1 00:00:00,120 --> 00:00:03,400 Speaker 1: Hello the Internet, and welcome to this very special edition 2 00:00:03,440 --> 00:00:07,880 Speaker 1: of oh Im Mr. Side side You almost said, bright said, 3 00:00:08,000 --> 00:00:11,960 Speaker 1: I did. I really can't do this. It's too much 4 00:00:12,000 --> 00:00:14,800 Speaker 1: for my brain. Got it though, Just right at the buzzer. 5 00:00:15,560 --> 00:00:17,680 Speaker 1: My name is Jack O'Brian. That is my old right. 6 00:00:17,840 --> 00:00:20,239 Speaker 1: Also shout out to Mike Nichols told me about the 7 00:00:20,960 --> 00:00:24,840 Speaker 1: last ye ye last year. Just noticing Nest. Sorry about 8 00:00:26,600 --> 00:00:28,240 Speaker 1: not going on our brains. You know, we can't. It's 9 00:00:28,240 --> 00:00:30,840 Speaker 1: it's tough putting the whole zeitgeist through our minds. Yeah, 10 00:00:30,960 --> 00:00:34,000 Speaker 1: you know, but are you doing? Is that the director 11 00:00:34,120 --> 00:00:37,400 Speaker 1: of the graduate Mike Nichols. Yeah, I don't know, is it. 12 00:00:37,640 --> 00:00:40,559 Speaker 1: I'm not good with directors at that. Aren't Michael bay 13 00:00:40,960 --> 00:00:43,519 Speaker 1: Past a number of years ago, So it's probably not. 14 00:00:43,640 --> 00:00:45,800 Speaker 1: Probably not. But if you are tweet at us, let 15 00:00:45,840 --> 00:00:47,960 Speaker 1: us know if that's you from beyond the grave. All right, 16 00:00:48,040 --> 00:00:52,880 Speaker 1: we're looking at what's trending right now. Uh. And first 17 00:00:52,920 --> 00:00:57,200 Speaker 1: of all, R I p to Rocky Johnson. Yes, Rocks father, 18 00:00:57,840 --> 00:01:03,960 Speaker 1: I man I I this was stings because I was 19 00:01:04,000 --> 00:01:07,320 Speaker 1: obsessed with the Rock as a child, obsessed because he 20 00:01:07,400 --> 00:01:10,280 Speaker 1: was after Tiger Woods. I tried to ENGLF because he 21 00:01:10,319 --> 00:01:14,080 Speaker 1: was blazing and annoying the Rocks Asian Pacific islander and 22 00:01:14,200 --> 00:01:16,840 Speaker 1: black background. Okay, this is my next guy, this is 23 00:01:16,840 --> 00:01:19,560 Speaker 1: my new that's me, that's me being represented. And I 24 00:01:19,600 --> 00:01:21,720 Speaker 1: read his book If You Smelled the Rock is Cooking 25 00:01:21,760 --> 00:01:24,319 Speaker 1: his biographer first book, um, and he talks a lot 26 00:01:24,319 --> 00:01:26,160 Speaker 1: about his dad and at the time I didn't realize 27 00:01:26,160 --> 00:01:28,760 Speaker 1: that he came from a tradition of wrestlers and his 28 00:01:28,840 --> 00:01:31,200 Speaker 1: dad Rocky. Another thing I did not realize born in 29 00:01:31,280 --> 00:01:34,600 Speaker 1: Nova Scotia. Shout out to Nova Scotia. But yeah, he 30 00:01:34,640 --> 00:01:36,560 Speaker 1: actual read that, by the way, in high school literature 31 00:01:36,600 --> 00:01:38,959 Speaker 1: class or just like not. I read that in eighth grade. 32 00:01:39,400 --> 00:01:41,120 Speaker 1: I think it's when it came out. And then I 33 00:01:41,360 --> 00:01:45,280 Speaker 1: had my eighth grade diploma changed so my middle name 34 00:01:45,280 --> 00:01:49,200 Speaker 1: would be Rocky. I swear to God my grade diploma, 35 00:01:49,360 --> 00:01:52,000 Speaker 1: says Miles Rocky gray On Hell yeah, because I was like, 36 00:01:52,000 --> 00:01:54,800 Speaker 1: I'm Rocky ma a Via, I'm Rocky Johnson, I'm the Rock, 37 00:01:54,880 --> 00:01:58,640 Speaker 1: I'm the everything amazing if that like caused problems for you, 38 00:01:58,720 --> 00:02:01,520 Speaker 1: like with documents in a way, I mean my mom, 39 00:02:01,640 --> 00:02:03,200 Speaker 1: Like when I told my mom I was she was 40 00:02:03,280 --> 00:02:05,520 Speaker 1: like really, and I'm like, yeah, I think it's cool, 41 00:02:05,560 --> 00:02:08,160 Speaker 1: that's what I want. And she's like, Okay, it's weird. 