WEBVTT - Boudica Victoria

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<v Speaker 1>Welcome to Noble Blood, a production of I Heart Radio

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<v Speaker 1>and Grimm and Mild from Aaron Minky. Listener discretion is

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<v Speaker 1>advised before we start this episode in earnest, just one

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<v Speaker 1>quick reminder. I have a book coming out and it

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<v Speaker 1>comes out January. It's a novel called Anatomy, a love story,

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<v Speaker 1>and it's a story about a young woman who wants

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<v Speaker 1>to be a surgeon in the eighteen hundreds in Edinburgh

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<v Speaker 1>and Scotland during the dawn of surgery, and she falls

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<v Speaker 1>in love or does she with a resurrection man, a

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<v Speaker 1>guy who digs up dead bodies to sell to doctors,

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<v Speaker 1>as was common practice during the nineteenth century. So if

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<v Speaker 1>you like this podcast, I think it's going to be

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<v Speaker 1>really up your alley and it would mean the world

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<v Speaker 1>to me if you wanted to read it. So it's

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<v Speaker 1>available for preorder now, you know, on Amazon or wherever

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<v Speaker 1>you get your books, your local indie bookstore ideally, and

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<v Speaker 1>it's hopefully going to be available in every store where

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<v Speaker 1>you get your book starting January. So thank you so

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<v Speaker 1>much much for everyone for all their support. You could

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<v Speaker 1>support the show on Patreon, Patreon, dot com, slash, Noble

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<v Speaker 1>Blood Tails and I upload episode scripts there and also

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<v Speaker 1>do bonus episodes talking about the TV show Rain on

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<v Speaker 1>the c W and the Tutors, and I'm thinking of

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<v Speaker 1>doing bonus episodes on the Great but yeah, you can

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<v Speaker 1>find all that there. Thank you so much to everyone

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<v Speaker 1>who supports the show. But as always, the best support

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<v Speaker 1>is just listening. So thank you to everyone who's listened,

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<v Speaker 1>and let the show come into two. There's a statue

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<v Speaker 1>in London, on the western side of Westminster Bridge, a

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<v Speaker 1>statue that stands ten ft tall. It's a bronze statue

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<v Speaker 1>depicting a woman riding in a chariot pulled by two horses.

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<v Speaker 1>The woman stands with both hands raised arms above her head,

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<v Speaker 1>like an o singer or ava Perone standing on a balcony,

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<v Speaker 1>except unlike ava Peron, and unlike most opera singers, the

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<v Speaker 1>woman holds in one of her upraised hands a spear.

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<v Speaker 1>Her hair is braided beneath a crown. On either side

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<v Speaker 1>of her are two smaller women, her daughters. It's very

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<v Speaker 1>clearly a statue of a warrior, and the figure has

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<v Speaker 1>been sculpted in such a way to convey to the

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<v Speaker 1>viewer that this woman was brave and fearsome, though not

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<v Speaker 1>so brave and fearsome that she's not also conventionally beautiful.

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<v Speaker 1>Her gown, a simple classical shroud beneath a cloak, clings

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<v Speaker 1>close enough to her body that you can make out

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<v Speaker 1>the contours of her belly and her breasts. She's a

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<v Speaker 1>warrior woman, the statue says, but she's still a woman.

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<v Speaker 1>The statue, originally sculpted by Thomas Thornycroft in the late

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<v Speaker 1>eighteen hundreds, is a representation of Boudica, the warrior queen

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<v Speaker 1>of Britain, who fended off the invading Roman forces for

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<v Speaker 1>a little while in a surprising but ultimately unsuccessful rebellion.

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<v Speaker 1>As described by the statues plinth, she is quote Boudica Budetica,

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<v Speaker 1>Queen of the Assni, who died a d. Sixty one

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<v Speaker 1>after leading her people against the Roman invader. If you're

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<v Speaker 1>British or were schooled in Great Britain or the Commonwealth,

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<v Speaker 1>you're almost certainly familiar with Boudica as she's most commonly

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<v Speaker 1>referred to. But if you're American, her story might be

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<v Speaker 1>a little less familiar. It's a classic tale of David

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<v Speaker 1>verse Goliath, even if this is a case in which

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<v Speaker 1>Goliath uses his considerable armed forces and superior weaponry and

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<v Speaker 1>organizational strategy to defeat David. But I'm not just interested

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<v Speaker 1>in the story of Utica. I'm interested in the idea

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<v Speaker 1>of her, or rather how the idea of her has

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<v Speaker 1>changed over time. You see Thomas Thorneycroft sculpture was finally

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<v Speaker 1>cast in bronze and erected in nine two, at the

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<v Speaker 1>end of the reign of Queen Victoria. The statue is

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<v Speaker 1>in an undeniable place of prominence, overlooking the Thames, facing

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<v Speaker 1>straight toward perhaps the two most enduring symbols of London

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<v Speaker 1>and centralized British power, Big Ben and the Houses of Parliament.

