WEBVTT - Lanterns S1E08

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<v Speaker 1>Warning!

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<v Speaker 2>Today's episode contains spoilers for the season finale of Lanterns

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<v Speaker 2>on HBO.

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<v Speaker 3>Be warned.

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<v Speaker 1>Hello!

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<v Speaker 2>My name is Jason Concepcion.

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<v Speaker 1>And I'm Rosie Knight.

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<v Speaker 2>And welcome back to Extra Vision, the podcast where we

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<v Speaker 2>dive deep into your favorite movies, comics, and pop culture

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<v Speaker 2>coming to you from our heart, where we're bringing you

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<v Speaker 2>three episodes a week.

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<v Speaker 3>Plus news, okay? Plus news.

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<v Speaker 1>In today's episode, we are breaking down that lantern's finale.

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<v Speaker 1>Did it land? Who was the killer? Does it matter?

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<v Speaker 1>Were they punished? We will be breaking it all down.

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<v Speaker 1>And talking about how it will lead in to Man

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<v Speaker 1>of Tomorrow and the rest of James Gunn's DCU.

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<v Speaker 2>Okay, Lanterns. Season finale. We open in 2016, the aftermath

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<v Speaker 2>of the Battle of Rushville.

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<v Speaker 1>Sorry to the town. Fucked.

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<v Speaker 2>The water tower is collapsed. The buildings are in ruins.

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<v Speaker 2>There's body parts in the street. There's bullet casings everywhere.

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<v Speaker 2>We see John walk out of the motel. carrying Hal's

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<v Speaker 2>lantern after sniping Zoe the Manhunter in the head, his girlfriend.

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<v Speaker 2>The militia guys run up and they're about to, I

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<v Speaker 2>don't know, just maybe vigilante justice him right there in

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<v Speaker 2>the street. But Carrie comes.

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<v Speaker 1>Up and is like, stand down!

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<v Speaker 2>And they all stand down. And she's like, where's Hal?

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<v Speaker 2>He points her to Hal. Hal is lying still in

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<v Speaker 2>the ruins of the motel having been beat up by

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<v Speaker 2>Jon Stewart. He's bloody. He's just kind of half out

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<v Speaker 2>of it. She gives him the update. Basically, it's really bad.

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<v Speaker 2>Town's fucked. A lot of people dead. We won't know

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<v Speaker 2>how many for a while. And then she asks him,

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<v Speaker 2>was it worth it? And So what is what was

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<v Speaker 2>what worth it? I understand what like killing the Manhunter.

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<v Speaker 2>Is that what she's asking?

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<v Speaker 1>I think what she's actually asking here is this is

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<v Speaker 1>an acknowledgement between her and him. Like, was it worth

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<v Speaker 1>what's about to happen for protecting my son? Like she's saying, like,

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<v Speaker 1>is it worth it to love me? That's what I

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<v Speaker 1>think she's asking. I think she's basically like, fuck, well,

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<v Speaker 1>you've done it now. And yeah, sure. They do think

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<v Speaker 1>she's the only manhunter and like, was it worth it?

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<v Speaker 1>And he's basically like, well, yeah, let's talk about your

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<v Speaker 1>worth it. Let's talk about this because I agree with

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<v Speaker 1>that read. However, narratively blurry this episode. I think we

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<v Speaker 1>can say that in general.

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<v Speaker 2>I will say, let's pause here to just say this.

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<v Speaker 2>I think that, perhaps because of budgetary reasons, this season,

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<v Speaker 2>which is a really good and almost great season of television,

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<v Speaker 2>was very much like edited and re-edited and chopped and

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<v Speaker 2>screwed and put in different order. All of which is

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<v Speaker 2>to say, hold on, Rosie, your reading, I think, is right.

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<v Speaker 2>And that will play out over the rest of this

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<v Speaker 2>conversation that we're going to talk about. But when you

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<v Speaker 2>get to the end of the episode, Mm-hmm. It seems

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<v Speaker 2>as if Hal finds out then that Noah is a Manhunter,

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<v Speaker 2>but it does seem here that he knows it now

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<v Speaker 2>and there's an unspoken thing between them. So all I

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<v Speaker 2>wish is to say, I think they edited this entire

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<v Speaker 2>season in a way to cover up whether, you know,

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<v Speaker 2>budgetary restrictions, whatever it was in order to make it cohesive.

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<v Speaker 2>And it largely did that. But there are a lot

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<v Speaker 2>of things that ring strange.

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<v Speaker 1>When you look at it. I just want to say,

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<v Speaker 1>I agree with you. And look, all I want to

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<v Speaker 1>say is one of my takes that annoyed everybody the

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<v Speaker 1>most this season was that episode three felt like it

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<v Speaker 1>wasn't the third episode. And I want to say that

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<v Speaker 1>I feel like at the end of this season, I

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<v Speaker 1>have been validated that this show definitely was in a

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<v Speaker 1>different order. We don't know what order, but I'm excited

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<v Speaker 1>as we learn more because I do think, and we're

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<v Speaker 1>going to talk about this more as we talk about

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<v Speaker 1>the show, the performances are so good.

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<v Speaker 2>So good.

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<v Speaker 3>Yeah.

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<v Speaker 1>That it really elevates the show out of what are

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<v Speaker 1>some clear, like plotting issues, pacing issues and choices to

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<v Speaker 1>do with, like you said, I think budgetary issues. Cause

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<v Speaker 1>there is not a lot of Green Lantern action. They

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<v Speaker 1>very much heavily played on this kind of murder mystery,

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<v Speaker 1>but then does that pay off? It's really interesting to see,

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<v Speaker 1>but again, these three core performances just keep us going

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<v Speaker 1>through it.

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<v Speaker 2>So good. So, um, she asks, was it worth it?

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<v Speaker 2>He says, it's funny you say that because I asked

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<v Speaker 2>Jon Stewart the same thing. She asks, because again, protecting

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<v Speaker 2>her son, what will the Guardians say? And seeming as

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<v Speaker 2>if Hal understands the subtext of her question, that she's

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<v Speaker 2>concerned about her son, he says, well, the Guardians are

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<v Speaker 2>going to be happy because a Manhunter is dead. They're

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<v Speaker 2>going to be unhappy because I broke the rules to

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<v Speaker 2>make that happen. But when I take the full rap

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<v Speaker 2>for this and go away to prison, they're not going

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<v Speaker 2>to have much incentive to look any further. Essentially, he's saying, hey,

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<v Speaker 2>don't worry about it. Your son is safe. That's what

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<v Speaker 2>it seems like to me.

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<v Speaker 1>What if actually I give a different read because as

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<v Speaker 1>we're breaking it down, I'm working. I think this could

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<v Speaker 1>narratively work with the timeline. What if right now he

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<v Speaker 1>thinks Kerry is the manhunter? And that's who he's trying

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<v Speaker 1>to protect. He can just tell that there's something else

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<v Speaker 1>going on. So his bigger thing is just don't investigate.

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<v Speaker 1>So it's not that he knows it's Noah, which would

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<v Speaker 1>explain why he's still surprised. It's just that in that moment,

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<v Speaker 1>he's like, they're not going to investigate anymore. You can

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<v Speaker 1>keep whatever weird shit you've got going on here. If

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<v Speaker 1>you're a manhunter, wink, wink, nudge, nudge. I think, And

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<v Speaker 1>then obviously the love story goes from there, but something

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<v Speaker 1>that I think we both agree on, Jason, not enough

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<v Speaker 1>of that on.

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<v Speaker 2>The page for me. Again, you put your finger right

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<v Speaker 2>on it. Kyle Chandler, Kelly MacDonald, and Aaron Pierre absolutely

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<v Speaker 2>killed this, carried it, and they were so good.

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<v Speaker 1>However.

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<v Speaker 2>for this love story to like, they make this love

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<v Speaker 2>story work when there's nothing on the page. There's like,

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<v Speaker 2>it's like, they just kind of fall in love and

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<v Speaker 2>their performance lets you buy it. But there's none of

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<v Speaker 2>the kind of like hard work of like building that

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<v Speaker 2>relationship really on the screen. Because then we fast forward

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<v Speaker 2>10 years, Carrie, who is now deeply in love with

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<v Speaker 2>Al is waiting for him outside of prison. She's brought

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<v Speaker 2>Schlitz beer. Um, She then drives off with him back

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<v Speaker 2>to Rushville. They are eating. It's been like a week

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<v Speaker 2>or a couple of weeks or something. They're eating at

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<v Speaker 2>the local pizza restaurant. Everybody in the literally everybody in

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<v Speaker 2>the restaurant is staring daggers into Hal. And he's like, fuck,

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<v Speaker 2>you know, maybe this was a bad idea. You know, like,

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<v Speaker 2>should we have gone public so soon? She's like, I

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<v Speaker 2>don't want to sneak around anymore.

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<v Speaker 1>And it's been 10 years. Yeah.

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<v Speaker 2>For 10 years to be sneaking around. And now for

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<v Speaker 2>two weeks in town, she's been sneaking around. So she

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<v Speaker 2>stands up and she makes this speech basically saying, hey,

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<v Speaker 2>I understand that because of the brutal destruction of the

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<v Speaker 2>town and the deaths of many of your loved ones

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<v Speaker 2>and the fact that you no longer receive free medical

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<v Speaker 2>care from the Manhunter, you hate this man.

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<v Speaker 1>But he dicks me down really good, so he's here.

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<v Speaker 1>And we've been letter writing each other for 20 years

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<v Speaker 1>and the anticipation is crazy. Like, come on, guys. What

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<v Speaker 1>was she expecting? This is so... Also, can I just say, Kerry,

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<v Speaker 1>you are kind of sly because this has also got

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<v Speaker 1>like a... I do have a kind of Gone Girl

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<v Speaker 1>read on this where like, Kerry is always telling everyone

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<v Speaker 1>how much everyone hated Hal, but is that true? Or

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<v Speaker 1>is that just what she tells everyone because she fucking

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<v Speaker 1>killed him? Like, we don't actually know if these people

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<v Speaker 1>hated Hal. Like, this is just her journal version of it.

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<v Speaker 1>Because you are the killer. You're just making up suspects.

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<v Speaker 2>So she makes that speech, which everyone does not accept, but.

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<v Speaker 1>It keeps everybody quiet in that moment.

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<v Speaker 2>She's like, listen, you're going to have to deal with it. Like,

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<v Speaker 2>his dick is real good. And it was worth waiting

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<v Speaker 2>10 years.

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<v Speaker 1>10 years in jail? Like, what was this man saying?

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<v Speaker 2>So later, after some great sex, apparently, Hal would like

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<v Speaker 2>Carrie to stay, but she can't yet because of Noah.

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<v Speaker 1>Kind of cold to not stay after the first post-conjugal

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<v Speaker 1>sex of 10 years. She just walks straight out after.

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<v Speaker 1>She's hardcore. That's how you know about Sheriff Kerry.

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<v Speaker 2>That's why he probably thinks she's the manhunter. True.

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<v Speaker 1>It's also probably why he thinks she's hot. Because she

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<v Speaker 1>won't sleep in the bed.

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<v Speaker 2>So she's like, no, I can't because of Noah. And

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<v Speaker 2>he's like, well, Noah probably knows about us. And he's like, yeah,

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<v Speaker 2>but there's a difference between knowing and knowing. Accepting, yeah.

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<v Speaker 2>I don't want him to wake up alone yet. Later,

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<v Speaker 2>after she leaves, Hal is preparing Earl's meal when his

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<v Speaker 2>home is firebombed. And Earl is screaming horribly as Hal

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<v Speaker 2>is running to and fro trying to find like a

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<v Speaker 2>window he can jump out of or something. But the

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<v Speaker 2>flames are growing too high and he can't get to

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<v Speaker 2>the front door. It's curtains for him and Earl. And

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<v Speaker 2>it certainly seems like he dies. And I will say

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<v Speaker 2>here's another place where now we know that Earl survived.

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<v Speaker 2>because we see that John when he comes to Rushville

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<v Speaker 2>in 2026 like that yeah Earl's there but also can

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<v Speaker 2>I it does seem like Earl dies in this moment

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<v Speaker 2>because there is no closure about it there you don't

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<v Speaker 2>see where he is I need.

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<v Speaker 1>To understand what happened to Hal Jordan's other house and

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<v Speaker 1>his money. Because why is he living brokely in the

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<v Speaker 1>town when he had that giant ass house that somebody

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<v Speaker 1>gave him? He could have sold that house.

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<v Speaker 2>He probably sold it and had to pay restitution to

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<v Speaker 2>the town.

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<v Speaker 3>Oh, okay.

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<v Speaker 1>True, true, true.

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<v Speaker 3>Yeah.

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<v Speaker 1>I mean, again... A little bit of telling and showing

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<v Speaker 1>wouldn't hurt, guys. Like, just a little bit. Just a

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<v Speaker 1>little bit. But still, the good thing is these performances

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<v Speaker 1>do carry it.

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<v Speaker 3>Yes.

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<v Speaker 1>And then we see that Hal is not dead. He's

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<v Speaker 1>not dead.

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<v Speaker 2>He wakes up in the slaughterhouse, in the high-tech alien slaughterhouse,

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<v Speaker 2>and Noah is there. The Manhunter has healed him. And

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<v Speaker 2>he's like, yes, I healed you. You've got new skin now,

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<v Speaker 2>just like my mother. my grandmother did with Jon Stewart.

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<v Speaker 2>Now don't tell my mom because she doesn't know that

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<v Speaker 2>I know what I am. So let's just keep it quiet.

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<v Speaker 2>We go to the present. We are in the weird

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<v Speaker 2>factory in the middle of the lake of the fear planet.

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<v Speaker 2>Sinestro has just been telling Jon Stewart this entire tale

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<v Speaker 2>and he's chained to a chair. Sinestro is like, Noah's

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<v Speaker 2>very powerful now. You know, he was growing up, and

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<v Speaker 2>now he's a full-grown Manhunter man. And John's like, what

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<v Speaker 2>the fuck are you doing here, Sinestro? Like, why were

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<v Speaker 2>you here?

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<v Speaker 1>Yeah, like, what's even going on?

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<v Speaker 2>Yeah, what's even going on? And Sinestro's like, well, Zoe,

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<v Speaker 2>who you were fucking, the grandmother of the Manhunter, built

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<v Speaker 2>this facility and used the portal to visit this planet

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<v Speaker 2>because she basically felt really bad that she did a

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<v Speaker 2>huge genocide and killed an entire planet. Now she feels

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<v Speaker 2>bad about it. Isn't that nice? And I would tell

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<v Speaker 2>you more, Jon Stewart, but you're like not even a trainee.