42 00:02:08,240 --> 00:02:11,000 Speaker 1: I don't know why, but that's it touched me. Uh. 43 00:02:11,000 --> 00:02:13,119 Speaker 1: And he's a you know, Hall of Fame wrestler and 44 00:02:13,280 --> 00:02:15,520 Speaker 1: one of the first uh you know, part of one 45 00:02:15,520 --> 00:02:18,800 Speaker 1: of the first black Tag team uh team black Tag 46 00:02:18,840 --> 00:02:23,760 Speaker 1: teams in WWF at the time, so you know, uh, 47 00:02:24,040 --> 00:02:29,639 Speaker 1: death of a great yeah legend. Snow Piercer is trending. Uh, 48 00:02:29,680 --> 00:02:33,520 Speaker 1: And I was wondering if that's because the director of 49 00:02:33,560 --> 00:02:36,239 Speaker 1: Parasite directed that and people are just figuring that out 50 00:02:36,480 --> 00:02:40,600 Speaker 1: as introducer around Hosnie did uh this afternoon moments ago, 51 00:02:40,880 --> 00:02:43,240 Speaker 1: moments mere moments ago. That's why she's not here. She 52 00:02:43,280 --> 00:02:48,480 Speaker 1: had to go recover. But it's actually snow Piercer is 53 00:02:48,560 --> 00:02:53,359 Speaker 1: getting a t NT premier date after a wild five 54 00:02:53,440 --> 00:02:57,640 Speaker 1: year journey to becoming a TV show, which I find 55 00:02:57,919 --> 00:03:01,080 Speaker 1: very intriguing. What is this show? It's it basically going 56 00:03:01,120 --> 00:03:03,600 Speaker 1: to be this obviously has to be the film as 57 00:03:03,600 --> 00:03:06,280 Speaker 1: a TV show. It's one of those movies that like 58 00:03:06,440 --> 00:03:10,200 Speaker 1: feels like it created a world that could so easily 59 00:03:10,960 --> 00:03:13,239 Speaker 1: like that, that felt like we just got a little 60 00:03:13,320 --> 00:03:16,160 Speaker 1: pin prick into like what right? All the different things 61 00:03:16,200 --> 00:03:18,880 Speaker 1: that that movie, like do you start it? Like do 62 00:03:18,960 --> 00:03:21,000 Speaker 1: they get on the snow Piercer train, like at the 63 00:03:21,120 --> 00:03:23,160 Speaker 1: end of season one, like you know, do we see 64 00:03:23,200 --> 00:03:25,720 Speaker 1: the road to that train? Yeah? And even the train 65 00:03:25,800 --> 00:03:29,560 Speaker 1: and like having a world that is all contained inside 66 00:03:29,600 --> 00:03:33,880 Speaker 1: a train is like such an interesting idea where like 67 00:03:34,000 --> 00:03:37,800 Speaker 1: each uh you know, each car is a new episode 68 00:03:37,840 --> 00:03:40,800 Speaker 1: could be one way to do it. Um. But yeah, 69 00:03:41,000 --> 00:03:47,680 Speaker 1: snow Piercer is getting a TV show adaptation. I am intrigued. 70 00:03:47,920 --> 00:03:51,080 Speaker 1: Have they made a snow Piercer video game? No, because 71 00:03:51,080 --> 00:03:53,000 Speaker 1: people when it came out, people are like, oh, this 72 00:03:53,080 --> 00:03:56,480 Speaker 1: is dope. And it's also basically like very inspired by 73 00:03:56,600 --> 00:03:59,920 Speaker 1: video games. Uh that makes sense. Yeah, I'm trying to 74 00:04:00,000 --> 00:04:01,880 Speaker 1: think of the last time there was a video game 75 00:04:01,920 --> 00:04:04,800 Speaker 1: based on a movie that was like not an absolute disaster. 