WEBVTT - Jordan Klepper Has Gone from Comedy to Farce

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<v Speaker 1>I'm Alec Baldwin and you were listening to Here's the Thing.

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<v Speaker 1>Jordan Clapper is a Comedy Central staple, having hosted two

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<v Speaker 1>documentary series and the networks earlier late night talk show,

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<v Speaker 1>The Opposition, But you probably know him as this guy.

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<v Speaker 1>This is Jordan Clepper, fingers the pulse. This past summer,

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<v Speaker 1>Trump flag waivers spouted a lot of theories about Hillary

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<v Speaker 1>Clinton's hell. I headed to Trump rallies in the crucial

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<v Speaker 1>swing states of Ohio and Wisconsin to discover what his

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<v Speaker 1>supporters know that the rest of us don't. It could

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<v Speaker 1>be aids. What makes you think she has aids a

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<v Speaker 1>way her husband used to be? So you think Bill

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<v Speaker 1>had aids? So how did Bill Clinton get aids? Probably

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<v Speaker 1>messing out with that Magic Johnson. Jordan Clepper is the

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<v Speaker 1>king of interviewing Trump supporters in their natural environs in

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<v Speaker 1>his role as a Daily show correspondent. He started going

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<v Speaker 1>to Trump rallies in January two thousand sixteen, just as

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<v Speaker 1>the campaign was really taking off. Man on the Street

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<v Speaker 1>interviews are inevitably cherry picked and should be taken with

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<v Speaker 1>a grain of salt. But simply by turning on his

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<v Speaker 1>mike and asking questions. Clapper creates an important document of

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<v Speaker 1>this particular segment of Donald Trump's bace and one of

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<v Speaker 1>the most unbelievable discoveries yet Barack Obama. I had big

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<v Speaker 1>part of nine eleven, which part not being around, always

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<v Speaker 1>on vacation, never in the office. Why do you think

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<v Speaker 1>Barack Obama wasn't in the Oval office on nine eleven?

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<v Speaker 1>That I don't know. I would like to get to

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<v Speaker 1>the bottom of that. Clapper is from one of those

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<v Speaker 1>crucial swing states. He now studies, a middle class kid

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<v Speaker 1>from Kalamazoo, Michigan, and he was a smart one. If

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<v Speaker 1>you don't know him as a star of The Daily Show,

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<v Speaker 1>you may know him as the nine National mock Trial

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<v Speaker 1>champion or the recipient of one of Kalamazoo's most prestigious

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<v Speaker 1>math scholarships. Clippers intelligence, however, did not translate into foresight

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<v Speaker 1>when it came to the coronavirus. Being prepared is something

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<v Speaker 1>that's not my sweet spot. I had a couple cans

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<v Speaker 1>of beans and my wife's podcasting equipment. You and I

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<v Speaker 1>are brothers because my wife has a podcast and my

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<v Speaker 1>wife has They sent her all this honking equipment, and

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<v Speaker 1>what really hurts most of all because she she says,

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<v Speaker 1>she I'm I'm in my wife's office right now using

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<v Speaker 1>her equipment. She has the better equipment, and as a

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<v Speaker 1>result of having better equipment, my wife is actually making

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<v Speaker 1>more money than me for the first time in this

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<v Speaker 1>this year so far, year to date, selling skin cream

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<v Speaker 1>on Instagram and diapers and butt cream but paste. I

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<v Speaker 1>think this quarantine had really highlighted the importance of producers

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<v Speaker 1>everybody else who's trying to do it at their own.

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<v Speaker 1>It's like, you know, I'm a comedian, I'm a performer,

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<v Speaker 1>and then you're like, you don't know what lighting is.

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<v Speaker 1>Have you not been talking to grips? You've been on

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<v Speaker 1>sets for years, and you don't know the importance of

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<v Speaker 1>not putting a light right behind you. It's like, I

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<v Speaker 1>just I need somebody to hold my hand at all times.

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<v Speaker 1>Lauren Michael's had a great line. He said, you know

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<v Speaker 1>that the logo this is years ago. He said, the

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<v Speaker 1>logo for YouTube is broadcast yourself. And Lauren said, you know,

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<v Speaker 1>over time, we've realized a layer of executives and producers

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<v Speaker 1>isn't really a bad thing, isn't to decide who's ready

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<v Speaker 1>to broadcast themselves. Who's really ready to make that step?

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<v Speaker 1>I don't know. But now, you grew up in born

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<v Speaker 1>and raised in Kalamazoo, correct, that's right, yes, Klamazoo, Michigan,

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<v Speaker 1>and nobody in the family was in the arts, musicians, comics, actors,

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<v Speaker 1>not a well my parents know, we were, you know,

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<v Speaker 1>a blue collar family. My dad a brick salesman. My

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<v Speaker 1>mom would stay at home mom, and she also worked

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<v Speaker 1>in the schools. Although we did have the funny strange

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<v Speaker 1>connection is my mom's cousin and my dad's college roommate,

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<v Speaker 1>UH was Tim Allen, and so I would see I

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<v Speaker 1>would see Tim Allen every Thanksgiving or Christmas, and that

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<v Speaker 1>was just as he was a stand up when I

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<v Speaker 1>was like a kid. And then he got Home Improvement

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<v Speaker 1>and so that was the first little UH insight into

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<v Speaker 1>the industry. Getting to watch suddenly uncle Tim be up

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<v Speaker 1>there on television, which was quite the exciting treat when

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<v Speaker 1>you're a ten year old at home and watch somebody

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<v Speaker 1>you know actually on your screen. The um you were,

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<v Speaker 1>I mean, I don't want to say NERD or WONK

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<v Speaker 1>math major, uh, mock trial champion. Oh you were kind

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<v Speaker 1>of you. You were a smart guy. Up to a point,

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<v Speaker 1>making some really good decisions up to a point. Up

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<v Speaker 1>to a point, I was a doing things that mattered

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<v Speaker 1>up to a point. Yeah, there's when when I was

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<v Speaker 1>under the tutelage of my parents, I was studying and

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<v Speaker 1>I was a four point kid. I got a math scholarship.

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<v Speaker 1>I did mock trial. It was funny. I went back

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<v Speaker 1>when I had my wedding after in fifteen years outside

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<v Speaker 1>of the nest, in this entertainment world, doing improv. My

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<v Speaker 1>parents got up to speak in a room full of

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<v Speaker 1>all of my mostly new friends, and they spoke primarily

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<v Speaker 1>about my experience as a national champion mock trial person.

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<v Speaker 1>And the entire room was like, I don't even know

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<v Speaker 1>what that is. You never bring that up, But it's like,

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<v Speaker 1>all right for my parents who experienced this with me,

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<v Speaker 1>that's who I am. I'm a guy who's way into

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<v Speaker 1>the law, who's way into math. To my friends, now,

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<v Speaker 1>I'm the person who likes to pretend to be a

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<v Speaker 1>wind or a tree on stage for no money. So

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<v Speaker 1>so the people I was a beef steak tomato when

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<v Speaker 1>that line he had. But but my path was the

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<v Speaker 1>same where I was going to go to law school

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<v Speaker 1>and someone kind of like just dared me to audition

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<v Speaker 1>for the n y U Acting program, and I got in.

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<v Speaker 1>But there are times I stop and think that I

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<v Speaker 1>could I go the right way in the fork in

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<v Speaker 1>the road, you know, because this business is so non meritorious.

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<v Speaker 1>Although I will say I had a very it was

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<v Speaker 1>a similar path of like when I got into college,

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<v Speaker 1>I did the improv team, and suddodly it was you

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<v Speaker 1>should try this, this is fun. I think what was

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<v Speaker 1>so eye opening for me at the time is what

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<v Speaker 1>I found in the arts and and or improv specifically,

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<v Speaker 1>was like I've never been asked to kind of think

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<v Speaker 1>in that way. It was creative, there was no yes

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<v Speaker 1>or no, there was no right answer, and I was

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<v Speaker 1>suddenly around people who were very curious in different ways.

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<v Speaker 1>I loved the math world, I love the law world.

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<v Speaker 1>I love the academic world. But I was very much

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<v Speaker 1>on a path of like, these are the things you

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<v Speaker 1>do to get these outcomes. And then suddenly you hit improv,

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<v Speaker 1>and you hit the theater types and folks, and you're

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<v Speaker 1>reading plays, you're reading scripts, you're making things up off

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<v Speaker 1>the spot, and suddenly it's like, well, there's no right answer.

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<v Speaker 1>We want to know how you feel that. I think

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<v Speaker 1>I had gone eighteen years where I was like, oh,

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<v Speaker 1>nobody asked me how I felt about this. They just

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<v Speaker 1>asked me like, what was the slope of this this

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<v Speaker 1>line or this angle? And for that was that was

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<v Speaker 1>really kind of a game changer for me. So when

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<v Speaker 1>you when you are in the math world and you're

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<v Speaker 1>going to school, are you devouring comedy and absorbing comedy

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<v Speaker 1>and watching the world of comedy eva of on TV

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<v Speaker 1>and perform Are you going to comedy clubs? Are you

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<v Speaker 1>the funniest guy in the room high school? My bedroom

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<v Speaker 1>is full of Jim Carrey posters. I'm watching SNL every weekend.

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<v Speaker 1>I'm coming home after school and I'm watching General Hospital

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<v Speaker 1>with my mom and then watching Whose Line Is It Anyway? Alone?

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<v Speaker 1>And I get to college, I start playing around and

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<v Speaker 1>because I'm still an academic, I'm like, well, I want

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<v Speaker 1>to know everything about this. And so because we're in Michigan,

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<v Speaker 1>I go to Chicago and I go to Detroit to

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<v Speaker 1>learn about the second city, and I see that live

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<v Speaker 1>and suddenly developed that why why why go to Chicago? No? No, no, meaning,

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<v Speaker 1>did you kind of get a sense when you're going

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<v Speaker 1>to Kalamazoo and you're a math major from day one.

