing because he's the cop on the front

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<v Speaker 1>has an MP five, which, if I'm not mistaken, is

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<v Speaker 1>with the cop who grabbed Elian Gonzalez and that famous

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<v Speaker 1>photo had and it's his his like body language is

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<v Speaker 1>not dissimilar, No, it isn't. But honestly, I think this

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<v Speaker 1>is one of those weird things where the alien Gonzalez

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<v Speaker 1>thing happened after they did the cover art, So it's

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<v Speaker 1>a weird thing where like actually simulated art. Yeah, that's interesting.

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<v Speaker 1>It's kind of weird. Yeah, So in that regard, I

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<v Speaker 1>guess they kind of ailed it, although it wasn't going

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<v Speaker 1>after Lady Justice of course. Yeah, it was going after

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<v Speaker 1>a well trying to escape. Yeah. And it's interesting because

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<v Speaker 1>I think the main influence behind this book and in

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<v Speaker 1>brief this is like a kind of fantasy about gun

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<v Speaker 1>confiscation leading to a civil war type scenario against like

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<v Speaker 1>the evil gun grabbing government. And I think it was

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<v Speaker 1>very directly inspired by Ruby rich Um, which is kind

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<v Speaker 1>of like a seminal moment for a lot of people

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<v Speaker 1>and is life is actually like just so we're clear

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<v Speaker 1>an example of the government doing a lot of really

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<v Speaker 1>fucked up things because they shot a child and his

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<v Speaker 1>mom to death in a raid gun horribly awry. Um

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<v Speaker 1>not to kind of like whitewash the some of the

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<v Speaker 1>sketchy ship that like their their father was doing, but

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<v Speaker 1>like it's definitely an example of government overreach. But that

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<v Speaker 1>Ruby Ridge kind of leads us into this kind of

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<v Speaker 1>explosion of action on behalf of the militia movement, which

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<v Speaker 1>culminates in a big way in the Oklahoma City bombing

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<v Speaker 1>after the Waco UH tragedy. So you've got like the

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<v Speaker 1>series of largely police overreaches with high body counts, and

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<v Speaker 1>it kind of ignites this militia movement and into that,

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<v Speaker 1>into that culture comes a guy named John ross Um.

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<v Speaker 1>Now John is an interesting guy. He calls himself he

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<v Speaker 1>was actually a Democratic UH congressional candidate in Missouri in

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<v Speaker 1>nine but he calls himself a pre Roosevelt Democrat, which

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<v Speaker 1>he defines as a Democrat without the socialism, which is

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<v Speaker 1>interesting because like it's not that far pre Roosevelt that

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<v Speaker 1>the Democrats were the party of slavery. Like, how how

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<v Speaker 1>pre are we going? John? Is a question I would

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<v Speaker 1>ask anyone to find themselves that way. What what is

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<v Speaker 1>your understanding of John Ross, because he's he's he's a

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<v Speaker 1>pretty interesting dude. Yeah, I don't know. I looked up

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<v Speaker 1>some stuff and some interviews with him, and it's very

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<v Speaker 1>clear that whatever he described was all as that. When

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<v Speaker 1>he wrote this book, he was promoting it very much

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<v Speaker 1>to the Republican side of things, um, even back in

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<v Speaker 1>the nineties and early two thousands, which is not surprised

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<v Speaker 1>at considering how firearms centric his content was. Right. Um,

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<v Speaker 1>I don't know a lot about him in individually, but

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<v Speaker 1>I do know quite a bit about the culture around

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<v Speaker 1>the book and the gun shows and the environment that

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<v Speaker 1>that was written. And if we get into that a

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<v Speaker 1>little bit, because that was going on then in the

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<v Speaker 1>gun community and now I would have to say it

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<v Speaker 1>it's hard to believe it's actually better now than it

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<v Speaker 1>was then, But back then it was it was a

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<v Speaker 1>pretty weird space. Yeah, And this is one of those

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<v Speaker 1>books you would not have found unintended consequences in like

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<v Speaker 1>Barnes and Noble, Like, it wasn't that kind of I

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<v Speaker 1>mean maybe now you can. I'm sure like places like

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<v Speaker 1>Powell's books that make a point of selling absolutely everything,

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<v Speaker 1>sell it. But this was a book that, like I

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<v Speaker 1>started to encounter in the early two thousands, like gun shows.

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<v Speaker 1>It's one of those. It's one of those books you

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<v Speaker 1>would find at gun shows. Um, And it's not it's

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<v Speaker 1>in a lot of people compare it to the Turner Diaries.

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<v Speaker 1>It is not a neo Nazi book, is my understanding. Um,

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<v Speaker 1>although there's some problematic shit in it, as I'm sure

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<v Speaker 1>we'll get into. But yeah, I mentioned, you mentioned that.

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<v Speaker 1>But when you go to the gun shows, like I mean,

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<v Speaker 1>gun shows now are still a thing, right, there's like

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<v Speaker 1>some weirdness there for sure. But back in the late

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<v Speaker 1>nineties early two thousands, a gun show was like this

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<v Speaker 1>kind of dark, denk, musty place with you first walk

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<v Speaker 1>in and there's the guy in the right corner, the

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<v Speaker 1>old man with his Nazi paraphernalia. On the left side

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<v Speaker 1>was the Confederate and paraphernalia, and then there was the

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<v Speaker 1>book vendor. But how'd all the occult knowledge about how

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<v Speaker 1>to make this thing full auto or how to make

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<v Speaker 1>booby traps? And right there next to that was this

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<v Speaker 1>book from John Ross, Unintended Consequences, And it was like,

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<v Speaker 1>I think a lot of people went to the gun

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<v Speaker 1>show not only for that, but to go pick up

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<v Speaker 1>those crazy books that have now of course been replaced

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<v Speaker 1>by the internet. But you come back and you could

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<v Speaker 1>have that feeling of being the guy in the know,

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<v Speaker 1>and you don't really see that as much at the

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<v Speaker 1>gun shows anymore. Yeah, it's in part because there's just

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<v Speaker 1>so much more money, not just in the gun part,

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<v Speaker 1>but the culture part of gun culture. Right, there's like

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<v Speaker 1>a whole media ecosystem. There's big name magazines, there's large

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<v Speaker 1>obviously large YouTube channels. Um there had there is like

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<v Speaker 1>it's it didn't feel in that there was that period

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<v Speaker 1>of the the late nineties early two thousands where gun culture

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<v Speaker 1>didn't really feel vibrant. It kind of felt like it

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<v Speaker 1>was it was something that was dying and not particularly healthy,

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<v Speaker 1>just in not even in like a not to get

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<v Speaker 1>into like a moral sense, but just in like the

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<v Speaker 1>it did not seem like something that had a bright

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<v Speaker 1>future for a while there. Yeah, this is a topic

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<v Speaker 1>for another day, but I actually feel I think that

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<v Speaker 1>the honestly, uh, the assault weapon ban of actually made

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<v Speaker 1>it more vibrant because it got people to uh, it

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<v Speaker 1>really woke up and maybe some good ways and in

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<v Speaker 1>some bad ways. Um uh, an interesting creation. It got

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<v Speaker 1>people involved in a way that I don't think people

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<v Speaker 1>were that concerned about before the a w B. And

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<v Speaker 1>I think that's one of the things that fired it

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<v Speaker 1>back up. It did, And I think you get you

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<v Speaker 1>get a lot of funding from politicians and from political

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<v Speaker 1>action groups and whatnot, from the industry that starts coming in,

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<v Speaker 1>which is responsible for like kind of revitalizing gun culture

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<v Speaker 1>in a lot of ways and moving it out of

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<v Speaker 1>this kind of you know, dank uh jim filled with

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<v Speaker 1>weirdos kind of space that you were describing. So what

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<v Speaker 1>is your understanding about like the overarching plot of unintended consequences?

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<v Speaker 1>Have you read this before? Yeah? I actually I was

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<v Speaker 1>one of those guys that picked that up off the

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<v Speaker 1>counter because I'm like, what the hell is this thing? Right?

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<v Speaker 1>And um and I mean the overarching plot as I

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<v Speaker 1>know it is a guy named Henry Bowman who's the

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<v Speaker 1>protagonist and in it fire call correctly, it's been decades

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<v Speaker 1>since I've read it. Um. It takes and builds up

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<v Speaker 1>an argument based on a number of relatively accurate historical

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<v Speaker 1>events like the breaking of the Bonus Marchers, the Ruby

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<v Speaker 1>Ridge Waco, amongst others, and then guides that up to

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<v Speaker 1>a position in which Henry Bowman gets involved in a

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<v Speaker 1>shooting and which he ends up killing some A t

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<v Speaker 1>F agents, which then he turns into a essentially counter

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<v Speaker 1>culture coup revolt to destroy the A t F. A

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<v Speaker 1>is there the reason, or at least one of the

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<v Speaker 1>reasons that this country is falling into tyranny? I mean,

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<v Speaker 1>that's a real simplistic summary, but that's the premise. And

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<v Speaker 1>that's interesting because I my my recollection, like this is

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<v Speaker 1>not an uncommon starting point for kind of novels in

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<v Speaker 1>this space that like the A t F there's some

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<v Speaker 1>big gun confiscation grab. This essentially how the Turner Diary starts.

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<v Speaker 1>But the Turner Diary starts with the assumption that like

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<v Speaker 1>it happened and everything's already been outlawed and uh like

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<v Speaker 1>that that's kind of like where it goes from there,

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<v Speaker 1>whereas this, I think is is kind of more of

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<v Speaker 1>a um, more of a slow burn to the start um.

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<v Speaker 1>And I just noticed that my copy from Accurate Press

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<v Speaker 1>is the publisher of this book, has has Mr Ross's

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<v Speaker 1>signature in it, so oh wow, uh huh, yeah, I

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<v Speaker 1>got a real, um, a real peach of a copy here,

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<v Speaker 1>so thinks I believe the hard copy version of that's

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<v Speaker 1>been out of print for a long time and is

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<v Speaker 1>relatively valuable. Actually, well there we go. Um, I'll take this.

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<v Speaker 1>Let's try to uh trade this for a man liquor

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<v Speaker 1>in ninety four or something like that. What this is

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<v Speaker 1>gonna be interesting conversation because, as I remember in the book,

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<v Speaker 1>this is a challenging piece of work because there's a

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<v Speaker 1>lot of problems here obviously, but there's also a lot

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<v Speaker 1>of stuff in it that's not necessarily incorrect. Yeah, he's

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<v Speaker 1>definitely not coming at it like, especially on a technical level.

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<v Speaker 1>I think he does know what he's talking about. Like

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<v Speaker 1>it's not one of these we've talked laughed about the

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<v Speaker 1>Ben Shapiro books and the things he gets wrong about guns.

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<v Speaker 1>I believe John Ross actually knows how firearms function. I do.

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<v Speaker 1>I agree with you, and I think he gets some

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<v Speaker 1>of the historical stuff true as correct as well. To

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<v Speaker 1>be honest, Yeah, he's a nerd about this, although I

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<v Speaker 1>should note so he had a regular Internet column for

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<v Speaker 1>for a long time. He's kind of an older dude now,

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<v Speaker 1>so I don't think it's still going. Um. But his

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<v Speaker 1>Wikipedia says that his column Ross and Range was where

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<v Speaker 1>he discussed topics that interest him. Quote a recurring theme

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<v Speaker 1>is understanding and coping with women. So and that was

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<v Speaker 1>my recollection of this book too, that like not a

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<v Speaker 1>lot of We're not going to find a lot of

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<v Speaker 1>well written male characters here. Um, but yeah, it notes

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<v Speaker 1>on the back here. John Ross is an investment broker

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<v Speaker 1>and financial advisor in St. Louis. He went to Amherst College,

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<v Speaker 1>which I think might surprise some people. Um, and he

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<v Speaker 1>was an early concealed carry advocate. So this is also

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<v Speaker 1>a thing like when you talk about sort of the

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<v Speaker 1>history of gun culture in this guy's roll in it,

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<v Speaker 1>there was this period of time like now most states

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<v Speaker 1>have some sort of concealed carry. A lot, even in

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<v Speaker 1>California is getting easier to get a concealed carry license.

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<v Speaker 1>I know someone in San Diego who just got their's,

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<v Speaker 1>which was like there's been a series of legal battles

0:11:34.800 --> 0:11:38.320
<v Speaker 1>around that, but it wasn't possible to legally concealed carry

0:11:38.360 --> 0:11:40.480
<v Speaker 1>in a lot of the country like thirty years ago.

0:11:40.720 --> 0:11:42.440
<v Speaker 1>Oh less than that, it wasn't that long A though

0:11:42.480 --> 0:11:45.800
<v Speaker 1>the concealed carry was considered like a pretty crazy concept,

0:11:45.920 --> 0:11:49.040
<v Speaker 1>and as one state after another started really changing to

0:11:49.040 --> 0:11:50.480
<v Speaker 1>the point where we see a number of states now

0:11:50.480 --> 0:11:53.679
<v Speaker 1>which don't even require permits anymore. They're called constitutional carry.

0:11:53.720 --> 0:11:56.480
<v Speaker 1>But twenty something years ago that wasn't the case, Like

0:11:56.600 --> 0:11:58.600
<v Speaker 1>you have to go through two days of training and

0:11:58.640 --> 0:12:00.600
<v Speaker 1>get a background for permit, and you have to apply

0:12:00.720 --> 0:12:02.200
<v Speaker 1>for this and have a background check. And that was

0:12:02.200 --> 0:12:05.120
<v Speaker 1>in a place that was permissive, like Arizona. Other places

0:12:05.120 --> 0:12:07.880
<v Speaker 1>it was considered impossible. But like you said, in California,

0:12:07.920 --> 0:12:09.800
<v Speaker 1>even there are certain counties that I think are kind

0:12:09.800 --> 0:12:12.360
<v Speaker 1>of shall issue now. Yeah, And it's one of those

0:12:12.360 --> 0:12:14.920
<v Speaker 1>things where even in like a place like Texas, which

0:12:15.679 --> 0:12:18.000
<v Speaker 1>has I think most people who kind of aren't super

0:12:18.040 --> 0:12:20.000
<v Speaker 1>aware of the history see is just like always this

0:12:20.080 --> 0:12:23.080
<v Speaker 1>fashion of gun rights, and like the nineties, you could

0:12:23.080 --> 0:12:26.479
<v Speaker 1>not carry a gun in Texas under very most circumstances.

0:12:26.520 --> 0:12:28.000
<v Speaker 1>And in fact, one of the things that changed that

0:12:28.040 --> 0:12:30.040
<v Speaker 1>I forget the exact year. You may know more about

0:12:30.040 --> 0:12:32.280
<v Speaker 1>this than I do, but there was a mass shooting

0:12:32.280 --> 0:12:34.880
<v Speaker 1>at a Louby's um where a guy killed a lot

0:12:34.960 --> 0:12:37.000
<v Speaker 1>of people and at least one of the people who

0:12:37.080 --> 0:12:38.800
<v Speaker 1>was in the Loubi's during the shooting, like had a

0:12:38.800 --> 0:12:40.800
<v Speaker 1>weapon in their car, but they couldn't bring it in,

0:12:41.040 --> 0:12:45.480
<v Speaker 1>and that kind of ignited the concealed carry uh movement

0:12:45.640 --> 0:12:48.360
<v Speaker 1>within sort of Texas. UM and John Ross was a

0:12:48.400 --> 0:12:50.080
<v Speaker 1>big part of that in Missouri and was like a

0:12:50.120 --> 0:12:52.960
<v Speaker 1>major advocate for it in Missouri. So that's kind of

0:12:52.960 --> 0:12:55.480
<v Speaker 1>the context of this, dude, and in which this book

0:12:55.559 --> 0:12:58.200
<v Speaker 1>is written. So there's a lot going on here. Um.

0:12:58.280 --> 0:13:01.840
<v Speaker 1>And now we're gonna We're gonna start this very small

0:13:01.880 --> 0:13:04.679
<v Speaker 1>print book. I should note this is a massive book.

0:13:04.960 --> 0:13:07.480
<v Speaker 1>This is like, this is like the size of the

0:13:07.480 --> 0:13:09.840
<v Speaker 1>first two Lord of the Rings books. Like, this is

0:13:09.880 --> 0:13:14.120
<v Speaker 1>a this is an enormous text. So heads up, I

0:13:14.120 --> 0:13:15.920
<v Speaker 1>don't think we're ever going to get through all of it,

0:13:15.960 --> 0:13:18.520
<v Speaker 1>but this is a this is an interesting piece of

0:13:18.600 --> 0:13:21.680
<v Speaker 1>history here for people who are we see how tiny

0:13:21.760 --> 0:13:25.120
<v Speaker 1>the font is. Oh yeah, Sophie, look at this. Oh

0:13:25.160 --> 0:13:28.480
<v Speaker 1>my god, I know this is this is There are

0:13:28.559 --> 0:13:32.200
<v Speaker 1>so many words in this book, so yeah, do we

0:13:32.280 --> 0:13:35.320
<v Speaker 1>have I'm going to look up the word count. Go ahead, Yeah, yeah,

0:13:35.320 --> 0:13:38.599
<v Speaker 1>you should do that. So it starts with present day.

