1 00:00:04,640 --> 00:00:07,680 Speaker 1: I'm Buzz Night, the host of the Taking a Walk podcast, 2 00:00:07,960 --> 00:00:11,520 Speaker 1: and here we are again for another look at this 3 00:00:11,600 --> 00:00:14,640 Speaker 1: week and music history for the week of May the 4 00:00:14,720 --> 00:00:18,759 Speaker 1: twenty sixth, and we go to the Maestro of Mayhem 5 00:00:18,960 --> 00:00:22,360 Speaker 1: and the maestro of music history, Harry Jacobs. Hello, Harry, 6 00:00:23,040 --> 00:00:24,880 Speaker 1: Buzz good to good to be here. 7 00:00:25,040 --> 00:00:29,320 Speaker 2: I you know, this has become like my thesis in 8 00:00:29,360 --> 00:00:32,160 Speaker 2: a way, doing this this work every week. 9 00:00:32,360 --> 00:00:34,879 Speaker 1: Really, it's you know, I didn't realize you had a 10 00:00:34,920 --> 00:00:37,920 Speaker 1: list though. 11 00:00:39,880 --> 00:00:42,879 Speaker 2: Yeah, I have to think about that for a minute. 12 00:00:43,040 --> 00:00:47,519 Speaker 2: But this has become like a pet project to put 13 00:00:47,600 --> 00:00:52,240 Speaker 2: this together every week. And we're both huge music fans, 14 00:00:52,280 --> 00:00:56,200 Speaker 2: classic rock fans, so there's a lot of great information 15 00:00:56,360 --> 00:00:59,000 Speaker 2: that we're finding each week, and I'm I'm really excited 16 00:00:59,000 --> 00:00:59,800 Speaker 2: to continue to do it. 17 00:01:00,400 --> 00:01:02,240 Speaker 1: Well, thank you for doing it, and thank you for 18 00:01:02,280 --> 00:01:07,160 Speaker 1: the research, and thank you for sometimes jarring my memory 19 00:01:07,200 --> 00:01:12,240 Speaker 1: in our listener's memory with so many great stories. We 20 00:01:12,319 --> 00:01:15,680 Speaker 1: never have enough Beatles stories, do we. 21 00:01:15,080 --> 00:01:17,880 Speaker 3: You know? Every week we I didn't. 22 00:01:17,640 --> 00:01:19,880 Speaker 2: Realize this but after the you know, when we first 23 00:01:19,920 --> 00:01:22,199 Speaker 2: started doing this, the first couple of weeks, I said 24 00:01:22,200 --> 00:01:23,600 Speaker 2: to you on a call afterwards, I said, you know, 25 00:01:23,600 --> 00:01:25,320 Speaker 2: I think every week we're going to get something from 26 00:01:25,360 --> 00:01:28,680 Speaker 2: the Beatles, and you said, without question every single. 27 00:01:28,440 --> 00:01:29,640 Speaker 1: Week, nothing wrong with it. 28 00:01:30,000 --> 00:01:31,880 Speaker 2: Think about it for a band that was around from 29 00:01:32,200 --> 00:01:35,720 Speaker 2: you know, nineteen sixty three to you know, nineteen seventy, 30 00:01:36,200 --> 00:01:38,440 Speaker 2: you know, a very short period of time compared to 31 00:01:38,480 --> 00:01:41,080 Speaker 2: the Who and the Stones and the others that we love. 32 00:01:41,880 --> 00:01:45,320 Speaker 2: They created some incredible history during that time. And this week, 33 00:01:45,360 --> 00:01:47,400 Speaker 2: by the way, I make twenty six no exception, This 34 00:01:47,560 --> 00:01:53,760 Speaker 2: was the week that Emi Rush released Sergeant Pepper's in 35 00:01:53,840 --> 00:01:58,240 Speaker 2: London and select the UK markets and this was just 36 00:01:59,120 --> 00:01:59,680 Speaker 2: we keep. 37 00:01:59,480 --> 00:02:02,080 Speaker 3: Saying it over, were over, but this was an incredible album. 