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<v Speaker 1>When you're here, you're going, I don't know, any minute,

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<v Speaker 1>I'm may going to the theater program. You know, I'll

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<v Speaker 1>be crazy orientation a week I walk on it. So

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<v Speaker 1>it's a small college, Kalamazoo College campus of I think

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<v Speaker 1>it's it's four hundred people. So it is this. I

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<v Speaker 1>could be a big fish and a small puddle. And

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<v Speaker 1>there's an improv group. They say, issue for it, see

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<v Speaker 1>if you can be in it, And in my mind,

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<v Speaker 1>I'm like, you know what, I like this? Whose line

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<v Speaker 1>is in anyway thing? I'm kind of a funny guy

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<v Speaker 1>in my math classes. I'm gonna audition for this. And

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<v Speaker 1>I tell myself there's a lot of people auditioning. If

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<v Speaker 1>I get to be in a show in the next

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<v Speaker 1>four years, that's a success. And I do that and

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<v Speaker 1>week two or three they cast me and it's like

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<v Speaker 1>you're in and I'm like, oh, well, this is this

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<v Speaker 1>is more success than I expected. And you get that

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<v Speaker 1>first laugh and I'm like, actually, I like this so

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<v Speaker 1>much more than I thought I would. I know, but

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<v Speaker 1>at that point, I'm like, I got a math major

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<v Speaker 1>and I got a scholarship that paid for me to

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<v Speaker 1>go to college. But I did that again. At this point,

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<v Speaker 1>I did that thinking through what my future would be,

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<v Speaker 1>and I was like, if I can get college paid for,

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<v Speaker 1>I might not be a math teacher or going to

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<v Speaker 1>be an actual real scientist. I'll find something in college

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<v Speaker 1>that I care about. And at that point, I'm like,

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<v Speaker 1>this is the one thing I'm good at. It's the

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<v Speaker 1>one thing I enjoy. I don't know how it's a career,

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<v Speaker 1>and to be quite honest, I don't think I figured

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<v Speaker 1>that out for another decade. But I was still curious

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<v Speaker 1>about these things. And so suddenly six months in it's like,

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<v Speaker 1>you know what, I like this. I'm gonna take an

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<v Speaker 1>acting class. You know, I'll take a I'll take a

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<v Speaker 1>lighting men. Yeah. At mentors. I mean, he's he's the guy.

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<v Speaker 1>He's the head of the theater arts program at Kalamazoo College,

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<v Speaker 1>and he was the guy who sort of shepherd me

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<v Speaker 1>into the world of performance. He's like, you're funny, you're smart,

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<v Speaker 1>but if you want to know about this stuff, there's

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<v Speaker 1>like there's a legacy here. Go to that. Understand that.

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<v Speaker 1>And he's a theater nerd who's gonna talk to you

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<v Speaker 1>your ear off about Sam Shepherd Ibsen. But he had

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<v Speaker 1>Jeffrey Sweets book something wonderful right away, and it's like,

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<v Speaker 1>you gotta go to Chicago. Let me tell you about

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<v Speaker 1>Nichols and May. This is how comedy started in America

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<v Speaker 1>when it comes to sketch and improv. And so I

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<v Speaker 1>jump in and I'm certainly reading Viola Spolan. I'm going

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<v Speaker 1>to Chicago to watch people improvise on Friday nights. I'm

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<v Speaker 1>driving to Chicago and I'm seeing late night shows at

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<v Speaker 1>the Improv Olympic. And he was really the guy who

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<v Speaker 1>walked me through that I put up my first sketch show.

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<v Speaker 1>He introduced me to people in Chicago. I went to Chicago,

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<v Speaker 1>got to meet the people I was reading about. Year

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<v Speaker 1>is the two one is when I moved to Chicago graduated. Uh.

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<v Speaker 1>One of the first shows I see in Chicago, which

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<v Speaker 1>might have been two thousand, I was still in college

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<v Speaker 1>at the time, I see Rachel Dratch on stage. Uh,

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<v Speaker 1>and she's the funniest. I'm saying, that'll do it. You're like,

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<v Speaker 1>what is this? And you're in live theater. People are

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<v Speaker 1>laughing like they're so engaged. It's smart, it's ridiculous, it's

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<v Speaker 1>alive and it's and it's all you tell me if

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<v Speaker 1>you don't agree. The comedy that I liked when I

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<v Speaker 1>was younger, I watched f Troop and the Monsters, and

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<v Speaker 1>I watched The Adams Family and all these cookie shows.

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<v Speaker 1>They were clever, they were wonderful actors, funny, deadly timing

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<v Speaker 1>and so. But there was a bit of warmth to them.

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<v Speaker 1>They weren't snarky like Rachel. There was an innocence to

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<v Speaker 1>them and a sweetness to them. And that's the thing

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<v Speaker 1>that attracted me most to you was it was not nasty. Well,

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<v Speaker 1>that's that's kind of you to say. I think, actually

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<v Speaker 1>you've hit on something that people don't talk a lot

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<v Speaker 1>about with comedy. Often people talk about like the edgy comedians,

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<v Speaker 1>and trust me, I love my Carlin's and I love

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<v Speaker 1>the comedians who can cut to the quick like that.

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<v Speaker 1>But I will say in the improv role that came

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<v Speaker 1>up with your right, there's a warmth because it's an

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<v Speaker 1>art form that's sort of built in collaboration. And one

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<v Speaker 1>of my one of my early coaches was Keegan Michael Key,

0:11:16.040 --> 0:11:20.680
<v Speaker 1>who had moved from Detroit to Chicago. He's this theater nerd,

0:11:20.720 --> 0:11:22.880
<v Speaker 1>who was also the best person I've ever do seen

0:11:23.000 --> 0:11:25.480
<v Speaker 1>do sketch comedy. He was built to do sketch comedy,

0:11:25.800 --> 0:11:27.080
<v Speaker 1>and he was like, I want to work with some

0:11:27.200 --> 0:11:29.160
<v Speaker 1>young students, and I'm like twenty three at the time.

0:11:29.200 --> 0:11:32.719
<v Speaker 1>And so you work with Keegan and he's like the kindest, warmest,

0:11:33.080 --> 0:11:36.120
<v Speaker 1>smartest person you're gonna run into. He's doing this work

0:11:36.160 --> 0:11:39.440
<v Speaker 1>at night. That's just mind blowing. And I think, like,

0:11:39.440 --> 0:11:41.680
<v Speaker 1>like I grew up and watching people like that. I

0:11:41.760 --> 0:11:44.400
<v Speaker 1>loved Python, and you love the Michael Palin's as well,

0:11:44.440 --> 0:11:46.760
<v Speaker 1>who sort of bring like an innocence to it. But

0:11:46.840 --> 0:11:50.280
<v Speaker 1>it's not at the expense of intelligence. Carlin I think

0:11:50.920 --> 0:11:54.640
<v Speaker 1>was edgy and acrid. But everybody he gave it to deserved.

0:11:55.040 --> 0:11:57.240
<v Speaker 1>That's what it is, really, they really did. He's not

0:11:57.280 --> 0:11:58.959
<v Speaker 1>punching down. I think that's you know, that's one of

0:11:59.000 --> 0:12:00.880
<v Speaker 1>the early things. If you're punched it in the right direction,

0:12:00.960 --> 0:12:04.240
<v Speaker 1>take those swings, like whatever your whatever, whatever your tactics are,

0:12:04.480 --> 0:12:06.640
<v Speaker 1>use them, but but but swing in the right direction.

0:12:06.920 --> 0:12:10.480
<v Speaker 1>Now when when you are when you're there, and mentor

0:12:10.960 --> 0:12:14.800
<v Speaker 1>says you should try improv I mean obviously, when someone

0:12:14.880 --> 0:12:18.040
<v Speaker 1>has a lot of academic promise and you come from

0:12:18.040 --> 0:12:21.840
<v Speaker 1>a middle class family, how did your parents feel when

0:12:21.960 --> 0:12:28.080
<v Speaker 1>the scholarship mathlete decides I'm gonna go live in poverty.

0:12:28.160 --> 0:12:30.760
<v Speaker 1>You know, I'm I am, I am fortunate beyond belief.

0:12:30.840 --> 0:12:33.400
<v Speaker 1>I think they were, they were, they weren't continued to

0:12:33.440 --> 0:12:36.840
<v Speaker 1>be my my biggest fans. Like I'm doing basement improv

0:12:36.920 --> 0:12:40.760
<v Speaker 1>shows at nineteen and I'm and they're coming, they're they're

0:12:40.840 --> 0:12:43.959
<v Speaker 1>like the parents who are there amongst amongst a bunch

0:12:44.000 --> 0:12:47.800
<v Speaker 1>of drunk college students at a terrible performance. And I

0:12:47.840 --> 0:12:50.800
<v Speaker 1>think they the one thing my family, which you know,

0:12:50.840 --> 0:12:52.679
<v Speaker 1>as I embark on a family of my own, I

0:12:53.920 --> 0:12:56.079
<v Speaker 1>respect most and got most out of it. My family

0:12:56.120 --> 0:12:59.120
<v Speaker 1>always showed up, my grandparents and we were lucky, we

0:12:59.120 --> 0:13:01.080
<v Speaker 1>were small town count zoo. But if I had a

0:13:01.080 --> 0:13:03.960
<v Speaker 1>basketball game, my family was there. My Grandpa would show up,

0:13:03.960 --> 0:13:06.760
<v Speaker 1>my Grandma would show up, and like they always were there.

0:13:06.840 --> 0:13:10.400
<v Speaker 1>And so when they got to watch me find love

0:13:10.440 --> 0:13:12.800
<v Speaker 1>in this thing, be terrible in this thing, and when

0:13:13.200 --> 0:13:15.439
<v Speaker 1>graduation came, I'm like, I don't exactly know what I

0:13:15.440 --> 0:13:17.440
<v Speaker 1>want to do with my life, but I like, I'm

0:13:17.760 --> 0:13:20.680
<v Speaker 1>I'm interested in this world. The math thing it got

0:13:20.720 --> 0:13:23.240
<v Speaker 1>me through. Now I have no debt. But the theater

0:13:23.320 --> 0:13:26.160
<v Speaker 1>thing I'm curious about. I love Chicago. I was gonna

0:13:26.200 --> 0:13:28.480
<v Speaker 1>give it a year. Did you say the same thing,

0:13:28.559 --> 0:13:31.280
<v Speaker 1>Did you say, I'm gonna a dabble in this. I

0:13:31.280 --> 0:13:33.560
<v Speaker 1>I was bad with deadlines, but I was definitely not

0:13:33.600 --> 0:13:36.439
<v Speaker 1>a dabbler. I think, like still the mindset of a mathematician,

0:13:37.280 --> 0:13:41.120
<v Speaker 1>like junior year, it starts to uh dawn on me.

