WEBVTT - Riz Ahmed, Our Close Friend

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<v Speaker 1>I'd love to stop sticking around.

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<v Speaker 2>Yeah, I'd like to cut straight to the fucking meat

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<v Speaker 2>of it. Because if that if that's okay, that's okay.

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<v Speaker 2>Do you want to do this sort of song and

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<v Speaker 2>dance thing or do you actually want to like get

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<v Speaker 2>in I want to get in and get out what

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<v Speaker 2>we're dealing. Yeah, yeah, yeah, well don't get out when

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<v Speaker 2>you do the show.

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<v Speaker 1>But if we you know, if we do decide to

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<v Speaker 1>just like we all have ship to do. Oh my god,

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<v Speaker 1>so I saw the black cars running outside. If we

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<v Speaker 1>all decide the three of us are.

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<v Speaker 2>Just like, let's fucking let's just go. Let's just get

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<v Speaker 2>out club de, let's go to Clip yeah whatever and

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<v Speaker 2>see who's spinning the night.

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<v Speaker 1>You can get back there, you know, give us a

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<v Speaker 1>couple of turns.

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<v Speaker 2>On yeah, Or if we just decide like the Big Knob,

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<v Speaker 2>or if we just like being in the car, Like

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<v Speaker 2>once I'm in the black cars, I'm like, do we

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<v Speaker 2>have to get out? It's nice they control the temperature.

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<v Speaker 3>It's the cord.

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<v Speaker 1>See spinning in there, Yes, you see you spinning in there,

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<v Speaker 1>just about the ox cord. The black the car is

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<v Speaker 1>kind of where I can fall asleep and so sometimes

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<v Speaker 1>it hel like if we're driving around a lot, it can.

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<v Speaker 2>You can have music. It's a volume thing.

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<v Speaker 1>It's a volume just a very like, uh, this is

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<v Speaker 1>about promo. Right, we have one shot at this. There's

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<v Speaker 1>a show on Amazon Prime called Bait. You created the show.

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<v Speaker 1>You are the main star of the show. That's what

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<v Speaker 1>today is about. It's about Bait. Right, we have some

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<v Speaker 1>ground to cover on this show. Can you help our

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<v Speaker 1>audience with a core aspect of this the show is about.

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<v Speaker 2>By the way, just before you even say what the

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<v Speaker 2>show is about, yeah, I love what the show's about. Really,

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<v Speaker 2>I love what the show is about.

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<v Speaker 3>Thank you. That means it loove.

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<v Speaker 2>But we do think that for our listeners we need

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<v Speaker 2>to explain what the show is about.

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<v Speaker 3>Yeah, yeah, yeah.

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<v Speaker 1>Not everyone's supportive of it, but they might not necessarily

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<v Speaker 1>get it.

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<v Speaker 2>Got it?

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<v Speaker 3>Yeah, yeah, no, that's a fair point. Everyone is done

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<v Speaker 3>their homework in that way that you guys have.

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<v Speaker 2>Hayes was gonna say, what it's about a man? It's

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<v Speaker 2>a man.

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<v Speaker 1>Yeah, it's you, yes, but it's not you and you

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<v Speaker 1>are a guy. I'm a guy in it going around everywhere.

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<v Speaker 1>Your thing, yeah, your thing, the guy's.

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<v Speaker 3>Thing and many things and.

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<v Speaker 2>Say one one of the things you do just to

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<v Speaker 2>give us a sense of it.

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<v Speaker 3>One of the things I do.

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<v Speaker 2>Is, there's so many things, right, there's a few of them.

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<v Speaker 2>It's hard to I auditioned.

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<v Speaker 1>Can ick you right there?

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<v Speaker 2>Please?

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<v Speaker 3>Is what we meant?

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<v Speaker 1>You right there?

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<v Speaker 3>Yeah?

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<v Speaker 1>Yeah, yeah, I know what you're talking about because I

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<v Speaker 1>do my research, right, And that's what you do for

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<v Speaker 1>a show like this. You're studying a character. You have

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<v Speaker 1>to do research. I love to read our audience.

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<v Speaker 2>Damn library cards falling apart. The damn thing might disintegrate

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<v Speaker 2>on my hand next time I pull it on my wallet.

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<v Speaker 2>I swear to god, my library card is about to

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<v Speaker 2>explode because I love to read.

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<v Speaker 1>Try to take it. They try to take it from

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<v Speaker 1>him to replace it, but.

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<v Speaker 3>Yeah, he won't memories, I need a new one.

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<v Speaker 2>I don't think so. This bad boy's coming.

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<v Speaker 1>Home with me and he's on the computer a lot. There.

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<v Speaker 2>Yeah, I go there just to like, I don't want

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<v Speaker 2>to google it home.

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<v Speaker 1>You're supposed to give it up after these days.

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<v Speaker 2>Girls look up girls.

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<v Speaker 1>And that's how I found you, because you were on

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<v Speaker 1>that I.

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<v Speaker 2>Yeah, how we found out about you.

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<v Speaker 3>If you google the word riz two things come up.

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<v Speaker 1>One is.

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<v Speaker 3>Kind of seductive charisma. It's a slang word.

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<v Speaker 2>Yeah yeah.

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<v Speaker 3>Any other thing is me much lower down. It's a

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<v Speaker 3>third or fourth page and the search results so some

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<v Speaker 3>page three and a half this morning when.

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<v Speaker 1>I checked three and a half, it was on this Yeah,

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<v Speaker 1>three and a half with.

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<v Speaker 3>A bullet But it's just outside of headed for two brunze.

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<v Speaker 1>Yeah, the podium.

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<v Speaker 2>M h. But we did our research in terms of

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<v Speaker 2>the dish, Yeah, which is such an interesting did you

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<v Speaker 2>like see?

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<v Speaker 3>What did you like about it?

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<v Speaker 2>Uh?

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<v Speaker 1>It's not a like or dislike thing.

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<v Speaker 3>No, it's more about love. What did you love?

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<v Speaker 2>It's not yeah, it's and it's not even qualitative for me.

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<v Speaker 2>It's more like the nuts and bolts of it. Was

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<v Speaker 2>interesting for me to learn about because I think Hayes, Uh,

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<v Speaker 2>you probably know this Hayes, who's so this is hay

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<v Speaker 2>yea hey, and I'm and I'm Hayes's friend and he's

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<v Speaker 2>the host and I'm the co host, and we are

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<v Speaker 2>both in the industry as well. Of course we do this,

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<v Speaker 2>but we do a lot of things, and.

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<v Speaker 1>And we're tinkers, like we're always like we hear something,

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<v Speaker 1>we hear an idea. We've got to like get it,

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<v Speaker 1>we open up the hood. We're just kind of liked.

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<v Speaker 2>Nothing great nothing, nothing great was made by going like, oh,

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<v Speaker 2>this is perfect the way it is. You know, the

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<v Speaker 2>best version is always to go like, well would it

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<v Speaker 2>be is it better if I take one of you know,

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<v Speaker 2>if I take this off? You know, is that has

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<v Speaker 2>that improved it in any way? You know?

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<v Speaker 1>And it notice it that it actually has say, well

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<v Speaker 1>it was leaning.

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<v Speaker 2>Yeah, well we can say, we're saying, and then it's

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<v Speaker 2>like there's a washer as well, you know, do we

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<v Speaker 2>need this?

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<v Speaker 1>This?

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<v Speaker 2>What is this? And by the same token, what is

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<v Speaker 2>an audition?

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<v Speaker 1>Let me stop you? And let me stop you right there?

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<v Speaker 2>And he he's going to stop me right is that's

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<v Speaker 2>I'm his friend.

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<v Speaker 1>That's the word that I think our listeners are kind

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<v Speaker 1>of hanging up on because every single one of our

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<v Speaker 1>listeners is offer only, well only offer only?

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<v Speaker 2>What does that?

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<v Speaker 3>What does that mean?

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<v Speaker 2>So? Okay, so this is this is so cool when

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<v Speaker 2>this happens, actually love get me because because what's happening

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<v Speaker 2>is we have learned something through doing the research on

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<v Speaker 2>your project, and now you coming onto our show are

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<v Speaker 2>going to find out you know, about another side of.

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<v Speaker 3>The business that can be educated.

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<v Speaker 2>So there is you know, the way you did it

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<v Speaker 2>on the show where a performer sort of what's the

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<v Speaker 2>right way to say this is like yeah, but it's

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<v Speaker 2>like but but that's the word they don't know.

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<v Speaker 3>So it's like it's sort of like.

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<v Speaker 2>There's a dance thing telling themselves like they're like they're

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<v Speaker 2>like they're like asking for permission or something to be

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<v Speaker 2>able to. They're going to please, you know. And then

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<v Speaker 2>there's like the version of it where you're actually kind

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<v Speaker 2>of mogging the industry and going like.

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<v Speaker 1>I'm here, like you come to me, they come to

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<v Speaker 1>they come to your house, and instead of you asking

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<v Speaker 1>permission to them, they ask permission to you.

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<v Speaker 2>Can I see?

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<v Speaker 1>And so all of our listeners, our entire production team

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<v Speaker 1>here is offer only, and everyone who we have a

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<v Speaker 1>producer in Pittsburgh on our social is offer only. And

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<v Speaker 1>so that like explaining that disconnect, I think is helpful

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<v Speaker 1>to them. And we just didn't call business. We just

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<v Speaker 1>did in coming uh And he has audition for James.

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<v Speaker 3>James Bond double seven mm hmm.

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<v Speaker 2>And who's who is this? What's that? Someone?

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<v Speaker 1>You yours? An invention of yours for in the world

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<v Speaker 1>of the show.

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<v Speaker 3>Yeah, no, no, no, it's so.

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<v Speaker 2>No.

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<v Speaker 3>James Bond is a is a character, a fictional character.

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<v Speaker 2>From from the English creations. Is this fictional character? Yeah?