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<v Speaker 2>You're like a nothing. I want to talk to Hal,

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<v Speaker 2>AI Hal. I know that real Hal is dead, but

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<v Speaker 2>I want to talk to AI Hal. I want to

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<v Speaker 2>talk to him right now. Jon Stewart's like, no. And

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<v Speaker 2>then takes Sinestro out to the water, which remember has

0:12:15.200 --> 0:12:16.430
<v Speaker 2>all the fear chemicals in it.

0:12:16.440 --> 0:12:17.400
<v Speaker 1>The nightmare water.

0:12:18.250 --> 0:12:20.570
<v Speaker 2>And waterboards him in the fear water.

0:12:21.010 --> 0:12:23.750
<v Speaker 1>He was a marine. Don't forget, he's a marine. He's like,

0:12:23.770 --> 0:12:26.350
<v Speaker 1>I'm going to waterboard you in this hell water. Like,

0:12:26.530 --> 0:12:27.250
<v Speaker 1>fuck you.

0:12:28.050 --> 0:12:31.750
<v Speaker 2>Sinestra's like, oh, no, no. Okay, okay. I'll tell you everything.

0:12:31.790 --> 0:12:36.200
<v Speaker 2>So he's like, okay, here's what happened. Noah broke me

0:12:36.410 --> 0:12:42.780
<v Speaker 2>out of Oa so that I could forge Noah a lantern.

0:12:42.280 --> 0:12:45.319
<v Speaker 1>And Insane plot twist, by the way.

0:12:45.640 --> 0:12:50.360
<v Speaker 2>And that he would then use the power of the lantern, right,

0:12:50.380 --> 0:12:55.240
<v Speaker 2>to kill a guardian. That's his plan.

0:12:55.440 --> 0:12:58.920
<v Speaker 1>Basically, because he knew Sinestro had beaten a guardian with

0:12:58.980 --> 0:13:00.839
<v Speaker 1>the ring, right? And he felt like that was a

0:13:00.860 --> 0:13:01.960
<v Speaker 1>way to protect himself.

0:13:01.980 --> 0:13:03.700
<v Speaker 2>Just in case the guardians came after him.

0:13:03.720 --> 0:13:06.620
<v Speaker 1>Although, he'll lay that out later. The fact you can

0:13:06.660 --> 0:13:09.380
<v Speaker 1>forge a lantern and a ring just casually like.

0:13:09.240 --> 0:13:10.880
<v Speaker 2>That, I feel like has to be a larger.

0:13:10.900 --> 0:13:12.340
<v Speaker 1>Sinestro's the best to ever do it. But that has

0:13:12.380 --> 0:13:14.720
<v Speaker 1>to be a larger plot point in the coming DCEU,

0:13:14.740 --> 0:13:15.960
<v Speaker 1>because that feels huge.

0:13:16.200 --> 0:13:18.970
<v Speaker 2>Yeah, I agree. I hope we will discover more, but

0:13:19.000 --> 0:13:21.430
<v Speaker 2>it just proves, again, Sinestro the greatest to ever do it,

0:13:21.450 --> 0:13:27.010
<v Speaker 2>certainly at this point. And... Sinestro then explains that like, listen,

0:13:27.030 --> 0:13:28.870
<v Speaker 2>this lantern is not like other lanterns.

0:13:29.130 --> 0:13:29.470
<v Speaker 1>Okay.

0:13:29.870 --> 0:13:32.280
<v Speaker 2>And we will talk, Rosie, you will explain to us

0:13:32.800 --> 0:13:40.700
<v Speaker 2>the green verse, yellow impurity verse, uh, fearless verse fear

0:13:40.820 --> 0:13:43.599
<v Speaker 2>dichotomy that exists in the comics lore that they kind

0:13:43.620 --> 0:13:47.209
<v Speaker 2>of just barely touch on here. So Sinestro has built

0:13:47.270 --> 0:13:53.000
<v Speaker 2>this lantern, um, from the distilled energies of this planet

0:13:53.540 --> 0:13:56.020
<v Speaker 2>and the genocide that happened here and the great amount

0:13:56.080 --> 0:13:58.479
<v Speaker 2>of fear that was here of the people as they

0:13:58.500 --> 0:14:04.189
<v Speaker 2>were dying, their souls. And John's like, but that's bad, right?

0:14:04.630 --> 0:14:06.990
<v Speaker 2>I thought Green Lantern's fearless and all that stuff. And

0:14:07.010 --> 0:14:09.210
<v Speaker 2>I was like, no, no, no, no. And Sinestro here

0:14:09.290 --> 0:14:12.450
<v Speaker 2>lays out the kind of philosophical issue that he had

0:14:12.490 --> 0:14:14.959
<v Speaker 2>with the Guardians that caused his break with the Guardians,

0:14:15.410 --> 0:14:21.820
<v Speaker 2>which is, his pursuit of yellow and the yellow impurity,

0:14:21.900 --> 0:14:23.800
<v Speaker 2>what it really meant. And he had come to discover

0:14:23.840 --> 0:14:27.040
<v Speaker 2>that no, actually yellow and fear is actually good. If

0:14:27.100 --> 0:14:31.440
<v Speaker 2>you get the balance, right. Because fear makes you careful fear,

0:14:31.600 --> 0:14:34.350
<v Speaker 2>like show me a fearless species and I will show

0:14:34.370 --> 0:14:36.590
<v Speaker 2>you species on the edge of extinction. You don't learn

0:14:36.630 --> 0:14:42.310
<v Speaker 2>if you're not afraid. And he's like, go ahead, charge

0:14:42.350 --> 0:14:45.470
<v Speaker 2>it up. See what happens in the rink. Hal appears AI, Hal.

0:14:46.020 --> 0:14:49.360
<v Speaker 2>And Sinestro's like, oh, good, Hal. There's some great actually

0:14:49.480 --> 0:14:54.160
<v Speaker 2>acting here. Because the way that Sinestro reacts when Hal

0:14:54.280 --> 0:14:57.590
<v Speaker 2>appears and he kind of like jerks forward and there's

0:14:57.610 --> 0:15:02.690
<v Speaker 2>this immense relief on his face is really something. And

0:15:03.150 --> 0:15:07.790
<v Speaker 2>Sinestro's like, Hal, listen. You're realer than just a hologram

0:15:07.830 --> 0:15:08.850
<v Speaker 2>because of Jon Stewart.

0:15:09.410 --> 0:15:09.630
<v Speaker 1>Yep.

0:15:10.110 --> 0:15:13.350
<v Speaker 2>If you team up with me, help me right now

0:15:13.530 --> 0:15:19.050
<v Speaker 2>against Jon... Take the ring. Get the lantern. I can

0:15:19.430 --> 0:15:22.090
<v Speaker 2>bring you back to life for real. Like, really bring

0:15:22.110 --> 0:15:26.790
<v Speaker 2>you back to life. It can really happen. Hal mulls

0:15:26.860 --> 0:15:29.560
<v Speaker 2>it over. You know, he never really gets close, but

0:15:29.580 --> 0:15:31.880
<v Speaker 2>he does think about it. And he says, you know what?

0:15:31.900 --> 0:15:34.760
<v Speaker 2>You talk too much. You're annoying. I'm not going to

0:15:34.800 --> 0:15:35.100
<v Speaker 2>do that.

0:15:35.760 --> 0:15:36.240
<v Speaker 1>Yeah.

0:15:38.320 --> 0:15:41.520
<v Speaker 2>So... We learned that if Jon Stewart charges the ring

0:15:41.540 --> 0:15:44.710
<v Speaker 2>because AI Hal is coming from the 7% or 5%.

0:15:44.710 --> 0:15:47.210
<v Speaker 2>By the way, previous it was 5%, now it's 7%.

0:15:47.210 --> 0:15:49.330
<v Speaker 2>This is showing you again, there's a lot of chopped

0:15:49.350 --> 0:15:51.050
<v Speaker 2>and screwed stuff that happened.

0:15:51.070 --> 0:15:55.870
<v Speaker 1>Right, I'm saying. Also, Super Producer Joelle, who this is

0:15:55.930 --> 0:15:58.790
<v Speaker 1>why we love her and our Super Producer team. Episode

0:15:58.790 --> 0:16:01.390
<v Speaker 1>3 was originally supposed to be Episode 5. It has

0:16:01.430 --> 0:16:03.820
<v Speaker 1>now been confirmed. So we are starting to get these

0:16:03.880 --> 0:16:06.560
<v Speaker 1>confirmations that it went out of order.

0:16:07.060 --> 0:16:07.340
<v Speaker 2>Right?

0:16:07.860 --> 0:16:08.900
<v Speaker 1>So that's really interesting.

0:16:08.920 --> 0:16:14.170
<v Speaker 2>So... So, of course, AI Hal is based inside the ring,

0:16:14.190 --> 0:16:19.770
<v Speaker 2>a download of real Hal's consciousness, but from 10 years ago.

0:16:20.470 --> 0:16:24.010
<v Speaker 2>And if Jon charges it off of this new unofficial lantern,

0:16:24.190 --> 0:16:26.170
<v Speaker 2>it will basically do a full reboot on the ring

0:16:26.200 --> 0:16:33.520
<v Speaker 2>and erase AI Hal from the ring. Sinestro tells Jon

0:16:33.580 --> 0:16:38.760
<v Speaker 2>Stewart now, in this wonderful Hannibal Lecter playing all sides, says, Well,

0:16:38.800 --> 0:16:42.160
<v Speaker 2>don't trust Hal, who's saying don't charge the ring because

0:16:43.600 --> 0:16:45.160
<v Speaker 2>Hal knows.

0:16:45.060 --> 0:16:46.740
<v Speaker 1>If you charge the ring, he will disappear.

0:16:47.940 --> 0:16:50.580
<v Speaker 2>And so you really, there's this like ominous feeling of

0:16:50.660 --> 0:16:53.540
<v Speaker 2>like what could happen if John charges the ring off

0:16:53.590 --> 0:16:57.470
<v Speaker 2>this lantern. John and Hal leave Sinestro chained to the

0:16:57.490 --> 0:17:02.830
<v Speaker 2>chair on the island. As they row away, Hal suggests that,

0:17:04.090 --> 0:17:06.970
<v Speaker 2>you know, maybe Sinestro's right. Like I understand like we

0:17:07.010 --> 0:17:11.060
<v Speaker 2>don't trust this lantern. Comes from a very ominous type

0:17:11.080 --> 0:17:14.900
<v Speaker 2>of energy. But if you face Noah alone, he will

0:17:14.960 --> 0:17:17.119
<v Speaker 2>kill you. Like, you do not have the power to

0:17:17.180 --> 0:17:21.220
<v Speaker 2>deal with a Manhunter as a regular human man. And

0:17:22.220 --> 0:17:25.560
<v Speaker 2>Hal then asks, what were my last words to you,

0:17:25.660 --> 0:17:29.460
<v Speaker 2>Jon Stewart, in real life? Like, when you had punched

0:17:29.480 --> 0:17:31.940
<v Speaker 2>me in the face and then what happened? And Jon goes,

0:17:32.020 --> 0:17:34.899
<v Speaker 2>you told me not to tell anybody I was in Rushville. Why?

0:17:35.380 --> 0:17:40.460
<v Speaker 2>Because Noah would assume... that Hal told Jon Stewart about

0:17:41.540 --> 0:17:42.129
<v Speaker 2>Noah being a man.

0:17:42.180 --> 0:17:42.860
<v Speaker 1>Exactly.

0:17:43.619 --> 0:17:47.080
<v Speaker 2>Hal now insists like, you know, Junior, I'm trying to

0:17:47.119 --> 0:17:50.160
<v Speaker 2>protect you. I'm trying to protect you, Jon. And Hal's like, yeah,

0:17:50.560 --> 0:17:52.379
<v Speaker 2>now you're trying to protect me when you're dead. And

0:17:52.440 --> 0:17:54.830
<v Speaker 2>it's like, he doesn't really, it doesn't mean that much

0:17:54.880 --> 0:17:56.770
<v Speaker 2>to him. Although I think it does affect him, but

0:17:57.380 --> 0:18:02.450
<v Speaker 2>on the surface, he reacts to it very negatively. Hal says, listen,

0:18:02.570 --> 0:18:04.970
<v Speaker 2>you better charge the ring. They go to the portal

0:18:05.410 --> 0:18:07.940
<v Speaker 2>and Hal's like, what's the plan? And Jon says, well,

0:18:09.140 --> 0:18:12.820
<v Speaker 2>Noah's got a big football game, championship game, and so

0:18:13.330 --> 0:18:15.719
<v Speaker 2>that will buy me some time to figure out what

0:18:15.770 --> 0:18:19.010
<v Speaker 2>to do. I'm not sure what to do, but I'm

0:18:19.130 --> 0:18:21.949
<v Speaker 2>betting that if I don't charge the ring, I'll be

0:18:21.990 --> 0:18:24.410
<v Speaker 2>fine because Noah won't kill me based on my gut.

0:18:24.750 --> 0:18:26.690
<v Speaker 2>You know, the show's been a lot about gut instincts,

0:18:26.730 --> 0:18:28.010
<v Speaker 2>and this is Jon Stewart's gut instincts.

0:18:28.050 --> 0:18:28.290
<v Speaker 1>Yep.

0:18:28.970 --> 0:18:31.310
<v Speaker 2>He drops through the portal, and Noah is there and

0:18:31.350 --> 0:18:35.090
<v Speaker 2>just kicks the shit out of Jon Stewart easily. They

0:18:35.109 --> 0:18:40.040
<v Speaker 2>then get in. John Stewart's truck and drive off ostensibly

0:18:40.080 --> 0:18:45.330
<v Speaker 2>towards the football game. And they arrive at a crossroads.

0:18:45.369 --> 0:18:49.090
<v Speaker 2>This is like literal storytelling right here.

0:18:49.470 --> 0:18:53.730
<v Speaker 1>I know. I was like, guys, when you were cutting up,

0:18:53.770 --> 0:18:55.609
<v Speaker 1>you didn't have a time to like make this a

0:18:55.630 --> 0:18:57.869
<v Speaker 1>bit less literal, but it's okay. It's okay. We like it.

0:18:57.890 --> 0:19:01.850
<v Speaker 1>They're at the crossroads. They're at the crossroads of the road.

0:19:02.390 --> 0:19:07.350
<v Speaker 2>And clearly if Noah, uh, tells John to drive straight

0:19:07.470 --> 0:19:09.910
<v Speaker 2>and go towards the game, then he's going to let

0:19:10.210 --> 0:19:10.690
<v Speaker 2>John live.

0:19:10.710 --> 0:19:11.210
<v Speaker 3>Exactly.

0:19:11.350 --> 0:19:13.750
<v Speaker 2>But if he makes him drive somewhere else, he's probably

0:19:13.770 --> 0:19:16.730
<v Speaker 2>going to kill John, right? But then Noah, who hasn't

0:19:16.750 --> 0:19:18.370
<v Speaker 2>made up his mind yet, is like, yeah, keep going

0:19:18.390 --> 0:19:21.780
<v Speaker 2>towards the game. They arrive at the school and they

0:19:21.820 --> 0:19:26.900
<v Speaker 2>make some small talk about high school bands and about football.

