1 00:00:00,160 --> 00:00:07,560 Speaker 1: Donkey up the day. Damn the hea hog is it's 2 00:00:08,600 --> 00:00:11,560 Speaker 1: the day. I ain't trying to be dunkey today. No more. 3 00:00:11,640 --> 00:00:13,840 Speaker 1: They should be embarrassed by what they already did. I'm 4 00:00:13,880 --> 00:00:15,720 Speaker 1: not making these people do these day. They called donkey 5 00:00:15,800 --> 00:00:18,520 Speaker 1: up the day and it really caught me off guard. 6 00:00:18,760 --> 00:00:21,680 Speaker 1: Damn Solomon, who got the donkey out of the day 7 00:00:21,760 --> 00:00:26,400 Speaker 1: to day? Well, Jess hilarious. Donkey of the Day for Friday, 8 00:00:26,480 --> 00:00:29,560 Speaker 1: March tenth goals to Stefania Santa Bria. She is a 9 00:00:29,600 --> 00:00:32,720 Speaker 1: fifty year old fifth grade math instructor. Listen to what 10 00:00:32,760 --> 00:00:38,080 Speaker 1: I said, fifty year old fifth grade math instructor. Math. Math, okay, 11 00:00:38,159 --> 00:00:40,800 Speaker 1: the area of knowledge that included the topics of numbers, 12 00:00:40,840 --> 00:00:43,800 Speaker 1: formulas and related structures, shapes and spaces. Okay. You know 13 00:00:43,880 --> 00:00:47,120 Speaker 1: five plus five, six times two, eight divided by four. 14 00:00:47,159 --> 00:00:48,960 Speaker 1: We all know what math is. And when you're in 15 00:00:48,960 --> 00:00:52,920 Speaker 1: fifth grade, those students, you know, they focused on adding, subtracting, multiplying, 16 00:00:52,960 --> 00:00:55,600 Speaker 1: and dividing whole numbers, fractions, decimals. You know what I'm 17 00:00:55,600 --> 00:00:59,360 Speaker 1: talking about. Okay? Well, Stefania Santabria, the fifth grade math teacher, 18 00:00:59,400 --> 00:01:03,840 Speaker 1: faces argist including strangulation in the second degree risk of 19 00:01:03,880 --> 00:01:07,240 Speaker 1: injury to a minor and reckless endangerment in the first degree. 20 00:01:07,560 --> 00:01:10,360 Speaker 1: How did we get to that equation? Okay, what plus 21 00:01:10,680 --> 00:01:13,919 Speaker 1: what equal strangulation in the second degree, risk of injury 22 00:01:13,920 --> 00:01:16,720 Speaker 1: to a minor and reckless endangerment in the first degree. Well, 23 00:01:16,959 --> 00:01:19,680 Speaker 1: let's go to ABC seven New York Putter report, please, Okay, Liz. 24 00:01:19,760 --> 00:01:22,399 Speaker 1: Usually when we hear about choke holds in the news, 25 00:01:22,400 --> 00:01:25,120 Speaker 1: we're hearing about something that police are not supposed to 26 00:01:25,160 --> 00:01:28,279 Speaker 1: do because it's dangerous. Well, in this case, a teacher 27 00:01:28,319 --> 00:01:30,840 Speaker 1: who was working as a math coach is accused of 28 00:01:30,840 --> 00:01:33,600 Speaker 1: putting a fifth grader in a choke hold. Now, this 29 00:01:33,720 --> 00:01:37,880 Speaker 1: was supposed to be educational a demonstration, but the school 30 00:01:37,880 --> 00:01:41,320 Speaker 1: district says that student fainted, letting us know that a 31 00:01:41,360 --> 00:01:44,200 Speaker 1: staff member they're a math coach, had rendered one of 32 00:01:44,200 --> 00:01:48,040 Speaker 1: the students unconscious. According to the police reports, had happened 33 00:01:48,080 --> 00:01:51,240 Speaker 1: while teaching a group of fifth graders a defensive jiu 34 