WEBVTT - Taj Mahal

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is Taj Mahals. You're the n YU

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<v Speaker 1>artist in residents. Tell me about that. Well, it's it's

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<v Speaker 1>uh something that's pretty exciting, you know, to be uh

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<v Speaker 1>singles out and asked to be uh, you know, bring

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<v Speaker 1>what it is that I do to a group of

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<v Speaker 1>young students that prestigious university. I'm a I'm a you know,

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<v Speaker 1>stoked to be able to do it and be a

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<v Speaker 1>part of it. So what exactly is it you will

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<v Speaker 1>be doing? Um, explaining some of the music that I play,

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<v Speaker 1>showing some of the styles, showing how what kinds of

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<v Speaker 1>connections they are, you know, I mean, it's a tremendous

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<v Speaker 1>amnomus have been brought into this hole. Um. You know

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<v Speaker 1>the dia spoard that's here between um, the Western Hemisphere

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<v Speaker 1>and uh the continent of Africa and the European intervention

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<v Speaker 1>to see that we all got over here and all

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<v Speaker 1>the music that's been created as a result of that movement,

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<v Speaker 1>and you know, and now it's sort of somehow it's

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<v Speaker 1>like the rails that the world works on in terms

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<v Speaker 1>of music from from the West. Look, can you go

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<v Speaker 1>a little deeper and tell us about that, go a

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<v Speaker 1>little deeper. Uh um No, I mean there's there's there's

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<v Speaker 1>not much more. As a as a kid growing up,

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<v Speaker 1>you know, I hear music from the Caribbean or South

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<v Speaker 1>because I have Caribbean relatives of my Fotherish people and

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<v Speaker 1>my mother's people are from the American soil. So it's

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<v Speaker 1>kind of an interesting thing. There's a kid to grow

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<v Speaker 1>up with parents who two told you that gave you

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<v Speaker 1>a good you know, foundation to be able to move

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<v Speaker 1>forward in the world that you know, there was nothing

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<v Speaker 1>that you couldn't do. Uh. There may be people in

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<v Speaker 1>this world who may doubt you or or may me

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<v Speaker 1>not right to your face, tell you that they don't

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<v Speaker 1>think that you're of any value. Ignore all of its

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<v Speaker 1>absolutely meaningless, you know, and do something that is worthwhile

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<v Speaker 1>with your life. You know that has something to do

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<v Speaker 1>with community, you know, you know, something for humanity. And

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<v Speaker 1>so as a kid listening to music, you know, I

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<v Speaker 1>would hear music like from South America, Central America, or

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<v Speaker 1>the Caribbean or or you know, some other place like

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<v Speaker 1>that that was close to my own culture or you know,

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<v Speaker 1>d NA have not even talked about that during that time,

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<v Speaker 1>and uh, I wonder why I already knew what I

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<v Speaker 1>was listening to. Maybe not the language, but I certainly

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<v Speaker 1>could feel the music and feel where it was coming from.

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<v Speaker 1>And then you know, the same went for the basically

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<v Speaker 1>placed to save value when it was on music that

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<v Speaker 1>came from Europe and in Great Britain. If it moved me,

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<v Speaker 1>then obviously it was something I needed to know about.

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<v Speaker 1>And so you know, talking to a lot of these

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<v Speaker 1>young kids who who maybe only experienced commercial music, you know,

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<v Speaker 1>and kind of trying to help them expand past that

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<v Speaker 1>one and a half you know, ticks on either side

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<v Speaker 1>of what you've been listening to get him the thing

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<v Speaker 1>outside the box. So you had a big birthday this year.

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<v Speaker 1>How does it feel to be this age? Cool? My

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<v Speaker 1>plumber still works, I'm still excited about waking up every day,

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<v Speaker 1>and I'm still learning stuff about music and still composing

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<v Speaker 1>and you know, enjoying life. So what wisdom? You know,

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<v Speaker 1>we live in a youth oriented culture, but those of

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<v Speaker 1>us who have gotten older, and you've now reached eighty,

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<v Speaker 1>you gain a lot of insight into life. Can you

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<v Speaker 1>give us anythings that you've learned going through eight decades already.

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<v Speaker 1>Oh yeah, be true, be very true to your you know,

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<v Speaker 1>when you discover what it is that you want to do,

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<v Speaker 1>you know, just be true to it. You know, stay

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<v Speaker 1>on your course. Stay your course, man, you know, set

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<v Speaker 1>your course. But whatever it is that you think that

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<v Speaker 1>you want to do, you know. And and like Yoda,

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<v Speaker 1>do or not do but don't try? Yeah, and what

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<v Speaker 1>can you tell us about love relationships? Well, I'm this

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<v Speaker 1>is the question of it. So now why are you

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<v Speaker 1>asking me these things? What's this going to amount for you?

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<v Speaker 1>I mean, okay, the traditional interviews are you did this,

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<v Speaker 1>you did that, what about your new album, etcetera, etcetera.

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<v Speaker 1>That's basically worthless because mostly people can listen to the

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<v Speaker 1>music and they don't get to know who the person is.

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<v Speaker 1>I'm trying to get to know who you are and

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<v Speaker 1>the wisdom you have. I'm not trying to put you

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<v Speaker 1>on this. No, No, that's okay, that's okay, that's okay,

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<v Speaker 1>because you made an assumption coming in that I've never

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<v Speaker 1>given that kind of information in an interview, and I

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<v Speaker 1>have all along. That's what they cut out. You never

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<v Speaker 1>hear about that. You're right, absolutely correct, So now I

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<v Speaker 1>know what footing you're on it because it's like, wait

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<v Speaker 1>a second, is this this is your life? You know,

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<v Speaker 1>just uh okay, sixty four questions. No, I'm you know,

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<v Speaker 1>it's like I don't you know, I haven't really like said.

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<v Speaker 1>What to do is like find good people, you know,

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<v Speaker 1>find find really good people to be around, you know,

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<v Speaker 1>I mean number one you want if you're talking about

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<v Speaker 1>love relationships, you know, you want to know about a

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<v Speaker 1>woman that that that can can Dad's cook you know

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<v Speaker 1>it's smart, you know, won't let you be stupid, you know,

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<v Speaker 1>and vice versa. You know you know Dad's cook not

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<v Speaker 1>be stupid, you know, and uh, you appreciate, appreciate your

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<v Speaker 1>your your help when they turned around and say, oh,

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<v Speaker 1>you know, I smell gas in to gets you what's

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<v Speaker 1>going on? Cut my car won't start, you know, and

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<v Speaker 1>really appreciate all those things. Vice versa. You know, when

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<v Speaker 1>you get hot headed in the wrong place, that person

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<v Speaker 1>knows how to put their hand on put their hand

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<v Speaker 1>on your forearm, and immediately you calm down. You know,

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<v Speaker 1>somebody really knows what's going on. It takes time to

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<v Speaker 1>find those people because a lot of times, you know, man,

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<v Speaker 1>they're visually oriented. Sometimes you miss it. You know, listen,

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<v Speaker 1>listen to the inside. Let's talk about interacting in the business.

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<v Speaker 1>I found. You know, the reputation is, oh, we have

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<v Speaker 1>all these flagrant musicians, these stars. I know, the people

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<v Speaker 1>who underneath the stars usually have to be nice in

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<v Speaker 1>order to work. You're certainly a star. What is it

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<v Speaker 1>when do you say no to people in the business

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<v Speaker 1>or when do you check yourself and say, I better

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<v Speaker 1>be nice because who knows what's going to happen next

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<v Speaker 1>time around. I don't really worry about that kind of stuff.

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<v Speaker 1>I just do what I do. You know, I've always

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<v Speaker 1>been a man of my word, and that's always put

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<v Speaker 1>here on earth to kill my My folks really gave

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<v Speaker 1>me those kinds of things to work with, you know,

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<v Speaker 1>and you know it's it's it's done well for me.

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<v Speaker 1>All the way through here. A lot of guys keep

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<v Speaker 1>coming in and say they can't get this done, they

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<v Speaker 1>can't get that done. Well, I don't know what you're

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<v Speaker 1>looking for. I mean, the bottom line is is that

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<v Speaker 1>you have an honest, honest approach to everything. And I mean, yeah,

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<v Speaker 1>there are people, there are people who have who have

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<v Speaker 1>stepped on my toes, and there are people who people

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<v Speaker 1>who ses I stepped on invertently without sometimes knowingly and

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<v Speaker 1>sometimes not knowing. But hey, at the end of the day,

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<v Speaker 1>you know, we're we're all men, and we need to

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<v Speaker 1>know how to learn how to get along and do business.

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<v Speaker 1>So when you got into the public eye and the sixties,

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<v Speaker 1>it was a very different music business than it is today.

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<v Speaker 1>If you had a major label deal, they promoted you. Now,

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<v Speaker 1>even the biggest artists in the world reach a fraction

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<v Speaker 1>of the public. So is it hard to still be

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<v Speaker 1>motivated or you know you have your audience, or is

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<v Speaker 1>it more about just doing good work. Um, it's hard

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<v Speaker 1>when you're coming in in the sixties to really know

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<v Speaker 1>you're affair. Yeah, you know, that said to me a

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<v Speaker 1>lot of years to really understand what the fact because

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<v Speaker 1>you know, like the people who were selling lots of

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<v Speaker 1>records during those years. Um, you know, maybe I did

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<v Speaker 1>and maybe I didn't. I don't know the numbers. Who do.

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<v Speaker 1>You can never depend upon what these guys will tell

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<v Speaker 1>you, you you know, and the business is not known for

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<v Speaker 1>for being you know, giving you an honest count. But

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<v Speaker 1>all those things being you know, set aside. Um, my

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<v Speaker 1>focus has always been about the music. That's why I

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<v Speaker 1>have the kind of output because if you knew how

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<v Speaker 1>much music was out there and not knowing how much

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<v Speaker 1>time you have to to put it out, most people

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<v Speaker 1>would shut up and be busy and there'd be lots

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<v Speaker 1>more music out there, regardless of the renumera isution. You know,

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<v Speaker 1>nobody in Africa from where my from, where my DNA

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<v Speaker 1>comes from, and where I'm focused being a grill. You know.

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<v Speaker 1>One of the things you got to really understand here

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<v Speaker 1>is that they scrubbed our hard drives clean five dred

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<v Speaker 1>years ago, okay. And so if you're lucky enough and

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<v Speaker 1>I'm and I'm and I put my energy under thinking

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<v Speaker 1>that I could be able to find the connection between

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<v Speaker 1>where I was living, you know, in this you know,

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<v Speaker 1>five hundred years and what went on before now. And

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<v Speaker 1>I made that connection and found the people, and the

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<v Speaker 1>people found me. You know, most people are are don't

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<v Speaker 1>have any idea. I mean, it doesn't make it us

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<v Speaker 1>what group of individuals you come from that puts you

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<v Speaker 1>in the Western world. Everybody's down beaten from five d

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<v Speaker 1>years ago, okay. But some people who down beat from

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<v Speaker 1>five hundred years ago or maybe two or three hundred

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<v Speaker 1>years ago, you know, still know that they have a country,

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<v Speaker 1>you know that they can go back to as customs speaks.

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<v Speaker 1>The language, you know, has colors that represent them. You know.

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<v Speaker 1>In my case, you know that's that's not so, you know,

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<v Speaker 1>except I had progressive parents who were about, you know,

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<v Speaker 1>making sure I knew that I had a connection beyond

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<v Speaker 1>my having out hard drives scrubbed out five years ago.

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<v Speaker 1>So all I've been doing is going looking for making

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<v Speaker 1>those connections and showing people that they exist, you know,

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<v Speaker 1>meaning that there are rio's you know, musicians who are historians,

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<v Speaker 1>family and his storians who started in the eleventh century

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<v Speaker 1>a d okay, and many of them have seventy to

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<v Speaker 1>ninety you know, and even a hundred generations that they

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<v Speaker 1>have been the same musician. There's no music business over

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<v Speaker 1>the top deciding that if the money comes up to

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<v Speaker 1>the top, you know, we'll keep it. If the money

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<v Speaker 1>stops coming to the shop, we'll pull up the nets

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<v Speaker 1>and then everybody will panic, so, oh my god, there's

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<v Speaker 1>nothing here. We're gonna have to come up with something.

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<v Speaker 1>As soon as we come up with something, the net

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<v Speaker 1>drops down again and the moneyment tricky lays up. I'm

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<v Speaker 1>not a part of any of that. What I suggest

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<v Speaker 1>for young people to do is that if you love

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<v Speaker 1>the music, if you love whatever it is that you do,

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<v Speaker 1>you know, if whatever it is that you do you love,

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<v Speaker 1>you'll never work a day in your life, or any

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<v Speaker 1>work that you do will not be something that you'll

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<v Speaker 1>be disappointed in. I mean, how disappointing is it just

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<v Speaker 1>spend forty fifties, sixties, seventy eighty years of your life

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<v Speaker 1>working with some of something or somebody who doesn't really

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<v Speaker 1>care if you, if you exist or not. So I

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<v Speaker 1>don't hon't I get pasted all of that, and and

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<v Speaker 1>and now I don't. You know, It's like, whatever it is,

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<v Speaker 1>we'll figure it out. At one time, it was ox carts,

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<v Speaker 1>it was walking, you know, it was os cards and donkeys,

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<v Speaker 1>you know whatever. The next thing, you know, people are

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<v Speaker 1>flying across over oceans and they don't use them anymore,

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<v Speaker 1>but seven sevens whatever they are air busses doing much happening.

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<v Speaker 1>So somewhere along the line, something's gonna change. Things are

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<v Speaker 1>gonna be different. What really counts knowing how to really

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<v Speaker 1>play real music that counts in every every place. Yeah, okay, Uh,

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<v Speaker 1>your parents were very progressive to what degree do you

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<v Speaker 1>know your own personal history X number of generations back? Um,

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<v Speaker 1>I can go back probably like about close to get

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<v Speaker 1>closer to the seventeenth century. Wow in one side of

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<v Speaker 1>my family. Um um, well I would say, yeah, baby,

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<v Speaker 1>maybe more Claire eighteen eighteenth century. And we're we're we're

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<v Speaker 1>when we're moving, were progressively moving back via African dna.

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<v Speaker 1>Um Um, Actually ancestry DNA got me, got me where

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<v Speaker 1>it was where it wasn't West Africa, you know, but

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<v Speaker 1>African ancestry puts me squarely in Gabon and so you

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<v Speaker 1>know that's where a lot of the energy. And my

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<v Speaker 1>mother's side asked some interesting um, interesting Eastern African uh

0:14:33.800 --> 0:14:39.880
<v Speaker 1>lineage that came across on the um the land bridge

0:14:39.880 --> 0:14:45.520
<v Speaker 1>that was between Russia and uh, you know Alaska. So yeah,

0:14:45.560 --> 0:14:47.960
<v Speaker 1>it's a lot of stuff, a lot going on, and

0:14:48.080 --> 0:14:51.400
<v Speaker 1>you know, via music what what I can hear and

0:14:51.400 --> 0:14:54.360
<v Speaker 1>what I can feel. You know, we've been able to

0:14:54.400 --> 0:14:59.600
<v Speaker 1>make a lot of connections. And have you been to Africa, regulars, sir?

0:15:02.440 --> 0:15:04.320
<v Speaker 1>Many people have not? Tell it. Tell us what you

0:15:04.440 --> 0:15:06.720
<v Speaker 1>learned there? Well, it wasn't what I learned. It is

0:15:06.800 --> 0:15:12.800
<v Speaker 1>what I mean basically that uh, I went to seventy nine.

0:15:12.800 --> 0:15:16.040
<v Speaker 1>We went we did I think twelve countries in three months,

0:15:17.080 --> 0:15:18.840
<v Speaker 1>and then the last time I went back, I went

0:15:18.880 --> 0:15:27.040
<v Speaker 1>to Zanzibar recorded, Yeah, I mean it it's soulful, but

0:15:27.040 --> 0:15:32.880
<v Speaker 1>but deeper, and you know it's it's it's it's not

0:15:33.600 --> 0:15:36.440
<v Speaker 1>living in the first world, which the U s is

0:15:36.920 --> 0:15:41.240
<v Speaker 1>is a different reality and living in living on the continent.

0:15:42.040 --> 0:15:44.160
<v Speaker 1>You know, a lot of things are all the same,

0:15:44.200 --> 0:15:48.240
<v Speaker 1>you know, cities and running water and indoor toilets and

0:15:48.280 --> 0:15:50.240
<v Speaker 1>all that kind of stuff that a lot of people

0:15:50.240 --> 0:15:53.280
<v Speaker 1>think it's like kids with distinted bellies and flies in

0:15:53.320 --> 0:15:56.800
<v Speaker 1>their eyes, and it's uh Sally Strula is saying, oh

0:15:56.800 --> 0:15:59.120
<v Speaker 1>my god, twenty back cents a day brings these parts.

0:15:59.520 --> 0:16:03.160
<v Speaker 1>You know, it's just media, you know that could be

0:16:03.200 --> 0:16:05.720
<v Speaker 1>just there are people in this country. Look at all

0:16:05.760 --> 0:16:09.520
<v Speaker 1>these tents, all these homeless here. It looks like a

0:16:09.600 --> 0:16:12.920
<v Speaker 1>third world country. If you asked me developing country and

0:16:12.960 --> 0:16:16.760
<v Speaker 1>they figure that out, you know, I dare I say,

0:16:16.920 --> 0:16:19.400
<v Speaker 1>lots of money goes out of this country to certain

0:16:19.440 --> 0:16:22.440
<v Speaker 1>situations that things are in. We have people that are

0:16:22.480 --> 0:16:25.600
<v Speaker 1>getting poisoned by the water and flint Michigan and having

0:16:25.600 --> 0:16:29.240
<v Speaker 1>difficulty in Jackson, Mississippi. That should be you know, take

0:16:29.280 --> 0:16:33.000
<v Speaker 1>care of home first and the rest be okay. But

0:16:33.280 --> 0:16:36.880
<v Speaker 1>going going to America was like wonderful, you know, I

0:16:37.000 --> 0:16:41.000
<v Speaker 1>was the last few years i've been been, um, you know,

0:16:41.360 --> 0:16:43.680
<v Speaker 1>getting preparing myself to go back, you know, go and

0:16:43.760 --> 0:16:48.360
<v Speaker 1>visit again, you know, and we'll see. I have friends,

0:16:48.840 --> 0:16:53.040
<v Speaker 1>you know, friends in different countries there, and uh they're

0:16:53.040 --> 0:16:56.560
<v Speaker 1>always people real happy to receive me. I'll be happy

0:16:56.600 --> 0:17:00.960
<v Speaker 1>to be there. So, you know, sixties were time of upheaval,

0:17:02.280 --> 0:17:05.960
<v Speaker 1>a lot of civil rights issue as a black man

0:17:06.040 --> 0:17:09.159
<v Speaker 1>in America. What's it like today compared to when you

0:17:09.200 --> 0:17:17.399
<v Speaker 1>were coming up? Oh? Clearly when I was coming up,

0:17:20.880 --> 0:17:29.720
<v Speaker 1>uh crt. You know, it's a it's it's uh as

0:17:29.920 --> 0:17:36.359
<v Speaker 1>as dangerous, but but different in in uh more cyberspace,

0:17:37.000 --> 0:17:43.199
<v Speaker 1>you know, digital world kind of way. Now, when you

0:17:43.280 --> 0:17:48.400
<v Speaker 1>were coming up, you were very much involved with anglos

0:17:48.760 --> 0:17:53.720
<v Speaker 1>and white music. And why did you say that? I'm

0:17:53.720 --> 0:17:57.280
<v Speaker 1>talking about not in terms of your own personality, the

0:17:57.320 --> 0:18:01.040
<v Speaker 1>way you were marketed, okay and working with a lot

0:18:01.080 --> 0:18:04.800
<v Speaker 1>of white uh commercial artists. What was it like being

0:18:05.640 --> 0:18:08.720
<v Speaker 1>were you the only black guy around or did you

0:18:08.760 --> 0:18:10.879
<v Speaker 1>find no, there was a lot of them it's just

0:18:11.000 --> 0:18:15.040
<v Speaker 1>that some people, some people didn't understand that you have

0:18:15.080 --> 0:18:16.399
<v Speaker 1>to do you have to have a certain kind of

0:18:16.600 --> 0:18:21.200
<v Speaker 1>drive and and you can't spend there's a whole bunch

0:18:21.240 --> 0:18:25.720
<v Speaker 1>of stuff that you can't spend time, um being emotional about,

0:18:26.320 --> 0:18:28.879
<v Speaker 1>you know, because a lot of people because they haven't.

