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Speaker 1: So I got shows coming up people, and I really

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Speaker 1: want to see you there. Let me give you some

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Speaker 1: specifics can get tickets and make plans This weekend, starting

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Speaker 1: July fifteen, tonight uh to July, I'm in Raleigh, North

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Speaker 1: Carolina at the Raleigh Improv. Actually it's in Carrie, North Carolina,

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Speaker 1: but Carrie Raleigh. It's all the same thing. I'll be

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Speaker 1: in California again, Northern California, this time at the San

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Speaker 1: Jose Improv in San Jose from July to July. Then

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Speaker 1: I'll be in Oklahoma City from August five to August

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Speaker 1: seven at the Bricktown Comedy Club. From August twelve Taugus fourteenth,

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Speaker 1: I'll be in Liberty Township in Ohio at the Funny Bone.

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Speaker 1: And after that, I'm back in California again at the

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Speaker 1: American Comedy Company in San Diego, California, from August nineteen

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Speaker 1: to and then from August and August Friday and Saturday

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Speaker 1: night I'll be in West Palm Beach, Florida at the Improv.

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Speaker 1: And then on September, I'm doing a very special performance

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Speaker 1: at the Etty Hat Arena in Abu Dhabi. I am

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Speaker 1: opening up that new arena more shows are all as

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Speaker 1: being added, so keep checking Russell Peters dot com for

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Speaker 1: updates and now enjoy the show. All right, hey guys,

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Speaker 1: this is Russell Peters. Welcome to Culturally Canceled. This is

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Speaker 1: my podcast, as you may or may not know. UM

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Speaker 1: today with me sitting in the backyard is my friends,

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Speaker 1: my DJ, some of my DJ homies. I don't know

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Speaker 1: what the funk we're gonna talk about today, but it

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Speaker 1: might be DJ might not be. We don't know what

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Speaker 1: it's gonna what's gonna end up? We might find out

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Speaker 1: about cut Chemist's um new diet that he's on. Um down,

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Speaker 1: cut Chemist is here, UM DJ Newmark guys from the

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Speaker 1: Jurassic Five. I didn't know they had to DJ's and

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Speaker 1: also and one of my fellow viper brothers, DJ A

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Speaker 1: V from East New York Sun. That that's it. Thanks

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Speaker 1: for listening, guys, This is thanks, Thanks for having me here, Russell. So, um,

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Speaker 1: hold on my fucking cigar felt part in my mouth

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Speaker 1: and now I got a big chunk of stick of face. Anyway,

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Speaker 1: So so new uncle news. Good Russ. Huh we had

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Speaker 1: your birthday party here, cop Russ. I was just about

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Speaker 1: to say thank you, so much for being so generous

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Speaker 1: with your space and your time. Man, you're quite hospitable.

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Speaker 1: It was like the first uh time I got to

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Speaker 1: see all my friends and family all in one area.

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Speaker 1: It was nice. It was an excuse really to do that.

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Speaker 1: Wasn't like it was nice. I just like having people

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Speaker 1: are right. Kind of you, sir, I appreciate it. I'm

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Speaker 1: trying to find you the right Thank you, But I'm

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Speaker 1: you're a difficult guy to shot for, you know, just

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Speaker 1: send me mix tapes. I'm good with that. I'm really easy,

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Speaker 1: you know. Cut If you've got any mixed tapes you

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Speaker 1: want to send forth. I think I have a couple

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Speaker 1: of the Shadow and Cut Chemist mix tapes from back

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Speaker 1: in the day, the ones that you put out. I

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Speaker 1: got him in England. As a matter of fact, that's

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Speaker 1: why I probably thought you were English because I bought

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Speaker 1: them in England. And the name is Cut Chemist and

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Speaker 1: they chemistry. And you know there's a new Mark Chemist.

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Speaker 1: Is there a new Chemist mixtape? No? No, a new

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Speaker 1: Newmark Chemist like a drug store, you know, that's like

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Speaker 1: that's the word for pharmacy and out there. So where

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Speaker 1: were we Aberdeen? We almost had dinner there Aberdeen and

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Speaker 1: Scotland where there's lo and behold in Newmark Chemist picture

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Speaker 1: always I have one sumwhere Yeah, we probably keep taking.

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Speaker 1: Was this on the film days? Oh disposable camera? Yeah,

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Speaker 1: I used to used to be disposable the new Mark Chemist.

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Speaker 1: Then they switched to Pharmacy. There's our photo. What yeah, yeah,

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Speaker 1: see they switched to Pharmacy's right there? That quick on

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Speaker 1: the draw. That's Eddie. Eddie's on it, Eddie Eddie with

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Speaker 1: the Chemist Newmark. Yeah, yeah, what up? Lord Finesse just

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Speaker 1: rolled through um Nestor and I guess and a Vy

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Speaker 1: will share a microphone if that's all good with you,

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Speaker 1: be like back in the days on a little duo.

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Speaker 1: They'll duet. It's like sunny and share you too. Yeah,

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Speaker 1: we could share. We could share. It's cool easily one

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Speaker 1: of the most conversation driven podcasts I've ever done in

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Speaker 1: my life. You gotta lead it off, baby, I know

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Speaker 1: That's what I'm trying to do. Try trying to find

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Speaker 1: a rhythm for us. You know what it is because

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Speaker 1: cut chemis is backed up. Let's talk about that cut.

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Speaker 1: But this cigar is working. I could feel it already.

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Speaker 1: I might need to if you need to dip out

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Speaker 1: and you know, drop a seven inch, you know, so

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Speaker 1: so so during the pandemic, you know I did. I

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Speaker 1: decided to do a pizza tour for a year and

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Speaker 1: a half, and so I gained so much weight on it.

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Speaker 1: I decided to do a Sunfair diet, which is one

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Speaker 1: of those things where they delivered you the food. We

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Speaker 1: have a sponsor like that, Hello Fresh, and they have

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Speaker 1: different things like the fatburn diet whatever. So I can't

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Speaker 1: eat outside of that, and I'm plateauing right now. I've

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Speaker 1: been on it for like two weeks and so I

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Speaker 1: can't ship. So did you drop weight then off like

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Speaker 1: maybe ten pounds? Have you done the lemonade diet too?

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Speaker 1: Oh yeah, but but uh lemonade diet, your ship goes

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Speaker 1: into starvation mode, which means if you start eating again

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Speaker 1: and you put weight back on, sometimes twice as fast.

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Speaker 1: I always try different ones, like this is the first

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Speaker 1: time I've done something like this, and yeah, it's it's

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Speaker 1: how many how many meals a day? Is it two?

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Speaker 1: And a snack? What's the snack? Like fruit or a

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Speaker 1: salad or some ship that's not a snack, but you

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Speaker 1: know it's it's good ship it's like you know what

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Speaker 1: I think it's it feels like it's like really good

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Speaker 1: first class plain food. Okay, yeah that's what airline though. Yeah,

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Speaker 1: spirit spirit, but no, it's good. Um. And you know

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Speaker 1: you could customize your diet if you don't eat or

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Speaker 1: you're doing the sun Fair Paleo one, that's the one. Yeah,

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Speaker 1: it's it's the more meats, more meats and veggies. No,

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Speaker 1: but there's fruit, so it's not like keete or nothing.

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Speaker 1: You that's where you getting your sugar from it from

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Speaker 1: the fruit, right, and three leaders of water day and yeah,

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Speaker 1: three leaders of I can't I cap at like sixty

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Speaker 1: Yeah I can three leaders. Fucking that's a that's a

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Speaker 1: good sized engine on a car. What is that a

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Speaker 1: two point eight? The three leader? Actually it's a way

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Speaker 1: to new Yeah, that's from just eating at home. Thanks,

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Speaker 1: that's thanks to Carla. Your wife has been going to

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Speaker 1: the gym too. I mean we're starting to again. But

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Speaker 1: I saw your a little graceful slipping slide both man. Yeah,

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Speaker 1: when you're gonna come over slipping slide with me, I

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Speaker 1: am uh, you know, nothing personal, but if i'd rather do,

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Speaker 1: if Carlo was there, I'm sure she'll she and she

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Speaker 1: let it off. Yeah, I gotta I gotta get a

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Speaker 1: like a professional one. Minds, like a you know, like

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Speaker 1: the regular one. Yeah, like the kids one. You know.

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Speaker 1: Actually we bought a professional one and it was missing parts.

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Speaker 1: What was it missing? This the fucking the fucking there's

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Speaker 1: like a little tube, but it's like a little tube

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Speaker 1: to do ship. Oh no, for the for the water,

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Speaker 1: there's like some sort of like actually I didn't see

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Speaker 1: the they're doing rust. That was sucking drinking in the

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Speaker 1: fucking kitchen. They're like, it's broken, we're missing parts. Pull

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Speaker 1: out the whole one. Okay, maybe it wasn't missing parts,

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Speaker 1: they just didn't know how to put it together. No. No,

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Speaker 1: Carla's nickname is Mary the Mechanics. You can put anything together. Yeah,

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Speaker 1: that'll do it. She made these chairs, No, I know

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Speaker 1: she did. She tell me when she was a child

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Speaker 1: in El Salvador, she was actually chained to one of

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Speaker 1: them so she couldn't leave it until it was done. ALVL.

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Speaker 1: How so we're here, um with this fucking ruck ruckus

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Speaker 1: up rip roaring podcasts we're doing right now and uh uh, well,

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Speaker 1: since we have three four five DJs in one space,

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Speaker 1: I think it's only right we talked about DJing. That

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Speaker 1: kind of makes sense, you know, that works. Interesting fact

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Speaker 1: about cut Chemist, he started DJing at eleven. I think

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Speaker 1: he just went up to everybody in the room. I

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Speaker 1: think most of us did, right. I was I was older, Yeah,

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Speaker 1: I was way older than that. But I quit when

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Speaker 1: you just you showed that that was you were twenty three?

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Speaker 1: Really you took that long and started ding? What about you? Ness?

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Speaker 1: When did you start? I was like eighteen nineteen with

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Speaker 1: no turn tables woo. So the only way I could

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Speaker 1: really uh practice, if I go to a friend house,

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Speaker 1: you know, and then you know friends, they want to

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Speaker 1: be on the turntable all day. I gotta wait till

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Speaker 1: mom's calling for dinner, they go out the room. Then

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Speaker 1: I can really you know practice. Yeah, I had my

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Speaker 1: I had a friend of mine come over. He was

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Speaker 1: the guy that I used to box with, and he

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Speaker 1: would literally sit there and scratch get Fresh Crew for

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Speaker 1: fucking hours, to the point where I'm like, go stop already,

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Speaker 1: get fresh crew, Get fresh crew, get fresh on to

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Speaker 1: juggle it. But it was just like iver ever, get

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Speaker 1: fresh crew. Got a friend, Chicka Crew. The only record

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Speaker 1: my mom remembers me practicing too. Was Tina got a

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Speaker 1: big old butt from oh cool j oh mom, social

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Speaker 1: soccial come in like singing it, you know, like with

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Speaker 1: her Iranian accent. Tina got big old but you know,

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Speaker 1: like she'll like move around and I'm like, guess all

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Speaker 1: you remember from then? She said, Yeah, that's all I remember.

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Speaker 1: Is he always playing that over and over again. My

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Speaker 1: mom knows the lyrics to rough Rider's anthem for some reason.

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Speaker 1: That's pretty cool. My mom was like, stop drop, shut

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Speaker 1: them down, open up shop, rule, rule, Oh Indian moms.

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Speaker 1: Chemist had his dad build him a fucking studio. Da

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Speaker 1: It's not true. It's not true. It's what the Internet

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Speaker 1: told me. Charlie, Charlie had it built. Carla, Carla too,

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Speaker 1: are you know are one of our first A and rs.

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Speaker 1: His name was Carly too, car Carley calf out of

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Speaker 1: the UK to an official in the stick Shift. Yeah,

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Speaker 1: he was very proper. He was the kind of guy

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Speaker 1: that wore like a sweater wrapped around his neck like

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Speaker 1: he just got off the tennis, socks wrapped around his ankles.

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Speaker 1: Yeah that was your first deal. Yeah, yeah, well yeah, yeah, yeah,

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Speaker 1: for the most part, I mean we had a. We

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Speaker 1: had a P and D deal out of this label

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Speaker 1: called TVT remember Mike Geronimo. Yeah, of course the same label,

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Speaker 1: like brassy looking label. Yeah exactly. Yeah, Yeah, that was funny.

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Speaker 1: You should say that because h Finesse. Finesse was talking.

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Speaker 1: Finesse was talking to Buck Wilde the other day, and

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Speaker 1: I've been sweat and Buck wild to send me the

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Speaker 1: instrumental of Master I see. And then Bucky was like,

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Speaker 1: I think I have to get it off disc dogs.

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Speaker 1: I'm like, well then I can get it that way

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Speaker 1: unless either of you have an instrumental last I see,

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Speaker 1: you can send it to me. That'd be great. Look,

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Speaker 1: I don't think I do. I doubt it, chemist I might.

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Speaker 1: Chances are good. Yeah, I'll check it out. I'll check

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Speaker 1: out the archive, thanks pal. Yeah, can you have it

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Speaker 1: l I just have it on my laptop. I'll check

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Speaker 1: for you, Wenna, look at you. This is Let me

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Speaker 1: tell you some guys. I, for one, if I was

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Speaker 1: a listener, I would have tuned out already. He thinks

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Speaker 1: two of us. The rest of it depends on depends

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Speaker 1: on what you want to hear, you know, just talk

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Speaker 1: o spin. I think they're trying to lead us. You know,

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Speaker 1: spin Beds mixtape. Man. Actually, I have a good story

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Speaker 1: about that one. But that mix tape. Yeah, so z

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Speaker 1: Trip and I were driving from what Phoenix to Tucson

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Speaker 1: to go to the store PDQ to some digging and

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Speaker 1: so when was that When did that tape come out? Right? Okay,

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Speaker 1: so this is ninety five and he's sprung it on me.

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Speaker 1: He's like, you want to hear some ship? He had

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Speaker 1: a pickup truck and like most people in Arizona back then,

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Speaker 1: so um and then uh and then so I know

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Speaker 1: that's how Eddie got out the country. So so he

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Speaker 1: pops it in and yeah, it was a mind blower

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Speaker 1: for sure. Oh yeah, first time I heard that ship,

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Speaker 1: it fucked my brain up. I was like, I think

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Speaker 1: it was like ninety eight or ninety nine. When I

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Speaker 1: found it, I was a little late to the party. No, No,

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Speaker 1: I bought it from Play the Record in Toronto, and um,

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Speaker 1: I was because I used to just go there that

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Speaker 1: a mixtape wall and I saw that and I go,

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Speaker 1: what is that like? For me? It was just like

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Speaker 1: it was out of the ordinary because everything else was like,

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Speaker 1: you know, fucking all those corny and nineties titles like

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Speaker 1: you know, no more, you know, just you know whatever.

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Speaker 1: The fucking cornballs was. Yeah, yes, that kind of ship.

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Speaker 1: Yeah yeah, yeah, yeah, rugged street ship, you know. And

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Speaker 1: I'm like, I'm I'm good without it. And you know,

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Speaker 1: the more the more it said, the more the more

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Speaker 1: it didn't. It didn't produce, it didn't deliver. So I

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Speaker 1: saw this and I go, what the fund is this? Um?