00:01:51,360 --> 00:01:56,000 Speaker 1: jitsu move and demonstrating on three of them. Someone alerted 35 00:01:56,040 --> 00:02:00,360 Speaker 1: the school nurse. The student regained consciousness, it says the reports, 36 00:02:00,360 --> 00:02:03,200 Speaker 1: within seconds. Any idea how it came to be that 37 00:02:03,240 --> 00:02:06,280 Speaker 1: she was teaching them martial arts when she's a math coach, 38 00:02:06,400 --> 00:02:09,000 Speaker 1: you know the So the investigation is still ongoing. We're 39 00:02:09,080 --> 00:02:12,119 Speaker 1: not sure exactly why she decided to do that, an 40 00:02:12,120 --> 00:02:15,120 Speaker 1: investigation that resulted in an arrest a week later, a 41 00:02:15,160 --> 00:02:18,680 Speaker 1: fifty year old Stephanie Senabria at her home in Danbury. 42 00:02:19,000 --> 00:02:23,639 Speaker 1: She's facing serious charges strangulation, risk of injury to a minor, 43 00:02:23,880 --> 00:02:28,640 Speaker 1: and reckless endangerment. Ma'am, ma'am, You're supposed to be a 44 00:02:28,639 --> 00:02:31,799 Speaker 1: math teacher, not math hoffel. Okay, this is what I'd 45 00:02:31,800 --> 00:02:33,640 Speaker 1: be trying to explain to my wife. I don't understand 46 00:02:33,639 --> 00:02:35,880 Speaker 1: this new math at all. Okay. Now, I'm all for 47 00:02:35,919 --> 00:02:38,000 Speaker 1: teaching kids how to defend themselves, but I'm also all 48 00:02:38,000 --> 00:02:40,360 Speaker 1: for everyone staying in the damn lane. If the class 49 00:02:40,440 --> 00:02:42,600 Speaker 1: is math, the subject is math, you are indeed a 50 00:02:42,639 --> 00:02:44,880 Speaker 1: math instructor. Then why the hell are you teaching my 51 00:02:45,000 --> 00:02:47,560 Speaker 1: child how to do a rid eke choko? Okay, you're 52 00:02:47,560 --> 00:02:50,000 Speaker 1: supposed to be teaching calculus, not the Campbell clutch. You're 53 00:02:50,000 --> 00:02:51,720 Speaker 1: supposed to be teaching my child how to do fraction. 54 00:02:51,760 --> 00:02:53,639 Speaker 1: It's not thinking for a leg locks. Okay. This is 55 00:02:53,680 --> 00:02:55,880 Speaker 1: the problem with the era we in. Everybody thinks they're 56 00:02:55,919 --> 00:02:59,720 Speaker 1: an expert at everything. Nobody is actually in alignment with 57 00:02:59,720 --> 00:03:02,160 Speaker 1: their actual purpose. Okay, when you see a math teacher 58 00:03:02,240 --> 00:03:04,840 Speaker 1: teaching kids how to do tech dboss a million dollars, 59 00:03:04,880 --> 00:03:07,400 Speaker 1: dream the best, believe the math and mathing. Now we 60 00:03:07,480 --> 00:03:09,480 Speaker 1: all parents in this room, Tamar, what do you do 61 00:03:09,520 --> 00:03:11,360 Speaker 1: when your child comes home and says her math scrub 62 00:03:11,440 --> 00:03:14,480 Speaker 1: to put them in the crypler car, the crippler cross face. Oh, 63 00:03:14,600 --> 00:03:21,400 Speaker 1: pray for me, and somebody go get my bill. Oh baby, 64 00:03:21,400 --> 00:03:24,520 Speaker 1: it's going down. Yeah, I would have to have that 65 00:03:24,600 --> 00:03:28,000 Speaker 1: math teacher teach me so I can teach her. Yeah, 66 00:03:28,080 --> 00:03:31,720 Speaker 1: and be what about you? Ah, well, female teachers, they 67 00:03:31,760 --> 00:03:33,280 Speaker 1: gotta deal with gear. I'm sure Gil will put her 68 00:03:33,280 --> 00:03:35,440 