WEBVTT - NICK BROOKS - From the Kitchen to the Page

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<v Speaker 1>Hey guys, welcome to another episode of Eating While Broke.

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<v Speaker 2>I'm your host Coley Wick, and today.

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<v Speaker 1>We have very special guest author, filmmaker, musician Nick Brooks

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<v Speaker 1>in the building.

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<v Speaker 2>How are you doing.

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<v Speaker 3>I'm doing well. Thanks for having me excited to make

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<v Speaker 3>some roto.

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<v Speaker 2>I felt like a radio host.

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<v Speaker 1>If you don't know Nick Brooks, he has this is

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<v Speaker 1>a novel called Promised Boys. And then you have Up

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<v Speaker 1>and Smoke that's coming out in May. You have an

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<v Speaker 1>album that's dropping accompanying the book in May. And then

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<v Speaker 1>I did read somewhere and you could dispel the rumor

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<v Speaker 1>or not, but I did read that this was also

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<v Speaker 1>picked up by Promised Boys, was picked up by Netflix.

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<v Speaker 3>It was Obama's and produced.

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<v Speaker 1>That's what I wanted to highlight, and produced by the OBA.

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<v Speaker 1>So this is a really big deal. I want to

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<v Speaker 1>cover all that. I want to cover all those moments.

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<v Speaker 1>But before we get into a Nick, you gotta tell

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<v Speaker 1>me what you're gonna be cooking me for breakfast today.

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<v Speaker 3>Man, you got a great breakfast coming up. This is hotel,

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<v Speaker 3>something I was introduced to in college. It's essentially just

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<v Speaker 3>ground meat, turkey, beef, whatever, melted cheese, and tomatoes.

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<v Speaker 1>Awesome, very simple, very easy. I love me a broke

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<v Speaker 1>dish because the broker, the story broker, the dish, the

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<v Speaker 1>real of the story, the better the story. That's what

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<v Speaker 1>I've learned on this shed. Anytime I get a dish

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<v Speaker 1>that has a million ingredients, you already know the story

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<v Speaker 1>ain't gonna be.

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<v Speaker 2>So go ahead, start whipping me up my breakfast.

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<v Speaker 3>Okay, okay.

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<v Speaker 2>And while you're.

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<v Speaker 1>Whipping up this breakfast, you can't go ahead and take

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<v Speaker 1>me back to what was going on during.

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<v Speaker 2>The roteal days. Wait, yeah, you already went through the grees.

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<v Speaker 3>Go ahead, yeah, the hotel days. I'll take you back.

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<v Speaker 3>Like I said, I was introduce to Rotel in college

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<v Speaker 3>and I'm from DC. Initially went to school in Oklahoma, Norman, Oklahoma,

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<v Speaker 3>so it was a huge culture shock. The way I

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<v Speaker 3>got there is because, like you mentioned, I'm a musician

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<v Speaker 3>and I was rapping. I was in a group and

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<v Speaker 3>then we were trying to figure out what we were

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<v Speaker 3>gonna do, and was trying to get out of the city,

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<v Speaker 3>trying to get out of DC. And I got into

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<v Speaker 3>the school did I get into? I got in North

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<v Speaker 3>Carolina and t and I wanted to go to Hampton,

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<v Speaker 3>didn't get into Hamptons and my man who was rapping

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<v Speaker 3>with he got into He got into Hampton, but not

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<v Speaker 3>North Carolina, and so it was like, okay, that's not

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<v Speaker 3>gonna work. And then suddenly we got a.

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<v Speaker 2>Visit Fumus because wanted to stay together.

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<v Speaker 3>Because we was rapping, and we was like, okay, it's

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<v Speaker 3>one of those things. Like my mom, she was a nurse,

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<v Speaker 3>she was real practical. Same thing with his family. He's like, oh,

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<v Speaker 3>you got to go to college. So he was like, okay,

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<v Speaker 3>we'll go to college, but once we get there, we're

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<v Speaker 3>gonna still make this rap thing work. And a recruiter

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<v Speaker 3>came to our school talking about the school Oklahoma University,

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<v Speaker 3>which I had never heard of, and I think probably

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<v Speaker 3>at that point I don't even know if I had

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<v Speaker 3>been on a plane, and they took us out there

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<v Speaker 3>to visit the school. It was an amazing experience. It

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<v Speaker 3>was great, and turns out we both got in and

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<v Speaker 3>we was like, we're gonna go to Oklahoma, and so anyway,

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<v Speaker 3>that's how because people always ask me, like, Oklahoma's random

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<v Speaker 3>from DC, but that's how we got in. That was

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<v Speaker 3>the school we got into, and we wanted to go.

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<v Speaker 3>We wanted to make music.

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<v Speaker 2>And were childhood friends.

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<v Speaker 3>Childhood friends. Yeah, it's my god brother.

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<v Speaker 1>So I'm sure your parents were very at ease knowing

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<v Speaker 1>that they sent the set.

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<v Speaker 3>For sure, for sure, for sure, for sure they were.

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<v Speaker 3>And I've always been a very independent Like I was

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<v Speaker 3>super independent. My mom remarried at like when I was

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<v Speaker 3>like nine, and she had three daughters, so like she

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<v Speaker 3>had a lot going on. So I was always independent.

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<v Speaker 3>Yeah yeah, yeah, with her, with my stuff. If I

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<v Speaker 3>was just doing my own thing. I started working at

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<v Speaker 3>thirteen type shit. I was always on my own. So

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<v Speaker 3>it's funny because my little sisters, they all went to

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<v Speaker 3>school right My mom didn't want them to go nowhere.

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<v Speaker 3>They all right around DC. But for me, she would like,

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<v Speaker 3>wherever you're gonna go, you know what I mean, which

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<v Speaker 3>was fine. I ended up it turned out okay. But

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<v Speaker 3>so yeah, we ended up in Oklahoma and I met

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<v Speaker 3>and I started to meet different people. That's a good

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<v Speaker 3>thing about college. I do think some of it is

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<v Speaker 3>a little bit of a sham, but you meet people

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<v Speaker 3>from all over the place, you know what I'm saying.

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<v Speaker 3>I got to meet people from the South, I got

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<v Speaker 3>meet a lot of people from Texas primarily, And so

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<v Speaker 3>I'm in school and Rotel. Of course, you in college.

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<v Speaker 3>Nobody has money in college from when I ended up

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<v Speaker 3>having to train for the Howard which I'll get to,

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<v Speaker 3>and those kids had a little bit of money. But

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<v Speaker 3>we're in college and trying to figure out, just trying

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<v Speaker 3>to figure it out, and we get introduced to this

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<v Speaker 3>this It was two dishes that people made a lot.

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<v Speaker 3>It was in Rotel. That's where it started. And now

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<v Speaker 3>you know what, I actually know what the first time

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<v Speaker 3>I had it. The first time I had I was

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<v Speaker 3>at a kickback and it was out. I tried it.

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<v Speaker 3>It was amazing, and it's like, yo, what is this?

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<v Speaker 3>I just never had it? And it was like, it's

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<v Speaker 3>called rotel, And so they told us it's just cheese, meat, tomatoes,

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<v Speaker 3>and boom.

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<v Speaker 2>You get and then the crazy on the tomatoes. It's

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<v Speaker 2>called rotel.

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<v Speaker 3>It really but I didn't notice that.

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<v Speaker 2>Today.

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<v Speaker 3>I had never I never realized.

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<v Speaker 2>That maybe that's why they called it.

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<v Speaker 3>Of course, of course I never realized that it's got

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<v Speaker 3>to be right. It's too much of a coincidence. Yeah,

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<v Speaker 3>But of course, like you said, how you just realized

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<v Speaker 3>that today. It took me a while to realize that too.

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<v Speaker 3>But yeah, so it's like, okay, cool with it. That's

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<v Speaker 3>essentially where it started. It's like I was at a

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<v Speaker 3>kickback in college in Oklahoma, Norman, Oklahoma, of all places,

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<v Speaker 3>and it's the first time I had this dish and

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<v Speaker 3>it was amazing, and I made it. We probably made

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<v Speaker 3>it once a week and it would last us the

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<v Speaker 3>whole week. You know what I'm saying. Make it will

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<v Speaker 3>make it every probably every Monday, last us the whole

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<v Speaker 3>week through the weekend any parties. It's also a great

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<v Speaker 3>drunk food, you know what I'm saying, because it's the meat,

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<v Speaker 3>it's the chips. You could do it for snack, do

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<v Speaker 3>it for dinner. It's good when you're drinking. Like, it's

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<v Speaker 3>just versatile. It's cheap, that's the main thing. It's cheap.

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<v Speaker 3>So it's just a versatile meal, easy to pack up,

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<v Speaker 3>easy to take, easy to store, you know what I'm saying.

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<v Speaker 3>So that's where rotel started.

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<v Speaker 1>Okay, so you're in college, you're with your wrap mats.

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<v Speaker 2>Yes, what are you going to school for?

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<v Speaker 3>So at the time, I was going to school for nursing. Again,

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<v Speaker 3>if you remember, my mom was in there. She was

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<v Speaker 3>the most scesful person I knew, you know what I'm saying.

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<v Speaker 3>She my dad worked on the railroad, and then my

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<v Speaker 3>grandfather Will I spend a lot of time with if

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<v Speaker 3>he was a pastor. So these was really as far

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<v Speaker 3>as adults like these, my mom was the most selfriend cool.

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<v Speaker 3>Maybe I'd be a nurse, which I would have made

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<v Speaker 3>a terrible nurse because I don't like people all that much,

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<v Speaker 3>you know what I'm saying. But I ended up going

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<v Speaker 3>into so yeah, I was doing nursing.

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<v Speaker 2>And your mom was probably happy to hear that too.

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<v Speaker 3>Again, security and she's practical. She And here's the other thing,

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<v Speaker 3>it's all my mom knew for real, like she because

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<v Speaker 3>that's just happened to be what she went to school for.

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<v Speaker 3>I don't even think she really had too much of

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<v Speaker 3>a concept of all the possible possibilities, you know what

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<v Speaker 3>I'm saying. That's something that again, when you like from

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<v Speaker 3>the city like DC, is like you're not always thinking

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<v Speaker 3>about the possibilities. You're thinking about what's easy, was practical,

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<v Speaker 3>and that's what she was on, and that's that's what

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<v Speaker 3>she wanted me to be on, you know what I mean.

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<v Speaker 3>But I was creative, you know what I'm saying. So

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<v Speaker 3>I just did nursing because again that's just what I

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<v Speaker 3>knew was and so that's what I That's what I

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<v Speaker 3>initially was majoring in.

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<v Speaker 1>Okay, so you're where did the ships come in? You

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<v Speaker 1>realize in the middle of class that you didn't like

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<v Speaker 1>your classmates.

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<v Speaker 2>You said you were no.

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<v Speaker 3>So what happened was, so I was doing like I said,

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<v Speaker 3>I was doing nursing, but we still was trying to rap.

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<v Speaker 3>And so what we were doing was we were rapping.

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<v Speaker 3>We were doing a lot of college shows. We both players.

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<v Speaker 3>Was in fraternities, so we're doing step shows, We're doing

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<v Speaker 3>college shows, were on the radio all the time, doing

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<v Speaker 3>features with people in the city, like making music videos.

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<v Speaker 3>We was buzzing in this region. And so what happened

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<v Speaker 3>was I got a call one day from actually another

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<v Speaker 3>nursing students funny enough, and she was like, yo, like

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<v Speaker 3>I got something to tell you. Don't tell nobody. I

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<v Speaker 3>saw your video and I want you to know that

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<v Speaker 3>Kanye West is my cousin. So of course I'm like, okay,

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<v Speaker 3>you know what I'm saying. Like at that time, cap

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<v Speaker 3>wasn't a word.

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<v Speaker 1>But it's Okay, cap, right, but tell me more if

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<v Speaker 1>I would even thought cap because why she didn't want

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<v Speaker 1>to tell you. Okay, so go ahead, but I'm interested.

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<v Speaker 1>I want to hear this phone call.

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<v Speaker 3>Yeah, that's the first thought I had was like bullshit.

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<v Speaker 3>And it's one of those things when you're a artist

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<v Speaker 3>and you're trying to be an audist, you know what

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<v Speaker 3>I'm saying that or people always giving false promises, you

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<v Speaker 3>know how it is. Anyway, I'm like cat, but tell

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<v Speaker 3>me more. So, Kanye's my cousin his family. He's actually

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<v Speaker 3>from Oklahoma, his family from Oklahoma, and we're all still

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<v Speaker 3>pretty much here and he's working on a new album.

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<v Speaker 3>And I sent your video your latest real It was

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<v Speaker 3>a song called Robot that was doing pretty well. It

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<v Speaker 3>was on the radio, dollar we made a video to it.

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<v Speaker 3>She said, I sent you a video Robot to one

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<v Speaker 3>of our other cousins, this guy named Tony Williams. Now,

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<v Speaker 3>I don't know if you're familiar with Tony Williams, but

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<v Speaker 3>world famous Tony Williams is like somebody who still works

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<v Speaker 3>with Kaye's to this day. Is Kanye's cousin. He sings

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<v Speaker 3>on if you listen to college drop out. All the

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<v Speaker 3>vocals are tony or let registration. All the vocals are tony.

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<v Speaker 3>This is it was a pretty big deal at this time.

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<v Speaker 3>So I'm like again, all right, now it's starting to

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<v Speaker 3>make sense. Right, so I'm like, okay, put us in touch.

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<v Speaker 3>Then you know what I'm saying.

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<v Speaker 2>So she said, she said it. He liked it.

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<v Speaker 3>She said he liked it. She said he liked it.

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<v Speaker 3>They're working on a new album. They're working on his

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<v Speaker 3>first album, Good music Play is also working on an

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<v Speaker 3>album which I later learned what I'll tell you what

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<v Speaker 3>album I later learned it was. So I sent it

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<v Speaker 3>to him or I was like, yo, connect this and

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<v Speaker 3>we'll see what happens. Because again I'm not just happens.

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<v Speaker 3>You run into people who make these promises and you

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<v Speaker 3>get disappointed. And again, mind you, at this time, I'm

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<v Speaker 3>skipping a few things. But I was accepted to you

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<v Speaker 3>on the academic probation, meaning like I had to maintain

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<v Speaker 3>a certain GPA. Right, I've already played semester players. I

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<v Speaker 3>got a point to GPS, so I had to exactly.

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<v Speaker 3>So I had to go to to pay some bills,

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<v Speaker 3>so I had to go to summer school and all

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<v Speaker 3>types of I'm just laying some foundations so you just understand.

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<v Speaker 3>And we're also doing all this music. I'm not really

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<v Speaker 3>focused on nursing for real. I'm only doing nursing because

0:09:37.200 --> 0:09:39.240
<v Speaker 3>I'm just have to be in college. I get a

0:09:39.240 --> 0:09:44.120
<v Speaker 3>call a number I don't recognize. Hello, Yo, it's Tony right.

0:09:44.160 --> 0:09:46.320
<v Speaker 3>So Tony Williams caused me, and I'm like, oh shit,

0:09:46.400 --> 0:09:47.040
<v Speaker 3>all right.

0:09:47.600 --> 0:09:48.800
<v Speaker 2>So it's becoming less cat.

0:09:48.920 --> 0:09:50.840
<v Speaker 3>It is becoming a budget less cats. I'm like, oh,

0:09:50.880 --> 0:09:53.080
<v Speaker 3>what's up? What's up? You saw your video, heard a

0:09:53.080 --> 0:09:54.959
<v Speaker 3>few of y'all records, heard y'all been doing your thing.

0:09:55.240 --> 0:09:57.240
<v Speaker 3>I want to take you to our studio in Oklahoma City.

