WEBVTT - Ep 129: GRIFF

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<v Speaker 1>I guess I never thought I would be like someone

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<v Speaker 1>who really was attached to the mainstream that much, which

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<v Speaker 1>is funny, which is why I think I found the

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<v Speaker 1>Brits quite an amazing but like an accelerated experience, because

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<v Speaker 1>I never thought I wrote pop songs for the charts.

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<v Speaker 2>Go hit it. Evening, folks, welcome to another new episode

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<v Speaker 2>of Midnight Chats, our music interview podcast for late night listening.

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<v Speaker 2>My name's Greg. I'm here with Stu. Stu, what is

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<v Speaker 2>the big news in your world? Well, I've been moving house,

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<v Speaker 2>so I've just mainly been a ball of stress. But

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<v Speaker 2>I think I've turned a corner now now that I've moved,

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<v Speaker 2>I'm feeling a lot better.

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<v Speaker 3>We've had a very busy time here on the podcast

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<v Speaker 3>as well. Thank you to everyone who listened to our

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<v Speaker 3>Brian Eno episode last week. I did very well, including

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<v Speaker 3>getting some shares on David Bowie's Instagram account, which was

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<v Speaker 3>nice to see.

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<v Speaker 2>This week, I've recorded.

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<v Speaker 3>Two new episodes, one of which is going to be

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<v Speaker 3>next week's episode. We're going to turn that one around

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<v Speaker 3>quickly and we're going to hold onto the other one

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<v Speaker 3>for a bit later down the line. But let's talk

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<v Speaker 3>about tonight's episode, Greg, because you spoke to Griff, and

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<v Speaker 3>I'll be honest, before I listened to this, I didn't

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<v Speaker 3>know that much about Griff myself. I didn't know much

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<v Speaker 3>about her background or what she's been up to. And

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<v Speaker 3>in case there is anyone tuning in who is in

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<v Speaker 3>a similar boat to that, tell us a bit about

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<v Speaker 3>Griff herself, and also why you wanted to talk to her,

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<v Speaker 3>because you've wanted to speak.

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<v Speaker 2>To her for a while. Well, I've wanted to speak

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<v Speaker 2>to Griff. I've been excited to meet Griff ever since

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<v Speaker 2>I saw her performance on the brit Awards, which was

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<v Speaker 2>back in twenty twenty one. She played her song black Hole,

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<v Speaker 2>which is a pop banger, and I was just flawed

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<v Speaker 2>because I don't remember a new artist ever delivering such

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<v Speaker 2>like an accomplished, impactful performance at the Brits. Basically, she

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<v Speaker 2>looked like she'd been doing this for like twenty years,

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<v Speaker 2>and I just from that was like, wow, like this

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<v Speaker 2>is somebody really really special. If you haven't seen that

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<v Speaker 2>BRIT's performance, it is on YouTube. Griff says that she

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<v Speaker 2>can't bear to watch it, but I've put a link

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<v Speaker 2>in the show notes. If you haven't seen it and

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<v Speaker 2>you can go and have a look at it, along

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<v Speaker 2>with some of the other things that we mentioned in

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<v Speaker 2>this conversation.

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<v Speaker 3>I do remember that performance and how amazing it was,

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<v Speaker 3>and for someone who is still so young as she

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<v Speaker 3>is now, when she was talking to you, it really

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<v Speaker 3>sounded like she's someone who just knows exactly what she

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<v Speaker 3>wants to do.

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<v Speaker 2>Oh definitely. I think she's twenty three now and she's

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<v Speaker 2>super grounded. They didn't seem to be sort of you know,

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<v Speaker 2>it wasn't anything kind of mechanical about her, if you

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<v Speaker 2>know what I meant. So she was just really really

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<v Speaker 2>open and just really really lovely to chat to. But

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<v Speaker 2>the big news is that she's just announced her debut

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<v Speaker 2>album and it's going to be coming out on the

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<v Speaker 2>nineteenth of July, and it's called Vertigo. And she's announced

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<v Speaker 2>a big tour later in the year, playing some massive venues.

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<v Speaker 2>So that's exciting because like her show is immense as well,

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<v Speaker 2>so it's basically it's going to be a big year

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<v Speaker 2>for Griff. Here.

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<v Speaker 3>It is then Greg talking with Griff on tonight's episode

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<v Speaker 3>of Midnight Chats. If you're new to us here, welcome.

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<v Speaker 3>If you've been here, before welcome back. Thank you for

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<v Speaker 3>listening to Midnight Chats. We love making this podcast. If

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<v Speaker 3>there's one thing you can really do to help us

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<v Speaker 3>and to help the show is simply tell a friend

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<v Speaker 3>force them to listen. That's the way that this podcast

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<v Speaker 3>is going to grow and we're going to get more

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<v Speaker 3>people listening to it. So if you are enjoying the episodes,

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<v Speaker 3>please do tell your friends who like music all about

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<v Speaker 3>it and join us on social media. We've sort of

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<v Speaker 3>ditch TikTok to be honest, but we are on Instagram

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<v Speaker 3>Midnight Chats Pod. There's lots of clips there. We're put

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<v Speaker 3>some bits of Griff, there's some stuff from the Emo

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<v Speaker 3>episode last week. Before that we had MGMT. We're trying

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<v Speaker 3>to ramp that up a bit and have a bit

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<v Speaker 3>of fun with it. So join us over there Midnight

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<v Speaker 3>Chats Pod. For now, though, here is Griff on Tonight's

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<v Speaker 3>episode of Midnight Chats.

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<v Speaker 1>This will obviously exist in the world in a future time.

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<v Speaker 1>But today is release date. Well no, I shouldn't probably

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<v Speaker 1>say that, actually, but anyway, it's been a hectic day,

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<v Speaker 1>but it's good feeling.

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<v Speaker 2>I think we can say it's release day. It's fine.

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<v Speaker 2>Because people will understand that we've done this in the past.

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<v Speaker 2>We're speaking to our future selves. Yeah exactly, miss me too.

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<v Speaker 2>You're going to be sharing it later on today.

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<v Speaker 4>Yeah exactly.

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<v Speaker 2>The release days feel exciting? Do they feel stressful?

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<v Speaker 1>Do they feel I'm getting better at them?

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<v Speaker 4>I don't love them. They're not fun.

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<v Speaker 1>There's no part of me that wakes up and goes,

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<v Speaker 1>oh yeah release day because they're stressful, and there's usually

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<v Speaker 1>lots to do and you're usually just pretty nervous about

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<v Speaker 1>how it's going to be received, and it's the moment

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<v Speaker 1>where as song has been sitting on your laptop forages

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<v Speaker 1>and then is out in the world.

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<v Speaker 4>So yeah, fantastic, all and all. Happy to be here.

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<v Speaker 2>What a start of the year that you've had though,

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<v Speaker 2>twenty twenty four, Well, we're not far into it. You've

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<v Speaker 2>packed it in.

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<v Speaker 4>It's been busy. Yeah.

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<v Speaker 2>Yeah. So you celebrated New Year pretty much on stage

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<v Speaker 2>in Australia, Is that right?

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<v Speaker 4>Well researched.

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<v Speaker 1>Yeah, I went to Australia twice in January, which is

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<v Speaker 1>just suicidal.

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<v Speaker 4>Really my god, I know.

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<v Speaker 2>So what out there back again?

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<v Speaker 1>Yeah?

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<v Speaker 4>Yeah yeah yeah.

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<v Speaker 2>How is your jet lag?

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<v Speaker 4>Yeah?

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<v Speaker 1>Brutal I mean I did so. I did a festival

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<v Speaker 1>out there for New Years, which was fine. It's my

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<v Speaker 1>first time ever in Australia. Came back, finished a bunch

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<v Speaker 1>of music, then went back out to like Asia and

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<v Speaker 1>Australia and then America and then here I am back.

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<v Speaker 4>To release some music.

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<v Speaker 2>On the upside, you must have seen pretty much every

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<v Speaker 2>film that, like the airline has to offer, now, do

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<v Speaker 2>you know?

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<v Speaker 4>I try my best not too And I'm a sleeper.

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<v Speaker 1>I can sleep anywhere on anything at any time of day,

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<v Speaker 1>so I actually don't by the time I wake up,

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<v Speaker 1>I haven't gotten around to like seeing the entertainment.

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<v Speaker 2>I'm so jealous of that. So you can you could

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<v Speaker 2>get on a pretty much and fall asleep.

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<v Speaker 1>Yeah yeah, Like if you gave me fifteen minutes right now,

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<v Speaker 1>I would probably be out so.

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<v Speaker 2>Many artist to be listened to this going, Like, I'm

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<v Speaker 2>so jealous because like the touring thing is had brutal

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<v Speaker 2>and so like if you can catch a nap when

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<v Speaker 2>you're in the airport, and.

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<v Speaker 4>That's fine, yeah, it helps the jet.

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<v Speaker 1>Like like usually I can usually be anywhere if I

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<v Speaker 1>can just I can power up, if I can power

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<v Speaker 1>up forty five minutes.

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<v Speaker 4>I'm pretty good. Yeah, that's what my days look like.

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<v Speaker 2>Yeah. So seeing in the New Year on stage, have

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<v Speaker 2>you ever done anything? What's what would you have normally

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<v Speaker 2>been doing?

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<v Speaker 1>I probably would have been chilling with some girlfriends. I've

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<v Speaker 1>never done New Year's abroad, let alone in a hot place.

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<v Speaker 1>That was kind of freaky, but it was really nice.

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<v Speaker 1>I was out there with Holly up Well, we happened

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<v Speaker 1>to both be on the same lineup, so I think

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<v Speaker 1>we just were like, let's buddy up.

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<v Speaker 4>And be friends.

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<v Speaker 1>So yeah, we got wasted and pop champagne on the stage,

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<v Speaker 1>which was really fun. The footage is actually terrible though,

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<v Speaker 1>because you can tell we're not party girls and we're

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<v Speaker 1>absolutely amateurs. We were like, yeah, let's pop some champagne,

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<v Speaker 1>and then when you look back, we clearly forgot to

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<v Speaker 1>do the thumb over the thing, so we were essentially

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<v Speaker 1>just pouring the bottle on all these cables.

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<v Speaker 4>But it was nice.

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<v Speaker 2>It's fun, but that's something you could get used to that,

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<v Speaker 2>I mean, learning how to pop champagne, Like, yeah, I.

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<v Speaker 4>Know, who would have thought I need to know that?

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<v Speaker 4>I know.

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<v Speaker 2>So after that, I mean, you, like you said you

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<v Speaker 2>were in the Far East, doing some shows, and then

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<v Speaker 2>you went to the States.