Speaker 1: in the Brooklyn head locks of house some way, knock 69 00:03:35,480 --> 00:03:37,120 Speaker 1: it right out. Get put you in a chokeo before 70 00:03:37,280 --> 00:03:39,360 Speaker 1: she did, and she and I almost passed out like 71 00:03:39,400 --> 00:03:42,440 Speaker 1: I was tapping up. Yes, And now we can't play 72 00:03:42,440 --> 00:03:44,320 Speaker 1: flight anymore because she had me in a lot and 73 00:03:44,360 --> 00:03:46,400 Speaker 1: I couldn't get out, and I was I was dying 74 00:03:46,440 --> 00:03:49,640 Speaker 1: and I just it's not funny though, dropping the clue monster, 75 00:03:49,960 --> 00:03:53,480 Speaker 1: don't you do it? That's a shit. Maybe can't beat 76 00:03:53,560 --> 00:03:59,360 Speaker 1: nobody in this house. Nobody you can take I can 77 00:03:59,440 --> 00:04:03,760 Speaker 1: take pay. Okay, I will shoot this teacher a little bail. 78 00:04:03,880 --> 00:04:06,440 Speaker 1: Maybe she's been seeing all these teachers online getting beat 79 00:04:06,520 --> 00:04:09,480 Speaker 1: up by kids, so she was doing some preventative measures. 80 00:04:09,480 --> 00:04:11,360 Speaker 1: She just had to let these little kids know that 81 00:04:11,480 --> 00:04:13,680 Speaker 1: she knows a little something something, just in case one 82 00:04:13,720 --> 00:04:16,279 Speaker 1: of them get too sparty. Okay, sometimes you gotta show 83 00:04:16,279 --> 00:04:18,400 Speaker 1: people your scrimp so they know not to play with you. 84 00:04:18,440 --> 00:04:20,960 Speaker 1: But here's the thing, miss math instructive. When playing with 85 00:04:21,000 --> 00:04:23,160 Speaker 1: other people's kids, or should I say, when called it 86 00:04:23,240 --> 00:04:25,599 Speaker 1: harm the other people's churn, you need to ask yourself 87 00:04:25,839 --> 00:04:30,799 Speaker 1: one simple question, why is the math book sad? I repeat? 88 00:04:31,000 --> 00:04:33,440 Speaker 1: Why is the math book sad? Because it has too 89 00:04:33,440 --> 00:04:37,240 Speaker 1: many problems? That's exactly That's exactly what you're gonna have 90 00:04:37,400 --> 00:04:40,280 Speaker 1: and deserve to have putting other people's kids in the 91 00:04:40,360 --> 00:04:44,159 Speaker 1: cobra clutch. Okay, please give Stefania Santa Bria the sweet 92 00:04:44,200 --> 00:04:50,480 Speaker 1: challenge in the Hamletones. Oh no, you are Doe the 93 00:04:50,880 --> 00:05:03,800 Speaker 1: day the doge, Oh the day. Ye fifty years old, 94 00:05:03,880 --> 00:05:07,720 Speaker 1: big age of fifty, still making choices last crazy. Yes, 95 00:05:07,760 --> 00:05:10,400 Speaker 1: it is all right, Well thank you for that donkey. Today, 96 00:05:11,040 --> 00:05:12,760 Speaker 1: Now when we come back. Let's open up the phone 97 00:05:12,800 --> 00:05:15,240 Speaker 1: lines eight hundred five five one or five one. This 98 00:05:15,320 --> 00:05:19,160 Speaker 1: conversation act came Friday. Let's do it. It's Friday, so 99 00:05:19,279 --> 00:05:22,400 Speaker 1: you know what that means. It's freaking freaking freaky Friday. 100 00:05:23,400 --> 00:05:26,200 Speaker 1: All right, freaky freaky freaky Friday. Question is all right, 101 00:05:26,279 --> 00:05:30,120 Speaker 1: So can you say that another man is sexy? That's 102 00:05:30,120 --> 00:05:32,479 Speaker 1: where the question comes from. Yes, yes, sexy? All right? 