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Speaker 1: And I bought it. I pulled it out and look

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Speaker 1: at the track listing and I go, huh yeah, And

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Speaker 1: I was like, what this doesn't make any sense. I go,

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Speaker 1: I'm gonna buy this. I put in the car, and

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Speaker 1: my fucking I was just like what who who knew

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Speaker 1: that you could do it? Because we didn't know at

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Speaker 1: the time. You didn't know you could mix eighties white

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Speaker 1: music and cut it up and stuff like. I mean,

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Speaker 1: nobody was even thinking about playing that ship. You gotta

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Speaker 1: figure only five years into the nineties, it wasn't like

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Speaker 1: any I mean, everybody was on some keep it real,

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Speaker 1: you gotta play it was a commercial, don't sell out,

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Speaker 1: keep it real, And I think invited a lot of

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Speaker 1: people in like, oh you could do that because I

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Speaker 1: like that music. And now it's okay to like it.

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Speaker 1: So he had done other ones before, to the party

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Speaker 1: to what is it now, some seventh voyage that was

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Speaker 1: the one before. Um, you see Davy in the middle. Yeah,

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Speaker 1: that's supposed to be at me. You know Anthony Anderson

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00:14:05,200 --> 00:14:08,840
Speaker 1: character don't know Anthony. What's the Anthony Hall? Oh yeah,

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Speaker 1: Michael Hall yesterday you go. Um. Now. The funny part

254
00:14:13,440 --> 00:14:15,600
Speaker 1: was like when he came up with it, it wasn't

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Speaker 1: really supposed to be per se mixtape over the freaking world.

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Speaker 1: It was just just some goofy stuff. He was just

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Speaker 1: door and just have fun and sending clips to j

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Speaker 1: just one and myself and it was like, yo, what

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Speaker 1: if we just did like the whole taple. No, he

260
00:14:29,320 --> 00:14:31,120
Speaker 1: had something to say, That's what makes it dope. Yeah,

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Speaker 1: I mean he did like a rough copy, gave it

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Speaker 1: to you know DJ clips, you guys both know from

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Speaker 1: factory said, and you know he had Eric yes, everyone,

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Speaker 1: And his reaction was the same, you know, looking the

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Speaker 1: playlist and like just not gonna line up with what

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Speaker 1: we you know market here, And then when he heard

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00:14:47,840 --> 00:14:50,200
Speaker 1: it was like, yeoh, this is like mother the best

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Speaker 1: mix ever. It was just and just the cut, the

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Speaker 1: cutting alone was what blew my mind, I've never heard

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Speaker 1: that kind of fast. I think it was the way

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Speaker 1: are the World part that made me jump out of it.

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Speaker 1: That country moment, Yeah, what was my moment in that one?

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Speaker 1: To me? But it was like the stuff in the middle,

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Speaker 1: the subliminos and yeah, the little jokes and sud Mickey.

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Speaker 1: Mickey got me when he when he was that was

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Speaker 1: the first time I was like, what the fuck? Yeah,

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Speaker 1: you know what is this? I remember I was talking

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Speaker 1: to Spinning about I was like, we should try and

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Speaker 1: do like a documentary about the making of that mixtape,

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Speaker 1: and you know, but Spin was never the guy who

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Speaker 1: wanted to I met Spinning two thousand and two. Yeah,

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00:15:34,800 --> 00:15:37,160
Speaker 1: we met in two thousand two. He can't have flome

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Speaker 1: to Toronto. I got him a gig in Toronto and

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Speaker 1: he stayed at my house for carabiner and then I

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Speaker 1: met a v I think later that year or a

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Speaker 1: year later, five four the Norfolk Dinner in Long Island,

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00:15:52,320 --> 00:15:54,120
Speaker 1: and then Spin possibly he was like, yeah, I got

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00:15:54,160 --> 00:15:55,880
Speaker 1: a friend of a community, come check him out. I

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00:15:55,920 --> 00:15:58,120
Speaker 1: was like, sure, you know, you came over that day

290
00:15:58,160 --> 00:15:59,680
Speaker 1: when I was out of staying at his house, and

291
00:15:59,720 --> 00:16:02,920
Speaker 1: Gus came over with barbecuing. Oh you came after, and

292
00:16:02,960 --> 00:16:04,400
Speaker 1: then I kept thinking you were the guy from A

293
00:16:04,520 --> 00:16:10,600
Speaker 1: V eight Records. Yes, it wasn't me. I was like, oh,

294
00:16:10,640 --> 00:16:12,600
Speaker 1: should do you a V eight? He's like, no, I

295
00:16:13,040 --> 00:16:22,920
Speaker 1: have eaten, but I'm not. What are your favorite mixtapes? Um,

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00:16:22,920 --> 00:16:26,560
Speaker 1: that's a I don't know. I mean definitely that. I'm

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00:16:26,600 --> 00:16:29,320
Speaker 1: a big spin bad A fan as well. He was

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00:16:29,480 --> 00:16:33,280
Speaker 1: a very good friend. Um, but pretty much most of

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00:16:33,280 --> 00:16:36,320
Speaker 1: the mix tapes he did. And then there was some

300
00:16:36,480 --> 00:16:39,080
Speaker 1: that I had back in the day, like early nineties,

301
00:16:39,200 --> 00:16:42,160
Speaker 1: like I Glove. I remember getting an Ike Glove mix

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00:16:42,200 --> 00:16:45,840
Speaker 1: tape from New York. I Clove I Glove. Yeah, I

303
00:16:45,840 --> 00:16:47,640
Speaker 1: don't even know, and it wasn't even that great, but

304
00:16:47,680 --> 00:16:49,720
Speaker 1: I just had some memory attached to it, you know

305
00:16:49,760 --> 00:16:52,360
Speaker 1: what I mean. And then there was a DJ Juice

306
00:16:52,520 --> 00:16:57,520
Speaker 1: used to buy DJ Juice mixtapes. Jay you Ice. He

307
00:16:57,600 --> 00:16:59,600
Speaker 1: used to do these nice dope blends on him, and

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00:16:59,640 --> 00:17:02,120
Speaker 1: I was cool. I like that. I like that. I

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00:17:02,160 --> 00:17:04,720
Speaker 1: got I guess over the time. Over time, I'm asked

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00:17:04,760 --> 00:17:07,920
Speaker 1: so many mixtapes they all, you know. I became an

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00:17:07,960 --> 00:17:10,400
Speaker 1: alarmstrong fan at one point because I like the way

312
00:17:10,440 --> 00:17:12,800
Speaker 1: he was doing this mix tapes. I started branching off

313
00:17:12,840 --> 00:17:14,840
Speaker 1: into the guys that were doing other things other than

314
00:17:14,880 --> 00:17:17,560
Speaker 1: just playing the regular ship. And that's because, you know,

315
00:17:17,560 --> 00:17:19,760
Speaker 1: otherwise the mixtape team got kind of boring. Okay, I

316
00:17:19,800 --> 00:17:22,240
Speaker 1: get it. You're gonna do a Golden Air mix tape.

317
00:17:22,240 --> 00:17:25,400
Speaker 1: You're gonna hear the same fucking thirty songs on every

318
00:17:25,440 --> 00:17:29,000
Speaker 1: mixtape cut at the same points in every mixtape, Cash

319
00:17:29,040 --> 00:17:33,320
Speaker 1: Money mixtape. Um, the old school need to Learn More

320
00:17:33,359 --> 00:17:36,879
Speaker 1: mixtape was dope. I knew what about you mix tapes.

321
00:17:37,119 --> 00:17:40,000
Speaker 1: I'm I was a fan of all the Dre ship, Like,

322
00:17:40,040 --> 00:17:41,840
Speaker 1: well really when when it went to the New York

323
00:17:41,920 --> 00:17:45,240
Speaker 1: Scratch Masters thing where I guess that's him, Well, it's

324
00:17:45,240 --> 00:17:48,520
Speaker 1: all it's all of them Salonzo. Yeah. Oh so Dre

325
00:17:48,720 --> 00:17:52,600
Speaker 1: was a good DJ. Yeah yeah, he approached it like

326
00:17:52,600 --> 00:17:56,119
Speaker 1: a producer, you know, no shock there, right, But we

327
00:17:56,200 --> 00:17:58,480
Speaker 1: never got any of those on the East Coast. Well,

328
00:17:58,520 --> 00:18:01,600
Speaker 1: they were all on live in the radio. So Katya

329
00:18:01,640 --> 00:18:04,640
Speaker 1: White used to do this thing called traffic Jam and

330
00:18:04,640 --> 00:18:07,399
Speaker 1: and the Wrecking Crew was the DJs doing it. The

331
00:18:07,400 --> 00:18:11,040
Speaker 1: world class, world class. I mean I liked it when

332
00:18:11,040 --> 00:18:13,280
Speaker 1: they had special guests on k D too, Like I

333
00:18:13,320 --> 00:18:15,080
Speaker 1: wasn't really a mixtape guy, but I liked when they

334
00:18:15,080 --> 00:18:18,679
Speaker 1: had that, you know, uh Joe Cooley and you know

335
00:18:18,720 --> 00:18:21,160
Speaker 1: it was a young unsung hero. It was a Battery Brain.

336
00:18:22,320 --> 00:18:26,680
Speaker 1: He did incredible mixes. Battery Brand, Battery Brain, Battery Brain.

337
00:18:26,720 --> 00:18:30,240
Speaker 1: Who's is l a cat still around on the Yellow? Now?

338
00:18:30,240 --> 00:18:32,480
Speaker 1: I haven't heard his name in a long time on techno?

339
00:18:32,960 --> 00:18:36,360
Speaker 1: That was it? That wasn't Yeah, Damn, I haven't heard

340
00:18:36,359 --> 00:18:38,199
Speaker 1: that name in a minute. Damn. Yeah, there you go.

341
00:18:38,560 --> 00:18:41,000
Speaker 1: Oh it literally had records out or is that he did? Yeah?

342
00:18:41,000 --> 00:18:42,600
Speaker 1: He put out a couple of twelves. Were they like

343
00:18:42,680 --> 00:18:45,439
Speaker 1: those mega mixed things. They were like those big Apple

344
00:18:45,440 --> 00:18:48,560
Speaker 1: Noise records and stuff, not as it's more produced, Like

345
00:18:48,640 --> 00:18:51,040
Speaker 1: he would produce a beat and then spreading all this

346
00:18:51,080 --> 00:18:54,280
Speaker 1: stuff over it. I remember like Dynamics and all that.

347
00:18:54,280 --> 00:18:57,080
Speaker 1: Ship used to do that give the DJ a brain

348
00:18:57,440 --> 00:19:02,200
Speaker 1: like that? Yeah, Yeah, Danny Crivitt at it and those

349
00:19:02,200 --> 00:19:03,760
Speaker 1: were those were dope. I used to I used to

350
00:19:03,800 --> 00:19:07,480
Speaker 1: mix some moments in love over over a break and

351
00:19:07,600 --> 00:19:10,199
Speaker 1: just give the DJ a break. You Luke, we are

352
00:19:10,200 --> 00:19:13,159
Speaker 1: your favorite MIxS. You have so many Cubert Pumpkins Squeeze

353
00:19:14,520 --> 00:19:18,520
Speaker 1: Oh yes, Preschool breaks. Yeah, that one, that one turntable

354
00:19:18,600 --> 00:19:23,240
Speaker 1: scientifics Mr Dibbs, I forgot about that one. Kick Koala

355
00:19:23,320 --> 00:19:29,440
Speaker 1: Scratch Scratch, Montreal represented and Baboo Comprehension was a game

356
00:19:29,520 --> 00:19:35,760
Speaker 1: changer for me. Um No, riz riz Rizz was the

357
00:19:35,800 --> 00:19:38,760
Speaker 1: first person I ever heard of jug Yeah, Riz is dope.

358
00:19:38,960 --> 00:19:41,040
Speaker 1: Riss is one of those guys people forget to mention

359
00:19:42,080 --> 00:19:44,760
Speaker 1: because he's so chill. I think he's the cat on

360
00:19:44,800 --> 00:19:46,840
Speaker 1: the top of my list of like he's way more props.

361
00:19:46,840 --> 00:19:50,600
Speaker 1: He's just he's incredible. But you know, also um Nick's

362
00:19:50,600 --> 00:19:53,760
Speaker 1: Master Mike explosive box cassette, Like his ship was psychedelic.

363
00:19:54,040 --> 00:19:56,119
Speaker 1: Listened to that at your house? Yeah, some of them

364
00:19:56,200 --> 00:19:58,119
Speaker 1: got too out there for me. I was like, all right,

365
00:19:58,240 --> 00:20:01,359
Speaker 1: you're losing me now, Yeah, it's you gotta kind of

366
00:20:01,400 --> 00:20:03,280
Speaker 1: listen to Like what was it? I think that was

367
00:20:03,280 --> 00:20:05,000
Speaker 1: the only one. Well he got it just got weird

368
00:20:05,040 --> 00:20:07,359
Speaker 1: and crazy. His ship was wild. Yeah, I got to

369
00:20:07,359 --> 00:20:09,879
Speaker 1: too many things happening and I was like, uh, and

370
00:20:09,960 --> 00:20:11,240
Speaker 1: I want to be able to play this. If there's

371
00:20:11,240 --> 00:20:15,160
Speaker 1: a girl in the car, Yeah, what kind of party

372
00:20:15,160 --> 00:20:24,240
Speaker 1: would that be? Yeah, it hasn't mentioned on the show before.

373
00:20:24,359 --> 00:20:26,719
Speaker 1: I eat a lot of fast food because I love

374
00:20:26,760 --> 00:20:29,159
Speaker 1: a fast life. Anyway, It's not like I don't know

375
00:20:29,160 --> 00:20:31,640
Speaker 1: what I'm doing. I know I'm not eating something good

376
00:20:31,680 --> 00:20:34,800
Speaker 1: for me, but at least nobody's trying to tell me otherwise.

377
00:20:34,880 --> 00:20:37,080
Speaker 1: I mean, I'm alone. Who's going to tell me? However?

378
00:20:37,160 --> 00:20:38,920
Speaker 1: If I am making the effort to take a daily

379
00:20:39,000 --> 00:20:40,960
Speaker 1: multi vitamin, I kind of want to know that I'm

380
00:20:40,960 --> 00:20:44,679
Speaker 1: taking something beneficial. Otherwise, really, what's the point. That's why

381
00:20:44,720 --> 00:20:47,800
Speaker 1: I love Ritual. Their ingredients are actually traceable, so I

382
00:20:47,840 --> 00:20:50,120
Speaker 1: always know what nutrients I'm taking and where they are

383
00:20:50,160 --> 00:20:54,920
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384
00:20:54,960 --> 00:20:58,359
Speaker 1: with high quality nutrients in bioavailable forms your body can

385
00:20:58,400 --> 00:21:02,720
Speaker 1: actually use, which makes starting a vitamin habit worth your while.

386
00:21:03,200 --> 00:21:07,840
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387
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Speaker 1: and artificial colorance because none of that stuff belongs in

388
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Speaker 1: a vitamin. I like Ritual because they're fresh tasting capsules

389
00:21:14,320 --> 00:21:17,000
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390
00:21:17,000 --> 00:21:20,040
Speaker 1: gross and chalky like so many other multi vitamins. In fact,

391
00:21:20,400 --> 00:21:23,879
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392
00:21:23,920 --> 00:21:27,199
Speaker 1: bad habits I may have. Ritual has made starting a

393
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394
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399
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400
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Speaker 1: first three months, So visit ritual dot com slash peters

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00:21:58,359 --> 00:22:04,840
Speaker 1: to start your ritual today. How did you start, d Jane? Yeah,

403
00:22:05,400 --> 00:22:08,160
Speaker 1: I just was I was m B boy and kind

404
00:22:08,160 --> 00:22:11,520
Speaker 1: of slowed down, so you're happy to be boy? Yeah,

405
00:22:11,520 --> 00:22:13,080
Speaker 1: And then I was like, well I still want to

406
00:22:13,080 --> 00:22:15,560
Speaker 1: hear this music, and it was Toronto. The only way

407
00:22:15,560 --> 00:22:18,960
Speaker 1: we're gonna hear it was just rustle or I would

408
00:22:19,080 --> 00:22:24,480
Speaker 1: tag Roxy on things. Yeah, but I would do this

409
00:22:24,640 --> 00:22:27,800
Speaker 1: tag with I would say the R would lead to

410
00:22:27,840 --> 00:22:29,879
Speaker 1: the one leg and then the Y would lead to

411
00:22:29,880 --> 00:22:32,480
Speaker 1: the other leg, and I would do like the shell toes.