0:13:39.440 --> 0:13:41.760
<v Speaker 1>It was late afternoon when he finally heard them coming

0:13:41.800 --> 0:13:44.079
<v Speaker 1>to kill him. The wind was blowing gently towards him,

0:13:44.080 --> 0:13:46.520
<v Speaker 1>and it carried the sound well two choppers, he judged

0:13:46.559 --> 0:13:49.680
<v Speaker 1>from the pitch of the engines, possibly three. Henry realized

0:13:49.720 --> 0:13:51.559
<v Speaker 1>that his first emotion upon hearing the sound of the

0:13:51.600 --> 0:13:54.520
<v Speaker 1>rudder blades approaching was an overwhelming sense of relief. The

0:13:54.559 --> 0:13:57.440
<v Speaker 1>waiting was over. His next thought concerned the relatives of

0:13:57.440 --> 0:13:59.600
<v Speaker 1>the men that were about to die. The widows will

0:13:59.640 --> 0:14:02.160
<v Speaker 1>never stand that their husbands died because the government got

0:14:02.200 --> 0:14:04.800
<v Speaker 1>a little too heavy handed after June of nineteen sixty.

0:14:06.559 --> 0:14:09.320
<v Speaker 1>He scanned the sky until he spotted the aircraft approaching

0:14:09.360 --> 0:14:11.839
<v Speaker 1>from the north. This isn't that isn't quite right. The

0:14:11.920 --> 0:14:13.960
<v Speaker 1>Kennedy and King killings weren't the first links in the

0:14:14.000 --> 0:14:16.320
<v Speaker 1>chain that dragged us here. No, the death sentence was

0:14:16.360 --> 0:14:19.440
<v Speaker 1>handed down before World War Two. So this guy is

0:14:19.480 --> 0:14:22.040
<v Speaker 1>getting ready to like murder a bunch of federal agents

0:14:22.080 --> 0:14:24.200
<v Speaker 1>coming to his house, and he's thinking about the March

0:14:24.240 --> 0:14:26.880
<v Speaker 1>of tyranny and like debating with himself whether or not

0:14:26.920 --> 0:14:30.840
<v Speaker 1>it started with the assassinations of JFK and Martin Luther King.

0:14:31.160 --> 0:14:34.360
<v Speaker 1>And he's shades of Waco too, because if you've ever

0:14:34.400 --> 0:14:37.200
<v Speaker 1>been to the Waco site. There's memorial stones. They're placed

0:14:37.200 --> 0:14:39.880
<v Speaker 1>by the Davidians, and they immoralized not only their own

0:14:39.920 --> 0:14:42.720
<v Speaker 1>lost people, but they memorialized each lost a t F agent,

0:14:42.760 --> 0:14:45.560
<v Speaker 1>which was sort of impressive to see. That is interesting.

0:14:45.560 --> 0:14:50.400
<v Speaker 1>I actually was unaware of that. Um huh, that's interesting.

0:14:50.440 --> 0:14:53.320
<v Speaker 1>They pretty much memorialize it as a tragedy all around.

0:14:53.360 --> 0:14:56.720
<v Speaker 1>And there's there's stones there for the government agents that died. Huh.

0:14:56.760 --> 0:14:58.880
<v Speaker 1>I I did not know that. That's certainly like more

0:14:58.960 --> 0:15:01.840
<v Speaker 1>nuanced then I think we're going to get on Waco here.

0:15:01.960 --> 0:15:10.360
<v Speaker 1>Although yeah, um so yeah, it's uh, what is a solo? Third,

0:15:10.400 --> 0:15:13.440
<v Speaker 1>I guess that's the gun he's got here. Yeah, that's

0:15:13.480 --> 0:15:16.280
<v Speaker 1>a I believe that's the same. Okay. So it's like

0:15:16.320 --> 0:15:19.200
<v Speaker 1>an anti anti yeah, a lotty Like it's an anti

0:15:19.320 --> 0:15:23.600
<v Speaker 1>vehicle weapon, like very big bullet twenty millimeter bullets is

0:15:23.680 --> 0:15:28.160
<v Speaker 1>like the size of a small person's forearm. Yeah that material. Yeah,

0:15:28.200 --> 0:15:32.560
<v Speaker 1>it's for shooting through armored vehicles. So he decides, after

0:15:32.640 --> 0:15:34.600
<v Speaker 1>like debating with himself while he's willing to kill his

0:15:34.760 --> 0:15:36.680
<v Speaker 1>waiting to kill these federal agents, that the thing that

0:15:36.880 --> 0:15:39.600
<v Speaker 1>ended started the end of liberty in the United States

0:15:39.640 --> 0:15:42.560
<v Speaker 1>was a Supreme Court case involving a Moonshiner who was

0:15:42.680 --> 0:15:45.800
<v Speaker 1>arrested in nineteen thirty eight. A federal district court had

0:15:45.800 --> 0:15:48.280
<v Speaker 1>thrown out the charges as being unconstitutional, and the government

0:15:48.320 --> 0:15:50.960
<v Speaker 1>had appealed. At the hearing, something very unusual had happened.

0:15:51.200 --> 0:15:53.560
<v Speaker 1>Neither the Moonshiner nor his lawyer had seen fit to

0:15:53.600 --> 0:15:56.000
<v Speaker 1>appear before the court to argue the case. They didn't

0:15:56.000 --> 0:15:58.400
<v Speaker 1>even bother to file a brief on the Moonshiner's behalf.

0:15:58.640 --> 0:16:01.080
<v Speaker 1>The court ruled for the government, radial precedent was set,

0:16:01.120 --> 0:16:03.480
<v Speaker 1>and the issue was never again heard by the Supreme Court.

0:16:03.720 --> 0:16:06.720
<v Speaker 1>The nineteen thirty nine ruling became the foundation upon which

0:16:06.800 --> 0:16:09.880
<v Speaker 1>many additional laws were constructed. The Supreme Court has been

0:16:09.920 --> 0:16:12.320
<v Speaker 1>ducking that issue ever since. Henry thought, is he strained

0:16:12.320 --> 0:16:14.880
<v Speaker 1>to hear a change in the approaching noise? Well, guys,

0:16:15.000 --> 0:16:16.960
<v Speaker 1>the time has turned. It's time you thugs had a

0:16:16.960 --> 0:16:19.720
<v Speaker 1>little history lesson. I don't suppose you're familiar with what

0:16:19.760 --> 0:16:23.160
<v Speaker 1>happened in the Warsaw Ghetto in nineteen forty three. So

0:16:25.000 --> 0:16:27.640
<v Speaker 1>you're seeing he's drawing like a line here between the

0:16:27.720 --> 0:16:32.200
<v Speaker 1>Nazis cracking down on the Warsaw Ghetto and massacreing Jewish people, um,

0:16:32.360 --> 0:16:37.160
<v Speaker 1>and charges against bootleggers during Uh, that's that's actually after

0:16:37.240 --> 0:16:40.760
<v Speaker 1>Prohibition nineteen thirty eight. That's interesting, Like this is this

0:16:40.840 --> 0:16:42.960
<v Speaker 1>is a weird opening. I'll give it. I'll give one

0:16:42.960 --> 0:16:45.960
<v Speaker 1>thing to him. He's definitely a better writer than Ben Shapiro,

0:16:46.240 --> 0:16:50.720
<v Speaker 1>like already, um, and if you read the book, he

0:16:50.720 --> 0:16:52.880
<v Speaker 1>knows more about sex in general too, even if his

0:16:53.320 --> 0:16:58.760
<v Speaker 1>even if the way he models his super low bar Robert,

0:16:58.800 --> 0:17:01.560
<v Speaker 1>I didn't find the a word count. But the this

0:17:01.640 --> 0:17:06.040
<v Speaker 1>book is like only has five star reviews. Yeah, that

0:17:06.080 --> 0:17:08.680
<v Speaker 1>makes well because the only people who read this than

0:17:08.760 --> 0:17:12.880
<v Speaker 1>like Carl and I right now are people who are

0:17:12.960 --> 0:17:16.560
<v Speaker 1>already primed to want to read this book. It's just

0:17:16.680 --> 0:17:18.760
<v Speaker 1>very interesting because normally when we do a book episode,

0:17:18.840 --> 0:17:23.560
<v Speaker 1>it's like the reviews are horrendous. I have not seen

0:17:23.640 --> 0:17:26.360
<v Speaker 1>a review. But isn't five stars? Yeah that makes sense.

0:17:26.400 --> 0:17:30.400
<v Speaker 1>There's five plus on Amazon and they're all five stars.

0:17:30.440 --> 0:17:35.320
<v Speaker 1>And like there's even like fan art in the room. Yeah,

0:17:35.560 --> 0:17:37.639
<v Speaker 1>oh boy, I'll bet you don't want to look at

0:17:37.680 --> 0:17:41.360
<v Speaker 1>that fan art, Sophie. You simply do not know. Yeah,

0:17:41.359 --> 0:17:42.960
<v Speaker 1>but so it's interesting. Is this what I was talking

0:17:43.000 --> 0:17:44.720
<v Speaker 1>is he does get into a lot of Actually he

0:17:44.800 --> 0:17:46.960
<v Speaker 1>does reference a lot of real history, like that US

0:17:47.119 --> 0:17:49.800
<v Speaker 1>versus Miller is that Supreme Court case, and in that

0:17:49.800 --> 0:17:52.240
<v Speaker 1>that moon that that bootlegger had a shotgun that was

0:17:52.320 --> 0:17:55.119
<v Speaker 1>below legal length I believe or something like that. Neither

0:17:55.160 --> 0:17:58.200
<v Speaker 1>of them showed. But the court ruled in an interesting

0:17:58.240 --> 0:18:01.080
<v Speaker 1>way that the gun that they were persecuting him for

0:18:01.359 --> 0:18:05.680
<v Speaker 1>wasn't useful as a militia weapon, therefore it didn't apply. Ah,

0:18:05.720 --> 0:18:07.919
<v Speaker 1>so this is like the start of kind of the probe.

0:18:07.960 --> 0:18:10.439
<v Speaker 1>That's that's where is that where the law against like

0:18:10.440 --> 0:18:13.920
<v Speaker 1>short barreled shotguns came. We're talking about the n f

0:18:14.000 --> 0:18:18.199
<v Speaker 1>A and shotguns. But the moonshiner had a shotgun that

0:18:18.240 --> 0:18:20.919
<v Speaker 1>was I believe was below legal length, and that's what

0:18:21.000 --> 0:18:23.360
<v Speaker 1>this was about. But then when the court ruled against him,

0:18:23.560 --> 0:18:26.560
<v Speaker 1>they didn't rule against him because of they ruled that

0:18:26.600 --> 0:18:30.119
<v Speaker 1>the shotgun really wasn't viable for militia use, Which that

0:18:30.240 --> 0:18:33.040
<v Speaker 1>opens up a weird door about does that mean specifically

0:18:33.600 --> 0:18:36.359
<v Speaker 1>that the that the Second Amendment applies only to guns

0:18:36.359 --> 0:18:38.760
<v Speaker 1>that are for militia martial use, like an r fIF

0:18:38.800 --> 0:18:41.040
<v Speaker 1>team for example. That's where you see this stuff and

0:18:41.080 --> 0:18:43.880
<v Speaker 1>these arguments come out of. That's interesting because with DC

0:18:44.119 --> 0:18:47.760
<v Speaker 1>versus Heller, like there's this kind of understanding. The current

0:18:47.800 --> 0:18:50.960
<v Speaker 1>Supreme Court understanding is that the Second Amenment does protect

0:18:51.000 --> 0:18:53.399
<v Speaker 1>an individual right to bear arms. And it seems like

0:18:53.920 --> 0:18:57.000
<v Speaker 1>in thirty eight they were saying that, like, this gun

0:18:57.119 --> 0:18:59.240
<v Speaker 1>is illegal because it is not something that would be

0:18:59.359 --> 0:19:02.119
<v Speaker 1>useful as part of a militia. And so were we like,

0:19:02.520 --> 0:19:04.600
<v Speaker 1>the individual does not have a right just to bear

0:19:04.680 --> 0:19:08.160
<v Speaker 1>arms for individual purposes, So then isn't legal if it's

0:19:08.200 --> 0:19:10.960
<v Speaker 1>not useful in a militia. So reading this, it says

0:19:10.960 --> 0:19:13.200
<v Speaker 1>the Supreme Court hinted that individual right might exist in

0:19:13.240 --> 0:19:15.919
<v Speaker 1>the concust of a common obligation to possess arms and

0:19:15.960 --> 0:19:17.840
<v Speaker 1>to cooperate in the work of defense, and that a

0:19:17.920 --> 0:19:20.800
<v Speaker 1>sought off shotgun the fire issue in this case, was

0:19:20.840 --> 0:19:25.440
<v Speaker 1>not protective because it had no reasonable relationship to the preservations, preservation,

0:19:25.520 --> 0:19:29.359
<v Speaker 1>or efficiency of a well regulated militia. Now that's a

0:19:29.400 --> 0:19:33.040
<v Speaker 1>fascinating ruling because I think basically everyone today would be

0:19:33.080 --> 0:19:35.520
<v Speaker 1>angry at it, Like if you're pro gun control, then

0:19:35.560 --> 0:19:38.040
<v Speaker 1>you're going to be angry that it's basically saying, like, well,

0:19:38.240 --> 0:19:40.720
<v Speaker 1>weapons that are useful in terms of like fighting in

0:19:40.800 --> 0:19:43.160
<v Speaker 1>part of a militia are legal, like an a R fifteen,

0:19:43.240 --> 0:19:46.480
<v Speaker 1>but like which I think pro gun control people generally

0:19:46.520 --> 0:19:50.080
<v Speaker 1>disagree with. And if your pro gun rights, you're like, well,

0:19:50.560 --> 0:19:52.200
<v Speaker 1>why why would I be able to have an a

0:19:52.320 --> 0:19:55.280
<v Speaker 1>R fifteen but not a much less deadly weapon as

0:19:55.320 --> 0:19:58.200
<v Speaker 1>sought off shotgun? That's like way less effective at killing people.

0:19:58.440 --> 0:20:01.000
<v Speaker 1>That doesn't make any sense either. It's a like it

0:20:01.080 --> 0:20:04.960
<v Speaker 1>is a pretty nonsensical ruling, I think by most standards.