0:18:29.320 --> 0:18:32.040
<v Speaker 1>You know, I grew up in New England. Okay, Um,

0:18:32.320 --> 0:18:35.560
<v Speaker 1>my dad grew up in New York. His his parents

0:18:35.560 --> 0:18:39.480
<v Speaker 1>were immigrants. You know, we grew up in good communities.

0:18:39.920 --> 0:18:43.960
<v Speaker 1>You know, different people were different people still part of

0:18:44.000 --> 0:18:47.640
<v Speaker 1>the human race. So a lot of guys I didn't

0:18:47.680 --> 0:18:50.840
<v Speaker 1>you know, I just didn't. I didn't have that kind

0:18:50.880 --> 0:18:52.919
<v Speaker 1>of thing. I was the only black guy there, so

0:18:52.960 --> 0:18:56.440
<v Speaker 1>I didn't know that none of that stuff about me.

0:18:57.119 --> 0:18:59.760
<v Speaker 1>You know. The point of it was is that is

0:18:59.800 --> 0:19:04.159
<v Speaker 1>that I discovered early on that that the older music,

0:19:04.400 --> 0:19:08.560
<v Speaker 1>the older Black music, which is like titter scenario, the

0:19:08.680 --> 0:19:16.240
<v Speaker 1>music happening and people it gets it gets distorted when, uh,

0:19:16.359 --> 0:19:21.639
<v Speaker 1>when someone from another culture decides that you're just this

0:19:21.880 --> 0:19:27.640
<v Speaker 1>from your culture is what is economically viable. There are

0:19:27.760 --> 0:19:31.119
<v Speaker 1>lots of other things that were viable. The part of

0:19:31.160 --> 0:19:34.520
<v Speaker 1>what I was doing, no matter what in the music

0:19:34.600 --> 0:19:37.760
<v Speaker 1>that I put out There is always music that maybe

0:19:37.760 --> 0:19:41.400
<v Speaker 1>somebody doesn't really understand what it is, but there are

0:19:41.480 --> 0:19:45.879
<v Speaker 1>people who do because it's it's cultural, it is. And

0:19:46.040 --> 0:19:48.199
<v Speaker 1>you know, I don't do music. I don't do do

0:19:48.400 --> 0:19:52.639
<v Speaker 1>music for money. I don't play. I don't perform music

0:19:52.720 --> 0:19:56.560
<v Speaker 1>for money. You know what the money comes, the money

0:19:56.560 --> 0:19:58.960
<v Speaker 1>comes in to make it, you know, make make my

0:19:59.720 --> 0:20:02.679
<v Speaker 1>you know, my uh my traveling from one place to

0:20:02.800 --> 0:20:06.879
<v Speaker 1>the next, and be able to handle my responsibilities done,

0:20:07.359 --> 0:20:11.840
<v Speaker 1>you know. But but playing nowadays, yeah, there was. It was.

0:20:12.200 --> 0:20:15.480
<v Speaker 1>It was a largely white audience that seemed to really

0:20:15.920 --> 0:20:18.960
<v Speaker 1>like the older music and be a part of that.

0:20:20.200 --> 0:20:22.679
<v Speaker 1>At no time, he ever, wasn't that there was no

0:20:22.800 --> 0:20:26.040
<v Speaker 1>room for anybody black in my you know, in my

0:20:26.480 --> 0:20:32.600
<v Speaker 1>crew organization, in fact, oftentimes my personal organization you know,

0:20:32.760 --> 0:20:37.679
<v Speaker 1>did have you know, at all African Americans. You your staff.

0:20:38.520 --> 0:20:41.600
<v Speaker 1>My brother was was my manager. You know, we had

0:20:41.640 --> 0:20:44.040
<v Speaker 1>two wasn't ful ladies that worked for me, you know,

0:20:44.920 --> 0:20:47.280
<v Speaker 1>you know, but I was, like I said, I don't

0:20:47.320 --> 0:20:49.679
<v Speaker 1>have I didn't have any I didn't have no problem

0:20:49.760 --> 0:20:52.600
<v Speaker 1>with with people because I came up around lots of

0:20:52.600 --> 0:20:56.359
<v Speaker 1>different ethnics, you know, and we all went to school together.

0:20:56.800 --> 0:21:01.760
<v Speaker 1>Playing music. I grew up in the Western Massachusetts. Um

0:21:01.880 --> 0:21:06.320
<v Speaker 1>you're born in New York, raised in Western Massachusetts. You know, Springfield,

0:21:06.320 --> 0:21:09.960
<v Speaker 1>Massachusetts is like maybe like well, I don't know the

0:21:10.359 --> 0:21:14.760
<v Speaker 1>terminal on the underground railroad. You know. Lots of people

0:21:15.440 --> 0:21:20.480
<v Speaker 1>had different kinds of relationships with their lives. They own homes, businesses,

0:21:21.040 --> 0:21:24.439
<v Speaker 1>you know, we're principles of schools round the police force,

0:21:25.119 --> 0:21:28.119
<v Speaker 1>you know, I mean all a lot of things that

0:21:28.160 --> 0:21:31.199
<v Speaker 1>are in other other you know, parts of the country

0:21:31.200 --> 0:21:34.760
<v Speaker 1>where you know, you gotta a force, a police force

0:21:34.800 --> 0:21:37.480
<v Speaker 1>that don't look like the people that they're they're dealing with.

0:21:37.880 --> 0:21:40.919
<v Speaker 1>You know. Where where it was with us is that, hey,

0:21:41.000 --> 0:21:43.480
<v Speaker 1>this is the neighborhood these people living, this is the

0:21:43.480 --> 0:21:46.359
<v Speaker 1>neighborhood that should be the you know, the police force

0:21:46.400 --> 0:21:49.600
<v Speaker 1>that's dealing with them, you know, and they should look

0:21:49.640 --> 0:21:52.760
<v Speaker 1>like that. So a whole lot of things I was

0:21:52.800 --> 0:21:56.600
<v Speaker 1>really surprised at. People didn't really have any ideas. You know,

0:21:56.640 --> 0:22:02.119
<v Speaker 1>my mother was college graduate from South Carolina State nineteen seven,

0:22:02.640 --> 0:22:06.360
<v Speaker 1>you know, in early childhood development. You know, my father's

0:22:06.800 --> 0:22:12.040
<v Speaker 1>Caribbean jazz pianist, composer, you know, sharp, smart guy. He

0:22:12.080 --> 0:22:15.280
<v Speaker 1>didn't he didn't go to college. But he was well read.

0:22:15.480 --> 0:22:18.440
<v Speaker 1>And the two of them, we all have some high

0:22:18.840 --> 0:22:21.240
<v Speaker 1>had the same kind of high ideals that a lot

0:22:21.280 --> 0:22:24.919
<v Speaker 1>of people in Harlem head back in those days. You know.

0:22:25.280 --> 0:22:28.680
<v Speaker 1>I mean it's only the the the ignorance of the

0:22:30.440 --> 0:22:33.560
<v Speaker 1>bulk of population at large that has no idea that

0:22:33.680 --> 0:22:44.320
<v Speaker 1>these things were going on. You know, how did your

0:22:44.400 --> 0:22:51.560
<v Speaker 1>parents meet? Savoy ballroom? Uh during the time of Ella Fitzgerald.

0:22:52.400 --> 0:22:56.040
<v Speaker 1>Ella Fitzgerald was like the hot new phenom. She was

0:22:56.080 --> 0:23:01.040
<v Speaker 1>there at the Savoy Ballroom playing with u um uh

0:23:01.160 --> 0:23:04.719
<v Speaker 1>to chick web bad. My dad was there to deliver

0:23:04.880 --> 0:23:10.280
<v Speaker 1>some um some sheet music, you know, some charts for

0:23:10.400 --> 0:23:14.639
<v Speaker 1>the band Hawker tunes that he was composing, you know,

0:23:14.840 --> 0:23:17.760
<v Speaker 1>get paid, you know. And my mother came there with

0:23:17.800 --> 0:23:21.119
<v Speaker 1>a bunch of her girlfriends to hear this incredible pheno

0:23:21.760 --> 0:23:25.080
<v Speaker 1>the Savoy Ballroom, the two of him, he saw her,

0:23:25.200 --> 0:23:29.480
<v Speaker 1>saw her. That table of women came on over, made

0:23:29.480 --> 0:23:34.520
<v Speaker 1>the pitch and here I am ah. And you see,

0:23:34.560 --> 0:23:37.720
<v Speaker 1>your mother graduated from South Carolina State in the thirties.

0:23:38.040 --> 0:23:40.439
<v Speaker 1>That was an arrow where a lot of people, white

0:23:40.640 --> 0:23:42.920
<v Speaker 1>or black didn't go to college. So what was her

0:23:42.960 --> 0:23:48.360
<v Speaker 1>family upbringing? Like her mother came to her. My grandmother

0:23:48.440 --> 0:23:50.879
<v Speaker 1>came to her marriage with two auntred acres and the phone.

0:23:52.040 --> 0:23:57.800
<v Speaker 1>My grandfather, my mother's father, was a was a farmer

0:23:57.840 --> 0:24:01.199
<v Speaker 1>in the beginning, and later later on was a tailor

0:24:01.920 --> 0:24:06.119
<v Speaker 1>and ran a great cleaning a step you know, you know,

0:24:06.240 --> 0:24:09.640
<v Speaker 1>close cleaning establishment. You know that tailored and did all

0:24:09.640 --> 0:24:12.879
<v Speaker 1>that kind of stuff. And you know, my mother was

0:24:12.920 --> 0:24:15.480
<v Speaker 1>the first one of her family to go to college,

0:24:16.320 --> 0:24:21.040
<v Speaker 1>so you know, and when she met your father in

0:24:21.160 --> 0:24:24.440
<v Speaker 1>the ballroom, what was she doing for work? Do you remember? Yes,

0:24:24.720 --> 0:24:26.760
<v Speaker 1>she was on her hands and knees and Long Island

0:24:26.840 --> 0:24:31.200
<v Speaker 1>scrubbing floors. Because of the New York State Board of Education,

0:24:31.560 --> 0:24:34.760
<v Speaker 1>I thought we didn't allow the type of education that

0:24:34.880 --> 0:24:37.760
<v Speaker 1>she had to be able to be teaching in their

0:24:37.800 --> 0:24:42.560
<v Speaker 1>school system. You know, horribly disappointed. She did only the

0:24:42.600 --> 0:24:45.560
<v Speaker 1>only thing that women were, you know, black women at

0:24:45.560 --> 0:24:48.560
<v Speaker 1>that time were thought they could do. And so she was.

0:24:48.840 --> 0:24:51.440
<v Speaker 1>She get on her train every day about the Long

0:24:51.480 --> 0:24:54.480
<v Speaker 1>Island scrimped those those floors with the lady who put

0:24:54.480 --> 0:24:57.720
<v Speaker 1>on the white gloves going along to the base board

0:24:57.760 --> 0:25:02.680
<v Speaker 1>to make sure that was no dirt. And uh, unfortunately,

0:25:03.840 --> 0:25:06.800
<v Speaker 1>in the early fifties, with a husband and five kids,

0:25:07.119 --> 0:25:09.719
<v Speaker 1>she went back to college and she got her masters

0:25:09.800 --> 0:25:13.200
<v Speaker 1>to read from Springfield College. And the reason, the reason

0:25:13.440 --> 0:25:17.040
<v Speaker 1>was always so that nobody could ever tell her again

0:25:17.480 --> 0:25:21.439
<v Speaker 1>that she didn't have enough credits or enough education to

0:25:21.480 --> 0:25:23.920
<v Speaker 1>be able to do the job she did. You know,

0:25:24.280 --> 0:25:26.320
<v Speaker 1>like I was saying, is that the town that we

0:25:26.400 --> 0:25:30.760
<v Speaker 1>grew up in. You know, we have black principles, black policemen,

0:25:31.400 --> 0:25:35.919
<v Speaker 1>you know, I mean, you name it. You know it

0:25:36.040 --> 0:25:39.399
<v Speaker 1>was and this wasn't just this was a longside of

0:25:39.560 --> 0:25:44.639
<v Speaker 1>everybody else's ethnic groupie represent you know, so you know,

0:25:44.680 --> 0:25:46.399
<v Speaker 1>it's a it's a different kind of thing when you

0:25:46.400 --> 0:25:48.680
<v Speaker 1>grow up like that. A lot of people they go

0:25:48.880 --> 0:25:50.879
<v Speaker 1>off on this side of the town. They don't know

0:25:50.880 --> 0:25:53.280
<v Speaker 1>who these people are. The only time they deal with

0:25:53.400 --> 0:25:56.080
<v Speaker 1>him is this by way or that way, you know,

0:25:56.480 --> 0:25:58.960
<v Speaker 1>so forth and so on. It wasn't that way. I

0:25:58.960 --> 0:26:02.120
<v Speaker 1>mean there's a minute that they were you know places

0:26:02.200 --> 0:26:07.000
<v Speaker 1>around that you know where people you know, um like

0:26:07.080 --> 0:26:11.480
<v Speaker 1>East long Meadow or Agaam or you know long Meadow

0:26:11.840 --> 0:26:14.800
<v Speaker 1>where you know they were very well risk. People say

0:26:15.440 --> 0:26:19.399
<v Speaker 1>out toward um Hamden, you know, a little a little

0:26:19.440 --> 0:26:25.520
<v Speaker 1>small sixteen ten three four or five six ten fifteen

0:26:25.560 --> 0:26:29.600
<v Speaker 1>sixty acre, little farmers and kids had horses and ponies

0:26:29.640 --> 0:26:33.080
<v Speaker 1>and whatnot. You know, everybody didn't go out there unless

0:26:33.119 --> 0:26:35.679
<v Speaker 1>we had something to do, you know, in that space.

0:26:36.000 --> 0:26:39.080
<v Speaker 1>But you know, yeah, she that's what she was doing,

0:26:39.560 --> 0:26:41.639
<v Speaker 1>you know she was. And she heard a bunch of

0:26:41.720 --> 0:26:45.080
<v Speaker 1>kitchen mechanics as they used to call themselves, not cooks

0:26:45.080 --> 0:26:48.719
<v Speaker 1>and waiters or whatever, you know, at all ladies at

0:26:48.760 --> 0:26:51.840
<v Speaker 1>call going out well, you know, because that was always

0:26:51.880 --> 0:26:55.119
<v Speaker 1>like the talk the talk of the town at that moment.

0:26:56.400 --> 0:26:59.960
<v Speaker 1>And then your father was from where in the career

0:27:00.000 --> 0:27:01.919
<v Speaker 1>of being and what motivated him to move to New

0:27:02.000 --> 0:27:06.399
<v Speaker 1>York St. Kitts and he was as my grandfather and grandmother. Hello,

0:27:06.800 --> 0:27:09.840
<v Speaker 1>we've had passports in our family on that side of

0:27:10.040 --> 0:27:16.000
<v Speaker 1>the of of you know, my father's side of the families.

0:27:16.080 --> 0:27:18.840
<v Speaker 1>This nineteen o two when they came up from Saint

0:27:18.880 --> 0:27:21.320
<v Speaker 1>Kitts and he was small islands down there. You know,

0:27:22.080 --> 0:27:26.440
<v Speaker 1>the the British put a stragglehold on a lot of them,

0:27:26.560 --> 0:27:30.000
<v Speaker 1>you know, so when Sugar went out, you know, you

0:27:30.119 --> 0:27:32.160
<v Speaker 1>had to find we have find other kinds of jobs

0:27:32.160 --> 0:27:36.159
<v Speaker 1>to do. My grandfather, you know, was educated in the

0:27:36.200 --> 0:27:39.680
<v Speaker 1>British system. You know, it came came to New York.

0:27:40.080 --> 0:27:42.960
<v Speaker 1>Probably my grandmother from from Saint Kitts and New York.

0:27:43.560 --> 0:27:46.239
<v Speaker 1>She was on the same thing for her. She was

0:27:46.320 --> 0:27:49.800
<v Speaker 1>as a fourteen year old girl. She you know, people

0:27:49.880 --> 0:27:53.399
<v Speaker 1>used to leave New England or wherever in the United

0:27:53.400 --> 0:27:56.679
<v Speaker 1>States and summertime go on vacation and take their wives

0:27:56.680 --> 0:27:59.800
<v Speaker 1>down to the Caribbean and they wouldn't have to cook,

0:28:00.240 --> 0:28:03.840
<v Speaker 1>wash clean or make beds and you know, give the

0:28:03.880 --> 0:28:08.840
<v Speaker 1>wife um uh vacation while he was out of hustling,

0:28:09.119 --> 0:28:12.000
<v Speaker 1>you know, after they spent the year hustling trying to

0:28:12.040 --> 0:28:14.719
<v Speaker 1>put them up with his money together, you know. And

0:28:14.760 --> 0:28:17.800
<v Speaker 1>I'm just talking about general people from the dominant culture.

0:28:18.280 --> 0:28:21.119
<v Speaker 1>So my grandmother, Uh, after a couple of years of

0:28:21.160 --> 0:28:24.240
<v Speaker 1>these folks coming down there, she and her sister were

0:28:24.280 --> 0:28:27.240
<v Speaker 1>doing all this different work for these people. She was

0:28:27.320 --> 0:28:30.919
<v Speaker 1>asked would she like to come to the States and

0:28:30.240 --> 0:28:34.919
<v Speaker 1>u and if she came to the States, she could work, uh,

0:28:35.000 --> 0:28:40.080
<v Speaker 1>work off her passage with these people. And uh so

0:28:41.160 --> 0:28:44.480
<v Speaker 1>they agree to it. She came to the States work

0:28:44.560 --> 0:28:50.760
<v Speaker 1>for these folks, and one day my grandfather, who was working, uh,

0:28:50.880 --> 0:28:53.320
<v Speaker 1>you know the same thing. He they all thought about

0:28:53.360 --> 0:28:55.560
<v Speaker 1>the United States. You know, we're wonderful to be able.

0:28:55.600 --> 0:28:58.120
<v Speaker 1>They had their kids there. You know, there'll be American

0:28:58.160 --> 0:29:03.680
<v Speaker 1>citizens and not only the grandkids, you know. So I'm

0:29:03.720 --> 0:29:08.320
<v Speaker 1>the grandkid, you know, and so and and and rightly,

0:29:08.360 --> 0:29:12.640
<v Speaker 1>so they saw how you could, you know, you use movie,

0:29:12.640 --> 0:29:17.800
<v Speaker 1>your your vision from generation to generation. So yeah, they

0:29:18.240 --> 0:29:21.160
<v Speaker 1>My grandmother was working for these people. She came up.

0:29:21.960 --> 0:29:24.400
<v Speaker 1>She was working for him. And one day the house

0:29:24.520 --> 0:29:27.760
<v Speaker 1>was hot, she's opening winness, she was dusting. She went

0:29:27.800 --> 0:29:30.320
<v Speaker 1>out on the porch. She had been making some tea

0:29:31.080 --> 0:29:32.920
<v Speaker 1>and she went out on the porch and sat there

0:29:33.000 --> 0:29:36.520
<v Speaker 1>and and it's cooling off. And a guy came by

0:29:36.560 --> 0:29:38.760
<v Speaker 1>and looked up at her and said, I know you.

0:29:39.040 --> 0:29:42.239
<v Speaker 1>You're from since kids and needles, you know, more like

0:29:42.320 --> 0:29:47.080
<v Speaker 1>I know yo you're from, saying she said, oh no,

0:29:47.160 --> 0:29:50.520
<v Speaker 1>you don't know me. He said, yeah, yeah, I see you,

0:29:50.520 --> 0:29:56.080
<v Speaker 1>ambassador aside from kidon, hear me. This, this is what

0:29:56.160 --> 0:29:58.400
<v Speaker 1>you don't know about me. You know, you don't know

0:29:58.480 --> 0:30:03.160
<v Speaker 1>my uh, the other voices that existed, you know, the

0:30:03.200 --> 0:30:06.560
<v Speaker 1>other people that are there that are you know. But anyway,

0:30:06.680 --> 0:30:10.800
<v Speaker 1>she they talked for a while, and so he said,

0:30:11.040 --> 0:30:14.240
<v Speaker 1>so you're working for these people. She said yeah. He

0:30:14.280 --> 0:30:17.440
<v Speaker 1>said well, you'll never working if you say you marry me,

0:30:17.600 --> 0:30:21.080
<v Speaker 1>you'll never work with anybody else. House what's your own? Yeah,

0:30:22.000 --> 0:30:24.720
<v Speaker 1>he came, he paid, he paid off the rest of

0:30:24.720 --> 0:30:28.840
<v Speaker 1>her dittrid situation, you know, and she never worked for

0:30:28.880 --> 0:30:32.840
<v Speaker 1>anybody else. And bore my bore you know, my my father,

0:30:33.080 --> 0:30:37.440
<v Speaker 1>my father, and my uncle's Okay, there are five kids

0:30:37.440 --> 0:30:40.520
<v Speaker 1>in the family. How many boys, how many girls? Where

0:30:40.520 --> 0:30:43.120
<v Speaker 1>are you in that hierarchy? And where are they today?