412
00:22:32,560 --> 00:22:34,880
Speaker 1: It was like pants and shell toes with fat laces

413
00:22:35,160 --> 00:22:42,320
Speaker 1: and the Roxy would go across top. Yeah. So I

414
00:22:42,359 --> 00:22:44,040
Speaker 1: wanted to still play the music, but you only get

415
00:22:44,040 --> 00:22:46,960
Speaker 1: it on one day on the radio in Toronto, um,

416
00:22:47,000 --> 00:22:50,359
Speaker 1: from one till four on Saturday afternoons. And it was

417
00:22:50,400 --> 00:22:52,560
Speaker 1: a college radio station in Toronto, and I lived in

418
00:22:52,560 --> 00:22:55,960
Speaker 1: the suburbs, so I would have to disconnect the cable

419
00:22:56,000 --> 00:22:58,200
Speaker 1: from the TV and tape it to the antenna of

420
00:22:58,240 --> 00:23:00,919
Speaker 1: the radio. And when it was in Toronto was on

421
00:23:00,960 --> 00:23:02,680
Speaker 1: eight point one, and when it got to my house

422
00:23:02,680 --> 00:23:06,760
Speaker 1: with nine point seven. But we figured it out. We

423
00:23:06,800 --> 00:23:08,960
Speaker 1: recorded it every week. That's how I discovered so much

424
00:23:09,880 --> 00:23:13,320
Speaker 1: um like happenings in the city and stuff. And so

425
00:23:13,359 --> 00:23:16,320
Speaker 1: I discovered cash Money because they would play cassettes of

426
00:23:16,320 --> 00:23:19,159
Speaker 1: cash Money on it. And then I went, so I

427
00:23:19,160 --> 00:23:20,720
Speaker 1: got to go to like a lot of cool concerts

428
00:23:20,720 --> 00:23:24,639
Speaker 1: in the early mid mid eighties. Um, I saw cut

429
00:23:24,640 --> 00:23:30,439
Speaker 1: Master DC battle DJ Cheese UM and and DJ Cheese

430
00:23:30,440 --> 00:23:33,360
Speaker 1: one because cut Master d C was doing all those

431
00:23:33,400 --> 00:23:36,199
Speaker 1: body tricks and uh, you know he so he went

432
00:23:36,320 --> 00:23:38,200
Speaker 1: at one point he pulled out of basketball to cut

433
00:23:38,240 --> 00:23:39,960
Speaker 1: with and it slipped out of his hand a phone

434
00:23:39,960 --> 00:23:44,600
Speaker 1: and turntable and then it was like and I remember

435
00:23:45,320 --> 00:23:52,200
Speaker 1: Cheese was doing this this lot Lotti, lod Dotti, Lottiti

436
00:23:52,480 --> 00:23:57,280
Speaker 1: Lotti and then we're like, oh shit, we don't know.

437
00:23:57,320 --> 00:23:59,439
Speaker 1: He didn't really do anything if you really think about it.

438
00:23:59,440 --> 00:24:02,320
Speaker 1: But at the time and like, that's so dope. Cheese

439
00:24:02,440 --> 00:24:05,879
Speaker 1: was nice. He's definitely he was a Jersey guy. Cheese right.

440
00:24:05,880 --> 00:24:08,840
Speaker 1: He never no one ever had a sharper awe scratch.

441
00:24:09,240 --> 00:24:13,760
Speaker 1: His ship was so crispy, minty fresh. Oh my god,

442
00:24:14,000 --> 00:24:15,679
Speaker 1: was he doing Oh was that on King Cut? He

443
00:24:15,720 --> 00:24:20,240
Speaker 1: was doing that? Yeah, cut? You want to you want

444
00:24:20,240 --> 00:24:22,680
Speaker 1: to slice? You know you want to? They want profile? Right?

445
00:24:23,280 --> 00:24:27,880
Speaker 1: While Beauty the Beat first Beauty and the Beat, So yeah,

446
00:24:27,960 --> 00:24:31,680
Speaker 1: I remember them on profile. So were you always like

447
00:24:32,320 --> 00:24:34,320
Speaker 1: joking around at the crib when you were a DJ?

448
00:24:34,359 --> 00:24:36,119
Speaker 1: Were you always was this always in you? Was like

449
00:24:36,160 --> 00:24:37,840
Speaker 1: you were making your mom laugh? How how did this

450
00:24:37,880 --> 00:24:42,399
Speaker 1: as never laughed at my ship? I didn't have I

451
00:24:42,440 --> 00:24:45,040
Speaker 1: didn't have those kind of parents. My parents weren't like involved,

452
00:24:45,080 --> 00:24:48,160
Speaker 1: They weren't like, what are you doing son? That's so great?

453
00:24:48,200 --> 00:24:52,080
Speaker 1: I never had those fucking complimentary parents. What are you doing?

454
00:24:52,160 --> 00:24:53,879
Speaker 1: What about your brother? It was never what are you

455
00:24:53,920 --> 00:24:57,800
Speaker 1: doing this? What are you doing? Done that? Off studios?

456
00:24:57,840 --> 00:24:59,520
Speaker 1: If you knew your school work the way you knew

457
00:24:59,560 --> 00:25:05,359
Speaker 1: this rap. You didn't make your your brother laugh. No,

458
00:25:05,560 --> 00:25:08,359
Speaker 1: my brother is six years older than gotta figure out fifty,

459
00:25:08,600 --> 00:25:10,280
Speaker 1: so he sus he's not trying to hang out with me.

460
00:25:11,720 --> 00:25:14,520
Speaker 1: He's out there getting pussy and I'm out there chasing records.

461
00:25:15,280 --> 00:25:16,840
Speaker 1: I remember the first time, and I think I might

462
00:25:17,040 --> 00:25:18,440
Speaker 1: mentioned this on one of the other podcasts. For the

463
00:25:18,440 --> 00:25:21,960
Speaker 1: first time at Andre Horrell was at Russell Simmons house

464
00:25:22,880 --> 00:25:25,399
Speaker 1: and uh, and Russell goes, you know, Andre, go no, no,

465
00:25:25,400 --> 00:25:27,960
Speaker 1: I want to meet him, and goes, yo, Andre's my man, Russell.

466
00:25:28,440 --> 00:25:31,720
Speaker 1: Nice to meet you, man, Hey man, Can I get six? Huh?

467
00:25:31,720 --> 00:25:34,280
Speaker 1: I go? Because I bought that Dr Jeckel and Mr

468
00:25:34,359 --> 00:25:36,959
Speaker 1: Hyde album back in the in the eighties and I

469
00:25:37,000 --> 00:25:42,200
Speaker 1: hated it. Can I what's your fucking money? Back years later?

470
00:25:44,000 --> 00:25:47,800
Speaker 1: Just gave me a fucking weird look. It was a

471
00:25:47,800 --> 00:25:50,080
Speaker 1: bad Alum. Did you buy that? Um? I did? Yeah.

472
00:25:50,560 --> 00:25:52,920
Speaker 1: I think it's credited for the first slow jam rap

473
00:25:53,960 --> 00:25:58,280
Speaker 1: before I Need Love Well, I mean, um, but that

474
00:25:58,320 --> 00:26:00,600
Speaker 1: doesn't make it. That doesn't make it good good right

475
00:26:02,080 --> 00:26:09,080
Speaker 1: may be important? Yellow panties, panties and oh sheet head

476
00:26:09,119 --> 00:26:14,560
Speaker 1: on What's Up? Pants I saw, but I could not

477
00:26:14,640 --> 00:26:17,520
Speaker 1: believe this. Later I was like, I'm mad that it's

478
00:26:17,560 --> 00:26:22,240
Speaker 1: in my head? What about you like that album a little?

479
00:26:22,240 --> 00:26:25,200
Speaker 1: When did the UTFO album come out? Because this one, Yeah,

480
00:26:27,200 --> 00:26:29,880
Speaker 1: lover beats it then? Right, because that's not a round though?

481
00:26:29,920 --> 00:26:36,080
Speaker 1: That was No, that's the first on the first album.

482
00:26:36,359 --> 00:26:44,040
Speaker 1: All right, fair enough? But remember lover fair enough? Fair enough? Oh?

483
00:26:44,119 --> 00:26:46,440
Speaker 1: Does he not rhyme on it? I don't remember just sing.

484
00:26:46,720 --> 00:26:50,160
Speaker 1: I think they're just saying so, I guess that's hip.

485
00:26:50,160 --> 00:26:52,080
Speaker 1: I went through all those little phases, like in the eighties,

486
00:26:52,080 --> 00:26:54,560
Speaker 1: word had the slow Every record had to have some

487
00:26:54,600 --> 00:26:58,000
Speaker 1: sort of slow jam because um down by Law had

488
00:26:58,040 --> 00:27:01,480
Speaker 1: left me lonely. Right, there was always the DJ cut,

489
00:27:01,480 --> 00:27:03,800
Speaker 1: there was a song and then their song steady b

490
00:27:04,000 --> 00:27:08,080
Speaker 1: had Cheating Girl. Well, I mean those aren't slow songs,

491
00:27:08,080 --> 00:27:11,160
Speaker 1: but they were like the for like a hippot matter

492
00:27:11,359 --> 00:27:14,440
Speaker 1: was yeah for hip hop dummy like it was emotional

493
00:27:14,640 --> 00:27:18,199
Speaker 1: who didn't want to hear anything other than rapping. I

494
00:27:18,280 --> 00:27:21,680
Speaker 1: was like, yeah, that's real slow ship right there. It's

495
00:27:21,760 --> 00:27:25,000
Speaker 1: like fake hardcore bullshit on my aunts. What would be

496
00:27:25,000 --> 00:27:27,480
Speaker 1: the one on Funky Technician would be the girl's song

497
00:27:28,400 --> 00:27:34,040
Speaker 1: strictly for the ladies, strictly for the ladies. This is

498
00:27:34,200 --> 00:27:36,840
Speaker 1: Lord Finesse exactly how it went to right. He was

499
00:27:36,840 --> 00:27:38,680
Speaker 1: gonna get he was gonna get t J Swan to

500
00:27:38,680 --> 00:27:44,800
Speaker 1: sing it. No, that t J was just too I

501
00:27:44,840 --> 00:27:47,400
Speaker 1: mean I liked t J Swan, but that that Shams

502
00:27:47,400 --> 00:27:56,320
Speaker 1: song was sad girl. Well you happily to this day. Yeah,

503
00:27:56,400 --> 00:28:01,560
Speaker 1: I wanted Finesse sing more. Cheker Jake, Jake, you guys

504
00:28:01,600 --> 00:28:03,879
Speaker 1: to bring me back with somebody that didn't pay much

505
00:28:03,920 --> 00:28:07,200
Speaker 1: attention to the ballance. Shouldn't have done it, but you

506
00:28:07,280 --> 00:28:09,959
Speaker 1: did it. Now you left me. You gotta live with it.

507
00:28:13,359 --> 00:28:17,320
Speaker 1: Um truly, that was great, but that got ripped off

508
00:28:17,320 --> 00:28:19,840
Speaker 1: the shelves, you know. Yeah, and then everybody did the

509
00:28:20,040 --> 00:28:23,280
Speaker 1: reggae song, a terrible reggae song. It was funny. None

510
00:28:23,320 --> 00:28:25,040
Speaker 1: of the Jamaican artists did it, like, none of the

511
00:28:25,119 --> 00:28:31,600
Speaker 1: Jamaican um ancestral people. Oh yeah, there is the Champagne

512
00:28:31,680 --> 00:28:37,639
Speaker 1: of Wrap. It's like your Russ. Yeah. I was like,

513
00:28:37,720 --> 00:28:39,840
Speaker 1: you know, I thought they were being ironic with that look.

514
00:28:39,880 --> 00:28:41,479
Speaker 1: I was like, oh, I see what they're doing. They

515
00:28:41,520 --> 00:28:43,280
Speaker 1: made some hardcore ship and tried to make it look

516
00:28:43,320 --> 00:28:47,440
Speaker 1: like they're playing it and they got the boom box there, Yeah,

517
00:28:47,640 --> 00:28:49,080
Speaker 1: to let you And that's what I thought. The tip

518
00:28:49,120 --> 00:28:51,800
Speaker 1: off was like, look, we're on some street ship, but

519
00:28:51,840 --> 00:28:54,920
Speaker 1: we're hiding in the suits song We're gonna have a

520
00:28:54,960 --> 00:28:58,000
Speaker 1: boom box that's gonna represent What were the records that

521
00:28:58,040 --> 00:28:59,480
Speaker 1: you picked up that you didn't think we're going to

522
00:28:59,520 --> 00:29:01,360
Speaker 1: be that dope? And but they turned out to be

523
00:29:01,400 --> 00:29:04,520
Speaker 1: like your ship? Um are you are you talking like

524
00:29:04,520 --> 00:29:09,400
Speaker 1: whack covers dope albums? Sure? Sure, yeah, yeah, sure, I'll

525
00:29:09,440 --> 00:29:12,800
Speaker 1: tell you one. Yeah, go for it. Organized Confusions first album,

526
00:29:13,000 --> 00:29:15,959
Speaker 1: so that one was right. It was all like Eric

527
00:29:16,560 --> 00:29:18,520
Speaker 1: and it was just there like silhouettes almost right, that's

528
00:29:18,520 --> 00:29:22,120
Speaker 1: all I had. All i'd heard was that was almost budge. Yeah,

529
00:29:22,160 --> 00:29:23,440
Speaker 1: and then I hear the album, So you didn't think

530
00:29:23,480 --> 00:29:25,320
Speaker 1: that was going to be the business I just hit.

531
00:29:25,400 --> 00:29:27,240
Speaker 1: I wasn't ready for because I didn't hear any hype

532
00:29:27,240 --> 00:29:31,720
Speaker 1: on it. Yeah. I like the Walk into the Sun remix. Yeah, yeah, yeah,

533
00:29:31,760 --> 00:29:35,200
Speaker 1: that was a phenomenal that album. Yes, I do remember that. Yeah.

534
00:29:35,200 --> 00:29:37,360
Speaker 1: I mean I was like, there's nothing really going on

535
00:29:37,400 --> 00:29:39,320
Speaker 1: in the cover, there's nothing telling me I'll deal with it.

536
00:29:39,440 --> 00:29:42,040
Speaker 1: But that's part of what made it such an impact

537
00:29:42,160 --> 00:29:44,080
Speaker 1: was I was so surprised. I think I bought more

538
00:29:44,240 --> 00:29:48,080
Speaker 1: albums or records based on the cover and got either

539
00:29:48,120 --> 00:29:50,600
Speaker 1: surprised of highly disappointed. That was our social media. That

540
00:29:50,640 --> 00:29:52,320
Speaker 1: was the only way we had to like figure it

541
00:29:52,400 --> 00:29:56,200
Speaker 1: kind of navigate. Buying it was alike, yeah, buying it

542
00:29:56,240 --> 00:29:58,720
Speaker 1: was like I remember buying that in Black Sheep's first

543
00:29:58,720 --> 00:30:00,720
Speaker 1: album at on the same day, and I listen, black

544
00:30:02,200 --> 00:30:04,200
Speaker 1: month was my ship. And then there was the different

545
00:30:04,280 --> 00:30:06,680
Speaker 1: version on it right when you bought the album, like

546
00:30:06,680 --> 00:30:10,080
Speaker 1: wait a minute, wait a minute, this isn't the record.

