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Speaker 1: All right, we're back another episode of Club for our

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Speaker 1: twenty podcast.

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Speaker 2: I'm the host.

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Speaker 3: My name is j Well. Special guests. In my left,

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Speaker 3: we're gonna introduce my man's last. But to my far left,

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Speaker 3: we got my dog Bishop now green leaf, my boy

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Speaker 3: be here at the pret least.

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Speaker 4: How you what cool and ask, let's get to it.

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Speaker 3: You got he got the triple black all the day

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Speaker 3: he might rob us. She told you understand, that's a uniform.

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Speaker 3: That's not that's not no special occasion. That's how he

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Speaker 3: wake up every day.

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Speaker 2: Forces is dangerous to the Queene's man.

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Speaker 5: Niggas rock black forests really rob and I.

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Speaker 4: Know I'm a holy nigga.

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Speaker 2: Good till my.

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Speaker 3: Right, my dog, you're not show you and Jeffrey already

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Speaker 3: started already. I'm cool, bro chilling to day. Bro oh man,

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Speaker 3: I hate these shoes, but fuck it now for real.

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Speaker 3: I got a little statement called bout adult so we

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Speaker 3: always were kicked coming, so I always got heat on.

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Speaker 2: Today I ain't putting on heat on my far apologize.

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Speaker 2: He is just cool.

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Speaker 4: DJ got on the top five bron for sure.

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Speaker 2: Yeah, that's but less not least to my left.

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Speaker 3: You know what I'm saying the man in the city

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Speaker 3: getting this money on tour, producing performing audi above.

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Speaker 1: Up to then my dog, how you feeling man?

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Speaker 5: And I appreciate your intro. I appreciate your hospitality.

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Speaker 4: Man.

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Speaker 2: This nigga right here, the coolest nigga in the world.

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Speaker 2: Talk about it.

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Speaker 5: This nigga remind me, uh, Nick cannon Off loved on

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Speaker 5: cost of things.

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Speaker 3: Okay, that's crazy, that's crazy. Got called me Nick with

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Speaker 3: that little on cost of thing too caught up? That's

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Speaker 3: the episode starting shows. You know, you got a lot

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Speaker 3: of bankers and we go get see your origin up it.

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Speaker 3: But what's one song of one artist? You feel like

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Speaker 3: you missed out all like you had an inside track

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Speaker 3: on it. You should have been on the song, you

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Speaker 3: could have produced it, and it slipped away from it.

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Speaker 2: You're still tight about Oh man, that's crazy.

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Speaker 3: Who there's a couple of them, but there's right there.

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Speaker 2: I'm gonna say.

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Speaker 5: I'm gonna say one of the first people that I

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Speaker 5: was locked in with did a song with them, and

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Speaker 5: I never never, I never.

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Speaker 2: Put it out. Don Tyler, Damn.

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Speaker 5: We used to record in my house, but by the

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Speaker 5: time I never put it out just because of.

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Speaker 2: I was helping break the music.

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Speaker 5: So sometimes when you break it and you seeing it grow,

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Speaker 5: you don't want to just drop the record right away.

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Speaker 2: But I didn't learned my lesson. I should have dropped

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Speaker 2: all three of them records.

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Speaker 5: That month, you know. But by the time he got

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Speaker 5: with Cactus Jack and Travis Scott. You know, it's just

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Speaker 5: it's it's so many, it's so many like once you up,

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Speaker 5: there's certain things you can't do. So but me and

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Speaker 5: me and him still tight. I just I was out

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Speaker 5: there working on this project and stuff, so we're still cool.

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Speaker 5: But I should have dropped him three records we did right.

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Speaker 4: Away because he's on his way to super start.

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Speaker 2: He a nigga.

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Speaker 4: He a nigga for sure.

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Speaker 2: I seen him in concert. Who was that future? Right, Yeah, bro,

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Speaker 2: Yeah for sure for sure.

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Speaker 3: Obviously you know I'm saying, represent you got a little

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Speaker 3: bit of Ohio tie too, so you know a little

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Speaker 3: bit about the Midwest too, Man, tell him about it.

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Speaker 2: Yeah.

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Speaker 5: Yeah, I grew up in Youngstown. When I was I

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Speaker 5: did like five years there. My mom used to you know,

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Speaker 5: she had a little boyfriend out there. So man, that

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Speaker 5: ship was. I ain't gonna lie when when we got here.

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Speaker 2: This feels good.

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Speaker 5: But back when I was in Youngstown, that ship like

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Speaker 5: you in the country, a lot of niggas.

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Speaker 6: What it ain't too many of these niggas hold on

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Speaker 6: Youngstown is more like your a hole. He don't know

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Speaker 6: what your I heard.

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Speaker 2: About terror Hold the girl at the gas station. Just

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Speaker 2: tell me about terror.

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Speaker 5: Ho you.

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Speaker 2: Girl, tell you about terror? Hold's crazy. It's not a definition, no,

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Speaker 2: but what age.

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Speaker 5: Probably like from like ten to fourteen type she not

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Speaker 5: for real? Yeah, yeah, now I used to it was.

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Speaker 2: It was real grimy like where I'm at in Texas.

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Speaker 2: It's hood.

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Speaker 5: But we ain't grow up as fast as we did there.

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Speaker 5: Like when I got the youngest town I might have been,

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Speaker 5: I was still like a little kid, and it used

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Speaker 5: to be girls trying to fuck me.

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Speaker 2: You feel me?

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Speaker 5: I used to be like, damn, you touch my private parts.

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Speaker 5: I tell my mom, RealD. Shout out to the Midwest.

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Speaker 2: They have moving fast. They had babies at like sixteen.

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Speaker 3: They just had apartments when I was in high school.

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Speaker 3: Girls had kids when I was in middle school, for sure.

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Speaker 2: Shout to the baby fat jackets.

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Speaker 6: But that makes sense though, Ni, because when I be

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Speaker 6: going to I'm like, damn, my friend, like him though

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Speaker 6: none of y'all got kids. How y'all niggas touching all

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Speaker 6: these girls like.

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Speaker 4: They got no kids.

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Speaker 2: That's crazy crazy.

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Speaker 4: You got to get your baby, mama, and that.

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Speaker 2: It was guaranteed.

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Speaker 3: Right.

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Speaker 4: I'm so glad they live here when I.

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Speaker 3: Was like growing up.

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Speaker 4: Yeah, it's one of.

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Speaker 2: A few, man I got out of here. You were

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Speaker 2: supposed to be a yeah, I was supposed to have definitely,

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Speaker 2: damn yeah, child, supply hear you straight?

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Speaker 1: Though?

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Speaker 2: You good?

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Speaker 3: You're good in Texas though I heard in Texas you

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Speaker 3: only can pay twenty five hundreds.

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Speaker 2: That's right, they made She.

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Speaker 3: Said we had a thing like so it was a

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Speaker 3: dude that who named Roddy Bubah.

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Speaker 2: Yeah you hah.

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Speaker 3: The girl pregnant and she tried to move to California,

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Speaker 3: but they said the baby was conceiving Texas or the

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Speaker 3: Michigan give me is true?

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Speaker 4: Yea, it is true. That's yeah, that's true.

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Speaker 2: Bro.

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Speaker 4: Twenty five of where the baby where? That's the child

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Speaker 4: sports rules aligned with where the baby is born?

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Speaker 1: No matter ah, sh what have been tripping?

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Speaker 4: So you get a girl pregnant in Youngstown can move

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Speaker 4: to l A. You still have got a youngsterwn Bill.

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Speaker 3: All right, the young support probably about twelve hundred.

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Speaker 2: That's probably how it Isn't that.

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Speaker 4: Mistake?

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Speaker 2: Now?

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Speaker 4: Bro, I don't know.

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Speaker 2: I don't know. I ain't worried about the shout to

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Speaker 2: the volume. I'm gonna be married for your kid, though,

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Speaker 2: I'm gonna do it right when it's time. And I

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Speaker 2: said there too, you don't do that, that's trash.

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Speaker 4: Got no kid?

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Speaker 2: I be feeling though, Yeah, I ain't got no kids.

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Speaker 4: Ship him both, yeah, good ship step.

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Speaker 2: That is out of pocket. Ain't got no kids. Yeah, nah, stepdaddy.

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Speaker 5: I said there last night in my segway at the show,

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Speaker 5: and I asked the woman like, who had kids? And

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Speaker 5: I told him like, I'm I'm a hell of a stepdaddy,

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Speaker 5: because it's true, like.

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Speaker 2: I'm at that age now where I rather to take

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Speaker 2: care of something.

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Speaker 5: If you if if we can do that, then we

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Speaker 5: can have something.

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Speaker 2: But I got to practice with your kids. I like

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Speaker 2: your stuff, but mean you got the same type of mind.

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Speaker 3: Cool, so you have to you have to show you

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Speaker 3: know what I'm saying. You're getting your shirt off you like,

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Speaker 3: I'm stall daddy. Now, what's the limit on them?

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Speaker 2: Kids? Though?

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Speaker 3: When she come with them them digits. What's the what's

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Speaker 3: the stepdad like? Because you ain't hopping in the full

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Speaker 3: court my five.

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Speaker 2: Situation, no, no, no nine. It might it might. The

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Speaker 2: limit might be like two, but you gotta be at

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Speaker 2: a control too.

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Speaker 5: I love one, I can take one, but if you

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Speaker 5: can't control too, like I know this one girl who

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Speaker 5: got a child.

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Speaker 2: And she raised so well, like it fucked me up.

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Speaker 5: Sometimes it'd be like the little girl smart, the little

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Speaker 5: girl respectable. Like when she the little girl be calling

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Speaker 5: me mister, I can't say my real name.

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Speaker 2: She be calling me by mister.