0:30:43.640 --> 0:30:47.960
<v Speaker 1>I'm nailis uh and that in that particular part of

0:30:48.000 --> 0:30:51.880
<v Speaker 1>the family. Um they allays said were two boys and

0:30:51.920 --> 0:30:55.400
<v Speaker 1>three girls. One one of the one of the boys,

0:30:55.640 --> 0:30:58.760
<v Speaker 1>and one of the girls that are deceased. There are

0:30:58.880 --> 0:31:01.240
<v Speaker 1>three of us left in that part of the family.

0:31:01.840 --> 0:31:07.640
<v Speaker 1>When my my father, unfortunately was tragically killed in nineteen

0:31:07.720 --> 0:31:12.000
<v Speaker 1>fifty four in a in an accident with some machinery

0:31:12.120 --> 0:31:15.680
<v Speaker 1>in our backyard. And a number of years later my

0:31:15.720 --> 0:31:19.680
<v Speaker 1>mother remarried to a Jamaican man who came with three kids.

0:31:19.720 --> 0:31:21.800
<v Speaker 1>So there was eight of us and then they had

0:31:21.840 --> 0:31:25.120
<v Speaker 1>one in his nine and of that, uh, see what

0:31:25.320 --> 0:31:30.640
<v Speaker 1>we got. I think they're yeah four four us, yeah,

0:31:30.680 --> 0:31:36.560
<v Speaker 1>four or passed and if five still living And I'm

0:31:36.880 --> 0:31:40.920
<v Speaker 1>I'm the eldest. Your father, he made a musician fully

0:31:40.960 --> 0:31:44.080
<v Speaker 1>as a musician or a musician was more of a hobby. No,

0:31:44.240 --> 0:31:46.720
<v Speaker 1>he was a full He was full a musician and composer.

0:31:47.360 --> 0:31:52.120
<v Speaker 1>I was able to corroborate that with Ella Fitzgerald, who

0:31:52.160 --> 0:31:56.440
<v Speaker 1>I ran into at a concert she was having and

0:31:57.040 --> 0:31:59.480
<v Speaker 1>I was in Hawaii and a friend of mine said

0:31:59.600 --> 0:32:02.520
<v Speaker 1>told me that she was there and that she was

0:32:02.920 --> 0:32:07.120
<v Speaker 1>she had somebody that was working, um the stage and said, hey,

0:32:07.560 --> 0:32:09.840
<v Speaker 1>come on in if you could be quiet, you know,

0:32:10.600 --> 0:32:15.920
<v Speaker 1>nominal disturbance, you hear the sound check. So I was definitely.

0:32:16.440 --> 0:32:20.120
<v Speaker 1>My mother used to always talk about um, them talking

0:32:20.120 --> 0:32:25.320
<v Speaker 1>about my father is as the genius genius right, so um,

0:32:25.360 --> 0:32:28.560
<v Speaker 1>you know my mother could be dramatic, you know. So

0:32:28.680 --> 0:32:31.280
<v Speaker 1>I mean I didn't say I didn't think. No, I

0:32:31.320 --> 0:32:34.240
<v Speaker 1>just didn't know I needed to improve that. There was

0:32:34.280 --> 0:32:37.120
<v Speaker 1>a year there, so finally got to go up and

0:32:37.240 --> 0:32:42.320
<v Speaker 1>meet meet Ella and I told her, you know what

0:32:42.360 --> 0:32:46.080
<v Speaker 1>my dad's name was, and she stopped and looked me

0:32:46.160 --> 0:32:50.360
<v Speaker 1>up and down. Oh my god, you are geniuses son.

0:32:50.960 --> 0:32:58.840
<v Speaker 1>And I was like, hey, mom, wherever you are, you're right. Yeah.

0:32:58.960 --> 0:33:01.120
<v Speaker 1>So how old were you when you moved from New

0:33:01.200 --> 0:33:05.480
<v Speaker 1>York City to Springfield. Oh I don't remember that movie

0:33:05.520 --> 0:33:07.520
<v Speaker 1>because I was in my mom's arms. It was about

0:33:07.520 --> 0:33:10.840
<v Speaker 1>six six months. And what kind of kids were you

0:33:10.880 --> 0:33:13.800
<v Speaker 1>growing up? Were you popular? Were you're a loner? We

0:33:13.920 --> 0:33:22.000
<v Speaker 1>got to ask sports. Uh no, you know, the sports

0:33:22.000 --> 0:33:24.760
<v Speaker 1>were really big. But a lot of times that sports

0:33:24.760 --> 0:33:27.720
<v Speaker 1>with these guys was because they didn't have a dad,

0:33:28.920 --> 0:33:32.120
<v Speaker 1>you know, so their coach became their sir, your dad.

0:33:32.200 --> 0:33:35.760
<v Speaker 1>I had a phomb, you know, we played catch, baseball,

0:33:35.800 --> 0:33:38.320
<v Speaker 1>all that kind of stuff. And they were really really

0:33:38.560 --> 0:33:41.240
<v Speaker 1>really I mean not that I didn't like the space

0:33:41.680 --> 0:33:46.600
<v Speaker 1>the sports guys, you know, um fact, just recently, well

0:33:46.600 --> 0:33:49.760
<v Speaker 1>a few years ago, before the pandemic, I ran into

0:33:49.800 --> 0:33:53.720
<v Speaker 1>Don Newcombe. You know, I remember having Don Newcomb training

0:33:53.720 --> 0:33:58.320
<v Speaker 1>guards right Don Newcomb glove you know, yeah, yeah, Nuke

0:33:58.360 --> 0:34:00.880
<v Speaker 1>got a particularly kind of glove to you know all,

0:34:01.120 --> 0:34:04.760
<v Speaker 1>you know like that. But not really, I wasn't really

0:34:04.800 --> 0:34:09.080
<v Speaker 1>really really in retrospect, I'm looking back, I'll tell you

0:34:09.120 --> 0:34:11.120
<v Speaker 1>what I would have really loved to do. I would

0:34:11.120 --> 0:34:15.600
<v Speaker 1>have loved to play rugby, I'm telling you, you know,

0:34:15.800 --> 0:34:18.040
<v Speaker 1>but it was it wasn't. It's a you know a

0:34:18.120 --> 0:34:21.080
<v Speaker 1>classic example of something that you didn't get close to

0:34:21.120 --> 0:34:24.080
<v Speaker 1>see what it was, and it had I've been more

0:34:24.200 --> 0:34:29.120
<v Speaker 1>involved in the Caribbean side of my family beyond you know,

0:34:29.239 --> 0:34:32.240
<v Speaker 1>like socially, in sports and all that kind of stuff,

0:34:32.440 --> 0:34:35.200
<v Speaker 1>because you know, we get to our baseball, which is

0:34:36.080 --> 0:34:38.960
<v Speaker 1>you know, a voice a version of cricket. You know,

0:34:39.080 --> 0:34:41.120
<v Speaker 1>you don't that you know in the in the in

0:34:41.160 --> 0:34:43.960
<v Speaker 1>the Caribbean, guys play cricket. But it wasn't only to

0:34:44.520 --> 0:34:48.160
<v Speaker 1>a grown man that I was traveling around and it

0:34:48.320 --> 0:34:51.520
<v Speaker 1>got to go to England in Australia and New Zealand

0:34:52.280 --> 0:34:55.320
<v Speaker 1>and other places where cricket is played and got a

0:34:55.400 --> 0:34:58.120
<v Speaker 1>chance to sell U see a Test match and how

0:34:58.239 --> 0:35:02.839
<v Speaker 1>this thing works, you know, and go like, okay, there's

0:35:02.880 --> 0:35:04.919
<v Speaker 1>another way. But man, I loved I would have loved

0:35:04.920 --> 0:35:08.080
<v Speaker 1>to play rugby. I just love that game. And my

0:35:08.160 --> 0:35:12.680
<v Speaker 1>favorite team is the New Zealand All Black, particularly the

0:35:12.800 --> 0:35:15.800
<v Speaker 1>team during the years when they had that guy showing

0:35:15.840 --> 0:35:20.680
<v Speaker 1>a lambo. Man. I'll never forget it that I saw

0:35:20.760 --> 0:35:24.360
<v Speaker 1>this guy going down the field. He was eighteen years

0:35:24.400 --> 0:35:27.960
<v Speaker 1>old at the time. He had three defenders, one on

0:35:27.960 --> 0:35:31.359
<v Speaker 1>one leg, one guy around the waist, and another guy

0:35:31.360 --> 0:35:33.319
<v Speaker 1>trying to hold him around the neck. And he was

0:35:33.360 --> 0:35:37.040
<v Speaker 1>just plowing down the field. I was like, Okay, that's

0:35:37.080 --> 0:35:40.480
<v Speaker 1>a game. I'm like, I like that game a lot. Anyway, No,

0:35:40.920 --> 0:35:43.160
<v Speaker 1>I was. I was a lot of fun. I was interested.

0:35:43.960 --> 0:35:46.640
<v Speaker 1>And the big thing happened for me was when my

0:35:46.640 --> 0:35:50.080
<v Speaker 1>my mother, who yes, I say her mom came to

0:35:50.120 --> 0:35:53.200
<v Speaker 1>her marriage with a farm and two hundred acres and

0:35:53.239 --> 0:35:56.000
<v Speaker 1>that was an interesting thing to find out how that

0:35:56.080 --> 0:35:59.640
<v Speaker 1>all worked in the South at that time. But my

0:35:59.719 --> 0:36:03.000
<v Speaker 1>mother knew all that stuff. She grew up knowing you know,

0:36:03.560 --> 0:36:07.200
<v Speaker 1>little Howard growth things and you know, you know, grow

0:36:07.280 --> 0:36:10.000
<v Speaker 1>up you you know, raise animals and all that kind

0:36:10.000 --> 0:36:12.880
<v Speaker 1>of stuff. And then you know, through goring to college

0:36:13.560 --> 0:36:17.799
<v Speaker 1>and sophistications, he did all those things too. But that

0:36:17.880 --> 0:36:21.480
<v Speaker 1>was on top of a real basic, solid, real woman

0:36:22.320 --> 0:36:24.960
<v Speaker 1>you know, who was he was totally accountable for everything

0:36:25.040 --> 0:36:29.719
<v Speaker 1>she was up to. And uh, you know, so you know,

0:36:29.880 --> 0:36:33.759
<v Speaker 1>all all that, all that served, all that served to

0:36:33.800 --> 0:36:36.960
<v Speaker 1>me make my life a really much You're a much

0:36:37.000 --> 0:36:39.759
<v Speaker 1>better place, you know. I mean I could go on

0:36:39.800 --> 0:36:42.040
<v Speaker 1>and on and on and on. We'll be all day

0:36:42.040 --> 0:36:46.160
<v Speaker 1>talking about it. So were you a good student? No,

0:36:46.320 --> 0:36:50.120
<v Speaker 1>not so good. Pretty good in the beginning, I say,

0:36:50.440 --> 0:36:53.560
<v Speaker 1>But after my dad passed. Uh, it was kind of

0:36:53.560 --> 0:36:58.280
<v Speaker 1>traumatized by you know what I mean, And I couldn't

0:36:58.280 --> 0:37:01.080
<v Speaker 1>think of I think it was music that got me

0:37:01.120 --> 0:37:05.399
<v Speaker 1>through it. And uh, you know, I mean it's sort

0:37:05.440 --> 0:37:08.920
<v Speaker 1>of like I go, like from the sixth grade to

0:37:09.400 --> 0:37:13.600
<v Speaker 1>the ninth grade. There's the only thing I could hear

0:37:13.640 --> 0:37:15.640
<v Speaker 1>in there. What if I look back over that time

0:37:16.200 --> 0:37:21.400
<v Speaker 1>is the music. And one thing that a teacher said

0:37:21.400 --> 0:37:25.240
<v Speaker 1>to me, not to me, said to a class, he said,

0:37:26.360 --> 0:37:28.839
<v Speaker 1>I think it was Mr. Crew and the math class.

0:37:29.239 --> 0:37:32.160
<v Speaker 1>He said, you know, and this may have been something

0:37:32.200 --> 0:37:35.480
<v Speaker 1>he was doing to try to inspire students to use

0:37:35.560 --> 0:37:40.279
<v Speaker 1>more their ability, but he said that you know, most

0:37:40.320 --> 0:37:44.200
<v Speaker 1>people never use more than ten percent of their ability

0:37:44.640 --> 0:37:49.759
<v Speaker 1>throughout their life, and and that they mostly hang out

0:37:50.200 --> 0:37:52.640
<v Speaker 1>somewhere around three and a half, five and a half

0:37:53.120 --> 0:37:57.120
<v Speaker 1>maybe six. And I was like, are you serious? I mean,

0:37:57.200 --> 0:38:00.680
<v Speaker 1>tell me there's nine out there where, only with people

0:38:00.960 --> 0:38:03.880
<v Speaker 1>who are trying to laugh at us, you know, because

0:38:03.920 --> 0:38:07.399
<v Speaker 1>who were from Africa and this is what they're dealing off. Well,

0:38:07.480 --> 0:38:09.520
<v Speaker 1>thank you very much. I'm glad to hear that kind

0:38:09.520 --> 0:38:12.680
<v Speaker 1>of information because if there's nine, then I need to

0:38:12.719 --> 0:38:14.760
<v Speaker 1>be busy and I need to never ever be worried

0:38:14.760 --> 0:38:17.560
<v Speaker 1>about these fools who want to keep you down there?

0:38:17.600 --> 0:38:20.520
<v Speaker 1>Did you start realizing that's when you have a headache,

0:38:20.840 --> 0:38:23.080
<v Speaker 1>is when you try to go there to where somebody's

0:38:23.200 --> 0:38:26.640
<v Speaker 1>level is to communicate to him, Hey, here it is

0:38:26.880 --> 0:38:29.760
<v Speaker 1>the skies, the limit. You better go for it because

0:38:30.120 --> 0:38:32.680
<v Speaker 1>all you get is all you got. You got is

0:38:32.719 --> 0:38:36.480
<v Speaker 1>all you get, you know, and this is it. So

0:38:36.560 --> 0:38:40.799
<v Speaker 1>when did you start playing an instrument? Oh? When I

0:38:40.800 --> 0:38:49.440
<v Speaker 1>started sending it, you know. Then piano came somewhere around oh,

0:38:49.480 --> 0:38:55.160
<v Speaker 1>I say, seven cades eight maybe eight years, eight years old,

0:38:56.280 --> 0:39:01.320
<v Speaker 1>and teacher told my mother, you know, said said mildier,

0:39:02.320 --> 0:39:05.200
<v Speaker 1>I wouldn't waste my money on teaching him, try and

0:39:05.239 --> 0:39:07.839
<v Speaker 1>teach him how to play pio. She said, well, why

0:39:07.960 --> 0:39:10.520
<v Speaker 1>is that? He said, because he already wants to play

0:39:10.520 --> 0:39:15.919
<v Speaker 1>boogey woogie And once they get there, there ain't nothing

0:39:15.960 --> 0:39:20.080
<v Speaker 1>you can do for, you know. So anyway, I tried

0:39:20.120 --> 0:39:25.040
<v Speaker 1>that when piano tried clearing it for a while, um

0:39:25.120 --> 0:39:32.400
<v Speaker 1>and then uh uh trombone, h harmonica m M. And

0:39:32.440 --> 0:39:37.120
<v Speaker 1>then after the tragedy and my mother remarried. My stepfather

0:39:37.239 --> 0:39:42.279
<v Speaker 1>was a Jamaican and uh he unbeknownst to me came

0:39:42.360 --> 0:39:45.319
<v Speaker 1>to the house and he hid hire a guitar, and

0:39:45.360 --> 0:39:48.160
<v Speaker 1>he was trying to learn how to play in the closet.

0:39:49.880 --> 0:39:55.280
<v Speaker 1>And one day while the parents were out um making

0:39:55.400 --> 0:40:00.759
<v Speaker 1>market or shopping. Um well, I I was put in

0:40:00.840 --> 0:40:04.040
<v Speaker 1>charge of of the of the kids in the house

0:40:04.880 --> 0:40:07.759
<v Speaker 1>and so keep them busy. We were playing a great

0:40:07.800 --> 0:40:11.080
<v Speaker 1>game with hide and seek, and I hid in in

0:40:11.239 --> 0:40:16.319
<v Speaker 1>the hall clock clothes closet, coat closet and got way

0:40:16.320 --> 0:40:18.560
<v Speaker 1>back in there. Because it had the way it was

0:40:18.600 --> 0:40:20.399
<v Speaker 1>set up and built in the house, you could get

0:40:20.880 --> 0:40:24.160
<v Speaker 1>way back in the closet and even people moved the clothing,

0:40:24.200 --> 0:40:26.799
<v Speaker 1>they couldn't see you. So I moved back in there

0:40:26.800 --> 0:40:29.759
<v Speaker 1>and scooched way back in there, only to have my

0:40:29.840 --> 0:40:33.959
<v Speaker 1>back go up against this critics curves. My eyes open wined,

0:40:34.000 --> 0:40:38.160
<v Speaker 1>and go like, what what is this? You know, the

0:40:38.200 --> 0:40:40.880
<v Speaker 1>only thing that could be is is an instrument. So

0:40:41.239 --> 0:40:43.279
<v Speaker 1>I pulled the thing out. Oh my god, he's an

0:40:43.400 --> 0:40:46.880
<v Speaker 1>arch top de Ol silver tone. I think it was

0:40:46.960 --> 0:40:53.799
<v Speaker 1>guitar tobacco sunburst, you know, tobacco color was sunburst, you know,

0:40:53.960 --> 0:41:00.120
<v Speaker 1>and all game over. You know, they can stay out

0:41:00.120 --> 0:41:03.920
<v Speaker 1>there forever. I didn't. I didn't even connect I couldn't

0:41:03.960 --> 0:41:06.640
<v Speaker 1>believe it, you know. And then I took it out

0:41:06.640 --> 0:41:10.240
<v Speaker 1>of the case and there was a doorway across from

0:41:09.680 --> 0:41:13.360
<v Speaker 1>the three ways three way. It was like, this is

0:41:13.400 --> 0:41:16.239
<v Speaker 1>the closet door, This is the door to the dining room,

0:41:16.560 --> 0:41:19.120
<v Speaker 1>This is the door to the placement. I go in

0:41:19.160 --> 0:41:22.040
<v Speaker 1>there and pull that door closed and to put this

0:41:22.120 --> 0:41:24.920
<v Speaker 1>thing out, and I could hear guitar music in my head.

0:41:25.280 --> 0:41:28.560
<v Speaker 1>I knew that they were doing something. There's some Spanish music.

0:41:28.840 --> 0:41:31.799
<v Speaker 1>Blah blah blah blah blah blah blah blah blah. You know,

0:41:31.960 --> 0:41:34.319
<v Speaker 1>you heard the different things. But how did they make

0:41:34.400 --> 0:41:37.240
<v Speaker 1>music out of this system? I couldn't figure it out.

0:41:37.719 --> 0:41:40.960
<v Speaker 1>And so I would, you know, break the teeth out

0:41:40.960 --> 0:41:43.799
<v Speaker 1>of my mother's old combs, you know, and try to

0:41:43.960 --> 0:41:46.279
<v Speaker 1>I knew that they used some kind of pick that

0:41:46.480 --> 0:41:50.240
<v Speaker 1>much I did fingers, you know, chords. I don't know nothing,

0:41:51.040 --> 0:41:58.520
<v Speaker 1>and so yeah, so I would go into that cellar

0:41:58.600 --> 0:42:02.360
<v Speaker 1>door led down to the basement and sit there. And

0:42:02.480 --> 0:42:06.200
<v Speaker 1>one day I'm sitting there totally spaced out over the

0:42:06.239 --> 0:42:09.719
<v Speaker 1>door opens up. My stepfather says, well, I see you

0:42:09.880 --> 0:42:14.719
<v Speaker 1>phoned it. And he never he never challenged me to

0:42:14.880 --> 0:42:18.759
<v Speaker 1>put this thing back. It's it's is, don't touch it,

0:42:19.160 --> 0:42:23.840
<v Speaker 1>leave it alone, don't leave the house with it. Never hasslee.

