WEBVTT - Ep7 - Group Nine's Ben Lerer on Breeding New Media Brands

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<v Speaker 1>Welcome to another episode of Strictly Business, the podcast that

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<v Speaker 1>goes deep on the media business with some of its

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<v Speaker 1>most interesting practitioners. I'm Andrew Wallenstein, co editor in chief

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<v Speaker 1>of Variety. For this latest installment, I went one on

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<v Speaker 1>one with Ben Lehrer. He's the CEO of Group nine,

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<v Speaker 1>media holding company with a minority investment from Discovery that

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<v Speaker 1>includes digital brands like now This, the Dodo Seeker and

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<v Speaker 1>Thrill List brand Lehrer started himself. He spoke with me

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<v Speaker 1>in his capacity not just a CEO, but as managing

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<v Speaker 1>partner of venture capital fund Lehrer Hippo. I think you

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<v Speaker 1>learned a lot from our conversation about the current state

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<v Speaker 1>of the digital media world and where it's heading next.

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<v Speaker 1>So without further ado, here's Ben Lehrer. So I want

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<v Speaker 1>to first start with where Group nine is, because it's

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<v Speaker 1>been a year. Just talk about the formation of that

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<v Speaker 1>in the rational several years ago. Started to sort of

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<v Speaker 1>pick my head up a little bit from building thrills

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<v Speaker 1>and just say what else is sort of happening in media?

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<v Speaker 1>What are the companies that were investing, what are the

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<v Speaker 1>trends that we're seeing, And came to this thesis which

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<v Speaker 1>was that we were going to be entering a period

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<v Speaker 1>of consolidation. And when you look back and sort of

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<v Speaker 1>study the history of media, uh, we actually thought that

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<v Speaker 1>what was happening in in digital media in many ways

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<v Speaker 1>mirrored what happened thirty five years ago with cable, where

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<v Speaker 1>you had sort of a new pipe get created and

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<v Speaker 1>a bunch of brands emerge that were uh that went

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<v Speaker 1>deep into specific verticals for specific audiences, um, you know,

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<v Speaker 1>and and in in a in a decade you saw

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<v Speaker 1>the launch of everything from ESPN, HBO two, CNN, MTV

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<v Speaker 1>and all these great big brands got built, but uh,

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<v Speaker 1>it wasn't clear that they were going to be great

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<v Speaker 1>big brands or big successful businesses in the early days

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<v Speaker 1>where there was still lots of questions about the efficacy

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<v Speaker 1>of cable and how big it was going to get

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<v Speaker 1>blah blah blah, and so uh, I think what we

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<v Speaker 1>saw happening in digital media was something similar, were you

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<v Speaker 1>had a new set of pipes, really driven by social media,

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<v Speaker 1>where a whole new generation was consuming content. Differently, there

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<v Speaker 1>was a bunch of startups that were creating uh, new

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<v Speaker 1>brands that were speaking to various specific audiences just like

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<v Speaker 1>the cable networks had done thirty five years earlier, and

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<v Speaker 1>but they were operating independently, and there was lots of

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<v Speaker 1>questions about how big they could get and the business

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<v Speaker 1>model and the money that was existing at the platforms

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<v Speaker 1>versus going directly to the the brands blah blah blah,

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<v Speaker 1>and and said, look, Thrillist is a cable network. It's

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<v Speaker 1>one network, but we need more scale to really matter.

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<v Speaker 1>We think consolidation is gonna be coming to every sort

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<v Speaker 1>of layer of media. And obviously a huge number of

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<v Speaker 1>moves have happened since we put these brands together. But

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<v Speaker 1>through that sort of thesis, we I looked around, I said,

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<v Speaker 1>if I was starting throw us again today, what brands?

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<v Speaker 1>What would I want this company to look like? Who

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<v Speaker 1>would I sort of aspire to be? And very specifically,

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<v Speaker 1>we we saw the Dodo and now This as two

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<v Speaker 1>brands that I thought were being built in a really modern,

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<v Speaker 1>really creative and thoughtful way, truly built natively for the

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<v Speaker 1>social pipes. From day one, Dreaming in Video incredibly um

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<v Speaker 1>intelligent about how they use data to influence the way

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<v Speaker 1>that they thought about content creation. And when you say,

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<v Speaker 1>by the way, Dreaming and Video you mean, Well, so

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<v Speaker 1>I use the word dreaming in video because it doesn't

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<v Speaker 1>mean only creating content in video necessarily. I think about

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<v Speaker 1>somebody who's bilingual, what language do they dream in? Um,

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<v Speaker 1>what is the thing that they feel most comfortable doing?

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<v Speaker 1>And so I believe that content there, every story should

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<v Speaker 1>be told and whatever the best format is for the story.