76 00:04:05,200 --> 00:04:08,360 Speaker 1: Video game based on a movie was Ghostbusters good? No? 77 00:04:09,440 --> 00:04:12,200 Speaker 1: It wasn't. I mean on even on Nintendo the Nintendo One. 78 00:04:12,640 --> 00:04:15,480 Speaker 1: Uh no, No, I mean like the one I remember 79 00:04:15,520 --> 00:04:18,560 Speaker 1: one came out like not that long ago and it 80 00:04:18,600 --> 00:04:21,400 Speaker 1: wasn't good. I'm trying to think that there was that 81 00:04:21,440 --> 00:04:23,440 Speaker 1: one matrix game that I used, Game Shark four, so 82 00:04:23,440 --> 00:04:25,680 Speaker 1: I could have unlimited bullet time. But then I was like, 83 00:04:25,720 --> 00:04:27,279 Speaker 1: what am I doing? I'm just playing a game in 84 00:04:27,400 --> 00:04:30,800 Speaker 1: slow motion? Right, I don't know. They're Super Mario World 85 00:04:30,880 --> 00:04:33,320 Speaker 1: based on for sixty four that was based on that 86 00:04:33,600 --> 00:04:37,640 Speaker 1: John Lailamo movie. Uh, that was one of my face? 87 00:04:39,000 --> 00:04:42,280 Speaker 1: Uh was he? Who was? He was Luigi? And then 88 00:04:42,320 --> 00:04:48,840 Speaker 1: Bob Hoskin Is that Bob Hoskin's Mario? Right? That is amazing? 89 00:04:49,040 --> 00:04:54,000 Speaker 1: And then what's her face? Samantha Mathis? Is that who 90 00:04:54,120 --> 00:04:56,960 Speaker 1: is a princess? Feature? Yeah? And then what's his face? 91 00:04:57,200 --> 00:05:01,400 Speaker 1: Dennis Hopper? That is why I guess Bob Hoskins was 92 00:05:01,440 --> 00:05:04,480 Speaker 1: getting like the big checks in the eighties, right, and 93 00:05:04,600 --> 00:05:06,480 Speaker 1: that movie have like the weird nine eleven thing happening 94 00:05:06,480 --> 00:05:08,720 Speaker 1: in it too. Yeah, I forget what what was the 95 00:05:09,080 --> 00:05:12,040 Speaker 1: there's like some twin towers. Oh nine eleven just happened 96 00:05:12,040 --> 00:05:14,400 Speaker 1: in the movie. No, there is like a weird nine 97 00:05:14,480 --> 00:05:18,880 Speaker 1: eleven thing, just like Brothers nine eleven. Yeah, I mean 98 00:05:20,000 --> 00:05:25,520 Speaker 1: four told the nine eleven how so? Uh. Towards the 99 00:05:25,560 --> 00:05:27,320 Speaker 1: end of the film the Two Dimensions in which this 100 00:05:27,680 --> 00:05:30,800 Speaker 1: because the two dimensions collide. The filmmakers show these worlds 101 00:05:30,800 --> 00:05:33,560 Speaker 1: colliding by having the actors and very structures dissolved into 102 00:05:33,560 --> 00:05:36,400 Speaker 1: the opposite dimension from where they are, and then in 103 00:05:36,480 --> 00:05:41,840 Speaker 1: this one you see, uh, like the twin towers just vanish. Oh, 104 00:05:41,880 --> 00:05:44,800 Speaker 1: I mean, I don't know, they didn't foretell obviously attack, 105 00:05:44,880 --> 00:05:49,000 Speaker 1: but whatever. Yeah. I think there's something to artists like 106 00:05:49,120 --> 00:05:52,479 Speaker 1: feeling the vibrations of I don't know. I think the 107 00:05:52,600 --> 00:05:55,960 Speaker 1: Wilco album Yankee Hotel Fox Trot four told nine eleven 108 00:05:56,000 --> 00:05:59,880 Speaker 1: in a way that like people, you know, they just 109 00:06:00,040 --> 00:06:02,200 Speaker 1: had a sense of something that was coming and things 110 00:06:02,240 --> 00:06:06,600 Speaker 1: dissolving and falling down. Uh. Yeah, I think about that. 111 00:06:07,000 --> 00:06:09,360 Speaker 1: I mean it came out after nine eleven, but it 112 00:06:09,400 --> 00:06:11,719 Speaker 1: was recorded in two thousands, so it was