WEBVTT - Chapter 14: Borrowing Trouble

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<v Speaker 1>Bridgewater is a production of iHeartRadio three D Audio and

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<v Speaker 1>Grimm and Mild from Aaron Mankey for full exposure. Listen

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<v Speaker 1>with headphones. Listener discretion advised.

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<v Speaker 2>Yes, yes, Linda, thank you, and I'm sorry. I mean,

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<v Speaker 2>you're the dean.

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<v Speaker 3>I should have called you earlier, and I'm sorry for

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<v Speaker 3>not giving you the advanced notice because obviously it put

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<v Speaker 3>you in a spot.

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<v Speaker 2>But no, no, no, it's not exactly resolved.

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<v Speaker 3>But I think the emergency part of the family emergency

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<v Speaker 3>is over at this point. But anyway, Yeah, thank you,

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<v Speaker 3>I appreciate it. No, no, no, no, no, I don't think

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<v Speaker 3>a leave of absence is necessary. We caught up on

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<v Speaker 3>quite a lot this morning, and I should be back

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<v Speaker 3>on schedule by the end of the week.

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<v Speaker 2>Oh really, who's the publisher? Oh well, that's fantastic. No,

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<v Speaker 2>I don't.

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<v Speaker 3>I don't have any completed chapters that I could share

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<v Speaker 3>just yet, but I.

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<v Speaker 2>How how soon do they want that? I could try

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<v Speaker 2>to do that?

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<v Speaker 3>So hold on, So just two or three sample chapters

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<v Speaker 3>and outline whole book.

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<v Speaker 2>Okay, yeah, okay, I'm going to get right on that.

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<v Speaker 3>Thank you, Thank you, Linda, Okay, bye.

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<v Speaker 2>Jeremy, Hey you What are you doing here?

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<v Speaker 4>Were you ever going to tell me that Celestia is dead?

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<v Speaker 2>Shit? Can you please close the door?

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<v Speaker 4>What the hell happened the other night? You were supposed

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<v Speaker 4>to protect her?

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<v Speaker 5>How exactly was I supposed to do that? You gave

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<v Speaker 5>me nothing to go on. It was all set up anyway.

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<v Speaker 5>You were never worried about her, of course I was.

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<v Speaker 5>She didn't seem all that surprise to see us. You

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<v Speaker 5>sent us there under false pretenses.

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<v Speaker 3>Yeah.

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<v Speaker 4>I may not have given you the whole picture, but

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<v Speaker 4>I was concerned about what she was going to do.

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<v Speaker 4>I knew she wanted you for the ritual, and I thought,

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<v Speaker 4>I mean, okay, when she told me her plan, I

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<v Speaker 4>just assumed you were an anchor for your dad, that

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<v Speaker 4>she could help him pass over.

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<v Speaker 2>Yeah, well that is not what happened.

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<v Speaker 4>So what did happen?

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<v Speaker 2>What did she tell you she was going to do? There?

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<v Speaker 2>The viil?

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<v Speaker 4>It had been getting weaker and weaker for a long time,

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<v Speaker 4>and she thought there was finally going to be a

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<v Speaker 4>way to close it. She thought Thomas was stuck like

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<v Speaker 4>he was holding the doorway open because he wasn't. He

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<v Speaker 4>wasn't what willing sacrifice.

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<v Speaker 2>So you knew you knew that my father had been

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<v Speaker 2>murdered by the gathering.

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<v Speaker 4>By the children of Titchuba. There were something else, something

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<v Speaker 4>twisted and wrong, that is no, I didn't know until

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<v Speaker 4>that night. She told me to come get you, to

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<v Speaker 4>send you an an to her at the ledge. She

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<v Speaker 4>she was going to push Thomas through, finally closed.

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<v Speaker 6>The gate for good.

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<v Speaker 4>But she she lied, didn't she that she could close

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<v Speaker 4>the gate without anyone else getting hurt.

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<v Speaker 2>I don't know what she was thinking, but yes, she jumped.

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<v Speaker 2>I'm sorry.

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<v Speaker 7>Was she happy?

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<v Speaker 2>Was she what?

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<v Speaker 8>Not?

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<v Speaker 4>Okay, maybe happy isn't the right word.

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<v Speaker 9>But did she.

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<v Speaker 4>Did she want to be doing it?

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<v Speaker 2>I don't know, I think so. We tried to stop her.

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<v Speaker 5>I tried to call out, I tried to pull her back,

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<v Speaker 5>but there was the wind, and there was all this

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<v Speaker 5>massive storm.

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<v Speaker 2>And that it would happen very fast.

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<v Speaker 4>What do you mean there was a store?

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<v Speaker 2>Yeah, there was a storm. Don't you remember.

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<v Speaker 4>I don't think there was a storm anywhere else?

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<v Speaker 3>Right, of course, you should have told me, honestly, Katie,

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<v Speaker 3>I didn't even it didn't occur to me.

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<v Speaker 2>I mean, the last three days have been.

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<v Speaker 3>I don't know how to begin to describe them to you,

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<v Speaker 3>and I'm not going to so don't ask. I just

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<v Speaker 3>I know that Celeste should have been more on my mind,

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<v Speaker 3>but I feel like I haven't had a chance to breathe.

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<v Speaker 3>I am sorry, she's gone me too. How did you

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<v Speaker 3>find out I haven't seen in the papers anywhere?

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<v Speaker 4>Well, they, I mean they called me. Yeah, I guess

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<v Speaker 4>I was listed as one of her emergency contacts. They

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<v Speaker 4>couldn't get a hold of any of the others, so

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<v Speaker 4>eventually they hit my name on the list.

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<v Speaker 2>Do you know who the others were?

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<v Speaker 4>Other members of the gathering? I would assume once from

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<v Speaker 4>other places, maybe people Celesti used to.

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<v Speaker 2>Know, And none of them answered. Is this the end

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<v Speaker 2>of the gathering? Do you think Celesti was the leader? Right?

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<v Speaker 6>Yeah?

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<v Speaker 4>For our chapter at least. And things have been scattered

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<v Speaker 4>the last few days.

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<v Speaker 7>But I've heard read what.

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<v Speaker 4>Celested, the sacrifice she made, it should have calmed everything down.

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<v Speaker 4>But there's been whisperings of another chapter leader coming to

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<v Speaker 4>Bridgewater to deal with the fallout.

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<v Speaker 2>What fallout?

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<v Speaker 4>I don't know. I mean, it's not over.

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<v Speaker 2>Yet, is it.

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<v Speaker 3>Honestly, Katie, I have no idea. I'm just trying to

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<v Speaker 3>get back to my life and to I don't know,

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<v Speaker 3>start getting to know that the.

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<v Speaker 2>The new life that this whole situation brought me. Right. So, wait,

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<v Speaker 2>who is this other leader?

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<v Speaker 4>Someone from Virginia? The triangle down there.

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<v Speaker 3>The historic Triangle, you know it? Yeah, of course, it's

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<v Speaker 3>a very well known area in the folklore circles.

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<v Speaker 4>Well, I guess that makes sense. More supernatural activity means

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<v Speaker 4>more members of the gathering.

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<v Speaker 3>And they're coming here because something went wrong with Celeste ritual.

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<v Speaker 4>Yeah, I guess.

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<v Speaker 2>Do you know who it is?

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<v Speaker 4>A woman named Peyton Blake. She's the youngest leader in

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<v Speaker 4>the history of the gathering, apparently barely thirty, apparently very knowledgeable.

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<v Speaker 2>Do you think you could give me her contact information?

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<v Speaker 4>I mean, see what I can dig up. But I

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<v Speaker 4>should tell you I'm not going to try to seek

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<v Speaker 4>her out.

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<v Speaker 2>Uh why not?