547
00:30:10,120 --> 00:30:12,400
Speaker 1: I heard, well no, because that that remix hadn't come

548
00:30:12,400 --> 00:30:17,440
Speaker 1: out yet. But then I heard Organize after it, and

549
00:30:17,600 --> 00:30:20,280
Speaker 1: I retired the Black Sheep album right away and just

550
00:30:20,320 --> 00:30:23,000
Speaker 1: stuck with the organized Mine was a fudge pudge and

551
00:30:23,000 --> 00:30:25,080
Speaker 1: then I would mix in soul clap right into it

552
00:30:25,240 --> 00:30:28,560
Speaker 1: right right at that one part. I took a chance

553
00:30:28,640 --> 00:30:35,560
Speaker 1: on Black by demand all rappers give up, because I mean, no, no, no, no.

554
00:30:35,640 --> 00:30:37,640
Speaker 1: I loved it. That was like I saw the cover

555
00:30:37,680 --> 00:30:39,360
Speaker 1: and I was like, I'll take a chance on it.

556
00:30:39,360 --> 00:30:41,320
Speaker 1: It was the champ kind of thing. I was like,

557
00:30:41,720 --> 00:30:43,800
Speaker 1: it could be dope, it could be just I don't

558
00:30:43,840 --> 00:30:45,520
Speaker 1: know what you know, what a what a cartoon? You

559
00:30:45,520 --> 00:30:48,080
Speaker 1: don't know because at the time everyone was taking photos

560
00:30:48,160 --> 00:30:51,040
Speaker 1: and so I was like, yeah, that is a very

561
00:30:51,080 --> 00:30:53,280
Speaker 1: non I remember that record, but I never bought it

562
00:30:53,560 --> 00:30:56,040
Speaker 1: heavy right, So I had to go like, Okay, okay, yas,

563
00:30:56,080 --> 00:30:57,600
Speaker 1: I'll see what it is, but it's dope. That was

564
00:30:57,640 --> 00:31:00,960
Speaker 1: an underrated record. That's trio connection man. See. I thought

565
00:31:01,040 --> 00:31:02,440
Speaker 1: when I saw that record in the store, I thought

566
00:31:02,440 --> 00:31:04,520
Speaker 1: it was just like on the same tip as. I

567
00:31:04,600 --> 00:31:06,680
Speaker 1: thought they were like trying to go with like the

568
00:31:06,920 --> 00:31:10,880
Speaker 1: X Clan, the Paris, that whole like um, that pro

569
00:31:11,000 --> 00:31:13,120
Speaker 1: black movement that was going on. I thought that would

570
00:31:13,120 --> 00:31:16,720
Speaker 1: have been a ripple of something. Yes, So when I

571
00:31:16,760 --> 00:31:18,800
Speaker 1: saw it, I was just like, I never heard anything

572
00:31:18,800 --> 00:31:21,600
Speaker 1: off this, so I'm not getting it. I remember a

573
00:31:21,640 --> 00:31:25,120
Speaker 1: new wave record. Yeah, basically I forgot that. That's like

574
00:31:25,280 --> 00:31:27,960
Speaker 1: bars that this is going through that's the trip. Yeah,

575
00:31:28,080 --> 00:31:31,240
Speaker 1: I didn't even see that. If there was a rock group,

576
00:31:31,320 --> 00:31:33,560
Speaker 1: Namics a metal group name, except I think they had

577
00:31:33,600 --> 00:31:35,400
Speaker 1: an album that looks similar to that, and that's probably

578
00:31:35,520 --> 00:31:37,800
Speaker 1: I didn't buy it. Think about an album called Balls

579
00:31:37,800 --> 00:31:39,840
Speaker 1: to the Wall. What was the group or what was

580
00:31:39,880 --> 00:31:42,440
Speaker 1: the artist that you're like, why why didn't they put

581
00:31:42,440 --> 00:31:44,640
Speaker 1: out more dope shit or like like you felt like

582
00:31:44,680 --> 00:31:50,680
Speaker 1: they have more juice. The Antoinette though, I remember I

583
00:31:50,720 --> 00:31:53,640
Speaker 1: bought this album. She started doing the up Temple stuff

584
00:31:53,680 --> 00:31:56,840
Speaker 1: right the all the Miami Ship right after she was

585
00:31:56,960 --> 00:31:59,880
Speaker 1: inspired by j J. It wasn't that que that was

586
00:32:00,040 --> 00:32:03,080
Speaker 1: and quent Oh yeah, I brought that. You're right, I

587
00:32:03,120 --> 00:32:06,160
Speaker 1: bought that the album misreading and thinking it was Antoinette

588
00:32:06,760 --> 00:32:12,560
Speaker 1: and I was probably record was dope ghetto style ghetto

589
00:32:12,880 --> 00:32:18,000
Speaker 1: right there, you go. I think, um, I think j

590
00:32:18,200 --> 00:32:20,320
Speaker 1: Moso for a while pitch. I thought he would have

591
00:32:20,360 --> 00:32:24,480
Speaker 1: had something else, said most rhymethologists. Oh yeah, yeah, yeah,

592
00:32:25,160 --> 00:32:29,160
Speaker 1: interesting it wasn't Entice on Wild Pitch too. Yeah. I

593
00:32:29,280 --> 00:32:31,000
Speaker 1: was kind of hoping more out of Chill rob G.

594
00:32:32,120 --> 00:32:34,120
Speaker 1: I mean, he's one of my favorite MC still though,

595
00:32:34,360 --> 00:32:36,720
Speaker 1: like I wanted him to keep going more than anything else.

596
00:32:36,840 --> 00:32:39,320
Speaker 1: Let's put up that. I think Ride the Rhythm. I

597
00:32:39,440 --> 00:32:43,040
Speaker 1: think Zapp Kelly. That's an album right there though, I

598
00:32:43,120 --> 00:32:46,920
Speaker 1: mean I'm the look yeah the cover A good voice,

599
00:32:47,280 --> 00:32:51,720
Speaker 1: had a great voice. I opened for him, did you not?

600
00:32:53,080 --> 00:32:55,800
Speaker 1: He did shows? Yeah? So it was in Toronto. It

601
00:32:56,000 --> 00:32:58,840
Speaker 1: was him and Queen Latifa and a bunch of so

602
00:32:59,040 --> 00:33:01,360
Speaker 1: Queen's he was headlined in him and then a bunch

603
00:33:01,400 --> 00:33:03,280
Speaker 1: of local Toronto artists. And I was friends with this

604
00:33:03,880 --> 00:33:07,400
Speaker 1: white kid name his real name was John, but he

605
00:33:07,480 --> 00:33:12,360
Speaker 1: had converted to Islam and he became Malex Shahid or

606
00:33:12,440 --> 00:33:16,360
Speaker 1: Elijah Abdullah Lim. He first became Elijah Abdullah Lim, and

607
00:33:16,360 --> 00:33:19,240
Speaker 1: I think then he changed him to Alex Shahid. I'm done,

608
00:33:20,120 --> 00:33:22,640
Speaker 1: I'm no wait, so check this. He needed he was

609
00:33:22,680 --> 00:33:25,280
Speaker 1: a dope DJ, but he needed a DJ for he

610
00:33:25,400 --> 00:33:28,680
Speaker 1: was opening for that concert. And and he was wearing

611
00:33:28,720 --> 00:33:31,520
Speaker 1: like a full fucking dish dash and a cuffey on

612
00:33:31,600 --> 00:33:35,280
Speaker 1: his head, and he's French Canadian guy uh and and

613
00:33:35,440 --> 00:33:36,960
Speaker 1: so I was deja from that night. And I just

614
00:33:37,000 --> 00:33:41,280
Speaker 1: remember all I was cutting was the from from Welcome

615
00:33:41,280 --> 00:33:47,440
Speaker 1: to the Terror Door. It was like, was there was

616
00:33:47,480 --> 00:33:50,920
Speaker 1: there a record that you thought like hurt hip hop

617
00:33:51,080 --> 00:33:54,480
Speaker 1: or like made it kind of fizzle out or diluted?

618
00:33:55,120 --> 00:33:57,120
Speaker 1: Well there was the obvious one, like what like was

619
00:33:57,160 --> 00:33:59,000
Speaker 1: there like a tippic point You're like, man, this is

620
00:33:59,080 --> 00:34:01,640
Speaker 1: like changing now because of this record. Well, if you

621
00:34:01,880 --> 00:34:05,520
Speaker 1: have that for me, it was it went you know

622
00:34:05,640 --> 00:34:08,680
Speaker 1: mine mine. Every time I think about it, it makes

623
00:34:08,680 --> 00:34:11,840
Speaker 1: me laugh. Started I was like, Okay, something's happening. I

624
00:34:11,880 --> 00:34:13,520
Speaker 1: don't like it. I think I know if you change it,

625
00:34:13,560 --> 00:34:16,279
Speaker 1: I'll be I'll be surprised. I don't know. If you

626
00:34:16,320 --> 00:34:19,000
Speaker 1: know what you got cut you changed it, then I

627
00:34:19,080 --> 00:34:22,360
Speaker 1: think I think I know for me, we want some pussy?

628
00:34:22,960 --> 00:34:26,600
Speaker 1: Oh really no, no, I thought that record to me

629
00:34:26,719 --> 00:34:29,759
Speaker 1: once it was Montel Jordan's this is no and do

630
00:34:30,040 --> 00:34:34,160
Speaker 1: I started laughing. But Monte Jordan was never hip hop.

631
00:34:34,280 --> 00:34:36,319
Speaker 1: But the thing about it, I'll be in my car

632
00:34:36,560 --> 00:34:41,040
Speaker 1: randomly thinking that's the ship that hip hop. You're right,

633
00:34:41,120 --> 00:34:43,000
Speaker 1: You're right. I mean it was the second peg, it

634
00:34:43,120 --> 00:34:44,800
Speaker 1: was the second pag. Is that your second wind of

635
00:34:44,880 --> 00:34:48,080
Speaker 1: the whole thing. Yeah, it's just for me. We want

636
00:34:48,160 --> 00:34:50,799
Speaker 1: some pussy was just not about it was about something else,

637
00:34:50,880 --> 00:34:55,560
Speaker 1: you know. Yeah, they wanted pussy. Yeah, they didn't want

638
00:34:55,600 --> 00:34:58,719
Speaker 1: to be like the best m sees or whatever, the

639
00:34:58,760 --> 00:35:01,320
Speaker 1: best DJs, which they we're on their first record, you

640
00:35:01,400 --> 00:35:03,880
Speaker 1: know that. But do you know why I love that

641
00:35:04,040 --> 00:35:07,920
Speaker 1: record because the whole for the for the record was

642
00:35:08,000 --> 00:35:11,320
Speaker 1: the guy holding is remember that, remember right on the

643
00:35:11,480 --> 00:35:15,040
Speaker 1: right on the center of the twelve inch AO, but actually, really,

644
00:35:15,160 --> 00:35:17,319
Speaker 1: I actually really liked this record because I was like, man,

645
00:35:17,400 --> 00:35:19,480
Speaker 1: this is going in a different direction in some kind

646
00:35:19,480 --> 00:35:24,000
Speaker 1: of because the beat it bumped properly, like that was

647
00:35:24,040 --> 00:35:26,480
Speaker 1: good queuing back then, you know, like I just remember

648
00:35:26,480 --> 00:35:29,680
Speaker 1: going when when can I play this record? I actually

649
00:35:29,719 --> 00:35:31,600
Speaker 1: played that at one of my first house parties. So

650
00:35:31,719 --> 00:35:33,239
Speaker 1: you have, so you have a twofold you have we

651
00:35:33,280 --> 00:35:38,200
Speaker 1: want was really like, I'm out of here, I'm sucking

652
00:35:38,239 --> 00:35:42,640
Speaker 1: out of here. If you listen to last week's episode,

653
00:35:42,680 --> 00:35:45,520
Speaker 1: you may realize that I love oversharing about my sex life.

654
00:35:45,600 --> 00:35:47,600
Speaker 1: But you know what, that's because I'm proud of it.

655
00:35:48,280 --> 00:35:50,680
Speaker 1: We're both getting off, so what's not to brag about. Anyway.

656
00:35:51,320 --> 00:35:54,240
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657
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660
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681
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Speaker 1: fifteen percent off site wide. What about you, nest you

682
00:37:28,239 --> 00:37:29,680
Speaker 1: you have a record that you're like, man, I was

683
00:37:29,719 --> 00:37:31,719
Speaker 1: getting I was moving into something else, like it's it's

684
00:37:31,760 --> 00:37:34,759
Speaker 1: watering down. Gotta I got a story around that, like, um,

685
00:37:35,719 --> 00:37:39,319
Speaker 1: you know I Canelli was like one, He's still one

686
00:37:39,360 --> 00:37:42,279
Speaker 1: of my closest friends. Like so we used to go

687
00:37:42,440 --> 00:37:46,040
Speaker 1: to all of the parties together. So I remember they

688
00:37:46,200 --> 00:37:48,520
Speaker 1: ripped his record off the show because he had a

689
00:37:48,560 --> 00:37:52,080
Speaker 1: record called No Exit and I was talking about like

690
00:37:52,360 --> 00:37:55,719
Speaker 1: domestic abuse, like you know, it was like more like

691
00:37:56,280 --> 00:37:58,959
Speaker 1: I'm not letting you out of this relationship, oh ship,

692
00:38:00,400 --> 00:38:03,359
Speaker 1: certain things he said. So they took the record. Calm down.

693
00:38:03,719 --> 00:38:06,600
Speaker 1: The name of the album was called Vagina Dinah Vagina.

694
00:38:06,960 --> 00:38:09,719
Speaker 1: I got a T shirt. Yeah, you still got your

695
00:38:09,760 --> 00:38:16,280
Speaker 1: T shirt from Scope. That's what was working on the Scope. Wow,

696
00:38:16,680 --> 00:38:21,319
Speaker 1: Jesus Christ. So he came, he came by my house

697
00:38:21,520 --> 00:38:23,239
Speaker 1: like I want to play you some of these new

698
00:38:23,320 --> 00:38:26,080
Speaker 1: records I got so now mine. They just ripped the

699
00:38:26,160 --> 00:38:31,080
Speaker 1: other record off the shelf like yeah, like your nest man,

700
00:38:31,280 --> 00:38:35,560
Speaker 1: check this one out, put it in your mouth. I'm like, nigger,

701
00:38:35,560 --> 00:38:38,800
Speaker 1: you're gonna get banned, you know you just they just

702
00:38:39,040 --> 00:38:41,840
Speaker 1: ripped the other ship down. That blew the fun. And

703
00:38:41,920 --> 00:38:44,359
Speaker 1: then he was like, Yo, check this other song out.