0:09:57.320 --> 0:10:00.280
<v Speaker 3>It's called Diamond Studio. So boom and now so now out.

0:10:00.559 --> 0:10:02.120
<v Speaker 3>We're hitting the home and he's heard some bruhs. Bro,

0:10:02.200 --> 0:10:04.000
<v Speaker 3>we need to ride to Oklahoma City. So we go

0:10:04.000 --> 0:10:09.199
<v Speaker 3>to Oklahoma City meet Tony and it's incredible. So he's

0:10:09.240 --> 0:10:11.280
<v Speaker 3>giving us the rundown. It really is him. He got

0:10:11.320 --> 0:10:13.160
<v Speaker 3>on his the Jesus the Good Music chain, he got

0:10:13.160 --> 0:10:15.920
<v Speaker 3>on the Jesus piece and everything, and we are huge

0:10:15.960 --> 0:10:17.800
<v Speaker 3>eyes because we were like, what the fuck is going on?

0:10:17.920 --> 0:10:20.679
<v Speaker 3>This is because just when we just came from DC

0:10:20.800 --> 0:10:23.280
<v Speaker 3>to fucking Oklahoma thinking like and hear and that were

0:10:23.280 --> 0:10:25.760
<v Speaker 3>bumping into good music. That's crazy, right, it just feels

0:10:25.800 --> 0:10:29.360
<v Speaker 3>so kiss me. So we're there. We So what ends

0:10:29.400 --> 0:10:32.120
<v Speaker 3>up happening is we end up working with Tony on

0:10:32.360 --> 0:10:34.520
<v Speaker 3>a bunch of songs for his first album. We write

0:10:34.559 --> 0:10:36.079
<v Speaker 3>two songs for him for his and this is a

0:10:36.120 --> 0:10:38.280
<v Speaker 3>project's coming out on Good Music, and he ends up

0:10:38.320 --> 0:10:40.040
<v Speaker 3>doing a song for us for one of our like

0:10:40.040 --> 0:10:42.040
<v Speaker 3>a mixtape we were doing at the time, Average Joe's,

0:10:42.679 --> 0:10:45.880
<v Speaker 3>and so as we building, he starts to say, Okay,

0:10:45.880 --> 0:10:48.280
<v Speaker 3>you know what, I never forget this. It was one

0:10:48.280 --> 0:10:51.000
<v Speaker 3>session that we went to Nate was in the booth,

0:10:51.040 --> 0:10:53.439
<v Speaker 3>I think, and Tony took off his chain. It was

0:10:53.480 --> 0:10:54.840
<v Speaker 3>a song that Tony was fucking. He was like, oh,

0:10:54.840 --> 0:10:56.120
<v Speaker 3>this is hard. He took off his chain, the good

0:10:56.160 --> 0:10:58.280
<v Speaker 3>Music chain, and you put it on me. He was like, yo,

0:10:58.360 --> 0:11:00.280
<v Speaker 3>y'all better get just get ready, now, just get you this,

0:11:00.320 --> 0:11:03.000
<v Speaker 3>get used to wearing this. I'm like, bro, this is crazy,

0:11:03.160 --> 0:11:05.400
<v Speaker 3>and he's yo. We're in Hawaii right now recording the

0:11:05.679 --> 0:11:08.319
<v Speaker 3>album My Beautiful Dog Twist the Fantasy.

0:11:08.480 --> 0:11:10.200
<v Speaker 2>So I'm like, favorite record.

0:11:10.200 --> 0:11:12.280
<v Speaker 3>But so at the time of course, I'm like, I

0:11:12.360 --> 0:11:15.880
<v Speaker 3>don't know what that is, but yes, get us to

0:11:15.880 --> 0:11:18.000
<v Speaker 3>Hawaii's all want to take you to Hawaii, introduce you,

0:11:18.880 --> 0:11:20.880
<v Speaker 3>like I think this is I think this is a match.

0:11:20.920 --> 0:11:22.800
<v Speaker 3>And then around this time, Big Sean has just signed. Right,

0:11:23.200 --> 0:11:25.240
<v Speaker 3>he has been signed for a little bit. Sean was

0:11:25.280 --> 0:11:27.120
<v Speaker 3>probably there like my key artist at the time. Right,

0:11:27.520 --> 0:11:29.120
<v Speaker 3>he don't want to get y'all on the song with Sean,

0:11:29.200 --> 0:11:30.959
<v Speaker 3>Big Sean all of this right, So again we're like,

0:11:30.960 --> 0:11:33.079
<v Speaker 3>oh my god, this is crazy. So this is all happening,

0:11:33.200 --> 0:11:35.920
<v Speaker 3>and I'm getting I'm slipping further and further in my

0:11:36.240 --> 0:11:39.640
<v Speaker 3>schoolwork because again I'm thinking, it don't matter anyway. I'm

0:11:39.640 --> 0:11:42.080
<v Speaker 3>about to get signed. I'm about to leave like this

0:11:42.120 --> 0:11:43.240
<v Speaker 3>don't even you know what I'm saying. I don't even

0:11:43.280 --> 0:11:43.719
<v Speaker 3>need to be here.

0:11:44.000 --> 0:11:45.760
<v Speaker 1>I made it.

0:11:45.840 --> 0:11:48.520
<v Speaker 3>And so it's time to put out Tony's project. Like

0:11:48.520 --> 0:11:50.920
<v Speaker 3>he's getting this project the joint that we wrote wrote

0:11:50.920 --> 0:11:53.120
<v Speaker 3>them records for. I'm time to put it out or

0:11:53.160 --> 0:11:54.640
<v Speaker 3>getting ready to put it out, and he's hitting me

0:11:54.920 --> 0:11:57.200
<v Speaker 3>and he's yo, he needed something like the vocals were

0:11:57.240 --> 0:11:59.560
<v Speaker 3>off for. Basically, he needed the engineer to send him something. Right,

0:11:59.600 --> 0:12:02.120
<v Speaker 3>I'm in I'm trying to focus. I'm on academic probation,

0:12:02.760 --> 0:12:05.640
<v Speaker 3>and so he keeps calling me, and I step out

0:12:05.640 --> 0:12:07.360
<v Speaker 3>of class and I a little bit, snap a little bit,

0:12:07.360 --> 0:12:09.440
<v Speaker 3>and I'm clas d d D D dah, And I

0:12:09.559 --> 0:12:11.560
<v Speaker 3>never forget the worst he said to me. We had

0:12:11.600 --> 0:12:13.520
<v Speaker 3>a long conversation, but the worst he said to me,

0:12:13.720 --> 0:12:15.280
<v Speaker 3>he was like because basically, I was like, Yo, that's

0:12:15.280 --> 0:12:17.959
<v Speaker 3>your engineer, Like you hit me, Like, just hit your engineer.

0:12:18.640 --> 0:12:21.160
<v Speaker 3>And he was like, Yo, in life, if you're going

0:12:21.200 --> 0:12:23.560
<v Speaker 3>to do something, you gotta be all in one and

0:12:23.600 --> 0:12:26.160
<v Speaker 3>then two if you want to If you're trying to

0:12:26.200 --> 0:12:28.080
<v Speaker 3>do something, you need to make sure that you don't

0:12:28.080 --> 0:12:29.679
<v Speaker 3>want doing it. Like you can't rely on somebody else

0:12:29.720 --> 0:12:31.080
<v Speaker 3>to do something for you, you know what I mean, when

0:12:31.080 --> 0:12:33.559
<v Speaker 3>it's an opportunity. That's called when you get an opportunity. Basically,

0:12:33.800 --> 0:12:35.840
<v Speaker 3>don't rely on somebody else to follow through an opportunity

0:12:35.880 --> 0:12:36.960
<v Speaker 3>for it. You need to be there to follow through

0:12:36.960 --> 0:12:40.040
<v Speaker 3>on yourself. And he hung up and he never spoke again.

0:12:40.720 --> 0:12:45.079
<v Speaker 3>He never stopped answering our calls, stopped answering our emails.

0:12:45.320 --> 0:12:47.080
<v Speaker 3>I was hitting up the engineer Chris Cutter at the

0:12:47.240 --> 0:12:51.000
<v Speaker 3>Diamond studios, couldn't get in touch with nobody. And I

0:12:51.120 --> 0:12:53.160
<v Speaker 3>always learned a few things from that, Like one it

0:12:53.240 --> 0:12:55.960
<v Speaker 3>was like one I had, it was ego, right is

0:12:56.120 --> 0:12:58.000
<v Speaker 3>to be honest, I felt like in that conversation when

0:12:58.040 --> 0:12:59.640
<v Speaker 3>he had first hit me, he was like screaming on

0:12:59.640 --> 0:13:01.080
<v Speaker 3>me a little bit, you know what I'm saying. So

0:13:01.120 --> 0:13:04.560
<v Speaker 3>I it was ego. It was all ego. And it

0:13:04.640 --> 0:13:07.120
<v Speaker 3>was also those lessons that Tony said, you gotta if

0:13:07.120 --> 0:13:08.720
<v Speaker 3>you want something done, you gotta make sure you there

0:13:08.800 --> 0:13:10.559
<v Speaker 3>to do it by yourself or do it for yourself.

0:13:11.080 --> 0:13:12.599
<v Speaker 3>And if you're gonna be in something, you gotta be

0:13:12.679 --> 0:13:15.600
<v Speaker 3>ten toes in. And my boy is so crazy because

0:13:15.640 --> 0:13:17.640
<v Speaker 3>my boy Nate, he was confused. He's like, Yo, why

0:13:17.679 --> 0:13:19.719
<v Speaker 3>this nigga not hitting us back. I just told Nate

0:13:19.760 --> 0:13:22.400
<v Speaker 3>that story maybe six months ago.

0:13:22.720 --> 0:13:24.720
<v Speaker 2>Oh my gosh, you was playing like.

0:13:24.840 --> 0:13:28.280
<v Speaker 3>You didn't well up, but you didn't. To be honest,

0:13:28.360 --> 0:13:29.760
<v Speaker 3>it all clicked and I was like, I don't think

0:13:29.800 --> 0:13:32.000
<v Speaker 3>at the time, I was ready to say, damn, just

0:13:32.000 --> 0:13:34.120
<v Speaker 3>from that one conversation, he's just gonna stop sucking with us,

0:13:34.160 --> 0:13:35.400
<v Speaker 3>you know what I'm saying. I don't. I don't know

0:13:35.400 --> 0:13:38.000
<v Speaker 3>if that was like the thought. So I don't think.

0:13:38.040 --> 0:13:39.439
<v Speaker 3>I definitely wasn't trying to lie in and be like

0:13:39.440 --> 0:13:42.080
<v Speaker 3>oh shit. But but when it all did click in

0:13:42.120 --> 0:13:44.360
<v Speaker 3>and I really okay, I took accountability for maybe the

0:13:44.360 --> 0:13:46.160
<v Speaker 3>way I responded in that moment. I was like, okay,

0:13:46.960 --> 0:13:48.920
<v Speaker 3>it makes sense. I was just I got I'm just

0:13:49.320 --> 0:13:51.280
<v Speaker 3>to him. I'm probably just a young nigger. He just

0:13:51.280 --> 0:13:54.120
<v Speaker 3>be like, who you talking to? Like that? So anyway,

0:13:54.360 --> 0:13:56.760
<v Speaker 3>but I just told that story then Nate six months ago,

0:13:57.320 --> 0:13:58.800
<v Speaker 3>and he was like, damn, bro, you should have just

0:13:58.880 --> 0:14:00.400
<v Speaker 3>because here's the other lesson I learned. You should have

0:14:00.400 --> 0:14:02.240
<v Speaker 3>just asked for help. Because I was in the group.

0:14:02.440 --> 0:14:05.080
<v Speaker 3>I was like taking on the leadership role, right, so

0:14:05.080 --> 0:14:07.360
<v Speaker 3>I'm like, I'm getting all the stuff printed, I'm the

0:14:07.440 --> 0:14:08.839
<v Speaker 3>one going to the rate like it's a lot on me.

0:14:08.880 --> 0:14:11.199
<v Speaker 3>So it's probably also just stress. And everybody responds to

0:14:11.200 --> 0:14:14.080
<v Speaker 3>stressed differently, especially at certain phases in their life, certain

0:14:14.080 --> 0:14:16.480
<v Speaker 3>phases of their career. And I think the way I responded,

0:14:16.520 --> 0:14:18.920
<v Speaker 3>I was probably stressed. Whatever. But another lesson I learned,

0:14:18.920 --> 0:14:20.520
<v Speaker 3>and even this is just Nate telling me this role.

0:14:20.680 --> 0:14:22.120
<v Speaker 3>You should have just asked me for help. You should

0:14:22.120 --> 0:14:24.400
<v Speaker 3>have just told me yo, Tony need this. I can't

0:14:24.400 --> 0:14:25.760
<v Speaker 3>get to it right now. Can you just handle it?

0:14:25.800 --> 0:14:27.000
<v Speaker 3>And he was like, I would have just handled it,

0:14:27.000 --> 0:14:39.080
<v Speaker 3>you know what I'm saying. So anyway, yeah, yeah.

0:14:37.080 --> 0:14:38.360
<v Speaker 2>Did you end up finishing school?

0:14:39.680 --> 0:14:43.560
<v Speaker 3>Okay, So all of that happened, all that sacrifice, and

0:14:43.600 --> 0:14:44.760
<v Speaker 3>then at the end of the semester, I get a

0:14:44.800 --> 0:14:47.360
<v Speaker 3>letter from you saying I can no longer say I

0:14:47.400 --> 0:14:49.280
<v Speaker 3>have to go. And so again, this is my this

0:14:49.320 --> 0:14:51.840
<v Speaker 3>is everything, this is our whole. Basically, this is the

0:14:51.880 --> 0:14:53.760
<v Speaker 3>moment where it's funny because this is where their meals started.

0:14:53.760 --> 0:14:55.920
<v Speaker 3>But this is like when my rap career back, the

0:14:55.920 --> 0:14:59.240
<v Speaker 3>first phase of it ended because I got a letter

0:14:59.280 --> 0:15:03.040
<v Speaker 3>saying you because of your grades or whatever, like you

0:15:03.040 --> 0:15:05.640
<v Speaker 3>can no longer continue unless you change a major start

0:15:05.680 --> 0:15:08.920
<v Speaker 3>all over, you know what I'm saying, which at that

0:15:08.920 --> 0:15:12.320
<v Speaker 3>point I was there for three years. So what you're

0:15:12.320 --> 0:15:13.800
<v Speaker 3>telling me, I gotta literally And are.

0:15:13.720 --> 0:15:16.200
<v Speaker 1>You telling your mom all this news? You're keeping it

0:15:16.240 --> 0:15:18.920
<v Speaker 1>all yeah, like come on, let's have common sense.

0:15:18.920 --> 0:15:20.600
<v Speaker 3>Come yeah, yeah, I'm keeping it up. But again, and

0:15:20.600 --> 0:15:21.680
<v Speaker 3>this is why I was just trying to lay the

0:15:21.680 --> 0:15:23.720
<v Speaker 3>felt I was real. I'm always been independent. It's not

0:15:23.760 --> 0:15:25.680
<v Speaker 3>like my mom. I was paying my tuition or nothing

0:15:25.720 --> 0:15:26.920
<v Speaker 3>like I had. I worked two jobs, you know what

0:15:26.920 --> 0:15:28.520
<v Speaker 3>I'm saying while I was in school. On top of

0:15:28.560 --> 0:15:30.720
<v Speaker 3>doing the music and making money doing music, I was working,

0:15:31.160 --> 0:15:33.280
<v Speaker 3>which is another reason probably why my grades wasn't.