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<v Speaker 1>I did Grammys, popped in not I wasn't at the

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<v Speaker 1>actual Grammys. I went to an after party, which was

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<v Speaker 1>like fun those things again, never been to a Grammy

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<v Speaker 1>after party.

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<v Speaker 4>Lots of famous people, was there? Yeah, that's fun.

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<v Speaker 2>Any spots that you were like even outside of the

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<v Speaker 2>music world, anybody who were just like, oh, I'm in

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<v Speaker 2>the room with this person.

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<v Speaker 1>That room was it was mainly music people, but it

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<v Speaker 1>was just like, who was it. I'm trying to think, Uh,

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<v Speaker 1>it was like really famous. I mean Ed Sheeran came down,

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<v Speaker 1>He's pretty famous. Yes, I think was there. Barry Kergan,

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<v Speaker 1>the actor, thought he was there. The guy in Selburn, Yeah,

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<v Speaker 1>that was that was cool.

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<v Speaker 4>Like Doo was there. Yeah. Lots of famous people. It's

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<v Speaker 4>quite weird.

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<v Speaker 2>Yeah, and some people that you actually know.

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<v Speaker 4>Yeah, yeah that's true.

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<v Speaker 1>Yeah, yeah, nice like quickly say hi and then the

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<v Speaker 1>music's so luge you can't even really talk.

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<v Speaker 4>But yeah.

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<v Speaker 2>Yeah. So this year has been Is this going to

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<v Speaker 2>be kind of typical of how this year pans out?

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<v Speaker 2>Because you've you're like heading overseas to play like some

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<v Speaker 2>big shows. You're no doubt kind of trying to continue

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<v Speaker 2>to write music, you're sharing music, all this stuff going on.

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<v Speaker 2>Is that the kind of you're switching modes a lot, right?

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<v Speaker 4>Is that?

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<v Speaker 2>How?

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<v Speaker 4>Yeah? It does.

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<v Speaker 1>It's weird now, I think being an artist because I

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<v Speaker 1>don't know. To me when I went into this, I

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<v Speaker 1>always understood an artist's job in cycles. So you tour

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<v Speaker 1>and then you write, and then you promo, and those

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<v Speaker 1>those cycles last for good lengths of time, whereas now

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<v Speaker 1>it feels like you kind of have to do all

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<v Speaker 1>of it at the same time and there's no mercy.

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<v Speaker 1>So yeah, it's like one day you've got your tour

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<v Speaker 1>hair on, next day you've got your promo hair on

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<v Speaker 1>and your social's hat on, and then next day you're

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<v Speaker 1>trying to write. So yeah, it's all happening at the

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<v Speaker 1>same time. But I'm excited. It's been a while since

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<v Speaker 1>I've released music, so it's nice to be back in

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<v Speaker 1>the flow of it.

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<v Speaker 2>Definitely. Yeah, And we're going to talk about some of

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<v Speaker 2>that music that you're you've shared recently. As we speak,

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<v Speaker 2>it's it's Brits Week in the UK. Are you going

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<v Speaker 2>this year? I am. I'm going to pop in, Yeah,

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<v Speaker 2>pop in. I love what you say, popping. It's like

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<v Speaker 2>as if we're going to sort of testa.

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<v Speaker 1>Yeah, we're just going to Tesco, pop in and see

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<v Speaker 1>what the new kid, new kids on the block, you.

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<v Speaker 2>Know, pick up some bits.

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<v Speaker 1>Yeah, just wave to a few friends, take a photo,

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<v Speaker 1>and then pop out.

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<v Speaker 2>Yeah. Yeah, as I was kind of looking forward to

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<v Speaker 2>chating you to you today, I was had went back

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<v Speaker 2>and watched your BRIT's performance from twenty twenty World and

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<v Speaker 2>oh god, does it make you feel of it?

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<v Speaker 4>Like, yeah, that feels me the same nerves that I

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<v Speaker 4>had at the time. I've never watched it since, have

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<v Speaker 4>you not? Yeah? I think I watched it back once

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<v Speaker 4>after my performance and then that was it.

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<v Speaker 2>Can I Well, I want to tell you a story

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<v Speaker 2>about what I was watching it that night because I

0:09:52.520 --> 0:09:55.800
<v Speaker 2>felt I must be honest, I don't always watch the Brits,

0:09:55.840 --> 0:09:56.640
<v Speaker 2>but I was watching that night.

0:09:56.920 --> 0:09:59.120
<v Speaker 1>That seems like a choice since you're a music person,

0:10:00.240 --> 0:10:01.640
<v Speaker 1>Is it because you don't go around to it because

0:10:01.679 --> 0:10:03.960
<v Speaker 1>you like, I'm anti awards, I'm anti establishment?

0:10:04.160 --> 0:10:07.240
<v Speaker 2>No, oh, I'm a bit anti establishment. I'd like to

0:10:07.280 --> 0:10:10.959
<v Speaker 2>think of as that was establishing. No, just like I

0:10:11.040 --> 0:10:14.959
<v Speaker 2>think sometimes sometimes I'm kind of like, yeah, I want

0:10:14.960 --> 0:10:16.600
<v Speaker 2>to catch it. In other times I'll want to churning

0:10:16.600 --> 0:10:20.520
<v Speaker 2>out of it. And I just remember, I mean, first off,

0:10:20.559 --> 0:10:23.160
<v Speaker 2>that was a weird year because it was like I

0:10:23.200 --> 0:10:25.040
<v Speaker 2>was really I think we were all feeling like super

0:10:25.080 --> 0:10:28.760
<v Speaker 2>hungry for music and missing it because it was twenty

0:10:28.800 --> 0:10:32.560
<v Speaker 2>twenty one, so we were like emerging from lockdowns and

0:10:33.160 --> 0:10:35.679
<v Speaker 2>like COVID pandemic. So it had its own sort of

0:10:35.720 --> 0:10:38.640
<v Speaker 2>surreal spin for those reasons. Yeah, but I just remember,

0:10:38.679 --> 0:10:40.800
<v Speaker 2>I remember your performance. I was sat, I was sat

0:10:40.840 --> 0:10:43.360
<v Speaker 2>on the sofa with my wife and you came on

0:10:43.400 --> 0:10:47.000
<v Speaker 2>and I was like, my god, like you are it

0:10:47.080 --> 0:10:51.520
<v Speaker 2>was so assured, and it was just so like it

0:10:51.600 --> 0:10:54.160
<v Speaker 2>was amazing, like composed, and I was just considering that, like,

0:10:54.480 --> 0:10:57.760
<v Speaker 2>you know, what a platform, what I like, surreal moment

0:10:57.840 --> 0:10:59.640
<v Speaker 2>that must have been to find yourself in and like

0:11:00.160 --> 0:11:03.559
<v Speaker 2>probably undoubtedly super nerve wracking. Yeah, it was as if

0:11:03.559 --> 0:11:05.560
<v Speaker 2>you'd played the Brits like twenty years in a row.

0:11:05.640 --> 0:11:07.840
<v Speaker 4>Oh that's really kind Yeah, so what.

0:11:07.960 --> 0:11:10.400
<v Speaker 2>So but you suggested that probably what was actually good,

0:11:10.440 --> 0:11:12.560
<v Speaker 2>what was actually that.

0:11:12.480 --> 0:11:14.880
<v Speaker 1>Time is Oh, it was just so a lot because

0:11:14.920 --> 0:11:17.240
<v Speaker 1>it's again I think it, like you said, it felt

0:11:17.280 --> 0:11:20.160
<v Speaker 1>really extreme because of COVID. So I've sat in my

0:11:20.200 --> 0:11:23.480
<v Speaker 1>bedroom for two years and then suddenly everyone was like, right,

0:11:23.559 --> 0:11:26.480
<v Speaker 1>go on, like and We've all grown up watching the

0:11:26.480 --> 0:11:29.359
<v Speaker 1>Brits and I've seen the most iconic performances.

0:11:29.400 --> 0:11:31.480
<v Speaker 4>So I was just like really nervous.

0:11:31.520 --> 0:11:34.240
<v Speaker 1>And then you're also performing for like a room full

0:11:34.280 --> 0:11:36.960
<v Speaker 1>of everyone you look up to, and you know that

0:11:37.000 --> 0:11:39.959
<v Speaker 1>there's however many people watching online and you know it's

0:11:39.960 --> 0:11:42.280
<v Speaker 1>going to exist online forever. It was just it's like

0:11:42.720 --> 0:11:45.200
<v Speaker 1>the worst recipe for social anxiety. I remember waking up

0:11:45.200 --> 0:11:48.920
<v Speaker 1>the next day just like feeling so sick and looking

0:11:49.000 --> 0:11:51.120
<v Speaker 1>like dreading looking at my phone, but also like torturing

0:11:51.120 --> 0:11:53.000
<v Speaker 1>myself by like trying to look at all the feedback

0:11:53.040 --> 0:11:56.400
<v Speaker 1>on it. But no, I am proud of it and

0:11:56.400 --> 0:11:58.760
<v Speaker 1>I am happy with it, but yeah, I can't watch

0:11:58.800 --> 0:11:59.160
<v Speaker 1>it back.

0:11:59.360 --> 0:12:02.000
<v Speaker 2>Yeah yeah you should be. I was like, holy shit,

0:12:02.160 --> 0:12:05.959
<v Speaker 2>that is incredible, Like what a performance, because I think, yeah,

0:12:06.000 --> 0:12:08.760
<v Speaker 2>the Brits produces like those iconic moments, and sometimes they

0:12:08.800 --> 0:12:12.200
<v Speaker 2>come from Adele and one spotlight and a piano, and

0:12:12.400 --> 0:12:15.439
<v Speaker 2>other times they come from an artist that's like going

0:12:15.480 --> 0:12:17.520
<v Speaker 2>to have been like new to a lot of people.

0:12:18.400 --> 0:12:20.240
<v Speaker 2>And that's that is one thing that I do appreciate

0:12:20.280 --> 0:12:22.520
<v Speaker 2>about the Brits, but I think that was a particularly

0:12:22.520 --> 0:12:25.800
<v Speaker 2>weird year because it was it was like not even

0:12:26.320 --> 0:12:29.040
<v Speaker 2>half full, right, because it was social distancing and so

0:12:29.160 --> 0:12:32.079
<v Speaker 2>like all the artists were there sat like little.

0:12:32.880 --> 0:12:34.080
<v Speaker 4>Yeah, it was really strange.

0:12:34.080 --> 0:12:36.000
<v Speaker 1>We were all really far away from a table not

0:12:36.400 --> 0:12:38.360
<v Speaker 1>too much, probably the same size as this.

0:12:38.880 --> 0:12:41.240
<v Speaker 4>But I guess it's my only real experience of the Brits.

