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Speaker 1: All right, so we have something pretty insane to announce.

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Speaker 1: I can't believe it myself, but as the fact that

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Speaker 1: we pulled this off, this car, I cannot. I'm seriously,

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Speaker 1: you guys, I don't believe this, but it happened. Hunda,

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Speaker 1: as you know, is one of our sponsors and they

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Speaker 1: are amazing to work with. And they said to us,

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Speaker 1: what would you like to do for your fans. Is

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Speaker 1: there anything like big and bold you'd like to do?

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Speaker 1: And we said, thinking that they would laugh, we said

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Speaker 1: we'd like to give them a Hunday and they said,

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Speaker 1: just like that too, pretty much. We're like, well, let's

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Speaker 1: just go with the obvious thing. Give someone who needs

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Speaker 1: a car a car. And they were like, okay, so

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Speaker 1: we can't really believe it, but Undai is going to

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Speaker 1: give someone in need of a car a car one

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Speaker 1: of our listeners. That's right, for real, no doubt. So

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Speaker 1: you have until Friday, September seventeenth to get your submissions in. Yes,

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Speaker 1: this is quick. This is quick. Okay, I don't know

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Speaker 1: why it's quick, but that's what Hunday decided. It had

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Speaker 1: to be quick. Friday, September seventeenth, at midnight Pacific time,

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Speaker 1: that's you have to have your submission in by then.

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Speaker 1: Just go to fake docs Unda giveaway dot com. That's

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Speaker 1: fake docs Hounda giveaway dot com. And what you're gonna

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Speaker 1: do is, in one hundred words or less, tell us

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Speaker 1: why you or someone you love really needs a car. Now.

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Speaker 1: Please don't go to this and waste anybody's time if

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Speaker 1: you don't really need a car, or if you have

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Speaker 1: a car and it's just a bad car. This is

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Speaker 1: for people who whose lives would really be changed. You

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Speaker 1: can get that job that you've wanted to get, you

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Speaker 1: can go take care of that relative that you need

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Speaker 1: to take care of, someone whose life would substantially be

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Speaker 1: changed if they were to be given a car a

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Speaker 1: hunday by Zach and Donald and fake doctors. This is real.

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Speaker 1: I can't believe it. I know you. I know you think.

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Speaker 1: I cannot believe we pull this off. Dude, I can't.

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Speaker 1: So some lucky winner who goes to fake docs Hyundai

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Speaker 1: Giveaway dot Com and tells us in a hundred words

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Speaker 1: or less why you should be the recipient or someone

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Speaker 1: you love should be the recipient of this hunday. You're

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Speaker 1: gonna win a car and it's free and It's pretty amazing,

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Speaker 1: right Chell, Yeah, totally. It's the one Donald was so

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Speaker 1: seriously thanks to everybody a hunday. We can't believe this.

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Speaker 1: Of course what you say will be vetted, so don't

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Speaker 1: be like we could just tell them that, no, don't

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Speaker 1: do that. It's all going to be vetted. But I

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Speaker 1: feel like this is a really Donald and I had

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Speaker 1: this idea, like there's somebody out there whose life could

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Speaker 1: really be changed for the better, who can't get to

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Speaker 1: the job that they wish they could have because they

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Speaker 1: don't have a car, or they can't visit that relative

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Speaker 1: or whatever the story is. If that's you, please go

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Speaker 1: to fake docs Hyunday giveaway dot com. You have to

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Speaker 1: have your submission in by Friday, September seventeenth, at midnight

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Speaker 1: Pacific time. So, guys, the live show, if you missed it,

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Speaker 1: lots of people are asking, um, hey, I missed it.

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Speaker 1: Can I watch it? Yes, you can watch it until

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Speaker 1: when Joel this Thursday. Yes, at midnight Pacific Standard time.

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Speaker 1: I believe at midnight Pacific standard time on three days.

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Speaker 1: It's you guys know, it's of course you got today

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Speaker 1: tomorrow and then that's it. Dat you got today you

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Speaker 1: got tomorrow and then you got Thursday till midnight Pacific time.

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Speaker 1: And I know those numbers are those hours are off

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Speaker 1: in Europe, but I don't do math um. The point

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Speaker 1: is you didn't miss it, go to on location live

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Speaker 1: dot com and you can watch the show. We had

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Speaker 1: a Loma Wright who plays Nurse Roberts. We had Rob

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Speaker 1: Maschio who plays the Todd. We had Christa Miller who

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Speaker 1: plays Jordan. We had Bill Lawrence who created the whole

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Speaker 1: darn thing. We had Joel Daniel and the Donald Faison.

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Speaker 1: Oh of course I buried the lead. And we had

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Speaker 1: the legendary, the legendary Johnny McGinley, the King. So please

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Speaker 1: go check it out. We had a lot of fun

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Speaker 1: and we think you'll enjoy it. Hi guys, I Hi friends, Aloha.

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Speaker 1: Are you doing there a day of soon? I'm well,

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Speaker 1: how are you? Zach? Is that your dog that's barking?

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Speaker 1: That is my dog that's barking. I like your hoodie.

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Speaker 1: It's it's got mouse ears on it. Well, you know

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Speaker 1: me and the mouse. You know how much I love

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Speaker 1: the mouse. Right, But this is a really cool sweatshirt

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Speaker 1: for you listeners at home. It's a it has a

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Speaker 1: hoodie and then on the hoodie are two hoodie ears

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Speaker 1: for me? Got it at Disneyland? Yeah, you look you

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Speaker 1: are so ski in this episode. Yeah I noticed that too,

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Speaker 1: did you. I am you're working out your characters in

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Speaker 1: the gym, but you're like, I mean, you look better

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Speaker 1: than Taye Diggs. I mean, I don't you know when

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Speaker 1: I look, that's nuts and no, nothing is better than

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Speaker 1: Tay Diggs and I will fight anyone to the death.

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Speaker 1: In my humble opinion, you look more handsome and blast

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Speaker 1: for me than the Tay Diggs. I mean, this episode

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Speaker 1: has so much fucking funny, shouldn't it. I laughed out loud.

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Speaker 1: I laughed quite a bit. Also, um, I will say

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Speaker 1: this this. I look back at this and I remember

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Speaker 1: thinking to myself, Wow, I thought I was so chubby

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Speaker 1: when making this, you know what I really then you

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Speaker 1: might have body dysmorphia. No, it all boils down to

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Speaker 1: remember the Titans. That's the most ripped I had ever

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Speaker 1: been in my life up until Uh, kick Ass too

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Speaker 1: and so too? Were you more ripped? In kick Ass two? Oh?

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Speaker 1: Kick Ass two, I was man ripped. And remember the Titans.

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Speaker 1: I was a little boy. You know what I mean,

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Speaker 1: so it's like you get ripped and the abs don't

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Speaker 1: look the way you want them to look. They're kind

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Speaker 1: of you know what I mean? And kick Ass two

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Speaker 1: and and what's crazy is in kick Ass two, I

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Speaker 1: never take off my shirt or anything like that. But

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Speaker 1: because I wanted to look feel like a superhero, I'd

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Speaker 1: got in six shapes, Right. I gave you a good

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Speaker 1: rationalization to get ripped. That was real ripped. That was

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Speaker 1: like man ripped where the abs looked like squares and

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Speaker 1: not little squiggly lines across you know what I mean?

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Speaker 1: Like that was that real shit? That was like yeah, anyway, um,

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Speaker 1: but I remember thinking I was so so because of that,

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Speaker 1: because of because of remember the Titans not being able

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Speaker 1: to you know, having a flat stomach and being toned

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Speaker 1: and everything like that was was fine, but it wasn't

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Speaker 1: and it wasn't like you know, I I shitted on

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Speaker 1: myself and I gave myself such such a complex because

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Speaker 1: I felt like it wasn't good enough. Like remember the

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Speaker 1: Titans at that point was that was peaked, that was

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Speaker 1: fighting way. Well. I want you to know that I'm

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Speaker 1: watching this episode and there is your character in the gym,

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Speaker 1: but even separately aside, I noticed that you looked particularly good.

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Speaker 1: I'm trying again, man, we all try. Like you know,

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Speaker 1: what's great is that I have the rest of my

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Speaker 1: life to try and figure this out. Yeah, you know

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Speaker 1: what I mean. You know what I mean, the rest

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Speaker 1: of my life. You know. It just uh, it just

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Speaker 1: takes commitment. And if you fall back off the horse,

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Speaker 1: you can get your ass right back on. That's right.

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Speaker 1: I went up to Hudson, New York, which I highly

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Speaker 1: recommend to anyone who visits the East Coast. It's two

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Speaker 1: hours north of Manhattan, and you can take a train

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Speaker 1: there or drive there, and it's this beautiful, little cute

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Speaker 1: town and they have great restaurants and a little inns,

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Speaker 1: and a good friend of mine owns a bar there

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Speaker 1: that you should go visit called Back Bar. Anyway, it

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Speaker 1: was really really cool, and I thought of it because

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Speaker 1: I certainly was eating like a fool and drinking like

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Speaker 1: a fool um and came back feeling like I was

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Speaker 1: four months pregnant. Really, but I was back in the

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Speaker 1: gym today, baby hurt. Even though it hurt, I had

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Speaker 1: the most amazing meals and the place is awesome and

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Speaker 1: it's very romantic. I highly recommend it. I don't know

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Speaker 1: why I'm doing an ad for Hudson right now, but

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Speaker 1: it's a great place to visit. Um. But anyway, the

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Speaker 1: point is we all have those weekends where we eat

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Speaker 1: our weight in naughty food and drink and then what

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Speaker 1: happens Monday morning? Back on the wagon, Donald Phazony, mean,

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Speaker 1: my body is very made fun of in this episode.

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Speaker 1: Talk about this. That's the thing. Though I was not exercising.

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Speaker 1: I wasn't overweight, obviously, there was you know, Doughey if

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Speaker 1: you will, but I wasn't over that badly overweight. But

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Speaker 1: I wasn't going to the gym obviously, and there's no

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Speaker 1: tone to my body. The whole joke is that next

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Speaker 1: to Keith, who's a ripped Adonis with his dynamite ariolas.

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Speaker 1: That's where is this where dynamite ariolas comes from? Yes,

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Speaker 1: this is the this is the episode where you think

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Speaker 1: you're better than me, Keith with your rock card abs

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Speaker 1: and your dynamite ariolas. Hide Joel, I think that's um,

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Speaker 1: I think I made that lineup. Well, I'm proud to

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Speaker 1: say because it's uh, it's pretty funny. Well, it's traveled

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Speaker 1: all the way over to faked Doctor's real friends. That's

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Speaker 1: like one of the early episodes. You talk about my

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Speaker 1: ariolas and you call them dynamite ariolas. Well, you haven't

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Speaker 1: melted her She's kisses, which are beautiful, but you think

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Speaker 1: you're better than me, Keith with your rock hard abs

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Speaker 1: and your dynamite ariolas. Like, why is JD commenting on

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Speaker 1: another man's ariolas because he's jealous? He wants them? Keith

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Speaker 1: looks good, though, I gotta say he does. Yeah, let's

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Speaker 1: let's keep that one hundred. Yeah, I want to say that.

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Speaker 1: Can we jump off topic real quick? I know we're

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Speaker 1: all we're trying to all in different locations before we do.

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Speaker 1: Is that what you're gonna jump off? All of our

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Speaker 1: backgrounds are now officially different. Yeah, Daniel, you're on vacation somewhere.

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Speaker 1: I am actually returning from vacation, and I'll keep this

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Speaker 1: section short. But while I was on vacation, I was

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Speaker 1: exposed to someone who is exposed to someone unvaccinated who

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Speaker 1: tested positive for COVID. Didn't find out till a couple

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Speaker 1: of days later. So I'm currently quarantining at my parents' house.

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Speaker 1: Before I go back to my place with my lovely Stephanie. Okay,

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Speaker 1: but have you been tested and don't have it? So

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Speaker 1: I'm getting tested tomorrow. I'm waiting till five days after exposure.

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Speaker 1: I'm getting a PCR test tomorrow morning, and then I'll

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Speaker 1: find out. Okay, and the well, are you just in

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Speaker 1: your going kitchen but a different angle or something? Yes,

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Speaker 1: this is my kitchen. My dog is up from a nap.

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Speaker 1: She's not allowed in my room. My brother has to edit,

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Speaker 1: so I'm pulling double duty, dog parent duty and producer duty.

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Speaker 1: We're getting it, don okay, and Donald's in his new

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Speaker 1: office and I'm in my apartment. It's a whole new

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Speaker 1: close your eyes, a whole new than your Breton. It

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Speaker 1: gets better. No, no go say we're only dreaming, Oh

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Speaker 1: new world. Listen, Delta Delta or not. Broadway is coming

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Speaker 1: back and I am going to be the first in line. Mofos.

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Speaker 1: Don't you dare close your eyes? Jowell? Did you see that?

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Speaker 1: Sarah Barellas posted a video of them at first rehearsal,

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Speaker 1: the company singing opening up the opening song of Way Droope.

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Speaker 1: But I'm checking it out as soon as we wrap

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Speaker 1: up here I reposted it on my Instagram and I

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Speaker 1: was like, I'm already waiting outside. It so exciting. And

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Speaker 1: there's another video that was very moving. This young African

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Speaker 1: American stage manager is caught is a netmaking announcement to

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Speaker 1: the audience. You can't see the audience, you only see him.

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Speaker 1: I also you can search for this online. But he

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Speaker 1: he makes the announcement. He goes, ladies and gentlemen, welcome

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Speaker 1: to the very first production of Broadway post Pandemic. And

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Speaker 1: the crowd you can hear them go crazy, and he

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Speaker 1: kind of gets moved, and you see that he's looking

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Speaker 1: at the monitor and he goes it, turns to his friend,

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Speaker 1: he goes, oh my god, they're giving it a standing ovation,

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Speaker 1: And it was just so heartwarming and moving that Broadway

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Speaker 1: is doing everything it can to come back. I'm excited,

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Speaker 1: like not that I was going to Broadway a lot

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Speaker 1: back in the day, but I'm just excited that, you know,

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Speaker 1: there are a lot of actors and actresses and people

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Speaker 1: who work behind the scenes and everything who were out

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Speaker 1: of jobs for musicians and everything who were out of

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Speaker 1: jobs for a really long time. And it's an art form,

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Speaker 1: and I respect every art form. And so, and also

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Speaker 1: I have a personal stake in it. Also my mother

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Speaker 1: is an agent to so many fabulous and wonderful Broadway performers,

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Speaker 1: and so, you know, I'm really excited for this, for

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Speaker 1: this form of expression to have its chance again. And

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Speaker 1: I feel like because of pandemic, it's going to have

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Speaker 1: a big opportunity. Yeahcause people are looking for something, looking

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Speaker 1: for something different, and for two years of not seeing shows,

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Speaker 1: two years off and you have to be vax you

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Speaker 1: have to show your vaxed card to go. So if you're,

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Speaker 1: for some reason one of those people who doesn't want

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Speaker 1: to get vaxed, maybe seeing a Broadway show will be

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Speaker 1: your raison hopefully. Yeah. Um, but I'm very excited to

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Speaker 1: go see Waitress and to see um everything. I'm literally

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Speaker 1: she's gonna break out into I'm not gonna write to

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Speaker 1: a love song in the middle eight in the middle

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Speaker 1: of Waitress. No, I don't think you understand how good

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Speaker 1: Waitress is and also how Sarah Barellis is such a

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Speaker 1: savant that not only did she write the music and

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Speaker 1: lyrics for the show, but has taken to starring in

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Speaker 1: it and blowing people away with her acting ability. Um,

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Speaker 1: I sound like Sarah's publicist, but she is a really,

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Speaker 1: really talented human being. So no, no, she's not gonna

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Speaker 1: break into her her album. All right, let's get in

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Speaker 1: the show. Base. Before we get into the show, I

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Speaker 1: just wanted to talk about one more thing with you.

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Speaker 1: I just completed my first writer's room ever. Unders applause,

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Speaker 1: Danniel or Zach This is the hardest thing ever in

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Speaker 1: the history of things. And it was a lot of fun,

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Speaker 1: and you know, but to simplify something that you've spent

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Speaker 1: so much time thinking about, it's probably one of the

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Speaker 1: hardest things so far that I've had to do. And

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Speaker 1: we're not even new. It's a whole new chapter of

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Speaker 1: your career because you've never done. Just too quickly. For

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Speaker 1: people who aren't in the business, a writer's room is

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Speaker 1: the obvious. It's when writers of a show sit around

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Speaker 1: a table or in this case in these days, often

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Speaker 1: a zoom and create something together under the under the

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Speaker 1: leadership of a leader who's called the showrunner. In this

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Speaker 1: case that's Donald. I'm not I'm not necessarily the show

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Speaker 1: running right now. It was pretty much we were all

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Speaker 1: trying to figure out how to do it. The budget,

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Speaker 1: it's your baby, so you yes, but I'm also taking

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Speaker 1: you know, it's also my first writers rooms, so I'm

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Speaker 1: also taking a lead from people who have been So

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Speaker 1: was it successful? How many episodes did you write? We

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Speaker 1: we we were supposed to come up with ten episodes

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Speaker 1: we wrote to be careful. Uh, something like seventeen episodes

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Speaker 1: and then three premises? Wow? So sorry, sixteen and four

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Speaker 1: something like that. I could be wrong. That is no

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Speaker 1: small feet I have. I have a bunch of papers

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Speaker 1: in front of me. Now I'm very proud of you. Sorry,

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Speaker 1: fifteen fifteen, I'm very proud of you. Thank you very much.

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Speaker 1: It's one of the most difficult things ever because then

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Speaker 1: after you after you come up with the idea, it's like,

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Speaker 1: how do I make this two minutes? Now you know

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Speaker 1: what I mean? And then after making you know, then

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Speaker 1: how do I make it read like it's two minutes? Also,

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Speaker 1: because you know, to make it two minutes, you can edit,

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Speaker 1: and you can cut, and you can snip, and you

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Speaker 1: can do a bunch of things, But how do I

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Speaker 1: make it read like it's two minutes? Also, you know

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Speaker 1: learning that once you add and then and then and

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Speaker 1: then you're already you've lost You've you're already You're already

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Speaker 1: too far ahead, like just so many rules in this

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Speaker 1: in each episode will be two minutes long. Two minutes long. Uh,

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Speaker 1: each episode just two minutes long. And it's a it's

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Speaker 1: it's a you know, and it's do I have a part?

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Speaker 1: Or is it gonna be just absolutely it's absolutely you.

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Speaker 1: I'm gonna I'm gonna hit up Justin Long also, but

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Speaker 1: I know, but I Justin Long is starting to get

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Speaker 1: a little too deep into a friendship with you, and

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Speaker 1: I'm not exactly loving it. And I I can show

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Speaker 1: you so many pictures of how these hoes ain't loyal

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Speaker 1: Joel and Daniel, I see you both laughing. But Zach

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Speaker 1: braf Is, these hoes ain't loyal. What the fuck are

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Speaker 1: you went and got the ultimate mit and went after

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Speaker 1: freaking Morgan Freeman. I got pictures of you and Morgan,

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Speaker 1: I got pictures in you. I got pictures of you

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Speaker 1: fucking Diddy, like, yeah, dude, this dude's got like a

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Speaker 1: bunch of those first of all those those men, don't

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Speaker 1: I don't want to hear this shit. This is it.

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Speaker 1: This is the this is how they this is how

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Speaker 1: it works, This is these are the people that he

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Speaker 1: tells you not to worry about. And when the breakup happens.