like right 113 00:06:11,960 --> 00:06:16,840 Speaker 1: up against it. And what are those buildings in the covert? Yeah, 114 00:06:16,880 --> 00:06:20,840 Speaker 1: there's two dual structures in Chicago. Uh. But there's just 115 00:06:20,880 --> 00:06:24,159 Speaker 1: a lot of like imagery in the lyrics that are 116 00:06:24,200 --> 00:06:28,360 Speaker 1: about that, and they're saying poor places that is, Uh, 117 00:06:28,480 --> 00:06:32,440 Speaker 1: I don't know, really brings it home. Uh. Let's talk 118 00:06:32,440 --> 00:06:38,400 Speaker 1: about Aaron Hernandez is trending because the Netflix documentary that is, 119 00:06:39,000 --> 00:06:42,760 Speaker 1: I think the docuseries docuseries, right, and it seems like 120 00:06:42,839 --> 00:06:47,400 Speaker 1: it's like a it's becoming a big Netflix phenomenon. Is 121 00:06:47,440 --> 00:06:52,560 Speaker 1: it just people saying is it? I feel like Twitter 122 00:06:52,600 --> 00:06:54,800 Speaker 1: at the very top has been Aaron Hernandez all day. Right, 123 00:06:54,960 --> 00:06:57,440 Speaker 1: It's got It's like one of those things where it's 124 00:06:57,480 --> 00:07:01,039 Speaker 1: a huge news story that everybody was is vaguely familiar 125 00:07:01,080 --> 00:07:04,680 Speaker 1: with as a headline, and then I'm not gonna, I 126 00:07:04,720 --> 00:07:07,800 Speaker 1: guess spoil it because people might want to watch the 127 00:07:07,839 --> 00:07:11,480 Speaker 1: documentary for themselves. But then there's just a number of 128 00:07:12,000 --> 00:07:14,920 Speaker 1: like twists that are like, oh, you didn't actually know 129 00:07:15,120 --> 00:07:18,800 Speaker 1: the substance of this story. And then there's also just 130 00:07:19,960 --> 00:07:25,240 Speaker 1: wild details of like the thing that I I don't 131 00:07:25,280 --> 00:07:28,000 Speaker 1: think this is a spoiler, but uh, you know, he 132 00:07:28,080 --> 00:07:32,600 Speaker 1: goes to jail. Uh. He at one point asked asked 133 00:07:32,640 --> 00:07:36,360 Speaker 1: his lawyer if he could get Smiff and Wasson to 134 00:07:36,880 --> 00:07:41,400 Speaker 1: uh to sponsor him while he was in prison, like 135 00:07:41,560 --> 00:07:44,880 Speaker 1: seriously asked that. So it was just like one of 136 00:07:44,880 --> 00:07:50,160 Speaker 1: those details where that people on social media or was 137 00:07:50,200 --> 00:07:54,560 Speaker 1: it because he shot the guy with I think that's 138 00:07:55,000 --> 00:07:56,960 Speaker 1: just to show you in his mind, he was like, yeah, 139 00:07:56,960 --> 00:07:58,720 Speaker 1: that should be an endorsed Yeah, like I won a 140 00:07:58,720 --> 00:08:01,440 Speaker 1: super Bowl and just Nikes lost touch. You want a 141 00:08:01,480 --> 00:08:05,800 Speaker 1: super Bowl? Right? Yeah? Um, so anyway, it's uh, you 142 00:08:05,840 --> 00:08:08,800 Speaker 1: know that seems like one of those stories that's going 143 00:08:08,840 --> 00:08:13,160 Speaker 1: to be trending round the water cooler. Uh so it's 144 00:08:13,200 --> 00:08:16,400 Speaker 1: probably air duty. It's such an intersection though, of all 145 00:08:16,480 --> 00:08:18,120 Speaker 1: kinds of things, like if you like true crime, you're 146 00:08:18,120 --> 00:08:19,760 Speaker 1: gonna watch it. If you know anything about the NFL, 147 00:08:19,800 --> 00:08:22,200 Speaker 1: you're gonna watch it. Yeah, if you don't like the Patriots, 148 00:08:22,200 --> 00:08:25,720 Speaker 1: you're gonna watch it. Yeah. Yeah. That's another tweet I 149 00:08:25,760 --> 00:08:29,280 