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Speaker 1: Hey you at Aliens. This is Rory and Mall and

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Speaker 1: we are coming to Atlanta November thirteenth, center Stage and

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Speaker 1: we hope to see you all day. Get your tickets

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Speaker 1: now so we can have a lot of fun. We

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Speaker 1: love Atlanta. We always have a lot of fun with it. Aliens.

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Speaker 2: Now I feel like New Yorkers are the Aliens.

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Speaker 1: Yes, New York. New Yorker's are the Aliens. Atlanta took

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Speaker 1: over everything, Yeah they did. But we'll be there November thirteenth.

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Speaker 1: Hope you get your tickets now so we can have

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Speaker 1: a great night in Atlanta. Hopefully some special guests to

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Speaker 1: come out, some of our friends in the city. Absolutely,

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Speaker 1: we'll have fun. See you soon.

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Speaker 3: And clean g At play make him at Cheap when

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Speaker 3: I got filthy chucks, some things, whatever sounds to the

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Speaker 3: crowd that I bring make a good drink. That's great

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Speaker 3: because they.

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Speaker 1: Welcome to a new episode, a special episode the podcast

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Speaker 1: for the Man. Yes, I am All and we are

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Speaker 1: back with a special episode. We had an episode earlier,

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Speaker 1: well last week where you know, we just felt like

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Speaker 1: it was it was only fitting. We didn't really want

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Speaker 1: to talk about much, uh after you know, unfortunate passing

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Speaker 1: of takeoff resh apeace Yeah to Kershnick uh and uh

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Speaker 1: prais and condolences to his family.

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Speaker 4: Uh.

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Speaker 1: So we cut the episode short last week only because

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Speaker 1: nothing else really uh we didn't really feel like speaking

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Speaker 1: on anything after that. It wasn't nothing that we care

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Speaker 1: to even talk on. It was just still kind of

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Speaker 1: just you know, a real down and sad time. And

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Speaker 1: it still is. Uh yeah, unfortunately, but you know, as

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Speaker 1: always as it will forever be, life must move forward,

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Speaker 1: and we must move forward, even in grief, even in sadness,

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Speaker 1: even in you know, traumatic times. So we are in London,

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Speaker 1: Yes we are. We are in London. Came to see

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Speaker 1: the beautiful people in London.

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Speaker 2: Uh in an undisclosed basement, undisclosed basement, and undisclosed flat.

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Speaker 1: And underscodes flat, an undisclosed friend of the pod. So

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Speaker 1: we are here.

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Speaker 2: It's safe to say we're international because we have friends.

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Speaker 1: I think, so, man, I gotta, I gotta, I gotta

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Speaker 1: stamp up my passport. Ory was mad because customs has

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Speaker 1: changed a little bit now everything is automated there to

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Speaker 1: even give it into the rid of the custom agents.

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Speaker 2: First of all, was I corny for feeling that way?

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Speaker 2: Because I thought a little bit.

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Speaker 1: I understand that you want to get your passport stamped up,

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Speaker 1: like Lil Wayne said or Drake Wayne.

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Speaker 2: Jay said, you don't have enough stamps in your passport

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Speaker 2: for young hl and one.

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Speaker 5: I don't And this wouldn't have made it able to

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Speaker 5: fuck with him.

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Speaker 1: But one is not going to change promise you that.

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Speaker 2: I was just upset, like, which is crazy because I

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Speaker 2: fucking hate customs so much. Yeah, and it was the easiest,

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Speaker 2: quickest customs ever, like it feels like they're fixing ship.

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Speaker 5: But then I was pissed. I would have waited in

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Speaker 5: line for my state.

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Speaker 1: World is changing now you always have to do scan

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Speaker 1: your passports, scan your face.

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Speaker 2: My face for my ticket on the plane. I'd never

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Speaker 2: seen that my life.

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Speaker 1: Yeah, when we bought it. The plane, you don't even

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Speaker 1: have to show your board and pass. You don't have

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Speaker 1: to show your passport. Is literally just look at the.

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Speaker 2: Camera, fucking elon man.

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Speaker 4: Yeah.

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Speaker 1: So I mean, but that's anything to do with but

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Speaker 1: that that goes back to something that had said during

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Speaker 1: the pandemic, when we all knew that this was just

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Speaker 1: information that they were trying to just gathering data. When

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Speaker 1: you get off the plane, remember that they had, like

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Speaker 1: the soldiers that had just signed up, and they made

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Speaker 1: them like you have to sign and you have to

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Speaker 1: you have to give them your email. And it's like, bro,

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Speaker 1: I literally booked a flight. They have all my information.

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Speaker 1: Just get the manifest of the fucking flight log info

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Speaker 1: and you will have the info of every passenger. Like

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Speaker 1: why am I filling out this paper after I got

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Speaker 1: off this flight?

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Speaker 2: You know that person that they hire to like just

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Speaker 2: stand in front of the block street when construction is happening.

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Speaker 1: Yeah, they literally, that's what it is.

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Speaker 2: They do nothing. They used to treat the US soldiers

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Speaker 2: like that. They would stand out of a flight and

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Speaker 2: we all walked past them and they'd be like, yo,

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Speaker 2: do the survey or whatever.

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Speaker 1: Yeah, you have to fill us up. Those are the

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Speaker 1: ones that just signed.

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Speaker 2: It just kept more.

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Speaker 1: That's them, that's them trying to.

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Speaker 5: Get some skin in the National Guards.

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Speaker 1: Yeah, yeah, like yo, just send them to the airport

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Speaker 1: and let them just get information from every passenger. But so, yes,

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Speaker 1: things change. We just got to the But I don't

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Speaker 1: know why. I think it's still kind of racist that

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Speaker 1: I got asked to see the agent like scan my

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Speaker 1: passport and they saw not black face and said go

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Speaker 1: see an agent.

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Speaker 4: Yeah.

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Speaker 1: I was like, oh the irishman. Because we're an hour

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Speaker 1: flight from Dublin, he gets to just scan his face

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Speaker 1: and they're like, oh, yes he's.

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Speaker 2: One of the right this way, mister fire.

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Speaker 1: I feel safe, my black ass. I had to go

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Speaker 1: talk to an agent show my work visa old kind

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Speaker 1: of shit.

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Speaker 2: Well that's because the English on us, so they had

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Speaker 2: already put a stamp on me when I arrived, like, oh,

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Speaker 2: my property, he has returned. Finally, where were.

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Speaker 6: You return to Cender.

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Speaker 1: Yeah, that's exactly what happened. So we're in London.

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Speaker 2: We were doing the BBC Radio which is a bit well,

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Speaker 2: it's aired already by the time you're hearing.

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Speaker 1: This, as well as our live show.

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Speaker 5: Do you think that they cut our live show is aired.

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Speaker 2: Yes, you've already seen our live show and it went incredible.

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Speaker 1: It was a special, amazing show.

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Speaker 2: Ever, do you think they'll cut out my compliment of London?

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Speaker 1: Yes, I did not make the floor bump that.

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Speaker 6: Was supposed to be what ten, They'll probably go live

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Speaker 6: with seven.

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Speaker 2: I mean I thought it was great. Why I love

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Speaker 2: London is because as a straight white Irish American, it's

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Speaker 2: the only place I'm allowed to fee oppressed. I don't know,

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Speaker 2: but the only the only oppression that's happened here, Like.

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Speaker 1: Yes, this is this country has a pressed.

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Speaker 2: It's the only time I'm only allowed to complain in

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Speaker 2: this country.

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Speaker 1: Yeah. So we had we had sat down with DJ

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Speaker 1: Ace Yeah at one BBC Radio for the R and

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Speaker 1: B Show.

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Speaker 2: Do you think they cut out us screaming where's Pierce Morgan?

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Speaker 1: Absolutely? Yes, none of that made promise you none of

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Speaker 1: that is in.

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Speaker 6: Queen jokes too.

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Speaker 2: Yeah, for sure, the Royal family jokes definitely didn't make it.

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Speaker 2: I felt bad because all Ace wanted to talk about

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Speaker 2: was R and B and we just started screaming about

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Speaker 2: where's the queen bone to pick with her?

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Speaker 1: That's what I mean?

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Speaker 7: What else?

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Speaker 1: What are we supposed to do? We got to have fun?

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Speaker 1: So yeah, we our live show happened Saturda last Saturday. Yes,

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Speaker 1: and uh we are back to talk about what is new,

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Speaker 1: what is current, what is going on in the culture,

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Speaker 1: and uh, I guess the biggest news would be the

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Speaker 1: Drake twenty one Savage Her Loss project.

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Speaker 2: Yeah, but let's let's before we get into that. Before

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Speaker 2: we get into that, let's get into everyone's London SWAGM.

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Speaker 1: Okay, well London. Well we're filming, we're recording this and

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Speaker 1: our swag isn't over it.

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Speaker 2: I know, but it's only but we've been twenty four

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Speaker 2: hours in London. I think it was a out the gate.

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Speaker 2: Everyone pretty much established what their London swag was by

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Speaker 2: day one. Fuck ed, it's cool. We were the ones

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Speaker 2: that we stayed to the side. We were on the

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Speaker 2: side lines. You thought he's.

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Speaker 6: From Box in the Box.

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Speaker 2: Oh so yeah, yeah, so part two from Charlotte to

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Speaker 2: the Box. So we just christ But if we had,

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Speaker 2: don't just skip over to Drake. No no, no, no, you

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Speaker 2: were getting pissed on last night.

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Speaker 1: Oh definitely to get pissed on, we would We.

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Speaker 6: Were way outside the splash zone.

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Speaker 1: Yeah, we were definitely didn't weren't in the splash you know,

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Speaker 1: so we went out. So uh, we went out to dinner.

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Speaker 2: Do they have a line like which tables absolutely got absolutely?

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Speaker 2: Is that like certain comedy shows, you don't want to

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Speaker 2: sit up front who get heckled. It's the same thing.

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Speaker 6: Don want to get pissed anything the stage right here.

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Speaker 1: You don't want these tables that are.

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Speaker 2: Right in front of this did you wear this raincoach?

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Speaker 1: Just no, I had another raincoat. I had another rain

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Speaker 1: code on just the case, not this one. So we

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Speaker 1: we went out to dinner last night. We was at

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Speaker 1: the short Ditch House and uh, my new home. We

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Speaker 1: decided we was like, yo, you know what, let's let's

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Speaker 1: go see. Let's go to the box. We keep hating

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Speaker 1: about the box, the box, the box, the box. I've

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Speaker 1: been handed about it for a lady looks to you guys. Yeah,

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Speaker 1: so I've been here about it for years. I'm like, okay,

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Speaker 1: let's let's check it out. Let me see what this

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Speaker 1: is all about. Because every time somebody know It comes

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Speaker 1: to London, it keeps saying you got to go to

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Speaker 1: the box, like it's a show. It's a sex show

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Speaker 1: that you know, some some wild sexy, kinky shit going on,

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Speaker 1: but it's it's it's entertainment.

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Speaker 2: Yes.

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Speaker 1: So I was like, okay, I'm not you know none

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Speaker 1: of that. No, I don't select shame, I don't sex shame.

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Speaker 1: Whatever you're into, that's your prerogative. So I'm like, okay,

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Speaker 1: let me let's go let's figure it out and hang

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Speaker 1: out with Eddin. I'm not you know, I don't judge him. Yeah,

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Speaker 1: so I thought that we were all going to go.

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Speaker 1: But obviously, you know, people, you were tired Benner. Everybody

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Speaker 1: understood it.

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Speaker 2: I was like, it was I saying I was tired

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Speaker 2: or tired of Benner or both.

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Speaker 6: You ended up with ben Yeah, that's very true.

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Speaker 2: Shake thought, he's going to the box.

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Speaker 1: So Julian uh and Lloyon and myself with some other friends,

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Speaker 1: we all went to the box.

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Speaker 2: The man that controls our finances, you took.

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Speaker 1: We're gonna get no, no, no, no, we're gonna get into

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Speaker 1: that because we're gonna have another account club. I promise

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Speaker 1: you we're gonna have from what us saw last night,

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Speaker 1: we're gonna have a serious account.

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Speaker 2: We need to check the books again on ourselves.

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Speaker 1: I promise, promise. So we go to the box and

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Speaker 1: were outside and it's from the from the time we

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Speaker 1: got there, I already knew. I said, okay, this is

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Speaker 1: the spot. It was packed outside people, you know, the

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Speaker 1: same New York thing, trying to talk to the girl

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Speaker 1: at the door, talk to the bouncer, trying to get in.

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Speaker 1: So then a young lady comes out and she's talking

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Speaker 1: to one of the girls that we were with they

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Speaker 1: live here, they know her, they're like and one of

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Speaker 1: them is a DJ, so she you know, she's known.

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Speaker 1: So it's like, okay, come on in. So we walk in.

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Speaker 1: From the time we walked in and I looked at

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Speaker 1: Julian and I was like, we have to get a.

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Speaker 2: Camera, but having the plug at the box is hilarious, Like, oh,

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Speaker 2: they don't even stop me at the door in the

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Speaker 2: box we be doing in your time to get a

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Speaker 2: rep like that.

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Speaker 8: Yeah, I did mention that to Ma because when we

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Speaker 8: walked up it was in a tight little alleyway.

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Speaker 6: It's raining. It's heavy rain, Like it's not like I

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Speaker 6: feel like a Batman movie you did. It was a

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Speaker 6: Gotham alleyway.

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Speaker 8: And when we walk in, I was like, this is

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Speaker 8: kind of a red flag that She was like buddy

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Speaker 8: buddy with everyone at the door.

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Speaker 6: So we got escorted to that's a green flag to me.

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Speaker 1: Yeah, no, we got to wave to that.

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Speaker 2: Table, wave that freak flag as as you can.

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Speaker 1: As soon as we walked in, I said, okay, I

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Speaker 1: know what this is. The way it's set up, the

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Speaker 1: way the table's positioned alongside the wall and things like that.

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Speaker 1: The stage is right there, I'm like, okay, I get it.

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Speaker 5: Which which girl was?

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Speaker 2: It was the one you had saw the night before

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Speaker 2: or the one you yes, okay, Yeah, she looks like

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Speaker 2: I've never been to the box obviously, but she looks

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Speaker 2: like she would be welcomed with open on even that

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Speaker 2: first night.

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Speaker 6: Everywhere we went, she knew everyone.

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Speaker 2: Yeah, I mean, I'm not. I'm sure her transitions are great,

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Speaker 2: but that's not what I'm referring.

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Speaker 1: What she was just giving me on the party scene.

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Speaker 1: Would know people at clubs if you're a djail Yeah right,

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Speaker 1: I'll clean it up. I'm just saying, No, I don't

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Speaker 1: want to put the perception.

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Speaker 2: We don't even said her name.

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Speaker 1: No, I know that, but I still don't want his character.

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Speaker 1: I still don't want to paint the wrong picture. But

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Speaker 1: she she obviously knows people.

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Speaker 6: Already, apologized last episode to Woman Center month.

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Speaker 1: Yeah so she's sure you're amazing.

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Speaker 6: She's not one of us.

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Speaker 1: Yeah, no, No, she's super And that was the one thing

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Speaker 1: me and Julian said all night, like yo, super cool,

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Speaker 1: super hospitable, Like the they laid out, They're like, yo, listen,

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Speaker 1: like dead, we're good here, We're good here. It was

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Speaker 1: just a good a good night. We didn't have to

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Speaker 1: really like spend too much time shitting outside. Everything was dope.

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Speaker 1: Get in. Music is good. First thing, Julian says, Yo,

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Speaker 1: the sound system is crazy.

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Speaker 2: How do they warm you guys up? What type of

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Speaker 2: music are they playing?

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Speaker 1: It was a little bit of everything.

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Speaker 2: Little Kim they played a little They had a little

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Speaker 2: mix of Lady.

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Speaker 1: Mama techno from hip hop.

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Speaker 6: It started more with the house.

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Speaker 1: Yeahtle yeah, it was. It was, but it was a mix.

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Speaker 1: It wasn't like you know sometimes you go to clubs

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Speaker 1: and you like it's too much of this. Yeah, it

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Speaker 1: wasn't like that. It was like a cool and then

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Speaker 1: it was us. We were talking and having conversations. So

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Speaker 1: then one of the waitress, the waitress comes around, she says, yo,

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Speaker 1: the show is going to start in ten minutes.

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Speaker 5: To drink minimum.

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Speaker 1: No, no, we got a table, but we gotta we

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Speaker 1: gotta table. So she came around. She was like, the

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Speaker 1: show's gonna start. She was letting us know, like, so

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Speaker 1: if you got to go to the bathroom, go now.

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Speaker 2: Because the show they're going because they're going to go to.

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Speaker 1: The bathrooea, They're going to go to the bathroom. And everything.

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Speaker 2: It's the only time that the bathroom is available.

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Speaker 1: The bathroom, Yeah, the bathroom is closed. No lines, now's

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Speaker 1: your chant, now's your chair. So I was like, you

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Speaker 1: know what, cool, me and Julian run the bathroom.

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Speaker 4: Come back.

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Speaker 1: Yeah, show starts.

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Speaker 5: Urinals are just like the floor was just.

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Speaker 1: No, it's a clean bathroom. You'rein those toilets. Come back.

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Speaker 1: So then a lady comes out and it's like, oh,

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Speaker 1: this is like a burlesque. Yeah, this is like a

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Speaker 1: real show type of thing. And the show.

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Speaker 5: Went on a nice, nice ratio.

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Speaker 6: Yeah, great, it was.

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Speaker 1: It was a good mixing. It was a good, really

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Speaker 1: real good crowd.

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Speaker 2: I just wouldn't want to be around like a bunch

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Speaker 2: of dudes.

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Speaker 8: No, no, no, there was the MC and she was incredible.

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Speaker 1: Yes, she was an amazing, amazing singer. So she came

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Speaker 1: out and she she sang some songs and had the

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Speaker 1: girls on stage dancing, and you know, then they started

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Speaker 1: taking clothes off and it was okay, the show is starting,

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Speaker 1: and we knew kind of sort of what to expect.

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Speaker 1: But it's one of those things that you can hear

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Speaker 1: about it, you can hear about it, but you have

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Speaker 1: to be there. To experience it and like, oh, okay,

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Speaker 1: I get it. We were expecting the most absolute, craziest,

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Speaker 1: wildest ship, but it was like, Okay, lady comes out

319
00:12:32,440 --> 00:12:35,640
Speaker 1: singing some background, some girls dancing on stage, take their

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Speaker 1: tops off.

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Speaker 6: Okay, yeah, this is nice.

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Speaker 1: It's not that it's.

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Speaker 2: Nice cool right lgbt Q. Yeah, friendly friendly.

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Speaker 1: Super friendly, super friendly space right.

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Speaker 2: I love that women are able to.

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Speaker 8: The second act was even better from all Okay.

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Speaker 1: Wait, I don't remember which the second.

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Speaker 6: Act Kitty kitty Cat.

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Speaker 1: Oh man, so this is this lovely girl. He's a

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Speaker 1: lovely girl named kitty cat. You know, we love dance

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Speaker 1: her name, but yeah, in her name. You know, we

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Speaker 1: didn't see an id, but across the pond her name

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Speaker 1: was kitty Cat. And she comes out and she's we

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Speaker 1: immediately established that she's very bendy, flexible. Yeah, very flexible. Yeah,

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Speaker 1: nice shape, yeah, if you will. She and she has

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Speaker 1: I don't know if it was whole milk, skim milk,

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00:13:20,120 --> 00:13:23,240
Speaker 1: oat milk. She had a container of milk. And you

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Speaker 1: know she was kitty cat. So you know, you say

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Speaker 1: cats love milk whatever, I.

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Speaker 5: Mean, cats usually Yeah, I think whole milk is of

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Speaker 5: the cats.

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Speaker 1: Maybe lactose. But whatever. So she starts pouring milk and

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Speaker 1: she clearly wasn't Kitty Cat clearly was not lack lasers.

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Speaker 8: And she was you know in like the old movies

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Speaker 8: where the people are ducking lasers and to go steal

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Speaker 8: the diamonds.

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Speaker 1: Yeah, she's doing she's doing all that.

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Speaker 6: That whole grabs the leader of milk with her foot

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Speaker 6: and then.

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Speaker 1: Just pours it on herself, like oh god, it was

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Speaker 1: it was great. It was like, okay, this is.

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Speaker 2: So someone like Danny Ocean should have recruited her.

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Speaker 6: Actually he could, absolutely, he would be.

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00:14:01,960 --> 00:14:04,920
Speaker 1: And so Kitty Cat does her number, pour smoke on

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00:14:04,960 --> 00:14:07,079
Speaker 1: her all on the stage. She's spinning around.

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00:14:07,080 --> 00:14:08,960
Speaker 2: That's her hit record, doing broke Dancing.

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00:14:09,200 --> 00:14:12,120
Speaker 6: She spit, she like projectile spit all over the crowd.

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Speaker 1: Okay, people were thirsty in the front. Whatever tongues are out.

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00:14:16,800 --> 00:14:19,440
Speaker 1: So then the curtains closed on that, on that on that.

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00:14:19,640 --> 00:14:20,640
Speaker 2: Captain crunch everywhere.

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00:14:20,680 --> 00:14:23,680
Speaker 1: Yeah, curtains close on that act boom and.

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Speaker 5: Then standing ovation.

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00:14:25,640 --> 00:14:29,200
Speaker 2: Oh god, me and Julie were side yourself.

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00:14:29,680 --> 00:14:32,600
Speaker 1: I've been in so many shows I've never seen him, know,

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00:14:32,880 --> 00:14:34,720
Speaker 1: this was like, this was like I had to close

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Speaker 1: I'm gonna need her. She's an artist. I was like,

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00:14:36,480 --> 00:14:38,720
Speaker 1: we need Kitty Cat out all night. She needs the

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00:14:38,800 --> 00:14:40,640
Speaker 1: longest set. I didn't like the fact that they gave

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00:14:40,680 --> 00:14:42,480
Speaker 1: us such a small set. I was like, no, she

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00:14:42,680 --> 00:14:44,120
Speaker 1: needs more time on the main stage.

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00:14:44,400 --> 00:14:46,240
Speaker 2: She's paying produced, starting out as an opener.

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00:14:46,320 --> 00:14:47,840
Speaker 1: I get it. They're putting nothing to rank.

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Speaker 5: She'll get to that gallon of milk eventually.

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Speaker 1: And then Julian's favorite act of the night, Rosewood.

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Speaker 2: I don't even know. I'm gonna leave that one alone.

376
00:14:56,600 --> 00:15:01,240
Speaker 1: And that to me, so rose is a is a

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00:15:01,480 --> 00:15:02,240
Speaker 1: is a? I don't want to.

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00:15:04,160 --> 00:15:07,360
Speaker 2: Before before is this regular Julian or Jullian off the.

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00:15:08,520 --> 00:15:08,880
Speaker 4: I don't know.

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00:15:09,040 --> 00:15:11,480
Speaker 1: Was he pricked up first? We'll asking me that it's crazy,

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00:15:11,520 --> 00:15:14,640
Speaker 1: but I don't know. It's just Julie. But uh, the

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00:15:14,800 --> 00:15:18,240
Speaker 1: entertainer Rosewood is uh. I don't want what trans?

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00:15:18,280 --> 00:15:20,720
Speaker 4: Is it? Trans woman? Trans man?

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00:15:20,960 --> 00:15:22,960
Speaker 1: I think born a man, born.

385
00:15:22,800 --> 00:15:27,200
Speaker 8: Man but has implanted brass, trans woman but still has

386
00:15:27,880 --> 00:15:31,480
Speaker 8: a penis so not full of trans woman?

387
00:15:31,520 --> 00:15:32,000
Speaker 6: Trans woman?

388
00:15:32,040 --> 00:15:34,160
Speaker 1: A trans woman? Okay, So a trans woman entertainer named

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Speaker 1: Rosewood comes out. Julian immediately looks at me, and I'm

390
00:15:37,720 --> 00:15:40,960
Speaker 1: just like Okay, this this, this set is not the same.

391
00:15:41,040 --> 00:15:42,960
Speaker 1: Bring we can bring Kitty Cat back out right now,

392
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Speaker 1: like I'm cool with kitty Cat.

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Speaker 2: Was was Rosewood off the chew?

394
00:15:46,720 --> 00:15:49,600
Speaker 8: He no, no, no, no, he comes So he came out,

395
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Speaker 8: she came out dress.

396
00:15:51,200 --> 00:15:54,400
Speaker 6: Let's just say Rosie came out, Rosie.