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<v Speaker 4>Look, I joined the gathering as a way to process

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<v Speaker 4>my grief about my mom, and maybe I don't know,

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<v Speaker 4>maybe I started to believe some of it the longer

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<v Speaker 4>I was part of it. But I'm in way over

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<v Speaker 4>my head now and I'm not sure I want to be.

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<v Speaker 2>Yeah, I know how you feel, but I'll try.

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<v Speaker 4>To track her down for you. I mean, as much

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<v Speaker 4>as I want to put all of this behind me,

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<v Speaker 4>you might not.

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<v Speaker 2>Be able to.

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<v Speaker 3>Yeah, Katie, I'm sorry you had to find out how

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<v Speaker 3>to celast from the police, but you, I don't know.

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<v Speaker 2>You can't expect me to be upfront with you, and

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<v Speaker 2>you haven't been upfront with me.

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<v Speaker 4>I guess that's fair.

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<v Speaker 3>Maybe you and I could just try being honest with

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<v Speaker 3>each other from now on. If this really isn't over,

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<v Speaker 3>then I think we probably want the same things that

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<v Speaker 3>to make sure that whatever's on the other side that

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<v Speaker 3>you all are always talking about doesn't come out.

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<v Speaker 4>Wait, did Sless make a believer out of you?

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<v Speaker 7>After all?

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<v Speaker 3>I think there is a lot more going on in

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<v Speaker 3>the Bridgewater Triangle, and I originally thought let's.

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<v Speaker 4>Just say that welcome to the club.

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<v Speaker 10>Look, okay, I know that we don't always see I I,

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<v Speaker 10>but Maria and I we want to help. I'm not

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<v Speaker 10>going to go out of my way to get involved,

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<v Speaker 10>but if you need people to help you, we're here.

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<v Speaker 2>Thank you. But actually I think I'm good. I've already

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<v Speaker 2>got a crack team on it.

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<v Speaker 6>I'm telling you, the plaid is going to make him

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<v Speaker 6>look like the original brownie towel man.

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<v Speaker 7>Not now that the mustache is gone.

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<v Speaker 6>Oh thank god, Hey, you're you're the.

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<v Speaker 7>Immediately assumed you recognized him from that hipster coffee shop.

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<v Speaker 9>It's the same.

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<v Speaker 7>No, I think the mustache could have been a strong choice.

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<v Speaker 6>Too strong, that had to go.

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<v Speaker 11>I liked my mustad too bad.

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<v Speaker 6>Hey, maybe you can grow a beard. Beards are so

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<v Speaker 6>in it and it would cover your face more beard maybe.

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<v Speaker 7>Hey, so is this what you expected for a granddaughter

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<v Speaker 7>grandfather bonding?

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<v Speaker 6>Oh right, you mean did I expect to be spending

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<v Speaker 6>my Friday helping my dead grandpa who's only like eight

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<v Speaker 6>years older than me shop for skinny jeans? No, not exactly.

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<v Speaker 7>Well, Olivia is right, it's somehow still too brownie towel guy.

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<v Speaker 6>Okay, the pants are good, though, way better than the

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<v Speaker 6>bell bottoms.

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<v Speaker 11>I never wore bell bottoms.

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<v Speaker 6>Okay, Oh, try the button down and the sweater next. Hey,

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<v Speaker 6>thank you for coming, by the way, I know this

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<v Speaker 6>whole thing is super weird.

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<v Speaker 7>Oh gosh, no, I am happy to do it.

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<v Speaker 6>I just I wasn't sure I was ready for the

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<v Speaker 6>full one on one with a total stranger i'm biologically

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<v Speaker 6>related to.

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<v Speaker 7>Yet trust me, I get it. I barely want one

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<v Speaker 7>on one time with my grandparents, and I've known them

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<v Speaker 7>my whole wife.

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<v Speaker 11>What do you all right? What do you what do

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<v Speaker 11>you think?

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<v Speaker 7>WHOA?

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<v Speaker 6>Holy shit? You look well.

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<v Speaker 12>I can't look that ridiculous, can I? We had collared

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<v Speaker 12>shirts and sweaters in the seventies.

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<v Speaker 6>No, no, you look fine.

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<v Speaker 7>You just oh you look just you look just like Jeremy.

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<v Speaker 6>Really just like him.

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<v Speaker 11>I mean it is creepy, all right, So no on

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<v Speaker 11>the sweater.

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<v Speaker 6>How do you feel about a Henley?

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<v Speaker 11>I don't know, I have no idea.

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<v Speaker 6>Great, try it on.

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<v Speaker 11>That's a Henley.

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<v Speaker 6>Okay, try it with that bomber jacket and the black jeans.

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<v Speaker 6>So you're not so cozy with the other coronas.

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<v Speaker 7>Oh no, I mean they're fine. I mean they're not

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<v Speaker 7>super thrilled that I'm spending my life doing research on

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<v Speaker 7>made up stories for children. That's what they say now.

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<v Speaker 7>But you know how it is. They're old.

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<v Speaker 6>Yeah, my dad's parents are kind of like that too.

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<v Speaker 6>Never understood my dad working in tech, and so I

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<v Speaker 6>understand me even less. How about your parents? Do they

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<v Speaker 6>think it's all made up nonsense?

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<v Speaker 2>Oh?

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<v Speaker 7>Yeah, they're religious Hindu, which is how I was raised. Actually, actually,

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<v Speaker 7>became really obsessed with religion when I was a teenager.

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<v Speaker 7>I went to church and temple and the mosque, Buddhist centers,

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<v Speaker 7>basically anything I could find. It drove them crazy.

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<v Speaker 6>That is a lot. Did you ever settle on any

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<v Speaker 6>of them?

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<v Speaker 7>I still celebrate the Hindu holidays with them, but I

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<v Speaker 7>don't know. I've always had a hard time believing in gods.

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<v Speaker 7>The idea of a more powerful being having an effect

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<v Speaker 7>on all of us just felt strange. Ideas about the

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<v Speaker 7>soul or karma or universal forces, even magical creatures or

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<v Speaker 7>monsters like those always made more sense to me. So

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<v Speaker 7>I get Hinduism more than a lot of other religions.

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<v Speaker 6>But none of it really feels right.

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<v Speaker 7>Yeah, exactly. I guess that's what led me to all

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<v Speaker 7>of the cryptozoology. I do think there's an explanation for

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<v Speaker 7>most of the weird stuff that's happened in the world,

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<v Speaker 7>for the miracles and the ghosts and the myths. I

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<v Speaker 7>just think that maybe our scope of understanding it is limited.

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<v Speaker 7>For some people, that leads them to religion, and for

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<v Speaker 7>me it led me to what my parents consider bigfoot hunting.

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<v Speaker 7>I've never been able to make them see that I'm

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<v Speaker 7>just seeking out the same answers that they are with

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<v Speaker 7>their faith. You know.

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<v Speaker 6>Oh, I can totally picture you as a religion obsessed

0:12:40.520 --> 0:12:44.480
<v Speaker 6>fifteen year old. Yeah yeah, well, I mean it's all

0:12:44.720 --> 0:12:47.240
<v Speaker 6>kind of part of that historical narrative that you're always

0:12:47.280 --> 0:12:50.840
<v Speaker 6>talking about. Right, So the stories that we tell ourselves

0:12:50.880 --> 0:12:53.679
<v Speaker 6>in religious texts, you know, they aren't that different from

0:12:53.720 --> 0:12:56.800
<v Speaker 6>the myths we make up to explain the unexplainable.

0:12:57.280 --> 0:13:01.040
<v Speaker 7>See, you should talk to my parents for me. Oh okay,

0:13:01.320 --> 0:13:06.200
<v Speaker 7>So I guess a lot of those things are explainable

0:13:06.240 --> 0:13:08.760
<v Speaker 7>now because monsters are real.