0:12:41.280 --> 0:12:43.679
<v Speaker 1>It will be interesting to go this year where we're

0:12:43.720 --> 0:12:46.480
<v Speaker 1>properly free again, because I don't I haven't experienced the

0:12:46.480 --> 0:12:49.079
<v Speaker 1>Brits and that kind of hey there you feeling where

0:12:49.080 --> 0:12:51.280
<v Speaker 1>everyone's just getting drunk on the floor with Jack Whitehall

0:12:51.400 --> 0:12:52.520
<v Speaker 1>just taking the make out of everyone, you.

0:12:52.520 --> 0:12:52.880
<v Speaker 4>Know what I mean.

0:12:53.440 --> 0:12:55.839
<v Speaker 1>I'm excited to experience that kind of Brits because it's

0:12:55.920 --> 0:12:57.719
<v Speaker 1>it's been pretty covidly since so.

0:12:57.720 --> 0:13:02.079
<v Speaker 2>Yeah it has. And that that night was that when

0:13:02.120 --> 0:13:03.800
<v Speaker 2>you first got to meet Taylor Swift.

0:13:04.080 --> 0:13:07.280
<v Speaker 4>Yeah it was. That was just like the cherry on

0:13:07.320 --> 0:13:08.480
<v Speaker 4>the cake at the end of the night.

0:13:08.520 --> 0:13:10.880
<v Speaker 1>After I've done all the like again, first real red

0:13:10.920 --> 0:13:14.480
<v Speaker 1>carpet experience, first real like press experience, did the big performance,

0:13:15.120 --> 0:13:18.360
<v Speaker 1>got the award, sat down, Taylor go gets her award.

0:13:18.600 --> 0:13:20.600
<v Speaker 1>She kind of like said my name in the mic,

0:13:20.679 --> 0:13:23.600
<v Speaker 1>just to say hi. That was scary enough. And then

0:13:23.840 --> 0:13:26.440
<v Speaker 1>the night had ended and we were walking back to

0:13:26.480 --> 0:13:29.320
<v Speaker 1>our dressing room and then my manager kind of took

0:13:29.360 --> 0:13:31.839
<v Speaker 1>me on a detour and he was like, time to

0:13:31.880 --> 0:13:35.520
<v Speaker 1>meet Taylor, and I was like, oh my god, and

0:13:35.600 --> 0:13:38.120
<v Speaker 1>so yeah, yeah, I went into her dressing room, said hi,

0:13:38.240 --> 0:13:40.040
<v Speaker 1>you chated for a bit, and she was really lovely.

0:13:40.120 --> 0:13:41.400
<v Speaker 2>Yeah, she was eating some chips.

0:13:41.440 --> 0:13:42.160
<v Speaker 4>She was eating chips.

0:13:42.240 --> 0:13:43.960
<v Speaker 2>Offered me a chip, did she Yeah?

0:13:44.000 --> 0:13:46.839
<v Speaker 1>It was lovely because people don't eat at those events,

0:13:46.880 --> 0:13:48.959
<v Speaker 1>so I was relieved to see a whole rider full

0:13:48.960 --> 0:13:49.560
<v Speaker 1>of chips.

0:13:49.600 --> 0:13:54.480
<v Speaker 2>It's great, yeah, amazing, and like yeah, I mean it's

0:13:54.720 --> 0:13:58.280
<v Speaker 2>it's not just like big artists co signs and another

0:13:58.320 --> 0:14:00.640
<v Speaker 2>emerging artist. You know, that's a night nice to have

0:14:00.760 --> 0:14:03.760
<v Speaker 2>or a nice feeding because Taylor, since like your real

0:14:03.840 --> 0:14:07.520
<v Speaker 2>kind of formative years of discovering music, has been like

0:14:07.720 --> 0:14:11.319
<v Speaker 2>an important artist to you and something a big influence,

0:14:11.559 --> 0:14:15.520
<v Speaker 2>like her songwriting and everything else. So regardless of whether

0:14:15.559 --> 0:14:19.320
<v Speaker 2>it's Taylor Swift or if Taylor Swift didn't have billions

0:14:19.360 --> 0:14:21.560
<v Speaker 2>of fans, if it was just like your songwriting idol,

0:14:22.080 --> 0:14:24.239
<v Speaker 2>that would have been like an important moment.

0:14:24.040 --> 0:14:26.160
<v Speaker 4>Right, definitely. Yeah.

0:14:26.320 --> 0:14:28.040
<v Speaker 1>Yeah, there are two layers to it where it's like,

0:14:28.720 --> 0:14:32.440
<v Speaker 1>first you're being like recognized by someone who's completely at

0:14:32.480 --> 0:14:34.520
<v Speaker 1>the peak of their game, but also yeah, being recognized

0:14:34.560 --> 0:14:39.600
<v Speaker 1>by someone who I just really who raised my creative journey,

0:14:39.640 --> 0:14:43.800
<v Speaker 1>I guess, And I think she's obviously renowned for raising

0:14:43.840 --> 0:14:46.240
<v Speaker 1>a new generation of songwriters. But yeah, I was definitely

0:14:46.240 --> 0:14:50.520
<v Speaker 1>there at eight years old listening to Fearless, So yeah,

0:14:50.520 --> 0:14:51.440
<v Speaker 1>she's pretty amazing.

0:14:51.640 --> 0:14:55.600
<v Speaker 2>Yeah, she's doing about a billion gigs at Wembley Stadium.

0:14:55.640 --> 0:14:58.600
<v Speaker 4>This insane. It's like, how do you even get that big?

0:14:58.640 --> 0:14:59.360
<v Speaker 4>It's wild?

0:14:59.640 --> 0:15:01.160
<v Speaker 2>Yeah, yeah, have you got ticket?

0:15:02.040 --> 0:15:04.960
<v Speaker 4>Do you know what? Confession? I don't, No, I know,

0:15:05.240 --> 0:15:07.440
<v Speaker 4>I just I don't know the whole Like.

0:15:09.200 --> 0:15:11.320
<v Speaker 1>I never was never raised going to gigs, so I

0:15:11.360 --> 0:15:13.040
<v Speaker 1>don't really have the gig culture in me.

0:15:13.800 --> 0:15:17.160
<v Speaker 4>And then I didn't This whole swifty cult is a

0:15:17.200 --> 0:15:19.080
<v Speaker 4>new thing. I thought. I didn't realize.

0:15:19.600 --> 0:15:21.560
<v Speaker 1>I don't know, this is like a new thing, isn't

0:15:21.560 --> 0:15:24.120
<v Speaker 1>it kind of the level of cult that swifties are.

0:15:24.200 --> 0:15:26.200
<v Speaker 1>I was just on my way to school listening to

0:15:26.280 --> 0:15:28.160
<v Speaker 1>Taylor Swift, obsessed with it. But I didn't realize there

0:15:28.200 --> 0:15:31.560
<v Speaker 1>was like so much commitment with it. So and also

0:15:31.720 --> 0:15:35.080
<v Speaker 1>I don't know. In my head, I just will be there.

0:15:36.400 --> 0:15:38.200
<v Speaker 4>I don't know. I'm just putting that out there. I'll

0:15:38.200 --> 0:15:39.760
<v Speaker 4>find my way there, but I don't know.

0:15:40.000 --> 0:15:41.960
<v Speaker 1>I'm not organized enough to do all the cues and

0:15:42.000 --> 0:15:44.040
<v Speaker 1>the pre orders and the pre sales and fight people

0:15:44.040 --> 0:15:44.280
<v Speaker 1>for it.

0:15:44.320 --> 0:15:46.640
<v Speaker 4>I don't know. I'll just say a prayer and hopefully

0:15:46.640 --> 0:15:47.160
<v Speaker 4>I'll make it.

0:15:47.320 --> 0:15:49.520
<v Speaker 2>You're just going to have to I'm just gonna have

0:15:49.520 --> 0:15:51.160
<v Speaker 2>to be one of the supporting artists.

0:15:51.480 --> 0:15:55.120
<v Speaker 1>Well, Taylor, if you're listening, I need I need to

0:15:55.160 --> 0:15:57.080
<v Speaker 1>see the show. So if you don't mind, just maybe

0:15:58.360 --> 0:16:01.320
<v Speaker 1>instead of just a ticket maybe, Yeah, And anyway, I'll

0:16:01.360 --> 0:16:01.560
<v Speaker 1>be there.

0:16:01.600 --> 0:16:02.080
<v Speaker 4>Yeah, I want to.

0:16:02.080 --> 0:16:04.800
<v Speaker 2>I want to talk about kind of background and your upbringing.

0:16:04.880 --> 0:16:11.360
<v Speaker 2>You're from King's Langley, King's Langley, which is a sleepy village. Well,

0:16:11.440 --> 0:16:14.320
<v Speaker 2>I grew up in Welling Garden City Fellow.

0:16:14.560 --> 0:16:19.560
<v Speaker 1>Half Yeah, exactly in the suburbs, Northwest Suburbs.

0:16:19.120 --> 0:16:21.800
<v Speaker 2>Exactly, not too far away for people that don't know.

0:16:21.960 --> 0:16:26.280
<v Speaker 4>For everyone that does, nobody knows exactly.

0:16:27.280 --> 0:16:29.400
<v Speaker 2>Kings Lanley kind of like punches in terms of like

0:16:30.360 --> 0:16:31.960
<v Speaker 2>Anthony Joshuas from kings Lanley.

0:16:32.080 --> 0:16:35.240
<v Speaker 1>Yeah, we've got one or two claim to fames, Anthony Joshua.

0:16:35.280 --> 0:16:37.000
<v Speaker 4>I can't remember if there's any others.

0:16:37.400 --> 0:16:39.840
<v Speaker 1>And I guess we've got the Watford football team, which

0:16:39.880 --> 0:16:41.680
<v Speaker 1>Alton John has made famous.

0:16:42.040 --> 0:16:44.760
<v Speaker 4>We've got Harry Potter studios.

0:16:45.000 --> 0:16:49.680
<v Speaker 1>In Watford been no, No, I've never been in. And

0:16:49.840 --> 0:16:51.880
<v Speaker 1>also are they claimed to famous that?

0:16:52.400 --> 0:16:52.960
<v Speaker 4>I think?

0:16:53.440 --> 0:16:55.800
<v Speaker 1>I think tale has it that the Game of Thrones

0:16:55.840 --> 0:16:58.880
<v Speaker 1>writer or something was on the train past kings Langley

0:16:59.280 --> 0:17:01.920
<v Speaker 1>and that's why it's somewhere in Game of Thrones is.

0:17:01.880 --> 0:17:02.920
<v Speaker 4>Called kings Landing.

0:17:03.080 --> 0:17:04.280
<v Speaker 2>Oh okay, I could.