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<v Speaker 1>And uh, but but I think for us, as we

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<v Speaker 1>sort of think about what Group nine is, we want

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<v Speaker 1>to be a company that dreams in video, that first

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<v Speaker 1>thinks about telling stories and sight, sound and motion, but

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<v Speaker 1>then totally acknowledging that there are amazing and really valuable

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<v Speaker 1>ways to tell written stories and stories through all different

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<v Speaker 1>types of formats. So that's what I mean by dreaming

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<v Speaker 1>and video. Got it. And in terms of this consolidated

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<v Speaker 1>environment that you are putting together, this Group nine entity,

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<v Speaker 1>in has it played out this past year both in

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<v Speaker 1>the marketplace and within Group nine as you thought it would? Yeah? So,

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<v Speaker 1>I you know, I know it's sort of everyone's always

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<v Speaker 1>doing the everything is great, We're crushing it version of entrepreneurship,

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<v Speaker 1>and uh, the reality is, uh, everything has not played

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<v Speaker 1>out exactly the way that I would have like sort

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<v Speaker 1>of projected but the overarching story is, as far as

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<v Speaker 1>I can tell, really best case scenario, we are operating

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<v Speaker 1>like one company. UM, It's taken a lot to get

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<v Speaker 1>there and to figure out how these cultures work together

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<v Speaker 1>and to figure out, you know, building a holding companies

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<v Speaker 1>are really uh it's a tough thing because, um, these

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<v Speaker 1>brands are different, and they stand for different things, and

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<v Speaker 1>they have different workforces and uh, figuring out how to

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<v Speaker 1>build a corporate entity that provides value to them but

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<v Speaker 1>allows them to be themselves is really difficult. And I

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<v Speaker 1>think I underestimated how hard that was going to be,

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<v Speaker 1>uh culturally and how hard it was going to be

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<v Speaker 1>to build trust amongst the brands and to build a

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<v Speaker 1>leadership team that was strong enough and and teams at

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<v Speaker 1>the corporate layer that we're able to provide a level

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<v Speaker 1>of service to the brands that would be greater uh

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<v Speaker 1>then the brands would be able to provide for themselves.

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<v Speaker 1>And so building that infrastructure was really hard. UM. An

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<v Speaker 1>incredible learning curve for me and for our leadership team

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<v Speaker 1>over the last year. But I'm I can genuinely say

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<v Speaker 1>we've done it. We've been we've you know, we've outpaced

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<v Speaker 1>the market We've grown, uh, every in every which way

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<v Speaker 1>from audience to influence to financially um in really spectacular ways.

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<v Speaker 1>And yesterday was our new frontum, which is sort of

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<v Speaker 1>a it's a good moment to take a little barometer.

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<v Speaker 1>It's like, you know, it's a it's a moment to

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<v Speaker 1>take a temperature of where are we And you can

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<v Speaker 1>think back to a year ago where we were at

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<v Speaker 1>our new front and uh, we're we're in a really

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<v Speaker 1>great place. I mean, you know, and that that doesn't

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<v Speaker 1>mean it's easy, it's super hard. Well that's the thing.

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<v Speaker 1>I mean. You hear about companies like Vice and BuzzFeed

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<v Speaker 1>and what they have gone through in terms of the

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<v Speaker 1>challenges and monetization, and I compare that to this sort

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<v Speaker 1>of blue sky version of hey where the new cable networks?

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<v Speaker 1>And I don't know which end of the spectrum we're

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<v Speaker 1>at right now. It feels like this is it's hard

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<v Speaker 1>to imagine these businesses becoming the kind of success that

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<v Speaker 1>cable was given where they're at right now. I fully

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<v Speaker 1>fully get that. I think that up the other side

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<v Speaker 1>of the coin is when you go talk to people

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<v Speaker 1>who work in the cable business US, it's not like

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<v Speaker 1>they're sitting around feeling like they're on top of the

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<v Speaker 1>world because they there's there's pressure coming from all sides

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<v Speaker 1>right now. And so I don't believe that, uh, there's

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<v Speaker 1>a straight line to just going and sort of usurping

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<v Speaker 1>Cable and suddenly having a business that has, you know,

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<v Speaker 1>net revenue margins like the beautiful model that Cable had

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<v Speaker 1>for the last generation. UM. I also don't think that

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<v Speaker 1>the last generation Cable model exists for Cable. And I

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<v Speaker 1>think that the real currency here is attention and obsession

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<v Speaker 1>and building brands that matter. And so I'm a big

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<v Speaker 1>believer actually in the intersection of the last generation media

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<v Speaker 1>model and the new generation media model and sort of

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<v Speaker 1>where those things come together. And actually, when we created

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<v Speaker 1>Group nine UH, we did so with a meaningful investment

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<v Speaker 1>from Discovery, not only financial investment, but also apart partnership

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<v Speaker 1>where the spirit of the partnership was to really help

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<v Speaker 1>one another figure out how to UH thrive in this

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<v Speaker 1>challenging environment. And we've made a lot of progress and

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<v Speaker 1>I think learned a lot from one another, and as

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<v Speaker 1>time goes on, that partnership continues to strength. And really

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<v Speaker 1>excited that they did the script deal as I think

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<v Speaker 1>that creates more opportunity, more free cash flow, there, more

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<v Speaker 1>uh ability to sort of take some risks and try

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<v Speaker 1>some new things, as well as bringing some brands into

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<v Speaker 1>the fold there that aligned with some of our brands

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<v Speaker 1>really beautifully. And so just really thankful for that partnership.