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<v Speaker 1>And well.

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<v Speaker 3>I didn't. I didn't create James Bond. James Bond exists. Well,

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<v Speaker 3>it doesn't exist. It's fictional.

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<v Speaker 1>But I didn't an AI creation, not AI, not a I. J. K.

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<v Speaker 2>Rowling? Is this correct? One of her? You know? That

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<v Speaker 2>is one of the fantastic beats?

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<v Speaker 3>No, how do you explain there? So there's a there's

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<v Speaker 3>a there are these things called books.

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<v Speaker 2>You're talking to me, mister library. Yes, I've been meaning

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<v Speaker 2>to get to the books part of.

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<v Speaker 3>Exactly because you get stopped the computer siren song of

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<v Speaker 3>the computer terminal.

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<v Speaker 2>Yes, it sings to me. So these things books against

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<v Speaker 2>the rocks of the Google page.

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<v Speaker 3>At There is this guy he wrote a book, a

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<v Speaker 3>series of them names Ian Fleming, Ian Fleming. Yeah he's

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<v Speaker 3>dead now.

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<v Speaker 2>Garbage, pale kid talk to oh, hawk to Yeah, that's.

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<v Speaker 1>His name was hawk To ye.

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<v Speaker 3>And so he wrote these books. And these books are

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<v Speaker 3>about a fictional character called James Bond. And he also

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<v Speaker 3>goes by the code name Double seven. And he's a

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<v Speaker 3>British spy and he travels around the world like an

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<v Speaker 3>international man of mystery killing.

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<v Speaker 2>Right, he's a trouble. You can't do that.

0:10:18.400 --> 0:10:19.680
<v Speaker 3>We're going to do traveling around the world.

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<v Speaker 2>Come on, spies sneaking around, Come on, he'd be in trouble,

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<v Speaker 2>wouldn't he.

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<v Speaker 3>He's he's no, because he is. He's like a version

0:10:36.240 --> 0:10:39.880
<v Speaker 3>of inter Pol. He's a he's not a virgin. He's

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<v Speaker 3>very much the opposite of a virgin.

0:10:42.000 --> 0:10:48.400
<v Speaker 2>Okay, yeah, I may have exactly and we've seen him

0:10:48.400 --> 0:10:52.160
<v Speaker 2>in the computer. He's having sex.

0:10:54.480 --> 0:10:56.000
<v Speaker 3>Yes, he's having a lot of sex.

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<v Speaker 2>And I may have come across and they've.

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<v Speaker 3>Made movies about this guy. They've made movie He's about

0:11:00.559 --> 0:11:02.080
<v Speaker 3>this fictional character James.

0:11:01.840 --> 0:11:03.600
<v Speaker 2>And I've definitely seen him. It's a movie of him

0:11:03.600 --> 0:11:04.160
<v Speaker 2>having texts.

0:11:04.679 --> 0:11:08.200
<v Speaker 1>But here, here, this is the problem. There's no way

0:11:08.240 --> 0:11:10.680
<v Speaker 1>to know what his name is or if he's British

0:11:10.720 --> 0:11:13.240
<v Speaker 1>or anything because you cannot have the sound on at

0:11:13.280 --> 0:11:13.840
<v Speaker 1>the library.

0:11:14.000 --> 0:11:18.400
<v Speaker 2>Yeah. No, that's a that's why one way ticket to

0:11:18.480 --> 0:11:19.120
<v Speaker 2>you're kicked out.

0:11:19.160 --> 0:11:20.400
<v Speaker 1>That's the number one rule.

0:11:21.559 --> 0:11:26.480
<v Speaker 3>I can see. I can see, so yeah, so that's base.

0:11:26.520 --> 0:11:29.480
<v Speaker 3>That's everything you need to know. Okay, this is a

0:11:29.559 --> 0:11:30.440
<v Speaker 3>fictional man having.

0:11:31.040 --> 0:11:33.760
<v Speaker 2>A friend of yours. Sorry, he's a friend of yours.

0:11:34.040 --> 0:11:38.760
<v Speaker 3>No, no, no, you're promoting his books. No no, I'm

0:11:38.760 --> 0:11:44.719
<v Speaker 3>not promoting his books. I'm taking I wouldn't saund with

0:11:44.840 --> 0:11:49.040
<v Speaker 3>the books, spies them, I wouldn't say I despise them. No, neutral,

0:11:49.360 --> 0:11:53.040
<v Speaker 3>I'm very neutral in the books. And what I'm doing

0:11:53.200 --> 0:11:54.319
<v Speaker 3>is I'm.

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<v Speaker 2>What's interesting, despise or in the book.

0:11:59.320 --> 0:12:04.200
<v Speaker 3>I'm trying to despise Yeah, yeah, yeah, I don't despise,

0:12:05.120 --> 0:12:07.120
<v Speaker 3>but despiser in.

0:12:07.080 --> 0:12:09.839
<v Speaker 2>Them, despiser in the book and the book?

0:12:12.360 --> 0:12:15.560
<v Speaker 1>He who? Who?

0:12:16.440 --> 0:12:17.120
<v Speaker 4>What do you mean?

0:12:17.640 --> 0:12:18.200
<v Speaker 2>How do you say?

0:12:18.240 --> 0:12:23.400
<v Speaker 3>He? Yes? So he is a fictional Yeah, he's Uh,

0:12:23.720 --> 0:12:25.120
<v Speaker 3>he's a fictional character.

0:12:25.280 --> 0:12:26.200
<v Speaker 1>This is that movie.

0:12:26.400 --> 0:12:29.280
<v Speaker 3>No it's not. That's coming out later, Okay, it's a

0:12:29.320 --> 0:12:31.480
<v Speaker 3>different movie. That's a real character.

0:12:33.120 --> 0:12:36.959
<v Speaker 2>What quite a character? Not necessarily how I would describe

0:12:36.960 --> 0:12:37.640
<v Speaker 2>what he did, but.

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<v Speaker 3>Something to do with your library searches. Maybe, so fictional

0:12:43.960 --> 0:12:48.320
<v Speaker 3>character exists in movies. He's made billions of dollars for

0:12:48.360 --> 0:12:53.440
<v Speaker 3>the studios. Now, okay, so this this guy who's made

0:12:53.440 --> 0:12:55.960
<v Speaker 3>billions of dollars for the studios.

0:12:56.360 --> 0:12:59.120
<v Speaker 1>The studios, If we could just quickly for the studios.

0:12:59.120 --> 0:13:04.520
<v Speaker 3>This is for studios, and he's very popular. And do

0:13:04.520 --> 0:13:09.160
<v Speaker 3>you know Sean Connery, Roger Moore, Pace Brosnan, Daniel Craig,

0:13:09.400 --> 0:13:14.240
<v Speaker 3>they're all their actors, any either of you?

0:13:14.600 --> 0:13:19.400
<v Speaker 2>Okay, I think he's talking to you.

0:13:17.559 --> 0:13:22.199
<v Speaker 5>Go one by one, so it's not relevant, but they're

0:13:22.280 --> 0:13:26.800
<v Speaker 5>actors who played this fictional character in movies that were

0:13:26.880 --> 0:13:27.640
<v Speaker 5>very successful.

0:13:27.720 --> 0:13:29.920
<v Speaker 1>We get can we get Riz saying that the other

0:13:29.960 --> 0:13:37.360
<v Speaker 1>actors are not relevant just for.

0:13:35.240 --> 0:13:37.240
<v Speaker 3>I just said they're no longer.

0:13:37.000 --> 0:13:39.920
<v Speaker 1>Relevant, They're no longer, no longer.

0:13:39.920 --> 0:13:43.680
<v Speaker 3>And and so what happens is I I.

0:13:43.679 --> 0:13:50.000
<v Speaker 1>Wish you'd Roger less and look up who that like,

0:13:50.000 --> 0:13:52.080
<v Speaker 1>like how that kind of stuff will will play.

0:13:53.160 --> 0:13:55.360
<v Speaker 3>And so what happens is I made I made a

0:13:55.400 --> 0:14:00.400
<v Speaker 3>comedy about someone who wants to I was going to

0:14:00.600 --> 0:14:07.360
<v Speaker 3>pierce me this fictional character. Yeah, yeah, So I play

0:14:07.400 --> 0:14:11.600
<v Speaker 3>a fictional guy who wants to be this fictional character.

0:14:11.679 --> 0:14:14.600
<v Speaker 2>He wants to do it, and so he's auditioning, asking

0:14:14.640 --> 0:14:18.400
<v Speaker 2>permission to play the characters.

0:14:18.440 --> 0:14:20.520
<v Speaker 1>And now I am remembering that I did go in

0:14:20.600 --> 0:14:25.720
<v Speaker 1>for this. I actually did go in for this. Man was.

0:14:27.520 --> 0:14:28.160
<v Speaker 2>So familiar.

0:14:28.240 --> 0:14:32.640
<v Speaker 1>I actually was the thing I did not an audition,

0:14:33.960 --> 0:14:39.080
<v Speaker 1>But I did have a conversation with the studios about

0:14:39.280 --> 0:14:39.880
<v Speaker 1>it was more of.

0:14:39.840 --> 0:14:43.040
<v Speaker 2>Like a luncheon, and boy, we were lunching a lot.

0:14:44.280 --> 0:14:47.720
<v Speaker 2>It was like away gala.

0:14:47.480 --> 0:14:50.560
<v Speaker 1>But it was like lunchtime, and so they had a

0:14:50.560 --> 0:14:55.920
<v Speaker 1>little like gala to like see if this was something we.

0:14:55.960 --> 0:14:58.320
<v Speaker 2>Would want to see if I even had time.

0:14:59.600 --> 0:15:04.400
<v Speaker 1>Poker around at did you like and so you did this?

0:15:04.640 --> 0:15:08.000
<v Speaker 1>You did a whole show about did you do that?