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Speaker 1: When the breakup happens, Morgan Freeman's gonna be all up

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Speaker 1: in my face, like stop calling them, Um, those men,

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Speaker 1: those horva doesn't mean anything to me next to you, baby. Um,

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Speaker 1: all right, let's get into this. This is a very

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Speaker 1: very very funny episode. Um. I don't even remember shooting

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Speaker 1: any of it, and um it's hut. I don't remember

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Speaker 1: any of it. Not one part of this episode. I don't.

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Speaker 1: This was like watching something a new Yes, and I

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Speaker 1: thought I was gonna remember it too because I remember

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Speaker 1: the title my Buddy's Booty. I thought because of your

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Speaker 1: um juicy ass, that it was referring to your booty.

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Speaker 1: That would have been nice. Yeah, but if that episode

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Speaker 1: I'd like to watch. By the way, there was this

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Speaker 1: meme of all the Olympic cyclers. Did you see that picture?

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Speaker 1: Oh my god, that's what you want to talk about.

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Speaker 1: Chunky asses, dude, All the Olympics cyclers have the juicy's asses,

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Speaker 1: And someone created a meme that says, damn, I need

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Speaker 1: to cycle. Speaking of cycling, I almost died on my

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Speaker 1: bike today biking in New York was always a double

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Speaker 1: black diamond sport. But I gotta tell you, post pandemic,

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Speaker 1: it is insanity. What's going on? Well, there are so

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Speaker 1: many more delivery men. I think what I assume what

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Speaker 1: happened is during the pandemic, the need for food delivery

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Speaker 1: guys surged, right, And they all ride electric bicycles. Now,

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Speaker 1: these are not normal electric bicycles. These are like essentially

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Speaker 1: fucking motor scooters, but they're electric bicycles. They fly, and

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Speaker 1: these dudes, I respect, they're hustle, they're going for the

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Speaker 1: get the cash, but they are insane and they're forget

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Speaker 1: any rules. The police of New York couldn't possibly police this.

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Speaker 1: So every which way on the street and they fly,

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Speaker 1: and then you got tourists on city bikes going the

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Speaker 1: wrong way and they're not nobody's wearing helmets. It's just

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Speaker 1: it's insanity. And it's like frogger on acid. But you die,

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Speaker 1: and I almost died today. I'm glad you did. No. No, Yeah,

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Speaker 1: I think I read that one pedestrian dies a day

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Speaker 1: in Manhattan. I don't know that's enough for me to stop. Joe, Well,

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Speaker 1: can you look that up. I don't know if that's

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Speaker 1: a fact I made up. But I heard that a

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Speaker 1: pedestrian a day. That is enough to stop me from

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Speaker 1: going outside right there. Well, it's very trust me. I'm good.

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Speaker 1: I'm a good bicycler. I've been riding in Manhattan for many, many,

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Speaker 1: many years. But I definitely notice that. Oh and they

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Speaker 1: also introduced this other insane thing. I can't believe the

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Speaker 1: fucking government let this through. But they also have these

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Speaker 1: full like scooters like JD's scooter, but it's electric and

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Speaker 1: you just has an app and you swipe your fucking

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Speaker 1: app and you start up the scooter. So people who

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Speaker 1: don't know what they're doing are driving those around the city.

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Speaker 1: Now it's fucking like Sasha scooter or like, yes, not

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Speaker 1: in but they're electric, but they look like Sasha, and

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Speaker 1: dudes are on the bike paths with him going the

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Speaker 1: wrong way. Insane, dude. Wow, it's so advanced by helmet

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Speaker 1: up and everything. But today you have to go you know,

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Speaker 1: you have lights on my ship too. Speaking of helmeting up,

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Speaker 1: helmeting up, Gary Busey's on the show, Gary Busey's back. Um,

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Speaker 1: this show is so this episode is a ridiculous direction

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Speaker 1: by Randall Winston was this Randall's first epist. I believe

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Speaker 1: this is his first episode. What a great job. And

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Speaker 1: he has a great little uh transition that happens later

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Speaker 1: on in the show with the sneakers and the hanging. Yeah,

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Speaker 1: we'll get to that. I'm sure we'll get to that.

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Speaker 1: But Randall Winston as well. You know he's been on

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Speaker 1: the show. He was our line producer. We told you

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Speaker 1: what that was about. That's mostly the guy who's looking

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Speaker 1: at the money and dealing with the exact money and budget.

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Speaker 1: Written by Mark Stegman, one of our very funny writers.

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Speaker 1: But this was Randall's first episode he directed, I believe,

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Speaker 1: or was it second. Jowell double checked out for me too.

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Speaker 1: But anyway, the episode starts, JD and Elliot are bonding

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Speaker 1: again and Jad's getting over breaking up with Julie and h.

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Speaker 1: Elliot apparently thinks she also thinks she looks like Gary

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Speaker 1: Busey because she covers her face with a Gary Busey picture.

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Speaker 1: I think she covers the face with Gary buy with

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Speaker 1: a Gary Busey picture, and you're like, oh, now it's

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Speaker 1: you and me, and she's like, what the fuck are

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Speaker 1: you talking about? It's Gary Busey. I don't think she

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Speaker 1: covers it trying to make it seem like it's her.

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Speaker 1: Hold on one second, Um, Joel, I'm looking at what

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Speaker 1: you said. Pedestrian deaths in the city have surged fifty

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Speaker 1: eight percent so far in twenty twenty one, so you

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Speaker 1: know I'm not fucking lying staying home now compared to

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Speaker 1: the same period in twenty twenty. Oh. But you're saying

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Speaker 1: the total death is went. What does that mean? Forty

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Speaker 1: one deaths from twenty six Oh so not quite, but

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Speaker 1: it's still a lot. Oh oh, but so forty one. Oh,

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Speaker 1: but it's halfway through the year, so that would that

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Speaker 1: would roughly be eighty. Okay, I was wrong, but we're

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Speaker 1: headed towards eighty deaths pedestrian deaths for twenty twenty one. Yes,

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Speaker 1: and this is Randall's second episode. Yes, that's what I'm

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Speaker 1: telling you. And this is Randall's second direct to your pet.

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Speaker 1: My figure that I once heard might be um New

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Speaker 1: York um city and meeting all five burrows. Anyway, Um,

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Speaker 1: I'm telling you see surged fifty eight percent, So you

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Speaker 1: get I'm not lying. It's fucking nuts out there. Be

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Speaker 1: careful when you're in New York. Look. Ye, I once

401
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Speaker 1: stepped into the street once and I had looked the

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Speaker 1: proper way because the streets are all one way, and

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Speaker 1: a biker yelled at me, goes, you gotta look both ways,

404
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Speaker 1: and he was going the wrong way, and I was like,

405
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Speaker 1: I had to bite my fists all right. So Elliott

406
00:23:49,720 --> 00:23:54,120
Speaker 1: um doesn't know how to pull pranks and she throws

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Speaker 1: into the into the shower, which is first of all

408
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Speaker 1: so many questions where did Elliott get this raccoon? But

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Speaker 1: kudos to the stunt man. I don't know which one

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Speaker 1: of the fellas it was, but he took a nice

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Speaker 1: fucking hit on that cabinet with that when under the

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Speaker 1: shower curtain. Not only that he'd been was still conscious

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Speaker 1: enough to push the flap down the shower curtain down

414
00:24:21,840 --> 00:24:24,679
Speaker 1: because the wind was blowing the shower curtain and it

415
00:24:24,680 --> 00:24:27,640
Speaker 1: looked like the dangle was about to be seen. Oh

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Speaker 1: it wouldn't have been my peep, it would have been his.

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Speaker 1: But that was a very impressive hit with with clearly

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Speaker 1: no vision, I mean he was he couldn't see. So

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Speaker 1: thank you, mister stuntman for making me look good. Well done.

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Speaker 1: I don't know which one it was so then this

421
00:24:42,440 --> 00:24:44,800
Speaker 1: this episode had so many wacky stunts in it. So

422
00:24:44,840 --> 00:24:49,359
Speaker 1: then I'm putting pulling Elliott on rollerblades with a water

423
00:24:49,440 --> 00:24:54,480
Speaker 1: ski rope behind my scooter. This is called scooter blading, right,

424
00:24:54,520 --> 00:24:57,479
Speaker 1: and the stunt woman, the stunt woman, I'm like, fucking

425
00:24:58,000 --> 00:25:02,239
Speaker 1: Bobby Brady the stunt woman, and who leaps over the

426
00:25:02,320 --> 00:25:05,160
Speaker 1: stretcher is an exact match for Sarah. I went back

427
00:25:05,240 --> 00:25:08,159
Speaker 1: frame by frame. It's obviously not Sarah because it's a

428
00:25:08,240 --> 00:25:12,000
Speaker 1: pretty major stunt, but you can't tell that it's not Sarah.

429
00:25:12,119 --> 00:25:15,040
Speaker 1: Didn't you notice that doll? It didn't look like Sarah

430
00:25:15,040 --> 00:25:19,399
Speaker 1: to me, But okay, really it's rare. Usually when you

431
00:25:19,480 --> 00:25:22,720
Speaker 1: have a stunt person, they'll you'll see later with with

432
00:25:22,720 --> 00:25:25,400
Speaker 1: with JD on rollerblades. When it's going to be a stunt,

433
00:25:25,440 --> 00:25:27,480
Speaker 1: you can tell because they start hiding their face, like

434
00:25:27,520 --> 00:25:29,720
Speaker 1: with their arm a little bit, or they're ducking their head.

435
00:25:30,080 --> 00:25:35,080
Speaker 1: But that woman does a giant rollerblade split jump and

436
00:25:35,280 --> 00:25:37,360
Speaker 1: she's showing her face and I was like, there's no

437
00:25:37,400 --> 00:25:40,080
Speaker 1: way that was Sarah. And I went back and I

438
00:25:40,160 --> 00:25:41,800
Speaker 1: kind of went I went frame by frame and you

439
00:25:41,880 --> 00:25:46,000
Speaker 1: can't you can't really tell. They found a good They

440
00:25:46,000 --> 00:25:50,320
Speaker 1: found a good one, Yeah, they did. Unless that is Sarah.

441
00:25:50,359 --> 00:25:53,639
Speaker 1: But I don't think that's Sarah. I don't think it's Sarah.

442
00:25:53,760 --> 00:25:57,720
Speaker 1: Is not Sarah is not quarded enough to risk that

443
00:25:58,320 --> 00:26:01,840
Speaker 1: she can dance. She's pretty athletic, she's just never been

444
00:26:02,160 --> 00:26:04,119
Speaker 1: I know. But if you look at the stunt team,

445
00:26:04,160 --> 00:26:06,199
Speaker 1: if you at first, I went back and I went, oh,

446
00:26:06,240 --> 00:26:10,159
Speaker 1: maybe she leaped over the camera and with no rollerblades on.

447
00:26:10,280 --> 00:26:13,840
Speaker 1: But no, it's a woman doing a split jump on rollerblades.

448
00:26:13,920 --> 00:26:15,840
Speaker 1: I don't think it's Sarah. I don't think it's We

449
00:26:15,880 --> 00:26:24,959
Speaker 1: could ask Sarah. No, I fucker, I'm just kidding. I

450
00:26:25,000 --> 00:26:28,720
Speaker 1: love that wacky Canadian. How about Cox falling straight on

451
00:26:28,800 --> 00:26:31,680
Speaker 1: his back? Um, it made me realize that Johnny C

452
00:26:31,880 --> 00:26:34,080
Speaker 1: doesn't do a ton of physical comedy in the show.

453
00:26:34,119 --> 00:26:36,800
Speaker 1: That wasn't his character. No, he does not, and I

454
00:26:36,880 --> 00:26:40,919
Speaker 1: do and I do believe Johnny C does have a

455
00:26:41,040 --> 00:26:43,560
Speaker 1: bad back. This is around the time that your back

456
00:26:43,640 --> 00:26:47,000
Speaker 1: started getting bad too, also, though, isn't it This is

457
00:26:47,000 --> 00:26:49,240
Speaker 1: around the time to Hernia. This is around the time

458
00:26:49,480 --> 00:26:51,440
Speaker 1: I don't do the time of the Hernia, but definitely

459
00:26:51,640 --> 00:26:55,200
Speaker 1: five years of running Indus Ship to make America laugh

460
00:26:55,359 --> 00:26:58,520
Speaker 1: started to take a toll on me, right, I remember,

461
00:26:58,720 --> 00:27:00,800
Speaker 1: I remember all of a sudden you being like, dude,

462
00:27:00,840 --> 00:27:03,560
Speaker 1: stop sucking around my back, My back, my back. Well yeah,

463
00:27:03,600 --> 00:27:07,200
Speaker 1: I mean I definitely I solved a bunch of issues

464
00:27:07,240 --> 00:27:08,560
Speaker 1: I started to have with my back, and then I

465
00:27:08,560 --> 00:27:10,159
Speaker 1: did have a hernia. I don't know if it was

466
00:27:10,160 --> 00:27:13,600
Speaker 1: around this time, but you know, I was not much

467
00:27:13,600 --> 00:27:17,679
Speaker 1: of an athlete and not much shape, but I really

468
00:27:17,680 --> 00:27:20,240
Speaker 1: took a love to physical comedy and was trying to

469
00:27:20,280 --> 00:27:22,200
Speaker 1: do as much of it as I could. And then

470
00:27:22,280 --> 00:27:24,239
Speaker 1: of course some of that caught up because if I

471
00:27:24,280 --> 00:27:26,320
Speaker 1: was in shape and stretching and doing it all right,

472
00:27:26,320 --> 00:27:27,960
Speaker 1: it probably would have been better. But I was doing

473
00:27:28,000 --> 00:27:30,720
Speaker 1: none of that. I was just trying to make people laugh,

474
00:27:31,320 --> 00:27:35,880
Speaker 1: right as you should. So he falls right on his back.

475
00:27:36,040 --> 00:27:37,600
Speaker 1: But by the way, not even a fantasy. I mean

476
00:27:37,640 --> 00:27:40,640
Speaker 1: that would really, I mean, you could really, really really

477
00:27:40,680 --> 00:27:44,360
Speaker 1: hurt yourself if Cox, if you did what Cox did

478
00:27:44,520 --> 00:27:48,160
Speaker 1: in the ICU. Just to prove a point, Yes, there

479
00:27:48,160 --> 00:27:51,240
Speaker 1: are a lot of moments in this show today. I

480
00:27:51,280 --> 00:27:54,080
Speaker 1: mean that we that we just watched where I was like, okay,

481
00:27:55,200 --> 00:27:57,640
Speaker 1: so this none of this is going to ever track

482
00:27:58,920 --> 00:28:02,119
Speaker 1: and it's all really happened. Yeah, but none of it

483
00:28:02,160 --> 00:28:07,280
Speaker 1: will ever track Vader thing one. How many piercings does

484
00:28:07,359 --> 00:28:10,800
Speaker 1: JD have? Now, well, he has all those piercings, and

485
00:28:10,840 --> 00:28:15,920
Speaker 1: they very quickly disappear, right one one doesn't very quickly disappear.

486
00:28:16,520 --> 00:28:18,160
Speaker 1: There's a call back at the end of the show.

487
00:28:18,320 --> 00:28:21,879
Speaker 1: All right, so JD, you're jumping ahead, but not by much.

488
00:28:22,520 --> 00:28:25,800
Speaker 1: Jad goes and tries to hit on JD and Elliot

489
00:28:25,840 --> 00:28:28,800
Speaker 1: are both horny and they both want booty calls. Yes,

490
00:28:29,119 --> 00:28:32,120
Speaker 1: JD has heard that the woman who does piercings at

491
00:28:32,119 --> 00:28:37,120
Speaker 1: the mall or yeah, wherever it is. But she's easy, easy,

492
00:28:37,760 --> 00:28:41,560
Speaker 1: so he tries to promiscuous. He tries to hit on her,

493
00:28:42,560 --> 00:28:44,640
Speaker 1: and I go, maybe later you can show me where

494
00:28:44,680 --> 00:28:47,200
Speaker 1: else you're pierced. And then I look down at her vagina,

495
00:28:47,320 --> 00:28:54,720
Speaker 1: which is just so preposterously inappropriate. And JD gets exactly

496
00:28:54,720 --> 00:28:57,560
Speaker 1: what's coming to him because she wrestles him to the

497
00:28:57,600 --> 00:29:02,280
Speaker 1: ground and pierces him all over his face and then

498
00:29:02,320 --> 00:29:07,720
Speaker 1: his penis yes, and um, and we learned that he's

499
00:29:07,760 --> 00:29:11,760
Speaker 1: got an emerald yes in his penis. I forgot what

500
00:29:11,840 --> 00:29:14,720
Speaker 1: that's called. What's that called? When you get a penis. Jewel,

501
00:29:15,080 --> 00:29:21,080
Speaker 1: Joel left the conversation. She's a specialists here, Prince alb

502
00:29:21,240 --> 00:29:25,200
Speaker 1: now Joel as a Prince Albert. Um just a piercing

503
00:29:25,280 --> 00:29:28,239
Speaker 1: or can it also be an an emerald? And and

504
00:29:28,280 --> 00:29:30,080
Speaker 1: where does it go? It goes to the tip of

505
00:29:30,120 --> 00:29:36,480
Speaker 1: the well piercing that is where it goes. Or you ladder,

506
00:29:36,520 --> 00:29:42,960
Speaker 1: which is where you're pierced up the shaft. Ye wait

507
00:29:43,000 --> 00:29:46,920
Speaker 1: a second, Jacob's ladder is multiple piercing up the sea.

508
00:29:47,680 --> 00:29:52,080
Speaker 1: Also what a thing to reference? Yea if you're if

509
00:29:52,080 --> 00:29:54,480
Speaker 1: you're a man, if you're a man listening to this,

510
00:29:54,600 --> 00:29:56,800
Speaker 1: you might be holding your penis right now because the

511
00:29:56,920 --> 00:30:02,240
Speaker 1: thought of it hurt uncontrollable. So the Prince Albert goes

512
00:30:02,280 --> 00:30:06,200
Speaker 1: through the tip the ure throw. Yeah, so I'm assuming

513
00:30:06,200 --> 00:30:09,600
Speaker 1: that's what Jad got um. And and it's an emerald.

514
00:30:09,720 --> 00:30:13,040
Speaker 1: It's a green emerald. So wait, So at the end

515
00:30:13,080 --> 00:30:16,120
Speaker 1: when the janitor has an emerald on the tip of

516
00:30:16,240 --> 00:30:19,920
Speaker 1: his he stole it when he broke into my home.

517
00:30:21,040 --> 00:30:26,120
Speaker 1: This episode, this episode is so fucked up, so Jad, sorry,

518
00:30:26,280 --> 00:30:30,080
Speaker 1: So we're jumping around, but cos in the janitor becomes

519
00:30:30,240 --> 00:30:36,040
Speaker 1: drinking buddies and after drinking one night, they break into

520
00:30:36,160 --> 00:30:39,600
Speaker 1: Jad's home. Yes, and the janitor reveals that he often

521
00:30:39,640 --> 00:30:43,280
Speaker 1: does this and he um likes to. He does it

522
00:30:43,320 --> 00:30:45,600
Speaker 1: a few times a week. He says, he likes to

523
00:30:45,640 --> 00:30:49,280
Speaker 1: move stuff around, turn off my alarm, and occasionally cut

524
00:30:49,360 --> 00:30:53,680
Speaker 1: my bangs. Yes. But what we also learn is that

525
00:30:53,800 --> 00:30:57,480
Speaker 1: in moving my bed to the parking lot, I'm apparently

526
00:30:57,480 --> 00:31:02,240
Speaker 1: a very very deep sleeper. Janitor removes the Emerald's jewel

527
00:31:02,400 --> 00:31:05,840
Speaker 1: from my Prince Albert piercing Yes, and mounds it on

528
00:31:05,920 --> 00:31:20,360
Speaker 1: his mop. Yes. Because this is some bad shit. Fucking dude,

529
00:31:20,360 --> 00:31:23,760
Speaker 1: I never put this together when we were making this show. No,

530
00:31:24,000 --> 00:31:27,440
Speaker 1: I didn't realize out of sequence. That's what we're learning

531
00:31:27,480 --> 00:31:30,320
Speaker 1: from watching this in sequence. How fucking bat shit Season

532
00:31:30,360 --> 00:31:33,560
Speaker 1: five is and I love it. Yeah, I'm here for it.