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<v Speaker 1>And and you know, I would be lying to say

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<v Speaker 1>that I know exactly what the future looks like, but

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<v Speaker 1>it amazes me when a company like Discovery and this

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<v Speaker 1>is there far from an anomaly, make significant investments in

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<v Speaker 1>digital publishers given where things are right now. Is Discovery

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<v Speaker 1>doing this but because you guys help them figure out

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<v Speaker 1>the future? I think discoveries doing it because they're they're

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<v Speaker 1>really smart. They can see that how the business is

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<v Speaker 1>working today is not indicative of how the business is

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<v Speaker 1>going to work tomorrow, and that a younger audiences have

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<v Speaker 1>very different behaviors, very different habits, very different interests. And

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<v Speaker 1>to build a multi generational media company today means needing

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<v Speaker 1>to have a deep understanding of all the screens and

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<v Speaker 1>distribution pipes that matter. And while we're still living in

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<v Speaker 1>a world where we may be dealing with you know,

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<v Speaker 1>digital dimes, ah, the pieces are moving and marketers are moving,

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<v Speaker 1>and you know, there's a lot of there's a lot

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<v Speaker 1>of structure around how media dollars transact. There's a lot

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<v Speaker 1>of structure around how digital right now is wired around

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<v Speaker 1>Facebook and Google and Amazon and dollars sort of going

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<v Speaker 1>through the pipes. It's really interesting if you look at

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<v Speaker 1>the cable model, the dollars don't go through the pipes.

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<v Speaker 1>The dollars go through the publishers, and digital has sort

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<v Speaker 1>of been wired differently. And I do believe firmly that

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<v Speaker 1>there is a much better and bigger business model for

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<v Speaker 1>publishers who continue to focus on and take a long

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<v Speaker 1>term view on the value of their relationships with platforms

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<v Speaker 1>like Facebook and Snapchat and uh and Twitter and Instagram

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<v Speaker 1>and YouTube. So so here's the interesting thing about some

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<v Speaker 1>of the relationships with these platforms, which is it is

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<v Speaker 1>maddeningly slow. But if you were to take a pin

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<v Speaker 1>and put it in the publisher business model with Facebook

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<v Speaker 1>two years ago today, you would say, there's not a

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<v Speaker 1>dollar coming from video. Facebook is not paying for any

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<v Speaker 1>content there is. There's essentially no business model whatsoever. If

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<v Speaker 1>you were to put a pin in a year ago,

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<v Speaker 1>you would say, we're starting to monetize video a little bit.

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<v Speaker 1>We are still not really in a bus there's still

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<v Speaker 1>not really buying any content or underwriting any content creation.

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<v Speaker 1>But the revenue is exponentially bigger than it was a

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<v Speaker 1>year ago. And if you were to do the same

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<v Speaker 1>thing today, you would say Facebook is now starting to

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<v Speaker 1>become a larger buyer of content. They've announced that there

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<v Speaker 1>will be a buyer in the news category as well.

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<v Speaker 1>Um with the stuff that Campbell Brown's running. They are

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<v Speaker 1>now testing pre roll. Facebook Watches is growing and there's

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<v Speaker 1>a mid roll product that is not only available for

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<v Speaker 1>publishers to monetize on backfield, but there's a handful of

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<v Speaker 1>publishers who are actually able to sell their own inventory,

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<v Speaker 1>of which we're one of. And do we feel that

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<v Speaker 1>we were being fairly compensated for the value that we're

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<v Speaker 1>creating on Facebook today? No? Do we feel like we're

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<v Speaker 1>better compensated than we were a year ago. Yes. Do

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<v Speaker 1>we feel like we're having more engaged conversations and that

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<v Speaker 1>there is a genuine desire to figure out how to

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<v Speaker 1>make this work for publishers. Yes, I'm a little bit

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<v Speaker 1>of an anomaly because we are one of legitimately the

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<v Speaker 1>one or two largest Facebook premium Facebook publishers that exists,

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<v Speaker 1>and so the relationship that we have maybe on the

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<v Speaker 1>absolute front end or the sort of the cutting edge

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<v Speaker 1>of where uh Facebook is going to participate with publishers,

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<v Speaker 1>and so we get to be partnering with them, and

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<v Speaker 1>not only sort of we're we're the front of the spear,

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<v Speaker 1>not the you know, the tip of the spear and

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<v Speaker 1>not the end of the spear, which is which is

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<v Speaker 1>a good place to be, which is maybe why I

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<v Speaker 1>have more confidence that we're going to get to where

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<v Speaker 1>we get where we need to get to there. But

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<v Speaker 1>this is going to take a long time. And I

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<v Speaker 1>actually think one of the issues that you've seen with

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<v Speaker 1>digital media is as companies forecast growth in their business,

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<v Speaker 1>they assume that changes are going to happen more quickly

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<v Speaker 1>than they do, and they forecast revenue coming from these sources,

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<v Speaker 1>by the way, really high margin revenue, because it's essentially

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<v Speaker 1>against content that right now is being unmonetized, and that

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<v Speaker 1>when it doesn't show up, it really hurts. It's very

0:13:38.960 --> 0:13:41.559
<v Speaker 1>painful when you expect a dollar from Facebook and the

0:13:41.679 --> 0:13:44.280
<v Speaker 1>dollar doesn't show up because you made the content, so

0:13:44.559 --> 0:13:46.560
<v Speaker 1>it just hits your bottom line, and so I think

0:13:46.800 --> 0:13:53.240
<v Speaker 1>what we're being pretty smart about is ah is continuing

0:13:53.280 --> 0:13:56.640
<v Speaker 1>to see growth against our distributed revenue, but also knowing

0:13:56.679 --> 0:13:59.560
<v Speaker 1>that this is a medium and long term play and

0:13:59.559 --> 0:14:05.280
<v Speaker 1>that to day the business model isn't knocking us out

0:14:05.320 --> 0:14:08.640
<v Speaker 1>of our seats. With that being said, we build big reach,