38 00:02:02,160 --> 00:02:07,360 Speaker 2: It changed everything in terms of concept, cover art, the songs, 39 00:02:07,440 --> 00:02:13,320 Speaker 2: the diversity of music just just like a Schmortas board 40 00:02:13,800 --> 00:02:17,399 Speaker 2: of music and sound and creativity too. 41 00:02:17,720 --> 00:02:23,440 Speaker 1: Everything was poured into certainly that album, the look of it, 42 00:02:23,440 --> 00:02:25,920 Speaker 1: it just was, you know, obviously groundbreaking. 43 00:02:26,639 --> 00:02:30,639 Speaker 2: Spent almost half a year on the UK album charts 44 00:02:31,120 --> 00:02:35,400 Speaker 2: at that time and fifteen weeks or so in the US. 45 00:02:35,560 --> 00:02:42,080 Speaker 2: But you know, even now, fifty eight years later, it's 46 00:02:42,080 --> 00:02:44,480 Speaker 2: still something that people put right at the top of 47 00:02:44,480 --> 00:02:45,000 Speaker 2: their lists. 48 00:02:45,000 --> 00:02:48,080 Speaker 1: Pretty crazy and what I find really funny too, there 49 00:02:48,080 --> 00:02:51,800 Speaker 1: are still to this day people who you know lived 50 00:02:51,840 --> 00:02:56,680 Speaker 1: through that generation that breakout. Well, what camp were you in? 51 00:02:56,960 --> 00:02:59,960 Speaker 1: Were you in the Beatles camp or the Rolling Stones camp? 52 00:03:00,440 --> 00:03:02,560 Speaker 1: It's pretty funny. 53 00:03:02,480 --> 00:03:04,240 Speaker 2: You talk about this with Billy Bob Thornton. Is that 54 00:03:04,280 --> 00:03:06,920 Speaker 2: who you get into the debate with? Or there were 55 00:03:06,919 --> 00:03:09,160 Speaker 2: a couple of different people that you've had that. I 56 00:03:09,280 --> 00:03:12,560 Speaker 2: like hearing that. I like hearing different celebrities perspective that 57 00:03:12,639 --> 00:03:16,239 Speaker 2: are of our age or you're a little bit older. 58 00:03:16,280 --> 00:03:19,320 Speaker 1: So yeah, and nicely, how you dodge that herring. 59 00:03:19,360 --> 00:03:23,000 Speaker 3: That's good. You were and you were men of your age? 60 00:03:23,000 --> 00:03:25,720 Speaker 2: Were either in the Beatles from. 61 00:03:25,560 --> 00:03:29,600 Speaker 3: The Stones camp? I was too young? Are of my 62 00:03:29,720 --> 00:03:30,800 Speaker 3: father's albums? 63 00:03:31,080 --> 00:03:33,079 Speaker 1: Oh? Thank you. That's very kind of. 64 00:03:33,040 --> 00:03:34,400 Speaker 3: You, speaking of the Beatles. 65 00:03:34,480 --> 00:03:38,680 Speaker 2: Nineteen sixty nine, John and Yoko began their second week 66 00:03:38,760 --> 00:03:43,800 Speaker 2: long bed in for Peace in Montreal the Hotel Lorraine 67 00:03:44,360 --> 00:03:49,840 Speaker 2: Elizabeth and promoting world peace among the Vietnam War and 68 00:03:49,920 --> 00:03:53,520 Speaker 2: also during this trip, a few days later, on the 69 00:03:53,560 --> 00:03:59,080 Speaker 2: first of June, they recorded Give Piece a Chance, legendary song. 70 00:03:59,480 --> 00:04:02,120 Speaker 1: Did you see the footage of that? Yeah, it's crazy, 71 00:04:02,160 --> 00:04:02,880 Speaker 1: it's pretty wild. 72 00:04:03,480 --> 00:04:08,120 Speaker 2: Timothy Leary, Tommy Smothers, Dick Gregory, Alan Ginsberg, a whole 73 00:04:08,120 --> 00:04:10,400 Speaker 2: bunch of people were part of that big in that 74 00:04:10,520 --> 00:04:11,360 Speaker 2: bed end party. 