533
00:31:33,880 --> 00:31:37,320
Speaker 1: I'm here for season five, man, I want to I really,

534
00:31:37,680 --> 00:31:40,200
Speaker 1: I think I don't know what happens in season six

535
00:31:40,200 --> 00:31:44,000
Speaker 1: where the tone goes, But season five is so far.

536
00:31:44,400 --> 00:31:48,200
Speaker 1: It's my type of comedy where it's like, how dare they?

537
00:31:48,320 --> 00:31:50,479
Speaker 1: How dare they do that? Because now they have to

538
00:31:50,520 --> 00:31:53,360
Speaker 1: explain it. But then now you don't have to explain it.

539
00:31:53,440 --> 00:31:55,400
Speaker 1: You know what it is, dude, It's like Bill was.

540
00:31:55,480 --> 00:31:58,440
Speaker 1: It was shocking what Bill could get away with season

541
00:31:58,480 --> 00:32:01,320
Speaker 1: one through four with humor and then still circling round

542
00:32:01,320 --> 00:32:03,160
Speaker 1: to Heart. It was always like, Wow, how does he

543
00:32:03,200 --> 00:32:06,400
Speaker 1: do that? That's amazing. Now this motherfucker was like, let

544
00:32:06,480 --> 00:32:09,160
Speaker 1: me see if I could push it further, right, because

545
00:32:09,480 --> 00:32:12,920
Speaker 1: even at the end of this episode, which is bad shit, Yeah,

546
00:32:13,000 --> 00:32:15,480
Speaker 1: it ends with Heart with missus wilk and everyone gather

547
00:32:15,600 --> 00:32:20,360
Speaker 1: run her bed. Yeah, dude, he's masterful at it. Speak listen,

548
00:32:20,600 --> 00:32:24,560
Speaker 1: I'm gonna I'm gonna reveal something that I haven't and

549
00:32:24,600 --> 00:32:26,400
Speaker 1: I'm sure you guys have probably picked up on it.

550
00:32:27,720 --> 00:32:39,120
Speaker 1: Up until about a week ago. No, No, until up

551
00:32:39,200 --> 00:32:41,600
Speaker 1: until a week ago, I had never watched ted Lasso.

552
00:32:41,840 --> 00:32:44,880
Speaker 1: I knew that I was hiding it from Bill. Yeah,

553
00:32:44,920 --> 00:32:47,760
Speaker 1: I had never watched an episode of ted Lasso, And

554
00:32:47,880 --> 00:32:49,840
Speaker 1: every time Bill was on, I would be like, oh,

555
00:32:49,880 --> 00:32:51,920
Speaker 1: and ted Lasso is doing so well, and I was

556
00:32:52,880 --> 00:33:01,840
Speaker 1: sincerely good. I've watched all of them. Nice, dude, It's

557
00:33:01,880 --> 00:33:03,640
Speaker 1: one of the best shows I've ever watched in my life.

558
00:33:03,640 --> 00:33:07,240
Speaker 1: Man Like Will Good in all honesty, man Like, I'm

559
00:33:07,240 --> 00:33:10,640
Speaker 1: sitting there like and I'm in awe of one of

560
00:33:10,680 --> 00:33:13,280
Speaker 1: my really good friends, like I'm in awe, like I

561
00:33:13,320 --> 00:33:15,920
Speaker 1: can't believe it. Like part of me is like part

562
00:33:15,920 --> 00:33:17,680
Speaker 1: of me is like like I watched Scrubs and I'm like, yeah,

563
00:33:17,680 --> 00:33:19,240
Speaker 1: Scrubs is good and I was a part of it,

564
00:33:19,280 --> 00:33:21,760
Speaker 1: and it's changed my life and it's made me, you know,

565
00:33:21,920 --> 00:33:25,920
Speaker 1: a very very very very fortunate person and it's given

566
00:33:25,920 --> 00:33:28,520
Speaker 1: me a lot of great things. We're watching Ted Lasso.

567
00:33:28,640 --> 00:33:33,480
Speaker 1: I'm like, holy shit, dude, like it's just great storytelling

568
00:33:33,480 --> 00:33:35,640
Speaker 1: and I can't Like part of me's like part of

569
00:33:35,640 --> 00:33:38,080
Speaker 1: me's almost like I can't believe Bill did this. You

570
00:33:38,080 --> 00:33:40,480
Speaker 1: know what I mean, Like it's it's so fucking proud of,

571
00:33:40,520 --> 00:33:43,239
Speaker 1: Like I'm so proud of. Episode two is probably your

572
00:33:43,240 --> 00:33:46,800
Speaker 1: favorite episode though, in all honesty, in season one, out

573
00:33:46,800 --> 00:33:50,239
Speaker 1: of all of season one, episode two, truthfully is my

574
00:33:50,240 --> 00:34:00,640
Speaker 1: favorite episode. Believe it. Joel, come on, don't on my parade,

575
00:34:00,680 --> 00:34:04,520
Speaker 1: and b he has he has his sincere face on.

576
00:34:04,640 --> 00:34:11,279
Speaker 1: I know his sincere face. I'm still learning. I cannot.

577
00:34:11,560 --> 00:34:16,120
Speaker 1: I my my wife too. We're like we caught up,

578
00:34:16,120 --> 00:34:19,080
Speaker 1: and I'm pissed off that we caught up to where

579
00:34:19,080 --> 00:34:21,840
Speaker 1: it's at you, But that's what happens. I'm sure that

580
00:34:22,040 --> 00:34:25,560
Speaker 1: people listening feel that about Scrubs. It's like, uh, and

581
00:34:25,719 --> 00:34:27,520
Speaker 1: we feel it about shows we love when you when

582
00:34:27,600 --> 00:34:30,040
Speaker 1: when it's over, you're like, but but I but I

583
00:34:30,080 --> 00:34:32,960
Speaker 1: missed them. Yeah, you know, I want to, you want

584
00:34:32,960 --> 00:34:34,600
Speaker 1: to you want to hang out with those people. When

585
00:34:34,760 --> 00:34:37,000
Speaker 1: I felt that about last So when it ended, uh,

586
00:34:37,120 --> 00:34:39,440
Speaker 1: in the season one ended, I was like, but I

587
00:34:39,719 --> 00:34:45,440
Speaker 1: miss Roy. How great is Brett Goldstein? Brett is amazing,

588
00:34:46,080 --> 00:34:53,799
Speaker 1: amazing the kid who plays Jamie tart j Jamie Dude, man,

589
00:34:54,000 --> 00:34:59,960
Speaker 1: holy shit, like the whole cast, everybody, everybody, everybody's really

590
00:35:00,000 --> 00:35:03,359
Speaker 1: really good and they're all nominated every state. But they

591
00:35:03,400 --> 00:35:08,360
Speaker 1: should be they they they should be though, Yeah of course,

592
00:35:09,640 --> 00:35:12,920
Speaker 1: um yeah, man, it's so cool. I'm so happy to

593
00:35:12,960 --> 00:35:15,800
Speaker 1: have a tiny piece of it. I feel so lucky

594
00:35:15,840 --> 00:35:20,080
Speaker 1: to be amongst them. I'm just so impressed. I'm sincerely

595
00:35:20,120 --> 00:35:23,920
Speaker 1: so impressed. And I didn't, you know, I put it

596
00:35:23,920 --> 00:35:25,920
Speaker 1: off and I put it off, and I tried to

597
00:35:25,920 --> 00:35:28,000
Speaker 1: watch the first episode once and I just didn't get

598
00:35:28,040 --> 00:35:30,760
Speaker 1: the tone. But I had only watched like five minutes

599
00:35:30,800 --> 00:35:33,040
Speaker 1: of it. And then after the first episode was over,

600
00:35:34,239 --> 00:35:37,600
Speaker 1: Casey and I went through three or four in one night.

601
00:35:38,080 --> 00:35:40,640
Speaker 1: And then people would probably happen if you if you

602
00:35:41,000 --> 00:35:43,000
Speaker 1: recall is that you got through the first one and

603
00:35:43,040 --> 00:35:44,840
Speaker 1: you're like, I think I like it, and then you

604
00:35:44,960 --> 00:35:52,920
Speaker 1: watched episode two, Oh absolutely, and then the snowballs. Yeah yeah, sure, sure, sure,

605
00:35:53,200 --> 00:35:56,320
Speaker 1: that's exactly what happened. I already said episode two was

606
00:35:56,360 --> 00:35:58,480
Speaker 1: my favorite episode of season one. All right, I'm not

607
00:35:58,520 --> 00:36:02,200
Speaker 1: going to disagree with you. March and artistic and thought.

608
00:36:02,280 --> 00:36:06,440
Speaker 1: I just want to say, holy shit, wow, what a

609
00:36:06,480 --> 00:36:10,400
Speaker 1: great show one show two. Charlotte Lawrence posted pictures of

610
00:36:10,440 --> 00:36:13,440
Speaker 1: herself in this blue dress. I don't know, this is

611
00:36:13,600 --> 00:36:17,160
Speaker 1: all had scrubs related. She looks just like her mom. Dude,

612
00:36:17,560 --> 00:36:21,880
Speaker 1: holy cow, she looks like Christa. It's it's like if Christa,

613
00:36:22,200 --> 00:36:25,480
Speaker 1: it would if you would have rewinded back in time,

614
00:36:25,600 --> 00:36:29,720
Speaker 1: it would be Christa instead of instead of Charlotte. It's

615
00:36:30,000 --> 00:36:32,960
Speaker 1: it's really impressive, and you know, it's a shame that

616
00:36:33,000 --> 00:36:35,719
Speaker 1: nothing works out for that family. Okay, we are going

617
00:36:36,000 --> 00:36:47,040
Speaker 1: to quick break and we'll be right back, and back

618
00:36:48,280 --> 00:36:50,239
Speaker 1: we did. We talked about the rock Heart Abs and

619
00:36:50,360 --> 00:36:54,680
Speaker 1: Keys Dynamitariolas and I turn around and I reveal that

620
00:36:54,719 --> 00:36:57,440
Speaker 1: I've got scratches all down my back and the interns

621
00:36:57,440 --> 00:37:01,919
Speaker 1: say what what's that? And I go, those jays are

622
00:37:01,920 --> 00:37:07,520
Speaker 1: the panic scratches of the adolescent raccoon. And I love that.

623
00:37:07,520 --> 00:37:12,000
Speaker 1: I'd say raccoon, like, that's not how I would normally

624
00:37:12,000 --> 00:37:15,120
Speaker 1: pronounce raccoon, But you know what I have, it's funnier.

625
00:37:15,280 --> 00:37:17,560
Speaker 1: It's just funnier to say raccoon. I'd love to say

626
00:37:17,600 --> 00:37:22,160
Speaker 1: I have since adopted that way of saying raccoon, because

627
00:37:22,320 --> 00:37:25,640
Speaker 1: raccoon is way funny. Raccoon is just somehow way funnier

628
00:37:26,239 --> 00:37:33,640
Speaker 1: the adolescent the scratches of the of the panicked adolescent raccoon. Okay,

629
00:37:33,719 --> 00:37:36,880
Speaker 1: Now the janitor, for some reason, now owns an eighteen

630
00:37:38,800 --> 00:37:42,759
Speaker 1: for no reason, it's never explained, but the janitor has

631
00:37:42,840 --> 00:37:46,560
Speaker 1: purchased an eighteen van. Yes, and are too young to know.

632
00:37:46,680 --> 00:37:50,320
Speaker 1: Eighteen was an action show that I grew up loving,

633
00:37:50,320 --> 00:37:54,239
Speaker 1: and Donald it too, mister t Ba Baraka, and it

634
00:37:54,280 --> 00:37:57,920
Speaker 1: was funny because it was a great show. H This

635
00:37:57,920 --> 00:38:02,600
Speaker 1: this this underground team of mercies of mercenaries with Saw.

636
00:38:02,719 --> 00:38:06,640
Speaker 1: It's like bad Batch. Now it's the bad Batch pretty much. Okay,

637
00:38:06,680 --> 00:38:08,839
Speaker 1: I don't understand that. I know that's a Star Wars thing.

638
00:38:08,880 --> 00:38:11,239
Speaker 1: I don't know what it is, but it's like a

639
00:38:11,360 --> 00:38:14,960
Speaker 1: team pretty much. Did do they build something at the

640
00:38:15,239 --> 00:38:17,560
Speaker 1: in the third act that saves the No, they don't

641
00:38:17,560 --> 00:38:19,640
Speaker 1: build anything in the third act, but they're on the

642
00:38:19,760 --> 00:38:24,360
Speaker 1: run from the law. They're this badass group of mercenaries

643
00:38:25,480 --> 00:38:29,239
Speaker 1: and they're helping out along. They're helping out people in

644
00:38:29,360 --> 00:38:31,479
Speaker 1: need along the way. Oh yeah, well that's the plot

645
00:38:31,480 --> 00:38:34,840
Speaker 1: of a team eight Steps without the animation, it's really anyway.

646
00:38:35,320 --> 00:38:37,840
Speaker 1: I loved it and it was funny because it was

647
00:38:37,880 --> 00:38:40,520
Speaker 1: meant for kids. But there was so much gun play.

648
00:38:40,560 --> 00:38:42,760
Speaker 1: They were always shooting it, but no one ever got shot.

649
00:38:42,760 --> 00:38:44,680
Speaker 1: It was one of the It was like in the

650
00:38:44,719 --> 00:38:48,160
Speaker 1: cartoon g I Joejo the plane explodes that everyone parachutes house. Yeah,

651
00:38:48,360 --> 00:38:52,319
Speaker 1: no one ever. There was so much gunfire in a Team,

652
00:38:52,400 --> 00:38:55,640
Speaker 1: but no one ever got hit. Yeah right, I love it.

653
00:38:55,840 --> 00:38:58,400
Speaker 1: Well one time one episode, face gets shot. They're on

654
00:38:58,400 --> 00:39:00,799
Speaker 1: a plane in Face gets probably like is Oh yeah,

655
00:39:00,800 --> 00:39:02,400
Speaker 1: we talked about this. How they used to drug be

656
00:39:02,480 --> 00:39:05,760
Speaker 1: a baracus mister T. Because mister T was afraid of flying.

657
00:39:05,760 --> 00:39:10,160
Speaker 1: They would drug him. Yeah, they got him every time.

658
00:39:10,520 --> 00:39:13,560
Speaker 1: Every time. I ain't getting on no plane, animal, you

659
00:39:13,560 --> 00:39:16,759
Speaker 1: ain't gonna trick me. This yeah, if you can drug him.

660
00:39:16,840 --> 00:39:17,960
Speaker 1: I don't know if you could do that today. I

661
00:39:17,960 --> 00:39:22,440
Speaker 1: don't think you're allowed to dose your friends. I mean, yeah, yeah, yeah,

662
00:39:22,520 --> 00:39:24,280
Speaker 1: you are. It's just not I don't think in a show.

663
00:39:24,480 --> 00:39:27,879
Speaker 1: I just wasn't a show. You Oh you don't, right,

664
00:39:27,960 --> 00:39:30,120
Speaker 1: got it? I understand I'm saying in twenty twenty one,

665
00:39:30,160 --> 00:39:32,920
Speaker 1: I think people would find objection to them dosing be

666
00:39:33,040 --> 00:39:35,400
Speaker 1: a baracus to knock him out. I don't think so.

667
00:39:36,040 --> 00:39:39,200
Speaker 1: I don't think so if they're going to like Guatemala

668
00:39:39,239 --> 00:39:42,080
Speaker 1: to save a village of Oh, you're saying, as long

669
00:39:42,120 --> 00:39:44,160
Speaker 1: as it's for a good cause, as long as you're

670
00:39:44,360 --> 00:39:49,239
Speaker 1: good cause, you can knock your friend out, all right,

671
00:39:49,280 --> 00:39:51,719
Speaker 1: Well by me team. By the way, it probably still

672
00:39:51,719 --> 00:39:54,080
Speaker 1: holds up if you have a young teenager, they might

673
00:39:54,160 --> 00:39:58,359
Speaker 1: still like it. I doubt it. I doubt I doubt it'

674
00:40:14,400 --> 00:40:24,880
Speaker 1: that night Rider were my favorites. Dunn, Dunn, Dunn, Dunna.

675
00:40:30,360 --> 00:40:36,280
Speaker 1: You remember Hasslehoff. You know he was my hero, dude,

676
00:40:37,840 --> 00:40:41,319
Speaker 1: A big guy. By the way, he was really Hasslehoff

677
00:40:41,680 --> 00:40:44,040
Speaker 1: out of nowhere. I mean a lot of celebrity people

678
00:40:44,080 --> 00:40:46,640
Speaker 1: reached out to Amanda, but David Hasselhof randomly was one

679
00:40:46,640 --> 00:40:49,440
Speaker 1: of them. He was like such a sweetheart, like let

680
00:40:49,520 --> 00:40:51,279
Speaker 1: me know if there's ever anything I can do for you,

681
00:40:51,440 --> 00:40:54,520
Speaker 1: and he was just you know, it's funny because he

682
00:40:54,560 --> 00:40:56,560
Speaker 1: was a childhood hero of mine. A lot of younger

683
00:40:56,560 --> 00:40:59,080
Speaker 1: people know him from Baywatch, which was sillier, but when

684
00:40:59,160 --> 00:41:00,799
Speaker 1: we were kids. He is the star of a very

685
00:41:00,880 --> 00:41:03,960
Speaker 1: popular show called night Rider, and so it's just kind

686
00:41:04,000 --> 00:41:06,000
Speaker 1: of cool that of all the celebrities, many of whom

687
00:41:06,040 --> 00:41:08,560
Speaker 1: were lovely to Amanda, he was happening to be one

688
00:41:08,600 --> 00:41:12,279
Speaker 1: of them. You know, there were no guns. There were

689
00:41:12,320 --> 00:41:15,200
Speaker 1: no guns on night Rider either, like Michael Knight never

690
00:41:15,280 --> 00:41:17,600
Speaker 1: carried a gun. No, he just fought and had a

691
00:41:17,640 --> 00:41:23,360
Speaker 1: magical car. Yeah. Umu, there's a fun famous quote in

692
00:41:23,400 --> 00:41:26,480
Speaker 1: this episode. Or me my often see it's like you're

693
00:41:26,680 --> 00:41:32,680
Speaker 1: begging me to hate. You say that this is official.

694
00:41:33,640 --> 00:41:38,560
Speaker 1: But Jordan, tell me if I'm saying it right, culs

695
00:41:39,239 --> 00:41:41,840
Speaker 1: doctor Cox. Yeah, he doesn't seem to have any jealous

696
00:41:41,840 --> 00:41:44,680
Speaker 1: bone in his body car because she's always in front

697
00:41:44,719 --> 00:41:48,279
Speaker 1: of him a cuckled I think that's right, Joelle. You're

698
00:41:48,280 --> 00:41:52,040
Speaker 1: our expert. Thing. So if if that's when the man

699
00:41:52,600 --> 00:41:58,759
Speaker 1: watches him himself be cheated on. Yeah, essentially pretty much.