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<v Speaker 1>The Boudica was a relatively obscure figure for most of

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<v Speaker 1>British history. In the Victorian era, she exploded in popularity,

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<v Speaker 1>becoming a figure not only in the popular, artistic and

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<v Speaker 1>literary movements of the day, but becoming a national heroine,

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<v Speaker 1>a symbol of Britain, a face for the feminized representation

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<v Speaker 1>of the abstract now national term Britannia. Boudica was a

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<v Speaker 1>heroic warrior, but it might strike you, as it struck me,

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<v Speaker 1>that she's an unusual choice to be the heroine of

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<v Speaker 1>Victorian times, a period often stereotyped as one of piety, domesticity,

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<v Speaker 1>and female obedience, the era that's become synonymous with women

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<v Speaker 1>in tight corsets being afraid to talk about sex. That

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<v Speaker 1>era certainly doesn't seem to be a natural fit for

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<v Speaker 1>stories about a woman who led armies into battle with

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<v Speaker 1>her hair hanging wild behind her. Plus she was a pagan,

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<v Speaker 1>a wild heretic who used divination and looked to nature

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<v Speaker 1>for advice and guidance, and she uh burned London to

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<v Speaker 1>the ground. We'll get to that later. But even all

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<v Speaker 1>that aside, one might imagine buttoned up Victorian Christianity having

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<v Speaker 1>a were challenging time embracing a story that ends with

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<v Speaker 1>a hero committing the sin of suicide. History, as much

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<v Speaker 1>as it's about telling stories, is about examining the reasons

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<v Speaker 1>we choose to tell certain stories and when, to very

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<v Speaker 1>loosely paraphrase one of the many Batman movies, a city

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<v Speaker 1>gets the hero it needs. In sixty A d. Boudica

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<v Speaker 1>fought for her life, her family, and her homeland, and then,

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<v Speaker 1>almost two thousand years later, even though the nation she

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<v Speaker 1>lived in had a different name, she was resurrected to

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<v Speaker 1>continue to fight. I'm Dana Schwartz and this is Noble Blood.

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<v Speaker 1>A trigger warning for anyone listening who might be sensitive

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<v Speaker 1>to particular content. This episode contains sexual violence. Almost all

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<v Speaker 1>of our information on Buddhica comes from two classical sources,

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<v Speaker 1>both written a few decades after Boudica's death. The first

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<v Speaker 1>is by Tacitus, who actually spoke to witnesses about Boudica's

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<v Speaker 1>uprising firsthand. Tacitus's father in law was actually a Roman

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<v Speaker 1>governor of Britain. The second source was written by a

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<v Speaker 1>man named Cassius Dio, who was seemingly based most of

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<v Speaker 1>his account on the words of Tacitus, the age old

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<v Speaker 1>strategy of copying but changing it just enough so that

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<v Speaker 1>the teacher won't get suspicious. For classical historians at the time,

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<v Speaker 1>it was common practice to include in their histories long,

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<v Speaker 1>flowery speeches supposedly given by their subjects. It made the

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<v Speaker 1>history more interesting to read, more relevant to readers, and

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<v Speaker 1>it was a chance for the authors to add some

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<v Speaker 1>color or moral teachings. But it's important for us to

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<v Speaker 1>remember that these speeches are meant to be evocative, but

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<v Speaker 1>not direct transcriptions. So though Cassius Dio and Tacitus both

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<v Speaker 1>wrote down what Boudica allegedly said to her troops. It's

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<v Speaker 1>not meant to be taken verbatim, after all, Boudica wasn't

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<v Speaker 1>speaking Latin or Greek. We're not certain when Boudica was born.

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<v Speaker 1>It's not recorded anywhere or reported with any real certainty,

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<v Speaker 1>but most likely it was around thirty a d. Most

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<v Speaker 1>likely somewhere around the present day English city of Colchester.