75 00:04:11,640 --> 00:04:14,160 Speaker 1: That's right. Yeah, I'm sure if you were a guest 76 00:04:14,200 --> 00:04:18,040 Speaker 1: at the at the hotel staying there, it was pretty wild. 77 00:04:18,160 --> 00:04:18,800 Speaker 1: Imagine that. 78 00:04:19,520 --> 00:04:23,760 Speaker 2: What's that smell coming from that room? Yeah, for multiple reasons. 79 00:04:24,320 --> 00:04:27,440 Speaker 2: Nineteen seventy three, this is a big one. I kind 80 00:04:27,440 --> 00:04:31,600 Speaker 2: of sunk my teeth into this. Carol King performed her 81 00:04:31,720 --> 00:04:36,000 Speaker 2: free concert in Central Park. When I looked at the number, 82 00:04:36,080 --> 00:04:38,200 Speaker 2: originally I saw it, and I was kind of surprised. 83 00:04:38,200 --> 00:04:42,000 Speaker 2: One hundred thousand people came to Central Park. That couple 84 00:04:42,000 --> 00:04:45,680 Speaker 2: of facts. That was the first big free concert in 85 00:04:45,760 --> 00:04:48,360 Speaker 2: Central Park at that time. 86 00:04:48,480 --> 00:04:49,320 Speaker 3: That was the first one. 87 00:04:49,360 --> 00:04:52,479 Speaker 2: We've seen a number of concerts obviously since then, but 88 00:04:52,560 --> 00:04:55,320 Speaker 2: that was the first big free concert that was. 89 00:04:55,440 --> 00:05:00,960 Speaker 1: I have to question that though, because and I brought 90 00:05:01,000 --> 00:05:04,960 Speaker 1: this one up to a previous guest who was part 91 00:05:05,000 --> 00:05:11,479 Speaker 1: of this story, Carlos Santana, and either nineteen sixty nine 92 00:05:11,600 --> 00:05:16,440 Speaker 1: or nineteen seventy, the Jefferson Airplane played a free concert 93 00:05:18,400 --> 00:05:21,919 Speaker 1: in Central Park, maybe not exactly there where Carol King's 94 00:05:21,960 --> 00:05:26,920 Speaker 1: show was in Central Park, and maybe that's part of 95 00:05:25,440 --> 00:05:32,880 Speaker 1: the storyline. Legacy twist but the Airplane played that free concert. 96 00:05:33,120 --> 00:05:37,839 Speaker 1: I was there, and that was when Carlos and the 97 00:05:37,920 --> 00:05:41,839 Speaker 1: band were first sort of they hadn't even put out 98 00:05:41,920 --> 00:05:46,320 Speaker 1: the brand new first album, and the Airplane was kind 99 00:05:46,360 --> 00:05:51,599 Speaker 1: of shepherding them through. Now, I never heard an estimate 100 00:05:52,120 --> 00:05:55,400 Speaker 1: on the crowd side, but it certainly felt like one 101 00:05:55,480 --> 00:05:59,479 Speaker 1: hundred thousand. When I saw that. It was like a 102 00:05:59,520 --> 00:06:01,359 Speaker 1: mini would stuck it. 103 00:06:02,520 --> 00:06:05,800 Speaker 2: A couple of pieces of information that I've I've just 104 00:06:05,920 --> 00:06:12,560 Speaker 2: found breaking news, breaking news, and you know, obviously I 105 00:06:12,600 --> 00:06:15,000 Speaker 2: can't go down the rabbit hole. We're limited on time. 106 00:06:15,120 --> 00:06:20,320 Speaker 2: But anywhere from six to fifty thousand people are the estimates, 107 00:06:20,360 --> 00:06:22,440 Speaker 2: the two or three different estimates. I just searched it. 108 00:06:22,760 --> 00:06:27,680 Speaker 2: But that concert, the airplane, the dead Paul Butterfield, and 109 00:06:27,720 --> 00:06:29,880 Speaker 2: that was on the Central Park, on the mall, not 110 00:06:30,000 --> 00:06:34,760 Speaker 2: on the Great Lawn. So there's where they maybe, yeah, 111 00:06:35,000 --> 00:06:37,919 Speaker 2: Charles concert was on the Great Lawn and one hundred 112 00:06:37,920 --> 00:06:40,920 Speaker 2: thousand people. But that's interesting and good information. 