0:15:08.880 --> 0:15:09.080
<v Speaker 3>Yeah?

0:15:09.120 --> 0:15:10.680
<v Speaker 2>I do. What did you get it? Did you have

0:15:11.680 --> 0:15:14.200
<v Speaker 2>James Bond? Did you go to luncheon or were you

0:15:14.600 --> 0:15:17.040
<v Speaker 2>Did you have a luncheon? Oh?

0:15:17.200 --> 0:15:19.880
<v Speaker 3>I know I did have luncheon with Barbara Brookley, who

0:15:20.440 --> 0:15:23.200
<v Speaker 3>owns the rights to James Bond, to ask her whether

0:15:23.240 --> 0:15:24.760
<v Speaker 3>we could use the character James.

0:15:24.800 --> 0:15:31.040
<v Speaker 1>I have a guess. Give you one guess.

0:15:31.480 --> 0:15:32.320
<v Speaker 2>Sounds like garbage.

0:15:32.640 --> 0:15:34.520
<v Speaker 3>Okay, what do you guess? What do you guess that

0:15:34.600 --> 0:15:36.560
<v Speaker 3>I that I that I have had.

0:15:37.040 --> 0:15:40.680
<v Speaker 1>I only have one guess, you know, So I'm not.

0:15:40.840 --> 0:15:42.600
<v Speaker 3>You know, going to put that card on the table.

0:15:42.720 --> 0:15:45.920
<v Speaker 2>I want to, like, I want to hang on in

0:15:45.920 --> 0:15:48.840
<v Speaker 2>case I need to guess something later. Yeah, Okay, blow

0:15:48.880 --> 0:15:49.560
<v Speaker 2>my whole guess.

0:15:50.640 --> 0:15:54.800
<v Speaker 3>No relevant what we ate, But we did luncheon. Yeah,

0:15:55.080 --> 0:15:59.080
<v Speaker 3>we brunched itally, Okay, did you brunch him with her?

0:16:01.000 --> 0:16:05.560
<v Speaker 1>We It was very lunch coated. It was very lunch

0:16:05.640 --> 0:16:11.000
<v Speaker 1>type ship. This particular Gallo was very lunch type ship type.

0:16:11.200 --> 0:16:13.640
<v Speaker 3>Yeah. Like they kept saying that it's about the Saturn,

0:16:13.680 --> 0:16:14.120
<v Speaker 3>but it's not.

0:16:15.000 --> 0:16:19.080
<v Speaker 1>They would be like, so they had us. I don't

0:16:19.080 --> 0:16:21.040
<v Speaker 1>think this is like, this is this new movie coming

0:16:21.040 --> 0:16:23.560
<v Speaker 1>out they do. They want to do another one.

0:16:24.200 --> 0:16:25.640
<v Speaker 3>Okay, they definitely do.

0:16:25.600 --> 0:16:31.080
<v Speaker 1>And under the secret like he is going undercover in

0:16:31.160 --> 0:16:33.080
<v Speaker 1>Hawaii in this one. I don't think that's the secret

0:16:33.080 --> 0:16:33.400
<v Speaker 1>at all.

0:16:34.080 --> 0:16:37.760
<v Speaker 2>It doesn't ruin the movie. He's in Whye, he's undercover,

0:16:38.080 --> 0:16:38.800
<v Speaker 2>he's doing.

0:16:38.600 --> 0:16:45.560
<v Speaker 1>He was on vacation. But like ship goes down when.

0:16:45.480 --> 0:16:48.440
<v Speaker 2>It starts going crazy, he's at a luau. He starts

0:16:48.480 --> 0:16:51.040
<v Speaker 2>to realize the pig is a bomb, you know.

0:16:51.480 --> 0:16:54.760
<v Speaker 3>And there's a pig in my show. Actually there's a

0:16:55.000 --> 0:16:56.600
<v Speaker 3>there's a character of a seven.

0:16:56.360 --> 0:16:59.040
<v Speaker 1>Pig everything from Nothing New under.

0:16:58.920 --> 0:17:00.840
<v Speaker 3>The Sun from and also with the Public one that

0:17:01.120 --> 0:17:07.280
<v Speaker 3>reboot Bond. They want reboot spin offs and and more reboots,

0:17:07.880 --> 0:17:10.920
<v Speaker 3>isn't it okay? And so there's a seven pigs head

0:17:10.960 --> 0:17:13.600
<v Speaker 3>in my show. There's voiced by Sir Patrick Stewart.

0:17:13.760 --> 0:17:19.560
<v Speaker 2>You know who he is, right, Oh oh, I have

0:17:19.600 --> 0:17:21.760
<v Speaker 2>a guess, but again, he don't want to waste is.

0:17:23.520 --> 0:17:27.600
<v Speaker 1>The baby the family guy baby?

0:17:28.480 --> 0:17:29.560
<v Speaker 3>Not that similar?

0:17:29.960 --> 0:17:31.600
<v Speaker 2>Okay, he's after Lowess, isn't.

0:17:31.400 --> 0:17:35.960
<v Speaker 3>He He's do you know star trek.

0:17:37.400 --> 0:17:43.560
<v Speaker 2>Start you wreck? Well you keep saying this sort of

0:17:43.560 --> 0:17:48.040
<v Speaker 2>a demolition derby, huh I getting a bunch of old

0:17:48.040 --> 0:17:50.640
<v Speaker 2>gelappes fire him up and just run them into each other.

0:17:52.119 --> 0:17:54.560
<v Speaker 3>Like that, but in space. So he's from that and

0:17:54.560 --> 0:17:56.880
<v Speaker 3>he's in my thing. He plays a seven pig's head

0:17:57.680 --> 0:18:00.800
<v Speaker 3>and it's not a bomb, but he's like my.

0:18:02.480 --> 0:18:06.080
<v Speaker 2>James, he's my critical in a voice, Okay, Big.

0:18:06.000 --> 0:18:10.200
<v Speaker 1>Said in this movie he has to go undercover as

0:18:10.240 --> 0:18:11.120
<v Speaker 1>a hula dancer.

0:18:11.480 --> 0:18:17.280
<v Speaker 2>Yeah, and grass skirt, the whole bit. Coconut bra, the

0:18:17.320 --> 0:18:17.800
<v Speaker 2>whole thing.

0:18:18.640 --> 0:18:19.680
<v Speaker 3>Is he wearing those things?

0:18:19.760 --> 0:18:22.720
<v Speaker 2>Coconut bra and a grass skirt, the whole damn thing,

0:18:22.880 --> 0:18:24.040
<v Speaker 2>James bomb, he's got it on.

0:18:24.359 --> 0:18:27.080
<v Speaker 1>And they wanted to just see like a little just

0:18:27.200 --> 0:18:30.080
<v Speaker 1>like whatever. It was literally just dancing like a set.

0:18:30.280 --> 0:18:32.800
<v Speaker 2>It was lunch type ship. And then it was like hey, okay,

0:18:33.040 --> 0:18:36.359
<v Speaker 2>just like show us like one hula dance. Yeah, it

0:18:36.359 --> 0:18:37.800
<v Speaker 2>couldn't have been longer than fifteen minutes.

0:18:37.960 --> 0:18:41.080
<v Speaker 1>Yeah, And they watched that and they.

0:18:40.960 --> 0:18:44.600
<v Speaker 3>Said, this shit, is this going to be longer than fifteen.

0:18:44.280 --> 0:18:45.720
<v Speaker 2>You know, we don't have the timer in here.

0:18:45.800 --> 0:18:47.040
<v Speaker 1>We usually have a timer.

0:18:47.119 --> 0:18:50.159
<v Speaker 2>We usually have a timer. But what is there button?

0:18:51.640 --> 0:18:54.280
<v Speaker 1>There is we for us? Yeah, we have it.

0:18:54.320 --> 0:18:57.359
<v Speaker 2>But you're actually doing awesome, dude, Yeah, thank you? No,

0:18:57.680 --> 0:19:00.119
<v Speaker 2>are you explaining some of the stuff is actually really

0:19:00.119 --> 0:19:06.920
<v Speaker 2>going to help some of our listeners? Ah? Are you famesick?

0:19:08.680 --> 0:19:13.280
<v Speaker 3>It's a have you read the memoir? Lena Delida done

0:19:13.280 --> 0:19:19.160
<v Speaker 3>a memoir it's called Famesick. Oh my gosh, it's just out.

0:19:20.119 --> 0:19:20.920
<v Speaker 3>It just came out.

0:19:21.240 --> 0:19:35.280
<v Speaker 6>I'm just because it's possibly I p.

0:19:32.520 --> 0:19:35.640
<v Speaker 1>In bait two. Yeah, I just hear.

0:19:35.760 --> 0:19:38.960
<v Speaker 2>I'm hearing this guy is talking about he's trying to audition.

0:19:39.160 --> 0:19:42.800
<v Speaker 2>He wants to be James Bond, right, he's getting you know, famous,

0:19:42.800 --> 0:19:45.199
<v Speaker 2>maybe not necessarily for the right reasons. I can make

0:19:45.200 --> 0:19:50.439
<v Speaker 2>you fame sick. Yeah. Yeah, And do you think the

0:19:50.480 --> 0:19:51.240
<v Speaker 2>fame is a prison?

0:19:52.560 --> 0:19:57.600
<v Speaker 3>Do I think famous? I think it can be. Have

0:19:57.680 --> 0:19:58.440
<v Speaker 3>I ever been to prison?

0:19:58.560 --> 0:19:59.680
<v Speaker 1>Keeps you fed in there? Done that?

0:20:00.920 --> 0:20:06.640
<v Speaker 3>I can't keep you fed and warm? I guess. Uh, yeah,

0:20:06.720 --> 0:20:09.760
<v Speaker 3>I think that fame can be We all want to

0:20:09.760 --> 0:20:11.520
<v Speaker 3>be looked at, but we don't want to be seen.