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<v Speaker 1>Bouddhica spent most of her life in and around what

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<v Speaker 1>is now considered East Anglia, to the northeast of London,

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<v Speaker 1>and though there's no source that makes it absolutely certain,

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<v Speaker 1>it's likely that she was born into a prominent family,

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<v Speaker 1>if not noble, then considered well bred and well respected.

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<v Speaker 1>In forty three a d. What's known as the Claudian

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<v Speaker 1>Invasion of Britain began. Emperor Claudius in Rome began his

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<v Speaker 1>conquest of southern Britain, or as it would have been

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<v Speaker 1>called by the Romans, Britannia. I imagine what this must

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<v Speaker 1>have been like for a teenage Boudica, seeing legions of

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<v Speaker 1>strangers carrying weapons marching over her green hills, then making camp,

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<v Speaker 1>laughing and jeering in a language she didn't understand. It

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<v Speaker 1>was around this time that Boudica got married to a

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<v Speaker 1>man named press Tagus, the leader of the Aseni tribe

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<v Speaker 1>the Britonic people living around present day Norfolk. Sources claim

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<v Speaker 1>that press Tagus was long reigning, which means it's probable

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<v Speaker 1>that he was already king when he married Boudica. Boudica

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<v Speaker 1>was tall and athletic. Women would have trained in weapons

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<v Speaker 1>alongside men, which meant that she knew her way or

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<v Speaker 1>und a sword as well as anyone. She had long,

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<v Speaker 1>ginger hair that reached her waist and piercing eyes, and

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<v Speaker 1>she often wore a golden necklace and a cloak fastened

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<v Speaker 1>with a brooch. Rather than fight the Romans, Prasatagus made

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<v Speaker 1>the pragmatic decision to ally with them. It became a

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<v Speaker 1>mutually beneficial partnership in which the Assane people offered assistance

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<v Speaker 1>to the Romans in their invasion and assistant and putting

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<v Speaker 1>down revolts against other nearby tribes, and in return, Romans

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<v Speaker 1>allowed Prasatagus and the Assane people protection and they're much

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<v Speaker 1>valued independence. It worked out, at least it did until

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<v Speaker 1>Prasatagus died in around sixty a d In his will,

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<v Speaker 1>Prasatagus left half of his fortune to his wife, Buddhica

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<v Speaker 1>and their two daughters. The other half of his property

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<v Speaker 1>he left to the Roman emperor, who by this point

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<v Speaker 1>was Nero. It was meant to be a generous offering,

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<v Speaker 1>a symbolic deference, as if to say, hey, you can

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<v Speaker 1>have half of my holdings, but for the other half,

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<v Speaker 1>let's keep that mutually beneficial, salutary neglect situation going on.

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<v Speaker 1>But the Roman Empire is known for many things, and

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<v Speaker 1>mercy towards people that they want to conquer is not

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<v Speaker 1>one of them. They flat out ignored Prasatagus's will and

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<v Speaker 1>claimed all of his property. When Buddhica attempted to defend

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<v Speaker 1>their home from invading soldiers, the soldiers captured her. They

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<v Speaker 1>tied her up and flogged her, blood dripping down her back,

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<v Speaker 1>and torn pieces of skin that would leave painful wealths

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<v Speaker 1>and then scars for the rest of her life. But

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<v Speaker 1>that wasn't enough, it seems, to send the message. The

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<v Speaker 1>Roman sold stormed into Buddhica's home and raped both of

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<v Speaker 1>her daughters. The Romans knew that Boudica was a queen

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<v Speaker 1>and a leader that she had the capacity to rally

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<v Speaker 1>the Asne people behind her. They meant the flogging and

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<v Speaker 1>the cruel violation of her daughters to be such a humiliation,

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<v Speaker 1>such a trauma, that it would break her and leave

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<v Speaker 1>her defeated. It had the exact opposite effect. Buddhica began

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<v Speaker 1>rallying troops to expel the Romans from Britain. There was

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<v Speaker 1>precedent stories from history that inspired her and inspired the

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<v Speaker 1>people who followed her. A few decades earlier, in nine

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<v Speaker 1>a d Prince Arminius of the Cheruski people drove the

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<v Speaker 1>Romans out of his land in present day Germany and

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<v Speaker 1>even in Britain. Julius Caesar himself had been defeated and

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<v Speaker 1>forced to retreat, and so Buddica gathered men and women

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<v Speaker 1>to fight alongside her. As she allegedly said in a speech,

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<v Speaker 1>it is not as a woman descended from noble ancestry,

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<v Speaker 1>but as one of the people that I'm avenging lost freedom,