0:42:24.880 --> 0:42:27.640
<v Speaker 1>And then you know, I mean, I mean you talk

0:42:27.680 --> 0:42:30.720
<v Speaker 1>about luck. This is why I stay on my purpose

0:42:31.120 --> 0:42:37.319
<v Speaker 1>because you know, it's a gift from your ancestors, you know,

0:42:37.920 --> 0:42:42.160
<v Speaker 1>when they send you here, you know, to do your work.

0:42:43.000 --> 0:42:45.919
<v Speaker 1>And most people don't think that way, and that's too bad.

0:42:46.600 --> 0:42:50.280
<v Speaker 1>They have another guind of life, maybe worse than them.

0:42:50.480 --> 0:42:55.080
<v Speaker 1>What works for me is that certain things that'll happen.

0:42:55.280 --> 0:42:59.800
<v Speaker 1>My next door neighbor moved in his brother, older brother

0:42:59.840 --> 0:43:03.680
<v Speaker 1>and sister in law. We're friends of my dad's and

0:43:03.760 --> 0:43:08.799
<v Speaker 1>my mom's, you know, and he moved in next door.

0:43:08.840 --> 0:43:11.440
<v Speaker 1>He and his younger broke. Then next story was family

0:43:11.440 --> 0:43:17.480
<v Speaker 1>and fourteen from North Carolina, Lynn Perry, Lynn, Lynn Winner

0:43:17.520 --> 0:43:21.560
<v Speaker 1>and Leonard Perry. We used to call them Lynwood. The

0:43:21.640 --> 0:43:25.960
<v Speaker 1>man can play guitar, yea, no one can play guitar.

0:43:26.400 --> 0:43:30.960
<v Speaker 1>He played that really route beautiful blues guitar from down

0:43:31.000 --> 0:43:36.919
<v Speaker 1>there and in North Carolina. And you know, over the fence.

0:43:37.040 --> 0:43:42.000
<v Speaker 1>One day we just started talking, you know, and you know,

0:43:42.120 --> 0:43:46.399
<v Speaker 1>boys bragging, oto bragging, Well what you do well, man,

0:43:46.520 --> 0:43:50.560
<v Speaker 1>I do this, well? What about you. I do that. Well,

0:43:50.640 --> 0:43:53.320
<v Speaker 1>you got a bicycle, Yeah, I got a wheel. You

0:43:53.440 --> 0:43:58.439
<v Speaker 1>know I got a wheel too. You know. You play baseball, Yeah,

0:43:58.440 --> 0:44:02.600
<v Speaker 1>I get here, I catch well. Oh yeah, you got

0:44:02.600 --> 0:44:05.960
<v Speaker 1>a glove. Yeah, I gotta glove. You got a ball, yeah,

0:44:06.000 --> 0:44:07.600
<v Speaker 1>well I got a batman. I got a glove with.

0:44:07.760 --> 0:44:11.319
<v Speaker 1>Sometimes we're going down the lockdown streets. Then you hit

0:44:11.400 --> 0:44:13.359
<v Speaker 1>something to me, I hit something to you. You know,

0:44:13.360 --> 0:44:16.960
<v Speaker 1>blah blah blah. You play marbles, yeah, so far he saw.

0:44:17.320 --> 0:44:20.960
<v Speaker 1>Well I play guitar. This is what he says. And

0:44:21.040 --> 0:44:24.319
<v Speaker 1>I said, well, I gotta guitar. He said, well, let

0:44:24.320 --> 0:44:26.439
<v Speaker 1>me see that guitar. So I went in the house

0:44:26.480 --> 0:44:29.600
<v Speaker 1>and brought it out, you know. And he looked at

0:44:29.640 --> 0:44:32.759
<v Speaker 1>me and said, you got a pair of flies. And

0:44:32.800 --> 0:44:35.720
<v Speaker 1>I said yeah, so we've got a pair of flies.

0:44:36.320 --> 0:44:41.000
<v Speaker 1>And he unwinds the wound g string and then he

0:44:41.080 --> 0:44:43.840
<v Speaker 1>proceeds to take it all the winding off the string,

0:44:44.480 --> 0:44:46.160
<v Speaker 1>and he listen to me. He said, that is how

0:44:46.200 --> 0:44:51.160
<v Speaker 1>you make it talk. Okay, that's the next door. His

0:44:51.320 --> 0:44:56.439
<v Speaker 1>brother in law was Arthur big boy credits. Yeah next door,

0:44:57.080 --> 0:45:02.080
<v Speaker 1>I mean, okay, Oh as good as that, guess. Mississippi

0:45:02.080 --> 0:45:05.120
<v Speaker 1>still comes in down the block and around the corner,

0:45:05.680 --> 0:45:08.600
<v Speaker 1>you know, was the Nichols family, and you would not

0:45:08.719 --> 0:45:13.640
<v Speaker 1>even believe they were from stove All Plantation, Mississippi. Okay.

0:45:13.920 --> 0:45:16.359
<v Speaker 1>So I could literally go up the street and here

0:45:16.360 --> 0:45:21.800
<v Speaker 1>here Junior Nichols or Ernest Ernest with a guitar player.

0:45:22.520 --> 0:45:25.840
<v Speaker 1>Junior could play something, but Ernest set up and play

0:45:25.880 --> 0:45:29.800
<v Speaker 1>boogie schilling like he was John Lee Oker, you know.

0:45:30.440 --> 0:45:33.880
<v Speaker 1>And this was and not only that Ernest was Ernest

0:45:33.920 --> 0:45:40.200
<v Speaker 1>was Jake a car radio, a battery and Jerry rig

0:45:40.280 --> 0:45:44.200
<v Speaker 1>D speech speakers, and he'd have an amplifier, you know,

0:45:44.560 --> 0:45:48.160
<v Speaker 1>con turned up around, turned down cock, I mean, had

0:45:48.200 --> 0:45:51.040
<v Speaker 1>great song and he became a really a really a

0:45:51.040 --> 0:45:55.120
<v Speaker 1>great guitar player. He's no longer with us, Yeah, and

0:45:55.200 --> 0:45:58.640
<v Speaker 1>neither is Lynn Perry. But those two guys, you know,

0:45:58.800 --> 0:46:03.120
<v Speaker 1>mostly Lynn, you know, give me my initiation into the

0:46:03.200 --> 0:46:06.640
<v Speaker 1>music that I love. I love was I was love

0:46:06.760 --> 0:46:10.319
<v Speaker 1>Jimmy Read Love Love Love Love Jimmy Read. I canna

0:46:10.320 --> 0:46:15.200
<v Speaker 1>play that music, you know forever, still their songs of his.

0:46:15.600 --> 0:46:19.040
<v Speaker 1>I still want to play workout with the band, y know,

0:46:19.920 --> 0:46:24.160
<v Speaker 1>amongst them, as like to call Little Ray. I never

0:46:24.200 --> 0:46:26.760
<v Speaker 1>you know, I think I think only the last Bose

0:46:26.800 --> 0:46:31.200
<v Speaker 1>album that um Mick Jagger and them guys did. They

0:46:31.320 --> 0:46:35.920
<v Speaker 1>did little Ray hard tune to do before, as simple

0:46:35.960 --> 0:46:38.839
<v Speaker 1>as it is. But yeah, you know, so I got

0:46:38.840 --> 0:46:42.560
<v Speaker 1>to play guitar and you know, doing this and singing

0:46:42.600 --> 0:46:45.640
<v Speaker 1>with little singing groups and whatnot. You know, I think

0:46:45.640 --> 0:46:48.399
<v Speaker 1>the big you know, and listening to lots of music. Yeah,

0:46:48.880 --> 0:46:51.480
<v Speaker 1>you know, all this is coming on. Not that I

0:46:51.560 --> 0:46:55.000
<v Speaker 1>knew what their name was, but the Weavers with Goodnight Irene,

0:46:55.440 --> 0:46:59.840
<v Speaker 1>you know, the Terriers, y know, the all these different

0:47:00.040 --> 0:47:04.400
<v Speaker 1>and you know, Harry Belafonte big in our house, you know,

0:47:04.960 --> 0:47:10.719
<v Speaker 1>because so stepfather bringing you know, Mento, you know, and

0:47:10.800 --> 0:47:13.440
<v Speaker 1>all those kinds of music. You know, there were Trinity

0:47:13.480 --> 0:47:17.200
<v Speaker 1>Dadiens in our town, you know, people from Auckland, you know,

0:47:17.320 --> 0:47:20.960
<v Speaker 1>Puerto Rico, Cuba. You know. So it was a lot.

0:47:21.320 --> 0:47:23.240
<v Speaker 1>There was a lot to listen to, a lot to feel,

0:47:23.960 --> 0:47:27.920
<v Speaker 1>you know. But I felt really strong about the blues,

0:47:28.360 --> 0:47:31.359
<v Speaker 1>you know what I mean, represented decide that my mother

0:47:31.440 --> 0:47:42.759
<v Speaker 1>game bro you know South. So did you play out

0:47:42.840 --> 0:47:44.360
<v Speaker 1>when you were in high school or was it just

0:47:44.400 --> 0:47:47.560
<v Speaker 1>a hobby? No? I never was a hobby. I mean,

0:47:48.560 --> 0:47:55.120
<v Speaker 1>um uh no, not not too not too much, not

0:47:55.239 --> 0:47:57.279
<v Speaker 1>too much fun. I mean, I think we said we

0:47:57.320 --> 0:47:59.920
<v Speaker 1>had some more singing groups. Was out playing get to

0:48:00.160 --> 0:48:02.640
<v Speaker 1>For me, it was like a personal thing, you know,

0:48:02.920 --> 0:48:05.879
<v Speaker 1>not even a hobby, but something that I was trying

0:48:05.960 --> 0:48:09.239
<v Speaker 1>to find where that where you where you where the

0:48:09.320 --> 0:48:12.880
<v Speaker 1>line was that you could continue, know, just get in

0:48:12.920 --> 0:48:17.000
<v Speaker 1>there and get involved and be continue to move forward,

0:48:17.239 --> 0:48:23.560
<v Speaker 1>you know. And I'd say that one of the big

0:48:23.600 --> 0:48:27.440
<v Speaker 1>one of the big moves came uh when I was

0:48:27.520 --> 0:48:30.200
<v Speaker 1>you know, I studied, I studied uh cat of my

0:48:30.360 --> 0:48:35.120
<v Speaker 1>husbandry and minor inventionary science and achronomy when I had

0:48:35.200 --> 0:48:38.880
<v Speaker 1>dairy technology when I went to the un University of Massachusetts.

0:48:39.200 --> 0:48:42.040
<v Speaker 1>And I also had three years from tenth grade to

0:48:42.080 --> 0:48:46.400
<v Speaker 1>the twelfth cade in vocational and agriculture high school classes.

0:48:47.120 --> 0:48:49.840
<v Speaker 1>So you know, I had I had a different balance

0:48:50.280 --> 0:48:52.480
<v Speaker 1>than a lot of the other kids. Did you know.

0:48:52.560 --> 0:48:54.920
<v Speaker 1>We didn't have to be in school until the crops

0:48:54.920 --> 0:48:59.440
<v Speaker 1>were in, like say early late late October, early November,

0:49:00.000 --> 0:49:08.560
<v Speaker 1>and we got out of school um uh in March,

0:49:08.920 --> 0:49:12.360
<v Speaker 1>so you start plowing preparing the lands. I like that

0:49:12.440 --> 0:49:15.920
<v Speaker 1>a lot. Three months whintos off of him April, May

0:49:15.920 --> 0:49:20.960
<v Speaker 1>and June, you know, with off of the year or

0:49:21.000 --> 0:49:26.279
<v Speaker 1>maybe this September October anyway, so you didn't have to

0:49:26.280 --> 0:49:28.399
<v Speaker 1>go to school that much, maybe a little bit over

0:49:28.480 --> 0:49:31.040
<v Speaker 1>four months a year. I love that. In the rest

0:49:31.080 --> 0:49:34.400
<v Speaker 1>of the time, you know, you're out on tractors around

0:49:34.440 --> 0:49:37.520
<v Speaker 1>the animals up in the country. You know, I'm a

0:49:37.600 --> 0:49:40.040
<v Speaker 1>gonna say something about my my mom and dad. Probably

0:49:40.000 --> 0:49:43.120
<v Speaker 1>the thing that really let me out to the country

0:49:43.120 --> 0:49:45.160
<v Speaker 1>a lot was that my dad used to take my

0:49:45.200 --> 0:49:48.239
<v Speaker 1>mom out to the country and there and we all

0:49:48.280 --> 0:49:51.000
<v Speaker 1>go take driving the country, you know, you leave out

0:49:51.040 --> 0:49:54.600
<v Speaker 1>and they all of a sudden everything opened up, spaces

0:49:54.640 --> 0:50:00.440
<v Speaker 1>opened up, more room between farms, you know, gardens, you know, vegetables, hands.

0:50:01.040 --> 0:50:03.880
<v Speaker 1>You know. My mother would go out and they buy big,

0:50:04.400 --> 0:50:09.800
<v Speaker 1>big push your baskets and create some corn and beans

0:50:09.840 --> 0:50:12.799
<v Speaker 1>and all that. And she come back and and we

0:50:12.960 --> 0:50:17.520
<v Speaker 1>help her, you know, put you know, snap the beans

0:50:17.600 --> 0:50:21.359
<v Speaker 1>and do this and help her prepare stuff. And she

0:50:21.440 --> 0:50:25.479
<v Speaker 1>had she put a lot of you know, food up

0:50:25.520 --> 0:50:27.440
<v Speaker 1>for the weather she can't, did a lot of cannon

0:50:27.480 --> 0:50:30.560
<v Speaker 1>and made jellies, and you know, that's that kind of

0:50:30.560 --> 0:50:33.320
<v Speaker 1>stuff where I want, I wanted just just a wonderful

0:50:33.320 --> 0:50:36.840
<v Speaker 1>person in terms of you know, nourishing. Her family had

0:50:37.000 --> 0:50:42.480
<v Speaker 1>had a really you know, positive and and delectable level,

0:50:42.960 --> 0:50:48.080
<v Speaker 1>you know. And in fact, I remember sixteen when I

0:50:48.120 --> 0:50:51.080
<v Speaker 1>started to work and go other places. So I had

0:50:51.120 --> 0:50:54.520
<v Speaker 1>to really tell myself, now, you know, you're not gonna

0:50:54.560 --> 0:50:57.000
<v Speaker 1>find it like like you got it here at all

0:50:57.080 --> 0:51:02.960
<v Speaker 1>everyone else, So you know, just just be nice and

0:51:03.120 --> 0:51:05.560
<v Speaker 1>enjoy which eat what you can eat. You eat what

0:51:05.640 --> 0:51:08.520
<v Speaker 1>you what you like. So did you want to go

0:51:08.560 --> 0:51:11.560
<v Speaker 1>to college or family said you should go to college?

0:51:11.560 --> 0:51:14.440
<v Speaker 1>And how did you end up studying agriculture? Was that

0:51:14.560 --> 0:51:16.719
<v Speaker 1>just something you picked? You said, no, I want to

0:51:16.760 --> 0:51:20.160
<v Speaker 1>be a farmer? Mm hmm. I looked at it from

0:51:20.160 --> 0:51:25.280
<v Speaker 1>the point answer accept with different questions evolved about farming.

0:51:26.320 --> 0:51:33.120
<v Speaker 1>I saw that African people and and our most cultural

0:51:33.520 --> 0:51:41.640
<v Speaker 1>situation agriculture. Music. Agriculture was one of the reasons that

0:51:41.680 --> 0:51:45.240
<v Speaker 1>we were in the Western hemisphere. This is why people

0:51:45.280 --> 0:51:48.799
<v Speaker 1>picked us to be here. Music was something that we

0:51:48.880 --> 0:51:51.680
<v Speaker 1>brought along with us, which is what we did. And

0:51:51.719 --> 0:51:55.400
<v Speaker 1>that was the old impact I was telling you know,

0:51:55.960 --> 0:52:00.520
<v Speaker 1>the hard drive was erased, but some people do enough

0:52:00.840 --> 0:52:04.239
<v Speaker 1>to tell their children about who they were before the

0:52:04.280 --> 0:52:07.360
<v Speaker 1>hard drive got raised. For most people, so I was

0:52:07.400 --> 0:52:12.960
<v Speaker 1>aware of myself and and my dad had worked, and

0:52:13.120 --> 0:52:16.279
<v Speaker 1>part of the reason that we lost him was that

0:52:16.680 --> 0:52:20.719
<v Speaker 1>he was the type of person that stood up. I

0:52:20.719 --> 0:52:23.640
<v Speaker 1>didn't care what the consequences was. This might have been

0:52:23.640 --> 0:52:26.480
<v Speaker 1>a better place where he could have going along to

0:52:26.520 --> 0:52:30.759
<v Speaker 1>get along, but on principal he couldn't do it, and

0:52:30.800 --> 0:52:34.759
<v Speaker 1>that wasn't who he was. Stood up they fired him.

0:52:34.800 --> 0:52:38.960
<v Speaker 1>He was working on trying to um create a h

0:52:41.440 --> 0:52:43.080
<v Speaker 1>what do you want to call? You want to create

0:52:43.120 --> 0:52:46.440
<v Speaker 1>a his own business, independent business. You wanted to have

0:52:46.520 --> 0:52:49.360
<v Speaker 1>a contracting business. That's why I had have you have

0:52:49.520 --> 0:52:54.360
<v Speaker 1>you equipment around the stuff that busually you know, um,

0:52:54.400 --> 0:52:58.399
<v Speaker 1>you know, cause his demand and those are the kind

0:52:58.400 --> 0:53:01.960
<v Speaker 1>of energies that were passed to me about, you know,

0:53:02.400 --> 0:53:08.480
<v Speaker 1>being independent and doing anything. But the knowledge that you know,

0:53:09.760 --> 0:53:13.480
<v Speaker 1>music was something that we did. We used use it

0:53:13.520 --> 0:53:16.600
<v Speaker 1>to make our our long walks go, our work go,

0:53:17.000 --> 0:53:19.759
<v Speaker 1>all of those things. None of this was lost on

0:53:20.120 --> 0:53:23.640
<v Speaker 1>the colonialists, you know, none of this was lost on

0:53:23.800 --> 0:53:28.239
<v Speaker 1>the dominant culture who was building building themselves up, you know,

0:53:28.600 --> 0:53:32.560
<v Speaker 1>the Western hemisphere, you know. So but for me, knowing

0:53:32.640 --> 0:53:37.560
<v Speaker 1>that these things were, we're something that we were predisposed to.

0:53:38.400 --> 0:53:41.680
<v Speaker 1>At first, I wasn't interested in going to college. I

0:53:41.719 --> 0:53:46.279
<v Speaker 1>felt I could go to the um the elders and

0:53:47.920 --> 0:53:52.839
<v Speaker 1>I could, um, you know, learned from them. But then

0:53:52.960 --> 0:53:55.200
<v Speaker 1>something came across my mind said, well, wait a minute,

0:53:55.840 --> 0:54:00.319
<v Speaker 1>maybe there's something here that you might be able to use.

0:54:00.840 --> 0:54:03.879
<v Speaker 1>And why while you're young And as my mother used

0:54:03.920 --> 0:54:07.080
<v Speaker 1>to say, father used to say, you don't have child

0:54:07.200 --> 0:54:10.920
<v Speaker 1>nor chick. You know what, you know, you it might

0:54:10.960 --> 0:54:14.359
<v Speaker 1>get smart thing to go and do this college thing.

0:54:14.760 --> 0:54:18.719
<v Speaker 1>And and then you know, by that time, my stepfather

0:54:19.280 --> 0:54:21.279
<v Speaker 1>was saying that I look because I said I didn't.

0:54:21.320 --> 0:54:25.279
<v Speaker 1>I wasn't interested in Lord and and not on yet,

0:54:25.840 --> 0:54:28.359
<v Speaker 1>I was not interested in Gordon for what it was

0:54:28.360 --> 0:54:31.440
<v Speaker 1>that they wanted me to go for, you know, not

0:54:31.600 --> 0:54:34.000
<v Speaker 1>that they did anything that, but I was just saying

0:54:34.040 --> 0:54:37.239
<v Speaker 1>that if I'm gonna go, it's gonna be one I

0:54:37.280 --> 0:54:41.200
<v Speaker 1>want to go for, you know. And uh So by

0:54:41.239 --> 0:54:45.840
<v Speaker 1>that point in time, um, I had made a decision.