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00:15:54,240 --> 00:16:00,720
Speaker 2: Rosie Rosi Wood just because we're not exactly what she

398
00:16:00,760 --> 00:16:01,440
Speaker 2: identifies as.

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00:16:01,720 --> 00:16:02,320
Speaker 6: Rosie came out.

400
00:16:02,360 --> 00:16:04,320
Speaker 1: And then the thing is we didn't even well, yes

401
00:16:04,400 --> 00:16:06,640
Speaker 1: you knew because of the build, but then you've seen

402
00:16:06,680 --> 00:16:08,440
Speaker 1: obviously the fake boob, so I'm like, okay.

403
00:16:08,920 --> 00:16:11,520
Speaker 6: And then it was like William just be a dude

404
00:16:11,560 --> 00:16:13,880
Speaker 6: that likes wait wait, William the phone. It was like

405
00:16:13,920 --> 00:16:17,200
Speaker 6: William Dafoe as the Green Goblin. It was that type

406
00:16:17,240 --> 00:16:17,560
Speaker 6: of build.

407
00:16:17,880 --> 00:16:21,680
Speaker 5: Okay, gotcha, big yeah, but like.

408
00:16:21,920 --> 00:16:25,560
Speaker 2: Car large, like with the right trainer, could have went

409
00:16:25,600 --> 00:16:28,920
Speaker 2: to the league, pulled an a clad do this instead. Gotcha?

410
00:16:30,200 --> 00:16:33,080
Speaker 1: And we, uh, you know, Rosewood came out, did her thing.

411
00:16:34,360 --> 00:16:36,200
Speaker 6: Now you can't say that you got to say what

412
00:16:36,240 --> 00:16:36,560
Speaker 6: she did.

413
00:16:37,160 --> 00:16:40,120
Speaker 1: I don't remember what the first you know, Yeah, like

414
00:16:40,160 --> 00:16:41,120
Speaker 1: I don't remember it because.

415
00:16:40,920 --> 00:16:45,280
Speaker 6: I can't mall didn't really watch, yeah, protected experience.

416
00:16:45,360 --> 00:16:47,040
Speaker 1: It's just that I was still. I was still so

417
00:16:47,360 --> 00:16:49,400
Speaker 1: you know, just like living in a kiddy cat moment.

418
00:16:49,560 --> 00:16:52,040
Speaker 1: Yeah that I was just like, you know, I was

419
00:16:52,040 --> 00:16:53,680
Speaker 1: just wish she would come back out and just getting

420
00:16:53,680 --> 00:16:54,400
Speaker 1: oat milk.

421
00:16:54,200 --> 00:16:54,360
Speaker 4: Like.

422
00:16:56,360 --> 00:16:57,760
Speaker 6: Just wanted her to go through all the milks, go

423
00:16:57,880 --> 00:16:58,480
Speaker 6: through all the.

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00:16:58,400 --> 00:17:04,320
Speaker 1: Milks, like do all my milk, you smoothie, Like bring

425
00:17:04,400 --> 00:17:06,240
Speaker 1: kitty cat back out and let her do that with

426
00:17:06,320 --> 00:17:08,240
Speaker 1: oat milk and almond milk. Like that's all I was

427
00:17:08,280 --> 00:17:10,760
Speaker 1: focused on. But Rosewood had to set, and I didn't

428
00:17:10,760 --> 00:17:12,480
Speaker 1: really I wasn't really looking, but Julian got it.

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00:17:12,520 --> 00:17:17,880
Speaker 8: So okay, Rose's first set, Rosie comes out and immediately turns,

430
00:17:17,960 --> 00:17:21,480
Speaker 8: puts her back to the stage, and I noticed a

431
00:17:21,520 --> 00:17:26,600
Speaker 8: string dangling between her legs. Cool, so there's something stuck somewhere. Gosh,

432
00:17:26,760 --> 00:17:29,639
Speaker 8: it's like a half a foot string. It looked like

433
00:17:29,680 --> 00:17:33,760
Speaker 8: a little light light shade.

434
00:17:32,760 --> 00:17:33,560
Speaker 2: A tampon string.

435
00:17:33,680 --> 00:17:35,440
Speaker 6: Yeah, well, you know, not quite.

436
00:17:35,640 --> 00:17:40,879
Speaker 8: So she does a number, She ends up stripping and

437
00:17:40,920 --> 00:17:45,720
Speaker 8: then takes a piece of paper, covers the paper in lipstick.

438
00:17:45,960 --> 00:17:49,400
Speaker 8: First puts lipstick all over the tits, the mouth. That's

439
00:17:49,520 --> 00:17:50,960
Speaker 8: really like, you know, just like if you gave a

440
00:17:51,040 --> 00:17:54,080
Speaker 8: kid a lipstick or whatever, you go crazy. So the

441
00:17:54,119 --> 00:17:56,120
Speaker 8: body was the canv get the comparison? Just a weird

442
00:17:56,160 --> 00:18:01,920
Speaker 8: one in the scope. Let's carry on, You're not, it's

443
00:18:01,560 --> 00:18:05,080
Speaker 8: only getting weirder. So she she takes this sheet and

444
00:18:05,119 --> 00:18:09,080
Speaker 8: puts it on over her ass, covered her ass, so

445
00:18:09,119 --> 00:18:11,760
Speaker 8: it looked like her ass was in fact a vagina.

446
00:18:11,880 --> 00:18:14,159
Speaker 1: Yeah, okay, it was also that was it was like

447
00:18:14,200 --> 00:18:14,720
Speaker 1: hair on it.

448
00:18:14,760 --> 00:18:17,399
Speaker 8: And yeah, exactly, she she drew some hair like in

449
00:18:17,440 --> 00:18:21,080
Speaker 8: it in the crack would represent the physical slit as vagina.

450
00:18:21,160 --> 00:18:22,280
Speaker 6: So it is very artistic.

451
00:18:22,400 --> 00:18:23,440
Speaker 1: Yeah, all right.

452
00:18:24,440 --> 00:18:26,800
Speaker 8: Some man comes out, sits on the couch and is

453
00:18:26,840 --> 00:18:29,359
Speaker 8: like throwing money at Rosie as if this is a

454
00:18:29,359 --> 00:18:31,080
Speaker 8: private show and it's just the two of them in

455
00:18:31,119 --> 00:18:33,760
Speaker 8: the club. He's throwing these fake bills, which at her

456
00:18:33,760 --> 00:18:34,840
Speaker 8: as she's prancing around.

457
00:18:34,920 --> 00:18:38,600
Speaker 2: Immediately makes you, guys, the voyeurs of the situation without

458
00:18:38,640 --> 00:18:39,440
Speaker 2: even consent.

459
00:18:39,240 --> 00:18:39,960
Speaker 4: Welcome to the club.

460
00:18:40,640 --> 00:18:43,120
Speaker 2: Well we signed up, did you guys understand editing?

461
00:18:43,200 --> 00:18:43,360
Speaker 4: Now?

462
00:18:44,800 --> 00:18:47,320
Speaker 8: Yeah, we were the edands. Yeah, so anyway, I'll speed

463
00:18:47,359 --> 00:18:50,280
Speaker 8: this up. So the we noticed that she now has

464
00:18:50,280 --> 00:18:51,760
Speaker 8: a I would say, is it a bussy?

465
00:18:52,560 --> 00:18:53,000
Speaker 4: Pussy?

466
00:18:53,280 --> 00:18:56,320
Speaker 6: But bussy?

467
00:18:56,480 --> 00:19:01,680
Speaker 8: Then? So then that boy puts it she starts tugging

468
00:19:01,720 --> 00:19:04,600
Speaker 8: on the string and then out comes like a six

469
00:19:04,760 --> 00:19:06,960
Speaker 8: or seven inch It looks like you know.

470
00:19:06,920 --> 00:19:09,760
Speaker 6: Those firecracker popsicles when you were a kid.

471
00:19:09,800 --> 00:19:11,760
Speaker 8: I'm a lot of kids like the red white and yeah,

472
00:19:11,800 --> 00:19:13,720
Speaker 8: a lot of this was reminded it of a childhood moment.

473
00:19:14,640 --> 00:19:16,760
Speaker 8: So she pulls out this thing and it's it's it's

474
00:19:16,880 --> 00:19:18,960
Speaker 8: white to look like a tampon, but the end of

475
00:19:19,000 --> 00:19:21,439
Speaker 8: it is soaked in some red juice to make it

476
00:19:21,440 --> 00:19:24,399
Speaker 8: look like blood. And then she like swings it and

477
00:19:24,560 --> 00:19:28,439
Speaker 8: throws that in the show nice. She's sorry, pardon me,

478
00:19:28,760 --> 00:19:31,520
Speaker 8: step back. She sucks it first and then throws it

479
00:19:31,520 --> 00:19:31,760
Speaker 8: in the c.

480
00:19:32,560 --> 00:19:33,840
Speaker 2: A fan left with a nice souvenir.

481
00:19:33,920 --> 00:19:34,120
Speaker 4: Yeah.

482
00:19:34,119 --> 00:19:36,840
Speaker 2: Absolutely, I love shows when you you know she's sanity.

483
00:19:37,080 --> 00:19:39,399
Speaker 2: It's like keeping a foul ball at the game. Keeping

484
00:19:39,440 --> 00:19:44,560
Speaker 2: a foul ball, it's nothing like keeping its the towel.

485
00:19:44,600 --> 00:19:48,119
Speaker 6: It's like, oh keep how much would that sell for?

486
00:19:50,520 --> 00:19:51,720
Speaker 1: No, you take that to back?

487
00:19:53,119 --> 00:19:53,840
Speaker 2: You are judges.

488
00:19:55,960 --> 00:19:58,840
Speaker 1: Definitely give given tampon back here. I think you left this.

489
00:20:00,480 --> 00:20:04,240
Speaker 8: She does that, and then ultimately there's a champagne bottle

490
00:20:04,400 --> 00:20:05,439
Speaker 8: on the on the table.

491
00:20:05,480 --> 00:20:09,400
Speaker 6: In the fake club scenario, she sits on it. There's

492
00:20:10,400 --> 00:20:12,920
Speaker 6: there's liquid in the bottle. We're hoping it's not champing.

493
00:20:12,680 --> 00:20:14,520
Speaker 1: Because you never finished the whole body. Take it home

494
00:20:14,560 --> 00:20:14,840
Speaker 1: and you.

495
00:20:14,800 --> 00:20:15,680
Speaker 2: Would go crazy.

496
00:20:15,720 --> 00:20:19,760
Speaker 8: And Rikers, oh they would love, Oh my god. Every

497
00:20:19,840 --> 00:20:21,080
Speaker 8: night would be the box Rikers.

498
00:20:21,760 --> 00:20:25,600
Speaker 1: Sneak something about that, sneak a tablet in there.

499
00:20:29,560 --> 00:20:32,280
Speaker 2: She could single fix all the problems at Rikers right

500
00:20:32,320 --> 00:20:35,960
Speaker 2: now and bring all prisoner awareness that we need.

501
00:20:36,000 --> 00:20:39,040
Speaker 1: No but but you know, it was just the experience

502
00:20:39,200 --> 00:20:41,280
Speaker 1: of just being in the club and seeing things that

503
00:20:41,359 --> 00:20:43,080
Speaker 1: you just wouldn't expect.

504
00:20:42,760 --> 00:20:46,160
Speaker 9: To see at a nightclub, wouldn't be in your squats

505
00:20:46,160 --> 00:20:48,679
Speaker 9: on the bottle and then stands up and then sprays

506
00:20:49,080 --> 00:20:51,600
Speaker 9: whatever liquid was in the bottle from her ass and

507
00:20:51,600 --> 00:20:53,280
Speaker 9: then walks off to a rounding applause.

508
00:20:53,359 --> 00:20:58,400
Speaker 6: Yeah all, and just was elated. I think he asked

509
00:20:58,400 --> 00:20:59,360
Speaker 6: for an encore.

510
00:20:59,200 --> 00:21:01,800
Speaker 1: To think the thing you have to expect the entertainers

511
00:21:01,800 --> 00:21:04,400
Speaker 1: and the performers, Like somebody that puts on a live show,

512
00:21:04,800 --> 00:21:07,639
Speaker 1: I can appreciate when somebody is performing, like you know,

513
00:21:08,200 --> 00:21:12,920
Speaker 1: given you're all, yeah, you're all, which is what Rosie did,

514
00:21:13,040 --> 00:21:15,040
Speaker 1: and you're like, you know, the least you can do

515
00:21:15,119 --> 00:21:16,800
Speaker 1: is clap, so it's like, yeah.

516
00:21:16,840 --> 00:21:19,600
Speaker 6: Pause, dick was on medium the whole time like she was.

517
00:21:19,680 --> 00:21:22,320
Speaker 6: It was out. Yeah, like it wasn't it wasn't bricked.

518
00:21:22,840 --> 00:21:26,480
Speaker 2: But that, by the way, that takes confidence, right, Yeah,

519
00:21:26,600 --> 00:21:28,600
Speaker 2: I mean, like, how long does it take until Shorty

520
00:21:28,640 --> 00:21:28,920
Speaker 2: sees you?

521
00:21:29,400 --> 00:21:34,760
Speaker 1: Yeah, years before you like completely walk around naked in

522
00:21:34,800 --> 00:21:37,080
Speaker 1: front of the girl and you have no blood flowing

523
00:21:37,119 --> 00:21:40,560
Speaker 1: to your Dick's a level of years. That's just years.

524
00:21:40,600 --> 00:21:41,800
Speaker 1: Like you're just not letting the girl she.

525
00:21:41,960 --> 00:21:44,240
Speaker 2: Like that, like she can fart in front of me before.

526
00:21:44,400 --> 00:21:46,080
Speaker 1: Oh absolutely, I walk around.

527
00:21:46,080 --> 00:21:46,560
Speaker 2: Absolutely.

528
00:21:47,320 --> 00:21:51,159
Speaker 1: So Rosewood came out did did did her thing, and

529
00:21:51,200 --> 00:21:53,520
Speaker 1: then the other girls came back out and did like

530
00:21:53,560 --> 00:21:55,159
Speaker 1: a whole routine dance thing like.

531
00:21:55,600 --> 00:21:56,960
Speaker 2: So that went in family friendly.

532
00:21:57,080 --> 00:21:57,280
Speaker 4: Yeah.

533
00:21:57,359 --> 00:22:00,480
Speaker 1: That went on for like for maybe like four minutes,

534
00:22:00,520 --> 00:22:03,480
Speaker 1: and then they go off music back on for like

535
00:22:03,480 --> 00:22:06,080
Speaker 1: another hour and a half party and then they get

536
00:22:06,119 --> 00:22:06,960
Speaker 1: into another set.

537
00:22:07,200 --> 00:22:09,520
Speaker 6: What they ramped up on the second set.

538
00:22:09,640 --> 00:22:12,080
Speaker 1: Yeah, this fire like a man came out was blowing

539
00:22:12,119 --> 00:22:13,120
Speaker 1: fire things like that.

540
00:22:13,119 --> 00:22:13,920
Speaker 6: That was a cool one.

541
00:22:14,040 --> 00:22:15,520
Speaker 1: It was it was a show. It was it was

542
00:22:15,600 --> 00:22:20,520
Speaker 1: one hundred entertainment. It was a show or less sex

543
00:22:20,640 --> 00:22:22,920
Speaker 1: type of thing, you know. It was it was a

544
00:22:22,960 --> 00:22:25,560
Speaker 1: great experience though, like you know, it's not for everybody though,

545
00:22:25,720 --> 00:22:27,720
Speaker 1: Like if you're one of those guys that, you know,

546
00:22:27,840 --> 00:22:29,600
Speaker 1: the weird guys, what is that Like if you one

547
00:22:29,640 --> 00:22:31,880
Speaker 1: of those type of guys, Charlott would have hated it. Yeah,

548
00:22:31,920 --> 00:22:33,200
Speaker 1: don't go to the box like you.

549
00:22:33,160 --> 00:22:34,400
Speaker 2: Can't the city of Charlotte.

550
00:22:35,040 --> 00:22:37,480
Speaker 1: Yeah, Charlotte, you have to be from those type of

551
00:22:37,480 --> 00:22:40,320
Speaker 1: city from New York, Like I see this on the subway.

552
00:22:40,320 --> 00:22:41,320
Speaker 2: I want this person.

553
00:22:41,359 --> 00:22:43,080
Speaker 1: Yeah, this is I see this on the subway every day.

554
00:22:43,359 --> 00:22:45,760
Speaker 6: Yeah, this is just a yeah this city.

555
00:22:45,800 --> 00:22:47,879
Speaker 1: This is the A train in Manhattan. This is nothing.

556
00:22:48,160 --> 00:22:49,960
Speaker 1: But if you're from a city that's kind of not

557
00:22:50,119 --> 00:22:53,840
Speaker 1: as forward progressive, and I'm not going to do that.

558
00:22:54,359 --> 00:22:55,040
Speaker 6: The next name.

559
00:22:56,400 --> 00:22:59,520
Speaker 1: The Red States.

560
00:23:00,040 --> 00:23:04,720
Speaker 2: I think I think Atlanta's with some of that ship definitely. Yeah,

561
00:23:04,880 --> 00:23:06,800
Speaker 2: but when their wives aren't around, it was.

562
00:23:09,560 --> 00:23:09,760
Speaker 4: Wait.

563
00:23:09,800 --> 00:23:11,920
Speaker 6: I do want to mention the Rosie's final act.

564
00:23:12,640 --> 00:23:13,840
Speaker 5: Oh she came back to the stage.

565
00:23:14,119 --> 00:23:15,520
Speaker 1: Believe she hasn't done.

566
00:23:15,560 --> 00:23:16,359
Speaker 6: She was the bad bunny.

567
00:23:16,359 --> 00:23:19,000
Speaker 5: It was you got the Corey No no.

568
00:23:19,080 --> 00:23:20,879
Speaker 1: No, no, I was I was yelling for Kitty Cat for

569
00:23:20,880 --> 00:23:21,479
Speaker 1: the rest of the night.

570
00:23:22,000 --> 00:23:23,480
Speaker 6: By the way, she never came back she.

571
00:23:23,600 --> 00:23:27,800
Speaker 1: Never tell you was so mad. I was so mad.

572
00:23:27,920 --> 00:23:30,000
Speaker 1: I was like, there's more milks to go through, like.

573
00:23:30,960 --> 00:23:33,720
Speaker 6: Almost super eating a gallon of milk.

574
00:23:34,880 --> 00:23:39,120
Speaker 1: Almost almost else is DELI. Yeah, I was like, wait

575
00:23:39,160 --> 00:23:41,040
Speaker 1: a minute, Kitty Cat can't be done for the night.

576
00:23:41,200 --> 00:23:43,240
Speaker 1: That was only skim milk, right, we have to go

577
00:23:43,320 --> 00:23:46,600
Speaker 1: through Khalifa. We have to go through the almond milk. Yeah,

578
00:23:46,720 --> 00:23:48,040
Speaker 1: like we have to go through all the milks. What

579
00:23:48,080 --> 00:23:48,760
Speaker 1: are we doing here?

580
00:23:48,800 --> 00:23:50,560
Speaker 2: So it has his own milk.

581
00:23:50,920 --> 00:23:54,200
Speaker 6: That's an oreo commercial.

582
00:23:54,320 --> 00:23:58,360
Speaker 2: That's taking man, That's how you become a billionaire. It's

583
00:23:58,359 --> 00:23:58,640
Speaker 2: not the.

584
00:23:58,640 --> 00:24:01,359
Speaker 1: Music because you know where is somewhere high and he

585
00:24:01,440 --> 00:24:03,080
Speaker 1: was eating cookies. He was like you know what.

586
00:24:09,040 --> 00:24:13,399
Speaker 2: You know, whiz of mixing up his protein shaking at

587
00:24:13,400 --> 00:24:14,119
Speaker 2: the boxing.

588
00:24:14,200 --> 00:24:16,679
Speaker 1: No, we gotta we gotta wiz enough. In the culture,

589
00:24:16,680 --> 00:24:21,560
Speaker 1: we don't salut wiz enough. But it was definitely a

590
00:24:21,600 --> 00:24:23,560
Speaker 1: great experience. I wish I would have would have been

591
00:24:23,560 --> 00:24:25,720
Speaker 1: there just to experience it with us. And then the

592
00:24:26,200 --> 00:24:28,879
Speaker 1: most amazing performer of the night by far was our

593
00:24:29,000 --> 00:24:29,960
Speaker 1: count Loyon.

594
00:24:30,960 --> 00:24:33,960
Speaker 6: Wait wait before the last Rosie last time? Yeah, Roses

595
00:24:34,160 --> 00:24:37,320
Speaker 6: side real real quote with the paint Okay, she she

596
00:24:37,480 --> 00:24:38,600
Speaker 6: sits on another.

597
00:24:39,280 --> 00:24:41,639
Speaker 8: Ultimately, the show ends up her getting back to shoving

598
00:24:41,680 --> 00:24:45,560
Speaker 8: ship in her ass, and naturally she sits on what

599
00:24:45,680 --> 00:24:47,760
Speaker 8: looks like a bowling pin that's.

600
00:24:47,600 --> 00:24:49,680
Speaker 6: Blue, but you think the bowling pin is blue, but

601
00:24:49,720 --> 00:24:51,600
Speaker 6: it's in fact clear, Like it looks like a crash.

602
00:24:51,640 --> 00:24:52,640
Speaker 1: It's just blue paint in it.

603
00:24:52,640 --> 00:24:55,240
Speaker 6: And there's paint. So the craft slips out of the

604
00:24:55,280 --> 00:24:56,160
Speaker 6: ass and then.

605
00:24:56,160 --> 00:24:57,760
Speaker 5: All of a sudden, when that happens.

606
00:24:57,520 --> 00:24:59,200
Speaker 6: All the blue is gone. You're like, where'd the blue go?

607
00:24:59,440 --> 00:25:03,199
Speaker 8: Yeah, she's stands fully on stage right and just bends

608
00:25:03,200 --> 00:25:09,199
Speaker 8: over and just projectile ship squirts blew across all the

609
00:25:09,200 --> 00:25:11,760
Speaker 8: way left stage and then like kind of turns into

610
00:25:11,760 --> 00:25:12,200
Speaker 8: the crowd.

611
00:25:12,520 --> 00:25:18,080
Speaker 1: It's like a sprinkler. It was like that type of thing.

612
00:25:18,080 --> 00:25:19,919
Speaker 2: Have you ever left a concert and just saw all

613
00:25:19,960 --> 00:25:22,159
Speaker 2: the trash and ship everywhere? Like, damn, I feel for

614
00:25:22,160 --> 00:25:25,760
Speaker 2: the person that's to clean up. Yeah, we never talk

615
00:25:25,840 --> 00:25:28,880
Speaker 2: about the janitor at the box. No, that's that's water

616
00:25:28,920 --> 00:25:32,840
Speaker 2: based paint that comes right, was also in someone's ass.

617
00:25:34,400 --> 00:25:37,560
Speaker 1: Well, hopefully Rosie took an enema and flushed her ass

618
00:25:37,600 --> 00:25:42,400
Speaker 1: and you know the proproducing. Yeah, she definitely preps for well.

619
00:25:42,480 --> 00:25:44,400
Speaker 2: What's crazy? About this entire thing of what I'm hearing

620
00:25:44,480 --> 00:25:49,440
Speaker 2: is I've talked about on this podcast and podcasting period

621
00:25:49,480 --> 00:25:52,960
Speaker 2: for years that I've never seen mal be impressed or

622
00:25:53,000 --> 00:25:57,480
Speaker 2: amazed by anything in his life. We've experienced some moments,

623
00:25:57,520 --> 00:26:00,000
Speaker 2: we've seen some ship together where I was beside myself,

624
00:26:00,119 --> 00:26:04,200
Speaker 2: like this is incredible, no reaction, it's completely fine.

625
00:26:09,440 --> 00:26:13,120
Speaker 1: And so then our lovely account and Loyon, uh he

626
00:26:13,800 --> 00:26:16,560
Speaker 1: we look at him. He's sweating profusely, He's.

627
00:26:16,480 --> 00:26:20,000
Speaker 2: Dancing these he wasn't just checking the receipt throwing ass.

628
00:26:20,560 --> 00:26:23,600
Speaker 1: He's getting low to the floor. I'm looking at you like, no, no, no,

629
00:26:23,760 --> 00:26:26,399
Speaker 1: you don't you see you don't understand. No, no, very.

630
00:26:26,280 --> 00:26:28,760
Speaker 6: Long he goes, that's why he's got magnes.