0:15:33.120 --> 0:15:36.840
<v Speaker 1>You're juggling a lot, make it man.

0:15:37.280 --> 0:15:39.480
<v Speaker 3>So I'm still Jamaica. I work hell of jobs now

0:15:39.720 --> 0:15:42.360
<v Speaker 3>but all day, you know what I'm saying. But so anyway,

0:15:43.000 --> 0:15:45.080
<v Speaker 3>they got that letter, told my boy I gotta go,

0:15:45.520 --> 0:15:47.640
<v Speaker 3>and that was that, you know what I'm saying that

0:15:47.640 --> 0:15:49.840
<v Speaker 3>that that was the end, the beginning and end. We

0:15:49.880 --> 0:15:53.280
<v Speaker 3>had really tried to pursue RAP for all of those

0:15:53.320 --> 0:15:55.720
<v Speaker 3>three years, and yeah, it went up in the ball

0:15:55.760 --> 0:15:58.240
<v Speaker 3>of flames, as they say, Hold I turned this one down,

0:15:58.840 --> 0:16:00.760
<v Speaker 3>this one, Yeah, there we go. So yeah, after all

0:16:00.760 --> 0:16:03.960
<v Speaker 3>of that, but here's the thing. So that happened, and

0:16:04.000 --> 0:16:06.320
<v Speaker 3>again how things just work out. My mom happened to

0:16:06.320 --> 0:16:09.160
<v Speaker 3>be a nurse at Howard's Student Health Center. So I

0:16:09.160 --> 0:16:11.960
<v Speaker 3>did tell her. Of course, I'm like, yo, I don't

0:16:11.960 --> 0:16:12.800
<v Speaker 3>think I'm gonna stay here.

0:16:12.880 --> 0:16:13.040
<v Speaker 1>I was.

0:16:13.080 --> 0:16:14.640
<v Speaker 3>I don't think. I was like yo, I don't think

0:16:14.640 --> 0:16:15.680
<v Speaker 3>this is what I was. I don't think I'm gonna

0:16:15.680 --> 0:16:20.320
<v Speaker 3>stay here because the tuition's going up and I don't

0:16:20.320 --> 0:16:22.840
<v Speaker 3>know if I can cover it. And so she was like, look,

0:16:24.040 --> 0:16:26.240
<v Speaker 3>I work here at Howard. I've been here for two

0:16:26.320 --> 0:16:29.000
<v Speaker 3>years now. If an employee works at Howard for two years,

0:16:29.040 --> 0:16:31.920
<v Speaker 3>the children can go to Howard for free. So she

0:16:32.000 --> 0:16:33.400
<v Speaker 3>was like, if you want, you can come finish here.

0:16:34.120 --> 0:16:36.560
<v Speaker 3>And so what I did was I told her. I

0:16:36.640 --> 0:16:37.960
<v Speaker 3>was like, I don't know if I get in. You

0:16:38.000 --> 0:16:39.400
<v Speaker 3>know what I'm saying. Can you help me? And so

0:16:39.440 --> 0:16:41.200
<v Speaker 3>she talked to the She was like, I know the

0:16:41.200 --> 0:16:43.000
<v Speaker 3>people in the nursing department. So I had to transfer

0:16:43.000 --> 0:16:45.680
<v Speaker 3>to Howard under as a nursing student. The dean of

0:16:45.720 --> 0:16:48.520
<v Speaker 3>nursing saw my transcripts was like, Crystal, I'll accept him in.

0:16:48.560 --> 0:16:50.040
<v Speaker 3>But when he come in, he got to change his major.

0:16:51.000 --> 0:16:53.640
<v Speaker 3>So I got into Howard, got to go to for free,

0:16:53.800 --> 0:16:55.240
<v Speaker 3>and was able to change my major and just do

0:16:55.280 --> 0:16:58.680
<v Speaker 3>another two years psychology psychology.

0:16:58.800 --> 0:17:01.360
<v Speaker 2>So I ended up graduating, getting closer to the novel land.

0:17:01.520 --> 0:17:03.400
<v Speaker 3>Yeah, I'm sorry if minueis tell.

0:17:03.280 --> 0:17:04.800
<v Speaker 2>Me you no, it's good. I'm trying to.

0:17:04.920 --> 0:17:07.320
<v Speaker 1>So I got the musician. I feel like the promise

0:17:07.359 --> 0:17:09.040
<v Speaker 1>Boys is coming soon, right.

0:17:08.960 --> 0:17:10.879
<v Speaker 3>It's just around the corner because I can skip over

0:17:10.920 --> 0:17:12.600
<v Speaker 3>a lot here. So when I get to Howard, basically

0:17:12.880 --> 0:17:15.240
<v Speaker 3>the music's done. I'm focusing now on what I'm gonna

0:17:15.240 --> 0:17:15.879
<v Speaker 3>do for my career.

0:17:16.200 --> 0:17:17.520
<v Speaker 2>And your boys stayed back and he.

0:17:17.480 --> 0:17:20.119
<v Speaker 3>Stayed in Oklahoma. Yeah he's still out there. He's in Dallas,

0:17:20.160 --> 0:17:22.760
<v Speaker 3>Texas now. But so now I'm at Howard and now

0:17:22.760 --> 0:17:24.480
<v Speaker 3>it's time to focus and really lock in. Fuck, So

0:17:24.520 --> 0:17:26.440
<v Speaker 3>what I'm gonna do. So what I ended up getting

0:17:26.440 --> 0:17:28.280
<v Speaker 3>into with education, I did a program at the college

0:17:28.320 --> 0:17:31.159
<v Speaker 3>called Teach for America, started teaching in DC, and I

0:17:31.200 --> 0:17:34.320
<v Speaker 3>got put in. I got placed in the kindergarten classroom.

0:17:34.359 --> 0:17:35.800
<v Speaker 3>While I was at Howard, I was teaching the middle

0:17:35.800 --> 0:17:37.240
<v Speaker 3>of high school boys, which is a lot of what

0:17:37.320 --> 0:17:39.440
<v Speaker 3>Promised Boys like. A lot of what I pulled from

0:17:39.480 --> 0:17:42.320
<v Speaker 3>that experience is in Promise boys. But after school, I

0:17:42.359 --> 0:17:45.800
<v Speaker 3>started teaching, and I was teaching kindergarten at first, and

0:17:45.840 --> 0:17:48.639
<v Speaker 3>I quickly realized, again me being Jamaican, as you call it,

0:17:48.960 --> 0:17:50.720
<v Speaker 3>I didn't say and that you said it. But again

0:17:50.760 --> 0:17:53.879
<v Speaker 3>I'm hustling, right, I'm like, Okay, I'm teaching. I'm reading

0:17:53.880 --> 0:17:56.280
<v Speaker 3>these kids these books that are very easy to write.

0:17:56.480 --> 0:17:58.080
<v Speaker 3>The dog jumps, the dog runs.

0:17:58.200 --> 0:17:59.640
<v Speaker 2>That's how I feel. What I read to my daughter

0:17:59.720 --> 0:18:00.760
<v Speaker 2>right now, who wrote this.

0:18:01.080 --> 0:18:02.600
<v Speaker 3>It's like I could write this though, I could write

0:18:02.600 --> 0:18:03.800
<v Speaker 3>this book. And so that's what I started doing. I

0:18:03.800 --> 0:18:06.960
<v Speaker 3>started writing children's books, and I started finding pictures online

0:18:06.960 --> 0:18:09.200
<v Speaker 3>and match the words that I was writing. And my kids,

0:18:09.280 --> 0:18:11.800
<v Speaker 3>my students, was taking to the books so much that

0:18:11.920 --> 0:18:14.080
<v Speaker 3>in the principal so she's like, yo, like we should

0:18:14.119 --> 0:18:16.199
<v Speaker 3>pitch this to the whole child network. And so I

0:18:16.240 --> 0:18:18.280
<v Speaker 3>pitched a children's book series to the Titter Network and

0:18:18.280 --> 0:18:20.359
<v Speaker 3>before I know what, they gave me a check to

0:18:20.359 --> 0:18:22.280
<v Speaker 3>put my books in all of their schools across the country.

0:18:22.720 --> 0:18:24.480
<v Speaker 3>My children's books. Yeah, so that was the That was

0:18:24.480 --> 0:18:27.240
<v Speaker 3>like the first entry into and so get me being

0:18:27.280 --> 0:18:29.400
<v Speaker 3>a hustle, I'm like, oh shit, that was Yeah.

0:18:29.440 --> 0:18:33.320
<v Speaker 1>You can never as an entrepreneur tastes one drip of blood. Yeah,

0:18:33.359 --> 0:18:38.400
<v Speaker 1>you know what I'm saying, like, Oh, that's possibility.

0:18:38.280 --> 0:18:40.520
<v Speaker 3>Exactly, there's something over here.

0:18:40.560 --> 0:18:42.360
<v Speaker 2>So I'm getting excited, you know what I'm saying.

0:18:42.440 --> 0:18:46.120
<v Speaker 3>So that's what I So that happened and I'm like, oh, yeah,

0:18:46.200 --> 0:18:48.359
<v Speaker 3>let's run this up. And so I started writing children's

0:18:48.359 --> 0:18:50.280
<v Speaker 3>book and while I was in Tea for America. They

0:18:50.320 --> 0:18:52.560
<v Speaker 3>also had me get a master's in curriculum and instruction.

0:18:52.680 --> 0:18:56.720
<v Speaker 3>So I doubled down and write a curriculum manual to

0:18:56.760 --> 0:18:58.800
<v Speaker 3>go along with the books, and I started consulting. I

0:18:58.840 --> 0:19:01.120
<v Speaker 3>started selling the books in the curriculum to schools all

0:19:01.119 --> 0:19:04.240
<v Speaker 3>across the country. Texas, Alabama, California. It's going crazy.

0:19:04.680 --> 0:19:07.080
<v Speaker 2>You you the gangs, the kindergarten teachers.

0:19:07.160 --> 0:19:07.359
<v Speaker 3>I was.

0:19:08.560 --> 0:19:10.960
<v Speaker 2>She was like, I'm not just taking this teacher.

0:19:10.760 --> 0:19:14.960
<v Speaker 3>Salary's they gotta pay teachers more. That's really what it is.

0:19:15.000 --> 0:19:16.760
<v Speaker 3>They gotta pay teachers more. That's a whole other conversation.

0:19:17.160 --> 0:19:19.399
<v Speaker 3>But so I'm doing that. I'm doing that. I'm doing that.

0:19:19.600 --> 0:19:20.480
<v Speaker 2>It's really brilliant.

0:19:20.520 --> 0:19:22.359
<v Speaker 1>Actually, if you think about to put it together, a

0:19:22.400 --> 0:19:23.520
<v Speaker 1>curriculum with the.

0:19:24.320 --> 0:19:26.080
<v Speaker 3>Kids with a little black girl on the front. You

0:19:26.119 --> 0:19:27.360
<v Speaker 3>know what I'm saying, year is this?

0:19:27.359 --> 0:19:28.520
<v Speaker 2>This is before COVID.

0:19:28.720 --> 0:19:31.159
<v Speaker 3>Oh for sure, this is twenty I was doing this

0:19:31.240 --> 0:19:32.080
<v Speaker 3>like twenty fifteen.

0:19:32.800 --> 0:19:34.560
<v Speaker 1>And the only reason why I want to highlight that

0:19:34.760 --> 0:19:37.520
<v Speaker 1>is because during COVID there was this big spike in

0:19:37.560 --> 0:19:41.040
<v Speaker 1>supporting black businesses. Oh what you were able to accomplish

0:19:41.240 --> 0:19:44.919
<v Speaker 1>at the timing that you were able to accomplish, I

0:19:44.920 --> 0:19:47.800
<v Speaker 1>would say would be considered a really big fea for sure.

0:19:47.840 --> 0:19:49.760
<v Speaker 3>No, I appreciate that now. It was definitely ahead of

0:19:49.760 --> 0:19:51.240
<v Speaker 3>his time, ahead of his time. For short.

0:19:51.280 --> 0:19:53.479
<v Speaker 1>Shout outs to you for thinking outside the box and

0:19:53.520 --> 0:19:55.840
<v Speaker 1>even taking the initiative to write the books for the kids.

0:19:55.880 --> 0:19:58.600
<v Speaker 1>It showed that you really cared about the kids, for sure,

0:19:58.680 --> 0:20:01.880
<v Speaker 1>because even I'm not gonna lie, I've been low key

0:20:01.960 --> 0:20:04.679
<v Speaker 1>writing some kids books because some of the kid's books

0:20:04.680 --> 0:20:07.520
<v Speaker 1>sucks so bad. Yeah, I'm like, can we at least

0:20:07.600 --> 0:20:11.640
<v Speaker 1>have an underlying message and story? I want to hear

0:20:11.640 --> 0:20:15.320
<v Speaker 1>the hero's journey but with the three letter words. But yeah,

0:20:15.400 --> 0:20:18.280
<v Speaker 1>I agree because I used to think Doctor Zeus was great,

0:20:18.840 --> 0:20:21.800
<v Speaker 1>and then I got kids and a daughter, and I said, oh.

0:20:22.040 --> 0:20:24.600
<v Speaker 3>I was wondering eating this.

0:20:26.680 --> 0:20:27.600
<v Speaker 2>Sense, you know, And.

0:20:29.280 --> 0:20:30.960
<v Speaker 1>And I don't even want to take us off track

0:20:31.040 --> 0:20:33.439
<v Speaker 1>too much, but Baby Shark happens to be one of

0:20:33.440 --> 0:20:36.000
<v Speaker 1>those songs where it's like the deer ran away with

0:20:36.040 --> 0:20:40.320
<v Speaker 1>the lion or whatever. You're like, why what, what sense

0:20:40.359 --> 0:20:43.080
<v Speaker 1>does this lie even make? One day she's gonna grow

0:20:43.160 --> 0:20:45.399
<v Speaker 1>up and go The dere and the lion are not friends.

0:20:45.920 --> 0:20:49.040
<v Speaker 1>The needs there like you know what I'm saying, See

0:20:49.080 --> 0:20:52.399
<v Speaker 1>these things and you're like, why even make up this lie?

0:20:52.480 --> 0:20:55.199
<v Speaker 3>It doesn't make sense? And that's what I'm.

0:20:54.640 --> 0:20:56.600
<v Speaker 1>Glad you saw it and you solved the problem and

0:20:56.680 --> 0:20:57.879
<v Speaker 1>you got your hands thirty.

0:20:57.960 --> 0:20:59.520
<v Speaker 3>I was just about to say something because I go

0:20:59.560 --> 0:21:02.640
<v Speaker 3>around to like colleges and and stuff all the time.

0:21:02.680 --> 0:21:04.680
<v Speaker 3>It's something I always say, is it's the four p's.

0:21:04.720 --> 0:21:08.040
<v Speaker 3>It's passion, it's purpose, it's prosperity, and then it's proficiency,

0:21:08.240 --> 0:21:09.520
<v Speaker 3>which is what are you good at? What are you

0:21:09.560 --> 0:21:11.520
<v Speaker 3>talent to that? What are you passionate about me? I'm

0:21:11.520 --> 0:21:15.080
<v Speaker 3>passionate about writing, I'm passionate about storytelling. Purpose, These kids

0:21:15.119 --> 0:21:17.520
<v Speaker 3>need books with characters that look like them. Prosperity again,

0:21:17.560 --> 0:21:20.600
<v Speaker 3>I'm thinking, like, okay, all of these is one hundred

0:21:20.600 --> 0:21:23.000
<v Speaker 3>books in this class, it's five classrooms in the school.