0:13:41.200 --> 0:13:43.280
<v Speaker 1>It's like, I like Chicago. I think I want to

0:13:43.280 --> 0:13:46.000
<v Speaker 1>give this thing a go. How do I make that work?

0:13:46.440 --> 0:13:48.280
<v Speaker 1>I wish I had the ego to be like, I'm

0:13:48.280 --> 0:13:50.320
<v Speaker 1>gonna kill this thing. I'm gonna walk out and do it.

0:13:50.360 --> 0:13:52.040
<v Speaker 1>But I'm like, I need I need a game plan.

0:13:52.120 --> 0:13:55.240
<v Speaker 1>I need to make money. And so I'm junior year.

0:13:55.280 --> 0:13:57.640
<v Speaker 1>I'm like, I'm not thinking about getting that acting job.

0:13:57.720 --> 0:14:00.280
<v Speaker 1>I'm thinking about getting that service job that help me

0:14:00.320 --> 0:14:02.439
<v Speaker 1>support trying to get that acting job. So I got

0:14:02.440 --> 0:14:05.760
<v Speaker 1>a catering job by jar so it was I was like,

0:14:05.840 --> 0:14:07.760
<v Speaker 1>I was like, I got a catering job, so I

0:14:07.800 --> 0:14:11.840
<v Speaker 1>have references to get a job in Chicago waiting tables, which,

0:14:11.880 --> 0:14:15.040
<v Speaker 1>of course then I never worked waiting tables, but I

0:14:15.080 --> 0:14:17.920
<v Speaker 1>had all the good at like there's not enough caviar

0:14:18.000 --> 0:14:21.080
<v Speaker 1>on top of this. It's a little light of the kids,

0:14:21.120 --> 0:14:22.280
<v Speaker 1>a little bit of I know what you guys are

0:14:22.320 --> 0:14:24.680
<v Speaker 1>doing back there. I respect it. For God's sakes. Give

0:14:24.720 --> 0:14:29.400
<v Speaker 1>me the caviar. We need that. So you're in Chicago.

0:14:29.960 --> 0:14:33.200
<v Speaker 1>How long I'm in Chicago almost ten years? I jumped

0:14:33.560 --> 0:14:36.400
<v Speaker 1>and I burned out. Why why? I mean, I think

0:14:36.480 --> 0:14:39.320
<v Speaker 1>i'd like to say, you know, I always was moving

0:14:39.320 --> 0:14:42.360
<v Speaker 1>to that next thing. I think you get comfortable, like, well,

0:14:42.360 --> 0:14:45.920
<v Speaker 1>here's one thing. It's a great town, and I think

0:14:46.000 --> 0:14:48.160
<v Speaker 1>you know the entertainment industry, there is no path, but

0:14:48.200 --> 0:14:50.360
<v Speaker 1>in the improv world there's the illusion of a path.

0:14:50.800 --> 0:14:53.280
<v Speaker 1>You can start taking classes and then you move up

0:14:53.720 --> 0:14:56.040
<v Speaker 1>a ladder at second City, you get on the touring company,

0:14:56.080 --> 0:14:57.600
<v Speaker 1>and then hopefully you get on one of the stages,

0:14:57.640 --> 0:14:59.280
<v Speaker 1>and then you get on SNL. And there was like

0:14:59.760 --> 0:15:02.160
<v Speaker 1>there the path when you go to Chicago for success.

0:15:02.680 --> 0:15:05.360
<v Speaker 1>That is beneficial for people who don't know how to

0:15:05.440 --> 0:15:08.760
<v Speaker 1>make connections, but it becomes detrimental once you're there too long.

0:15:08.880 --> 0:15:10.840
<v Speaker 1>And so I sort of I got what I could

0:15:10.840 --> 0:15:13.240
<v Speaker 1>get out of it. For five six years, I got better,

0:15:13.280 --> 0:15:15.520
<v Speaker 1>I got connections I got close to getting breaks, and

0:15:15.560 --> 0:15:18.480
<v Speaker 1>then I got a little complacent, and then and then

0:15:19.000 --> 0:15:21.240
<v Speaker 1>I book a thing here, I get a pilot, I

0:15:21.240 --> 0:15:22.760
<v Speaker 1>get a couple of little things. I'm like, funk out,

0:15:22.760 --> 0:15:25.000
<v Speaker 1>I'm gonna go to New York. Also New York Er

0:15:25.120 --> 0:15:27.640
<v Speaker 1>l A. New York was always romantic to me. And

0:15:27.960 --> 0:15:29.840
<v Speaker 1>uh and also I have the ship on my shoulder

0:15:29.840 --> 0:15:31.760
<v Speaker 1>now of Chicago because I didn't get everything I wanted,

0:15:32.120 --> 0:15:34.120
<v Speaker 1>so funck it, Let's go to go to New York.

0:15:34.160 --> 0:15:36.600
<v Speaker 1>But this point, I'm in my thirties or I am.

0:15:36.840 --> 0:15:39.760
<v Speaker 1>I'm thirty, I think, and and now trying to kind

0:15:39.760 --> 0:15:44.560
<v Speaker 1>of restart. I had. I met her touring at Second City.

0:15:44.800 --> 0:15:47.360
<v Speaker 1>She's a masochist, so she knew what she knew exactly

0:15:47.360 --> 0:15:49.400
<v Speaker 1>what she was getting into. The guy with the math

0:15:49.480 --> 0:15:52.720
<v Speaker 1>scholarship who wanted to become a comedian. She's the patron

0:15:52.760 --> 0:15:54.640
<v Speaker 1>state of Lost cause, yeah, that's right. I mean, she's

0:15:55.760 --> 0:15:57.400
<v Speaker 1>she knew it from the beginning. At that point, she

0:15:57.440 --> 0:15:59.800
<v Speaker 1>had dated somebody who was a clown. She had dated

0:15:59.800 --> 0:16:01.880
<v Speaker 1>some but like she's she's been in the art world.

0:16:01.920 --> 0:16:03.960
<v Speaker 1>She's like, you know, at least this guy she dated,

0:16:03.960 --> 0:16:06.480
<v Speaker 1>the Joker, dated the Joker this guy could be our

0:16:06.520 --> 0:16:10.160
<v Speaker 1>accountant and it could at least trace our economic downfall.

0:16:10.240 --> 0:16:11.800
<v Speaker 1>You can bounce a check, but which is easy because

0:16:11.800 --> 0:16:14.840
<v Speaker 1>it's not much in the bank. To time minutes, I

0:16:14.840 --> 0:16:16.280
<v Speaker 1>can tell you what we don't have. You met her

0:16:16.360 --> 0:16:19.520
<v Speaker 1>where I met her? At Second City? Essentially one of

0:16:19.520 --> 0:16:24.720
<v Speaker 1>my side hustles was teaching, uh, underprivileged schools in Chicagoland area,

0:16:25.160 --> 0:16:27.920
<v Speaker 1>improv after school, and she was doing the same thing,

0:16:28.080 --> 0:16:30.720
<v Speaker 1>and so we suddenly meet there. We get put on

0:16:30.720 --> 0:16:33.240
<v Speaker 1>a touring company for a Second City and get launched

0:16:33.240 --> 0:16:36.120
<v Speaker 1>into a van across America. And you spent two years

0:16:36.120 --> 0:16:38.680
<v Speaker 1>in a van with somebody, Uh, you kind of start

0:16:38.760 --> 0:16:43.920
<v Speaker 1>to develop a relationship. Let you went two years in

0:16:43.960 --> 0:16:46.280
<v Speaker 1>a van with her, I mean, you're your home here

0:16:46.320 --> 0:16:48.760
<v Speaker 1>and there, but it's yeah, you're you're you're I mean

0:16:48.800 --> 0:16:52.040
<v Speaker 1>at the time, it's a ton of van, but you're

0:16:52.040 --> 0:16:54.680
<v Speaker 1>getting paid seventy five dollars a show, so it is

0:16:54.720 --> 0:16:57.920
<v Speaker 1>worth it. You come home after like eight nine shows

0:16:57.920 --> 0:17:00.680
<v Speaker 1>in a month, you pay your rent and then where's

0:17:00.720 --> 0:17:06.840
<v Speaker 1>Laura from? Where Laura's from Downers Grove outside Chicago, Downers Grove.

0:17:07.000 --> 0:17:09.080
<v Speaker 1>That sounds like a Jimmy Stewart movie. I gotta tell

0:17:09.119 --> 0:17:11.280
<v Speaker 1>you if the image you have in your head of

0:17:11.320 --> 0:17:17.439
<v Speaker 1>Downers Grove fits covered bridges, Edmund Gwen with a beard

0:17:17.480 --> 0:17:20.040
<v Speaker 1>winging a ball out in front of Kresky's. They have

0:17:20.160 --> 0:17:23.119
<v Speaker 1>like a claim to fame for the largest flagpole. But

0:17:23.200 --> 0:17:25.520
<v Speaker 1>I looked it up and it's not height, it's width.