631
00:26:28,840 --> 00:26:30,440
Speaker 1: So that's why we have to check the books. There's

632
00:26:30,480 --> 00:26:34,000
Speaker 1: no way our account should have need It's no way

633
00:26:34,560 --> 00:26:36,679
Speaker 1: he should have knees like that. I'm looking at Julian

634
00:26:36,800 --> 00:26:39,480
Speaker 1: like an, we got to get out of here. He's

635
00:26:39,560 --> 00:26:42,760
Speaker 1: just you know, having a ball. We're like, all right, cool.

636
00:26:42,760 --> 00:26:43,960
Speaker 1: At the end of the night, he was talking to

637
00:26:44,000 --> 00:26:46,639
Speaker 1: some girls. She just left. We're looking at Loyon like,

638
00:26:46,640 --> 00:26:48,160
Speaker 1: what happened you with? Dance with her all night?

639
00:26:48,359 --> 00:26:48,719
Speaker 6: Curling.

640
00:26:48,760 --> 00:26:51,320
Speaker 1: He's looking at us like, I don't know.

641
00:26:51,720 --> 00:26:53,440
Speaker 2: Is that Is that a London dance that I don't

642
00:26:53,440 --> 00:26:54,360
Speaker 2: know about.

643
00:26:54,600 --> 00:26:56,560
Speaker 1: That's when you pick up your your your bride on

644
00:26:56,560 --> 00:26:59,280
Speaker 1: your honeymoon and walk across the threshold of the hotel

645
00:26:59,320 --> 00:27:02,679
Speaker 1: room when y'all got have yeah amazing strangers. Yeah, like,

646
00:27:02,840 --> 00:27:08,679
Speaker 1: well apparently lore he just was picking up like that.

647
00:27:08,800 --> 00:27:09,080
Speaker 4: Yeah.

648
00:27:09,240 --> 00:27:11,520
Speaker 1: I was like, all right, cool whatever. And then at

649
00:27:11,520 --> 00:27:12,680
Speaker 1: the end of the night, I was still mad because

650
00:27:12,720 --> 00:27:14,960
Speaker 1: Kitty Cat never came out for acre. She didn't.

651
00:27:15,240 --> 00:27:16,840
Speaker 2: She didnt have like a meet and repackage.

652
00:27:16,920 --> 00:27:18,720
Speaker 1: I wish, I wish, I wish she did. I would

653
00:27:18,720 --> 00:27:19,600
Speaker 1: have been backstage, But.

654
00:27:21,200 --> 00:27:22,359
Speaker 2: I like, should we follow?

655
00:27:22,480 --> 00:27:23,240
Speaker 1: I have no idea.

656
00:27:23,680 --> 00:27:25,160
Speaker 2: We have our live show.

657
00:27:25,600 --> 00:27:26,800
Speaker 6: Oh she's more than welcome.

658
00:27:26,960 --> 00:27:30,560
Speaker 1: Oh she's listen. I will buy every milk in the city.

659
00:27:32,280 --> 00:27:34,040
Speaker 2: But look, we have to compete with and.

660
00:27:34,320 --> 00:27:36,719
Speaker 1: Will buy every carton the milk in London.

661
00:27:36,760 --> 00:27:38,720
Speaker 2: If Kitty Cat comes out and you have to marry

662
00:27:38,720 --> 00:27:41,439
Speaker 2: a couple on stage tomorrow like this, we have to compete.

663
00:27:41,600 --> 00:27:42,840
Speaker 1: Yeah, we got to keep it up. We got to

664
00:27:42,880 --> 00:27:45,520
Speaker 1: keep up what was going on with the box. But overall, great.

665
00:27:47,320 --> 00:27:47,920
Speaker 2: Married something.

666
00:27:48,760 --> 00:27:51,320
Speaker 1: It was a great experience. If you're ever in London

667
00:27:52,040 --> 00:27:54,600
Speaker 1: and you can, you know, get the opportunity to go

668
00:27:54,720 --> 00:27:57,400
Speaker 1: to The Box, I would say go if you're open

669
00:27:57,440 --> 00:28:00,280
Speaker 1: to that type of just experience of just why out,

670
00:28:00,440 --> 00:28:02,960
Speaker 1: you know, no sex, shame, kink shame type of thing.

671
00:28:03,560 --> 00:28:06,760
Speaker 1: The music was great, the waitresses were great, the people

672
00:28:06,760 --> 00:28:09,359
Speaker 1: that were good looking people, good looking people, good looking, proud.

673
00:28:10,040 --> 00:28:11,480
Speaker 1: It was, it was it was a it was a

674
00:28:11,480 --> 00:28:13,480
Speaker 1: fun night. It was definitely a fun night, great experience.

675
00:28:13,480 --> 00:28:15,760
Speaker 1: I don't regret it. I'm glad I got to finally

676
00:28:15,800 --> 00:28:17,399
Speaker 1: experience The Box because I heard so much about it.

677
00:28:17,400 --> 00:28:19,440
Speaker 1: We have the Box in New York, but this one

678
00:28:19,520 --> 00:28:23,040
Speaker 1: is completely different. This is a completely different experience.

679
00:28:23,040 --> 00:28:25,080
Speaker 2: I Mean there's a lot of careers that I wonder

680
00:28:25,200 --> 00:28:30,199
Speaker 2: like how people got into them, you know, outside of

681
00:28:30,240 --> 00:28:33,639
Speaker 2: like just not construction, maybe like terrorism. Wondered like what

682
00:28:33,640 --> 00:28:35,640
Speaker 2: guy did you meet that brought you to that catapath?

683
00:28:35,720 --> 00:28:37,960
Speaker 2: I think the same thing when this par less, like

684
00:28:37,960 --> 00:28:39,680
Speaker 2: who did you meet and were like, I think my

685
00:28:39,720 --> 00:28:40,680
Speaker 2: asshole could handle that.

686
00:28:41,160 --> 00:28:43,440
Speaker 1: It's I think it's just people that just are into

687
00:28:43,440 --> 00:28:46,040
Speaker 1: that type of thing anyway, and they are into performing

688
00:28:46,400 --> 00:28:49,080
Speaker 1: those type of acts in some capacity and on some

689
00:28:49,240 --> 00:28:52,520
Speaker 1: stage somewhere and the box is probably like, Okay, this

690
00:28:52,560 --> 00:28:55,040
Speaker 1: is where we ultimately want to end up because this

691
00:28:55,240 --> 00:28:57,400
Speaker 1: is the spot. This is one of the hottest clubs

692
00:28:57,400 --> 00:29:00,320
Speaker 1: in London. Everybody knows about it. But it was a

693
00:29:00,320 --> 00:29:02,600
Speaker 1: dope experience, dope experience. I definitely want to go back,

694
00:29:03,040 --> 00:29:07,840
Speaker 1: just so you guys can experience it. I definitely, yeah, baby, Yeah,

695
00:29:08,920 --> 00:29:11,719
Speaker 1: of the night. Yeah, so that was me and Julian's night.

696
00:29:11,760 --> 00:29:12,520
Speaker 1: What did you guys do?

697
00:29:12,600 --> 00:29:15,520
Speaker 6: I got home at five am? By the way, what time.

698
00:29:15,320 --> 00:29:17,920
Speaker 1: Did the show in the club closed? That four? We

699
00:29:18,000 --> 00:29:19,880
Speaker 1: left out of the.

700
00:29:20,480 --> 00:29:22,360
Speaker 6: Yeah, and we took it uber back to the hotel.

701
00:29:22,560 --> 00:29:26,680
Speaker 2: Got you, but just to y'all, Yeah, of course, yeah,

702
00:29:26,800 --> 00:29:30,360
Speaker 2: of course absolutely. But nowyer we left, he left, he's

703
00:29:30,400 --> 00:29:31,600
Speaker 2: still at the box to this day.

704
00:29:31,760 --> 00:29:33,960
Speaker 1: He might be. He might be in a box.

705
00:29:34,920 --> 00:29:35,560
Speaker 2: He's locked up.

706
00:29:35,640 --> 00:29:38,160
Speaker 1: Yeah we left. I was like, yo, Julian, we getting

707
00:29:38,160 --> 00:29:40,640
Speaker 1: the out of his time to go. Great night though,

708
00:29:40,680 --> 00:29:41,240
Speaker 1: great spot.

709
00:29:41,520 --> 00:29:44,480
Speaker 6: We had sex workers involved in our evening, Yes, did

710
00:29:44,520 --> 00:29:44,880
Speaker 6: you well?

711
00:29:44,920 --> 00:29:46,040
Speaker 2: One by accident?

712
00:29:46,360 --> 00:29:49,320
Speaker 1: Okay, So it's funny how sex workers always end up

713
00:29:49,360 --> 00:29:50,080
Speaker 1: around you by accident.

714
00:29:50,360 --> 00:29:54,040
Speaker 2: It's the first profession ever, yeah, is it not?

715
00:29:54,400 --> 00:29:54,600
Speaker 4: Yeah?

716
00:29:54,640 --> 00:29:55,880
Speaker 2: First correctly pussy.

717
00:29:55,760 --> 00:29:57,760
Speaker 6: Was absolutely yeah, there's nothing else to sell.

718
00:29:57,920 --> 00:29:59,520
Speaker 2: Yeah, trade.

719
00:29:59,600 --> 00:30:02,120
Speaker 1: Adam actually gave even Apple's payment for them.

720
00:30:02,720 --> 00:30:07,120
Speaker 2: They were related and never forget it anyways. So my cousin,

721
00:30:07,160 --> 00:30:09,120
Speaker 2: who I have not seen since nineteen ninety seven.

722
00:30:09,000 --> 00:30:10,880
Speaker 6: That's a horrible way to start that really bad.

723
00:30:11,040 --> 00:30:12,640
Speaker 2: Oh my cousin's not a sex worker.

724
00:30:13,080 --> 00:30:13,280
Speaker 4: Oh.

725
00:30:13,360 --> 00:30:15,600
Speaker 1: I was about to say, this is the pot I've

726
00:30:15,600 --> 00:30:18,600
Speaker 1: been waiting. I met my cousin that I haven't seen

727
00:30:18,600 --> 00:30:20,680
Speaker 1: since ninety nine seven, and she's selling pussy in London

728
00:30:20,680 --> 00:30:22,080
Speaker 1: now matter like yo.

729
00:30:22,200 --> 00:30:23,640
Speaker 2: I was in the market to buy and I said,

730
00:30:23,680 --> 00:30:27,920
Speaker 2: aren't we related? Running into the same thing. Adam said

731
00:30:27,920 --> 00:30:28,400
Speaker 2: to Eve.

732
00:30:28,520 --> 00:30:31,200
Speaker 1: Run it to your cousin by accident that sells pussy

733
00:30:31,200 --> 00:30:33,200
Speaker 1: and you was about to buy it is fucking wild.

734
00:30:33,840 --> 00:30:37,640
Speaker 1: That's a Netflix series. Netflix Netflix series.

735
00:30:38,200 --> 00:30:39,800
Speaker 2: So my cousin, who I have not seen since nineteen

736
00:30:39,840 --> 00:30:41,960
Speaker 2: nine seven, she grew up in Dublin but now lives

737
00:30:42,040 --> 00:30:46,120
Speaker 2: in London, was like, hey, let's let's grab a drink

738
00:30:46,160 --> 00:30:49,080
Speaker 2: after we had all left, uh, you know demands them

739
00:30:49,080 --> 00:30:51,920
Speaker 2: sol house. What's it called shag shortage house?

740
00:30:51,920 --> 00:30:52,240
Speaker 4: All right?

741
00:30:53,040 --> 00:30:55,160
Speaker 2: So I was like, oh, eddon better, you know they

742
00:30:55,440 --> 00:30:58,240
Speaker 2: they can come with meet the family. So I run

743
00:30:58,360 --> 00:31:01,520
Speaker 2: up to my hotel room because like everything was closing.

744
00:31:01,520 --> 00:31:03,000
Speaker 2: We're trying to find a spot. So I dropped some

745
00:31:03,040 --> 00:31:07,000
Speaker 2: shit off and Ednon and Benner waited in the lobby

746
00:31:07,000 --> 00:31:09,680
Speaker 2: while I was upstairs to then wait for the uber

747
00:31:09,720 --> 00:31:10,200
Speaker 2: to go to the bar.

748
00:31:10,400 --> 00:31:12,200
Speaker 5: I would let Eddin take it from here because I

749
00:31:12,320 --> 00:31:13,200
Speaker 5: was not there.

750
00:31:14,080 --> 00:31:17,120
Speaker 6: Okay, So he went upstairs. I went to go take

751
00:31:17,120 --> 00:31:17,440
Speaker 6: a seat.

752
00:31:17,440 --> 00:31:19,400
Speaker 10: Way to get that shoe, Yeah, to get that shoe

753
00:31:20,280 --> 00:31:22,600
Speaker 10: I was looking. I was just chilling around on the

754
00:31:22,600 --> 00:31:26,560
Speaker 10: couch and everything. Benner appears out of nowhere, and this

755
00:31:26,680 --> 00:31:30,680
Speaker 10: lady shows up and I see Benner, and Benner just

756
00:31:30,720 --> 00:31:34,480
Speaker 10: points at her. He's like, I think that's an Asian woman.

757
00:31:35,040 --> 00:31:38,080
Speaker 2: Right, He thought that was Rory's cousin, my Irish cousin

758
00:31:38,120 --> 00:31:38,760
Speaker 2: from Dublin.

759
00:31:38,920 --> 00:31:39,640
Speaker 1: Yes, Asian.

760
00:31:39,800 --> 00:31:41,840
Speaker 10: Yes, That's the only reason why I mentioned she's agent,

761
00:31:41,880 --> 00:31:45,520
Speaker 10: because I was just like, Rory has an Asian Irish cousin.

762
00:31:45,800 --> 00:31:46,479
Speaker 1: Asian Irish?

763
00:31:46,640 --> 00:31:47,280
Speaker 6: Interesting?

764
00:31:48,280 --> 00:31:48,920
Speaker 1: Yeah?

765
00:31:49,720 --> 00:31:50,320
Speaker 6: Interesting?

766
00:31:50,800 --> 00:31:51,960
Speaker 4: Why not? Right? Yeah?

767
00:31:52,080 --> 00:31:56,480
Speaker 6: Maybe she was adopted. You don't know, So I go, oh, gotcha,

768
00:31:57,000 --> 00:31:57,640
Speaker 6: go up to Benner.

769
00:31:57,920 --> 00:32:01,360
Speaker 2: The Irish are not like millionaires in the States. They

770
00:32:01,400 --> 00:32:02,600
Speaker 2: just don't adopt Asians.

771
00:32:02,840 --> 00:32:03,240
Speaker 6: Red hair.

772
00:32:04,760 --> 00:32:07,800
Speaker 10: I go up to Better and her and Benner's like hi,

773
00:32:08,360 --> 00:32:12,320
Speaker 10: says hi to her and she's like oh you are.

774
00:32:11,800 --> 00:32:13,800
Speaker 6: Like no for no actual sentence.

775
00:32:14,000 --> 00:32:14,800
Speaker 2: I want to hear the accident.

776
00:32:14,880 --> 00:32:17,400
Speaker 10: Good no, no, there was no no. She was about you. No,

777
00:32:17,480 --> 00:32:20,680
Speaker 10: she just owe you. And he's like, oh, Rory's cousin.

778
00:32:21,480 --> 00:32:25,080
Speaker 10: She's like yeah, yeah right, she said yeah. She said yeah, okay.

779
00:32:25,120 --> 00:32:28,000
Speaker 10: We're like, oh okay, I put my hand on on earthing.

780
00:32:28,040 --> 00:32:30,440
Speaker 10: I'm like hi, I'm at it. She's like oh okay,

781
00:32:30,600 --> 00:32:33,240
Speaker 10: and then she goes YouTube. I was like, I'm sorry

782
00:32:34,120 --> 00:32:38,000
Speaker 10: YouTube three fifty. I was like, wait, what.

783
00:32:39,720 --> 00:32:41,440
Speaker 2: Is in the lobby of our hotel.

784
00:32:41,200 --> 00:32:42,000
Speaker 6: Our hotel room?

785
00:32:42,320 --> 00:32:42,440
Speaker 4: What?

786
00:32:42,840 --> 00:32:46,040
Speaker 10: Yes, okay yeah, and then then Better looks at me

787
00:32:46,160 --> 00:32:46,720
Speaker 10: just gives.

788
00:32:46,480 --> 00:32:48,760
Speaker 2: Me like no, never mind, never mind.

789
00:32:49,120 --> 00:32:54,280
Speaker 10: He's like He's like no, no, like or won running

790
00:32:54,320 --> 00:32:54,840
Speaker 10: my pockets.

791
00:32:56,440 --> 00:32:57,360
Speaker 6: Put on the company card.

792
00:32:57,440 --> 00:33:00,800
Speaker 1: That's a deal. Yeah, two three fifty what.

793
00:33:00,960 --> 00:33:03,200
Speaker 2: I don't know what. I'm more offended at that or

794
00:33:03,240 --> 00:33:06,880
Speaker 2: confused about that. Eddon Beer would think my cousin is

795
00:33:06,880 --> 00:33:10,800
Speaker 2: an Asian woman from Ireland. I was or better that

796
00:33:10,840 --> 00:33:15,360
Speaker 2: she was a prostitute, or that they with it. It

797
00:33:15,480 --> 00:33:17,280
Speaker 2: was gonna go through we can't figure out which one

798
00:33:17,320 --> 00:33:18,000
Speaker 2: bothers me more?

799
00:33:18,120 --> 00:33:20,960
Speaker 1: Yo, yo dog?

800
00:33:21,280 --> 00:33:23,120
Speaker 2: What that the two of them were going to beat

801
00:33:23,160 --> 00:33:27,000
Speaker 2: together like she gave us it was a bundle deal.

802
00:33:27,520 --> 00:33:28,840
Speaker 6: Was like, what do you mean both of us?

803
00:33:29,360 --> 00:33:30,080
Speaker 8: Oh?

804
00:33:30,360 --> 00:33:30,640
Speaker 4: No?

805
00:33:30,840 --> 00:33:33,760
Speaker 10: And then fifty for two not each total three fifty

806
00:33:34,200 --> 00:33:35,040
Speaker 10: total or total?

807
00:33:35,280 --> 00:33:37,040
Speaker 1: That is bundle package.

808
00:33:37,040 --> 00:33:38,640
Speaker 6: If I that's heavy, that's less.

809
00:33:38,640 --> 00:33:47,960
Speaker 1: Did that come with a hoodie? No, that's insane. Was

810
00:33:47,960 --> 00:33:48,760
Speaker 1: she attractive though?

811
00:33:49,000 --> 00:33:52,040
Speaker 2: No, that's what she's working on that. I'll point her out.

812
00:33:52,080 --> 00:33:53,960
Speaker 10: A lot of say that that's where the three fifty

813
00:33:54,040 --> 00:33:57,200
Speaker 10: was like, yeah, three, I'll give you three two.

814
00:33:57,760 --> 00:33:59,200
Speaker 2: Yeah, funny.

815
00:33:59,200 --> 00:34:01,600
Speaker 5: It is like and we want out the hotel.

816
00:34:02,480 --> 00:34:05,200
Speaker 2: But you know there's certain like four seasons hotels where

817
00:34:05,200 --> 00:34:06,840
Speaker 2: you could tell where there's girls working and they do

818
00:34:06,880 --> 00:34:09,719
Speaker 2: it subtly. Shorty was what was there in front of

819
00:34:09,880 --> 00:34:12,840
Speaker 2: like no one else there? She's just like three fifty.

820
00:34:13,400 --> 00:34:13,520
Speaker 4: Bro.

821
00:34:13,640 --> 00:34:15,560
Speaker 10: That wasn't the only person that just kind of walked

822
00:34:15,560 --> 00:34:17,520
Speaker 10: into her hotel. We'll say that it wasn't.

823
00:34:17,320 --> 00:34:20,400
Speaker 5: Even like some subtle prostituted she was.

824
00:34:20,400 --> 00:34:22,080
Speaker 2: She was like at the front desk, like you want

825
00:34:22,080 --> 00:34:24,480
Speaker 2: to fuck like yo, long story shirt.

826
00:34:24,520 --> 00:34:26,240
Speaker 10: She had a whatsappen? The whatsappen it was like pictures

827
00:34:26,280 --> 00:34:28,160
Speaker 10: and stuff like that. Some dude comes up.

828
00:34:28,400 --> 00:34:30,400
Speaker 2: Is like that you guys got into a WhatsApp situation.

829
00:34:30,480 --> 00:34:32,279
Speaker 10: No, like she like showed us her phone. She's like

830
00:34:32,320 --> 00:34:35,080
Speaker 10: are you Like she didn't really say oh, she was

831
00:34:35,120 --> 00:34:37,839
Speaker 10: like are you And I'm like no, no, no, no, no, no,

832
00:34:38,000 --> 00:34:39,040
Speaker 10: okay yeah, and then.

833
00:34:39,040 --> 00:34:40,759
Speaker 1: Some guy just kind of so she was obviously there

834
00:34:40,800 --> 00:34:42,600
Speaker 1: for somebody that somebody at the hotel.

835
00:34:42,520 --> 00:34:43,560
Speaker 6: Guy up later.

836
00:34:43,640 --> 00:34:45,120
Speaker 2: Well, now I want to know what that guy said

837
00:34:45,120 --> 00:34:47,239
Speaker 2: to her, because when Edden said, are you Rory's cousin,

838
00:34:47,280 --> 00:34:47,880
Speaker 2: she said, yeah.

839
00:34:47,800 --> 00:34:50,239
Speaker 10: Yeah, yeah, I don't know. I guess she really. I

840
00:34:50,280 --> 00:34:52,520
Speaker 10: feel like some people really don't understand that sometimes.

841
00:34:52,640 --> 00:34:54,319
Speaker 1: Yeah, she knew she was did to meet somebody and

842
00:34:54,320 --> 00:34:56,160
Speaker 1: that's all she and you obviously walk up to her.

843
00:34:56,239 --> 00:34:57,799
Speaker 1: So she's like, yeah, it's me, like give me I'm

844
00:34:57,840 --> 00:34:59,279
Speaker 1: ready to make this money and get out of here.

845
00:34:59,320 --> 00:35:01,720
Speaker 1: But well, I'm glad that wasn't your cousin.

846
00:35:01,760 --> 00:35:04,920
Speaker 10: I blame because I always that's always blamed.

847
00:35:05,000 --> 00:35:05,360
Speaker 4: He might have.

848
00:35:05,400 --> 00:35:06,920
Speaker 6: I thought he knew and I was like, oh, is

849
00:35:06,960 --> 00:35:08,960
Speaker 6: she Asian? I didn't think that would all right?

850
00:35:09,040 --> 00:35:10,920
Speaker 4: Cool? You know, So that was.

851
00:35:11,320 --> 00:35:12,960
Speaker 2: I'm glad that stereotypes can help.

852
00:35:13,360 --> 00:35:16,040
Speaker 1: Absolutely in that case, they should have definitely read the room.

853
00:35:16,520 --> 00:35:18,240
Speaker 1: But I'm glad that wasn't your cousin that was selling

854
00:35:18,280 --> 00:35:19,080
Speaker 1: sex in a hotel.

855
00:35:19,239 --> 00:35:22,840
Speaker 2: Yes, so to your cousin actually made all the chairs

856
00:35:22,880 --> 00:35:27,480
Speaker 2: we were sitting in at uh So House and that

857
00:35:27,680 --> 00:35:31,680
Speaker 2: no fucking, no fucking idea interior architecture. Then, yeah, she

858
00:35:31,719 --> 00:35:33,920
Speaker 2: did all those chairs. I was like, what the fu

859
00:35:34,760 --> 00:35:35,439
Speaker 2: come to my crib?

860
00:35:35,760 --> 00:35:38,600
Speaker 1: Your grandfather built the bridges in Manhattan and New York.

861
00:35:38,480 --> 00:35:41,359
Speaker 2: City, and my cousin has made every chair you've sat at.

862
00:35:41,400 --> 00:35:43,160
Speaker 2: And so look.

863
00:35:43,000 --> 00:35:46,200
Speaker 6: At you, Look at you making music?

864
00:35:46,280 --> 00:35:51,279
Speaker 1: Yeah, they get they get shipped done. You can sit

865
00:35:51,400 --> 00:35:53,440
Speaker 1: cross and dance if you come fuck with this family.

866
00:36:00,880 --> 00:36:03,840
Speaker 2: Great Grandpa parall be proud. Yeah.