0:19:27.540 --> 0:19:29.840
<v Speaker 2>And then Noah tells John, you know what? I didn't

0:19:29.920 --> 0:19:34.000
<v Speaker 2>burn Hal's house, by the way, just so you know. Yep. I,

0:19:34.080 --> 0:19:37.710
<v Speaker 2>in fact, saved him. life and john stewart is like

0:19:37.760 --> 0:19:40.900
<v Speaker 2>great that is showing that my gut is right because

0:19:40.940 --> 0:19:43.919
<v Speaker 2>that shows that that's the opposite of your programming helping

0:19:43.960 --> 0:19:46.680
<v Speaker 2>the green lantern or former green lantern when he's a

0:19:46.680 --> 0:19:48.219
<v Speaker 2>threat to you and really what you should do is.

0:19:48.200 --> 0:19:50.980
<v Speaker 1>Kill him um and.

0:19:53.060 --> 0:19:56.220
<v Speaker 2>He then, but then Noah says, complicates it by saying yes,

0:19:56.300 --> 0:20:00.199
<v Speaker 2>but also when Hal found my portal and figured out

0:20:00.240 --> 0:20:02.679
<v Speaker 2>what I was doing, then I did kill him. I

0:20:02.760 --> 0:20:06.160
<v Speaker 2>had to kill him. John Stewart seemingly accepts this, but,

0:20:06.720 --> 0:20:11.210
<v Speaker 2>but he, There isn't like, he's like, this is great

0:20:11.310 --> 0:20:13.250
<v Speaker 2>acting again by Pierre, because.

0:20:13.090 --> 0:20:16.690
<v Speaker 1>I got to tell you, man, this had me so

0:20:16.730 --> 0:20:21.879
<v Speaker 1>emotionally engaged. it's also a conversation about himself and his

0:20:21.920 --> 0:20:25.480
<v Speaker 1>family and his own expectations. It works so well. This

0:20:25.540 --> 0:20:27.900
<v Speaker 1>is the reason that I do say, in the end,

0:20:27.980 --> 0:20:31.190
<v Speaker 1>I buy Noah being the Manhunter. Simply, I understand why

0:20:31.230 --> 0:20:34.210
<v Speaker 1>they went with it because the echoes between his life

0:20:34.270 --> 0:20:36.410
<v Speaker 1>and John's life make so much sense. And it does

0:20:36.470 --> 0:20:37.830
<v Speaker 1>emotionally hit when it works.

0:20:38.130 --> 0:20:41.449
<v Speaker 2>That's a great point. Just to kind of like step aside,

0:20:41.970 --> 0:20:44.629
<v Speaker 2>for me, this show is a good show that was

0:20:44.690 --> 0:20:47.879
<v Speaker 2>almost great. And I think it transcended a lot of,

0:20:48.820 --> 0:20:52.710
<v Speaker 2>clear like sequencing issues and perhaps budgetary issues. And the

0:20:52.770 --> 0:20:56.450
<v Speaker 2>reason it's, it's even that good, which is very good

0:20:56.810 --> 0:20:59.619
<v Speaker 2>is because, you know, the three, the talent of the

0:20:59.660 --> 0:21:05.570
<v Speaker 2>three leads and two is, Every important scene, like if

0:21:05.630 --> 0:21:09.130
<v Speaker 2>there are five or six important scenes in a season

0:21:09.170 --> 0:21:12.909
<v Speaker 2>of TV, this being one of them, the conversation in

0:21:13.070 --> 0:21:16.840
<v Speaker 2>the car, it nailed every single one of those scenes.

0:21:16.940 --> 0:21:18.180
<v Speaker 2>The other scenes are rocky.

0:21:18.200 --> 0:21:18.820
<v Speaker 1>The same as episode three.

0:21:19.100 --> 0:21:19.419
<v Speaker 2>Yes.

0:21:19.500 --> 0:21:22.320
<v Speaker 1>Right? Where it smashed all the stuff it needed to

0:21:22.359 --> 0:21:24.740
<v Speaker 1>to establish the baseline of what the show was about.

0:21:25.380 --> 0:21:26.520
<v Speaker 1>I totally agree with you.

0:21:27.160 --> 0:21:32.109
<v Speaker 2>So, again, great acting by Pierre, who... makes it seem

0:21:32.170 --> 0:21:37.010
<v Speaker 2>like John accepts this explanation that Noah killed Hal, but

0:21:37.070 --> 0:21:39.010
<v Speaker 2>you can tell the light doesn't go on in a

0:21:39.050 --> 0:21:42.159
<v Speaker 2>certain way and that he is still, he doesn't believe it.

0:21:42.480 --> 0:21:45.800
<v Speaker 1>Even though he's saying he believes it. Great echo here

0:21:45.960 --> 0:21:49.740
<v Speaker 1>in that moment from where he's with Zoe and he

0:21:49.760 --> 0:21:53.300
<v Speaker 1>says to her, I see you. And she says, I know.

0:21:53.640 --> 0:21:55.890
<v Speaker 1>And she feels like he means in the moment that

0:21:55.950 --> 0:21:57.710
<v Speaker 1>he is seeing who she is and what she wants

0:21:57.770 --> 0:22:00.190
<v Speaker 1>to show him, but he's telling her, I see exactly

0:22:00.230 --> 0:22:02.310
<v Speaker 1>what you actually are doing and what your plan is

0:22:02.350 --> 0:22:04.850
<v Speaker 1>and what you need from me. And I like that here,

0:22:04.930 --> 0:22:08.430
<v Speaker 1>it's that same kind of like, yeah, Noah, sure. But

0:22:08.590 --> 0:22:11.129
<v Speaker 1>his mind is still going. He's still working out what

0:22:11.150 --> 0:22:12.010
<v Speaker 1>the real play is.

0:22:12.770 --> 0:22:15.889
<v Speaker 2>So Noah is like, I bet you're wondering if I'm

0:22:15.910 --> 0:22:19.409
<v Speaker 2>going to kill you. And Jon Stewart's like, yeah, I

0:22:19.480 --> 0:22:24.899
<v Speaker 2>really am. And it's clear that Noah himself isn't actually sure.

0:22:24.960 --> 0:22:27.600
<v Speaker 2>Like it's kind of hanging on a knife's edge. But

0:22:28.340 --> 0:22:30.730
<v Speaker 2>they end up, Like, again, at the game, and that's

0:22:30.770 --> 0:22:35.150
<v Speaker 2>a good sign, does Jon Stewart believe that Noah can

0:22:35.270 --> 0:22:37.870
<v Speaker 2>overcome his programming? This is what Noah kind of wants

0:22:37.910 --> 0:22:40.760
<v Speaker 2>to know. And Jon, as a way to say yes,

0:22:40.880 --> 0:22:44.459
<v Speaker 2>tells Noah about his own upbringing, the kind of brutal,

0:22:45.320 --> 0:22:48.859
<v Speaker 2>abusive childhood that he was raised under, and how, after

0:22:48.920 --> 0:22:53.850
<v Speaker 2>it all, he began to question everything that all the

0:22:53.900 --> 0:22:57.389
<v Speaker 2>ideals he was instilled with, and that just that questioning,

0:22:57.830 --> 0:23:01.450
<v Speaker 2>that crack in the door, showed him that he could

0:23:01.670 --> 0:23:04.369
<v Speaker 2>live his own life. He didn't have to be the

0:23:04.410 --> 0:23:05.929
<v Speaker 2>person that he was raised to be. He could be

0:23:05.990 --> 0:23:09.340
<v Speaker 2>anybody he wanted to be. And so he's basically telling Noah, like,

0:23:09.400 --> 0:23:10.800
<v Speaker 2>you can be a good person. It's your choice. You

0:23:10.820 --> 0:23:12.540
<v Speaker 2>don't need to be a manhunter.

0:23:12.580 --> 0:23:12.760
<v Speaker 1>Right.

0:23:13.200 --> 0:23:16.120
<v Speaker 2>So Noah then tells Jon Stewart how. Well, that's good

0:23:16.140 --> 0:23:18.680
<v Speaker 2>to hear because, like, one part of me just wants

0:23:18.720 --> 0:23:20.460
<v Speaker 2>to be a normal guy, you know, and get a— Mm-hmm.

0:23:20.950 --> 0:23:23.090
<v Speaker 2>meet a nice girl and get married and have a

0:23:23.250 --> 0:23:25.530
<v Speaker 2>normal job and go to work and come home and

0:23:25.570 --> 0:23:29.930
<v Speaker 2>have kids and yada, yada, yada. However, the other part

0:23:29.970 --> 0:23:33.010
<v Speaker 2>of me thinks, you know, it would be so easy.

0:23:33.530 --> 0:23:38.270
<v Speaker 2>Ride football to the heights of political power, get into

0:23:38.310 --> 0:23:41.390
<v Speaker 2>the Senate, maybe the White House, get access to all

0:23:41.470 --> 0:23:45.500
<v Speaker 2>the best weapons and then run the, basically take over

0:23:45.580 --> 0:23:48.080
<v Speaker 2>the world. And if anybody tried to stop me, I

0:23:48.100 --> 0:23:50.960
<v Speaker 2>would have a ring and a lantern, which Sinestro forged

0:23:51.000 --> 0:23:55.129
<v Speaker 2>for me, and I would kill anything that comes between.

0:23:54.869 --> 0:23:57.010
<v Speaker 1>Me and power, including a guardian.

0:23:57.030 --> 0:24:02.369
<v Speaker 2>And he then says to John, by the way, if

0:24:02.410 --> 0:24:03.990
<v Speaker 2>you could see the inside of my head, you would

0:24:04.070 --> 0:24:08.980
<v Speaker 2>never stop screaming. Yeah. And then he gives the ring back.

0:24:09.520 --> 0:24:12.100
<v Speaker 1>I want to say. Yes. I think this is so

0:24:12.220 --> 0:24:14.860
<v Speaker 1>interesting because I was talking to Joelle about this sequence.

0:24:14.880 --> 0:24:18.000
<v Speaker 1>I think it's a great sequence. I also think. That

0:24:18.180 --> 0:24:20.990
<v Speaker 1>with the way we are in 2026, we're again at

0:24:21.050 --> 0:24:24.350
<v Speaker 1>the subtext texting. because this is also kind of just

0:24:24.369 --> 0:24:27.629
<v Speaker 1>the statement about being a white kid in a town

0:24:27.670 --> 0:24:30.389
<v Speaker 1>where everyone's supporting you to go to college, like being

0:24:30.450 --> 0:24:33.230
<v Speaker 1>a white man, being a white person, it is kind

0:24:33.260 --> 0:24:36.460
<v Speaker 1>of easy to just rise up the ranks and become evil, right?

0:24:36.800 --> 0:24:39.280
<v Speaker 1>So I kind of also love that once again, the

0:24:39.320 --> 0:24:42.440
<v Speaker 1>text is catching up with the show and it's like, yeah,

0:24:42.480 --> 0:24:46.010
<v Speaker 1>that's really nefarious and evil, but also like there's already

0:24:46.050 --> 0:24:48.149
<v Speaker 1>people in power doing that kind of shit. Like it

0:24:48.210 --> 0:24:50.470
<v Speaker 1>feels scarier than ever. I thought this was a great

0:24:50.510 --> 0:24:53.460
<v Speaker 1>moment again, they smashed this scene just where they needed

0:24:53.500 --> 0:24:54.050
<v Speaker 1>to smash it.

0:24:54.580 --> 0:24:55.639
<v Speaker 2>Yeah, I agree.

0:24:55.660 --> 0:24:56.899
<v Speaker 1>I will say that.

0:24:59.660 --> 0:25:05.470
<v Speaker 2>I have issues where John lands with regards to Noah,

0:25:05.510 --> 0:25:24.960
<v Speaker 2>but we will talk about that later. Okay, so Noah

0:25:24.980 --> 0:25:28.340
<v Speaker 2>gives the ring back. He then asks Jon Stewart for

0:25:28.400 --> 0:25:30.859
<v Speaker 2>a favor. He's like, kill me. I'm not sure.

0:25:30.880 --> 0:25:32.580
<v Speaker 1>Can you just kill me, please? No, leave my son.

0:25:32.600 --> 0:25:34.800
<v Speaker 2>Can you please kill me? Give me the mercy that

0:25:34.840 --> 0:25:38.200
<v Speaker 2>you gave my grandmother. I'm not sure that I'm going

0:25:38.220 --> 0:25:40.560
<v Speaker 2>to be able to hold it together and not become

0:25:40.800 --> 0:25:46.409
<v Speaker 2>like a super villain that takes over the world. And

0:25:46.520 --> 0:25:49.119
<v Speaker 2>so at some point, just snipe me, don't let me

0:25:49.160 --> 0:25:51.260
<v Speaker 2>know it's coming, let me finish the game, and then

0:25:51.300 --> 0:25:52.740
<v Speaker 2>snipe me, bye. And he gets out of the car

0:25:52.780 --> 0:25:53.340
<v Speaker 2>to go play the game.

0:25:53.760 --> 0:25:56.840
<v Speaker 1>Crazy thing to ask somebody, by the way. Truly. Just insane.

0:25:56.859 --> 0:25:59.740
<v Speaker 2>John Stewart then tries to conjure Hal, but Hal does

0:25:59.800 --> 0:26:03.430
<v Speaker 2>not appear. John Stewart goes and finds Carrie on the sidelines.

0:26:03.470 --> 0:26:07.649
<v Speaker 2>They're watching Noah, who is very tiny, running behind his

0:26:07.690 --> 0:26:11.970
<v Speaker 2>tiny offensive line. And he's apparently five for five with

0:26:12.330 --> 0:26:15.639
<v Speaker 2>an unknown amount of running yards. They chat about football

0:26:15.660 --> 0:26:17.560
<v Speaker 2>for a little while, and then she drops a hammer.

0:26:17.580 --> 0:26:20.580
<v Speaker 2>She's like, you lied to me. You were supposed to

0:26:20.619 --> 0:26:22.270
<v Speaker 2>wait for me to go to storage unit, and you

0:26:22.310 --> 0:26:22.810
<v Speaker 2>didn't go.

0:26:22.830 --> 0:26:26.090
<v Speaker 1>And is it because.

0:26:25.930 --> 0:26:27.810
<v Speaker 2>You don't trust me? And Jon Stewart's like, yes, it's

0:26:27.850 --> 0:26:29.409
<v Speaker 2>because I didn't know if I could trust you. And

0:26:29.430 --> 0:26:33.800
<v Speaker 2>then he tells her some of his upbringing and the

0:26:33.840 --> 0:26:37.840
<v Speaker 2>way he was raised and basically says, like, I understand

0:26:37.859 --> 0:26:42.630
<v Speaker 2>you because you're just like my mom. You're scared. because

0:26:42.730 --> 0:26:45.850
<v Speaker 2>you know what Noah is. And then he confronts Carrie

0:26:46.050 --> 0:26:52.160
<v Speaker 2>about Noah and is like, you're, you're scared, scared. People

0:26:52.200 --> 0:26:54.560
<v Speaker 2>can do anything and, you know, are capable of anything.