0:17:04.080 --> 0:17:06.160
<v Speaker 4>Be chatting absolute shit, but I think that's the rumor.

0:17:06.280 --> 0:17:10.000
<v Speaker 2>Yeah, King's Landley's doing all right. And then yeah, and

0:17:10.119 --> 0:17:11.879
<v Speaker 2>so yeah, you are like one of you one of

0:17:11.880 --> 0:17:14.280
<v Speaker 2>the most famous people to ever come out of Kingsland.

0:17:14.080 --> 0:17:15.520
<v Speaker 1>I mean I think that's I think the population is

0:17:15.520 --> 0:17:17.800
<v Speaker 1>about five thousand people, so I don't know how impressive

0:17:17.840 --> 0:17:19.840
<v Speaker 1>that is, but yeah, yeah, I'll take it.

0:17:21.359 --> 0:17:25.439
<v Speaker 2>For everyone else. Probably most people listening to this just

0:17:25.520 --> 0:17:29.320
<v Speaker 2>describe your kind of King's Langley, kind of sleepy village,

0:17:29.359 --> 0:17:31.520
<v Speaker 2>like very quaint, like beautiful little place.

0:17:31.920 --> 0:17:34.399
<v Speaker 1>Yeah, I mean it's pretty English countryside. I mean it's

0:17:34.400 --> 0:17:36.879
<v Speaker 1>weird because it's proximity to London. It's like only forty

0:17:36.880 --> 0:17:40.400
<v Speaker 1>five minutes out, but it definitely feels like countryside. There's farms,

0:17:40.480 --> 0:17:45.280
<v Speaker 1>there's cows, there's old people, there's pubs, a lot of grass,

0:17:45.840 --> 0:17:48.440
<v Speaker 1>and that's about it.

0:17:48.720 --> 0:17:49.520
<v Speaker 4>Like the churches.

0:17:49.560 --> 0:17:51.399
<v Speaker 2>Do you love a country walk?

0:17:51.880 --> 0:17:53.280
<v Speaker 4>Yeah? I love country walk yeaheah.

0:17:53.320 --> 0:17:55.320
<v Speaker 1>Country walk in a country pub is kind of all

0:17:55.320 --> 0:17:59.080
<v Speaker 1>there is to do, to be honest, So yeah, not

0:17:59.280 --> 0:18:04.720
<v Speaker 1>loads going on. Didn't actually resented it growing up. Not

0:18:04.920 --> 0:18:09.080
<v Speaker 1>diverse or very white, very middle class, so we definitely

0:18:09.280 --> 0:18:11.280
<v Speaker 1>and again the population is not very big, so I

0:18:11.280 --> 0:18:14.960
<v Speaker 1>think as a family, we definitely stuck out when we went.

0:18:15.080 --> 0:18:18.600
<v Speaker 2>Yeah, because you're like, in terms of your family heritage,

0:18:18.600 --> 0:18:23.040
<v Speaker 2>you've got like you've got Jamaican, you've got Chinese. First off,

0:18:23.080 --> 0:18:26.640
<v Speaker 2>I would bet cuisine and like culture in your house

0:18:26.720 --> 0:18:28.879
<v Speaker 2>is so rich with so many great things.

0:18:29.160 --> 0:18:30.240
<v Speaker 4>Yeah, I mean it's weird.

0:18:30.280 --> 0:18:34.080
<v Speaker 1>I only I only realize it when I get asked

0:18:34.119 --> 0:18:35.840
<v Speaker 1>about it and talk about it in this context, because

0:18:35.840 --> 0:18:37.800
<v Speaker 1>when you're growing up, it's just that's just home, so

0:18:38.359 --> 0:18:39.920
<v Speaker 1>you know you're not there going oh wow.

0:18:39.960 --> 0:18:42.160
<v Speaker 4>It was such a culturally rich upbringing.

0:18:42.240 --> 0:18:45.399
<v Speaker 1>You're there going like I don't fit in and my

0:18:45.480 --> 0:18:51.480
<v Speaker 1>home is weird. But yeah, I means Mum's pretty typical

0:18:51.680 --> 0:18:57.440
<v Speaker 1>Chinese tiger mother. They're not quiet breeds of mothers and

0:18:57.680 --> 0:19:02.040
<v Speaker 1>you know, very hard on discipline. Dad is again pretty

0:19:02.080 --> 0:19:09.080
<v Speaker 1>stereotypically chilled out Jamaican Dad, two older brothers. Mum cooked most,

0:19:09.119 --> 0:19:11.480
<v Speaker 1>so it's mainly a lot of Asian food. But I

0:19:11.520 --> 0:19:14.600
<v Speaker 1>think Dad really brought in the music and the creativity,

0:19:14.720 --> 0:19:17.520
<v Speaker 1>and I think music is such a rich part of

0:19:17.560 --> 0:19:20.000
<v Speaker 1>Black culture, so I think that was ingrained in us

0:19:20.000 --> 0:19:23.879
<v Speaker 1>from a very young age. And then we also started

0:19:23.880 --> 0:19:25.960
<v Speaker 1>fostering when I was about eight, so then there was

0:19:26.000 --> 0:19:29.680
<v Speaker 1>a lot of yeah, kind of foster siblings in the

0:19:29.720 --> 0:19:32.040
<v Speaker 1>house as well, so it was mad.

0:19:32.320 --> 0:19:35.159
<v Speaker 2>I have friends who are foster parents, and for me,

0:19:35.240 --> 0:19:38.600
<v Speaker 2>it's like one of the most generous things that anybody

0:19:38.600 --> 0:19:40.920
<v Speaker 2>can ever do. To be honest, I think it's such

0:19:42.400 --> 0:19:45.720
<v Speaker 2>a warm hearted and generous gift to be able to

0:19:45.800 --> 0:19:48.680
<v Speaker 2>like to welcome somebody into your family and make them

0:19:48.680 --> 0:19:49.240
<v Speaker 2>one of your own.

0:19:49.440 --> 0:19:49.960
<v Speaker 4>It's a lot.

0:19:50.040 --> 0:19:53.760
<v Speaker 1>Yeah, I mean it's not for the week or what's

0:19:53.800 --> 0:19:57.440
<v Speaker 1>the saying, not for the lighthearted. It's a twenty four

0:19:57.440 --> 0:19:59.040
<v Speaker 1>hour job, do you know what I mean? It's not Yeah,

0:19:59.040 --> 0:20:00.960
<v Speaker 1>it's definitely not like you a few hours of charity

0:20:01.000 --> 0:20:03.879
<v Speaker 1>and then give them back. It's like they're there to

0:20:03.920 --> 0:20:05.199
<v Speaker 1>live with you and be part of the family.

0:20:05.280 --> 0:20:07.080
<v Speaker 4>So yeah, yeah, you get stuck in.

0:20:07.359 --> 0:20:11.119
<v Speaker 2>Where did music become like such a big deal for you?

0:20:11.240 --> 0:20:14.560
<v Speaker 2>Was it almost? Was it like something you had for

0:20:14.680 --> 0:20:17.600
<v Speaker 2>you that was your time, that was like a that

0:20:17.680 --> 0:20:19.879
<v Speaker 2>you could concentrate on, like a bit of a refuge.

0:20:19.920 --> 0:20:22.520
<v Speaker 2>Is that how it emerged as something that you you

0:20:22.640 --> 0:20:23.760
<v Speaker 2>got so engrossed with.

0:20:24.320 --> 0:20:26.920
<v Speaker 4>Yeah, I think it was that. I think I grew up.

0:20:27.720 --> 0:20:29.679
<v Speaker 4>We grew up in church as well, so that was

0:20:29.720 --> 0:20:30.320
<v Speaker 4>a big thing.

0:20:31.040 --> 0:20:35.360
<v Speaker 1>And like I just remember, like obviously the sermons were

0:20:35.400 --> 0:20:38.080
<v Speaker 1>so boring and the music was the fun bit. So

0:20:38.640 --> 0:20:40.560
<v Speaker 1>every time there was the praise and worship, it was

0:20:40.600 --> 0:20:42.920
<v Speaker 1>cool and it was and I think I was fortunate

0:20:42.960 --> 0:20:45.760
<v Speaker 1>to grow up in a church that had quite modern

0:20:45.840 --> 0:20:47.840
<v Speaker 1>music as well, so it wasn't like hymns it was

0:20:48.280 --> 0:20:49.200
<v Speaker 1>banned and it was like.

0:20:49.200 --> 0:20:50.840
<v Speaker 4>Proper pop chorus it is almost.

0:20:51.400 --> 0:20:53.960
<v Speaker 1>So I think that was like my first realization that

0:20:54.000 --> 0:20:59.800
<v Speaker 1>I really enjoyed music, and then yeah, it became something

0:20:59.840 --> 0:21:04.600
<v Speaker 1>that I think I felt good at doing and I enjoyed. Also,

0:21:04.920 --> 0:21:09.480
<v Speaker 1>my parents were so the combination of like immigrant ethnic

0:21:09.520 --> 0:21:12.119
<v Speaker 1>parents means that like, I don't know, it was very

0:21:12.119 --> 0:21:15.760
<v Speaker 1>strict no TV in the week, and then also very

0:21:15.840 --> 0:21:18.800
<v Speaker 1>Christian parents meant that even the TV we were allowed

0:21:18.800 --> 0:21:22.720
<v Speaker 1>to watch was very sheltered. So in terms of entertainment

0:21:23.400 --> 0:21:25.199
<v Speaker 1>and like what you do with your spare time as

0:21:25.240 --> 0:21:27.080
<v Speaker 1>a kid, it was like, well, I just played the

0:21:27.080 --> 0:21:31.320
<v Speaker 1>piano then for hours, and so that became, yeah, like

0:21:32.000 --> 0:21:34.600
<v Speaker 1>a safe place for me, I think, especially in like school,

0:21:34.640 --> 0:21:36.440
<v Speaker 1>and I didn't feel that good.

0:21:36.359 --> 0:21:37.879
<v Speaker 4>About myself, and I don't think I realized.

0:21:37.920 --> 0:21:40.240
<v Speaker 1>It's only in reflection and in hindsight that I realized

0:21:40.280 --> 0:21:44.200
<v Speaker 1>that I didn't really feel secure or belonging in school,

0:21:44.240 --> 0:21:47.040
<v Speaker 1>and I think I kind of used music as a

0:21:47.040 --> 0:21:48.280
<v Speaker 1>bit of a safe space for that.

0:21:48.400 --> 0:21:51.720
<v Speaker 2>So yeah, I think people identified that in your music

0:21:51.760 --> 0:21:54.040
<v Speaker 2>as well and gravitate towards it. So like you're sharing

0:21:54.119 --> 0:21:56.280
<v Speaker 2>in that respect to things really important, hope.