704
00:38:45,000 --> 00:38:52,279
Speaker 1: Can I fuck you fool free with it? But it

705
00:38:52,440 --> 00:38:56,680
Speaker 1: just taught me that, man, I stopped really judging. If

706
00:38:56,719 --> 00:38:59,360
Speaker 1: you got a vision for it, go for it, because

707
00:39:00,120 --> 00:39:01,960
Speaker 1: thing I know, I heard that ship on the radio

708
00:39:02,200 --> 00:39:05,440
Speaker 1: all day, all stations, and oh, man, when you play

709
00:39:05,520 --> 00:39:07,080
Speaker 1: that at a party, because you have to start at

710
00:39:07,120 --> 00:39:12,839
Speaker 1: the beginning what my baby left me and everybody would

711
00:39:12,840 --> 00:39:17,640
Speaker 1: anticipate it because players would go fucking nuts put it up. Yeah.

712
00:39:17,760 --> 00:39:21,160
Speaker 1: I was like, oh ship, and girls would be singing it. Yeah,

713
00:39:21,480 --> 00:39:24,400
Speaker 1: and I've been looking at him all they would lose it.

714
00:39:24,920 --> 00:39:26,879
Speaker 1: I remember I went to how can I Be Down?

715
00:39:27,520 --> 00:39:31,680
Speaker 1: In my wow and that ship that's when it hit

716
00:39:31,960 --> 00:39:34,440
Speaker 1: and that ship went off. Man, it was nothing bigger

717
00:39:34,440 --> 00:39:38,359
Speaker 1: than that at that time, well except for um uh

718
00:39:39,080 --> 00:39:40,839
Speaker 1: what the tories b I G? Do you want to forget?

719
00:39:40,880 --> 00:39:45,719
Speaker 1: Which which one? Uh? The master paper is hitting Around

720
00:39:45,760 --> 00:39:52,040
Speaker 1: nineties started. I remember getting those uh, those snippet cassettes

721
00:39:52,080 --> 00:39:54,120
Speaker 1: from how Can I Be Down? Did that one toe

722
00:39:54,239 --> 00:39:56,920
Speaker 1: jams Summer toe jams, and it was like a girl's

723
00:39:57,000 --> 00:40:02,000
Speaker 1: foot and slippers, and that was it was the best.

724
00:40:02,239 --> 00:40:07,000
Speaker 1: Was the best was Bad Boys promotion. Around that time.

725
00:40:07,040 --> 00:40:11,839
Speaker 1: They had they would the big back that but they

726
00:40:11,920 --> 00:40:15,400
Speaker 1: had the um. They had that do not disturb sign

727
00:40:15,800 --> 00:40:18,480
Speaker 1: on all of the hotels because everybody was in a

728
00:40:18,520 --> 00:40:22,040
Speaker 1: hotel and it had the do not disturbance, says bad

729
00:40:22,080 --> 00:40:26,239
Speaker 1: boy got it on lock. Oh ship, they're doing it big.

730
00:40:26,480 --> 00:40:31,840
Speaker 1: That was it. I thought it was a girlfriend. What's this?

731
00:40:32,480 --> 00:40:34,560
Speaker 1: There was a snippets set that came out of nine

732
00:40:34,800 --> 00:40:38,080
Speaker 1: three man, I don't remember this one man. Now, I

733
00:40:38,160 --> 00:40:41,279
Speaker 1: think um Puff had his his marketing schemes was on

734
00:40:41,440 --> 00:40:45,320
Speaker 1: lock at that time. Marketing. Nobody was topping Puff with

735
00:40:45,440 --> 00:40:48,839
Speaker 1: the marketing. Um I just think it all went down

736
00:40:48,960 --> 00:40:52,279
Speaker 1: started going downhill. Once he became an artist. He wanted

737
00:40:52,320 --> 00:40:55,480
Speaker 1: to use all of marketing from him and for him,

738
00:40:55,560 --> 00:40:58,520
Speaker 1: and it wasn't the same after that. There was some

739
00:40:58,600 --> 00:40:59,960
Speaker 1: good ones out there. People. We had a lot of

740
00:41:00,000 --> 00:41:05,280
Speaker 1: creativity in that time. Oh yeah, you have to. Everybody

741
00:41:05,360 --> 00:41:06,880
Speaker 1: was fighting for the same ship. I wanted to go

742
00:41:06,960 --> 00:41:08,480
Speaker 1: to how can I be nice? Didn't have any money.

743
00:41:08,480 --> 00:41:12,320
Speaker 1: I couldn't be down. I wanted to go to the seminar.

744
00:41:12,520 --> 00:41:15,000
Speaker 1: I couldn't have any money. I couldn't go. My friends

745
00:41:15,040 --> 00:41:18,359
Speaker 1: would go and they would record it. I have um

746
00:41:19,120 --> 00:41:27,040
Speaker 1: and when eight ball won that year. Yeah, maybe you're right,

747
00:41:27,520 --> 00:41:32,840
Speaker 1: J he's the first. Yeah, I wanted to do the

748
00:41:32,880 --> 00:41:35,239
Speaker 1: Mary had a little am right. Yeah, Yeah, that's the

749
00:41:35,440 --> 00:41:38,120
Speaker 1: that's that was the year. Yeah. And then I remember

750
00:41:38,239 --> 00:41:41,200
Speaker 1: my my buddy headed on video cassetting. All here beside

751
00:41:41,239 --> 00:41:47,359
Speaker 1: him was motherfucker went off. Where is this kid? Now?

752
00:41:49,320 --> 00:41:53,959
Speaker 1: Where's miss where's fresh co? I just posted something about

753
00:41:53,960 --> 00:41:57,719
Speaker 1: a Laddin. He was my favorite, loved I loved the

754
00:41:57,800 --> 00:42:00,480
Speaker 1: Ladd and I was like my hero. He's out here

755
00:42:00,760 --> 00:42:04,520
Speaker 1: on rampages like one of the top. So good, so good.

756
00:42:04,719 --> 00:42:07,359
Speaker 1: He's entertaining to watch too. He's he's got it all

757
00:42:07,800 --> 00:42:09,920
Speaker 1: he um. He follows me on Instagram. I've never met

758
00:42:10,000 --> 00:42:14,200
Speaker 1: him though, Yeah, he's he's fucking incredible. Yeah, there's a Ladd.

759
00:42:14,239 --> 00:42:15,879
Speaker 1: And I remember the white T shirt and the hat

760
00:42:15,960 --> 00:42:17,799
Speaker 1: to the side because he used to do that really

761
00:42:17,840 --> 00:42:21,600
Speaker 1: shoulder thing. Yeah, definitely used all the shoulders that I

762
00:42:21,719 --> 00:42:27,480
Speaker 1: used to study the new music seminar couldn't phase a Laddin.

763
00:42:28,000 --> 00:42:31,480
Speaker 1: And I remember, Um, I didn't realize how dope DJ

764
00:42:31,600 --> 00:42:34,560
Speaker 1: Scratch was. I didn't realize he was doing those cuts

765
00:42:34,600 --> 00:42:37,080
Speaker 1: on the record, even though I was biting the cuts

766
00:42:37,120 --> 00:42:40,800
Speaker 1: as was listening to them youth. No. I just didn't

767
00:42:40,840 --> 00:42:43,040
Speaker 1: understand at the time like that a DJ could be

768
00:42:43,160 --> 00:42:45,440
Speaker 1: that fucking dope right playing for a group, you know

769
00:42:45,480 --> 00:42:47,600
Speaker 1: what I mean. I remember just thinking like, damn, this

770
00:42:47,719 --> 00:42:50,440
Speaker 1: dude on the East Coast is doing some like a

771
00:42:50,520 --> 00:42:53,600
Speaker 1: Laddin Joe coolie ship. You know. Oh he was always

772
00:42:53,600 --> 00:42:56,319
Speaker 1: a gurug with his own you know flair. I think

773
00:42:56,400 --> 00:43:00,279
Speaker 1: that's what watching gang Star for me. It's like that

774
00:43:00,640 --> 00:43:03,560
Speaker 1: like serious, he wanted to do all he did, all

775
00:43:03,600 --> 00:43:08,040
Speaker 1: the cuts records show accurately. And I think that was

776
00:43:08,080 --> 00:43:10,560
Speaker 1: one of the shifts in hip hop when when they

777
00:43:10,719 --> 00:43:15,440
Speaker 1: stopped doing the scratch um like solos, No, not even that,

778
00:43:15,560 --> 00:43:19,560
Speaker 1: just the scratch choruses, because that's what Gangster was always

779
00:43:19,600 --> 00:43:28,600
Speaker 1: doing that the scratch cards. Like Premier just had so

780
00:43:28,760 --> 00:43:31,440
Speaker 1: much precision in his ship. He made it like he

781
00:43:31,520 --> 00:43:34,399
Speaker 1: made it like like he was like, you know, part

782
00:43:34,440 --> 00:43:37,080
Speaker 1: of one of the vocalists or something, you know what

783
00:43:37,080 --> 00:43:39,120
Speaker 1: I mean. That that was the first. Remember my boy,

784
00:43:39,239 --> 00:43:41,239
Speaker 1: one of my casts and my DJ crew was like,

785
00:43:41,520 --> 00:43:43,880
Speaker 1: he's just so precise. He just kept saying precise. And

786
00:43:45,360 --> 00:43:48,920
Speaker 1: I was in a crew called bum Rush Productions and

787
00:43:49,000 --> 00:43:51,719
Speaker 1: we would do mobile house parties. I didn't him at

788
00:43:51,760 --> 00:43:54,879
Speaker 1: that point. Yeah, it was before we met, did you guys? Wait,

789
00:43:54,920 --> 00:43:59,160
Speaker 1: how did you two met? We? Uh? There was a

790
00:43:59,320 --> 00:44:04,560
Speaker 1: night called rat Race in in l A where the

791
00:44:04,640 --> 00:44:08,560
Speaker 1: promoter of this guy named John Asbell would invite well,

792
00:44:08,840 --> 00:44:11,120
Speaker 1: his band would be on stage and he would invite

793
00:44:11,280 --> 00:44:14,440
Speaker 1: m c s and groups to freestyle or do the

794
00:44:14,560 --> 00:44:18,360
Speaker 1: routines over band at night kind of thing. And I

795
00:44:18,480 --> 00:44:21,319
Speaker 1: was the DJ for the night basically, or I did

796
00:44:21,400 --> 00:44:22,880
Speaker 1: like one or two gigs with them, and then there

797
00:44:22,960 --> 00:44:28,160
Speaker 1: was a rehearsal for UM one of the nights, and

798
00:44:28,320 --> 00:44:30,279
Speaker 1: that's where I met Cut and he walked in when

799
00:44:30,320 --> 00:44:33,239
Speaker 1: I was I hooked up my turntable set up to

800
00:44:33,239 --> 00:44:36,400
Speaker 1: a wah wah pedal and he was whoa DJ Hendrix.

801
00:44:36,800 --> 00:44:38,160
Speaker 1: And then when we just hit it off after that,

802
00:44:39,880 --> 00:44:43,840
Speaker 1: it was very It was very surfer like. When I

803
00:44:43,920 --> 00:44:46,719
Speaker 1: think surf, I think of you two. So wait, so

804
00:44:46,800 --> 00:44:50,120
Speaker 1: you're the one who put J five together then Cut together.

805
00:44:50,160 --> 00:44:53,480
Speaker 1: We already had had Charlie Unity Committee and Mark seven.

806
00:44:54,120 --> 00:44:56,760
Speaker 1: I mean you committee was me, Charlie and Mark seven

807
00:44:57,640 --> 00:45:00,840
Speaker 1: and then sorry. When I saw Rebels with them at

808
00:45:00,880 --> 00:45:04,200
Speaker 1: a Good Life, they sounded to me like treacherous and

809
00:45:04,320 --> 00:45:06,080
Speaker 1: I dug it because I was in old school hip hop.

810
00:45:06,160 --> 00:45:08,600
Speaker 1: So I made a bat for them and I said,

811
00:45:08,680 --> 00:45:12,000
Speaker 1: can you feature my guys on it? Boom. We had

812
00:45:12,080 --> 00:45:14,200
Speaker 1: no Newmark at that point, so then we started to

813
00:45:14,280 --> 00:45:17,000
Speaker 1: put together like an EP. New Mark did a B

814
00:45:17,160 --> 00:45:21,359
Speaker 1: side bonus B song, and then we pressed it up

815
00:45:21,400 --> 00:45:23,200
Speaker 1: and I sold it out of my Honda and then

816
00:45:24,800 --> 00:45:26,600
Speaker 1: it was it was. There was so many different parts

817
00:45:26,640 --> 00:45:29,960
Speaker 1: to it. Soup was working promotions and Interscope at the time,

818
00:45:30,120 --> 00:45:33,839
Speaker 1: and he got us to deal at at one Yeah,

819
00:45:34,239 --> 00:45:37,080
Speaker 1: and I was working on and then new was working

820
00:45:37,120 --> 00:45:40,279
Speaker 1: at Correct. I was I almost didn't make this group.

821
00:45:42,000 --> 00:45:44,960
Speaker 1: So did you wear you both on the stage together cutting? Yeah?

822
00:45:45,600 --> 00:45:47,600
Speaker 1: Damn Russ, Where the fuck you Bengee? I mean I

823
00:45:48,000 --> 00:45:50,000
Speaker 1: used to buy J five records and listen to them,

824
00:45:50,000 --> 00:45:52,359
Speaker 1: but I never saw them. But before that Newmark was doing,

825
00:45:52,640 --> 00:45:55,040
Speaker 1: me and him were djaying for Unity Committee before it

826
00:45:55,120 --> 00:45:59,440
Speaker 1: was J five didn't know I had a video of it.

827
00:45:59,560 --> 00:46:02,799
Speaker 1: I was a small record label that was like um

828
00:46:03,200 --> 00:46:06,879
Speaker 1: it's called Correct Records, and I signed this artist named

829
00:46:06,960 --> 00:46:11,000
Speaker 1: Grav where he was out of Chicago. Graph Graph would

830
00:46:11,040 --> 00:46:14,960
Speaker 1: have been like short for gravity and so Grav I

831
00:46:15,440 --> 00:46:16,960
Speaker 1: I played the guys in the group like, yo, listen

832
00:46:17,000 --> 00:46:18,440
Speaker 1: this I signed this guy. You know, I was like,

833
00:46:18,560 --> 00:46:20,320
Speaker 1: first time, just trying to make a check. You know,

834
00:46:20,360 --> 00:46:22,520
Speaker 1: I was young, and I was like, yeah, listen this

835
00:46:22,600 --> 00:46:25,040
Speaker 1: guy ship and the guys in the group licked him

836
00:46:25,040 --> 00:46:27,200
Speaker 1: like that's cool. So he did one song with um

837
00:46:27,560 --> 00:46:31,800
Speaker 1: Kanye West, and so I told Grab, if you do

838
00:46:31,880 --> 00:46:34,040
Speaker 1: the rest of the album, we'll put this out on correct,

839
00:46:34,040 --> 00:46:36,520
Speaker 1: We'll do a full album with you. So to this day,

840
00:46:36,600 --> 00:46:42,200
Speaker 1: that's Kanye's debut on record, and I've almost stayed as

841
00:46:42,280 --> 00:46:44,479
Speaker 1: like a record exact dude, instead of being in J five.