0:26:54.580 --> 0:26:57.719
<v Speaker 2>And then she says, no, not scared, actually terrified. And

0:26:57.740 --> 0:27:01.600
<v Speaker 2>then she admits it was in fact her that killed Hal,

0:27:01.980 --> 0:27:05.110
<v Speaker 2>because when Hal confronted her about the truth of who

0:27:05.210 --> 0:27:10.610
<v Speaker 2>Noah was, and again, this scene living, um, next to

0:27:10.630 --> 0:27:14.190
<v Speaker 2>the previous scene where the flashback from 2016, where it

0:27:14.230 --> 0:27:17.100
<v Speaker 2>seems like Hal knew. I think your read is right

0:27:17.140 --> 0:27:19.740
<v Speaker 2>that he was suspecting she was the Manhunter, not that

0:27:19.820 --> 0:27:24.720
<v Speaker 2>Noah was. So Hal confronts her about Noah's true nature

0:27:24.980 --> 0:27:29.050
<v Speaker 2>and terrified says, listen, how many more are there? And

0:27:29.070 --> 0:27:31.629
<v Speaker 2>she's like, I think, and she's like, just him. And

0:27:31.650 --> 0:27:34.260
<v Speaker 2>he's like, listen, we got to run. Maybe we run

0:27:34.300 --> 0:27:36.840
<v Speaker 2>to Mexico. Maybe we run to another planet, but whatever

0:27:36.859 --> 0:27:38.000
<v Speaker 2>we do, we got to get out of here. It's

0:27:38.040 --> 0:27:40.520
<v Speaker 2>not safe for us because he could, he, if he

0:27:40.560 --> 0:27:45.040
<v Speaker 2>realizes that I know, well, he does know who I know,

0:27:45.100 --> 0:27:48.000
<v Speaker 2>but if he considers at some point that I am

0:27:48.530 --> 0:27:50.310
<v Speaker 2>no longer of any use or I'm a threat to

0:27:50.369 --> 0:27:51.970
<v Speaker 2>him or you're a threat to him, he'll just kill us.

0:27:51.990 --> 0:27:54.869
<v Speaker 2>Like he's a man hunter. And he's trying to convince

0:27:54.890 --> 0:27:58.600
<v Speaker 2>her to do this when, She just basically loses it,

0:27:58.859 --> 0:28:02.410
<v Speaker 2>pulls out her nine and shoots him right in the forehead.

0:28:03.109 --> 0:28:06.530
<v Speaker 1>She fucking murders him in cold blood in a fucking

0:28:06.750 --> 0:28:09.850
<v Speaker 1>high school football field. As, by the way, he's saying

0:28:09.910 --> 0:28:12.129
<v Speaker 1>I love you. He really does say I love you

0:28:12.170 --> 0:28:14.020
<v Speaker 1>to her. He says, hey, I love you. And she

0:28:14.040 --> 0:28:17.330
<v Speaker 1>turns around and shoots him in the head. Completely crazy.

0:28:17.350 --> 0:28:19.510
<v Speaker 2>It's absolutely insane.

0:28:19.810 --> 0:28:20.630
<v Speaker 1>I also want to say.

0:28:20.650 --> 0:28:22.300
<v Speaker 2>I can't wait to talk about this more in a

0:28:22.320 --> 0:28:23.179
<v Speaker 2>little bit because it's.

0:28:23.220 --> 0:28:25.140
<v Speaker 1>I just... I do want to just say... It's too crazy.

0:28:25.160 --> 0:28:28.280
<v Speaker 1>We were right. We were right. We did call this,

0:28:28.340 --> 0:28:31.600
<v Speaker 1>but it's crazy that this woman had the chops to

0:28:31.720 --> 0:28:35.190
<v Speaker 1>call Jon Stewart and be like, hey, how Stewart's dead,

0:28:35.310 --> 0:28:39.640
<v Speaker 1>but she killed him. Serial killer behavior. Jon Stewart then says....

0:28:40.940 --> 0:28:43.660
<v Speaker 2>Noah gave me the lantern. Well, Noah gave me the

0:28:43.720 --> 0:28:48.880
<v Speaker 2>ring and admitted all his plans, including forging this lantern.

0:28:49.380 --> 0:28:52.150
<v Speaker 2>He doesn't tell Carrie the details of the plans because

0:28:52.210 --> 0:28:55.610
<v Speaker 2>he thinks she would be too troubled by it, but

0:28:55.650 --> 0:28:57.830
<v Speaker 2>basically says like he was planning something, but like, it's

0:28:57.850 --> 0:28:59.850
<v Speaker 2>all good now. And he gave me the ring and

0:28:59.870 --> 0:29:01.710
<v Speaker 2>I think he's cool. I think he's going to be

0:29:01.750 --> 0:29:04.140
<v Speaker 2>a good guy, but obviously it's a risk. We're rolling

0:29:04.160 --> 0:29:06.959
<v Speaker 2>the dice on that one. And then he's like, listen, Carrie,

0:29:08.290 --> 0:29:11.230
<v Speaker 2>Your son asked me to kill him. But it's actually

0:29:11.290 --> 0:29:15.570
<v Speaker 2>good because it shows that he's scared of his nature,

0:29:15.590 --> 0:29:17.480
<v Speaker 2>which means he can change. He can be a good guy.

0:29:17.490 --> 0:29:19.880
<v Speaker 1>He asked for God rails. Right.

0:29:20.300 --> 0:29:22.180
<v Speaker 2>And she's like, well, what if he gives into his

0:29:22.200 --> 0:29:26.360
<v Speaker 2>worst instincts? And he says, well, then the world is

0:29:26.380 --> 0:29:28.300
<v Speaker 2>going to need someone who's going to stop him. And

0:29:28.360 --> 0:29:31.300
<v Speaker 2>obviously that means him. And Noah wins the game and

0:29:31.340 --> 0:29:31.920
<v Speaker 2>everything is.

0:29:32.100 --> 0:29:32.600
<v Speaker 1>Going to be good.

0:29:32.620 --> 0:29:33.740
<v Speaker 2>I'll just say like, hold on.

0:29:33.760 --> 0:29:36.140
<v Speaker 1>I just need to say this. I just need to

0:29:36.160 --> 0:29:39.890
<v Speaker 1>say something. I got to say this. Eat.

0:29:40.020 --> 0:29:46.810
<v Speaker 2>It is fucking insane to me that Carrie murders Hal

0:29:46.870 --> 0:29:51.790
<v Speaker 2>Jordan himself. a fucking superhero, a hero of Earth in

0:29:51.970 --> 0:29:57.370
<v Speaker 2>cold blood. Yes, she was emotionally whatever. It'd probably be manslaughter, whatever.

0:29:57.890 --> 0:30:00.850
<v Speaker 1>She's a hysterical woman, Jason. She couldn't control herself. She

0:30:00.890 --> 0:30:03.070
<v Speaker 1>had to just shoot him in the head. And Jon

0:30:03.110 --> 0:30:06.060
<v Speaker 1>Stewart is just like, It's all good. You're good. Bitch,

0:30:06.260 --> 0:30:07.860
<v Speaker 1>I got a service.

0:30:07.920 --> 0:30:08.360
<v Speaker 3>You're good.

0:30:10.270 --> 0:30:10.830
<v Speaker 1>It's good.

0:30:11.130 --> 0:30:11.830
<v Speaker 2>It's fine.

0:30:12.010 --> 0:30:14.890
<v Speaker 1>Where's Mogo? Where are the Guardians? Where's fucking Chip?

0:30:15.030 --> 0:30:16.070
<v Speaker 3>Like, who?

0:30:16.510 --> 0:30:19.040
<v Speaker 1>What are they doing? Where's the fucking, like, aren't the

0:30:19.060 --> 0:30:19.790
<v Speaker 1>Guardians meant to be?

0:30:19.800 --> 0:30:20.200
<v Speaker 3>It's good.

0:30:20.240 --> 0:30:21.360
<v Speaker 1>DC's the watcher?

0:30:21.400 --> 0:30:21.580
<v Speaker 3>Like.

0:30:21.940 --> 0:30:22.480
<v Speaker 2>Don't worry about it.

0:30:22.640 --> 0:30:25.220
<v Speaker 1>You don't care? He's that much of a dickhead that

0:30:25.280 --> 0:30:26.860
<v Speaker 1>nobody cares that a sheriff just.

0:30:26.880 --> 0:30:28.080
<v Speaker 2>Now the birds aren't watching.

0:30:28.100 --> 0:30:29.900
<v Speaker 1>By the way. Now the birds aren't watching. Where are

0:30:29.920 --> 0:30:32.530
<v Speaker 1>those birds, huh? You don't want to bring that into it? No,

0:30:32.610 --> 0:30:35.850
<v Speaker 1>I will say, if you want to start plot hole picking,

0:30:35.890 --> 0:30:38.700
<v Speaker 1>you can. I'm not plot hole picking. No, no, no, no.

0:30:38.710 --> 0:30:40.810
<v Speaker 1>I'm not saying you should. No, no, no. I'm not

0:30:40.830 --> 0:30:43.729
<v Speaker 1>saying you should or you are. I'm saying that... The

0:30:43.830 --> 0:30:46.640
<v Speaker 1>show is lucky that their performances are so good.

0:30:46.920 --> 0:30:47.180
<v Speaker 3>Yes.

0:30:47.220 --> 0:30:51.100
<v Speaker 1>Because you can start to pick things apart. And this

0:30:51.280 --> 0:30:54.860
<v Speaker 1>is one of them where I'm like, I don't understand

0:30:55.000 --> 0:31:01.230
<v Speaker 1>unless there is some kind of celestial grander plan why

0:31:01.330 --> 0:31:04.930
<v Speaker 1>we are allowing a human to murder a Green Lantern.

0:31:05.310 --> 0:31:07.910
<v Speaker 1>I guess because the Lanterns wanted to get rid of Hal?

0:31:08.360 --> 0:31:12.860
<v Speaker 2>I think it's because... Well, let's take the O a

0:31:12.900 --> 0:31:16.640
<v Speaker 2>piece out of it. I think John's calculation, and I

0:31:16.680 --> 0:31:19.530
<v Speaker 2>will tell you that I think it's crazy, is that

0:31:20.530 --> 0:31:25.770
<v Speaker 2>without Carrie, Noah will 100% go off the rails and

0:31:25.790 --> 0:31:29.300
<v Speaker 2>become a supervillain. And so I need her to keep

0:31:29.400 --> 0:31:33.310
<v Speaker 2>him in a loving home environment with a loving mom

0:31:33.330 --> 0:31:37.410
<v Speaker 2>in order to keep him from becoming a supervillain. Therefore,

0:31:37.470 --> 0:31:41.440
<v Speaker 2>I'm not going to prosecute her for murdering Earth's Green Lantern,

0:31:41.480 --> 0:31:43.660
<v Speaker 2>which is fucking, that's crazy.

0:31:43.880 --> 0:31:47.350
<v Speaker 1>Jonathan, you're making a mistake. I got to tell you.

0:31:47.720 --> 0:31:52.250
<v Speaker 1>This woman is an enabler. She was loyal to a

0:31:52.330 --> 0:31:55.580
<v Speaker 1>man for 10 years in jail. And then she shot

0:31:55.620 --> 0:31:57.620
<v Speaker 1>him in the head because she didn't want to go

0:31:57.700 --> 0:32:00.520
<v Speaker 1>drink pina coladas on a different planet with her son

0:32:00.780 --> 0:32:03.160
<v Speaker 1>because her son was going to get a college scholarship.

0:32:03.240 --> 0:32:06.770
<v Speaker 1>Like this woman, you cannot trust her around.

0:32:06.910 --> 0:32:10.660
<v Speaker 2>It's... More on this later. I think it's a crazy decision.

0:32:11.000 --> 0:32:15.830
<v Speaker 2>And basically, TLDR, house murderer, gets away with it because

0:32:15.920 --> 0:32:18.090
<v Speaker 2>John is just like, it's all good. Don't worry about it.

0:32:18.110 --> 0:32:20.810
<v Speaker 1>I do just want to say as well, I do

0:32:20.830 --> 0:32:25.550
<v Speaker 1>think it's kind of funny that, like, they built the

0:32:25.570 --> 0:32:28.350
<v Speaker 1>whole show around a murder mystery and then they were like, yeah,

0:32:28.390 --> 0:32:30.690
<v Speaker 1>crazy woman did it. Don't worry about it. Don't worry

0:32:30.710 --> 0:32:32.570
<v Speaker 1>about it. And by the way, if this was.

0:32:33.580 --> 0:32:35.440
<v Speaker 2>not to be that guy, but if this was a

0:32:35.540 --> 0:32:37.900
<v Speaker 2>man shooting a woman in the head and they were

0:32:37.940 --> 0:32:41.610
<v Speaker 2>in a relationship and then at the end of it,

0:32:41.660 --> 0:32:43.440
<v Speaker 2>the hero's like, don't worry about it. You're good.

0:32:43.460 --> 0:32:46.000
<v Speaker 1>Well, I do also want to say that this is

0:32:46.080 --> 0:32:48.840
<v Speaker 1>not a good for her type case either. Like Hal

0:32:48.880 --> 0:32:50.320
<v Speaker 1>was not bad to her.

0:32:50.740 --> 0:32:53.280
<v Speaker 2>This is crazy that this happens like this.

0:32:53.740 --> 0:32:56.270
<v Speaker 1>I was the Hal Jordan hater. I do think this

0:32:56.330 --> 0:32:59.570
<v Speaker 1>is a canonically correct representation. I think there are moments

0:32:59.590 --> 0:33:01.390
<v Speaker 1>where he sucks. I think there's moments where he's great.

0:33:01.890 --> 0:33:04.570
<v Speaker 1>But you raise a great point, Jason. She just shot

0:33:04.590 --> 0:33:08.850
<v Speaker 1>her partner in the head to protect her evil genocide son.

0:33:09.230 --> 0:33:12.210
<v Speaker 1>He's not a murderer. This is not an evil gong

0:33:12.230 --> 0:33:16.020
<v Speaker 1>girl type situation where Ben Affleck sucks and was having

0:33:16.080 --> 0:33:19.440
<v Speaker 1>an affair with a child. This is like a man

0:33:19.480 --> 0:33:23.040
<v Speaker 1>who said, hey, I'll escape you to a romantic planet

0:33:23.060 --> 0:33:24.980
<v Speaker 1>where we can like have sex and your son can

0:33:25.020 --> 0:33:27.660
<v Speaker 1>just be a normal alien. And she just shot him

0:33:27.680 --> 0:33:29.730
<v Speaker 1>in the head because she likes her job as a cop.