113 00:06:41,320 --> 00:06:44,600 Speaker 1: Certainly I could talk about it firsthand, So here you go. 114 00:06:44,760 --> 00:06:46,440 Speaker 1: There's no reason I should have been there. 115 00:06:47,120 --> 00:06:50,000 Speaker 2: I was only two, so all I can do is 116 00:06:50,040 --> 00:06:51,600 Speaker 2: look on the Google for it. 117 00:06:52,440 --> 00:06:55,600 Speaker 1: There's no reason I should have been there as there's 118 00:06:55,640 --> 00:06:57,640 Speaker 1: no reason that I should have been at the Fillmore 119 00:06:57,720 --> 00:07:01,440 Speaker 1: East two days before to see Jefferson Airplane play. 120 00:07:02,080 --> 00:07:05,240 Speaker 2: Were you a wall from home and school and whatever 121 00:07:05,240 --> 00:07:06,240 Speaker 2: you were doing at that time? 122 00:07:06,640 --> 00:07:10,440 Speaker 1: My brother took me. Oh interesting, apparently quite a loser. 123 00:07:10,520 --> 00:07:14,320 Speaker 1: If he's taking me to shows, that's very funny. No, friends, 124 00:07:14,320 --> 00:07:18,160 Speaker 1: he's going to take his kid brother. Yeah, they recorded 125 00:07:18,200 --> 00:07:20,960 Speaker 1: that concert on video. It took him fifty years to 126 00:07:21,000 --> 00:07:23,440 Speaker 1: release it. It didn't get released until twenty twenty three, 127 00:07:24,240 --> 00:07:27,320 Speaker 1: which is kind of interesting. Yeah, but I love her 128 00:07:27,360 --> 00:07:29,480 Speaker 1: and Tapestry is one of my favorites of all time. 129 00:07:29,520 --> 00:07:32,120 Speaker 2: That was the first album I ever bought. I had 130 00:07:32,160 --> 00:07:34,600 Speaker 2: forgotten about it as I was doing the research for this. 131 00:07:34,680 --> 00:07:37,240 Speaker 2: I went and downloaded the album on iTunes. I'm sure 132 00:07:37,280 --> 00:07:40,560 Speaker 2: she'll make about thirty cents on that when you look 133 00:07:40,600 --> 00:07:46,320 Speaker 2: at the at the track list from that Smackwater Jack, 134 00:07:46,360 --> 00:07:49,960 Speaker 2: Will you Still love me Tomorrow? So far away? It's 135 00:07:50,000 --> 00:07:52,960 Speaker 2: too late? You've got a friend. You make me feel 136 00:07:52,960 --> 00:07:55,000 Speaker 2: like a natural woman all those songs. By the way 137 00:07:55,480 --> 00:07:58,560 Speaker 2: she wrote all those songs, she. 138 00:07:58,600 --> 00:07:59,760 Speaker 3: Had a career before this. 139 00:08:01,000 --> 00:08:03,640 Speaker 2: She wrote you make Me Feel like a natural Woman 140 00:08:03,680 --> 00:08:06,880 Speaker 2: in nineteen sixty seven. It was a collaboration, but Aretha 141 00:08:06,960 --> 00:08:09,360 Speaker 2: made the song famous, but that was Carol's song. 142 00:08:09,600 --> 00:08:09,840 Speaker 3: I know. 143 00:08:11,160 --> 00:08:16,920 Speaker 2: The other weird thing that happened was this James Taylor 144 00:08:16,960 --> 00:08:21,120 Speaker 2: connection with Carol King. So they were both working on 145 00:08:21,280 --> 00:08:25,400 Speaker 2: projects at the same time. And while she was working 146 00:08:25,400 --> 00:08:27,520 Speaker 2: out You've got a friend in the studio, he was 147 00:08:27,560 --> 00:08:30,760 Speaker 2: actually doing some tracks on her album, but was recording 148 00:08:30,800 --> 00:08:34,320 Speaker 2: something in the same