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Speaker 5: She yes, ma'am, no, ma'am, yes, sir, no sir, and

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Speaker 5: that shit be she read the Bible. Sometimes I'd be like, man,

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Speaker 5: I'd be like, man, that's the type of woman I

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Speaker 5: would like to have kids with because she gonna raise

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Speaker 5: my children. She'd be teaching that ship. And I'm like, man,

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Speaker 5: women don't take the time out to do that shit

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Speaker 5: with their kids. No more them women type.

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Speaker 1: That's true, bro, But it always be the phone was

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Speaker 1: that got the badass kids, Like.

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Speaker 3: We got to my wife, man.

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Speaker 6: We got we got both. It's a lot of wholesome

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Speaker 6: women that take care of women too. But we got

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Speaker 6: a bunch of sexy reds too out here.

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Speaker 4: You know what I'm saying.

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Speaker 3: What I'm saying, it's a bunch of sexy yeah, me

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Speaker 3: and boy, it won't be no sexy red slander and.

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Speaker 2: President see sexy one of them people too.

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Speaker 5: We never did a song, but I did a lot

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Speaker 5: of songs for her with her in the studio and ship.

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Speaker 5: But I never just dropped the verse. But I you know,

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Speaker 5: a real disclaim that nobody knows. I never got paid

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Speaker 5: for none of the songs either. So when I look

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Speaker 5: at life, I be like, I just love that I

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Speaker 5: never got paid because I'm like, man, that makes the

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Speaker 5: relationship even better.

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Speaker 2: Yeah, yeah, because somebody owe me a favor. I don't

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Speaker 2: know who he is, but.

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Speaker 5: Whoever the fuck orchestrated that session, Hey man, I was

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Speaker 5: a believer early, right.

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Speaker 4: But it was just you and g Herb about nigga.

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Speaker 4: That was it.

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Speaker 2: And I might have been before G.

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Speaker 5: This is twenty twenty, okay, well yeah, and I was like,

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Speaker 5: you know what's crazy?

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Speaker 3: I was.

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Speaker 5: I had asked my manager and this is how y'all know,

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Speaker 5: like a nigga be really in a good mind space.

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Speaker 5: This is twenty twenty. I had the biggest record at

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Speaker 5: the time.

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Speaker 2: I was on Billboard I one.

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Speaker 5: Then I had like a Fredo Bang and Little Dirk

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Speaker 5: record that was super crazy. Yeah, and I and I

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Speaker 5: was in the studio with Sexy Red that nobody knew.

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Speaker 5: And that's what I call humble because every time I

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Speaker 5: think of that situation, I used.

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Speaker 2: To wonder, like, damn, bro, I really be going do shit.

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Speaker 5: But I be seeing it. I be seeing the future.

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Speaker 5: I'll be seeing the vision. But a lot of people don't.

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Speaker 2: A lot of people be like I used to get

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Speaker 2: people like why why the fuck you in the studio?

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Speaker 2: Like I would get around that time.

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Speaker 5: It would be people that are popping in Miami, and

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Speaker 5: they'd be like you in Miami and I'm like yeah,

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Speaker 5: and they'd be like pull up to my session.

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Speaker 2: I'm like, nah, I can't. I got a session with

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Speaker 2: sixty Red And at the time, bitch just be like,

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Speaker 2: who the fuck nigga come to my session.

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Speaker 5: I ain't gonna say no names. But and they they

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Speaker 5: was a group and they was popping. So when I

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Speaker 5: go to the studio with Sexy Red lock and get

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Speaker 5: it done, everybody like, why, why the fuck you ain't

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Speaker 5: skip that to go to that, and now I look

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Speaker 5: at life and I'd be like, man, I'm glad I

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Speaker 5: make sound decisions.

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Speaker 2: Bro, bro, And that's real shit.

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Speaker 3: And that's what we talk about all the time here

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Speaker 3: is like when you networking and you working, it's really

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Speaker 3: about the people around you and below you. Because the

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Speaker 3: people above you, it's very rare you get to catch them.

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Speaker 3: But the next wave of people is always your peer

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Speaker 3: group and the people coming up. So you always want

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Speaker 3: to take care of the people around you because they'm

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Speaker 3: gonna be the people that you're dealing with.

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Speaker 2: It just like on some school shit.

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Speaker 3: Yeah, you might not fuck with this dude in the school,

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Speaker 3: he might be weird whatever, but you got decent relationship

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Speaker 3: because you go up, he gonna be the motherfucker owner

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Speaker 3: of that business you're gonna have to have a relationship with.

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Speaker 3: You never gonna catch him. Executive Lee or Korn ain't

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Speaker 3: never gonna come down to our level. But the next

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Speaker 3: level of people you showing love shit Like you said

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Speaker 3: that back, favorite pocket, bra.

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Speaker 5: I love the way you think my whole career, Like

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Speaker 5: when I think about who I am today, my whole

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Speaker 5: career was built off people that nobody gave a fuck

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Speaker 5: about and I had to sit there and like when

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Speaker 5: I this is my number one thing. I got a

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Speaker 5: partner that did a song for Drake right, and I

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Speaker 5: got more partners that did songs for like Nicki Minaj.

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Speaker 5: And when they get the flexing on me, they be

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Speaker 5: They always compare us who got the most hits? You

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Speaker 5: were him, you were him? You and him who the

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Speaker 5: most influential producer? And I always look niggas in their

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Speaker 5: eyes and I'd be like, you know, y'all really don't

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Speaker 5: count because y'all accidentally got a Drake placement. I made

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Speaker 5: Drakes were different, and I was fucking with niggas below me,

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Speaker 5: and they got diamond songs, Like.

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Speaker 2: Fuck with you talking about y'all got niggas who.

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Speaker 5: Had diamond songs already, they was gonna continue being diamond.

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Speaker 5: I made niggas who was dirt diamond and they still

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Speaker 5: going Dimond and I dine made a couple of them.

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Speaker 5: Because when you plan down here, you can make a couple.

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Speaker 5: But if you study shooting for Beyonce, jay Z, Drake Man,

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Speaker 5: you might have two songs that you get out of them,

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Speaker 5: because you know that's just how the world worked.

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Speaker 2: But I always tell young producers.

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Speaker 5: Man, y'all niggas need to play down here, man, Like

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Speaker 5: it's gonna be another one and it's easier to get

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Speaker 5: to them.

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Speaker 2: So I like the way you think.

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Speaker 3: Man, you talked about you know what I'm saying, going

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Speaker 3: crazy with you know what I'm saying, one of your

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Speaker 3: biggest records.

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Speaker 2: How did that come to fruition?

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Speaker 3: Because I know you produced, but what made you kind

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Speaker 3: of step out of like, nah, this's gonna be mine.

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Speaker 2: I've always been an artist since I was a kid.

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Speaker 5: I was rapping, but somewhere down the line, I had

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Speaker 5: an A and R convinced me to write songs and

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Speaker 5: he was just like, bro, what do you care about?

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Speaker 5: You care about? You want to be famous? Do you

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Speaker 5: want the money? And at the time when you broke

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Speaker 5: it used to hurt to know, like, man, I I

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Speaker 5: wrote this and that nigga shining and nobody knows I

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Speaker 5: did that shit and.

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Speaker 2: I'm I got to check I got a plaque.

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Speaker 5: But he convinced me successfully to worry about the money

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Speaker 5: and I started making money. But when I got to

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Speaker 5: like when I seen my first m it was like, Okay,

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Speaker 5: this is God telling me that I've done my job.

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Speaker 5: And I need to figure out how to make sure

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Speaker 5: people don't forget that I'm talented as well. So that's

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Speaker 5: how I ended up getting my first hit. I had

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Speaker 5: spent like man that it was crazy. I had my

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Speaker 5: niece and my girl. We was sitting in a in

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Speaker 5: in my little house at the time, and I used

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Speaker 5: to make them get on TikTok and we would like

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Speaker 5: we were broker TikTok.

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Speaker 2: Videos all day.

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Speaker 5: We would literally send messages get little kids to do

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Speaker 5: videos for thirty to forty dollars, and we did that

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Speaker 5: for like three weeks and blew the song up. I

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Speaker 5: probably spent like eight bands. Everybody think I spent the

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Speaker 5: world of money. I spent the world of money on

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Speaker 5: keeping it going, But the initial impact of blowing that

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Speaker 5: record up, I probably spend like a bans And that's

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Speaker 5: crazy because people don't understand investing in yourself don't always

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Speaker 5: mean spend it a shit ton of money, maybe a

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Speaker 5: shit ton of time, because shit, we don't know shit

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Speaker 5: about the TikTok. I know what it is you're on

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Speaker 5: there and stuff, But in that time period youre talking

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Speaker 5: about twenty nineteen twenty twenty, you was early in the

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Speaker 5: landscape and who knew that the world was about to

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Speaker 5: shut the fuck down. So it's like you getting stocked

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Speaker 5: in a company that shot the fuck up. You just

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Speaker 5: have to put your product in it. But then also,

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00:14:31,240 --> 00:14:32,840
Speaker 5: like you said, you had to spend money in your records.

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Speaker 3: People don't understand. You do not get those billboard placements.

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Speaker 3: You do not get those radio spends off your song just

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Speaker 3: being good.

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Speaker 5: Hell no, no, you you got to drop the bag.

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Speaker 5: And I tell people even one that's better if you

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Speaker 5: actually do it yourself, it'll be more cost effective.

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Speaker 2: Like a lot of.

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Speaker 5: Times people, I mean, every every nigga with money can

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Speaker 5: attest to this. There's a lot of times you can

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Speaker 5: hand somebody some money, but you realize that they don't

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Speaker 5: give a fuck about your money. So they don't wake

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Speaker 5: up every day and theme for making that shit back.

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Speaker 2: They don't. It's not no desire to make your money

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Speaker 2: make money.

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Speaker 5: But when you're doing it yourself, you're gonna lose sleep

349
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Speaker 5: until you get that bag back. So I mean, at

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Speaker 5: that time, it just checked out, And when it did,

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00:15:14,920 --> 00:15:16,920
Speaker 5: it was so crazy because my little niece ain't never,

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Speaker 5: you know, she ain't ever.