0:13:08.920 --> 0:13:12.040
<v Speaker 6>Well, I'll be sure not to mention that part to them, though.

0:13:12.240 --> 0:13:16.160
<v Speaker 6>You know, you should probably ask me out first before

0:13:16.200 --> 0:13:17.640
<v Speaker 6>you go introducing me to your parents.

0:13:18.600 --> 0:13:23.080
<v Speaker 12>But I feel ridiculous, like I'm pretending to be Jim

0:13:23.120 --> 0:13:23.880
<v Speaker 12>Morris or something.

0:13:23.920 --> 0:13:26.560
<v Speaker 6>Oh maybe if you kept the shaggy haircut. But I

0:13:26.559 --> 0:13:28.599
<v Speaker 6>think you look perfect.

0:13:27.720 --> 0:13:31.400
<v Speaker 11>Really, I don't look anything like myself exactly.

0:13:48.000 --> 0:13:54.680
<v Speaker 9>And hey, Jeremy, how are things at the university Little Rocky?

0:13:55.240 --> 0:13:59.200
<v Speaker 2>They're okay. My Dean was weirdly not thrilled that I

0:13:59.240 --> 0:14:00.000
<v Speaker 2>missed the last.

0:13:59.800 --> 0:14:02.000
<v Speaker 3>Two days of classes without any morning, But I think

0:14:02.240 --> 0:14:04.360
<v Speaker 3>I was actually able to smooth things over?

0:14:04.520 --> 0:14:05.440
<v Speaker 9>Would you tell her?

0:14:06.120 --> 0:14:08.800
<v Speaker 2>I told her truth that I had a family emergency.

0:14:09.920 --> 0:14:11.679
<v Speaker 2>I didn't get specifics.

0:14:12.120 --> 0:14:14.079
<v Speaker 3>I couldn't exactly tell her that my dad came back

0:14:14.080 --> 0:14:15.520
<v Speaker 3>from the dead, and I didn't.

0:14:18.559 --> 0:14:21.760
<v Speaker 2>Literally did not know what day of the week it was.

0:14:23.320 --> 0:14:25.040
<v Speaker 2>But it's okay. Where is he?

0:14:25.280 --> 0:14:27.080
<v Speaker 9>Oh, he's out with Olivia and Vippen.

0:14:27.480 --> 0:14:28.280
<v Speaker 2>Why doing what?

0:14:29.480 --> 0:14:29.960
<v Speaker 9>Shopping?

0:14:30.440 --> 0:14:30.600
<v Speaker 2>No?

0:14:31.080 --> 0:14:33.720
<v Speaker 9>Getting a haircut? Yeah?

0:14:33.800 --> 0:14:34.200
<v Speaker 2>Why?

0:14:34.320 --> 0:14:36.080
<v Speaker 9>The kids thought it might be a good idea for

0:14:36.160 --> 0:14:38.520
<v Speaker 9>Thomas to you know, blend in a little bit more.

0:14:38.560 --> 0:14:38.960
<v Speaker 9>I guess.

0:14:41.080 --> 0:14:46.120
<v Speaker 3>Yeah, I think he might really like Olivia.

0:14:46.520 --> 0:14:48.560
<v Speaker 9>I actually think she asked him to come along. I'm

0:14:48.600 --> 0:14:50.320
<v Speaker 9>not sure she was ready to go out with Thomas

0:14:50.360 --> 0:14:51.360
<v Speaker 9>on her own, but you.

0:14:51.320 --> 0:14:53.360
<v Speaker 2>Know, yeah, juicy gossip.

0:14:53.720 --> 0:14:58.920
<v Speaker 9>Yeah, how's he doing? Man? You saw him this morning, Jeremy,

0:14:59.000 --> 0:14:59.480
<v Speaker 9>I mean.

0:14:59.480 --> 0:15:04.080
<v Speaker 3>I know, I know, but I mean, hey, thank you

0:15:04.120 --> 0:15:06.160
<v Speaker 3>for letting me crash on your couch.

0:15:06.720 --> 0:15:10.200
<v Speaker 2>I think I'm just I'm not really ready to.

0:15:11.720 --> 0:15:14.720
<v Speaker 9>Like you don't want to let him out of your side?

0:15:14.760 --> 0:15:15.280
<v Speaker 9>I get it.

0:15:15.560 --> 0:15:18.880
<v Speaker 2>Yeah, does he seem off to you at all?

0:15:20.160 --> 0:15:20.360
<v Speaker 9>Off?

0:15:20.440 --> 0:15:22.760
<v Speaker 3>How? I don't know, Like this morning, he was sort

0:15:22.760 --> 0:15:26.120
<v Speaker 3>of still half asleep, and he seemed a little bit disoriented.

0:15:26.960 --> 0:15:27.360
<v Speaker 3>I don't know.

0:15:27.440 --> 0:15:30.920
<v Speaker 2>Maybe maybe he's just not a morning person. I no, he.

0:15:30.880 --> 0:15:35.400
<v Speaker 9>Always liked mornings. Maybe he's just you know, he's just

0:15:35.440 --> 0:15:37.080
<v Speaker 9>not used to sleep when yet or something?

0:15:37.440 --> 0:15:37.600
<v Speaker 3>Right?

0:15:37.960 --> 0:15:39.240
<v Speaker 2>I guess that makes sense.

0:15:41.120 --> 0:15:45.920
<v Speaker 3>I mean, like his food thing. His whole body has

0:15:45.960 --> 0:15:46.680
<v Speaker 3>to be adjusting.

0:15:47.080 --> 0:15:53.440
<v Speaker 2>M Jesus. Would that have been my room? What your

0:15:53.440 --> 0:15:54.480
<v Speaker 2>guest room? Would that have been?

0:15:55.160 --> 0:15:55.200
<v Speaker 3>That?

0:15:55.360 --> 0:15:56.720
<v Speaker 2>That was gonna be my room, wasn't it?

0:15:57.200 --> 0:15:57.360
<v Speaker 8>Uh?

0:15:57.720 --> 0:16:02.600
<v Speaker 9>Yeah, yeah, that was the plan. Shelley would have stayed

0:16:02.640 --> 0:16:04.440
<v Speaker 9>with us in our room while she was a baby,

0:16:04.480 --> 0:16:07.160
<v Speaker 9>and then you guys might have shared for a little

0:16:07.160 --> 0:16:09.640
<v Speaker 9>bit before we could afford a bigger place.

0:16:10.040 --> 0:16:13.000
<v Speaker 2>And then you never needed a bigger place?

0:16:13.840 --> 0:16:16.280
<v Speaker 9>No I didn't.

0:16:17.080 --> 0:16:19.360
<v Speaker 2>And what what happens?

0:16:19.400 --> 0:16:19.560
<v Speaker 3>Now?

0:16:19.560 --> 0:16:20.560
<v Speaker 2>Where do we go from here?

0:16:21.080 --> 0:16:21.960
<v Speaker 9>I have no idea.

0:16:22.520 --> 0:16:24.520
<v Speaker 3>Does he get a job? Does he go back to

0:16:25.000 --> 0:16:28.880
<v Speaker 3>working on the forest? Am I gonna fucking die before him?

0:16:29.080 --> 0:16:31.720
<v Speaker 3>Or is he just going to disappear one day in

0:16:31.760 --> 0:16:36.000
<v Speaker 3>two years from now? Because this is all just borrowed time?

0:16:36.200 --> 0:16:39.120
<v Speaker 9>I mean, see, you're spiraling?

0:16:39.440 --> 0:16:40.200
<v Speaker 2>How are you not?

0:16:40.480 --> 0:16:40.840
<v Speaker 3>The man?

0:16:40.920 --> 0:16:45.760
<v Speaker 2>The man you love is back? But man, he's forty

0:16:45.840 --> 0:16:46.640
<v Speaker 2>years younger than you.