0:33:30.270 --> 0:33:35.750
<v Speaker 2>Her son has broken a super criminal out of Oa jail.

0:33:36.350 --> 0:33:37.930
<v Speaker 1>To make a nuclear weapon.

0:33:38.100 --> 0:33:42.300
<v Speaker 2>To forge a weapon of mass destruction and to protect him,

0:33:42.360 --> 0:33:46.000
<v Speaker 2>she kills her partner. And John Kennery's just like, that's fine.

0:33:46.540 --> 0:33:50.650
<v Speaker 1>I like Jon Stewart's like entire plan here is like, oh,

0:33:50.730 --> 0:33:54.010
<v Speaker 1>I'll just American sniper him. I'll American sniper him if

0:33:54.050 --> 0:33:58.170
<v Speaker 1>he becomes too crazy. That to me, surely that immediately

0:33:58.190 --> 0:34:00.920
<v Speaker 1>makes Sheriff Kerry his enemy because she's going to want

0:34:00.940 --> 0:34:02.560
<v Speaker 1>to kill him so he doesn't kill her son. I

0:34:02.580 --> 0:34:05.300
<v Speaker 1>don't know. More on that in a bit.

0:34:05.680 --> 0:34:08.259
<v Speaker 2>All of which is to say, this is, again, a

0:34:08.360 --> 0:34:11.620
<v Speaker 2>very good show. This is a crazy decision, in my opinion,

0:34:11.660 --> 0:34:16.070
<v Speaker 2>from Jon Stewart. Jon Stewart then goes to the Green

0:34:16.150 --> 0:34:17.910
<v Speaker 2>Lantern signal and calls Guy.

0:34:17.930 --> 0:34:21.410
<v Speaker 1>Love this. This is another scene that they nailed it.

0:34:21.410 --> 0:34:21.950
<v Speaker 3>So good.

0:34:21.969 --> 0:34:23.840
<v Speaker 1>Delivered him what I needed to for sure.

0:34:23.960 --> 0:34:28.780
<v Speaker 2>Absolutely nailed it. So Guy shows up and Jon Stewart

0:34:28.800 --> 0:34:34.430
<v Speaker 2>basically like fucking pulls rank on him and is like, listen, Guy. Yes,

0:34:34.590 --> 0:34:37.049
<v Speaker 2>I dug up fucking Hal. That's the ring.

0:34:37.070 --> 0:34:37.549
<v Speaker 1>Look at that.

0:34:38.500 --> 0:34:42.740
<v Speaker 2>I'm carrying an unofficial lantern. Guy's like, oh, look at this.

0:34:43.600 --> 0:34:45.859
<v Speaker 2>A dead man's ring and an unofficial lantern. I guess

0:34:45.900 --> 0:34:48.020
<v Speaker 2>I'm going to have to what? And Jon Stewart's like, what?

0:34:48.040 --> 0:34:48.960
<v Speaker 2>What are you going to do? I guess you're going

0:34:48.980 --> 0:34:51.860
<v Speaker 2>to have to take it from me. Guy immediately backs down,

0:34:51.980 --> 0:34:57.170
<v Speaker 2>knowing that Guy, who is essentially Oa's errand boy, because

0:34:57.230 --> 0:35:01.370
<v Speaker 2>he is feeling insecure in his position. So he's basically Mr.

0:35:01.450 --> 0:35:03.469
<v Speaker 2>Buy the book, like I'll do anything Oa says. So

0:35:03.510 --> 0:35:04.410
<v Speaker 2>he won't do shit.

0:35:05.050 --> 0:35:08.700
<v Speaker 1>Also, not just that. He's scared of the lantern. He

0:35:08.739 --> 0:35:12.230
<v Speaker 1>doesn't know it. The truth is, the thing I will

0:35:12.270 --> 0:35:15.029
<v Speaker 1>say I think they did really, really well here that

0:35:15.050 --> 0:35:20.420
<v Speaker 1>they set up beautifully through Jon Stewart's abusive childhood is

0:35:20.460 --> 0:35:23.180
<v Speaker 1>that his notion of what fear is or how he

0:35:23.239 --> 0:35:28.069
<v Speaker 1>approaches fear he has basically become so fearless that he

0:35:28.180 --> 0:35:31.160
<v Speaker 1>isn't even afraid of taking this lantern, right? And that's

0:35:31.200 --> 0:35:33.799
<v Speaker 1>going to give him the power, but accepting the things

0:35:33.840 --> 0:35:36.200
<v Speaker 1>he is scared of is part of that. Guy is

0:35:36.260 --> 0:35:38.540
<v Speaker 1>nowhere near that. He's never going to admit he's scared.

0:35:38.580 --> 0:35:41.620
<v Speaker 1>He's never going to really be fearless because he hasn't

0:35:41.660 --> 0:35:43.570
<v Speaker 1>been through the things that Jon has been through. And

0:35:44.310 --> 0:35:47.490
<v Speaker 1>I really love that in that moment, there is nothing

0:35:47.510 --> 0:35:50.290
<v Speaker 1>Guy can do, apart from cry to the Guardians.

0:35:50.830 --> 0:35:51.230
<v Speaker 3>So....

0:35:52.850 --> 0:35:58.830
<v Speaker 2>Jon Stewart basically tells Guy, listen, I solved Hal's murder.

0:36:00.110 --> 0:36:02.270
<v Speaker 2>Guy's like, oh, really? What happened? He's like, don't worry

0:36:02.310 --> 0:36:03.930
<v Speaker 2>about it. I took care of it. I found his murderer.

0:36:03.969 --> 0:36:06.330
<v Speaker 2>I let her go. He doesn't tell him anything, but

0:36:06.350 --> 0:36:09.190
<v Speaker 2>he's basically like, don't worry about it, which is another

0:36:09.230 --> 0:36:15.239
<v Speaker 2>crazy thing to say to Guy. And then he says, listen, congratulations,

0:36:15.260 --> 0:36:19.330
<v Speaker 2>you're the Green Lantern. You're Owe's man now. in sector two, eight, three, one,

0:36:19.690 --> 0:36:21.689
<v Speaker 2>you keep the sector, but I'm going to take earth

0:36:21.770 --> 0:36:24.530
<v Speaker 2>off you. I will handle earth. You will handle the sector.

0:36:24.630 --> 0:36:27.250
<v Speaker 1>Everything else. You do the sky. You do space.

0:36:27.270 --> 0:36:28.150
<v Speaker 2>I'm doing earth.

0:36:28.410 --> 0:36:30.340
<v Speaker 1>Guy's like, but he's like, shut up.

0:36:31.140 --> 0:36:34.000
<v Speaker 2>And then guy flies away. I will say that one

0:36:34.020 --> 0:36:37.839
<v Speaker 2>of the, one of the hints to me that they,

0:36:37.940 --> 0:36:40.500
<v Speaker 2>by this point had no budget is the fact that

0:36:40.600 --> 0:36:45.299
<v Speaker 2>guy descends from flight and like you're watching Rock of

0:36:45.380 --> 0:36:48.700
<v Speaker 2>Ages off Broadway, like a guy, like a guy on

0:36:48.739 --> 0:36:49.320
<v Speaker 2>a wire.

0:36:49.360 --> 0:36:54.620
<v Speaker 1>He goes like this, comes down. And when he flies away,

0:36:54.680 --> 0:36:58.279
<v Speaker 1>it's the same. He gets like straight up and then

0:36:58.320 --> 0:37:00.980
<v Speaker 1>they just shoot him into the sky. I mean, there

0:37:01.020 --> 0:37:03.520
<v Speaker 1>will be many conversations. We don't need to have another

0:37:03.620 --> 0:37:06.820
<v Speaker 1>one about the amount of green lanterning in this. I

0:37:06.860 --> 0:37:09.390
<v Speaker 1>do wish we got to see Jon Stewart suit up,

0:37:09.410 --> 0:37:12.319
<v Speaker 1>but at the same time, I hope that if we

0:37:12.340 --> 0:37:14.520
<v Speaker 1>get to see him suit up in Superman, they got

0:37:14.540 --> 0:37:16.000
<v Speaker 1>the budget for it and we get to see him

0:37:16.020 --> 0:37:18.320
<v Speaker 1>looking good as hell. You know what I mean? Also,

0:37:18.719 --> 0:37:20.580
<v Speaker 1>I will talk about this when we talk more about

0:37:20.600 --> 0:37:23.760
<v Speaker 1>the green-yellow stuff, but this isn't totally out of comic

0:37:23.780 --> 0:37:27.280
<v Speaker 1>book canon. There is stuff they can lean into with

0:37:27.360 --> 0:37:29.830
<v Speaker 1>Jon in this, including how his suit looks and stuff.

0:37:29.890 --> 0:37:30.690
<v Speaker 1>So I'm really excited.

0:37:30.730 --> 0:37:36.390
<v Speaker 2>There's a lot of rivalry there. Between Earth's various lanterns.

0:37:36.450 --> 0:37:38.790
<v Speaker 2>And this is exactly like how it would play out. Oh,

0:37:38.810 --> 0:37:41.370
<v Speaker 2>before Guy flies away, he basically says, listen, when Oa

0:37:41.410 --> 0:37:45.030
<v Speaker 2>finds out that you're here with an unofficial lantern doing

0:37:45.110 --> 0:37:47.279
<v Speaker 2>stuff like on your own, they're going to send an

0:37:47.360 --> 0:37:49.660
<v Speaker 2>army after you. And Jon Stewart then says, tell them

0:37:49.700 --> 0:37:51.380
<v Speaker 2>to look in their hearts, which is like, is that

0:37:51.400 --> 0:37:54.020
<v Speaker 2>a code? It's like, yes, that's code. And then Guy

0:37:54.060 --> 0:37:57.080
<v Speaker 2>flies away after Jon tells him to ditch the gold tooth.

0:37:57.640 --> 0:37:59.739
<v Speaker 1>Oh, he tells them to look in their hearts, like

0:37:59.780 --> 0:38:02.380
<v Speaker 1>thinking about the Manhunter and the Crystal Hearts and letting

0:38:02.420 --> 0:38:04.549
<v Speaker 1>them know, like, I know you created the Manhunters.

0:38:04.570 --> 0:38:04.990
<v Speaker 2>Exactly.

0:38:05.160 --> 0:38:07.250
<v Speaker 1>Okay, I like that. I kind of didn't clock that

0:38:07.290 --> 0:38:09.029
<v Speaker 1>that was what he meant when he first said it. Yeah,

0:38:09.050 --> 0:38:10.910
<v Speaker 1>you're right.

0:38:11.210 --> 0:38:14.509
<v Speaker 2>AI Hal then appears and tells John, like, man, you're

0:38:14.530 --> 0:38:18.290
<v Speaker 2>taking a huge risk because, like, what if Noah breaks bad, then...

0:38:19.450 --> 0:38:21.810
<v Speaker 2>Basically what happened in Rushville, this is not what he says,

0:38:21.870 --> 0:38:24.770
<v Speaker 2>but this is my read. What happened in Rushville will

0:38:24.810 --> 0:38:28.110
<v Speaker 2>happen all over the world, basically. Like it's going to

0:38:28.140 --> 0:38:30.299
<v Speaker 2>be really bad. And Jon Stewart is like, yeah, yeah, yeah,

0:38:30.360 --> 0:38:33.140
<v Speaker 2>but my gut, trust me. And he asks Hal what

0:38:33.180 --> 0:38:35.319
<v Speaker 2>Hal would do. And Hal's like, well, you know, my

0:38:35.340 --> 0:38:37.439
<v Speaker 2>gut says that you're going to be better at me,

0:38:37.820 --> 0:38:40.060
<v Speaker 2>better than me at this job than I ever could

0:38:40.080 --> 0:38:41.719
<v Speaker 2>have hoped to be. And you're ready to do it

0:38:41.780 --> 0:38:45.540
<v Speaker 2>and you should charge the ring. And he's like, and

0:38:45.580 --> 0:38:48.219
<v Speaker 2>then he says, don't be afraid to be afraid, which

0:38:48.280 --> 0:38:50.310
<v Speaker 2>is a great, that's.

0:38:49.950 --> 0:38:52.210
<v Speaker 1>The thesis of the show. Yes.

0:38:52.250 --> 0:38:56.150
<v Speaker 2>Very great tagline for the whole show. Jon Stewart is like, yeah,

0:38:56.190 --> 0:38:57.790
<v Speaker 2>but what about the, what do I do about the oath?

0:38:58.530 --> 0:39:00.969
<v Speaker 2>And Hal's like, well, we're off the map. You know,

0:39:01.010 --> 0:39:02.410
<v Speaker 2>you can make up your own oath. You can do

0:39:02.450 --> 0:39:04.390
<v Speaker 2>whatever you want. So then Jon's about to charge the ring,

0:39:04.410 --> 0:39:07.090
<v Speaker 2>but then Hal gets scared because this is really it

0:39:07.390 --> 0:39:11.109
<v Speaker 2>now for Hal. And he says, oh, when you were

0:39:11.140 --> 0:39:14.040
<v Speaker 2>talking to Carrie, I kind of fritzed out a little bit.

0:39:14.080 --> 0:39:17.420
<v Speaker 2>What were my final words before she brutally murdered me

0:39:17.460 --> 0:39:20.950
<v Speaker 2>in cold blood in this football field stands, and then

0:39:21.010 --> 0:39:24.080
<v Speaker 2>covered up my murder and lied to everybody that she

0:39:24.120 --> 0:39:24.440
<v Speaker 2>murdered me.

0:39:24.800 --> 0:39:26.540
<v Speaker 1>And now I'm okay with it. Everyone's okay with it.

0:39:26.620 --> 0:39:29.009
<v Speaker 2>And now I'm okay with it. And he says it was,

0:39:29.610 --> 0:39:34.680
<v Speaker 2>I love you. And he then says to Jon Stewart,

0:39:34.940 --> 0:39:36.359
<v Speaker 2>I love you too, Junior, which is very.

0:39:36.380 --> 0:39:38.600
<v Speaker 1>He tricked him. He tricked him because he knew his

0:39:38.660 --> 0:39:41.200
<v Speaker 1>last words and he wanted to get to say that.

0:39:41.260 --> 0:39:43.650
<v Speaker 1>And I actually have to say, You were right, Jason.

0:39:43.690 --> 0:39:46.029
<v Speaker 1>This paid off. I like this moment. They made me

0:39:46.050 --> 0:39:48.590
<v Speaker 1>care about the two of them together. They did another

0:39:48.640 --> 0:39:50.940
<v Speaker 1>scene that they worked on and they made work.