0:54:45.960 --> 0:54:48.440
<v Speaker 1>I think between the seventh and the ninth grade to

0:54:48.600 --> 0:54:52.360
<v Speaker 1>the eighth grade I made and ask about, you know,

0:54:52.440 --> 0:54:58.240
<v Speaker 1>wanting to go to a vocation agriculture school. And they said, hey,

0:54:58.239 --> 0:55:02.240
<v Speaker 1>well you asked the eighth grade in the ninth grade,

0:55:02.320 --> 0:55:04.799
<v Speaker 1>you still want to do it. Well, we'll work on that,

0:55:05.320 --> 0:55:08.640
<v Speaker 1>and they did, and I didn't get to go. And

0:55:08.920 --> 0:55:13.719
<v Speaker 1>but now I'm going to college. And you know, my

0:55:13.880 --> 0:55:17.680
<v Speaker 1>idea was that, you know these two things, music in agriculture.

0:55:17.960 --> 0:55:21.839
<v Speaker 1>People are never gonna never gonna not have it, never

0:55:21.880 --> 0:55:24.279
<v Speaker 1>gonna not use it, never never gonna be a part

0:55:24.280 --> 0:55:26.680
<v Speaker 1>of it. And you don't like today it'd be you

0:55:26.920 --> 0:55:32.240
<v Speaker 1>raise organic vegetables, organic meats, you or you know, fruits,

0:55:33.040 --> 0:55:37.080
<v Speaker 1>you know, all those kind of things. You know, some

0:55:37.160 --> 0:55:40.080
<v Speaker 1>of the information about this with things that she'd find

0:55:40.120 --> 0:55:44.840
<v Speaker 1>out back in those days, you know. And so yeah,

0:55:45.160 --> 0:55:48.239
<v Speaker 1>you know that I figured that, hey, either I could

0:55:48.239 --> 0:55:52.760
<v Speaker 1>make a living, you know, being in agriculture, play music

0:55:52.800 --> 0:55:55.880
<v Speaker 1>on the weekend, make a living in music, and maybe

0:55:56.080 --> 0:55:59.880
<v Speaker 1>by myself a farm. You know. I just was like

0:56:00.000 --> 0:56:03.760
<v Speaker 1>it was important to me to be my own boss

0:56:04.840 --> 0:56:09.000
<v Speaker 1>and to be independent, made my own decision. So you're

0:56:09.040 --> 0:56:14.160
<v Speaker 1>going to you Massey Amhurst in the sixties, relatively early sixties,

0:56:14.480 --> 0:56:18.160
<v Speaker 1>but it's still a turbulent time. The folks scene is happening.

0:56:18.760 --> 0:56:21.240
<v Speaker 1>What was it like in college? And you also started

0:56:21.280 --> 0:56:26.040
<v Speaker 1>to play out when you were in college for money, right, Yeah,

0:56:26.080 --> 0:56:27.880
<v Speaker 1>we did a little bit of that before, but it

0:56:28.040 --> 0:56:32.560
<v Speaker 1>was only mostly like kind of do up, you know,

0:56:34.120 --> 0:56:37.279
<v Speaker 1>you're not kind of like four or five musicians of

0:56:37.360 --> 0:56:40.520
<v Speaker 1>the band, you know, a group of singing, maybe out

0:56:40.520 --> 0:56:43.680
<v Speaker 1>of piano player, maybe one of the guys playing guitar.

0:56:44.000 --> 0:56:49.000
<v Speaker 1>You know, you know I did that, But yeah, I

0:56:49.080 --> 0:56:53.200
<v Speaker 1>didn't really start playing off. I started playing out mostly

0:56:53.239 --> 0:57:00.719
<v Speaker 1>in the in the college set, you know, smith Hammer's College, Um,

0:57:00.960 --> 0:57:05.359
<v Speaker 1>rinsel Ere, uh code you know, I'm not cool game

0:57:06.320 --> 0:57:17.360
<v Speaker 1>cornell Um, Dartmouth Jops, you know u UM, you know Live,

0:57:17.520 --> 0:57:21.800
<v Speaker 1>you know, University of Vermont, you know a lot of

0:57:21.840 --> 0:57:28.800
<v Speaker 1>different prep schools. You know, how are you getting the gigs? Oh,

0:57:28.880 --> 0:57:32.240
<v Speaker 1>it's really cool. We had um there was a band

0:57:32.800 --> 0:57:39.840
<v Speaker 1>called the Lectures and it was to rock and Wayne

0:57:39.840 --> 0:57:48.040
<v Speaker 1>Elliott and a guy named Marcel Crudel and uh piano

0:57:48.200 --> 0:57:53.120
<v Speaker 1>player damn e is that guy's name? He was Steve.

0:57:53.520 --> 0:57:56.720
<v Speaker 1>I don't know Steve's last name. Then there was a

0:57:56.880 --> 0:58:04.920
<v Speaker 1>saxophone player named Ray a sueser and um a drummer

0:58:05.000 --> 0:58:12.320
<v Speaker 1>named Don Littlefield who was a business major and Don um. Oh,

0:58:12.480 --> 0:58:14.440
<v Speaker 1>and then they had a singer I cannot think of

0:58:14.520 --> 0:58:18.240
<v Speaker 1>win his name was. He flunked out. So I was

0:58:18.320 --> 0:58:21.400
<v Speaker 1>up in the music room met fiddling around with the piano,

0:58:21.960 --> 0:58:24.200
<v Speaker 1>and by then, you know, a bunch of us and

0:58:24.880 --> 0:58:28.240
<v Speaker 1>bumped into one another on campus, found out who likes

0:58:28.280 --> 0:58:33.080
<v Speaker 1>to play music? Who I'm played? You know, we we

0:58:33.760 --> 0:58:35.760
<v Speaker 1>have a couple of times. This is when first cut

0:58:35.840 --> 0:58:39.200
<v Speaker 1>on campus. A bunchet us got together and the girls

0:58:39.200 --> 0:58:42.280
<v Speaker 1>had to be in I think by seven o'clock, six

0:58:42.320 --> 0:58:46.000
<v Speaker 1>o'clock and no visitors in a dorman. They were set

0:58:46.080 --> 0:58:49.640
<v Speaker 1>up in a kind of a natural campa theater. There's

0:58:49.720 --> 0:58:53.880
<v Speaker 1>tour I think there's two four four or six you

0:58:53.920 --> 0:58:59.000
<v Speaker 1>know blocks um dormitories for the girls. And so a

0:58:59.000 --> 0:59:01.440
<v Speaker 1>bunch of us would get out there with bongos and

0:59:01.560 --> 0:59:07.800
<v Speaker 1>guitars and corn monicas and mandolin's and fiddles and you know,

0:59:08.080 --> 0:59:10.520
<v Speaker 1>call a tune and play it and you know kind

0:59:10.520 --> 0:59:15.880
<v Speaker 1>of like entertain you know. But they had a music

0:59:15.960 --> 0:59:19.080
<v Speaker 1>room that had three pianos in it, so I was

0:59:19.200 --> 0:59:21.680
<v Speaker 1>I had to figure that got a piano here, got

0:59:21.720 --> 0:59:23.800
<v Speaker 1>a lot of time to really kind of work on

0:59:23.840 --> 0:59:26.600
<v Speaker 1>some of these tunes. So by then some guys that

0:59:26.720 --> 0:59:31.280
<v Speaker 1>see me around playing and this, uh, this guy Don Littlefield,

0:59:31.680 --> 0:59:36.440
<v Speaker 1>the the drummer and business major, came in and said, hey,

0:59:36.800 --> 0:59:39.680
<v Speaker 1>I mean I hear you you you're you're a singer,

0:59:40.360 --> 0:59:43.720
<v Speaker 1>and I said, well, sing a little bit and play.

0:59:44.240 --> 0:59:48.160
<v Speaker 1>He said, well, look, our our lead singer flumped out

0:59:48.240 --> 0:59:53.040
<v Speaker 1>this semester. You know, we've got some gigs. You know, um,

0:59:53.160 --> 0:59:56.120
<v Speaker 1>maybe you can come down and we could play something together,

0:59:56.720 --> 0:59:59.320
<v Speaker 1>you know. So I, you know, dressed up and came

0:59:59.320 --> 1:00:03.960
<v Speaker 1>down to this fraternity house. And it was kind of

1:00:04.000 --> 1:00:07.440
<v Speaker 1>hard for me to play with you know, two guitars

1:00:08.160 --> 1:00:13.800
<v Speaker 1>and no bass, piano player, saxophone, and a drummer. I

1:00:13.840 --> 1:00:16.200
<v Speaker 1>had not really heard that kind of music where you

1:00:16.240 --> 1:00:19.360
<v Speaker 1>didn't you didn't have a drum Well that's not true.

1:00:19.720 --> 1:00:22.920
<v Speaker 1>That can go without a drummer, but that music that

1:00:22.920 --> 1:00:25.680
<v Speaker 1>they were trying to play definitely needed a drummer in it.

1:00:26.520 --> 1:00:29.880
<v Speaker 1>But and the bass player. I'm not a drummer, but

1:00:30.040 --> 1:00:33.000
<v Speaker 1>a bass player. That was what was missing. And so

1:00:33.440 --> 1:00:38.880
<v Speaker 1>you know, they, uh, I came down there. So then

1:00:38.880 --> 1:00:42.280
<v Speaker 1>I started making started bringing all the material that I

1:00:42.360 --> 1:00:45.479
<v Speaker 1>knew that they didn't know, all this R and D

1:00:45.520 --> 1:00:55.120
<v Speaker 1>and you know, oh jump blues, and they then I said,

1:00:55.160 --> 1:00:57.840
<v Speaker 1>you know what, we need a bass player. And they

1:00:57.880 --> 1:01:01.040
<v Speaker 1>found this guy, Jack brand Well. I didn't think much

1:01:01.040 --> 1:01:04.760
<v Speaker 1>of him at first had terrible sounding bass, and so

1:01:04.920 --> 1:01:08.160
<v Speaker 1>then oh just terrible. It's okay, I mean it could

1:01:08.160 --> 1:01:10.360
<v Speaker 1>have sounded good. What you needed to take it to

1:01:10.520 --> 1:01:13.760
<v Speaker 1>Louthier and have the next straight now and you know

1:01:13.880 --> 1:01:17.440
<v Speaker 1>the things set up on it. Um. But anyway, I

1:01:17.560 --> 1:01:20.480
<v Speaker 1>suggested to those guys they needed to get some Fender,

1:01:21.000 --> 1:01:25.919
<v Speaker 1>some Fender guitars, you know. And so eventually we put

1:01:25.960 --> 1:01:28.720
<v Speaker 1>together a kiddy with you know, the gigs that we

1:01:28.760 --> 1:01:33.520
<v Speaker 1>were making, and Marcel bought a Fender guitar and Bay

1:01:33.680 --> 1:01:37.320
<v Speaker 1>and amp and Jack Moran bought a Fender bass. Bam.

1:01:37.480 --> 1:01:41.520
<v Speaker 1>Sounded like new money. But anyway, Don Littlefield was the

1:01:41.560 --> 1:01:45.280
<v Speaker 1>business major and he made the band like kind of

1:01:45.320 --> 1:01:54.320
<v Speaker 1>like his his um you know. Well anyway, he's he

1:01:54.440 --> 1:01:57.600
<v Speaker 1>was a businessman. And our big move, big move came

1:01:58.200 --> 1:02:05.720
<v Speaker 1>when he went and played went and attended of Smith

1:02:05.840 --> 1:02:12.760
<v Speaker 1>College mixer, which gathered all of the men's colleges on

1:02:12.880 --> 1:02:17.760
<v Speaker 1>the northeast, and sin of you know flyers out to

1:02:17.840 --> 1:02:20.320
<v Speaker 1>them saying they've got this big mixer, come on up,

1:02:20.720 --> 1:02:23.320
<v Speaker 1>blah blah blah. So all these guys came up and

1:02:23.400 --> 1:02:26.000
<v Speaker 1>he went and passed out our business guard. You know,

1:02:26.160 --> 1:02:29.320
<v Speaker 1>rock and roll goes the Electra's rock and roll goes

1:02:29.360 --> 1:02:32.280
<v Speaker 1>to college with the secret ingredient, and I was the

1:02:32.360 --> 1:02:39.080
<v Speaker 1>secret ingredient. And uh and we had like three three

1:02:39.120 --> 1:02:42.080
<v Speaker 1>incredible years of playing music and traveling around New England.

1:02:42.400 --> 1:02:46.280
<v Speaker 1>Got out as far as spenn State. You know some

1:02:46.360 --> 1:02:56.160
<v Speaker 1>things in New Jersey, you know, Connecticut, you know, Rhode Island, Massachusetts, Vermont, Maine,

1:02:56.240 --> 1:03:00.520
<v Speaker 1>and upstate New York. As I say, know a little

1:03:00.560 --> 1:03:03.760
<v Speaker 1>bit of New Jersey and in Pennsylvania. So yeah, a

1:03:03.800 --> 1:03:06.680
<v Speaker 1>little Field got all the gigs. Manily, we did well.

1:03:06.960 --> 1:03:11.320
<v Speaker 1>He did really good, did very well. So whatever happened

1:03:11.360 --> 1:03:14.480
<v Speaker 1>to Little Field, Uh he became a minister. I was

1:03:14.520 --> 1:03:18.160
<v Speaker 1>just talking to him not too long ago. He didn't

1:03:18.200 --> 1:03:21.720
<v Speaker 1>he didn't follow Almost almost none of those guys followed

1:03:21.800 --> 1:03:24.920
<v Speaker 1>music because they were they played music aside for what

1:03:25.080 --> 1:03:31.680
<v Speaker 1>you do. Marcel Crudel was a forestry and landscape landscaping guy.

1:03:32.240 --> 1:03:40.200
<v Speaker 1>Um Ray Susan was an English teacher. Um Um Jack

1:03:40.280 --> 1:03:45.560
<v Speaker 1>Moran he was. He ended up being a PD a pediatrician.

1:03:46.480 --> 1:03:52.960
<v Speaker 1>Um see. Another guy was um Chucky Reid. He played

1:03:53.000 --> 1:03:59.480
<v Speaker 1>saxophone with us. He was a uh pizzed major. The

1:03:59.520 --> 1:04:03.200
<v Speaker 1>guys eve he was a poet. Nobody knew where he went,

1:04:04.360 --> 1:04:10.280
<v Speaker 1>you know, and went like that. Okay, so you graduated

1:04:10.320 --> 1:04:14.440
<v Speaker 1>from college then what by then? I was playing music

1:04:14.480 --> 1:04:20.680
<v Speaker 1>and and um, you know I'm not only not only

1:04:20.760 --> 1:04:23.720
<v Speaker 1>was I dealing with with the music that we were

1:04:23.720 --> 1:04:28.320
<v Speaker 1>playing in college, but you know, I, you know, I

1:04:28.520 --> 1:04:31.320
<v Speaker 1>just as I said, decided that whenever I was doing

1:04:31.440 --> 1:04:34.520
<v Speaker 1>music would be on the side or in the front. However,

1:04:34.920 --> 1:04:37.400
<v Speaker 1>I was going to continue to play music because there's

1:04:37.440 --> 1:04:40.120
<v Speaker 1>things that wanted to learn. And I didn't care whether

1:04:40.600 --> 1:04:43.520
<v Speaker 1>it was I was popular at him or not, or

1:04:43.560 --> 1:04:46.120
<v Speaker 1>it could make a living at it or not, you know,

1:04:46.400 --> 1:04:50.880
<v Speaker 1>whichever whichever worked. And so yeah, I got I was

1:04:50.960 --> 1:04:56.440
<v Speaker 1>working a lot up in in um In and around Boston,

1:04:57.600 --> 1:05:01.000
<v Speaker 1>and uh, I got myself at the age it you know,

1:05:01.080 --> 1:05:04.280
<v Speaker 1>Manny green Hill and Full Core Productions, and he got

1:05:04.360 --> 1:05:08.840
<v Speaker 1>lots of gigs for me, you know. And UH hooked

1:05:08.920 --> 1:05:12.800
<v Speaker 1>up with this guy Jessie leeken Kaide and came out

1:05:12.840 --> 1:05:16.200
<v Speaker 1>to California because he was playing some music from Roy Couter.

1:05:17.200 --> 1:05:21.720
<v Speaker 1>Yeah it's just sounded too much like blind Board Fuller,

1:05:22.640 --> 1:05:25.520
<v Speaker 1>It's right. And I found out he was like seventeen

1:05:25.600 --> 1:05:28.920
<v Speaker 1>years old. Who is this kid? All right? Well, we

1:05:28.960 --> 1:05:31.760
<v Speaker 1>need to go again, we get him out here, I

1:05:31.760 --> 1:05:33.960
<v Speaker 1>guess we have to go to California and that's what

1:05:34.120 --> 1:05:37.640
<v Speaker 1>we did. So when you were playing after college? Was

1:05:37.680 --> 1:05:40.600
<v Speaker 1>it a solo actor? Do you have beans? What was it? No?

1:05:41.160 --> 1:05:45.840
<v Speaker 1>Pretty much a due me and this other guy Jessie Lincoln.

1:05:46.640 --> 1:05:51.560
<v Speaker 1>The tourists played guitar, somethime. I played harmonica t r

1:05:51.640 --> 1:05:54.960
<v Speaker 1>sometimes dim So what year do you move to l A?

1:05:55.080 --> 1:05:58.080
<v Speaker 1>And how do you end up finding and how do

1:05:58.120 --> 1:06:00.880
<v Speaker 1>you end up finding Roy couter guys? As I said,

1:06:01.320 --> 1:06:05.400
<v Speaker 1>the guy that that I uh um hung out with

1:06:05.520 --> 1:06:09.240
<v Speaker 1>up in Cambridge, know him Capron California, know him and

1:06:09.320 --> 1:06:12.400
<v Speaker 1>could play some stuff that he learned from saying, if

1:06:12.400 --> 1:06:14.560
<v Speaker 1>somebody could teach you that. I'm listening to all these

1:06:14.600 --> 1:06:17.000
<v Speaker 1>other guys around here, and they know sounding like that,

1:06:17.000 --> 1:06:21.760
<v Speaker 1>that sounds like the music. So you moved to l A.

1:06:21.960 --> 1:06:25.280
<v Speaker 1>Where are you living? Do you immediately start playing out?

1:06:25.360 --> 1:06:27.360
<v Speaker 1>I mean you need money to live? What's going on?

1:06:28.440 --> 1:06:30.640
<v Speaker 1>I had seen I had a paper route that had

1:06:30.680 --> 1:06:35.480
<v Speaker 1>six hundred, six hundred papers every morning, and like I said,

1:06:35.560 --> 1:06:39.880
<v Speaker 1>I had a garden dog wife, you know, a couple

1:06:39.880 --> 1:06:46.680
<v Speaker 1>of guitars and banjo, you know, and uh some harmonicas

1:06:47.360 --> 1:06:53.040
<v Speaker 1>you know, just about make the rent, you know, and uh,

1:06:53.240 --> 1:06:59.320
<v Speaker 1>I'm really happy, you know, dizzy and listen to a

1:06:59.360 --> 1:07:01.960
<v Speaker 1>lot of music, went through a lot of music. Used

1:07:01.960 --> 1:07:05.080
<v Speaker 1>to work at the Ash Grove in Los Angeles. You

1:07:05.120 --> 1:07:10.320
<v Speaker 1>know it's the bouncer, doorman, cedar greeter sometimes the open

1:07:10.400 --> 1:07:20.640
<v Speaker 1>enact when somebody didn't show up. How many steps were

1:07:20.680 --> 1:07:25.920
<v Speaker 1>there before the Rising Sun's steps? How many other bands

1:07:26.000 --> 1:07:28.480
<v Speaker 1>were there? Or you were played? That was it from

1:07:28.480 --> 1:07:31.960
<v Speaker 1>the other band? I mean Jesse, Jesse and Jessie and

1:07:32.080 --> 1:07:35.160
<v Speaker 1>we we What happened was that Ryan was connected with

1:07:35.240 --> 1:07:41.400
<v Speaker 1>a place called McCabe's guitar store, and McCabe's there was

1:07:41.440 --> 1:07:45.240
<v Speaker 1>a something called the Teenage Fair that was happening here

1:07:45.280 --> 1:07:49.360
<v Speaker 1>in Los Angeles, and the big players were we're studying

1:07:49.400 --> 1:07:52.360
<v Speaker 1>and share and that's what was the big thing going

1:07:52.440 --> 1:07:58.880
<v Speaker 1>on then. And maybe Red Bone Pat and Lolly Vegas

1:07:59.720 --> 1:08:05.280
<v Speaker 1>you know him, and no different other people around town.