867
00:36:03,880 --> 00:36:06,239
Speaker 1: Well I'm glad. So you met your cousin she makes

868
00:36:06,239 --> 00:36:12,000
Speaker 1: the chairs at at Shoreditch house? Yeah? And how was

869
00:36:12,040 --> 00:36:14,919
Speaker 1: the conversation? Like, did I catch up on the family? Yeah,

870
00:36:15,160 --> 00:36:15,760
Speaker 1: she had kids.

871
00:36:15,760 --> 00:36:17,400
Speaker 2: We haven't really talked in a really long time. But

872
00:36:17,440 --> 00:36:22,319
Speaker 2: it's funny how family shit is universal, Like no matter what,

873
00:36:22,400 --> 00:36:24,640
Speaker 2: you could not speak to someone for twenty years and

874
00:36:24,800 --> 00:36:27,480
Speaker 2: pick right back up with like he's still a piece

875
00:36:27,480 --> 00:36:28,000
Speaker 2: of shit, isn't.

876
00:36:28,040 --> 00:36:30,360
Speaker 1: Yeah, yeah, that's family. That's family forever.

877
00:36:31,320 --> 00:36:32,879
Speaker 5: Oh, at least you're talking to my dad.

878
00:36:32,920 --> 00:36:35,520
Speaker 1: I was like, fuck, did she come out. We're filming

879
00:36:35,560 --> 00:36:37,239
Speaker 1: this on the day before the show, so she's coming

880
00:36:37,280 --> 00:36:37,680
Speaker 1: to the show.

881
00:36:37,680 --> 00:36:38,640
Speaker 2: She bought tickets to the show?

882
00:36:38,680 --> 00:36:39,399
Speaker 4: Oh wow? Yeah.

883
00:36:39,400 --> 00:36:41,080
Speaker 1: I was like, fuck, why would you let's do do that?

884
00:36:41,440 --> 00:36:43,319
Speaker 1: I respect that, though I thought it was that's kind

885
00:36:43,360 --> 00:36:44,760
Speaker 1: of like when we were in Charlotte and my cousin

886
00:36:44,800 --> 00:36:46,719
Speaker 1: that I didn't know was my cousin. At the end

887
00:36:47,280 --> 00:36:48,960
Speaker 1: I started talking, it was like, yo, we're cousins, and

888
00:36:49,000 --> 00:36:52,520
Speaker 1: I was like yeah, yeah, and she bought I didn't

889
00:36:52,520 --> 00:36:52,960
Speaker 1: know she was coming.

890
00:36:53,000 --> 00:36:53,440
Speaker 4: She bought her.

891
00:36:53,360 --> 00:36:56,839
Speaker 5: Tickets and we didn't talk.

892
00:36:56,880 --> 00:36:59,800
Speaker 2: Actually after no, we did it you nasty?

893
00:37:00,000 --> 00:37:02,680
Speaker 1: No, no, no, no, I didn't do anything.

894
00:37:02,920 --> 00:37:06,319
Speaker 2: You're lucky. I forgot it just hit me. Goddamn tied

895
00:37:06,360 --> 00:37:10,080
Speaker 2: in his prostitution story a little bit better when we're leaving,

896
00:37:10,719 --> 00:37:12,440
Speaker 2: you know, you know, ubers are kind of hard to

897
00:37:12,480 --> 00:37:16,319
Speaker 2: get it. It was pouring rain to a little group

898
00:37:16,320 --> 00:37:20,600
Speaker 2: with us. No, not only that, he said, Hannah, I'll

899
00:37:20,600 --> 00:37:23,880
Speaker 2: get your uber. Who's Hannah my cousin's cousin. Not the prostitutor.

900
00:37:25,200 --> 00:37:27,480
Speaker 1: You to move on it.

901
00:37:28,280 --> 00:37:30,839
Speaker 6: Take a bus back home. We can't let a woman

902
00:37:30,920 --> 00:37:32,760
Speaker 6: take a bus back or is her.

903
00:37:32,800 --> 00:37:34,680
Speaker 1: Rich cousin if he was gonna let it take a bus.

904
00:37:34,719 --> 00:37:36,600
Speaker 2: So sheld you no, mind you when she said I'm

905
00:37:36,640 --> 00:37:38,120
Speaker 2: taking the bus, like, I'm not letting you take the bus,

906
00:37:38,160 --> 00:37:39,600
Speaker 2: I'll call you a uber and.

907
00:37:39,440 --> 00:37:40,000
Speaker 6: You stepped in.

908
00:37:40,400 --> 00:37:51,000
Speaker 2: I'll take it, my cousin. I'll make sure you get home.

909
00:37:51,320 --> 00:37:51,800
Speaker 1: You can't do it.

910
00:37:52,000 --> 00:37:53,640
Speaker 2: I don't worry about it. I got it from here.

911
00:37:54,360 --> 00:37:56,640
Speaker 6: It was like, there better be two stops in that uber.

912
00:37:56,920 --> 00:37:59,440
Speaker 6: I was like, I'm not going with her. That's what

913
00:37:59,480 --> 00:38:01,520
Speaker 6: he got. I was gonna go with her in the

914
00:38:01,520 --> 00:38:02,000
Speaker 6: car with her.

915
00:38:02,239 --> 00:38:03,480
Speaker 1: No, just called her over.

916
00:38:03,719 --> 00:38:04,120
Speaker 6: I just called her.

917
00:38:04,440 --> 00:38:04,759
Speaker 4: That's it.

918
00:38:04,840 --> 00:38:06,200
Speaker 6: Okay, you have her dress?

919
00:38:06,239 --> 00:38:07,520
Speaker 4: That's what? Yeah you got?

920
00:38:09,440 --> 00:38:11,239
Speaker 1: Oh yes, yes, yeah. He's like, oh, I mean I

921
00:38:11,239 --> 00:38:12,480
Speaker 1: didn't look at it. I didn't look at it. I

922
00:38:12,520 --> 00:38:14,000
Speaker 1: gave the guy four stars and that was it.

923
00:38:14,160 --> 00:38:15,560
Speaker 2: She texted me when she got home. I was like,

924
00:38:15,600 --> 00:38:18,520
Speaker 2: did you double lock the door? Like the top God,

925
00:38:19,480 --> 00:38:21,680
Speaker 2: because that nasty camera man knows where you're living.

926
00:38:21,440 --> 00:38:24,440
Speaker 1: At He's outside your winning right now with the camera

927
00:38:24,560 --> 00:38:27,200
Speaker 1: with the camera. Yeah, like what is he doing?

928
00:38:27,640 --> 00:38:28,080
Speaker 4: But no, it was.

929
00:38:28,120 --> 00:38:30,680
Speaker 2: It was cool to catch up with him and I'm

930
00:38:30,680 --> 00:38:33,200
Speaker 2: glad then and Benner got to Fish to meet her

931
00:38:33,239 --> 00:38:35,440
Speaker 2: as well. And Benner knows my pop so that was

932
00:38:35,480 --> 00:38:37,640
Speaker 2: also cool because she was like, oh, do you know Jake,

933
00:38:38,000 --> 00:38:41,600
Speaker 2: And once Benner heard that, they had a great conversation.

934
00:38:41,760 --> 00:38:44,920
Speaker 1: That's dope. I like stories like that. So we that was.

935
00:38:44,960 --> 00:38:46,560
Speaker 1: That was the night. That was our first night and the.

936
00:38:46,800 --> 00:38:48,840
Speaker 2: First twenty four hours, the first in London.

937
00:38:49,320 --> 00:38:51,839
Speaker 1: It's a whirlwind. So we woke up today. I kind

938
00:38:51,880 --> 00:38:53,400
Speaker 1: of everybody kind of slept in, which I thought I

939
00:38:53,480 --> 00:38:55,200
Speaker 1: knew was not ha. It like we just fucking tired,

940
00:38:55,280 --> 00:38:58,680
Speaker 1: jet lag and bodies on a whole different clock. But

941
00:38:58,760 --> 00:39:02,760
Speaker 1: I woke up and I decided to download the Drake album.

942
00:39:02,880 --> 00:39:04,000
Speaker 2: Yeah what a decision?

943
00:39:04,400 --> 00:39:07,440
Speaker 1: Well only because I felt like everybody was texting me

944
00:39:07,480 --> 00:39:10,279
Speaker 1: about certain songs and bars and lines and things like that,

945
00:39:10,280 --> 00:39:11,839
Speaker 1: and I didn't know what the fuck they were talking about.

946
00:39:11,840 --> 00:39:14,520
Speaker 1: I said, I haven't heard a single song off the album.

947
00:39:14,520 --> 00:39:17,760
Speaker 1: I'm in London. I'm just waking up. It's fucking eleven

948
00:39:17,880 --> 00:39:21,200
Speaker 1: thirty here, which means it's seven thirty back home, which

949
00:39:21,239 --> 00:39:24,560
Speaker 1: means it's four thirty in California. So I was just like, no,

950
00:39:24,640 --> 00:39:28,799
Speaker 1: I'm just literally waking up. So I listened to the album,

951
00:39:28,880 --> 00:39:29,399
Speaker 1: turned it on.

952
00:39:29,800 --> 00:39:31,520
Speaker 2: Yes, Her Loss, Her Loss.

953
00:39:31,600 --> 00:39:33,919
Speaker 1: It was Drake and Savage twenty one. Let's just talk

954
00:39:33,920 --> 00:39:36,120
Speaker 1: about the all of the marketing and stuff leading up

955
00:39:36,120 --> 00:39:38,640
Speaker 1: to the album. Drake is his camp. I don't know

956
00:39:38,640 --> 00:39:41,759
Speaker 1: who's responsible for that, but it was genius moves. I

957
00:39:41,800 --> 00:39:48,080
Speaker 1: thought it was super hilarious, super funny, super like just

958
00:39:48,200 --> 00:39:52,560
Speaker 1: like a play on. Like everybody wanted to sit down

959
00:39:52,560 --> 00:39:54,960
Speaker 1: and talk to people and interview people and things like that,

960
00:39:55,160 --> 00:39:56,600
Speaker 1: and it's like, Okay, I'm going to talk to press,

961
00:39:56,760 --> 00:39:58,680
Speaker 1: but I'm not talking to y'all. It's a press run,

962
00:39:58,680 --> 00:40:00,759
Speaker 1: but it's not a press run. Like I didn't leave

963
00:40:00,840 --> 00:40:03,000
Speaker 1: like my studio. I did all of this in the

964
00:40:03,040 --> 00:40:06,120
Speaker 1: same fucking studio Green Screen did whatever. It was just

965
00:40:06,160 --> 00:40:10,320
Speaker 1: a real, real, like dope way to say, here's our album.

966
00:40:10,680 --> 00:40:12,600
Speaker 1: We're not gonna come and shit with everybody. We're not

967
00:40:12,640 --> 00:40:15,160
Speaker 1: gonna come and do interviews with everybody, but we're gonna

968
00:40:15,160 --> 00:40:18,439
Speaker 1: look like we're running around doing like the deep fake

969
00:40:18,480 --> 00:40:20,840
Speaker 1: tiny des shit was genius. So that's because when I

970
00:40:20,840 --> 00:40:22,799
Speaker 1: first saw that, I was like yo, for Drake to

971
00:40:22,880 --> 00:40:25,359
Speaker 1: do tiny desk is super ill.

972
00:40:25,480 --> 00:40:28,480
Speaker 2: We were recording when that clip dropped, yea, so we

973
00:40:28,520 --> 00:40:30,160
Speaker 2: didn't like fully, you know, it's kind of one of

974
00:40:30,200 --> 00:40:33,880
Speaker 2: those like oh shit, that's cool. I was actually excited

975
00:40:33,880 --> 00:40:35,959
Speaker 2: when I first saw it, before I realized it was fake.

976
00:40:36,000 --> 00:40:38,520
Speaker 2: I was like, yeah, man, that actually does make sense.

977
00:40:38,520 --> 00:40:39,920
Speaker 2: It's time for Drake to do a tiny desk.

978
00:40:40,000 --> 00:40:40,239
Speaker 4: Yeah.

979
00:40:41,000 --> 00:40:43,640
Speaker 2: Then I really watched the clip after we recorded, and

980
00:40:43,680 --> 00:40:46,640
Speaker 2: I was like, an acoustic guitar and a bass guitar,

981
00:40:46,920 --> 00:40:49,200
Speaker 2: not a drumming site for the Drake and twenty one

982
00:40:49,200 --> 00:40:52,160
Speaker 2: Savage tiny desk, not rolling stone.

983
00:40:52,800 --> 00:40:54,680
Speaker 1: This fake is Funno. When I when I when I

984
00:40:54,719 --> 00:41:00,239
Speaker 1: when I when I saw the Howard's Thurn thing, I said, oh, okay,

985
00:41:00,239 --> 00:41:02,759
Speaker 1: this is interesting for a number of reasons. Right now,

986
00:41:02,840 --> 00:41:07,400
Speaker 1: everything that's going on very interesting. But when he answered

987
00:41:07,400 --> 00:41:10,520
Speaker 1: the question, we like, you know, just heavy top like

988
00:41:11,480 --> 00:41:14,040
Speaker 1: just whatever was like the best tops like that's what

989
00:41:14,160 --> 00:41:15,360
Speaker 1: I was like, this can't be.

990
00:41:15,760 --> 00:41:17,560
Speaker 2: I mean, no way, Drake said, but the O G

991
00:41:17,719 --> 00:41:19,440
Speaker 2: Howard Stern show appropriate answer.

992
00:41:19,600 --> 00:41:21,920
Speaker 1: Oh absolutely, but that's why it made sense. But I'm

993
00:41:22,000 --> 00:41:24,319
Speaker 1: just like, Drake isn't doing that. He's not He's not

994
00:41:24,520 --> 00:41:25,040
Speaker 1: really going to.

995
00:41:25,080 --> 00:41:26,799
Speaker 2: Say that, and that'd be the like the clip that

996
00:41:26,800 --> 00:41:29,879
Speaker 2: they used. There's no way with such convictions. I was like, yo,

997
00:41:29,920 --> 00:41:31,560
Speaker 2: I think he's the top is probably.

998
00:41:31,239 --> 00:41:32,680
Speaker 1: And that's when you told me. You was like, nah,

999
00:41:32,719 --> 00:41:34,840
Speaker 1: all of it is fake. I said, no, this is

1000
00:41:34,920 --> 00:41:38,040
Speaker 1: genius ship. So shout out to the whole team behind

1001
00:41:38,040 --> 00:41:39,600
Speaker 1: that for the for the album, I thought that was

1002
00:41:39,640 --> 00:41:40,200
Speaker 1: super dope.

1003
00:41:41,280 --> 00:41:44,480
Speaker 6: But now the music, yeah, well we jumped in.

1004
00:41:44,600 --> 00:41:48,279
Speaker 8: We did a fake interview and convinced quite a few

1005
00:41:48,280 --> 00:41:50,120
Speaker 8: people that that was actually happening.

1006
00:41:50,080 --> 00:41:51,680
Speaker 1: Did we Yeah, it worked. You didn't know.

1007
00:41:51,840 --> 00:41:54,680
Speaker 2: He just pged the photo shops on my couch.

1008
00:41:54,960 --> 00:41:57,120
Speaker 6: We decided when we were at the bar together, you

1009
00:41:57,200 --> 00:41:58,919
Speaker 6: just rolled in with it. So we had.

1010
00:41:58,840 --> 00:42:00,239
Speaker 1: People, oh yeah this that.

1011
00:42:00,880 --> 00:42:03,800
Speaker 2: Even we tweeted out like, oh I hope Drake and

1012
00:42:03,840 --> 00:42:05,920
Speaker 2: twenty one one fake do our podcast, And then it

1013
00:42:05,960 --> 00:42:08,440
Speaker 2: was mad people, you fucking cloud chasers. I'm like, I

1014
00:42:08,520 --> 00:42:10,440
Speaker 2: know I want them to fake do our podcast.

1015
00:42:10,600 --> 00:42:12,120
Speaker 1: Yeah, then I might not really do it.

1016
00:42:12,120 --> 00:42:13,759
Speaker 8: We put out the fake image and people were like,

1017
00:42:13,960 --> 00:42:15,879
Speaker 8: of course, Rory's not sitting next to Drake.

1018
00:42:16,040 --> 00:42:18,600
Speaker 4: Lmao, lmao.

1019
00:42:18,719 --> 00:42:21,560
Speaker 1: Even like when we're it's knowing that it's a fake, like, yeah, you.

1020
00:42:21,520 --> 00:42:22,960
Speaker 6: Made it, posted it.

1021
00:42:23,000 --> 00:42:25,959
Speaker 2: Peach p wh does incredible photoshop wasn't his best work.

1022
00:42:26,000 --> 00:42:26,920
Speaker 2: It looked fake as.

1023
00:42:26,719 --> 00:42:29,560
Speaker 1: Fun, but that's why I was doing it didn't even

1024
00:42:29,560 --> 00:42:31,319
Speaker 1: look real. That's why when I saw the picture, I

1025
00:42:31,360 --> 00:42:32,840
Speaker 1: laughed at it because I was like, I'm glad it

1026
00:42:32,880 --> 00:42:33,520
Speaker 1: doesn't look.

1027
00:42:33,400 --> 00:42:34,040
Speaker 5: Oh no, I'm glad.

1028
00:42:34,400 --> 00:42:36,960
Speaker 2: Peach purposely didn't make it look very rare because it

1029
00:42:37,040 --> 00:42:38,279
Speaker 2: was like, all right, this is.

1030
00:42:38,280 --> 00:42:40,440
Speaker 1: I thought you meant like we did a fake interview,

1031
00:42:40,520 --> 00:42:43,319
Speaker 1: like that would be picture. Yeah, but I thought about, say, wait,

1032
00:42:43,360 --> 00:42:45,040
Speaker 1: I didn't see this video. Why is it out? And

1033
00:42:45,040 --> 00:42:45,520
Speaker 1: I didn't see it?

1034
00:42:45,520 --> 00:42:46,960
Speaker 5: But did he sub any yours?

1035
00:42:47,800 --> 00:42:49,920
Speaker 2: So that's what I was listening for. Everyone else was

1036
00:42:49,920 --> 00:42:51,960
Speaker 2: looking for, like the messy like what he said about

1037
00:42:52,000 --> 00:42:54,239
Speaker 2: Meg and Kanye. I was like, which one of these

1038
00:42:54,280 --> 00:42:56,080
Speaker 2: which was one of these songs about one of my bities?

1039
00:42:56,120 --> 00:43:02,759
Speaker 1: No, No, that's great, that's crazy, Like you know that's

1040
00:43:02,800 --> 00:43:05,000
Speaker 1: what rappers think that other rappers for sure.

1041
00:43:05,239 --> 00:43:07,279
Speaker 2: I mean even he even said it on the album. He

1042
00:43:07,320 --> 00:43:10,560
Speaker 2: said rappers asked me if did Drake fuck? Of course

1043
00:43:10,560 --> 00:43:10,839
Speaker 2: he did.

1044
00:43:11,440 --> 00:43:13,920
Speaker 1: No, I'm not gonna lie. He had one ball in there.

1045
00:43:14,960 --> 00:43:15,239
Speaker 4: I was in.

1046
00:43:15,400 --> 00:43:17,839
Speaker 1: I was in the bathroom, was brushing my teeth and

1047
00:43:17,880 --> 00:43:22,000
Speaker 1: he said what he said. He said, uh, like a

1048
00:43:22,360 --> 00:43:25,040
Speaker 1: like a cup holded dim stick to me, some ship

1049
00:43:25,120 --> 00:43:26,640
Speaker 1: like a cup hold of the doms always.

1050
00:43:26,440 --> 00:43:26,840
Speaker 6: Stick to me.

1051
00:43:27,080 --> 00:43:27,680
Speaker 2: It's pretty good.

1052
00:43:27,680 --> 00:43:27,799
Speaker 4: Long.

1053
00:43:27,880 --> 00:43:31,799
Speaker 1: I was like, that's a clever, clever bar.

1054
00:43:31,920 --> 00:43:32,040
Speaker 4: Bro.

1055
00:43:32,320 --> 00:43:35,839
Speaker 1: Yeah, like that, that's very clever. That's like he's he's

1056
00:43:36,280 --> 00:43:39,320
Speaker 1: he's he's on another like he's thinking differently. Like because

1057
00:43:39,920 --> 00:43:41,319
Speaker 1: you get that as soon as you hear it, and

1058
00:43:41,320 --> 00:43:42,360
Speaker 1: no rapper has ever.

1059
00:43:42,320 --> 00:43:44,279
Speaker 2: You're gonna get killed for loving that bar. But I

1060
00:43:44,320 --> 00:43:46,399
Speaker 2: also love that bar. I'm just I don't give rap

1061
00:43:46,480 --> 00:43:48,040
Speaker 2: nerds are gonna be like, I don't care who loved

1062
00:43:48,040 --> 00:43:50,640
Speaker 2: that bar. Big else said that it'd be the greatest

1063
00:43:50,680 --> 00:43:53,960
Speaker 2: hip hop no that time. Something so simple, That's what

1064
00:43:54,000 --> 00:43:54,399
Speaker 2: I'm saying.

1065
00:43:54,400 --> 00:43:57,319
Speaker 1: It is so simple, but nobody has ever said it.

1066
00:43:57,600 --> 00:43:59,440
Speaker 8: And you know, every card Drake has been in the

1067
00:43:59,520 --> 00:44:01,279
Speaker 8: last ten year does not have a sticky cup hole.

1068
00:44:01,520 --> 00:44:03,920
Speaker 7: So the fact that he that he reached back into

1069
00:44:03,960 --> 00:44:07,879
Speaker 7: that exactly, That's why I'm like, he's still when still

1070
00:44:07,920 --> 00:44:09,760
Speaker 7: talks about coke like it's.

1071
00:44:09,440 --> 00:44:13,480
Speaker 1: Yeah, it's muscle memory, it's muscleman. And then who has it.

1072
00:44:13,600 --> 00:44:15,200
Speaker 1: Who doesn't know? Is sticky cup hold.

1073
00:44:15,480 --> 00:44:16,480
Speaker 2: Matter how your car?

1074
00:44:16,760 --> 00:44:18,840
Speaker 1: It's like, yo, why is this? Why is it always sticky?

1075
00:44:18,840 --> 00:44:23,040
Speaker 2: Why has two sticky cup holders? Even that little area

1076
00:44:23,080 --> 00:44:24,800
Speaker 2: with the dashed thinging that you put stuff is a

1077
00:44:24,840 --> 00:44:27,680
Speaker 2: sticky Yeah no, that was the premieer car washes. Cannot

1078
00:44:27,680 --> 00:44:28,440
Speaker 2: get the stick and get it.

1079
00:44:28,560 --> 00:44:30,640
Speaker 1: That's what line was exactly.

1080
00:44:30,760 --> 00:44:31,680
Speaker 2: I only drink water.

1081
00:44:32,480 --> 00:44:35,520
Speaker 1: That's why that bar was so was so like I said, Okay,

1082
00:44:35,560 --> 00:44:36,960
Speaker 1: I said, that's a slick, that's a club ball.

1083
00:44:37,000 --> 00:44:37,440
Speaker 4: I like that bar.

1084
00:44:37,560 --> 00:44:39,600
Speaker 1: But the music sounds good. I only listened to the

1085
00:44:39,640 --> 00:44:40,680
Speaker 1: went through the album one time.

1086
00:44:40,800 --> 00:44:43,160
Speaker 2: Yea for those resting this ship literally just yeah.

1087
00:44:42,960 --> 00:44:46,240
Speaker 1: We're recording this on Fridays. This is coming out Tuesday.

1088
00:44:46,239 --> 00:44:49,120
Speaker 1: We recorded this on Friday in London. So that was

1089
00:44:49,120 --> 00:44:51,880
Speaker 1: just that was the album. The music sounds good, the

1090
00:44:51,880 --> 00:44:54,560
Speaker 1: hooks sound good. I only listen to it once, so

1091
00:44:54,560 --> 00:44:57,000
Speaker 1: I'm not trying to go too deep into it. I

1092
00:44:57,040 --> 00:44:59,640
Speaker 1: see the bars that people are talking about online with

1093
00:44:59,719 --> 00:45:02,759
Speaker 1: the whole Uh, she's lying about getting shot, but she's

1094
00:45:02,760 --> 00:45:03,840
Speaker 1: still a style, you know that.

1095
00:45:04,040 --> 00:45:05,600
Speaker 2: That was the number one thing I saw.

1096
00:45:05,800 --> 00:45:08,160
Speaker 1: I saw that bar. I heard I've seen people talking

1097
00:45:08,160 --> 00:45:11,520
Speaker 1: about that bar, and I was like, Okay, we talked

1098
00:45:11,520 --> 00:45:14,080
Speaker 1: about it amongst ourselves, and I was like, I think

1099
00:45:14,160 --> 00:45:17,400
Speaker 1: he's teethering the line. It could be lying about shots,

1100
00:45:17,400 --> 00:45:18,480
Speaker 1: line about get her as.