0:14:08.640 --> 0:14:11.120
<v Speaker 1>we build big audience, is we build big influence, we

0:14:11.120 --> 0:14:15.080
<v Speaker 1>build big brand. We're selling amazing, innovative, best in class

0:14:15.080 --> 0:14:18.760
<v Speaker 1>branded content products. We're finding ways to create more scalability

0:14:18.760 --> 0:14:21.840
<v Speaker 1>in those products. In the ways that we seamlessly are

0:14:21.880 --> 0:14:27.680
<v Speaker 1>able to repackage advertisers content and redistribute it. We're able

0:14:27.720 --> 0:14:31.280
<v Speaker 1>to make um really smart decisions around the content that

0:14:31.320 --> 0:14:34.200
<v Speaker 1>we create and distribute for advertisers based on all the

0:14:34.280 --> 0:14:36.840
<v Speaker 1>data that we have around how audiences behave in the

0:14:36.880 --> 0:14:41.280
<v Speaker 1>way that they respond to content. Um I I genuinely

0:14:41.320 --> 0:14:44.560
<v Speaker 1>believe that there will be there is an more and

0:14:44.600 --> 0:14:48.440
<v Speaker 1>more money to be made by publishers on these platforms.

0:14:48.920 --> 0:14:50.640
<v Speaker 1>Um I don't think we're going to get to the

0:14:50.680 --> 0:14:53.080
<v Speaker 1>place that Rupert Murdoch would like us to get to

0:14:53.200 --> 0:14:54.640
<v Speaker 1>and that a lot of people would like us to

0:14:54.680 --> 0:14:57.880
<v Speaker 1>get to, where we're just going to get an affiliate

0:14:57.920 --> 0:15:00.680
<v Speaker 1>fee but I do believe that there will be some

0:15:00.880 --> 0:15:04.200
<v Speaker 1>version of an affiliate fee that will be paid out

0:15:04.200 --> 0:15:07.000
<v Speaker 1>in a meritocracy where the brands that create the best content,

0:15:07.040 --> 0:15:09.600
<v Speaker 1>create the most engagement will be able to share in

0:15:09.640 --> 0:15:12.400
<v Speaker 1>the wealth that Facebook creates. And I think it's because

0:15:12.440 --> 0:15:17.680
<v Speaker 1>Facebook is a Facebook does what's best for Facebook, and

0:15:17.720 --> 0:15:20.560
<v Speaker 1>I genuinely believe what's best for Facebook is creating an

0:15:20.680 --> 0:15:25.920
<v Speaker 1>environment for premium publishers to thrive. So dealing with platforms

0:15:26.400 --> 0:15:31.400
<v Speaker 1>has its challenges, but you're encouraged by progress from year

0:15:31.440 --> 0:15:34.560
<v Speaker 1>to year in the recent years. Where does your pin

0:15:34.760 --> 0:15:36.320
<v Speaker 1>go next? What do you what do you want to

0:15:36.360 --> 0:15:40.160
<v Speaker 1>see happen in beyond? It's a really good question. I

0:15:40.200 --> 0:15:44.080
<v Speaker 1>think it's different for each platform. Um, what I'd like

0:15:44.160 --> 0:15:48.440
<v Speaker 1>to see for Facebook is getting to the point where

0:15:48.440 --> 0:15:53.320
<v Speaker 1>we share in newspeed revenue. Right now, they create interesting

0:15:53.360 --> 0:15:57.960
<v Speaker 1>opportunities for sharing and revenue in sort of ancillary other locations.

0:15:59.480 --> 0:16:03.360
<v Speaker 1>And because Facebook's audience is so enormous that money is

0:16:03.360 --> 0:16:06.480
<v Speaker 1>not irrelevant, particularly to publishers with the scale that some

0:16:06.560 --> 0:16:09.640
<v Speaker 1>of our brands have. That being said, I think we

0:16:09.720 --> 0:16:11.200
<v Speaker 1>get to a point, or need to get to a

0:16:11.200 --> 0:16:14.280
<v Speaker 1>point where Facebook shares news feed revenue. It can be

0:16:14.320 --> 0:16:18.760
<v Speaker 1>based on the quality of engagement that is created, certainly, um,

0:16:18.800 --> 0:16:21.200
<v Speaker 1>but that's where we want to get to. I don't

0:16:21.200 --> 0:16:23.280
<v Speaker 1>know if we'll get there in twenty or twenty nineteen.

0:16:23.320 --> 0:16:25.520
<v Speaker 1>I honestly think it's in Facebook's best interest to do

0:16:25.560 --> 0:16:30.160
<v Speaker 1>it immediately. UM. And I feel that I have a

0:16:30.240 --> 0:16:33.080
<v Speaker 1>venue to actually have those conversations with folks at Facebook,

0:16:33.120 --> 0:16:38.240
<v Speaker 1>which I think is important. UM. At the you know,

0:16:38.360 --> 0:16:40.840
<v Speaker 1>at the same time, there are there are different things

0:16:41.080 --> 0:16:43.360
<v Speaker 1>and different progress that needs to be made on each

0:16:43.600 --> 0:16:49.280
<v Speaker 1>individual platform. UM. The place I would really ultimately like

0:16:49.520 --> 0:16:51.880
<v Speaker 1>to get to, and where I believe we'll get in

0:16:52.040 --> 0:16:56.800
<v Speaker 1>the not too distant future but probably not, is where