0:21:23.200 --> 0:21:24.640
<v Speaker 3>If I'm writing, you know what I'm saying, booming, that's

0:21:24.640 --> 0:21:27.320
<v Speaker 3>money there. And then proficiency. I'm good at writing because

0:21:27.320 --> 0:21:30.760
<v Speaker 3>I spent all of my formative years writing lyrics. So

0:21:30.800 --> 0:21:32.760
<v Speaker 3>I put so that's when I approach it is I'm

0:21:32.800 --> 0:21:35.680
<v Speaker 3>putting these four piece together. Like wherever those intersect, I

0:21:35.680 --> 0:21:38.320
<v Speaker 3>think is where you're gonna find your niche. So anyway,

0:21:38.920 --> 0:21:41.879
<v Speaker 3>so I did all of that. But now even though

0:21:41.880 --> 0:21:43.720
<v Speaker 3>I'm writing the Chordan's book, because once I wrote books

0:21:43.720 --> 0:21:45.399
<v Speaker 3>in the curriculum, it's kind now I'm just selling right

0:21:45.480 --> 0:21:48.800
<v Speaker 3>now my salesman. And I'm also very much in education,

0:21:48.880 --> 0:21:51.480
<v Speaker 3>which is still not necessarily my bag. I want to

0:21:51.480 --> 0:21:54.399
<v Speaker 3>be an artist. I want to so anyway, So that's

0:21:54.440 --> 0:21:56.080
<v Speaker 3>how I got into books. That's the taket stuff. It's

0:21:56.080 --> 0:21:58.159
<v Speaker 3>going to come back. Then I saw a movie. I

0:21:58.160 --> 0:21:59.480
<v Speaker 3>saw a movie called Foodville Station.

0:21:59.600 --> 0:22:01.680
<v Speaker 2>I remember in that movie, and I'll tell you why

0:22:01.720 --> 0:22:04.200
<v Speaker 2>I remember. Yeah, you already know what I'm about to say.

0:22:04.520 --> 0:22:10.159
<v Speaker 3>Tell me m b Oh, my goodness, you don't know.

0:22:10.800 --> 0:22:14.480
<v Speaker 2>Yeah, that has been my crush forever since that movie. No,

0:22:14.680 --> 0:22:15.480
<v Speaker 2>I've like Michael B.

0:22:15.600 --> 0:22:17.760
<v Speaker 1>Jordan shout outs to the true ones that really had

0:22:17.760 --> 0:22:19.720
<v Speaker 1>a crush on him since he was on I think

0:22:19.720 --> 0:22:21.560
<v Speaker 1>it was All My Children or one of those soap

0:22:21.560 --> 0:22:23.359
<v Speaker 1>opera shows from the Wired days.

0:22:24.080 --> 0:22:25.879
<v Speaker 3>I knew he was also in this movie called Chronicle.

0:22:25.960 --> 0:22:27.600
<v Speaker 3>Some people know that movie Chronicle.

0:22:27.760 --> 0:22:30.600
<v Speaker 1>I don't know all his movies, yeah, because I like

0:22:30.680 --> 0:22:35.040
<v Speaker 1>him more for his looks than But alright, let's stay.

0:22:34.920 --> 0:22:40.640
<v Speaker 3>On top of and so I guess it's like maybe

0:22:40.640 --> 0:22:42.840
<v Speaker 3>twenty sixteen or so. So anyway, it hit me so hard.

0:22:42.840 --> 0:22:45.320
<v Speaker 3>It's about Oscar Grant and around this time is when

0:22:45.960 --> 0:22:48.240
<v Speaker 3>a lot of the you Got Trade my Mad Mike

0:22:48.560 --> 0:22:51.000
<v Speaker 3>shit was just happening. It's still happening right all the time, man,

0:22:51.040 --> 0:22:53.639
<v Speaker 3>and so it really hit me. But this movie particularly

0:22:53.680 --> 0:22:55.840
<v Speaker 3>hit me. And it's like, yo, who made this? And

0:22:55.880 --> 0:22:57.600
<v Speaker 3>so I went to look up the filmmaking. Of course

0:22:57.640 --> 0:23:00.480
<v Speaker 3>I come across this guy, Ryan Cooger, cool and the

0:23:00.520 --> 0:23:03.080
<v Speaker 3>way he spoke. I was watching his interviews and everything,

0:23:03.119 --> 0:23:06.200
<v Speaker 3>and it's like something about him like I connected to

0:23:06.560 --> 0:23:08.119
<v Speaker 3>and just knowing his background, how he was like, yo,

0:23:08.200 --> 0:23:09.879
<v Speaker 3>I didn't come from making films. I came I was

0:23:09.920 --> 0:23:12.680
<v Speaker 3>an athlete, college athlete. Again, it just connected with me,

0:23:12.760 --> 0:23:14.399
<v Speaker 3>I was. It made me feel like, it made me

0:23:14.440 --> 0:23:17.080
<v Speaker 3>basically made me feel like, oh shit, like it's possible,

0:23:17.080 --> 0:23:18.959
<v Speaker 3>like I could become a filmmaker. Like I've always been

0:23:19.000 --> 0:23:21.680
<v Speaker 3>a huge movie buff. So I was like, Okay, maybe

0:23:21.680 --> 0:23:23.320
<v Speaker 3>that's a thing. Maybe I could be a filmmaker, right,

0:23:23.359 --> 0:23:26.080
<v Speaker 3>maybe I could write stories. And so anyway I heard

0:23:26.119 --> 0:23:28.600
<v Speaker 3>he went to the school USC which is supposed to

0:23:28.640 --> 0:23:30.399
<v Speaker 3>be the best film school in the world. So I'm like,

0:23:30.400 --> 0:23:31.760
<v Speaker 3>all right, Bell, I just go to USC too.

0:23:31.760 --> 0:23:33.720
<v Speaker 2>Then was cracking up these degrees.

0:23:33.760 --> 0:23:36.639
<v Speaker 3>Boy bruh, I got Yeah, I went from a point

0:23:36.640 --> 0:23:38.960
<v Speaker 3>to nine to hold in. Yeah, I'm about to go.

0:23:39.000 --> 0:23:40.480
<v Speaker 3>I'm gonna go back and get I'm gonna get my

0:23:40.520 --> 0:23:44.119
<v Speaker 3>doctorate soon. But yeah, so I make my first you

0:23:44.160 --> 0:23:45.520
<v Speaker 3>gotta make a movie to get an se. I made

0:23:45.520 --> 0:23:48.200
<v Speaker 3>my first movie. It did surprisingly well. It was featured

0:23:48.200 --> 0:23:50.360
<v Speaker 3>in place in four thirty Under thirty all of this stuff.

0:23:50.880 --> 0:23:52.359
<v Speaker 3>Not only did I end up getting in the sc

0:23:52.480 --> 0:23:54.160
<v Speaker 3>but I got a full ride from George Lucas.

0:23:54.240 --> 0:23:55.920
<v Speaker 2>But you had to do the film before you even

0:23:55.960 --> 0:23:56.240
<v Speaker 2>get in.

0:23:56.359 --> 0:23:58.000
<v Speaker 3>Yes, you got to make a five minute film before

0:23:58.000 --> 0:23:58.560
<v Speaker 3>you even get in.

0:23:58.680 --> 0:23:59.080
<v Speaker 2>Jesus.

0:23:59.160 --> 0:24:01.600
<v Speaker 3>Yeah. But it again, like you said earlier, when things

0:24:01.600 --> 0:24:03.359
<v Speaker 3>when you know when something's going well, you lean in.

0:24:03.400 --> 0:24:05.640
<v Speaker 3>So when I got in and got the scholarship and everything,

0:24:05.720 --> 0:24:08.080
<v Speaker 3>and read my letter from George Lucas and all of this,

0:24:08.400 --> 0:24:10.600
<v Speaker 3>I'm like, oh, Okay, there's something here, and so I

0:24:10.640 --> 0:24:13.200
<v Speaker 3>go to SC. I make a bunch of more movies,

0:24:13.240 --> 0:24:15.720
<v Speaker 3>write a bunch of scripts. I actually real quick before

0:24:15.720 --> 0:24:17.800
<v Speaker 3>because this is about to take us into to present day.

0:24:17.960 --> 0:24:19.680
<v Speaker 3>But while I was at SC, I got to work

0:24:19.680 --> 0:24:21.600
<v Speaker 3>for Lebron James. So I worked over at spring Hill

0:24:22.000 --> 0:24:24.920
<v Speaker 3>when I was there, while we were making Space Jam,

0:24:25.160 --> 0:24:27.560
<v Speaker 3>which of course one of the producers on Space Jam

0:24:27.880 --> 0:24:28.600
<v Speaker 3>is Ryan Coogler.

0:24:29.040 --> 0:24:31.320
<v Speaker 2>Okay, and so get real close to Ryan.

0:24:31.560 --> 0:24:33.280
<v Speaker 3>So this is the thing, is like, now I'm looking

0:24:33.320 --> 0:24:34.719
<v Speaker 3>at the signs too. You know what I'm saying. Now

0:24:34.720 --> 0:24:36.320
<v Speaker 3>I'm driving him around on the w B lot. This

0:24:36.400 --> 0:24:37.920
<v Speaker 3>the same guy that I saw his interview You know

0:24:37.920 --> 0:24:39.280
<v Speaker 3>what I'm saying four years ago that made me even

0:24:39.280 --> 0:24:41.320
<v Speaker 3>want to become a filmmaker. Now I'm driving him around

0:24:41.359 --> 0:24:42.680
<v Speaker 3>on the w B lot. You know what I'm saying,

0:24:42.680 --> 0:24:44.960
<v Speaker 3>Like it's it's crazy. So anyway, so I did that

0:24:45.000 --> 0:24:48.280
<v Speaker 3>while I was at SC, write scripts, made some movies,

0:24:48.440 --> 0:24:51.880
<v Speaker 3>all did pretty well, and then I graduated from SC

0:24:51.920 --> 0:24:54.600
<v Speaker 3>in twenty twenty. Of course, twenty twenty Boom, Pandemic hits,

0:24:55.359 --> 0:25:00.800
<v Speaker 3>Everything go crazy right KOs madness said, la man, it

0:25:00.880 --> 0:25:03.560
<v Speaker 3>is what the fuck is going on? And that happens.

0:25:03.840 --> 0:25:08.040
<v Speaker 3>And again in retrospect, particularly when you like talk through

0:25:08.040 --> 0:25:09.679
<v Speaker 3>these type of things, you had these little realizations. But

0:25:09.760 --> 0:25:12.640
<v Speaker 3>like for me, my whole thing was like all right,

0:25:13.160 --> 0:25:15.600
<v Speaker 3>I gotta write, like I just want to write now.

0:25:15.640 --> 0:25:17.280
<v Speaker 3>I know there was like probably just anxieties, yo, I

0:25:17.280 --> 0:25:18.840
<v Speaker 3>gotta just you know what I'm saying, just my brain

0:25:18.880 --> 0:25:22.119
<v Speaker 3>trying to do something. But I started writing every single

0:25:22.359 --> 0:25:25.280
<v Speaker 3>day pretty much all day, all day. So twenty twenty,

0:25:25.280 --> 0:25:25.760
<v Speaker 3>I'm doing that.

0:25:25.880 --> 0:25:28.280
<v Speaker 2>How are you supporting yourself through the pandemic?

0:25:28.560 --> 0:25:29.320
<v Speaker 3>Shit? The government?

0:25:29.600 --> 0:25:33.760
<v Speaker 1>Oh you're doing the unemployment checks like the highest paid unemployment.

0:25:33.960 --> 0:25:39.120
<v Speaker 1>Yeah yeah, I didn't unemployment.

0:25:39.040 --> 0:25:41.399
<v Speaker 3>Man, you should have? Should you should? I tell everybody

0:25:41.400 --> 0:25:42.720
<v Speaker 3>they get a chance to eat off the government, do

0:25:42.760 --> 0:25:43.679
<v Speaker 3>it because they gonna get off you.

0:25:44.200 --> 0:25:47.240
<v Speaker 1>Back, and we're gonna make that a little clip, you know.

0:25:47.280 --> 0:25:49.440
<v Speaker 3>What I'm saying. So yeah, So I'm writing every day

0:25:50.200 --> 0:25:53.480
<v Speaker 3>and twenty twenty one comes around. I ended up getting

0:25:53.480 --> 0:25:56.280
<v Speaker 3>a gig working on Mandalorian, which is again because my

0:25:56.320 --> 0:25:58.240
<v Speaker 3>stage name is ben Kenobe, so it's which I pulled

0:25:58.280 --> 0:25:59.760
<v Speaker 3>from Star Wars. So all of this is George Lucas

0:25:59.800 --> 0:26:02.360
<v Speaker 3>Kalla ship and working on Mandalorians all just cool shit.

0:26:02.640 --> 0:26:05.639
<v Speaker 3>While I'm working on Mandalorian, a lot of that writing

0:26:05.720 --> 0:26:07.959
<v Speaker 3>idea started to pay off. I sold my first book series.

0:26:08.280 --> 0:26:10.680
<v Speaker 3>The first one was Ethan Fairmont. It was a middle

0:26:10.720 --> 0:26:15.120
<v Speaker 3>grade series. The second one was Promise Boys. Right now.

0:26:15.160 --> 0:26:18.720
<v Speaker 3>Promise Boys was really unique because Promise Boys was the

0:26:18.720 --> 0:26:22.119
<v Speaker 3>biggest publishing deal for young adult debut author ever. It

0:26:22.119 --> 0:26:24.199
<v Speaker 3>was like a huge publishing deal. And the way I

0:26:24.200 --> 0:26:27.160
<v Speaker 3>got into that was basically, I was writing a bunch

0:26:27.160 --> 0:26:28.080
<v Speaker 3>of scripts a.

0:26:28.080 --> 0:26:32.359
<v Speaker 1>Huge publishing deal for Breakthrough but not and I like

0:26:32.440 --> 0:26:35.120
<v Speaker 1>to ask this, not with the category black at.

0:26:35.119 --> 0:26:38.080
<v Speaker 3>It, no, no, but young adult though young.

0:26:37.880 --> 0:26:43.000
<v Speaker 1>Adult no that, but that makes a difference another incredible feed. Yes,

0:26:43.240 --> 0:26:45.040
<v Speaker 1>So that's bigger than just micro.

0:26:44.880 --> 0:26:48.520
<v Speaker 3>Targ for sure, especially coming from like self publishing, my

0:26:48.560 --> 0:26:50.440
<v Speaker 3>own you know what I'm saying, my own Chorgre's books

0:26:50.440 --> 0:26:52.560
<v Speaker 3>all fucking Vista print or whatever I with Lulu or

0:26:52.600 --> 0:26:55.600
<v Speaker 3>something I was using. But yeah, so the book goes crazy,

0:26:56.320 --> 0:26:58.680
<v Speaker 3>like really crazy. I never forget. It was interesting because

0:26:58.680 --> 0:27:03.200
<v Speaker 3>when the announcement was made about the book on set

0:27:03.280 --> 0:27:05.640
<v Speaker 3>on Mandalorian, I was an assistant to one of the EPs,

0:27:06.000 --> 0:27:08.159
<v Speaker 3>one of the showrunners, and so when you're in the

0:27:08.400 --> 0:27:10.000
<v Speaker 3>you have a certain kind of role. But when the

0:27:10.119 --> 0:27:12.240
<v Speaker 3>news came and about the deal and the size of

0:27:12.240 --> 0:27:14.840
<v Speaker 3>the deal, it was just interesting how I never forget

0:27:14.880 --> 0:27:16.760
<v Speaker 3>just how I felt like dynamic started to change about

0:27:16.760 --> 0:27:18.480
<v Speaker 3>how people were looking at me on set. It was

0:27:18.520 --> 0:27:21.959
<v Speaker 3>just interesting. But that's Hollywood, and so that happens. And then,

0:27:21.960 --> 0:27:23.919
<v Speaker 3>of course, because of the size of the deal, it

0:27:23.960 --> 0:27:25.800
<v Speaker 3>goes on to be sold as a TV show.