103 00:05:32,520 --> 00:05:35,160 Speaker 1: Can a man say another man sexy? And how do 104 00:05:35,279 --> 00:05:37,440 Speaker 1: women look at a man if a man says another 105 00:05:37,520 --> 00:05:39,880 Speaker 1: man it's sexy? Now this comes yesterday, but was behind 106 00:05:39,920 --> 00:05:43,040 Speaker 1: the sexy. We were behind the scenes yesterday. Attractive. You 107 00:05:43,279 --> 00:05:48,760 Speaker 1: said sexy? That came. That came from two places one 108 00:05:49,520 --> 00:05:52,560 Speaker 1: this audio right here. Charlemagne, I think kind of have 109 00:05:52,680 --> 00:05:55,680 Speaker 1: a He seemed like, oh he a little bit, he 110 00:05:56,160 --> 00:05:58,240 Speaker 1: like a He have a kind of a womanly look. 111 00:05:58,440 --> 00:06:02,240 Speaker 1: He's beautiful. Yeah, you tell me Charlemagne. Ain't fine, bro, 112 00:06:02,880 --> 00:06:05,520 Speaker 1: Come on though, Oh you put him in a wig. Dog. 113 00:06:05,800 --> 00:06:09,240 Speaker 1: Some basketball players gonna fuck him. That's a THEO von 114 00:06:09,279 --> 00:06:11,320 Speaker 1: I like hear THEO Vane preacher. I don't know why 115 00:06:11,400 --> 00:06:13,160 Speaker 1: y'all trying to discourage people from telling the pure and 116 00:06:13,200 --> 00:06:15,880 Speaker 1: the don't treat the truth this world. Okay. And yesterday 117 00:06:15,920 --> 00:06:18,040 Speaker 1: after the show, we were talking about Michael B. Jordan, 118 00:06:18,160 --> 00:06:20,840 Speaker 1: we were talking about Jonathan Majors and was like, yeah, 119 00:06:20,880 --> 00:06:23,920 Speaker 1: that is not what I said. What I said was people. 120 00:06:24,120 --> 00:06:26,040 Speaker 1: What I said was people just need to come Men 121 00:06:26,120 --> 00:06:29,320 Speaker 1: need to just come to the term. What was I saying? 122 00:06:29,520 --> 00:06:32,360 Speaker 1: Men need to just understand that women find these brothers sexy. 123 00:06:32,440 --> 00:06:36,279 Speaker 1: That's what I said. Okay, are you sure? I'm pretty 124 00:06:36,320 --> 00:06:40,840 Speaker 1: sure that people who said that you got said that 125 00:06:41,040 --> 00:06:43,240 Speaker 1: these men were sexy. If I did say that, I'm 126 00:06:43,240 --> 00:06:45,520 Speaker 1: sure I was just being funny in the room. But 127 00:06:45,520 --> 00:06:47,320 Speaker 1: I understand Michael B. Jordan. I mean he has a 128 00:06:47,360 --> 00:06:49,920 Speaker 1: spirit over him, so I understand what that means. Yes, 129 00:06:50,000 --> 00:06:59,920 Speaker 1: that's sexy, a strong sex. So I asked him strong fine, 130 00:07:00,360 --> 00:07:03,039 Speaker 1: five one oh five one. That's what we're making men 131 00:07:03,160 --> 00:07:05,240 Speaker 1: jealous right there when women talk about other men like that, 132 00:07:05,279 --> 00:07:07,160 Speaker 1: because that's what you would love to hear about yourself. 133 00:07:07,600 --> 00:07:13,360 Speaker 1: Jesus tell me that all you don't count. Yes, you 134 00:07:13,480 --> 00:07:15,480 Speaker 1: hear that all the time, even hand after your heads. 