0:16:57.720 --> 0:17:01.040
<v Speaker 1>a publisher like Group nine has the ability to sell

0:17:01.200 --> 0:17:05.240
<v Speaker 1>transactional advertising across all of our social channels, and so

0:17:05.280 --> 0:17:07.120
<v Speaker 1>where a brand could come to us and we could

0:17:07.119 --> 0:17:17.639
<v Speaker 1>sell them pre role or mid role across our Facebook, YouTube, Twitter, Instagram,

0:17:17.680 --> 0:17:22.360
<v Speaker 1>and Snapchat channels. And right now we can sell snap

0:17:23.160 --> 0:17:28.120
<v Speaker 1>we can sell as part of a beta Facebook Watch

0:17:29.040 --> 0:17:35.360
<v Speaker 1>mid role, not pre role. We can sell YouTube, Um,

0:17:35.400 --> 0:17:38.679
<v Speaker 1>there's no monetization to speak of it Instagram yet, um,

0:17:38.720 --> 0:17:42.200
<v Speaker 1>and that will be coming. And we can't sell Twitter yet.

0:17:42.240 --> 0:17:44.159
<v Speaker 1>But I believe that that will be coming. As recently

0:17:44.160 --> 0:17:46.160
<v Speaker 1>as this week it was rumored that it was coming soon.

0:17:46.240 --> 0:17:49.679
<v Speaker 1>And um, we think that the Twitter folks are super

0:17:49.720 --> 0:17:54.600
<v Speaker 1>smart and engaged and asking all the right questions and

0:17:54.680 --> 0:17:57.480
<v Speaker 1>so getting to the point where you start to have

0:17:57.560 --> 0:18:03.120
<v Speaker 1>the ability to turn brand on at scale across your

0:18:03.760 --> 0:18:07.639
<v Speaker 1>premium content on all of these channels starts to feel

0:18:07.680 --> 0:18:12.000
<v Speaker 1>more like TV. And I think that's the future that

0:18:12.040 --> 0:18:15.880
<v Speaker 1>we're coming towards. And I think the smart, big traditional

0:18:15.920 --> 0:18:19.960
<v Speaker 1>media companies can see a world where that happens. And

0:18:20.000 --> 0:18:21.560
<v Speaker 1>if they're not set up for it, and if they're

0:18:21.560 --> 0:18:24.920
<v Speaker 1>not making investments in partnerships and acquisitions in the best

0:18:24.920 --> 0:18:27.879
<v Speaker 1>digital publishers, it's going to be really, really unpleasant for

0:18:27.920 --> 0:18:32.520
<v Speaker 1>them because they're going to have let the massive advantage

0:18:32.560 --> 0:18:34.320
<v Speaker 1>that they have slip away. And that's one of the

0:18:34.320 --> 0:18:36.480
<v Speaker 1>things that I one of the reasons I think Discovery

0:18:36.520 --> 0:18:41.040
<v Speaker 1>is so smart that David is not waiting for Yeah,

0:18:41.480 --> 0:18:45.040
<v Speaker 1>is David as Love is not waiting for the the

0:18:45.200 --> 0:18:48.160
<v Speaker 1>sort of the other shoe to drop. He's seeing where

0:18:48.200 --> 0:18:52.439
<v Speaker 1>the future is going. Um, and you know, he's a

0:18:52.840 --> 0:18:55.600
<v Speaker 1>We're we're really lucky to be in business with him. Well,

0:18:55.640 --> 0:18:59.159
<v Speaker 1>what I'm wondering about is you talk about the monetization

0:18:59.200 --> 0:19:04.080
<v Speaker 1>opportunities these platforms. Is are you also going to David's

0:19:04.119 --> 0:19:06.720
<v Speaker 1>as Love, the CEO of Discovery, and saying, hey, I

0:19:06.800 --> 0:19:09.639
<v Speaker 1>need to sell my shows to television. That's where the

0:19:09.720 --> 0:19:14.600
<v Speaker 1>real money is. June nine, we launch a show called

0:19:14.640 --> 0:19:18.240
<v Speaker 1>Dodo Heroes on Animal Planet. UM so one of our brands,

0:19:18.240 --> 0:19:21.639
<v Speaker 1>the Dodo um we'll be launching a full season of

0:19:21.760 --> 0:19:25.840
<v Speaker 1>linear TV globally in three and sixty million homes in

0:19:25.880 --> 0:19:29.520
<v Speaker 1>partnership with Animal Planet. Will also be launching it digitally

0:19:29.640 --> 0:19:33.439
<v Speaker 1>across all of the Dodo's channels in different formats. But

0:19:33.760 --> 0:19:36.520
<v Speaker 1>I think that is part of the future. Uh So,

0:19:37.560 --> 0:19:39.960
<v Speaker 1>you know, I'm not one of these people who says

0:19:40.440 --> 0:19:44.560
<v Speaker 1>digital is everything. Linear is dead. It's a little bit

0:19:44.600 --> 0:19:48.720
<v Speaker 1>like some of the director consumer retail startups five years ago.