0:16:46.800 --> 0:16:48.600
<v Speaker 9>Yeah, thanks, I noticed.

0:16:49.480 --> 0:16:51.840
<v Speaker 2>I mean, how does any how does any of this work?

0:16:52.120 --> 0:16:56.200
<v Speaker 9>I don't know. I mean, we did it. You know,

0:16:56.240 --> 0:16:59.400
<v Speaker 9>we got him back. It's more than I could have

0:16:59.440 --> 0:16:59.920
<v Speaker 9>ever hoped for.

0:17:01.360 --> 0:17:05.240
<v Speaker 2>You don't feel like it's it's a monkey's paw or something.

0:17:06.160 --> 0:17:11.440
<v Speaker 9>Well, sure I do. I mean I got them back,

0:17:11.440 --> 0:17:13.119
<v Speaker 9>but I can't get the last four decades back to

0:17:13.119 --> 0:17:18.400
<v Speaker 9>spend with them. Oh. We miss an entire life together,

0:17:18.520 --> 0:17:23.160
<v Speaker 9>and I mean, you know, I know that we can't

0:17:23.200 --> 0:17:27.679
<v Speaker 9>be together now, not really, but I mean there's no

0:17:27.720 --> 0:17:28.920
<v Speaker 9>life for us. A build.

0:17:30.359 --> 0:17:33.000
<v Speaker 2>Doesn't it like eat you up?

0:17:34.480 --> 0:17:38.439
<v Speaker 9>Of course it does. But me coming to terms with

0:17:38.480 --> 0:17:41.639
<v Speaker 9>the cruel irony of my situation is not the same

0:17:41.680 --> 0:17:45.640
<v Speaker 9>as you waiting for the other shoe to drop.

0:17:46.119 --> 0:17:46.720
<v Speaker 2>It's just a.

0:17:48.200 --> 0:17:51.879
<v Speaker 9>If there's one silver lining to me missing out on

0:17:51.920 --> 0:17:54.439
<v Speaker 9>my life, it's that the two of you have gotten

0:17:54.480 --> 0:17:57.919
<v Speaker 9>yours ahead of you. I mean, you're the one that

0:17:57.960 --> 0:18:02.080
<v Speaker 9>got robbed, Jeremy. I'd give up a lot more for

0:18:02.160 --> 0:18:04.680
<v Speaker 9>you and Shelley to have time with your dad.

0:18:05.040 --> 0:18:09.080
<v Speaker 2>Oh my god, Shelley, what are you gonna tell her?

0:18:09.560 --> 0:18:12.760
<v Speaker 9>I don't know, I don't know. I mean, Olivia doesn't

0:18:12.760 --> 0:18:14.680
<v Speaker 9>want me to keep it from her. She doesn't think

0:18:14.680 --> 0:18:15.080
<v Speaker 9>it's fair.

0:18:15.320 --> 0:18:17.440
<v Speaker 2>Yeah, I'm inclined to agree, But what.

0:18:17.359 --> 0:18:19.879
<v Speaker 9>If telling her I'm putting her in danger. I mean,

0:18:19.880 --> 0:18:22.520
<v Speaker 9>there's still something roman around out.

0:18:22.320 --> 0:18:24.720
<v Speaker 2>There, and maybe it's not our problem anymore.

0:18:25.080 --> 0:18:29.000
<v Speaker 3>What Look, Katie Franks came to see me earlier, and

0:18:29.040 --> 0:18:31.080
<v Speaker 3>she says, there's this new gathering leader who's on our

0:18:31.119 --> 0:18:35.720
<v Speaker 3>way up from Virginia and maybe she can just take

0:18:35.760 --> 0:18:36.320
<v Speaker 3>care of this.

0:18:37.960 --> 0:18:40.880
<v Speaker 9>I'm not sure that we can rely on I'm stranger

0:18:40.880 --> 0:18:42.640
<v Speaker 9>from another state to fix things here.

0:18:42.720 --> 0:18:46.280
<v Speaker 2>I also met someone outside of Oakley Farms. You did?

0:18:47.960 --> 0:18:48.840
<v Speaker 9>Why didn't you say?

0:18:49.240 --> 0:18:49.359
<v Speaker 3>Well?

0:18:49.400 --> 0:18:49.760
<v Speaker 2>I don't know.

0:18:49.840 --> 0:18:51.800
<v Speaker 3>I guess I just got distracted. It wasn't really much

0:18:51.800 --> 0:18:53.919
<v Speaker 3>of anything. It's just another hobbyist. But she's part of

0:18:53.960 --> 0:18:57.639
<v Speaker 3>this group of legend trippers who've all they've come to

0:18:57.680 --> 0:19:00.480
<v Speaker 3>Bridgewater to look into all the strange stuff that's been happening.

0:19:00.520 --> 0:19:02.440
<v Speaker 2>So maybe we can just like keep.

0:19:02.240 --> 0:19:06.240
<v Speaker 3>An eye on them and hear about any other attacks

0:19:06.280 --> 0:19:09.320
<v Speaker 3>and then just like, I don't know, just go from there.

0:19:09.359 --> 0:19:13.280
<v Speaker 3>I I don't know. I just think that we can

0:19:13.280 --> 0:19:15.640
<v Speaker 3>maybe afford to do a little outsourcing.

0:19:15.040 --> 0:19:20.400
<v Speaker 9>Here, Okay. And if all of this really is the

0:19:20.400 --> 0:19:23.960
<v Speaker 9>Fay Realm like Vipen and Olivia think. Doesn't that mean

0:19:23.960 --> 0:19:26.040
<v Speaker 9>we're dealing with much bigger issue here?

0:19:26.200 --> 0:19:30.359
<v Speaker 5>I don't know, maybe, but Fay myths are incredibly broad

0:19:30.760 --> 0:19:34.560
<v Speaker 5>and until we have something concrete.

0:19:34.720 --> 0:19:37.040
<v Speaker 11>And I know my.

0:19:37.080 --> 0:19:39.399
<v Speaker 3>Dad wants to get Alden out and he wants to

0:19:39.400 --> 0:19:41.480
<v Speaker 3>figure out what's going on with the in between but

0:19:42.240 --> 0:19:46.159
<v Speaker 3>come on, it took us forty years to get him out.

0:19:46.960 --> 0:19:52.720
<v Speaker 2>Don't you think we've done enough? Ah?

0:19:52.840 --> 0:19:53.560
<v Speaker 6>Tassa pepper.

0:19:54.160 --> 0:19:54.919
<v Speaker 7>Oh, here you go.

0:19:55.400 --> 0:19:58.399
<v Speaker 12>So you really think that all of this the in

0:19:58.480 --> 0:20:02.120
<v Speaker 12>between space? What happened to me? It's fairies?

0:20:02.680 --> 0:20:03.919
<v Speaker 7>Yep, that's the working theory.

0:20:04.280 --> 0:20:06.200
<v Speaker 11>I thought fairies were tiny and harmless.

0:20:06.400 --> 0:20:10.080
<v Speaker 7>That's the modern Disney version of them. But the Fay realm, well,

0:20:10.200 --> 0:20:12.560
<v Speaker 7>depending on when and where the myth is from, it

0:20:12.600 --> 0:20:14.480
<v Speaker 7>can encompass so much.

0:20:14.640 --> 0:20:18.679
<v Speaker 6>Oh exactly on the version that's small and impish, like

0:20:18.800 --> 0:20:21.840
<v Speaker 6>luring children into the woods, that appears in so many

0:20:21.840 --> 0:20:26.480
<v Speaker 6>different cultures, like fairies and hobgoblins in Europe, Puck wedgies here.

0:20:26.400 --> 0:20:29.920
<v Speaker 7>Right, everyone using different language to describe the same thing.