0:20:12.119 --> 0:20:14.680
<v Speaker 3>Isn't that the problem in our culture? We're all like,

0:20:14.720 --> 0:20:16.080
<v Speaker 3>look at me, look at me, but actually don't really

0:20:16.119 --> 0:20:17.920
<v Speaker 3>look inside.

0:20:17.640 --> 0:20:19.240
<v Speaker 2>What's going on? Mm hmm.

0:20:19.760 --> 0:20:25.040
<v Speaker 1>Can you speak on that? I think I just did,

0:20:26.000 --> 0:20:28.640
<v Speaker 1>But can you like really really get.

0:20:28.480 --> 0:20:31.600
<v Speaker 2>Into that, speak on that in terms of just it's

0:20:31.640 --> 0:20:37.879
<v Speaker 2>such an interesting beginning of an idea. What would it

0:20:38.040 --> 0:20:39.240
<v Speaker 2>mean to explore that?

0:20:41.119 --> 0:20:44.560
<v Speaker 3>It would mean to make a TV choke called bait?

0:20:46.200 --> 0:20:47.480
<v Speaker 1>So you did speak on it?

0:20:47.640 --> 0:20:49.320
<v Speaker 3>I did. I spoke on it, and I got other

0:20:49.400 --> 0:20:52.359
<v Speaker 3>actors to speak on it and from it and to it.

0:20:52.560 --> 0:20:54.080
<v Speaker 2>He as we bring it in? Who were flying in?

0:20:54.480 --> 0:20:56.800
<v Speaker 3>Well, we flew in Guz Khan't he's a British stand

0:20:56.840 --> 0:20:59.000
<v Speaker 3>up comedian. I'm sure you know his work. You know, guys,

0:20:59.000 --> 0:21:00.000
<v Speaker 3>you've known him for a while now.

0:21:02.640 --> 0:21:05.000
<v Speaker 1>I love Guz.

0:21:05.920 --> 0:21:07.640
<v Speaker 3>What did you what was doing with the last time

0:21:07.640 --> 0:21:08.040
<v Speaker 3>you saw him?

0:21:08.040 --> 0:21:13.800
<v Speaker 1>Where was that I saw him? Uh? This is so crazy?

0:21:14.800 --> 0:21:17.640
<v Speaker 3>Was it a luncheon or a brunching or a dungeon?

0:21:18.880 --> 0:21:24.320
<v Speaker 1>We were eating? Uh? On stage?

0:21:25.440 --> 0:21:25.880
<v Speaker 3>Crazy?

0:21:26.000 --> 0:21:27.920
<v Speaker 2>We We used to have kind of a double act.

0:21:28.200 --> 0:21:30.479
<v Speaker 1>So like he's a stand up you say, and so

0:21:30.560 --> 0:21:32.679
<v Speaker 1>like we we used to have like a little like

0:21:32.960 --> 0:21:33.920
<v Speaker 1>pattern things.

0:21:33.760 --> 0:21:36.639
<v Speaker 2>Like chomping guzz. So he's chomping guzz with Gus and

0:21:36.680 --> 0:21:39.560
<v Speaker 2>he'd be eating and then Guzz would guzz would, Guzz

0:21:39.600 --> 0:21:42.040
<v Speaker 2>would chug a hole to the bottle of grape soda.

0:21:42.119 --> 0:21:44.480
<v Speaker 1>And I meant like we were eating, like we I

0:21:44.600 --> 0:21:47.800
<v Speaker 1>was also eating, but we were like eating, you.

0:21:47.760 --> 0:21:52.800
<v Speaker 2>Know what I mean? I don't know, so I we

0:21:53.000 --> 0:21:56.000
<v Speaker 2>ate m hm, yeah, what did you what did you eat?

0:21:56.080 --> 0:22:00.639
<v Speaker 1>We ated that? M and he ate?

0:22:00.720 --> 0:22:07.120
<v Speaker 2>Did that? Love?

0:22:07.200 --> 0:22:07.520
<v Speaker 1>Guz?

0:22:08.400 --> 0:22:11.679
<v Speaker 2>Gus Guz And I know you pointed to his he

0:22:11.760 --> 0:22:13.640
<v Speaker 2>knows Gus and you don't know that. I know Gus,

0:22:13.680 --> 0:22:14.960
<v Speaker 2>but Gus and I can go back.

0:22:15.119 --> 0:22:16.720
<v Speaker 1>He did ask who was flying in?

0:22:17.200 --> 0:22:20.359
<v Speaker 3>Yeah, Gus, Gus flew in, Sir Patrick Stewart flew in. Okay,

0:22:21.000 --> 0:22:23.680
<v Speaker 3>he did that to do a voice Sheba Chata, huge

0:22:23.720 --> 0:22:24.399
<v Speaker 3>Indian actress.

0:22:24.400 --> 0:22:27.399
<v Speaker 1>I'm sure you know, yes, yeah, yeah, A bit of

0:22:27.440 --> 0:22:28.720
<v Speaker 1>a what's her name again?

0:22:28.760 --> 0:22:33.399
<v Speaker 3>Bit of a bit of what I got her name?

0:22:33.680 --> 0:22:36.160
<v Speaker 2>I asked for, I asked for what did you ask?

0:22:36.280 --> 0:22:36.480
<v Speaker 4>Well?

0:22:39.760 --> 0:22:44.480
<v Speaker 1>Okay, a bit of a shehawk, what's the she what

0:22:44.680 --> 0:22:45.399
<v Speaker 1>she smoked trees.

0:22:45.440 --> 0:22:51.760
<v Speaker 2>She smoked trees. Brother, she chief in the cond boats

0:22:51.760 --> 0:22:52.960
<v Speaker 2>my man, and.

0:22:52.880 --> 0:22:56.160
<v Speaker 3>Then we go to Boston. He act cold. You guys

0:22:56.160 --> 0:22:57.160
<v Speaker 3>have been to Boston right.

0:22:58.480 --> 0:23:03.639
<v Speaker 2>Not today? Not today, it's on my list.

0:23:04.520 --> 0:23:06.040
<v Speaker 3>Yeah, let me know if you need help getting a

0:23:06.040 --> 0:23:09.600
<v Speaker 3>reservation there, and he's uh, he's an active from box

0:23:09.760 --> 0:23:10.200
<v Speaker 3>on sage.

0:23:10.560 --> 0:23:14.840
<v Speaker 2>I do need help getting a reservation. That was so nice.

0:23:15.280 --> 0:23:17.280
<v Speaker 3>I'm happy to help with that.

0:23:17.600 --> 0:23:19.600
<v Speaker 1>And will you help then or you just want to know?

0:23:19.760 --> 0:23:21.280
<v Speaker 1>You just want us to let you know if we

0:23:21.320 --> 0:23:21.840
<v Speaker 1>need help.

0:23:22.480 --> 0:23:24.679
<v Speaker 3>Just tell me if you need help, and then you

0:23:24.760 --> 0:23:25.320
<v Speaker 3>will help.

0:23:26.680 --> 0:23:27.359
<v Speaker 2>I need help.

0:23:27.920 --> 0:23:32.560
<v Speaker 1>Huh, I thought, thank you.

0:23:32.640 --> 0:23:34.919
<v Speaker 2>He just wants to know that I need help. And

0:23:34.960 --> 0:23:39.240
<v Speaker 2>this is how you get off to share he needs

0:23:39.240 --> 0:23:40.679
<v Speaker 2>help and I don't hear this.

0:23:41.119 --> 0:23:42.000
<v Speaker 1>You just want to know.

0:23:43.680 --> 0:23:49.640
<v Speaker 2>This is actually clarifying. How I wish I didn't admit

0:23:49.680 --> 0:23:50.440
<v Speaker 2>that I need help.

0:23:50.480 --> 0:23:53.800
<v Speaker 3>Well, you've had your ability and.

0:23:55.680 --> 0:23:56.040
<v Speaker 1>As well.

0:23:56.240 --> 0:23:59.040
<v Speaker 2>So you are rapping.

0:24:00.480 --> 0:24:03.240
<v Speaker 3>No right now? And on the show do you wrap no?

0:24:03.520 --> 0:24:05.280
<v Speaker 2>Yeah? But off the.

0:24:05.200 --> 0:24:07.840
<v Speaker 3>Show, off of the show, yeah, I wrap, you rap yeah.

0:24:07.880 --> 0:24:10.320
<v Speaker 3>We have a soundtrack for the show, and on the soundtrack,

0:24:10.359 --> 0:24:13.240
<v Speaker 3>I wrap, So you wrap no, I wrap In the

0:24:13.280 --> 0:24:15.160
<v Speaker 3>soundtrack not in the show.

0:24:15.320 --> 0:24:16.040
<v Speaker 2>He doesn't.

0:24:16.320 --> 0:24:17.960
<v Speaker 3>Who doesn't the.

0:24:18.040 --> 0:24:21.840
<v Speaker 2>Guy James Bond James Bond or.

0:24:21.800 --> 0:24:22.920
<v Speaker 3>He does No, he doesn't.

0:24:22.920 --> 0:24:25.480
<v Speaker 1>Wrap could be interesting.

0:24:27.000 --> 0:24:28.040
<v Speaker 2>If James Bond.

0:24:27.800 --> 0:24:30.800
<v Speaker 3>Raps spin some bars of the luol.

0:24:31.080 --> 0:24:33.160
<v Speaker 2>Oh yeah, I might get him out of that sticky situation.

0:24:34.920 --> 0:24:37.480
<v Speaker 3>I actually did get out of a sticky situation by

0:24:37.520 --> 0:24:38.160
<v Speaker 3>rapping once.

0:24:40.320 --> 0:24:44.520
<v Speaker 2>That's okay, wait, but okay, we were sort of we

0:24:44.560 --> 0:24:48.040
<v Speaker 2>were starting something. No, go ahead, tell you no, I

0:24:48.080 --> 0:24:49.080
<v Speaker 2>gotta hear it now.