700
00:41:58,960 --> 00:42:01,319
Speaker 1: But the man knows because it's not cheating. The man

701
00:42:01,480 --> 00:42:04,120
Speaker 1: knows about it. The man well, in a COUPLD situation,

702
00:42:04,200 --> 00:42:07,480
Speaker 1: the man is turned on by watching, not necessarily turned on.

703
00:42:07,719 --> 00:42:10,920
Speaker 1: The man just knows that. I have to like in

704
00:42:11,160 --> 00:42:13,680
Speaker 1: some of the videos that I watch, some of them

705
00:42:13,719 --> 00:42:16,440
Speaker 1: are like, I can't believe my wife is doing you know,

706
00:42:16,560 --> 00:42:19,600
Speaker 1: but he's acting. I hate to break it to you,

707
00:42:19,680 --> 00:42:22,720
Speaker 1: but that that that adult performer is acting. I believe.

708
00:42:23,040 --> 00:42:27,160
Speaker 1: Oh no, but Joel is part of the So there's

709
00:42:27,160 --> 00:42:30,359
Speaker 1: no scenario where a woman could force like a man

710
00:42:30,760 --> 00:42:34,920
Speaker 1: watch that situation happen. Well, then their relationship might be over.

711
00:42:35,040 --> 00:42:39,440
Speaker 1: I think the particular sexual uh kink is that the

712
00:42:39,560 --> 00:42:43,400
Speaker 1: term Joel yeah nice is that you um? Is that

713
00:42:43,560 --> 00:42:46,560
Speaker 1: the that the man or woman depending on the partner,

714
00:42:47,080 --> 00:42:51,279
Speaker 1: is turned on by the act, even if they in

715
00:42:51,400 --> 00:42:55,400
Speaker 1: some in some cases they are humiliated on purpose. He

716
00:42:55,520 --> 00:42:57,960
Speaker 1: has things like your peep isn't as big as his,

717
00:42:58,640 --> 00:43:01,959
Speaker 1: You sucks in the in the videos that I've seen

718
00:43:02,040 --> 00:43:07,600
Speaker 1: when doing research about research, that's that's what. That's that's what.

719
00:43:07,800 --> 00:43:11,120
Speaker 1: That's pretty much. I can't think of something I would

720
00:43:11,200 --> 00:43:13,719
Speaker 1: be that is less my thing. Hey, kudos to you

721
00:43:13,880 --> 00:43:16,479
Speaker 1: if you found your thing. But I do not want

722
00:43:16,600 --> 00:43:20,279
Speaker 1: my woman cheating on me and making fun of my

723
00:43:20,360 --> 00:43:26,600
Speaker 1: penis side. But hey, to eat their own truly, this

724
00:43:26,800 --> 00:43:30,880
Speaker 1: dick is so much better than yours. Look how it curves.

725
00:43:31,040 --> 00:43:38,040
Speaker 1: Yours doesn't curve. Oh my word, look at that glorious foreskin.

726
00:43:38,360 --> 00:43:47,000
Speaker 1: Yours is gone. Jud Oh no, oh no oh? Who

727
00:43:47,040 --> 00:43:51,640
Speaker 1: are you dating? Dude? Who are you getting into? Don't?

728
00:43:56,600 --> 00:44:00,600
Speaker 1: Oh yeah, I would, I would not. I'm into being

729
00:44:00,640 --> 00:44:04,320
Speaker 1: a cuckold. I've decided. But but now, Johnny, excuse me,

730
00:44:04,520 --> 00:44:07,120
Speaker 1: doctor Coxs. I don't know that he's into being a cuckold.

731
00:44:07,160 --> 00:44:10,239
Speaker 1: He just looks the other way. He doesn't seem to care.

732
00:44:10,920 --> 00:44:13,440
Speaker 1: Jordan is flirting with a with a young, very handsome

733
00:44:13,600 --> 00:44:15,800
Speaker 1: man at the bar, and she says they have to

734
00:44:15,880 --> 00:44:18,160
Speaker 1: go because his dorm is going to close and she

735
00:44:18,320 --> 00:44:21,319
Speaker 1: needs to be dropped off. Yes, so did she pick

736
00:44:21,400 --> 00:44:23,200
Speaker 1: him up at the bar? Did she bring them out

737
00:44:23,320 --> 00:44:25,880
Speaker 1: on their date? I don't know. I don't she met

738
00:44:25,960 --> 00:44:27,920
Speaker 1: him at the bar, but he needs to get home

739
00:44:27,960 --> 00:44:30,360
Speaker 1: because for summer, because he didn't recognize he doesn't know

740
00:44:30,400 --> 00:44:32,520
Speaker 1: who who doesn't know who Cox is? When he's like

741
00:44:32,600 --> 00:44:36,400
Speaker 1: Why is that man staring at me? And fight him, right, Jordan?

742
00:44:36,640 --> 00:44:40,160
Speaker 1: But Jordan's yeah, Jordan wants them to fight. Yes, for

743
00:44:40,280 --> 00:44:45,239
Speaker 1: some reason, this boy's dorm closes at midnight. Yes, a

744
00:44:45,280 --> 00:44:47,279
Speaker 1: bit of a plothole. Well, I mean that just makes

745
00:44:47,320 --> 00:44:51,360
Speaker 1: he's an undergrad, doesn't it. I mean, like, well, nobody

746
00:44:51,400 --> 00:44:53,359
Speaker 1: lives in the dorm after a sophomore season, do they?

747
00:44:53,440 --> 00:44:54,799
Speaker 1: Or do you still live in the dorm? You're seeing

748
00:44:54,800 --> 00:44:56,440
Speaker 1: you you can live in the dorm any year. But

749
00:44:56,560 --> 00:44:58,200
Speaker 1: but I never heard of a dorm that locks its

750
00:44:58,280 --> 00:45:01,000
Speaker 1: doors at midnight. Maybe a religion, a school or something.

751
00:45:01,840 --> 00:45:03,759
Speaker 1: Maybe he maybe he, you know, it's a better part

752
00:45:03,800 --> 00:45:08,160
Speaker 1: of the story if he's in like religious school, religious

753
00:45:08,520 --> 00:45:11,280
Speaker 1: Oh my god, he's in the ministry. He's gonna becoming

754
00:45:11,280 --> 00:45:17,480
Speaker 1: the priest um. So we're clear on that. So Cox

755
00:45:17,680 --> 00:45:21,600
Speaker 1: is cockled a lot, cockled a lot. I guess Joel

756
00:45:21,719 --> 00:45:25,000
Speaker 1: is that the correct thing. He's not, doesn't. He just

757
00:45:25,080 --> 00:45:27,920
Speaker 1: ignores it. He's not into it. It seems to me

758
00:45:28,000 --> 00:45:30,239
Speaker 1: like Jordan never actually cheats on. I feel like Jordan

759
00:45:30,360 --> 00:45:32,480
Speaker 1: is just a giant floyer and Cox has just come

760
00:45:32,520 --> 00:45:34,160
Speaker 1: to terms of like my wife needs to flair in

761
00:45:34,320 --> 00:45:37,200
Speaker 1: order to feel like sexy and empowered. So whatever she's

762
00:45:37,239 --> 00:45:40,240
Speaker 1: doing over there fine by me. I don't know. Actually

763
00:45:40,239 --> 00:45:43,359
Speaker 1: I will say this, she's hot as she's hot as ball,

764
00:45:43,520 --> 00:45:46,440
Speaker 1: So I mean I would be a little pissed off.

765
00:45:46,600 --> 00:45:49,719
Speaker 1: I'd be like, I don't know, what did Jordan do

766
00:45:49,920 --> 00:45:52,360
Speaker 1: to make him hate her so much? I think he

767
00:45:52,560 --> 00:45:56,560
Speaker 1: just not well. I think he they have a sex life,

768
00:45:56,640 --> 00:45:59,359
Speaker 1: we know that's very active. I think he just lets

769
00:45:59,440 --> 00:46:02,480
Speaker 1: her flir and ignores it and knows that she's not

770
00:46:02,560 --> 00:46:05,440
Speaker 1: going to take action on it, which is which I'm

771
00:46:05,480 --> 00:46:07,840
Speaker 1: sure some men and women do too. But that's not

772
00:46:08,040 --> 00:46:12,640
Speaker 1: for me either. No, that's called cuckled, light diet, cuckled, diet,

773
00:46:12,719 --> 00:46:28,000
Speaker 1: cuckled diet cock soon cut zero zero zero picking of cuckolds.

774
00:46:28,040 --> 00:46:32,759
Speaker 1: What's up with our cuckled uh uh two that we're

775
00:46:32,840 --> 00:46:36,200
Speaker 1: on the show right with? I do not have an

776
00:46:36,280 --> 00:46:41,040
Speaker 1: update for them yet, but I can tap ask tell

777
00:46:41,080 --> 00:46:43,120
Speaker 1: him we want them to come back on. We just

778
00:46:43,239 --> 00:46:47,000
Speaker 1: want to know how it's going, you know. I want

779
00:46:47,040 --> 00:46:50,880
Speaker 1: to know. Even if he hasn't had his turn um

780
00:46:51,000 --> 00:46:54,200
Speaker 1: hooking up with another woman, I still kind of want

781
00:46:54,200 --> 00:46:56,800
Speaker 1: to have them back on. Yeah, I just want to

782
00:46:56,840 --> 00:46:59,440
Speaker 1: know more. I think about them, and I want to

783
00:46:59,560 --> 00:47:02,640
Speaker 1: just I just feel like they could be good recurring guests,

784
00:47:02,760 --> 00:47:05,640
Speaker 1: like once a season we just see what's going on

785
00:47:05,760 --> 00:47:13,080
Speaker 1: in their lives. And this couple guy season, we have

786
00:47:13,239 --> 00:47:22,200
Speaker 1: Shay on once and we have this wild um okay,

787
00:47:22,480 --> 00:47:28,319
Speaker 1: so jd um okay, let's talk about the Alvino radiologist.

788
00:47:31,800 --> 00:47:36,719
Speaker 1: Did you not get this? So Carla and Elliott want

789
00:47:36,800 --> 00:47:41,799
Speaker 1: the JIM to have more equipment for females, for women, Yes,

790
00:47:42,040 --> 00:47:46,560
Speaker 1: right now. I didn't realize that JIM equipment is when

791
00:47:46,600 --> 00:47:49,640
Speaker 1: did JIM equipment become? Well, I think what I what

792
00:47:49,800 --> 00:47:53,080
Speaker 1: I inferred was that it was all free weights, and

793
00:47:53,200 --> 00:47:58,800
Speaker 1: women tend stereotypically to appreciate equipment that has the weights,

794
00:47:58,920 --> 00:48:01,440
Speaker 1: you know, built into it, kind of just the way. Um,

795
00:48:02,280 --> 00:48:04,319
Speaker 1: the example they show at the end is they've got

796
00:48:04,600 --> 00:48:09,359
Speaker 1: what's this thing called the political right. Um. I never

797
00:48:09,480 --> 00:48:11,520
Speaker 1: thought of it as as as a as a male

798
00:48:11,600 --> 00:48:14,040
Speaker 1: female thing either, but but but I think what they're

799
00:48:14,080 --> 00:48:15,960
Speaker 1: setting up is that it's just like it's all free

800
00:48:16,000 --> 00:48:19,760
Speaker 1: weights and and dumbells, I mean and dumbbells and bars

801
00:48:19,840 --> 00:48:25,040
Speaker 1: and stuff, not stuff that women stereotypically use. Right, And

802
00:48:25,239 --> 00:48:29,759
Speaker 1: so uh Turk comes up with the plan because the

803
00:48:29,920 --> 00:48:37,319
Speaker 1: albino in radiology is named Jim, and Turk walks into

804
00:48:37,400 --> 00:48:40,279
Speaker 1: the office and says, you know that the albino and

805
00:48:40,400 --> 00:48:45,400
Speaker 1: radiology Jim wants new equipment. Now this is all to

806
00:48:45,560 --> 00:48:48,520
Speaker 1: fool Carla, because Cox has had an intervention with Turk

807
00:48:48,560 --> 00:48:50,480
Speaker 1: and says, are you an idiot? This is the only

808
00:48:50,600 --> 00:48:53,880
Speaker 1: place that we men can have do ourselves, which is

809
00:48:54,000 --> 00:48:56,359
Speaker 1: kind of which doesn't really make any sense because I guess,

810
00:48:56,480 --> 00:48:59,000
Speaker 1: I guess if there was an only freeweight Jim, maybe

811
00:48:59,200 --> 00:49:01,560
Speaker 1: maybe it wouldn't have minute. But Cox says, don't you

812
00:49:01,760 --> 00:49:08,640
Speaker 1: dare let ruin the gym only zone, And Turk listens

813
00:49:08,760 --> 00:49:14,840
Speaker 1: to Cox and uses Jim from radiology to trick Kelso

814
00:49:15,160 --> 00:49:20,640
Speaker 1: into saying, you tell uh what does he say? Uh,

815
00:49:21,560 --> 00:49:25,279
Speaker 1: there'll be no money for that. You tell you there'll

816
00:49:25,960 --> 00:49:29,880
Speaker 1: be no new equipment for that gym, right, something like that?

817
00:49:30,480 --> 00:49:33,440
Speaker 1: Something like that. It's like a threes company misunderstanding the

818
00:49:33,480 --> 00:49:36,879
Speaker 1: whole whole premise. This built on a misunderstanding when someone

819
00:49:36,960 --> 00:49:42,920
Speaker 1: overhears something, you know, right, yeah, And so Turk feels

820
00:49:42,960 --> 00:49:44,880
Speaker 1: like he's out of the way. So I didn't know

821
00:49:44,960 --> 00:49:47,719
Speaker 1: that there was one. There's now an albino in radiology.

822
00:49:47,920 --> 00:49:50,880
Speaker 1: I didn't never see him. We never see him. But okay,

823
00:49:51,040 --> 00:49:55,799
Speaker 1: so how about this caveman booty call fantasy had me laughing.

824
00:49:56,040 --> 00:49:58,319
Speaker 1: I think that's one of the funniest shits ever because

825
00:49:58,400 --> 00:50:00,759
Speaker 1: I remember shooting this and we wouldn't get through it.

826
00:50:00,840 --> 00:50:04,080
Speaker 1: We were laughing so hard. This woman and I am Bill.

827
00:50:04,640 --> 00:50:07,120
Speaker 1: I just remember because what's so funny is that she's

828
00:50:07,239 --> 00:50:11,200
Speaker 1: full cave woman speak and I'm modern day yes, but

829
00:50:11,360 --> 00:50:14,680
Speaker 1: I'm like, look, I have a lot going on. Hey,

830
00:50:15,760 --> 00:50:18,200
Speaker 1: he's trying to sneak out of the cave. I doesn't

831
00:50:18,200 --> 00:50:22,400
Speaker 1: even remember her name. Really, Hey, hey you, I have

832
00:50:22,480 --> 00:50:26,520
Speaker 1: a lot going on. My brother ate my foot. But

833
00:50:27,200 --> 00:50:29,400
Speaker 1: there's like three things that were going on. A bird,

834
00:50:30,520 --> 00:50:37,919
Speaker 1: a bird captured sister, my sister, and she goes hungry. Yeah,

835
00:50:38,040 --> 00:50:43,680
Speaker 1: I think I gotta go. Oh she goes cronk Where

836
00:50:43,800 --> 00:50:59,040
Speaker 1: you go now? And I'm like, hey, hey you. If

837
00:50:59,120 --> 00:51:02,520
Speaker 1: anybody ever says hey you to you, it's because they

838
00:51:02,640 --> 00:51:07,400
Speaker 1: forgot your name. Yeah, that's what that means, Hey you you.

839
00:51:09,719 --> 00:51:11,360
Speaker 1: And then I was like, oh my god, it's you.

840
00:51:12,200 --> 00:51:15,000
Speaker 1: And I was like you And then what about when

841
00:51:15,040 --> 00:51:17,000
Speaker 1: you do the awkward like your partner comes in and

842
00:51:17,000 --> 00:51:21,880
Speaker 1: you're like, honey, have you guys mat right? Do you

843
00:51:22,080 --> 00:51:24,840
Speaker 1: do you too know each other? Do you go this

844
00:51:25,080 --> 00:51:27,520
Speaker 1: is this is my wife Casey and then leave it

845
00:51:27,560 --> 00:51:31,520
Speaker 1: at that, or this is my wife and then Casey goes, hi,

846
00:51:31,920 --> 00:51:35,719
Speaker 1: I'm Casey. Casey smart when we we we she hit

847
00:51:35,840 --> 00:51:37,800
Speaker 1: me to it. She was like, listen, if ever you

848
00:51:37,840 --> 00:51:40,400
Speaker 1: don't know anybody's name, just be like, this is my wife.

849
00:51:40,840 --> 00:51:43,160
Speaker 1: Don't say my name. Just say this is my wife

850
00:51:43,239 --> 00:51:45,600
Speaker 1: and introduce me. I'll get the name out of it.

851
00:51:45,719 --> 00:51:50,480
Speaker 1: That's good. That's a teamwork that's called yeah, you know what.

852
00:51:50,960 --> 00:51:53,319
Speaker 1: This is where it backfires when Casey will go hey,

853
00:51:53,400 --> 00:51:55,680
Speaker 1: I'm Casey and the person will go hey, nice to

854
00:51:55,760 --> 00:52:00,600
Speaker 1: meet you. Oh yeah. The worst way I used my

855
00:52:00,719 --> 00:52:04,479
Speaker 1: name technique that I taught our listeners for remembering names.

856
00:52:04,520 --> 00:52:07,600
Speaker 1: The other day, there's a parking garage attendant who's very

857
00:52:07,719 --> 00:52:09,560
Speaker 1: nice to me, and I wanted to remember his name,

858
00:52:09,680 --> 00:52:13,839
Speaker 1: and his name was Wilson. So I pictured that volleyball

859
00:52:15,239 --> 00:52:18,120
Speaker 1: with the red handprint on it driving my car up.

860
00:52:19,280 --> 00:52:23,680
Speaker 1: I just pictured the volleyball in the driver's seat somehow

861
00:52:23,840 --> 00:52:28,400
Speaker 1: driving the car up. And I will never forget that

862
00:52:28,520 --> 00:52:31,440
Speaker 1: man's name, it's Wilson. Hey Wilson. And I told my

863
00:52:31,520 --> 00:52:33,879
Speaker 1: friend the story and he's like, that's great. Even I'm

864
00:52:33,920 --> 00:52:37,279
Speaker 1: going to remember his name now. Yeah. I say that

865
00:52:37,320 --> 00:52:38,680
Speaker 1: all the time. There are people that are like that

866
00:52:38,760 --> 00:52:40,200
Speaker 1: are like, hi, my name is Casey. I'll be like,

867
00:52:40,320 --> 00:52:43,000
Speaker 1: I'll never forget your name. My wife's name is Casey.

868
00:52:43,040 --> 00:52:45,480
Speaker 1: How could I ever forget it? And I'll be like, hey,

869
00:52:46,520 --> 00:52:53,160
Speaker 1: you Bobby Forrester our dolly grip. Yes, is La one

870
00:52:53,200 --> 00:52:57,360
Speaker 1: of the Janitor's henchman. Yes, his father who recently just

871
00:52:57,440 --> 00:53:01,640
Speaker 1: passed away, Robert Farister. Bobby was an amazing dolly group.