location. So what happened was he 149 00:08:34,320 --> 00:08:36,760 Speaker 2: heard that song, he heard her playing it, he said, 150 00:08:36,800 --> 00:08:40,000 Speaker 2: do you mind if I use this as well? So 151 00:08:40,040 --> 00:08:43,640 Speaker 2: the song had the other. They're both working simultaneously, you know, 152 00:08:43,679 --> 00:08:46,680 Speaker 2: on the on the same song, and he's the one 153 00:08:46,679 --> 00:08:49,240 Speaker 2: that won the Grammy and Song of the Year for 154 00:08:49,360 --> 00:08:52,360 Speaker 2: it in seventy two. But they both came you know 155 00:08:52,400 --> 00:08:55,040 Speaker 2: that both both came out at the same time. But 156 00:08:55,400 --> 00:08:56,720 Speaker 2: it's an interesting story. 157 00:08:57,080 --> 00:08:58,240 Speaker 1: Wow, I didn't know that. 158 00:08:59,040 --> 00:09:02,160 Speaker 2: There you go with Carol King legendary and I'm going 159 00:09:02,280 --> 00:09:06,280 Speaker 2: to dig into that album a little bit certainly over 160 00:09:06,280 --> 00:09:10,560 Speaker 2: the coming days. In twenty twenty two, Alan White, who 161 00:09:10,600 --> 00:09:13,920 Speaker 2: was the drummer of Yes had been the drummer of 162 00:09:13,960 --> 00:09:17,199 Speaker 2: Yes since nineteen seventy two, passed away at seventy two. 163 00:09:17,280 --> 00:09:19,640 Speaker 3: Years old and that was a big loss. 164 00:09:19,679 --> 00:09:24,360 Speaker 2: I know you've had John Anderson and Steve Howe from 165 00:09:24,360 --> 00:09:30,760 Speaker 2: that band. Interesting connection with Alan White to another guest 166 00:09:31,040 --> 00:09:36,840 Speaker 2: of Taking a Walk is Bob Rivers, who was connected 167 00:09:36,880 --> 00:09:41,240 Speaker 2: to Alan White. Bob Rivers, the legendary radio personality, heard 168 00:09:41,280 --> 00:09:45,000 Speaker 2: that interview with Buzz check it out. But Bob was 169 00:09:45,080 --> 00:09:49,640 Speaker 2: working on putting together like a concert video from the 170 00:09:49,640 --> 00:09:53,960 Speaker 2: celebration of Alan White's life with Trevor Raven and other 171 00:09:54,040 --> 00:09:54,920 Speaker 2: members of Yes. 172 00:09:55,280 --> 00:09:57,960 Speaker 3: And what Bob has done so far. 173 00:09:58,040 --> 00:10:00,360 Speaker 2: I can tell you this because Bob shared with me 174 00:10:00,400 --> 00:10:02,640 Speaker 2: over the you know, the year and a half prior 175 00:10:02,679 --> 00:10:06,920 Speaker 2: to his passing. So Bob actually went to the length 176 00:10:07,360 --> 00:10:12,240 Speaker 2: of getting folks like Trevor Raven to recut certain pieces, 177 00:10:12,280 --> 00:10:16,920 Speaker 2: certain tracks to remix it. And I sent him the 178 00:10:16,960 --> 00:10:20,959 Speaker 2: Symphonic Yes album to listen to. I said, listen to this, 179 00:10:20,960 --> 00:10:23,439 Speaker 2: this is Yes with a symphony, and then go listen 180 00:10:23,440 --> 00:10:26,840 Speaker 2: to what you did. And Bob Rivers mix of that 181 00:10:26,880 --> 00:10:30,760 Speaker 2: Alan White concert is amazing. Oh wow, one of the 182 00:10:30,800 --> 00:10:33,319 Speaker 2: best concert sound videos I've ever heard. 