0:19:48.800 --> 0:19:51.239
<v Speaker 1>It's like Director consumers everything. We would never sell our

0:19:51.280 --> 0:19:52.720
<v Speaker 1>product through a third party. And then you get to

0:19:52.720 --> 0:19:53.920
<v Speaker 1>a point whe're like, hey, you know a lot of

0:19:53.920 --> 0:19:56.800
<v Speaker 1>people still go to Walmart. Like there there's some version

0:19:57.000 --> 0:20:00.639
<v Speaker 1>of linear TV still exists. Those companies are not just

0:20:00.640 --> 0:20:02.679
<v Speaker 1>going to roll over and die. The idea that we

0:20:02.720 --> 0:20:08.160
<v Speaker 1>would uh forsake those platforms actually is a little bit,

0:20:08.600 --> 0:20:13.600
<v Speaker 1>uh would be hypocritical of our real philosophy, which is

0:20:14.520 --> 0:20:18.280
<v Speaker 1>to superserve audiences, go to them, go to wherever big

0:20:18.320 --> 0:20:22.040
<v Speaker 1>audiences live. And even though TV audiences are in decline,

0:20:22.920 --> 0:20:25.760
<v Speaker 1>who are we kidding, there's still lots of people watching

0:20:26.080 --> 0:20:31.720
<v Speaker 1>linear television, and so we're I want to be everywhere.

0:20:31.800 --> 0:20:33.320
<v Speaker 1>I want to be on all these platforms. I want

0:20:33.320 --> 0:20:35.719
<v Speaker 1>to build big brands that you trip over that our

0:20:35.760 --> 0:20:39.159
<v Speaker 1>household names. And part of building brands like that means

0:20:40.680 --> 0:20:43.560
<v Speaker 1>not turning your nose up at at linear television. And

0:20:43.600 --> 0:20:46.280
<v Speaker 1>so we're going to be pitching more and more programs

0:20:46.320 --> 0:20:49.760
<v Speaker 1>like that. Yesterday we announced at our new front program

0:20:49.760 --> 0:20:52.800
<v Speaker 1>that we're creating between Seeker and Discovery called The Swim,

0:20:52.800 --> 0:20:59.159
<v Speaker 1>where we're gonna be following an amazing guy who's going

0:20:59.160 --> 0:21:01.479
<v Speaker 1>to be the first person to swim across the Pacific Ocean.

0:21:02.600 --> 0:21:05.320
<v Speaker 1>He leaves next month, and that's a that's a program

0:21:05.359 --> 0:21:08.520
<v Speaker 1>that is going to live across linear and digital channels,

0:21:08.800 --> 0:21:12.160
<v Speaker 1>I think in a really innovative new way. UM So

0:21:12.280 --> 0:21:14.840
<v Speaker 1>I'm all for sort of testing and trying all these

0:21:14.840 --> 0:21:20.399
<v Speaker 1>different formats as long as we're making great stuff. Is

0:21:20.440 --> 0:21:24.520
<v Speaker 1>it easy? Given each platform has its own different creative

0:21:24.640 --> 0:21:29.119
<v Speaker 1>nuances programming in a way where something makes sense on

0:21:29.200 --> 0:21:33.679
<v Speaker 1>Snapchat and Twitter and TV because it does feel like

0:21:33.760 --> 0:21:36.000
<v Speaker 1>more and more, particularly Snapchat where I think you've got

0:21:36.000 --> 0:21:39.000
<v Speaker 1>a new venture going with the now this brand and

0:21:39.040 --> 0:21:42.040
<v Speaker 1>doing a breaking news Uh to talk about how that

0:21:42.119 --> 0:21:46.080
<v Speaker 1>works well, So all the platforms are different, uh, and

0:21:46.119 --> 0:21:50.399
<v Speaker 1>they they sort of reward and incentivized content for driving

0:21:50.440 --> 0:21:54.000
<v Speaker 1>different kinds of behaviors. And obviously you know, everything from

0:21:54.240 --> 0:21:56.840
<v Speaker 1>vertical video to sixteen by nine like there are there's

0:21:56.880 --> 0:22:02.240
<v Speaker 1>also technical differences in the content. Uh. I think the

0:22:02.280 --> 0:22:06.080
<v Speaker 1>strength of Group nine is a really nuanced understanding of

0:22:06.080 --> 0:22:10.040
<v Speaker 1>those different platforms and of the sort of the best

0:22:10.040 --> 0:22:15.800
<v Speaker 1>practices and the ways to be innovative on one platform

0:22:15.880 --> 0:22:22.480
<v Speaker 1>versus another. That being said, really compelling stories have a

0:22:22.520 --> 0:22:25.240
<v Speaker 1>home on all of them. And so you know, let's

0:22:25.320 --> 0:22:28.679
<v Speaker 1>use the swim as an example. It's an amazing story.

0:22:28.720 --> 0:22:33.000
<v Speaker 1>We're doing a bunch of scientific experiments, or about the

0:22:33.080 --> 0:22:40.200
<v Speaker 1>health of sharks, the health of phytoplankton, what the radioactive

0:22:40.359 --> 0:22:45.240
<v Speaker 1>spill in Japan has done to the oceans around there,

0:22:45.280 --> 0:22:49.119
<v Speaker 1>and how far it's had impacted the sea studying the

0:22:49.119 --> 0:22:51.879
<v Speaker 1>physical and mental health of the guy swimming, looking at

0:22:51.880 --> 0:22:55.080
<v Speaker 1>the great garbage patch, all of these interesting studies. There's

0:22:55.119 --> 0:22:58.119
<v Speaker 1>so much content that comes out of this. Will be

0:22:58.160 --> 0:23:01.639
<v Speaker 1>telling stories on staff Chat that will feel totally native