0:17:26.480 --> 0:17:30.120
<v Speaker 1>And that's where did she go? She goes to Northwestern

0:17:30.240 --> 0:17:32.560
<v Speaker 1>and she kind of she thinks she's gonna be a poet,

0:17:32.600 --> 0:17:36.320
<v Speaker 1>and she's going into writing programs and then suddenly finds herself,

0:17:36.640 --> 0:17:40.120
<v Speaker 1>uh loving acting. Northwestern is a grade school, finding improv

0:17:40.200 --> 0:17:44.119
<v Speaker 1>finding second city. She we laugh. Megan Marco was in

0:17:44.160 --> 0:17:46.480
<v Speaker 1>one of her classes, which is you know, you kind

0:17:46.480 --> 0:17:48.440
<v Speaker 1>of they deal with jealousy in this world, but when

0:17:48.480 --> 0:17:51.880
<v Speaker 1>you're literal classmate becomes a princess and a movie star,

0:17:52.119 --> 0:17:55.159
<v Speaker 1>you get pretty jealous and Jaden, So Laura's always dealing

0:17:55.240 --> 0:17:57.920
<v Speaker 1>with that. And she finds Chicago kind of the same

0:17:57.920 --> 0:18:00.600
<v Speaker 1>way I did, but from the suburbs, and she's a

0:18:00.800 --> 0:18:03.000
<v Speaker 1>she's a better performer, a little bit more artistic. She

0:18:03.080 --> 0:18:05.840
<v Speaker 1>was doing stuff with other theater companies, a more uh

0:18:06.000 --> 0:18:09.560
<v Speaker 1>straight theater in town. Uh. But we get kind of

0:18:09.560 --> 0:18:12.800
<v Speaker 1>put on this team together and and sort of find

0:18:12.840 --> 0:18:15.080
<v Speaker 1>that we both like the same stuff, we like each other,

0:18:15.200 --> 0:18:17.680
<v Speaker 1>and then we decide buck, let's let's quit this team

0:18:17.680 --> 0:18:19.679
<v Speaker 1>and let's move to New York. And we did it

0:18:20.200 --> 0:18:22.679
<v Speaker 1>about two years after we quit. That. I don't want

0:18:22.720 --> 0:18:24.680
<v Speaker 1>to get to but I think it's interesting how you

0:18:24.760 --> 0:18:27.400
<v Speaker 1>have that if things had played out differently, you said

0:18:27.400 --> 0:18:29.920
<v Speaker 1>that she went to Northwestern and studied poetry or literature.

0:18:30.040 --> 0:18:32.680
<v Speaker 1>What is your degree in poetry? Poetry and creative writing?

0:18:32.840 --> 0:18:34.640
<v Speaker 1>So if you had played your cards differently, you could

0:18:34.640 --> 0:18:38.000
<v Speaker 1>be teaching math at the Kuran Instituted Inn by U.

0:18:38.200 --> 0:18:40.280
<v Speaker 1>Your wife could be an editor at the New Yorker.

0:18:40.359 --> 0:18:41.720
<v Speaker 1>But instead the two of you were in a band

0:18:41.800 --> 0:18:44.960
<v Speaker 1>for two years driving around. Yeah again, you know, emotional

0:18:45.040 --> 0:18:47.520
<v Speaker 1>choices were made. If I had stuck to the mathematical brain,

0:18:47.520 --> 0:18:49.360
<v Speaker 1>and I would be so much more successful right now

0:18:49.400 --> 0:18:52.560
<v Speaker 1>and not stuck in my apartment having not thought through

0:18:52.720 --> 0:18:58.120
<v Speaker 1>what happens when true So when you come to New York,

0:18:58.160 --> 0:19:00.920
<v Speaker 1>you're in Chicago for ten years, you go to New York. Now,

0:19:01.000 --> 0:19:03.640
<v Speaker 1>the overwhelming number of people that I have worked with,

0:19:03.680 --> 0:19:06.800
<v Speaker 1>whether it's Dirty Rock or esn NO like right now,

0:19:06.920 --> 0:19:09.800
<v Speaker 1>the SnO cast is remote for the shows from l A,

0:19:10.000 --> 0:19:12.560
<v Speaker 1>many of them, it's more like live from my bedroom

0:19:12.600 --> 0:19:15.160
<v Speaker 1>in l A. The comedy world is in l A.

0:19:15.800 --> 0:19:18.199
<v Speaker 1>You don't go to l A. Why I don't like

0:19:18.359 --> 0:19:21.440
<v Speaker 1>l A. I've grown to be okay with it. But

0:19:21.760 --> 0:19:24.879
<v Speaker 1>I think l A's and one industry town, which is

0:19:24.880 --> 0:19:26.240
<v Speaker 1>good if you want to get in an industry, and

0:19:26.240 --> 0:19:28.080
<v Speaker 1>I think there's more opportunities there. I think New York

0:19:28.080 --> 0:19:30.760
<v Speaker 1>has always been held this romantic appeal to me. You're

0:19:30.800 --> 0:19:32.760
<v Speaker 1>You're never the most interesting person in the room, and

0:19:32.800 --> 0:19:35.199
<v Speaker 1>I think most of my time in New York has

0:19:35.440 --> 0:19:39.240
<v Speaker 1>has been failing and finding camaraderie with other people who

0:19:39.280 --> 0:19:42.240
<v Speaker 1>are failing along with you. And I think that shared

0:19:42.280 --> 0:19:45.840
<v Speaker 1>suffering brings a connection to New York, a richness to

0:19:45.880 --> 0:19:48.000
<v Speaker 1>New York. Uh that, don't get me wrong. I think

0:19:48.040 --> 0:19:50.600
<v Speaker 1>I we're consistently talking about l A for those opportunities.

0:19:50.640 --> 0:19:53.639
<v Speaker 1>But I think I've always I've always loved the people

0:19:53.680 --> 0:19:56.200
<v Speaker 1>I run into here, and so when we launched into

0:19:56.280 --> 0:19:59.000
<v Speaker 1>moving to New York, we stumbled on the UCB folks.

0:19:59.080 --> 0:20:01.560
<v Speaker 1>We stumbled on people who are like, if you come

0:20:01.600 --> 0:20:04.240
<v Speaker 1>to New York, you're gonna be hustling from day one,

0:20:04.280 --> 0:20:07.760
<v Speaker 1>because it's too expensive, you're leaving something behind and you've

0:20:07.760 --> 0:20:09.720
<v Speaker 1>got skin in the game. And so immediately we made

0:20:09.760 --> 0:20:12.320
<v Speaker 1>our best friends here. We made people who are creative

0:20:12.320 --> 0:20:15.120
<v Speaker 1>in different worlds, were animators, who are actors, who are writers,

0:20:15.320 --> 0:20:18.960
<v Speaker 1>who are chefs, and suddenly, like get populated with this

0:20:18.960 --> 0:20:22.040
<v Speaker 1>this rich, full life. Even if we weren't finding success

0:20:22.440 --> 0:20:24.800
<v Speaker 1>career wise, I feel like our life filled out really

0:20:24.880 --> 0:20:27.160
<v Speaker 1>quickly and beautifully here. And so every time I think

0:20:27.160 --> 0:20:29.879
<v Speaker 1>of l A and we still do, it's it's a

0:20:29.920 --> 0:20:33.560
<v Speaker 1>career decision, but the life decision continues to pull us

0:20:33.600 --> 0:20:36.240
<v Speaker 1>back towards New York, because to me, it's you have kids,

0:20:36.280 --> 0:20:39.560
<v Speaker 1>we have one on the way, and uh, if one

0:20:39.600 --> 0:20:44.120
<v Speaker 1>on the way, we have we have one. Uh even

0:20:44.160 --> 0:20:45.880
<v Speaker 1>we you've been with her, how long now you've been

0:20:45.960 --> 0:20:48.720
<v Speaker 1>We've been now a little over a decade. And only

0:20:48.800 --> 0:20:51.400
<v Speaker 1>now did you decide to get they got I think

0:20:51.440 --> 0:20:54.280
<v Speaker 1>we got engaged three years after dating, held on to

0:20:54.480 --> 0:20:57.199
<v Speaker 1>engagement for another three years. We put that off, and

0:20:57.240 --> 0:20:59.200
<v Speaker 1>when the virus came and shut down the whole business,

0:20:59.240 --> 0:21:01.440
<v Speaker 1>that's when you turned your said let's have it's time

0:21:01.480 --> 0:21:04.480
<v Speaker 1>to double down on humanity. I really think what this

0:21:04.520 --> 0:21:07.640
<v Speaker 1>world needs is more people. This it's going great. Let's

0:21:10.840 --> 0:21:12.920
<v Speaker 1>I know, it's it's a really weird we've with all

0:21:12.960 --> 0:21:15.880
<v Speaker 1>of this. It's been so strange to both consider what's

0:21:15.880 --> 0:21:18.480
<v Speaker 1>happening in the future outside of these four walls. The

0:21:18.520 --> 0:21:20.720
<v Speaker 1>exact moment when it was okay for us to tell

0:21:20.760 --> 0:21:23.239
<v Speaker 1>people that we were pregnant correlated with the stay at

0:21:23.280 --> 0:21:25.880
<v Speaker 1>home orders, and so now this child has been brought

0:21:25.920 --> 0:21:29.399
<v Speaker 1>into a world where every time we announced that he's coming,

0:21:29.840 --> 0:21:32.800
<v Speaker 1>it's met with like, that's great. Also, are you okay?

0:21:32.960 --> 0:21:35.320
<v Speaker 1>There's already this anxiety and that's been attached to this

0:21:35.359 --> 0:21:41.200
<v Speaker 1>little child in the womb. Daily Show correspondent and comedian

0:21:41.440 --> 0:21:44.600
<v Speaker 1>Jordan Clepper. We'll talk Trump in the second half of

0:21:44.600 --> 0:21:47.760
<v Speaker 1>the show, And like many funny men, Clepper is a

0:21:47.800 --> 0:21:51.320
<v Speaker 1>deep thinker about the state of American politics. A few

0:21:51.400 --> 0:21:55.080
<v Speaker 1>years ago, I spoke to the novelist and political observer

0:21:55.200 --> 0:21:58.960
<v Speaker 1>Steve Erickson about how we got to our current woeful

0:21:59.080 --> 0:22:03.520
<v Speaker 1>political state. His answer was especially poignant in light of

0:22:03.560 --> 0:22:08.320
<v Speaker 1>the recent unrest. It's a lack of acknowledgement that keeps

0:22:08.400 --> 0:22:12.879
<v Speaker 1>us from fulfilling the American idea. Whether they're trying to

0:22:13.000 --> 0:22:18.120
<v Speaker 1>rationalize the meaninglessness of Vietnam, or two and fifty years

0:22:18.160 --> 0:22:24.720
<v Speaker 1>of slavery. It maybe in the American DNA too, always

0:22:24.760 --> 0:22:28.520
<v Speaker 1>think that everything is year zero. It might be in

0:22:28.520 --> 0:22:32.720
<v Speaker 1>the American DNA to have cut ourselves aloose from history

0:22:33.240 --> 0:22:36.359
<v Speaker 1>and therefore not ever have to answer for it or

0:22:36.480 --> 0:22:40.040
<v Speaker 1>to it. Trump is not something that happened to America.