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<v Speaker 1>my scourged body, the outraged chastity of my daughters. To

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<v Speaker 1>subtly encourage men to fight alongside her, she challenged their

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<v Speaker 1>manliness by adding, this is a woman's resolve. As for men,

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<v Speaker 1>you may live and be slaves. Eventually, her army had

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<v Speaker 1>over one hundred and twenty thousand troops, both from the

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<v Speaker 1>Ane and from the neighboring tribe with whom she allied

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<v Speaker 1>against their mutual enemy. To the shock of the Romans,

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<v Speaker 1>Buddhica and her soldiers fought and one they defeated the

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<v Speaker 1>Roman ninth Legion and sacked the city of Camelodnan. They

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<v Speaker 1>continued on pillaging and fighting, burning down homes and Roman

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<v Speaker 1>settlements in the Roman cities of Verylamnium modern day Saint

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<v Speaker 1>Albans and Londonium, which you might have correctly guessed is

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<v Speaker 1>where London now stands. Boudica put her faith in a

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<v Speaker 1>number of pagan rituals in order to lead her troops.

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<v Speaker 1>One involved taking a hare and putting him under the

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<v Speaker 1>many layers of her skirts. She would then lift her

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<v Speaker 1>skirts and release the animal and watch the direction that

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<v Speaker 1>the hare chose to run in. She knew that whichever

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<v Speaker 1>way it went had some symbolic meaning. As Boudica and

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<v Speaker 1>her soldiers marched, they desecrated Roman cemeteries, breaking tombstones and

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<v Speaker 1>knocking statues down. Some of those broken statues are still

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<v Speaker 1>on display today at the Colchester Museum, a centuries old

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<v Speaker 1>reminder of anger and fury towards an invading army, made

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<v Speaker 1>symbol in broken stone that last to this day. What

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<v Speaker 1>helped Boudica in these early battles was the fact that

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<v Speaker 1>the Roman governor of the province, a man named Gaius

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<v Speaker 1>Suetonius Paulinus, was away during her attacks. He was leading

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<v Speaker 1>a campaign on the Welsh island Mona when he heard

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<v Speaker 1>about the staggering defeats that his countrymen were suffering on

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<v Speaker 1>the east side of Britain. Enough was enough, Suetonius decided

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<v Speaker 1>he would bring his troops towards Boudica for a final confrontation.

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<v Speaker 1>There's plenty of disagreement among historians about where this final

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<v Speaker 1>battle took place. Presumably it was somewhere between vera Limium

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<v Speaker 1>and Londinium. Some claim it was along a Roman road

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<v Speaker 1>called Watling Street. What we do know is that Boudica,

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<v Speaker 1>her waist length ginger hair flowing behind her, rode in

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<v Speaker 1>a chariot up and down her ranks to rally her

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<v Speaker 1>troops before battle. Nothing is safe from Roman pride and arrogance,

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<v Speaker 1>she shouted. One historian claims, they will deface the sacred

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<v Speaker 1>and will deflower our virgins. Win the battle or perish.

0:16:15.280 --> 0:16:21.200
<v Speaker 1>That is what I, a woman will do. The Bouddhica

0:16:21.320 --> 0:16:25.200
<v Speaker 1>had numbers on her side, Stonius had the advantage when

0:16:25.200 --> 0:16:30.040
<v Speaker 1>it came to weaponry and strategy, with his ten thousand

0:16:30.160 --> 0:16:34.440
<v Speaker 1>soldiers mainly from the fourteenth Legion. He first made a

0:16:34.520 --> 0:16:38.800
<v Speaker 1>tactical withdrawal in order to draw Buddhica into battle on

0:16:39.000 --> 0:16:43.560
<v Speaker 1>his terms. When the battle began, the Romans began by

0:16:43.600 --> 0:16:47.160
<v Speaker 1>throwing javelins at Buddhica in her army, which led to

0:16:47.320 --> 0:16:52.000
<v Speaker 1>massive casualties in minutes before the two armies had even

0:16:52.080 --> 0:16:56.360
<v Speaker 1>really engaged. The Romans then advanced to move in for

0:16:56.440 --> 0:17:00.320
<v Speaker 1>the kill. With short swords that allowed them flexible ality

0:17:00.400 --> 0:17:05.560
<v Speaker 1>of movement. They turned Boudica's numbers against her. She and

0:17:05.640 --> 0:17:09.760
<v Speaker 1>her army were trapped in their tight ranks. Their weapons,

0:17:09.800 --> 0:17:13.480
<v Speaker 1>which were mostly long swords, were difficult to use against

0:17:13.520 --> 0:17:16.520
<v Speaker 1>the Romans who came in so close and so fast,

0:17:17.440 --> 0:17:22.480
<v Speaker 1>and then Suetonius released the cavalry, which encircled Boudica's army

0:17:22.600 --> 0:17:26.360
<v Speaker 1>from behind. It was only another few moments after that

0:17:27.000 --> 0:17:31.960
<v Speaker 1>until the battle was over. Eighty thousand of Boudica's Britons

0:17:31.960 --> 0:17:37.400
<v Speaker 1>were killed. There were a comparatively few four hundred dead Romans.