1101
00:45:18,280 --> 00:45:22,719
Speaker 5: Done, understand the bar, but let's come on.

1102
00:45:23,320 --> 00:45:25,920
Speaker 2: Drake is one of the more calculated people we've ever seen.

1103
00:45:27,160 --> 00:45:29,840
Speaker 2: He chooses his words very carefully, right, yes, and he

1104
00:45:30,480 --> 00:45:34,040
Speaker 2: knows what he's saying, even with I know chicks live

1105
00:45:34,040 --> 00:45:35,799
Speaker 2: about getting as shots, Like, yeah, we could tell that,

1106
00:45:36,920 --> 00:45:40,320
Speaker 2: but we know you saying that it's going to appear

1107
00:45:41,320 --> 00:45:43,919
Speaker 2: logically that you are saying that Meg is lying about

1108
00:45:43,920 --> 00:45:44,360
Speaker 2: being shot.

1109
00:45:44,800 --> 00:45:46,400
Speaker 5: The only let's let's call this space.

1110
00:45:46,480 --> 00:45:49,720
Speaker 2: Yeah, but Drake can I'm always once but he knows

1111
00:45:49,760 --> 00:45:50,560
Speaker 2: what that was gonna do.

1112
00:45:50,600 --> 00:45:53,320
Speaker 1: And that's what I'm saying. I'm always calling the spade

1113
00:45:53,320 --> 00:45:55,360
Speaker 1: of spade. But the only thing is I've never seen,

1114
00:45:56,120 --> 00:45:58,000
Speaker 1: or that I can remember, I've never seen Drake take

1115
00:45:58,040 --> 00:46:01,719
Speaker 1: a definitive side on anything that was such big news

1116
00:46:02,239 --> 00:46:05,640
Speaker 1: in our culture. True, So that's why I have to

1117
00:46:05,680 --> 00:46:08,080
Speaker 1: say he's teetering the line, he's playing on words. He

1118
00:46:08,120 --> 00:46:11,520
Speaker 1: obviously sees what people are saying publicly about the trial

1119
00:46:11,920 --> 00:46:15,239
Speaker 1: or the situation that's coming up he sees all of that,

1120
00:46:15,280 --> 00:46:16,799
Speaker 1: he reads all of that. So that's why I'm saying,

1121
00:46:16,800 --> 00:46:19,440
Speaker 1: I think he's teething. He's playing with that line and

1122
00:46:19,440 --> 00:46:22,960
Speaker 1: that the emotions that are out there about that, is

1123
00:46:23,000 --> 00:46:26,640
Speaker 1: she lying or whatever whatever. I've never seen Drake take

1124
00:46:26,680 --> 00:46:30,720
Speaker 1: a definitive like shot and stance like that, especially towards

1125
00:46:31,239 --> 00:46:32,880
Speaker 1: another artist or woman.

1126
00:46:33,000 --> 00:46:37,160
Speaker 2: But you do know what that puts out to her

1127
00:46:37,200 --> 00:46:41,040
Speaker 2: story as far as perception. Absolutely, and this is a

1128
00:46:41,040 --> 00:46:43,920
Speaker 2: no way saying with my opinion on that I was

1129
00:46:43,960 --> 00:46:44,520
Speaker 2: not fucking there.

1130
00:46:44,560 --> 00:46:45,200
Speaker 6: I do not know.

1131
00:46:47,080 --> 00:46:48,520
Speaker 2: I don't know if that means I don't believe women.

1132
00:46:48,560 --> 00:46:50,239
Speaker 2: I just wasn't sucking there. I don't know. Let's see

1133
00:46:50,239 --> 00:46:51,799
Speaker 2: what happens in the trial wheneverone tells the story.

1134
00:46:51,880 --> 00:46:51,960
Speaker 1: Right.

1135
00:46:52,000 --> 00:46:57,719
Speaker 2: That's where I'm at with the shit. Drake brand is

1136
00:46:57,760 --> 00:47:00,279
Speaker 2: probably what the most important brand.

1137
00:47:00,040 --> 00:47:02,640
Speaker 1: And in hip hop, one of absolutely one of the.

1138
00:47:02,560 --> 00:47:06,400
Speaker 2: Most protected, pretty squeaky clean if we get down to

1139
00:47:06,880 --> 00:47:08,640
Speaker 2: down to it at the end of the day, for

1140
00:47:08,680 --> 00:47:09,879
Speaker 2: the type of artist that he.

1141
00:47:09,880 --> 00:47:12,200
Speaker 1: Is, which is why I don't think he would too.

1142
00:47:14,040 --> 00:47:15,440
Speaker 5: Say that.

1143
00:47:15,440 --> 00:47:20,279
Speaker 2: That is now saying by perception Meg's line, Why would

1144
00:47:20,320 --> 00:47:23,600
Speaker 2: an artist compromise his whole brand to say a woman

1145
00:47:24,160 --> 00:47:30,440
Speaker 2: that was shot is line. So you could see that

1146
00:47:30,480 --> 00:47:32,279
Speaker 2: the line. But Drake knows what he was saying in

1147
00:47:32,320 --> 00:47:35,440
Speaker 2: that regard and what that looks like in Meg's.

1148
00:47:35,400 --> 00:47:37,839
Speaker 1: Story in her defense, No, no, no.

1149
00:47:38,080 --> 00:47:41,600
Speaker 2: Artists of Drake's stature, rapper or not, would risk their

1150
00:47:41,680 --> 00:47:48,000
Speaker 2: brand to take any type of It's not even saying that.

1151
00:47:48,000 --> 00:47:49,600
Speaker 2: He's kind of insinuating. He said it.

1152
00:47:49,640 --> 00:47:52,040
Speaker 6: He said it, he said, took a defintance.

1153
00:47:52,360 --> 00:47:53,799
Speaker 1: Yes, so it's just the first one.

1154
00:47:54,080 --> 00:47:54,439
Speaker 6: He said.

1155
00:47:54,440 --> 00:47:56,759
Speaker 8: There's another line too that I wanted to read where

1156
00:47:56,800 --> 00:47:58,799
Speaker 8: he said it's on the same song.

1157
00:47:58,840 --> 00:47:59,120
Speaker 4: He said.

1158
00:47:59,280 --> 00:48:02,640
Speaker 8: Surety says she graduated, she ain't learned enough player album

1159
00:48:02,719 --> 00:48:05,319
Speaker 8: track one k I heard enough, So that was People

1160
00:48:05,360 --> 00:48:07,000
Speaker 8: are saying that's in the reference to her going back

1161
00:48:07,080 --> 00:48:09,759
Speaker 8: finishing her degree at t s U and then you know,

1162
00:48:09,800 --> 00:48:11,000
Speaker 8: obviously continue with her career.

1163
00:48:11,080 --> 00:48:12,920
Speaker 6: And he's like, yeah, I'm good on your music.

1164
00:48:13,120 --> 00:48:15,319
Speaker 2: What what is the Meg? Is there a Meg Drake

1165
00:48:15,520 --> 00:48:18,759
Speaker 2: thing we don't know about? Find the scenes with Tory?

1166
00:48:19,719 --> 00:48:19,959
Speaker 4: Uh.

1167
00:48:20,200 --> 00:48:21,879
Speaker 6: There was a picture of him recently.

1168
00:48:21,560 --> 00:48:24,480
Speaker 2: With They're cool. How close is this artists?

1169
00:48:24,560 --> 00:48:26,240
Speaker 4: Really? I don't know how I'm.

1170
00:48:26,080 --> 00:48:28,000
Speaker 8: Saying it seems close enough or at least he knows

1171
00:48:28,120 --> 00:48:29,920
Speaker 8: enough about the situation to choose his side.

1172
00:48:30,280 --> 00:48:33,080
Speaker 1: All right, No I'm not going But no, that's what

1173
00:48:33,080 --> 00:48:33,359
Speaker 1: I'm saying.

1174
00:48:33,840 --> 00:48:36,840
Speaker 2: What does he know? Drake wouldn't He's not gonna takem

1175
00:48:36,880 --> 00:48:38,759
Speaker 2: if I'm Drake and Tory just tells me a story

1176
00:48:38,760 --> 00:48:39,239
Speaker 2: behind the scenes.

1177
00:48:40,040 --> 00:48:40,799
Speaker 1: He's not sho.

1178
00:48:43,000 --> 00:48:44,320
Speaker 5: Is not taking the word.

1179
00:48:44,239 --> 00:48:47,040
Speaker 2: Of somebody to make a stance on that, which is

1180
00:48:47,040 --> 00:48:49,000
Speaker 2: also even weirder to me because Drake wasn't there.

1181
00:48:50,200 --> 00:48:52,719
Speaker 1: Well, what is known, it's it's some people that are

1182
00:48:53,360 --> 00:48:55,239
Speaker 1: They're upset about the ball. They're looking at it like Dan,

1183
00:48:55,320 --> 00:48:57,080
Speaker 1: that was whack. You know, that was corny, Like you

1184
00:48:57,120 --> 00:48:59,720
Speaker 1: shouldn't have did that, you shouldn't have said that, or whatever.

1185
00:48:59,760 --> 00:49:01,920
Speaker 1: And I mean, you know, listen, if one thing we

1186
00:49:02,000 --> 00:49:05,080
Speaker 1: know where we know now you could say things and

1187
00:49:05,280 --> 00:49:07,360
Speaker 1: nothing is out of bounds. I keep telling y'all, we

1188
00:49:07,400 --> 00:49:10,280
Speaker 1: living in the simulation whatever we thought was like out.

1189
00:49:10,160 --> 00:49:14,400
Speaker 2: Of bounds, which not having ever is out of bounds,

1190
00:49:14,440 --> 00:49:16,520
Speaker 2: but not you can't say anything, but every.

1191
00:49:16,400 --> 00:49:18,600
Speaker 1: Day, every day Toun there, every every day the new

1192
00:49:18,640 --> 00:49:19,480
Speaker 1: it's a new out of bounds.

1193
00:49:19,520 --> 00:49:21,920
Speaker 2: You can't say ship, but everything's being said exactly.

1194
00:49:21,640 --> 00:49:23,920
Speaker 1: So you know, I guess this is what he wants.

1195
00:49:23,960 --> 00:49:25,440
Speaker 1: You want people to sit and talk about it. Is

1196
00:49:25,480 --> 00:49:27,920
Speaker 1: he taking the side? Is he taking a stance? And

1197
00:49:27,960 --> 00:49:31,239
Speaker 1: who he believes in this whole situation. You know, Like

1198
00:49:31,280 --> 00:49:33,799
Speaker 1: I said, people are saying, oh, he's alluding to chicks

1199
00:49:33,880 --> 00:49:36,439
Speaker 1: line about getting their as shots, but you're still stay

1200
00:49:36,560 --> 00:49:39,120
Speaker 1: like you still think Yeah, listen, man, chop it up.

1201
00:49:39,120 --> 00:49:39,960
Speaker 6: That bar was corny?

1202
00:49:40,320 --> 00:49:40,600
Speaker 1: Huh?

1203
00:49:40,680 --> 00:49:42,080
Speaker 6: Do y'all think that bar was corny?

1204
00:49:42,360 --> 00:49:44,239
Speaker 1: I didn't like it timing wise, yeah, I didn't like that.

1205
00:49:44,400 --> 00:49:45,440
Speaker 1: It was a bad time. I thought it was a

1206
00:49:45,440 --> 00:49:45,960
Speaker 1: bad taste.

1207
00:49:46,040 --> 00:49:49,480
Speaker 2: Rapper bar rap genius the way if you want to

1208
00:49:49,480 --> 00:49:50,120
Speaker 2: put it down.

1209
00:49:50,440 --> 00:49:54,080
Speaker 1: Yeah, yeah, okay, and not and and and and not

1210
00:49:54,160 --> 00:49:59,320
Speaker 1: that I don't like it because I believe Meg. I

1211
00:49:59,360 --> 00:50:00,879
Speaker 1: don't want to put that out there. I'm just saying

1212
00:50:00,920 --> 00:50:04,040
Speaker 1: I don't like it because this you do, this is

1213
00:50:04,080 --> 00:50:06,600
Speaker 1: something that's still going on. This is a trial is

1214
00:50:06,640 --> 00:50:09,520
Speaker 1: coming up. So it's like, that's why I don't believe.

1215
00:50:09,560 --> 00:50:12,719
Speaker 1: I don't We've never seen Drake just put a draw

1216
00:50:12,800 --> 00:50:14,920
Speaker 1: line of sense like I'm here with this, you know.

1217
00:50:14,960 --> 00:50:16,840
Speaker 1: I mean, it's always like he just doesn't address it.

1218
00:50:16,840 --> 00:50:18,520
Speaker 1: It's like whatever, like it's not.

1219
00:50:18,640 --> 00:50:20,600
Speaker 6: That doing that it's going to have a lot more

1220
00:50:20,600 --> 00:50:21,719
Speaker 6: people jumping on that.

1221
00:50:21,840 --> 00:50:25,040
Speaker 1: Absolutely not. And that's why people and that's why, and

1222
00:50:25,080 --> 00:50:26,719
Speaker 1: that's why people don't like the.

1223
00:50:26,640 --> 00:50:29,319
Speaker 2: Back with a brand like that would risk it over

1224
00:50:29,400 --> 00:50:32,520
Speaker 2: something that he wasn't one hundred percent positive about. That's

1225
00:50:32,560 --> 00:50:35,080
Speaker 2: what I'm saying. What it looks like, yea perception and

1226
00:50:35,760 --> 00:50:38,040
Speaker 2: you do believe Meg, because I want to make sure

1227
00:50:38,040 --> 00:50:39,560
Speaker 2: it sounded like you were saying you want to say

1228
00:50:39,560 --> 00:50:40,239
Speaker 2: you don't believe Meg.

1229
00:50:40,320 --> 00:50:42,520
Speaker 1: No, no, no, I'm saying I just don't want you to. No, no, no,

1230
00:50:42,520 --> 00:50:44,399
Speaker 1: I'm not saying something. I'm not saying I don't believe Meg.

1231
00:50:44,480 --> 00:50:49,000
Speaker 1: I'm just saying, like people know from the from the

1232
00:50:49,080 --> 00:50:51,560
Speaker 1: time it happened, it was the crazy shit we've ever

1233
00:50:51,600 --> 00:50:55,239
Speaker 1: heard a male artist that was huge, had everything going

1234
00:50:55,440 --> 00:50:59,480
Speaker 1: for him at the moment, insane shot allegedly shot a

1235
00:50:59,480 --> 00:51:02,439
Speaker 1: female art artists We've never and then we've never seen

1236
00:51:02,480 --> 00:51:04,520
Speaker 1: a woman lie about being shot before.

1237
00:51:05,360 --> 00:51:05,640
Speaker 4: I don't.

1238
00:51:05,680 --> 00:51:09,360
Speaker 1: I'm talking about in life, not just celebrity artists. In life,

1239
00:51:09,400 --> 00:51:12,160
Speaker 1: I have never seen a woman lie about being shot.

1240
00:51:13,200 --> 00:51:14,240
Speaker 2: And that interesting lie.

1241
00:51:14,280 --> 00:51:16,560
Speaker 1: This is what I'm saying. So it's like the whole

1242
00:51:16,600 --> 00:51:21,880
Speaker 1: situation is just odd, it's unfortunate. It's it's like just

1243
00:51:22,120 --> 00:51:23,480
Speaker 1: something we've never seen so.

1244
00:51:23,760 --> 00:51:29,480
Speaker 2: Well, allegedly who shot her rather because shot yes, allegedly

1245
00:51:29,640 --> 00:51:30,640
Speaker 2: fact who shot her?

1246
00:51:30,760 --> 00:51:35,120
Speaker 1: Right, So the bar didn't like it. I was like, ah,

1247
00:51:35,160 --> 00:51:37,520
Speaker 1: because we know what it can do that it pushes perception,

1248
00:51:37,680 --> 00:51:39,279
Speaker 1: it does all of these things, and that's why a

1249
00:51:39,280 --> 00:51:41,239
Speaker 1: lot of people also don't like it. A lot of

1250
00:51:41,280 --> 00:51:43,719
Speaker 1: women don't like it. They felt like it was distasteful

1251
00:51:43,719 --> 00:51:46,440
Speaker 1: with Drake to put out there. But whatever, that's what

1252
00:51:46,520 --> 00:51:48,279
Speaker 1: that's what music is supposed to do. We debate it,

1253
00:51:48,320 --> 00:51:50,000
Speaker 1: we chop it up, we take from it what we

1254
00:51:50,040 --> 00:51:51,640
Speaker 1: take from it. We like what we don't like, We

1255
00:51:51,760 --> 00:51:54,520
Speaker 1: dislike this, we like that. That's what this is all.

1256
00:51:54,440 --> 00:51:56,360
Speaker 2: About, just as a consumer. And I don't want to

1257
00:51:56,360 --> 00:51:59,719
Speaker 2: harp too much on the Meg shit, but we've had

1258
00:51:59,719 --> 00:52:00,640
Speaker 2: convers stations.

1259
00:52:00,360 --> 00:52:03,800
Speaker 5: Off Mike where you've made amazing like Meg would.

1260
00:52:03,640 --> 00:52:06,640
Speaker 2: Never lie about that, like her career, Why would you

1261
00:52:07,040 --> 00:52:07,520
Speaker 2: lie about that?

1262
00:52:07,560 --> 00:52:09,520
Speaker 1: I was very vocal and behind the scenes about that

1263
00:52:09,600 --> 00:52:13,040
Speaker 1: like that. It would it will be, and it is

1264
00:52:13,280 --> 00:52:17,960
Speaker 1: absolute career suicide. If she is in fact lying about that,

1265
00:52:18,080 --> 00:52:20,840
Speaker 1: it's career suicide. There's no other way about it. It

1266
00:52:20,960 --> 00:52:25,920
Speaker 1: is career. She's committing career suicide if she is lying about.

1267
00:52:26,000 --> 00:52:27,279
Speaker 5: Like, let's take the feelings out of it.

1268
00:52:27,400 --> 00:52:30,880
Speaker 1: Yeah, yeah, feeling you know, it's unfortunate what happen all

1269
00:52:30,880 --> 00:52:32,760
Speaker 1: the way around. But if she's lying, it's Carist.

1270
00:52:32,920 --> 00:52:34,680
Speaker 2: Every time you said that, it's put it in perspecting me.

1271
00:52:34,719 --> 00:52:38,719
Speaker 2: I'm like, yeah, if Meg lied about that would be insane.

1272
00:52:38,760 --> 00:52:40,520
Speaker 1: Yeah, it's Carist. We've never seen them.

1273
00:52:40,560 --> 00:52:40,719
Speaker 4: Now.

1274
00:52:40,760 --> 00:52:43,600
Speaker 2: I'm just as confused because I think Drake's brand would

1275
00:52:43,719 --> 00:52:49,279
Speaker 2: never even allude to taking allude to even though I

1276
00:52:49,280 --> 00:52:51,000
Speaker 2: think it's a side let's just say even a lude

1277
00:52:51,040 --> 00:52:52,680
Speaker 2: or like make a little play with comment.

1278
00:52:53,280 --> 00:52:55,439
Speaker 5: I agree without knowing.

1279
00:52:55,239 --> 00:52:58,560
Speaker 2: One hundred percent that she was lying. So that's where

1280
00:52:58,600 --> 00:53:01,520
Speaker 2: I'm I'm I did what was going on? Yeah, no,

1281
00:53:01,600 --> 00:53:02,760
Speaker 2: it isn't really my fucking business.

1282
00:53:02,760 --> 00:53:05,160
Speaker 1: Well, the trial is coming up, so you know, no

1283
00:53:05,160 --> 00:53:07,680
Speaker 1: matter who drops a line and who makes a slick,

1284
00:53:07,719 --> 00:53:10,200
Speaker 1: witty bar, the trial is coming. It will be sorted out.

1285
00:53:10,360 --> 00:53:13,239
Speaker 1: So another uh, Like, with're dissecting this album and it

1286
00:53:13,360 --> 00:53:13,800
Speaker 1: just came.

1287
00:53:13,680 --> 00:53:16,320
Speaker 2: Out, we're not. We're just talking about the gossipy bars.

1288
00:53:16,640 --> 00:53:18,319
Speaker 2: It just came out. I can't wait to really talk

1289
00:53:18,320 --> 00:53:21,720
Speaker 2: about this album once. Yeah, but listen off the ship.

1290
00:53:21,640 --> 00:53:24,719
Speaker 1: Yeah, because from what I did here, it's a it's

1291
00:53:24,719 --> 00:53:26,279
Speaker 1: a lot of ship in there, a lot of a

1292
00:53:26,280 --> 00:53:27,919
Speaker 1: lot of music, a lot of interesting saying.

1293
00:53:27,920 --> 00:53:28,960
Speaker 2: I liked it off first listen.

1294
00:53:30,320 --> 00:53:33,720
Speaker 1: I'm talking about just the music. The music sounded good. Uh,

1295
00:53:34,040 --> 00:53:37,520
Speaker 1: the samples that were there, obviously some some of the slick,

1296
00:53:37,560 --> 00:53:40,120
Speaker 1: witty lines and things like that. On another line that

1297
00:53:40,800 --> 00:53:45,640
Speaker 1: people seem to be dissecting is the Serena Williams the

1298
00:53:45,719 --> 00:53:48,160
Speaker 1: shot quote unquote shot at Serena Williams husband.

1299
00:53:48,200 --> 00:53:50,440
Speaker 2: I guess no, he said no disrespect before it.

1300
00:53:50,600 --> 00:53:53,040
Speaker 1: That means it's not a shot. You know, we got

1301
00:53:53,040 --> 00:53:56,880
Speaker 1: to put the Yeah. Yeah, So Julie, what was the line?

1302
00:53:58,280 --> 00:54:01,440
Speaker 2: It was no disrespect him, but your husband is a groopie.

1303
00:54:02,480 --> 00:54:04,239
Speaker 1: That's exactly what he said. No, that's not what he said.

1304
00:54:04,280 --> 00:54:07,040
Speaker 1: I swear to God, no disrespect Serena. But your husband's

1305
00:54:07,040 --> 00:54:08,239
Speaker 1: a groupie? Yes? Am I wrong?

1306
00:54:08,320 --> 00:54:09,880
Speaker 4: Julian? Yo?

1307
00:54:10,000 --> 00:54:10,959
Speaker 1: What is wrong with Drake?

1308
00:54:12,560 --> 00:54:15,440
Speaker 2: When I heard that straight, That's where I'm at, right,

1309
00:54:15,480 --> 00:54:16,920
Speaker 2: I was like, all right, man, Drake.

1310
00:54:17,040 --> 00:54:18,120
Speaker 1: Drake, Drake, what's up?

1311
00:54:18,200 --> 00:54:19,439
Speaker 4: Man? What you doing?

1312
00:54:19,520 --> 00:54:22,800
Speaker 1: Though? Like you can't you can't call Serena Williams's husband

1313
00:54:22,800 --> 00:54:24,439
Speaker 1: a group and then okay, I said the same. Here's

1314
00:54:25,280 --> 00:54:27,520
Speaker 1: the next ship is he calling? Is he calling him

1315
00:54:27,520 --> 00:54:30,759
Speaker 1: a Groupiefore here's the line, Serena or group before him?

1316
00:54:31,000 --> 00:54:34,880
Speaker 8: He said, sidebar, Serena, your husband is a groupie. He claimed,

1317
00:54:34,920 --> 00:54:38,040
Speaker 8: We don't got no problem, but no boo, is it

1318
00:54:38,120 --> 00:54:39,360
Speaker 8: like you coming for sushi?

1319
00:54:39,880 --> 00:54:40,919
Speaker 6: Look at the double on time?

1320
00:54:41,840 --> 00:54:43,960
Speaker 1: Sorry? Like no, So he's alluding the fact that he

1321
00:54:44,040 --> 00:54:46,080
Speaker 1: took Serena the Noble one night.

1322
00:54:46,040 --> 00:54:49,040
Speaker 6: And sushi fans went crazy over the bar.

1323
00:54:49,320 --> 00:54:50,400
Speaker 2: He didn't say, well, they had a.

1324
00:54:50,400 --> 00:54:54,560
Speaker 1: Great yellow yellow tale sushi there. So I mean the

1325
00:54:54,600 --> 00:54:57,080
Speaker 1: Halloween your yellow tailers to die for, and you.