0:22:40.400 --> 0:22:44.480
<v Speaker 1>America happened to America, and Trump is the result of that.

0:22:45.720 --> 0:22:48.760
<v Speaker 1>For a link to my full conversation with Steve Erickson

0:22:49.160 --> 0:22:53.520
<v Speaker 1>and his new novel text ericson to seven zero zero one.

0:22:53.920 --> 0:22:57.240
<v Speaker 1>That's E R I c K s O N to

0:22:57.480 --> 0:23:12.479
<v Speaker 1>seven zero one zero one. I'm Ali Baldwin, and this

0:23:12.560 --> 0:23:16.520
<v Speaker 1>is here's the thing. A van and a dream brought

0:23:16.640 --> 0:23:19.879
<v Speaker 1>Jordan Clepper to New York in two thousand eleven. His

0:23:20.040 --> 0:23:23.880
<v Speaker 1>relationship with the network that would make him famous started immediately,

0:23:24.440 --> 0:23:27.880
<v Speaker 1>but not well within a year or two. I sell

0:23:27.880 --> 0:23:29.880
<v Speaker 1>a pilot with Comedy Central, and I get to make

0:23:29.920 --> 0:23:32.480
<v Speaker 1>a pilot, and then I get to have my heartbroken

0:23:32.520 --> 0:23:35.360
<v Speaker 1>when they don't pick up that pilot, and I get

0:23:35.400 --> 0:23:37.320
<v Speaker 1>to hope another one is just around the corner, and

0:23:37.359 --> 0:23:39.439
<v Speaker 1>get close and close, and then it doesn't happen. So

0:23:39.520 --> 0:23:42.480
<v Speaker 1>it's you know, I'm having little work here and there,

0:23:42.520 --> 0:23:45.920
<v Speaker 1>but it's it's probably six years into New York until

0:23:46.000 --> 0:23:50.080
<v Speaker 1>the the big Daily Show break happens. Uh. And two

0:23:50.200 --> 0:23:53.080
<v Speaker 1>years before that, I'm working pretty regularly writing on a

0:23:53.119 --> 0:23:56.680
<v Speaker 1>bunch of jobs, weird MTV two shows, reality shows, whatever

0:23:56.840 --> 0:23:59.520
<v Speaker 1>kind of I can get. But it doesn't happen until

0:23:59.560 --> 0:24:02.400
<v Speaker 1>about six years in when the Daily Show finally it's like, oh,

0:24:02.560 --> 0:24:06.080
<v Speaker 1>here's here's a legitimate opportunity. And I guess essentially the

0:24:06.080 --> 0:24:08.120
<v Speaker 1>big break you were there for. I think, if I

0:24:08.119 --> 0:24:09.879
<v Speaker 1>if I read the calendar the right way, you were

0:24:09.920 --> 0:24:12.480
<v Speaker 1>there for about a year when John was still about

0:24:12.480 --> 0:24:14.719
<v Speaker 1>a year year and a half with John, so I

0:24:15.080 --> 0:24:17.639
<v Speaker 1>jumped in when John Oliver left to go to do

0:24:17.680 --> 0:24:20.280
<v Speaker 1>the HBO show, and then about a year and then

0:24:20.359 --> 0:24:22.040
<v Speaker 1>John announced he was leaving and we had I think

0:24:22.080 --> 0:24:24.919
<v Speaker 1>like six months more until Trevor came in. So I

0:24:25.000 --> 0:24:27.399
<v Speaker 1>basically got a year and a half with John, a

0:24:27.480 --> 0:24:30.440
<v Speaker 1>year and a half with Trevor, uh, which was wild.

0:24:30.480 --> 0:24:31.800
<v Speaker 1>I mean it was it was a day. I love

0:24:31.840 --> 0:24:33.280
<v Speaker 1>the Daily Show. That was definitely a show that I

0:24:33.320 --> 0:24:36.919
<v Speaker 1>was growing up watching and watching people watching the Coldbets,

0:24:36.960 --> 0:24:39.160
<v Speaker 1>the Corral, the dead back at all is everybody spin

0:24:39.240 --> 0:24:41.359
<v Speaker 1>off from it? You were there how long when Trevor

0:24:41.440 --> 0:24:44.520
<v Speaker 1>was off for about a year and a half, and

0:24:44.560 --> 0:24:46.800
<v Speaker 1>then you know, I uh, and then I went off

0:24:46.840 --> 0:24:49.960
<v Speaker 1>and did the eleven thirties show afterwards, and Trevor was

0:24:50.000 --> 0:24:52.600
<v Speaker 1>really helpful and he was an EP on that as well,

0:24:52.960 --> 0:24:56.000
<v Speaker 1>and stayed close. And now and now I've you know,

0:24:56.119 --> 0:24:59.120
<v Speaker 1>I still do pieces here and there with Daily Show,

0:24:59.160 --> 0:25:01.560
<v Speaker 1>but as far as like uh, day in and day out,

0:25:01.600 --> 0:25:03.880
<v Speaker 1>I almost split almost exactly a year and a half

0:25:04.000 --> 0:25:06.320
<v Speaker 1>with John year and a half with Trevor, which was

0:25:06.520 --> 0:25:09.000
<v Speaker 1>which was really like such a mind shift because you

0:25:09.080 --> 0:25:11.560
<v Speaker 1>come into John and John was tell me, what would

0:25:11.560 --> 0:25:15.600
<v Speaker 1>tell me about the difference. I walk into John Stewart,

0:25:15.720 --> 0:25:18.320
<v Speaker 1>you know, Uh, a guy I've been watching on television

0:25:18.359 --> 0:25:21.280
<v Speaker 1>for years, somebody who's one of the smartest political minds

0:25:21.280 --> 0:25:23.000
<v Speaker 1>out there, and I'd just to be able to like

0:25:23.520 --> 0:25:27.120
<v Speaker 1>to audition in front of him, you know, took uh,

0:25:27.200 --> 0:25:29.720
<v Speaker 1>some steely reserve and some bullshit confidence that I had

0:25:29.720 --> 0:25:32.719
<v Speaker 1>to muster, and then to walk in day one. I mean,

0:25:32.760 --> 0:25:34.879
<v Speaker 1>I remember my first day. It happened so quick, and

0:25:34.880 --> 0:25:37.359
<v Speaker 1>they kind of hire you because you can jump into

0:25:37.359 --> 0:25:40.159
<v Speaker 1>the fire and day one I walk in. I had

0:25:40.200 --> 0:25:45.440
<v Speaker 1>auditioned three days before Crimea had been invaded, and they're

0:25:45.440 --> 0:25:47.480
<v Speaker 1>talking about it in the morning meeting and they're like, Jordan,

0:25:47.520 --> 0:25:50.280
<v Speaker 1>you're gonna do a chat on this, come to John's office.

0:25:50.320 --> 0:25:52.439
<v Speaker 1>And suddenly I'm brought it to John Stewart's office my

0:25:52.480 --> 0:25:54.800
<v Speaker 1>first day. I'm twenty five minutes into the day and

0:25:54.880 --> 0:25:57.320
<v Speaker 1>John's not only talking about what happened in Crimea, He's

0:25:57.320 --> 0:25:59.639
<v Speaker 1>talking about two op eds he's already read this morning.

0:26:00.040 --> 0:26:02.840
<v Speaker 1>I fucking don't know where Crimea is, but I have to.

0:26:03.680 --> 0:26:06.199
<v Speaker 1>I have to brainstorm with John fun ideas for the

0:26:06.200 --> 0:26:08.159
<v Speaker 1>show that night, and you're just in it. But I

0:26:08.200 --> 0:26:10.240
<v Speaker 1>think like that show. He's like, I only hire people

0:26:10.280 --> 0:26:12.520
<v Speaker 1>that I trust who can make this thing happen. And

0:26:12.560 --> 0:26:15.639
<v Speaker 1>so I learned so much from him. He was clearly

0:26:15.760 --> 0:26:18.640
<v Speaker 1>such a mentor, and he was so I think one

0:26:18.640 --> 0:26:21.920
<v Speaker 1>of the virtues he had that always resonates beyond kindness

0:26:21.920 --> 0:26:25.240
<v Speaker 1>and intelligence is decisiveness. Like he knew what he wanted,

0:26:25.359 --> 0:26:27.199
<v Speaker 1>he knew how to get to it. You'd film a

0:26:27.240 --> 0:26:28.920
<v Speaker 1>piece that need to kind of a minute and a

0:26:28.960 --> 0:26:30.960
<v Speaker 1>half so that I could go to air that night

0:26:31.200 --> 0:26:33.840
<v Speaker 1>and he'd make those decisions while the live audience is there,

0:26:34.280 --> 0:26:35.919
<v Speaker 1>um and under a minute he'd be like, we kind

0:26:35.960 --> 0:26:37.359
<v Speaker 1>of here, we cut here and make sure you edit

0:26:37.400 --> 0:26:38.760
<v Speaker 1>from this point. He just knew what he wanted, and

0:26:38.760 --> 0:26:40.760
<v Speaker 1>I think that was something as I got to move.