0:24:50.320 --> 0:24:52.800
<v Speaker 3>I was in Bokstan shooting a music video once and

0:24:52.800 --> 0:24:54.879
<v Speaker 3>the military police came and took me in the filmmaker

0:24:54.880 --> 0:24:56.240
<v Speaker 3>and they were like, you shouldn't be here. There's a

0:24:56.240 --> 0:24:58.879
<v Speaker 3>military base here in your foreign passport holders and they

0:24:58.920 --> 0:25:00.240
<v Speaker 3>took us into this station.

0:25:00.560 --> 0:25:04.439
<v Speaker 1>You slop, sorry, can you just like, I really do

0:25:04.520 --> 0:25:05.720
<v Speaker 1>want to hear this story about.

0:25:05.560 --> 0:25:09.320
<v Speaker 3>Okay, like so much too much of a I went

0:25:09.359 --> 0:25:12.120
<v Speaker 3>to Pakistan the restaurant that you're gonna I'm gonna help

0:25:12.119 --> 0:25:16.000
<v Speaker 3>you to the table, and they said I was shooting a

0:25:16.080 --> 0:25:18.320
<v Speaker 3>music video there, and they said you shouldn't be here

0:25:18.640 --> 0:25:21.080
<v Speaker 3>because you're a foreign passport holder and there's a naval

0:25:21.119 --> 0:25:26.600
<v Speaker 3>base nearby, so you might be a spy okay took

0:25:26.680 --> 0:25:31.600
<v Speaker 3>me into the station with the filmmaker and we were

0:25:31.600 --> 0:25:34.760
<v Speaker 3>there for a couple of hours. And poetry is very

0:25:34.760 --> 0:25:35.600
<v Speaker 3>big in bok Stan.

0:25:36.280 --> 0:25:40.520
<v Speaker 2>Yeah, yeah, yeah, I was just gonna say exactly, that's

0:25:40.520 --> 0:25:43.240
<v Speaker 2>why he's been wanting to go. That's what that's why

0:25:43.240 --> 0:25:46.359
<v Speaker 2>it's on the poetry zone big.

0:25:47.200 --> 0:25:50.040
<v Speaker 3>So I told him I'm a rapper or a poet.

0:25:50.520 --> 0:25:53.760
<v Speaker 3>And then he gathered the other offices around and asked

0:25:53.760 --> 0:25:58.199
<v Speaker 3>me to perform some rap and I did and they

0:25:58.320 --> 0:25:59.439
<v Speaker 3>liked it and they let us go.

0:26:00.520 --> 0:26:00.760
<v Speaker 2>Wow.

0:26:01.160 --> 0:26:03.119
<v Speaker 3>So that could be if that feeds the plot of

0:26:03.240 --> 0:26:04.679
<v Speaker 3>the fun thing you're thinking of.

0:26:05.119 --> 0:26:07.760
<v Speaker 2>It wouldn't work for this one, but it's actually always

0:26:07.760 --> 0:26:09.280
<v Speaker 2>good to have another arrow in the quiver.

0:26:09.359 --> 0:26:10.160
<v Speaker 3>And I don't know.

0:26:10.119 --> 0:26:14.840
<v Speaker 2>When I'm going to use it, you know, in terms

0:26:14.960 --> 0:26:21.120
<v Speaker 2>of what we want to talk about, it is related

0:26:21.119 --> 0:26:25.560
<v Speaker 2>to rapping. We have this man who works for the show.

0:26:26.320 --> 0:26:28.200
<v Speaker 2>He's actually going to be the one who helps generate

0:26:28.240 --> 0:26:30.240
<v Speaker 2>the clip where you talk about how none of the

0:26:30.240 --> 0:26:36.760
<v Speaker 2>other actors are relevant. So he's he's an editor. He's

0:26:36.800 --> 0:26:40.760
<v Speaker 2>amazing at this makes these beautiful clips, these little bite

0:26:40.760 --> 0:26:42.520
<v Speaker 2>sized segments of the show.

0:26:44.840 --> 0:26:45.199
<v Speaker 1>Clips.

0:26:45.280 --> 0:26:47.240
<v Speaker 2>You know what it feels like to actually do the show,

0:26:47.240 --> 0:26:48.959
<v Speaker 2>but when you just watch a two minute clip, it

0:26:48.960 --> 0:26:51.360
<v Speaker 2>actually kind of looks like it could be fun, and

0:26:51.440 --> 0:26:54.840
<v Speaker 2>he's able to sort of manufacture that feeling. And so

0:26:55.119 --> 0:26:58.159
<v Speaker 2>he's it's it's like his calling, it's what he's chosen

0:26:58.200 --> 0:27:00.000
<v Speaker 2>to do. But it's not what he thinks he's good

0:27:00.119 --> 0:27:02.200
<v Speaker 2>that what does he think? But he thinks he's good

0:27:02.240 --> 0:27:04.760
<v Speaker 2>at his rapper and he will often and he will

0:27:04.800 --> 0:27:07.200
<v Speaker 2>often send us a text in the middle of the night,

0:27:07.359 --> 0:27:09.560
<v Speaker 2>three am, four am, and he'll go, I had an

0:27:09.600 --> 0:27:11.680
<v Speaker 2>idea for the show. I don't think, like, oh, does

0:27:11.720 --> 0:27:13.520
<v Speaker 2>he have a great question that we could ask riz,

0:27:13.560 --> 0:27:16.720
<v Speaker 2>And he'll say the idea is I'll do a seven

0:27:16.760 --> 0:27:19.320
<v Speaker 2>minute wrap and you guys will watch.

0:27:20.119 --> 0:27:22.520
<v Speaker 1>And then he'll send it to us, and then like

0:27:22.600 --> 0:27:24.439
<v Speaker 1>two hours later, he'll send another one that.

0:27:24.440 --> 0:27:27.560
<v Speaker 2>Says, actually, don't read that one, yeah, read this one

0:27:28.160 --> 0:27:32.320
<v Speaker 2>or or or or he'll send a new one, and

0:27:32.359 --> 0:27:34.600
<v Speaker 2>then five minutes after that he'll go like, never mind,

0:27:34.640 --> 0:27:36.399
<v Speaker 2>I guess I'll just walk off a bridge or something,

0:27:36.960 --> 0:27:39.520
<v Speaker 2>be like I haven't had a chance to listen yet.

0:27:39.640 --> 0:27:42.879
<v Speaker 2>But because he didn't immediately get the feedback that he wanted, well,

0:27:42.920 --> 0:27:45.440
<v Speaker 2>I thought we got a real rapper here. This guy's

0:27:45.440 --> 0:27:48.160
<v Speaker 2>wrapping his way out of the naval base and and

0:27:48.160 --> 0:27:50.919
<v Speaker 2>in in the restaurant, and he's and he's, you know,

0:27:51.560 --> 0:27:54.600
<v Speaker 2>got these crazy stories of his rap achievements. He's on

0:27:54.640 --> 0:28:02.000
<v Speaker 2>the soundtrack. Could he actually help this man know whether

0:28:02.040 --> 0:28:04.040
<v Speaker 2>it's time to fish or cut bait in terms of

0:28:04.040 --> 0:28:06.800
<v Speaker 2>his rap career. So he's submitted to us one of

0:28:06.840 --> 0:28:11.080
<v Speaker 2>his song and we've got print outs of the lyrics.

0:28:11.119 --> 0:28:12.840
<v Speaker 2>We thought we could listen to a little bit of it.

0:28:12.920 --> 0:28:14.160
<v Speaker 1>And he's a sweet kid.

0:28:14.480 --> 0:28:15.440
<v Speaker 2>He's a nice kid.

0:28:15.520 --> 0:28:21.200
<v Speaker 1>Don't like maybe, but sometimes the kindest thing to put

0:28:21.200 --> 0:28:22.639
<v Speaker 1>the headphones on and listen to this.

0:28:23.760 --> 0:28:24.479
<v Speaker 2>So you understand.

0:28:24.520 --> 0:28:27.399
<v Speaker 1>Are you familiar with the concept of deliver anyway on

0:28:28.359 --> 0:28:31.119
<v Speaker 1>like when you're texting someone and it's like they have

0:28:31.160 --> 0:28:37.520
<v Speaker 1>their notifications off. Deliver anyway, Yeah, yeah, deliver any The

0:28:37.600 --> 0:28:40.320
<v Speaker 1>concept of deliver anyway is Zach.

0:28:40.480 --> 0:28:43.120
<v Speaker 2>Yeah, you're not disturb but you will be notified when

0:28:43.200 --> 0:28:44.000
<v Speaker 2>Zach has Wow.

0:28:44.200 --> 0:28:46.120
<v Speaker 3>Yeah, okay, So what is this though?

0:28:47.160 --> 0:28:47.880
<v Speaker 1>Heading phones?

0:28:48.160 --> 0:28:54.600
<v Speaker 2>So so now we are we're all putting these on. Fascinating,

0:28:55.920 --> 0:28:58.680
<v Speaker 2>He's never seen headphones before. Yeah, this guy was kind

0:28:58.680 --> 0:29:00.440
<v Speaker 2>of talking down to us about some of the one

0:29:02.120 --> 0:29:04.560
<v Speaker 2>because I actually love moments like this, because we all

0:29:04.680 --> 0:29:05.120
<v Speaker 2>kind of.

0:29:06.880 --> 0:29:09.880
<v Speaker 1>Yes, this is like the classes of the library.

0:29:10.000 --> 0:29:13.760
<v Speaker 2>Working at something about naval base. Naval base.

0:29:15.040 --> 0:29:16.880
<v Speaker 1>NAVL has got like I got very base.

0:29:19.040 --> 0:29:20.560
<v Speaker 2>My navel's extremely based.