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Speaker 2: She don't even know what money looked like me. But

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Speaker 2: she's like thirteen at the time.

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Speaker 5: As soon as it went uh when it went gold

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Speaker 5: or broke off, and she was just like she was

357
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Speaker 5: like as a kid.

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Speaker 2: You know, there's a lot of red type shit.

359
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Speaker 4: What you enjoyed more performing or making a record?

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Speaker 5: I like performing because I want to be more. The

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Speaker 5: reason why my name is DJ Chose because I feel

362
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Speaker 5: like God shows me. And when I look at music,

363
00:15:44,960 --> 00:15:48,360
Speaker 5: I think of influence and power. So I know as

364
00:15:48,400 --> 00:15:53,040
Speaker 5: a songwriter, I'm effective because I can like see a

365
00:15:53,120 --> 00:15:56,760
Speaker 5: message through the airways. But I like when I can

366
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Speaker 5: actually influence the world because I feel like I got

367
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Speaker 5: good intentions and I feel like it's a lot of

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Speaker 5: people that influenced the world and they got so much power,

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Speaker 5: but man, they don't give a funk about the next person.

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Speaker 2: I do you feel me?

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Speaker 5: Every night after I perform, I go to the merch table,

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00:16:11,000 --> 00:16:13,080
Speaker 5: I shake hands, kiss babies, do it all that ship

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Speaker 5: so because.

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Speaker 6: You one of the only producers for real, Like I

375
00:16:15,680 --> 00:16:17,880
Speaker 6: funk with your ship, bro, And I ain't just you're here,

376
00:16:18,040 --> 00:16:22,000
Speaker 6: but that you actually on records like you got anthems.

377
00:16:22,000 --> 00:16:25,520
Speaker 6: I just told sEH y'all doing the little Georgia Street tonight.

378
00:16:25,560 --> 00:16:28,320
Speaker 6: But I told you like you can rock the crowd, nigga,

379
00:16:28,360 --> 00:16:31,720
Speaker 6: you can perform and appreciate, spend your ship like you

380
00:16:31,760 --> 00:16:33,960
Speaker 6: know what I mean. You got at least I ain't

381
00:16:34,000 --> 00:16:36,760
Speaker 6: short changed you. I'm like, niggat least can go for

382
00:16:36,800 --> 00:16:37,440
Speaker 6: a right too.

383
00:16:39,120 --> 00:16:43,720
Speaker 4: Ashak shaking music.

384
00:16:43,560 --> 00:16:57,600
Speaker 1: Though for real, you gotta watch it.

385
00:16:57,680 --> 00:17:01,680
Speaker 4: Oh yeah, shout out to the jabblewalkers. You feel me.

386
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Speaker 6: But now you like one of the only producers for real.

387
00:17:06,080 --> 00:17:10,080
Speaker 6: Now I ain't discredited nobody that no perform and get

388
00:17:10,160 --> 00:17:11,800
Speaker 6: behind the scenes special records.

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Speaker 1: It had the video bait like it was a cut.

390
00:17:14,600 --> 00:17:17,280
Speaker 3: How was that your biggest Like when your biggest song

391
00:17:17,359 --> 00:17:18,960
Speaker 3: at the time period, You're just like, damn, I be

392
00:17:19,000 --> 00:17:19,920
Speaker 3: going crazy with the video.

393
00:17:20,040 --> 00:17:21,639
Speaker 5: They want to see it and they're like, nah, you

394
00:17:21,720 --> 00:17:24,080
Speaker 5: can't post this on me. Yeah yeah nah they uh,

395
00:17:24,800 --> 00:17:27,560
Speaker 5: they took them out. They be banning my video sometime.

396
00:17:27,680 --> 00:17:30,320
Speaker 2: But man, I just look at it like now I'm

397
00:17:30,359 --> 00:17:32,200
Speaker 2: trying to clean up. I'm trying to clean up my image.

398
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Speaker 5: I missed so much money with having a song that

399
00:17:35,720 --> 00:17:38,440
Speaker 5: having videos they do like fifty two million, one hundred

400
00:17:38,480 --> 00:17:41,040
Speaker 5: million views and shit, and I can't make money because

401
00:17:41,040 --> 00:17:42,520
Speaker 5: it's unmonetizable.

402
00:17:43,040 --> 00:17:43,960
Speaker 2: YouTube got us.

403
00:17:44,240 --> 00:17:46,880
Speaker 5: Yeah, so I'm learning my life and I'm now where

404
00:17:46,920 --> 00:17:49,960
Speaker 5: I'm at. I'm just more like y'all pit on close,

405
00:17:50,040 --> 00:17:51,159
Speaker 5: Like I don't eve want to shoot the video of

406
00:17:51,200 --> 00:17:51,880
Speaker 5: y'all aint gonna win.

407
00:17:51,840 --> 00:17:55,880
Speaker 3: On clubs obviously, hdown and Florence Man the screw type

408
00:17:55,920 --> 00:17:59,960
Speaker 3: eras like that type of music heavy Indianapolis crazy because

409
00:18:00,080 --> 00:18:01,720
Speaker 3: we fuck with that type of music, those type of

410
00:18:01,800 --> 00:18:04,639
Speaker 3: mixt types. You think mixed type eras could ever be

411
00:18:04,760 --> 00:18:06,240
Speaker 3: like that again with the way that they do, like

412
00:18:06,359 --> 00:18:08,400
Speaker 3: regulations for is monetizer for music.

413
00:18:09,240 --> 00:18:12,480
Speaker 5: Nah, I don't think we should either, real, I don't

414
00:18:12,480 --> 00:18:15,280
Speaker 5: think I don't think that, like because right now the

415
00:18:15,359 --> 00:18:17,639
Speaker 5: world is like a mixtape if you look at how

416
00:18:17,720 --> 00:18:18,560
Speaker 5: much music.

417
00:18:18,359 --> 00:18:22,080
Speaker 2: Come out and I don't know why, but we can't

418
00:18:22,200 --> 00:18:26,360
Speaker 2: keep up with it, Like hell, do you feel like, let's.

419
00:18:26,160 --> 00:18:29,120
Speaker 5: Be honest, y'all, remember when we used to consume music

420
00:18:29,160 --> 00:18:33,640
Speaker 5: as kids, Like we literally used to consume music week

421
00:18:33,680 --> 00:18:36,000
Speaker 5: for week, and we still love the people we consume

422
00:18:37,040 --> 00:18:40,480
Speaker 5: right now, I swear it's like only room for one.

423
00:18:41,000 --> 00:18:45,200
Speaker 5: You get a Sexy Red or like when Sexy Red came,

424
00:18:45,280 --> 00:18:47,040
Speaker 5: she replaced somebody I don't.

425
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Speaker 2: Care when nobody.

426
00:18:49,160 --> 00:18:52,760
Speaker 5: And I didn't say that, you did, Okay, So if

427
00:18:52,800 --> 00:18:56,600
Speaker 5: that's how y'all feel, and the neck goes.

428
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Speaker 3: As a playable character of the nigga got a Golilla

429
00:19:01,080 --> 00:19:02,720
Speaker 3: moskin in two k's out of pocket.

430
00:19:03,800 --> 00:19:06,359
Speaker 2: But now he was saying, so we.

431
00:19:06,480 --> 00:19:10,560
Speaker 5: Don't have a capacity right now to consumers like much music.

432
00:19:10,600 --> 00:19:15,359
Speaker 5: But when we was kids, I'm sorry if it fucking

433
00:19:17,359 --> 00:19:22,879
Speaker 5: Lil Wayne, Comellionaire, Mike, whoever that anybody liked, if they

434
00:19:23,080 --> 00:19:26,160
Speaker 5: dropped pow wah whatever, we would consume all their music,

435
00:19:26,359 --> 00:19:29,640
Speaker 5: and we would never we would have comparison conversations.

436
00:19:29,760 --> 00:19:31,000
Speaker 2: But you loved who you love it.

437
00:19:31,320 --> 00:19:33,879
Speaker 5: You weren't changing who you was fucking with just because

438
00:19:33,880 --> 00:19:35,360
Speaker 5: they ain't put out no music in a week.

439
00:19:35,720 --> 00:19:36,720
Speaker 2: Yeah, and we would play.

440
00:19:36,600 --> 00:19:41,280
Speaker 4: Them two months. Yeah, play a Lil Wayne now, my.

441
00:19:41,359 --> 00:19:46,639
Speaker 3: Mama, I played dedication to yesterday. I play I play nothing, nothing,

442
00:19:46,920 --> 00:19:49,480
Speaker 3: consume a lot of music like twenty twelve.

443
00:19:50,760 --> 00:19:53,520
Speaker 4: I'll stay up today with ship bro. I don't take

444
00:19:53,560 --> 00:19:55,560
Speaker 4: that I agree with what you're saying as a whole

445
00:19:56,160 --> 00:20:01,639
Speaker 4: world or goddamn it away. Yeah, absolutely, mic Awave, But

446
00:20:01,880 --> 00:20:03,600
Speaker 4: I say tapped in with everybody.

447
00:20:03,880 --> 00:20:05,480
Speaker 2: I'm gonna tell you why I'm saying what I'm saying.

448
00:20:06,280 --> 00:20:11,240
Speaker 5: I feel like, back then this is the trick, y'all.

449
00:20:11,440 --> 00:20:17,320
Speaker 5: Back then you could market yourself without an algorithm. So

450
00:20:18,080 --> 00:20:20,919
Speaker 5: so when you can come out the trunk or if

451
00:20:21,160 --> 00:20:23,440
Speaker 5: let's just say a nigga had a show at a concert,

452
00:20:24,280 --> 00:20:26,840
Speaker 5: let's just say Kevin Gates boom, he just had his concert.