Speaker 1: saw was people being like Tom Brady never even visited 150 00:08:29,320 --> 00:08:32,600 Speaker 1: him in jail, shows how much he cares about it 151 00:08:31,720 --> 00:08:34,920 Speaker 1: out or maybe that's your takeaway. Yeah, yeah, I think 152 00:08:34,960 --> 00:08:36,800 Speaker 1: that's when you get like, hold on, this isn't just 153 00:08:36,880 --> 00:08:41,440 Speaker 1: a man whatever. Uh. And finally, uh, we want to 154 00:08:41,480 --> 00:08:47,000 Speaker 1: talk about Doolittle. Oh yeah, the world is talking about Doolittle. 155 00:08:47,320 --> 00:08:51,200 Speaker 1: Uh And now the the reviews are starting to roll in. 156 00:08:51,760 --> 00:08:55,880 Speaker 1: Uh And it seems like it's not even an interesting 157 00:08:55,920 --> 00:08:59,480 Speaker 1: failure necessarily, it's just funny. The headlines Robert Downey Jrs. 158 00:08:59,520 --> 00:09:03,480 Speaker 1: Doolittle is a confusingly weird kids movie review. Dolittle with 159 00:09:03,600 --> 00:09:07,720 Speaker 1: Robert Downey Jr. Is a disaster. Doolittle review. Robert Downey Jr. 160 00:09:07,760 --> 00:09:09,640 Speaker 1: Talks to the animals without ever, I don't know that 161 00:09:09,760 --> 00:09:14,480 Speaker 1: just trails off. Uh. Review Doolittle and Robert Downey Jr. 162 00:09:14,600 --> 00:09:20,559 Speaker 1: Seem cursed. Review. Even Robert Downey Jr. Can't salvage a 163 00:09:20,600 --> 00:09:22,880 Speaker 1: train wreck. So I was like, Wow, this is some 164 00:09:23,000 --> 00:09:25,360 Speaker 1: scathing ship. So I started reading one of the articles 165 00:09:25,760 --> 00:09:29,280 Speaker 1: in the Daily Beast review. First of all, I didn't realize. Uh. 166 00:09:29,480 --> 00:09:31,440 Speaker 1: First they started off saying a c G I Like, 167 00:09:31,520 --> 00:09:35,079 Speaker 1: just to let you know about how inscrutable and unscrutinizable 168 00:09:35,120 --> 00:09:37,319 Speaker 1: this film is a c G I creature lets out 169 00:09:37,360 --> 00:09:40,400 Speaker 1: an enormous fart, a child in the audience, last, uncontrolled, 170 00:09:40,520 --> 00:09:43,280 Speaker 1: the uncontrollably. We have no recourse but to accept it 171 00:09:43,320 --> 00:09:46,559 Speaker 1: and hand Robert Downey Jr. His paycheck. The other thing 172 00:09:46,640 --> 00:09:50,280 Speaker 1: is that, uh, this movie is written, are co written, 173 00:09:50,320 --> 00:09:53,840 Speaker 1: and directed by the same dude who directed Syriana, you know, 174 00:09:53,880 --> 00:09:57,280 Speaker 1: the Petroleum Politics jew a political thriller. Uh. And then 175 00:09:57,400 --> 00:10:00,480 Speaker 1: was also the dude who wrote Traffic, the Steven Soderbergh film. 176 00:10:00,760 --> 00:10:04,880 Speaker 1: He is now writing Dolittle, And they say here he's 177 00:10:04,880 --> 00:10:07,880 Speaker 1: scripting a guerrilla voiced by Rammi Malick to kick a 178 00:10:07,880 --> 00:10:11,720 Speaker 1: tiger voice by Ray Fines in his tiger balls a duck. 179 00:10:12,520 --> 00:10:16,440 Speaker 1: A duck voiced by Octavia Spencer sasses, do you understand 180 00:10:16,440 --> 00:10:19,400 Speaker 1: the words that are coming out of my bill? Uhuh? 181 00:10:19,640 --> 00:10:21,640 Speaker 1: That alone, I'm like, I don't need to read anymore. 