0:26:40.840 --> 0:26:43.720
<v Speaker 1>It's very much like Lauren I I would imagine. So

0:26:44.440 --> 0:26:47.399
<v Speaker 1>Lauren's genius was too to be on the deck of

0:26:47.440 --> 0:26:50.480
<v Speaker 1>the carrier. There the water is coming up of the deck,

0:26:50.640 --> 0:26:53.520
<v Speaker 1>you know what I mean. It's just really pretty tumultuous

0:26:53.600 --> 0:26:56.119
<v Speaker 1>to put the thing together and deciding, you know, what

0:26:56.320 --> 0:26:58.199
<v Speaker 1>is the show in terms of the flow of the

0:26:58.200 --> 0:27:02.080
<v Speaker 1>show and what works now. Leno Leno of course would

0:27:02.119 --> 0:27:04.639
<v Speaker 1>interview people on the street. And as I think I

0:27:04.680 --> 0:27:07.080
<v Speaker 1>told you when we were talking on the phone, when

0:27:07.080 --> 0:27:09.280
<v Speaker 1>I was sucking up to you to get you to

0:27:09.320 --> 0:27:12.080
<v Speaker 1>do this show with it took multiple phone calls. I

0:27:12.119 --> 0:27:15.440
<v Speaker 1>really was holding out, Yeah, you got the Greater's ice

0:27:15.440 --> 0:27:17.320
<v Speaker 1>cream that I sent you. Let's let's hurry this up,

0:27:17.359 --> 0:27:21.119
<v Speaker 1>Aule the But you know, Leno would do those interviews

0:27:21.119 --> 0:27:23.239
<v Speaker 1>on the street with people and it was you know,

0:27:23.280 --> 0:27:25.800
<v Speaker 1>like borderline appalling. You thought to myself, my god, I

0:27:25.800 --> 0:27:29.320
<v Speaker 1>mean this is stage because they were so stupid. What

0:27:29.520 --> 0:27:32.960
<v Speaker 1>state is Washington, d C? You know, Washington State? And

0:27:33.000 --> 0:27:36.240
<v Speaker 1>I didn't find it funny. It was so stupid, you

0:27:36.240 --> 0:27:39.159
<v Speaker 1>know what I mean? Now you go off. When I

0:27:39.200 --> 0:27:41.320
<v Speaker 1>watched you do this, I mean I'd be howling laughing,

0:27:41.359 --> 0:27:42.960
<v Speaker 1>and I don't. I don't laugh at a lot of stuff.

0:27:43.040 --> 0:27:45.440
<v Speaker 1>And you played it flawlessly. You know the first time

0:27:45.480 --> 0:27:47.520
<v Speaker 1>you did this, Describe what it was like. You didn't

0:27:47.520 --> 0:27:49.840
<v Speaker 1>feel threatened or you felt relatively safe. I will see.

0:27:49.880 --> 0:27:52.240
<v Speaker 1>What was interesting was, you know, with the Daily Show,

0:27:52.280 --> 0:27:53.600
<v Speaker 1>you do Man on the Streets, and I had done

0:27:53.600 --> 0:27:56.959
<v Speaker 1>Man on the Streets a little bit before for other topics. Uh.

0:27:57.200 --> 0:28:00.400
<v Speaker 1>And then when the Trump phenomenon came, the first time

0:28:00.400 --> 0:28:02.720
<v Speaker 1>I went to one of those rallies, I remember, I

0:28:02.760 --> 0:28:04.880
<v Speaker 1>think it was January of that year, what have you?

0:28:05.040 --> 0:28:07.560
<v Speaker 1>And we started hearing about these rallies, hearing about the

0:28:07.680 --> 0:28:09.879
<v Speaker 1>support that he had, and I think what I was

0:28:09.960 --> 0:28:14.840
<v Speaker 1>immediately shocked by one was the excitement surrounding him. People

0:28:14.840 --> 0:28:16.680
<v Speaker 1>were waiting in the snow. I remember our first piece,

0:28:16.680 --> 0:28:20.800
<v Speaker 1>We're waiting in the snow for hours, uh, and they were.

0:28:20.920 --> 0:28:24.400
<v Speaker 1>They immediately jumped into Trump talking points in a way

0:28:24.440 --> 0:28:26.960
<v Speaker 1>that the people I talked to beforehand. Usually, usually you

0:28:27.320 --> 0:28:29.119
<v Speaker 1>do a man on the street. People are really reserved

0:28:29.119 --> 0:28:32.159
<v Speaker 1>about what they actually feel. They understand the lines of

0:28:32.280 --> 0:28:34.880
<v Speaker 1>human decency or the opinions they should have out loud

0:28:34.880 --> 0:28:37.679
<v Speaker 1>and the opinions they should keep to themselves. And what

0:28:37.760 --> 0:28:39.640
<v Speaker 1>you started to see a Trump rallies right off the

0:28:39.680 --> 0:28:43.560
<v Speaker 1>bat is that that line shifted. They like, for example,

0:28:44.240 --> 0:28:48.320
<v Speaker 1>the birtherism, h Barack Obama secret Muslim those ideas were

0:28:48.400 --> 0:28:50.360
<v Speaker 1>very fringey. And I remember, even having done man on

0:28:50.400 --> 0:28:53.240
<v Speaker 1>the street stuff before Trump, you never get people to

0:28:53.240 --> 0:28:54.960
<v Speaker 1>talk about that. That would be such a diamond in

0:28:55.000 --> 0:28:57.640
<v Speaker 1>the rough that somebody actually revealed that. But suddenly at

0:28:57.640 --> 0:29:00.479
<v Speaker 1>these Trump situations, people were becoming revelatory. They're like, well,

0:29:00.520 --> 0:29:02.200
<v Speaker 1>I can share this now because the guy I'm going

0:29:02.240 --> 0:29:04.400
<v Speaker 1>in to see is going to say the same thing,

0:29:04.520 --> 0:29:06.960
<v Speaker 1>so I can. I can begin to share that. And

0:29:07.000 --> 0:29:09.959
<v Speaker 1>so right off the bat it was surprisingly I wouldn't

0:29:10.000 --> 0:29:12.760
<v Speaker 1>say antagonistic, it was almost jubilant. People were excited. They

0:29:12.800 --> 0:29:15.840
<v Speaker 1>were excited about this guy. They didn't feel threatened. Over

0:29:15.880 --> 0:29:18.920
<v Speaker 1>the course of the next six months, the relationship to

0:29:18.920 --> 0:29:23.160
<v Speaker 1>the press became antagonistic. We would get heckled wherever we went,

0:29:23.240 --> 0:29:26.840
<v Speaker 1>and there'll be threats of violence. Um, you have to

0:29:26.840 --> 0:29:28.760
<v Speaker 1>have security with you. We did, yeah, and I mean,

0:29:28.760 --> 0:29:31.200
<v Speaker 1>and the security keeps building as we continue to go.

0:29:31.240 --> 0:29:32.600
<v Speaker 1>The last one I went out, we had a few.

0:29:32.600 --> 0:29:36.400
<v Speaker 1>And it's it's a mix, like if you have a camera,

0:29:36.680 --> 0:29:39.440
<v Speaker 1>you're a target at those rallies and you'll get yelled at,

0:29:39.480 --> 0:29:41.840
<v Speaker 1>people will hound you info wars might try to come

0:29:41.920 --> 0:29:45.560
<v Speaker 1>up and and bomb you. Uh. But you're also met

0:29:45.560 --> 0:29:47.480
<v Speaker 1>with people who are like, I want to engage with you,

0:29:47.520 --> 0:29:48.800
<v Speaker 1>I want to I want to fight with you, I

0:29:48.840 --> 0:29:51.280
<v Speaker 1>wanna I wanna give you my p O V. And

0:29:51.360 --> 0:29:54.080
<v Speaker 1>so uh, I want to straighten you out. I mean,

0:29:54.080 --> 0:29:55.880
<v Speaker 1>that's the thing with we always say with like daily

0:29:55.920 --> 0:29:58.600
<v Speaker 1>show pieces, people ask like why did they talk to you,

0:29:58.800 --> 0:30:02.560
<v Speaker 1>and it's it's it's one people like to win and

0:30:02.600 --> 0:30:04.920
<v Speaker 1>think they can win, and two people want to be

0:30:04.960 --> 0:30:08.280
<v Speaker 1>on television. And so even though you have a paranoia

0:30:08.360 --> 0:30:10.440
<v Speaker 1>of the press, you have a lot of people who

0:30:10.440 --> 0:30:13.640
<v Speaker 1>want the attention of a camera and have the ego

0:30:13.960 --> 0:30:17.320
<v Speaker 1>of victory. Right, we talked on the phone before, but

0:30:17.680 --> 0:30:20.320
<v Speaker 1>you were talking to that one woman saying, uh, you

0:30:20.360 --> 0:30:22.840
<v Speaker 1>know marriage equality, do you think a gay couple should

0:30:22.840 --> 0:30:25.240
<v Speaker 1>have the same rights as No, I don't, I really don't.

0:30:25.240 --> 0:30:28.880
<v Speaker 1>I don't think it's fair to the gay couple. Well, no,

0:30:29.000 --> 0:30:32.120
<v Speaker 1>but the ringlet couple they work so hard, you know,

0:30:32.480 --> 0:30:36.600
<v Speaker 1>and a gay couple they want more. Do you when

0:30:36.640 --> 0:30:40.160
<v Speaker 1>you say more, do you mean equal? Yeah? They want

0:30:40.600 --> 0:30:43.240
<v Speaker 1>in there and that's just too much. And the way

0:30:43.280 --> 0:30:46.000
<v Speaker 1>you lead them, the way you pull them slowly over

0:30:46.040 --> 0:30:48.880
<v Speaker 1>to the cliff. That one guy who was talking about,

0:30:48.880 --> 0:30:51.160
<v Speaker 1>you know, respecting, what's an American ideal that we treat

0:30:51.200 --> 0:30:53.760
<v Speaker 1>women with respect? You tell me about your shirt, Well,

0:30:53.800 --> 0:30:57.720
<v Speaker 1>let's it say Trump that bitch? You know that? To me,

0:30:57.760 --> 0:31:00.560
<v Speaker 1>that's like a comedy classic, that tape of your But

0:31:00.600 --> 0:31:03.000
<v Speaker 1>at the same time, do you feel like that's become

0:31:03.360 --> 0:31:05.520
<v Speaker 1>like shooting fish in a barrel? Did you ever feel

0:31:05.520 --> 0:31:07.240
<v Speaker 1>like you were punching down, you know, with the with

0:31:07.320 --> 0:31:10.240
<v Speaker 1>the rallies, I feel Donald Trump plays to his crowd,

0:31:10.360 --> 0:31:14.080
<v Speaker 1>and I think his crowd dictates the policy more often

0:31:14.120 --> 0:31:17.480
<v Speaker 1>than not the way in which the uh the administration

0:31:17.760 --> 0:31:20.480
<v Speaker 1>responds to their wants and their needs. So I think

0:31:20.480 --> 0:31:22.200
<v Speaker 1>the pieces that I feel most proud of when we

0:31:22.280 --> 0:31:24.520
<v Speaker 1>go out to these rallies are those ones where we're

0:31:24.600 --> 0:31:27.880
<v Speaker 1>essentially testing the thesis. We're testing whether or not if

0:31:27.880 --> 0:31:31.080
<v Speaker 1>he's going to use reading the training script as the baseline,

0:31:31.440 --> 0:31:35.320
<v Speaker 1>if he's gonna welcome his fan base into that conversation.