872
00:53:01,719 --> 00:53:03,120
Speaker 1: The dolly group, for those you don't know, is a

873
00:53:03,440 --> 00:53:07,000
Speaker 1: very tough position because the camera is mounted on this

874
00:53:07,160 --> 00:53:09,799
Speaker 1: piece of gear that you can make the camera move.

875
00:53:09,840 --> 00:53:12,440
Speaker 1: It's sometimes it's on tracks, sometimes it's just rubber wheels

876
00:53:12,440 --> 00:53:14,799
Speaker 1: on the ground. But you're you have to hit very

877
00:53:14,840 --> 00:53:18,080
Speaker 1: specific marks. And what makes it doubly hard is that

878
00:53:18,200 --> 00:53:21,880
Speaker 1: you also have a has a silent hydraulic arm that

879
00:53:22,120 --> 00:53:25,239
Speaker 1: raises it and lowers, and so the person man or

880
00:53:25,360 --> 00:53:29,240
Speaker 1: woman is not only moving the physical Dolly, but simultaneously

881
00:53:30,760 --> 00:53:33,239
Speaker 1: moving the hydraulic arm up and down. It's a real

882
00:53:33,400 --> 00:53:34,960
Speaker 1: art form to it, and a lot of people are

883
00:53:35,080 --> 00:53:38,120
Speaker 1: not good at it. And when you have a great

884
00:53:38,160 --> 00:53:40,480
Speaker 1: dolly group, it makes such a difference. And Bobby was

885
00:53:40,520 --> 00:53:43,080
Speaker 1: an incredible dollar group. You never had to ever go

886
00:53:43,200 --> 00:53:46,160
Speaker 1: again because the dolly wasn't somehow in the right position

887
00:53:46,200 --> 00:53:49,279
Speaker 1: at the right time. It's yeah, it's really interesting to

888
00:53:49,320 --> 00:53:52,920
Speaker 1: watch a camera team when they're when they've worked together

889
00:53:53,000 --> 00:53:55,280
Speaker 1: for a really long time, or when they have chemistry.

890
00:53:55,680 --> 00:53:58,279
Speaker 1: It's really cool to watch because it's you know, a

891
00:53:58,360 --> 00:54:00,160
Speaker 1: lot of people don't know this, but there's like or

892
00:54:00,239 --> 00:54:03,279
Speaker 1: people behind the camera working one camera. Yeah, there's the

893
00:54:03,400 --> 00:54:07,440
Speaker 1: dolly grip, there's the there's the focus puller, there's the

894
00:54:07,600 --> 00:54:10,920
Speaker 1: camera operator, and then there's the person who does the

895
00:54:12,239 --> 00:54:17,640
Speaker 1: mark marking and h the slate the slate, yeah, slate slating.

896
00:54:17,880 --> 00:54:22,480
Speaker 1: And you know, when a team is really good, it's it.

897
00:54:23,520 --> 00:54:27,520
Speaker 1: Things move really fast and work is easy. When the

898
00:54:27,600 --> 00:54:31,120
Speaker 1: team is really bad, though, it definitely suffers. You. You know,

899
00:54:31,280 --> 00:54:33,560
Speaker 1: these are positions that take a lot of practice. Like

900
00:54:33,680 --> 00:54:36,680
Speaker 1: focus pulling is not a simple thing because you can

901
00:54:36,880 --> 00:54:40,680
Speaker 1: you can have you know, the lens can be said

902
00:54:40,680 --> 00:54:43,200
Speaker 1: at a at a certain f stop where the focus

903
00:54:43,360 --> 00:54:46,400
Speaker 1: is very very shallow, and you can have someone running

904
00:54:46,440 --> 00:54:49,279
Speaker 1: towards you and you have to magically not magically, with

905
00:54:49,400 --> 00:54:51,719
Speaker 1: a lot of skill, keep up with them and keep

906
00:54:51,760 --> 00:54:56,000
Speaker 1: them in focus. And it sucks because sometimes you'll be like,

907
00:54:56,160 --> 00:54:58,239
Speaker 1: you'll have a great take with an actor, but the

908
00:54:58,360 --> 00:55:01,040
Speaker 1: focus uh is off in a moment and he got like, oh,

909
00:55:01,120 --> 00:55:02,760
Speaker 1: I gotta go again. That didn't work as a focus.

910
00:55:03,280 --> 00:55:07,680
Speaker 1: So it is definitely a skill that is so important. Um.

911
00:55:08,080 --> 00:55:12,120
Speaker 1: That's position is called the first assistant camera operator. So

912
00:55:12,760 --> 00:55:15,240
Speaker 1: now when you now when you see them in the credits,

913
00:55:15,280 --> 00:55:16,880
Speaker 1: you'll know what that position does. And now you know

914
00:55:16,960 --> 00:55:19,600
Speaker 1: what the Dolly group does. Anyway, So in this episode, uh,

915
00:55:20,040 --> 00:55:23,200
Speaker 1: the guy one of the fellas that's in the Janitor's

916
00:55:23,239 --> 00:55:27,560
Speaker 1: posse uh, and I think he I think he recurs

917
00:55:27,640 --> 00:55:32,479
Speaker 1: as one Janitor's posse members. Yes, but hears a line

918
00:55:32,520 --> 00:55:35,680
Speaker 1: in this one. He says something like good one or

919
00:55:35,760 --> 00:55:38,080
Speaker 1: something like that. Right, I didn't, I didn't, I didn't.

920
00:55:38,160 --> 00:55:40,440
Speaker 1: I didn't pick up on it. When the janitor dis

921
00:55:40,640 --> 00:55:44,200
Speaker 1: is Cox, you know he's friends with the doctor. Right,

922
00:55:45,040 --> 00:55:48,000
Speaker 1: that's so high school. That whole relationship was so high school.

923
00:55:48,000 --> 00:55:51,319
Speaker 1: But we could be friends at the bar. So high

924
00:55:51,360 --> 00:55:55,680
Speaker 1: school Gray's Anatomy gets referenced dis Gray's Anatomy. Well, I'm

925
00:55:55,719 --> 00:55:58,719
Speaker 1: imagining that Gray's Anatomy was probably a new hospital show

926
00:55:59,040 --> 00:56:01,240
Speaker 1: killing it in the rating, and we were jealous or something,

927
00:56:01,680 --> 00:56:03,359
Speaker 1: and so we said that they bid off of us.

928
00:56:04,200 --> 00:56:07,759
Speaker 1: We go Gray's Anatomy. It's like they've been watching our

929
00:56:07,840 --> 00:56:13,439
Speaker 1: lives and putting it on TV. So Elliott bangs Keith. Yeah,

930
00:56:13,600 --> 00:56:15,279
Speaker 1: after you guys said you were going to just get

931
00:56:15,360 --> 00:56:17,800
Speaker 1: rid of you know, I thought I was hoping, and

932
00:56:17,840 --> 00:56:19,600
Speaker 1: I knew this was coming, but I was hoping that

933
00:56:19,760 --> 00:56:23,280
Speaker 1: Elliott and j D because they're having so much fun together.

934
00:56:23,840 --> 00:56:26,960
Speaker 1: Like the way the episode is trending for those who've

935
00:56:27,000 --> 00:56:29,960
Speaker 1: never seen the show before, it's trending that the booty

936
00:56:30,040 --> 00:56:33,200
Speaker 1: call will be between Elliott and j I always like

937
00:56:33,280 --> 00:56:36,080
Speaker 1: it when they hook up, but not this episode. This episode,

938
00:56:36,120 --> 00:56:39,120
Speaker 1: she banks Keith and Keith so handsome and he's ripped.

939
00:56:39,400 --> 00:56:42,000
Speaker 1: Travis is ripped. I mean that Travish plays Keith is

940
00:56:42,040 --> 00:56:43,960
Speaker 1: just look at his abs. He I mean, can you

941
00:56:44,040 --> 00:56:46,440
Speaker 1: imagine that this is your living with your ex girlfriend?

942
00:56:46,640 --> 00:56:49,200
Speaker 1: And she fine, you guys both discussed you're gonna have

943
00:56:49,200 --> 00:56:51,840
Speaker 1: booty calls. She brings a booty home. It looks like

944
00:56:51,880 --> 00:56:55,680
Speaker 1: a ken doll like with comes out of the shower

945
00:56:55,760 --> 00:57:01,959
Speaker 1: all moist, wearing my my, my robe, this cute little

946
00:57:02,040 --> 00:57:04,399
Speaker 1: robe too. I wish I had that robe. I'm so funny.

947
00:57:04,440 --> 00:57:05,960
Speaker 1: It's like a little pink robe. And I'm like, why

948
00:57:06,000 --> 00:57:08,120
Speaker 1: are you wearing my robe? Why is he wearing my robe?

949
00:57:08,160 --> 00:57:11,399
Speaker 1: And he's wearing my robe? By the way, Jad rocking

950
00:57:11,440 --> 00:57:15,320
Speaker 1: the New Jersey T shirt to represent We don't know

951
00:57:15,440 --> 00:57:19,680
Speaker 1: where Jad's from, but um, someone magical involved in this

952
00:57:19,800 --> 00:57:28,720
Speaker 1: production is from New Jersey. Who kidding? All right, how

953
00:57:28,720 --> 00:57:30,640
Speaker 1: about this? All these condoms? How many times did these

954
00:57:30,680 --> 00:57:33,919
Speaker 1: guys fucked? There's like a hundred condoms on the table. Yes,

955
00:57:34,560 --> 00:57:36,760
Speaker 1: he has a very strong libido. Reminds me of a

956
00:57:36,840 --> 00:57:40,000
Speaker 1: young Donald Phashon. I know, but like this, this was

957
00:57:40,080 --> 00:57:42,000
Speaker 1: like they could have gotten the joke across with like

958
00:57:42,120 --> 00:57:44,160
Speaker 1: six I think, I think up like twenty. No, you

959
00:57:44,280 --> 00:57:46,920
Speaker 1: pick up hand two handfuls and then this is the

960
00:57:46,960 --> 00:57:49,120
Speaker 1: best part. This is the best part of the whole

961
00:57:49,160 --> 00:57:53,160
Speaker 1: episode is that I read the label like a eltoro grande.

962
00:57:53,800 --> 00:58:02,560
Speaker 1: I'm not familiar with this bun. So he learned that,

963
00:58:02,680 --> 00:58:06,440
Speaker 1: in addition to being so handsome, Keith also has a

964
00:58:06,600 --> 00:58:12,880
Speaker 1: giant el too grande. Yeah, we we learned. We're almost done,

965
00:58:12,920 --> 00:58:16,960
Speaker 1: but we learned that the janitor cells prosthetic feet to

966
00:58:17,200 --> 00:58:22,280
Speaker 1: college kids. He thinks that they smoke something out of them.

967
00:58:22,920 --> 00:58:28,520
Speaker 1: Oh no, And then you see Bobby Forrester our Dolly

968
00:58:28,600 --> 00:58:36,480
Speaker 1: Grip carrying a box of stolen prosthetics. But I mean,

969
00:58:36,520 --> 00:58:38,560
Speaker 1: what about the whole thing with Doug and the corpse

970
00:58:39,640 --> 00:58:43,560
Speaker 1: I didn't bring. I'm trying prank Keith by by guys.

971
00:58:43,640 --> 00:58:46,560
Speaker 1: JD steals a corpse from a corpse from the morgue

972
00:58:47,000 --> 00:58:51,560
Speaker 1: to prank Keith to murder. Doug tracks it all the

973
00:58:51,600 --> 00:58:54,320
Speaker 1: way to back to the bed, but forgets his gurney

974
00:58:54,760 --> 00:58:58,720
Speaker 1: in the morgue. Yes, and rather than go get a gurney,

975
00:58:59,040 --> 00:59:08,560
Speaker 1: he's going to give the corpse a piggyback. Nuts. This

976
00:59:08,680 --> 00:59:12,160
Speaker 1: episode is fucking nuts. And then he's got the corpse

977
00:59:12,600 --> 00:59:15,360
Speaker 1: in the fucking elevator. Yeah, they should have, Randall, you

978
00:59:15,400 --> 00:59:22,160
Speaker 1: should have kept the fuck out you. I bet you.

979
00:59:22,240 --> 00:59:24,120
Speaker 1: The studio was like, no, you gotta put the corpse now.

980
00:59:24,320 --> 00:59:27,840
Speaker 1: I don't know, Randall, that would be fucking so hilarious

981
00:59:27,840 --> 00:59:32,480
Speaker 1: if Keith is standing there with a corpse my one

982
00:59:33,160 --> 00:59:36,480
Speaker 1: My one note is that Randall really fucked up in that.

983
00:59:36,920 --> 00:59:39,320
Speaker 1: When it ends in the elevator, Doug should have been

984
00:59:39,360 --> 00:59:41,240
Speaker 1: standing in there with the corpse instead of in the

985
00:59:41,320 --> 00:59:45,520
Speaker 1: body bag. Oh my gosh, why don't we you get

986
00:59:45,560 --> 00:59:48,040
Speaker 1: threatened by all these nurses. Why they're all gonna throw

987
00:59:48,120 --> 00:59:50,120
Speaker 1: staplers at you because they find out what you did

988
00:59:50,160 --> 00:59:52,080
Speaker 1: with the gym. Why are all these nurses holding staplers.

989
00:59:52,120 --> 00:59:55,200
Speaker 1: I don't understand. I think they were prepared. They were

990
00:59:55,240 --> 00:59:57,640
Speaker 1: ready for it because the pins came first, and then

991
00:59:57,760 --> 00:59:59,880
Speaker 1: next was the staplers. She was like, if he's dumbing

992
01:00:00,160 --> 01:00:02,880
Speaker 1: to continue saying it, I want you guys to pack

993
01:00:02,960 --> 01:00:06,200
Speaker 1: him with everyone, go grab a stapler, is what Carlo said.

994
01:00:06,480 --> 01:00:09,160
Speaker 1: She's like, you, there's someone the fourth floor, there's someone

995
01:00:09,240 --> 01:00:11,040
Speaker 1: the first floor. Just make sure you get yourself a

996
01:00:11,080 --> 01:00:15,880
Speaker 1: stapler for this moment, this moment, now Donald not in

997
01:00:15,960 --> 01:00:22,840
Speaker 1: a fantasy. Elliott turns into Darth Vader and lifts me

998
01:00:23,000 --> 01:00:25,640
Speaker 1: by the neck. Yeah. It chokes you out, chokes you

999
01:00:25,720 --> 01:00:29,280
Speaker 1: out at the end of it. Yes, so she is

1000
01:00:29,440 --> 01:00:37,280
Speaker 1: very very very strong. Yes. When you cross Elliott, yeah,

1001
01:00:38,840 --> 01:00:42,120
Speaker 1: your feet are dangling, and you see my feet dangling. Yeah,

1002
01:00:43,040 --> 01:00:45,320
Speaker 1: dangling like two of those you know how they make

1003
01:00:46,080 --> 01:00:49,200
Speaker 1: key chains and they put shoes on the key chains, Right,

1004
01:00:49,280 --> 01:00:54,000
Speaker 1: that's the transition. That's the transition dangling like that sounds

1005
01:00:54,040 --> 01:01:02,000
Speaker 1: like Randall went to transition school. This episode is really about,

1006
01:01:02,240 --> 01:01:06,120
Speaker 1: you know, about relationships, like if you were to reek,

1007
01:01:06,240 --> 01:01:08,400
Speaker 1: if we were to do a recap on this episode,

1008
01:01:08,440 --> 01:01:10,600
Speaker 1: it really is about I think. I think it truly

1009
01:01:10,640 --> 01:01:12,640
Speaker 1: all has to do with rules. I think it the

1010
01:01:12,840 --> 01:01:17,120
Speaker 1: rules between Cox and and and and the janitor at

1011
01:01:17,200 --> 01:01:19,840
Speaker 1: the bar being front at the bar, not at the

1012
01:01:19,920 --> 01:01:23,080
Speaker 1: hospital is that's that's where it is. We can't be

1013
01:01:23,320 --> 01:01:26,160
Speaker 1: associated with each other because we wouldn't be associated with

1014
01:01:26,280 --> 01:01:29,280
Speaker 1: each other normally, just because we had a great conversation

1015
01:01:29,360 --> 01:01:33,040
Speaker 1: at the bar. Let's keep the relationship there. But they

1016
01:01:33,160 --> 01:01:38,960
Speaker 1: bonded by removing the emeralds from my Prince Albert. Well,

1017
01:01:39,000 --> 01:01:41,320
Speaker 1: they realize that they have a lot in common at work.

1018
01:01:41,440 --> 01:01:43,320
Speaker 1: You're one of their you're one of the people that

1019
01:01:43,480 --> 01:01:46,240
Speaker 1: irks them, or James one of the people things that

1020
01:01:46,480 --> 01:01:50,480
Speaker 1: Cox helps the janitor remove. Absolutely, I don't. I don't

1021
01:01:50,520 --> 01:01:55,200
Speaker 1: think they must have done it together. Absolutely, I don't think.

1022
01:01:55,240 --> 01:01:58,600
Speaker 1: I think because they're doctor, because he's a doctor. I

1023
01:01:58,640 --> 01:02:00,919
Speaker 1: don't think he has a problem touch another man's penis.

1024
01:02:01,000 --> 01:02:04,200
Speaker 1: I'm sure he's done it several times before, right, But

1025
01:02:04,640 --> 01:02:07,200
Speaker 1: it is weird to not only steal a man from

1026
01:02:07,240 --> 01:02:10,000
Speaker 1: his home in his bed and move said bed to

1027
01:02:10,360 --> 01:02:13,400
Speaker 1: the parking lot, and then, as the piece to resistance,

1028
01:02:13,800 --> 01:02:19,680
Speaker 1: remove the man's Prince Albert piercing and allow your colleague

1029
01:02:19,920 --> 01:02:30,120
Speaker 1: to mount the emeralds on a broom. Yes, by the way,

1030
01:02:30,120 --> 01:02:32,840
Speaker 1: we learned that Elliott is into p play. What's that called, Joel?

1031
01:02:34,200 --> 01:02:37,120
Speaker 1: This is out of my territory. Google? Um, can you

1032
01:02:37,200 --> 01:02:40,800
Speaker 1: google with this my work computer? Exact? Let me no, no, no, no,

1033
01:02:41,000 --> 01:02:45,400
Speaker 1: no no, this is for work, Joel. I'm sorry that

1034
01:02:45,480 --> 01:02:49,160
Speaker 1: you work on an rated podcast r T to like

1035
01:02:49,760 --> 01:02:52,960
Speaker 1: I look like people, And I'm really also sorry. All right, well,

1036
01:02:52,960 --> 01:02:54,760
Speaker 1: I just want to know what the correct term for

1037
01:02:55,040 --> 01:02:57,520
Speaker 1: urine play is. I don't want to offend anyone who

1038
01:02:57,600 --> 01:03:00,840
Speaker 1: loves Isn't it called a golden shower? That's that's a

1039
01:03:00,960 --> 01:03:03,520
Speaker 1: particular act, that's when you get peed on. But we

1040
01:03:03,640 --> 01:03:09,880
Speaker 1: learned that Elliott is into what's it called, Joel? Who

1041
01:03:09,920 --> 01:03:14,240
Speaker 1: lets you know what you know? What you know what people?