0:21:56.320 --> 0:22:00.920
<v Speaker 4>So yeah, I.

0:22:00.840 --> 0:22:03.600
<v Speaker 2>Want to kind of like bring things into into the

0:22:03.640 --> 0:22:05.920
<v Speaker 2>present a bit more, or rather like bring things into

0:22:06.000 --> 0:22:08.880
<v Speaker 2>the past couple of years a little bit more. Because

0:22:09.200 --> 0:22:11.320
<v Speaker 2>we talked a bit about the Brits, like you're kind

0:22:11.320 --> 0:22:15.439
<v Speaker 2>of there was. It was incredibly like accelerated everything that

0:22:15.440 --> 0:22:18.560
<v Speaker 2>happened for you around like you know two thousand, two

0:22:18.560 --> 0:22:21.919
<v Speaker 2>thousand and one, two thousand thousand.

0:22:21.640 --> 0:22:26.400
<v Speaker 4>And one when I was born, that was accelerated. Yeah, yeah,

0:22:26.400 --> 0:22:28.240
<v Speaker 4>I wasn't in the world that I was. It was

0:22:28.280 --> 0:22:34.639
<v Speaker 4>a pretty crazy experience actually, it was yeah, yeah, the world.

0:22:34.720 --> 0:22:36.640
<v Speaker 4>Oh my god, here I am.

0:22:36.880 --> 0:22:38.720
<v Speaker 2>This is big. It's fast, it's fast.

0:22:39.560 --> 0:22:44.120
<v Speaker 1>Here we go and dad, yeah exactly, yeah.

0:22:42.840 --> 0:22:43.920
<v Speaker 4>No, no, yeah, I know what you're saying.

0:22:46.280 --> 0:22:51.000
<v Speaker 2>Around twenty twenty twenty one, you there was just there

0:22:51.040 --> 0:22:53.080
<v Speaker 2>was so much going on, like you know, you were

0:22:53.119 --> 0:22:55.200
<v Speaker 2>kind of taking your first steps in music and then

0:22:55.640 --> 0:22:59.440
<v Speaker 2>very quickly like finding yourself on some like massive stages.

0:22:59.480 --> 0:23:03.720
<v Speaker 2>In terms of the supporting Coldplay on tour, going on

0:23:03.760 --> 0:23:07.879
<v Speaker 2>the Future Nostalgia tour, we do a leaper getting to

0:23:07.880 --> 0:23:10.920
<v Speaker 2>play with they'd shearing like, how did you find those

0:23:11.800 --> 0:23:16.080
<v Speaker 2>adjusting to those experiences stadiums and all that kind of stuff.

0:23:16.119 --> 0:23:20.600
<v Speaker 1>It was really intense, if I'm totally honest again, coming

0:23:20.640 --> 0:23:23.240
<v Speaker 1>out a few years of COVID and then never have

0:23:23.280 --> 0:23:26.439
<v Speaker 1>toured before and then straight onto a tour bus. I

0:23:26.480 --> 0:23:29.919
<v Speaker 1>mean most artists will talk about how brutal touring is,

0:23:30.280 --> 0:23:31.960
<v Speaker 1>and so to kind of go straight into it on

0:23:32.000 --> 0:23:35.160
<v Speaker 1>that scale was a lot.

0:23:35.280 --> 0:23:36.520
<v Speaker 4>It was a lot to learn.

0:23:37.040 --> 0:23:39.280
<v Speaker 1>There's so much, so much of touring that there's no

0:23:39.400 --> 0:23:41.920
<v Speaker 1>rule book on then no one gives you any warning

0:23:41.960 --> 0:23:45.560
<v Speaker 1>of It's like down to the relentlessness of just being

0:23:45.560 --> 0:23:48.800
<v Speaker 1>around people every day, you know, and building your team

0:23:48.880 --> 0:23:50.680
<v Speaker 1>and like waking up to your like you know, your

0:23:50.680 --> 0:23:52.960
<v Speaker 1>back line guy and your drama and in the tour bus,

0:23:53.000 --> 0:23:56.880
<v Speaker 1>and then performing every night, and just the resilience around

0:23:56.920 --> 0:23:59.960
<v Speaker 1>that and just like vocal training and performance and also

0:24:00.200 --> 0:24:01.000
<v Speaker 1>to engage a crowd.

0:24:02.800 --> 0:24:05.760
<v Speaker 4>And then also like the.

0:24:05.720 --> 0:24:07.160
<v Speaker 1>Other side of it is that you don't make any

0:24:07.160 --> 0:24:10.920
<v Speaker 1>money really, so then that's the whole thing. And then

0:24:10.960 --> 0:24:13.040
<v Speaker 1>just being away from home and being away from family.

0:24:13.119 --> 0:24:13.359
<v Speaker 4>It was.

0:24:13.720 --> 0:24:15.639
<v Speaker 1>Yeah, I definitely felt like I was kind of in

0:24:15.880 --> 0:24:18.200
<v Speaker 1>in boot camp for touring very quickly.

0:24:18.240 --> 0:24:20.600
<v Speaker 2>Did you bring any mementos back from many of those

0:24:21.760 --> 0:24:22.560
<v Speaker 2>those tours?

0:24:23.240 --> 0:24:24.800
<v Speaker 1>I guess the one that came to mind is like

0:24:24.960 --> 0:24:26.960
<v Speaker 1>sitting when I sat down with Chris Martin and listened

0:24:26.960 --> 0:24:28.640
<v Speaker 1>to the music. I still have kind of the notes

0:24:28.680 --> 0:24:31.560
<v Speaker 1>that he wrote down about all my songs and he

0:24:31.600 --> 0:24:34.159
<v Speaker 1>wrote a lovely little letter just to encourage me. So

0:24:34.240 --> 0:24:39.040
<v Speaker 1>that's something I'll always have. But otherwise otherwise, I don't know.

0:24:39.080 --> 0:24:42.879
<v Speaker 1>It's also so lame. But because we take so much

0:24:42.920 --> 0:24:44.280
<v Speaker 1>stuff on our phones, and I feel like all my

0:24:44.320 --> 0:24:45.400
<v Speaker 1>memories are just like on there.

0:24:46.320 --> 0:24:49.320
<v Speaker 4>That's such a like gen Z thing to say.

0:24:49.320 --> 0:24:52.440
<v Speaker 2>But yeah, yeah, since you bring it up. Obviously, you

0:24:52.680 --> 0:24:55.000
<v Speaker 2>went on tour we Coldplay. You got to spend some

0:24:55.040 --> 0:24:57.200
<v Speaker 2>time with Chris Martin when you when you went to

0:24:57.240 --> 0:25:00.320
<v Speaker 2>record Astronaut. I've met Chris Martin before. He's always seem

0:25:00.520 --> 0:25:03.000
<v Speaker 2>very yeah, like it was very like warm and like

0:25:05.359 --> 0:25:12.560
<v Speaker 2>very like humble and sensitive and quite generous guy. Yeah, yeah, yeah,

0:25:12.600 --> 0:25:15.440
<v Speaker 2>And so what was your what was your experience liked?

0:25:15.720 --> 0:25:18.160
<v Speaker 2>Was was he encouraging? What how did he Because he's

0:25:18.240 --> 0:25:20.560
<v Speaker 2>like very collaborative and I'm always interested to hear of

0:25:20.640 --> 0:25:25.639
<v Speaker 2>like what artists are like in that mode, because some

0:25:25.680 --> 0:25:29.679
<v Speaker 2>people are better at giving advice or encouragement or feedback

0:25:29.760 --> 0:25:32.720
<v Speaker 2>than others, and like you kind of yeah, I don't

0:25:32.760 --> 0:25:34.919
<v Speaker 2>know what Chris Martin's like in that scenario.

0:25:35.320 --> 0:25:38.040
<v Speaker 4>Yeah, it was pretty pretty nuts.

0:25:38.080 --> 0:25:43.200
<v Speaker 1>I mean, I I was, I mean, I constantly felt

0:25:43.200 --> 0:25:44.760
<v Speaker 1>guilty that I was taking up too much of his

0:25:44.840 --> 0:25:49.640
<v Speaker 1>time because it was so generous of him, Like firstly,

0:25:49.720 --> 0:25:51.640
<v Speaker 1>like him offering to listen to music. I just thought

0:25:51.680 --> 0:25:54.800
<v Speaker 1>he was being polite, and then it actually happened, and

0:25:55.359 --> 0:25:57.080
<v Speaker 1>that whole day I just was like, oh my god,

0:25:57.119 --> 0:25:59.960
<v Speaker 1>this is so not embarrassing, but like, oh my god,

0:26:00.040 --> 0:26:03.160
<v Speaker 1>he's got so many things to do. He's Chris Martin.

0:26:03.200 --> 0:26:05.840
<v Speaker 1>He doesn't have an evening to spend listening to my music.

0:26:06.800 --> 0:26:09.399
<v Speaker 1>But that was really he was really encouraging, and I

0:26:09.400 --> 0:26:09.760
<v Speaker 1>think he.

0:26:10.920 --> 0:26:12.680
<v Speaker 4>Read me really well.

0:26:12.920 --> 0:26:15.880
<v Speaker 1>Like I was listening to the music so nervous, like

0:26:16.119 --> 0:26:18.119
<v Speaker 1>I literally couldn't make any eye contact. I was staring

0:26:18.160 --> 0:26:21.479
<v Speaker 1>at the ground. Stopped the music. He's like, chill, this

0:26:21.520 --> 0:26:24.719
<v Speaker 1>is amazing. Like he was so encouraging in the right moments,

0:26:24.720 --> 0:26:27.680
<v Speaker 1>and I think he really it's amazing how he switches

0:26:27.760 --> 0:26:32.080
<v Speaker 1>from like super social Chris Martin and then also switches

0:26:32.119 --> 0:26:36.119
<v Speaker 1>straight into like music Chris Martin, and then suddenly speaking

0:26:36.160 --> 0:26:39.360
<v Speaker 1>that language and giving such helpful music feedback, like that's

0:26:39.440 --> 0:26:41.639
<v Speaker 1>the chorus, even though that you think that's your middle light,

0:26:41.680 --> 0:26:44.480
<v Speaker 1>that's your chorus, or like that's actually the title of

0:26:44.520 --> 0:26:45.919
<v Speaker 1>the song, even though you think that's the title of

0:26:45.920 --> 0:26:48.520
<v Speaker 1>the song that like that kind of perspective was really

0:26:48.640 --> 0:26:53.399
<v Speaker 1>really helpful, and so yeah, it was crazy, but it's

0:26:53.440 --> 0:26:55.919
<v Speaker 1>also I don't know, I felt like the whole time

0:26:56.480 --> 0:26:58.120
<v Speaker 1>I was just trying to not think about the fact

0:26:58.119 --> 0:26:59.480
<v Speaker 1>that I was in the studio with Chris Martin. But

0:26:59.480 --> 0:27:02.399
<v Speaker 1>I'm sure then coming across like really really fucking weird.