0:39:52.260 --> 0:39:54.720
<v Speaker 2>We then get a montage where Jon Stewart is like

0:39:54.739 --> 0:39:55.910
<v Speaker 2>kind of setting everything right. I don't want to talk

0:39:55.930 --> 0:39:58.790
<v Speaker 2>about it. He puts the stuff back in the vault.

0:39:58.890 --> 0:40:01.330
<v Speaker 2>He gives Maggie the bag of cash, which is to

0:40:01.370 --> 0:40:05.430
<v Speaker 2>me ridiculous. This whole subplot that he would allow himself

0:40:05.530 --> 0:40:08.170
<v Speaker 2>to be extorted by her. Why is she even in

0:40:08.210 --> 0:40:11.890
<v Speaker 2>the show? Cut Maggie out and a wig. Very confusing

0:40:12.030 --> 0:40:14.950
<v Speaker 2>to me. Why didn't he just, he has so much money.

0:40:15.190 --> 0:40:18.370
<v Speaker 2>Just build them one of those fucking bomb shelters under

0:40:18.410 --> 0:40:21.170
<v Speaker 2>the town and buy, build a strip mall. You don't

0:40:21.210 --> 0:40:23.740
<v Speaker 2>need to give this girl $ 300, 000. What does she have

0:40:23.760 --> 0:40:24.529
<v Speaker 2>to do with anything?

0:40:25.110 --> 0:40:27.900
<v Speaker 1>Calm down. But I guess we're just rewarding criminals in

0:40:27.940 --> 0:40:29.219
<v Speaker 1>this town, so I kind of dig it.

0:40:29.219 --> 0:40:32.060
<v Speaker 2>Well, I guess, like, this is a manifestation of John's

0:40:32.140 --> 0:40:36.140
<v Speaker 2>guilt about what happened, but, like, again, the entire town suffered,

0:40:36.460 --> 0:40:38.879
<v Speaker 2>but she's the one that extorted you, so she gets

0:40:38.920 --> 0:40:41.100
<v Speaker 2>the benefit? This is stupid. I'm sorry.

0:40:41.140 --> 0:40:43.920
<v Speaker 1>Rewarding bad behavior. Yeah, we're rewarding bad behavior.

0:40:43.940 --> 0:40:44.900
<v Speaker 2>This is crazy.

0:40:45.300 --> 0:40:47.790
<v Speaker 1>He then goes home and we get this. He rewards Kelly, too, so,

0:40:48.270 --> 0:40:51.680
<v Speaker 1>I mean, look, I'm not gonna... I want to say something.

0:40:52.030 --> 0:40:53.920
<v Speaker 1>I'm not saying I want this to happen. I don't

0:40:53.960 --> 0:40:55.660
<v Speaker 1>think it's where we're going. I will talk about how

0:40:55.680 --> 0:40:57.980
<v Speaker 1>the comic proves it's probably not where we're going. But

0:40:58.020 --> 0:40:59.540
<v Speaker 1>there is a read of this where you could say

0:40:59.580 --> 0:41:01.950
<v Speaker 1>that once he picks up that yellow lantern and goes rogue,

0:41:01.969 --> 0:41:04.830
<v Speaker 1>he starts to make some dodgy choices. We will talk

0:41:04.870 --> 0:41:06.930
<v Speaker 1>about that in a bit when you lay out the rule.

0:41:06.950 --> 0:41:07.250
<v Speaker 3>Yeah, I will.

0:41:07.290 --> 0:41:09.810
<v Speaker 1>Because I think that's... I think one thing that... I

0:41:09.810 --> 0:41:12.049
<v Speaker 1>think it's a red herring, but I think it's like

0:41:12.200 --> 0:41:14.060
<v Speaker 1>meant to... I agree with you.

0:41:14.660 --> 0:41:17.370
<v Speaker 2>Because I think it's... Listen, I think if you go

0:41:17.390 --> 0:41:19.469
<v Speaker 2>by lore, it's ambiguous at the very least because it's

0:41:19.489 --> 0:41:22.250
<v Speaker 2>a green lantern ring forged for green energy, but then

0:41:22.290 --> 0:41:27.340
<v Speaker 2>it's a yellow inflected lantern. So it's not a yellow

0:41:27.420 --> 0:41:30.020
<v Speaker 2>ring and a yellow lantern. Whatever, we'll get into it later.

0:41:30.040 --> 0:41:32.739
<v Speaker 1>We'll talk about it because there's some interesting places to

0:41:32.760 --> 0:41:33.160
<v Speaker 1>go with it.

0:41:33.719 --> 0:41:40.649
<v Speaker 2>So, and this to me proves that I think they

0:41:40.710 --> 0:41:43.060
<v Speaker 2>were I think they didn't know if they were going

0:41:43.080 --> 0:41:45.600
<v Speaker 2>to get a season two because the way that Jon

0:41:45.660 --> 0:41:51.030
<v Speaker 2>Stewart arrives home in this montage, slow-mo montage, there's his dad.

0:41:51.370 --> 0:41:53.109
<v Speaker 2>He's fucking, you know, dapping up.

0:41:53.130 --> 0:41:55.530
<v Speaker 1>His dad's out of the place? Out of the place.

0:41:55.670 --> 0:41:59.430
<v Speaker 2>The family's back together. It's slow-mo again. He's like happy music.

0:41:59.820 --> 0:42:02.320
<v Speaker 2>He's dapping up his brothers. There's his mom they embrace.

0:42:03.420 --> 0:42:09.540
<v Speaker 2>It felt very final without any of the, complexity that

0:42:09.560 --> 0:42:13.200
<v Speaker 2>made their relationship interesting. It just seemed like it's over.

0:42:13.219 --> 0:42:15.040
<v Speaker 1>I know he was giving Aaron a slap on the

0:42:15.060 --> 0:42:17.340
<v Speaker 1>head at least one time after he spoke to him

0:42:17.360 --> 0:42:18.420
<v Speaker 1>like that on the phone.

0:42:18.800 --> 0:42:27.029
<v Speaker 2>Come on. And then we go back to John next

0:42:27.050 --> 0:42:29.609
<v Speaker 2>to the Green Lantern signal. Hal has gone away. He's

0:42:29.650 --> 0:42:31.850
<v Speaker 2>charging the ring and he's got the new oath. In

0:42:31.890 --> 0:42:34.790
<v Speaker 2>brightest day, in darkest night, I'll embrace my fear and

0:42:34.850 --> 0:42:37.089
<v Speaker 2>do what's right. I choose this ring. I choose this fight.

0:42:37.580 --> 0:42:40.799
<v Speaker 2>in service to this lantern's light. And then he, like

0:42:40.860 --> 0:42:45.020
<v Speaker 2>a off-Broadway show of School of Rock, goes.

0:42:45.000 --> 0:42:49.010
<v Speaker 1>Straight up into the air. It's the end of Cats.

0:42:49.390 --> 0:42:57.049
<v Speaker 1>The Jellicle Ball. Going to the Jellicle Ball.

0:42:57.550 --> 0:42:59.589
<v Speaker 2>And flies straight up into the air.

0:42:59.610 --> 0:43:02.110
<v Speaker 1>In front of a giant green lantern.

0:43:02.469 --> 0:43:06.259
<v Speaker 2>That is the finale. I think, again, a very good...

0:43:07.050 --> 0:43:09.830
<v Speaker 2>season of television a very good show it could have

0:43:09.850 --> 0:43:11.430
<v Speaker 2>been great it was so close to being great but

0:43:11.469 --> 0:43:13.820
<v Speaker 2>i think they had to do some stuff in post

0:43:13.920 --> 0:43:16.560
<v Speaker 2>to even get it to be this level and what

0:43:16.580 --> 0:43:19.140
<v Speaker 2>a job they did yeah of course we have some

0:43:19.180 --> 0:43:21.380
<v Speaker 2>gripes that i will we'll talk about that in a

0:43:21.420 --> 0:43:39.219
<v Speaker 2>bit let's take a break we'll be right back Okay,

0:43:39.320 --> 0:43:42.630
<v Speaker 2>and we're back. Rosie, I think one of the things,

0:43:42.710 --> 0:43:44.850
<v Speaker 2>as we talked about in the recap, this show could

0:43:44.870 --> 0:43:48.190
<v Speaker 2>have used is more of an understanding for the audience,

0:43:48.250 --> 0:43:51.560
<v Speaker 2>a little bit of a lore dump about green versus yellow. Agreed.

0:43:51.950 --> 0:43:55.570
<v Speaker 2>What is the relationship between the two colors and energies

0:43:55.630 --> 0:43:59.180
<v Speaker 2>with regards to Green Lantern lore? And why is what

0:43:59.239 --> 0:44:03.960
<v Speaker 2>Sinestro is doing so kind of anathema to the Guardians

0:44:04.020 --> 0:44:05.359
<v Speaker 2>and Oa? Tell us about Green vs.

0:44:05.400 --> 0:44:08.650
<v Speaker 1>Yellow. Yeah, so I think that, you know, people have

0:44:08.730 --> 0:44:11.170
<v Speaker 1>noticed who are big fans of this stuff. Like we

0:44:11.210 --> 0:44:14.570
<v Speaker 1>mentioned it in the show, over the time the lanterns

0:44:14.650 --> 0:44:17.509
<v Speaker 1>is turning, logos turning from green to yellow, right? But

0:44:17.550 --> 0:44:20.050
<v Speaker 1>they never really sat down and gave us a Sinestro

0:44:20.070 --> 0:44:22.989
<v Speaker 1>backstory or a yellow lantern core backstory. We don't even

0:44:23.050 --> 0:44:25.669
<v Speaker 1>know if there is a full yellow lantern core yet,

0:44:25.739 --> 0:44:29.220
<v Speaker 1>or if a yellow lantern has even truly been forged,

0:44:29.280 --> 0:44:31.839
<v Speaker 1>if this is our first look at it. But essentially

0:44:32.300 --> 0:44:35.960
<v Speaker 1>in the green lantern universe, the colors have different energy patterns, right?

0:44:36.300 --> 0:44:39.100
<v Speaker 1>And yellow is the energy of fear. And the idea

0:44:39.200 --> 0:44:41.160
<v Speaker 1>is that if you are a Green Lantern, the joke

0:44:41.180 --> 0:44:43.340
<v Speaker 1>we always has is like, he's scared of anything yellow.

0:44:43.680 --> 0:44:47.529
<v Speaker 1>So he's like the opposite of Superman. Anything yellow can

0:44:47.570 --> 0:44:48.089
<v Speaker 1>fuck with him.

0:44:48.690 --> 0:44:48.830
<v Speaker 2>And.

0:44:49.550 --> 0:44:52.750
<v Speaker 1>In the comics, there is this parallax entity that is

0:44:52.810 --> 0:44:58.510
<v Speaker 1>essentially the embodiment of fear. And depending on where you

0:44:58.550 --> 0:45:02.480
<v Speaker 1>believe or join the canon, parallax is either trapped inside

0:45:02.560 --> 0:45:05.340
<v Speaker 1>the central power battery at OR or can be trapped

0:45:05.400 --> 0:45:08.480
<v Speaker 1>in it, which is why I think there's very interesting

0:45:08.540 --> 0:45:11.500
<v Speaker 1>things here when we look at where the comics come from.

0:45:11.520 --> 0:45:14.640
<v Speaker 1>Because also the green is like willpower, right? That's that

0:45:14.700 --> 0:45:17.440
<v Speaker 1>kind of big power we have. Star Sapphire is the pink.

0:45:17.460 --> 0:45:20.330
<v Speaker 1>We have love. So what I will say, we did

0:45:20.370 --> 0:45:22.330
<v Speaker 1>not get a lot of this lore, but Sinestro... Yeah,

0:45:22.350 --> 0:45:25.270
<v Speaker 1>because we don't know how... We don't know how Sinestro

0:45:25.290 --> 0:45:26.069
<v Speaker 1>broke out.

0:45:26.090 --> 0:45:28.730
<v Speaker 2>We don't know if Sinestro knows about parallax and we

0:45:28.750 --> 0:45:31.640
<v Speaker 2>don't know how far he got into his research about yellow.

0:45:32.090 --> 0:45:37.850
<v Speaker 1>Exactly. All we know is that seemingly by... The Manhunter's

0:45:37.910 --> 0:45:41.510
<v Speaker 1>doing the genocide. Sinestro has been trapped on this fear planet,

0:45:41.570 --> 0:45:44.750
<v Speaker 1>which is allowing him, I think, to explore and understand

0:45:44.790 --> 0:45:47.790
<v Speaker 1>the notion of fear. What I will say is that

0:45:47.830 --> 0:45:50.489
<v Speaker 1>when Noah came and asked him to forge it on

0:45:50.550 --> 0:45:54.580
<v Speaker 1>that planet, I think that the planet's influence or Parallax's

0:45:54.620 --> 0:45:59.340
<v Speaker 1>influence or fear's influence basically allowed the lantern to imbue

0:45:59.400 --> 0:46:02.020
<v Speaker 1>something from there, right? And the idea is because Noah's

0:46:02.040 --> 0:46:05.239
<v Speaker 1>going to use it, he's going to use fear for negativity. But...

0:46:05.680 --> 0:46:08.280
<v Speaker 1>what we have here is Sinestro ends up with John

0:46:08.340 --> 0:46:11.240
<v Speaker 1>getting it. And that is actually something that has happened

0:46:11.260 --> 0:46:13.470
<v Speaker 1>before in the comics. If you ever read the Green

0:46:13.550 --> 0:46:17.690
<v Speaker 1>Lantern Earth One series, by the second volume, they're introducing

0:46:17.870 --> 0:46:21.529
<v Speaker 1>multiple different Green Lanterns, right? And this is such a

0:46:21.570 --> 0:46:24.430
<v Speaker 1>cool comic. It's the Gabriel Hardman stuff that they did

0:46:24.469 --> 0:46:29.029
<v Speaker 1>in 2018. I think that It was, Karina Bekcho was

0:46:29.070 --> 0:46:31.890
<v Speaker 1>the writer. I love Hardman's art so much. And in

0:46:31.950 --> 0:46:35.730
<v Speaker 1>that story, in the second volume, in issue two, there

0:46:35.810 --> 0:46:39.190
<v Speaker 1>is actually a yellow lantern in Earth One who breaks

0:46:39.270 --> 0:46:42.089
<v Speaker 1>Jon Stewart and two other doctors out of jail and

0:46:42.190 --> 0:46:45.430
<v Speaker 1>gives them the yellow lantern and the ring. And then

0:46:45.530 --> 0:46:47.700
<v Speaker 1>Jon is the only one who is able to wield

0:46:47.800 --> 0:46:50.700
<v Speaker 1>it safely. So in the comics, in the Earth One,

0:46:50.739 --> 0:46:54.379
<v Speaker 1>so separate universe, right? Jon has a yellow lantern ring

0:46:54.480 --> 0:46:57.120
<v Speaker 1>and what they teased with it was the notion that

0:46:57.160 --> 0:46:59.520
<v Speaker 1>it would essentially be the ring for people who weren't

0:46:59.560 --> 0:47:03.610
<v Speaker 1>protected by Green Lanterns. It was like the underdog's ring, right?