0:20:05.000 --> 0:20:07.480
<v Speaker 1>I know there's more wrapped up in that, because I

0:20:07.480 --> 0:20:09.840
<v Speaker 1>think there was a lot of fear over specifically sought

0:20:09.840 --> 0:20:12.320
<v Speaker 1>off shotguns as a result of like the bootlegging era, right,

0:20:12.359 --> 0:20:15.680
<v Speaker 1>because that was like a famous crime gun um, even

0:20:15.720 --> 0:20:18.359
<v Speaker 1>though they're not not any deadlier than a lot of

0:20:18.359 --> 0:20:20.679
<v Speaker 1>other weapons that people had easy access to, like a

0:20:20.760 --> 0:20:23.280
<v Speaker 1>Thompson or something which would have been pretty widely available

0:20:23.320 --> 0:20:25.639
<v Speaker 1>in the mid thirties, although that was regulated by the

0:20:25.760 --> 0:20:28.879
<v Speaker 1>n f A too. Speaking of being regulated by the

0:20:29.000 --> 0:20:31.919
<v Speaker 1>n f A, it's time for adverbs. Yeah, you know

0:20:31.960 --> 0:20:34.200
<v Speaker 1>who's not regulated by the n f A is our

0:20:34.240 --> 0:20:39.520
<v Speaker 1>sponsor the mac ten um. If you want, if you

0:20:39.560 --> 0:20:42.359
<v Speaker 1>want a gun that will you can make out of

0:20:43.359 --> 0:20:47.320
<v Speaker 1>a single stamped piece of metal. That's that's gonna be

0:20:47.359 --> 0:20:49.359
<v Speaker 1>one of your better options. And they're super for a

0:20:49.359 --> 0:20:53.760
<v Speaker 1>gunfight on a phone booth. Oh my god. Yeah, good

0:20:54.640 --> 0:21:03.840
<v Speaker 1>to know. I'm thinking back. We're back from ads. I'm

0:21:03.840 --> 0:21:06.040
<v Speaker 1>thinking of my favorite movie gunfights. Have you ever seen

0:21:06.080 --> 0:21:09.680
<v Speaker 1>the movie? Uh? Gross, point blank, Carl, No, I actually

0:21:09.720 --> 0:21:14.240
<v Speaker 1>have it. Oh, it's got maybe the least accurate gunfight

0:21:14.400 --> 0:21:18.840
<v Speaker 1>where like, uh, what's his fucking name? Um, let's just

0:21:18.880 --> 0:21:24.120
<v Speaker 1>go with John Ritterter it he looks like John ridder Um,

0:21:24.359 --> 0:21:27.080
<v Speaker 1>John Cusack, it was. It's one of the John's. John

0:21:27.160 --> 0:21:29.439
<v Speaker 1>Cusack is in like a gunfight in a seven eleven

0:21:29.480 --> 0:21:32.880
<v Speaker 1>and he's taking he's he's he's dual wielding blocks which

0:21:32.880 --> 0:21:36.480
<v Speaker 1>he's firing blindly and taking cover behind the chip aisle

0:21:36.520 --> 0:21:40.240
<v Speaker 1>at a seven eleven, which provides excellent cover, can stand

0:21:40.320 --> 0:21:45.240
<v Speaker 1>goun rounds. It's one of my favorite movie gunfights. Um okay,

0:21:45.359 --> 0:21:52.600
<v Speaker 1>So started the book December eleventh, nineteen o six. Um, alright,

0:21:52.640 --> 0:21:55.800
<v Speaker 1>so we're we're starting with two guys firing there. Boy,

0:21:55.840 --> 0:21:57.720
<v Speaker 1>there's just a lot of I think one of the

0:21:57.720 --> 0:22:01.040
<v Speaker 1>reasons this is so popular is this is a lot

0:22:01.119 --> 0:22:03.840
<v Speaker 1>of just very technical gun stuff. Like the opening of

0:22:03.880 --> 0:22:07.800
<v Speaker 1>this chapter is him walking through like firing tens of

0:22:07.800 --> 0:22:11.840
<v Speaker 1>thousands of rounds with a Winchester Model nineteen o three, um,

0:22:11.880 --> 0:22:15.480
<v Speaker 1>which was an old twenty two semi automatic rifle. And

0:22:15.520 --> 0:22:18.840
<v Speaker 1>it's just kind of like discussing how the firearm works

0:22:18.880 --> 0:22:23.320
<v Speaker 1>and how the rules regarding like this early gun sport worked. Um,

0:22:23.359 --> 0:22:25.040
<v Speaker 1>which is a thing I think that if you're buying

0:22:25.040 --> 0:22:27.359
<v Speaker 1>this book at a gun store, you're probably interested in,

0:22:27.640 --> 0:22:30.000
<v Speaker 1>and but not a thing I think most readers are

0:22:30.000 --> 0:22:31.760
<v Speaker 1>going to be interested in. So so we're going to

0:22:31.840 --> 0:22:36.199
<v Speaker 1>skip ahead just a little bit here. Um. Yeah, this

0:22:36.280 --> 0:22:38.280
<v Speaker 1>is just a lot of oh wow, And now there's

0:22:38.320 --> 0:22:40.080
<v Speaker 1>a picture of a guy on top of a mountain

0:22:40.119 --> 0:22:44.120
<v Speaker 1>of are those skulls? Show us? Show us, show us.

0:22:45.400 --> 0:22:48.560
<v Speaker 1>I want to see standing here. I'm sad that we

0:22:48.680 --> 0:22:51.800
<v Speaker 1>can't see what you're seeing. Oh no, these are target blocks. Yeah.

0:22:51.880 --> 0:22:54.960
<v Speaker 1>So it's it's it's he's yeah, it's just kind of

0:22:55.680 --> 0:23:00.359
<v Speaker 1>uh nerdy gun stuff, like he's he's explained in the

0:23:00.680 --> 0:23:05.560
<v Speaker 1>like this guy, I'll read you a representative paragraph and

0:23:05.640 --> 0:23:08.840
<v Speaker 1>the San Antonio Fairgrounds closed in December fifteenth, nineteen o six.

0:23:08.920 --> 0:23:12.000
<v Speaker 1>Add topper Wine using three Semiato Winchester nineteen o three

0:23:12.040 --> 0:23:14.800
<v Speaker 1>rifles had shot seventy two thousand, five hundred wooden blocks

0:23:14.800 --> 0:23:17.280
<v Speaker 1>thrown in the air. He had missed nine. More than

0:23:17.320 --> 0:23:19.720
<v Speaker 1>a half century later, another man employed by Remington would

0:23:19.760 --> 0:23:22.160
<v Speaker 1>hit over a hundred thousand. His throwers, however, would stand

0:23:22.160 --> 0:23:24.600
<v Speaker 1>by his left shoulder and gently tossed the blocks straight

0:23:24.600 --> 0:23:27.080
<v Speaker 1>out along the same path the bullet would take. Tops

0:23:27.119 --> 0:23:29.080
<v Speaker 1>records shot under the rules laid out by another man

0:23:29.119 --> 0:23:31.679
<v Speaker 1>in the nineteenth century would never be broken. In nineteen

0:23:31.680 --> 0:23:34.680
<v Speaker 1>o six, skilled riflemen were universally admired. People like ad

0:23:34.680 --> 0:23:36.879
<v Speaker 1>and Plinky topper Wine spent much of their time urging

0:23:36.880 --> 0:23:39.000
<v Speaker 1>young boys and girls to earn gun safety and hone

0:23:39.000 --> 0:23:42.879
<v Speaker 1>their shooting skills. Um, okay, so he's talking about the

0:23:42.920 --> 0:23:45.920
<v Speaker 1>birth of the gun culture here. That's that's actually quite nice.

0:23:45.960 --> 0:23:48.159
<v Speaker 1>I was worried at first that this was because this

0:23:48.320 --> 0:23:50.520
<v Speaker 1>bears a resemblance to some of the photos you would

0:23:50.520 --> 0:23:52.800
<v Speaker 1>see of like frontier men standing on top of like

0:23:52.840 --> 0:23:55.600
<v Speaker 1>buffalo skulls. But it's just a guy standing on top

0:23:55.640 --> 0:23:58.240
<v Speaker 1>of a bunch of like blocks that he shot during

0:23:58.280 --> 0:24:01.080
<v Speaker 1>some time, a type of old timey shoot contest. Yeah,

0:24:01.119 --> 0:24:03.119
<v Speaker 1>we're going back to like the shooting these wooden blocks,

0:24:03.119 --> 0:24:05.239
<v Speaker 1>and then like Annie Oakley would shoot glass balls and

0:24:05.240 --> 0:24:08.639
<v Speaker 1>it was exhibition shooting, which was almost explicitly done with

0:24:08.680 --> 0:24:10.720
<v Speaker 1>twenty two rifles and it was kind of a cool

0:24:10.760 --> 0:24:13.720
<v Speaker 1>thing and people really did exhibit some amazing skills. Yeah,

0:24:13.760 --> 0:24:16.480
<v Speaker 1>and the next chapter is nineteen eighteen, and we're still

0:24:16.520 --> 0:24:19.000
<v Speaker 1>going into like the birth of gun culture. So he's

0:24:19.400 --> 0:24:22.320
<v Speaker 1>he's kind of framing like the idea of shooting sports

0:24:22.359 --> 0:24:25.160
<v Speaker 1>as a character in this book. Um, again, I get

0:24:25.160 --> 0:24:28.520
<v Speaker 1>why this is is popular among the specific people it is.

0:24:28.600 --> 0:24:30.600
<v Speaker 1>We're not It's not like the Turner Diaries where we

0:24:30.680 --> 0:24:33.639
<v Speaker 1>jump right into there's a civil war and like here's

0:24:33.680 --> 0:24:37.920
<v Speaker 1>my here's my like racist theories about whatever. Like we're

0:24:37.960 --> 0:24:41.600
<v Speaker 1>we're really talking kind of at length about the birth

0:24:41.600 --> 0:24:45.320
<v Speaker 1>of gun culture, um, the creation of the maximum gun,

0:24:45.640 --> 0:24:47.280
<v Speaker 1>but kind of stuff we talked about in our in

0:24:47.280 --> 0:24:52.399
<v Speaker 1>our Behind the Bastards episodes. Um. Now, I think this

0:24:52.480 --> 0:24:56.600
<v Speaker 1>is probably maybe not the best narratively to start with

0:24:57.040 --> 0:24:59.440
<v Speaker 1>you to start your fiction novel with a very long

0:24:59.760 --> 0:25:01.560
<v Speaker 1>but it does kind of, you know, it reminds me

0:25:01.600 --> 0:25:05.000
<v Speaker 1>a little bit of is like um, Michael Crichton, where

0:25:05.160 --> 0:25:07.679
<v Speaker 1>you've got these like books that have this this like

0:25:07.760 --> 0:25:10.720
<v Speaker 1>science fiction or whateverything. But the first like thirty pages

0:25:10.800 --> 0:25:13.800
<v Speaker 1>is him like vamping about chaos theory or whatever kind

0:25:13.800 --> 0:25:17.399
<v Speaker 1>of mathematical thing he's interested in instead of nature finding

0:25:17.400 --> 0:25:19.720
<v Speaker 1>the way, guns will find the way, peace will find

0:25:19.720 --> 0:25:22.160
<v Speaker 1>the way. Yeah. Yeah, But I think in nineteen eighteen

0:25:22.160 --> 0:25:24.400
<v Speaker 1>there and nineteen was at nineteen nineteen he gets into

0:25:24.440 --> 0:25:28.040
<v Speaker 1>like this is this book is really a difficult thing

0:25:28.080 --> 0:25:31.520
<v Speaker 1>to discuss because it's hard. It's so it's a bit schizophrenic, right,

0:25:31.520 --> 0:25:33.800
<v Speaker 1>There's this narrative in there of this revolt, but there's

0:25:33.800 --> 0:25:35.600
<v Speaker 1>a lot of actual real history in there. He gets

0:25:35.640 --> 0:25:38.720
<v Speaker 1>into the Bonus Marchers, which was a pretty fucked up thing, honestly,

0:25:38.760 --> 0:25:42.159
<v Speaker 1>and he pretty act July sixteenth, nineteen thirty two, we

0:25:42.240 --> 0:25:46.960
<v Speaker 1>get Smedley Butler as a character. Um. So yeah, and

0:25:47.000 --> 0:25:51.080
<v Speaker 1>he's talking about the Bonus Marchers here. Um. Although I

0:25:51.119 --> 0:25:53.800
<v Speaker 1>think it's interesting like the pieces of Smedley story that

0:25:53.840 --> 0:25:55.600
<v Speaker 1>he does take out here, Like the opening quote he

0:25:55.640 --> 0:25:57.959
<v Speaker 1>gives from Smedley here is take it from me. This

0:25:58.000 --> 0:26:00.360
<v Speaker 1>is the greatest demonstration of Americanism we've have or had.

0:26:00.440 --> 0:26:02.640
<v Speaker 1>Pure Americanism will need to take this beating as you've

0:26:02.640 --> 0:26:05.240
<v Speaker 1>taken at stand right and steady, you keep every law,

0:26:05.280 --> 0:26:06.720
<v Speaker 1>and why in the hell shouldn't you, Who in the

0:26:06.760 --> 0:26:08.399
<v Speaker 1>hell has done all the bleeding for this country and

0:26:08.480 --> 0:26:12.240
<v Speaker 1>this law and this constitution anyhow, but you fellows, which

0:26:12.280 --> 0:26:14.560
<v Speaker 1>is it's interesting because the thing they're taking, and this

0:26:14.600 --> 0:26:17.160
<v Speaker 1>is the period where for people who aren't aware, you've

0:26:17.160 --> 0:26:20.679
<v Speaker 1>got these World War One veterans when the economy collapses,

0:26:20.720 --> 0:26:23.560
<v Speaker 1>who are are owed a bonus that's being paid out

0:26:23.560 --> 0:26:26.720
<v Speaker 1>over a very long period of time, and because everyone

0:26:26.800 --> 0:26:29.159
<v Speaker 1>is in dire financial straits, they're like, we want the

0:26:29.320 --> 0:26:31.760
<v Speaker 1>money now. Can we just get the money that's owed

0:26:31.800 --> 0:26:33.480
<v Speaker 1>to us now? When they have a big march on

0:26:33.600 --> 0:26:37.640
<v Speaker 1>d c Um which is cracked down on via Douglas

0:26:37.640 --> 0:26:41.280
<v Speaker 1>MacArthur using tanks um and before it is cracked down

0:26:41.320 --> 0:26:44.119
<v Speaker 1>on Smedley Butler, who is, like I think still to

0:26:44.200 --> 0:26:47.120
<v Speaker 1>this day, the most highly decorated marine in history. He's

0:26:47.119 --> 0:26:49.800
<v Speaker 1>certainly like in the running for it. He had two

0:26:49.800 --> 0:26:53.720
<v Speaker 1>medals of honor um, which he had very mixed opinions of,

0:26:53.800 --> 0:26:57.879
<v Speaker 1>but he definitely earned them um. And he's he shows

0:26:57.960 --> 0:27:00.600
<v Speaker 1>up to like speak in defense of these men and

0:27:00.640 --> 0:27:03.840
<v Speaker 1>support their cause. And it's interesting because they're they're kind

0:27:03.880 --> 0:27:07.120
<v Speaker 1>of framing what Smedley is doing here is a defense

0:27:07.320 --> 0:27:10.480
<v Speaker 1>of kind of this idea you see Robert Heinlin talk

0:27:10.520 --> 0:27:12.280
<v Speaker 1>about a lot um. This is kind of the thing

0:27:12.320 --> 0:27:14.119
<v Speaker 1>that's come down to us and Starship Troopers. But it's

0:27:14.160 --> 0:27:16.800
<v Speaker 1>something Heinland played with a lot that, like, uh, this

0:27:16.920 --> 0:27:21.040
<v Speaker 1>idea of like the citizens soldier being the ideal kind

0:27:21.080 --> 0:27:23.920
<v Speaker 1>of building block of a free society. And I don't

0:27:23.920 --> 0:27:27.199
<v Speaker 1>think that's actually what Butler believed, obviously, because by the

0:27:27.280 --> 0:27:30.120
<v Speaker 1>end of his life, Butler had come around very much

0:27:30.160 --> 0:27:33.720
<v Speaker 1>against militarism and like I was saying things that like

0:27:33.760 --> 0:27:36.680
<v Speaker 1>I believe I've only ever been a gangster for capitalism.

0:27:36.720 --> 0:27:40.960
<v Speaker 1>So it's interesting that they've picked this specific time to

0:27:41.520 --> 0:27:44.280
<v Speaker 1>kind of hone in on Smedley Butler and and turn

0:27:44.359 --> 0:27:47.480
<v Speaker 1>him into a character in this book. Um, because I'll

0:27:47.560 --> 0:27:49.640
<v Speaker 1>check here, but I'm not sure if I think we're

0:27:49.640 --> 0:27:53.679
<v Speaker 1>going to get Butler stopping the business plot. Um. But

0:27:53.920 --> 0:27:57.320
<v Speaker 1>that said, this is a really valid piece of history.