0:27:26.280 --> 0:27:28.480
<v Speaker 1>I told myself I wasn't gonna whole bad questions, but

0:27:28.760 --> 0:27:29.439
<v Speaker 1>go ahead, go ahead.

0:27:29.840 --> 0:27:30.280
<v Speaker 2>How much?

0:27:30.320 --> 0:27:31.800
<v Speaker 1>What was the size of the deal? Can you wreak

0:27:31.840 --> 0:27:32.120
<v Speaker 1>it down?

0:27:32.160 --> 0:27:35.680
<v Speaker 3>Please? It was a seven figured deal. There's a seven

0:27:35.720 --> 0:27:39.000
<v Speaker 3>figured deal, and I think, man, I'll leave it that.

0:27:39.119 --> 0:27:42.960
<v Speaker 3>It was a little over m yeah, in a quarter

0:27:43.000 --> 0:27:43.520
<v Speaker 3>or something like that.

0:27:43.560 --> 0:27:48.200
<v Speaker 1>Okay, And you got the call to get this deal. Okay, set, yep,

0:27:48.200 --> 0:27:51.960
<v Speaker 1>we're gonna rewind. So you get the deal. How exactly

0:27:52.000 --> 0:27:55.280
<v Speaker 1>did you end up coming pitching and getting into this position?

0:27:55.920 --> 0:27:58.160
<v Speaker 3>Okay? So while all of that writing I was doing,

0:27:58.240 --> 0:27:59.720
<v Speaker 3>I wrote a script. Me and my co writer. We

0:27:59.720 --> 0:28:02.680
<v Speaker 3>wrote a script. And my core writer is also a novelist,

0:28:02.760 --> 0:28:04.119
<v Speaker 3>and so I think this is probably done by the way.

0:28:04.119 --> 0:28:06.040
<v Speaker 3>I think I can probably mix this. Yeah, go ahead then,

0:28:06.600 --> 0:28:08.439
<v Speaker 3>and he's a novelist, and so we wrote the script.

0:28:08.520 --> 0:28:10.119
<v Speaker 3>This is not gonna taste good. I can tell.

0:28:09.960 --> 0:28:12.760
<v Speaker 1>You, you know what, your story is really good?

0:28:12.800 --> 0:28:16.320
<v Speaker 2>So it's okay, I'm just going to eat there you.

0:28:16.280 --> 0:28:17.920
<v Speaker 3>Go, please do. I don't want to make you sick.

0:28:18.240 --> 0:28:20.119
<v Speaker 3>So he's a novelist. So we're writing scripts, and I

0:28:20.119 --> 0:28:22.840
<v Speaker 3>came across this property, this IP, and Hollywood loves IP,

0:28:23.000 --> 0:28:24.800
<v Speaker 3>and I get it in some cases some type of cases,

0:28:24.800 --> 0:28:26.840
<v Speaker 3>I don't. But I came across this property, this old comic,

0:28:27.080 --> 0:28:29.639
<v Speaker 3>it's the first black comic book ever happens to be

0:28:29.640 --> 0:28:32.240
<v Speaker 3>in public domain. And so we wrote a script based

0:28:32.280 --> 0:28:34.240
<v Speaker 3>on that, and we sent it to his agent to

0:28:34.359 --> 0:28:36.600
<v Speaker 3>figure out. Before we knew it was in public domain,

0:28:36.600 --> 0:28:37.480
<v Speaker 3>it was just trying to get some clarity.

0:28:37.600 --> 0:28:38.760
<v Speaker 2>What does that mean? Public domain?

0:28:38.840 --> 0:28:41.600
<v Speaker 3>It basically means anybody can use it for free. You know,

0:28:41.720 --> 0:28:43.760
<v Speaker 3>typically you got a license or you gotta pay somebody.

0:28:44.080 --> 0:28:45.600
<v Speaker 2>How does it end up in public domain?

0:28:45.880 --> 0:28:49.080
<v Speaker 3>It's typically if basically time period if it comes out

0:28:49.120 --> 0:28:51.640
<v Speaker 3>before I forget the exact year, but it's a certain

0:28:51.680 --> 0:28:53.160
<v Speaker 3>time period if it comes out, if it came out

0:28:53.200 --> 0:28:55.200
<v Speaker 3>at a certain point, anything that comes out a lot

0:28:55.240 --> 0:28:56.520
<v Speaker 3>of people don't know. A lot of Disney shit is

0:28:56.560 --> 0:28:58.920
<v Speaker 3>public domain. Little Mermaid is actually public domain. Like me

0:28:58.960 --> 0:29:01.520
<v Speaker 3>and you can write a Little Mermaid, but the freak out.

0:29:01.600 --> 0:29:03.360
<v Speaker 3>I'm not kidding. We can't use like some of the

0:29:03.360 --> 0:29:05.360
<v Speaker 3>same elements that Disney had put into their stuff. But

0:29:05.400 --> 0:29:08.200
<v Speaker 3>the concept of Little Mermaid or I think also Jungle Book,

0:29:08.240 --> 0:29:10.000
<v Speaker 3>a lot of it is public domains. So anyway, public

0:29:10.000 --> 0:29:13.400
<v Speaker 3>domain means you can use it for free. Essentially, that's

0:29:13.400 --> 0:29:14.760
<v Speaker 3>the short, shortes short.

0:29:14.640 --> 0:29:17.400
<v Speaker 2>But you can't use the characters. Stop visiting with your mic.

0:29:17.400 --> 0:29:18.880
<v Speaker 3>Oh my fault. I even realized that was the mic

0:29:18.960 --> 0:29:19.400
<v Speaker 3>my fault.

0:29:19.840 --> 0:29:20.400
<v Speaker 2>What is this thing?

0:29:20.600 --> 0:29:23.120
<v Speaker 3>Yeah? No, you can use as long as it's not

0:29:23.160 --> 0:29:26.840
<v Speaker 3>a character invented by Disney, right, or a character invented

0:29:26.880 --> 0:29:27.360
<v Speaker 3>by whatever.

0:29:27.640 --> 0:29:30.040
<v Speaker 2>So you can use like the synopsis of the book.

0:29:29.880 --> 0:29:35.040
<v Speaker 3>Or exactly the basic premise, the basic premise you can use. Yeah,

0:29:35.080 --> 0:29:37.600
<v Speaker 3>so we can. Yeah, we could go write the Laddin.

0:29:37.760 --> 0:29:39.280
<v Speaker 3>We can write in a Latin book if we wanted to.

0:29:39.480 --> 0:29:42.560
<v Speaker 1>Okay, so you so you see this black comic.

0:29:42.240 --> 0:29:44.480
<v Speaker 3>Which is great because then yeah, so I see this

0:29:44.480 --> 0:29:46.000
<v Speaker 3>black comic is in a public man like huh. I

0:29:46.040 --> 0:29:47.880
<v Speaker 3>got an idea, And again I love mysteries and it's

0:29:47.880 --> 0:29:49.600
<v Speaker 3>about a detective. I love that type of ship. The

0:29:49.600 --> 0:29:50.960
<v Speaker 3>first book I really read that got me in the

0:29:50.960 --> 0:29:53.120
<v Speaker 3>reading was a guy named Walter Mosley, who did Devil

0:29:53.160 --> 0:29:56.160
<v Speaker 3>in the Blue Dress. But anyway, so we did that,

0:29:56.280 --> 0:29:58.560
<v Speaker 3>we send it to this agent to see to inquire

0:29:58.600 --> 0:30:01.280
<v Speaker 3>about the rights before we learned it was in public domain,

0:30:01.520 --> 0:30:05.560
<v Speaker 3>and she was so interested in the voice of the script.

0:30:05.680 --> 0:30:07.840
<v Speaker 3>And so she asked her client who I was working with,

0:30:07.880 --> 0:30:10.560
<v Speaker 3>who did you write this with? Because it's a black character.

0:30:10.640 --> 0:30:13.360
<v Speaker 3>My co writer is white, and she I think she understood.

0:30:12.920 --> 0:30:14.720
<v Speaker 2>Like your writer a guy or girl?

0:30:15.400 --> 0:30:17.600
<v Speaker 3>Yeah, yeah, so yo, who did you write this with?

0:30:18.040 --> 0:30:21.239
<v Speaker 3>And so he told her about me, and she is

0:30:22.040 --> 0:30:24.960
<v Speaker 3>a more established book agent. So that's how the whole

0:30:24.960 --> 0:30:26.680
<v Speaker 3>thing came about. It's like she had me meet with

0:30:26.760 --> 0:30:28.600
<v Speaker 3>another one of her clients and we talked about some

0:30:28.680 --> 0:30:30.360
<v Speaker 3>ideas and they pitched me a couple of ideas and

0:30:30.400 --> 0:30:32.600
<v Speaker 3>asked me and see, this is why I gave that

0:30:32.800 --> 0:30:36.280
<v Speaker 3>all of that context, because they were already trying to

0:30:36.320 --> 0:30:39.920
<v Speaker 3>crack a mystery set in all boys school. So when

0:30:39.920 --> 0:30:42.840
<v Speaker 3>I tell you I worked with all boys, it was

0:30:42.840 --> 0:30:44.280
<v Speaker 3>like when they heard my story and they heard that

0:30:44.280 --> 0:30:46.160
<v Speaker 3>I love, They're like, oh shit, you are the guy

0:30:46.200 --> 0:30:49.440
<v Speaker 3>for me. So anyways, that's how writing the book came about.

0:30:49.560 --> 0:30:51.520
<v Speaker 3>And then from there it was pretty traditional. I wrote

0:30:51.520 --> 0:30:53.680
<v Speaker 3>the book, did a treatment, and then they just took

0:30:53.680 --> 0:30:55.400
<v Speaker 3>it out. They took it out to town and people

0:30:55.480 --> 0:30:56.880
<v Speaker 3>just went crazy over it was a bit and wool.

0:30:56.920 --> 0:30:58.760
<v Speaker 3>So that's how it all came about. And look at me,

0:30:59.280 --> 0:31:00.280
<v Speaker 3>I watched it.

0:31:00.240 --> 0:31:04.200
<v Speaker 1>Definitely looks like it's going to be a dishmade by man.

0:31:05.840 --> 0:31:07.520
<v Speaker 3>It is that. But so that's how that happened.

0:31:07.560 --> 0:31:09.560
<v Speaker 2>Right, Should he pour some water in it or something?

0:31:09.600 --> 0:31:13.040
<v Speaker 1>I feel like you should add Is that what it's supposed.

0:31:12.680 --> 0:31:13.080
<v Speaker 2>To look like?

0:31:13.360 --> 0:31:14.200
<v Speaker 3>No, not really.

0:31:14.400 --> 0:31:16.360
<v Speaker 2>I think if you add water or something to it.

0:31:16.600 --> 0:31:19.200
<v Speaker 3>Okay, maybe I had a little bit of water. Shut

0:31:19.680 --> 0:31:22.760
<v Speaker 3>So we just saying thank you, thank you. Someone looks stupid.

0:31:22.960 --> 0:31:26.680
<v Speaker 1>You can never look so just you talking it makes

0:31:26.720 --> 0:31:28.760
<v Speaker 1>it impossible stupid.

0:31:35.160 --> 0:31:36.880
<v Speaker 3>Yeah, so that's the deal right again. Because of the

0:31:36.880 --> 0:31:39.560
<v Speaker 3>size of the deal, it goes on to be sold Netflix, Obama,

0:31:39.720 --> 0:31:43.200
<v Speaker 3>all of the cool headline stuff, and it sounds really cool.

0:31:44.320 --> 0:31:46.040
<v Speaker 3>Only that, so I think we ended up wrapping up

0:31:46.040 --> 0:31:49.040
<v Speaker 3>the deal in the end of twenty twenty two. Twenty

0:31:49.040 --> 0:31:52.959
<v Speaker 3>twenty three comes and we are stating up the room

0:31:53.000 --> 0:31:54.960
<v Speaker 3>to write the show. But now Hollywood goes on strike.

0:31:55.720 --> 0:31:56.720
<v Speaker 2>Oh my god, that's right.

0:31:57.160 --> 0:31:58.920
<v Speaker 3>Oh my god, you know what I'm saying. So I'm

0:31:58.920 --> 0:32:00.440
<v Speaker 3>thinking I'm about to get my big I'm about to

0:32:00.440 --> 0:32:01.960
<v Speaker 3>write my first show. I was about to go crazy

0:32:02.720 --> 0:32:05.400
<v Speaker 3>boom right or straight and so at this time. So

0:32:05.480 --> 0:32:09.800
<v Speaker 3>now I'm like, all right, So now TV stopped. And

0:32:09.880 --> 0:32:11.920
<v Speaker 3>by the way, in this amount of time, we also

0:32:11.920 --> 0:32:14.040
<v Speaker 3>sold another TV show, a separate one that I could

0:32:14.080 --> 0:32:16.320
<v Speaker 3>go on all these different tangents. But we sold another

0:32:16.320 --> 0:32:18.480
<v Speaker 3>TV show to c W. But again that one's just

0:32:18.480 --> 0:32:19.880
<v Speaker 3>stopped too, put halt to everything.

0:32:20.800 --> 0:32:24.800
<v Speaker 1>And again me and the show was picked up was

0:32:24.960 --> 0:32:28.120
<v Speaker 1>just stuck. And that's a risky thing because I've heard

0:32:28.200 --> 0:32:31.160
<v Speaker 1>stories getting picked up and then something like this happens

0:32:31.160 --> 0:32:35.240
<v Speaker 1>and then it just goes done. I know this because

0:32:35.280 --> 0:32:37.120
<v Speaker 1>Nick Cannon told us he bought a house and ended

0:32:37.160 --> 0:32:40.360
<v Speaker 1>up basically broke again off of a deal that got

0:32:40.360 --> 0:32:41.520
<v Speaker 1>picked dropped.

0:32:41.720 --> 0:32:44.360
<v Speaker 3>Yep, that's what happens, right, And this is what and

0:32:44.360 --> 0:32:46.000
<v Speaker 3>this is what we're worried about at the time. And

0:32:46.080 --> 0:32:49.280
<v Speaker 3>so that's happening. Our shows are done. I'm like, okay, fuck,

0:32:49.280 --> 0:32:50.840
<v Speaker 3>what's going on with Hollywood? Is it going to be TV?

0:32:50.880 --> 0:32:53.000
<v Speaker 3>Is it gonna be movies? So I started writing my

0:32:53.000 --> 0:32:55.600
<v Speaker 3>next again. I start writing my next book, which is

0:32:55.760 --> 0:32:58.360
<v Speaker 3>up Big Smoke. So this is twenty twenty three.

0:32:58.360 --> 0:33:00.640
<v Speaker 2>I start righting, So Promise Boys is out, probably the

0:33:00.640 --> 0:33:01.040
<v Speaker 2>book is out.

0:33:01.120 --> 0:33:02.320
<v Speaker 3>Yeah, it come out TV.

0:33:02.360 --> 0:33:05.120
<v Speaker 1>The TV on the Promised Boys is on hold.

0:33:05.200 --> 0:33:05.800
<v Speaker 3>It's on hold.

0:33:06.040 --> 0:33:09.360
<v Speaker 2>Okay, now you're like on to the next on them

0:33:09.720 --> 0:33:11.040
<v Speaker 2>up in Smoke and Smoke.