453
00:20:27,280 --> 00:20:30,640
Speaker 5: Let's say we in the world of CDs, Kevin Gates

454
00:20:30,680 --> 00:20:33,840
Speaker 5: can reach his audience every day if he wanted to,

455
00:20:33,920 --> 00:20:36,360
Speaker 5: if he just wanted to go on tour and out

456
00:20:36,400 --> 00:20:40,600
Speaker 5: the trunk sell CDs right now, you can't give a

457
00:20:40,720 --> 00:20:41,639
Speaker 5: motherfucker nothing.

458
00:20:41,680 --> 00:20:42,080
Speaker 2: You couldn't.

459
00:20:42,080 --> 00:20:45,120
Speaker 5: I couldn't give him a fucker coupon for a new car.

460
00:20:45,480 --> 00:20:47,720
Speaker 5: They would literally be like thank you and drop it

461
00:20:48,400 --> 00:20:49,200
Speaker 5: wouldn't know what it was.

462
00:20:50,119 --> 00:20:51,679
Speaker 2: So I think now that we.

463
00:20:51,760 --> 00:20:55,399
Speaker 5: Depending on algorithms and things like that. It's not that

464
00:20:56,160 --> 00:20:59,239
Speaker 5: people don't stay up with things. It's just like if

465
00:20:59,320 --> 00:21:02,639
Speaker 5: sexy Read is running things, then sometimes it's hard to

466
00:21:02,680 --> 00:21:07,280
Speaker 5: see gloiala like you would say. So I think technically

467
00:21:08,000 --> 00:21:13,240
Speaker 5: it's about if whoever is man handling the moment, that's

468
00:21:13,320 --> 00:21:14,080
Speaker 5: who's important.

469
00:21:14,119 --> 00:21:16,680
Speaker 2: Like Drake is man handling the moment. Y'all know what

470
00:21:16,920 --> 00:21:20,520
Speaker 2: made me say, damn, Drake this.

471
00:21:20,840 --> 00:21:22,879
Speaker 5: Y'all want to know what made me forget about Drake's

472
00:21:22,920 --> 00:21:26,800
Speaker 5: album and Drake's tour when Kevin Gates spinning that bit

473
00:21:26,880 --> 00:21:30,560
Speaker 5: mouth ill like, damn, I don't care about the Drake

474
00:21:30,560 --> 00:21:32,520
Speaker 5: album right now. All I care about is Kevin Gates

475
00:21:32,520 --> 00:21:33,480
Speaker 5: spitting this some one's mouth.

476
00:21:34,000 --> 00:21:35,560
Speaker 2: That's crazy.

477
00:21:36,200 --> 00:21:38,440
Speaker 1: You was obviously on tour with Bro. Did you see

478
00:21:38,440 --> 00:21:39,720
Speaker 1: that library? Did you see afterwards?

479
00:21:41,040 --> 00:21:43,720
Speaker 2: That's all live? I was actually the crap I wasn't.

480
00:21:44,040 --> 00:21:49,560
Speaker 3: Was because wass man, y'all gotta understand, Gates is my dog.

481
00:21:50,600 --> 00:21:52,320
Speaker 5: A lot of people are scared to talk about him

482
00:21:53,040 --> 00:21:54,200
Speaker 5: in podcasts and stuff.

483
00:21:54,560 --> 00:21:58,000
Speaker 2: We really like this, so I don't care about speaking

484
00:21:58,080 --> 00:21:58,639
Speaker 2: on things.

485
00:21:59,040 --> 00:21:59,159
Speaker 3: Uh.

486
00:22:00,400 --> 00:22:04,640
Speaker 5: When I think of Gates, I think I don't think

487
00:22:04,760 --> 00:22:06,400
Speaker 5: what people think. A lot of people are gonna turn

488
00:22:06,440 --> 00:22:07,560
Speaker 5: it into some different shiit.

489
00:22:07,520 --> 00:22:09,080
Speaker 2: Like ah, he demonic he is he did.

490
00:22:09,680 --> 00:22:11,280
Speaker 5: I don't see it that way. I just see it

491
00:22:11,400 --> 00:22:21,159
Speaker 5: as someone who understands. He understands when when you know

492
00:22:21,320 --> 00:22:24,399
Speaker 5: what the world is on, he get it. I just

493
00:22:24,440 --> 00:22:26,200
Speaker 5: feel like some people get it, some people don't. And

494
00:22:26,440 --> 00:22:28,879
Speaker 5: if I had that kind of power, I wouldn't have

495
00:22:28,880 --> 00:22:30,200
Speaker 5: did it how he did it. I like how he

496
00:22:30,320 --> 00:22:32,040
Speaker 5: doing it now when he doing the Champagne and he's

497
00:22:32,040 --> 00:22:34,440
Speaker 5: spending their mouth. See the first day, I feel like

498
00:22:34,640 --> 00:22:37,560
Speaker 5: all of our show was kind of like we was.

499
00:22:37,680 --> 00:22:39,679
Speaker 5: We were just having a good time. We was doing

500
00:22:39,760 --> 00:22:43,080
Speaker 5: our we what we planning to do. But I and

501
00:22:43,200 --> 00:22:45,200
Speaker 5: I we nobody knew nothing about this. I ain't gonna

502
00:22:45,200 --> 00:22:49,960
Speaker 5: lie that I never knew nothing by that. That ain't

503
00:22:50,040 --> 00:22:52,359
Speaker 5: I'm saying, Like the way I play my show, that's

504
00:22:52,400 --> 00:22:54,800
Speaker 5: how I went that day. However, his show was, That's

505
00:22:54,840 --> 00:22:58,520
Speaker 5: how it went for me. The second day, I dockted

506
00:22:58,560 --> 00:23:00,720
Speaker 5: my show a little bit. I'm not saying he playing

507
00:23:00,760 --> 00:23:02,760
Speaker 5: that at all, But what I will say is that

508
00:23:02,920 --> 00:23:06,399
Speaker 5: the second show, I like, how you doing it now

509
00:23:06,440 --> 00:23:08,600
Speaker 5: where he ship to Champagne and he you know what

510
00:23:08,640 --> 00:23:10,800
Speaker 5: I'm saying, And that's just really for me. That's what

511
00:23:10,960 --> 00:23:14,160
Speaker 5: I call, like I want to say, like power and influence,

512
00:23:14,280 --> 00:23:17,399
Speaker 5: like when you know these fans look, or when you

513
00:23:17,480 --> 00:23:19,600
Speaker 5: know someone loves you that much and you can give

514
00:23:19,640 --> 00:23:20,600
Speaker 5: them that kind of experience.

515
00:23:20,680 --> 00:23:22,679
Speaker 2: These the same women that want to want to kiss him.

516
00:23:22,720 --> 00:23:24,640
Speaker 6: But he was the first nigga too that really made

517
00:23:24,680 --> 00:23:27,440
Speaker 6: eat booty cool publicly when he said that ship, the

518
00:23:27,520 --> 00:23:29,720
Speaker 6: internet wouldn't up and up and I ain't.

519
00:23:29,520 --> 00:23:29,920
Speaker 2: Gonna hold you.

520
00:23:30,040 --> 00:23:33,080
Speaker 1: He he the Gates long time. So he's an early

521
00:23:33,119 --> 00:23:33,520
Speaker 1: Gates fan.

522
00:23:33,880 --> 00:23:34,320
Speaker 4: I'm a fan.

523
00:23:34,480 --> 00:23:35,600
Speaker 2: Yeahs tough.

524
00:23:35,640 --> 00:23:39,119
Speaker 4: He's one of the guts, bro, Luca Bronxi, don't do that.

525
00:23:40,160 --> 00:23:42,320
Speaker 4: You know that intro used to be your ship.

526
00:23:42,440 --> 00:23:45,480
Speaker 6: Like, okay, don't start sucking up your pos.

527
00:23:48,280 --> 00:23:53,080
Speaker 2: It won't be no Kevin gatesland. My little brother loved.

528
00:23:54,920 --> 00:23:55,680
Speaker 4: Hild Brand.

529
00:23:56,119 --> 00:23:58,440
Speaker 6: Yeah, niggas was around like Kevin Gates is go. But

530
00:23:58,480 --> 00:24:01,000
Speaker 6: I'm saying like, I just think now the internet was

531
00:24:01,080 --> 00:24:03,479
Speaker 6: when he said that eat the booty shit, it went't crazy,

532
00:24:03,760 --> 00:24:05,800
Speaker 6: but the internet just so crazy now.

533
00:24:06,160 --> 00:24:08,920
Speaker 5: I think what I'm trying to say is I think

534
00:24:10,119 --> 00:24:12,760
Speaker 5: I like Gates because he's always ahead of the culture.

535
00:24:12,880 --> 00:24:13,920
Speaker 2: M you feel me.

536
00:24:14,640 --> 00:24:18,120
Speaker 5: The shit he doing is it is literally some shit

537
00:24:18,200 --> 00:24:22,000
Speaker 5: niggas been doing. But no, not like a lot of niggas.

538
00:24:22,080 --> 00:24:22,720
Speaker 2: Now it's going.

539
00:24:23,040 --> 00:24:25,359
Speaker 5: I'm telling you, any nigga that had a problem with

540
00:24:25,440 --> 00:24:28,359
Speaker 5: that situation, watch what I tell I'm about to go

541
00:24:28,440 --> 00:24:29,879
Speaker 5: do it. As soon as I get off to her,

542
00:24:29,920 --> 00:24:31,560
Speaker 5: I'm gonna fly, my I'm gonna.

543
00:24:31,359 --> 00:24:33,040
Speaker 2: Fly my queen. I was about to say, my bitch

544
00:24:33,200 --> 00:24:35,840
Speaker 2: gonna fly my queen to some foreign country.

545
00:24:36,080 --> 00:24:38,520
Speaker 5: I'm gonna pop some fucking I don't know what because

546
00:24:38,520 --> 00:24:40,120
Speaker 5: I don't drink, but I'm gonna do it to day.

547
00:24:40,119 --> 00:24:40,760
Speaker 2: I'm gonna pop it.