0:31:35.520 --> 0:31:39.040
<v Speaker 1>I think they deserve to be interrogated, a cross examined,

0:31:39.160 --> 0:31:41.680
<v Speaker 1>and by who else than somebody who was a mock

0:31:41.720 --> 0:31:44.120
<v Speaker 1>trial national champion. I mean this, this is my opinion,

0:31:44.160 --> 0:31:46.600
<v Speaker 1>and I on the show, I try to avoid too

0:31:46.720 --> 0:31:50.360
<v Speaker 1>much Trump bashing, But but do you believe that these

0:31:50.360 --> 0:31:54.280
<v Speaker 1>people you meet in the heartland, so to speak, they

0:31:54.480 --> 0:31:57.640
<v Speaker 1>simply believe that Trump was the person that they were

0:31:57.720 --> 0:32:02.480
<v Speaker 1>sold on The Apprentice, that he was this crack executive,

0:32:02.600 --> 0:32:05.120
<v Speaker 1>the super smart, rich guy who knew how to run

0:32:05.120 --> 0:32:07.480
<v Speaker 1>a company, and he was decisive. How much do you

0:32:07.480 --> 0:32:10.800
<v Speaker 1>think the Apprentice and his persona from that came into

0:32:10.840 --> 0:32:14.360
<v Speaker 1>the I think I think that's a large part of

0:32:14.360 --> 0:32:17.520
<v Speaker 1>the equation. I think Donald Trump has been a brand

0:32:17.640 --> 0:32:21.800
<v Speaker 1>in America for decades. And you realize there's a lot

0:32:21.840 --> 0:32:23.920
<v Speaker 1>of people who are political walks, and we'll follow the

0:32:24.000 --> 0:32:26.560
<v Speaker 1>day to day, but there's most of this country's too

0:32:26.560 --> 0:32:29.160
<v Speaker 1>busy working other jobs to focus on that. And the

0:32:29.240 --> 0:32:32.720
<v Speaker 1>brand of Trump has been for so long one of success.

0:32:32.760 --> 0:32:36.880
<v Speaker 1>He reminds me of the CEO of a lot of

0:32:36.880 --> 0:32:39.680
<v Speaker 1>these companies. I go to my dad's brick conferences, and

0:32:39.760 --> 0:32:43.480
<v Speaker 1>I go to things in the middle of Pennsylvania or Kentucky,

0:32:43.560 --> 0:32:45.719
<v Speaker 1>and I will see, like, oh, there's the big conference

0:32:45.760 --> 0:32:48.120
<v Speaker 1>where everybody comes together and they see the CEO, and

0:32:48.160 --> 0:32:52.360
<v Speaker 1>the CEO loves to have a flashy car, a big suit,

0:32:52.520 --> 0:32:54.640
<v Speaker 1>allowed tie, and for a lot of people, that's what

0:32:54.720 --> 0:32:57.480
<v Speaker 1>success is. And Trump has been the brand of that

0:32:57.560 --> 0:33:01.400
<v Speaker 1>kind of success for so long that Trump supporters see

0:33:01.400 --> 0:33:03.320
<v Speaker 1>that and that has been what they're aiming for. They

0:33:03.320 --> 0:33:04.880
<v Speaker 1>see that as a well lived life. He's got a

0:33:04.920 --> 0:33:07.720
<v Speaker 1>model wife, he's got a gold apartment, and he says

0:33:07.760 --> 0:33:09.520
<v Speaker 1>what's on his mind. That's what they want to be.

0:33:10.120 --> 0:33:14.320
<v Speaker 1>I think you mix that with uh people needing to

0:33:14.560 --> 0:33:17.520
<v Speaker 1>feel validated like their team is winning. And he's been

0:33:17.640 --> 0:33:20.760
<v Speaker 1>so good at the tribalistic like I'm not wearing a

0:33:20.880 --> 0:33:23.640
<v Speaker 1>John McCain had. He was standing for people. Trump stands

0:33:23.640 --> 0:33:25.840
<v Speaker 1>for himself and says, you can be on my team. Yeah,

0:33:25.880 --> 0:33:28.320
<v Speaker 1>I mean us. If we're going specifically to rallies, you

0:33:28.440 --> 0:33:31.800
<v Speaker 1>realize we're not engaging in conversations about what actually could

0:33:31.800 --> 0:33:34.520
<v Speaker 1>happen within this country. I'm picking on you in a

0:33:34.560 --> 0:33:36.680
<v Speaker 1>way that you're treating like an Ohio State fan. I'm

0:33:36.680 --> 0:33:38.760
<v Speaker 1>a Michigan fan. I'm like, oh, these are the conversations

0:33:38.800 --> 0:33:41.400
<v Speaker 1>I have with the buck Eyes talking about their team,

0:33:41.440 --> 0:33:44.360
<v Speaker 1>because this is your identity, this isn't your political belief

0:33:44.720 --> 0:33:46.880
<v Speaker 1>and so I think liberals are gonna be are gonna

0:33:46.880 --> 0:33:49.840
<v Speaker 1>be frustrated, continue to be frustrated, waiting for that thing

0:33:49.960 --> 0:33:51.640
<v Speaker 1>that is going to change people's point of view on

0:33:51.680 --> 0:33:55.280
<v Speaker 1>Donald Trump. Well, you know, to me, the president sees

0:33:55.440 --> 0:33:58.640
<v Speaker 1>the world from a vantage point that no other human

0:33:58.680 --> 0:34:02.000
<v Speaker 1>being could ever attain ever, and it's changed as a

0:34:02.080 --> 0:34:04.800
<v Speaker 1>result of that. With one exception, there's only one man

0:34:05.000 --> 0:34:10.719
<v Speaker 1>who is as hate filled, myopic, self seeking now as

0:34:10.760 --> 0:34:12.919
<v Speaker 1>he was when he started the job, and maybe even more.

0:34:13.280 --> 0:34:16.120
<v Speaker 1>For change, you need, you need at least an ounce

0:34:16.160 --> 0:34:19.239
<v Speaker 1>of humility where you might not know everything. And when

0:34:19.360 --> 0:34:22.160
<v Speaker 1>that comes asking an expert, asking someone else, or the

0:34:22.200 --> 0:34:25.840
<v Speaker 1>ability to be to be moved. I'll take the information

0:34:25.840 --> 0:34:28.520
<v Speaker 1>work I can get. And I think like it's been

0:34:28.400 --> 0:34:30.960
<v Speaker 1>been set up so that it's only a conflict, and

0:34:31.000 --> 0:34:33.879
<v Speaker 1>I think Trump only survives conflict by doubling down when

0:34:33.880 --> 0:34:36.359
<v Speaker 1>we talk about when you're talking to people. I can

0:34:36.360 --> 0:34:38.279
<v Speaker 1>play logic games when I talk to folks. So I

0:34:38.320 --> 0:34:40.239
<v Speaker 1>think what is often cathartic about talking to people on

0:34:40.280 --> 0:34:43.359
<v Speaker 1>the streets is Trump makes proclamations that fall apart when

0:34:43.440 --> 0:34:45.960
<v Speaker 1>they're pressed with logic, and I think he leaves it

0:34:46.000 --> 0:34:49.359
<v Speaker 1>to his space to attempt to justify it, and there's

0:34:49.400 --> 0:34:52.279
<v Speaker 1>no justification behind most of these things. Well, what's one

0:34:52.400 --> 0:34:55.120
<v Speaker 1>memory among many? I'm sure of a moment for you

0:34:55.120 --> 0:35:00.440
<v Speaker 1>where you actually even you even you've seen who, who's

0:35:00.480 --> 0:35:03.520
<v Speaker 1>who's seen all the ingredients in the Buoya Bays of

0:35:03.520 --> 0:35:08.080
<v Speaker 1>American political thought. Oh my god, there's you know, one

0:35:08.120 --> 0:35:10.480
<v Speaker 1>of the last rallies I went to, there was a

0:35:10.480 --> 0:35:13.120
<v Speaker 1>moment that sort of encapsulated everything. I thought. It was

0:35:13.239 --> 0:35:15.480
<v Speaker 1>beautifully honest. There was a woman I was talking to.

0:35:15.680 --> 0:35:18.279
<v Speaker 1>It was it was right around it was during impeachment

0:35:18.760 --> 0:35:20.880
<v Speaker 1>and as the storyline was going about whether or not

0:35:21.200 --> 0:35:25.080
<v Speaker 1>you know, Trump is blocking subpoenas, he's not let anybody testify, um,

0:35:25.239 --> 0:35:29.080
<v Speaker 1>Bolton won't testify, um. And there's this narrative going on

0:35:29.120 --> 0:35:31.560
<v Speaker 1>which is like, well, he claims on one side that

0:35:31.600 --> 0:35:35.200
<v Speaker 1>he's completely innocent, uh, and but he won't let any

0:35:35.239 --> 0:35:38.279
<v Speaker 1>information in to prove that innocence. So we go out

0:35:38.320 --> 0:35:40.640
<v Speaker 1>to talk about impeachment and there was this like should

0:35:40.640 --> 0:35:43.200
<v Speaker 1>these people testify to his innocence if that's what you believe.