1:08:05.840 --> 1:08:09.160
<v Speaker 1>And we got to be a part of the Martin

1:08:09.240 --> 1:08:14.680
<v Speaker 1>Guitar Companies booth that Martin it took a little shot

1:08:14.720 --> 1:08:21.840
<v Speaker 1>at trying to make electric guitars and uh so Jesse

1:08:22.040 --> 1:08:26.719
<v Speaker 1>Lee played drugs. Gary Marker who we met played bass

1:08:27.240 --> 1:08:31.720
<v Speaker 1>where I played slide guitar. I played guitar with harmonica

1:08:31.800 --> 1:08:36.679
<v Speaker 1>on Iraq and we just played and played the grooves

1:08:36.720 --> 1:08:40.160
<v Speaker 1>we knew and that was that was one in the

1:08:40.280 --> 1:08:44.960
<v Speaker 1>net and the next thing. Uh yeah, we started pulling

1:08:45.000 --> 1:08:47.519
<v Speaker 1>different people in just to try to create this group.

1:08:48.200 --> 1:08:54.320
<v Speaker 1>First drummer was Ed Cassidy, who went on to play

1:08:54.360 --> 1:08:59.000
<v Speaker 1>with Spirit and man also was the oldest living rock

1:08:59.120 --> 1:09:05.639
<v Speaker 1>drummer for some time. And yeah, you know, and then

1:09:05.640 --> 1:09:09.920
<v Speaker 1>we started recording. How did you get your deal with Columbia?

1:09:10.760 --> 1:09:15.880
<v Speaker 1>They came out to see us artist, Uh, you know,

1:09:16.040 --> 1:09:20.559
<v Speaker 1>I thought we had potential or maybe we're we were

1:09:21.600 --> 1:09:25.400
<v Speaker 1>too much competition for certain bands out there, and they

1:09:25.800 --> 1:09:29.080
<v Speaker 1>put us on the label and just you know, we

1:09:29.640 --> 1:09:31.720
<v Speaker 1>you know, I mean the first album never came out,

1:09:32.479 --> 1:09:34.960
<v Speaker 1>you know, so you never know what that's what they did.

1:09:35.000 --> 1:09:37.559
<v Speaker 1>I noticed what they did with the Beatles, you know,

1:09:38.080 --> 1:09:41.519
<v Speaker 1>side of every possible group that would give them any

1:09:41.520 --> 1:09:45.240
<v Speaker 1>competition and then shove them and then put those guys

1:09:45.240 --> 1:09:48.519
<v Speaker 1>out there, you know. So I don't know, I never

1:09:48.560 --> 1:09:52.120
<v Speaker 1>I don't sit around and worry about conspiracy theories. Is

1:09:52.200 --> 1:09:56.720
<v Speaker 1>that we you know, we we found ourselves in the

1:09:56.800 --> 1:10:02.280
<v Speaker 1>studio making music, you know, but we also found on

1:10:02.280 --> 1:10:08.320
<v Speaker 1>a not of you know, music business politics, craziness that

1:10:08.400 --> 1:10:12.760
<v Speaker 1>didn't have nothing to do with music. So how disappointing

1:10:12.800 --> 1:10:15.439
<v Speaker 1>and disillusioning was it to get a deal, make a

1:10:15.479 --> 1:10:21.000
<v Speaker 1>record and have the record never come out? Um? Hey,

1:10:22.960 --> 1:10:26.280
<v Speaker 1>uh it was. It was disappointing, but that was just

1:10:27.120 --> 1:10:30.640
<v Speaker 1>that was just part for the chorus. My friend, they

1:10:30.680 --> 1:10:34.479
<v Speaker 1>have things that were certainly certainly a lot worse. I mean,

1:10:34.520 --> 1:10:37.200
<v Speaker 1>it wasn't that that wasn't like that all we rolled

1:10:37.200 --> 1:10:41.400
<v Speaker 1>off our backs, but you know, we had you had

1:10:41.560 --> 1:10:44.760
<v Speaker 1>you had to make it, you had to go forward. Yeah,

1:10:45.560 --> 1:10:48.280
<v Speaker 1>And so how did you end up as a solo

1:10:48.439 --> 1:10:51.559
<v Speaker 1>artist on Columbia? Call up the correct president of the

1:10:51.600 --> 1:10:53.519
<v Speaker 1>record company and told him I was on his label,

1:10:54.120 --> 1:10:55.720
<v Speaker 1>and I was signed with a group, and I was

1:10:55.760 --> 1:10:59.200
<v Speaker 1>signed as an individual, and I had some ideas. Called

1:10:59.280 --> 1:11:03.960
<v Speaker 1>up climb dave Is. Talked to his secretary, told her

1:11:03.960 --> 1:11:06.840
<v Speaker 1>what I told her my story. She said, well, all right,

1:11:07.080 --> 1:11:10.000
<v Speaker 1>she says, Mr Davis isn't here now, but I'll give

1:11:10.080 --> 1:11:13.320
<v Speaker 1>him your message maybe through. Two or three hours later

1:11:13.320 --> 1:11:15.720
<v Speaker 1>he called me back. I spoke to him, told him

1:11:15.720 --> 1:11:17.200
<v Speaker 1>what I was, what I was up to him. What

1:11:17.280 --> 1:11:23.040
<v Speaker 1>I wanted to do, you know. Um, and you know,

1:11:23.479 --> 1:11:25.479
<v Speaker 1>maybe I made a mistakes saying I wanted to produce

1:11:25.520 --> 1:11:29.120
<v Speaker 1>my own music, you know, and you know, but that

1:11:29.280 --> 1:11:32.400
<v Speaker 1>was the point he said that. Kylie said that, well,

1:11:32.439 --> 1:11:35.439
<v Speaker 1>that wasn't their policy. You know, after after the Silence

1:11:35.479 --> 1:11:38.599
<v Speaker 1>of the Universe, came back with a you know, it

1:11:38.640 --> 1:11:42.479
<v Speaker 1>wasn't their policy. But if if, if it'll be okay,

1:11:42.840 --> 1:11:46.000
<v Speaker 1>send out they was, you know, put the money to

1:11:46.040 --> 1:11:51.920
<v Speaker 1>send out some producers. And first one they sent out,

1:11:52.000 --> 1:11:54.479
<v Speaker 1>we hit it off. And that was David Rubens heard

1:11:54.520 --> 1:11:58.040
<v Speaker 1>from him today. David, Oh, yeah, hear from out a

1:11:58.040 --> 1:12:03.479
<v Speaker 1>regular basis. Yeah, good guy. Yeah, and and and we

1:12:03.600 --> 1:12:06.320
<v Speaker 1>got involved in first he had to figure out what

1:12:06.360 --> 1:12:09.000
<v Speaker 1>was happening and how much he had to be involved

1:12:09.040 --> 1:12:11.640
<v Speaker 1>in putting the music together. And then he began to

1:12:11.680 --> 1:12:14.320
<v Speaker 1>realize that, no, this guy knows what he wants to do,

1:12:14.400 --> 1:12:17.439
<v Speaker 1>and he left me alone. He did the business. I mean,

1:12:17.520 --> 1:12:21.879
<v Speaker 1>you know, everybody talks about uh jay Z and uh

1:12:22.080 --> 1:12:25.680
<v Speaker 1>Damon dash Us being one guy did the business and

1:12:25.760 --> 1:12:28.479
<v Speaker 1>one guy did the music, and that's the modern version

1:12:28.520 --> 1:12:31.280
<v Speaker 1>of it. But David Rubister did it back in those days.

1:12:32.080 --> 1:12:35.160
<v Speaker 1>You know, he pushed pushed the nay of his artist

1:12:35.160 --> 1:12:39.559
<v Speaker 1>students to the company because he knew what was going on. Yeah,

1:12:40.200 --> 1:12:43.280
<v Speaker 1>so the album comes out, what's it like on your

1:12:43.360 --> 1:12:45.639
<v Speaker 1>side of the fence. I only know the consumer side

1:12:45.640 --> 1:12:50.560
<v Speaker 1>of the fence. Well, I'm glad that, I'm glad. I'm glad. Well.

1:12:50.600 --> 1:12:56.439
<v Speaker 1>First of all, um, I was looking for a really

1:12:56.520 --> 1:13:01.680
<v Speaker 1>good guitar player, you know, somebody who I could translate

1:13:01.880 --> 1:13:06.880
<v Speaker 1>these old songs too, and really was coming down it

1:13:06.920 --> 1:13:09.680
<v Speaker 1>with a fresh approach. And that guy turned out to

1:13:09.720 --> 1:13:16.400
<v Speaker 1>be Jesse Davis, native American brother commitson incredible guitar, used

1:13:16.400 --> 1:13:22.760
<v Speaker 1>to play with Zappa, yeah, amongst amongst others. And uh

1:13:25.360 --> 1:13:31.759
<v Speaker 1>he heard him and said, okay one and I wouldn't

1:13:31.760 --> 1:13:34.639
<v Speaker 1>play play with Roy Coonter knew he could play too,

1:13:35.520 --> 1:13:40.040
<v Speaker 1>So now I need a drummer and a bass player. Um.

1:13:40.200 --> 1:13:45.479
<v Speaker 1>And I heard a guy named James Broadway Thomas, and

1:13:47.720 --> 1:13:52.599
<v Speaker 1>you know, and then a guy named Sandy Conical who's

1:13:52.640 --> 1:13:57.799
<v Speaker 1>playing with a band called General Soul. Um, James James Thomas,

1:13:57.920 --> 1:14:03.040
<v Speaker 1>Jimmie Thomas's played with like Big Mama Thornton, Uh with

1:14:04.040 --> 1:14:09.920
<v Speaker 1>Albert King. Um. Oh, the guys they can't sit down.

1:14:11.080 --> 1:14:16.040
<v Speaker 1>Um anyway, Uh, yeah, he played with some really cool guys,

1:14:17.240 --> 1:14:20.240
<v Speaker 1>and uh so I thought that, you know, he he'd

1:14:20.240 --> 1:14:22.439
<v Speaker 1>be a good bass player, and he and he was,

1:14:23.240 --> 1:14:27.400
<v Speaker 1>and and that's all I had. And they had some

1:14:27.640 --> 1:14:30.720
<v Speaker 1>They gave me some days to come and play, and

1:14:30.800 --> 1:14:33.080
<v Speaker 1>I came into the studio and brought the material that

1:14:33.160 --> 1:14:36.760
<v Speaker 1>I had in my head. Nobody had ever heard anything, right,

1:14:36.960 --> 1:14:39.280
<v Speaker 1>was probably the only one that heard heard any of

1:14:39.280 --> 1:14:42.760
<v Speaker 1>the original material from the original artists. But what we

1:14:42.840 --> 1:14:46.519
<v Speaker 1>did that day was something different, you know. And so

1:14:46.640 --> 1:14:50.439
<v Speaker 1>I just would dictate parts the way I wanted the

1:14:50.520 --> 1:14:53.000
<v Speaker 1>drummer to play and the way I wanted the bass

1:14:53.000 --> 1:14:56.599
<v Speaker 1>player to play. Never said anything to Ride, never said

1:14:56.640 --> 1:15:00.200
<v Speaker 1>anything to Davis, because I knew they could play and

1:15:00.600 --> 1:15:03.560
<v Speaker 1>set it up and that squaw you here on that

1:15:04.240 --> 1:15:07.560
<v Speaker 1>leaving trumble when that harmonica comes in. There is nobody

1:15:07.560 --> 1:15:11.360
<v Speaker 1>else who plays it like that. You can listen every

1:15:11.360 --> 1:15:15.120
<v Speaker 1>harmonica player you know. And it all came from something

1:15:15.160 --> 1:15:18.960
<v Speaker 1>that Lewis Myers taught me. He said, he said, he said,

1:15:19.000 --> 1:15:22.040
<v Speaker 1>you're real good, he said, but you're playing too many notes.

1:15:22.400 --> 1:15:25.240
<v Speaker 1>He said, listen to this. He said, I'm gonna play

1:15:25.280 --> 1:15:27.559
<v Speaker 1>to you one more time, one time, and I'm not

1:15:27.600 --> 1:15:30.439
<v Speaker 1>gonna play it again, and he plays something in my

1:15:30.560 --> 1:15:35.200
<v Speaker 1>ear that it's a signature in my monica playing to

1:15:35.280 --> 1:15:38.640
<v Speaker 1>this day playing octaves. How long did it take to

1:15:38.640 --> 1:15:43.840
<v Speaker 1>make this record? A few days? So the record comes out?

1:15:44.439 --> 1:15:49.559
<v Speaker 1>You sold your own case, just Clive Davis? Uh, what happened?

1:15:49.560 --> 1:15:51.880
<v Speaker 1>They put you on the road to support it? And

1:15:51.920 --> 1:15:55.320
<v Speaker 1>what was you know? Yeah, I mean a little bit.

1:15:55.640 --> 1:15:59.280
<v Speaker 1>It came dribbling in. We weren't We weren't. Really, I wasn't.

1:15:59.520 --> 1:16:02.479
<v Speaker 1>You know, it's Ahl playing blues for guys who had

1:16:02.520 --> 1:16:06.120
<v Speaker 1>been in the record business. You know, you know I didn't.

1:16:06.120 --> 1:16:09.519
<v Speaker 1>I wasn't playing whatever the new hip black music was.

1:16:09.800 --> 1:16:12.680
<v Speaker 1>Not that I couldn't, not that I didn't listen to it,

1:16:12.720 --> 1:16:15.600
<v Speaker 1>and I thought that I didn't support those artists. You know.

1:16:16.080 --> 1:16:24.360
<v Speaker 1>Um but um, you know, um, we kind of got

1:16:25.520 --> 1:16:27.880
<v Speaker 1>got in where we we got in where they finished in.

1:16:28.760 --> 1:16:30.680
<v Speaker 1>You know, we did some stuff. You know, we're in

1:16:30.760 --> 1:16:35.120
<v Speaker 1>the you know, the the raggedy pan, the raggedy panel

1:16:35.200 --> 1:16:39.280
<v Speaker 1>truck tours. You know, looking at the street, going underneath

1:16:39.320 --> 1:16:42.600
<v Speaker 1>the cars you're driving down the road. You know, we

1:16:42.640 --> 1:16:44.800
<v Speaker 1>did all that. You know, a little by a little

1:16:44.800 --> 1:16:48.320
<v Speaker 1>by little got better, got better, got better. Probably got

1:16:48.360 --> 1:16:51.559
<v Speaker 1>the second record down. It was that great. Let's talk

1:16:51.560 --> 1:16:53.880
<v Speaker 1>about the second record. The second record they let you

1:16:53.960 --> 1:16:57.439
<v Speaker 1>do alone and there's a lot more original material on

1:16:57.520 --> 1:17:02.439
<v Speaker 1>the second record. Yeah, that was the idea. And so

1:17:02.600 --> 1:17:10.040
<v Speaker 1>had you always been writing? Um yeah, attempting to anyway?

1:17:11.600 --> 1:17:14.960
<v Speaker 1>So on the second album, she caught the Katie, which

1:17:15.000 --> 1:17:19.160
<v Speaker 1>of course was in the Blues Brothers movie. So can

1:17:19.200 --> 1:17:21.519
<v Speaker 1>you tell us about writing that song and about getting

1:17:21.520 --> 1:17:27.200
<v Speaker 1>it in the movie? Um, yes, addressing everybody likes that

1:17:28.840 --> 1:17:32.120
<v Speaker 1>because because all of that, I like she Contuccatie too.

1:17:32.120 --> 1:17:36.360
<v Speaker 1>But I'm absolutely really there. I'm I'm using pretty even

1:17:36.400 --> 1:17:39.240
<v Speaker 1>about everything. I love all of all the tunes of

1:17:39.360 --> 1:17:41.960
<v Speaker 1>that record. You know, but you know, as an artist,

1:17:42.560 --> 1:17:45.320
<v Speaker 1>you always that's something you like, it, something you don't like,

1:17:45.600 --> 1:17:48.360
<v Speaker 1>not doubt like, but you could wish you could do it.

1:17:48.640 --> 1:17:52.759
<v Speaker 1>Go back in there and do those two notes better anyway?

1:17:53.200 --> 1:17:58.799
<v Speaker 1>Um yo, Oh she caught to Katie. That's really interesting.

1:17:59.120 --> 1:18:03.080
<v Speaker 1>See she show on me something. Um, you know, like

1:18:03.160 --> 1:18:08.880
<v Speaker 1>you said as a consumer, Um yeah, I mean the

1:18:09.200 --> 1:18:14.040
<v Speaker 1>tune itself. I'd heard it from a guy named Steve Man,

1:18:14.600 --> 1:18:17.840
<v Speaker 1>and he didn't know where he got it from. So

1:18:18.280 --> 1:18:23.000
<v Speaker 1>I had sleepy John Sts and Yank Rachel out to

1:18:23.120 --> 1:18:26.559
<v Speaker 1>my house and they were there for maybe a month

1:18:26.640 --> 1:18:29.439
<v Speaker 1>month and a half while they were working, you know,

1:18:29.520 --> 1:18:33.080
<v Speaker 1>got working working out here on the West Coast. And

1:18:33.360 --> 1:18:35.720
<v Speaker 1>I was talking to Yank one day and he was

1:18:36.520 --> 1:18:43.400
<v Speaker 1>and we were just still this men talking and uh say, yeah, man,

1:18:44.160 --> 1:18:48.160
<v Speaker 1>my second wife you know, no, no, my first wife

1:18:48.479 --> 1:18:51.320
<v Speaker 1>blah blah blah blah. Yeah, she called to k and

1:18:51.400 --> 1:18:54.080
<v Speaker 1>left me a mule to ride. I said, I said,

1:18:54.520 --> 1:18:56.800
<v Speaker 1>I said where. He said why? You know, he said,

1:18:57.160 --> 1:18:59.679
<v Speaker 1>I've been saying that something that since I was a

1:18:59.680 --> 1:19:03.519
<v Speaker 1>little youngster. So I realized that there was a lot

1:19:03.560 --> 1:19:08.160
<v Speaker 1>of tunes out there that didn't have any yo direct

1:19:08.640 --> 1:19:15.080
<v Speaker 1>uh composer. You know, like if if Big Joe nine

1:19:15.080 --> 1:19:18.599
<v Speaker 1>string Big Joe had had done the thing, he wouldn't

1:19:18.600 --> 1:19:22.320
<v Speaker 1>put out baby, Baby, Please Don't Go. You know, that

1:19:22.439 --> 1:19:25.080
<v Speaker 1>was his tool. But you know, he didn't copyright it,

1:19:25.160 --> 1:19:27.200
<v Speaker 1>so a lot of people got to play it, and

1:19:27.160 --> 1:19:30.519
<v Speaker 1>they got to go into public domain anyway, So this

1:19:30.600 --> 1:19:34.680
<v Speaker 1>song was in public domain, and uh, you know, it

1:19:34.840 --> 1:19:40.000
<v Speaker 1>was up for grabs. So I put a lot of

1:19:40.040 --> 1:19:45.479
<v Speaker 1>different lyrics on it. And and remember the lyrics that

1:19:45.520 --> 1:19:50.920
<v Speaker 1>he anked it, so you know, I went into partnership

1:19:51.800 --> 1:19:57.280
<v Speaker 1>on the composer, the composer of that song when he

1:19:57.280 --> 1:20:00.479
<v Speaker 1>ain't Grachel and he was able to say both his

1:20:00.600 --> 1:20:05.080
<v Speaker 1>daughter to nursing school and nursing college and his granddaughter

1:20:05.160 --> 1:20:08.160
<v Speaker 1>to college on that on the strength of that record alone.