842
00:46:45,280 --> 00:46:48,040
Speaker 1: Look at you, what choice do you would you rather

843
00:46:48,080 --> 00:46:51,919
Speaker 1: have made? Definitely J five. But it was great working

844
00:46:51,960 --> 00:46:54,719
Speaker 1: at a label and learning like college promotion and you know,

845
00:46:54,960 --> 00:46:57,880
Speaker 1: hearing demos, filtering shit out and just look just getting

846
00:46:57,880 --> 00:47:00,040
Speaker 1: scrappy with it and learning how to you know, on

847
00:47:00,120 --> 00:47:02,960
Speaker 1: that Grabarcort was dope and the great man, and he

848
00:47:03,040 --> 00:47:07,200
Speaker 1: was incredible. Is no idea on there too, no ideas

849
00:47:07,840 --> 00:47:10,040
Speaker 1: ship he was but he didn't have any idea. Oh

850
00:47:10,440 --> 00:47:12,520
Speaker 1: I don't think so. I'm almost I'm almost certain he

851
00:47:12,600 --> 00:47:14,960
Speaker 1: wasn't all right. He was kind of like a Chicago

852
00:47:15,320 --> 00:47:18,200
Speaker 1: group of producers. On that. Wait, um, so that's nine.

853
00:47:18,600 --> 00:47:20,880
Speaker 1: Which guy came to the party? Which J five guy

854
00:47:20,960 --> 00:47:23,120
Speaker 1: was here at your party? Came to the part? Yes,

855
00:47:23,320 --> 00:47:25,320
Speaker 1: I don't know. Did you have an artist called Manish

856
00:47:25,400 --> 00:47:31,200
Speaker 1: on that J for that for a while? And everything

857
00:47:31,239 --> 00:47:33,280
Speaker 1: I could on it was like yellow with like orange.

858
00:47:33,840 --> 00:47:35,080
Speaker 1: It was you know, they went through a lot of

859
00:47:35,600 --> 00:47:39,080
Speaker 1: colored cheeks. But the guy's name was Manished. Was he Indian? No,

860
00:47:39,200 --> 00:47:42,120
Speaker 1: it's two dudes. Oh yeah? Were they sort of like men?

861
00:47:44,040 --> 00:47:48,240
Speaker 1: And it's very Actually they should have been called girlers,

862
00:47:48,360 --> 00:47:51,560
Speaker 1: but now they are managed. Should have released a second

863
00:47:51,600 --> 00:47:58,360
Speaker 1: album called Shove It's love Its man Ish chevets. You know,

864
00:47:58,480 --> 00:48:00,319
Speaker 1: I just thought you were a light skinned guy, Mark,

865
00:48:01,840 --> 00:48:07,520
Speaker 1: I really did, Holy ship, look at the number of

866
00:48:07,560 --> 00:48:09,279
Speaker 1: adds up? Hey, how did you cut? How did you

867
00:48:09,320 --> 00:48:11,720
Speaker 1: get cut out of this? You were cut out chemist

868
00:48:11,760 --> 00:48:17,160
Speaker 1: in this one cut Look at that. That's why I

869
00:48:17,200 --> 00:48:19,759
Speaker 1: thought you were English. You even look you're still looking. Yeah,

870
00:48:19,880 --> 00:48:21,920
Speaker 1: I mean I wasn't mad at that comment. You know,

871
00:48:24,120 --> 00:48:26,520
Speaker 1: I've been lucky enough to travel and perform all over

872
00:48:26,560 --> 00:48:28,600
Speaker 1: the world. And let me tell you something, learning kind

873
00:48:28,600 --> 00:48:30,439
Speaker 1: of speak, at least a few phrases in a local

874
00:48:30,520 --> 00:48:33,360
Speaker 1: language can really help you in so many ways. You

875
00:48:33,400 --> 00:48:35,960
Speaker 1: can order at a restaurant, ask for directions, and get

876
00:48:36,000 --> 00:48:38,960
Speaker 1: a deeper understanding of the culture. And if you find

877
00:48:39,080 --> 00:48:42,680
Speaker 1: the idea of starting to learn any language daunting, don't worry.

878
00:48:42,760 --> 00:48:46,160
Speaker 1: Babel has you covered. Babbel makes the whole process of

879
00:48:46,280 --> 00:48:50,360
Speaker 1: learning a new language addictively fun and easy, with bite

880
00:48:50,440 --> 00:48:53,080
Speaker 1: size lessons you can actually use in the real world.

881
00:48:53,200 --> 00:48:56,560
Speaker 1: Babbel is a can't miss travel essential. Who knows, maybe

882
00:48:56,600 --> 00:48:58,560
Speaker 1: if I make my way back out to Copenhagen to

883
00:48:58,640 --> 00:49:01,560
Speaker 1: visit dj Noise, I can use Babel to pick up

884
00:49:01,560 --> 00:49:03,880
Speaker 1: a little bit of Danish. It's a fun way to

885
00:49:03,920 --> 00:49:06,200
Speaker 1: prep for a trip at the very least, I mean so.

886
00:49:06,640 --> 00:49:08,640
Speaker 1: And if you're worried about finding the time to learn

887
00:49:08,680 --> 00:49:12,239
Speaker 1: a new language, Babel's fifteen minute lessons make learning on

888
00:49:12,360 --> 00:49:16,920
Speaker 1: the go so easy and fun. Unlike the infamous language

889
00:49:16,920 --> 00:49:20,120
Speaker 1: classes you took in high school, Babel designs their courses

890
00:49:20,160 --> 00:49:24,000
Speaker 1: with practical, real world conversations in mind. In other words,

891
00:49:24,440 --> 00:49:27,160
Speaker 1: you you'll learn phrases and conversational sentences that you can

892
00:49:27,239 --> 00:49:30,640
Speaker 1: actually use an everyday life, not like Hey, h a

893
00:49:30,800 --> 00:49:33,560
Speaker 1: l BiblioTech. I've never wanted to know where the library

894
00:49:33,680 --> 00:49:35,960
Speaker 1: is in French in my life? Why would I want

895
00:49:35,960 --> 00:49:37,520
Speaker 1: to know where a library is if I can't speak

896
00:49:37,560 --> 00:49:41,040
Speaker 1: the language. Other language learning apps use AI for their

897
00:49:41,120 --> 00:49:43,759
Speaker 1: lesson plans, but Babel lessons were created by over a

898
00:49:43,880 --> 00:49:47,920
Speaker 1: hundred language experts and their teaching method has been scientifically

899
00:49:48,000 --> 00:49:51,319
Speaker 1: proven to be effective. With Babel, you can choose from

900
00:49:51,360 --> 00:49:57,160
Speaker 1: fourteen different languages, including Spanish, French, Italian, German. Plus, Babel's

901
00:49:57,160 --> 00:50:00,440
Speaker 1: speech recognition technology helps you to improve your pronoun seation

902
00:50:00,560 --> 00:50:03,680
Speaker 1: and accent. There's so many ways to learn with Babel.

903
00:50:04,120 --> 00:50:07,880
Speaker 1: In additional lessons, you can access podcast, games, videos, stories,

904
00:50:07,960 --> 00:50:10,880
Speaker 1: and even live classes. Right now, when you purchased a

905
00:50:10,960 --> 00:50:14,040
Speaker 1: three months Babel subscription, you get an additional three months

906
00:50:14,120 --> 00:50:16,759
Speaker 1: for free. That's six months for the price of three.

907
00:50:17,480 --> 00:50:20,840
Speaker 1: Just go to babel dot com and use promo code peters.

908
00:50:20,920 --> 00:50:25,200
Speaker 1: That's b A B B E L dot com code

909
00:50:25,680 --> 00:50:32,080
Speaker 1: peters for an extra three months free. So, Russ, what's uh?

910
00:50:32,880 --> 00:50:35,200
Speaker 1: How did you make the transition from what? What was

911
00:50:35,320 --> 00:50:37,640
Speaker 1: the defining moment for comedian? For you? That's what I'm

912
00:50:37,640 --> 00:50:40,080
Speaker 1: really we want to ask you? How? What mean? What

913
00:50:40,239 --> 00:50:42,560
Speaker 1: was like? What was the ship? What was the event

914
00:50:42,719 --> 00:50:46,680
Speaker 1: or the performance or the the episode would you know,

915
00:50:47,000 --> 00:50:49,160
Speaker 1: friends of family, whatever that made you go, I'm gonna

916
00:50:49,200 --> 00:50:51,640
Speaker 1: do this ship for real. This is this is my calling. Um,

917
00:50:52,200 --> 00:50:56,320
Speaker 1: I'll see. I started at eighty nine and then the

918
00:50:56,440 --> 00:51:00,880
Speaker 1: first when I started doing it, I said to myself,

919
00:51:01,360 --> 00:51:03,960
Speaker 1: I'm gonna give this eight years. Oh ship, you did

920
00:51:04,000 --> 00:51:05,920
Speaker 1: a timeline. I said, okay, because I was yeah, I

921
00:51:05,960 --> 00:51:07,960
Speaker 1: forgot this nineteen right, So I never did. By the

922
00:51:07,960 --> 00:51:10,279
Speaker 1: time seven, if I've done nothing with this, I'll jump out.

923
00:51:11,320 --> 00:51:12,719
Speaker 1: But by the time I was twenty seven, I had

924
00:51:12,719 --> 00:51:15,759
Speaker 1: already recorded two specials, so I was like, all right, well,

925
00:51:15,800 --> 00:51:18,520
Speaker 1: I guess I'm in it now. And then uh, and

926
00:51:18,640 --> 00:51:20,879
Speaker 1: then in my third special in two thousand and three,

927
00:51:20,960 --> 00:51:23,799
Speaker 1: that's the one that allowed me to live the life

928
00:51:23,840 --> 00:51:27,879
Speaker 1: I lived now. So number three was the lucky number three.

929
00:51:27,920 --> 00:51:30,040
Speaker 1: That was the one that was like cemented you in

930
00:51:30,120 --> 00:51:32,560
Speaker 1: the games. So that's the one that changed everything for me.

931
00:51:32,680 --> 00:51:34,600
Speaker 1: What was the name that special? It was just it

932
00:51:34,719 --> 00:51:36,520
Speaker 1: was just a Comedy Now special. There was this company

933
00:51:36,600 --> 00:51:39,360
Speaker 1: in Canada that used to do these series of specials

934
00:51:39,400 --> 00:51:43,480
Speaker 1: called Comedy Now. This network CTV over there, and they

935
00:51:43,480 --> 00:51:45,840
Speaker 1: would they would give a bunch of comics a Comedy

936
00:51:45,880 --> 00:51:49,640
Speaker 1: Now special, so I did one in seven and then

937
00:51:49,680 --> 00:51:51,759
Speaker 1: I hadn't gotten another one. It took six years from

938
00:51:51,760 --> 00:51:54,240
Speaker 1: me to get another one. And when they came back around,

939
00:51:54,280 --> 00:51:57,560
Speaker 1: the money was less. It was like, was less than

940
00:51:57,560 --> 00:52:00,680
Speaker 1: it was the first that happens, Yes, that happens. And

941
00:52:00,760 --> 00:52:03,080
Speaker 1: then yeah, then then these fuckers put this out after

942
00:52:03,160 --> 00:52:06,000
Speaker 1: it started to gain steam, they put this funked up

943
00:52:06,040 --> 00:52:10,040
Speaker 1: looking DVD out like it's just so ship looking, and

944
00:52:10,120 --> 00:52:11,800
Speaker 1: I was mad as funk. I wouldn't I still to

945
00:52:11,880 --> 00:52:15,640
Speaker 1: this day won't sign one of those fancies. Yeah no,

946
00:52:15,719 --> 00:52:17,880
Speaker 1: because they never give me a penny from it. And

947
00:52:17,920 --> 00:52:19,600
Speaker 1: they must have sold a funkload of those. And I

948
00:52:19,719 --> 00:52:22,840
Speaker 1: tried buying it back from them. I tried buying it

949
00:52:22,880 --> 00:52:25,239
Speaker 1: that that's look at our ship. That it's horrible. They

950
00:52:25,280 --> 00:52:27,480
Speaker 1: put the nineties they put the nineties seven special on

951
00:52:27,560 --> 00:52:29,440
Speaker 1: it and the two thousand and three special on it,

952
00:52:30,320 --> 00:52:33,520
Speaker 1: and U and I tried to buy back that special

953
00:52:33,600 --> 00:52:35,919
Speaker 1: from them. I offered them a hundred grand and I said,

954
00:52:36,120 --> 00:52:39,759
Speaker 1: and I'll give you a percentage of the sales. And

955
00:52:39,840 --> 00:52:42,040
Speaker 1: they were like, no, we're gonna do it. And then

956
00:52:42,080 --> 00:52:43,680
Speaker 1: I was like, well, if you if you let me

957
00:52:43,760 --> 00:52:45,839
Speaker 1: do it, then I can at least do a Yeah,

958
00:52:47,000 --> 00:52:49,080
Speaker 1: that was the seven special show. It could have been

959
00:52:49,080 --> 00:52:51,640
Speaker 1: Brothers Russ look at this, Look at that? Huh. I

960
00:52:51,760 --> 00:52:54,160
Speaker 1: was thirty two going on thirty three there, So you know,

961
00:52:54,239 --> 00:52:56,800
Speaker 1: I'm I'm a big you know, I love comedy. We

962
00:52:56,840 --> 00:52:58,600
Speaker 1: always always try to talk about as much as I

963
00:52:58,640 --> 00:53:02,640
Speaker 1: can with you. So when I see I'm trying to

964
00:53:02,719 --> 00:53:05,239
Speaker 1: think how to phrases. So you seem to do a

965
00:53:05,360 --> 00:53:08,960
Speaker 1: lot of things right that A lot of comedian slash actors,

966
00:53:10,480 --> 00:53:12,600
Speaker 1: I guess I haven't, like, I mean, what would you

967
00:53:12,640 --> 00:53:16,120
Speaker 1: attribute your your your success to. That's what I really

968
00:53:16,360 --> 00:53:18,359
Speaker 1: always wanted to ask you, like, because it's a lot

969
00:53:18,400 --> 00:53:20,200
Speaker 1: of dudes like, are like just play the movie role

970
00:53:20,280 --> 00:53:22,880
Speaker 1: or just play you know, the sitcom role, or you know,

971
00:53:23,920 --> 00:53:26,800
Speaker 1: mine's done out of necessity, Like I didn't have the

972
00:53:26,840 --> 00:53:31,439
Speaker 1: opportunities to do movies and TV. So the odd movies

973
00:53:31,960 --> 00:53:34,080
Speaker 1: shows then, right, yeah, I would get the odd movie

974
00:53:34,160 --> 00:53:36,800
Speaker 1: here and you know, odd TV show there. But it

975
00:53:36,960 --> 00:53:39,120
Speaker 1: was like I knew where my bread was buttered, and

976
00:53:39,160 --> 00:53:41,040
Speaker 1: I was I wasn't gonna like turn my back on standing.

977
00:53:41,040 --> 00:53:43,080
Speaker 1: I think a lot of guys get into the acting

978
00:53:43,120 --> 00:53:45,279
Speaker 1: world and then like sucking who like it's almost like

979
00:53:45,600 --> 00:53:46,960
Speaker 1: a relief, like, who now I don't have to do

980
00:53:47,040 --> 00:53:48,759
Speaker 1: stand up anymore. But for me, it's like when I

981
00:53:48,800 --> 00:53:50,879
Speaker 1: get something like funk, I missed stand up so much

982
00:53:51,680 --> 00:53:53,600
Speaker 1: that is just it's I have to do it. So

983
00:53:54,120 --> 00:53:56,040
Speaker 1: would you say that you went to territories that some

984
00:53:56,160 --> 00:54:00,040
Speaker 1: of your your counterparts didn't go to some areas in

985
00:54:00,040 --> 00:54:02,800
Speaker 1: the world that you yeah visited that others happened. But

986
00:54:02,880 --> 00:54:05,840
Speaker 1: the thing is it wasn't calculated like that. I was

987
00:54:05,880 --> 00:54:08,799
Speaker 1: doing a lot of ship out of England. Um, that's

988
00:54:08,800 --> 00:54:10,800
Speaker 1: actually the first time I found J five was in England.