0:27:57.320 --> 0:27:59.280
<v Speaker 1>And this is one of those things when we talk

0:27:59.359 --> 0:28:03.800
<v Speaker 1>about like areas where I think it's possible to get

0:28:03.840 --> 0:28:06.280
<v Speaker 1>people on the right kind of in line with some

0:28:06.359 --> 0:28:08.560
<v Speaker 1>of the things I believe. I think it's really useful

0:28:08.600 --> 0:28:10.639
<v Speaker 1>to talk about history, about things like the Bonus Marchers,

0:28:10.680 --> 0:28:13.760
<v Speaker 1>where it's like, well, you can't really trust the government

0:28:13.800 --> 0:28:16.040
<v Speaker 1>and when it comes down to who's going to violently

0:28:16.119 --> 0:28:19.000
<v Speaker 1>crack down on people standing in favor of their liberty,

0:28:19.359 --> 0:28:23.359
<v Speaker 1>Maybe it's these these police forces that you're continually trying

0:28:23.400 --> 0:28:26.040
<v Speaker 1>to like fund an arm heavily, and perhaps this is

0:28:26.040 --> 0:28:28.119
<v Speaker 1>a place where we could come together and discuss some

0:28:28.480 --> 0:28:31.960
<v Speaker 1>shared interests. Gee whiz, guys, maybe if we actually looked this,

0:28:32.080 --> 0:28:34.320
<v Speaker 1>you know, with clear eyes, we'd realize we kind of

0:28:34.320 --> 0:28:38.040
<v Speaker 1>had a mutual problem here, regardless of our particular peculiarities

0:28:38.040 --> 0:28:42.160
<v Speaker 1>as to why so we introduced this character, um cam

0:28:42.240 --> 0:28:46.880
<v Speaker 1>who's this veteran um and who's about to We're told

0:28:46.880 --> 0:28:50.560
<v Speaker 1>at the end of page twenty six cam Bowman did

0:28:50.560 --> 0:28:52.800
<v Speaker 1>not know that the government had its own agenda concerning

0:28:52.800 --> 0:28:55.320
<v Speaker 1>the Bonus Army. Cam Bowman had less than three weeks

0:28:55.400 --> 0:28:58.720
<v Speaker 1>left to live, and then in the next chapter we

0:28:58.840 --> 0:29:03.320
<v Speaker 1>have him getting more murder along with everybody else by

0:29:03.600 --> 0:29:08.560
<v Speaker 1>Um General Douglas MacArthur. Um. The soldiers had been instructed

0:29:08.600 --> 0:29:10.480
<v Speaker 1>by their commander to clear the bonus marchers out of

0:29:10.520 --> 0:29:12.320
<v Speaker 1>the area by striking them with the flats of their

0:29:12.320 --> 0:29:15.320
<v Speaker 1>sabers blades, not the cutting edge. And this was what

0:29:15.360 --> 0:29:17.920
<v Speaker 1>the cavalrymen did. It was like being struck by a

0:29:17.960 --> 0:29:21.320
<v Speaker 1>three foot steel bar, and Lieutenant Cameron Bowman's left wrist

0:29:21.360 --> 0:29:24.120
<v Speaker 1>was shattered like kindling. He did not cry out or

0:29:24.120 --> 0:29:26.320
<v Speaker 1>fall down. But when Bowman saw the soldier prepared to

0:29:26.360 --> 0:29:28.800
<v Speaker 1>deliver a second blow, he finally accepted his fate and

0:29:28.840 --> 0:29:31.240
<v Speaker 1>gave ground. As he made his way to the bridge,

0:29:31.240 --> 0:29:33.840
<v Speaker 1>his ruined wrist beginning to scream an agony, Bowman saw

0:29:33.880 --> 0:29:35.840
<v Speaker 1>three men leading the army troops, and he was stunned

0:29:35.880 --> 0:29:38.120
<v Speaker 1>by what he saw. He did not recognize the two

0:29:38.200 --> 0:29:40.960
<v Speaker 1>army majors, who would both later come to prominence. The

0:29:41.000 --> 0:29:44.120
<v Speaker 1>man in charge of leading the infantrymen, Cavalry and Tank Division, however,

0:29:44.200 --> 0:29:47.320
<v Speaker 1>was impossible to miss. The lesser ranked soldiers were Major

0:29:47.360 --> 0:29:50.600
<v Speaker 1>George S. Patton and Major Dwight D. Eisenhower. The senior

0:29:50.640 --> 0:29:52.720
<v Speaker 1>officer was the Chief of Staff of the United States

0:29:52.800 --> 0:29:57.680
<v Speaker 1>Armed Forces, General Douglas Smith MacArthur. And this is interesting, um,

0:29:57.680 --> 0:30:02.000
<v Speaker 1>because that's very accurate, that that's completely true. Um, it's

0:30:02.040 --> 0:30:05.680
<v Speaker 1>neat because these guys, all these these these figures, both

0:30:05.720 --> 0:30:07.880
<v Speaker 1>of whom would become generals, are all of whom would

0:30:07.920 --> 0:30:10.160
<v Speaker 1>be general. I mean MacArthur was a general when this happened.

0:30:10.720 --> 0:30:13.480
<v Speaker 1>Patton and obviously Dwight Eisenhower are going to be generals

0:30:13.560 --> 0:30:17.600
<v Speaker 1>very quickly, um in World War Two. And they are both,

0:30:17.640 --> 0:30:23.120
<v Speaker 1>I think today, broadly speaking, heroic figures for conservatives, UM,

0:30:23.280 --> 0:30:30.080
<v Speaker 1>particularly pattent. Eisenhower interestingly has a really mixed history there because, um,

0:30:30.240 --> 0:30:33.600
<v Speaker 1>you know, he he's who the John Birch Society focuses

0:30:33.600 --> 0:30:35.600
<v Speaker 1>on him as like a secret communist. So there is

0:30:35.640 --> 0:30:39.680
<v Speaker 1>this longstanding distrust of Eisenhower on the far right. But

0:30:39.840 --> 0:30:45.280
<v Speaker 1>MacArthur becomes a major far right figure, um, especially after

0:30:45.320 --> 0:30:48.600
<v Speaker 1>he gets fired by Truman during the Korean War. UM.

0:30:48.640 --> 0:30:51.080
<v Speaker 1>He's a big part of We just had an episode

0:30:51.080 --> 0:30:54.280
<v Speaker 1>on kind of some of the early like Christian conservative

0:30:54.320 --> 0:30:57.320
<v Speaker 1>movements in the United States and like the reforming of

0:30:57.360 --> 0:30:59.040
<v Speaker 1>the idea of the Fourth of July. He's a big

0:30:59.080 --> 0:31:02.440
<v Speaker 1>part of this. UM. So it's interesting to me that

0:31:02.560 --> 0:31:05.720
<v Speaker 1>Ross is kind of emphasizing his role here, which which

0:31:05.800 --> 0:31:08.920
<v Speaker 1>is a big one, UM, because I don't think that's

0:31:09.000 --> 0:31:12.600
<v Speaker 1>done a lot in uh, in conservative sort of uh

0:31:12.680 --> 0:31:15.240
<v Speaker 1>like far right propaganda these days, MacArthur because he was

0:31:15.320 --> 0:31:17.680
<v Speaker 1>such an anti communist, tends to be heralded. So at

0:31:17.760 --> 0:31:20.560
<v Speaker 1>least this guy so far seems to be pretty consistent. Yeah,

0:31:20.600 --> 0:31:22.000
<v Speaker 1>I don't know that how how that would have been

0:31:22.040 --> 0:31:24.760
<v Speaker 1>received now versus when it was actually published initially, Right,

0:31:24.760 --> 0:31:26.760
<v Speaker 1>we have a pretty different world from then. But it

0:31:26.880 --> 0:31:29.000
<v Speaker 1>is interesting to note that. Um, I don't know about

0:31:29.080 --> 0:31:32.360
<v Speaker 1>John Ross's thoughts on workers rights, but he's certainly concerned

0:31:32.360 --> 0:31:35.080
<v Speaker 1>with veterans rights because these Bonus Marchers is one of

0:31:35.080 --> 0:31:37.880
<v Speaker 1>the arguments he uses to portray the government is becoming

0:31:38.040 --> 0:31:40.520
<v Speaker 1>an authoritarian regime that doesn't seem to care about its people,

0:31:40.560 --> 0:31:43.560
<v Speaker 1>including its own veterans, and he uses the Bonus marchers

0:31:43.600 --> 0:31:46.120
<v Speaker 1>as or the breaking of the Bonus March as one

0:31:46.160 --> 0:31:49.800
<v Speaker 1>of those examples. And it's really compelling to me because

0:31:49.960 --> 0:31:52.760
<v Speaker 1>obviously that is a really valid point. The breaking of

0:31:52.800 --> 0:31:55.920
<v Speaker 1>the Bonus Army is totally an example of the government

0:31:56.000 --> 0:32:00.760
<v Speaker 1>becoming like doing an unhinged authoritarian thing. But he it's

0:32:00.800 --> 0:32:04.560
<v Speaker 1>also a choice, and John Ross, I feel like, just

0:32:04.560 --> 0:32:06.800
<v Speaker 1>based on what I'm reading here, knows too much history

0:32:06.800 --> 0:32:08.680
<v Speaker 1>for this not to have been a choice to not

0:32:08.760 --> 0:32:12.000
<v Speaker 1>discuss any other aspects of Butler's career or the business plot,

0:32:12.120 --> 0:32:14.800
<v Speaker 1>or kind of the elements of this that are the

0:32:14.840 --> 0:32:19.440
<v Speaker 1>government tilting its hand on the scale in favor of capital. Um.

0:32:19.480 --> 0:32:21.560
<v Speaker 1>And I think that's because obviously John Ross has his

0:32:21.600 --> 0:32:25.880
<v Speaker 1>own biases here. He's worried about communism. I I it's

0:32:25.920 --> 0:32:29.920
<v Speaker 1>fascinating to me that he seems to be tying the

0:32:29.960 --> 0:32:33.760
<v Speaker 1>destruction of the Bonus Army, the massacre of these soldiers

0:32:33.800 --> 0:32:36.920
<v Speaker 1>in with like the creeping socialism in the government, because

0:32:36.920 --> 0:32:39.960
<v Speaker 1>I I really don't see it that way. Um. And

0:32:40.000 --> 0:32:43.280
<v Speaker 1>I'm sure MacArthur wouldn't have seen it that way. Um.

0:32:43.320 --> 0:32:45.560
<v Speaker 1>But also I have to I have to respect the

0:32:45.600 --> 0:32:49.880
<v Speaker 1>fact that he is very astutely identifying MacArthur is like

0:32:49.960 --> 0:32:53.680
<v Speaker 1>part of the problem here. That's really interesting to me. Yeah.

0:32:53.960 --> 0:32:55.600
<v Speaker 1>And this is like the first example in the book.

0:32:55.600 --> 0:32:57.560
<v Speaker 1>And he goes through and I and each and every

0:32:57.560 --> 0:32:59.240
<v Speaker 1>one of these, like I said, he'll he'll get to

0:32:59.320 --> 0:33:01.400
<v Speaker 1>Ruby Ridge, you get to Waco, and he uses these

0:33:01.440 --> 0:33:04.440
<v Speaker 1>as an argument that slowly builds up to the culmination

0:33:04.440 --> 0:33:09.680
<v Speaker 1>of this this rebellion that that Henry Bowman actually engages in. Yeah.

0:33:10.000 --> 0:33:12.320
<v Speaker 1>I think part of what's fascinating to me about this

0:33:12.680 --> 0:33:15.320
<v Speaker 1>is it is I don't think John Ross and I

0:33:15.400 --> 0:33:16.720
<v Speaker 1>have a lot in common, and I don't think we

0:33:16.760 --> 0:33:19.480
<v Speaker 1>would agree on a lot. But up to this point

0:33:19.960 --> 0:33:22.560
<v Speaker 1>he's he's not wrong. I would argue that, like his

0:33:22.600 --> 0:33:26.360
<v Speaker 1>analysis of the building problems of authoritarianism in the U. S.

0:33:26.400 --> 0:33:30.040
<v Speaker 1>Government are incomplete, and he's leaving out some really important moments,

0:33:30.440 --> 0:33:32.920
<v Speaker 1>but he's not all. He's also not wrong. And I

0:33:33.000 --> 0:33:37.800
<v Speaker 1>have not noticed any like you know, uh, any racism

0:33:37.920 --> 0:33:41.120
<v Speaker 1>here so far, and I have not noticed. Um, he's

0:33:41.120 --> 0:33:43.560
<v Speaker 1>not inventing things out of whole cloth, which is like

0:33:43.600 --> 0:33:45.400
<v Speaker 1>what you see in the Turner Diaries, right. And I'm

0:33:45.440 --> 0:33:48.440
<v Speaker 1>not comparing these two because they're super similar. For one thing,

0:33:48.480 --> 0:33:51.600
<v Speaker 1>this is objectively a better written book, um. And for

0:33:51.640 --> 0:33:54.280
<v Speaker 1>another thing, the Turner Diaries, by page twenty eight you

0:33:54.320 --> 0:33:57.280
<v Speaker 1>have ingested enough racism to kill a large dog. And

0:33:57.320 --> 0:33:59.760
<v Speaker 1>we haven't really seen any yet out of this. So no,

0:33:59.880 --> 0:34:01.440
<v Speaker 1>I know, and I've been a long time since I've

0:34:01.440 --> 0:34:02.560
<v Speaker 1>read this, so I don't want to speak to the

0:34:02.640 --> 0:34:04.880
<v Speaker 1>nuance that might be in there. Of course, So this

0:34:04.960 --> 0:34:07.520
<v Speaker 1>is not a this is not a promotion for this,

0:34:07.560 --> 0:34:10.600
<v Speaker 1>but but like there's a. I found a interview with

0:34:10.719 --> 0:34:14.000
<v Speaker 1>John Ross later in which apparently Timothy McVeigh, of course

0:34:14.040 --> 0:34:17.280
<v Speaker 1>the bomber of Oklahoma City, said that he was inspired

0:34:17.280 --> 0:34:20.920
<v Speaker 1>by the Turner Diaries and Turner Diaries. It's a terrible, vitriolic, racist,

0:34:21.000 --> 0:34:24.000
<v Speaker 1>Nazi book. It is unreadable if you are not like

0:34:24.120 --> 0:34:26.960
<v Speaker 1>studying it as an academic or a Nazi. And Timothy

0:34:27.000 --> 0:34:29.279
<v Speaker 1>McVeigh said that if he had read Unattended Consequences, it

0:34:29.360 --> 0:34:32.000
<v Speaker 1>might have changed his approach to the problem. And that's

0:34:32.000 --> 0:34:34.120
<v Speaker 1>an interesting thing. So we have these people that of

0:34:34.160 --> 0:34:36.799
<v Speaker 1>course been become I don't know how to put it.

0:34:36.800 --> 0:34:40.000
<v Speaker 1>They got pushed further down the path of extreme, extreme

0:34:40.360 --> 0:34:42.879
<v Speaker 1>beliefs by things like the Turner Diaries. And it's weird

0:34:42.880 --> 0:34:46.640
<v Speaker 1>that Timothy McVeigh kind of argued that the Unattended Consequences

0:34:46.719 --> 0:34:50.200
<v Speaker 1>might have actually tempered him, which is a strange thing

0:34:50.239 --> 0:34:53.320
<v Speaker 1>to think, because this book is a revolutionary kind of book.

0:34:53.680 --> 0:34:56.440
<v Speaker 1>And I've come across that too, and I've always wondered

0:34:56.920 --> 0:34:59.640
<v Speaker 1>did McVeigh mean he might not have carried out an attack,

0:34:59.719 --> 0:35:03.520
<v Speaker 1>or that maybe he would have liked gone because like

0:35:03.560 --> 0:35:06.680
<v Speaker 1>the stuff Bowman does, the Turner Diaries obviously, like the

0:35:06.719 --> 0:35:08.920
<v Speaker 1>thing that inspired McVeigh as they blow up, I think

0:35:09.000 --> 0:35:11.680
<v Speaker 1>it it's literally the Pentagon or in its FBI headquarters.

0:35:11.680 --> 0:35:13.600
<v Speaker 1>They said, I like a big bomb and FBI headquarters,

0:35:13.640 --> 0:35:16.840
<v Speaker 1>which was was something he considered, and he picked the target.

0:35:16.880 --> 0:35:19.000
<v Speaker 1>He did the more about building an Oklahoma city because

0:35:19.000 --> 0:35:21.359
<v Speaker 1>it had a large FBI presence and that was really

0:35:21.360 --> 0:35:23.960
<v Speaker 1>who he was targeting as a result of Waco, although

0:35:24.000 --> 0:35:25.919
<v Speaker 1>he was obviously fine with the fact that it blew

0:35:25.960 --> 0:35:29.720
<v Speaker 1>up like a daycare and a bunch of other things besides. Um.