0:20:30.119 --> 0:20:32.560
<v Speaker 11>Okay, then which version of the myth do we think

0:20:32.640 --> 0:20:33.119
<v Speaker 11>is correct?

0:20:33.280 --> 0:20:35.600
<v Speaker 7>I don't think it's about one group of people getting

0:20:35.600 --> 0:20:38.320
<v Speaker 7>it all right. It might be all true to some degree.

0:20:38.359 --> 0:20:42.600
<v Speaker 7>I mean, it's like the Abrahamic religions, right. The God

0:20:42.800 --> 0:20:46.359
<v Speaker 7>is the same across Christianity and Judaism and Islam, but

0:20:46.520 --> 0:20:47.959
<v Speaker 7>a lot of the details are different.

0:20:48.160 --> 0:20:53.200
<v Speaker 11>So what's the God in this situation? The one unifying thing.

0:20:53.840 --> 0:20:57.880
<v Speaker 7>The fay Realm. I guess it appears basically in every

0:20:58.080 --> 0:21:01.000
<v Speaker 7>myth tradition, just not always in the same way.

0:21:00.880 --> 0:21:03.239
<v Speaker 11>The other side. That's what the gathering calls it, right, right,

0:21:03.280 --> 0:21:04.040
<v Speaker 11>I think it's.

0:21:03.920 --> 0:21:06.840
<v Speaker 6>A place where spirits are and the afterlife essentially.

0:21:06.920 --> 0:21:08.800
<v Speaker 11>I guess the only other soul I saw it was

0:21:08.840 --> 0:21:10.200
<v Speaker 11>all the It's not.

0:21:10.119 --> 0:21:14.359
<v Speaker 7>Always just about the afterlife, though, Mount Olympus could be

0:21:14.400 --> 0:21:17.840
<v Speaker 7>considered the other world, even though they had the underworld too,

0:21:18.119 --> 0:21:22.400
<v Speaker 7>or Valhalla or reu Gujo, a Japanese land of dragons

0:21:22.480 --> 0:21:25.520
<v Speaker 7>under the sea. There's actually a whole folk story about

0:21:25.560 --> 0:21:28.520
<v Speaker 7>a man who went to reu Gujo for three days

0:21:28.560 --> 0:21:31.399
<v Speaker 7>and then came back to his life three hundred years

0:21:31.400 --> 0:21:31.959
<v Speaker 7>had passed.

0:21:32.000 --> 0:21:32.840
<v Speaker 11>Sounds familiar.

0:21:33.240 --> 0:21:36.760
<v Speaker 7>And that's not even including the liminal spaces, the river sticks, Purgatory,

0:21:36.960 --> 0:21:40.520
<v Speaker 7>chinwit Bridge. Sometimes there are not even places but times,

0:21:40.960 --> 0:21:44.320
<v Speaker 7>the day of the dead, all hallows, eve seances, even

0:21:44.960 --> 0:21:48.000
<v Speaker 7>any place or time that connects this side to the

0:21:48.080 --> 0:21:50.760
<v Speaker 7>other side, whatever the other side might be.

0:21:51.400 --> 0:21:54.240
<v Speaker 6>So we think the in between space that Thomas was

0:21:54.280 --> 0:21:57.040
<v Speaker 6>in was really like a halfway to the other side,

0:21:57.520 --> 0:21:58.400
<v Speaker 6>like river sticks.

0:21:58.480 --> 0:21:59.280
<v Speaker 7>It would make sense.

0:21:59.400 --> 0:22:01.679
<v Speaker 11>Right where did you guys learn all this stuff?

0:22:01.920 --> 0:22:05.320
<v Speaker 7>Well, I'm getting my PhD in it, so kind of

0:22:05.520 --> 0:22:06.480
<v Speaker 7>have to know it all.

0:22:06.760 --> 0:22:09.280
<v Speaker 11>But Olivia, you don't work in folklore like Jeremy.

0:22:09.320 --> 0:22:12.760
<v Speaker 6>Right, No, but I have access to the Internet. Oh

0:22:13.119 --> 0:22:14.760
<v Speaker 6>did Jeremy explain the Internet to you?

0:22:15.240 --> 0:22:17.119
<v Speaker 12>It sort of honestly sounds just as made up as

0:22:17.119 --> 0:22:20.120
<v Speaker 12>the favor realm or some idea of monsters coming over

0:22:20.600 --> 0:22:23.640
<v Speaker 12>a kind of bridge, at least that stuff I've actually experienced.

0:22:23.720 --> 0:22:25.720
<v Speaker 6>Don't worry, we'll work up to the dark web.

0:22:26.840 --> 0:22:30.560
<v Speaker 7>What everything seems mysterious when you're first learning about it.

0:22:31.160 --> 0:22:33.560
<v Speaker 7>We think of the Fey realm and monsters as something

0:22:33.600 --> 0:22:37.719
<v Speaker 7>magical and impossible. But what if they're just another species

0:22:37.800 --> 0:22:41.480
<v Speaker 7>that's just really different from ours, like those fish that

0:22:41.520 --> 0:22:42.520
<v Speaker 7>live in the bottom of the.

0:22:42.440 --> 0:22:45.480
<v Speaker 6>Ocean, another species that lives in another dimension with a

0:22:45.520 --> 0:22:46.840
<v Speaker 6>bunch of supernatural beasts.

0:22:46.840 --> 0:22:49.879
<v Speaker 7>I know, I know, it sounds far fetched. Your dead.

0:22:49.920 --> 0:22:53.480
<v Speaker 7>Grandpa's currently dipping a French fry into his milkshake.

0:22:53.119 --> 0:22:54.360
<v Speaker 2>So it's delicious.

0:22:54.640 --> 0:22:57.280
<v Speaker 7>Yeah, well, I can say if we say, I will

0:22:57.320 --> 0:22:59.000
<v Speaker 7>never confirm that for myself.

0:22:59.320 --> 0:22:59.919
<v Speaker 11>You're missing out.

0:23:00.720 --> 0:23:04.760
<v Speaker 6>Wait, what does that make magic? I mean Celeste and

0:23:04.840 --> 0:23:07.240
<v Speaker 6>the children of Titchubo were able to open up the gate.

0:23:07.320 --> 0:23:09.440
<v Speaker 6>So there's something at work here.

0:23:09.800 --> 0:23:12.960
<v Speaker 7>Whatever it is, magic or physics, we don't understand. It

0:23:13.480 --> 0:23:16.600
<v Speaker 7>has to have rules. We just need to find out

0:23:16.640 --> 0:23:17.320
<v Speaker 7>what they are.

0:23:17.480 --> 0:23:19.600
<v Speaker 12>Okay, Well, we know that things happen on a forty

0:23:19.680 --> 0:23:22.960
<v Speaker 12>year cycle, and that it seems to need two souls

0:23:23.400 --> 0:23:26.760
<v Speaker 12>at any given time. There was someone with Alden before

0:23:26.800 --> 0:23:32.359
<v Speaker 12>I appeared. He's always had someone with him until now.

0:23:33.800 --> 0:23:36.840
<v Speaker 12>Celeste didn't get all the way through. She broke one

0:23:36.840 --> 0:23:40.080
<v Speaker 12>of the rules. I broke them, and we have no

0:23:40.119 --> 0:23:41.919
<v Speaker 12>idea what the consequences of that are going to be.

0:23:42.240 --> 0:23:46.800
<v Speaker 6>Come on, but let's get out of here. If it,

0:23:46.920 --> 0:23:48.600
<v Speaker 6>Ben will drop you off at years on our way,

0:23:48.760 --> 0:23:51.680
<v Speaker 6>on our way to what to deal with some of

0:23:51.720 --> 0:23:52.760
<v Speaker 6>the consequences.