0:29:21.560 --> 0:29:22.480
<v Speaker 3>It's been debased.

0:29:25.000 --> 0:29:31.680
<v Speaker 1>Yeah, okay, yes, okay, sure, do we have the track?

0:29:31.800 --> 0:29:39.440
<v Speaker 2>Please show?

0:29:40.280 --> 0:29:45.680
<v Speaker 4>I know I hate anyone. I'm gonna layer to arrive.

0:29:45.800 --> 0:29:47.040
<v Speaker 4>I'm crafty king guy.

0:29:47.160 --> 0:29:50.720
<v Speaker 7>Then the back to capitating away, more driver, I need Wayne,

0:29:50.760 --> 0:29:54.160
<v Speaker 7>more fiber and theo L cyber try to strack me down.

0:29:54.240 --> 0:29:56.560
<v Speaker 4>See how your hand fault is? You lost this hell,

0:29:56.840 --> 0:29:59.880
<v Speaker 4>but hold yourself responsible? Hey whoa, no, how a.

0:30:00.200 --> 0:30:02.080
<v Speaker 2>Not going to the.

0:30:01.560 --> 0:30:05.480
<v Speaker 7>Carnival dressed like the fucking carnival. This ship's not impossible,

0:30:05.480 --> 0:30:06.680
<v Speaker 7>it's simply improbable.

0:30:06.920 --> 0:30:10.600
<v Speaker 1>You and take it verse by verse.

0:30:10.720 --> 0:30:11.240
<v Speaker 2>What's the best?

0:30:11.400 --> 0:30:14.240
<v Speaker 1>This is like your story is just like so much happening.

0:30:14.320 --> 0:30:17.520
<v Speaker 2>It's very dull, like so we need all the pieces.

0:30:17.720 --> 0:30:19.880
<v Speaker 2>It's probably like bait too, what do we do? We

0:30:19.920 --> 0:30:20.440
<v Speaker 2>did a couple?

0:30:20.640 --> 0:30:24.440
<v Speaker 3>How many episodes of bait? Yeah, there are six episodes

0:30:24.440 --> 0:30:24.640
<v Speaker 3>of it.

0:30:24.800 --> 0:30:26.160
<v Speaker 1>That's how many there are of this rat.

0:30:26.160 --> 0:30:28.840
<v Speaker 2>That's how much of the rap there is what six

0:30:28.880 --> 0:30:32.120
<v Speaker 2>episodes of the full episodes of and is this episode one?

0:30:32.400 --> 0:30:33.360
<v Speaker 1>This is episode one.

0:30:33.480 --> 0:30:38.600
<v Speaker 2>It's amazing. There's commercials in it as well, that supported so.

0:30:38.880 --> 0:30:41.120
<v Speaker 3>You wrap the commercials in the middle of the bus.

0:30:41.560 --> 0:30:44.280
<v Speaker 3>I've never heard that before. There's very interesting leaves.

0:30:44.600 --> 0:30:48.720
<v Speaker 1>He leaves breaks, and if you pay you can not

0:30:48.840 --> 0:30:50.600
<v Speaker 1>hear the commercials, and if you pay even more you

0:30:50.600 --> 0:30:51.840
<v Speaker 1>cannot hear the rap at all.

0:30:52.480 --> 0:30:54.760
<v Speaker 3>But I'm thinking we could reach out to some brunds

0:30:54.760 --> 0:30:56.600
<v Speaker 3>because we've got AOL on here.

0:30:57.080 --> 0:30:59.040
<v Speaker 2>Yeah, way Mo, we've.

0:30:58.840 --> 0:31:03.680
<v Speaker 1>Got Are you wor worried that Luigi mentioned decapitating a

0:31:03.720 --> 0:31:08.160
<v Speaker 1>Waymo driver and in in that line that that is

0:31:08.160 --> 0:31:11.200
<v Speaker 1>going to affect that brand relationship.

0:31:10.560 --> 0:31:12.640
<v Speaker 3>Because Waymo doesn't have drivers, does it?

0:31:13.680 --> 0:31:16.200
<v Speaker 1>I guess because he decapitated them all?

0:31:16.520 --> 0:31:21.800
<v Speaker 2>Is that in the back decapitating a Waymo drive?

0:31:22.040 --> 0:31:22.240
<v Speaker 3>Yeah?

0:31:23.920 --> 0:31:29.520
<v Speaker 1>What's an AOL Cyber, Riz, We got to take your

0:31:29.560 --> 0:31:31.120
<v Speaker 1>rest to the library.

0:31:31.560 --> 0:31:34.000
<v Speaker 2>We're getting out of here in the black car forget

0:31:37.480 --> 0:31:41.800
<v Speaker 2>and it's going to be in place down tonight.

0:31:42.000 --> 0:31:44.320
<v Speaker 3>Okay, private room in the library.

0:31:44.320 --> 0:31:45.760
<v Speaker 2>We're closing it down.

0:31:46.000 --> 0:31:46.680
<v Speaker 1>Private room.

0:31:47.360 --> 0:31:48.440
<v Speaker 2>You sound like you know what today?

0:31:48.520 --> 0:31:50.360
<v Speaker 1>Well, Cyber is mygg.

0:31:50.840 --> 0:31:52.520
<v Speaker 3>Balls in the library with you guys.

0:31:53.360 --> 0:31:58.040
<v Speaker 2>Yes really, yes, Okay, you're speaking my language.

0:31:58.080 --> 0:31:59.800
<v Speaker 3>So yeah, so this is great and I like it

0:31:59.840 --> 0:32:00.840
<v Speaker 3>and I'd like more of it.

0:32:01.280 --> 0:32:04.840
<v Speaker 1>Okay, he's mad at Waldo. He's mad at the character

0:32:04.880 --> 0:32:05.880
<v Speaker 1>Waldo from the books.

0:32:06.120 --> 0:32:08.440
<v Speaker 2>Just how about not going to the fucking carnival dress?

0:32:08.520 --> 0:32:11.680
<v Speaker 1>Are you familiar with? What is there? Maybe a British versus.

0:32:11.600 --> 0:32:14.280
<v Speaker 3>Waldor was Where where's Wally?

0:32:14.560 --> 0:32:14.920
<v Speaker 1>Wally?

0:32:15.000 --> 0:32:16.880
<v Speaker 2>Okay, where's Wally?

0:32:17.680 --> 0:32:22.040
<v Speaker 1>He's mad that Waldo went to the carnival dressed too

0:32:22.120 --> 0:32:25.600
<v Speaker 1>much like the carnival and it made it camoufluedged.

0:32:25.720 --> 0:32:26.960
<v Speaker 2>And this is what he does.

0:32:27.120 --> 0:32:30.600
<v Speaker 1>Because some of the clips he does like are actually

0:32:30.680 --> 0:32:33.560
<v Speaker 1>not good. Some of them are not some of them

0:32:33.560 --> 0:32:36.120
<v Speaker 1>are fine. But then it's this type of excuse thing.

0:32:36.160 --> 0:32:41.360
<v Speaker 1>It's like, oh, it's the material's fault, you know that one.

0:32:41.440 --> 0:32:45.560
<v Speaker 1>It's Waldo's fault that I can't find him it's.

0:32:47.040 --> 0:32:48.080
<v Speaker 2>Dressed any differently.

0:32:48.520 --> 0:32:50.040
<v Speaker 3>What the fuck is happening right now?

0:32:50.440 --> 0:32:52.120
<v Speaker 2>We'll trying to figure out what he means.

0:32:52.200 --> 0:32:53.200
<v Speaker 1>Episode two.

0:32:57.080 --> 0:33:00.280
<v Speaker 4>Hit it extremely handsome, like weeds a man. You know,

0:33:00.320 --> 0:33:03.960
<v Speaker 4>I'm playing Luigi's mansion. Baby, this that anthem? Hey, that

0:33:04.160 --> 0:33:07.360
<v Speaker 4>ransom for I take a tourist to the whole damn fandom.

0:33:09.640 --> 0:33:11.720
<v Speaker 7>God damn. So would you find me these balls? I've

0:33:11.760 --> 0:33:13.720
<v Speaker 7>had a hode fool, you find me in your gross

0:33:13.760 --> 0:33:16.920
<v Speaker 7>beef war. I'm a cartoonist villain. Like to follow me, Scar,

0:33:17.160 --> 0:33:19.160
<v Speaker 7>catch me in a street car? Will playing the war?

0:33:19.320 --> 0:33:21.840
<v Speaker 4>You might know what asked me, Amm, but to me,

0:33:22.080 --> 0:33:22.640
<v Speaker 4>that's wur.

0:33:23.080 --> 0:33:28.200
<v Speaker 7>Starting revolutionary wards from a burner. Keep talking Nancy with flattery, yarns.

0:33:28.320 --> 0:33:28.520
<v Speaker 3>Yeah.

0:33:28.760 --> 0:33:31.080
<v Speaker 4>By the way, whatever is my name is Zach Turner?

0:33:32.560 --> 0:33:35.200
<v Speaker 2>Okay, now you've been introduced.

0:33:34.760 --> 0:33:39.719
<v Speaker 3>Because I think that's that's good. I like this versus

0:33:39.800 --> 0:33:41.720
<v Speaker 3>three and fool has got some bars. Man.

0:33:42.720 --> 0:33:44.560
<v Speaker 2>Yeah. I don't never really know what was going on

0:33:44.640 --> 0:33:47.280
<v Speaker 2>with Wall though, but some of these other cartoon characters

0:33:47.280 --> 0:33:49.680
<v Speaker 2>he mentioned were starting to actually connect with me.

0:33:50.040 --> 0:33:55.200
<v Speaker 3>Yeah, Jaffa, Scar Blanche Dubois. I also love the geographical

0:33:56.920 --> 0:33:58.000
<v Speaker 3>element I am.