0:35:29.760 --> 0:35:33.560
<v Speaker 1>But I wonder if he's saying, I don't know that

0:35:33.760 --> 0:35:36.320
<v Speaker 1>maybe I would have liked organized with people as opposed

0:35:36.360 --> 0:35:39.400
<v Speaker 1>to like carrying out a bombing or is he saying

0:35:39.800 --> 0:35:42.400
<v Speaker 1>perhaps I would have liked done what Bowman does and

0:35:42.480 --> 0:35:45.239
<v Speaker 1>carried out like a series of armed attacks specifically on

0:35:45.320 --> 0:35:48.360
<v Speaker 1>federal agents, as opposed to like a bombing campaign that

0:35:48.480 --> 0:35:52.440
<v Speaker 1>was much less discriminate. Um. Like, I'm not sure McVeigh

0:35:52.520 --> 0:35:55.319
<v Speaker 1>saying I wouldn't have done a violent thing if I

0:35:55.320 --> 0:35:58.759
<v Speaker 1>had read this book. But it's also probably if if

0:35:59.160 --> 0:36:01.440
<v Speaker 1>he had patterned his attack off the kind of attacks

0:36:01.440 --> 0:36:04.440
<v Speaker 1>you see an undetendent consequences, probably wouldn't have blown up

0:36:04.440 --> 0:36:07.120
<v Speaker 1>a daycare. I think, Yeah, I agree, I'm not I'm

0:36:07.120 --> 0:36:08.719
<v Speaker 1>not trying to say that. I'm not trying to say

0:36:08.719 --> 0:36:10.759
<v Speaker 1>that this book would have turned Timothy McVeigh into putting

0:36:10.760 --> 0:36:14.200
<v Speaker 1>flowers into rifle bags, right, but but but it's it's

0:36:14.200 --> 0:36:16.600
<v Speaker 1>a it's an unclear quote. But it's an interesting thing

0:36:16.640 --> 0:36:19.560
<v Speaker 1>to note. Yeah, I'm not trying to like make a

0:36:19.600 --> 0:36:22.000
<v Speaker 1>broad moral point about like, well, it would have been

0:36:22.040 --> 0:36:24.880
<v Speaker 1>better if he'd been radicalized into just shooting some FEDS

0:36:24.920 --> 0:36:27.240
<v Speaker 1>is supposed to blowing up, Like I'm not. I'm really

0:36:27.320 --> 0:36:29.400
<v Speaker 1>not trying to get into the weeds there. But I

0:36:29.440 --> 0:36:31.880
<v Speaker 1>think if you are interested in like radicalism and what

0:36:32.000 --> 0:36:34.600
<v Speaker 1>causes people to do stuff like that, I don't think

0:36:34.640 --> 0:36:36.480
<v Speaker 1>I I think there might be a tendency to just

0:36:36.560 --> 0:36:38.400
<v Speaker 1>discount what the vey is saying. And I don't know

0:36:38.400 --> 0:36:40.360
<v Speaker 1>that we should because I think it is interesting that

0:36:40.480 --> 0:36:46.000
<v Speaker 1>like when different media radicalizes people, it radicalizes them to

0:36:46.080 --> 0:36:50.239
<v Speaker 1>take different actions. And that's not Um, this is not

0:36:50.280 --> 0:36:52.040
<v Speaker 1>the kind of like thought I would blast out on

0:36:52.080 --> 0:36:54.880
<v Speaker 1>Twitter because it's difficult to get out in two characters

0:36:54.880 --> 0:36:56.759
<v Speaker 1>and it's gonna seem like you're saying something different than

0:36:56.800 --> 0:36:59.400
<v Speaker 1>what you are. But I don't think that's not a

0:36:59.440 --> 0:37:02.319
<v Speaker 1>thing we should think about and study. Perhaps is where

0:37:02.440 --> 0:37:04.600
<v Speaker 1>I mean, it's like art is an interesting thing, and

0:37:04.640 --> 0:37:06.640
<v Speaker 1>books are an interesting and fiction is an interesting thing.

0:37:06.680 --> 0:37:09.040
<v Speaker 1>I mean, I think one of the most inspirational books

0:37:09.040 --> 0:37:10.960
<v Speaker 1>that the Uni bomb are referenced was by all Gore,

0:37:11.920 --> 0:37:15.399
<v Speaker 1>right right, Um. And Timothy McVeigh, just to go back

0:37:15.440 --> 0:37:17.800
<v Speaker 1>to him, was also heavily influenced by fucking Star Trek.

0:37:17.800 --> 0:37:19.680
<v Speaker 1>He was a huge fan of Star Trek and of

0:37:19.719 --> 0:37:24.080
<v Speaker 1>Star Wars. UM and so yeah, I mean, it's it's

0:37:24.080 --> 0:37:26.640
<v Speaker 1>just interesting to see that. And it's interesting, like the

0:37:26.680 --> 0:37:30.680
<v Speaker 1>different kind of because both Um Pierce, the author of

0:37:30.680 --> 0:37:34.520
<v Speaker 1>the Turner Diaries, and Ross, you can see broad similarities

0:37:34.560 --> 0:37:37.960
<v Speaker 1>in that they are both people who advocate for an

0:37:38.080 --> 0:37:41.719
<v Speaker 1>armed overthrow of the government. Now they're both arguing that

0:37:41.800 --> 0:37:43.880
<v Speaker 1>for different things, and I think they both see a

0:37:43.920 --> 0:37:48.040
<v Speaker 1>different world as desirable as a result of that. Um.

0:37:48.120 --> 0:37:50.040
<v Speaker 1>But it is compelling if you're someone who kind of

0:37:50.040 --> 0:37:53.600
<v Speaker 1>studies radicalization to see the different ways they go about it.

0:37:53.680 --> 0:37:57.400
<v Speaker 1>And Ross is really building a much slower case that

0:37:57.520 --> 0:38:00.080
<v Speaker 1>is based on real history about the necessity of a

0:38:00.120 --> 0:38:03.000
<v Speaker 1>revolt against the government. UM. And I think it's important

0:38:03.000 --> 0:38:05.080
<v Speaker 1>that we're like noting the things that he's leaving out.

0:38:05.719 --> 0:38:08.160
<v Speaker 1>But the choices he's making here are really interesting. And

0:38:08.200 --> 0:38:12.200
<v Speaker 1>you know who else makes interesting choices, Carl Monsanto? They

0:38:12.280 --> 0:38:16.920
<v Speaker 1>absolutely so. Carl. Have you ever been driving through like

0:38:17.120 --> 0:38:19.720
<v Speaker 1>a rural part of the country, seeing like beautiful fields

0:38:20.000 --> 0:38:23.400
<v Speaker 1>with corn and other crops, and going I wish those

0:38:23.440 --> 0:38:26.600
<v Speaker 1>farmers would get thrown in prison if the wind happened

0:38:26.640 --> 0:38:29.920
<v Speaker 1>to carry seeds from one field to the other that

0:38:29.960 --> 0:38:32.960
<v Speaker 1>didn't have the legal right to use those specific patented,

0:38:33.000 --> 0:38:35.400
<v Speaker 1>genetically modified seeds. Have you been thinking that, like just

0:38:35.520 --> 0:38:37.520
<v Speaker 1>driving through the country side, I really have. I really

0:38:37.520 --> 0:38:39.280
<v Speaker 1>think that all the food we eat needs more DRM

0:38:39.320 --> 0:38:43.520
<v Speaker 1>around it. Absolutely. That's the problem with food is that

0:38:43.560 --> 0:38:46.640
<v Speaker 1>it doesn't have digital rights management. And that's the beautiful

0:38:46.680 --> 0:38:52.480
<v Speaker 1>dream of Monsanto digital rights management for everything. Um I

0:38:52.480 --> 0:39:02.680
<v Speaker 1>I think that's a beautiful dream. Let's let's hear these ads. Ah,

0:39:02.760 --> 0:39:07.040
<v Speaker 1>we're back. So you're at him on Santo kick these days? Carl, Yeah,

0:39:07.040 --> 0:39:08.879
<v Speaker 1>I'm a big fan of it. You know, ready, round

0:39:08.960 --> 0:39:11.680
<v Speaker 1>up is pretty good on a salad. I do, I do?

0:39:12.040 --> 0:39:14.200
<v Speaker 1>Who was that was that the Monsanto guy that like

0:39:14.280 --> 0:39:17.000
<v Speaker 1>someone tried to get him to like drink weed killer

0:39:17.040 --> 0:39:22.120
<v Speaker 1>because that sounds vaguely familiar. It's so safe. Let me

0:39:22.160 --> 0:39:25.400
<v Speaker 1>chug this. Yeah, yeah, nothing like a Monsanto bong on

0:39:25.400 --> 0:39:29.680
<v Speaker 1>a Saturday night. Oh my gosh, that that does sound

0:39:29.719 --> 0:39:34.960
<v Speaker 1>fun because then also you know you're killing whatever insects

0:39:35.000 --> 0:39:38.120
<v Speaker 1>are on your weed. Nice and safe. Um all right,

0:39:38.280 --> 0:39:43.000
<v Speaker 1>So Carl, page twenty nine. We we are about what

0:39:43.200 --> 0:39:47.319
<v Speaker 1>there's so much history here. So we're nineteen thirty six now. Um,

0:39:47.520 --> 0:39:51.080
<v Speaker 1>we're talking to a woman named Zophia, who I am

0:39:51.320 --> 0:39:54.959
<v Speaker 1>guessing here is some sort of refugee from the bad

0:39:55.000 --> 0:40:01.440
<v Speaker 1>things that are happening in Europe. Um hm, yep, okay, yep,

0:40:01.520 --> 0:40:03.440
<v Speaker 1>that seems to be what's happening here. All right. So

0:40:03.440 --> 0:40:08.000
<v Speaker 1>we've got this lady talking with her mom, YadA, YadA, YadA. Um, oh,

0:40:08.080 --> 0:40:13.560
<v Speaker 1>I think we're okay. So she yeah, this is this

0:40:13.680 --> 0:40:17.759
<v Speaker 1>is uh, I think setting up one of our characters. Yeah,

0:40:17.760 --> 0:40:21.080
<v Speaker 1>she's marrying some guy named Irwin man Um who's also

0:40:21.120 --> 0:40:24.600
<v Speaker 1>a Jewish refugee, which is again, so that's a nice

0:40:24.760 --> 0:40:27.000
<v Speaker 1>bit of change from the Turner Diaries. It does seem

0:40:27.040 --> 0:40:28.600
<v Speaker 1>like a number of our heroes are going to be

0:40:28.680 --> 0:40:32.080
<v Speaker 1>Jewish people. So that's yeah, this speaking. This is one

0:40:32.080 --> 0:40:34.359
<v Speaker 1>of the character here. This is this character becomes, if

0:40:34.360 --> 0:40:36.719
<v Speaker 1>I recall correctly, one of the fighters in the war

0:40:36.760 --> 0:40:40.080
<v Speaker 1>saw got to uprising. And so he's using this character

0:40:40.200 --> 0:40:42.600
<v Speaker 1>to demonstrate the ability of the individual to fight the

0:40:42.600 --> 0:40:46.320
<v Speaker 1>government with small arms. Gotcha, Okay, well that makes sense. Um.

0:40:46.440 --> 0:40:49.959
<v Speaker 1>So nineteen thirty eight, we've got a treasury agent hiding

0:40:50.000 --> 0:40:52.360
<v Speaker 1>in the woods. Oh I think this is him writing

0:40:52.400 --> 0:41:00.720
<v Speaker 1>out the arrest of that moonshiner. Is that what's coming here? Yeah? Yep, yep, yep, yep, yep. Okay, cool, Um,

0:41:00.719 --> 0:41:05.920
<v Speaker 1>So that's fine. Um, let's you know, that's that's an

0:41:05.920 --> 0:41:07.719
<v Speaker 1>interesting note. I mean, I wouldn't say that you should

0:41:07.719 --> 0:41:09.480
<v Speaker 1>read this book like a history book, because that would

0:41:09.480 --> 0:41:12.239
<v Speaker 1>be that would be wildly inappropriate. However, if you wanted

0:41:12.239 --> 0:41:15.319
<v Speaker 1>to get like a basic bullet point timeline of things

0:41:15.400 --> 0:41:17.640
<v Speaker 1>that would be worth further investigation, this book is full

0:41:17.680 --> 0:41:20.000
<v Speaker 1>of that. Yeah, there's a lot of stuff to like

0:41:20.200 --> 0:41:25.160
<v Speaker 1>look into here. And again it's it's there's he's making

0:41:25.160 --> 0:41:28.560
<v Speaker 1>a very specific ideological case. So it's incomplete, as we

0:41:28.640 --> 0:41:32.400
<v Speaker 1>noted with like Smedley Butler, um, and probably incomplete as

0:41:32.440 --> 0:41:35.920
<v Speaker 1>we're talking about like gun control and prohibition, because he's

0:41:35.920 --> 0:41:39.120
<v Speaker 1>really focused on this thirty eight case, um, which is

0:41:39.239 --> 0:41:42.800
<v Speaker 1>kind of late in the history of like arms regular

0:41:42.800 --> 0:41:44.600
<v Speaker 1>like thirty four is when we get the n f A.

0:41:44.680 --> 0:41:46.279
<v Speaker 1>So it's interesting to me that he's not kind of

0:41:46.320 --> 0:41:49.640
<v Speaker 1>focusing on any I mean, I it makes sense based

0:41:49.640 --> 0:41:51.600
<v Speaker 1>on kind of the ruling here, but it is interesting

0:41:51.600 --> 0:41:53.640
<v Speaker 1>that that's kind of that seems to be where he's

0:41:53.680 --> 0:41:56.400
<v Speaker 1>starting in terms of gun control regulations as opposed to

0:41:56.400 --> 0:42:00.439
<v Speaker 1>going in anywhere earlier. Yeah, the watershed out of gun

0:42:00.480 --> 0:42:03.279
<v Speaker 1>controls considered nineteen thirty four, and then the second, the

0:42:03.360 --> 0:42:05.239
<v Speaker 1>second strike to the core or the heart of that

0:42:05.320 --> 0:42:07.879
<v Speaker 1>is the nineteen Gun Control Act, both of which are

0:42:08.040 --> 0:42:12.399
<v Speaker 1>heavily discussed in the book. Yeah, And I suspect he's

0:42:12.480 --> 0:42:14.800
<v Speaker 1>kind of going for this moment in thirty eight because

0:42:14.800 --> 0:42:18.319
<v Speaker 1>it's a little easier to to build sympathy for the

0:42:18.360 --> 0:42:22.239
<v Speaker 1>audience for this like small scale bootlegger rather than like

0:42:22.280 --> 0:42:25.240
<v Speaker 1>the thirty four gun control in thirty four was heavily

0:42:25.320 --> 0:42:28.600
<v Speaker 1>driven by you have like this this soaring rate of

0:42:28.719 --> 0:42:31.960
<v Speaker 1>organized crime, and you have like these really horrible murders

0:42:31.960 --> 0:42:34.759
<v Speaker 1>in the street. And uh, I think it's probably he's

0:42:34.760 --> 0:42:37.920
<v Speaker 1>probably making a choice as a writer here that like, well,

0:42:37.960 --> 0:42:39.800
<v Speaker 1>I'm gonna have to put in a lot more legwork

0:42:39.960 --> 0:42:42.120
<v Speaker 1>to get people on to to get people seeing the

0:42:42.160 --> 0:42:44.400
<v Speaker 1>government as the clear bad guy in that one than

0:42:44.440 --> 0:42:46.839
<v Speaker 1>I am. If I focus on this like small moonshiner,

0:42:46.880 --> 0:42:49.360
<v Speaker 1>who's got this sought off shotgun? And it makes this

0:42:49.440 --> 0:42:52.640
<v Speaker 1>easy case that like they're they're kind of making this

0:42:52.640 --> 0:42:54.640
<v Speaker 1>this ruling that I can claim is where like all

0:42:54.680 --> 0:42:57.960
<v Speaker 1>of this illegitimate stuff is descended from like he's making

0:42:58.239 --> 0:43:00.520
<v Speaker 1>he's giving you a very incomplete look at the history,

0:43:00.520 --> 0:43:02.200
<v Speaker 1>but he's making what I think is a pretty smart

0:43:02.280 --> 0:43:05.719
<v Speaker 1>editorial choice by face. He definitely was strategic and what

0:43:05.760 --> 0:43:07.120
<v Speaker 1>he did with that. And it is also interesting to

0:43:07.120 --> 0:43:08.960
<v Speaker 1>note that people that don't know this in the audience,

0:43:10.760 --> 0:43:13.839
<v Speaker 1>UM uh n f A. The National Firearms Act, which

0:43:13.880 --> 0:43:17.480
<v Speaker 1>was to regulate machine guns, short barreled rifle, shortbeled shotguns, suppressors.

0:43:17.960 --> 0:43:21.120
<v Speaker 1>UM isn't actually a gun law. It's a tax law.

0:43:21.760 --> 0:43:25.160
<v Speaker 1>It's actually done through the it's right and so it's UM.

0:43:25.200 --> 0:43:27.400
<v Speaker 1>What they do is they don't make it impossible to

0:43:27.400 --> 0:43:29.800
<v Speaker 1>own these things. But they regulated as a tax stamp,

0:43:30.000 --> 0:43:32.520
<v Speaker 1>which the time was two and was cost prohibited was

0:43:32.520 --> 0:43:34.560
<v Speaker 1>actually more than the value of the gun. But now

0:43:34.640 --> 0:43:36.399
<v Speaker 1>that we come to the future, you can't make more

0:43:36.440 --> 0:43:39.319
<v Speaker 1>machine guns, but you can still buy them, but it's

0:43:39.360 --> 0:43:41.680
<v Speaker 1>still the same two tax But it's very interesting that

0:43:41.719 --> 0:43:48.560
<v Speaker 1>it's a tax law not really unnecessarily a gun law. Yeah. Yeah,

0:43:48.600 --> 0:43:51.080
<v Speaker 1>that's really compelling. And again this is something that he's

0:43:51.160 --> 0:43:55.000
<v Speaker 1>kind of like skipping entirely over um And what he

0:43:55.040 --> 0:43:57.040
<v Speaker 1>does here in the next couple of chapters is interesting.