1042
01:03:14,680 --> 01:03:15,960
Speaker 1: You know? What you know? What you know what you

1043
01:03:16,040 --> 01:03:18,120
Speaker 1: know what people who were into p play called their

1044
01:03:18,160 --> 01:03:31,560
Speaker 1: club what you're a nation came over the thank you?

1045
01:03:32,120 --> 01:03:34,240
Speaker 1: Um all right, well elliotts into p play. She says

1046
01:03:34,280 --> 01:03:38,200
Speaker 1: it's only because of jellyfish, a jellyfish incident. Yeah, but

1047
01:03:38,600 --> 01:03:41,040
Speaker 1: we all know, but we all know. All right. On

1048
01:03:41,160 --> 01:03:43,480
Speaker 1: that note, we're gonna take a break and we come back,

1049
01:03:43,640 --> 01:03:47,040
Speaker 1: Joel as I'm sure programmed an exciting guest for us.

1050
01:03:47,600 --> 01:03:56,680
Speaker 1: We'll be right back after these words. And we're bad,

1051
01:03:57,200 --> 01:04:03,960
Speaker 1: and we're bad, Okay, we are not as much as

1052
01:04:04,000 --> 01:04:06,280
Speaker 1: she loves me. That's true because she has nine of

1053
01:04:06,360 --> 01:04:12,840
Speaker 1: your babies. Listen, I saw what was it? She posted

1054
01:04:12,920 --> 01:04:15,840
Speaker 1: your your little girl dancing. She's got moves, she got

1055
01:04:15,840 --> 01:04:19,840
Speaker 1: a little she's a kid, you know, she's she likes

1056
01:04:19,880 --> 01:04:22,040
Speaker 1: to sing and dance. No, but I mean she seems

1057
01:04:22,040 --> 01:04:24,040
Speaker 1: like she's got dance. Heal, you got her in dance class?

1058
01:04:24,120 --> 01:04:26,840
Speaker 1: She no, no, no, but she should be in dance class.

1059
01:04:26,960 --> 01:04:29,560
Speaker 1: She wants to be in dance class, that's for sure. Oh.

1060
01:04:29,640 --> 01:04:32,360
Speaker 1: I know we were talking about these that I think

1061
01:04:32,440 --> 01:04:34,560
Speaker 1: Casey said she's a little bit young for like hip

1062
01:04:34,640 --> 01:04:37,080
Speaker 1: hop class, right, yeah, like you gotta be a little

1063
01:04:37,120 --> 01:04:39,919
Speaker 1: bit older. She's only six. Yeah, but she's got talent,

1064
01:04:40,080 --> 01:04:43,760
Speaker 1: she's got moves, likes to dance. All right, let's bring

1065
01:04:43,840 --> 01:04:46,640
Speaker 1: in the guests there, Joel and Danel. We got all,

1066
01:04:52,240 --> 01:04:59,880
Speaker 1: you know, like a maybe tis so come on, Joe,

1067
01:05:00,160 --> 01:05:14,880
Speaker 1: let's give it up for Alex coh God, Alex, this

1068
01:05:15,040 --> 01:05:17,680
Speaker 1: is not a dream. It's real. It's happened. This screw

1069
01:05:17,760 --> 01:05:19,280
Speaker 1: guys with all due spect. This is one hundreds that

1070
01:05:19,360 --> 01:05:23,360
Speaker 1: a dream. Well if we can't you, we would. I wish.

1071
01:05:24,440 --> 01:05:26,720
Speaker 1: By the way, you're wearing the new shirt, which I

1072
01:05:26,880 --> 01:05:29,760
Speaker 1: really really really appreciate. That's a dope shirt. It is

1073
01:05:29,760 --> 01:05:31,440
Speaker 1: a dope shirt. I got a lot of comments. I

1074
01:05:31,520 --> 01:05:33,600
Speaker 1: know then all the infans when I'm walking around the

1075
01:05:33,640 --> 01:05:36,439
Speaker 1: hood with my kids. Oh yeah, people do people say

1076
01:05:36,640 --> 01:05:39,720
Speaker 1: nice shirt. Nice Yeah, there's scrumbsman or else. They get

1077
01:05:39,720 --> 01:05:41,880
Speaker 1: it completely wrong and they're like, oh, that's that like

1078
01:05:42,040 --> 01:05:44,000
Speaker 1: show with the blow. I was like, that's not even close.

1079
01:05:44,560 --> 01:05:46,800
Speaker 1: Well yeah, but I call this the limited edition shirt

1080
01:05:46,840 --> 01:05:50,200
Speaker 1: because there's no Ted On. Here is no Ted, no Jordan,

1081
01:05:50,640 --> 01:05:54,400
Speaker 1: Jordan or Todd without the Yeah. Yeah, there's just so

1082
01:05:54,840 --> 01:05:57,160
Speaker 1: if you want the shirt that Alex is rocking, we

1083
01:05:57,280 --> 01:06:00,360
Speaker 1: have merch for sale. That's what podcasts do. They merch.

1084
01:06:00,840 --> 01:06:02,960
Speaker 1: You go to Cottonbureau dot com and look up fake

1085
01:06:03,040 --> 01:06:05,480
Speaker 1: doctor's real friends. It looks very good on you, my friend.

1086
01:06:05,520 --> 01:06:08,360
Speaker 1: And I'm not just saying this because thank you. I'm

1087
01:06:08,360 --> 01:06:10,600
Speaker 1: a little bit of a COVID fatty too, so i've

1088
01:06:10,680 --> 01:06:12,320
Speaker 1: you know, it's a lot of pounds and it still

1089
01:06:12,360 --> 01:06:15,000
Speaker 1: fits in there pretty well. I think. I think you

1090
01:06:15,080 --> 01:06:17,640
Speaker 1: look great. I love thank you. Look you look great.

1091
01:06:17,960 --> 01:06:20,720
Speaker 1: Where are you calling from? Because wherever you are right now,

1092
01:06:21,080 --> 01:06:25,280
Speaker 1: the ambiance is own. Yes, you're well lit. Thank you.

1093
01:06:25,440 --> 01:06:29,360
Speaker 1: I try. I'm in Bethesda, Maryland, in my house in Bethesda, Maryland,

1094
01:06:29,440 --> 01:06:33,080
Speaker 1: which is a Maryland guest Joel, you can say DC

1095
01:06:33,360 --> 01:06:38,120
Speaker 1: really yeah, we might grew up in DC, and my

1096
01:06:38,280 --> 01:06:40,680
Speaker 1: wife and I were here when you guys started your

1097
01:06:40,680 --> 01:06:43,320
Speaker 1: show back in the thousands, and we had a three

1098
01:06:43,400 --> 01:06:45,360
Speaker 1: hundred and fifty square foot apartment that costs like a

1099
01:06:45,440 --> 01:06:48,560
Speaker 1: million dollars when it still does. And we lived together

1100
01:06:48,600 --> 01:06:51,080
Speaker 1: and we got married in that apartment and when little

1101
01:06:51,160 --> 01:06:54,760
Speaker 1: Magnavox TV across the side, and we would watch Scrubs

1102
01:06:54,840 --> 01:06:57,320
Speaker 1: all the time and all the DVDs whenever they would

1103
01:06:57,320 --> 01:06:59,280
Speaker 1: come out, you know, after the season was over because

1104
01:06:59,280 --> 01:07:02,440
Speaker 1: there's no rerun. We would just wait and wait and wait,

1105
01:07:02,520 --> 01:07:04,280
Speaker 1: and finally the DVD would come out and we would

1106
01:07:04,280 --> 01:07:06,360
Speaker 1: be able to watch them like NonStop. It was great.

1107
01:07:06,600 --> 01:07:09,439
Speaker 1: Thank you so much for wait. So you wouldn't watch

1108
01:07:09,480 --> 01:07:11,720
Speaker 1: it on series, you're just waiting for the you know,

1109
01:07:12,120 --> 01:07:13,880
Speaker 1: we would watch it all in series. We would wait

1110
01:07:13,960 --> 01:07:16,360
Speaker 1: like every Thursday or whenever it was out, and you know,

1111
01:07:16,480 --> 01:07:17,960
Speaker 1: on our little TV because that's as big as we

1112
01:07:18,000 --> 01:07:21,440
Speaker 1: could afford back then. And I'm like your guy's age,

1113
01:07:21,480 --> 01:07:24,040
Speaker 1: so I'm like forty. I'm about turning forty five, so

1114
01:07:24,120 --> 01:07:26,320
Speaker 1: I'm similar to your guy's age. Oh so you when

1115
01:07:26,320 --> 01:07:28,160
Speaker 1: you listen back to this episode, you're gonna get all

1116
01:07:28,200 --> 01:07:30,880
Speaker 1: of our night Rider and A Team references that, Oh

1117
01:07:31,360 --> 01:07:35,400
Speaker 1: you might lose that quiz if I'm involved so much

1118
01:07:35,400 --> 01:07:36,840
Speaker 1: of a quiz. We were just talking about how much

1119
01:07:36,840 --> 01:07:38,960
Speaker 1: we loved both of those shows. They were that's we

1120
01:07:39,040 --> 01:07:41,480
Speaker 1: were the targets as young boys. We were the target

1121
01:07:41,560 --> 01:07:44,000
Speaker 1: demo for those two shows. Whoever could make the best

1122
01:07:44,120 --> 01:07:50,600
Speaker 1: night Rider sound, you know, you were like that, Michael

1123
01:07:51,080 --> 01:07:53,400
Speaker 1: and then the A Team. I mean, nobody ever died

1124
01:07:53,440 --> 01:07:55,040
Speaker 1: in that show, but there were so many bullets spent.

1125
01:07:55,200 --> 01:07:59,280
Speaker 1: We just talked about that. It would be magazine after

1126
01:08:00,000 --> 01:08:02,520
Speaker 1: and the bad Guy and they and the bad guys

1127
01:08:02,640 --> 01:08:06,400
Speaker 1: always had better guns than the two, but they had

1128
01:08:06,480 --> 01:08:12,880
Speaker 1: the freaking the gun with in the back of the van.

1129
01:08:13,360 --> 01:08:15,640
Speaker 1: My favorite part was when they were they would always

1130
01:08:16,040 --> 01:08:19,960
Speaker 1: towards the end um to solve whatever problem was going

1131
01:08:20,040 --> 01:08:23,400
Speaker 1: on in the town, they would have to construct something,

1132
01:08:24,680 --> 01:08:26,800
Speaker 1: and that the theme song would kick in and they

1133
01:08:26,840 --> 01:08:28,640
Speaker 1: would build something, and they never you never, they never

1134
01:08:28,720 --> 01:08:30,240
Speaker 1: showed you what they were building because it was meant

1135
01:08:30,280 --> 01:08:32,360
Speaker 1: to be a surprise. How they used. There was always

1136
01:08:32,360 --> 01:08:34,800
Speaker 1: a wire in the sand that you wash, yeah, and

1137
01:08:34,840 --> 01:08:37,160
Speaker 1: there was always some type of thing that knocked people

1138
01:08:37,280 --> 01:08:40,640
Speaker 1: out of something before they blew it up. Oh yeah, absolutely.

1139
01:08:41,160 --> 01:08:43,280
Speaker 1: They would have to be a tree to knock out

1140
01:08:43,520 --> 01:08:45,519
Speaker 1: the people out of the van, and then the van

1141
01:08:45,600 --> 01:08:48,479
Speaker 1: would go flipping. And it's kind of like that classic

1142
01:08:48,560 --> 01:08:51,960
Speaker 1: Western trope of yes, we're gonna get the town together,

1143
01:08:52,520 --> 01:08:54,960
Speaker 1: and they're not. They're not. They're not they're not warriors

1144
01:08:55,120 --> 01:08:57,080
Speaker 1: or anything, but we're going to enlist all of them.

1145
01:08:57,120 --> 01:09:00,800
Speaker 1: And there you see them prepping and sawing and and

1146
01:09:00,920 --> 01:09:03,439
Speaker 1: then but it's mystery. We don't know what they're doing

1147
01:09:03,920 --> 01:09:08,800
Speaker 1: no Spirit. Yes, they did it every episode though, and

1148
01:09:08,920 --> 01:09:11,720
Speaker 1: every time I'm like, sorry, I mean, how do you

1149
01:09:11,800 --> 01:09:20,840
Speaker 1: make it fresh? I just what was? What was? And

1150
01:09:20,920 --> 01:09:25,800
Speaker 1: then you know what, they never still alive? Joel, can

1151
01:09:25,920 --> 01:09:27,720
Speaker 1: you please get mister T on the show. That's all

1152
01:09:27,720 --> 01:09:30,800
Speaker 1: I want from certainly, I know what they never talked

1153
01:09:30,840 --> 01:09:36,160
Speaker 1: about after when the A team was over, the casualties

1154
01:09:36,200 --> 01:09:39,479
Speaker 1: of the people that died in those towns, you know

1155
01:09:39,479 --> 01:09:40,960
Speaker 1: what I mean, Like because you know what I mean,

1156
01:09:41,080 --> 01:09:43,599
Speaker 1: like no, no, but like, but if you look at

1157
01:09:43,600 --> 01:09:45,600
Speaker 1: any other movie, they don't talk about the people that

1158
01:09:45,800 --> 01:09:49,200
Speaker 1: died in trying to save rock Ridge, in fucking Uh,

1159
01:09:49,920 --> 01:09:53,280
Speaker 1: in that Blazing Saddles, they don't talk about all of

1160
01:09:53,320 --> 01:09:57,120
Speaker 1: those people that people died. Trying to say. My father

1161
01:09:57,320 --> 01:09:58,519
Speaker 1: used to say that, you know, because he was not

1162
01:09:58,600 --> 01:10:00,360
Speaker 1: a fan of action movies and stuff if you liked

1163
01:10:00,479 --> 01:10:03,240
Speaker 1: straight dramas and comedies. But he'd be like, what about

1164
01:10:03,240 --> 01:10:07,720
Speaker 1: all their families? Right? You know, and like a like

1165
01:10:07,880 --> 01:10:10,479
Speaker 1: a like a you know, stereotypic action movie where people

1166
01:10:10,479 --> 01:10:12,000
Speaker 1: are just dying left and right. He's like, oh, why

1167
01:10:12,160 --> 01:10:16,439
Speaker 1: why is no one going back to help? The dad

1168
01:10:16,520 --> 01:10:20,160
Speaker 1: was a good dude. I remember the you guys. So, Donald,

1169
01:10:20,240 --> 01:10:21,960
Speaker 1: you said something a while ago about how you were

1170
01:10:22,000 --> 01:10:25,519
Speaker 1: inspired by the Transformers movie become like a stop animator.

1171
01:10:25,800 --> 01:10:28,240
Speaker 1: That movie was the first time I heard a curse word,

1172
01:10:28,320 --> 01:10:32,040
Speaker 1: and it was this kick butt. The dinobot said I'm

1173
01:10:32,040 --> 01:10:35,799
Speaker 1: gonna kick but and I'm like, no, there's actually another

1174
01:10:35,840 --> 01:10:39,880
Speaker 1: curse in that movie where Spike and uh no, uh

1175
01:10:41,280 --> 01:10:43,439
Speaker 1: it's I guess it's Spike and Bumblebee. They try to

1176
01:10:43,479 --> 01:10:48,040
Speaker 1: blow up this is landing an escape and uh and

1177
01:10:48,720 --> 01:10:51,960
Speaker 1: Spike says to Bumblebee, oh shit, what are we gonna

1178
01:10:52,000 --> 01:10:55,240
Speaker 1: do now? This was in Transformers the movie, and I

1179
01:10:55,320 --> 01:10:58,800
Speaker 1: remember being a kid being like, holy cow, Spike just

1180
01:10:59,000 --> 01:11:01,920
Speaker 1: said shit, yeah that's yeah. Oh my god. I might

1181
01:11:01,960 --> 01:11:05,680
Speaker 1: have impressed that memory. Can't believe that in a Transformers

1182
01:11:05,760 --> 01:11:08,559
Speaker 1: animated movie someone said shit, they would. Well, they also

1183
01:11:08,640 --> 01:11:12,479
Speaker 1: killed Optimist Prime in this movie they killed everybody family.

1184
01:11:12,600 --> 01:11:18,080
Speaker 1: What about Optimists Primes? All right, let's get into it. Alex.

1185
01:11:18,120 --> 01:11:22,559
Speaker 1: You got a question. Yes, actually, Alex has a job

1186
01:11:22,600 --> 01:11:25,639
Speaker 1: as story that it's it's short and we have pictures

1187
01:11:25,680 --> 01:11:29,400
Speaker 1: and you must see it. Yeah, forget questions. Going to

1188
01:11:30,479 --> 01:11:32,200
Speaker 1: So in two thousand and seven, I was a young

1189
01:11:32,240 --> 01:11:34,640
Speaker 1: I'm an architect and I designed restaurants and hotels and

1190
01:11:34,680 --> 01:11:37,040
Speaker 1: stuff like that. Um, good job on your restaurant New

1191
01:11:37,120 --> 01:11:39,320
Speaker 1: York City, by the way, ZAC. And so I was

1192
01:11:39,360 --> 01:11:42,599
Speaker 1: asked to go to a seminar in LA and I said, yeah,

1193
01:11:42,640 --> 01:11:44,879
Speaker 1: that sounds great, And I happened to stay in West Hollywood.

1194
01:11:45,080 --> 01:11:47,040
Speaker 1: And this is two thousand and seven when Google Maps,

1195
01:11:47,080 --> 01:11:49,479
Speaker 1: I think it just came out. So I had to

1196
01:11:49,520 --> 01:11:50,960
Speaker 1: figure out. At some point, I was like, I must

1197
01:11:51,040 --> 01:11:53,120
Speaker 1: be near the scrub set, like it's got to be

1198
01:11:53,160 --> 01:11:55,680
Speaker 1: around here somewhere. So there's really no Google, there's no

1199
01:11:55,880 --> 01:11:58,200
Speaker 1: like Uber to take me there. So I figured it

1200
01:11:58,240 --> 01:12:00,679
Speaker 1: out based on my architecture of skills by like searching

1201
01:12:00,760 --> 01:12:04,320
Speaker 1: the map and figuring out this building footprint must be

1202
01:12:04,479 --> 01:12:06,960
Speaker 1: the one. And so I was like, you know, what's

1203
01:12:06,960 --> 01:12:08,559
Speaker 1: screw it. I have a half day off. I got

1204
01:12:08,600 --> 01:12:11,800
Speaker 1: a rental car from Enterprise, not from Uber, and I

1205
01:12:11,920 --> 01:12:14,760
Speaker 1: drove through whatever mountain and I found it and I

1206
01:12:14,920 --> 01:12:17,400
Speaker 1: parked and I started. I was like, I'm just gonna

1207
01:12:17,560 --> 01:12:19,600
Speaker 1: walk in and see what happens. So I walked in

1208
01:12:19,760 --> 01:12:22,720
Speaker 1: and there's nobody at the guard station. Fucking ghost town.

1209
01:12:22,920 --> 01:12:25,479
Speaker 1: Nobody there was sorry I missed track of time. This

1210
01:12:25,560 --> 01:12:27,720
Speaker 1: is after we were done filming or I guess. So

1211
01:12:27,920 --> 01:12:31,360
Speaker 1: it was July two thousand seven. July two thousand and seven,

1212
01:12:31,439 --> 01:12:35,040
Speaker 1: so you must have been out of filming. I guess. Yeah,

1213
01:12:35,040 --> 01:12:37,160
Speaker 1: we're not filming in July. We were, we wouldn't be

1214
01:12:37,240 --> 01:12:38,920
Speaker 1: filming at all. But but but but I can see

1215
01:12:39,000 --> 01:12:42,720
Speaker 1: from your pictures that no, we were still filming there. Yeah,

1216
01:12:42,720 --> 01:12:44,280
Speaker 1: we were just down. We were down for the summer

1217
01:12:44,360 --> 01:12:46,599
Speaker 1: or something. Yeah, it was between seasons. You're between sea.