0:33:58.200 --> 0:34:01.920
<v Speaker 1>I wish he would respect the name of that country

0:34:01.920 --> 0:34:06.120
<v Speaker 1>that the people chose mm hmmm, which is me and mar.

0:34:06.200 --> 0:34:08.480
<v Speaker 3>Oh yeah, yeah, yeah, there's something offensive about it.

0:34:10.440 --> 0:34:14.920
<v Speaker 2>Disrespect and he shuts fired. I think he wants to

0:34:14.960 --> 0:34:16.840
<v Speaker 2>start a feud with me, and I just want to

0:34:16.880 --> 0:34:23.560
<v Speaker 2>say I do not support this man. I'm on the

0:34:23.680 --> 0:34:28.400
<v Speaker 2>Amr's side. Yes, if you make me choose between me

0:34:28.400 --> 0:34:35.920
<v Speaker 2>and mar and Zach. Zach's toast uh and we we

0:34:35.920 --> 0:34:39.000
<v Speaker 2>we did tell him not to not to introduce himself

0:34:39.040 --> 0:34:41.000
<v Speaker 2>to and the song.

0:34:41.160 --> 0:34:43.960
<v Speaker 3>But why did you tell him to do that? Do

0:34:44.040 --> 0:34:46.120
<v Speaker 3>you think that would make the podcast awkward?

0:34:46.560 --> 0:34:48.719
<v Speaker 2>He is. I thought that was the one thing that

0:34:48.800 --> 0:34:51.040
<v Speaker 2>might make the podcast a little bit uncomfortable for you

0:34:51.760 --> 0:34:52.160
<v Speaker 2>to be.

0:34:53.239 --> 0:34:56.320
<v Speaker 3>To have a rap otherwise vibe.

0:34:56.360 --> 0:34:58.480
<v Speaker 2>Well, I knew that you were enjoying yourself.

0:34:59.200 --> 0:35:01.640
<v Speaker 3>Listen, so we thought was let me get it straight.

0:35:03.320 --> 0:35:06.120
<v Speaker 3>We're going to be having fun. I've done my research

0:35:07.280 --> 0:35:10.359
<v Speaker 3>about his show. He's flowing in from London to talk

0:35:10.400 --> 0:35:14.600
<v Speaker 3>to us, done research. He's gonna help me get a

0:35:14.680 --> 0:35:22.280
<v Speaker 3>reservation at Pakistan and it's all going to be any

0:35:22.760 --> 0:35:24.799
<v Speaker 3>But the last thing I want to do is to

0:35:26.000 --> 0:35:29.360
<v Speaker 3>waste his time with a rap. That's what you thought.

0:35:31.280 --> 0:35:33.840
<v Speaker 3>I'm just trying to follow the train of do there was?

0:35:33.960 --> 0:35:34.600
<v Speaker 2>Yeah, so.

0:35:36.600 --> 0:35:42.480
<v Speaker 3>If you could call it a train, if you could.

0:35:42.360 --> 0:35:48.320
<v Speaker 1>Get mad, yeah, if you could.

0:35:48.120 --> 0:35:55.120
<v Speaker 3>Like, what's the what's that for the clip for Zach?

0:35:56.920 --> 0:35:59.840
<v Speaker 2>Great? Yeah like that?

0:36:00.239 --> 0:36:08.560
<v Speaker 3>What just guess stop whispering in my ear like that.

0:36:08.600 --> 0:36:11.600
<v Speaker 3>It's so fucking weird when you're going could you lose

0:36:11.640 --> 0:36:13.360
<v Speaker 3>your ship at me? Could you go after? I'm not

0:36:13.400 --> 0:36:16.239
<v Speaker 3>gonna I know what you're trying to do. You're trying

0:36:16.280 --> 0:36:21.479
<v Speaker 3>to make me seem like a violent man again, can't.

0:36:22.239 --> 0:36:26.240
<v Speaker 3>But this is a comedy you want me to watch? Sorry,

0:36:27.160 --> 0:36:30.480
<v Speaker 3>you want me to call you a bitch. I'm going

0:36:30.520 --> 0:36:35.439
<v Speaker 3>to leave that to the comments section that actually work

0:36:35.520 --> 0:36:41.120
<v Speaker 3>for me and the people of my han too. Do

0:36:41.120 --> 0:36:48.239
<v Speaker 3>you know what bitches in Burmese? And if that's a language,

0:36:49.920 --> 0:36:50.520
<v Speaker 3>tell me it's not.

0:36:50.600 --> 0:36:53.000
<v Speaker 2>Sean Clemons.

0:36:53.960 --> 0:36:57.399
<v Speaker 1>Such bad news entire country.

0:36:57.600 --> 0:36:59.600
<v Speaker 3>It's short that it will be now, it will be shown.

0:37:00.040 --> 0:37:01.080
<v Speaker 2>It's gonna be that.

0:37:01.080 --> 0:37:01.839
<v Speaker 1>That's pretty bad.

0:37:02.760 --> 0:37:05.279
<v Speaker 2>No, you thought your Google page was.

0:37:05.719 --> 0:37:07.320
<v Speaker 3>Can we continue with the problem.

0:37:08.080 --> 0:37:09.400
<v Speaker 1>Let's let's finish the rap?

0:37:10.120 --> 0:37:13.120
<v Speaker 4>Ben Tom like God, I'm finna be a mark, I'm

0:37:13.160 --> 0:37:14.160
<v Speaker 4>finna lose it all.

0:37:14.520 --> 0:37:18.000
<v Speaker 7>Finn b Smith, Oh my love, I'm finna have a

0:37:18.080 --> 0:37:20.759
<v Speaker 7>mariage that's lupin and I'm finna make a.

0:37:20.800 --> 0:37:26.919
<v Speaker 3>Killsel I'm finna pause from it. Why is this guy

0:37:27.040 --> 0:37:32.640
<v Speaker 3>keep saying finner because he can't say that here, No, no, no, no, listen,

0:37:32.960 --> 0:37:37.360
<v Speaker 3>Yeah he can't say that. Yeah he wants to disrespect Burma,

0:37:37.560 --> 0:37:41.040
<v Speaker 3>mayan ma whatever. That's a white thing to disrespect.

0:37:41.440 --> 0:37:42.920
<v Speaker 2>Disrespect a for him, why.

0:37:42.800 --> 0:37:45.560
<v Speaker 3>People understand, But finna is not a white thing.

0:37:46.280 --> 0:37:49.680
<v Speaker 1>We have been working on that with him. Mm hmm uh.

0:37:49.920 --> 0:37:56.120
<v Speaker 1>And it sort of came down to choosing between this

0:37:57.400 --> 0:38:00.279
<v Speaker 1>and introduce it himself to you in the lyrics, and

0:38:00.280 --> 0:38:03.680
<v Speaker 1>he did end up doing both. So we were trying

0:38:03.680 --> 0:38:04.719
<v Speaker 1>to pick our battles.

0:38:04.840 --> 0:38:09.680
<v Speaker 2>When you are helping someone disengage from a series of

0:38:11.640 --> 0:38:14.360
<v Speaker 2>terms that they use that they probably should.

0:38:14.400 --> 0:38:16.399
<v Speaker 3>You think baby steps is the best way to get

0:38:16.440 --> 0:38:20.600
<v Speaker 3>someone to I stop saying you racial racialized words.

0:38:20.680 --> 0:38:22.719
<v Speaker 2>Yeah, I think you go in the order of what's

0:38:22.760 --> 0:38:25.040
<v Speaker 2>the most The fact that we've gotten all the way

0:38:25.080 --> 0:38:31.239
<v Speaker 2>down to Finna from where he startedstand this is a

0:38:31.560 --> 0:38:35.480
<v Speaker 2>huge win for us. You know. It's like it's like

0:38:35.520 --> 0:38:37.680
<v Speaker 2>you quit things in the order that's killing you. Yeah,

0:38:37.680 --> 0:38:40.640
<v Speaker 2>maybe you get off the hardt, the liquor, then the cigarettes.

0:38:41.640 --> 0:38:44.279
<v Speaker 2>So yeah, he's still you know, yeah, he's still hitting

0:38:44.320 --> 0:38:46.000
<v Speaker 2>the vape a little bit with the finna. But you

0:38:46.040 --> 0:38:52.879
<v Speaker 2>should have seen the guy what we found of Okay,

0:38:52.960 --> 0:38:53.799
<v Speaker 2>let's hear a little more.

0:38:53.960 --> 0:38:58.680
<v Speaker 7>Okay, pick a melly of my memoir finn across the

0:38:58.719 --> 0:39:01.680
<v Speaker 7>ball and a person can so away with your broad

0:39:01.760 --> 0:39:07.400
<v Speaker 7>off the covoir magic like off, like, aha, I'm wickedly talented,

0:39:07.480 --> 0:39:10.719
<v Speaker 7>like when it comes see your dead, I'm afraid I

0:39:10.840 --> 0:39:11.600
<v Speaker 7>want forfeits.

0:39:11.680 --> 0:39:13.719
<v Speaker 4>I'm holding up your sc That's.

0:39:14.000 --> 0:39:18.120
<v Speaker 1>A that was from Wicked? Did you did you know that?

0:39:18.280 --> 0:39:20.400
<v Speaker 1>You look like, why is he saying?

0:39:20.560 --> 0:39:23.279
<v Speaker 3>Why is he saying I'm wickuledly talented? Like can you

0:39:23.320 --> 0:39:24.239
<v Speaker 3>play that bit again?

0:39:26.400 --> 0:39:30.279
<v Speaker 1>So? Yeah, so that is talented like that.

0:39:32.280 --> 0:39:33.680
<v Speaker 2>From Wicked?

0:39:34.000 --> 0:39:35.080
<v Speaker 1>They say that in Wicked.

0:39:35.200 --> 0:39:38.120
<v Speaker 3>So they say that's not from Tarzan.

0:39:38.239 --> 0:39:41.080
<v Speaker 2>And I don't know if your whole thing was just make.