0:43:57.480 --> 0:44:00.239
<v Speaker 1>So after we're introduced to like these these moonshine owners

0:44:00.280 --> 0:44:02.080
<v Speaker 1>and we get like the start of the arrest that

0:44:02.160 --> 0:44:05.239
<v Speaker 1>leads to their case, we have a chapter uh that's

0:44:05.320 --> 0:44:09.200
<v Speaker 1>November nine, nineteen thirty eight in Germany where they're sending

0:44:09.239 --> 0:44:12.480
<v Speaker 1>a bunch of like we focus in on a Jewish family,

0:44:12.960 --> 0:44:15.719
<v Speaker 1>um and who they are sending to Dakow. Right, So

0:44:15.760 --> 0:44:17.719
<v Speaker 1>we've got like the Nazi sending guy to dak How

0:44:17.760 --> 0:44:20.839
<v Speaker 1>we get one page of that and then so that's

0:44:20.840 --> 0:44:23.880
<v Speaker 1>a one page chapter that literally um it ends with

0:44:23.920 --> 0:44:27.279
<v Speaker 1>the line he was going to dokaw um and it's

0:44:27.280 --> 0:44:29.359
<v Speaker 1>talking about like, okay, I'll read the last two lines

0:44:29.400 --> 0:44:31.479
<v Speaker 1>here the watchmakers share to fate with almost a quarter

0:44:31.480 --> 0:44:33.319
<v Speaker 1>million of his countrymen and every single one of his

0:44:33.360 --> 0:44:35.400
<v Speaker 1>relatives who was still in Germany as of November nine

0:44:35.480 --> 0:44:39.160
<v Speaker 1>night he was going to Dakow. And then the very

0:44:39.200 --> 0:44:42.960
<v Speaker 1>next chapter, after that one page chapter, we get a

0:44:43.080 --> 0:44:46.160
<v Speaker 1>district like the basically the minutes of a district court

0:44:46.480 --> 0:44:51.160
<v Speaker 1>meeting for this case United States versus Miller involving this bootlegger.

0:44:51.200 --> 0:44:54.400
<v Speaker 1>So he's really very kind of directly making a comparison

0:44:54.440 --> 0:44:57.680
<v Speaker 1>between the Nazis shipping people off to concentration camps and

0:44:57.760 --> 0:45:00.800
<v Speaker 1>this bootlegger going to court over an a legal short

0:45:00.800 --> 0:45:04.959
<v Speaker 1>barreled shotgun, which is definitely like, this is the most

0:45:05.000 --> 0:45:07.560
<v Speaker 1>problematic the book has gotten so far, at least since

0:45:07.600 --> 0:45:10.480
<v Speaker 1>they're over our reading of it um and you can

0:45:10.760 --> 0:45:12.520
<v Speaker 1>see what he's doing here, right, Like, this is not

0:45:12.600 --> 0:45:15.720
<v Speaker 1>particularly subtle, although it does, I think count is subtle

0:45:15.800 --> 0:45:19.200
<v Speaker 1>within this genre of literature. Yeah, he's setting up the

0:45:19.320 --> 0:45:21.799
<v Speaker 1>argument that gun control lends itself to what we saw

0:45:21.840 --> 0:45:25.480
<v Speaker 1>a Nazi Germany, which is general side, etcetera, which he's

0:45:25.719 --> 0:45:28.399
<v Speaker 1>drawing a direct comparison between the agents of the state

0:45:28.480 --> 0:45:30.759
<v Speaker 1>in both countries. And of course it's a much more

0:45:30.760 --> 0:45:33.120
<v Speaker 1>complex argument to that, but there is some historicity to

0:45:33.160 --> 0:45:35.200
<v Speaker 1>gun control leading itsself to that too. So he's not

0:45:35.520 --> 0:45:38.160
<v Speaker 1>entirely wrong, right, because a lot of earlier and this

0:45:38.320 --> 0:45:40.520
<v Speaker 1>it's interesting to me again in terms of like the

0:45:40.520 --> 0:45:42.680
<v Speaker 1>thing he thinks he does choose to read out this

0:45:42.800 --> 0:45:47.120
<v Speaker 1>is not so far an explicitly racist novel, But he's

0:45:47.160 --> 0:45:50.600
<v Speaker 1>making the choice to not lead at all with the

0:45:50.680 --> 0:45:55.120
<v Speaker 1>history of gun control as it involves the suppression of

0:45:55.160 --> 0:45:57.799
<v Speaker 1>black people's right to carry concealed handguns, which is a

0:45:57.800 --> 0:46:00.799
<v Speaker 1>big part of early laws against concealed handgun was to

0:46:00.880 --> 0:46:04.680
<v Speaker 1>stop black men in the reconstruction area from carrying concealed handguns,

0:46:04.960 --> 0:46:08.360
<v Speaker 1>which they did because people would try to murder them. Um.

0:46:08.400 --> 0:46:11.440
<v Speaker 1>And he's he's definitely leaving that out. He's also we

0:46:11.520 --> 0:46:14.400
<v Speaker 1>just did an episode on this with Margaret Killjoy leaving

0:46:14.440 --> 0:46:18.320
<v Speaker 1>out a decent chunk of like there were a number

0:46:18.400 --> 0:46:20.239
<v Speaker 1>of some of the first gun control laws in the

0:46:20.280 --> 0:46:23.520
<v Speaker 1>country were also passed in order to stop anarchists from

0:46:23.560 --> 0:46:27.960
<v Speaker 1>carrying handguns and as part of the labor movement. Um.

0:46:28.040 --> 0:46:30.000
<v Speaker 1>And so we're not really getting any of that. We are,

0:46:30.080 --> 0:46:33.520
<v Speaker 1>really he is making a really pointed choice by focusing

0:46:33.560 --> 0:46:36.319
<v Speaker 1>on Miller in nineteen thirty eight as kind of the

0:46:36.320 --> 0:46:39.480
<v Speaker 1>birth of all this gun control um. And that's interesting

0:46:39.520 --> 0:46:41.640
<v Speaker 1>to me because it does this is kind of We've

0:46:41.680 --> 0:46:43.600
<v Speaker 1>talked about how careful he's being, and he this is

0:46:43.640 --> 0:46:46.400
<v Speaker 1>a very careful book so far. He is not. It

0:46:46.520 --> 0:46:48.759
<v Speaker 1>is not like an unhinged screen at all, and it

0:46:48.800 --> 0:46:51.520
<v Speaker 1>does not read that way. Um. But he is making

0:46:51.600 --> 0:46:54.839
<v Speaker 1>some really distinct editorial choices about what he leaves out,

0:46:54.840 --> 0:46:58.600
<v Speaker 1>and I think that's really worth kind of highlighting. Yeah.

0:46:58.640 --> 0:47:00.520
<v Speaker 1>I don't disagree, and I don't recall all of it,

0:47:00.520 --> 0:47:04.040
<v Speaker 1>but I don't recall this book really getting into issues

0:47:04.120 --> 0:47:08.440
<v Speaker 1>like the panthers or um or or civil rights in

0:47:08.480 --> 0:47:11.000
<v Speaker 1>regards to firearms in their use, which of course is

0:47:11.000 --> 0:47:12.680
<v Speaker 1>a topic that has been so left off of the

0:47:12.680 --> 0:47:16.120
<v Speaker 1>American historical record that it's been intentionally ignored. It's like

0:47:16.160 --> 0:47:21.120
<v Speaker 1>I call it um uh, intentional um amnesia, where we

0:47:21.160 --> 0:47:23.600
<v Speaker 1>don't want to talk about those things where black people

0:47:23.719 --> 0:47:26.000
<v Speaker 1>use guns to defend themselves and the reason they still

0:47:26.040 --> 0:47:28.640
<v Speaker 1>exist is because they had a gun in their possession.

0:47:28.680 --> 0:47:30.880
<v Speaker 1>I don't remember that being in this book, and it

0:47:30.880 --> 0:47:33.520
<v Speaker 1>would It's interesting because that you're right, it lends It

0:47:33.520 --> 0:47:36.360
<v Speaker 1>would have lended itself even more credibility to his argument

0:47:36.400 --> 0:47:39.239
<v Speaker 1>if he had included it. Yeah, I mean it would

0:47:39.400 --> 0:47:41.719
<v Speaker 1>you you could have slotted that in here and it

0:47:41.760 --> 0:47:44.000
<v Speaker 1>would have like worked as part of the narrative progression

0:47:44.040 --> 0:47:46.440
<v Speaker 1>he's building. But I also think that would have really

0:47:46.440 --> 0:47:48.680
<v Speaker 1>turned off a decent chunk of who he knew was

0:47:48.760 --> 0:47:50.680
<v Speaker 1>kind of And it's also I'm sure this is this

0:47:50.760 --> 0:47:53.359
<v Speaker 1>is also based on like he didn't. I think it's

0:47:53.480 --> 0:47:56.120
<v Speaker 1>very possible Ross doesn't see that as part of really

0:47:56.160 --> 0:47:59.879
<v Speaker 1>the history of of unfair gun control in the United States.

0:48:00.000 --> 0:48:02.480
<v Speaker 1>I don't know the man um so I don't know

0:48:02.520 --> 0:48:05.000
<v Speaker 1>the degree to which that was a choice or that

0:48:05.080 --> 0:48:07.120
<v Speaker 1>was just stuff he was unaware of. But he seems

0:48:07.200 --> 0:48:10.200
<v Speaker 1>so knowledgeable that I do have trouble imagining he wouldn't

0:48:10.200 --> 0:48:12.840
<v Speaker 1>at least know about like the panthers and stuff which

0:48:13.239 --> 0:48:15.400
<v Speaker 1>perhaps we haven't gotten to. But again I don't recall

0:48:15.440 --> 0:48:17.360
<v Speaker 1>from an earlier reading of that book, this book, I

0:48:17.400 --> 0:48:20.040
<v Speaker 1>don't recall that being a part of this. If it's

0:48:20.040 --> 0:48:22.920
<v Speaker 1>in there, it's not heavily profiled at all. And I

0:48:22.960 --> 0:48:25.839
<v Speaker 1>think I would be more along the lines of thinking

0:48:25.880 --> 0:48:28.359
<v Speaker 1>that he knew the audience he was targeting and did

0:48:28.400 --> 0:48:30.920
<v Speaker 1>not want to alienate them, And that's one of the

0:48:30.920 --> 0:48:33.680
<v Speaker 1>things we've talked about in previous work together, is like,

0:48:33.719 --> 0:48:35.480
<v Speaker 1>you know, the community and the gun community is getting

0:48:35.680 --> 0:48:39.160
<v Speaker 1>is getting much more uh as much as it's becoming

0:48:39.160 --> 0:48:42.000
<v Speaker 1>a much larger tent, but it's still a big uphill fight.

0:48:42.520 --> 0:48:45.879
<v Speaker 1>And um that that level of acceptance definitely did not

0:48:45.960 --> 0:48:49.480
<v Speaker 1>exist in when this book was published. So by including

0:48:49.520 --> 0:48:51.400
<v Speaker 1>things like that, I think he would have lost his

0:48:51.440 --> 0:48:54.200
<v Speaker 1>core targeted audience, which is why we see those five

0:48:54.239 --> 0:48:57.359
<v Speaker 1>star reviews on this book, because it's very specifically read

0:48:57.400 --> 0:48:59.960
<v Speaker 1>only by the people that are going to like it. Yeah,

0:49:00.440 --> 0:49:03.000
<v Speaker 1>and the next like forty or so pages of this

0:49:03.080 --> 0:49:06.680
<v Speaker 1>are really heavily dealing with Irwin Mann and the Warsaw

0:49:06.719 --> 0:49:09.480
<v Speaker 1>Ghetto uprising. We're we're getting into a lot of World

0:49:09.520 --> 0:49:11.360
<v Speaker 1>War two stuff and it's going to be in here

0:49:11.960 --> 0:49:15.120
<v Speaker 1>that um I think it's is Bowman's dad that gets

0:49:15.160 --> 0:49:19.760
<v Speaker 1>introduced as a World War two veteran, right, um, because

0:49:19.800 --> 0:49:25.319
<v Speaker 1>he's start he comes in here, yeah, Walter Bowman. Um. Yeah.

0:49:25.400 --> 0:49:28.480
<v Speaker 1>So so by page ninety three is kind of when

0:49:28.480 --> 0:49:30.520
<v Speaker 1>we're introduced to the Bowman family, who's going to be

0:49:30.560 --> 0:49:34.640
<v Speaker 1>our protagonist family, and he comes into the story at

0:49:34.360 --> 0:49:38.480
<v Speaker 1>at at right after uh, the end of kind of

0:49:38.520 --> 0:49:42.279
<v Speaker 1>our chunk on the warsaw Get Out Uprising, um where

0:49:42.320 --> 0:49:45.759
<v Speaker 1>we have so so May six, nineteen forty five is

0:49:45.800 --> 0:49:48.319
<v Speaker 1>when we kind of meet the family of the guy

0:49:48.360 --> 0:49:50.799
<v Speaker 1>who's going to be our main character. And I think

0:49:50.800 --> 0:49:53.359
<v Speaker 1>we'll probably come back to that when we when we

0:49:53.400 --> 0:49:57.080
<v Speaker 1>deal with this again. But so that's that's the introduction

0:49:57.160 --> 0:49:59.400
<v Speaker 1>to this book is ninety two pages of what is

0:49:59.440 --> 0:50:04.560
<v Speaker 1>effectively like, um, the history of shooting sports and gun control.

0:50:04.600 --> 0:50:07.200
<v Speaker 1>Like this is a real slow burn of a starter,

0:50:07.840 --> 0:50:10.319
<v Speaker 1>UM And it's different from any other book with kind

0:50:10.320 --> 0:50:13.560
<v Speaker 1>of a broadly similar theme that I think I've gone through. UM.

0:50:13.719 --> 0:50:16.720
<v Speaker 1>I have to say it's probably one of the smarter

0:50:16.880 --> 0:50:21.560
<v Speaker 1>pieces of of of kind of right wing uh militant

0:50:21.920 --> 0:50:25.640
<v Speaker 1>like propaganda literature that I've seen. UM. And it is

0:50:25.680 --> 0:50:28.560
<v Speaker 1>something that if you're not of that ideology, there's even

0:50:28.640 --> 0:50:30.719
<v Speaker 1>aspects of this that you could enjoy, because there is

0:50:30.719 --> 0:50:33.200
<v Speaker 1>like quite a bit of history in here that that's interesting,

0:50:33.440 --> 0:50:35.920
<v Speaker 1>but as we've talked about, it's also very in complete history.

0:50:36.520 --> 0:50:38.560
<v Speaker 1>I do kind of find this fascinating in a way

0:50:38.560 --> 0:50:42.000
<v Speaker 1>that for example, Ben Shapiro isn't right, Like there's actually

0:50:42.040 --> 0:50:45.640
<v Speaker 1>a lot to say about this that's not mocking the writing.

0:50:45.640 --> 0:50:48.680
<v Speaker 1>In addition, like the writing is not it's not particularly

0:50:48.719 --> 0:50:51.760
<v Speaker 1>like inspired writing, Like I'm not going to call this guy. Uh,

0:50:51.800 --> 0:50:55.360
<v Speaker 1>this is not like a toured a force of narrative power. Um.

0:50:55.400 --> 0:50:58.000
<v Speaker 1>But it's not like there's nothing about it that's jumping

0:50:58.000 --> 0:51:00.560
<v Speaker 1>out to me is incompetent or bad at all. Like

0:51:00.600 --> 0:51:03.919
<v Speaker 1>it's just like, I mean, it's definitely like a slow burn,

0:51:04.040 --> 0:51:05.799
<v Speaker 1>but kind of in the same way. You know, I

0:51:05.800 --> 0:51:08.920
<v Speaker 1>get shades of Tom Clancy from this actually, oh I

0:51:08.920 --> 0:51:13.600
<v Speaker 1>would yeah. And and the writing is it's it is readable.

0:51:13.640 --> 0:51:15.480
<v Speaker 1>It's um, I don't know how where would I put

0:51:15.520 --> 0:51:17.200
<v Speaker 1>in terms of qualit like Tom clans is a good

0:51:17.320 --> 0:51:20.040
<v Speaker 1>unc channel pros Yeah, kind of like Stephen King. It's

0:51:20.040 --> 0:51:23.279
<v Speaker 1>it's it's it tells the story, but it's not necessarily Shakespeare.