0:23:01.680 --> 0:23:05.119
<v Speaker 1>to and relevant for Snapchat and will be something that

0:23:05.359 --> 0:23:09.119
<v Speaker 1>our audiences there will get to uh to experience and

0:23:09.119 --> 0:23:11.840
<v Speaker 1>will tell a totally different version of that story in

0:23:12.200 --> 0:23:15.920
<v Speaker 1>Facebook through live updates from the boat. But we'll also

0:23:16.200 --> 0:23:20.640
<v Speaker 1>create a Facebook Watch show where we'll do like more

0:23:20.720 --> 0:23:24.840
<v Speaker 1>in depth episodes studying specific themes that are happening in

0:23:24.880 --> 0:23:27.840
<v Speaker 1>the boat. Those episodes may also be able to live

0:23:28.119 --> 0:23:31.280
<v Speaker 1>in that exact format or a slightly different format on YouTube,

0:23:31.920 --> 0:23:36.440
<v Speaker 1>which may not work at all for how we want

0:23:36.480 --> 0:23:39.879
<v Speaker 1>to go and create a listicle on the website about

0:23:40.000 --> 0:23:43.360
<v Speaker 1>the ten scariest things that he encountered this week. So

0:23:43.560 --> 0:23:47.240
<v Speaker 1>I think the point is great stories live in a

0:23:47.280 --> 0:23:53.240
<v Speaker 1>bunch of different way formats and versions and will be

0:23:53.280 --> 0:23:56.240
<v Speaker 1>packaged differently for different platforms. But as long as the

0:23:56.480 --> 0:24:03.000
<v Speaker 1>core is a great story, there are there is life

0:24:03.040 --> 0:24:05.760
<v Speaker 1>across all these places, and so I don't think that

0:24:05.800 --> 0:24:09.159
<v Speaker 1>you have I think that there is. There's sort of

0:24:09.160 --> 0:24:11.440
<v Speaker 1>two schools of thought and neither of them are quite right.

0:24:11.520 --> 0:24:13.640
<v Speaker 1>One of them is every piece of content you make

0:24:13.720 --> 0:24:16.080
<v Speaker 1>lives everywhere, and you just think of them as pipes

0:24:16.080 --> 0:24:18.639
<v Speaker 1>and you make it one place and you distribute it

0:24:18.680 --> 0:24:24.040
<v Speaker 1>everywhere else. That would be really nice. It's just simply

0:24:24.080 --> 0:24:27.320
<v Speaker 1>not the way it works. You see that problem sort

0:24:27.320 --> 0:24:30.399
<v Speaker 1>of most being most pervasive for marketers. So a brand,

0:24:30.560 --> 0:24:32.840
<v Speaker 1>they still make a TV spot and then they're like, cool,

0:24:32.920 --> 0:24:35.480
<v Speaker 1>let's jam that spot into YouTube, jamming into Facebook, jam

0:24:35.480 --> 0:24:37.840
<v Speaker 1>and jammin and jammin and cut the TV spot to

0:24:37.920 --> 0:24:40.359
<v Speaker 1>six seconds, and it's like, no, it's the TV spot

0:24:40.400 --> 0:24:42.440
<v Speaker 1>wasn't made Like the TV spot not made for Snapchat.

0:24:42.640 --> 0:24:46.480
<v Speaker 1>Stop doing that. That's never going to work. So you

0:24:46.520 --> 0:24:48.080
<v Speaker 1>have that school of thought, and then you have another,

0:24:48.080 --> 0:24:51.240
<v Speaker 1>which is every single thing has to be so incredibly

0:24:51.320 --> 0:24:54.439
<v Speaker 1>bespoke to each platform that you can never tell the

0:24:54.480 --> 0:24:57.720
<v Speaker 1>same story anywhere. And then the cost of content creation

0:24:58.480 --> 0:25:01.119
<v Speaker 1>are two owners to really build a business on, and

0:25:01.160 --> 0:25:05.240
<v Speaker 1>so figuring out the nuances of how to how to

0:25:05.320 --> 0:25:07.199
<v Speaker 1>get the most bang for the buck and get the

0:25:07.240 --> 0:25:09.280
<v Speaker 1>most out of each story that you want to tell

0:25:09.600 --> 0:25:13.720
<v Speaker 1>is something that we're maniacally focused on. Building a lot

0:25:13.760 --> 0:25:18.400
<v Speaker 1>of technology around UH being able to track and understand

0:25:18.480 --> 0:25:20.760
<v Speaker 1>the value of i P. So, if we have a story,

0:25:21.080 --> 0:25:23.680
<v Speaker 1>how much value are we able to extract from that

0:25:23.760 --> 0:25:27.119
<v Speaker 1>story across all of these different platforms. What's our cost

0:25:27.200 --> 0:25:29.800
<v Speaker 1>in to create and what's our cost out to monitor?