1326
00:54:57,040 --> 00:54:59,399
Speaker 2: Think maybe it was a callback to what it's time

1327
00:54:59,440 --> 00:55:01,560
Speaker 2: to be alive. When Future said noble, noble.

1328
00:55:01,400 --> 00:55:05,520
Speaker 1: Noble, noble, noble, there was a bar in it, he said,

1329
00:55:05,800 --> 00:55:07,200
Speaker 1: and he loved that. Future.

1330
00:55:07,840 --> 00:55:11,040
Speaker 2: That's one of your favorite Future bars, the no on

1331
00:55:11,040 --> 00:55:12,880
Speaker 2: that album that's like your what No Drake.

1332
00:55:12,719 --> 00:55:15,040
Speaker 1: Got a bar on this album that passed that bar.

1333
00:55:15,160 --> 00:55:17,279
Speaker 1: He was like me, and you are eight words fu

1334
00:55:17,719 --> 00:55:20,960
Speaker 1: fuck you, fuck you fuck you like fuck you, fuck you,

1335
00:55:21,000 --> 00:55:22,839
Speaker 1: fuck you, fuck you. I was like, yo, dog, this

1336
00:55:22,960 --> 00:55:24,120
Speaker 1: nigga is really crazy.

1337
00:55:24,280 --> 00:55:26,080
Speaker 5: I mean, listen, as Wayne, who I considered one of

1338
00:55:26,080 --> 00:55:26,719
Speaker 5: the goos.

1339
00:55:26,960 --> 00:55:28,640
Speaker 2: I think he changed everything when he said I could

1340
00:55:28,640 --> 00:55:30,359
Speaker 2: just get paid by the letter and then just did

1341
00:55:30,360 --> 00:55:31,040
Speaker 2: the alphabet eight.

1342
00:55:34,280 --> 00:55:34,440
Speaker 4: Uh.

1343
00:55:34,960 --> 00:55:37,239
Speaker 8: This is of course alluding to the date that he

1344
00:55:37,320 --> 00:55:40,399
Speaker 8: took her on in twenty fifteen. Oh my gosh, when

1345
00:55:40,440 --> 00:55:41,440
Speaker 8: they had the sushi date.

1346
00:55:42,280 --> 00:55:44,680
Speaker 1: So they had a sushi Who know who remembers these things?

1347
00:55:45,640 --> 00:55:46,360
Speaker 6: That's the evidence.

1348
00:55:46,480 --> 00:55:48,399
Speaker 2: Oh my god, how did Drake remember that?

1349
00:55:49,520 --> 00:55:51,600
Speaker 1: I'm not saying why it's TMZ's.

1350
00:55:51,120 --> 00:55:52,319
Speaker 2: Job now that ship, but how would Drake?

1351
00:55:52,400 --> 00:55:55,320
Speaker 8: You had a one off date with millions? I forget

1352
00:55:55,360 --> 00:55:58,279
Speaker 8: the fuck also calculated, Drake, Oh for.

1353
00:55:58,239 --> 00:55:59,840
Speaker 2: Sure, But I remember this.

1354
00:56:00,120 --> 00:56:00,920
Speaker 5: I'm saying to put that.

1355
00:56:01,000 --> 00:56:03,960
Speaker 2: To put that into a bar directed at her husband,

1356
00:56:03,960 --> 00:56:04,880
Speaker 2: I guess this is really worth.

1357
00:56:04,920 --> 00:56:09,000
Speaker 1: So Serena's husband, I guess, responded to the bar. Uh well,

1358
00:56:09,040 --> 00:56:12,480
Speaker 1: seemingly responded to the bar with tweet. He says, the

1359
00:56:12,480 --> 00:56:14,919
Speaker 1: reason I stay winning is because I'm relentless about being

1360
00:56:14,960 --> 00:56:17,640
Speaker 1: the absolute best at whatever I do, including being the

1361
00:56:17,680 --> 00:56:20,200
Speaker 1: best groupie for my wife and daughter. It's a picture

1362
00:56:20,280 --> 00:56:23,000
Speaker 1: of him with their daughter in the stands looking at

1363
00:56:23,000 --> 00:56:27,600
Speaker 1: Serena on the court playing as a horrible.

1364
00:56:29,280 --> 00:56:30,640
Speaker 4: No man.

1365
00:56:31,239 --> 00:56:32,839
Speaker 6: He needed, he needed to give shots back.

1366
00:56:33,239 --> 00:56:33,960
Speaker 1: I mean he kept it.

1367
00:56:34,000 --> 00:56:34,520
Speaker 4: He kept him.

1368
00:56:34,840 --> 00:56:37,360
Speaker 1: He did with a husband with sposed the picture of

1369
00:56:37,360 --> 00:56:41,080
Speaker 1: the baby and his loving wife that's arguably the greatest

1370
00:56:41,120 --> 00:56:43,160
Speaker 1: athlete ever at work that well.

1371
00:56:43,239 --> 00:56:46,000
Speaker 2: I think if you're the greatest athlete of all time

1372
00:56:46,120 --> 00:56:48,320
Speaker 2: and you're the husband of that woman, I'm just gonna

1373
00:56:48,360 --> 00:56:50,759
Speaker 2: be quiet. It's hard not I'm not replying to that.

1374
00:56:50,880 --> 00:56:53,439
Speaker 1: It's hard not to be. And again, I maybe Drake

1375
00:56:53,520 --> 00:56:55,799
Speaker 1: is saying that her husband is a groupie for him.

1376
00:56:55,960 --> 00:56:58,560
Speaker 2: I thought he was saying that he's a Drake.

1377
00:56:58,400 --> 00:57:02,440
Speaker 1: Because Colin, first of all, calling a girl a lady's

1378
00:57:02,560 --> 00:57:05,200
Speaker 1: husband a groupie for her is the funniest ship the world.

1379
00:57:05,560 --> 00:57:07,799
Speaker 1: Like you tell somebody like, yo, you married, Yo, you're

1380
00:57:07,800 --> 00:57:12,360
Speaker 1: a groupie because I'm married Serena, Like she loves me,

1381
00:57:12,400 --> 00:57:14,280
Speaker 1: I love her, we're married, like we kid together.

1382
00:57:14,360 --> 00:57:16,840
Speaker 2: It was like it was like when it's like when

1383
00:57:16,840 --> 00:57:19,400
Speaker 2: you were when you were young and anytime you showed

1384
00:57:19,560 --> 00:57:21,280
Speaker 2: like affection to your girl in front of your boys,

1385
00:57:21,280 --> 00:57:25,760
Speaker 2: like you mad gay when you're a girl like no,

1386
00:57:26,560 --> 00:57:28,400
Speaker 2: like like my girl, Yeah, Like that's mad gay.

1387
00:57:28,560 --> 00:57:30,280
Speaker 1: Like that's what I'm saying, like, so, now if one

1388
00:57:30,320 --> 00:57:31,640
Speaker 1: of y'all get married, y'all gonna be mad if I

1389
00:57:31,680 --> 00:57:34,080
Speaker 1: call y'all groupie, Like you got married? Yeah, you're a groupie.

1390
00:57:34,120 --> 00:57:37,160
Speaker 6: Yeah, what can put a ring on it?

1391
00:57:37,800 --> 00:57:39,080
Speaker 1: You put a ring on your group?

1392
00:57:39,440 --> 00:57:41,280
Speaker 2: Now your group after going to the reception, like, yo,

1393
00:57:41,280 --> 00:57:42,120
Speaker 2: I gotta get away from.

1394
00:57:42,040 --> 00:57:44,640
Speaker 1: These group Yeah. He got a suit on his yo,

1395
00:57:44,880 --> 00:57:46,560
Speaker 1: and he got his groupy homies with him. They all

1396
00:57:46,600 --> 00:57:47,440
Speaker 1: wearing suits.

1397
00:57:47,240 --> 00:57:51,160
Speaker 2: Like they matched. Some whole ship. All y'all matched, yo,

1398
00:57:51,200 --> 00:57:52,440
Speaker 2: he wrote, He wrote.

1399
00:57:52,400 --> 00:57:55,760
Speaker 1: Bows, yo, Yo, you told how much you yo? You're

1400
00:57:55,760 --> 00:57:59,920
Speaker 1: a groupie your group like what, I don't know. It's crazy,

1401
00:58:00,040 --> 00:58:00,680
Speaker 1: I don't, I don't know.

1402
00:58:00,840 --> 00:58:02,760
Speaker 5: I mean, and I do find it funny.

1403
00:58:03,280 --> 00:58:05,439
Speaker 1: I guess you know that Rich that's why you insult people.

1404
00:58:05,520 --> 00:58:07,240
Speaker 1: Now you're a groupie for your wife.

1405
00:58:07,240 --> 00:58:09,160
Speaker 2: I just think it's also funny. And I know I'm

1406
00:58:09,200 --> 00:58:11,400
Speaker 2: within Strake and ib felt like his music, like him,

1407
00:58:11,440 --> 00:58:16,800
Speaker 2: he's cool. When you invented being a groupie for groupies,

1408
00:58:17,040 --> 00:58:18,520
Speaker 2: you can't call nobody a groupie.

1409
00:58:19,960 --> 00:58:22,560
Speaker 1: But when you invented being a groupie for groupies, so

1410
00:58:22,560 --> 00:58:24,280
Speaker 1: you're saying Drake is a groupie for groupies.

1411
00:58:24,520 --> 00:58:30,560
Speaker 2: He invented shouting out the groupies on by name on songs.

1412
00:58:31,040 --> 00:58:31,960
Speaker 1: Oh okay, so you're.

1413
00:58:31,800 --> 00:58:35,960
Speaker 2: Saying he invented talking about the groupies by name, making

1414
00:58:36,000 --> 00:58:37,760
Speaker 2: the groupies who they are.

1415
00:58:37,800 --> 00:58:38,200
Speaker 4: He made it.

1416
00:58:38,400 --> 00:58:39,240
Speaker 1: He made it a thing to do.

1417
00:58:39,320 --> 00:58:40,760
Speaker 5: In the rap groupies were anonymous.

1418
00:58:40,760 --> 00:58:43,360
Speaker 2: It was the groupies. Besides Superhead, it was nobody.

1419
00:58:44,040 --> 00:58:45,920
Speaker 1: Well, I'm about to say before before it.

1420
00:58:45,800 --> 00:58:48,240
Speaker 5: Was it was a bunch of nameless boxes.

1421
00:58:48,640 --> 00:58:50,320
Speaker 1: But before Drake, we know that.

1422
00:58:50,440 --> 00:58:53,920
Speaker 2: Government's social Security number, everything, so you cannot call nobody

1423
00:58:53,920 --> 00:58:54,480
Speaker 2: a groupie.

1424
00:58:54,520 --> 00:58:56,640
Speaker 5: I'm not saying Drake actually was a groupie for the

1425
00:58:56,640 --> 00:58:57,640
Speaker 5: groupies he made, but.

1426
00:58:57,600 --> 00:58:58,720
Speaker 2: He invented that.

1427
00:58:58,800 --> 00:59:00,600
Speaker 5: Part of I Don't want to see You was name

1428
00:59:00,680 --> 00:59:01,400
Speaker 5: dropping groupies.

1429
00:59:01,400 --> 00:59:03,160
Speaker 1: I'm not gonna say he invented it because.

1430
00:59:03,280 --> 00:59:06,400
Speaker 2: Well Wayne did at some point. Yeah, I think Wayne.

1431
00:59:06,480 --> 00:59:08,520
Speaker 2: Wayne did, Like once was like I'm gonna make this

1432
00:59:08,560 --> 00:59:08,960
Speaker 2: my style.

1433
00:59:08,960 --> 00:59:10,840
Speaker 1: I think No, I think I think what Drake made

1434
00:59:10,880 --> 00:59:15,400
Speaker 1: popular was in naming the song titles after the groupies.

1435
00:59:15,640 --> 00:59:18,080
Speaker 2: Well I don't think, come on, he met Bria at

1436
00:59:18,320 --> 00:59:20,400
Speaker 2: at Macy's. I don't think. But I'm just I don't

1437
00:59:20,400 --> 00:59:22,080
Speaker 2: think Bria was a groupie. No, I'm not think that

1438
00:59:22,120 --> 00:59:22,360
Speaker 2: was like.

1439
00:59:22,440 --> 00:59:24,440
Speaker 1: No, no, no, I'm not saying I'm just saying this others.

1440
00:59:24,240 --> 00:59:26,960
Speaker 2: We're gonna apologize to to Bria. The same have to

1441
00:59:27,000 --> 00:59:27,680
Speaker 2: do with love, love Bria.

1442
00:59:27,720 --> 00:59:29,360
Speaker 1: That's my people, and I'm just saying, like I love

1443
00:59:29,400 --> 00:59:31,840
Speaker 1: saying he made I think he made that a thing though.

1444
00:59:31,800 --> 00:59:34,680
Speaker 2: I'm not rapping about the Okay, to me, that's like

1445
00:59:34,760 --> 00:59:36,440
Speaker 2: that was his exes, like this was his girls.

1446
00:59:37,200 --> 00:59:40,480
Speaker 1: Clearly he doesn't. But come on, we know and married.

1447
00:59:40,800 --> 00:59:42,960
Speaker 2: He was shouting out.

1448
00:59:43,120 --> 00:59:45,640
Speaker 1: He definitely, he definitely was was was shouting out.

1449
00:59:45,480 --> 00:59:47,160
Speaker 6: The girls from Hooters on Peatree.

1450
00:59:47,640 --> 00:59:48,080
Speaker 1: I see.

1451
00:59:48,320 --> 00:59:51,120
Speaker 5: I think she was respectable woman. That was maybe his girlfriend.

1452
00:59:51,440 --> 00:59:53,920
Speaker 2: I'm not saying that par we know the names man.

1453
00:59:53,880 --> 00:59:57,040
Speaker 6: The one that he needed. She was the piece to

1454
00:59:57,080 --> 00:59:57,680
Speaker 6: complete him.

1455
00:59:58,720 --> 01:00:01,520
Speaker 2: He said. Someone called China tell her on fire tonight.

1456
01:00:02,800 --> 01:00:06,120
Speaker 1: Oh Malaia, yeah yeah, I'm on fire.

1457
01:00:07,280 --> 01:00:08,440
Speaker 2: I'm on fire tonight.

1458
01:00:08,880 --> 01:00:09,120
Speaker 4: Yeah.

1459
01:00:09,200 --> 01:00:10,840
Speaker 1: That means come get this money because I feel like

1460
01:00:10,880 --> 01:00:12,680
Speaker 1: throwing about one hundred thousand hit tonight.

1461
01:00:13,080 --> 01:00:17,040
Speaker 2: Well that's actually an entrepreneur, that's not a group. Was

1462
01:00:17,320 --> 01:00:19,880
Speaker 2: just he was on fire. So that's the stakes getting

1463
01:00:19,880 --> 01:00:20,800
Speaker 2: paid from Drake right now.

1464
01:00:20,840 --> 01:00:23,960
Speaker 1: That's another bar that I guess. People were in arms

1465
01:00:24,000 --> 01:00:27,880
Speaker 1: and talking about whatever. And then there was another bar

1466
01:00:28,000 --> 01:00:30,800
Speaker 1: that I guess people caught or or y'all put me

1467
01:00:30,840 --> 01:00:34,240
Speaker 1: onto that I didn't catch at the moment. Uh the

1468
01:00:34,280 --> 01:00:40,000
Speaker 1: bar in regards to the whole Shelley fka drum yeah,

1469
01:00:40,400 --> 01:00:44,320
Speaker 1: or drum f k a Shelley a homie drum Shelley

1470
01:00:44,360 --> 01:00:49,200
Speaker 1: that's family, alluding to the whole cha cha bar cha

1471
01:00:49,320 --> 01:00:54,400
Speaker 1: cha slide record that uh you know hotline bling was

1472
01:00:54,440 --> 01:00:58,360
Speaker 1: intended to be the cha cha slide remix in my

1473
01:00:58,400 --> 01:00:59,040
Speaker 1: correcting scenes.

1474
01:00:59,120 --> 01:01:03,560
Speaker 8: Yes, I have the lyric, Okay, he said, tried to

1475
01:01:03,560 --> 01:01:06,200
Speaker 8: bring the drama to me. He ain't know how we

1476
01:01:06,360 --> 01:01:07,160
Speaker 8: cha cha slide.

1477
01:01:07,600 --> 01:01:10,080
Speaker 2: So here's the thing. When I heard that bar, I

1478
01:01:10,120 --> 01:01:12,080
Speaker 2: did not I just thought it was wordplay. I didn't

1479
01:01:12,120 --> 01:01:15,680
Speaker 2: take it as a shot at drama at all. I

1480
01:01:15,760 --> 01:01:18,320
Speaker 2: just thought that was like a cool bar. Then I

1481
01:01:18,360 --> 01:01:21,520
Speaker 2: saw that that Shelley had gotten on Twitter and you know,

1482
01:01:22,320 --> 01:01:22,960
Speaker 2: set his piece.

1483
01:01:23,480 --> 01:01:27,040
Speaker 5: I've been there before when I've been upset and just.

1484
01:01:27,000 --> 01:01:31,640
Speaker 2: Did some shit, I think, and I would tell tell

1485
01:01:31,680 --> 01:01:35,120
Speaker 2: him this as a friend. I think he overreacted until

1486
01:01:35,120 --> 01:01:37,800
Speaker 2: he started explaining the situation. I've had a lot of

1487
01:01:37,880 --> 01:01:43,520
Speaker 2: really private, intimate talks with Shelley about certain industry stuffs,

1488
01:01:43,920 --> 01:01:46,840
Speaker 2: stuff pertaining to Drake Hotline Bling that entire era.

1489
01:01:48,560 --> 01:01:50,120
Speaker 5: He's always held that story down.

1490
01:01:50,240 --> 01:01:52,520
Speaker 2: I had no idea there was actually some type of

1491
01:01:52,600 --> 01:01:54,960
Speaker 2: altercation at all, and he's told me some shit that

1492
01:01:55,000 --> 01:01:56,720
Speaker 2: I'll take to the grave about a lot of stuff.

1493
01:01:56,760 --> 01:01:59,560
Speaker 5: He really held that story down. So when I heard that.

1494
01:01:59,680 --> 01:02:01,160
Speaker 2: I didn't think anything of it. I was just like, Oh,

1495
01:02:01,200 --> 01:02:05,520
Speaker 2: it's just the bar. Now that that's there, I can

1496
01:02:05,800 --> 01:02:08,560
Speaker 2: see to some degree how Shelley be like, all right, bro,

1497
01:02:09,160 --> 01:02:14,360
Speaker 2: there was an actual altercation, so maybe I would feel

1498
01:02:14,360 --> 01:02:16,000
Speaker 2: a way when I first heard it, even though in

1499
01:02:16,000 --> 01:02:19,040
Speaker 2: information I know more about that situation than he's ever

1500
01:02:19,080 --> 01:02:20,880
Speaker 2: put out. I was just like, Oh, it's just a

1501
01:02:20,880 --> 01:02:28,000
Speaker 2: funny bar. What are you do in that situation? Do

1502
01:02:28,040 --> 01:02:30,240
Speaker 2: you just let that shit go? Because no one knows

1503
01:02:30,240 --> 01:02:31,280
Speaker 2: that story but the two of y'all.

1504
01:02:31,720 --> 01:02:33,600
Speaker 1: I don't think you let it go, only because I

1505
01:02:33,600 --> 01:02:36,680
Speaker 1: feel like Drum you know, has been holding in a

1506
01:02:36,680 --> 01:02:40,520
Speaker 1: lot obviously. Yeah, in regards to the whole said hot

1507
01:02:40,560 --> 01:02:42,960
Speaker 1: Line Bling record things about you know off of his

1508
01:02:43,040 --> 01:02:46,880
Speaker 1: Chachaw slide hit record and hot Line Bling basically supposed

1509
01:02:46,920 --> 01:02:51,880
Speaker 1: to be the remix to that how Lon Bling ended

1510
01:02:51,960 --> 01:02:55,480
Speaker 1: up being probably Drake's biggest record today maybe second, God's All,

1511
01:02:55,520 --> 01:02:59,240
Speaker 1: God's Playing still number one. So obviously, you know, as

1512
01:02:59,280 --> 01:03:02,320
Speaker 1: we know creative, that type of things happen and it

1513
01:03:02,440 --> 01:03:05,680
Speaker 1: causes a little energy shift between artists, like that was

1514
01:03:05,720 --> 01:03:09,480
Speaker 1: fucked up, that was shady, but okay, and then now

1515
01:03:09,520 --> 01:03:12,280
Speaker 1: everything else that you're saying happened around that. I had

1516
01:03:12,320 --> 01:03:14,040
Speaker 1: no idea about it. I didn't know nothing about it,

1517
01:03:14,440 --> 01:03:17,240
Speaker 1: sitting down and we sat down and we talked with Drum.

1518
01:03:17,360 --> 01:03:20,880
Speaker 1: We talked with Drum about a few things about his

1519
01:03:21,520 --> 01:03:24,080
Speaker 1: next project and just catching up with him and him

1520
01:03:24,080 --> 01:03:27,600
Speaker 1: getting into the cannabis game, and and he we had

1521
01:03:27,800 --> 01:03:31,320
Speaker 1: some discussion around that whole situation because I literally was

1522
01:03:31,320 --> 01:03:33,320
Speaker 1: on the outside of that. I didn't know anything about

1523
01:03:33,320 --> 01:03:37,440
Speaker 1: that situation. And then so Drake drops the bar and

1524
01:03:37,520 --> 01:03:41,640
Speaker 1: then Drom goes on, uh, excuse me, Shelley goes on

1525
01:03:42,760 --> 01:03:46,120
Speaker 1: social media in response to the bar. I guess because

1526
01:03:46,120 --> 01:03:48,320
Speaker 1: he was holding in so much for so long about.

1527
01:03:48,080 --> 01:03:51,200
Speaker 2: It, I'm situation. So they're like, yo, you know what,

1528
01:03:51,480 --> 01:03:54,280
Speaker 2: I'm probably still in that situation now. Maybe that's why,

1529
01:03:54,360 --> 01:03:58,560
Speaker 2: that's why, maybe why I watched that that clip of

1530
01:03:58,800 --> 01:04:01,120
Speaker 2: drom going off like I know that feeling. Yeah, like

1531
01:04:01,160 --> 01:04:04,160
Speaker 2: you've been dead quiet about a lot of even when

1532
01:04:04,200 --> 01:04:08,600
Speaker 2: you've been talking. You've held bro u shit now like

1533
01:04:08,640 --> 01:04:10,800
Speaker 2: you would not believe to this day off people that

1534
01:04:10,880 --> 01:04:13,200
Speaker 2: don't even fuck with you. You don't fuck bro Listen, I

1535
01:04:13,240 --> 01:04:15,680
Speaker 2: saw myself and that like yop yo, come on, man,

1536
01:04:16,400 --> 01:04:17,760
Speaker 2: I've been chilling.

1537
01:04:18,160 --> 01:04:21,600
Speaker 1: Listen, man, I know how that feeling is. I've I've

1538
01:04:21,640 --> 01:04:24,640
Speaker 1: been a victim of responding, well not a victim. I've

1539
01:04:24,680 --> 01:04:27,680
Speaker 1: been uh, you know, on the side of responding. I've

1540
01:04:27,720 --> 01:04:30,360
Speaker 1: been on the side of not responding, shutting up and

1541
01:04:30,480 --> 01:04:33,480
Speaker 1: just letting things you know, just if we respond halfway

1542
01:04:33,520 --> 01:04:36,920
Speaker 1: responding not really wanted to go and on the side

1543
01:04:36,960 --> 01:04:39,960
Speaker 1: of I could really go to a whole different level.

1544
01:04:40,280 --> 01:04:45,480
Speaker 1: And you know, it's just like ultimately for what like

1545
01:04:45,520 --> 01:04:46,720
Speaker 1: what are we talking about? You know what I mean.

1546
01:04:46,720 --> 01:04:49,479
Speaker 1: It's so it's like it's so you just take things

1547
01:04:49,480 --> 01:04:51,840
Speaker 1: you learn from them. Yeah, it's a fucked up situation. Yeah,

1548
01:04:51,920 --> 01:04:55,840
Speaker 1: it's whacked that it happened and things like that. But

1549
01:04:56,000 --> 01:04:58,800
Speaker 1: you know, however you decide to deal with it, you

1550
01:04:58,800 --> 01:05:00,400
Speaker 1: got to stand on it, and you got to just

1551
01:05:00,440 --> 01:05:02,640
Speaker 1: you know, you gotta just be a man with it,

1552
01:05:02,680 --> 01:05:05,680
Speaker 1: so he responded. However, he responded, I didn't see the

1553
01:05:06,320 --> 01:05:08,880
Speaker 1: Twitter clib. I heard that he's going on TMZ Live.