0:27:02.400 --> 0:27:05.200
<v Speaker 1>But I don't know, because I like, just be cool,

0:27:05.280 --> 0:27:06.960
<v Speaker 1>be cool. But then I sometimes I'm like, maybe I

0:27:07.000 --> 0:27:08.600
<v Speaker 1>was too cool and maybe I needed to be more

0:27:08.720 --> 0:27:12.520
<v Speaker 1>like I don't know, I'm such a in my head person.

0:27:13.560 --> 0:27:16.000
<v Speaker 4>But no, he was I mean, yeah.

0:27:15.840 --> 0:27:19.320
<v Speaker 2>He was amazing, and he left you the message of encouragement.

0:27:19.359 --> 0:27:21.159
<v Speaker 2>He wrote something for you, like a kind of like

0:27:21.200 --> 0:27:22.680
<v Speaker 2>a little letter or something. Yeah.

0:27:22.720 --> 0:27:24.080
<v Speaker 1>Well, we sat down and listened to a lot of

0:27:24.080 --> 0:27:27.399
<v Speaker 1>songs and so he was like, right, let's start getting

0:27:27.600 --> 0:27:29.800
<v Speaker 1>getting like, you know, pen and paper. So he was like,

0:27:29.880 --> 0:27:32.200
<v Speaker 1>you write down your favorite songs. I'll write my down

0:27:32.240 --> 0:27:34.439
<v Speaker 1>my favorite songs. And then just at the end, he

0:27:34.560 --> 0:27:36.840
<v Speaker 1>just wrote a nice little note just to say that

0:27:37.520 --> 0:27:39.600
<v Speaker 1>the album's great, the music's great, and it's going to

0:27:39.640 --> 0:27:40.480
<v Speaker 1>be great, which.

0:27:40.280 --> 0:27:42.640
<v Speaker 2>Is nice, amazing. That's gotta be framed somewhere right.

0:27:42.720 --> 0:27:45.560
<v Speaker 1>I know, I know, I actually found it like crumbled.

0:27:46.000 --> 0:27:47.600
<v Speaker 1>I thought I'd lost it and I said, oh my god,

0:27:47.600 --> 0:27:48.960
<v Speaker 1>no way have I lost the note. And then I

0:27:48.960 --> 0:27:51.119
<v Speaker 1>found it like the bottom of a tope bag amongst

0:27:51.119 --> 0:27:54.040
<v Speaker 1>a load of other touring shit. So no, I know, terrible.

0:27:54.080 --> 0:27:55.520
<v Speaker 1>So now I've like put it on my side. I

0:27:55.520 --> 0:27:56.200
<v Speaker 1>need to put it in a.

0:27:56.160 --> 0:27:58.520
<v Speaker 2>Frame, definitely. Yeah, that one needs to go in the

0:27:58.640 --> 0:28:00.000
<v Speaker 2>in the memory box.

0:28:00.200 --> 0:28:01.720
<v Speaker 4>Yeah, exactly exactly.

0:28:01.960 --> 0:28:03.879
<v Speaker 2>Let's talk about your new music, miss Me Too. You

0:28:03.960 --> 0:28:07.240
<v Speaker 2>released not too long ago. Love that track and it's

0:28:07.280 --> 0:28:09.119
<v Speaker 2>kind of you described it as sort of something that

0:28:09.160 --> 0:28:14.720
<v Speaker 2>came about in this sense of like rediscovering or questioning

0:28:14.800 --> 0:28:18.720
<v Speaker 2>what it means to sort of come out of adolescents

0:28:18.760 --> 0:28:21.560
<v Speaker 2>and just sort of reshaping who you are. Make it

0:28:21.600 --> 0:28:24.119
<v Speaker 2>like kind of just trying to connect with that sense again.

0:28:24.359 --> 0:28:26.280
<v Speaker 4>Yeah. Yeah, it's funny.

0:28:26.880 --> 0:28:28.919
<v Speaker 1>Now when I talk about what the song's about, I'm like,

0:28:28.920 --> 0:28:31.359
<v Speaker 1>oh my god, it's I hope it doesn't come across

0:28:31.359 --> 0:28:34.800
<v Speaker 1>in a really cheesy way, because it wasn't. Yeah, it

0:28:34.920 --> 0:28:38.400
<v Speaker 1>was a song about wanting to find yourself. I think

0:28:38.400 --> 0:28:39.400
<v Speaker 1>it's it's more like.

0:28:41.480 --> 0:28:44.200
<v Speaker 4>I think along long the long old road of life.

0:28:45.160 --> 0:28:47.120
<v Speaker 4>I don't know. You do kind of lose.

0:28:46.960 --> 0:28:49.520
<v Speaker 1>Fragments of yourself, whether it's in relationships or time periods,

0:28:49.600 --> 0:28:53.040
<v Speaker 1>or you've lived in one place and you move, you know,

0:28:52.880 --> 0:28:55.560
<v Speaker 1>you lose bits of yourself. And I think it's just

0:28:55.760 --> 0:28:59.160
<v Speaker 1>about kind of retracing those steps and figuring out where

0:28:59.160 --> 0:29:02.640
<v Speaker 1>it is you lost those bits. And sometimes it's good

0:29:02.640 --> 0:29:04.520
<v Speaker 1>to lose a bit of yourself, and sometimes there's actually

0:29:05.360 --> 0:29:07.520
<v Speaker 1>a sense of yourself that you really need to get back.

0:29:08.640 --> 0:29:11.440
<v Speaker 1>And I think that's kind of what, yeah, what the

0:29:11.480 --> 0:29:14.200
<v Speaker 1>song's about. And that's why I love that the production

0:29:14.320 --> 0:29:18.240
<v Speaker 1>is super high energy and hopeful, because even that the

0:29:18.320 --> 0:29:21.320
<v Speaker 1>lyric is quite sad, I think there is a sense

0:29:21.360 --> 0:29:23.360
<v Speaker 1>of hope where it's just like there's a sense of

0:29:23.400 --> 0:29:25.600
<v Speaker 1>searching for yourself again.

0:29:25.800 --> 0:29:29.080
<v Speaker 2>Yeah, and you shared it amongst a group of songs,

0:29:29.080 --> 0:29:31.800
<v Speaker 2>a collection of songs that make up Volume two of

0:29:32.080 --> 0:29:34.520
<v Speaker 2>They're to goa to write those songs that might write

0:29:34.520 --> 0:29:37.200
<v Speaker 2>and thinking you booked out some different airbnbs, and that's

0:29:37.280 --> 0:29:39.880
<v Speaker 2>just because in the past you've done so much. You're

0:29:39.880 --> 0:29:41.880
<v Speaker 2>writing at home in the space that you've created your

0:29:41.920 --> 0:29:43.040
<v Speaker 2>like home studio.

0:29:42.760 --> 0:29:47.200
<v Speaker 1>Right, Yeah, So I think I think there were a

0:29:47.240 --> 0:29:50.920
<v Speaker 1>few things. I suddenly felt pressure to write, which is

0:29:50.960 --> 0:29:53.080
<v Speaker 1>a feeling I've never had with writing, because writing was

0:29:53.080 --> 0:29:55.880
<v Speaker 1>always for me. And then like post Brits and everything,

0:29:55.920 --> 0:29:57.480
<v Speaker 1>everyone was like, where's the album. I'm like, I don't know,

0:29:57.520 --> 0:30:01.400
<v Speaker 1>I've been on tour, and so that dynamic was there.

0:30:01.400 --> 0:30:03.880
<v Speaker 1>So I think being in Airbnb's was me almost trying

0:30:03.880 --> 0:30:05.520
<v Speaker 1>to trick my brain into feeling like I was in

0:30:05.520 --> 0:30:08.880
<v Speaker 1>a low pressure environment, you know, because I didn't want

0:30:08.920 --> 0:30:10.800
<v Speaker 1>the label to put me out a big, fancy studio.

0:30:11.280 --> 0:30:13.440
<v Speaker 1>I'd be so conscious of how much it costs and

0:30:13.520 --> 0:30:15.840
<v Speaker 1>the time and what I'm how productive it is that

0:30:16.400 --> 0:30:18.080
<v Speaker 1>I almost wouldn't tell the label when I'm going away

0:30:18.080 --> 0:30:19.760
<v Speaker 1>to write because it's it's better. I don't want people

0:30:19.840 --> 0:30:22.400
<v Speaker 1>asking me, you know, from my homework at the end

0:30:22.400 --> 0:30:22.800
<v Speaker 1>of the day.

0:30:24.480 --> 0:30:26.320
<v Speaker 4>And then also for some reason, I think I was

0:30:26.600 --> 0:30:27.360
<v Speaker 4>I always used.

0:30:27.200 --> 0:30:28.800
<v Speaker 1>To be able to make music at home and make

0:30:28.840 --> 0:30:31.000
<v Speaker 1>loads of noise at home, not feeling like I was

0:30:31.040 --> 0:30:33.280
<v Speaker 1>being heard too much, and I think it was there

0:30:33.320 --> 0:30:35.240
<v Speaker 1>was the element of just like my mum's so busy,

0:30:35.320 --> 0:30:37.200
<v Speaker 1>my dad's out of work, my brothers and boys, they

0:30:37.200 --> 0:30:40.320
<v Speaker 1>don't care like the screaming kids like I could just

0:30:40.400 --> 0:30:42.560
<v Speaker 1>I could blast a song, and honestly, I would come

0:30:42.600 --> 0:30:45.160
<v Speaker 1>out and it would be so hectic outside of the

0:30:45.200 --> 0:30:47.440
<v Speaker 1>house in the house that it just didn't matter. Whereas

0:30:47.440 --> 0:30:52.120
<v Speaker 1>I think from COVID, things were so focused and intense,

0:30:52.120 --> 0:30:54.240
<v Speaker 1>and Dad suddenly working from home and we had some

0:30:54.560 --> 0:30:56.880
<v Speaker 1>kid changes, I suddenly just felt very self conscious about

0:30:56.920 --> 0:30:59.360
<v Speaker 1>making noise in the house. So I just got I

0:30:59.440 --> 0:31:02.600
<v Speaker 1>knew I couldn't right in at my family home. So

0:31:02.640 --> 0:31:05.719
<v Speaker 1>that's kind of why I started just booking little airbnbs.