1218
01:12:47,439 --> 01:12:50,080
Speaker 1: I think I didn't. I just walked in. It was open,

1219
01:12:51,320 --> 01:12:54,960
Speaker 1: literally open, So I'm I'm like, hello, is anybody in there? Nothing,

1220
01:12:55,080 --> 01:12:57,479
Speaker 1: nobody's coming out, nobody's saying anything to hear any words.

1221
01:12:57,840 --> 01:12:59,880
Speaker 1: I mean, anybody could have walked in there. So I

1222
01:13:00,120 --> 01:13:04,120
Speaker 1: took my little camera no cell phone cameras, and I

1223
01:13:04,280 --> 01:13:06,040
Speaker 1: walked around and I couldn't believe it. And I'm like,

1224
01:13:06,280 --> 01:13:08,400
Speaker 1: oh my god, here i am at the nurse decision.

1225
01:13:08,439 --> 01:13:10,360
Speaker 1: Oh my god, I'm at the cafeteria. Oh my god,

1226
01:13:10,400 --> 01:13:14,960
Speaker 1: I'm at coffee Bucks. I'm literally walking through your guys

1227
01:13:15,120 --> 01:13:19,400
Speaker 1: is set slash building. And as I'm walking through, you nervous,

1228
01:13:19,479 --> 01:13:22,479
Speaker 1: did you think like that someone's gonna like arrest you

1229
01:13:22,960 --> 01:13:25,679
Speaker 1: very very nervous. Did you just stay on the first floor?

1230
01:13:25,800 --> 01:13:27,640
Speaker 1: Did you make it up to No, I didn't. I

1231
01:13:27,720 --> 01:13:30,080
Speaker 1: didn't go up. I was terrified of being there in

1232
01:13:30,120 --> 01:13:31,720
Speaker 1: the first all right. We could tell the audience that

1233
01:13:31,840 --> 01:13:35,040
Speaker 1: we that were looking on zoom a shared screen of

1234
01:13:35,160 --> 01:13:40,720
Speaker 1: all of these pictures of Alex walking through the empty hospital. Yeah,

1235
01:13:40,880 --> 01:13:45,280
Speaker 1: and it was Alex, did you kill anyone on you? There?

1236
01:13:45,360 --> 01:13:48,280
Speaker 1: Maybe a dead body. Well, they're a body buried somewhere.

1237
01:13:48,479 --> 01:13:51,799
Speaker 1: There's a lot of the next slide, the dead guard

1238
01:13:53,240 --> 01:13:55,800
Speaker 1: I told you wasn't there, but you never know because

1239
01:13:55,840 --> 01:13:58,519
Speaker 1: I killed him. You said there was a story once

1240
01:13:58,520 --> 01:14:01,000
Speaker 1: a how you guys hit stuff above the ceiling tiles

1241
01:14:01,040 --> 01:14:04,080
Speaker 1: and then not on purpose. Someone's hit rowdy to get

1242
01:14:04,160 --> 01:14:06,800
Speaker 1: back at Bill. Oh, it's no surprise anything. Was that there?

1243
01:14:06,840 --> 01:14:08,840
Speaker 1: Half the ceiling tiles were missing when I got there. Yeah,

1244
01:14:09,160 --> 01:14:12,720
Speaker 1: well yeah, so that that was also, Uh, that's a

1245
01:14:13,000 --> 01:14:16,320
Speaker 1: that was a Bill and uh, that was a Bill

1246
01:14:16,400 --> 01:14:18,640
Speaker 1: Lawrence thing. He wanted the hospital to feel like it

1247
01:14:19,000 --> 01:14:24,880
Speaker 1: was old funds. It was literally low on funds. Yeah,

1248
01:14:25,160 --> 01:14:27,280
Speaker 1: and I don't know how you guys managed their day

1249
01:14:27,320 --> 01:14:29,120
Speaker 1: to day. I mean, it's it was a dump, no

1250
01:14:29,160 --> 01:14:32,280
Speaker 1: effect there was a sign. There was a sign outside

1251
01:14:32,439 --> 01:14:34,599
Speaker 1: Editorial that was just the size of a piece of paper,

1252
01:14:34,800 --> 01:14:37,799
Speaker 1: and it said, like, this is to officially warn anyone

1253
01:14:38,000 --> 01:14:44,200
Speaker 1: in this building that the following toxic chemicals are in

1254
01:14:44,400 --> 01:14:47,880
Speaker 1: this I mean asbestos and gotten mulled and god knows

1255
01:14:47,920 --> 01:14:49,839
Speaker 1: what else. I mean, it was an ancient old hospital

1256
01:14:49,880 --> 01:14:51,600
Speaker 1: that was meant to be torn down. But we were like,

1257
01:14:51,640 --> 01:14:58,120
Speaker 1: wait before you teared, before we're going, yeah, we understand

1258
01:14:58,200 --> 01:15:01,439
Speaker 1: it's a safety hazard. Yes, we under stand that has

1259
01:15:01,520 --> 01:15:04,040
Speaker 1: black mold and asbestos and a zillion other problems, but

1260
01:15:04,120 --> 01:15:09,680
Speaker 1: we're just gonna quickly spend nine years. It scared me

1261
01:15:09,800 --> 01:15:12,160
Speaker 1: like crazy. I was trying to piece together like where

1262
01:15:12,280 --> 01:15:14,840
Speaker 1: you guys were in different scenes and stuff, just from

1263
01:15:14,880 --> 01:15:16,519
Speaker 1: watching the show. Like a lot of people will put

1264
01:15:16,520 --> 01:15:18,360
Speaker 1: together old sitcoms and figure out how this set is

1265
01:15:18,400 --> 01:15:21,439
Speaker 1: sort of figured out or what it would like recently,

1266
01:15:21,520 --> 01:15:24,960
Speaker 1: that Sinfold department doesn't make any any sense, no zero sense,

1267
01:15:25,080 --> 01:15:27,120
Speaker 1: But this one, I mean, the building doesn't lie. It's

1268
01:15:27,120 --> 01:15:29,920
Speaker 1: a character in the show. Yeah, And so I was

1269
01:15:30,040 --> 01:15:32,240
Speaker 1: just fascinated. As a young architect, I'm like I have

1270
01:15:32,360 --> 01:15:33,960
Speaker 1: to go piece this together. I sort of put it

1271
01:15:34,000 --> 01:15:37,240
Speaker 1: together in my mind obviously, but just being there absolutely

1272
01:15:37,280 --> 01:15:39,400
Speaker 1: blew my mind. And I can end with you making

1273
01:15:39,439 --> 01:15:42,439
Speaker 1: a full scale model. I hope something. I could build

1274
01:15:42,439 --> 01:15:44,160
Speaker 1: it in three D and walk you through it, probably

1275
01:15:44,280 --> 01:15:47,400
Speaker 1: right now. Yeah, that's a I could make you a

1276
01:15:47,479 --> 01:15:51,479
Speaker 1: video game with Scrubs Hospital as the main place. I pitched.

1277
01:15:51,880 --> 01:15:54,360
Speaker 1: I pitched to Bill all the time that we should

1278
01:15:54,479 --> 01:15:58,840
Speaker 1: make a Scrubs animated series, stop motion animated series. We

1279
01:15:58,920 --> 01:16:01,519
Speaker 1: would need somebody to rebuild the hospital if he ever

1280
01:16:01,680 --> 01:16:04,759
Speaker 1: signs off on that. Oh my lord, that would be amazing.

1281
01:16:04,880 --> 01:16:06,439
Speaker 1: You'd have to include the black mold though, that's the

1282
01:16:06,520 --> 01:16:09,040
Speaker 1: critical partner. Oh yeah, of course we'd have an episode

1283
01:16:09,080 --> 01:16:12,720
Speaker 1: of based on listen doctors. Real friends don't encourage you

1284
01:16:12,960 --> 01:16:16,080
Speaker 1: to sneak into your favorite TV show sets. But Alex,

1285
01:16:16,160 --> 01:16:19,639
Speaker 1: you did it successfully. No one was harmed. Oh back

1286
01:16:19,680 --> 01:16:22,800
Speaker 1: in the day, I survived. But um, I have an

1287
01:16:22,840 --> 01:16:25,439
Speaker 1: apropos question to that from I Fix my Life. But yes,

1288
01:16:25,600 --> 01:16:29,599
Speaker 1: go it's time for Maryland's favorite segment. Donald, it's time

1289
01:16:29,720 --> 01:16:39,920
Speaker 1: too fix you. So I have I have questions for you,

1290
01:16:40,040 --> 01:16:42,200
Speaker 1: But I the fix of my life. I told you, well,

1291
01:16:42,360 --> 01:16:44,800
Speaker 1: I said, I yield and he fixed my life? Or

1292
01:16:44,840 --> 01:16:47,439
Speaker 1: good advice to my almost twelve year old daughter. Um,

1293
01:16:48,200 --> 01:16:49,880
Speaker 1: she you know, I can fix my own life. I

1294
01:16:49,920 --> 01:16:51,639
Speaker 1: got I got lots of things. I'm your guy's age.

1295
01:16:51,640 --> 01:16:55,240
Speaker 1: I can manage. But she is really interested in theater

1296
01:16:55,560 --> 01:16:58,639
Speaker 1: and film, and she's a young lady who wants to learn.

1297
01:16:59,200 --> 01:17:03,880
Speaker 1: She zactly she was following your lovely lady Florence through

1298
01:17:03,960 --> 01:17:06,160
Speaker 1: her trials in Black Widow. And she would always tell

1299
01:17:06,160 --> 01:17:08,800
Speaker 1: me how fascinated she was that Florence would give shout

1300
01:17:08,800 --> 01:17:11,839
Speaker 1: outs to the crew, and she said that was so honorable,

1301
01:17:11,920 --> 01:17:13,680
Speaker 1: and she said, I always wanted to be there as

1302
01:17:13,760 --> 01:17:15,800
Speaker 1: part of that crew who would set things up. I

1303
01:17:15,960 --> 01:17:17,559
Speaker 1: was walking the other day and we happened to see

1304
01:17:17,560 --> 01:17:20,439
Speaker 1: his teeny like one camera independent photo shoot. Somebody was

1305
01:17:20,479 --> 01:17:22,880
Speaker 1: holding a boom, like a real boom mic and she's like,

1306
01:17:22,960 --> 01:17:26,120
Speaker 1: I just got chills. Oh that's why I was like, well,

1307
01:17:26,479 --> 01:17:28,439
Speaker 1: that's what I was like. She's almost twelve. I would

1308
01:17:28,479 --> 01:17:31,000
Speaker 1: literally like this is so dorky, but I would I

1309
01:17:31,080 --> 01:17:33,800
Speaker 1: would set up what I thought a film set looked

1310
01:17:33,800 --> 01:17:35,679
Speaker 1: like in my dining room. I had nothing to shoot,

1311
01:17:35,720 --> 01:17:37,320
Speaker 1: I had no one to film, but I would like

1312
01:17:37,439 --> 01:17:40,240
Speaker 1: put a clip light here and put my little video

1313
01:17:40,320 --> 01:17:42,439
Speaker 1: camera in a tripod, and my mom would be like,

1314
01:17:42,520 --> 01:17:44,360
Speaker 1: can I clean up the dining room? Or like, Mom,

1315
01:17:44,439 --> 01:17:49,439
Speaker 1: it's a hot set. You can't tell. And I remember

1316
01:17:49,520 --> 01:17:51,719
Speaker 1: being I remember I would just walk by the dining

1317
01:17:51,800 --> 01:17:53,960
Speaker 1: room where I had set up what I thought a

1318
01:17:54,080 --> 01:17:56,600
Speaker 1: movie set, looked like there was nothing. I had no

1319
01:17:56,720 --> 01:17:58,640
Speaker 1: plan of anything I was filming. I just thought it

1320
01:17:58,720 --> 01:18:00,880
Speaker 1: was cool that I had a mom film set in

1321
01:18:01,000 --> 01:18:04,120
Speaker 1: my dining room. So there you go. It sounds like

1322
01:18:04,200 --> 01:18:07,320
Speaker 1: your girl was a lot like I was. Is there

1323
01:18:07,360 --> 01:18:09,920
Speaker 1: a lot of theater in you guys' town? She well,

1324
01:18:09,960 --> 01:18:11,880
Speaker 1: I grew up doing high school theater. I was like

1325
01:18:12,000 --> 01:18:14,519
Speaker 1: the unsuspecting lead in all the plays. I never knew

1326
01:18:14,560 --> 01:18:16,160
Speaker 1: I had it, I mean, and that just went poof.

1327
01:18:16,479 --> 01:18:18,280
Speaker 1: So I always act. I always admire the stories of

1328
01:18:18,320 --> 01:18:21,080
Speaker 1: your dad having theater in his blood still later in

1329
01:18:21,160 --> 01:18:23,920
Speaker 1: his life. I sort of aspire to that. But she's

1330
01:18:24,040 --> 01:18:26,519
Speaker 1: you know, she went to theater camp every summer. She

1331
01:18:26,600 --> 01:18:28,679
Speaker 1: got this last one. She went to a place called

1332
01:18:28,720 --> 01:18:31,479
Speaker 1: Glenn Echo and it's an adventure theater. It's right down

1333
01:18:31,560 --> 01:18:35,200
Speaker 1: here in DC. It's fantastic. They're so good, and she

1334
01:18:35,360 --> 01:18:37,320
Speaker 1: was always good at the theater part. She's very very good,

1335
01:18:37,360 --> 01:18:39,240
Speaker 1: but she just loved She's like, I wonder how long

1336
01:18:39,280 --> 01:18:41,000
Speaker 1: it's going to take to reset that scene? You know,

1337
01:18:41,160 --> 01:18:44,040
Speaker 1: She's like, that's what gets her going. So it sounds

1338
01:18:44,040 --> 01:18:46,760
Speaker 1: like she might be as interested in the behind the

1339
01:18:46,840 --> 01:18:50,840
Speaker 1: scenes as she is in being an actress. That's exactly right,

1340
01:18:51,000 --> 01:18:53,680
Speaker 1: mister Raff. She was very much interested in that. So

1341
01:18:54,240 --> 01:18:56,760
Speaker 1: I promised her one day, I will take you out

1342
01:18:56,800 --> 01:18:59,479
Speaker 1: to I guess Los Angeles and we will figure out

1343
01:18:59,479 --> 01:19:01,719
Speaker 1: a way to go be a fly on the wall

1344
01:19:01,840 --> 01:19:04,000
Speaker 1: at a TV shoot or a film shoot or whatever

1345
01:19:04,080 --> 01:19:06,639
Speaker 1: it is, because she would just absolutely drop dead. Well,

1346
01:19:06,640 --> 01:19:08,640
Speaker 1: the easiest thing to do, by the way, is uh,

1347
01:19:09,360 --> 01:19:11,360
Speaker 1: you know, the easiest unless you have a connection to

1348
01:19:11,439 --> 01:19:14,400
Speaker 1: someone who's shooting, especially now COVID. You know, pretend COVID's over.

1349
01:19:14,479 --> 01:19:16,120
Speaker 1: When COVID's over. But you can take her to a

1350
01:19:16,200 --> 01:19:18,720
Speaker 1: sitcom taping because my father they're always they're dying to

1351
01:19:18,800 --> 01:19:21,120
Speaker 1: have audiences, you know, they really they really want you

1352
01:19:21,200 --> 01:19:23,160
Speaker 1: to do it. And my father, when I was her age,

1353
01:19:23,240 --> 01:19:25,240
Speaker 1: brought me to I've told this on the podcast, to

1354
01:19:25,280 --> 01:19:29,479
Speaker 1: a taping of the Bob Newhart Show. Um, and I

1355
01:19:30,000 --> 01:19:32,560
Speaker 1: you know she will love that because that is that

1356
01:19:32,760 --> 01:19:35,759
Speaker 1: is the best way to just kind of watch behind

1357
01:19:35,800 --> 01:19:38,360
Speaker 1: the scenes of production and and uh and and be

1358
01:19:38,400 --> 01:19:40,000
Speaker 1: able to sit there. But sorry, go ahead with your

1359
01:19:40,080 --> 01:19:42,080
Speaker 1: with your Well that's that's sort of it. So you

1360
01:19:42,160 --> 01:19:44,439
Speaker 1: guys live in this world every day. And so if

1361
01:19:44,479 --> 01:19:46,000
Speaker 1: you were in my shoes and you were just some

1362
01:19:46,520 --> 01:19:49,400
Speaker 1: civilian architect who wanted to make his daughter's dreams come true,

1363
01:19:49,520 --> 01:19:51,439
Speaker 1: how would you figure out a way to put her

1364
01:19:52,000 --> 01:19:54,200
Speaker 1: in the position to be part of the behind the

1365
01:19:54,280 --> 01:19:56,639
Speaker 1: scenes and just like be sneaking in and just watching

1366
01:19:56,720 --> 01:19:58,800
Speaker 1: a set go by, Like I don't even know how

1367
01:19:58,840 --> 01:20:01,080
Speaker 1: to make that manifest that dream. My life is really

1368
01:20:01,120 --> 01:20:03,760
Speaker 1: good at manifesting things, like willing things into existence, but

1369
01:20:03,960 --> 01:20:06,560
Speaker 1: this is can't figure it out. Well. Normally, if it

1370
01:20:06,640 --> 01:20:09,720
Speaker 1: were non COVID times, we could easily figure out a

1371
01:20:09,760 --> 01:20:13,519
Speaker 1: way to get you on some set because we could ask, Wow,

1372
01:20:13,600 --> 01:20:16,439
Speaker 1: we could ask one of our friends apprently shooting. The

1373
01:20:16,520 --> 01:20:19,240
Speaker 1: problem is in this day and age, yeah, you're not

1374
01:20:19,320 --> 01:20:21,599
Speaker 1: even allowed on, Like I can't even have My mom

1375
01:20:21,720 --> 01:20:23,360
Speaker 1: keeps saying I can't wait to visit the set of

1376
01:20:23,400 --> 01:20:25,160
Speaker 1: your new movie. I'm thinking, like, Mom, you can't listen

1377
01:20:25,160 --> 01:20:27,600
Speaker 1: to I don't have the heart to break it to you.