1554
01:05:09,440 --> 01:05:13,160
Speaker 2: Yeah, I guess, But he was suggesting that that he

1555
01:05:13,240 --> 01:05:18,800
Speaker 2: had went and approached Drake about the Hotline bling Chaschat

1556
01:05:18,840 --> 01:05:23,720
Speaker 2: slide situation and that Drake's security guards had stepped in

1557
01:05:24,080 --> 01:05:26,680
Speaker 2: and that it wasn't Drake didn't do anything, and that's

1558
01:05:26,680 --> 01:05:30,800
Speaker 2: why Drama was so upset, Like, you can't say that bar,

1559
01:05:31,080 --> 01:05:33,720
Speaker 2: you didn't do anything. Your security came in and did

1560
01:05:33,720 --> 01:05:35,240
Speaker 2: that shit, and he als said, if you want to

1561
01:05:35,240 --> 01:05:39,600
Speaker 2: fight one on one, we could do that type of energy. Well,

1562
01:05:39,840 --> 01:05:44,120
Speaker 2: which of course we know't won't happen. Yeah, but I'm

1563
01:05:44,120 --> 01:05:46,360
Speaker 2: curious because we sat down with him a few weeks

1564
01:05:46,400 --> 01:05:50,080
Speaker 2: ago and discussed not that situation, but the hotline Blink situation,

1565
01:05:50,920 --> 01:05:53,160
Speaker 2: and he had nothing but great things to say about Drake.

1566
01:05:53,240 --> 01:05:55,479
Speaker 2: So I am curious now that we're going to put

1567
01:05:55,520 --> 01:05:58,360
Speaker 2: that interview, which was already planned. It's weird how that

1568
01:05:58,480 --> 01:06:01,080
Speaker 2: worked out, Like I want to talk to Shelley and

1569
01:06:01,360 --> 01:06:03,840
Speaker 2: figure this out and kind of have him help transition

1570
01:06:05,040 --> 01:06:09,080
Speaker 2: this interview that we're attaching to the end of this episode,

1571
01:06:09,440 --> 01:06:11,880
Speaker 2: because it's a drastically different energy.

1572
01:06:11,640 --> 01:06:12,760
Speaker 5: Than it was different.

1573
01:06:12,960 --> 01:06:16,760
Speaker 2: Was super respectful towards Drake because and I think that's

1574
01:06:16,840 --> 01:06:18,600
Speaker 2: kind of his point in that Twitter video, like I've

1575
01:06:18,600 --> 01:06:21,480
Speaker 2: been nothing but kind to you. I really have been

1576
01:06:21,600 --> 01:06:24,080
Speaker 2: quiet about those situation. I could have been that dude

1577
01:06:24,080 --> 01:06:26,240
Speaker 2: that just ran around talking about how y'all stole my

1578
01:06:26,280 --> 01:06:27,160
Speaker 2: ship and made it the.

1579
01:06:27,080 --> 01:06:29,320
Speaker 1: Hot That's a the position to be in, because you

1580
01:06:29,320 --> 01:06:31,680
Speaker 1: know when you do win in exactly, you came nuts

1581
01:06:31,760 --> 01:06:33,640
Speaker 1: the biggest artists or one of the bigges artists in

1582
01:06:33,640 --> 01:06:36,280
Speaker 1: the world, and you know, you're Shelley Drom who's had

1583
01:06:36,560 --> 01:06:39,680
Speaker 1: big records, had success, obviously not to the level of

1584
01:06:39,720 --> 01:06:42,320
Speaker 1: a Drake, but you've you've carved a way for yourself

1585
01:06:42,360 --> 01:06:44,880
Speaker 1: and your name, and you had a huge record in

1586
01:06:44,960 --> 01:06:49,720
Speaker 1: Chasha Slide and then incomes Hotline Bling in that same vein.

1587
01:06:49,800 --> 01:06:53,280
Speaker 1: So I do understand Shelley his feelings around that. But

1588
01:06:53,880 --> 01:06:55,479
Speaker 1: we did sit and talk with him, and his energy

1589
01:06:55,560 --> 01:06:59,040
Speaker 1: wasn't it wasn't combative, it wasn't negative. It was just

1590
01:06:59,080 --> 01:07:01,960
Speaker 1: like it was more like, it's whacked that that happened,

1591
01:07:02,280 --> 01:07:02,480
Speaker 1: you know what?

1592
01:07:03,080 --> 01:07:05,560
Speaker 2: Kind And I hope whoever who chops this and thinks

1593
01:07:05,600 --> 01:07:09,400
Speaker 2: it's a drum response. I almost want to put a

1594
01:07:09,480 --> 01:07:12,360
Speaker 2: date on our footage, but actually let's do that, because

1595
01:07:12,560 --> 01:07:14,360
Speaker 2: let's put a date on it, because I don't want

1596
01:07:14,400 --> 01:07:15,600
Speaker 2: that to be his official reply.

1597
01:07:15,720 --> 01:07:17,120
Speaker 6: He was about two weeks ago.

1598
01:07:17,240 --> 01:07:20,680
Speaker 2: So yeah, because I know, regardless, you know, obviously that

1599
01:07:20,720 --> 01:07:24,360
Speaker 2: picked up a lot of traffic when when Dramas said

1600
01:07:24,360 --> 01:07:27,080
Speaker 2: that and he's doing the Teams ship. I don't want

1601
01:07:27,120 --> 01:07:30,200
Speaker 2: people to think for his sake because that's family that

1602
01:07:30,240 --> 01:07:34,200
Speaker 2: this is his reply to that entire It's it's.

1603
01:07:34,160 --> 01:07:35,080
Speaker 5: What was happening before.

1604
01:07:35,120 --> 01:07:38,440
Speaker 2: It's kind of why he replied the way he did today.

1605
01:07:38,840 --> 01:07:41,680
Speaker 2: It's because he's been so respectful and quiet about the ship.

1606
01:07:41,800 --> 01:07:45,720
Speaker 1: Yeah, so versus hotline blinks. It's a beef. We didn't

1607
01:07:45,720 --> 01:07:46,360
Speaker 1: know what's happening.

1608
01:07:47,240 --> 01:07:49,520
Speaker 2: I mean behind the scenes. You Kanna was like, no

1609
01:07:50,200 --> 01:07:50,640
Speaker 2: know that song.

1610
01:07:51,320 --> 01:07:54,320
Speaker 1: No absolutely, I'm just I'm just making jokes. But yeah,

1611
01:07:54,400 --> 01:07:57,280
Speaker 1: but yeah, Shelley had some some you know, we didn't

1612
01:07:57,280 --> 01:07:58,560
Speaker 1: have no negative things to say about.

1613
01:07:58,840 --> 01:08:00,520
Speaker 2: It's just a quick part of part of the interview.

1614
01:08:00,560 --> 01:08:02,720
Speaker 1: Like most like you want to you know, just like yo,

1615
01:08:04,160 --> 01:08:06,000
Speaker 1: you don't feel like at least you at least owe

1616
01:08:06,000 --> 01:08:08,800
Speaker 1: me just a conversation, like you know that type of energy,

1617
01:08:08,840 --> 01:08:10,600
Speaker 1: like we at least got to just have a conversation

1618
01:08:10,680 --> 01:08:14,400
Speaker 1: about it. Like so, yeah, so we talked to Drum

1619
01:08:14,720 --> 01:08:15,800
Speaker 1: a f k A.

1620
01:08:15,880 --> 01:08:19,559
Speaker 2: Shelley and weird timing that this was coming. The interview

1621
01:08:19,680 --> 01:08:21,080
Speaker 2: is coming with what the fun just happened?

1622
01:08:21,120 --> 01:08:21,320
Speaker 1: Yeah?

1623
01:08:21,400 --> 01:08:24,160
Speaker 2: That ended up odd, but it is with.

1624
01:08:24,200 --> 01:08:26,320
Speaker 1: All right, so you want to you want to get

1625
01:08:26,320 --> 01:08:34,599
Speaker 1: into that, Yes, what's going on with family? Are you feeling?

1626
01:08:34,720 --> 01:08:34,880
Speaker 4: Oh?

1627
01:08:34,880 --> 01:08:36,840
Speaker 1: I know how you feeling. You ain't got it's all

1628
01:08:36,880 --> 01:08:38,040
Speaker 1: over your face. You ain't got to tell me how

1629
01:08:38,040 --> 01:08:39,240
Speaker 1: you feeling. I know how you feeling.

1630
01:08:39,840 --> 01:08:41,320
Speaker 2: Are we gonna get high on all this episode?

1631
01:08:42,120 --> 01:08:44,759
Speaker 1: So draw he first? Or am I calling you drama?

1632
01:08:44,800 --> 01:08:48,120
Speaker 4: Shelley calling me drum? You call me like? But I

1633
01:08:48,240 --> 01:08:48,920
Speaker 4: answered to whatever?

1634
01:08:49,560 --> 01:08:50,800
Speaker 1: But what you want me to call you?

1635
01:08:51,080 --> 01:08:53,520
Speaker 2: What's it gonna say on the album?

1636
01:08:53,600 --> 01:08:53,920
Speaker 1: All right?

1637
01:08:53,960 --> 01:08:54,439
Speaker 2: So drum?

1638
01:08:55,080 --> 01:08:58,000
Speaker 1: So Drum came in here with all this ship, bags

1639
01:08:58,000 --> 01:09:00,880
Speaker 1: and bags and bags of some good smoke, lobster butter

1640
01:09:01,120 --> 01:09:03,519
Speaker 1: and and candy paint.

1641
01:09:03,640 --> 01:09:06,519
Speaker 2: There's lobster butter weed, you know. Yeah, this is it's

1642
01:09:07,320 --> 01:09:11,080
Speaker 2: I'm an outside of You're not from Joe Biden's legal.

1643
01:09:11,200 --> 01:09:13,080
Speaker 1: I got me a cone because you know, we was talking.

1644
01:09:13,120 --> 01:09:14,680
Speaker 1: I don't do the I don't do the blunt. I'm

1645
01:09:14,680 --> 01:09:16,960
Speaker 1: a I'm a paper guy. So I got into some

1646
01:09:17,000 --> 01:09:20,120
Speaker 1: candy paint. So I'm gonna hit this candy paint because

1647
01:09:20,120 --> 01:09:22,080
Speaker 1: you know we like to. Everybody got pretty weed and

1648
01:09:22,120 --> 01:09:23,400
Speaker 1: it's smelled good and gas.

1649
01:09:23,439 --> 01:09:25,080
Speaker 4: But what it smoked like?

1650
01:09:25,200 --> 01:09:26,760
Speaker 1: So you came in here with the candy paint. I said,

1651
01:09:26,760 --> 01:09:28,360
Speaker 1: this is probably the best looking one you got. So

1652
01:09:28,400 --> 01:09:30,200
Speaker 1: I'm gonna smoke some of this candy paint and we're

1653
01:09:30,200 --> 01:09:31,960
Speaker 1: gonna have a great conversation.

1654
01:09:31,560 --> 01:09:34,599
Speaker 2: As a vegan. Can you smoke the lobster fisk?

1655
01:09:35,040 --> 01:09:37,160
Speaker 1: We've butter?

1656
01:09:37,680 --> 01:09:39,760
Speaker 4: Look, we're gonna we're gonna we're gonna back cross that

1657
01:09:39,880 --> 01:09:43,720
Speaker 4: shippster this Hey, you coined it, listen coined it.

1658
01:09:43,800 --> 01:09:46,599
Speaker 1: Yeah, it's not the name. It's not really.

1659
01:09:46,640 --> 01:09:49,200
Speaker 2: It's not lobster in the No, there's no lobster butter

1660
01:09:49,280 --> 01:09:50,240
Speaker 2: too that you can't do that.

1661
01:09:50,280 --> 01:09:53,000
Speaker 1: It's no actual butter and the it's just it's probably

1662
01:09:53,040 --> 01:09:55,479
Speaker 1: the smell a little bit module a little lobster butter.

1663
01:09:55,760 --> 01:09:57,640
Speaker 1: So I'm gonna smoke this candy candy paint and we're

1664
01:09:57,640 --> 01:09:58,880
Speaker 1: gonna have a great conversation.

1665
01:09:59,080 --> 01:10:08,160
Speaker 2: What's the weed business? It's like, I'm asking, business is booming.

1666
01:10:09,720 --> 01:10:10,120
Speaker 4: They just.

1667
01:10:11,680 --> 01:10:13,880
Speaker 2: You get out of jail for free. Now, according to

1668
01:10:13,920 --> 01:10:14,919
Speaker 2: Biden five minutes.

1669
01:10:14,720 --> 01:10:16,800
Speaker 4: Ago, let's fucking go.

1670
01:10:19,680 --> 01:10:21,920
Speaker 2: Well, I do think it's it's amazing but kind of

1671
01:10:21,920 --> 01:10:24,679
Speaker 2: fucked up. All right, So all people that have federal

1672
01:10:24,760 --> 01:10:28,479
Speaker 2: charges for weed right now officially get out. But the

1673
01:10:28,479 --> 01:10:30,280
Speaker 2: weed business is already being taken over by people that

1674
01:10:30,320 --> 01:10:34,040
Speaker 2: were not federally federally incriminated by it. So you locked

1675
01:10:34,040 --> 01:10:35,960
Speaker 2: everybody up, took their business, made it legal. Then it

1676
01:10:36,040 --> 01:10:38,040
Speaker 2: was like, hey, you're out, but we took your business.

1677
01:10:38,400 --> 01:10:40,720
Speaker 1: Yeah, well that's how it goes. Whenever the government figures out,

1678
01:10:40,760 --> 01:10:42,840
Speaker 1: figures out how to how to put their tax on it,

1679
01:10:43,320 --> 01:10:45,639
Speaker 1: and how to make their money off of it, it's

1680
01:10:45,760 --> 01:10:46,679
Speaker 1: it's legal alcohol.

1681
01:10:46,680 --> 01:10:48,200
Speaker 2: Now we could free everyone that was a genius.

1682
01:10:48,439 --> 01:10:52,519
Speaker 1: Yeah, alcohol was once illegal, you know, but once they

1683
01:10:52,520 --> 01:10:54,360
Speaker 1: found out how to tax that and make their money,

1684
01:10:55,000 --> 01:10:57,160
Speaker 1: they were able to legalize it. So I mean, it's

1685
01:10:57,200 --> 01:11:02,000
Speaker 1: it's long overdue. So so you know, I guess salute

1686
01:11:02,000 --> 01:11:07,160
Speaker 1: to President Biden for now officially pardoning all federal marijuana.

1687
01:11:07,400 --> 01:11:09,120
Speaker 4: Hey, yo's fucking up.

1688
01:11:09,200 --> 01:11:13,000
Speaker 2: Yo, I mean Luckily you weren't federally prosecuted prior to

1689
01:11:13,520 --> 01:11:16,320
Speaker 2: so you should be good. But what made you want

1690
01:11:16,320 --> 01:11:20,040
Speaker 2: to get into we business outside of and weed?

1691
01:11:20,760 --> 01:11:24,760
Speaker 4: I mean, I feel like ever since the first day

1692
01:11:24,760 --> 01:11:27,920
Speaker 4: I smoked weed when I was sixteen, right there on

1693
01:11:28,000 --> 01:11:32,679
Speaker 4: Chesapeake Ass it was like match.

1694
01:11:32,880 --> 01:11:34,639
Speaker 1: It was one of the matches you knew you wasn't

1695
01:11:34,680 --> 01:11:35,200
Speaker 1: turning back.

1696
01:11:35,439 --> 01:11:36,679
Speaker 4: I was never turning back.

1697
01:11:36,760 --> 01:11:38,439
Speaker 2: You remember your first time you smoked weed.

1698
01:11:38,800 --> 01:11:40,640
Speaker 1: The first time I smoked weed, I was definitely in

1699
01:11:40,720 --> 01:11:43,040
Speaker 1: high school and we snuck in the staircase and smoked

1700
01:11:43,080 --> 01:11:46,120
Speaker 1: some bunk. It was some bullshit bunk that we just

1701
01:11:46,160 --> 01:11:49,679
Speaker 1: thought was the greatest at the time. But I didn't

1702
01:11:49,680 --> 01:11:52,599
Speaker 1: really really start smoking until I was like well into

1703
01:11:52,640 --> 01:11:55,000
Speaker 1: my twenties, Like like I didn't really like a lot

1704
01:11:55,000 --> 01:11:56,519
Speaker 1: of people like really, I'm like, yeah, I didn't really

1705
01:11:56,520 --> 01:11:58,439
Speaker 1: start smoking til I was almost like thirty.

1706
01:11:59,280 --> 01:12:02,160
Speaker 2: I was eleven the first time I smoked weed. That

1707
01:12:02,240 --> 01:12:04,160
Speaker 2: was because I hung out with older kids. I didn't heal,

1708
01:12:04,240 --> 01:12:06,360
Speaker 2: but I was just pure pressure is not a real thing,

1709
01:12:06,360 --> 01:12:08,200
Speaker 2: but it is a real thing. No one said, YO

1710
01:12:08,240 --> 01:12:10,040
Speaker 2: smoked this, but it was in the air, yeah, like

1711
01:12:10,720 --> 01:12:12,680
Speaker 2: I had when it was pasted I had to. Like,

1712
01:12:13,160 --> 01:12:15,599
Speaker 2: no one was like, yo, smoke this unless you're not cool,

1713
01:12:15,640 --> 01:12:18,280
Speaker 2: Like that never happened. But if you wanted to be

1714
01:12:18,320 --> 01:12:20,960
Speaker 2: in that circle, it was being passed around. I didn't

1715
01:12:20,960 --> 01:12:22,439
Speaker 2: inhale at all. I think the first time I got

1716
01:12:22,520 --> 01:12:25,960
Speaker 2: high was probably fourteen, but eleven was the first time

1717
01:12:26,000 --> 01:12:28,920
Speaker 2: that I tried it. And through high school I smoked,

1718
01:12:28,920 --> 01:12:31,040
Speaker 2: and then college they tested us with track, so I

1719
01:12:31,080 --> 01:12:33,160
Speaker 2: stopped and then I just kind of on and off

1720
01:12:33,160 --> 01:12:34,840
Speaker 2: with that. But a high school I was getting high

1721
01:12:34,840 --> 01:12:35,599
Speaker 2: all the fucking time.

1722
01:12:36,000 --> 01:12:38,160
Speaker 4: I was a dead kid up until I smoked.

1723
01:12:38,800 --> 01:12:39,920
Speaker 1: Was a dead kid.

1724
01:12:40,040 --> 01:12:40,960
Speaker 4: Yeah, like for real.

1725
01:12:41,160 --> 01:12:42,360
Speaker 2: All the kids in high school that had to do

1726
01:12:42,360 --> 01:12:45,000
Speaker 2: the DARE program were doing community service because they got

1727
01:12:45,000 --> 01:12:45,719
Speaker 2: caught with weed.

1728
01:12:45,880 --> 01:12:47,920
Speaker 1: Yeah, it was all hot.

1729
01:12:47,920 --> 01:12:50,640
Speaker 4: Ten years old, they had the whole fifth grade go

1730
01:12:50,720 --> 01:12:53,120
Speaker 4: to the Hampton Coliseum. They had the DARE John and

1731
01:12:53,160 --> 01:12:56,879
Speaker 4: it was doing like kids renditions. It was like DMX

1732
01:12:56,960 --> 01:12:58,439
Speaker 4: and shit, I'm.

1733
01:12:58,280 --> 01:13:01,679
Speaker 2: Like a nothing but a g think it was rocking,

1734
01:13:01,760 --> 01:13:02,200
Speaker 2: you know what I mean?

1735
01:13:02,280 --> 01:13:02,800
Speaker 4: The energy.

1736
01:13:03,120 --> 01:13:05,320
Speaker 2: Yeah, I feel like you said a real come out.

1737
01:13:05,360 --> 01:13:07,000
Speaker 2: We have to find the kids boy version of those

1738
01:13:07,960 --> 01:13:11,240
Speaker 2: Really did you ever have to? He told the Their

1739
01:13:11,280 --> 01:13:14,200
Speaker 2: program was more our era. I feel like, yeah, you

1740
01:13:14,200 --> 01:13:16,000
Speaker 2: guys were the reason the their program existed.

1741
01:13:16,080 --> 01:13:18,280
Speaker 4: Y'all had y'all had Smoky the bed.

1742
01:13:18,640 --> 01:13:20,280
Speaker 2: Yeah, he wasn't for Horace Fires.

1743
01:13:20,280 --> 01:13:24,600
Speaker 4: Hold on, hold on, listen, I'm not Scruff McGruff Chicago, Illinois,

1744
01:13:24,640 --> 01:13:26,120
Speaker 4: six o six five two.

1745
01:13:26,880 --> 01:13:30,880
Speaker 7: Yeah, because y'all trying to make me sound old as

1746
01:13:30,880 --> 01:13:33,920
Speaker 7: fuck right now, like he was Smoky to bed, I'm.

1747
01:13:33,720 --> 01:13:37,840
Speaker 4: Thirty four, just the rectorstry. Yeah, I feel like we're

1748
01:13:37,840 --> 01:13:38,519
Speaker 4: that far off.

1749
01:13:38,920 --> 01:13:39,679
Speaker 1: I'm forty one.

1750
01:13:39,920 --> 01:13:42,280
Speaker 2: Damn black CROs That's great.

1751
01:13:43,880 --> 01:13:46,760
Speaker 4: Like, yeah, I'm saying that's fine, bro D, my own

1752
01:13:46,800 --> 01:13:47,439
Speaker 4: wish dropped.

1753
01:13:47,680 --> 01:13:49,280
Speaker 7: I don't know if I like the damn though, Like

1754
01:13:49,320 --> 01:13:51,679
Speaker 7: the damn into the couch. Lean was like you thought,

1755
01:13:51,680 --> 01:13:52,200
Speaker 7: I told.

1756
01:13:52,040 --> 01:13:56,760
Speaker 4: You you look, you look really really saying you.

1757
01:13:57,520 --> 01:13:59,519
Speaker 2: If you would guess who's thirty two and who's forty

1758
01:13:59,560 --> 01:14:01,040
Speaker 2: one out of the two of us, but would you guess?

1759
01:14:02,320 --> 01:14:06,519
Speaker 4: Yeah, it's like that. It's like cuz, just like cuz,

1760
01:14:06,560 --> 01:14:10,439
Speaker 4: you know what I'm saying, Like, you never know forty one, man,

1761
01:14:10,720 --> 01:14:12,760
Speaker 4: But you can run them mound. You can still run

1762
01:14:12,760 --> 01:14:13,040
Speaker 4: the mound.

1763
01:14:13,160 --> 01:14:14,720
Speaker 1: Still run. I don't know how fast I can run

1764
01:14:14,720 --> 01:14:16,519
Speaker 1: that ship, but you can make it to the finish line.

1765
01:14:16,640 --> 01:14:17,160
Speaker 4: Yeah, oh no.

1766
01:14:18,080 --> 01:14:21,080
Speaker 2: In the game, Like, man, what dramed? I was their program?

1767
01:14:21,120 --> 01:14:23,479
Speaker 2: You was crack as whack era and your crack.

1768
01:14:23,320 --> 01:14:27,000
Speaker 4: As whack you had? Uh did you fracking wife? Nancy?

1769
01:14:27,160 --> 01:14:27,360
Speaker 2: Yeah?

1770
01:14:27,479 --> 01:14:29,120
Speaker 4: You know what I'm saying. She was all up there

1771
01:14:29,160 --> 01:14:29,880
Speaker 4: telling you about it.

1772
01:14:30,240 --> 01:14:31,639
Speaker 1: They had to skill it with the egg that she's

1773
01:14:31,680 --> 01:14:33,639
Speaker 1: your brain on drugs, and I was like, that looks

1774
01:14:33,640 --> 01:14:34,760
Speaker 1: like breakfast. How do you.

1775
01:14:34,680 --> 01:14:36,919
Speaker 2: Feel like that looks delicious?

1776
01:14:37,320 --> 01:14:40,360
Speaker 1: My brain could be that too, Yeah, that's breakfast.

1777
01:14:41,080 --> 01:14:41,320
Speaker 4: Yeah.

1778
01:14:41,439 --> 01:14:43,559
Speaker 2: Did you feel like her advice was like really helpful

1779
01:14:43,600 --> 01:14:46,000
Speaker 2: to you as a youth of just saying no, Like,

1780
01:14:46,040 --> 01:14:47,439
Speaker 2: did you never look at it that way until she

1781
01:14:47,479 --> 01:14:47,840
Speaker 2: said it?