0:31:06.080 --> 0:31:08.080
<v Speaker 4>And there's a fun feature on it on.

0:31:08.560 --> 0:31:12.800
<v Speaker 1>The desktop version where you can, if you just scroll

0:31:12.800 --> 0:31:14.880
<v Speaker 1>a little bit, you can filter in where a piano is.

0:31:15.680 --> 0:31:16.120
<v Speaker 4>Yeah, I know.

0:31:16.360 --> 0:31:18.360
<v Speaker 1>So that's all I do. Really, I just go on.

0:31:18.600 --> 0:31:20.400
<v Speaker 1>When I knew when i'd get back in between tours

0:31:20.440 --> 0:31:23.360
<v Speaker 1>and I knew I had like maybe two weeks, I

0:31:23.360 --> 0:31:28.080
<v Speaker 1>would just put the piano filter on and find one

0:31:28.120 --> 0:31:30.200
<v Speaker 1>that felt like it wasn't going to blow the budget,

0:31:30.480 --> 0:31:34.960
<v Speaker 1>and then drive a few hours and then like, yeah,

0:31:34.960 --> 0:31:36.240
<v Speaker 1>I hope it was tuned, and like.

0:31:36.480 --> 0:31:37.480
<v Speaker 4>Come back to the kitchen.

0:31:37.640 --> 0:31:37.840
<v Speaker 2>Yeah.

0:31:38.360 --> 0:31:38.440
<v Speaker 4>No.

0:31:38.760 --> 0:31:40.760
<v Speaker 1>I would send a message being like, HI, just checking

0:31:40.760 --> 0:31:44.800
<v Speaker 1>the piano's tuned, and then yeah, I'd always like get

0:31:44.800 --> 0:31:47.320
<v Speaker 1>there like immediately get there, unload my car from all

0:31:47.360 --> 0:31:50.080
<v Speaker 1>my music equipment, put on some music, and then like

0:31:50.280 --> 0:31:53.240
<v Speaker 1>reshuffle the house and like because if the piano is

0:31:53.240 --> 0:31:55.600
<v Speaker 1>in the kitchen or whatever, I'd like move it, take

0:31:55.640 --> 0:31:57.840
<v Speaker 1>a desk from somewhere, like put a lamp somewhere, like

0:31:57.880 --> 0:31:59.560
<v Speaker 1>create some kind of on beance and be like, ha,

0:32:00.200 --> 0:32:01.920
<v Speaker 1>this is this week's studio.

0:32:02.880 --> 0:32:04.640
<v Speaker 2>I've got visions of you like knocking on the neighbor's

0:32:04.640 --> 0:32:07.440
<v Speaker 2>door just being like I'm staying. Do you mind how

0:32:07.440 --> 0:32:08.760
<v Speaker 2>we get the I need to get a piano.

0:32:10.840 --> 0:32:13.560
<v Speaker 1>Yeah, no, No, I actually wouldn't try and ignore any

0:32:13.600 --> 0:32:15.200
<v Speaker 1>neighbors because I knew I'd probably be making a lot

0:32:15.240 --> 0:32:17.000
<v Speaker 1>of noise late at night, so I just thought I

0:32:17.040 --> 0:32:19.000
<v Speaker 1>won't show my face and hopefully no one complains.

0:32:19.080 --> 0:32:21.360
<v Speaker 2>Yeah, did you find any like cozy spots? Like did

0:32:21.360 --> 0:32:23.240
<v Speaker 2>you go anywhere in particular that you were like this

0:32:23.360 --> 0:32:26.160
<v Speaker 2>is this is great? Like this is exactly the type

0:32:26.200 --> 0:32:27.479
<v Speaker 2>of space I need to be creative.

0:32:27.840 --> 0:32:30.080
<v Speaker 1>They were all pretty kooky and pretty scary to be hones,

0:32:30.160 --> 0:32:33.000
<v Speaker 1>especially because I turn up alone, So like the first

0:32:33.080 --> 0:32:35.120
<v Speaker 1>night you'd be a bit eerie and like getting to

0:32:35.160 --> 0:32:37.320
<v Speaker 1>know the house. But I think the first one I

0:32:37.360 --> 0:32:40.840
<v Speaker 1>went in was Image in Heap's house and that was

0:32:40.840 --> 0:32:45.480
<v Speaker 1>actually a studio r and her house is insane.

0:32:45.520 --> 0:32:46.400
<v Speaker 4>She was she wasn't there.

0:32:46.440 --> 0:32:49.280
<v Speaker 1>She rents it out now, but it's like I think

0:32:49.280 --> 0:32:51.960
<v Speaker 1>it's one of the only roundhouses left in the UK.

0:32:52.000 --> 0:32:53.920
<v Speaker 1>And it has this huge spiral staircase in the middle

0:32:54.240 --> 0:32:56.200
<v Speaker 1>and all the rooms kind of circle all around it,

0:32:56.240 --> 0:32:59.040
<v Speaker 1>and then the studio is in the basement and that

0:32:59.200 --> 0:33:00.760
<v Speaker 1>was a pretty are in place to be.

0:33:01.000 --> 0:33:02.000
<v Speaker 4>Yeah, it's beautiful.

0:33:05.600 --> 0:33:07.000
<v Speaker 2>I've got a final couple of things I want to

0:33:07.040 --> 0:33:10.320
<v Speaker 2>talk to you about before before we before we wrap up.

0:33:10.320 --> 0:33:14.880
<v Speaker 2>But on YouTube you share lots of different stuff, one

0:33:14.920 --> 0:33:16.720
<v Speaker 2>of which is like a series that you've been doing

0:33:17.160 --> 0:33:20.240
<v Speaker 2>where you cover songs and you've been doing for this

0:33:20.280 --> 0:33:22.880
<v Speaker 2>for quite a while and also done it with loads

0:33:22.920 --> 0:33:27.520
<v Speaker 2>of different artists Georgia Sigrid sg Lewis like loads of

0:33:27.520 --> 0:33:29.320
<v Speaker 2>people that you've kind of raped in to basically do

0:33:29.800 --> 0:33:33.600
<v Speaker 2>cover versions. You set yourself an hour to uh to

0:33:33.680 --> 0:33:38.960
<v Speaker 2>basically recreate, reversion, reshape a song and share it. How

0:33:39.000 --> 0:33:41.360
<v Speaker 2>has that gone? And like, in all honesty, when is

0:33:41.400 --> 0:33:43.640
<v Speaker 2>it gone? What are some of your favorite times when

0:33:43.640 --> 0:33:45.120
<v Speaker 2>you think it's gone really well? And what are the

0:33:45.160 --> 0:33:48.920
<v Speaker 2>science times when you're gone, this has gone terribly wrong.

0:33:49.520 --> 0:33:53.760
<v Speaker 1>They're all really kind of a lot because it's quite intense.

0:33:53.800 --> 0:33:56.000
<v Speaker 1>Sometimes I'm meeting the people for the first time I've

0:33:56.040 --> 0:34:00.320
<v Speaker 1>messaged them or whatever, and you've got cameras on, and

0:34:00.720 --> 0:34:04.280
<v Speaker 1>it is a bit like, yeah, it's real social anxiety.

0:34:05.280 --> 0:34:07.920
<v Speaker 4>I thought, what was a good one?

0:34:08.160 --> 0:34:13.239
<v Speaker 1>I thought the Birdie one became really good because the

0:34:13.280 --> 0:34:16.800
<v Speaker 1>studio we'd booked was awful. It was like this horrible

0:34:16.800 --> 0:34:19.800
<v Speaker 1>little box and you could tell that like people have

0:34:19.880 --> 0:34:22.080
<v Speaker 1>been in their hot boxing it and like Birdie is

0:34:22.120 --> 0:34:24.840
<v Speaker 1>so like quaint and gentle, and it just wasn't a

0:34:24.840 --> 0:34:28.719
<v Speaker 1>beautiful studio at all. And anyways, we did Bloody by

0:34:28.719 --> 0:34:30.239
<v Speaker 1>Your Lights and then I think it turned out really

0:34:30.320 --> 0:34:32.160
<v Speaker 1>really nice, and a lot of people talk to me

0:34:32.160 --> 0:34:35.040
<v Speaker 1>about that one. The Tom Adele one was funny because

0:34:35.040 --> 0:34:36.600
<v Speaker 1>he kind of came in. I'm not even sure he

0:34:36.640 --> 0:34:39.640
<v Speaker 1>really had a concept of what it was. I mates

0:34:39.680 --> 0:34:41.200
<v Speaker 1>with Tom, and he just kind of came in and

0:34:41.239 --> 0:34:44.120
<v Speaker 1>quite Tom fashion was like I've got to leave in

0:34:44.120 --> 0:34:44.720
<v Speaker 1>twenty minutes.

0:34:44.800 --> 0:34:47.560
<v Speaker 2>I was like, what the the idea is? One?

0:34:47.960 --> 0:34:48.240
<v Speaker 4>Tom?

0:34:48.760 --> 0:34:50.560
<v Speaker 1>So then I was like, get on the piano and

0:34:50.560 --> 0:34:52.279
<v Speaker 1>then we did the Villie Eilish one, so that one

0:34:52.360 --> 0:34:53.400
<v Speaker 1>was kind of funny.

0:34:53.680 --> 0:34:56.399
<v Speaker 2>I quite like the one did with Cigared was good

0:34:56.400 --> 0:34:58.359
<v Speaker 2>because it sort of just all fell apart and then

0:34:58.400 --> 0:35:00.840
<v Speaker 2>you were just like, Okay, knew, I We've got like

0:35:01.480 --> 0:35:02.640
<v Speaker 2>fifteen minutes left.

0:35:02.840 --> 0:35:04.399
<v Speaker 1>But yeah, I'm trying to remember what song I did

0:35:04.400 --> 0:35:05.920
<v Speaker 1>with cigarette Actually I can't remember.

0:35:06.360 --> 0:35:07.359
<v Speaker 2>Was it a Taylor Swift song?

0:35:07.600 --> 0:35:09.920
<v Speaker 4>Yeah, it must have been. Yeah, I think we switched.

0:35:09.680 --> 0:35:11.400
<v Speaker 2>Off with shoes and you were both really funny on

0:35:11.440 --> 0:35:14.120
<v Speaker 2>that one. It was good. I think you both embraced

0:35:14.120 --> 0:35:15.680
<v Speaker 2>the fact that it seemed to be just sort of

0:35:15.719 --> 0:35:16.960
<v Speaker 2>going going shape.

0:35:17.080 --> 0:35:18.239
<v Speaker 4>Yeah, yeah, exactly. I know.