0:33:11.200 --> 0:33:13.239
<v Speaker 1>Okay, Before we get to Up and Smoke, can we

0:33:13.240 --> 0:33:16.200
<v Speaker 1>talk about the Obama's getting involved with the Obama production

0:33:16.280 --> 0:33:18.400
<v Speaker 1>company get involved. We cannot skip over that.

0:33:18.400 --> 0:33:20.800
<v Speaker 2>That's huge. Yeah, So take me back to what was

0:33:20.800 --> 0:33:21.960
<v Speaker 2>going on during that time.

0:33:22.080 --> 0:33:25.080
<v Speaker 3>So this is around again. This is like towards the

0:33:25.120 --> 0:33:28.480
<v Speaker 3>end of twenty twenty two. Much like the book, the

0:33:28.480 --> 0:33:31.040
<v Speaker 3>bidding war going on. You meeting with all these different publishers,

0:33:31.120 --> 0:33:33.640
<v Speaker 3>similarly the show all these different publish or all these

0:33:33.680 --> 0:33:35.840
<v Speaker 3>different production companies production pods.

0:33:35.680 --> 0:33:37.520
<v Speaker 2>And are you getting in front of them because of

0:33:37.520 --> 0:33:38.240
<v Speaker 2>the booking agent.

0:33:38.760 --> 0:33:42.120
<v Speaker 3>I'm getting in front of them because really because of

0:33:42.120 --> 0:33:44.040
<v Speaker 3>the size of the book deal everybody. So it was

0:33:44.040 --> 0:33:45.920
<v Speaker 3>a big article, right, So of course again it's that's

0:33:45.920 --> 0:33:47.520
<v Speaker 3>the Hollywood things. Like it was hot in this one

0:33:47.520 --> 0:33:49.240
<v Speaker 3>moment and so we shout.

0:33:49.040 --> 0:33:50.680
<v Speaker 1>Us to all the publishers out there that make sure

0:33:50.720 --> 0:33:51.040
<v Speaker 1>that you.

0:33:51.080 --> 0:33:53.840
<v Speaker 3>Know what I'm saying. Shout out to Mai my publishers

0:33:53.840 --> 0:33:57.680
<v Speaker 3>over at McMillan and Morgan. And then so at that time, yeah,

0:33:57.720 --> 0:33:59.840
<v Speaker 3>they it was a big article about the size of

0:33:59.840 --> 0:34:03.640
<v Speaker 3>the you. And so because of that, all of the

0:34:03.680 --> 0:34:05.880
<v Speaker 3>production companies are like, yo, who is this? How do

0:34:05.920 --> 0:34:08.080
<v Speaker 3>we And then of course the article is like emerging filmmaker,

0:34:08.120 --> 0:34:11.160
<v Speaker 3>big deals. So now they're like, oh, not just an author, filmmaker,

0:34:11.160 --> 0:34:13.759
<v Speaker 3>oh usc oh George Lucas koala, Oh you know what

0:34:13.760 --> 0:34:15.080
<v Speaker 3>I'm saying, A bff, you know what I'm saying. All

0:34:15.120 --> 0:34:17.480
<v Speaker 3>of these things start to just line up. So all

0:34:17.480 --> 0:34:20.080
<v Speaker 3>of these publishers or all of these production companies excuse me,

0:34:20.520 --> 0:34:24.279
<v Speaker 3>are wanting to meet. And so of course we met

0:34:24.280 --> 0:34:26.799
<v Speaker 3>with some I'm trying to I'm also in this, in

0:34:26.800 --> 0:34:28.160
<v Speaker 3>this fame, trying to think like what I can't say,

0:34:28.239 --> 0:34:29.600
<v Speaker 3>what I can't say, But there were there were some

0:34:29.640 --> 0:34:32.200
<v Speaker 3>people that I was hoping, there were some other a

0:34:32.200 --> 0:34:35.520
<v Speaker 3>lot of people that we met with, and there was

0:34:35.560 --> 0:34:37.440
<v Speaker 3>probably two people at the top on my list. It

0:34:37.640 --> 0:34:39.799
<v Speaker 3>was I think I can say this, It was the Obamas,

0:34:40.400 --> 0:34:42.759
<v Speaker 3>and then it was Jay Z And so these are

0:34:42.760 --> 0:34:44.360
<v Speaker 3>the two. So I'm meeting with all these productions and

0:34:44.360 --> 0:34:48.160
<v Speaker 3>I'm like, yo, all right, this is an Obama whole,

0:34:48.200 --> 0:34:51.880
<v Speaker 3>Obama whole. Like these are like our dads, you know

0:34:51.920 --> 0:34:53.640
<v Speaker 3>what I'm saying, these are both our dads.

0:34:55.320 --> 0:34:58.560
<v Speaker 1>Oh my goodness of all things, I did not expect

0:34:58.600 --> 0:35:02.280
<v Speaker 1>you to say, oh, Pama or jay Z. I promise

0:35:02.320 --> 0:35:05.400
<v Speaker 1>you I would have been doing that same dance and

0:35:05.400 --> 0:35:06.520
<v Speaker 1>I would have been saying.

0:35:06.800 --> 0:35:09.680
<v Speaker 3>Yeah, no, it was something I would have because they're

0:35:09.680 --> 0:35:12.680
<v Speaker 3>both first families. Ear to ear, Yeah, yeah.

0:35:12.400 --> 0:35:15.239
<v Speaker 1>The heights of happiness. I don't know how you even

0:35:15.320 --> 0:35:17.040
<v Speaker 1>keep your feet on the ground because you try not

0:35:17.080 --> 0:35:18.279
<v Speaker 1>to get your hopes up to it.

0:35:18.320 --> 0:35:22.080
<v Speaker 3>All right, Yeah, they both first fans you got hold

0:35:22.120 --> 0:35:26.960
<v Speaker 3>of and B and then you got pro for Yeah.

0:35:27.040 --> 0:35:30.440
<v Speaker 3>I'm just like these are too. These are just iconic blackness.

0:35:30.440 --> 0:35:34.480
<v Speaker 3>And so anyway, so it's like long story short, Higher

0:35:34.520 --> 0:35:36.560
<v Speaker 3>Ground and also just coming to call Temple Hill, which

0:35:36.600 --> 0:35:40.440
<v Speaker 3>has a lot of adaptation, particularly hya they coming out

0:35:40.520 --> 0:35:41.160
<v Speaker 3>on top.

0:35:41.120 --> 0:35:43.920
<v Speaker 1>And yeah, and they came out on top. Because I

0:35:44.000 --> 0:35:45.480
<v Speaker 1>have to know what was the deal breaker.

0:35:45.640 --> 0:35:47.560
<v Speaker 3>There was a few different things. One at the time,

0:35:47.680 --> 0:35:52.600
<v Speaker 3>Higher Ground had a deal with Netflix, so it's like cool,

0:35:52.760 --> 0:35:57.239
<v Speaker 3>like this is really cool, I think. Also, again I'm

0:35:57.280 --> 0:36:00.200
<v Speaker 3>just trying to choose my words the right way. I

0:36:00.200 --> 0:36:03.880
<v Speaker 3>think it's like just thinking about who do because then

0:36:03.880 --> 0:36:05.279
<v Speaker 3>you got to consider who do you feel like move

0:36:05.400 --> 0:36:07.880
<v Speaker 3>the needle at a particular place more more? You know

0:36:07.880 --> 0:36:09.000
<v Speaker 3>what I'm saying, You think like.

0:36:08.920 --> 0:36:10.080
<v Speaker 2>A pure businessman.

0:36:10.440 --> 0:36:12.960
<v Speaker 1>Yeah, you're like, which has the most leverage in the

0:36:13.000 --> 0:36:16.360
<v Speaker 1>game exactly if you move the names aside, which resume

0:36:16.600 --> 0:36:18.400
<v Speaker 1>clears out exactly?

0:36:18.440 --> 0:36:20.200
<v Speaker 2>And I can imagine, to.

0:36:20.160 --> 0:36:23.200
<v Speaker 3>Be quite transparent, there was a lot of other players

0:36:23.200 --> 0:36:25.560
<v Speaker 3>in this. It's not this is just Nick Brooks's thing, right,

0:36:25.600 --> 0:36:28.520
<v Speaker 3>there's a lot of the players. Is the the agency, Like,

0:36:28.560 --> 0:36:30.440
<v Speaker 3>there's people who put this whole package together, a lot

0:36:30.480 --> 0:36:33.840
<v Speaker 3>of other players, some of which like got nicer watches

0:36:33.880 --> 0:36:35.440
<v Speaker 3>than me, you know what I'm saying. So it's like

0:36:36.880 --> 0:36:38.160
<v Speaker 3>there's a lot of it's a lot of it's a

0:36:38.200 --> 0:36:39.400
<v Speaker 3>lot of cooks.

0:36:39.880 --> 0:36:41.040
<v Speaker 2>I'm going to use that, you know.

0:36:42.400 --> 0:36:44.200
<v Speaker 3>So it's not just because I might have said hole

0:36:44.320 --> 0:36:46.200
<v Speaker 3>to be honest, but it's a lot. It's a lot

0:36:46.200 --> 0:36:49.640
<v Speaker 3>going on. So yeah, so that happens. But then again

0:36:49.680 --> 0:36:51.960
<v Speaker 3>we get to so yeah, so new're high ground, Timple Hill,

0:36:51.960 --> 0:36:54.560
<v Speaker 3>We're at Netflix, that's what they're I want to say, overall,

0:36:54.560 --> 0:36:57.920
<v Speaker 3>I think they had overall there at that time, and yeah, boom,

0:36:57.960 --> 0:36:59.640
<v Speaker 3>that was that. So I'm like, cool, I'm about to

0:36:59.680 --> 0:37:02.120
<v Speaker 3>be I'm about to have a TV show. Shit, I

0:37:02.160 --> 0:37:04.319
<v Speaker 3>might direct the pilot, like I'm going crazy in my head.

0:37:04.400 --> 0:37:06.279
<v Speaker 3>But then twenty twenty three rolls around and it's like

0:37:06.360 --> 0:37:07.560
<v Speaker 3>the industry shuts down again.

0:37:07.800 --> 0:37:08.640
<v Speaker 1>Yeah I remember that.

0:37:08.640 --> 0:37:10.640
<v Speaker 3>You know what I'm saying, And it's like now everybody's out,

0:37:10.640 --> 0:37:13.279
<v Speaker 3>people again, losing jobs, executives getting cut left and right,

0:37:13.760 --> 0:37:17.520
<v Speaker 3>and now we're like, yeah, so now what is it?

0:37:17.560 --> 0:37:19.200
<v Speaker 3>You know what I'm saying, which again is why Okay,

0:37:19.239 --> 0:37:22.600
<v Speaker 3>I go back into my just like how because one

0:37:22.600 --> 0:37:25.320
<v Speaker 3>thing I skipped over is when twenty twenty happened, I

0:37:25.320 --> 0:37:27.600
<v Speaker 3>didn't only start writing books again. I started making music again,

0:37:28.480 --> 0:37:29.920
<v Speaker 3>you know what I'm saying, And so that was helping me.

0:37:29.960 --> 0:37:31.359
<v Speaker 3>I had got a few salt like I did music

0:37:31.360 --> 0:37:32.680
<v Speaker 3>for I had a song on like a Clone tip

0:37:32.719 --> 0:37:35.239
<v Speaker 3>ro big Netflix movie shout out to Joel, and I

0:37:35.360 --> 0:37:37.840
<v Speaker 3>was putting out EPs and so I was doing little things.

0:37:37.840 --> 0:37:39.440
<v Speaker 3>But then the TV stuff started to take off on

0:37:39.480 --> 0:37:42.960
<v Speaker 3>like boom, But then Pandemic or then the strike everything

0:37:43.000 --> 0:37:45.040
<v Speaker 3>clops again. So now I'm back and let me go

0:37:45.200 --> 0:37:47.319
<v Speaker 3>right again, make music again, you know what I mean.

0:37:47.320 --> 0:37:49.160
<v Speaker 3>So it's just like you know what I'm saying, jump rope.

0:37:49.320 --> 0:37:50.080
<v Speaker 3>So before you.

0:37:50.040 --> 0:37:52.560
<v Speaker 1>Get into music, let's sit down. Come sit with me.

0:37:53.200 --> 0:37:54.439
<v Speaker 1>Do you want to serve us up?

0:37:54.840 --> 0:37:55.000
<v Speaker 3>Yeah?

0:37:55.040 --> 0:37:57.399
<v Speaker 2>I guess I played us up. We're gonna eat your

0:37:57.640 --> 0:37:59.959
<v Speaker 2>your rotale. Yeah, cheers.

0:38:02.600 --> 0:38:06.399
<v Speaker 3>Oh it ain't too bad. Real, What did you think?

0:38:07.760 --> 0:38:08.200
<v Speaker 3>You know what?

0:38:10.000 --> 0:38:14.120
<v Speaker 2>I thought it was gonna be salty because you were

0:38:14.120 --> 0:38:17.560
<v Speaker 2>going in on that. He was going in on that. Lorries,

0:38:17.600 --> 0:38:21.040
<v Speaker 2>I said, boy, at the heavens, please, but no, it's great.

0:38:21.400 --> 0:38:27.520
<v Speaker 2>Oh you were killed us. You ain't gonna take just

0:38:27.560 --> 0:38:28.080
<v Speaker 2>one bite.

0:38:29.360 --> 0:38:30.279
<v Speaker 3>It's actually.

0:38:31.520 --> 0:38:32.480
<v Speaker 2>Like that. It's pretty good.

0:38:32.520 --> 0:38:33.520
<v Speaker 3>That's a pretty good.

0:38:33.400 --> 0:38:35.040
<v Speaker 2>I know this is a crunchy meal guys for all

0:38:35.040 --> 0:38:37.279
<v Speaker 2>your listeners, but it's good.

0:38:37.880 --> 0:38:43.759
<v Speaker 3>S r M whatever, right R.

0:38:44.520 --> 0:38:47.160
<v Speaker 1>I saw this girl on the one of those channels

0:38:47.719 --> 0:38:51.359
<v Speaker 1>and she was slurping, and I was like, looked at

0:38:51.360 --> 0:38:53.680
<v Speaker 1>her views and I said, damn, I could totally be

0:38:53.719 --> 0:38:54.280
<v Speaker 1>a slurper.

0:38:54.360 --> 0:38:55.760
<v Speaker 2>Yeah, I could totally.

0:38:55.800 --> 0:38:57.040
<v Speaker 3>You can make money off anything now.

0:38:57.520 --> 0:38:59.960
<v Speaker 1>And I was watching her eating and the only thing

0:39:00.080 --> 0:39:01.879
<v Speaker 1>against me the most on those videos is like where

0:39:02.000 --> 0:39:03.120
<v Speaker 1>they buy their.

0:39:04.520 --> 0:39:04.840
<v Speaker 3>Food.

0:39:05.000 --> 0:39:07.640
<v Speaker 1>Okay, I'm like, where did you find this gigantic crab?

0:39:08.960 --> 0:39:11.160
<v Speaker 1>Like what story is selling these?

0:39:11.320 --> 0:39:14.640
<v Speaker 2>But take me back to you being and you're getting

0:39:14.640 --> 0:39:15.400
<v Speaker 2>back into music.

0:39:15.960 --> 0:39:20.920
<v Speaker 3>Yeah, like I said, Yeah, when twenty happened, I didn't

0:39:20.960 --> 0:39:23.200
<v Speaker 3>just start writing every day. I started making music again

0:39:23.400 --> 0:39:26.440
<v Speaker 3>just again or release as an artist, as a musician,

0:39:26.560 --> 0:39:28.319
<v Speaker 3>just this is what I love to do, not thinking

0:39:28.360 --> 0:39:30.760
<v Speaker 3>anything of it. And then I'll put out.