0:51:23.600 --> 0:51:26.200
<v Speaker 1>Yeah yeah, yeah, Like it's certainly not You're not like

0:51:26.239 --> 0:51:28.200
<v Speaker 1>I can't think of any lines here that jumped out

0:51:28.200 --> 0:51:32.399
<v Speaker 1>to me is like particularly artful, but nothing like, you know,

0:51:32.600 --> 0:51:36.280
<v Speaker 1>nothing that made it difficult to read. It's just kind of, um,

0:51:36.320 --> 0:51:38.840
<v Speaker 1>it's if you're not interested in this history or in

0:51:38.880 --> 0:51:41.399
<v Speaker 1>the technical details. And this is something I know from

0:51:41.400 --> 0:51:44.480
<v Speaker 1>the book. He really loves getting into the technical details

0:51:44.480 --> 0:51:48.040
<v Speaker 1>about how all of his guns work and stuff, and um,

0:51:48.080 --> 0:51:50.720
<v Speaker 1>even if you like in a way that's very Tom Clancy.

0:51:50.800 --> 0:51:53.000
<v Speaker 1>So if that's your thing, you may find aspects of

0:51:53.000 --> 0:51:55.640
<v Speaker 1>that compelling. I tend to think, even as someone who

0:51:55.640 --> 0:51:57.040
<v Speaker 1>likes guns, that it can be a bit of a

0:51:57.080 --> 0:51:59.560
<v Speaker 1>slog at times. Well, you mentioned what you were a

0:51:59.600 --> 0:52:01.600
<v Speaker 1>page not D six when they just introduced his father.

0:52:01.880 --> 0:52:04.160
<v Speaker 1>I think this book is like five thirty pages, so

0:52:04.200 --> 0:52:06.800
<v Speaker 1>you're like, you're less than one fifth through the book

0:52:07.280 --> 0:52:09.759
<v Speaker 1>and that's just beginning to introduce the main characters for

0:52:09.840 --> 0:52:12.359
<v Speaker 1>the storyline. Yeah, so we'll we'll come back to this.

0:52:12.440 --> 0:52:15.040
<v Speaker 1>But I think it is interesting to talk about how

0:52:15.080 --> 0:52:19.640
<v Speaker 1>this guy chooses to introduce this book that has become

0:52:19.680 --> 0:52:23.200
<v Speaker 1>so influential in US gun culture because it's it's it's

0:52:23.239 --> 0:52:27.680
<v Speaker 1>a pretty He makes some pretty intelligent choices here, um

0:52:27.680 --> 0:52:29.399
<v Speaker 1>that I think are going to be surprising to people,

0:52:29.560 --> 0:52:31.839
<v Speaker 1>just based on the cover, which is not a subtle cover.

0:52:33.239 --> 0:52:35.640
<v Speaker 1>You don't you didn't see You don't see this much anymore.

0:52:35.680 --> 0:52:37.680
<v Speaker 1>But like in the in the early two thousand's, this

0:52:37.680 --> 0:52:40.760
<v Speaker 1>book was influential enough that the at the Gun shows

0:52:40.800 --> 0:52:42.360
<v Speaker 1>and on all a bunch of the cars at the

0:52:42.360 --> 0:52:44.440
<v Speaker 1>gun show, you'd see stickers that said Henry Bowman as

0:52:44.480 --> 0:52:48.239
<v Speaker 1>my President. Yeah. Yeah, and this book was a big deal. Yeah.

0:52:48.280 --> 0:52:50.359
<v Speaker 1>And it makes it makes sense that it is because

0:52:50.360 --> 0:52:52.680
<v Speaker 1>I think, number one, there's a lot of people who

0:52:52.760 --> 0:52:56.719
<v Speaker 1>are going to be attracted to some of the ideas

0:52:56.880 --> 0:52:59.600
<v Speaker 1>of like revolt against the government and like an armed

0:52:59.600 --> 0:53:06.239
<v Speaker 1>in urgency and seeing themselves as as members of that obviously, UM,

0:53:06.280 --> 0:53:08.319
<v Speaker 1>but aren't going to be drawn to the fact that

0:53:08.360 --> 0:53:10.719
<v Speaker 1>the for example, the Turner Diaries is just a piece

0:53:10.760 --> 0:53:15.440
<v Speaker 1>of genocidal propaganda and is very clearly that from the beginning, UM.

0:53:15.520 --> 0:53:18.440
<v Speaker 1>And it it makes total sense to me that this

0:53:18.520 --> 0:53:22.360
<v Speaker 1>book succeeded in drawing those people in and and providing

0:53:22.400 --> 0:53:25.080
<v Speaker 1>them something to identify with, because I really do get

0:53:25.160 --> 0:53:29.120
<v Speaker 1>why they find this to be an identifiable work. He

0:53:29.440 --> 0:53:33.239
<v Speaker 1>does some very smart work early on to make this

0:53:33.600 --> 0:53:35.920
<v Speaker 1>feel both intellectual to the kind of people who are

0:53:35.920 --> 0:53:38.640
<v Speaker 1>going to be drawn to it, um, and to be

0:53:39.120 --> 0:53:42.400
<v Speaker 1>to make it effectively radicalizing. I see why this is

0:53:42.400 --> 0:53:45.440
<v Speaker 1>is so effective, um. To the people it was effective,

0:53:45.440 --> 0:53:47.319
<v Speaker 1>And I see why a guy like McVeigh would read

0:53:47.360 --> 0:53:50.359
<v Speaker 1>this UM and even feel like, oh shit, I wish

0:53:50.360 --> 0:53:55.400
<v Speaker 1>I had come across this first. Yeah, no doubt. It's um.

0:53:55.400 --> 0:53:59.080
<v Speaker 1>It's uh. I think I said this earlier. It is um.

0:53:59.120 --> 0:54:01.400
<v Speaker 1>It's an. It's an. It's a very hard book to

0:54:01.400 --> 0:54:04.000
<v Speaker 1>put into a category because as as we were going

0:54:04.000 --> 0:54:07.000
<v Speaker 1>through just these nineties pages or whatever, there's real history

0:54:07.000 --> 0:54:08.640
<v Speaker 1>in there, and there are things that people may not

0:54:08.719 --> 0:54:11.040
<v Speaker 1>have ever been aware of that this government has been

0:54:11.040 --> 0:54:13.279
<v Speaker 1>culpable of and other governments have been culpable of that.

0:54:13.320 --> 0:54:16.000
<v Speaker 1>He did his cherry picking on to make his argument,

0:54:16.200 --> 0:54:19.200
<v Speaker 1>but by his cherry picking, um, it's not to say

0:54:19.200 --> 0:54:22.480
<v Speaker 1>that the things that he particularly picked are not true narratives,

0:54:22.480 --> 0:54:24.759
<v Speaker 1>like his discussion about the Bonus Marchers and later on

0:54:24.800 --> 0:54:28.640
<v Speaker 1>in the book other topics are real accurate things. And um,

0:54:28.680 --> 0:54:30.359
<v Speaker 1>a lot of that which I don't know if that's

0:54:30.480 --> 0:54:32.200
<v Speaker 1>for now or some other day, but a lot of

0:54:32.200 --> 0:54:35.800
<v Speaker 1>this falls under the terrible, the terrible regime of Janet

0:54:35.800 --> 0:54:37.480
<v Speaker 1>Reno and some of her actions, and a lot of

0:54:37.520 --> 0:54:40.400
<v Speaker 1>that's in this book. Yeah. Yeah, And and Janet Reno

0:54:40.520 --> 0:54:46.160
<v Speaker 1>definitely deserves to be a bad guy in your history books. Yeah, so,

0:54:46.200 --> 0:54:48.759
<v Speaker 1>I mean, he really does demonize some people that deserved it.

0:54:48.920 --> 0:54:52.600
<v Speaker 1>But you said it's not necessarily holistically inclusive, and that's

0:54:52.600 --> 0:54:55.239
<v Speaker 1>what's challenging about it. That's the thing too, is like

0:54:55.280 --> 0:54:58.880
<v Speaker 1>if you're um, if you're focusing on these people and

0:54:58.920 --> 0:55:01.759
<v Speaker 1>these moments is like horrible moments in these people, is

0:55:01.960 --> 0:55:05.279
<v Speaker 1>is in these trends as like negative, You're absolutely in

0:55:05.320 --> 0:55:08.799
<v Speaker 1>the right. But also when you when you make that

0:55:08.840 --> 0:55:12.080
<v Speaker 1>out to be the whole story, you're very clearly exercising

0:55:12.520 --> 0:55:15.800
<v Speaker 1>chunks of history and particularly like chunks of um history

0:55:15.840 --> 0:55:19.440
<v Speaker 1>of the oppression of black and Indigenous people that could

0:55:19.480 --> 0:55:21.879
<v Speaker 1>be a part of your argument if they were if

0:55:21.920 --> 0:55:24.360
<v Speaker 1>you were willing to include them as a part of

0:55:24.400 --> 0:55:27.359
<v Speaker 1>the aggrieved classes that you're speaking to. And I think

0:55:27.480 --> 0:55:32.359
<v Speaker 1>Ross clearly is not here. Um. But I you can

0:55:32.360 --> 0:55:35.279
<v Speaker 1>see how people would find this appealing and also be like, well,

0:55:35.320 --> 0:55:39.400
<v Speaker 1>I'm not a racist and and this isn't a racist book, um,

0:55:39.640 --> 0:55:41.920
<v Speaker 1>And and yeah, it makes sense that this has had

0:55:41.920 --> 0:55:46.399
<v Speaker 1>the impact that it's had. Yeah, it's fascinating. I UM,

0:55:46.440 --> 0:55:48.520
<v Speaker 1>I don't, UM, I don't know. I don't. I wonder

0:55:48.560 --> 0:55:51.319
<v Speaker 1>what its repercussions are until now, because it's been out

0:55:51.320 --> 0:55:52.600
<v Speaker 1>of print for a while, I don't know if it

0:55:52.640 --> 0:55:54.520
<v Speaker 1>ever came back into reprint there was supposed to be

0:55:54.520 --> 0:55:57.160
<v Speaker 1>a sequel. I don't think that ever came out. Um,

0:55:57.880 --> 0:56:00.239
<v Speaker 1>there was never a really bad B grade version of it,

0:56:00.320 --> 0:56:02.320
<v Speaker 1>like Left Behind it with Kirk like Kirk Cameron and

0:56:02.360 --> 0:56:04.239
<v Speaker 1>all that. There was never like there was never the

0:56:04.320 --> 0:56:09.399
<v Speaker 1>Left Behind movie of Unintended Consequences, Right, But I feel like, um,

0:56:09.520 --> 0:56:11.680
<v Speaker 1>I suspect that if that were, if that pump were

0:56:11.680 --> 0:56:13.560
<v Speaker 1>to be primed, I bet it would be successful still

0:56:13.600 --> 0:56:17.719
<v Speaker 1>to this day. Well, I think there is essentially a

0:56:17.760 --> 0:56:21.600
<v Speaker 1>reboot of Unintended Consequences written by a guy named Matt

0:56:21.640 --> 0:56:25.680
<v Speaker 1>Bracken who's a regular on Info Wars Enemies Foreign and Domestic.

0:56:25.680 --> 0:56:30.840
<v Speaker 1>Are you familiar with that? I've never read it? Yeah, um,

0:56:30.880 --> 0:56:34.279
<v Speaker 1>it says, yeah, I have not read that one, but

0:56:34.360 --> 0:56:37.759
<v Speaker 1>I know it. It's broadly speaking, kind of in the

0:56:37.800 --> 0:56:41.440
<v Speaker 1>same narrative terrain that we've talked about, where there's like

0:56:41.480 --> 0:56:46.720
<v Speaker 1>this kind of insurgency, uh, an overthrow of the evil

0:56:46.760 --> 0:56:49.399
<v Speaker 1>American police state that is, of course like a left

0:56:49.440 --> 0:56:53.680
<v Speaker 1>wing police state. They see it as. Um, yeah, I'll

0:56:53.680 --> 0:56:58.000
<v Speaker 1>read you the the Amazon for this. Bullets rained down

0:56:58.040 --> 0:57:01.000
<v Speaker 1>upon a packed put football stadium, killing dozens, triggering a

0:57:01.040 --> 0:57:03.759
<v Speaker 1>panic stampede, which leads to a thousand more deaths. A

0:57:03.800 --> 0:57:07.000
<v Speaker 1>police marksman kills the sniper, a mentally unbalanced desert storm

0:57:07.080 --> 0:57:09.680
<v Speaker 1>veteran holding a smoking assault rifle. It's an open and

0:57:09.719 --> 0:57:12.120
<v Speaker 1>shut case, or so America is led to believe in

0:57:12.120 --> 0:57:14.960
<v Speaker 1>the aftermath of the stadium massacre and outraged public demands

0:57:14.960 --> 0:57:16.960
<v Speaker 1>and into the threat posed by assault rifle. So yeah,

0:57:17.000 --> 0:57:22.040
<v Speaker 1>and then America passes gun control um and the yeah,

0:57:22.120 --> 0:57:26.520
<v Speaker 1>it it leads to a crackdown that leads to an uprising. Right,

0:57:26.600 --> 0:57:28.800
<v Speaker 1>that book was written before that event. But man, that

0:57:28.960 --> 0:57:32.520
<v Speaker 1>is shades of Mandalay Bay, Las Vegas. And it's interesting

0:57:32.600 --> 0:57:36.280
<v Speaker 1>because Bracken frames it in his book apparently as like, well,

0:57:36.320 --> 0:57:38.800
<v Speaker 1>this is what leads to like this huge FBI cracked

0:57:38.800 --> 0:57:41.400
<v Speaker 1>down of the militia, and it's unjust, and the militia

0:57:41.440 --> 0:57:43.760
<v Speaker 1>has to find out the truth about this. What I'm

0:57:43.760 --> 0:57:46.320
<v Speaker 1>guessing is like this shooting that was engineered in order

0:57:46.320 --> 0:57:48.920
<v Speaker 1>to create gun control, when in reality we had an

0:57:48.920 --> 0:57:52.080
<v Speaker 1>almost identical shooting and the result was was nothing like

0:57:52.120 --> 0:57:55.880
<v Speaker 1>on a legislative level, I guess, I guess bump stocks. Yeah,

0:57:56.280 --> 0:57:57.840
<v Speaker 1>I think I think it was. It was Trump made

0:57:57.920 --> 0:58:00.800
<v Speaker 1>essentially a ruling that bump stops, but Eagle. But but

0:58:00.840 --> 0:58:03.920
<v Speaker 1>there's no assault weapons ban, not not from that event. No,

0:58:04.120 --> 0:58:06.520
<v Speaker 1>there wasn't. But it is interesting that all of these

0:58:06.560 --> 0:58:09.960
<v Speaker 1>books hinge themselves, that that the fight for the fight

0:58:10.000 --> 0:58:13.720
<v Speaker 1>against an authoritary and increasingly authoritarian American government is always

0:58:13.840 --> 0:58:16.880
<v Speaker 1>hinged on the loss of gun rights versus some amalgamation

0:58:16.920 --> 0:58:19.880
<v Speaker 1>of all sorts of horrible things that the government has done.

0:58:19.880 --> 0:58:22.600
<v Speaker 1>It's always that one thing, it's always that single platform

0:58:22.640 --> 0:58:25.120
<v Speaker 1>of it. It's the gun rights being lost that caused

0:58:25.160 --> 0:58:28.520
<v Speaker 1>us to revolt, versus here's gun rights amongst many other

0:58:28.600 --> 0:58:31.479
<v Speaker 1>problems that cause a revolt. Like that's interesting to me. Yeah,

0:58:32.320 --> 0:58:35.320
<v Speaker 1>they zero in so much and there's such certainty too.