548
00:24:40,800 --> 00:24:42,760
Speaker 5: I'm gonna sit the champagne and I'm gonna make her

549
00:24:43,119 --> 00:24:44,520
Speaker 5: to the head back and say, if you love me,

550
00:24:44,520 --> 00:24:46,000
Speaker 5: you're gonna let me spit this in your mouth. And

551
00:24:46,119 --> 00:24:47,720
Speaker 5: she's gonna say, I love you, and I'm gonna spit

552
00:24:47,760 --> 00:24:49,920
Speaker 5: it in my mouth and I might go viral to day.

553
00:24:50,160 --> 00:24:51,840
Speaker 5: But he be leading the culture.

554
00:24:51,960 --> 00:24:56,359
Speaker 2: And I hate to say it because women behave me but.

555
00:24:56,480 --> 00:24:59,320
Speaker 5: Not being against the things he do. But it'd be like,

556
00:25:00,200 --> 00:25:02,600
Speaker 5: you bitch just gonna do it anyway, y'all just gonna

557
00:25:02,600 --> 00:25:05,440
Speaker 5: do it in five years. He's just doing it today.

558
00:25:06,480 --> 00:25:07,080
Speaker 4: It is crazy.

559
00:25:07,760 --> 00:25:09,879
Speaker 1: I think this the only thing I.

560
00:25:09,920 --> 00:25:12,080
Speaker 4: Got his changes on. But to shout out to you

561
00:25:12,240 --> 00:25:13,360
Speaker 4: freaky chose.

562
00:25:14,359 --> 00:25:19,160
Speaker 5: Man, Hey man, I'm just telling you, man, Hey, I'm

563
00:25:19,200 --> 00:25:22,119
Speaker 5: a nigga. I'm a nigga who used to watch like

564
00:25:23,000 --> 00:25:25,040
Speaker 5: Extreme Tube. You feel me, And I don't know if

565
00:25:25,040 --> 00:25:25,520
Speaker 5: your nigga know.

566
00:25:28,000 --> 00:25:30,160
Speaker 3: I told you my computer got banned for that ship

567
00:25:30,640 --> 00:25:33,720
Speaker 3: to wait. It took my computer because of that ship.

568
00:25:33,880 --> 00:25:36,480
Speaker 2: Hey man, they've been spitting the mouths on extreme.

569
00:25:38,600 --> 00:25:44,199
Speaker 4: Over there and I FaceTime over there, and I.

570
00:25:44,240 --> 00:25:45,680
Speaker 3: Love Gates, but the only thing I gotta be for

571
00:25:45,720 --> 00:25:47,640
Speaker 3: gazed with. I don't believe that he fixed that girl

572
00:25:47,920 --> 00:25:54,639
Speaker 3: card he fixed up. I don't believe what's scored one hundred.

573
00:25:54,760 --> 00:25:57,920
Speaker 3: I don't believe the gas nothing.

574
00:25:58,040 --> 00:26:00,159
Speaker 2: I gotta see it. Let me tell you this, and

575
00:26:00,280 --> 00:26:02,440
Speaker 2: I can't. I'm not. I'm not gonna say too much

576
00:26:02,480 --> 00:26:06,120
Speaker 2: because I was there, so I'm not a not about

577
00:26:06,160 --> 00:26:09,840
Speaker 2: the car. Car.

578
00:26:11,720 --> 00:26:14,399
Speaker 5: But it's a lot of suck, bro, I ain't gonna lie.

579
00:26:14,440 --> 00:26:18,639
Speaker 5: It's a lot of ship that I don't like. I

580
00:26:18,800 --> 00:26:21,159
Speaker 5: am The one thing y'all don't get is I am

581
00:26:21,280 --> 00:26:22,000
Speaker 5: the number one.

582
00:26:22,640 --> 00:26:26,000
Speaker 2: Look Gates in his eyes and really really try to

583
00:26:26,119 --> 00:26:29,120
Speaker 2: like tell him he didn't do something like I'm the guy.

584
00:26:29,320 --> 00:26:31,000
Speaker 2: I will look him in his eyes and be like, man,

585
00:26:31,359 --> 00:26:34,679
Speaker 2: stop lying, and he will like he'll laugh and then

586
00:26:34,720 --> 00:26:35,960
Speaker 2: he'll like show me right.

587
00:26:36,640 --> 00:26:38,840
Speaker 5: But in this case, one day I seen and I'm

588
00:26:38,880 --> 00:26:40,440
Speaker 5: not supposed to talk about it because he told me

589
00:26:40,480 --> 00:26:43,840
Speaker 5: to speak none nothing. But today I'm gonna speak some

590
00:26:43,960 --> 00:26:46,800
Speaker 5: of it's been a long time, so it's it's but

591
00:26:46,960 --> 00:26:51,120
Speaker 5: I literally seen him do something one time that blew

592
00:26:51,200 --> 00:26:53,639
Speaker 5: my mind. And I ain't gonna speak on how he

593
00:26:53,720 --> 00:26:56,000
Speaker 5: did it, but he literally.

594
00:26:57,400 --> 00:27:01,080
Speaker 2: He he let he let somebody punch him in the

595
00:27:01,200 --> 00:27:01,600
Speaker 2: chest right.

596
00:27:02,760 --> 00:27:06,040
Speaker 5: He was like, uh, he was like, punch me right here,

597
00:27:06,880 --> 00:27:08,440
Speaker 5: and he let him punch him in his chest like

598
00:27:08,680 --> 00:27:10,920
Speaker 5: twenty times, and he just stood there and was like

599
00:27:11,200 --> 00:27:14,080
Speaker 5: and this nigga was big, and he was like, yeah,

600
00:27:14,280 --> 00:27:18,600
Speaker 5: I can't feel a thing. And I was like, I'm

601
00:27:18,640 --> 00:27:21,320
Speaker 5: sitting there like what the fuck. So I'm we're in

602
00:27:21,359 --> 00:27:24,119
Speaker 5: the studio. I'm thinking he about to call me next.

603
00:27:24,760 --> 00:27:27,399
Speaker 5: So I'm like at the time, I'm like, Nigga, you

604
00:27:27,600 --> 00:27:29,240
Speaker 5: know I'm not finna do it because I'm the kind

605
00:27:29,280 --> 00:27:32,159
Speaker 5: of person with when I'm around him, I'm not the

606
00:27:32,240 --> 00:27:34,000
Speaker 5: person who you know, you got them friends that try

607
00:27:34,040 --> 00:27:36,359
Speaker 5: to play too hard and ah, yeah, if he doing

608
00:27:36,400 --> 00:27:39,080
Speaker 5: I'm gonna do it. Like if Gates lived two hundred pounds,

609
00:27:39,200 --> 00:27:41,800
Speaker 5: I'm not gonna live too. I don't got shit to

610
00:27:41,840 --> 00:27:43,919
Speaker 5: prove it. That's that's why we fuck with each other.

611
00:27:44,000 --> 00:27:46,000
Speaker 5: He know that I'm the nigga that if I don't

612
00:27:46,000 --> 00:27:47,200
Speaker 5: get with something I don't get with it.

613
00:27:47,280 --> 00:27:48,119
Speaker 2: You feel me respect.

614
00:27:48,359 --> 00:27:51,800
Speaker 5: But this particular day, the guy that was in the

615
00:27:51,840 --> 00:27:54,199
Speaker 5: studio was one of them niggas who didn't know how

616
00:27:54,280 --> 00:27:54,720
Speaker 5: to say no.

617
00:27:54,840 --> 00:27:58,399
Speaker 2: The Gates I know how to say no. So he

618
00:27:58,600 --> 00:28:01,760
Speaker 2: was like, hey, come on, I'm finna show you. I'm

619
00:28:01,800 --> 00:28:06,240
Speaker 2: finna show you this. And he he whatever he did,

620
00:28:06,359 --> 00:28:09,679
Speaker 2: he did it right. And Gates was like, staying right

621
00:28:09,760 --> 00:28:12,960
Speaker 2: there and you stand right there, I promise you ain't

622
00:28:12,960 --> 00:28:16,920
Speaker 2: gonna feel a thing. And he hit him, you know,

623
00:28:17,040 --> 00:28:22,920
Speaker 2: he big boo, but bruh didn't move. He took that

624
00:28:23,040 --> 00:28:25,400
Speaker 2: bitch and then he was like not staying right there,

625
00:28:26,440 --> 00:28:31,399
Speaker 2: and Bro was like, I didn't feel it. Boom was

626
00:28:31,440 --> 00:28:34,520
Speaker 2: like you feel that, man, I didn't feel it, and

627
00:28:34,640 --> 00:28:37,359
Speaker 2: it fucked me up. And these are stories that I

628
00:28:37,520 --> 00:28:39,720
Speaker 2: wasn't supposed to speak nothing up. But I hope you

629
00:28:39,760 --> 00:28:42,240
Speaker 2: don't get mad at me. But I'm just telling you, sorry, Bro,

630
00:28:42,400 --> 00:28:45,800
Speaker 2: when we talk about that car battery, I believe because

631
00:28:45,840 --> 00:28:48,640
Speaker 2: whatever the fuck he knows, he might know how to

632
00:28:48,680 --> 00:28:49,160
Speaker 2: start a call.

633
00:28:49,600 --> 00:28:51,280
Speaker 4: Cleo crawl soak.

634
00:28:56,400 --> 00:29:00,760
Speaker 1: I got look, I got testimony, testimony, I was there.

635
00:29:01,080 --> 00:29:02,600
Speaker 3: I got a question for you, like who was you

636
00:29:02,720 --> 00:29:05,520
Speaker 3: growing like producers like who you grew up like, like

637
00:29:05,600 --> 00:29:07,720
Speaker 3: did you have anybody wanted to be like or any sound?

638
00:29:07,760 --> 00:29:09,960
Speaker 3: He was like, damn if I could do that, that's

639
00:29:10,000 --> 00:29:10,760
Speaker 3: why I want to do it.