0:17:38.600 --> 0:17:42.520
<v Speaker 1>Boudica was captured alive, but she knew the fate waiting

0:17:42.560 --> 0:17:45.320
<v Speaker 1>for her would be worse than death. She would be

0:17:45.400 --> 0:17:48.439
<v Speaker 1>raped by her Roman captors, or forced to become a slave,

0:17:48.600 --> 0:17:53.159
<v Speaker 1>or both, and so before that could happen, Boudica drank

0:17:53.200 --> 0:17:57.639
<v Speaker 1>poison and killed herself. We don't know what happened to

0:17:57.680 --> 0:18:01.520
<v Speaker 1>her two daughters. Some claim that they killed themselves as well,

0:18:01.840 --> 0:18:06.280
<v Speaker 1>but they also might have died in battle. Her revolt

0:18:06.560 --> 0:18:11.800
<v Speaker 1>was ultimately unsuccessful, although for a moment it almost persuaded

0:18:11.880 --> 0:18:15.119
<v Speaker 1>Emperor Nero that the conquest of Britain was more trouble

0:18:15.200 --> 0:18:18.359
<v Speaker 1>than it was worth. Still, the story of a woman

0:18:18.440 --> 0:18:22.320
<v Speaker 1>brutalized who then rose up against her presser was one

0:18:22.400 --> 0:18:26.800
<v Speaker 1>worth recording. Tacitus and Cassius Dio wrote in the late

0:18:26.920 --> 0:18:30.080
<v Speaker 1>first century, and then it would be another few hundred

0:18:30.160 --> 0:18:34.880
<v Speaker 1>years before Boudica would appear in another major source, this

0:18:34.960 --> 0:18:38.560
<v Speaker 1>time a sixth century book by a British monk named

0:18:38.640 --> 0:18:43.080
<v Speaker 1>Gildas called on the Ruin and Conquest of Britain, in

0:18:43.119 --> 0:18:49.600
<v Speaker 1>which Guildess describes Buddhica not unflatteringly as a treacherous lioness.

0:18:51.359 --> 0:18:54.040
<v Speaker 1>Though Boudica was mentioned here and there for the next

0:18:54.080 --> 0:18:58.199
<v Speaker 1>few centuries after that, she didn't become anything resembling a

0:18:58.200 --> 0:19:02.240
<v Speaker 1>folk hero or even a may stream historical figure until

0:19:02.280 --> 0:19:06.600
<v Speaker 1>the reign of Elizabeth the First, the last Tudor queen,

0:19:06.720 --> 0:19:09.679
<v Speaker 1>happened to be reigning during a period in which the

0:19:09.760 --> 0:19:14.200
<v Speaker 1>classical work of scholars from ancient Greece and Rome were rediscovered,

0:19:14.680 --> 0:19:19.399
<v Speaker 1>including the writings of Tacitus and Cassius Dia, and Boudica

0:19:19.640 --> 0:19:24.600
<v Speaker 1>was a heroine ready made analogous to their own ginger haired,

0:19:24.960 --> 0:19:29.560
<v Speaker 1>notably tall Queen Elizabeth. Boudica seemed to be especially relevant

0:19:29.600 --> 0:19:32.679
<v Speaker 1>to their own queen when Elizabeth the First made a

0:19:32.760 --> 0:19:36.240
<v Speaker 1>speech to her troops at Tilbury before facing off against

0:19:36.320 --> 0:19:40.920
<v Speaker 1>the invasion of the Spanish Armada. Both queens were mere

0:19:41.000 --> 0:19:46.440
<v Speaker 1>women leading massive groups of men against foreign invaders. Elizabeth

0:19:46.680 --> 0:19:52.439
<v Speaker 1>was more successful than her historical counterpart. After Elizabeth's reign,

0:19:52.600 --> 0:19:57.320
<v Speaker 1>interest in Buddhica waned slightly during and after the reign