182 00:10:22,520 --> 00:10:26,760 Speaker 1: That made my skin fall off. That is amazing. So 183 00:10:26,920 --> 00:10:31,199 Speaker 1: it's just uh, I mean, I think it's rightfully being panned. Also, 184 00:10:31,400 --> 00:10:32,800 Speaker 1: is that a scene that ended up in the movie 185 00:10:32,840 --> 00:10:35,400 Speaker 1: or they were just talking about like the scripting pros 186 00:10:35,600 --> 00:10:39,000 Speaker 1: that was like during development? No, I'm this is the 187 00:10:39,120 --> 00:10:41,080 Speaker 1: film and then Robert Downey, you going to give c 188 00:10:41,160 --> 00:10:44,120 Speaker 1: g I squirrel mouth to mouth? Okay, I mean that's 189 00:10:45,160 --> 00:10:47,839 Speaker 1: but the other, um, the other thing is like, I 190 00:10:47,880 --> 00:10:50,160 Speaker 1: don't know, if you've seen the billboards around town, he 191 00:10:50,320 --> 00:10:52,720 Speaker 1: looks like he's got brown face on or something. He 192 00:10:52,760 --> 00:10:56,920 Speaker 1: looks way like he's he caught a real tan it. Also, 193 00:10:57,720 --> 00:11:02,679 Speaker 1: there are pictures in there where it's unclear what he's doing, 194 00:11:02,760 --> 00:11:05,840 Speaker 1: Like I think there's one where he appears to be 195 00:11:06,000 --> 00:11:08,920 Speaker 1: doing something with the stethoscope to a polar bear. But 196 00:11:08,960 --> 00:11:11,720 Speaker 1: it just suggests to me, like it's not clear what 197 00:11:11,840 --> 00:11:13,600 Speaker 1: it is, and it suggests to me that they got 198 00:11:13,679 --> 00:11:17,080 Speaker 1: him for like twelve pictures and we're just like, well, 199 00:11:17,120 --> 00:11:18,720 Speaker 1: those are going to have to be good enough because 200 00:11:18,720 --> 00:11:22,079 Speaker 1: that was all we had him for, right right, right? Uh? 201 00:11:22,200 --> 00:11:26,640 Speaker 1: And they they wallpapered the city of Los Angeles with 202 00:11:26,679 --> 00:11:29,560 Speaker 1: these billboards. So I just like this last paragraph of 203 00:11:29,559 --> 00:11:33,400 Speaker 1: this review. There's no describing how disorienting it is on screen, 204 00:11:34,360 --> 00:11:36,920 Speaker 1: how disorienting it is to screen this movie in the 205 00:11:36,960 --> 00:11:40,199 Speaker 1: same news cycle as the one in which Oscar nominations 206 00:11:40,200 --> 00:11:46,200 Speaker 1: are being debated. Cinema greatness worth representation. Here's Robert Downey Jr. 207 00:11:46,240 --> 00:11:49,880 Speaker 1: Wincing at a tuting dragon. What does anything mean anymore? 208 00:11:50,040 --> 00:11:52,720 Speaker 1: At the same time, I cannot respect that reviewer for 209 00:11:52,920 --> 00:11:56,640 Speaker 1: saying tuting Yeah, come on, yeah, that's true. I guess 210 00:11:56,720 --> 00:11:58,800 Speaker 1: now it's a musty phone. Yes, I mean if looks 211 00:11:58,840 --> 00:12:03,199 Speaker 1: someone's someone's getting kicked in their tiger balls as they say, wow, 212 00:12:03,360 --> 00:12:05,600 Speaker 1: you understand the words that are coming out of my bill? 213 00:12:05,679 --> 00:12:12,720 Speaker 1: Out of my bill? What? Uh? Jamie loftus tweeted, uh 214 00:12:13,080 --> 00:12:17,000 Speaker 1: will do little unite the left? Question mark by Jamie 215 00:12:17,040 --> 00:12:21,720 Speaker 1: loft which I think is her senior thesis one of 216 00:12:21,720 --> 00:12:26,200 Speaker 1: the greats. All right, we're gonna end with that. Yes, 217 00:12:26,520 --> 00:12:28,920 Speaker 1: what the world is talking about? That? And nothing more? 218 00:12:29,679 --> 00:12:32,680 Speaker 1: H We hope you have a great evening, and we'll 219 00:12:32,679 --> 00:12:36,959 Speaker 1: be back tomorrow with a brand new episode of Dirt Daily, Zeitgeist. Man, 220 00:12:37,000 --> 00:12:38,720 Speaker 1: we'll talk together then. Da