0:39:42.120 --> 0:39:45.080
<v Speaker 3>But I thought it was also kind of you.

0:39:45.080 --> 0:39:49.960
<v Speaker 1>Think that was as well? You know what? I agree.

0:39:50.160 --> 0:39:51.480
<v Speaker 1>I'm then right off to that.

0:39:51.520 --> 0:39:54.920
<v Speaker 3>He's talking about kidnapping women in the coate devoir off

0:39:55.080 --> 0:39:55.359
<v Speaker 3>the co.

0:39:57.160 --> 0:39:57.399
<v Speaker 2>Off.

0:39:58.000 --> 0:39:59.480
<v Speaker 3>I just don't have the picture. It's painting.

0:40:00.360 --> 0:40:00.759
<v Speaker 2>Mm hmm.

0:40:01.520 --> 0:40:04.359
<v Speaker 1>He did actually paint us a picture on the last

0:40:04.360 --> 0:40:09.040
<v Speaker 1>time he was what you look like. We're trying to

0:40:09.040 --> 0:40:12.840
<v Speaker 1>steer him more in the wrap direction as a result

0:40:12.880 --> 0:40:15.160
<v Speaker 1>of that, just as as a creative outlet.

0:40:15.840 --> 0:40:17.520
<v Speaker 2>It's a little bit of whack a mole in terms

0:40:17.600 --> 0:40:21.120
<v Speaker 2>of what we're dealing with with Zach here where you

0:40:21.160 --> 0:40:26.120
<v Speaker 2>know you kind of like way from the wrapping, and

0:40:26.160 --> 0:40:28.520
<v Speaker 2>then you see his painting. You go, Okay, let's camp

0:40:28.560 --> 0:40:31.040
<v Speaker 2>out again on wrapping for a minute until we find

0:40:31.080 --> 0:40:31.920
<v Speaker 2>a better solution.

0:40:32.600 --> 0:40:33.840
<v Speaker 3>You would have put the energy somewhere.

0:40:34.080 --> 0:40:38.760
<v Speaker 2>Mm hmmm hm. Do we want to let him finish

0:40:38.800 --> 0:40:39.800
<v Speaker 2>it or do we want.

0:40:41.840 --> 0:40:42.520
<v Speaker 3>Love to finish?

0:40:42.719 --> 0:40:43.680
<v Speaker 2>Yeah, let's finish.

0:40:43.840 --> 0:40:46.799
<v Speaker 4>Okay, Yeah, I'm a road down forfeits.

0:40:46.840 --> 0:40:51.040
<v Speaker 7>I'm holding up his skull like that'shoar oh suit heck,

0:40:51.160 --> 0:40:57.680
<v Speaker 7>he's gonna hurt him. The vegan minas heard him? No German,

0:40:57.920 --> 0:41:00.480
<v Speaker 7>the vegan for of the god. I forgot this man.

0:41:00.480 --> 0:41:05.600
<v Speaker 2>It's for the cups, yelling for the cops.

0:41:05.800 --> 0:41:07.600
<v Speaker 3>Don't speak no German.

0:41:09.040 --> 0:41:13.160
<v Speaker 1>Yeah, I couldn't guess is what's what is that about?

0:41:13.239 --> 0:41:14.759
<v Speaker 1>I couldn't begin to guess.

0:41:14.680 --> 0:41:19.000
<v Speaker 2>Yelling for the cops, but don't speak no German. I

0:41:19.000 --> 0:41:24.200
<v Speaker 2>couldn't begin to guess. I couldn't. I've only got one guess,

0:41:24.239 --> 0:41:25.319
<v Speaker 2>and I am saving it.

0:41:26.960 --> 0:41:28.120
<v Speaker 3>Well, that's why I can't.

0:41:28.120 --> 0:41:29.960
<v Speaker 1>That's why I can't be Okay, let's continue.

0:41:30.480 --> 0:41:32.560
<v Speaker 4>Hey, didn't I see you at a party asking where's

0:41:32.600 --> 0:41:34.640
<v Speaker 4>my hug? I just hope for no regrets.

0:41:34.640 --> 0:41:37.520
<v Speaker 7>When my death bag comes this a rebellion, speaking like

0:41:37.520 --> 0:41:40.520
<v Speaker 7>I'm on the rogue one to recommend the call me.

0:41:41.719 --> 0:41:45.080
<v Speaker 4>I'm bound to be found acting ridiculous. Probably catch me.

0:41:45.080 --> 0:41:47.400
<v Speaker 7>With some queens, like my ass wasn't saying in steady

0:41:47.480 --> 0:41:49.640
<v Speaker 7>texting your girl like what we're thinking for dinner?

0:41:49.960 --> 0:41:51.920
<v Speaker 4>You know, lately I've been thinking like I might be

0:41:51.960 --> 0:41:54.680
<v Speaker 4>a winner? Why yeah, stays bitter? I mean ship go

0:41:54.960 --> 0:41:56.719
<v Speaker 4>fig give there's no.

0:41:56.719 --> 0:42:01.879
<v Speaker 2>Second Yeah, so hey, thanks guys, let's give him?

0:42:01.960 --> 0:42:02.879
<v Speaker 3>Should wrap this up?

0:42:03.040 --> 0:42:06.520
<v Speaker 1>Just like a quick review. Bait is ninety five percent

0:42:06.719 --> 0:42:12.400
<v Speaker 1>on rotten tomatoes? It is what what do you give

0:42:14.640 --> 0:42:17.200
<v Speaker 1>on the tomato meter for Zach's rat?

0:42:18.560 --> 0:42:20.600
<v Speaker 2>How many wrapped tomatoes?

0:42:22.040 --> 0:42:23.799
<v Speaker 3>Well, I mean I don't give up.

0:42:24.680 --> 0:42:28.920
<v Speaker 1>He was inspired by the bars and that was bars.

0:42:29.160 --> 0:42:33.799
<v Speaker 3>And you know the thing is you just you just

0:42:33.840 --> 0:42:37.279
<v Speaker 3>give something fresh or not fresh, rotten or fresh, and

0:42:37.320 --> 0:42:39.040
<v Speaker 3>it's the consensus that creates the rates.

0:42:39.080 --> 0:42:42.080
<v Speaker 2>I'm actually tomatoes.

0:42:42.400 --> 0:42:45.640
<v Speaker 3>Yeah, but that's that's Do you want to give a

0:42:45.680 --> 0:42:48.279
<v Speaker 3>number or just say fresh? What you're gonna say?

0:42:48.600 --> 0:42:49.600
<v Speaker 2>I'd like you to give a number.

0:42:50.640 --> 0:42:54.760
<v Speaker 1>I guess like a series of reviews enough to create

0:42:54.800 --> 0:42:55.440
<v Speaker 1>a consensus.

0:42:55.480 --> 0:42:57.920
<v Speaker 2>I guess because they don't like just you.

0:42:57.880 --> 0:43:00.160
<v Speaker 1>Know, they can't have a rating off of what are

0:43:00.160 --> 0:43:00.359
<v Speaker 1>you doing?

0:43:01.040 --> 0:43:03.600
<v Speaker 2>You're an incredible actor. Why did you give a review

0:43:03.600 --> 0:43:07.680
<v Speaker 2>as James Bond give risk, give a review as you know,

0:43:07.760 --> 0:43:09.919
<v Speaker 2>one of the other gentlemen in the show, and give.

0:43:09.880 --> 0:43:11.839
<v Speaker 1>Us one one.

0:43:11.280 --> 0:43:13.720
<v Speaker 2>As as Patrick Steuman.

0:43:13.960 --> 0:43:15.919
<v Speaker 3>I would give this. I would give this a ten

0:43:16.120 --> 0:43:20.640
<v Speaker 3>the pig set, I would give this ten percent. Okay tomorrow, yeah,

0:43:21.239 --> 0:43:22.840
<v Speaker 3>I'll give certified rotten.

0:43:23.280 --> 0:43:26.279
<v Speaker 1>And I'm I'm grateful for Zach that he had that

0:43:26.360 --> 0:43:28.120
<v Speaker 1>moment where you said that it was a ten.

0:43:28.800 --> 0:43:33.040
<v Speaker 3>Mm hmm, just before you knew it was percent uh huh.

0:43:33.239 --> 0:43:35.640
<v Speaker 2>And you know he's an editor, so he'll be able

0:43:35.680 --> 0:43:37.799
<v Speaker 2>to make clarity. He'll be able to cut it off

0:43:37.880 --> 0:43:44.000
<v Speaker 2>right at ten. I would give this a ten percent yep.

0:43:44.719 --> 0:43:47.200
<v Speaker 1>And he can like he can also end this episode

0:43:47.200 --> 0:43:49.760
<v Speaker 1>where whenever he wants like he can just say like bye.

0:43:49.800 --> 0:43:51.080
<v Speaker 3>He's kind of God, isn't he?

0:43:51.120 --> 0:43:51.520
<v Speaker 1>In a way?

0:43:51.680 --> 0:43:53.960
<v Speaker 3>He's kind of the most the most powerful guy. Why

0:43:54.000 --> 0:43:58.040
<v Speaker 3>isn't he in here when talking to him if he's

0:43:58.080 --> 0:44:01.200
<v Speaker 3>the one really calling the shots? Because I've got a

0:44:01.239 --> 0:44:03.840
<v Speaker 3>crazy day and I've got a black car waiting outside

0:44:04.520 --> 0:44:10.279
<v Speaker 3>I've got a reservation for sixteen people at Pakistan New

0:44:12.239 --> 0:44:19.839
<v Speaker 3>Savice spot down the street open. So why why, why

0:44:19.880 --> 0:44:24.080
<v Speaker 3>isn't why am I not talking to the shot caller?

0:44:25.680 --> 0:44:28.680
<v Speaker 2>Bye bye, whoa Hollywood Hamburg