0:19:57.440 --> 0:20:00.240
<v Speaker 1>of James the First and sixth, the King of scotl Land,

0:20:00.280 --> 0:20:04.280
<v Speaker 1>who ruled England after Elizabeth's death. Buddhica was seen with

0:20:04.440 --> 0:20:07.960
<v Speaker 1>a little bit of suspicion, to say nothing of the

0:20:08.080 --> 0:20:13.320
<v Speaker 1>misogyny that you might expect. In the sixteen hundreds, John Milton,

0:20:13.520 --> 0:20:18.879
<v Speaker 1>in his History of Britain, frames Boudica as shameless, a

0:20:19.000 --> 0:20:22.600
<v Speaker 1>wild heridan who should have kept her mouth shut. But

0:20:22.760 --> 0:20:26.800
<v Speaker 1>Milton was notable for his misogyny across the board. He

0:20:26.840 --> 0:20:30.080
<v Speaker 1>didn't think any woman should occupy a position of power,

0:20:30.680 --> 0:20:35.120
<v Speaker 1>least of all a woman with heretical attitudes. But by

0:20:35.160 --> 0:20:38.560
<v Speaker 1>the mid to late seventeen hundreds, Boudica began to re

0:20:38.720 --> 0:20:42.960
<v Speaker 1>emerge as a historical figure, and an incredibly useful one,

0:20:43.880 --> 0:20:48.600
<v Speaker 1>a historical figure who also acted as a symbol. Boudica

0:20:48.680 --> 0:20:51.600
<v Speaker 1>became not just a woman who fought and lost against

0:20:51.600 --> 0:20:55.600
<v Speaker 1>the Romans in a d but a symbol for Britain

0:20:56.040 --> 0:21:02.080
<v Speaker 1>as a nation. Female personification of countries is a global tradition.

0:21:02.840 --> 0:21:07.199
<v Speaker 1>In America, there's a famous painting by John Gast called

0:21:07.280 --> 0:21:12.000
<v Speaker 1>American Progress or manifest Destiny. If you took a p

0:21:12.200 --> 0:21:15.040
<v Speaker 1>U S History, you probably had to study it for

0:21:15.160 --> 0:21:19.399
<v Speaker 1>your a P test. It's a painting in which idealized

0:21:19.440 --> 0:21:23.199
<v Speaker 1>American pioneers travel from the right side of the canvas,

0:21:23.520 --> 0:21:27.240
<v Speaker 1>painted to look like a growing dawn towards the dark,

0:21:27.520 --> 0:21:32.840
<v Speaker 1>shadowy West, where Native Americans brandish their weapons beneath dim clouds.

0:21:33.760 --> 0:21:38.280
<v Speaker 1>The covered wagons, cowboys, and trains make their way towards

0:21:38.359 --> 0:21:43.560
<v Speaker 1>America's expansionist destiny, and they're guided along by a massive

0:21:43.840 --> 0:21:48.119
<v Speaker 1>female figure towering high as the mountains in the background

0:21:48.119 --> 0:21:52.080
<v Speaker 1>of the picture. The woman, meant to be Liberty or

0:21:52.240 --> 0:21:57.760
<v Speaker 1>America or God's purpose for American expansion, is bedecked with

0:21:57.840 --> 0:22:02.520
<v Speaker 1>blonde curls. She wears a one shoulder toga, evoking the

0:22:02.640 --> 0:22:08.639
<v Speaker 1>classical democracies of antiquity. In France, the female personification of

0:22:08.680 --> 0:22:13.040
<v Speaker 1>the nation is sometimes called Marianne. Picture the famous Eugene

0:22:13.080 --> 0:22:17.439
<v Speaker 1>Delacroix painting Liberty Leading the People, in which a woman

0:22:17.760 --> 0:22:21.960
<v Speaker 1>raises high the tricolor flag. It's the painting Cold Play

0:22:22.080 --> 0:22:25.000
<v Speaker 1>used for their Viva Levita album cover. If you need

0:22:25.080 --> 0:22:30.240
<v Speaker 1>help remembering. Like the American figure of Liberty, this figure

0:22:30.400 --> 0:22:35.159
<v Speaker 1>also wears a one shoulder toga, although maybe a predictable

0:22:35.200 --> 0:22:41.160
<v Speaker 1>French fashion, her toga reveals both of her breasts, though Boudica,

0:22:41.280 --> 0:22:46.840
<v Speaker 1>unlike America's blonde giantess and Frances, Marianne was a real

0:22:46.960 --> 0:22:51.560
<v Speaker 1>person she served more or less the same symbolic purpose.