640
00:29:11,080 --> 00:29:11,960
Speaker 2: Man all the time.

641
00:29:13,680 --> 00:29:15,760
Speaker 5: I definitely used to love Paulo to done when he

642
00:29:15,920 --> 00:29:20,160
Speaker 5: was having his right. Of course, everybody wanted to be

643
00:29:20,280 --> 00:29:20,920
Speaker 5: like Timberlain.

644
00:29:23,680 --> 00:29:25,600
Speaker 4: Who else any hometown influences.

645
00:29:25,960 --> 00:29:26,120
Speaker 2: Man.

646
00:29:26,120 --> 00:29:28,160
Speaker 5: It's a guy named Uncle Hamei who did like a

647
00:29:28,240 --> 00:29:29,840
Speaker 5: lot of stuff. And when I was a kid, I

648
00:29:29,880 --> 00:29:33,120
Speaker 5: got to work with him and he just raw. You know,

649
00:29:33,200 --> 00:29:34,560
Speaker 5: he an older man, but he.

650
00:29:34,640 --> 00:29:35,320
Speaker 2: Be in the club.

651
00:29:35,880 --> 00:29:37,360
Speaker 5: When I see him in the club now, he be

652
00:29:37,480 --> 00:29:39,640
Speaker 5: I think uncle Hommy, like fifty five sixty. He be

653
00:29:39,680 --> 00:29:42,200
Speaker 5: in the club just y'all know the old man and

654
00:29:42,360 --> 00:29:43,760
Speaker 5: be in the club dance with the young.

655
00:29:43,600 --> 00:29:46,440
Speaker 1: Girls in open shirt, open shirt whatever.

656
00:29:46,560 --> 00:29:49,560
Speaker 2: And he really gonna get loose and made his energy.

657
00:29:49,720 --> 00:29:52,240
Speaker 5: Like when I meet good producers from back in the

658
00:29:52,360 --> 00:29:55,280
Speaker 5: days like Jazzy Fadh, they be just livid.

659
00:29:55,360 --> 00:29:58,480
Speaker 2: They'd be like they used to make beats with they body.

660
00:29:58,560 --> 00:30:00,600
Speaker 5: They didn't just make a beat, they used to feel

661
00:30:00,640 --> 00:30:04,640
Speaker 5: it first and then they and then now like these

662
00:30:04,720 --> 00:30:06,840
Speaker 5: internet niggas, they think about it, they click it in,

663
00:30:06,960 --> 00:30:07,560
Speaker 5: they delete it.

664
00:30:07,680 --> 00:30:09,480
Speaker 2: They don't make music with they.

665
00:30:10,120 --> 00:30:12,280
Speaker 5: You feel me sometimes if you hit like a top

666
00:30:12,680 --> 00:30:15,560
Speaker 5: that sounds super soulful. I was making a beat with

667
00:30:15,680 --> 00:30:16,160
Speaker 5: my body.

668
00:30:16,200 --> 00:30:19,280
Speaker 2: Bro he did me. Yeah, shit like that. I'm really

669
00:30:19,360 --> 00:30:19,880
Speaker 2: in that, bitch.

670
00:30:20,560 --> 00:30:23,120
Speaker 5: I feel like music is a feeling, and I like

671
00:30:23,240 --> 00:30:25,520
Speaker 5: the older guys who used to have that feeling. Like

672
00:30:25,680 --> 00:30:29,000
Speaker 5: right now, so many songs just feel the same way

673
00:30:29,080 --> 00:30:31,760
Speaker 5: that they're not trying to explore new feelings.

674
00:30:32,240 --> 00:30:34,320
Speaker 2: You feel me, but that ain't no knocks right now.

675
00:30:34,320 --> 00:30:35,640
Speaker 2: I love what we're doing right now too.

676
00:30:36,000 --> 00:30:38,520
Speaker 3: I got a question for you, who's more artist or

677
00:30:38,560 --> 00:30:40,480
Speaker 3: what was a group of people that if you had

678
00:30:40,560 --> 00:30:42,520
Speaker 3: your dream list of people you can produce a song for,

679
00:30:42,560 --> 00:30:43,040
Speaker 3: who would it be?

680
00:30:45,320 --> 00:30:52,280
Speaker 2: Drake first? I would love to work with Drake Drizzy

681
00:30:52,360 --> 00:30:54,160
Speaker 2: for show good.

682
00:30:54,040 --> 00:30:57,960
Speaker 5: Placement, man, I'm actually happy with my current list. Like

683
00:30:58,680 --> 00:31:03,040
Speaker 5: I wouldn't change Kevin Gates for nobody. I wouldn't change

684
00:31:03,080 --> 00:31:06,360
Speaker 5: Fred Obang for nobody. I wouldn't change Megan A. Stallion

685
00:31:06,400 --> 00:31:09,440
Speaker 5: for nobody, like NBA Young Boy for nobody. When I

686
00:31:09,480 --> 00:31:14,400
Speaker 5: look at my life in ten years, they gonna say

687
00:31:14,400 --> 00:31:17,720
Speaker 5: I worked with Tupacatis generation, Like when you really look

688
00:31:17,760 --> 00:31:22,680
Speaker 5: at life between Kevin Gates, Young Boy and Megan, I

689
00:31:22,720 --> 00:31:24,520
Speaker 5: didn't already did everything I needed to do.

690
00:31:24,720 --> 00:31:26,160
Speaker 2: That's a real trip or crowd, I got it.

691
00:31:26,240 --> 00:31:27,760
Speaker 6: Hold on, I don't mean to cut you off. Did

692
00:31:27,840 --> 00:31:30,080
Speaker 6: you work with NBA Young Boy in the studio or

693
00:31:30,160 --> 00:31:31,320
Speaker 6: you just send them the record?

694
00:31:32,800 --> 00:31:34,760
Speaker 2: I've been with you know what. I did work with

695
00:31:34,880 --> 00:31:37,240
Speaker 2: NBA Young Boy in the studio, but no Smoke was

696
00:31:37,320 --> 00:31:42,600
Speaker 2: not in the studio. But I did the whole fair

697
00:31:42,680 --> 00:31:44,880
Speaker 2: Babies with money Bag, young and Young Boy. I was

698
00:31:44,960 --> 00:31:48,040
Speaker 2: in the studio and you know them too, like fell out,

699
00:31:48,440 --> 00:31:51,640
Speaker 2: but I was in the studio like two days before

700
00:31:51,680 --> 00:31:53,520
Speaker 2: they fell out. Like but that whole week we was

701
00:31:53,560 --> 00:31:57,360
Speaker 2: in the studio, And these are moments you can't get back.

702
00:31:57,480 --> 00:32:00,880
Speaker 2: And I forgot. I got records week money back, that's gold,

703
00:32:00,960 --> 00:32:02,680
Speaker 2: and I never speak on them. I'll be forgetting. But

704
00:32:03,320 --> 00:32:07,040
Speaker 2: ship like that like that, I can't I can't make

705
00:32:07,680 --> 00:32:13,920
Speaker 2: that was a tough flex, Bros. But I really can't

706
00:32:14,000 --> 00:32:14,400
Speaker 2: make up.

707
00:32:17,000 --> 00:32:20,560
Speaker 5: Like when I say, when you catch these were people

708
00:32:20,760 --> 00:32:25,040
Speaker 5: that at the time was just like they just they

709
00:32:25,080 --> 00:32:27,560
Speaker 5: were just getting like five ten K show you feel me?

710
00:32:27,920 --> 00:32:30,000
Speaker 5: But when I look at what I didn't done off

711
00:32:30,200 --> 00:32:33,680
Speaker 5: early things. Man, I don't even It's like the people

712
00:32:33,720 --> 00:32:37,880
Speaker 5: that I missed it be like, man, you just y'all

713
00:32:38,000 --> 00:32:40,400
Speaker 5: like all on the separate size of the tracks, y'all

714
00:32:40,480 --> 00:32:43,440
Speaker 5: not like different like maybe Beyonce or some ship, but

715
00:32:44,200 --> 00:32:44,800
Speaker 5: everybody else.

716
00:32:44,880 --> 00:32:46,320
Speaker 2: Man, I'm kind of in line with myself.

717
00:32:46,400 --> 00:32:48,160
Speaker 4: Now, hold on, you were saying, why B is a

718
00:32:48,200 --> 00:32:49,520
Speaker 4: Tupac up the generation? Right?

719
00:32:49,840 --> 00:32:55,000
Speaker 2: I mean if I asked my my nephew, my nephew too. Oh,

720
00:32:55,200 --> 00:32:55,920
Speaker 2: so you will say that.

721
00:32:56,320 --> 00:32:58,960
Speaker 4: I don't fuck with Tupaca. But I feel I get that, Okay,

722
00:32:59,080 --> 00:32:59,960
Speaker 4: So I get the line.

723
00:33:01,640 --> 00:33:04,560
Speaker 5: What I'm saying today is a young boy died Tomorrow,

724
00:33:06,680 --> 00:33:08,560
Speaker 5: I'm I'm they gonna look back.

725
00:33:08,480 --> 00:33:11,840
Speaker 2: And be like, who did his first hit? And I

726
00:33:11,920 --> 00:33:16,680
Speaker 2: would be the equivalent of the person who made what's

727
00:33:16,680 --> 00:33:21,120
Speaker 2: the biggest Tupac song? Your dad's dealing? Hit him up?

728
00:33:21,200 --> 00:33:24,480
Speaker 2: I may hit him up for you I made. I

729
00:33:24,520 --> 00:33:25,640
Speaker 2: would be that kind of guy.

730
00:33:25,720 --> 00:33:29,040
Speaker 5: And then when I look at even with Top for Fredo,

731
00:33:30,560 --> 00:33:36,040
Speaker 5: I made a very influential song with somebody who when

732
00:33:36,080 --> 00:33:38,360
Speaker 5: you think about young Boy and Fredo and how they

733
00:33:38,440 --> 00:33:44,160
Speaker 5: be for us, I showed the world that don't play

734
00:33:44,200 --> 00:33:46,840
Speaker 5: with me because I made fred o'bang first hit too.