1:20:09.040 --> 1:20:12.439
<v Speaker 1>And as far as getting it in the Blues Brothers movie,

1:20:13.120 --> 1:20:18.280
<v Speaker 1>Tackery and Beluci called me up and I said, hey,

1:20:18.640 --> 1:20:22.240
<v Speaker 1>we want to do your your your your tune in

1:20:21.680 --> 1:20:25.400
<v Speaker 1>the movie, he said, and we want to make sure

1:20:25.400 --> 1:20:28.040
<v Speaker 1>we ask it. Would that be all right? Said? Hey,

1:20:28.160 --> 1:20:32.519
<v Speaker 1>go for it? Okay. At this point, do you still

1:20:32.520 --> 1:20:37.519
<v Speaker 1>own your own publishing? You still do it? And do

1:20:37.560 --> 1:20:40.559
<v Speaker 1>you ever receive any record royalties? Are you still in

1:20:40.560 --> 1:20:43.760
<v Speaker 1>the red with these record companies? Never? Well, I don't

1:20:43.760 --> 1:20:46.519
<v Speaker 1>know what I'm in. I just know that over the

1:20:46.600 --> 1:20:52.040
<v Speaker 1>years I've I've received royalties, But the record I know

1:20:52.120 --> 1:20:55.920
<v Speaker 1>that that the the the way it works nowadays, it

1:20:55.960 --> 1:20:59.000
<v Speaker 1>probably isn't as good as it used to be. Okay,

1:20:59.040 --> 1:21:01.839
<v Speaker 1>So now you go act to working with David Rubenson.

1:21:01.880 --> 1:21:04.080
<v Speaker 1>How did you decide to do that? No, I didn't

1:21:04.080 --> 1:21:06.000
<v Speaker 1>go I was always working with him. I worked with

1:21:06.080 --> 1:21:13.960
<v Speaker 1>him for the basically mm hmm, pretty much up until

1:21:15.800 --> 1:21:18.560
<v Speaker 1>for about the first five records, you know, tis the

1:21:18.680 --> 1:21:25.519
<v Speaker 1>Home Natural Blues, Giant Step, um the real thing, and

1:21:25.760 --> 1:21:29.200
<v Speaker 1>Happy just to be like I am? And then Sounder,

1:21:29.920 --> 1:21:35.719
<v Speaker 1>Who's so Gooden Bluze? Uh excuse uh, Sounder Recycling the Blues?

1:21:35.760 --> 1:21:39.519
<v Speaker 1>Whoso Gooden Blues? I started, I started producing all those

1:21:39.520 --> 1:21:42.639
<v Speaker 1>on my own, and then from there on I produced

1:21:42.640 --> 1:21:55.800
<v Speaker 1>everything up until um well about Yeah, okay, so you

1:21:55.880 --> 1:21:59.920
<v Speaker 1>put out a double album Take a Giant Step. Now,

1:22:00.640 --> 1:22:03.400
<v Speaker 1>the Monkeys were huge and even though they didn't write

1:22:03.400 --> 1:22:06.360
<v Speaker 1>the song was a Golfing Kings song. Were you aware

1:22:06.360 --> 1:22:08.599
<v Speaker 1>of that version? How did you decide to cut Take

1:22:08.640 --> 1:22:13.920
<v Speaker 1>a Giant Step? Terry Melcher, who was Marty Melcher and

1:22:14.400 --> 1:22:18.360
<v Speaker 1>Doris day Son was given a job of being a

1:22:18.439 --> 1:22:23.080
<v Speaker 1>producer at staff producer at Columbia Records when the Rising

1:22:23.160 --> 1:22:29.760
<v Speaker 1>Suns were put on the Columbia label. First It's they

1:22:29.760 --> 1:22:34.240
<v Speaker 1>brought out Alan Step to try to record us, and

1:22:34.360 --> 1:22:37.559
<v Speaker 1>he couldn't make any sense of it, and then they

1:22:37.600 --> 1:22:43.840
<v Speaker 1>brought Terry Melcher, and Melcher brought Giant Step. Yeah you

1:22:43.880 --> 1:22:53.360
<v Speaker 1>know with the monkeys, I mean, right and okay, and

1:22:53.439 --> 1:22:56.639
<v Speaker 1>so we tried to cut maybe a little bit more

1:22:56.720 --> 1:23:00.560
<v Speaker 1>stronger rock with a little bit of R and B

1:23:01.479 --> 1:23:08.080
<v Speaker 1>energy in it, and you know, um and cut it

1:23:08.120 --> 1:23:12.439
<v Speaker 1>with the rising suns. But one time, when I'm saying,

1:23:12.439 --> 1:23:15.360
<v Speaker 1>while I was singing, I sartously, you know what, this

1:23:15.400 --> 1:23:19.400
<v Speaker 1>song would sound really great if it was song slower,

1:23:20.880 --> 1:23:23.639
<v Speaker 1>you know, and I get the mind of a jazz musician,

1:23:23.680 --> 1:23:25.439
<v Speaker 1>you know, and I didn't realize that's what it was.

1:23:25.920 --> 1:23:28.679
<v Speaker 1>You know, they'll take a song and turn it into

1:23:28.760 --> 1:23:32.920
<v Speaker 1>a ballad, you know, rearrange it, you know, free to

1:23:32.960 --> 1:23:36.240
<v Speaker 1>do that this music. So yeah, I just change it up,

1:23:36.920 --> 1:23:38.640
<v Speaker 1>put it in the temple that I put it in.

1:23:38.720 --> 1:23:43.719
<v Speaker 1>It sounded great. Yeah. So was there any blowback about

1:23:43.720 --> 1:23:47.200
<v Speaker 1>wanting to do a double album from the company if

1:23:47.240 --> 1:23:51.479
<v Speaker 1>there was. If there was, I'm sure that David Rubinson

1:23:51.600 --> 1:23:56.240
<v Speaker 1>covered it and it never got back to me. Okay,

1:23:56.320 --> 1:23:59.280
<v Speaker 1>how do you end up making the famous live album

1:23:59.360 --> 1:24:03.559
<v Speaker 1>with the multi tubas with Howard Johnson. It's got all

1:24:03.600 --> 1:24:06.280
<v Speaker 1>those tubas and it's also cut lot. Why Why does

1:24:06.320 --> 1:24:09.479
<v Speaker 1>everybody freak out when when somebody's when somebody comes to

1:24:09.760 --> 1:24:13.720
<v Speaker 1>creative and constantly is creating, is as if they think

1:24:13.800 --> 1:24:16.439
<v Speaker 1>that they know that they can't be this much. You

1:24:16.560 --> 1:24:19.720
<v Speaker 1>gotta stop at some point you know, Oh, don't are

1:24:19.800 --> 1:24:22.320
<v Speaker 1>you kidding me? Oh, here's another one. I never heard this.

1:24:22.960 --> 1:24:24.640
<v Speaker 1>I don't get I don't get it. You know this

1:24:25.120 --> 1:24:27.880
<v Speaker 1>this is this is America, the land or free. This

1:24:28.000 --> 1:24:33.080
<v Speaker 1>is opportunity. So I'm taking opportunity to Opportunity comes knocking

1:24:33.280 --> 1:24:36.479
<v Speaker 1>and I'm I show up. It shows up, and everybody

1:24:36.520 --> 1:24:41.200
<v Speaker 1>goes like, oh my god, how did that happen? You

1:24:41.320 --> 1:24:44.200
<v Speaker 1>got you gotta imagine it from my point of view, Okay,

1:24:44.960 --> 1:24:46.880
<v Speaker 1>because you've got more, you got more, You got more

1:24:46.960 --> 1:24:50.680
<v Speaker 1>folks on your side of the pends. Who are who are?

1:24:50.800 --> 1:24:56.960
<v Speaker 1>Just there goes that confounded tig wall again, Wells, was

1:24:57.040 --> 1:25:02.080
<v Speaker 1>there any pressure for sale? And did you feel an obligation?

1:25:02.640 --> 1:25:06.280
<v Speaker 1>We're just following your muse or where you worrying? And

1:25:06.360 --> 1:25:08.240
<v Speaker 1>I was, no, I wasn't a mine if I wash it?

1:25:08.360 --> 1:25:12.160
<v Speaker 1>Worried about commerciality if those guys here play some of

1:25:12.240 --> 1:25:15.200
<v Speaker 1>that garbage that they put out there, what you you

1:25:15.280 --> 1:25:18.360
<v Speaker 1>know you understand me. It's just here's the clear here's

1:25:18.400 --> 1:25:21.680
<v Speaker 1>the clear, clear clearing presiety. Those guys could think that

1:25:21.840 --> 1:25:23.920
<v Speaker 1>that garbage that they were putting out there, and I'm

1:25:23.960 --> 1:25:28.080
<v Speaker 1>not calling the names, you know, is at that and

1:25:28.200 --> 1:25:30.639
<v Speaker 1>that what I was doing with garbage, and it couldn't

1:25:30.680 --> 1:25:33.360
<v Speaker 1>go out there and have the same movement. You know,

1:25:33.840 --> 1:25:36.320
<v Speaker 1>I don't know what was going on inside the business,

1:25:36.600 --> 1:25:39.639
<v Speaker 1>where people blocking it or people keeping it down, because

1:25:39.920 --> 1:25:42.639
<v Speaker 1>now everybody acts it's like, oh my god, you can't

1:25:42.680 --> 1:25:44.560
<v Speaker 1>imagine what it was like to me. You know, you

1:25:44.640 --> 1:25:48.519
<v Speaker 1>were my savior, you saved, you saved my parents marriage,

1:25:48.600 --> 1:25:51.360
<v Speaker 1>Gariet step. I mean, on and on and on and

1:25:51.479 --> 1:25:53.599
<v Speaker 1>on and on, and I go like, okay, and here

1:25:53.640 --> 1:25:57.680
<v Speaker 1>I was scuffling and scrambling and spending time away from

1:25:57.720 --> 1:26:00.160
<v Speaker 1>my family, trying to make a living, you know, and

1:26:00.600 --> 1:26:03.200
<v Speaker 1>I'm listening to this garbage that they're they're putting all

1:26:03.240 --> 1:26:05.439
<v Speaker 1>the money behind it. Weren't putting the money behind me,

1:26:06.000 --> 1:26:07.840
<v Speaker 1>and like they would put them behind the other guys.

1:26:08.240 --> 1:26:10.240
<v Speaker 1>I just said, you know what, hey, if that's what

1:26:10.360 --> 1:26:12.920
<v Speaker 1>it is, that's too bad. That is not a reason

1:26:13.280 --> 1:26:17.000
<v Speaker 1>for you to stop playing good music. You know, why

1:26:17.080 --> 1:26:21.360
<v Speaker 1>what am I gonna do compromise myself? You know, it's

1:26:21.439 --> 1:26:25.599
<v Speaker 1>like and you know, and be a whole for bad music.

1:26:25.680 --> 1:26:29.920
<v Speaker 1>I don't think so. You know, so whatever whatever they said,

1:26:30.080 --> 1:26:32.680
<v Speaker 1>they never got it never got to me. I mean,

1:26:33.160 --> 1:26:36.280
<v Speaker 1>little things like, well, I think that you know, you don't,

1:26:36.400 --> 1:26:40.559
<v Speaker 1>you're not really a black artist. I was like, oh really, okay,

1:26:41.200 --> 1:26:43.800
<v Speaker 1>well tell that to the Africans that all come and

1:26:43.880 --> 1:26:48.120
<v Speaker 1>have my records, or the Jamaicans or the trunt Adians

1:26:48.479 --> 1:26:52.040
<v Speaker 1>or the Brazilian You tell me about that, you know,

1:26:52.600 --> 1:26:54.439
<v Speaker 1>And of course they have no, They have never had

1:26:54.479 --> 1:26:57.479
<v Speaker 1>an answer. You know. What it is is that you

1:26:57.600 --> 1:27:01.640
<v Speaker 1>know the A lot of it is is that I

1:27:01.800 --> 1:27:06.000
<v Speaker 1>show you show people flat out that it's about independent thought,

1:27:06.160 --> 1:27:08.360
<v Speaker 1>and that's not what they were looking. They wanted people

1:27:08.400 --> 1:27:10.840
<v Speaker 1>who would go along to get along. I've never been

1:27:10.880 --> 1:27:15.400
<v Speaker 1>that guy. I'm not. It's not gonna happen. My kids

1:27:15.479 --> 1:27:24.960
<v Speaker 1>don't do it either. Okay, let's go sideways a little bit.

1:27:25.000 --> 1:27:27.880
<v Speaker 1>I was talking to Bonnie Read and the third album

1:27:28.040 --> 1:27:32.080
<v Speaker 1>Taking My Time she was making with Lowell George, and

1:27:32.200 --> 1:27:35.679
<v Speaker 1>Lowell wanted to play all the slide parts. He said

1:27:35.760 --> 1:27:38.679
<v Speaker 1>no way, got rid of him and said, she called

1:27:38.800 --> 1:27:41.479
<v Speaker 1>you and brought you into help making the record. Does

1:27:41.560 --> 1:27:48.800
<v Speaker 1>that you remember that experience experienced that John Hall called

1:27:48.880 --> 1:27:55.360
<v Speaker 1>me up okay and asked me to help out, And yeah,

1:27:55.439 --> 1:27:58.200
<v Speaker 1>he ultimately got certain credit, but she really played up

1:27:58.240 --> 1:28:01.280
<v Speaker 1>that you were used a big part of that occurred. Yeah,

1:28:01.720 --> 1:28:05.920
<v Speaker 1>I was, And what is the special sauce that you bring?

1:28:08.280 --> 1:28:12.320
<v Speaker 1>I don't know. I never stood still around looking at

1:28:12.360 --> 1:28:15.840
<v Speaker 1>myself in the room full of mirrors. Okay, So how

1:28:15.880 --> 1:28:19.360
<v Speaker 1>do you end up switching from Columbia Warner Brothers? Yeah,

1:28:19.400 --> 1:28:21.920
<v Speaker 1>I kind of got I kinda got dry, tired of

1:28:22.280 --> 1:28:24.800
<v Speaker 1>what felt like they were card They weren't. They weren't

1:28:24.800 --> 1:28:27.519
<v Speaker 1>really putting their their energy into me, and wanted to

1:28:27.560 --> 1:28:31.400
<v Speaker 1>take another shot, try somebody else out. And pretty much

1:28:31.479 --> 1:28:34.800
<v Speaker 1>it was about to say the only thing I knew

1:28:34.880 --> 1:28:38.519
<v Speaker 1>is that of that Sony or b M I. Yeah,

1:28:38.640 --> 1:28:41.639
<v Speaker 1>what was it? April Black? With b M I, Sony?

1:28:41.800 --> 1:28:44.760
<v Speaker 1>They all, you know, Chase Dolond made sure that if

1:28:44.800 --> 1:28:48.240
<v Speaker 1>anything happened over there that they were in line for

1:28:48.400 --> 1:28:53.679
<v Speaker 1>the publishing. You know, they're administrating part of the publishing.

1:28:54.840 --> 1:28:56.680
<v Speaker 1>That's all they had. I had a dent of the

1:28:56.760 --> 1:29:04.640
<v Speaker 1>writers and seventy five of the the publishing, and they

1:29:04.720 --> 1:29:10.360
<v Speaker 1>took two administration. And how was the experience at Warners

1:29:10.439 --> 1:29:15.920
<v Speaker 1>as opposed to Columbia was? Okay? So when it ends

1:29:16.040 --> 1:29:20.840
<v Speaker 1>with Warners you lose your second major label deal. Did

1:29:20.920 --> 1:29:23.840
<v Speaker 1>you say, no problem, I'll find my own way or

1:29:23.880 --> 1:29:26.680
<v Speaker 1>were you disheartened? Yeah, that's it, man, I'm I'm a

1:29:26.760 --> 1:29:30.600
<v Speaker 1>grown man. I'm if I look at these guys that

1:29:30.880 --> 1:29:33.360
<v Speaker 1>you're a rapper, you're lucky if you get three records.

1:29:35.400 --> 1:29:38.920
<v Speaker 1>You know, is that? You know I said, you know,

1:29:39.000 --> 1:29:45.479
<v Speaker 1>I started making my own deals, you know, Colombia, Warner Brothers.

1:29:46.800 --> 1:29:49.960
<v Speaker 1>The first deal that came along was was that I'm

1:29:50.000 --> 1:29:56.480
<v Speaker 1>and direct right, you know. Next deal was the Usual Suspects,

1:29:56.640 --> 1:29:59.679
<v Speaker 1>this guy named Tom. We did two or three albums,

1:30:00.000 --> 1:30:04.120
<v Speaker 1>some tunes on that. You know, eighties come up, that's

1:30:04.120 --> 1:30:07.600
<v Speaker 1>the eighties. Eighties come along. I always wanted to do

1:30:07.760 --> 1:30:13.439
<v Speaker 1>some children's music, did children's music, you know, put ups

1:30:13.479 --> 1:30:16.919
<v Speaker 1>of music out there, did music with the Bob Marley's

1:30:16.960 --> 1:30:22.240
<v Speaker 1>mother Smiling Island a song, you know, different things deep

1:30:22.320 --> 1:30:25.960
<v Speaker 1>in the big wide world. You know, the e walks

1:30:26.080 --> 1:30:32.840
<v Speaker 1>for Star Wars. You know, um, you know, just you know,

1:30:33.080 --> 1:30:37.400
<v Speaker 1>get busy, do stuff, you know, and Morning Brothers. I

1:30:37.479 --> 1:30:41.120
<v Speaker 1>did a sound the second soundtrack. You know, I mean,

1:30:41.160 --> 1:30:43.360
<v Speaker 1>it's like here you are talking to me. You didn't

1:30:43.360 --> 1:30:46.000
<v Speaker 1>mention anything about the fact that I was. I did

1:30:46.120 --> 1:30:54.520
<v Speaker 1>the first and at that time only acoustic soundtrack, Acoustic

1:30:55.080 --> 1:31:00.439
<v Speaker 1>Country blues soundtrack to a major motion picture in the

1:31:00.560 --> 1:31:05.120
<v Speaker 1>motion pictures sounder. I fully aware I was gonna get there,

1:31:05.200 --> 1:31:07.439
<v Speaker 1>and I saw the movie when it's on its first release.

1:31:07.920 --> 1:31:15.640
<v Speaker 1>So how did that come about? Um, someone who was

1:31:15.800 --> 1:31:19.479
<v Speaker 1>doing the movie suggested that I'd be the guy to

1:31:19.600 --> 1:31:25.200
<v Speaker 1>do it. They came around, Uh, I was, I was, Yeah,

1:31:25.280 --> 1:31:27.439
<v Speaker 1>the came that's not think. At that point in time,

1:31:27.479 --> 1:31:31.400
<v Speaker 1>I was being managed by Bill Graham Productions or Bill

1:31:31.439 --> 1:31:34.720
<v Speaker 1>Graham Management Field Moore Management. And they came to the

1:31:34.800 --> 1:31:38.040
<v Speaker 1>office and I was playing, and I flew down to

1:31:39.680 --> 1:31:45.160
<v Speaker 1>the set in uh, Louisiana, Clinton, Louisiana, down outside of

1:31:45.840 --> 1:31:49.280
<v Speaker 1>that rouge and what was it outside of Zachary, Louisiana

1:31:49.640 --> 1:31:57.160
<v Speaker 1>So with the mis fifty miles old Mississippi border and yeah,

1:31:57.800 --> 1:32:04.880
<v Speaker 1>they they asked me the you know. Uh. Martin Ritt

1:32:05.680 --> 1:32:11.280
<v Speaker 1>was the director and he had listened to the album

1:32:12.320 --> 1:32:15.960
<v Speaker 1>and he said he didn't think that I was the

1:32:16.120 --> 1:32:19.479
<v Speaker 1>right guy. And I told him, I said, I told him,

1:32:19.479 --> 1:32:21.920
<v Speaker 1>I said, did you did you have him listen to

1:32:22.000 --> 1:32:26.400
<v Speaker 1>the second album? And he said, well, no, but he

1:32:26.520 --> 1:32:28.080
<v Speaker 1>didn't think he were gonna be there. I said, listen

1:32:29.080 --> 1:32:31.960
<v Speaker 1>the second album to have him listened to the second album.

1:32:32.240 --> 1:32:34.960
<v Speaker 1>So when you listened to the second album, that's when

1:32:35.000 --> 1:32:38.400
<v Speaker 1>he heard all the acoustic music, and I thought that

1:32:38.560 --> 1:32:41.760
<v Speaker 1>that would be a better fit. You know. I knew

1:32:41.800 --> 1:32:44.000
<v Speaker 1>it was going to be a better fit. But they

1:32:44.080 --> 1:32:46.920
<v Speaker 1>had grabbed an album on their own, and they didn't

1:32:46.960 --> 1:32:49.479
<v Speaker 1>think the first two were what they were looking for.