0:22:52.400 --> 0:22:56.679
<v Speaker 1>William Cowper was a famous eighteenth century poet. In his

0:22:56.760 --> 0:22:59.600
<v Speaker 1>work he actually coined the phrases God moves in a

0:22:59.680 --> 0:23:03.679
<v Speaker 1>mysteri arious way and variety is the very spice of life.

0:23:04.480 --> 0:23:10.000
<v Speaker 1>But in his seventeen eighty poem Boudica and Ode, he wrote, she,

0:23:10.480 --> 0:23:14.600
<v Speaker 1>with all a monarch's pride, felt them in her bosom glow,

0:23:15.200 --> 0:23:19.800
<v Speaker 1>rushed to battle, fought and died, dying, hurled them at

0:23:19.840 --> 0:23:25.400
<v Speaker 1>the foe Ruffians, pitiless as proud, Heaven awards the vengeance

0:23:25.480 --> 0:23:30.359
<v Speaker 1>due Empire is on us, bestowed shame and ruin Wait

0:23:30.440 --> 0:23:40.960
<v Speaker 1>for you. And then Buddhica became permanently entrenched in British culture.

0:23:41.400 --> 0:23:45.280
<v Speaker 1>In eighteen thirty seven, when a young woman that they

0:23:45.320 --> 0:23:51.280
<v Speaker 1>began calling Victoria became queen of their empire, Boudica became

0:23:51.359 --> 0:23:55.720
<v Speaker 1>the emblem of Victoria's power, a comparison made easy by

0:23:55.760 --> 0:23:59.480
<v Speaker 1>the helpful coincidence that the root of the name Buddhica

0:24:00.040 --> 0:24:04.400
<v Speaker 1>comes from either the Celtic or the Welsh word for victory,

0:24:04.480 --> 0:24:08.480
<v Speaker 1>which meant that she and Victoria basically had the same

0:24:08.560 --> 0:24:12.879
<v Speaker 1>name During a period when Brits might have begun to

0:24:12.960 --> 0:24:16.720
<v Speaker 1>fear that their empire would be in decline. Boudica became

0:24:16.800 --> 0:24:21.560
<v Speaker 1>a helpful tool to bolster national pride, a rallying symbol.

0:24:22.200 --> 0:24:26.400
<v Speaker 1>Victorian children were forced in their classrooms to learn William

0:24:26.440 --> 0:24:29.760
<v Speaker 1>Cowper's poem by heart, and there was a renewed interest

0:24:29.800 --> 0:24:33.199
<v Speaker 1>in trying to find out where exactly her battles took place.

0:24:34.119 --> 0:24:38.479
<v Speaker 1>Attention towards Boudica reached a zenith during eight nine four,

0:24:38.760 --> 0:24:43.399
<v Speaker 1>when archaeologists excitedly determined that an earthwork on the north

0:24:43.480 --> 0:24:46.399
<v Speaker 1>side of Parliament Hill might be the site of the

0:24:46.440 --> 0:24:51.760
<v Speaker 1>any queen's final resting place. Though the land was excavated

0:24:51.840 --> 0:24:55.640
<v Speaker 1>and no grave was found, the public hubbabaloo of everyone

0:24:55.680 --> 0:25:00.439
<v Speaker 1>talking about the ancient queen gave John Isaac Thorneycraft boost

0:25:00.480 --> 0:25:03.919
<v Speaker 1>he needed to help raise funds to finally cast the

0:25:03.920 --> 0:25:08.320
<v Speaker 1>sculpture made by his by now late father Thomas Thornycroft,

0:25:08.640 --> 0:25:12.639
<v Speaker 1>who died before ever seeing his plaster cast set in bronze.

0:25:13.880 --> 0:25:19.120
<v Speaker 1>In two his sculpture Boudica and her Daughters was finally

0:25:19.160 --> 0:25:23.639
<v Speaker 1>erected on Westminster Bridge, a permanent tribute to the woman

0:25:23.680 --> 0:25:27.680
<v Speaker 1>who tried to burn London to the ground. To this day,

0:25:27.840 --> 0:25:37.199
<v Speaker 1>She's still considered a national heroine of Britain. That's the

0:25:37.240 --> 0:25:40.960
<v Speaker 1>story of Boudica and the story of the story of Boudica.