0:23:58.080 --> 0:24:00.439
<v Speaker 9>Jeremy, I don't think Thomas is going to see it

0:24:00.480 --> 0:24:02.800
<v Speaker 9>that way. He feels responsible to all of them.

0:24:02.960 --> 0:24:06.720
<v Speaker 5>I know that, But what about his responsibility to us,

0:24:07.280 --> 0:24:09.800
<v Speaker 5>to himself. Well, we can't spend the rest of our

0:24:09.840 --> 0:24:13.640
<v Speaker 5>lives trying to control the Bridgewater Triangle because it's out

0:24:13.640 --> 0:24:14.120
<v Speaker 5>of control.

0:24:14.320 --> 0:24:18.680
<v Speaker 9>Okay, how about starting with trying to learn more about it? Okay,

0:24:18.720 --> 0:24:20.520
<v Speaker 9>don't you still have a book to write?

0:24:20.600 --> 0:24:24.000
<v Speaker 5>Honestly, I don't even know how I'm supposed to write

0:24:24.119 --> 0:24:26.320
<v Speaker 5>a book now. The entire premise of it was that

0:24:26.359 --> 0:24:29.400
<v Speaker 5>people in the Bridgewater Triangle have this unique relationship to myth.

0:24:29.760 --> 0:24:33.080
<v Speaker 5>They're spending centuries stealing legends from the Wampanoague and bringing

0:24:33.160 --> 0:24:35.639
<v Speaker 5>legends to of their own, then mixing them together to

0:24:35.680 --> 0:24:40.199
<v Speaker 5>create something particular to this place. How many times have

0:24:40.280 --> 0:24:43.320
<v Speaker 5>I said this place? And it was all about urban

0:24:43.400 --> 0:24:46.400
<v Speaker 5>legends influencing culture and vice versa.

0:24:46.080 --> 0:24:47.600
<v Speaker 2>Except not da da.

0:24:47.640 --> 0:24:50.520
<v Speaker 5>It turns out they weren't really legends at all, because

0:24:50.560 --> 0:24:53.840
<v Speaker 5>people in the Bridgewater Triangle have been and are being

0:24:54.160 --> 0:24:57.000
<v Speaker 5>attacked by real fucking monsters.

0:24:57.119 --> 0:25:00.280
<v Speaker 2>By entire life's work is all bullshit. I've been made.

0:25:01.200 --> 0:25:05.280
<v Speaker 5>Reality has turned me into a complete fraud. And on

0:25:05.400 --> 0:25:08.199
<v Speaker 5>top of all of that, I'm the same fucking age

0:25:08.520 --> 0:25:12.480
<v Speaker 5>as my father. I'm sorry, I just like I feel

0:25:12.520 --> 0:25:13.639
<v Speaker 5>like I can't even breathe.

0:25:13.880 --> 0:25:18.960
<v Speaker 9>Anne, I understand. I get that, Jeremy, I really do,

0:25:19.920 --> 0:25:24.760
<v Speaker 9>I really do. But what about Alton? Okay, he is

0:25:25.119 --> 0:25:26.080
<v Speaker 9>just a kid.

0:25:26.680 --> 0:25:30.720
<v Speaker 2>I know, but for all we know, there is nothing

0:25:30.760 --> 0:25:31.880
<v Speaker 2>that we can do about it.

0:25:32.200 --> 0:25:32.400
<v Speaker 3>Right?

0:25:32.480 --> 0:25:35.480
<v Speaker 9>But then what about the balance that Celeste was always

0:25:35.480 --> 0:25:36.159
<v Speaker 9>talking about?

0:25:36.280 --> 0:25:39.919
<v Speaker 5>If whoever whatever controls the triangle or the gate or

0:25:39.920 --> 0:25:44.120
<v Speaker 5>the fucking in between whatever this is, isn't happy with the

0:25:44.160 --> 0:25:45.080
<v Speaker 5>way things are.

0:25:45.160 --> 0:25:47.600
<v Speaker 2>I am quite confident that they're gonna make it known.

0:25:48.400 --> 0:25:51.480
<v Speaker 9>Okay, An, then don't you think we should get ahead

0:25:51.480 --> 0:25:51.639
<v Speaker 9>of this?

0:25:51.840 --> 0:25:54.040
<v Speaker 2>I don't understand what is this about? What is it?

0:25:54.080 --> 0:26:00.320
<v Speaker 2>Why are you so eager to find more problems? Aren't

0:26:00.320 --> 0:26:00.960
<v Speaker 2>you tired?

0:26:01.560 --> 0:26:02.160
<v Speaker 11>Of course?

0:26:03.160 --> 0:26:06.000
<v Speaker 9>Of course I am, Honey. This is what I do.

0:26:06.040 --> 0:26:08.800
<v Speaker 9>I figure things out, you know, I mean I've fixed them.

0:26:08.880 --> 0:26:11.639
<v Speaker 5>Yeah, but as you were just talking about, and you

0:26:11.760 --> 0:26:13.920
<v Speaker 5>missed your entire life because of it.

0:26:14.000 --> 0:26:16.160
<v Speaker 2>That's not fair, really, it isn't.

0:26:16.560 --> 0:26:18.679
<v Speaker 5>And you're right, my dad and I we have a

0:26:18.760 --> 0:26:22.400
<v Speaker 5>chance now to really get to know each other.

0:26:22.720 --> 0:26:27.600
<v Speaker 9>Yeah, yeah, So why the rush, right? I mean, we

0:26:27.600 --> 0:26:30.320
<v Speaker 9>can figure all of this out and then you can

0:26:30.400 --> 0:26:35.560
<v Speaker 9>have that time. But I know that you'll both be safe.

0:26:35.560 --> 0:26:38.119
<v Speaker 5>And I'm sick of trying to change things that I

0:26:38.119 --> 0:26:40.000
<v Speaker 5>can't control. Do you really think that we can figure

0:26:40.000 --> 0:26:43.840
<v Speaker 5>this out enough to fight against it? Celeste did the

0:26:43.920 --> 0:26:47.280
<v Speaker 5>ritual wrong, We're definitely not going to do it right.

0:26:49.040 --> 0:26:52.320
<v Speaker 2>We need to enjoy this while.

0:26:52.040 --> 0:26:53.800
<v Speaker 9>We can, while we can.

0:26:54.280 --> 0:26:55.320
<v Speaker 2>What if it takes him back?

0:26:55.880 --> 0:26:56.160
<v Speaker 6>Wait?

0:26:56.680 --> 0:26:56.920
<v Speaker 9>What?

0:26:57.119 --> 0:26:58.800
<v Speaker 5>This is so much bigger than any of us, and

0:26:58.920 --> 0:27:01.760
<v Speaker 5>I can't I can't wrap my head around it at all.

0:27:01.800 --> 0:27:05.600
<v Speaker 5>And it was literally this was literally my job to

0:27:05.680 --> 0:27:09.240
<v Speaker 5>understand all of this crap. But now it's th real,

0:27:09.880 --> 0:27:13.359
<v Speaker 5>the cycle, the balance, the Faye realm, the goddamn dog,

0:27:13.760 --> 0:27:17.760
<v Speaker 5>all in It's all so beyond.

0:27:17.440 --> 0:27:19.200
<v Speaker 2>My scope that I don't even see the point.

0:27:19.840 --> 0:27:23.240
<v Speaker 5>I don't see the point in trying what I do see.

0:27:23.320 --> 0:27:24.760
<v Speaker 2>I see.

0:27:25.480 --> 0:27:29.239
<v Speaker 5>I see a chance at a second chance, and for

0:27:29.280 --> 0:27:34.239
<v Speaker 5>whatever reason, I'm getting that and having a dad, And

0:27:34.320 --> 0:27:37.240
<v Speaker 5>until something happens that forces me to confront all of

0:27:37.280 --> 0:27:41.760
<v Speaker 5>this other shit, that is what I am going to

0:27:41.800 --> 0:27:42.320
<v Speaker 5>focus on.