183 00:10:33,360 --> 00:10:35,480 Speaker 3: So I'm anxious for that to come out. 184 00:10:35,520 --> 00:10:37,680 Speaker 1: But Alan wait to hear it and see it. 185 00:10:38,880 --> 00:10:44,079 Speaker 3: Yeah. May twenty six, twenty twenty two. Alan White passed away. 186 00:10:43,200 --> 00:10:47,080 Speaker 2: In nineteen ninety four. On May twenty seventh, the Eagles 187 00:10:47,120 --> 00:10:51,720 Speaker 2: reunited for the Hell Freezes Over Tour, and they called 188 00:10:51,720 --> 00:10:54,360 Speaker 2: it that because you know, when people would ask Don 189 00:10:54,400 --> 00:10:56,600 Speaker 2: Henley and Glenn Fry when the band was going to 190 00:10:56,600 --> 00:11:00,360 Speaker 2: get back together, you know, fourteen years after the Long 191 00:11:00,440 --> 00:11:05,240 Speaker 2: Run came out, Henley and his typical, friendly, affable fashion 192 00:11:05,320 --> 00:11:08,920 Speaker 2: would say, when Hell Freezes Over. I'm sure you've talked 193 00:11:08,920 --> 00:11:12,640 Speaker 2: to him about the Eagles over the years. I love him. 194 00:11:12,760 --> 00:11:16,840 Speaker 3: Do you find him to be No, he's highly intellectual. 195 00:11:17,160 --> 00:11:19,320 Speaker 1: No, I've never had an issue with him. 196 00:11:19,880 --> 00:11:23,199 Speaker 3: He can be disagreeable with with some He. 197 00:11:23,160 --> 00:11:25,719 Speaker 1: Can do whatever he wants as far as I'm concerned. 198 00:11:25,520 --> 00:11:29,000 Speaker 3: Don Henley, that's right. This was a great album. 199 00:11:29,080 --> 00:11:32,839 Speaker 2: By the way, that version of Hotel California with the 200 00:11:32,880 --> 00:11:37,040 Speaker 2: Spanish guitars at the beginning, I just love they are 201 00:11:37,640 --> 00:11:43,040 Speaker 2: from a production perspective like Steely Dan and like the 202 00:11:43,120 --> 00:11:47,360 Speaker 2: Doobie Brothers, and just their sound is so. 203 00:11:47,240 --> 00:11:49,040 Speaker 3: Important to them when they play live. 204 00:11:49,640 --> 00:11:52,319 Speaker 2: If you watch that History of the Eagles Part one 205 00:11:52,360 --> 00:11:56,160 Speaker 2: and two, you can see them rehearsing their harmonies before 206 00:11:56,200 --> 00:11:58,840 Speaker 2: the show and the lengths that they go to to 207 00:11:58,960 --> 00:12:01,520 Speaker 2: make sure that they're a live performances sound as good 208 00:12:01,559 --> 00:12:02,120 Speaker 2: as they can. 209 00:12:02,840 --> 00:12:03,600 Speaker 3: Love that about them. 210 00:12:03,640 --> 00:12:04,880 Speaker 1: It's meticulous. You're right. 211 00:12:05,280 --> 00:12:10,520 Speaker 2: On May thirtieth, nineteen sixty eight, another Beatles story, Beatles 212 00:12:10,559 --> 00:12:16,120 Speaker 2: began recording The White Album, another album where musically there 213 00:12:16,240 --> 00:12:20,960 Speaker 2: was just such a wide variety of different sounding tracks. 214 00:12:21,000 --> 00:12:23,280 Speaker 2: Think about what was there, you know, Birthday to Helter 215 00:12:23,440 --> 00:12:26,400 Speaker 2: Skelter to. I mean there's a you know, double album 216 00:12:26,400 --> 00:12:27,679 Speaker 2: as a Monster. 217 00:12:27,880 --> 00:12:30,280 Speaker 1: And the just the work that they put into the 218 00:12:30,320 --> 00:12:32,320 Speaker 1: album cover was just incredible too. 219 00:12:33,840 --> 00:12:36,960 Speaker 2: The White the White Album, I think you're using your sarca. 220 00:12:37,480 --> 00:12:39,040 Speaker 2: I had to think about that for a minute. I thought, 221 00:12:39,200 --> 00:12:46,880 Speaker 2: wait a minute, what what? Yeah, okay, anyway, you have 222 00:12:46,920 --> 00:12:48,240 Speaker 2: anything to add on the White album? 