0:25:41.080 --> 0:25:44.280
<v Speaker 1>But keep listening after a brief sponsor break to hear

0:25:44.359 --> 0:25:48.360
<v Speaker 1>a little bit more about rumors that still persist around her.

0:26:01.400 --> 0:26:05.000
<v Speaker 1>There's still no historical consensus as to the location of

0:26:05.040 --> 0:26:11.240
<v Speaker 1>Boudica's remains. One magical but almost certainly not true, holds

0:26:11.280 --> 0:26:14.639
<v Speaker 1>that Boudica was buried in the ashes of Londinium and

0:26:14.720 --> 0:26:18.320
<v Speaker 1>that a train station sprung up in the centuries after

0:26:18.359 --> 0:26:22.520
<v Speaker 1>her death. The rumor is that Boudica's body happens to

0:26:22.560 --> 0:26:27.480
<v Speaker 1>be located far beneath the bricks, directly between platforms nine

0:26:27.560 --> 0:26:32.200
<v Speaker 1>and ten, where at platform nine and three quarters another

0:26:32.320 --> 0:26:37.040
<v Speaker 1>symbol of Britannia has made his claim. Another theory, and

0:26:37.160 --> 0:26:40.120
<v Speaker 1>one I quite like, even though I have absolutely no

0:26:40.320 --> 0:26:45.200
<v Speaker 1>expertise to evaluate its historical accuracy. Actually that's not true.

0:26:45.240 --> 0:26:48.600
<v Speaker 1>In my limited expert opinion, I'll say this one is

0:26:49.000 --> 0:26:53.040
<v Speaker 1>not true. But the idea is that the mysterious Circle

0:26:53.119 --> 0:26:57.600
<v Speaker 1>of Stonehenge was erected in Boudica's honor as a funeral arrangement.

0:26:58.320 --> 0:27:01.240
<v Speaker 1>This was a speculation first put forward by the writer

0:27:01.480 --> 0:27:04.320
<v Speaker 1>Edmund Bolton, who lived in the court of James the

0:27:04.359 --> 0:27:08.720
<v Speaker 1>first and six. I think his historical basis was mostly

0:27:08.800 --> 0:27:12.440
<v Speaker 1>that it would be cool the theory of whoa can

0:27:12.480 --> 0:27:17.520
<v Speaker 1>you imagine what a fun coincidence? A more likely theory

0:27:17.760 --> 0:27:21.280
<v Speaker 1>is one that gives us less to hold onto. We

0:27:21.359 --> 0:27:24.240
<v Speaker 1>don't know how the Iceni tribe dealt with their dead,

0:27:24.359 --> 0:27:28.720
<v Speaker 1>or what their rituals around funerals were, but some other

0:27:28.840 --> 0:27:32.560
<v Speaker 1>tribes in Britain during the Bronze Age simply laid their

0:27:32.600 --> 0:27:36.560
<v Speaker 1>dead out in special places to be desiccated by the

0:27:36.680 --> 0:27:40.639
<v Speaker 1>elements out in the open. It's possible that that's what

0:27:40.760 --> 0:27:44.520
<v Speaker 1>happened to Boudica. If so, there would be nothing left

0:27:44.520 --> 0:27:49.199
<v Speaker 1>of her. She's gone, disappeared into the British soil and

0:27:49.400 --> 0:27:54.040
<v Speaker 1>air and water, nothing left except what we want her

0:27:54.119 --> 0:28:05.200
<v Speaker 1>to be. Noble Blood is a production of I Heart

0:28:05.280 --> 0:28:08.560
<v Speaker 1>Radio and Grimm and Mild from Aaron Mankey. The show

0:28:08.600 --> 0:28:12.640
<v Speaker 1>is written and hosted by Dana Schwartz. Executive producers include

0:28:12.640 --> 0:28:17.119
<v Speaker 1>Aaron Manky, Alex Williams, and Matt Frederick. The show is

0:28:17.160 --> 0:28:21.159
<v Speaker 1>produced by rema Ill Kali and Trevor Young. Noble Blood

0:28:21.200 --> 0:28:24.000
<v Speaker 1>is on social media at Noble Blood Tales, and you

0:28:24.000 --> 0:28:26.240
<v Speaker 1>can learn more about the show over at Noble blood

0:28:26.240 --> 0:28:29.280
<v Speaker 1>Tales dot com. For more podcasts from I heart Radio,

0:28:29.680 --> 0:28:33.040
<v Speaker 1>visit the i heart Radio app, Apple Podcasts, or wherever

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