989
00:54:11,120 --> 00:54:13,440
Speaker 1: That makes sense. That's where we blew up first. And um,

990
00:54:14,200 --> 00:54:15,719
Speaker 1: so I was out of England, and out of England

991
00:54:15,760 --> 00:54:17,360
Speaker 1: you would get all these weird gigs. It would be

992
00:54:17,440 --> 00:54:19,680
Speaker 1: like this. I used to work with this agent named

993
00:54:19,760 --> 00:54:24,399
Speaker 1: John Keys out there really runty little guy, and Hi, Russ,

994
00:54:24,480 --> 00:54:28,920
Speaker 1: how you doing? How are you doing? Listen? Uh? You

995
00:54:28,960 --> 00:54:32,520
Speaker 1: want to go to Uh there's a gig in where

996
00:54:32,600 --> 00:54:35,359
Speaker 1: was this one? Um? Does a gig in Belgium? Said

997
00:54:35,360 --> 00:54:38,120
Speaker 1: the Irish pub. So on a Tuesday, pays a hundred

998
00:54:38,120 --> 00:54:41,279
Speaker 1: pounds and they get your fly in the hotel. And

999
00:54:41,360 --> 00:54:43,920
Speaker 1: I was like fucking I'm in a hundred pounds. I

1000
00:54:43,960 --> 00:54:45,160
Speaker 1: didn't really care. I just look at it as a

1001
00:54:45,160 --> 00:54:47,800
Speaker 1: free trip to Belgium and the money was ship you know.

1002
00:54:48,640 --> 00:54:49,800
Speaker 1: But you know it would be like you could do

1003
00:54:49,880 --> 00:54:53,600
Speaker 1: Belgium on Tuesday and you can uh, you can do

1004
00:54:54,040 --> 00:54:58,200
Speaker 1: uh Denmark on Wednesday, and then fly back to London

1005
00:54:58,239 --> 00:55:00,120
Speaker 1: on Thursday, you know, the comedy store at nine. And

1006
00:55:00,160 --> 00:55:01,480
Speaker 1: then I'm like, all, I suck it. It was just

1007
00:55:01,680 --> 00:55:04,400
Speaker 1: literally work was work. I didn't care. And then it

1008
00:55:04,520 --> 00:55:05,799
Speaker 1: was like, you know, you want to go to Hong Kong,

1009
00:55:06,200 --> 00:55:08,279
Speaker 1: and I'm like, sure, let's go to Hong Kong. And

1010
00:55:08,360 --> 00:55:11,160
Speaker 1: I remember I went to Hong Kong and the and

1011
00:55:11,239 --> 00:55:13,320
Speaker 1: the gig was in an Indian restaurant called the Viceroy.

1012
00:55:14,320 --> 00:55:16,279
Speaker 1: And the Indian people that ran the restaurant were so

1013
00:55:16,480 --> 00:55:19,040
Speaker 1: excited to see an Indian guy come in doing comedy

1014
00:55:19,080 --> 00:55:21,680
Speaker 1: and I killed that night. They were like, oh, us,

1015
00:55:21,719 --> 00:55:23,640
Speaker 1: so we wanna we want to show you around Hong Kong.

1016
00:55:23,719 --> 00:55:25,759
Speaker 1: Man show you. And they took me out and they

1017
00:55:26,160 --> 00:55:29,200
Speaker 1: and they took me to this whorehouse right and uh

1018
00:55:29,719 --> 00:55:32,080
Speaker 1: and it was like all these chicks in there and

1019
00:55:32,160 --> 00:55:34,480
Speaker 1: they go pick onun pick one, and I go m her,

1020
00:55:34,600 --> 00:55:36,440
Speaker 1: I guess, I don't. I didn't as I was never

1021
00:55:36,520 --> 00:55:38,719
Speaker 1: into hookers. It was not my thing. I go her,

1022
00:55:38,800 --> 00:55:41,880
Speaker 1: I guess, and they go okay, go and I go

1023
00:55:42,040 --> 00:55:44,080
Speaker 1: go where take her with you? And I go take

1024
00:55:44,080 --> 00:55:46,239
Speaker 1: her with and do what like take her back? And

1025
00:55:46,320 --> 00:55:47,600
Speaker 1: so I took her back to the hotel and I

1026
00:55:47,719 --> 00:55:50,239
Speaker 1: was like, She's sitting there and she's like, and I'm like, so,

1027
00:55:50,400 --> 00:55:53,200
Speaker 1: how how you doing running your monogue? I'm literally just

1028
00:55:53,280 --> 00:55:54,960
Speaker 1: trying to talk to her because I'm like, I don't

1029
00:55:55,000 --> 00:55:57,040
Speaker 1: know what else to do. And then she's like, do

1030
00:55:57,080 --> 00:56:00,120
Speaker 1: you want sex? And I go, I don't know. I

1031
00:56:00,200 --> 00:56:02,839
Speaker 1: feel weird. I'm not really I mean, I like now

1032
00:56:04,440 --> 00:56:06,120
Speaker 1: and then she was like huh and I was like,

1033
00:56:06,280 --> 00:56:08,880
Speaker 1: I don't know. Do you want to? Um? Do you

1034
00:56:08,920 --> 00:56:10,840
Speaker 1: want it? Okay? Well she started getting naked and I

1035
00:56:10,920 --> 00:56:13,960
Speaker 1: go okay, and I was like, I didn't have sex

1036
00:56:14,040 --> 00:56:16,200
Speaker 1: with her. I just like, well, why don't you play

1037
00:56:16,239 --> 00:56:19,320
Speaker 1: with yourself and I'll just jerk off or something. And

1038
00:56:19,440 --> 00:56:22,600
Speaker 1: then so I just felt weird about it. So she

1039
00:56:22,800 --> 00:56:25,400
Speaker 1: left and then the next day I get back to

1040
00:56:25,520 --> 00:56:28,040
Speaker 1: the gig again to do the second show, like, how

1041
00:56:28,160 --> 00:56:30,279
Speaker 1: was it? That was good? Yeah? And then payment came

1042
00:56:30,800 --> 00:56:34,719
Speaker 1: and they deducted a hundred pounds for the hooker And

1043
00:56:34,800 --> 00:56:37,200
Speaker 1: I'm like, but you made me think that this. Why

1044
00:56:37,200 --> 00:56:39,560
Speaker 1: would I didn't ask you to take me to dirty

1045
00:56:39,960 --> 00:56:42,920
Speaker 1: Oh yeah, that's the dirt they asked me to come back?

1046
00:56:43,040 --> 00:56:45,279
Speaker 1: Is it not? Fuck you motherfucker? You played me when

1047
00:56:45,280 --> 00:56:47,520
Speaker 1: I was there? So wait, what was the what was

1048
00:56:47,640 --> 00:56:52,120
Speaker 1: Mr Baton switch? That should be the name of your

1049
00:56:52,160 --> 00:57:00,520
Speaker 1: next special? Okay, so wait, but what what would understand?

1050
00:57:00,560 --> 00:57:02,640
Speaker 1: Like what was the conduit to playing in India? Then?

1051
00:57:02,680 --> 00:57:04,520
Speaker 1: So like, how did it get Was it just your

1052
00:57:04,600 --> 00:57:07,080
Speaker 1: name spread or like I know by then my this

1053
00:57:07,800 --> 00:57:11,359
Speaker 1: special head gotten on YouTube starting two times this one

1054
00:57:11,400 --> 00:57:13,600
Speaker 1: okay okay, yeah, YouTube started two thousand and five and

1055
00:57:13,640 --> 00:57:16,120
Speaker 1: they had never seen in Indians So you hit right

1056
00:57:16,160 --> 00:57:18,440
Speaker 1: with the YouTube was where I was as soon as

1057
00:57:18,480 --> 00:57:21,040
Speaker 1: it opened. I was on it, damn And I had

1058
00:57:21,080 --> 00:57:23,640
Speaker 1: no clue how to be on it. I just many

1059
00:57:23,680 --> 00:57:25,400
Speaker 1: many times. I still to this day don't know who

1060
00:57:25,440 --> 00:57:28,000
Speaker 1: put me on YouTube. So all during this time were

1061
00:57:28,000 --> 00:57:29,840
Speaker 1: you DJ? Where you working around with records? Were you

1062
00:57:29,920 --> 00:57:32,400
Speaker 1: still like deep into music? Did you say I need

1063
00:57:32,480 --> 00:57:35,360
Speaker 1: an opening DJ at all? Because I didn't know about that,

1064
00:57:35,400 --> 00:57:37,160
Speaker 1: but I would go to clubs and be DJ spinning

1065
00:57:37,200 --> 00:57:38,960
Speaker 1: and I would stand right better. DJ Booth and Hawkham

1066
00:57:39,680 --> 00:57:42,040
Speaker 1: the whole time just watching them, and he'd be like,

1067
00:57:42,160 --> 00:57:47,320
Speaker 1: and I'm like, can I cut? They're like can I play?

1068
00:57:47,360 --> 00:57:50,240
Speaker 1: And they're like okay. So I would get on and

1069
00:57:50,280 --> 00:57:51,720
Speaker 1: play and I would play better than they were. They're like,

1070
00:57:51,720 --> 00:57:57,000
Speaker 1: put the funk it off, you know. I think it

1071
00:57:57,120 --> 00:58:00,479
Speaker 1: wasn't until like Toronto when I started doing the big shows,

1072
00:58:00,480 --> 00:58:05,320
Speaker 1: and then I was like, oh I could seven okay

1073
00:58:05,840 --> 00:58:09,280
Speaker 1: earlier than I thought. Yeah, I had um a matter

1074
00:58:09,280 --> 00:58:12,439
Speaker 1: of fact, the first time I had wanted UH spin

1075
00:58:12,520 --> 00:58:14,720
Speaker 1: bad and he didn't call me back for the gig,

1076
00:58:15,280 --> 00:58:20,160
Speaker 1: which is pretty spinny of him. And Uh. I had

1077
00:58:20,240 --> 00:58:22,720
Speaker 1: Junior Flow DJ that one Junior Flow. He was part

1078
00:58:22,760 --> 00:58:26,200
Speaker 1: of the Turnstyles crew. He was partners with m Rock.

1079
00:58:26,880 --> 00:58:30,680
Speaker 1: They were the Turnstyles Crew. He's fucking dope. So now

1080
00:58:30,720 --> 00:58:33,280
Speaker 1: he plays with Crates and Keys. You know Crates and Keys. Yeah,

1081
00:58:33,320 --> 00:58:35,880
Speaker 1: he's the DJ with them. Yeah, he's busy. I've seen

1082
00:58:35,880 --> 00:58:43,880
Speaker 1: this guy in the road. Yeah, So he DJ for

1083
00:58:44,000 --> 00:58:46,640
Speaker 1: me on those first shows and then I was like,

1084
00:58:47,080 --> 00:58:49,240
Speaker 1: and he was dope, but I was just like and

1085
00:58:49,440 --> 00:58:51,840
Speaker 1: we were friends too. We still are, but I remember

1086
00:58:51,880 --> 00:58:53,760
Speaker 1: going something I don't know, I need something more dynamic

1087
00:58:53,840 --> 00:58:57,960
Speaker 1: happening here. And that's when I got starting from scratching

1088
00:58:57,960 --> 00:59:00,640
Speaker 1: spin Bad on four turntables and and that ship was

1089
00:59:00,840 --> 00:59:03,160
Speaker 1: bananas when they would play. I think the first time

1090
00:59:03,200 --> 00:59:05,680
Speaker 1: I discovered who you were was when you did the

1091
00:59:05,680 --> 00:59:11,000
Speaker 1: whole routine about djaying. Yeah, it was really late for me. Yeah,

1092
00:59:11,640 --> 00:59:13,720
Speaker 1: it was like, you know, if a whole bit about

1093
00:59:13,800 --> 00:59:16,120
Speaker 1: you know, if your hands are in the area not dying. Yeah,

1094
00:59:16,160 --> 00:59:20,040
Speaker 1: how you djaying with your dick that whole bit. Yeah, yeah,

1095
00:59:20,080 --> 00:59:21,880
Speaker 1: that that that became kind of like the and then

1096
00:59:21,920 --> 00:59:23,640
Speaker 1: that was used on a lot of mixtapes too. Yeah.

1097
00:59:23,640 --> 00:59:26,080
Speaker 1: I was very happy about that. Yeah, I mean a

1098
00:59:26,160 --> 00:59:28,800
Speaker 1: lot of dj sent me like clips of them cutting that. Yeah.

1099
00:59:28,840 --> 00:59:30,959
Speaker 1: Oh that's so fucking dope for me. That was really dope.

1100
00:59:31,120 --> 00:59:33,200
Speaker 1: You know. It's funny as we did a viewer episode

1101
00:59:33,640 --> 00:59:36,920
Speaker 1: last week, like a viewer emails and calls and stuff,

1102
00:59:36,960 --> 00:59:39,840
Speaker 1: and Ali and I did it to my lady, and uh,

1103
00:59:41,000 --> 00:59:43,400
Speaker 1: you know who fucking sent in a question was DJ Noise.

1104
00:59:44,160 --> 00:59:47,040
Speaker 1: Oh he's a really good dude, really nice guy, Denmark. Right, Yeah,

1105
00:59:47,080 --> 00:59:50,960
Speaker 1: he's always on my Instagram. He's a good dude. He's incredible,

1106
00:59:51,000 --> 00:59:53,600
Speaker 1: by the way, he was the first guy heard. Yeah, no,

1107
00:59:53,720 --> 00:59:59,560
Speaker 1: he's insane. Yeah yeah, under underrated. That's that's a heavy DJ,

1108
00:59:59,800 --> 01:00:02,680
Speaker 1: right yeah him. Yeah, he was fucking dope. And then

1109
01:00:02,680 --> 01:00:04,400
Speaker 1: I remember the first time I did Denmark, it must

1110
01:00:04,440 --> 01:00:07,680
Speaker 1: have been nineties seven. I think I met DJ NUTT

1111
01:00:08,440 --> 01:00:10,920
Speaker 1: remember DJ n He was in one of the competitions,

1112
01:00:10,960 --> 01:00:15,640
Speaker 1: not Nuts, but no Nut one day and ut knut

1113
01:00:16,840 --> 01:00:19,760
Speaker 1: huh yeah, And I was like, why is your name nut?

1114
01:00:19,840 --> 01:00:21,880
Speaker 1: It's such a weird name. He goes, oh, because my

1115
01:00:22,000 --> 01:00:26,360
Speaker 1: name is nude. It's knu d D knu D. His

1116
01:00:26,520 --> 01:00:30,960
Speaker 1: name was Nude, Nude, commute nude, that's the Danish name nude.

1117
01:00:33,080 --> 01:00:36,160
Speaker 1: So it was like Americans can't say nude. So he

1118
01:00:36,240 --> 01:00:37,840
Speaker 1: was like, I went with Nut, and I was like fair,

1119
01:00:40,040 --> 01:00:41,520
Speaker 1: But he was a dope DJ. Two. He could cut

1120
01:00:41,600 --> 01:00:44,280
Speaker 1: real good too, and do those similar routines to noise.

1121
01:00:44,320 --> 01:00:46,040
Speaker 1: They were I think they came up together. Well, he

1122
01:00:46,120 --> 01:00:48,160
Speaker 1: looks so different than he did twenty five years ago.