223 00:12:48,240 --> 00:12:51,400 Speaker 1: By the way, now I don't. 224 00:12:51,760 --> 00:12:56,600 Speaker 2: Nineteen seventy five, Alice Cooper that Welcome to My Nightmare 225 00:12:56,679 --> 00:12:59,120 Speaker 2: came out his first as a solo artist, and this 226 00:12:59,320 --> 00:13:03,480 Speaker 2: was a gold record and really it cemented him into 227 00:13:03,559 --> 00:13:08,120 Speaker 2: the theatrical rock kind of legacy that he's had. 228 00:13:08,920 --> 00:13:11,240 Speaker 1: And I think I just read that he's working on 229 00:13:11,280 --> 00:13:15,800 Speaker 1: something new or that you know, there's there's something brewing 230 00:13:15,840 --> 00:13:21,400 Speaker 1: with Alice new music wise. I believe I was. 231 00:13:21,400 --> 00:13:24,400 Speaker 3: Never really into I guess I liked the hits. 232 00:13:24,400 --> 00:13:29,079 Speaker 2: I liked Only Women Bleed and Schools Out and you know, 233 00:13:29,200 --> 00:13:32,560 Speaker 2: and the hits. But I always found him fascinating when 234 00:13:32,559 --> 00:13:35,520 Speaker 2: I would hear him being interviewed, because I found him 235 00:13:35,520 --> 00:13:38,240 Speaker 2: to be kind of like Ronnie James Dio, far more 236 00:13:38,280 --> 00:13:43,120 Speaker 2: intellectual than you would think, and thoughtful and just a 237 00:13:43,200 --> 00:13:44,320 Speaker 2: kind of an interesting cat. 238 00:13:44,559 --> 00:13:47,600 Speaker 1: Good guy too, a really good guy you had experience 239 00:13:47,679 --> 00:13:48,920 Speaker 1: with the best. 240 00:13:49,960 --> 00:13:52,920 Speaker 2: Last one for the Week nineteen seventy three, McCartney and 241 00:13:52,920 --> 00:13:56,520 Speaker 2: Wings released Live and Let Die. This was the theme 242 00:13:56,559 --> 00:13:59,280 Speaker 2: for the James Bond movie. It was a top ten 243 00:14:00,200 --> 00:14:02,720 Speaker 2: song in the UK and the US. This is what 244 00:14:02,760 --> 00:14:07,880 Speaker 2: we call a barn burner of a song, right, the 245 00:14:08,000 --> 00:14:11,160 Speaker 2: song just the tempo changes. Think about the beginning, the 246 00:14:11,200 --> 00:14:13,600 Speaker 2: piano at the beginning, and then it. 247 00:14:15,400 --> 00:14:17,240 Speaker 3: Just rocks out. Yeah. 248 00:14:17,640 --> 00:14:19,880 Speaker 1: And I don't think it got the credit that it 249 00:14:20,240 --> 00:14:23,360 Speaker 1: deserved in that moment in time when it was first 250 00:14:23,400 --> 00:14:25,000 Speaker 1: released that I feel like it didn't. 251 00:14:26,160 --> 00:14:29,120 Speaker 3: It's an epic It's an epic song. 252 00:14:29,440 --> 00:14:32,520 Speaker 1: Yeah, it is Live and Let Die. All right, Now, 253 00:14:33,120 --> 00:14:33,520 Speaker 1: there you go. 254 00:14:33,600 --> 00:14:36,720 Speaker 2: So that's it. That's the week in music history. May 255 00:14:36,800 --> 00:14:38,920 Speaker 2: twenty sixth to June first buzz. 256 00:14:39,040 --> 00:14:42,240 Speaker 1: Well, thank you very much, Harry. We really covered a 257 00:14:42,280 --> 00:14:46,080 Speaker 1: lot of ground and I gave you your fair dose 258 00:14:46,120 --> 00:14:51,440 Speaker 1: of distraction on this particular episode. Thanks for listening, Thank you, Harry, 259 00:14:51,560 --> 00:14:55,080 Speaker 1: and please check us out wherever you find your podcasts.