0:35:18.280 --> 0:35:21.120
<v Speaker 1>It also depends how like I'm feeling as well, because like,

0:35:21.200 --> 0:35:23.680
<v Speaker 1>I don't really produce very well under pressure. I need

0:35:23.680 --> 0:35:26.040
<v Speaker 1>time and space and then suddenly I'm like ah, and

0:35:26.040 --> 0:35:28.600
<v Speaker 1>then also like pulling up a terrible set synth sound

0:35:28.640 --> 0:35:31.000
<v Speaker 1>and then hearing the other artists judge me it's just awful.

0:35:32.000 --> 0:35:33.600
<v Speaker 1>But yes, it's fun.

0:35:33.680 --> 0:35:35.359
<v Speaker 2>It's called Against the Clock, I should say, so if

0:35:35.360 --> 0:35:38.359
<v Speaker 2>anbody's going to check it out, it's on YouTube. And

0:35:38.440 --> 0:35:41.399
<v Speaker 2>I guess my final question was just about like your

0:35:41.440 --> 0:35:44.000
<v Speaker 2>plans and your ambitions for like the next kind of

0:35:44.000 --> 0:35:45.640
<v Speaker 2>like year or two. I don't want to get like

0:35:45.719 --> 0:35:51.359
<v Speaker 2>too far ahead, because you know, you've been, like, from

0:35:51.360 --> 0:35:53.720
<v Speaker 2>what kind of outside perspective, you're kind of you seemingly

0:35:53.840 --> 0:35:55.440
<v Speaker 2>quite prolific, Like you've been writing a lot of songs,

0:35:55.480 --> 0:35:57.680
<v Speaker 2>You've shared like a quite a lot of music last

0:35:57.680 --> 0:35:59.759
<v Speaker 2>couple of years. What are you kind of like headed for,

0:35:59.800 --> 0:36:02.200
<v Speaker 2>what what you're hoping for you and what kind of

0:36:02.320 --> 0:36:04.239
<v Speaker 2>artists would you like to be in terms of like

0:36:04.280 --> 0:36:07.000
<v Speaker 2>a level do you And it's an odd question to say,

0:36:07.120 --> 0:36:10.200
<v Speaker 2>I'm just saying, like I guess I'm asking you know,

0:36:11.800 --> 0:36:14.360
<v Speaker 2>is this really about like longevity? Do you really just

0:36:14.360 --> 0:36:16.920
<v Speaker 2>want to like try and write as many like timeless

0:36:16.920 --> 0:36:19.680
<v Speaker 2>songs that mean something to people as possible? Are you

0:36:19.760 --> 0:36:22.040
<v Speaker 2>thinking like I really want to, you know, have him

0:36:22.040 --> 0:36:25.240
<v Speaker 2>shared a stage with Coldplay and do a leap and stuff.

0:36:25.239 --> 0:36:27.520
<v Speaker 2>You're thinking like I want to play stadium shows or

0:36:27.520 --> 0:36:30.359
<v Speaker 2>what's because you know, you're you're You're You've always said

0:36:30.400 --> 0:36:33.440
<v Speaker 2>that you're so passionate about the song and songwriting, like

0:36:33.680 --> 0:36:36.719
<v Speaker 2>ahead of like the kind of being an artist, being

0:36:36.760 --> 0:36:39.640
<v Speaker 2>the kind of the face of it almost that I'm

0:36:39.680 --> 0:36:42.279
<v Speaker 2>just really keen to know, well where you you like

0:36:42.320 --> 0:36:43.440
<v Speaker 2>to take things.

0:36:45.440 --> 0:36:46.920
<v Speaker 4>Yeah, I've had to really.

0:36:48.360 --> 0:36:50.600
<v Speaker 1>Do you construct a little bit what I think is

0:36:50.640 --> 0:36:55.520
<v Speaker 1>successful because I think at the beginning, I just I mean,

0:36:56.040 --> 0:36:58.600
<v Speaker 1>I guess every artist is kind of their own worst critic,

0:36:58.640 --> 0:37:02.120
<v Speaker 1>but I definitely thought be quicker and like an overnight thing.

0:37:04.040 --> 0:37:09.760
<v Speaker 1>So that was like a brutal awakening. And then now

0:37:09.880 --> 0:37:11.399
<v Speaker 1>it's like I don't even know what any I don't

0:37:11.400 --> 0:37:14.719
<v Speaker 1>think anyone knows what success is, you know, like with

0:37:14.880 --> 0:37:17.840
<v Speaker 1>short form, with TikTok is like even the way record

0:37:17.920 --> 0:37:20.760
<v Speaker 1>labels are defining success, is it like how many creations

0:37:20.800 --> 0:37:21.120
<v Speaker 1>it has?

0:37:21.280 --> 0:37:23.120
<v Speaker 4>Is it? Are we still caring about charts? Do we

0:37:23.160 --> 0:37:24.160
<v Speaker 4>care about radio? Like?

0:37:24.840 --> 0:37:27.200
<v Speaker 1>I guess I never thought I would be like someone

0:37:27.200 --> 0:37:29.680
<v Speaker 1>who really was attached to the mainstream that much, which

0:37:29.719 --> 0:37:31.560
<v Speaker 1>is funny, which is why I think I found the

0:37:31.560 --> 0:37:36.560
<v Speaker 1>Brits quite an amazing but like an accelerated experience, because

0:37:36.600 --> 0:37:39.120
<v Speaker 1>I never thought I wrote pop songs for the charts,

0:37:40.080 --> 0:37:42.319
<v Speaker 1>which I think I do, which isn't a bad thing

0:37:42.320 --> 0:37:45.640
<v Speaker 1>at all, But yeah, I just want to write songs

0:37:45.640 --> 0:37:48.960
<v Speaker 1>that I love and move people really and in terms

0:37:49.000 --> 0:37:52.480
<v Speaker 1>of level, I don't know, like I'm so inspired by

0:37:52.480 --> 0:37:55.880
<v Speaker 1>the scale that I've witnessed, and I think anyone who

0:37:55.960 --> 0:37:58.200
<v Speaker 1>does this is driven to some extent and wants to

0:37:58.239 --> 0:38:01.600
<v Speaker 1>see and is competitive and like almost likes the sadistic

0:38:01.760 --> 0:38:06.200
<v Speaker 1>challenge of like beating yourself. So I wouldn't lie by

0:38:06.200 --> 0:38:08.839
<v Speaker 1>saying I didn't look at stadiums and arenas and get

0:38:08.880 --> 0:38:10.960
<v Speaker 1>super inspired. I would love that one day, but I

0:38:10.960 --> 0:38:13.160
<v Speaker 1>don't want to put that too much on a pedestal.

0:38:13.200 --> 0:38:15.560
<v Speaker 1>Almost Chris actually said to me, He's like, do you

0:38:15.560 --> 0:38:17.360
<v Speaker 1>write down what you want to do? Because he always

0:38:17.360 --> 0:38:19.239
<v Speaker 1>did that. He would write down, like I want to

0:38:19.280 --> 0:38:22.279
<v Speaker 1>do Glastonbury, and then he did it, and that's one.

0:38:22.880 --> 0:38:24.840
<v Speaker 1>It's a cool way of kind of I guess, manifesting

0:38:24.880 --> 0:38:27.120
<v Speaker 1>your career. I would just like a nice fan base

0:38:27.160 --> 0:38:30.279
<v Speaker 1>that are there whenever I'm ready to release a song.

0:38:30.280 --> 0:38:33.160
<v Speaker 4>I think, like Adele does that really well. I think.

0:38:34.440 --> 0:38:36.960
<v Speaker 1>Frank Ocean seems to have the most ideal cult following

0:38:37.280 --> 0:38:41.440
<v Speaker 1>where you can just disappear and then reappear. Lord, I

0:38:41.440 --> 0:38:44.200
<v Speaker 1>think does it. I don't think I desire to be

0:38:44.520 --> 0:38:49.759
<v Speaker 1>this front facing, chatty person on camera, Like really, I

0:38:49.800 --> 0:38:51.680
<v Speaker 1>never thought I thought I'd be a songwriter. I didn't

0:38:51.680 --> 0:38:54.240
<v Speaker 1>think I'd be an artist, so I think the careers

0:38:54.280 --> 0:38:57.600
<v Speaker 1>that I like the look of is like Lord and

0:38:57.640 --> 0:38:59.280
<v Speaker 1>Frank and Adele and James Blake.

0:38:59.400 --> 0:39:02.360
<v Speaker 2>I could definitely see you having like watched your collaboration

0:39:02.480 --> 0:39:05.279
<v Speaker 2>because you generously share it with the outside world. What

0:39:05.360 --> 0:39:08.040
<v Speaker 2>an amazing producer you'd be and collaborator like for other

0:39:08.120 --> 0:39:10.120
<v Speaker 2>artists when they're come to put their work together.

0:39:10.120 --> 0:39:12.319
<v Speaker 1>I would love that one day, Yeah, yeah, because that

0:39:12.440 --> 0:39:14.399
<v Speaker 1>was really the goal. There's a lot of songs where

0:39:14.400 --> 0:39:16.239
<v Speaker 1>I was I give it away, pitch it out, and

0:39:16.800 --> 0:39:20.120
<v Speaker 1>I think I'm happy that I've landed here. But I

0:39:20.200 --> 0:39:23.200
<v Speaker 1>honestly I find so much fulfillment and I get such

0:39:23.200 --> 0:39:25.880
<v Speaker 1>a rush out of writing a good song that whatever

0:39:25.880 --> 0:39:28.320
<v Speaker 1>happens after the day I've written a song, I honestly

0:39:28.360 --> 0:39:32.880
<v Speaker 1>find so laborious. So whether it's writing a song for

0:39:32.920 --> 0:39:34.839
<v Speaker 1>me or writing a song for other artists, I kind

0:39:34.840 --> 0:39:36.520
<v Speaker 1>of just get gassed out of the idea of both

0:39:36.520 --> 0:39:41.480
<v Speaker 1>of them.

0:39:41.600 --> 0:39:44.440
<v Speaker 2>Midnight Chats is a joint production between Loud and Quiet

0:39:44.520 --> 0:39:48.720
<v Speaker 2>and Atomized Studios for iHeartRadio. It's hosted by Stuart Stubbs

0:39:48.719 --> 0:39:52.080
<v Speaker 2>and Greg Cochrane, mixed and mastered by Flow Lines and

0:39:52.239 --> 0:39:55.960
<v Speaker 2>edited by Stuart Stubbs. Find us on Instagram and TikTok

0:39:56.000 --> 0:39:58.479
<v Speaker 2>to watch clips from our recordings and much much more.

0:39:58.600 --> 0:39:59.919
<v Speaker 2>We are Midnight chats pot.

0:40:00.280 --> 0:40:09.680
<v Speaker 3>For more information, visit loudan Quiet dot com