0:47:04.010 --> 0:47:06.509
<v Speaker 1>So I think that they are pulling a little bit

0:47:06.570 --> 0:47:10.950
<v Speaker 1>from that here, where whoever holds this kind of fear-imbued lantern,

0:47:10.969 --> 0:47:14.150
<v Speaker 1>it is about their will. So if Noah held it,

0:47:14.230 --> 0:47:16.969
<v Speaker 1>it could become evil. If Lex Luthor held it, you

0:47:16.989 --> 0:47:19.529
<v Speaker 1>could use the power of fear terribly. But what this

0:47:19.590 --> 0:47:21.549
<v Speaker 1>show has been about is about how actually if you

0:47:21.610 --> 0:47:24.050
<v Speaker 1>embrace your fear, it can give you power. So I

0:47:24.090 --> 0:47:27.570
<v Speaker 1>think while Jon wields it, I think his will will

0:47:27.710 --> 0:47:31.830
<v Speaker 1>mean that he is able to wield power in fear

0:47:31.890 --> 0:47:34.250
<v Speaker 1>in a positive way. That's what I think that we're

0:47:34.270 --> 0:47:37.110
<v Speaker 1>gonna get. But I think there's a potential for season

0:47:37.170 --> 0:47:41.030
<v Speaker 1>two to explore the idea of a parallax. And also, Jason,

0:47:41.090 --> 0:47:44.150
<v Speaker 1>you mentioned something I think is really key. There is

0:47:44.190 --> 0:47:49.910
<v Speaker 1>a history of Green Lanterns on Earth battling for these powers.

0:47:50.030 --> 0:47:53.000
<v Speaker 1>And if Guy admits that he is not the lantern

0:47:53.219 --> 0:47:55.760
<v Speaker 1>for Earth and he's happy to just be the sector lantern,

0:47:56.320 --> 0:47:58.500
<v Speaker 1>Oa is likely going to try and find a new

0:47:59.050 --> 0:48:01.850
<v Speaker 1>approved lantern for Earth, which is probably going to be

0:48:01.890 --> 0:48:04.589
<v Speaker 1>Kyle Rayner. So I think that is what we will

0:48:04.660 --> 0:48:07.120
<v Speaker 1>see in season two is John is going to be rogue.

0:48:07.460 --> 0:48:11.799
<v Speaker 1>John's going to be able to utilize yellow as something positive.

0:48:11.860 --> 0:48:14.520
<v Speaker 1>But at the same time, Sinestro will probably be building

0:48:14.580 --> 0:48:18.819
<v Speaker 1>the corpse or his version on the planet. Because by

0:48:18.880 --> 0:48:21.509
<v Speaker 1>forging it, I'm sure that has already created, you know,

0:48:21.550 --> 0:48:23.250
<v Speaker 1>he knows how to do it on the planet. There's

0:48:23.350 --> 0:48:25.529
<v Speaker 1>only the planet's only going to become more powerful. Think

0:48:25.570 --> 0:48:29.390
<v Speaker 1>about him. essentially a Sauron forging the rings, right? So

0:48:29.600 --> 0:48:32.120
<v Speaker 1>I think that we will see Jon as this rogue

0:48:32.260 --> 0:48:36.410
<v Speaker 1>in between because the creators did say this morning, He

0:48:36.510 --> 0:48:39.279
<v Speaker 1>is utterly unique. He's not a yellow lantern. He's not

0:48:39.300 --> 0:48:41.569
<v Speaker 1>a green lantern. He is something new. So I think

0:48:41.610 --> 0:48:44.600
<v Speaker 1>we'll see him in that rogue space working with Clark.

0:48:45.239 --> 0:48:48.000
<v Speaker 1>And then I think we will see Kyle probably come

0:48:48.100 --> 0:48:51.379
<v Speaker 1>in as the approved lantern of Earth. And then we'll

0:48:51.400 --> 0:48:54.259
<v Speaker 1>get a bigger idea. Because Jason, I will say, moving

0:48:54.300 --> 0:48:55.980
<v Speaker 1>away from the comics back to the show, one of

0:48:56.040 --> 0:48:57.880
<v Speaker 1>the big things you talked about that I think we

0:48:57.920 --> 0:49:00.680
<v Speaker 1>will get in season two is some kind of Oa conspiracy.

0:49:00.719 --> 0:49:02.859
<v Speaker 1>Can you talk a little bit about how that didn't

0:49:02.900 --> 0:49:07.040
<v Speaker 1>pay off here? probably budgetary concerns, but also like there

0:49:07.100 --> 0:49:08.899
<v Speaker 1>must be a reason we haven't seen them, right?

0:49:09.960 --> 0:49:13.229
<v Speaker 2>There must be. And it seems like now that with

0:49:14.690 --> 0:49:18.730
<v Speaker 2>ending with John's coded message through guide to oa it

0:49:18.830 --> 0:49:24.400
<v Speaker 2>seems like the conspiracy is something around just basically covering

0:49:24.520 --> 0:49:27.820
<v Speaker 2>up which would which tracks with the comics right covering

0:49:27.900 --> 0:49:31.680
<v Speaker 2>up the fact that they created manhunters exactly and were

0:49:31.719 --> 0:49:34.100
<v Speaker 2>not able to control them and that they went off

0:49:34.260 --> 0:49:37.359
<v Speaker 2>and did massive war crimes across the.

0:49:37.300 --> 0:49:41.230
<v Speaker 1>Galaxy Okay, this is kind of crazy. Unexpected, not what

0:49:41.270 --> 0:49:43.130
<v Speaker 1>I was thinking at all. Don't know if it's going

0:49:43.150 --> 0:49:44.989
<v Speaker 1>to tie in this much, so sorry if this is

0:49:45.030 --> 0:49:48.220
<v Speaker 1>a Rosie and Jason tinfoil hat theory. But we know

0:49:48.239 --> 0:49:52.140
<v Speaker 1>Brainiac's going to be in Man of Tomorrow, right? Obviously

0:49:52.160 --> 0:49:57.380
<v Speaker 1>a big villain. But think about this. If the Guardians

0:49:57.800 --> 0:50:00.520
<v Speaker 1>have Manhunters they couldn't control on Earth, what if there

0:50:00.580 --> 0:50:05.410
<v Speaker 1>are other Manhunters across the universe that are on different planets...

0:50:05.510 --> 0:50:08.170
<v Speaker 1>that are ready to take over. That could actually be

0:50:08.230 --> 0:50:10.850
<v Speaker 1>a threat that would bring together Lex and Superman, right?

0:50:11.190 --> 0:50:14.509
<v Speaker 1>Maybe Brainiac finds out. Maybe there is some connection there.

0:50:14.530 --> 0:50:18.049
<v Speaker 1>Because I feel like Oa being alerted hints that this

0:50:18.110 --> 0:50:21.050
<v Speaker 1>is going to expand outside of Earth, whatever Jon wants.

0:50:21.350 --> 0:50:22.490
<v Speaker 2>I also think that the.

0:50:24.570 --> 0:50:28.759
<v Speaker 2>To your point about Parallax, so much of this is

0:50:29.510 --> 0:50:33.380
<v Speaker 2>the show, the series, this season has been based on

0:50:34.820 --> 0:50:38.860
<v Speaker 2>slow morph from green to yellow. I do think another

0:50:38.940 --> 0:50:43.719
<v Speaker 2>possibility is that, you know, Sinestra has always been researching,

0:50:44.100 --> 0:50:47.700
<v Speaker 2>wanting to understand why there was this yellow impurity in

0:50:47.719 --> 0:50:50.180
<v Speaker 2>the green rings, why green, why the rings don't work

0:50:50.239 --> 0:50:53.310
<v Speaker 2>against things that are the color yellow or yellow energy,

0:50:53.510 --> 0:50:56.570
<v Speaker 2>yellow energy in the spectrum is the weakness of the rings.

0:50:57.090 --> 0:51:00.670
<v Speaker 1>And it can literally be like a daisy, a yellow daisy.

0:51:00.730 --> 0:51:03.230
<v Speaker 1>Like in the comics, it's been all kind of silly things.

0:51:03.450 --> 0:51:05.529
<v Speaker 1>And then it's become a joke almost, which is why

0:51:05.570 --> 0:51:08.910
<v Speaker 1>I think in the 90s and zeros, they tried to

0:51:08.950 --> 0:51:12.450
<v Speaker 1>make it more terrifying, more obviously about energy and weakness

0:51:12.489 --> 0:51:13.070
<v Speaker 1>in the rings.

0:51:13.330 --> 0:51:17.530
<v Speaker 2>And I think Sinestro was researching this. This is essentially

0:51:17.590 --> 0:51:22.069
<v Speaker 2>what got him in trouble with the Guardians. Because he thought, oh,

0:51:23.340 --> 0:51:27.240
<v Speaker 2>they're hiding... something about the yellow impurity and actually like

0:51:27.300 --> 0:51:29.090
<v Speaker 2>the rings can be a lot stronger if we figure

0:51:29.150 --> 0:51:31.930
<v Speaker 2>out how to, how to harness this. Well, in while

0:51:31.969 --> 0:51:35.569
<v Speaker 2>in reality, it's because the guardians know that parallax is

0:51:35.650 --> 0:51:38.150
<v Speaker 2>trapped inside the.

0:51:37.410 --> 0:51:40.089
<v Speaker 1>Energy battery, the central battery.

0:51:40.550 --> 0:51:45.060
<v Speaker 2>And that to harness yellow is to basically allow him

0:51:45.140 --> 0:51:48.520
<v Speaker 2>to escape. And so I think clever Jason, I think

0:51:48.580 --> 0:51:51.640
<v Speaker 2>that's the other conspiracy that they have is they understand

0:51:51.719 --> 0:51:55.900
<v Speaker 2>like they are, containing parallax in the central battery and

0:51:55.940 --> 0:51:58.860
<v Speaker 2>that they will do anything to not let anybody understand

0:51:58.920 --> 0:51:59.859
<v Speaker 2>that this is the case.

0:52:00.440 --> 0:52:03.799
<v Speaker 1>Also, doesn't that make sense? Because isn't every kind of story,

0:52:04.219 --> 0:52:08.400
<v Speaker 1>whether it's Superman and the fall of Krypton, or whether

0:52:08.420 --> 0:52:11.920
<v Speaker 1>it's any kind of supremacy, like mutant supremacy regime, it's

0:52:12.100 --> 0:52:15.730
<v Speaker 1>all about the arrogance and assumption that you can do

0:52:15.790 --> 0:52:18.750
<v Speaker 1>it better, that you know some way that's gonna stop.

0:52:19.030 --> 0:52:22.210
<v Speaker 1>And actually, oftentimes, you just do that by complete suppression.

0:52:22.700 --> 0:52:27.060
<v Speaker 1>Whereas it's clear that fear is obviously a feeling just

0:52:27.100 --> 0:52:30.200
<v Speaker 1>like anything else that could be utilized. And John is

0:52:30.219 --> 0:52:32.210
<v Speaker 1>going to prove that. And it's going to make other

0:52:32.250 --> 0:52:35.029
<v Speaker 1>people ask, why can't we utilize fear? And I think

0:52:35.070 --> 0:52:37.190
<v Speaker 1>the parallax conspiracy will come out.

0:52:37.270 --> 0:52:37.550
<v Speaker 3>Wow.

0:52:37.850 --> 0:52:40.049
<v Speaker 1>Yes, Jason, I think you clocked it. I think that's

0:52:40.150 --> 0:52:41.850
<v Speaker 1>so real. It would be cool if.

0:52:41.810 --> 0:52:42.529
<v Speaker 2>That is the case.

0:52:42.770 --> 0:52:43.490
<v Speaker 1>It would be really cool.

0:52:43.510 --> 0:52:45.100
<v Speaker 2>You know, another thing I wanted to ask you about

0:52:45.180 --> 0:52:48.180
<v Speaker 2>is that I think this show, part of what made

0:52:48.200 --> 0:52:54.160
<v Speaker 2>it so effective is it, as a more grounded in

0:52:54.219 --> 0:52:59.009
<v Speaker 2>terms of the characterizations of the people show made it,

0:52:59.850 --> 0:53:04.930
<v Speaker 2>it gave the fact that these are characters with godlike powers,

0:53:05.950 --> 0:53:10.660
<v Speaker 2>a different, a different and very interesting feeling with regards

0:53:10.700 --> 0:53:15.770
<v Speaker 2>to superhero storytelling. Like, Much has been said about the

0:53:15.810 --> 0:53:19.250
<v Speaker 2>Marvel Feet of Clay versus the DC, like, you know,

0:53:19.330 --> 0:53:20.900
<v Speaker 2>monsters and gods and stuff.

0:53:20.920 --> 0:53:21.739
<v Speaker 1>Oh, this is.

0:53:22.300 --> 0:53:28.080
<v Speaker 2>And I do think, like, that question in Marvel, like,

0:53:28.280 --> 0:53:30.899
<v Speaker 2>if we take Civil War, for instance, is.

0:53:33.030 --> 0:53:36.270
<v Speaker 2>It's interesting in that as rich as Tony Stark is,

0:53:36.890 --> 0:53:40.270
<v Speaker 2>as powerful as the Hulk is, they're still kind of just...

0:53:40.980 --> 0:53:45.000
<v Speaker 2>guys compared to Thanos, who everybody in DC is basically

0:53:45.060 --> 0:53:48.620
<v Speaker 2>a Thanos level guy. All of which is to say,

0:53:48.640 --> 0:53:53.009
<v Speaker 2>I think that there's, it's, it's crazy to think like

0:53:53.150 --> 0:53:55.810
<v Speaker 2>what the normal guy on the street, guy gal on

0:53:55.830 --> 0:54:00.290
<v Speaker 2>the street would think if this Jon Stewart whole thing

0:54:00.390 --> 0:54:03.250
<v Speaker 2>was revealed to them. So here's what, like, imagine you

0:54:03.270 --> 0:54:10.090
<v Speaker 2>learn this. Oh, um, There was a intergalactic war criminal

0:54:10.489 --> 0:54:14.010
<v Speaker 2>living on Earth who had an affair with a future

0:54:14.050 --> 0:54:14.890
<v Speaker 2>Green Lantern.

0:54:15.550 --> 0:54:17.660
<v Speaker 1>Who's now the Green Lantern of your Earth, specifically.