1:32:50.120 --> 1:32:53.320
<v Speaker 1>And then the third one was even slicker, you know,

1:32:53.800 --> 1:32:56.200
<v Speaker 1>And then that's what I knew, that was, here's a

1:32:56.240 --> 1:32:59.160
<v Speaker 1>whole bunch of older tunes that you need to show

1:32:59.280 --> 1:33:03.120
<v Speaker 1>up on this second album. And so to so many people,

1:33:03.560 --> 1:33:07.280
<v Speaker 1>that is a bible of you know, what music is about,

1:33:07.640 --> 1:33:10.400
<v Speaker 1>how to powlish it up. You know, it just sounds

1:33:10.479 --> 1:33:14.360
<v Speaker 1>good as a you know, as music porch music from

1:33:14.400 --> 1:33:21.880
<v Speaker 1>porch back, porch music, you know. But um yeah, um

1:33:22.800 --> 1:33:27.519
<v Speaker 1>they Martin Rip liked it. And then then he asked

1:33:27.560 --> 1:33:30.160
<v Speaker 1>me because I do some dialogue for him, and that's

1:33:30.240 --> 1:33:33.320
<v Speaker 1>when they put me in the in the movie is playing,

1:33:33.520 --> 1:33:38.200
<v Speaker 1>uh the family friend Ike Phillips, and I actually I

1:33:38.320 --> 1:33:40.360
<v Speaker 1>actually got to you know, it was real nice. I

1:33:40.400 --> 1:33:44.400
<v Speaker 1>actually got to have you know, one uh guitar like

1:33:44.600 --> 1:33:48.519
<v Speaker 1>Rosetta Thorpe, one of those you know dually in National

1:33:48.720 --> 1:33:53.679
<v Speaker 1>Sunbverse tobacco with sunbverse and and play that in the movie.

1:33:53.880 --> 1:33:55.240
<v Speaker 1>And I will be there for as long as you

1:33:55.280 --> 1:33:58.840
<v Speaker 1>can show that movie, you know. I mean it's that's

1:33:58.880 --> 1:34:01.160
<v Speaker 1>like I pulled off, pull up, pull up a whole

1:34:01.200 --> 1:34:03.439
<v Speaker 1>bunch of stuff. I want to walk up and one

1:34:03.479 --> 1:34:06.800
<v Speaker 1>of the ending scenes, I'm whistling Carena when I walk up.

1:34:07.360 --> 1:34:11.040
<v Speaker 1>You know, people paying attention. You know. I had a

1:34:11.200 --> 1:34:14.360
<v Speaker 1>wonderful time with the people down there and the music,

1:34:14.960 --> 1:34:20.200
<v Speaker 1>and I made some lifelong friends, the William Anderson family. Yeah,

1:34:21.200 --> 1:34:28.320
<v Speaker 1>uh Ted Lee and them and uh yeah, okay, So

1:34:28.439 --> 1:34:30.240
<v Speaker 1>then you end up working in front of the camera.

1:34:30.280 --> 1:34:34.880
<v Speaker 1>How do you get all these other booby roles? Um No,

1:34:35.040 --> 1:34:36.760
<v Speaker 1>I didn't do too much. I just did, you know

1:34:36.760 --> 1:34:40.280
<v Speaker 1>a little bit. I did two pieces that were around sounder,

1:34:41.400 --> 1:34:44.000
<v Speaker 1>and uh, you know, I got a few things here

1:34:44.040 --> 1:34:46.320
<v Speaker 1>and there. I want, you know, I want to there

1:34:46.360 --> 1:34:48.800
<v Speaker 1>have been some really good stuff to play, you know,

1:34:48.840 --> 1:34:50.760
<v Speaker 1>I don't want to do to be a job motherfucker

1:34:50.880 --> 1:34:53.040
<v Speaker 1>up here and they're playing then see it. You know

1:34:53.680 --> 1:34:56.760
<v Speaker 1>that's because that's what was going on. Then Yeah, man,

1:34:57.160 --> 1:34:59.160
<v Speaker 1>I ain't to say if I ain't, you know, I'm

1:34:59.240 --> 1:35:04.880
<v Speaker 1>not doing that. Yeah, come on, you know you mentioned

1:35:04.960 --> 1:35:12.280
<v Speaker 1>Bill Graham, how important is a manager and will you managed? Well, um,

1:35:14.120 --> 1:35:17.840
<v Speaker 1>that's a story that should appear somewhere else. I'll leave

1:35:17.880 --> 1:35:22.080
<v Speaker 1>it at that, you know, I think that I'll put

1:35:22.120 --> 1:35:25.519
<v Speaker 1>it this way. I died involved with him because I saw, oh,

1:35:25.640 --> 1:35:28.640
<v Speaker 1>well he could do what he did. You know, we

1:35:28.760 --> 1:35:36.360
<v Speaker 1>had some really differences, oh our modus operandi and yo

1:35:37.600 --> 1:35:41.360
<v Speaker 1>personal service situation. At some point game till came to

1:35:41.439 --> 1:35:46.960
<v Speaker 1>the fork in the road. Unfortunately we were able to

1:35:47.720 --> 1:35:52.479
<v Speaker 1>to uh, he was able to two h figure that

1:35:53.800 --> 1:35:57.120
<v Speaker 1>you know, I was, I was a man standing and

1:35:58.200 --> 1:36:02.800
<v Speaker 1>he had to acknowledge that did about other people who

1:36:02.840 --> 1:36:07.080
<v Speaker 1>were managing you good, bad or otherwise. You know. Yeah, well, well,

1:36:07.640 --> 1:36:12.320
<v Speaker 1>see often times that people coming you can tell where

1:36:12.360 --> 1:36:15.479
<v Speaker 1>people are at by how when when when it gets

1:36:15.560 --> 1:36:19.639
<v Speaker 1>down to the crunch, you know, they they they're they're

1:36:19.680 --> 1:36:24.439
<v Speaker 1>just the garden variety manager. You know, they don't see

1:36:24.920 --> 1:36:28.200
<v Speaker 1>they don't see nobody's Most people are not going to

1:36:28.320 --> 1:36:31.519
<v Speaker 1>see me because of the fact that they think that

1:36:31.640 --> 1:36:35.920
<v Speaker 1>they know they know you know my people and how

1:36:36.080 --> 1:36:39.560
<v Speaker 1>we react. Sometimes they might be absolutely correct. They know

1:36:40.479 --> 1:36:44.160
<v Speaker 1>those people and how those people of my people react.

1:36:44.280 --> 1:36:46.960
<v Speaker 1>They don't know me. You want to know me, talk

1:36:47.080 --> 1:36:51.080
<v Speaker 1>to me. You want to know me. Respect me. I

1:36:51.240 --> 1:36:55.080
<v Speaker 1>respect you. I started out but that, but you know,

1:36:55.520 --> 1:36:57.880
<v Speaker 1>you play me cheap and play me payment, play me

1:36:57.960 --> 1:37:00.840
<v Speaker 1>like I'm some kind of ghetto orf and you're in

1:37:00.920 --> 1:37:04.559
<v Speaker 1>trouble son? Is that it ain't that kind of party?

1:37:05.960 --> 1:37:09.120
<v Speaker 1>You know? And today? Do you have a manager today

1:37:09.200 --> 1:37:10.680
<v Speaker 1>or do you do it yourself? Do you have an

1:37:10.720 --> 1:37:13.519
<v Speaker 1>agent of books gigs? Yeah? I got what agent that

1:37:13.560 --> 1:37:16.799
<v Speaker 1>books age and I worked with a with a management

1:37:16.880 --> 1:37:21.200
<v Speaker 1>crew that I really like that I respect, you know,

1:37:21.680 --> 1:37:25.920
<v Speaker 1>And that's it. You know, you even even if quietly

1:37:26.360 --> 1:37:27.840
<v Speaker 1>you don't know as soon as you turn to your

1:37:27.920 --> 1:37:32.240
<v Speaker 1>head sideways said, I don't know, you're in trouble. You

1:37:32.320 --> 1:37:35.560
<v Speaker 1>know how to respect people. People have to respect you.

1:37:36.760 --> 1:37:39.679
<v Speaker 1>Any goals that have going unfulfilled that you're still trying

1:37:39.760 --> 1:37:46.240
<v Speaker 1>to achieve, Yeah, making money like Michael Jackson, okay, hopefully

1:37:46.320 --> 1:37:50.920
<v Speaker 1>not spending it like Michael Jackson. But I said what

1:37:51.040 --> 1:37:55.280
<v Speaker 1>I said, you know, Okay, So how has money been

1:37:55.360 --> 1:38:01.519
<v Speaker 1>throughout your sixty year career? Uh? Scarce but good enough.

1:38:01.800 --> 1:38:04.360
<v Speaker 1>Good enough to put my kids to college, you know,

1:38:05.040 --> 1:38:08.599
<v Speaker 1>and you know, and take care of myself and take

1:38:08.600 --> 1:38:13.400
<v Speaker 1>here the people that I'm responsible for into you know,

1:38:13.400 --> 1:38:17.320
<v Speaker 1>if that's what it is cool, you know, I'm living

1:38:17.360 --> 1:38:22.160
<v Speaker 1>a good life. You know, what are your kids up to? Um? Everything?

1:38:22.880 --> 1:38:28.480
<v Speaker 1>You know, everything from landscape and you know, landscape, permaculture,

1:38:29.320 --> 1:38:36.760
<v Speaker 1>other musicians, you know, computer computer, computer science people, um,

1:38:37.320 --> 1:38:44.000
<v Speaker 1>you know, um yeah, everything you know your name it.

1:38:44.520 --> 1:38:47.520
<v Speaker 1>You know. You know there's you know someone with musicians

1:38:47.960 --> 1:38:54.160
<v Speaker 1>you know and involved in climate. You know. One of

1:38:54.240 --> 1:38:59.000
<v Speaker 1>my daughters is a is a UM published writer, you know,

1:39:00.240 --> 1:39:03.519
<v Speaker 1>and you know, all of them going along in their

1:39:03.600 --> 1:39:08.680
<v Speaker 1>own space, doing their own thing, you know, and independent,

1:39:09.640 --> 1:39:14.560
<v Speaker 1>so they're they're not on the payroll. Oh no, oh no,

1:39:15.280 --> 1:39:18.240
<v Speaker 1>I mean when they were going to college. I mean maybe,

1:39:18.320 --> 1:39:22.800
<v Speaker 1>like maybe my youngest one, he's he's just just just

1:39:22.960 --> 1:39:25.240
<v Speaker 1>coming off, but he's still in he's still in school.

1:39:25.920 --> 1:39:28.840
<v Speaker 1>You know, he's doing really good. He's gonna be I

1:39:28.920 --> 1:39:32.840
<v Speaker 1>think springtime, that's gonna be the end of that. You know.

1:39:33.479 --> 1:39:35.920
<v Speaker 1>He's the one he I mean, he's he's paying for

1:39:36.080 --> 1:39:38.880
<v Speaker 1>a school and something he wanted to do. So I'm

1:39:38.920 --> 1:39:42.800
<v Speaker 1>helping him out with other things, you know, and that works.

1:39:43.080 --> 1:39:44.360
<v Speaker 1>You know. I got a couple of just a couple

1:39:44.400 --> 1:39:47.360
<v Speaker 1>of them that I'm dealing with probably dealing with some

1:39:47.439 --> 1:39:51.320
<v Speaker 1>money too. But you know when whenever it comes up,

1:39:51.760 --> 1:39:53.800
<v Speaker 1>somebody's got a good idea, he says, Hey, they want

1:39:53.800 --> 1:39:56.839
<v Speaker 1>to put this together. They needs they needs some backing,

1:39:57.280 --> 1:40:03.280
<v Speaker 1>you know, sure, Steward, Okay, this is audio only, but

1:40:03.360 --> 1:40:05.320
<v Speaker 1>I can see you. You have a fish or a

1:40:05.439 --> 1:40:08.200
<v Speaker 1>dolphin around your neck. What's that about? That is a

1:40:09.680 --> 1:40:17.200
<v Speaker 1>um marlin and it signifies almost seven hundred pound marlin.

1:40:17.880 --> 1:40:21.759
<v Speaker 1>And I caught off of um Hannibal Bank in Panama

1:40:22.560 --> 1:40:27.240
<v Speaker 1>and tagged it, revived it and let it go. And

1:40:27.520 --> 1:40:30.800
<v Speaker 1>is there any weird place you haven't been that you

1:40:30.880 --> 1:40:36.639
<v Speaker 1>want to go? Yeah? Sure, there's all kinds of places

1:40:36.720 --> 1:40:40.400
<v Speaker 1>that come on man. I mean it's like you know,

1:40:41.400 --> 1:40:47.120
<v Speaker 1>um yeah, it's like fifty four countries in Africa and

1:40:47.200 --> 1:40:52.479
<v Speaker 1>I've only been a fourteen of them, you know, um

1:40:53.280 --> 1:41:00.280
<v Speaker 1>plenty Caribbean islands I haven't been to, you know, been

1:41:00.360 --> 1:41:02.640
<v Speaker 1>down there and been on some of them. You know.

1:41:04.040 --> 1:41:07.479
<v Speaker 1>It's good, it's great, you know. And at this point

1:41:07.479 --> 1:41:11.960
<v Speaker 1>in time, how many gigs do you do in a year? Uh? Well,

1:41:12.320 --> 1:41:14.800
<v Speaker 1>it's just start enough since COVID, Uh, I don't know

1:41:16.240 --> 1:41:19.120
<v Speaker 1>this year, I don't know how many we're we're probably well,

1:41:19.360 --> 1:41:21.720
<v Speaker 1>I don't know, I have no idea yet, you know,

1:41:21.960 --> 1:41:25.560
<v Speaker 1>just the last, the last of what we're doing for

1:41:25.720 --> 1:41:32.559
<v Speaker 1>a year. That list seventeen more gigs and we're talking

1:41:32.760 --> 1:41:37.760
<v Speaker 1>just before Thanksgiving. So going forward, do you want to

1:41:37.880 --> 1:41:40.800
<v Speaker 1>work more? You want to work less? Anything? Specifically, you

1:41:40.840 --> 1:41:46.280
<v Speaker 1>want to do work different? You know, means producing records,

1:41:46.640 --> 1:41:50.680
<v Speaker 1>producing other people, seeing other folks get a platform, come

1:41:50.760 --> 1:41:52.720
<v Speaker 1>up with you know, come out with some other I've

1:41:52.760 --> 1:41:54.360
<v Speaker 1>got a lot of got a lot of ye know.

1:41:54.360 --> 1:41:59.200
<v Speaker 1>It's like my output to two is much much bigger

1:41:59.240 --> 1:42:03.040
<v Speaker 1>than what what the what their old record business used

1:42:03.080 --> 1:42:06.320
<v Speaker 1>to be able to handle. So going forward, I think

1:42:06.360 --> 1:42:09.439
<v Speaker 1>we can, we can put out more records, you know,

1:42:09.960 --> 1:42:13.040
<v Speaker 1>but in a different kind of way, you know. I

1:42:13.120 --> 1:42:18.040
<v Speaker 1>mean it's like now one one song equals the group

1:42:19.240 --> 1:42:23.559
<v Speaker 1>you know where, which was like fifties. You know, it's

1:42:23.680 --> 1:42:27.479
<v Speaker 1>Dion and the Belmonts. Oh my god, you know, it's

1:42:27.520 --> 1:42:31.160
<v Speaker 1>Bill Dogging and Honkey Talk. Oh my god, it's James

1:42:31.280 --> 1:42:36.240
<v Speaker 1>Brown and you know, try me, Smokey Robinson, you know,

1:42:37.080 --> 1:42:39.840
<v Speaker 1>shop around, you know, and you didn't know anything else

1:42:39.880 --> 1:42:42.600
<v Speaker 1>they did. Just do that. You like that record and

1:42:42.760 --> 1:42:45.960
<v Speaker 1>you're like that band and we're back at the same door,

1:42:47.120 --> 1:42:48.960
<v Speaker 1>you know. So, but I have a lot of music,

1:42:49.680 --> 1:42:52.320
<v Speaker 1>you know, uh, other things I'd like to do. I

1:42:52.479 --> 1:42:56.519
<v Speaker 1>love it, you know, do more uh scoring of records.

1:42:57.080 --> 1:43:00.680
<v Speaker 1>Let me see the scoring with movies, you know, and

1:43:01.080 --> 1:43:06.040
<v Speaker 1>uh you know. But also most of all, see the

1:43:06.600 --> 1:43:10.760
<v Speaker 1>musicians that young, my my, my family. You'll get recognized

1:43:10.800 --> 1:43:13.760
<v Speaker 1>who what it is they do is several you know,

1:43:13.880 --> 1:43:18.960
<v Speaker 1>hip hop, rap, R and B, you know, far out jazz,

1:43:19.720 --> 1:43:24.200
<v Speaker 1>you know, all kinds of music. Well, Taj, I want

1:43:24.240 --> 1:43:26.120
<v Speaker 1>to thank you so much for taking the time to

1:43:26.200 --> 1:43:29.479
<v Speaker 1>talk to me and my audience. I've been very illuminating. Hey,

1:43:31.000 --> 1:43:33.320
<v Speaker 1>thank you. You know. I was saying, you know, you

1:43:33.600 --> 1:43:36.400
<v Speaker 1>this stuff you're talking about, your growing up in your perspective,

1:43:36.479 --> 1:43:39.720
<v Speaker 1>that people need to hear that stuff. Yeah. Well, hey,

1:43:40.439 --> 1:43:43.519
<v Speaker 1>if you want it, you gotta go after it, you know.

1:43:44.040 --> 1:43:48.280
<v Speaker 1>And you can't let people. You can't let people deter you. Nope,

1:43:48.439 --> 1:43:53.720
<v Speaker 1>not deterred. Sorry, Well I know it's okay. You can

1:43:53.760 --> 1:43:57.200
<v Speaker 1>go right ahead, you know, and I will read about

1:43:57.280 --> 1:44:00.160
<v Speaker 1>you with you all your success when you drive your

1:44:00.200 --> 1:44:04.920
<v Speaker 1>miles aroundie off Cliff because you can't stand not paid

1:44:04.960 --> 1:44:10.840
<v Speaker 1>attention to you know, and keep on keep on percolating,

1:44:10.960 --> 1:44:13.840
<v Speaker 1>doing right, doing good with people. But now some of that,

1:44:14.320 --> 1:44:16.880
<v Speaker 1>no matter what, come back around and say, my god,

1:44:16.960 --> 1:44:20.280
<v Speaker 1>just saying feels even better forty years later. I mean,

1:44:20.320 --> 1:44:22.840
<v Speaker 1>I've got people telling me, man, I know you see

1:44:23.080 --> 1:44:28.240
<v Speaker 1>fifty seven years ago, you know, just like this regularly ride. Well,

1:44:28.320 --> 1:44:32.439
<v Speaker 1>fifty seven years we hadn't played together. Listen. I was

1:44:32.560 --> 1:44:36.080
<v Speaker 1>talking about the psychiatrist earlier, and he says, oh, I

1:44:36.160 --> 1:44:39.040
<v Speaker 1>saw taj Mahal when I was you know, and he

1:44:39.120 --> 1:44:41.439
<v Speaker 1>said it was a high school. He sent me the thing.

1:44:41.800 --> 1:44:44.759
<v Speaker 1>It was from Snick that was a benefit for stick

1:44:44.840 --> 1:44:48.759
<v Speaker 1>and it was you and John Himmon and Tom Rush.

1:44:49.240 --> 1:44:52.439
<v Speaker 1>People remember you, that's for sure. Yeah, right, even if

1:44:52.479 --> 1:44:55.800
<v Speaker 1>they even even if they haven't come back for fifty years,

1:44:57.439 --> 1:44:59.760
<v Speaker 1>if it was and then, and that was always something

1:45:00.240 --> 1:45:03.040
<v Speaker 1>I have to say, that's something that always was able

1:45:03.080 --> 1:45:06.000
<v Speaker 1>to sustain me. So I just realized that whatever it

1:45:06.240 --> 1:45:09.000
<v Speaker 1>is and whatever what I'm supposed to get going here,

1:45:09.600 --> 1:45:12.400
<v Speaker 1>is that I don't lose sight of the music. And

1:45:12.479 --> 1:45:16.880
<v Speaker 1>I never did. I never have until next time. This

1:45:17.080 --> 1:45:33.120
<v Speaker 1>is Bob Left sets h