735
00:33:47,160 --> 00:33:51,000
Speaker 4: I give you that. You I ain't gonna like I'm

736
00:33:51,080 --> 00:33:54,520
Speaker 4: I'm tapped in bro. Now we can talk.

737
00:33:56,160 --> 00:34:00,800
Speaker 6: Fred o'bang was big on the on the to get

738
00:34:00,880 --> 00:34:04,640
Speaker 6: on niggas like me underground like you. When you gave

739
00:34:04,720 --> 00:34:07,120
Speaker 6: him that type record, you helped him put him in

740
00:34:07,200 --> 00:34:09,520
Speaker 6: them ranks like put my nigga on stage at that

741
00:34:09,600 --> 00:34:10,920
Speaker 6: big show, and I love it.

742
00:34:11,600 --> 00:34:13,759
Speaker 2: That's what I love about, right.

743
00:34:14,239 --> 00:34:17,160
Speaker 6: But you definitely with that record, you helped surpass like

744
00:34:17,560 --> 00:34:19,560
Speaker 6: get my nigga out of the radio. He can really

745
00:34:19,640 --> 00:34:22,239
Speaker 6: hit these goddamnit summer jam stage.

746
00:34:22,880 --> 00:34:26,120
Speaker 2: Versatility for sure, Nah, for sure, you go to for that.

747
00:34:26,760 --> 00:34:29,279
Speaker 5: That's what That's the part that when I look at like,

748
00:34:29,400 --> 00:34:32,520
Speaker 5: that's the part that made me be like I ain't

749
00:34:32,560 --> 00:34:33,360
Speaker 5: gotta chase.

750
00:34:33,160 --> 00:34:33,920
Speaker 2: Everything no more.

751
00:34:34,400 --> 00:34:38,240
Speaker 5: Only because of those situations that I look at, nobody

752
00:34:38,320 --> 00:34:41,600
Speaker 5: else could do. No other producer was out here bridging

753
00:34:41,640 --> 00:34:45,000
Speaker 5: gaps other than like Doctor Dre and whoever.

754
00:34:44,719 --> 00:34:45,959
Speaker 2: Else, like they was making shit.

755
00:34:46,400 --> 00:34:48,799
Speaker 5: They would go, you know, diddy them, they was doing

756
00:34:48,880 --> 00:34:52,719
Speaker 5: some shit that was like very very gap bridging. And

757
00:34:52,800 --> 00:34:55,920
Speaker 5: I feel like my generation that I never get respect

758
00:34:55,920 --> 00:34:57,800
Speaker 5: because people don't look at music that deep.

759
00:34:57,680 --> 00:34:58,200
Speaker 2: Like they used to.

760
00:34:58,480 --> 00:35:01,080
Speaker 6: I'm gonna give your respect some real ship on the

761
00:35:01,600 --> 00:35:03,520
Speaker 6: because I'd be tapped in with the kids, But on

762
00:35:03,640 --> 00:35:07,680
Speaker 6: the underground level, you was the Diddy because that Biggie

763
00:35:07,680 --> 00:35:08,279
Speaker 6: and pop shit.

764
00:35:08,360 --> 00:35:11,239
Speaker 4: It was mainstream. But niggas don't understand how big the

765
00:35:11,400 --> 00:35:13,600
Speaker 4: NBA young boy in Freido Bang Beef and you're the

766
00:35:13,680 --> 00:35:16,360
Speaker 4: only nigga to give both of them two big records

767
00:35:16,400 --> 00:35:16,719
Speaker 4: for sure.

768
00:35:17,239 --> 00:35:20,600
Speaker 3: Why I give you that appreciate even I mean not

769
00:35:20,719 --> 00:35:23,279
Speaker 3: to make it no mats shit, but you got two

770
00:35:23,400 --> 00:35:26,120
Speaker 3: crazy songs that a lot of people cannot say that. Yeah,

771
00:35:26,560 --> 00:35:29,080
Speaker 3: like at a time period where she was ascending, she

772
00:35:29,239 --> 00:35:31,440
Speaker 3: wasn't there yet, she was on the way up, and

773
00:35:31,560 --> 00:35:33,080
Speaker 3: it was kind of ifvy, But those are two big

774
00:35:33,160 --> 00:35:35,000
Speaker 3: songs of her catalog, as you you know what I'm saying.

775
00:35:35,040 --> 00:35:37,880
Speaker 3: So your versatility with that in the hometown with like

776
00:35:38,000 --> 00:35:39,279
Speaker 3: that's that's an easy respect for.

777
00:35:39,280 --> 00:35:41,320
Speaker 5: You seeing a lot of people don't know like me

778
00:35:41,400 --> 00:35:44,040
Speaker 5: and Meg like this. Like she used to, I used

779
00:35:44,040 --> 00:35:46,560
Speaker 5: to shoot up music videos. I wasn't just a producer.

780
00:35:46,640 --> 00:35:50,400
Speaker 5: I was actually one of her biggest viral freestyles that

781
00:35:50,440 --> 00:35:52,520
Speaker 5: shot outside my house at the time, and I was

782
00:35:52,520 --> 00:35:53,440
Speaker 5: staying so that was you.

783
00:35:53,719 --> 00:35:54,239
Speaker 2: Yeah, that was me.

784
00:35:54,600 --> 00:35:56,360
Speaker 1: That's crazy because everybody know that freestyle.

785
00:35:56,800 --> 00:35:59,759
Speaker 5: Yeah, yeah, that Stalley freestyle that's at my house. Like,

786
00:35:59,880 --> 00:36:02,560
Speaker 5: I literally just took my camera at the time. I

787
00:36:02,600 --> 00:36:05,520
Speaker 5: had a sony took that bitch outside shot up video

788
00:36:06,120 --> 00:36:09,440
Speaker 5: because at the time I felt like you you we

789
00:36:09,640 --> 00:36:11,719
Speaker 5: almost were close and we was working a lot.

790
00:36:11,760 --> 00:36:13,839
Speaker 2: But I'm like, we close, we just need them visuals now.

791
00:36:14,000 --> 00:36:16,719
Speaker 5: So man, it's just when you look at like, that's

792
00:36:16,719 --> 00:36:18,759
Speaker 5: how I end up getting thick though, because I knew.

793
00:36:19,920 --> 00:36:21,960
Speaker 2: I knew she ain't forget none of that ship. It's

794
00:36:22,080 --> 00:36:24,600
Speaker 2: just she's so big now, you know. It's harder.

795
00:36:24,719 --> 00:36:27,080
Speaker 5: It's so many channels, and I don't I don't believe

796
00:36:27,120 --> 00:36:29,680
Speaker 5: in channels. If we talk, I need to have your

797
00:36:29,800 --> 00:36:35,120
Speaker 5: number to be talking to this person, and that you was.

798
00:36:35,120 --> 00:36:37,360
Speaker 4: There before all that goofy one.

799
00:36:37,360 --> 00:36:38,879
Speaker 1: I ain't need to talk to your people now because

800
00:36:38,920 --> 00:36:40,640
Speaker 1: before then you was at my house, all.

801
00:36:40,600 --> 00:36:43,400
Speaker 2: Right, But when she did the feature, I knew, like

802
00:36:44,440 --> 00:36:45,879
Speaker 2: I meg ain't change the same.

803
00:36:46,800 --> 00:36:48,520
Speaker 4: That's been so hard, bro.

804
00:36:48,680 --> 00:36:50,520
Speaker 6: That's why I'm like, Nigga, you came on that bitch

805
00:36:50,760 --> 00:36:52,680
Speaker 6: and you get the crowd going, and then she come

806
00:36:52,800 --> 00:36:53,759
Speaker 6: with the bars and Ship.

807
00:36:53,920 --> 00:36:55,200
Speaker 4: That's a perfect record.

808
00:36:55,000 --> 00:36:56,319
Speaker 2: For She did that ship for sure.

809
00:36:56,400 --> 00:36:57,919
Speaker 4: So I can dance to that song.

810
00:36:59,440 --> 00:37:05,680
Speaker 5: You would have did many were we talking about?

811
00:37:05,680 --> 00:37:08,520
Speaker 2: I danced the man, I ain't doing.

812
00:37:11,200 --> 00:37:11,239
Speaker 3: No.

813
00:37:11,440 --> 00:37:15,600
Speaker 1: Come on man, that's not You.

814
00:37:15,640 --> 00:37:18,560
Speaker 4: Might want to rock the stage together, nigga.

815
00:37:18,640 --> 00:37:18,880
Speaker 5: Let me.

816
00:37:20,600 --> 00:37:22,560
Speaker 3: If you go to the Black Horses, he might stop

817
00:37:22,600 --> 00:37:25,600
Speaker 3: up the road. Man, he's gonna go grab something. He

818
00:37:25,680 --> 00:37:29,680
Speaker 3: gonna come here, strong man, straight off the front line. Okay,

819
00:37:30,960 --> 00:37:32,160
Speaker 3: we put your let me show you.

820
00:37:32,239 --> 00:37:35,680
Speaker 1: So it's gonna be the last club on twenty podcast.

821
00:37:36,120 --> 00:37:36,440
Speaker 4: Be here.

822
00:37:38,560 --> 00:37:39,560
Speaker 1: I'm gonna have a boy.

823
00:37:41,239 --> 00:37:43,640
Speaker 3: I got a question though, like what was that first

824
00:37:43,760 --> 00:37:46,440
Speaker 3: song that you think, like really like major took your

825
00:37:46,480 --> 00:37:50,000
Speaker 3: career from like here to here, like not mainstream, but

826
00:37:50,080 --> 00:37:50,879
Speaker 3: like when you first got.

827
00:37:50,800 --> 00:37:55,000
Speaker 2: That like buzz like got you uh as a producer

828
00:37:55,080 --> 00:37:57,880
Speaker 2: as a producer producer. First song.