0:54:17.680 --> 0:54:21.180
<v Speaker 2>Who's now the Green Lantern of your Earth. And that

0:54:21.260 --> 0:54:28.330
<v Speaker 2>Green Lantern allowed the intergalactic war war criminal's offspring who

0:54:28.410 --> 0:54:32.130
<v Speaker 2>is also perhaps a war criminal in the making and

0:54:32.170 --> 0:54:34.970
<v Speaker 2>has openly said, you know, I don't know if I'll

0:54:34.989 --> 0:54:36.200
<v Speaker 2>destroy the world. Maybe I will.

0:54:36.260 --> 0:54:36.680
<v Speaker 1>Maybe.

0:54:36.980 --> 0:54:37.500
<v Speaker 3>I don't know.

0:54:37.560 --> 0:54:38.600
<v Speaker 1>I could do it.

0:54:38.680 --> 0:54:41.359
<v Speaker 2>Every day I struggle with it. And by the way,

0:54:41.420 --> 0:54:45.200
<v Speaker 2>I was building, like I was, I had a weapon

0:54:45.219 --> 0:54:46.219
<v Speaker 2>of mass destruction built.

0:54:46.420 --> 0:54:48.560
<v Speaker 1>But I don't know if I'll use it. Buy another

0:54:48.600 --> 0:54:49.140
<v Speaker 1>war criminal.

0:54:49.600 --> 0:54:56.330
<v Speaker 2>I'll see if I'll use it. And that green lantern

0:54:56.350 --> 0:55:01.810
<v Speaker 2>basically like let that kid live because his gun instinct

0:55:01.830 --> 0:55:05.149
<v Speaker 2>told him it'd be fun that's actually like a crazy

0:55:05.469 --> 0:55:09.380
<v Speaker 2>you're rolling the dice with everybody's lives on earth it's

0:55:09.469 --> 0:55:11.069
<v Speaker 2>actually insane.

0:55:10.540 --> 0:55:15.400
<v Speaker 1>I will say i think something that james gunniverse needs

0:55:15.440 --> 0:55:18.439
<v Speaker 1>to explore in superman man of tomorrow which i think

0:55:18.500 --> 0:55:20.279
<v Speaker 1>it could and i'm excited to see if they do

0:55:21.219 --> 0:55:24.580
<v Speaker 1>They are very much setting up a world where superheroes

0:55:24.700 --> 0:55:29.180
<v Speaker 1>are so common that humans are essentially a secondary thought

0:55:29.280 --> 0:55:33.810
<v Speaker 1>in this world. They're collateral damage. They're ants. Now, that

0:55:33.890 --> 0:55:36.290
<v Speaker 1>is true to the experience of being a human in

0:55:36.330 --> 0:55:39.230
<v Speaker 1>the DC universe. I feel myself becoming pro-Lex Luthor all

0:55:39.370 --> 0:55:41.569
<v Speaker 1>of a sudden. I was going to say, right? It

0:55:41.670 --> 0:55:44.550
<v Speaker 1>does seem like they're kind of setting up this notion,

0:55:44.610 --> 0:55:47.969
<v Speaker 1>their very own mutant threat of... wow, there are all

0:55:48.010 --> 0:55:52.430
<v Speaker 1>these stealth agent aliens living across the planet who could

0:55:52.469 --> 0:55:55.549
<v Speaker 1>at any time attack, you know? That seems like they're

0:55:55.570 --> 0:55:58.759
<v Speaker 1>setting up something quite dangerous and quite contrary to what

0:55:58.800 --> 0:56:01.600
<v Speaker 1>we saw with Superman. So I'll be interested to see

0:56:01.640 --> 0:56:05.140
<v Speaker 1>how it plays out. I do think it is honestly

0:56:05.219 --> 0:56:08.460
<v Speaker 1>probably more of a thematic fluke that it feels like

0:56:08.480 --> 0:56:11.739
<v Speaker 1>that to us because I think this show was chopped

0:56:11.890 --> 0:56:16.230
<v Speaker 1>and screwed and redone and remade and has come out... Honestly,

0:56:16.350 --> 0:56:19.100
<v Speaker 1>on top, becoming, like, the biggest show of the season

0:56:19.360 --> 0:56:22.509
<v Speaker 1>post-Widow's Bay. This is, like, the talkie-about show. This is

0:56:22.530 --> 0:56:25.490
<v Speaker 1>the show everyone was waiting for the finale. So I think...

0:56:25.890 --> 0:56:28.990
<v Speaker 1>for whatever production troubles it clearly had, it has really

0:56:29.050 --> 0:56:31.830
<v Speaker 1>come out as like a winner. Is it going to

0:56:31.890 --> 0:56:35.110
<v Speaker 1>play into the future of the DCU as much as

0:56:35.130 --> 0:56:37.009
<v Speaker 1>we want it to? I don't know, because James Gunn

0:56:37.070 --> 0:56:40.150
<v Speaker 1>did give that weird statement where he was like, Superman's

0:56:40.190 --> 0:56:43.089
<v Speaker 1>not going to have that many characters that are important

0:56:43.120 --> 0:56:46.419
<v Speaker 1>from outside of the movie, which worries me, because this

0:56:46.500 --> 0:56:49.860
<v Speaker 1>is the most interesting thing you have right now. I

0:56:49.920 --> 0:56:53.120
<v Speaker 1>need to tell you, they lit Aaron Pierre in this episode.

0:56:53.180 --> 0:56:55.880
<v Speaker 1>They understood that he was the leading man. There is

0:56:55.960 --> 0:56:58.469
<v Speaker 1>something about, and I want to say, I do want

0:56:58.489 --> 0:57:02.430
<v Speaker 1>to say, I'm pushing, I'm putting this out there early.

0:57:02.910 --> 0:57:05.190
<v Speaker 1>I'm pushing back on the idea that we only like

0:57:05.290 --> 0:57:09.360
<v Speaker 1>Aaron Pierre because he's conventionally good looking, right? I actually think,

0:57:09.800 --> 0:57:12.330
<v Speaker 1>I think he has... I think he has a Keanu

0:57:12.390 --> 0:57:15.950
<v Speaker 1>Reeves element to him that people underrate, which is he

0:57:16.090 --> 0:57:21.030
<v Speaker 1>is so good at acting within action and narratively acting

0:57:21.110 --> 0:57:24.430
<v Speaker 1>within an action showcase that some people might say he's wooden.

0:57:24.950 --> 0:57:27.340
<v Speaker 1>Rebel Ridge. They used to say that about Keanu Reeves

0:57:27.400 --> 0:57:29.500
<v Speaker 1>and now they understand that he is essentially doing Hong

0:57:29.520 --> 0:57:33.080
<v Speaker 1>Kong style acting where you tell the story through the narrative,

0:57:33.100 --> 0:57:34.380
<v Speaker 1>kind of like what we were talking about when we

0:57:34.400 --> 0:57:37.080
<v Speaker 1>were talking about Jackie Chan in our Shang-Chi and Penning

0:57:37.120 --> 0:57:38.740
<v Speaker 1>Doomsday episode you'll be able to hear soon.

0:57:39.440 --> 0:57:39.540
<v Speaker 2>And.

0:57:40.180 --> 0:57:42.880
<v Speaker 1>Trust me, there is something about this man where in

0:57:42.920 --> 0:57:45.540
<v Speaker 1>this episode, I was texting Joel and I was just like,

0:57:45.660 --> 0:57:48.860
<v Speaker 1>they understood by this time they had a star. Even

0:57:48.900 --> 0:57:50.760
<v Speaker 1>if it's only this episode, the scene in the car,

0:57:50.800 --> 0:57:52.550
<v Speaker 1>they are lighting him and I'm like, this could be

0:57:52.590 --> 0:57:56.170
<v Speaker 1>in Superman. This looks as good as a scene in Superman.

0:57:56.270 --> 0:57:59.570
<v Speaker 1>Make sure you understand that he needs to be on screen. Also, Jason,

0:57:59.730 --> 0:58:02.910
<v Speaker 1>silly thing to say, but the internet's saying it. I agree.

0:58:02.930 --> 0:58:05.840
<v Speaker 1>I had the same thought. this perfectly sets up Jon

0:58:05.880 --> 0:58:08.380
<v Speaker 1>Stewart to want to fuck Hawkgirl because he likes an

0:58:08.580 --> 0:58:14.300
<v Speaker 1>old soul. And he doesn't care. He doesn't care if

0:58:14.360 --> 0:58:15.120
<v Speaker 1>she's a killer.

0:58:16.320 --> 0:58:17.100
<v Speaker 3>He doesn't care.

0:58:17.160 --> 0:58:20.620
<v Speaker 1>And he likes to fuck an old lady. That's Superman.

0:58:20.660 --> 0:58:22.930
<v Speaker 1>We need to see it. Hawkgirl, Jon Stewart. We knew

0:58:22.990 --> 0:58:25.390
<v Speaker 1>it was coming. They're going to be a match made

0:58:25.430 --> 0:58:25.930
<v Speaker 1>in heaven.

0:58:25.950 --> 0:58:32.650
<v Speaker 2>I will go one further. I think like, Comic book

0:58:32.750 --> 0:58:36.530
<v Speaker 2>storytelling on the page and on TV and in movies,

0:58:37.310 --> 0:58:42.900
<v Speaker 2>to me, it becomes really great when it steers directly

0:58:42.940 --> 0:58:45.280
<v Speaker 2>into the contradictions. I think that there is a world

0:58:45.340 --> 0:58:50.040
<v Speaker 2>in which it's actually really great when a Justice League

0:58:50.080 --> 0:58:55.300
<v Speaker 2>begins to be assembled that Jon Stewart has secrets that

0:58:55.380 --> 0:58:58.400
<v Speaker 2>Batman would think are, like if Batman found out about this,

0:58:58.460 --> 0:58:58.919
<v Speaker 2>wait a second.

0:58:59.020 --> 0:59:01.580
<v Speaker 1>Oh, true. Batman does have a file on all of

0:59:01.620 --> 0:59:03.160
<v Speaker 1>them and he needs the secrets, right?

0:59:03.240 --> 0:59:05.670
<v Speaker 2>If Batman found out about this, he'd be like, that's

0:59:05.750 --> 0:59:09.370
<v Speaker 2>actually fucking crazy. So you know who murdered Hal and

0:59:09.430 --> 0:59:09.970
<v Speaker 2>you just let him know.

0:59:10.060 --> 0:59:10.420
<v Speaker 1>It go.

0:59:10.880 --> 0:59:14.230
<v Speaker 2>Also, you're harboring and protecting the child of an intergalactic

0:59:14.410 --> 0:59:15.610
<v Speaker 2>war criminal on Earth.

0:59:16.130 --> 0:59:17.330
<v Speaker 1>But then what would happen?

0:59:17.390 --> 0:59:20.410
<v Speaker 2>I think Clark could go either way because, like, he

0:59:20.470 --> 0:59:23.950
<v Speaker 2>is an alien on Earth, so unclear how he would go,

0:59:23.970 --> 0:59:26.410
<v Speaker 2>but he would feel really weird about the Hal thing.

0:59:26.730 --> 0:59:28.660
<v Speaker 2>But I think, like, the fact that all of these

0:59:28.740 --> 0:59:32.620
<v Speaker 2>characters could come to a group with their own different

0:59:32.680 --> 0:59:36.820
<v Speaker 2>agendas that are at times, like, in conflict and have

0:59:37.020 --> 0:59:39.640
<v Speaker 2>secrets that, like, they want to hide from each other

0:59:40.040 --> 0:59:43.310
<v Speaker 2>could be really interesting. great for story.

0:59:43.130 --> 0:59:45.810
<v Speaker 1>I agree and I also think they gave a great

0:59:45.970 --> 0:59:48.930
<v Speaker 1>out here by making Sheriff Kerry from Gotham because everyone

0:59:48.970 --> 0:59:51.570
<v Speaker 1>knows Batman has terrible taste in women so if it

0:59:51.610 --> 0:59:53.770
<v Speaker 1>did ever come out it would probably just turn out

0:59:53.790 --> 0:59:56.220
<v Speaker 1>that she was his ex yeah and he'd protect John

0:59:56.280 --> 0:59:58.860
<v Speaker 1>anyway but no Jason I I love that read I

0:59:58.900 --> 1:00:00.840
<v Speaker 1>think this is exactly the kind of shit Batman would

1:00:00.860 --> 1:00:04.160
<v Speaker 1>have in his files and also despite all of this

1:00:04.200 --> 1:00:06.450
<v Speaker 1>you come away from the show wanting to see more

1:00:06.490 --> 1:00:11.890
<v Speaker 1>John We are joking about his decisions, but it is really,

1:00:11.950 --> 1:00:14.250
<v Speaker 1>really funny how you come away and you're like, this

1:00:14.290 --> 1:00:17.150
<v Speaker 1>was great. I love this guy. Good job. Crazy job,

1:00:17.190 --> 1:00:17.650
<v Speaker 1>but good job.

1:00:18.130 --> 1:00:20.830
<v Speaker 2>Well, we're going to be talking more about Lanterns on

1:00:20.850 --> 1:00:25.720
<v Speaker 2>the next episode of X-Ray Vision. We have our Lanterns

1:00:26.380 --> 1:00:29.380
<v Speaker 2>season finale roundtable with the entire crew.

1:00:29.480 --> 1:00:29.600
<v Speaker 3>Woo!

1:00:30.410 --> 1:00:33.030
<v Speaker 2>Also coming up on X-Ray Vision this week, our episode

1:00:33.050 --> 1:00:37.290
<v Speaker 2>of Impending Doomsday, which is Avengers Endgame, including the bonus

1:00:37.310 --> 1:00:39.770
<v Speaker 2>scenes from Endgame Encore. That's it for this episode. Thanks

1:00:39.790 --> 1:00:40.230
<v Speaker 2>for listening.

1:00:41.090 --> 1:00:41.910
<v Speaker 1>Bye!

1:00:47.230 --> 1:00:50.070
<v Speaker 2>X-Ray Vision is hosted by Jason Concepcion and Rosie Knight

1:00:50.190 --> 1:00:51.950
<v Speaker 2>and is a production of iHeart Podcast.

1:00:52.390 --> 1:00:55.700
<v Speaker 1>Our executive producers are Joelle Monique and Aaron Kaufman.

1:00:56.200 --> 1:00:58.270
<v Speaker 2>Our supervising producer is Abu Safar.

1:00:58.650 --> 1:01:02.510
<v Speaker 1>Our producers are Carmen Laurent, Ian Johnson, and Baywax.

1:01:02.670 --> 1:01:05.390
<v Speaker 2>Our theme song is by Brian Vasquez with alternate theme

1:01:05.430 --> 1:01:06.700
<v Speaker 2>songs by Aaron Kaufman.

1:01:06.980 --> 1:01:10.760
<v Speaker 1>Special thanks to Sol Rubin, Chris Lord, Kenny Goodman, and Heidi,

1:01:11.060 --> 1:01:12.140
<v Speaker 1>our Discord moderator.