135 00:07:16,080 --> 00:07:18,600 Speaker 1: All right, doever we have audio? If you trust me 136 00:07:18,760 --> 00:07:20,600 Speaker 1: enough to let me put my lips on you, you know, 137 00:07:20,720 --> 00:07:24,160 Speaker 1: I'm gonna grip like a pit bulls. I'm not. But 138 00:07:24,520 --> 00:07:26,840 Speaker 1: that's well, that's audio shot me talking about other man. 139 00:07:26,880 --> 00:07:30,040 Speaker 1: So we'll talk about that when we come back. Idea, 140 00:07:30,200 --> 00:07:32,160 Speaker 1: I was not ready. I was not ready enough. I 141 00:07:32,160 --> 00:07:35,320 Speaker 1: don't I wasn't ready. Can we hear that again? Play 142 00:07:35,360 --> 00:07:37,040 Speaker 1: that again? You trust me enough to let me put 143 00:07:37,080 --> 00:07:39,640 Speaker 1: my lips on you. I'm gonna grip like a pit bulls. 144 00:07:39,680 --> 00:07:42,440 Speaker 1: I'm not. I'm first. Don't. I don't even know what 145 00:07:42,520 --> 00:07:45,960 Speaker 1: that we have explained. I don't. I don't want to 146 00:07:46,000 --> 00:07:49,760 Speaker 1: spin on the mic during this one. So you have 147 00:07:49,800 --> 00:07:51,920 Speaker 1: a history of this. That's that's what we say. Okay, 148 00:07:52,000 --> 00:07:54,040 Speaker 1: that's me, all right, eight hundred five, day five, one 149 00:07:54,120 --> 00:07:56,120 Speaker 1: oh five one. The question is again, man, can you 150 00:07:56,240 --> 00:07:58,600 Speaker 1: call another man sexy? Why try to be sexy? Though? Yes, 151 00:07:58,640 --> 00:07:59,840 Speaker 1: you can call it that. Yes you can say that 152 00:07:59,880 --> 00:08:02,680 Speaker 1: man as attractive. Should you say that's not sexy? That's 153 00:08:02,680 --> 00:08:05,240 Speaker 1: two different ways because sexy is a sexual attraction, So 154 00:08:05,320 --> 00:08:06,840 Speaker 1: that's different. If you say, yeah, that that's a good 155 00:08:06,880 --> 00:08:09,440 Speaker 1: looking brother, right now, you can do that. Why can't 156 00:08:09,480 --> 00:08:12,400 Speaker 1: you do that? Let's talk about it when we come back, 157 00:08:12,400 --> 00:08:15,160 Speaker 1: and ladies, if your man says another man's sexy or 158 00:08:15,160 --> 00:08:17,960 Speaker 1: another man is attractive? Is that okay with you? Y'all 159 00:08:17,960 --> 00:08:19,920 Speaker 1: are some crazy human job. You can't look at another 160 00:08:19,960 --> 00:08:21,600 Speaker 1: brother and be like, that's a good looking brother right there, 161 00:08:21,760 --> 00:08:23,640 Speaker 1: or even some brothers could inspire you. Should look at 162 00:08:23,640 --> 00:08:25,200 Speaker 1: Michael B. Jordan and Jonathan Major didn't want to do 163 00:08:25,200 --> 00:08:27,480 Speaker 1: a push upper two. You know I agree with that. 164 00:08:27,720 --> 00:08:30,400 Speaker 1: Do you think they're sexy? Do you? I ask you, 165 00:08:31,000 --> 00:08:40,120 Speaker 1: I don't know. I'm not sexually attractive to him. You do? You? First? 166 00:08:40,480 --> 00:08:47,640 Speaker 1: You first? You first? Wow, the breakfast it's the Breakfast Club. 167 00:08:47,679 --> 00:08:53,520 Speaker 1: Come morning, the Breakfast Club. Donkey to Day is brought 168 00:08:53,559 --> 00:08:56,000 Speaker 1: to you by the law Office of Michael s Lammon Saft. 169 00:08:56,120 --> 00:08:58,600 Speaker 1: Don't be a donkey. Dive pound two fifty on yourself 170 00:08:58,840 --> 00:09:01,480 Speaker 1: and say the bull. If you've been hurting a construction accident, 171 00:09:01,559 --> 00:09:03,520 Speaker 1: that's pound two five old from your cell and say 172 00:09:03,600 --> 00:09:04,000 Speaker 1: the bull.