0:39:30.640 --> 0:39:33.280
<v Speaker 2>My first project and this is solo homie from.

0:39:33.480 --> 0:39:36.040
<v Speaker 3>Solo, So this is my first Yeah, this is now

0:39:36.120 --> 0:39:38.880
<v Speaker 3>just been Kenobi solo artists and yeah, I would to

0:39:38.880 --> 0:39:40.520
<v Speaker 3>be honest, I was just doing it for fun. It's

0:39:40.560 --> 0:39:44.000
<v Speaker 3>really nothing to report other than because and this is

0:39:44.000 --> 0:39:46.000
<v Speaker 3>why I just like doing stuff like and people again people,

0:39:46.040 --> 0:39:48.040
<v Speaker 3>when people ask me about my story and my journey,

0:39:48.960 --> 0:39:51.800
<v Speaker 3>I always mentioned, like one, just doing just put yourself

0:39:51.800 --> 0:39:53.440
<v Speaker 3>out there, but also just being flexible like and a

0:39:53.480 --> 0:39:56.320
<v Speaker 3>lot of these points when there was an obstacle or

0:39:56.320 --> 0:39:58.719
<v Speaker 3>a barrier, it's just about how you pivot. That's what

0:39:58.760 --> 0:40:00.600
<v Speaker 3>I call it. The pivot. What's your pivot? The art

0:40:00.640 --> 0:40:03.000
<v Speaker 3>of the pivot, what's your pivot? Yeah, So when that happened.

0:40:03.040 --> 0:40:05.040
<v Speaker 3>I just I was making music. But because I was

0:40:05.040 --> 0:40:06.360
<v Speaker 3>making this is what I was gonna say. Because I

0:40:06.440 --> 0:40:09.320
<v Speaker 3>was making music, I caught the attention of a director

0:40:09.360 --> 0:40:11.239
<v Speaker 3>who I actually had met at spring Hill when who

0:40:11.280 --> 0:40:13.640
<v Speaker 3>was writing on Space Down. His name is Joelle Taylor.

0:40:14.360 --> 0:40:16.200
<v Speaker 3>Just a brilliant guy. He's also the director of They

0:40:16.200 --> 0:40:19.120
<v Speaker 3>Clone Tyrone. But he heard my music just because we

0:40:19.160 --> 0:40:20.560
<v Speaker 3>had tapped in when I was working from when I

0:40:20.560 --> 0:40:22.160
<v Speaker 3>was working at spring Hill. He was like, Yo, you're

0:40:22.160 --> 0:40:24.319
<v Speaker 3>actually really dope. Like I want you to work on

0:40:25.239 --> 0:40:27.400
<v Speaker 3>the soundtrack for They Clone Tyrone. So now all of

0:40:27.440 --> 0:40:28.880
<v Speaker 3>a sudden, oh the soundtrack.

0:40:29.160 --> 0:40:30.640
<v Speaker 2>Yeah, a really big check.

0:40:30.760 --> 0:40:32.480
<v Speaker 3>So you know, I got invited to the writers camp

0:40:32.520 --> 0:40:34.680
<v Speaker 3>to work on the soundtrack. I did about and again

0:40:34.719 --> 0:40:36.680
<v Speaker 3>this is one of those moments where you think, oh shit,

0:40:36.920 --> 0:40:40.320
<v Speaker 3>Like by this time, I'm jaded, so I don't nothing

0:40:40.320 --> 0:40:41.920
<v Speaker 3>excite me, to be honest, nothing excites me.

0:40:41.880 --> 0:40:44.600
<v Speaker 2>Really, you know what I'm saying in a different way.

0:40:44.600 --> 0:40:46.520
<v Speaker 3>Oh no, just like as far as like thinking oh

0:40:46.600 --> 0:40:47.880
<v Speaker 3>this is my big break, you know what I mean?

0:40:47.960 --> 0:40:52.240
<v Speaker 3>That is just not your numb now yeah it doesn't.

0:40:52.360 --> 0:40:53.240
<v Speaker 3>It's just it's like whatever.

0:40:54.160 --> 0:40:56.799
<v Speaker 1>But at this point, all your endeavors are leading to

0:40:57.040 --> 0:40:59.480
<v Speaker 1>a life that is more stable or do you feel

0:40:59.480 --> 0:41:02.360
<v Speaker 1>like it's still rocky in your finances.

0:41:02.840 --> 0:41:07.000
<v Speaker 3>It's definitely stable, it's just not what I envision or

0:41:07.040 --> 0:41:08.440
<v Speaker 3>what I want. You know what I'm saying. I have

0:41:08.480 --> 0:41:11.560
<v Speaker 3>a really big dream both, so it's certainly stable, but

0:41:11.600 --> 0:41:13.000
<v Speaker 3>it's just yeah, it's just I'm not where I want

0:41:13.000 --> 0:41:13.160
<v Speaker 3>to be.

0:41:15.239 --> 0:41:19.040
<v Speaker 1>Now you're doing the music for the soundtrack, are you

0:41:19.160 --> 0:41:20.880
<v Speaker 1>starting to work up on.

0:41:20.960 --> 0:41:21.560
<v Speaker 2>Up and smoke?

0:41:22.120 --> 0:41:24.200
<v Speaker 3>At this time? I'm focusing on the music, thinking that's

0:41:24.239 --> 0:41:27.200
<v Speaker 3>gonna pop. And of course, all the songs I worked

0:41:27.200 --> 0:41:28.880
<v Speaker 3>on at the writers camp, none of them got picked

0:41:29.040 --> 0:41:32.440
<v Speaker 3>for the soundtrack. Yes, exactly, see, and that's what I'm saying.

0:41:32.440 --> 0:41:35.200
<v Speaker 2>It's like that, you know, that's where God, you're jaded

0:41:35.239 --> 0:41:35.799
<v Speaker 2>at that point, you.

0:41:35.760 --> 0:41:36.920
<v Speaker 3>Know what I'm saying, because it imagine I was like,

0:41:36.960 --> 0:41:39.040
<v Speaker 3>oh my god, I'm about to But here's the cool thing,

0:41:39.040 --> 0:41:41.440
<v Speaker 3>because again, because of my relationship with Joelle, he actually

0:41:41.480 --> 0:41:44.200
<v Speaker 3>hit me and was like, Yo, do you have anything

0:41:44.239 --> 0:41:47.080
<v Speaker 3>from your own catalog that we can use? And so

0:41:47.120 --> 0:41:49.320
<v Speaker 3>again this is why it's so important to just do stuff,

0:41:49.360 --> 0:41:51.359
<v Speaker 3>because had I not just started making music, I would

0:41:51.360 --> 0:41:52.560
<v Speaker 3>have my answer would have been no, I just would

0:41:52.600 --> 0:41:54.239
<v Speaker 3>have been shut out of luck. But because I had

0:41:54.280 --> 0:41:56.200
<v Speaker 3>been making music, I seen him a few tracks on

0:41:56.200 --> 0:41:58.960
<v Speaker 3>my own and one actually got selected. So I ended

0:41:59.000 --> 0:42:01.000
<v Speaker 3>up did having a song in the movie. So again

0:42:01.000 --> 0:42:04.400
<v Speaker 3>it's just how you move. But anyway, so now I'm

0:42:04.440 --> 0:42:06.120
<v Speaker 3>doing that, right. This is all leading us back up

0:42:06.160 --> 0:42:11.440
<v Speaker 3>to twenty twenty three write a Strike. So now, because

0:42:11.640 --> 0:42:13.319
<v Speaker 3>the TV show's not going and we had, like I said,

0:42:13.320 --> 0:42:14.560
<v Speaker 3>we had two shows that I thought I was going

0:42:14.600 --> 0:42:17.680
<v Speaker 3>to be consuming my time. Because that all stopped, I'm

0:42:17.719 --> 0:42:19.759
<v Speaker 3>now writing Up in Smoke. So twenty twenty three, I

0:42:19.800 --> 0:42:23.040
<v Speaker 3>start writing Up in Smoke. I did the first fifteen pages,

0:42:23.120 --> 0:42:25.799
<v Speaker 3>then the first thirty pages, then the first fifty pages.

0:42:25.800 --> 0:42:27.160
<v Speaker 3>I was like, yoah, fuck with this, and I sent

0:42:27.200 --> 0:42:30.280
<v Speaker 3>it off to my editor at McMillan, who edited Promise Boys,

0:42:30.320 --> 0:42:31.960
<v Speaker 3>and he was like, Yo, this is really great. We

0:42:32.000 --> 0:42:34.640
<v Speaker 3>want it. And so then I had another publishing deal, right,

0:42:34.680 --> 0:42:36.520
<v Speaker 3>So I sold Up in Smoke in twenty twenty three

0:42:36.760 --> 0:42:37.400
<v Speaker 3>to McMillan.

0:42:37.719 --> 0:42:39.920
<v Speaker 1>Wow, yeah, and that's your second book to that's.

0:42:39.800 --> 0:42:43.080
<v Speaker 3>My second young adult novel. It'll be my fifth novel.

0:42:43.320 --> 0:42:45.200
<v Speaker 3>Wow yeah, it'll be my fifth novel.

0:42:45.080 --> 0:42:48.840
<v Speaker 2>Under them no fifth in general exactly.

0:42:48.840 --> 0:42:52.040
<v Speaker 3>Okay, yeah, but yes, my second one with them with McMillan, Wow, yeah,

0:42:52.040 --> 0:42:54.239
<v Speaker 3>I smoke and so this is all twenty twenty three.

0:42:54.960 --> 0:42:56.640
<v Speaker 3>I'm like, okay, boom up in smoke. That's gonna be

0:42:56.640 --> 0:42:59.000
<v Speaker 3>my next one. But I'm also again, because I'm not

0:42:59.040 --> 0:43:02.279
<v Speaker 3>doing the shows, the TV shows, I'm like going back

0:43:02.280 --> 0:43:04.840
<v Speaker 3>to the music, and so I'm making music, and it

0:43:04.960 --> 0:43:09.640
<v Speaker 3>dawned on me it'd be a really cool idea. Another

0:43:09.680 --> 0:43:11.840
<v Speaker 3>thing I do is like multiple POV. So Promise Boys

0:43:11.880 --> 0:43:15.359
<v Speaker 3>is three boys, he's three protagonists. Is that what means

0:43:15.640 --> 0:43:16.360
<v Speaker 3>points of view.

0:43:16.400 --> 0:43:19.960
<v Speaker 2>Points of view POV? Yeah, three different points.

0:43:19.719 --> 0:43:21.840
<v Speaker 3>Of view, three different like I don't ever seen like

0:43:21.920 --> 0:43:25.600
<v Speaker 3>vantage point or what's some other ones. It's a ton

0:43:25.640 --> 0:43:28.080
<v Speaker 3>of them that like rotate these or what's the one

0:43:28.239 --> 0:43:32.200
<v Speaker 3>I think fiction.

0:43:33.239 --> 0:43:35.000
<v Speaker 1>I don't know if this is a good example of POV,

0:43:35.120 --> 0:43:37.600
<v Speaker 1>but where the five boys the way they wrote that

0:43:37.640 --> 0:43:40.520
<v Speaker 1>script where the five boys, we're in the park, Yes,

0:43:40.680 --> 0:43:43.640
<v Speaker 1>when they see us, when they see yeah, yeah, I

0:43:43.640 --> 0:43:45.399
<v Speaker 1>thought that that was really a great one.

0:43:45.520 --> 0:43:47.440
<v Speaker 3>It's really cool that you pulled that out because when

0:43:47.440 --> 0:43:49.560
<v Speaker 3>they see us was actually somewhat of a count for

0:43:49.600 --> 0:43:52.080
<v Speaker 3>Promise Boys. Particularly the TV show. So yeah, yeah, you're

0:43:52.080 --> 0:43:53.440
<v Speaker 3>totally right. Yeah, when they see us.

0:43:53.600 --> 0:43:55.120
<v Speaker 2>So that's a good example of POV.

0:43:55.320 --> 0:43:57.760
<v Speaker 3>That's a good example of of multiple POV.

0:43:58.320 --> 0:44:01.280
<v Speaker 1>So you try to write with three po and minimum

0:44:01.280 --> 0:44:01.960
<v Speaker 1>of three just.

0:44:01.960 --> 0:44:05.560
<v Speaker 3>Multiple just in general. It's not it's no number, no minimum,

0:44:05.600 --> 0:44:10.480
<v Speaker 3>just it's just particularly for mystery. It helps hide secrets

0:44:10.520 --> 0:44:12.720
<v Speaker 3>and clues like for mysteries and makes it more compelling.

0:44:12.800 --> 0:44:15.000
<v Speaker 3>You take a movie like knoves Out, We're the classic

0:44:15.080 --> 0:44:16.840
<v Speaker 3>is clue. You have all of these different people with

0:44:16.920 --> 0:44:19.719
<v Speaker 3>all their own povs. They all see things differently, they

0:44:19.760 --> 0:44:21.759
<v Speaker 3>all have secrets, they all are hiding things from each other.

0:44:21.920 --> 0:44:25.720
<v Speaker 3>That just helps create like a compelling space for mystery.

0:44:25.800 --> 0:44:28.400
<v Speaker 3>So that's why it's cool to do it, and particularly

0:44:28.400 --> 0:44:31.040
<v Speaker 3>in pros and novel form. So Promised Boys is three

0:44:31.080 --> 0:44:34.440
<v Speaker 3>POV's Up and Smoke is two Cooper and Monique. But

0:44:34.480 --> 0:44:36.719
<v Speaker 3>I thought it'd be really cool to include a third

0:44:36.719 --> 0:44:38.600
<v Speaker 3>POV in the form of a rap album and have

0:44:38.719 --> 0:44:40.680
<v Speaker 3>the rap album have clues to the murder in the book.

0:44:40.840 --> 0:44:43.359
<v Speaker 1>Okay, oh, so that's so Up in Smoke and your

0:44:43.400 --> 0:44:44.280
<v Speaker 1>album go together.

0:44:44.600 --> 0:44:45.560
<v Speaker 2>It's a package deal.

0:44:45.600 --> 0:44:46.480
<v Speaker 3>It's a package deal.

0:44:46.560 --> 0:44:49.560
<v Speaker 1>And so when you purchase Up and Smoke, does the

0:44:49.560 --> 0:44:52.160
<v Speaker 1>book come with a downloadable.

0:44:52.760 --> 0:44:55.120
<v Speaker 3>Not necessarily, but we are doing We're doing certain things.

0:44:55.120 --> 0:44:57.440
<v Speaker 3>So for example, we're doing a pre order campaign right now.

0:44:57.440 --> 0:44:59.520
<v Speaker 3>If you pre order Up and Smoke now, you will

0:44:59.560 --> 0:45:03.000
<v Speaker 3>get a free you'll get a track, you'll get unreleased

0:45:03.000 --> 0:45:03.720
<v Speaker 3>tracked from the album.

0:45:04.000 --> 0:45:06.040
<v Speaker 1>Okay, you know, and then that will point to a

0:45:06.080 --> 0:45:07.360
<v Speaker 1>clue in the book exactly.

0:45:07.840 --> 0:45:08.359
<v Speaker 2>I like it.

0:45:08.440 --> 0:45:09.040
<v Speaker 3>Yeah.

0:45:09.120 --> 0:45:12.000
<v Speaker 1>I was out somewhere in Texas and I saw a

0:45:12.000 --> 0:45:14.480
<v Speaker 1>bunch of people following each other with their phones out

0:45:14.840 --> 0:45:17.080
<v Speaker 1>and I saw I was like, he must be chasing

0:45:17.160 --> 0:45:20.319
<v Speaker 1>up Pokemon. So I feel like when they read Up

0:45:20.360 --> 0:45:23.279
<v Speaker 1>and Smoke, it's like a similar engagement where if they

0:45:23.400 --> 0:45:25.000
<v Speaker 1>listen to it they can.