829
00:38:01,200 --> 00:38:03,839
Speaker 5: One that really changed everything was Time for That by

830
00:38:03,960 --> 00:38:08,839
Speaker 5: Kevin Gates. That was the first song that I don't

831
00:38:08,960 --> 00:38:11,400
Speaker 5: it was weird. I don't know, nobody know this story.

832
00:38:11,480 --> 00:38:14,720
Speaker 2: This is crazy. One day I got flu to Atlantic

833
00:38:14,800 --> 00:38:16,400
Speaker 2: Records to work on some records.

834
00:38:16,560 --> 00:38:18,920
Speaker 5: They never told me who they was. Four that day

835
00:38:18,960 --> 00:38:22,880
Speaker 5: I did twenty three songs. I was just I was

836
00:38:22,960 --> 00:38:24,680
Speaker 5: in the studio this one you ain't got. I stayed

837
00:38:24,680 --> 00:38:25,360
Speaker 5: in the traileruse I.

838
00:38:25,400 --> 00:38:26,239
Speaker 2: Had nothing to lose.

839
00:38:26,320 --> 00:38:29,839
Speaker 5: And I'm like, I'm in the studio at I think

840
00:38:29,880 --> 00:38:32,879
Speaker 5: I got there at twelve. I leave at like five

841
00:38:33,000 --> 00:38:37,200
Speaker 5: in the morning. But everybody talking about how I mean,

842
00:38:37,400 --> 00:38:39,400
Speaker 5: Like in the Engineer, You're like, yo, you don't you

843
00:38:39,480 --> 00:38:41,120
Speaker 5: know you did about ten already. Bro, you don't have

844
00:38:41,160 --> 00:38:42,800
Speaker 5: to go this hard. They're not tripping.

845
00:38:42,880 --> 00:38:45,200
Speaker 2: Can you can leave? Go do it at the time. Nigga,

846
00:38:45,200 --> 00:38:46,080
Speaker 2: I ain't got no hoes.

847
00:38:46,560 --> 00:38:50,000
Speaker 5: I'm broke, I'm ugly, whatever you want to call it.

848
00:38:50,080 --> 00:38:53,040
Speaker 5: I'm dirty, I'm whatever, nigga. I'm I'm in La though.

849
00:38:53,320 --> 00:38:56,800
Speaker 5: So in my trailer house ugly as fucked, and my

850
00:38:56,960 --> 00:38:58,680
Speaker 5: brother stayed up with his three kids, and I got.

851
00:38:58,680 --> 00:39:01,279
Speaker 2: An air mattress. I'm staying in this studio all night, nigga.

852
00:39:01,280 --> 00:39:03,120
Speaker 2: I love the way this shit look. It's a movie.

853
00:39:03,640 --> 00:39:06,080
Speaker 2: So I stay.

854
00:39:06,160 --> 00:39:09,520
Speaker 5: I do twenty three songs, three of them bitches go platinum.

855
00:39:11,440 --> 00:39:15,000
Speaker 5: So and the crazy thing is Gates was down the

856
00:39:15,080 --> 00:39:18,400
Speaker 5: hall that day. So and at this time me and

857
00:39:18,520 --> 00:39:21,680
Speaker 5: Gates ain't like me and Gates now Gates is this

858
00:39:21,880 --> 00:39:26,600
Speaker 5: is Gates that was sipping third doing drugs and crazy

859
00:39:26,640 --> 00:39:31,920
Speaker 5: as fuck. So Gates come in and listen. And at

860
00:39:32,000 --> 00:39:35,080
Speaker 5: the time he like he hear like a little melody.

861
00:39:35,640 --> 00:39:38,799
Speaker 5: I'm not thinking nothing of it. He don't talk, he's

862
00:39:38,840 --> 00:39:39,520
Speaker 5: not talking to me.

863
00:39:39,600 --> 00:39:40,000
Speaker 2: He come in.

864
00:39:40,520 --> 00:39:42,919
Speaker 5: He leaned against the wall and he like, I wish

865
00:39:42,960 --> 00:39:44,440
Speaker 5: I could get on this wall. But he leaned against

866
00:39:44,440 --> 00:39:46,600
Speaker 5: the wall. He's sitting there.

867
00:39:46,680 --> 00:39:46,960
Speaker 4: He like.

868
00:39:49,520 --> 00:39:51,560
Speaker 2: He's looking back at the wall. I'm like, he looking

869
00:39:51,600 --> 00:39:52,960
Speaker 2: at he looking at the wall, or he's like.

870
00:39:56,920 --> 00:39:59,480
Speaker 5: Looking at mugging the wall. I'm like, man, this losing.

871
00:39:59,680 --> 00:40:02,800
Speaker 5: He up and down in a wild I'm a little scared.

872
00:40:03,480 --> 00:40:07,320
Speaker 5: He don't say that. He just lead, he lead go

873
00:40:07,480 --> 00:40:10,840
Speaker 5: down the hall. The next day I wake up, I

874
00:40:10,920 --> 00:40:13,279
Speaker 5: got three Kevin Gate songs from the n R. Like, yo,

875
00:40:14,480 --> 00:40:18,480
Speaker 5: listen to these three songs. He like taking little melodies

876
00:40:18,600 --> 00:40:20,680
Speaker 5: or whatever he liked from the song and taking it

877
00:40:20,719 --> 00:40:21,480
Speaker 5: to another level.

878
00:40:22,200 --> 00:40:23,920
Speaker 2: And then the album.

879
00:40:24,120 --> 00:40:26,480
Speaker 5: I'm not thinking that because I'm not signed yet, so

880
00:40:26,480 --> 00:40:27,680
Speaker 5: I'm not thinking it's gonna come out.

881
00:40:30,040 --> 00:40:30,600
Speaker 2: I want to say.

882
00:40:30,680 --> 00:40:32,600
Speaker 5: Two muths later, his album dropped. They all on the

883
00:40:32,680 --> 00:40:36,560
Speaker 5: album and a year later everything had win play and

884
00:40:36,640 --> 00:40:39,360
Speaker 5: I was like, I was like, I'm chosen.

885
00:40:39,400 --> 00:40:40,560
Speaker 2: I don't care what nobody got to say.

886
00:40:40,560 --> 00:40:42,040
Speaker 5: But Time for That was the one that was like

887
00:40:42,640 --> 00:40:45,960
Speaker 5: the leader because none of them was singles. They they

888
00:40:46,120 --> 00:40:48,440
Speaker 5: had at the time, they had every single that they

889
00:40:48,600 --> 00:40:52,600
Speaker 5: needed and to this day, Time for That is one

890
00:40:52,640 --> 00:40:55,960
Speaker 5: of his biggest songs. So it just showed me like, man,

891
00:40:56,000 --> 00:40:58,520
Speaker 5: you ain't when you're making good music, you don't even

892
00:40:58,560 --> 00:40:59,360
Speaker 5: need to be the single.

893
00:40:59,400 --> 00:41:02,080
Speaker 2: You just gotta be. You gotta be out you feel.

894
00:41:02,920 --> 00:41:07,480
Speaker 5: So that was the one that made me know, like, man, god, God,

895
00:41:07,520 --> 00:41:10,080
Speaker 5: they ain't making no mistakes with my career. I'm where

896
00:41:10,080 --> 00:41:12,080
Speaker 5: I need to be, on where I should be right now.

897
00:41:13,800 --> 00:41:15,760
Speaker 2: I don't know like that. We gotta wrap it ups.

898
00:41:15,760 --> 00:41:18,080
Speaker 1: Appreciate you sliding on us, my boy, my brother.

899
00:41:18,960 --> 00:41:20,200
Speaker 2: I love for show.

900
00:41:24,840 --> 00:41:26,880
Speaker 1: But before we get out of here, new music promo.

901
00:41:27,239 --> 00:41:29,800
Speaker 5: Man, I got an album right now called X Symbol.

902
00:41:29,840 --> 00:41:33,200
Speaker 5: It came out two weeks ago, the hardest thing out.

903
00:41:34,600 --> 00:41:38,040
Speaker 5: I trust me my new music hard. I'm on tour

904
00:41:38,160 --> 00:41:40,759
Speaker 5: right now. If y'all go look at the tour dates,

905
00:41:40,880 --> 00:41:42,080
Speaker 5: pop out at a show.

906
00:41:42,600 --> 00:41:44,640
Speaker 2: Come rock with me. Do y'all want to come to

907
00:41:44,719 --> 00:41:46,560
Speaker 2: show tonight? If so, let me know, I'm gonna get

908
00:41:46,600 --> 00:41:48,959
Speaker 2: you'all on my list. On the list.

909
00:41:52,120 --> 00:41:54,120
Speaker 4: You don't need a mic. But if you if you get.

910
00:41:57,400 --> 00:41:59,080
Speaker 2: If you see me here at the show and walk the.

911
00:41:59,160 --> 00:42:03,400
Speaker 4: Other way, freaks on that stage, Nigga, I know how

912
00:42:03,440 --> 00:42:04,000
Speaker 4: to about.

913
00:42:05,000 --> 00:42:07,560
Speaker 1: That's why we need you tonight about God.

914
00:42:08,280 --> 00:42:11,680
Speaker 2: We need a little we need a little report, report

915
00:42:11,719 --> 00:42:15,600
Speaker 2: about the be crowd. So y'all say, y'all don't trust

916
00:42:15,640 --> 00:42:18,000
Speaker 2: the judgment. I'm gonna say you're gonna.

917
00:42:17,800 --> 00:42:18,279
Speaker 1: Have help show.

918
00:42:18,320 --> 00:42:23,640
Speaker 3: That's that's what's up, show Man one more time for shows.

919
00:42:23,680 --> 00:42:26,359
Speaker 3: Shout out to the Volume, Shout out to the Patreoch Game.

920
00:42:26,440 --> 00:42:30,360
Speaker 3: We appreciate y'all club for our twenty the Volume