1123
01:00:49,240 --> 01:00:53,720
Speaker 1: He looks like he could be an electronic DJ. There's

1124
01:00:53,720 --> 01:00:55,960
Speaker 1: a lot of those electronic tags that were actually dope DJ's,

1125
01:00:56,480 --> 01:00:59,080
Speaker 1: and then they just figured fuck it Oozy is one

1126
01:00:59,120 --> 01:01:03,320
Speaker 1: of them? Who Uzy? Who's that? He's like a trap dude,

1127
01:01:03,480 --> 01:01:06,520
Speaker 1: really incredible French. But he was a turntable is back

1128
01:01:06,560 --> 01:01:08,480
Speaker 1: in the day. I mean, Kenny Dope used to get

1129
01:01:08,520 --> 01:01:11,320
Speaker 1: busy on the turn table ken. But Kenny still plays

1130
01:01:11,360 --> 01:01:14,280
Speaker 1: when he plays, when he plays music, Kenny fucking gets

1131
01:01:14,320 --> 01:01:18,200
Speaker 1: busy still. But then you got wasn't it wasn't diplow

1132
01:01:18,240 --> 01:01:21,560
Speaker 1: real DJ? At one point? Kenny's a master though he's

1133
01:01:21,600 --> 01:01:24,120
Speaker 1: he's he's he's a master's work. Yeah, well, I mean

1134
01:01:24,200 --> 01:01:27,080
Speaker 1: when you when you say, I mean was said. I

1135
01:01:27,120 --> 01:01:29,360
Speaker 1: don't know if Diplo was cutting up or be juggling

1136
01:01:29,440 --> 01:01:30,920
Speaker 1: or anything like that, but is he was doing hip

1137
01:01:30,920 --> 01:01:35,680
Speaker 1: hop music? Yeah? Yeah? And then uh, is there is

1138
01:01:35,680 --> 01:01:37,960
Speaker 1: there anything that this guy can't do? Kenny? I mean

1139
01:01:38,160 --> 01:01:41,840
Speaker 1: this dudes just well that's where his name is. Kenny can't.

1140
01:01:42,280 --> 01:01:45,800
Speaker 1: Oh my god, Russ, you're really circling the drain. Baby?

1141
01:01:45,920 --> 01:01:50,640
Speaker 1: Have you thought you've already told you jokes? He just wait,

1142
01:01:50,720 --> 01:01:52,800
Speaker 1: so wait, wait, so wait? When you do your biss

1143
01:01:52,840 --> 01:01:54,720
Speaker 1: on stage, are there is this like all pre written

1144
01:01:54,760 --> 01:01:57,200
Speaker 1: material or you just feeding your so you're a freestyler,

1145
01:01:58,320 --> 01:02:00,440
Speaker 1: this is what you this is your ship. You ever

1146
01:02:00,520 --> 01:02:03,160
Speaker 1: rode a route? Oh back in the day, they were terrible.

1147
01:02:03,240 --> 01:02:05,880
Speaker 1: You have a freestyle? A route? My freestyle all the time.

1148
01:02:05,920 --> 01:02:08,040
Speaker 1: I'll bet ya do you heard me doing it last

1149
01:02:08,120 --> 01:02:10,200
Speaker 1: night or the night before last night. I just make

1150
01:02:10,280 --> 01:02:12,000
Speaker 1: sure that music will be playing and I'll just change

1151
01:02:12,000 --> 01:02:14,960
Speaker 1: the lyrics to whatever is happening around me. And sometimes

1152
01:02:15,040 --> 01:02:17,360
Speaker 1: it's really good and sometimes it's fucking also. But wait,

1153
01:02:17,440 --> 01:02:19,040
Speaker 1: so what do you do? I've always wondered about this.

1154
01:02:19,120 --> 01:02:20,800
Speaker 1: So what do you do when the audience is just

1155
01:02:21,040 --> 01:02:23,520
Speaker 1: dry man and in the front row isn't given given

1156
01:02:24,440 --> 01:02:28,360
Speaker 1: like this podcast? It's like, yeah, well so I'm I'm

1157
01:02:28,440 --> 01:02:32,080
Speaker 1: controlling the podcast, so you better step it up. You're driving.

1158
01:02:32,080 --> 01:02:35,600
Speaker 1: It's time to wake up for us. This was just

1159
01:02:35,760 --> 01:02:38,080
Speaker 1: like a like an old car that had slow acceleration.

1160
01:02:38,120 --> 01:02:41,920
Speaker 1: It's moving now, but it took it was uphill um,

1161
01:02:43,840 --> 01:02:47,320
Speaker 1: it's moving up hill. No, no, So what do you

1162
01:02:47,360 --> 01:02:48,600
Speaker 1: do with the first rolls? Dry? What do you How

1163
01:02:48,640 --> 01:02:49,919
Speaker 1: do you get out of it? But you just don't

1164
01:02:49,920 --> 01:02:51,640
Speaker 1: talk to them? Then you're like, you guys sucking. Then

1165
01:02:51,680 --> 01:02:53,640
Speaker 1: just go and just do your act. So you have

1166
01:02:53,800 --> 01:02:55,640
Speaker 1: some parts that are like pre written, kind of like

1167
01:02:55,760 --> 01:02:59,240
Speaker 1: ready to go in case, uh, front row is fucking

1168
01:02:59,360 --> 01:03:02,760
Speaker 1: much a zombies. Yeah, no, no, you just do your act.

1169
01:03:02,800 --> 01:03:05,160
Speaker 1: You don't really When I talk to the crowd, it's

1170
01:03:05,200 --> 01:03:06,560
Speaker 1: literally just talking to the crowd. I don't know what

1171
01:03:06,640 --> 01:03:08,600
Speaker 1: they're gonna say, so I just roll with what they say.

1172
01:03:08,640 --> 01:03:10,400
Speaker 1: And if they're, you know, not giving me anything, then

1173
01:03:10,400 --> 01:03:12,880
Speaker 1: I just fucking I just go back into my act.

1174
01:03:12,920 --> 01:03:15,680
Speaker 1: I'm like, all right, suck you guys. I do let

1175
01:03:15,760 --> 01:03:17,680
Speaker 1: him know. I'm like, you guys really suck Eddie. Do

1176
01:03:17,680 --> 01:03:20,200
Speaker 1: you go to the shows with him? Every show? Oh?

1177
01:03:20,320 --> 01:03:27,440
Speaker 1: That's dope. That yeah, people, that's what's ups. I've heard

1178
01:03:27,480 --> 01:03:31,200
Speaker 1: them say that about Supernat when he does his freestyle bit,

1179
01:03:31,320 --> 01:03:33,160
Speaker 1: you know when he grabs the thing out of their

1180
01:03:33,160 --> 01:03:36,439
Speaker 1: hands and rhymes about it. Yeah. The difference is he's

1181
01:03:36,480 --> 01:03:38,800
Speaker 1: hand been handed everything at some point, so he's already

1182
01:03:39,240 --> 01:03:43,160
Speaker 1: done it to some to some extent, occasionally you get

1183
01:03:43,240 --> 01:03:45,480
Speaker 1: the thing that he's never had. No. I mean, I

1184
01:03:45,640 --> 01:03:50,680
Speaker 1: I handed that dude to Ladder. I mean I've we like,

1185
01:03:50,840 --> 01:03:53,480
Speaker 1: I've I've like gone backstage and like fire hydrants and

1186
01:03:53,520 --> 01:03:55,800
Speaker 1: ship and like because we we would hear the same

1187
01:03:55,880 --> 01:03:58,160
Speaker 1: bit every night. But his his bit is never the

1188
01:03:58,240 --> 01:04:00,680
Speaker 1: same bit. The only things that show up all the time.

1189
01:04:00,720 --> 01:04:04,600
Speaker 1: We're like cigarette keys, that sneakers, the tickets to get

1190
01:04:04,640 --> 01:04:07,600
Speaker 1: into the show. You know keys, Yeah, you know, lighters

1191
01:04:07,600 --> 01:04:09,640
Speaker 1: and like that. But he has those in his back pocket.

1192
01:04:09,720 --> 01:04:12,680
Speaker 1: But I mean, but I would trip. I would purposely

1193
01:04:12,680 --> 01:04:15,040
Speaker 1: try trip up and he loved it. He's like fucking new,

1194
01:04:15,560 --> 01:04:17,600
Speaker 1: you know. He gets off on that ship. He's like,

1195
01:04:17,720 --> 01:04:20,000
Speaker 1: you know, can I get past this barrier? My favorite

1196
01:04:20,040 --> 01:04:23,240
Speaker 1: was the Supernat Juice battle. That ship was oh my god,

1197
01:04:23,640 --> 01:04:26,600
Speaker 1: and look I went. I went to school with Juice

1198
01:04:26,640 --> 01:04:29,760
Speaker 1: and my crew battled his juice from Chicago. Yeah, and

1199
01:04:29,800 --> 01:04:31,840
Speaker 1: then he moved to the valley. But it isn't super

1200
01:04:31,880 --> 01:04:35,440
Speaker 1: now from Chicago to Nice, from New York, Indiana, Indiana

1201
01:04:35,600 --> 01:04:39,080
Speaker 1: right right right? Yeah? Yeah, So watching that one was

1202
01:04:39,160 --> 01:04:41,160
Speaker 1: painful for me. I was like, oh boy, I gotta

1203
01:04:41,240 --> 01:04:44,439
Speaker 1: meet that. I mean, Juice was killing and look, Juice

1204
01:04:44,520 --> 01:04:46,640
Speaker 1: is an incredible MC. I mean, I grew up with him.

1205
01:04:46,680 --> 01:04:50,720
Speaker 1: He's he's insane, like insane. That was one Supernat ripped

1206
01:04:50,720 --> 01:04:53,000
Speaker 1: down this poster. Yeah, and that was that was a

1207
01:04:53,160 --> 01:04:58,960
Speaker 1: rough night. Holy Ship. Do you play x excerpts of

1208
01:04:59,040 --> 01:05:01,520
Speaker 1: other Ship on this podcast? Like parts of this battle

1209
01:05:01,560 --> 01:05:04,560
Speaker 1: on this podcast, can't we Yeah? Yeah, Oh that's cool.

1210
01:05:05,000 --> 01:05:08,120
Speaker 1: I'm glad I'm producing the show now too. I'm happy

1211
01:05:08,160 --> 01:05:10,000
Speaker 1: you're on this. Do you need us to get you

1212
01:05:10,040 --> 01:05:14,400
Speaker 1: guys drinks or anything? Yeah? Yeah, What do you guys got? Yeah?

1213
01:05:14,480 --> 01:05:16,360
Speaker 1: What do I have? What do you? What do you want?

1214
01:05:16,400 --> 01:05:18,800
Speaker 1: When you are you still like the peanut butter whiskey? Yeah?

1215
01:05:18,840 --> 01:05:20,640
Speaker 1: I got this? Is that your favorite? No? No, I

1216
01:05:20,720 --> 01:05:23,200
Speaker 1: got this new one called blind Squirrel. I got it

1217
01:05:23,280 --> 01:05:26,200
Speaker 1: at least Discount Liquor in Vegas. The name is funny

1218
01:05:26,840 --> 01:05:29,600
Speaker 1: and uh, at least discount liquor in Vegas. That's gonna

1219
01:05:29,640 --> 01:05:33,080
Speaker 1: buy a bottle of screwball. That doesn't sound good Blind squirrels, son,

1220
01:05:33,920 --> 01:05:36,400
Speaker 1: I like the screwball before. And then I was at

1221
01:05:36,480 --> 01:05:38,120
Speaker 1: Least and I picked up a bottle of screwball and

1222
01:05:38,120 --> 01:05:39,480
Speaker 1: the guy working and goes, no, no, TeV, you tried

1223
01:05:39,560 --> 01:05:41,640
Speaker 1: this one. I go no. He goes, well, this one's

1224
01:05:41,720 --> 01:05:44,240
Speaker 1: exclusive to us. We make it. Try it, and he

1225
01:05:44,360 --> 01:05:46,240
Speaker 1: had us give me a sample of it. Go holy shit,

1226
01:05:46,800 --> 01:05:50,040
Speaker 1: it's way smoother. Everybody is everybody sure? Just not right now?

1227
01:05:50,760 --> 01:05:53,040
Speaker 1: Right now? I make him drink when we're on the road.

1228
01:05:53,400 --> 01:05:56,120
Speaker 1: It's been a long time, but I make him drink juice.

1229
01:05:56,200 --> 01:06:00,200
Speaker 1: He makes me drink liquor EMC juice. Alright. One of

1230
01:06:00,240 --> 01:06:02,320
Speaker 1: our last interactions on the road was drinking wine and

1231
01:06:02,400 --> 01:06:05,240
Speaker 1: he was clapping because I was pouring out really bad wine.

1232
01:06:05,280 --> 01:06:08,880
Speaker 1: He's like, there you go, there's no I don't like.

1233
01:06:08,960 --> 01:06:11,240
Speaker 1: Why can't do wine? I got the acid reflect I

1234
01:06:11,240 --> 01:06:13,480
Speaker 1: love wine, Send it to me. Yeah. I used to

1235
01:06:13,520 --> 01:06:16,440
Speaker 1: be a wine up, but I just stop that. That's

1236
01:06:16,440 --> 01:06:19,600
Speaker 1: as good as blind squirrel. That does not look good.

1237
01:06:19,680 --> 01:06:21,760
Speaker 1: Russ got it right. That was a juice, So I

1238
01:06:21,800 --> 01:06:24,840
Speaker 1: thought that was like a taste. It tastes like butter fingers. Yeah,

1239
01:06:24,840 --> 01:06:31,360
Speaker 1: it looks like a hot sauce. Hey, thanks for listening.

1240
01:06:31,400 --> 01:06:34,400
Speaker 1: I hope you enjoyed the conversation. The second half of

1241
01:06:34,480 --> 01:06:37,240
Speaker 1: my conversation with DJ Newmark cut Chemist a Vy and

1242
01:06:37,480 --> 01:06:40,280
Speaker 1: Lord Finesse's coming out next week and we really dig

1243
01:06:40,360 --> 01:06:43,480
Speaker 1: into crate digging on that one, So definitely come back

1244
01:06:43,520 --> 01:06:46,720
Speaker 1: for that episode. If you like the podcast, be sure

1245
01:06:46,800 --> 01:06:48,680
Speaker 1: to rate and review it on Apple Podcast. Some more

1246
01:06:48,720 --> 01:06:50,920
Speaker 1: people can find out about it. And if you're negative,

1247
01:06:51,040 --> 01:06:53,640
Speaker 1: keep your bullshit to yourself and follow us on the

1248
01:06:53,680 --> 01:06:57,960
Speaker 1: Instagram at Culturally canceled and at culturally RP on Twitter.

1249
01:06:58,360 --> 01:07:00,160
Speaker 1: We're also on YouTube if you want to see at

1250
01:07:00,520 --> 01:07:03,600
Speaker 1: some of the backyard looks like. Also, we have a

1251
01:07:03,720 --> 01:07:06,120
Speaker 1: phone line now so you can call and leave a message.

1252
01:07:06,480 --> 01:07:09,240
Speaker 1: You can ask me about hip hop, parenting, food boxing, relationships,

1253
01:07:09,360 --> 01:07:11,240
Speaker 1: mm a, jiu jitsu, I don't care, whatever it is.

1254
01:07:11,520 --> 01:07:12,880
Speaker 1: So you can ask you about things I don't even

1255
01:07:12,920 --> 01:07:15,280
Speaker 1: know about. Let's find out. Just to ask me whatever

1256
01:07:15,320 --> 01:07:17,040
Speaker 1: you want, and I'll do my best to answer your question.

1257
01:07:25,160 --> 01:07:25,200
Speaker 1: U