0:58:35.560 --> 0:58:37.040
<v Speaker 1>And you can even see this in like some of

0:58:37.040 --> 0:58:41.200
<v Speaker 1>the Alex jones Um conspiracy theories about Sandy Hook, where

0:58:41.200 --> 0:58:45.840
<v Speaker 1>it's like just historically, looking at the last thirty years,

0:58:46.640 --> 0:58:49.479
<v Speaker 1>creating a false flag mash shooting is not a good

0:58:49.480 --> 0:58:52.280
<v Speaker 1>way to get gun control, because most mash shootings have

0:58:52.360 --> 0:58:55.680
<v Speaker 1>not resulted in gun control, right Yeah, I mean, I mean,

0:58:55.720 --> 0:58:58.720
<v Speaker 1>I think you see Columbine as being the one that did,

0:58:58.920 --> 0:59:03.360
<v Speaker 1>right did, which absolutely like Columbine did where it comes from, right, Yeah,

0:59:03.440 --> 0:59:05.600
<v Speaker 1>And so that the argument is that each and every

0:59:05.720 --> 0:59:08.040
<v Speaker 1>and and and and and sadly, so many of those

0:59:08.040 --> 0:59:10.360
<v Speaker 1>events have happened since Columbine, that each and everyone's going

0:59:10.400 --> 0:59:13.680
<v Speaker 1>to be the one that does that. Um. Historically excellent,

0:59:13.840 --> 0:59:16.160
<v Speaker 1>except for Columbine, that has not been the case. Yeah,

0:59:16.160 --> 0:59:17.880
<v Speaker 1>it really. I mean there have been again some like

0:59:17.960 --> 0:59:21.080
<v Speaker 1>state level laws that have been that have been come

0:59:21.120 --> 0:59:24.440
<v Speaker 1>in the result of like mass shootings, but even that's

0:59:24.480 --> 0:59:29.040
<v Speaker 1>not is not super common. Um. It is interesting that

0:59:29.080 --> 0:59:32.720
<v Speaker 1>like that that's still such a focus. UM. I think

0:59:32.760 --> 0:59:36.000
<v Speaker 1>there is probably you could probably make quite a good

0:59:36.040 --> 0:59:38.760
<v Speaker 1>living if you were to rewrite a variation of this

0:59:38.880 --> 0:59:43.680
<v Speaker 1>book that was a little bit smarter about your opening cause, um,

0:59:43.800 --> 0:59:46.560
<v Speaker 1>and that that steered more towards trying to reach some

0:59:46.640 --> 0:59:49.080
<v Speaker 1>of those people on the libertarian left as well as

0:59:49.080 --> 0:59:51.680
<v Speaker 1>the libertarian right. You could probably make a pretty good

0:59:51.720 --> 0:59:53.800
<v Speaker 1>living doing that. You might need to get better cover

0:59:54.000 --> 0:59:56.960
<v Speaker 1>art too than than John Ross picked, although his cover

0:59:57.040 --> 0:59:59.040
<v Speaker 1>art beats the hell out of Matt Brackens, which is

0:59:59.080 --> 1:00:04.840
<v Speaker 1>like a really ay uh uh this you know, I

1:00:04.920 --> 1:00:06.680
<v Speaker 1>kind of now I remember, I think I remember the

1:00:06.680 --> 1:00:08.439
<v Speaker 1>cover of that book. It's like it's like the don't

1:00:08.440 --> 1:00:11.440
<v Speaker 1>tread on me snake with a naifteen or something, right, Yeah, yeah,

1:00:11.480 --> 1:00:15.080
<v Speaker 1>it looks like it's like clip Yeah, it's clip art

1:00:15.080 --> 1:00:17.400
<v Speaker 1>paste together. You know what it looks like. It looks

1:00:17.480 --> 1:00:19.520
<v Speaker 1>what's the name of that that guy who was he

1:00:19.600 --> 1:00:22.360
<v Speaker 1>was in congress? He was like a TV host and

1:00:22.360 --> 1:00:23.800
<v Speaker 1>then he got in the Congress and then he had

1:00:23.840 --> 1:00:26.680
<v Speaker 1>to leave because he's sexually harassed somebody. What's his name?

1:00:26.720 --> 1:00:30.200
<v Speaker 1>I don't know, there's so many of those, Um, what's

1:00:30.240 --> 1:00:35.360
<v Speaker 1>what's his uh? Al something? You're talking about al Franken,

1:00:35.760 --> 1:00:41.600
<v Speaker 1>al Franken the cover people, right, Yeah, he grouped that

1:00:41.640 --> 1:00:44.480
<v Speaker 1>woman on that plane. Yeah. Yeah, it looks like the

1:00:44.520 --> 1:00:46.680
<v Speaker 1>cover of Enemies for in a Domestic It's like this,

1:00:46.680 --> 1:00:49.760
<v Speaker 1>this like lazy clip art of a snake cuddling a rifle.

1:00:50.120 --> 1:00:52.400
<v Speaker 1>It looks like the cover of like a left wing

1:00:52.440 --> 1:00:55.840
<v Speaker 1>book making fun of gun culture from like two thousand

1:00:55.880 --> 1:00:58.959
<v Speaker 1>and three. Like, it doesn't look like the kind of cover.

1:00:59.320 --> 1:01:01.000
<v Speaker 1>The only thing that to make that cover are better

1:01:01.080 --> 1:01:03.960
<v Speaker 1>or some googly eyes. Yeah, it's it's really a pretty

1:01:04.000 --> 1:01:07.360
<v Speaker 1>lazy cover. Like I wouldn't guess it was a pro

1:01:07.480 --> 1:01:09.400
<v Speaker 1>gun book by the cover art because it kind of

1:01:09.400 --> 1:01:11.720
<v Speaker 1>looks like it's making fun of the Gadsden flag as

1:01:11.720 --> 1:01:16.160
<v Speaker 1>opposed to an ironic, whereas, at least with Unintended Consequences,

1:01:16.200 --> 1:01:19.960
<v Speaker 1>there was no mistaking what kind of like ideological world

1:01:20.000 --> 1:01:23.040
<v Speaker 1>this book inhabits. So you said there was a sequel

1:01:23.080 --> 1:01:25.520
<v Speaker 1>to this enemy's foreign and domestic. I think there's like

1:01:25.640 --> 1:01:28.120
<v Speaker 1>five of them, Max, Oh my gosh, Um, I think

1:01:28.120 --> 1:01:32.240
<v Speaker 1>there's a ton of these books. Um, Matt Bracken Mason, Yeah,

1:01:32.280 --> 1:01:35.560
<v Speaker 1>there's at least so there's enemies foreign domestic. There's enemies

1:01:35.560 --> 1:01:38.040
<v Speaker 1>foreign domestic, the ricon Qui stuff, which I think is

1:01:38.040 --> 1:01:42.640
<v Speaker 1>about Mexicans taking over the Southwest. Uh, and then there's

1:01:42.680 --> 1:01:45.920
<v Speaker 1>foreign enemies and traders. So he's got at least three

1:01:45.960 --> 1:01:48.240
<v Speaker 1>of them. Yeah. Yeah, So this is the kind of

1:01:48.240 --> 1:01:50.160
<v Speaker 1>stuff that would be so pervasive, and maybe it still

1:01:50.240 --> 1:01:51.919
<v Speaker 1>is in some instances. At the gun show we talked

1:01:51.920 --> 1:01:53.480
<v Speaker 1>about at the beginning of this, I could walk in

1:01:53.480 --> 1:01:55.880
<v Speaker 1>there and there was that giant book section and it

1:01:55.960 --> 1:01:58.120
<v Speaker 1>was all sorts of this kind of stuff. And I

1:01:58.160 --> 1:02:00.640
<v Speaker 1>guess the best thing you could say about Unintended Consequences

1:02:00.640 --> 1:02:03.080
<v Speaker 1>is it was the best of its breed. It was

1:02:03.120 --> 1:02:06.160
<v Speaker 1>the most readable, probably the least shitty, if you want

1:02:06.160 --> 1:02:10.240
<v Speaker 1>to say, that of that stuff like, um, if I

1:02:10.240 --> 1:02:12.280
<v Speaker 1>mean on one on one end, you got the Turner Diaries,

1:02:12.280 --> 1:02:14.920
<v Speaker 1>which is like the most vile thing you can think of,

1:02:14.960 --> 1:02:18.160
<v Speaker 1>and then you've got Unattended Consequences, which is much more nuanced.

1:02:18.280 --> 1:02:19.960
<v Speaker 1>And then you had stuff like we're talking about now

1:02:20.000 --> 1:02:23.640
<v Speaker 1>somewhere in the middle mostly poorly written quality of a zine,

1:02:23.880 --> 1:02:28.720
<v Speaker 1>but Unintended Consequences had the polish of being a legitimate book. Yeah,

1:02:28.800 --> 1:02:31.200
<v Speaker 1>I would say this is the gold standard of this

1:02:31.280 --> 1:02:34.800
<v Speaker 1>kind of of this particular kind of narrative propaganda. Um.

1:02:34.800 --> 1:02:37.760
<v Speaker 1>It definitely seems to be, which which does not mean

1:02:37.800 --> 1:02:40.040
<v Speaker 1>I think most people reading it are going to enjoy it,

1:02:40.120 --> 1:02:42.600
<v Speaker 1>or that I think it's narratively a well constructed piece

1:02:42.640 --> 1:02:45.000
<v Speaker 1>of fiction, because again we're ninety three pages in and

1:02:45.040 --> 1:02:47.439
<v Speaker 1>we have not really gotten to the narrative yet, which

1:02:47.480 --> 1:02:50.880
<v Speaker 1>is a choice, um. But it's also kind of broadly

1:02:50.880 --> 1:02:52.880
<v Speaker 1>in line with This is being written in the period

1:02:52.880 --> 1:02:58.160
<v Speaker 1>when Michael Crichton is and um um uh Tom Clancy

1:02:58.240 --> 1:03:01.960
<v Speaker 1>are like the biggest authors in the United States, and

1:03:02.000 --> 1:03:05.040
<v Speaker 1>it does seem like very much in line with that. Um.

1:03:05.080 --> 1:03:06.960
<v Speaker 1>So yeah, you can't divorce it either from the time

1:03:07.000 --> 1:03:09.640
<v Speaker 1>it was written in what was popular. Then well, Carl,

1:03:09.720 --> 1:03:11.760
<v Speaker 1>I think that's gonna do us for for for at

1:03:11.840 --> 1:03:15.560
<v Speaker 1>least the first episode on Undintended Unintended Consequences will well,

1:03:15.680 --> 1:03:17.520
<v Speaker 1>will reconvene and see if we want to go more

1:03:17.560 --> 1:03:21.000
<v Speaker 1>into this or maybe look at what a Matt Bracken's books. Um,

1:03:22.200 --> 1:03:26.400
<v Speaker 1>I'm endlessly fascinated with this, this species of novel. There's

1:03:26.440 --> 1:03:29.120
<v Speaker 1>like eight hundred more pages of this book, Like literally,

1:03:29.400 --> 1:03:32.240
<v Speaker 1>there's so many more pages of this, and Enemies Foreign

1:03:32.360 --> 1:03:34.800
<v Speaker 1>Domestic is also five hundred and sixty eight pages. So

1:03:34.800 --> 1:03:38.280
<v Speaker 1>we're delving into Jesus a lot. Well, I think, I think,

1:03:38.440 --> 1:03:40.160
<v Speaker 1>I think that we only got this far into it

1:03:40.240 --> 1:03:42.360
<v Speaker 1>does speak to the density of what it is and

1:03:42.360 --> 1:03:45.040
<v Speaker 1>how complex a topic this book is. Like if you

1:03:45.040 --> 1:03:46.960
<v Speaker 1>wanted to describe the if you wanted to talk the

1:03:46.960 --> 1:03:50.000
<v Speaker 1>Turner Diaries, you could. You could summarize that in thirty seconds. Right,

1:03:50.560 --> 1:03:56.200
<v Speaker 1>it doesn't. It is not an intelligent work. Unintended Consequences is,

1:03:56.560 --> 1:03:59.760
<v Speaker 1>and that's what makes it interesting because, Um, whether or

1:03:59.800 --> 1:04:01.480
<v Speaker 1>not want to agree or disagree with any of the

1:04:01.520 --> 1:04:04.600
<v Speaker 1>content in it, anyone reading it, even if you're against

1:04:04.600 --> 1:04:07.680
<v Speaker 1>what it's about, will probably find something out in it

1:04:07.720 --> 1:04:10.200
<v Speaker 1>that they didn't know about. And I'm not trying to

1:04:10.200 --> 1:04:12.600
<v Speaker 1>promote anything. I'm just saying in that regard, it is

1:04:12.640 --> 1:04:15.920
<v Speaker 1>an interesting work because I'm going from the Bonus Marchers

1:04:15.920 --> 1:04:18.640
<v Speaker 1>to the Warsaw Ghetto to Ruby Ridge to Waco to

1:04:18.760 --> 1:04:21.680
<v Speaker 1>all of those things combined. There's a lot of nuance

1:04:21.680 --> 1:04:23.360
<v Speaker 1>and that like most people wouldn't you know about Us

1:04:23.480 --> 1:04:26.480
<v Speaker 1>versus Miller, that that Supreme Court ruling about that sought

1:04:26.560 --> 1:04:28.920
<v Speaker 1>off shotgun. There's all that's in there. And while it

1:04:29.040 --> 1:04:31.840
<v Speaker 1>is cherry picked, is done in a way that it's

1:04:32.400 --> 1:04:35.840
<v Speaker 1>there's there's there's content there above and beyond maybe it's

1:04:35.880 --> 1:04:39.520
<v Speaker 1>intended point yeah, yeah, And and certainly like it's it's

1:04:39.560 --> 1:04:42.760
<v Speaker 1>not a lazy example of what it is. It's it's

1:04:42.760 --> 1:04:45.040
<v Speaker 1>an exact like he put a lot of work into this,

1:04:45.560 --> 1:04:48.440
<v Speaker 1>and I think did so in a pretty intelligent way.

1:04:48.480 --> 1:04:51.360
<v Speaker 1>And that's that's interesting to study, just as someone who's

1:04:51.400 --> 1:04:55.080
<v Speaker 1>kind of um drawn into this this sort of thing

1:04:55.160 --> 1:04:58.560
<v Speaker 1>and is interested in its impact on the world. Like um,

1:04:58.600 --> 1:05:02.400
<v Speaker 1>it's it's meaningful and worth understanding that, Like he put

1:05:02.400 --> 1:05:04.040
<v Speaker 1>the work he did into this and it's had the

1:05:04.080 --> 1:05:07.280
<v Speaker 1>impact that it's had. Well, Carl, you want to plug

1:05:07.280 --> 1:05:10.240
<v Speaker 1>your plug doubles before we roll out. Sure, um, you

1:05:10.240 --> 1:05:13.200
<v Speaker 1>can find me an range dot tv. I create a

1:05:13.240 --> 1:05:16.600
<v Speaker 1>firearms history and other types of content. It's kind of

1:05:16.600 --> 1:05:19.400
<v Speaker 1>all over the place, but it's all somehow Lynch pinned

1:05:19.400 --> 1:05:21.840
<v Speaker 1>around the concept of firearms and and the history of

1:05:21.840 --> 1:05:25.120
<v Speaker 1>firearms or the civil rights associated issues around them, including

1:05:25.160 --> 1:05:26.960
<v Speaker 1>up until today. So if you want to check out

1:05:26.960 --> 1:05:28.520
<v Speaker 1>my video and some of other stuff, you can find

1:05:28.560 --> 1:05:31.840
<v Speaker 1>all of my distribution points at enranged dot tv. Yeah,

1:05:32.080 --> 1:05:36.040
<v Speaker 1>check out Carl, check out in range TV. Probably don't

1:05:36.480 --> 1:05:42.440
<v Speaker 1>check out Enemies Foreign and Domestic um. But you know

1:05:42.640 --> 1:05:45.520
<v Speaker 1>you can get a lot of the same things by

1:05:45.640 --> 1:05:50.680
<v Speaker 1>watching the documentary trimmers Um, which which is my manifestout.

1:05:50.920 --> 1:05:52.680
<v Speaker 1>Oh my god, that guy would have been a character

1:05:52.720 --> 1:05:56.360
<v Speaker 1>in this book definitely. Bert Comer is a character that

1:05:56.440 --> 1:06:00.360
<v Speaker 1>fell directly out of unintended consequences. It is worth it

1:06:00.400 --> 1:06:02.680
<v Speaker 1>doesn't really stand out in the movie, but it is

1:06:02.720 --> 1:06:05.680
<v Speaker 1>worth noting that he and his wife in thirty seconds

1:06:05.680 --> 1:06:08.240
<v Speaker 1>go from huddling in their basement to making pipe bombs

1:06:08.240 --> 1:06:12.840
<v Speaker 1>on the roof. Bert Comer has seven copies of Unintended Consequences,

1:06:13.000 --> 1:06:15.840
<v Speaker 1>all of them signed, one of them with some DNA

1:06:15.960 --> 1:06:18.600
<v Speaker 1>on it from John ross I guarantee you yeah this

1:06:18.720 --> 1:06:25.440
<v Speaker 1>maybe Bert Gummer's copy of Unintended Consequences. Um, all right,

1:06:25.600 --> 1:06:33.640
<v Speaker 1>thank you. Carl. Behind the Bastards is a production of

1:06:33.680 --> 1:06:36.720
<v Speaker 1>cool Zone Media. For more from cool zone Media, visit

1:06:36.720 --> 1:06:40.120
<v Speaker 1>our website cool zone media dot com, or check us

1:06:40.120 --> 1:06:42.600
<v Speaker 1>out on the I Heart Radio app, Apple Podcasts, or

1:06:42.640 --> 1:06:44.080
<v Speaker 1>wherever you get your podcasts.