0:35:43.680 --> 0:35:45.399
<v Speaker 1>This woman was very clear. She was like, you can

0:35:45.440 --> 0:35:49.520
<v Speaker 1>tell he hasn't done anything wrong just by his demeanor.

0:35:49.920 --> 0:35:52.359
<v Speaker 1>I mean he would be trying to hide things. If

0:35:52.360 --> 0:35:54.680
<v Speaker 1>he were blocking witnesses or evidence or something like that,

0:35:54.719 --> 0:35:58.319
<v Speaker 1>you'd be like, oh, you're hiding something. But otherwise, right,

0:35:58.520 --> 0:36:01.040
<v Speaker 1>he said, let him see everything, let him I'll prove

0:36:01.120 --> 0:36:04.120
<v Speaker 1>whatever you want. You want me to prove. Right, But

0:36:04.400 --> 0:36:13.120
<v Speaker 1>Trump is blocking witnesses. I don't care. I don't care.

0:36:14.160 --> 0:36:16.759
<v Speaker 1>And I was like, you don't care. Yeah, I was like,

0:36:17.560 --> 0:36:19.680
<v Speaker 1>I believe you. I think that's true. It's like, this

0:36:19.760 --> 0:36:22.480
<v Speaker 1>is just a game, this conversation we're having is this

0:36:22.520 --> 0:36:25.160
<v Speaker 1>is a ridiculous statement. He said, it's contradictory all of

0:36:25.200 --> 0:36:27.480
<v Speaker 1>these things. I heard a beautiful quote that was about like,

0:36:27.600 --> 0:36:30.719
<v Speaker 1>facts don't always tell you who you are, but contradiction

0:36:30.840 --> 0:36:33.799
<v Speaker 1>often does reveal you. I think it was Hilton Owls

0:36:33.800 --> 0:36:35.600
<v Speaker 1>who said that, and I was like, oh, yeah, in

0:36:35.640 --> 0:36:38.920
<v Speaker 1>these contradictions, we see the warring faction of like, oh,

0:36:38.960 --> 0:36:40.880
<v Speaker 1>I believe this he's in. It doesn't matter if you

0:36:40.880 --> 0:36:43.799
<v Speaker 1>believe he's in you you believe this guy, you don't

0:36:43.840 --> 0:36:46.600
<v Speaker 1>trust me the media telling you something else, And if

0:36:46.600 --> 0:36:48.640
<v Speaker 1>I give you the facts, it's not going to change it.

0:36:48.840 --> 0:36:51.640
<v Speaker 1>You don't care. You've already you've already cast your ballot.

0:36:52.040 --> 0:36:54.400
<v Speaker 1>The show I did after the Daily Show called The Opposition.

0:36:54.840 --> 0:36:57.520
<v Speaker 1>The golden rule of that character was, may you only

0:36:57.560 --> 0:37:01.480
<v Speaker 1>hear from others what you've already been helling yourself. That

0:37:01.600 --> 0:37:04.279
<v Speaker 1>show lasted how long? Not long enough is what I

0:37:04.320 --> 0:37:06.880
<v Speaker 1>would say, a little under a year. And when a

0:37:06.920 --> 0:37:09.080
<v Speaker 1>show like that doesn't work out, what do you attribute

0:37:09.080 --> 0:37:11.480
<v Speaker 1>that too? Well, I mean it was because you were

0:37:11.480 --> 0:37:13.680
<v Speaker 1>doing so well with them. Well, I think like we

0:37:13.760 --> 0:37:17.520
<v Speaker 1>jumped into that. They were at a hard time fielding slot. Uh,

0:37:17.560 --> 0:37:18.920
<v Speaker 1>it's hard to put up a late night show, to

0:37:18.960 --> 0:37:21.680
<v Speaker 1>be quite honest. Everybody was like, it takes a it

0:37:21.719 --> 0:37:24.000
<v Speaker 1>takes some time, a year to two years to get

0:37:24.000 --> 0:37:27.840
<v Speaker 1>that audience. The audience numbers were okay, they weren't blowing

0:37:27.880 --> 0:37:30.040
<v Speaker 1>everything out of the water. And the network they were like,

0:37:30.120 --> 0:37:33.080
<v Speaker 1>there's six late night shows right now, you're like the seventh.

0:37:33.520 --> 0:37:36.239
<v Speaker 1>We feel there's Trump fatigue, and they were they were

0:37:36.520 --> 0:37:38.200
<v Speaker 1>bummed I wasn't able to go on the road, to

0:37:38.200 --> 0:37:40.239
<v Speaker 1>be honest, and they were like that that's why that

0:37:40.280 --> 0:37:43.200
<v Speaker 1>basically ended, because they were like, we think it's overcrowded

0:37:43.280 --> 0:37:45.680
<v Speaker 1>right now. Can we shift you to do a show

0:37:45.719 --> 0:37:48.400
<v Speaker 1>where you're on the road the whole time? And it

0:37:48.440 --> 0:37:49.800
<v Speaker 1>was kind of a bummer, to be quite honest. You

0:37:49.800 --> 0:37:52.759
<v Speaker 1>build up a whole show around you know, you have

0:37:52.840 --> 0:37:55.239
<v Speaker 1>a eight plus people working for you, and you're like,

0:37:55.320 --> 0:37:57.239
<v Speaker 1>we we have a couple we have a couple of

0:37:57.280 --> 0:37:59.040
<v Speaker 1>years to get this thing going. I think we had

0:37:59.080 --> 0:38:01.560
<v Speaker 1>some some great stuff things we were proud of, but

0:38:01.600 --> 0:38:05.279
<v Speaker 1>I think the numbers and the crowded marketplace pushed us

0:38:05.280 --> 0:38:07.719
<v Speaker 1>out pretty quick, and and the network was in a

0:38:07.760 --> 0:38:09.520
<v Speaker 1>weird place, continues to be in a weird place trying

0:38:09.560 --> 0:38:12.920
<v Speaker 1>to figure out how to compliment the daily show in

0:38:12.960 --> 0:38:16.279
<v Speaker 1>these times of lots of late nine uh is like

0:38:16.400 --> 0:38:22.520
<v Speaker 1>traditional TV sitcom for camera, single camera, Will and Gray's

0:38:22.680 --> 0:38:24.640
<v Speaker 1>thirty Rock or the Office, that kind of thing. Is

0:38:24.680 --> 0:38:27.320
<v Speaker 1>that something that appeals to you or do you assiduously

0:38:27.400 --> 0:38:30.640
<v Speaker 1>avoid that kind of thing? The casting director usually helps

0:38:30.680 --> 0:38:34.399
<v Speaker 1>me avoid those kinds of decisions. And they actually they've

0:38:34.480 --> 0:38:39.600
<v Speaker 1>been vigilant and not giving me those opportunities. Traditional television sitcoms,

0:38:39.600 --> 0:38:41.600
<v Speaker 1>all of that are things I'm curious and I'm dabbled

0:38:41.640 --> 0:38:44.040
<v Speaker 1>in here and there. I think as I've as I've

0:38:44.080 --> 0:38:48.280
<v Speaker 1>spent time getting that daily show opportunity did shift my mindset,

0:38:48.320 --> 0:38:51.000
<v Speaker 1>where before that it was I will do anything and everything.

0:38:51.120 --> 0:38:53.920
<v Speaker 1>And I still curious and love the experience of those things.

0:38:53.960 --> 0:38:55.959
<v Speaker 1>But I've really gotten a lot out of being able

0:38:56.000 --> 0:38:58.399
<v Speaker 1>to to be a part of projects where you get

0:38:58.400 --> 0:39:00.600
<v Speaker 1>to control kind of the point of view in the voice,

0:39:00.719 --> 0:39:03.680
<v Speaker 1>and so the projects to be able to go out

0:39:03.719 --> 0:39:06.360
<v Speaker 1>and produce my own pieces or specials or write my

0:39:06.360 --> 0:39:08.440
<v Speaker 1>own stuff has kind of been the priority to do

0:39:08.480 --> 0:39:10.439
<v Speaker 1>your own thing, to do my own thing, and I think,

0:39:10.440 --> 0:39:13.200
<v Speaker 1>like that's incredibly attractive, and I think like, I'm I'm

0:39:13.239 --> 0:39:16.879
<v Speaker 1>aware enough to know that the world doesn't necessarily need

0:39:17.000 --> 0:39:19.440
<v Speaker 1>my acting chops. Those are taken care of, thanks a

0:39:19.440 --> 0:39:22.359
<v Speaker 1>lot Alec for grabbing all the big roles that would

0:39:22.360 --> 0:39:25.480
<v Speaker 1>have obviously gone to me. Sure, but I'm like, oh,

0:39:25.520 --> 0:39:27.560
<v Speaker 1>but I think I I think I know how to

0:39:28.160 --> 0:39:30.120
<v Speaker 1>wrangle points of view and kind of speak to some

0:39:30.160 --> 0:39:33.280
<v Speaker 1>of these other topics doing the opposition. Doing those shows,

0:39:33.320 --> 0:39:37.279
<v Speaker 1>it was exhausting but also liberating to kind of to

0:39:37.320 --> 0:39:39.440
<v Speaker 1>get to work through the ship. You're purists. That I'm

0:39:39.480 --> 0:39:41.800
<v Speaker 1>a purist, but I'm gonna be a father. So anything

0:39:41.840 --> 0:39:48.200
<v Speaker 1>you have for God's sakes. Comedian and generally available person

0:39:48.360 --> 0:39:53.200
<v Speaker 1>Jordan Clapper. His two documentary series, Jordan Clapper Solves Guns

0:39:53.640 --> 0:39:58.879
<v Speaker 1>and Clapper are funny, nuanced dives into complex issues. They're

0:39:58.880 --> 0:40:03.160
<v Speaker 1>available on Amazon and YouTube. By Malick Baldwin and this

0:40:03.239 --> 0:40:04.000
<v Speaker 1>is Here's the thing