1378
01:20:28,280 --> 01:20:31,280
Speaker 1: But but so so, yeah, you're gonna have to wait

1379
01:20:31,400 --> 01:20:35,679
Speaker 1: until this this apocalypse is fully over. But my answer

1380
01:20:35,920 --> 01:20:38,800
Speaker 1: is the easiest thing is go online and if you're

1381
01:20:38,840 --> 01:20:40,800
Speaker 1: listening and you're interested in this for your kid or

1382
01:20:40,840 --> 01:20:44,519
Speaker 1: for yourself as well, look into how you get tickets

1383
01:20:44,600 --> 01:20:48,960
Speaker 1: to a sitcom taping because they are always looking to

1384
01:20:49,080 --> 01:20:52,519
Speaker 1: recruit audiences. Obviously, if it's a popular show, it can

1385
01:20:52,600 --> 01:20:55,120
Speaker 1: be harder to get tickets. But another one that's tricky

1386
01:20:55,160 --> 01:20:57,639
Speaker 1: to get tickets too, but you can you if you're clever,

1387
01:20:57,760 --> 01:21:01,040
Speaker 1: you can figure it out is SNL, which is amazing, Yeah,

1388
01:21:01,320 --> 01:21:04,479
Speaker 1: because really difficult to get. But don't you're not if

1389
01:21:04,600 --> 01:21:06,519
Speaker 1: he wants to do the first one in line and

1390
01:21:07,920 --> 01:21:09,640
Speaker 1: wait overnight, he could do. I mean, it depends how

1391
01:21:09,680 --> 01:21:11,519
Speaker 1: hardcore you want to be. But my point is SNL

1392
01:21:11,640 --> 01:21:15,679
Speaker 1: is so fun because you're watching, uh I remember watching

1393
01:21:15,800 --> 01:21:19,479
Speaker 1: when I was. You're watching them the crew, amazing crew

1394
01:21:20,120 --> 01:21:22,840
Speaker 1: move like a Swiss watch all these sets live during

1395
01:21:22,880 --> 01:21:28,040
Speaker 1: the commercial break. So that's that's really thrilling. And but

1396
01:21:28,200 --> 01:21:30,240
Speaker 1: the first thing that comes to mind is is a

1397
01:21:30,280 --> 01:21:32,640
Speaker 1: sitcom audience because I also believe that they're going to

1398
01:21:32,840 --> 01:21:36,800
Speaker 1: start allowing people back once they're vaxed and tested into

1399
01:21:36,960 --> 01:21:40,160
Speaker 1: sitcom audiences. Yeah, in terms of going on a real

1400
01:21:40,240 --> 01:21:42,680
Speaker 1: movie set, I don't have an answer for you right now,

1401
01:21:42,800 --> 01:21:44,519
Speaker 1: but we will ruminate on it and tell JU, well,

1402
01:21:44,560 --> 01:21:46,920
Speaker 1: if we can think of anything. Oh yeah, well we can.

1403
01:21:47,200 --> 01:21:49,120
Speaker 1: We have time on our side, so we'll go out

1404
01:21:49,160 --> 01:21:51,840
Speaker 1: there and poke around. So so you might think about

1405
01:21:51,880 --> 01:21:53,760
Speaker 1: sending her to a camp that I don't know if

1406
01:21:53,800 --> 01:21:55,960
Speaker 1: this camp that she goes to that also has a

1407
01:21:56,240 --> 01:21:59,280
Speaker 1: video production, because some of them do. Yeah, we're gonna

1408
01:21:59,320 --> 01:22:01,280
Speaker 1: try that. Next really wants to be behind the camera.

1409
01:22:01,479 --> 01:22:03,600
Speaker 1: I know there's the popular the one I went to

1410
01:22:03,760 --> 01:22:06,920
Speaker 1: that I always advertise his stage door manner um. The

1411
01:22:07,000 --> 01:22:09,560
Speaker 1: other popular one is French Woods Woods. But also just

1412
01:22:09,720 --> 01:22:12,840
Speaker 1: research because some of these have a film and TV

1413
01:22:13,000 --> 01:22:15,599
Speaker 1: programs that are, you know, just as intense as their

1414
01:22:15,720 --> 01:22:19,400
Speaker 1: theater program That's so cool. Yeah, I'll when the world

1415
01:22:19,520 --> 01:22:21,760
Speaker 1: opens back up, Joel, I'll be sure to ring you

1416
01:22:21,840 --> 01:22:24,560
Speaker 1: and let you know where in the area. Yeah, a

1417
01:22:24,680 --> 01:22:27,640
Speaker 1: young girl in the film industry feels like the right thing,

1418
01:22:27,920 --> 01:22:30,800
Speaker 1: especially for an aspiring lady who wants to be there professionally.

1419
01:22:31,320 --> 01:22:35,200
Speaker 1: Oh yeah, we'd support that a lot. And I know Donald.

1420
01:22:35,280 --> 01:22:37,720
Speaker 1: You have, you know, kids who probably live next to

1421
01:22:37,800 --> 01:22:39,559
Speaker 1: your world constantly, and so it's got to be pretty

1422
01:22:39,560 --> 01:22:41,599
Speaker 1: fascinating for you to see them. I don't want them.

1423
01:22:41,680 --> 01:22:43,400
Speaker 1: I don't want them anywhere near my world, to be

1424
01:22:43,479 --> 01:22:48,000
Speaker 1: honest with you, like and and and my kids show

1425
01:22:48,160 --> 01:22:51,720
Speaker 1: interest too, and it's like, I don't want to I

1426
01:22:51,760 --> 01:22:53,400
Speaker 1: don't want that for you. But it's not up to

1427
01:22:53,479 --> 01:22:55,320
Speaker 1: me at the end of the day. Well, if you

1428
01:22:55,360 --> 01:22:57,759
Speaker 1: want to have equal amount of anxiety about their future,

1429
01:22:57,840 --> 01:23:00,360
Speaker 1: just make them put them in architecture. That'll be right

1430
01:23:00,439 --> 01:23:04,800
Speaker 1: there about the same guarantee. Also, Alex, I was thinking,

1431
01:23:04,840 --> 01:23:06,920
Speaker 1: you know, there's some I don't know if it's too

1432
01:23:07,040 --> 01:23:09,920
Speaker 1: mature for her, but there's some master classes that are cool,

1433
01:23:10,000 --> 01:23:12,800
Speaker 1: like Ron Howard did one. Yeah, we we have the

1434
01:23:12,840 --> 01:23:16,680
Speaker 1: master Class subscription and definitely show her. There's definitely some

1435
01:23:16,840 --> 01:23:19,800
Speaker 1: behind the scenes filmmaking ones. I know I watched Laurn

1436
01:23:19,880 --> 01:23:24,200
Speaker 1: Howard one out of curiosity. Um, those might really those

1437
01:23:24,280 --> 01:23:27,880
Speaker 1: might really interest her. Yeah, yeah, we definitely do. But yeah,

1438
01:23:27,960 --> 01:23:31,920
Speaker 1: literally one day. I mean, you know, if you have kids,

1439
01:23:31,960 --> 01:23:34,120
Speaker 1: you know, just seeing the surprise and the amazement on

1440
01:23:34,200 --> 01:23:36,519
Speaker 1: their faces when they get this thing that shows up

1441
01:23:36,560 --> 01:23:39,040
Speaker 1: in their life that they never thought would exist. It's

1442
01:23:39,080 --> 01:23:41,240
Speaker 1: just it's not. It's not for me, It's not I

1443
01:23:41,280 --> 01:23:44,880
Speaker 1: have a surprise for you, Alex, because not yet. Wait

1444
01:23:44,960 --> 01:23:48,639
Speaker 1: till I introduce you. Oh no, hold on, I gotta

1445
01:23:48,680 --> 01:23:50,960
Speaker 1: figure out how to do this with my mic Can

1446
01:23:51,040 --> 01:23:56,560
Speaker 1: you hear me? All right, it's gonna sound shitty for

1447
01:23:56,600 --> 01:23:59,400
Speaker 1: a second, but we have a very special surprise visitor

1448
01:23:59,439 --> 01:24:02,240
Speaker 1: on today show to end the show? Oh my god,

1449
01:24:02,360 --> 01:24:04,720
Speaker 1: do you want to get one of your things and

1450
01:24:04,840 --> 01:24:09,600
Speaker 1: sing something? Um? All right, so this is a surprise,

1451
01:24:10,120 --> 01:24:14,439
Speaker 1: not planning. Okay, do you guys like surprises? Yeah? You

1452
01:24:14,520 --> 01:24:17,040
Speaker 1: can come in and then tune while you. I've been

1453
01:24:17,120 --> 01:24:20,240
Speaker 1: surprised all day since Joel called me. I've been kidding me, Alex,

1454
01:24:20,360 --> 01:24:24,479
Speaker 1: because I didn't because I didn't successfully fix your life.

1455
01:24:24,520 --> 01:24:26,960
Speaker 1: I just had some mild No come in first, friend,

1456
01:24:27,160 --> 01:24:33,759
Speaker 1: come in. No, it's been tuned, Preston tuned it, ladies

1457
01:24:33,800 --> 01:24:42,600
Speaker 1: and gentlemen, A total surprise, mister Joshua Raded. Oh my

1458
01:24:42,960 --> 01:24:48,320
Speaker 1: yes a day o shoon? What's up? Brother? How are

1459
01:24:48,840 --> 01:24:54,080
Speaker 1: this is our guest? Alex? Yeah? Thank You're going to

1460
01:24:54,160 --> 01:24:56,360
Speaker 1: get you one of those and you know Joel, And

1461
01:24:58,160 --> 01:25:02,280
Speaker 1: that's a day This is such an honor, Josh. I've

1462
01:25:02,280 --> 01:25:04,280
Speaker 1: been I've been a fan of yours since the beginning

1463
01:25:04,280 --> 01:25:06,680
Speaker 1: of Scrubs and since Gardens dating all the things when

1464
01:25:06,760 --> 01:25:09,200
Speaker 1: Zach introduced you more to the world than ever. Thank

1465
01:25:09,240 --> 01:25:11,320
Speaker 1: you so much. Well, it's so, it's such a nice

1466
01:25:11,360 --> 01:25:14,000
Speaker 1: pleasure to meet Donald. Why do we want him to sing? Donald?

1467
01:25:14,080 --> 01:25:16,120
Speaker 1: He was supposed to meet me, but he came a

1468
01:25:16,200 --> 01:25:19,040
Speaker 1: little early. What are you guys doing in fucking New

1469
01:25:19,120 --> 01:25:24,160
Speaker 1: York without me? First of all, we're gonna have motherfucker, Josh.

1470
01:25:24,280 --> 01:25:26,720
Speaker 1: You're supposed to be like in Sweden or some shit

1471
01:25:26,880 --> 01:25:29,360
Speaker 1: like well he was doing in New York. Listen, what

1472
01:25:29,560 --> 01:25:31,519
Speaker 1: the fuck is going on that you two are hanging

1473
01:25:31,560 --> 01:25:35,400
Speaker 1: out and I'm sitting in my fucking house in California

1474
01:25:35,720 --> 01:25:38,280
Speaker 1: while you're doing fucking running around New York City having

1475
01:25:38,320 --> 01:25:42,040
Speaker 1: a good time together. Man, coming back, body, this is

1476
01:25:42,080 --> 01:25:45,040
Speaker 1: some bullshit right now. I need you to calm down. Okay,

1477
01:25:45,120 --> 01:25:47,680
Speaker 1: cannot calm down. I'm up to safe. God damn, I

1478
01:25:47,760 --> 01:25:51,479
Speaker 1: will not be calmed n Dan, You're gonna have to

1479
01:25:51,920 --> 01:25:59,160
Speaker 1: turn that volume way down. Okay, Um do you let

1480
01:26:00,320 --> 01:26:03,080
Speaker 1: started off the show talking about these Jose ain't loyal,

1481
01:26:03,400 --> 01:26:06,360
Speaker 1: These Hoose ain't fucking loyal? All right? Look at him.

1482
01:26:06,360 --> 01:26:10,840
Speaker 1: To two of them, Hose schilling together. You're missing you're

1483
01:26:11,000 --> 01:26:14,639
Speaker 1: you're missing your bottom, bitch, motherfuckers, you're missing it down bottom,

1484
01:26:14,680 --> 01:26:18,360
Speaker 1: bitch that Josha said, Josh. Josh just said, Josh, just

1485
01:26:18,439 --> 01:26:20,280
Speaker 1: while you were screaming goes twice a week. Huh he

1486
01:26:20,360 --> 01:26:26,840
Speaker 1: recorded this time? All right, listen, this was not this

1487
01:26:27,040 --> 01:26:29,200
Speaker 1: was not planned. But Josh has a new album out

1488
01:26:29,280 --> 01:26:31,679
Speaker 1: called What Josh. It's called The Ghost and the Wall,

1489
01:26:31,840 --> 01:26:35,240
Speaker 1: The Ghost and the Wall, which you listeners should listen

1490
01:26:35,320 --> 01:26:37,920
Speaker 1: to and pick up. And now Josh is going to

1491
01:26:37,960 --> 01:26:41,000
Speaker 1: surprise us with a track from Ghost in the Wall.

1492
01:26:41,160 --> 01:26:43,479
Speaker 1: Hey guess what you guys. So this was hanging on

1493
01:26:43,560 --> 01:26:47,360
Speaker 1: the wall in Zach's apartment. It's actually my guitar. Zach

1494
01:26:47,439 --> 01:26:51,879
Speaker 1: bought this for me as a birthday present my thirtieth birthday.

1495
01:26:51,880 --> 01:26:56,200
Speaker 1: I think, wow and uh. And I decided many years

1496
01:26:56,200 --> 01:26:57,840
Speaker 1: ago to leave it on the wall here so anytime

1497
01:26:57,880 --> 01:27:00,800
Speaker 1: I'm here I can play it. Um thinking what I'm

1498
01:27:00,800 --> 01:27:02,880
Speaker 1: gonna do to make this more professionals. Give you the

1499
01:27:02,960 --> 01:27:05,559
Speaker 1: headphones so you sound like you want to sound right?

1500
01:27:05,960 --> 01:27:07,960
Speaker 1: I don't care, well, just singing to the mic. Yeah,

1501
01:27:07,960 --> 01:27:10,840
Speaker 1: that's what you do. But what you're gonna do is

1502
01:27:11,400 --> 01:27:17,080
Speaker 1: seeing into this microphone. Okay, all right, you see one

1503
01:27:17,080 --> 01:27:20,080
Speaker 1: of those before? All right, nobody talked during the song. Okay,

1504
01:27:20,160 --> 01:27:22,160
Speaker 1: Alex for God, can we move this down just to

1505
01:27:22,200 --> 01:27:25,679
Speaker 1: touch wherever you want it? Like that? Like oh, there's

1506
01:27:25,680 --> 01:27:29,439
Speaker 1: no video. There's no video. We day dreaming about putting

1507
01:27:29,439 --> 01:27:31,640
Speaker 1: it on YouTube one day, but Donald won't update his

1508
01:27:31,760 --> 01:27:35,360
Speaker 1: fucking camera. He stole the iheard camera and put used

1509
01:27:35,400 --> 01:27:39,160
Speaker 1: it for his fucking animation. Hey cock nos, shut up,

1510
01:27:39,760 --> 01:27:48,680
Speaker 1: watch stick cock nose and Josh, let's call it. He

1511
01:27:48,840 --> 01:27:52,680
Speaker 1: just said to stick on my cock nose in your

1512
01:27:52,760 --> 01:27:56,479
Speaker 1: twat ear. He's got one whole nose. Okay, let's creative.

1513
01:27:56,520 --> 01:27:59,679
Speaker 1: Everybody calm down. Here is Josh. What's this song called Josh?

1514
01:27:59,800 --> 01:28:01,920
Speaker 1: This one's called hey you Hey, you here we go? Yeah?

1515
01:28:01,960 --> 01:28:05,920
Speaker 1: Hey you fuck Donald? Leave him in California. Put the

1516
01:28:05,960 --> 01:28:07,639
Speaker 1: headphones on er now, no, I'll where do you guys

1517
01:28:07,720 --> 01:28:09,960
Speaker 1: do this? Okay? I love the Josh was like you

1518
01:28:10,000 --> 01:28:11,880
Speaker 1: do this twice a week. Are here we go? Here's

1519
01:28:11,920 --> 01:28:26,799
Speaker 1: shot you? Where are you going? Because I need ride?

1520
01:28:27,720 --> 01:28:34,360
Speaker 1: Were out here? Now? The bridge on my fire only

1521
01:28:34,400 --> 01:28:39,280
Speaker 1: a week, but it seemed like here. I know I'll

1522
01:28:39,360 --> 01:28:45,000
Speaker 1: never come back. Fall of the Sun as its sun

1523
01:28:45,160 --> 01:28:55,000
Speaker 1: west away from the rest of the world. Jez good,

1524
01:28:57,720 --> 01:29:06,160
Speaker 1: Come on faster, don't as why you know it's hard

1525
01:29:06,200 --> 01:29:16,200
Speaker 1: to run from the hurting sight. Hey, you come away

1526
01:29:16,320 --> 01:29:20,320
Speaker 1: with me. I've got a room for your baggage to

1527
01:29:21,400 --> 01:29:26,800
Speaker 1: another day when there's only tomorrow, tomorrow to night I'm

1528
01:29:26,960 --> 01:29:34,200
Speaker 1: spending with you. You know will ever come back? Father

1529
01:29:34,640 --> 01:29:39,839
Speaker 1: Sun as it's inn west, hide away from the rest

1530
01:29:40,000 --> 01:29:51,320
Speaker 1: of the world. Jez go, Come on faster, don't ask

1531
01:29:51,439 --> 01:29:59,439
Speaker 1: why you know it's hard to run from the hurting sight.

1532
01:30:00,680 --> 01:30:23,400
Speaker 1: Sometimes we run just to stay alive. Who just go,

1533
01:30:26,400 --> 01:30:34,720
Speaker 1: come on fast, don't as swear you know it's hard

1534
01:30:34,760 --> 01:30:39,360
Speaker 1: to run from the home inside. Sometimes we run just

1535
01:30:39,560 --> 01:30:50,960
Speaker 1: to stay alive. Hey, you come away with I need

1536
01:30:51,080 --> 01:31:02,720
Speaker 1: a ride. We had it here. Thank you, Thank you

1537
01:31:02,760 --> 01:31:05,800
Speaker 1: so much, Thanks for brilliant Thanks for letting me look

1538
01:31:05,840 --> 01:31:08,799
Speaker 1: at Donald's face for a little bit. I was beautiful.

1539
01:31:08,840 --> 01:31:17,880
Speaker 1: What a fun, what fun? That was amazing beautiful? The ghost,

1540
01:31:18,280 --> 01:31:21,240
Speaker 1: the ghost in the wall. Everybody go check it out. Um,

1541
01:31:21,400 --> 01:31:24,599
Speaker 1: that's our show. Don't say we don't bring amazing guests.

1542
01:31:24,680 --> 01:31:29,280
Speaker 1: Alex Good luck with everything holy. Your daughter just blessed

1543
01:31:29,600 --> 01:31:35,400
Speaker 1: the world with some Joshua Raydon. Everything is great, everything

1544
01:31:35,560 --> 01:31:37,840
Speaker 1: is grand. You got the whole world in the palm

1545
01:31:37,920 --> 01:31:41,519
Speaker 1: of your hand. You also got josh Raiding performing songs

1546
01:31:41,600 --> 01:31:44,360
Speaker 1: for you. Buddy. Dot's just put it that way. Treated

1547
01:31:44,439 --> 01:31:48,320
Speaker 1: me for twenty five years, and I well, don't never

1548
01:31:48,439 --> 01:31:54,040
Speaker 1: say we don't do shit for you, buddy. All right, everybody,

1549
01:31:54,479 --> 01:31:56,920
Speaker 1: we love you, and um, we'll see you next time. Alex,

1550
01:31:57,000 --> 01:32:02,040
Speaker 1: thanks for coming on. Thank you guys the best. My six, seven,

1551
01:32:02,080 --> 01:32:07,400
Speaker 1: eight stories about show we made about a bunch of

1552
01:32:07,640 --> 01:32:11,160
Speaker 1: doctor nurses and Jannita who love me. Here I said,

1553
01:32:11,240 --> 01:32:18,040
Speaker 1: here's the stories. Netural should go. So gather around you. Here, Ire,

1554
01:32:18,640 --> 01:32:21,800
Speaker 1: gather around you. Here are script for you on shore

1555
01:32:21,880 --> 01:32:25,320
Speaker 1: winds and no mm hmmm