0:27:43.040 --> 0:27:46.040
<v Speaker 9>Jeremy is not going away again.

0:27:46.320 --> 0:27:48.399
<v Speaker 5>Don't You can't say that you don't know that, And

0:27:48.440 --> 0:27:50.800
<v Speaker 5>that is the whole point. None of us know anything.

0:27:51.119 --> 0:27:54.919
<v Speaker 5>Celeste is dead, She's not somewhere else. So if everything

0:27:55.000 --> 0:27:58.480
<v Speaker 5>is still fucked up that we have a ticking clock here.

0:27:59.440 --> 0:28:00.520
<v Speaker 5>I'm sorry, I just.

0:28:02.200 --> 0:28:06.040
<v Speaker 2>What the hell? Power search? Earthquake?

0:28:06.080 --> 0:28:07.440
<v Speaker 9>What get away from the windows?

0:28:08.119 --> 0:28:09.600
<v Speaker 2>And what's happening? I don't know?

0:28:13.400 --> 0:28:15.040
<v Speaker 5>And and what do we do? What do we do?

0:28:15.080 --> 0:28:15.520
<v Speaker 3>I don't know?

0:28:15.880 --> 0:28:16.400
<v Speaker 2>I don't know.

0:28:27.920 --> 0:28:28.480
<v Speaker 9>Do you hear that?

0:28:29.880 --> 0:28:29.960
<v Speaker 5>What?

0:28:31.640 --> 0:28:31.960
<v Speaker 3>Nothing?

0:28:33.280 --> 0:28:41.040
<v Speaker 11>There's nothing? Are you sure this is a good idea?

0:28:41.240 --> 0:28:44.680
<v Speaker 6>We have to rip the band aid off sometime, you know,

0:28:44.760 --> 0:28:47.080
<v Speaker 6>especially if knowing everything could help her stay safe. So

0:28:48.240 --> 0:28:51.200
<v Speaker 6>the sooner the better. But while she's working, well, I

0:28:51.320 --> 0:28:54.480
<v Speaker 6>figure it lowers the freak out chances, trust me, okay,

0:28:54.520 --> 0:28:56.560
<v Speaker 6>because banks are just nice and quiet.

0:28:58.360 --> 0:29:00.680
<v Speaker 8>Knock knock, I have high honey, what are you doing here?

0:29:01.080 --> 0:29:03.600
<v Speaker 6>Sorry for the unexpected drive by, but we were in

0:29:03.600 --> 0:29:04.240
<v Speaker 6>the neighborhood.

0:29:04.280 --> 0:29:10.640
<v Speaker 8>And did you finish whatever you're helping your nana with? Oh? Sorry, Hi,

0:29:11.440 --> 0:29:11.880
<v Speaker 8>who's this?

0:29:12.280 --> 0:29:15.040
<v Speaker 6>Mom? This is Thomas.

0:29:15.200 --> 0:29:18.160
<v Speaker 8>Hello Thomas, I'm Shelley. I'm Olivia's mom.

0:29:18.760 --> 0:29:24.600
<v Speaker 11>Yeah, yeah, I know, so mom.

0:29:24.640 --> 0:29:27.520
<v Speaker 6>This is Thomas Bradshaw.

0:29:28.560 --> 0:29:32.680
<v Speaker 8>Oh hi, okay, Bradshaw is in Jeremy's brother. I didn't

0:29:33.240 --> 0:29:34.400
<v Speaker 8>I didn't know he had a brother.

0:29:34.640 --> 0:29:37.560
<v Speaker 6>Oh no, this is not his brother. So I'm just

0:29:37.560 --> 0:29:39.560
<v Speaker 6>going to tell you some stuff, and I need you

0:29:39.600 --> 0:29:41.720
<v Speaker 6>to know that I'm not messing with you live.

0:29:43.000 --> 0:29:43.880
<v Speaker 8>What are you talking about?

0:29:43.960 --> 0:29:48.360
<v Speaker 6>Does the name Thomas Bradshaw sound they get all familiar

0:29:48.400 --> 0:29:48.560
<v Speaker 6>to you.

0:29:48.720 --> 0:29:52.240
<v Speaker 8>That was Mom's old partner, right, the one who died

0:29:52.640 --> 0:29:54.200
<v Speaker 8>well missing.

0:29:54.480 --> 0:29:58.360
<v Speaker 11>It turns out I'm still very much alive.

0:29:58.600 --> 0:30:05.280
<v Speaker 8>You Okay, I don't understand.

0:30:05.880 --> 0:30:09.880
<v Speaker 6>Yeah, okay, right, So all that stuff Nana told you

0:30:09.920 --> 0:30:12.480
<v Speaker 6>growing up about Bridgewater and how weird it is and

0:30:12.520 --> 0:30:16.600
<v Speaker 6>how something happened to her partner, something that defied explanation,

0:30:17.320 --> 0:30:20.480
<v Speaker 6>yeah that was all true. And so this is Thomas

0:30:20.520 --> 0:30:23.800
<v Speaker 6>Bradshaw who went missing in nineteen eighty, except he wasn't

0:30:23.840 --> 0:30:26.480
<v Speaker 6>so much missing as he was trapped in a magical

0:30:26.520 --> 0:30:28.800
<v Speaker 6>dimension where time didn't really pass, which is why he

0:30:28.840 --> 0:30:32.240
<v Speaker 6>looks closer to your age than Nana's, even though he's

0:30:32.240 --> 0:30:34.640
<v Speaker 6>really old enough to be your father. And by old enough,

0:30:34.640 --> 0:30:38.200
<v Speaker 6>I mean he is your father and my grandfather. So

0:30:38.880 --> 0:30:39.680
<v Speaker 6>that's what's happening.

0:30:40.440 --> 0:30:41.800
<v Speaker 7>What HI.

0:30:43.880 --> 0:30:48.840
<v Speaker 8>With. I don't really understand what you're doing.

0:30:49.200 --> 0:30:51.480
<v Speaker 12>I know it's a lot to take in from me too,

0:30:52.240 --> 0:30:54.880
<v Speaker 12>and I know Anne would want to talk to you

0:30:55.120 --> 0:30:58.320
<v Speaker 12>explaining everything, but I couldn't wait to meet you I've

0:30:58.320 --> 0:30:59.640
<v Speaker 12>been waiting to meet you for.

0:30:59.520 --> 0:31:06.760
<v Speaker 8>Forty No, no, you're crazy and you're here's some sort

0:31:06.760 --> 0:31:09.440
<v Speaker 8>of scammer or a creep.

0:31:10.000 --> 0:31:12.720
<v Speaker 6>But and then no, no, mom, this is real, Olivia.

0:31:13.000 --> 0:31:15.000
<v Speaker 6>It is I promise, Shelley.

0:31:15.240 --> 0:31:16.960
<v Speaker 11>You can ask me anything you want and I'll tell

0:31:16.960 --> 0:31:17.920
<v Speaker 11>you everything that I can.

0:31:18.080 --> 0:31:21.960
<v Speaker 8>Really. Okay, listen, I don't know what your game is here,

0:31:22.320 --> 0:31:25.600
<v Speaker 8>but you are going to stay away from my daughter, Mom, Olivia.

0:31:25.680 --> 0:31:28.040
<v Speaker 8>It's not your fault, honey. This man is clearly praying

0:31:28.080 --> 0:31:32.479
<v Speaker 8>on you, and so I will now just stop it stop.

0:31:33.280 --> 0:31:36.240
<v Speaker 8>You will get out of here right now, Shelley. Please,

0:31:36.320 --> 0:31:38.880
<v Speaker 8>if you do not leave in the next five seconds,

0:31:39.040 --> 0:31:40.400
<v Speaker 8>I am pressing my panic along.