0:25:30.160 --> 0:25:32.840
<v Speaker 1>What's our revenue out from a monetization perspective, And so

0:25:33.160 --> 0:25:36.440
<v Speaker 1>that's a big focus for us, is sort of starting

0:25:36.480 --> 0:25:39.359
<v Speaker 1>to track the value of i P. It's something that

0:25:39.400 --> 0:25:41.840
<v Speaker 1>TV companies did really well forever. It's something that digital

0:25:41.880 --> 0:25:45.480
<v Speaker 1>companies never have thought about. Uh. I would actually say

0:25:45.480 --> 0:25:47.720
<v Speaker 1>probably the digital company that has done the best job

0:25:47.720 --> 0:25:51.280
<v Speaker 1>of this is probably Complex. I think that they've they've

0:25:51.320 --> 0:25:55.000
<v Speaker 1>done a nice job of picking some shows, really leaning

0:25:55.040 --> 0:25:58.119
<v Speaker 1>into them, making the multi platform. A lot of respect

0:25:58.160 --> 0:26:00.240
<v Speaker 1>for what they've done on the i P developments side,

0:26:00.480 --> 0:26:03.280
<v Speaker 1>and I think that it's something that we're leaning really

0:26:03.320 --> 0:26:06.960
<v Speaker 1>hard into and we're gonna get very sophisticated about quite quickly.

0:26:07.440 --> 0:26:11.360
<v Speaker 1>One last question, take your Group nine hat off, put

0:26:11.400 --> 0:26:16.200
<v Speaker 1>your Laryer hippo hat on. Are you finding in this

0:26:16.320 --> 0:26:20.439
<v Speaker 1>climate tough as it is that you're you're you're seeing

0:26:20.520 --> 0:26:25.160
<v Speaker 1>investment opportunities and media still? Yeah, absolutely, I think we've

0:26:25.160 --> 0:26:27.920
<v Speaker 1>made in the last you know, year two a handful

0:26:27.960 --> 0:26:31.160
<v Speaker 1>of really exciting investments. We invested in a company called Bratt,

0:26:31.760 --> 0:26:35.479
<v Speaker 1>which is Rob Fishman's uh, I guess not so new now,

0:26:35.480 --> 0:26:37.080
<v Speaker 1>probably about a year and a whole year and a

0:26:37.119 --> 0:26:41.480
<v Speaker 1>half old company focused on UM young young young sort

0:26:41.480 --> 0:26:48.960
<v Speaker 1>of teen and preteen girls, UM, doing really interesting cool

0:26:49.000 --> 0:26:54.720
<v Speaker 1>stuff around scripted uh shows obviously digital first that that

0:26:54.760 --> 0:26:56.920
<v Speaker 1>he's having a lot of success with. We're really excited about.

0:26:57.359 --> 0:27:01.040
<v Speaker 1>Another one's crypt t V, which is a a horror

0:27:01.880 --> 0:27:06.040
<v Speaker 1>company where they seed sort of create and seed characters

0:27:06.200 --> 0:27:08.600
<v Speaker 1>and and and build communities around them in social and

0:27:08.640 --> 0:27:10.480
<v Speaker 1>then go and take that I P and bring it

0:27:10.520 --> 0:27:15.480
<v Speaker 1>to new screens. Really clever. Uh, great founder Jack Davis

0:27:15.520 --> 0:27:22.400
<v Speaker 1>doing cool stuff there. Um, there are there are not

0:27:23.320 --> 0:27:25.960
<v Speaker 1>it is. Our bar is very high. Uh. You know,

0:27:26.000 --> 0:27:28.840
<v Speaker 1>we've we've done it. We've done well investing in media

0:27:28.920 --> 0:27:33.080
<v Speaker 1>and have been uh we've been successful doing it, and

0:27:33.119 --> 0:27:34.720
<v Speaker 1>I think we have a good sense of what's happening

0:27:34.720 --> 0:27:38.880
<v Speaker 1>in the market. But there are still super innovative, interesting

0:27:38.880 --> 0:27:42.240
<v Speaker 1>companies being launched. There's not a lot of money for them,

0:27:42.280 --> 0:27:48.600
<v Speaker 1>so part of it is there there are never that

0:27:48.680 --> 0:27:53.080
<v Speaker 1>many vcs interested in funding media, no matter what the environment.

0:27:53.160 --> 0:27:56.320
<v Speaker 1>It's just not a category that typically lends itself very

0:27:56.359 --> 0:28:02.240
<v Speaker 1>well to venture capital and so uh in. As a result,

0:28:02.400 --> 0:28:06.000
<v Speaker 1>there's less ideas because there's less people going into categories

0:28:06.000 --> 0:28:09.160
<v Speaker 1>where you can't really raise money. But there are certainly

0:28:09.320 --> 0:28:12.120
<v Speaker 1>breakout companies that are emerging that we're incredibly excited about,

0:28:12.200 --> 0:28:15.879
<v Speaker 1>and um, you know, I'm just a believer in there's

0:28:15.960 --> 0:28:17.919
<v Speaker 1>there's no such thing as a time when there's not

0:28:17.920 --> 0:28:21.040
<v Speaker 1>going to be new, innovative, cool stuff happening. There's just

0:28:21.080 --> 0:28:25.280
<v Speaker 1>too many clever, weird people in the world that you're

0:28:25.280 --> 0:28:28.240
<v Speaker 1>always gonna have no ideas well, it sounds like a

0:28:28.280 --> 0:28:30.639
<v Speaker 1>good optimistic note to end on. Thanks for talking to

0:28:30.800 --> 0:28:34.800
<v Speaker 1>Thank you so much for having me, Thanks for tuning

0:28:34.840 --> 0:28:38.440
<v Speaker 1>into another episode of Strictly Business. Make sure you subscribe

0:28:38.440 --> 0:28:41.240
<v Speaker 1>for all future episodes in tune in next week when

0:28:41.280 --> 0:28:45.520
<v Speaker 1>we'll be back with Playground Entertainment CEO Colin Calendar.