0:45:25.040 --> 0:45:28.279
<v Speaker 2>Figure it all out, stuff out. That's pretty amazing. Yeah,

0:45:28.320 --> 0:45:29.239
<v Speaker 2>I think, very hard to do.

0:45:29.400 --> 0:45:32.760
<v Speaker 3>It's a lot of writing. It's fourteen tracks on the album,

0:45:32.719 --> 0:45:34.560
<v Speaker 3>so hell a lot of writing. And it's just a

0:45:34.600 --> 0:45:37.440
<v Speaker 3>cool idea. And like my whole thing Promised Boys are similar.

0:45:37.520 --> 0:45:39.720
<v Speaker 3>Is like I want to pull in what the industry

0:45:39.719 --> 0:45:42.839
<v Speaker 3>will call like reluctant readers or edit reluctant readers, kids

0:45:42.840 --> 0:45:44.880
<v Speaker 3>who just don't typically pick up a book. And I

0:45:44.880 --> 0:45:46.960
<v Speaker 3>get Again, I get asked a lot like what makes

0:45:47.400 --> 0:45:49.520
<v Speaker 3>like why don't kids read it? Or are there books

0:45:49.520 --> 0:45:51.480
<v Speaker 3>for all kids? Of course they're all like the only

0:45:51.520 --> 0:45:53.040
<v Speaker 3>reason why a kid is not reading book is because

0:45:53.040 --> 0:45:54.600
<v Speaker 3>they haven't found the right book. And so I like

0:45:54.600 --> 0:45:57.400
<v Speaker 3>to write books. You know what I'm saying. Yeah, I

0:45:57.400 --> 0:46:00.480
<v Speaker 3>like to write books that feature again that I'm from DC.

0:46:00.600 --> 0:46:03.240
<v Speaker 3>I grew up in DC, and so I write books

0:46:03.280 --> 0:46:06.280
<v Speaker 3>that I know kids who growing up in DC would

0:46:06.320 --> 0:46:08.560
<v Speaker 3>respond to. I'm putting things in the book that either

0:46:08.600 --> 0:46:11.160
<v Speaker 3>I've experienced, our friends have experienced, or kids that I've

0:46:11.160 --> 0:46:13.040
<v Speaker 3>taught have experience. I used to coach Little League football,

0:46:13.040 --> 0:46:14.560
<v Speaker 3>Like I know these kids. I know these young men.

0:46:14.800 --> 0:46:16.480
<v Speaker 3>So I'm trying to write books for them for real,

0:46:16.960 --> 0:46:20.840
<v Speaker 3>and it is working. I have gotten calls from grown

0:46:20.880 --> 0:46:23.520
<v Speaker 3>men who have been like bro, like my fifteen year

0:46:23.520 --> 0:46:25.560
<v Speaker 3>old son is reading because of you. Thank you. You

0:46:25.600 --> 0:46:27.399
<v Speaker 3>know what I'm saying. So I say that to say,

0:46:27.400 --> 0:46:29.120
<v Speaker 3>it's like for me, putting the album with the book

0:46:29.280 --> 0:46:32.160
<v Speaker 3>is another way of like, how do I engage? How

0:46:32.160 --> 0:46:34.560
<v Speaker 3>do I engage? How do I make this interactive? How

0:46:34.560 --> 0:46:36.799
<v Speaker 3>do I open up? How do I connect both dots?

0:46:36.800 --> 0:46:38.400
<v Speaker 3>How do I connect people? To my music. How do

0:46:38.440 --> 0:46:40.080
<v Speaker 3>I connect people to my books? On both fans?

0:46:40.239 --> 0:46:42.040
<v Speaker 1>And that's what I was about to say next. I'm

0:46:42.080 --> 0:46:47.080
<v Speaker 1>a huge jay Z fan. Yes, gigantic, gigantic. There's a

0:46:47.080 --> 0:46:48.399
<v Speaker 1>painting of jay Z in.

0:46:50.000 --> 0:46:51.719
<v Speaker 2>Yes about that when I was like twenty four and

0:46:51.760 --> 0:46:52.319
<v Speaker 2>had a shift here.

0:46:52.360 --> 0:46:55.200
<v Speaker 1>But I brought up jay Z because if you were

0:46:55.200 --> 0:46:58.200
<v Speaker 1>to say, if you're out there listening and you want

0:46:58.200 --> 0:47:00.520
<v Speaker 1>to say, Okay, I'm not necessarily ready to read up

0:47:00.560 --> 0:47:03.760
<v Speaker 1>and smoke, but you buy the album, then after listening

0:47:03.800 --> 0:47:05.600
<v Speaker 1>to the album you made, you're gonna want want to

0:47:05.640 --> 0:47:08.080
<v Speaker 1>read the book. And I only reference that to Jay

0:47:08.200 --> 0:47:10.520
<v Speaker 1>because a lot of times if you even get a

0:47:10.719 --> 0:47:12.800
<v Speaker 1>micro nugget of what was going on and he was

0:47:12.800 --> 0:47:14.440
<v Speaker 1>writing record, you're like, oh my god, that's what I

0:47:14.520 --> 0:47:16.799
<v Speaker 1>was having in There is some parallel. So I like

0:47:16.880 --> 0:47:19.640
<v Speaker 1>that you did try the music route, because, especially in

0:47:19.680 --> 0:47:22.799
<v Speaker 1>the black and brown market, we definitely find I think

0:47:22.920 --> 0:47:26.120
<v Speaker 1>find our relatability more in music than yes books for

0:47:26.200 --> 0:47:29.040
<v Speaker 1>whatever reason. But yeah, I like that they could either

0:47:29.080 --> 0:47:30.759
<v Speaker 1>pick the music, yeah, or the book.

0:47:30.840 --> 0:47:31.800
<v Speaker 2>And you tell me the reason.

0:47:31.920 --> 0:47:36.359
<v Speaker 3>The reason is because in music and when you say

0:47:36.360 --> 0:47:38.840
<v Speaker 3>black and brown and you know it's also from particularly

0:47:39.040 --> 0:47:44.760
<v Speaker 3>particular neighborhoods, often lower social economic status neighborhoods. The music

0:47:45.160 --> 0:47:47.120
<v Speaker 3>calls to exactly our day to day life, what'll be

0:47:47.160 --> 0:47:50.480
<v Speaker 3>going through. It's familiar, and I think sometimes with books,

0:47:51.000 --> 0:47:53.279
<v Speaker 3>people are not empowered to write those same things. I

0:47:53.280 --> 0:47:55.879
<v Speaker 3>think it's I'll give you an example for me, something

0:47:55.920 --> 0:47:58.160
<v Speaker 3>I hear from my purpose I didn't necessarily hear from

0:47:58.200 --> 0:48:00.040
<v Speaker 3>my publisher. But sometimes what they imply is that that

0:48:01.080 --> 0:48:04.520
<v Speaker 3>black boys don't read, and the reason is because we're

0:48:04.520 --> 0:48:06.560
<v Speaker 3>not writing books like Promise Boys, or we're not writing

0:48:06.560 --> 0:48:08.000
<v Speaker 3>books like Up and Smoke. It's like a chicken in

0:48:08.000 --> 0:48:09.520
<v Speaker 3>the egg. The reason people aren't writing those books is

0:48:09.560 --> 0:48:11.480
<v Speaker 3>because publishers are not publishing them. You know what I means, Like,

0:48:12.160 --> 0:48:14.120
<v Speaker 3>the reason the kids are not reading again goes back

0:48:14.120 --> 0:48:16.480
<v Speaker 3>because they don't have the books that are familiar to them.

0:48:16.480 --> 0:48:17.759
<v Speaker 3>So when you say it's like, for whatever reason, we

0:48:17.800 --> 0:48:20.560
<v Speaker 3>relate more to the music, because well, people are making

0:48:20.560 --> 0:48:23.520
<v Speaker 3>familiar music. People are not necessarily writing familiar books for

0:48:23.680 --> 0:48:25.080
<v Speaker 3>all types of people. You know what I'm saying from

0:48:25.400 --> 0:48:28.040
<v Speaker 3>all these places that we come from, and hopefully that's

0:48:28.080 --> 0:48:29.759
<v Speaker 3>what I'm trying to do with Promise Boys, Up and

0:48:29.760 --> 0:48:31.520
<v Speaker 3>smoke and all the things that I do.

0:48:31.840 --> 0:48:34.080
<v Speaker 1>Yeah, I think you do a really great job of

0:48:34.160 --> 0:48:36.680
<v Speaker 1>also letting your light shine and allowing others to do

0:48:36.760 --> 0:48:37.080
<v Speaker 1>the same.

0:48:37.280 --> 0:48:38.800
<v Speaker 2>I think what can be said.

0:48:38.640 --> 0:48:42.000
<v Speaker 1>To a company what you just said is like seeing

0:48:42.000 --> 0:48:46.120
<v Speaker 1>a young black author have a huge writing deal, someone

0:48:46.160 --> 0:48:49.319
<v Speaker 1>that also started in music, something that they can look

0:48:49.320 --> 0:48:50.799
<v Speaker 1>at and say, oh, I can do it. I had

0:48:50.800 --> 0:48:53.600
<v Speaker 1>an interview previously where the guy said he wanted to

0:48:53.640 --> 0:48:57.320
<v Speaker 1>be a kindergarten teacher because he only had one black

0:48:57.400 --> 0:49:00.560
<v Speaker 1>male kindergarten teacher in the school. So he was just

0:49:00.680 --> 0:49:03.640
<v Speaker 1>like that one guy had such a huge impact. So

0:49:03.680 --> 0:49:05.680
<v Speaker 1>it is a chicken in the egg situation that a

0:49:05.680 --> 0:49:08.799
<v Speaker 1>lot of opportunities weren't given to us for such a

0:49:08.840 --> 0:49:11.440
<v Speaker 1>long time. And the fact that you can go on

0:49:11.520 --> 0:49:14.320
<v Speaker 1>camera and someone, whether it's one person or two people

0:49:14.400 --> 0:49:17.040
<v Speaker 1>or five million people, hear this interview and say, wait

0:49:17.080 --> 0:49:19.799
<v Speaker 1>a minute, I can be like him, or like how

0:49:19.880 --> 0:49:22.880
<v Speaker 1>Ryan Coogler had inspired you. Wait a minute, that one

0:49:22.880 --> 0:49:24.839
<v Speaker 1>interview at the right time.

0:49:25.360 --> 0:49:26.160
<v Speaker 2>So kudos to you.

0:49:26.360 --> 0:49:29.960
<v Speaker 3>All the young kids who like kids who rap you

0:49:30.040 --> 0:49:31.880
<v Speaker 3>can write books and you just don't know they can

0:49:31.920 --> 0:49:32.160
<v Speaker 3>do it.

0:49:32.280 --> 0:49:34.560
<v Speaker 2>Yeah, a lot of people don't even think I had enough.

0:49:34.760 --> 0:49:38.960
<v Speaker 1>I love the idea of having authors because it switches up. Originally,

0:49:38.960 --> 0:49:40.360
<v Speaker 1>when we were going to do the interview, I was like,

0:49:40.400 --> 0:49:42.239
<v Speaker 1>I'm going to stay away from the music because it's

0:49:42.440 --> 0:49:46.600
<v Speaker 1>to me, has become like the standard stereotype. But to

0:49:46.600 --> 0:49:50.160
<v Speaker 1>say a best selling author who has had so many

0:49:50.160 --> 0:49:52.680
<v Speaker 1>pivots and relatability, it's a beautiful story, and I see

0:49:52.680 --> 0:49:55.120
<v Speaker 1>why the book and the music are tied together in

0:49:55.160 --> 0:49:57.920
<v Speaker 1>your mission. But I really appreciate what you've done here,

0:49:58.680 --> 0:50:01.439
<v Speaker 1>and your cooking is not too bad. I was only

0:50:01.520 --> 0:50:03.799
<v Speaker 1>choosing not to eat at all, guys, because I didn't

0:50:03.800 --> 0:50:06.359
<v Speaker 1>want to chew in the ears. But look at to

0:50:06.400 --> 0:50:08.799
<v Speaker 1>that camera and tell everybody where they could keep up

0:50:08.840 --> 0:50:09.600
<v Speaker 1>with everything.

0:50:09.800 --> 0:50:11.799
<v Speaker 3>Nick Brooks, Ye, yeah, you can find me at my

0:50:11.800 --> 0:50:15.040
<v Speaker 3>website just benickbooks dot com, t G and I see

0:50:15.080 --> 0:50:18.960
<v Speaker 3>kb r o ks dot com. Find your Instagram Official Nickbrooks,

0:50:19.560 --> 0:50:22.200
<v Speaker 3>TikTok Official Nick Brooks. You could google Nick Brooks.

0:50:22.840 --> 0:50:25.360
<v Speaker 2>Yeah, it's very he's very Google Google.

0:50:25.440 --> 0:50:27.719
<v Speaker 3>You can google Nick Brooks.

0:50:27.440 --> 0:50:29.520
<v Speaker 2>And then up in smoke drops.

0:50:29.880 --> 0:50:30.080
<v Speaker 3>Yeah.

0:50:30.120 --> 0:50:34.439
<v Speaker 1>May six, So you guys, by the by the time

0:50:34.520 --> 0:50:37.080
<v Speaker 1>this interview drops, the books, we'll try to make sure

0:50:37.080 --> 0:50:38.680
<v Speaker 1>it releases around the same week.

0:50:38.760 --> 0:50:39.160
<v Speaker 3>There we go.

0:50:39.239 --> 0:50:41.239
<v Speaker 2>That'll be the goal we shoot for me. There we go,

0:50:41.920 --> 0:50:44.160
<v Speaker 2>so we can help push the promotion.

0:50:44.320 --> 0:50:44.799
<v Speaker 3>Let's do it.

0:50:44.880 --> 0:50:47.279
<v Speaker 1>But yeah, guys, and then also right now out on

0:50:47.360 --> 0:50:48.560
<v Speaker 1>shelves is promised.

0:50:48.600 --> 0:50:51.560
<v Speaker 2>Boys. I am not a huge fiction reader, but I

0:50:51.600 --> 0:50:52.719
<v Speaker 2>will be reading this book.

0:50:52.800 --> 0:50:57.200
<v Speaker 1>Guys, there we go, so it looks let me know

0:50:57.400 --> 0:50:59.759
<v Speaker 1>what you think. Yes, and I'm into thrillers, so I

0:50:59.840 --> 0:51:02.120
<v Speaker 1>know I'm gonna do this book even though it ends

0:51:02.120 --> 0:51:02.600
<v Speaker 1>in murder.

0:51:02.880 --> 0:51:05.440
<v Speaker 3>And you can pre order Up and Smoke Lamb. So

0:51:05.520 --> 0:51:07.240
<v Speaker 3>if you go to the website.

0:51:07.480 --> 0:51:09.480
<v Speaker 1>And you can order the music first. If you don't

0:51:09.560 --> 0:51:13.399
<v Speaker 1>order the buck getro vice versa. Remember that, guys. All right,

0:51:13.440 --> 0:51:21.239
<v Speaker 1>thanks for tuning in. Peace out, y'all. Peace for more

0:51:21.280 --> 0:51:24.480
<v Speaker 1>eating while broke from iHeartRadio and The Black Effect, visit

0:51:24.560 --> 0:51:27.920
<v Speaker 1>the iHeartRadio app, Apple Podcasts, or wherever you listen to

0:51:28.000 --> 0:51:29.080
<v Speaker 1>your favorite shows.