0:31:40.480 --> 0:31:42.720
<v Speaker 6>Oh my god, Mom, he's not trying to rob the.

0:31:42.680 --> 0:31:45.800
<v Speaker 8>Place, and then the police will be dragging your sick

0:31:45.840 --> 0:31:48.520
<v Speaker 8>predator asked to jail before you can blink. So you

0:31:48.560 --> 0:31:50.080
<v Speaker 8>have options, Mom.

0:31:50.160 --> 0:31:53.080
<v Speaker 11>Olivia, It's okay.

0:31:53.360 --> 0:31:56.560
<v Speaker 8>I'll go fantastic, and if you so much as look

0:31:56.720 --> 0:31:59.120
<v Speaker 8>at my daughter again, I won't wait for the police.

0:31:59.120 --> 0:31:59.880
<v Speaker 8>Do you understand me?

0:32:00.280 --> 0:32:00.720
<v Speaker 9>Yeah?

0:32:00.560 --> 0:32:02.440
<v Speaker 6>Okay, just go worked.

0:32:02.160 --> 0:32:05.600
<v Speaker 8>And animal, No, do not go near my mother.

0:32:05.840 --> 0:32:06.160
<v Speaker 7>Mom.

0:32:06.680 --> 0:32:09.720
<v Speaker 6>He's gonna go okay, and and you and I will.

0:32:09.560 --> 0:32:12.560
<v Speaker 8>Talk I mean it, stay away from my.

0:32:12.600 --> 0:32:16.120
<v Speaker 11>Family, Okay, I understand. I am so sorry for springing

0:32:16.160 --> 0:32:16.600
<v Speaker 11>this on you.

0:32:16.880 --> 0:32:17.240
<v Speaker 2>Shelley.

0:32:18.160 --> 0:32:20.840
<v Speaker 11>I'm so sorry for so much.

0:32:25.480 --> 0:32:26.880
<v Speaker 2>I don't understand. How is this happening?

0:32:27.000 --> 0:32:27.440
<v Speaker 9>I don't know.

0:32:27.720 --> 0:32:32.160
<v Speaker 2>This is not a natural quiet Dad, Jeremy, hey you okay?

0:32:33.120 --> 0:32:36.920
<v Speaker 11>Well, actually I need to talk to both of you.

0:32:37.160 --> 0:32:39.160
<v Speaker 9>We need to talk to you too. Something just happened.

0:32:39.720 --> 0:32:44.080
<v Speaker 11>What do you mean, Wait, what's going on? Why is everything?

0:32:45.440 --> 0:32:46.800
<v Speaker 11>Why can't I hear anything?

0:32:47.280 --> 0:32:49.520
<v Speaker 2>We don't know. There was this earthquake and then everything

0:32:49.520 --> 0:32:50.880
<v Speaker 2>went quiet inside.

0:32:50.560 --> 0:32:52.960
<v Speaker 9>So we came out here and it was the same thing.

0:32:53.080 --> 0:32:53.880
<v Speaker 11>An earthquake.

0:32:54.200 --> 0:32:57.320
<v Speaker 2>I don't know that's what it felt like. It was

0:32:57.320 --> 0:33:00.760
<v Speaker 2>it quiet when you were walking on I don't know.

0:33:01.240 --> 0:33:04.160
<v Speaker 11>I wasn't paying attention really, so I guess I would

0:33:04.160 --> 0:33:06.800
<v Speaker 11>have noticed. This is God, Wait, this.

0:33:06.760 --> 0:33:10.600
<v Speaker 12>Happened before when you went missing, and you remember we

0:33:10.600 --> 0:33:12.400
<v Speaker 12>were combing Freetown.

0:33:11.920 --> 0:33:16.000
<v Speaker 9>For you and yes, and it was unnaturally quiet, like we.

0:33:15.840 --> 0:33:19.360
<v Speaker 11>Were somewhere else, entirely the in between.

0:33:19.480 --> 0:33:22.640
<v Speaker 2>How is that possible? You can't just wander into another dimension.

0:33:23.000 --> 0:33:23.680
<v Speaker 11>Maybe we didn't.

0:33:23.680 --> 0:33:26.040
<v Speaker 12>Maybe it wasn't about us going into the in between,

0:33:26.240 --> 0:33:28.680
<v Speaker 12>but it was about it coming out to us.

0:33:29.120 --> 0:33:32.520
<v Speaker 2>Maybe, ah, whoa dad? Hey you okay, what's going on?

0:33:32.800 --> 0:33:33.000
<v Speaker 11>Yeah?

0:33:34.040 --> 0:33:36.600
<v Speaker 9>Yeah yeah yeah, Thomas you okay.

0:33:36.680 --> 0:33:41.280
<v Speaker 11>I'm fine. I just got a bit dizzy, dad, Dad.

0:33:45.280 --> 0:33:48.240
<v Speaker 1>This episode of Bridgewater was written by Lauren Shippen and

0:33:48.360 --> 0:33:53.040
<v Speaker 1>directed by Brendan Patrick Hughes Assistant director Sarah Kleine. Sound

0:33:53.040 --> 0:33:57.080
<v Speaker 1>designed by Vincent de Johnny rema El Kali, Josh Thane,

0:33:57.200 --> 0:34:01.640
<v Speaker 1>and Trevor Young, with music by Chad Law. Starring Misha

0:34:01.680 --> 0:34:06.560
<v Speaker 1>Collins as Jeremy Bradshaw, Melissa Ponzio as Anne Becker, Alan

0:34:06.640 --> 0:34:11.920
<v Speaker 1>Tudick as Thomas Bradshaw, Karen Sony as Vipen Kurana, Sabra

0:34:12.080 --> 0:34:17.960
<v Speaker 1>May as Olivia Hoskins, Cheryl Umanya as Officer Bautista, Will

0:34:18.000 --> 0:34:22.720
<v Speaker 1>Wheaton as Captain Haddock, Tricia Helfer as the Legend Tripper,

0:34:23.200 --> 0:34:28.560
<v Speaker 1>Stephen Guarino as Doctor Edwards nand Misiu Dambe as Peyton Blake,

0:34:29.000 --> 0:34:33.920
<v Speaker 1>Hillary Burton Morgan as Shelley Hoskins, Nicky McCauley as Celeste,

0:34:34.160 --> 0:34:38.760
<v Speaker 1>and Victoria Grace as Katie Franks, with additional voice acting

0:34:38.880 --> 0:34:44.240
<v Speaker 1>by Greta Gould, Shelby Young, Adam O'byrn Monte Markham, Charlie Bergman,

0:34:44.480 --> 0:34:49.840
<v Speaker 1>and Tarren Westbrook. Executive producers Aaron Manke, Misha Collins, Lauren Shippen,

0:34:50.120 --> 0:34:54.799
<v Speaker 1>Matt Frederick and Alexander Williams. Supervising producers Josh Thain and

0:34:54.920 --> 0:34:58.960
<v Speaker 1>Trevor Young. Bridgewater was created by me Aaron Manke and

0:34:59.160 --> 0:35:01.719
<v Speaker 1>is a production of Grim and Mild and iHeart three

0:35:01.800 --> 0:35:05.120
<v Speaker 1>D Audio. Learn more about the show over at Grimandmild

0:35:05.320 --> 0:35:09.160
<v Speaker 1>dot com, slash Bridgewater and find more podcasts from iHeartRadio

0:35:09.280 --> 0:35:13.040
<v Speaker 1>on the iHeartRadio app, Apple Podcasts, or wherever you listen

0:35:13.080 --> 0:35:17.320
<v Speaker 1>to your favorite shows, and as always, thanks for listening.