1782
01:14:48,640 --> 01:14:48,800
Speaker 4: Well?

1783
01:14:49,040 --> 01:14:50,960
Speaker 1: Yeah, I never wanted to try crack.

1784
01:14:51,880 --> 01:14:54,400
Speaker 2: Till Nancy was like, nah no, I never wanted to.

1785
01:14:54,520 --> 01:14:55,880
Speaker 1: Even if she didn't say it, I was like not

1786
01:14:55,960 --> 01:15:00,479
Speaker 1: fucking with that. But looking back at those campaigns, you know,

1787
01:15:00,920 --> 01:15:03,680
Speaker 1: it's like you understand what they're trying to do, but

1788
01:15:03,800 --> 01:15:04,679
Speaker 1: it's like, man.

1789
01:15:04,880 --> 01:15:07,799
Speaker 2: We from the melting into the couch there, yeah ship

1790
01:15:07,920 --> 01:15:12,639
Speaker 2: or like I'm straight so high, I'm gonna shoot so high, I'm.

1791
01:15:12,479 --> 01:15:15,559
Speaker 1: Straight Like skill it on the stove with the two eggs,

1792
01:15:15,560 --> 01:15:16,800
Speaker 1: like that's my drug.

1793
01:15:17,040 --> 01:15:18,760
Speaker 2: Oh, they took it higher with us. It was I'm

1794
01:15:18,800 --> 01:15:20,760
Speaker 2: so high, let me go find my dad's gun and

1795
01:15:20,880 --> 01:15:23,200
Speaker 2: kill myself after gun claw.

1796
01:15:23,280 --> 01:15:27,080
Speaker 1: I've never been that high. I never wanted to somebody,

1797
01:15:27,120 --> 01:15:30,559
Speaker 1: never never hurt me. Yeah, they gave weed such a

1798
01:15:30,560 --> 01:15:34,240
Speaker 1: bad stigma to it, like they made we marijuana seem

1799
01:15:34,280 --> 01:15:36,320
Speaker 1: like it was the most terrible thing to do.

1800
01:15:37,120 --> 01:15:39,720
Speaker 2: Now it's taxed, and now it will care cancer.

1801
01:15:39,400 --> 01:15:42,479
Speaker 1: And now it's medicinal purposes, and now it's it's it's

1802
01:15:42,560 --> 01:15:45,160
Speaker 1: they're finding out that it does help with a different

1803
01:15:45,200 --> 01:15:49,160
Speaker 1: type of you know, illnesses and ailments, and they're actually

1804
01:15:49,360 --> 01:15:52,880
Speaker 1: letting athletes smoke it as a recovery to now and

1805
01:15:52,920 --> 01:15:55,479
Speaker 1: things like that. So I mean, listen, man, you.

1806
01:15:55,479 --> 01:15:58,200
Speaker 2: Know I never understood like when they kicked Ricky Williams

1807
01:15:58,240 --> 01:16:02,760
Speaker 2: out the league, like he's not a steroids the biggest.

1808
01:16:03,280 --> 01:16:05,800
Speaker 4: Yo, y'all. Owe him the biggest bag, y'all.

1809
01:16:06,120 --> 01:16:06,880
Speaker 1: That's why.

1810
01:16:06,880 --> 01:16:08,120
Speaker 4: That's why I like, you know what I'm saying, Like

1811
01:16:08,160 --> 01:16:09,800
Speaker 4: I ain't even gonna hold you. You know what I'm saying,

1812
01:16:09,840 --> 01:16:11,960
Speaker 4: Like it's like kind of a giving goal for that

1813
01:16:12,040 --> 01:16:15,920
Speaker 4: full support. I remember every year, every season growing up

1814
01:16:15,960 --> 01:16:19,880
Speaker 4: and ship like that's we was watching football. That's bogus. Y'all,

1815
01:16:20,080 --> 01:16:21,639
Speaker 4: y'all owe him a big bag yo.

1816
01:16:22,800 --> 01:16:24,800
Speaker 1: At least y'all owe him a check for something not.

1817
01:16:24,800 --> 01:16:28,120
Speaker 4: As good as two k big facts.

1818
01:16:28,200 --> 01:16:33,040
Speaker 2: Right, Yeah, yeah, because Ricky Williams wasn't in that ship. No,

1819
01:16:33,120 --> 01:16:35,400
Speaker 2: because everyone's doing steroids at that time. That was the

1820
01:16:35,400 --> 01:16:37,639
Speaker 2: whole epidemic. Riggy Williams smoked some weed in the tent

1821
01:16:37,760 --> 01:16:39,280
Speaker 2: and they was like, get him the funk out of here.

1822
01:16:40,880 --> 01:16:42,599
Speaker 1: But it's crazy when you go back and really think about,

1823
01:16:42,640 --> 01:16:45,800
Speaker 1: like how they really outed him for smoking marijuana, Like no.

1824
01:16:45,920 --> 01:16:48,559
Speaker 4: No, he was selected for something else, Like you know,

1825
01:16:48,680 --> 01:16:52,639
Speaker 4: you know what I'm saying, very very example said at.

1826
01:16:52,479 --> 01:16:55,360
Speaker 2: The time, the Dreads ship hadn't even hit the NFL yet,

1827
01:16:55,360 --> 01:16:58,000
Speaker 2: Like he looked like an image that they didn't really

1828
01:16:58,040 --> 01:16:59,680
Speaker 2: want in the NFL. He might have been one of

1829
01:16:59,680 --> 01:17:02,800
Speaker 2: the first I think stars to have dreads. He was,

1830
01:17:02,840 --> 01:17:05,040
Speaker 2: And I know that sounds nuts now, but at the time,

1831
01:17:05,040 --> 01:17:09,320
Speaker 2: it was like he has dreads. Yeah, get yes.

1832
01:17:09,160 --> 01:17:10,439
Speaker 4: That's that's quite accurate.

1833
01:17:10,479 --> 01:17:12,400
Speaker 1: It was the imagery, It was, it was everything around it,

1834
01:17:12,479 --> 01:17:14,240
Speaker 1: the energy to look and then it was like the

1835
01:17:14,240 --> 01:17:16,519
Speaker 1: whole stigma with marijuana, and they didn't want that to

1836
01:17:16,560 --> 01:17:18,920
Speaker 1: become a part of the NFL brand and all of

1837
01:17:18,960 --> 01:17:21,639
Speaker 1: these things. And now look right, it's like they don't

1838
01:17:21,640 --> 01:17:24,559
Speaker 1: even test for it anymore, Like you know what I mean, shit,

1839
01:17:24,680 --> 01:17:26,639
Speaker 1: they will test for It's like, yeah, we know y'all

1840
01:17:26,680 --> 01:17:29,200
Speaker 1: smoke gad. But it's good to see you.

1841
01:17:29,200 --> 01:17:30,559
Speaker 4: Man, Good to see.

1842
01:17:32,000 --> 01:17:33,599
Speaker 1: I feel like we got a lot to talk about.

1843
01:17:34,400 --> 01:17:36,639
Speaker 1: First and foremost, I want to know what is your

1844
01:17:39,520 --> 01:17:42,800
Speaker 1: what is your life like now after all of the

1845
01:17:42,920 --> 01:17:47,320
Speaker 1: success as far as like your day to day what

1846
01:17:47,400 --> 01:17:49,320
Speaker 1: has changed that you missed like you like, damn, I

1847
01:17:49,360 --> 01:17:52,360
Speaker 1: can't do that anymore? Or has everything remained the same?

1848
01:17:54,160 --> 01:17:55,960
Speaker 4: You know? It's it's it's kind of like a uh,

1849
01:17:56,760 --> 01:17:59,040
Speaker 4: she saw you know what I'm saying, Like you never

1850
01:17:59,120 --> 01:18:03,400
Speaker 4: really know a coin flip, like stepping outside, because not

1851
01:18:03,520 --> 01:18:06,000
Speaker 4: at the points where it's like yo, I can't step

1852
01:18:06,040 --> 01:18:08,960
Speaker 4: out doors or it's curtains. Yeah, And it's not to

1853
01:18:08,960 --> 01:18:13,439
Speaker 4: that point where it's like what type shit, like you

1854
01:18:13,439 --> 01:18:16,120
Speaker 4: know what I mean, Like it's very very so much

1855
01:18:16,240 --> 01:18:18,640
Speaker 4: in in the middle, like you just gotta like, like bro,

1856
01:18:18,880 --> 01:18:21,240
Speaker 4: I just I just roll around and stay safe. I

1857
01:18:21,640 --> 01:18:23,840
Speaker 4: gotta I gotta get to certain things. You know what

1858
01:18:23,880 --> 01:18:28,040
Speaker 4: I'm saying, like fully independent, I'm saying like, like you know, boss,

1859
01:18:28,120 --> 01:18:31,360
Speaker 4: my own them man, and you know, just keep my

1860
01:18:31,479 --> 01:18:33,360
Speaker 4: ecosystem breathing, you know what I'm saying.

1861
01:18:34,000 --> 01:18:36,559
Speaker 2: Well, to Ma's point there, I guess let's start because

1862
01:18:36,560 --> 01:18:38,280
Speaker 2: you and I've had a lot of conversations in the

1863
01:18:38,320 --> 01:18:41,479
Speaker 2: studio about past ship that I feel should have been

1864
01:18:41,479 --> 01:18:43,960
Speaker 2: talked about publicly and never just because you kind of

1865
01:18:44,040 --> 01:18:46,840
Speaker 2: keep to yourself. No one's ever been like, Yo, talk

1866
01:18:46,840 --> 01:18:49,439
Speaker 2: about it to the public because you're not on that

1867
01:18:49,439 --> 01:18:51,720
Speaker 2: type of bullshit. I'm on that type of bullshit today,

1868
01:18:51,720 --> 01:18:52,680
Speaker 2: and I want you to talk to your shit.

1869
01:18:55,960 --> 01:18:58,200
Speaker 1: You could drop you really you really, you really a

1870
01:18:58,840 --> 01:19:04,680
Speaker 1: humble a humble uh, a humble guy. But you've had

1871
01:19:04,760 --> 01:19:07,559
Speaker 1: you've had a lot of success, and you've done some

1872
01:19:07,600 --> 01:19:09,120
Speaker 1: pretty amazing things as an artist.

1873
01:19:09,640 --> 01:19:14,000
Speaker 2: So let's let's go. Let's start at Broccoli. We're gonna

1874
01:19:14,040 --> 01:19:16,679
Speaker 2: get to this album that's that's out now, coming out now,

1875
01:19:17,000 --> 01:19:18,360
Speaker 2: but let's start at Broccoli.

1876
01:19:18,640 --> 01:19:20,080
Speaker 1: Started bro What.

1877
01:19:20,080 --> 01:19:25,639
Speaker 2: Was Broccoli an intentional? I'm looking for a hit? No,

1878
01:19:25,840 --> 01:19:27,280
Speaker 2: I didn't think so that.

1879
01:19:27,560 --> 01:19:30,800
Speaker 4: Was supposed to be cool for SoundCloud bro Like hmm,

1880
01:19:31,120 --> 01:19:33,000
Speaker 4: like I swear to God, bro, like like, you know

1881
01:19:33,040 --> 01:19:36,280
Speaker 4: what I'm saying, Like, uh, shout out to Rick. I'm

1882
01:19:36,280 --> 01:19:37,080
Speaker 4: saying Rick Rubin.

1883
01:19:37,200 --> 01:19:37,360
Speaker 1: Yeah.

1884
01:19:37,400 --> 01:19:39,760
Speaker 4: I mean a couple of months before that, you know

1885
01:19:39,760 --> 01:19:42,920
Speaker 4: what I'm saying. Uh, I had like a retreat there

1886
01:19:43,160 --> 01:19:46,280
Speaker 4: and he was bringing you know a few people through.

1887
01:19:46,360 --> 01:19:50,280
Speaker 4: He said, Yo, litt yady. You know it's like hell yeah, bro,

1888
01:19:50,400 --> 01:19:52,680
Speaker 4: like Yo, it's ship hard. People trying to tell me

1889
01:19:52,760 --> 01:19:54,720
Speaker 4: Like like Yo, you had told him Bro. I'm like, bro,

1890
01:19:54,800 --> 01:19:58,280
Speaker 4: like whatever whatever he came through, we vibed out, we

1891
01:19:58,320 --> 01:20:00,840
Speaker 4: played each other music or whatever. It's very very you know,

1892
01:20:01,120 --> 01:20:05,120
Speaker 4: business type or whatever. Like you know my my, my

1893
01:20:05,160 --> 01:20:07,280
Speaker 4: people's at the time. Was there his you know, well

1894
01:20:07,320 --> 01:20:10,439
Speaker 4: whatever a couple of months ago by my man Haji.

1895
01:20:10,800 --> 01:20:14,200
Speaker 4: You know what I'm saying, who uh you know, uh

1896
01:20:14,560 --> 01:20:17,120
Speaker 4: did a lot of a lot of camera work or whatever.

1897
01:20:17,200 --> 01:20:20,200
Speaker 4: Like he's he's he's killing shit now. But like he

1898
01:20:20,360 --> 01:20:24,200
Speaker 4: was doing uh, you know, hot ship for Yati or whatever.

1899
01:20:24,320 --> 01:20:26,360
Speaker 4: I'm like, Okay, you know what I'm saying, see that

1900
01:20:26,560 --> 01:20:28,040
Speaker 4: or whatever I tell him. I'm like, Yo, you know

1901
01:20:28,040 --> 01:20:30,479
Speaker 4: what I'm saying. I see what whatever got his line?

1902
01:20:30,840 --> 01:20:33,439
Speaker 4: I mean in LA, I see that he was out

1903
01:20:33,439 --> 01:20:35,960
Speaker 4: there one day with whatever. So I hit him like, Yo,

1904
01:20:36,040 --> 01:20:38,559
Speaker 4: come through the studio or whatever. Da da da and

1905
01:20:39,400 --> 01:20:41,719
Speaker 4: ship like I mean, I mean this is early early,

1906
01:20:41,840 --> 01:20:43,680
Speaker 4: early on. You know what I'm saying. I'm like, yo,

1907
01:20:44,160 --> 01:20:47,360
Speaker 4: And then had him pull up or whatever he was

1908
01:20:47,400 --> 01:20:51,240
Speaker 4: with Perry, you know what I'm saying. Like, and we

1909
01:20:51,280 --> 01:20:53,640
Speaker 4: had we had the thing going with whatever, you know

1910
01:20:53,680 --> 01:20:57,479
Speaker 4: what I'm saying, Like, Uh, we were sitting there stumped

1911
01:20:57,520 --> 01:20:59,599
Speaker 4: on the on the beat or whatever. You know, I mean,

1912
01:20:59,720 --> 01:21:02,160
Speaker 4: like everybody was just sitting around. It was a boom

1913
01:21:02,160 --> 01:21:04,920
Speaker 4: boom boom. I was like, I just needs something. I said, Rose,

1914
01:21:05,640 --> 01:21:07,439
Speaker 4: you know what I'm saying. I said, give me flu

1915
01:21:07,479 --> 01:21:10,599
Speaker 4: lu lu lu lu lu lu lulu flu lu lu

1916
01:21:10,680 --> 01:21:13,400
Speaker 4: lu lu lulu lu lulu. You know what I'm saying.

1917
01:21:13,760 --> 01:21:16,800
Speaker 4: And we were so locked in bro like like you

1918
01:21:16,800 --> 01:21:18,519
Speaker 4: know what I'm saying, Like the way the way me

1919
01:21:18,560 --> 01:21:20,640
Speaker 4: and Roj was like, I would give him melodies and

1920
01:21:20,640 --> 01:21:22,800
Speaker 4: he was just lay them ships right out or whatever.

1921
01:21:22,800 --> 01:21:25,559
Speaker 4: And then everybody all jumped in with whatever. Then you know,

1922
01:21:25,880 --> 01:21:28,439
Speaker 4: a couple of my homegirls stepped in or whatever, you know,

1923
01:21:28,479 --> 01:21:32,160
Speaker 4: attractive young ladies or whatever. Then everybody got their ship

1924
01:21:32,160 --> 01:21:34,360
Speaker 4: together I see pads come out, niggas start writing and

1925
01:21:34,360 --> 01:21:39,960
Speaker 4: ship like that by the first line like like that

1926
01:21:39,960 --> 01:21:43,280
Speaker 4: that that's real ship. And I'm like, okay, boom and boom,

1927
01:21:43,320 --> 01:21:46,080
Speaker 4: we got some ship going. So I'm like, yo, what we're

1928
01:21:46,040 --> 01:21:47,559
Speaker 4: gonna do. I just got in the booth. I was

1929
01:21:47,560 --> 01:21:50,800
Speaker 4: like fucking uh in the middle, you know what I'm saying, Like,

1930
01:21:51,080 --> 01:21:54,479
Speaker 4: just like off the top one take whereever nigga stepped out,

1931
01:21:54,520 --> 01:21:57,400
Speaker 4: I was like, oh, ship and I was like, Okay,

1932
01:21:57,400 --> 01:21:59,800
Speaker 4: cuckle cool or whatever. We was hype about it. But

1933
01:21:59,800 --> 01:22:01,240
Speaker 4: I was like, I'm gonna come in the next day.

1934
01:22:01,240 --> 01:22:02,960
Speaker 4: I'm gonna write my verse. That's why I was like

1935
01:22:03,000 --> 01:22:07,200
Speaker 4: so kind of like complex, yeah, compared to the zany

1936
01:22:07,400 --> 01:22:12,719
Speaker 4: just loopiness and ship. When we came out with directing

1937
01:22:12,760 --> 01:22:17,040
Speaker 4: and ship, uh, like the paperwork started to happen and

1938
01:22:17,120 --> 01:22:19,680
Speaker 4: it became an all out war and I'm like, what

1939
01:22:19,680 --> 01:22:21,280
Speaker 4: the fuck is this for? It's just about to be

1940
01:22:21,280 --> 01:22:25,960
Speaker 4: some soundclouds. They knew the powers to be new. Like

1941
01:22:26,040 --> 01:22:27,880
Speaker 4: I'm talking about it's a nigga that was sitting in

1942
01:22:27,920 --> 01:22:30,519
Speaker 4: the room who thought he was too good for the

1943
01:22:30,560 --> 01:22:33,080
Speaker 4: fucking session cause niggas gonna bring in Yeah, he got

1944
01:22:33,120 --> 01:22:35,519
Speaker 4: he gotta Grammy off of submission. He's gonna sit in

1945
01:22:35,560 --> 01:22:39,120
Speaker 4: the room he got. He ended up working some percentage

1946
01:22:39,120 --> 01:22:40,280
Speaker 4: out of the motherfucking thing.

1947
01:22:40,400 --> 01:22:41,559
Speaker 2: Just just just yo.

1948
01:22:41,760 --> 01:22:43,840
Speaker 4: It was some bogus as ship. You know you are.

1949
01:22:43,920 --> 01:22:47,639
Speaker 4: That's really bogus, damn. But anyways, you know what I'm saying.

1950
01:22:47,800 --> 01:22:49,519
Speaker 4: We had to keep the ball rolling because it was

1951
01:22:49,560 --> 01:22:50,439
Speaker 4: just so much the game.

1952
01:22:50,520 --> 01:22:52,200
Speaker 1: Yeah, yeah, whatever, whatever.

1953
01:22:52,479 --> 01:22:55,080
Speaker 4: I had no idea at first. I'm saying, at.

1954
01:22:54,960 --> 01:22:57,040
Speaker 2: This point, are you on Empire or you?

1955
01:22:57,160 --> 01:23:01,599
Speaker 4: Yeah, bro, I was with Empire, like from from Jump.

1956
01:23:01,720 --> 01:23:05,759
Speaker 4: I'm saying, since well, like February twenty fifteen, whatever, okay,

1957
01:23:05,880 --> 01:23:09,000
Speaker 4: chat chat video, blah blah blah. I'm saying, got upstream

1958
01:23:09,160 --> 01:23:12,599
Speaker 4: to Atlantic and they had an agreement. Yeah, yo, we're

1959
01:23:12,600 --> 01:23:14,439
Speaker 4: gonna take your best scouts if we want. Yeah.

1960
01:23:14,520 --> 01:23:19,799
Speaker 2: Right, they did it once cha cha hits and goes

1961
01:23:20,520 --> 01:23:23,120
Speaker 2: m hm. There happened to be a Meek Mill and

1962
01:23:23,200 --> 01:23:23,759
Speaker 2: Drake beef.

1963
01:23:24,439 --> 01:23:24,679
Speaker 4: Ah.

1964
01:23:25,920 --> 01:23:31,559
Speaker 2: That happened. Yeah, and Drake got into defense mode after

1965
01:23:31,600 --> 01:23:36,280
Speaker 2: some tweets and put out three records on SoundCloud, charged

1966
01:23:36,360 --> 01:23:39,960
Speaker 2: up being the main one. I forgot what the other

1967
01:23:39,960 --> 01:23:41,760
Speaker 2: one was. I think it was a remix to another song,

1968
01:23:42,320 --> 01:23:44,639
Speaker 2: and then there was this low Sea side not even

1969
01:23:44,680 --> 01:23:47,839
Speaker 2: b side hotline tune called Hotline Blaze.

1970
01:23:48,080 --> 01:23:49,760
Speaker 1: I still can't believe Drake put that out in the

1971
01:23:49,760 --> 01:23:54,800
Speaker 1: middle of a beef that's not crazy nuts like yo

1972
01:23:55,160 --> 01:23:55,600
Speaker 1: I could do.

1973
01:23:55,720 --> 01:23:59,840
Speaker 2: That ends up being arguably the biggest record of his

1974
01:24:00,120 --> 01:24:05,000
Speaker 2: entire career outside of maybe God's Plan. Maybe that's a

1975
01:24:05,040 --> 01:24:06,080
Speaker 2: direct bite of Cha Cha.

1976
01:24:07,000 --> 01:24:07,599
Speaker 4: Yeah it was.

1977
01:24:09,560 --> 01:24:11,840
Speaker 2: But where are you at in the crib in the

1978
01:24:11,840 --> 01:24:14,519
Speaker 2: middle of listening to the Drake and Meek beef, because

1979
01:24:14,520 --> 01:24:15,760
Speaker 2: that's what that pack was about.

1980
01:24:16,200 --> 01:24:17,000
Speaker 5: It was charged up.

1981
01:24:17,080 --> 01:24:18,719
Speaker 2: Was at the top of that that was the single.

1982
01:24:19,040 --> 01:24:20,880
Speaker 2: There was just this other ship over here that's a

1983
01:24:20,960 --> 01:24:23,519
Speaker 2: remix of the drum Chaw Chaw record that we love.

1984
01:24:25,680 --> 01:24:27,920
Speaker 2: Where was you at when you click that SoundCloud? Like,

1985
01:24:27,920 --> 01:24:30,880
Speaker 2: oh shit, Drake remixed my ship man.

1986
01:24:31,120 --> 01:24:33,719
Speaker 4: I was in the I think it was in Virginia.

1987
01:24:34,800 --> 01:24:41,720
Speaker 4: I was in Virginia, And you know, it was just

1988
01:24:41,720 --> 01:24:43,559
Speaker 4: a little shocking because it came out as like the

1989
01:24:43,640 --> 01:24:46,840
Speaker 4: Cha Cha remix, you know what I'm saying, as it is.

1990
01:24:46,800 --> 01:24:49,599
Speaker 2: Not really Hotline blank at the time. At the time

1991
01:24:49,920 --> 01:24:51,760
Speaker 2: it was remix two weeks.

1992
01:24:52,760 --> 01:24:57,680
Speaker 4: So, m I don't know, it's just really weird. I

1993
01:24:57,920 --> 01:25:01,960
Speaker 4: ain't getting no reach y'all know nothing or whatever, and uh,

1994
01:25:02,280 --> 01:25:05,400
Speaker 4: I don't know, kind of fucked with me for a

1995
01:25:05,439 --> 01:25:09,400
Speaker 4: long time until like, yeah, you know what I'm saying,

1996
01:25:09,439 --> 01:25:10,679
Speaker 4: Like that was my my.

1997
01:25:10,600 --> 01:25:13,839
Speaker 2: Record and it started it legitimately started out as the remixes.

1998
01:25:14,000 --> 01:25:16,360
Speaker 4: But to be honest, to be frank, bro, Like, bro,

1999
01:25:16,479 --> 01:25:20,200
Speaker 4: that's so long ago for me, Like I don't even know,

2000
01:25:20,320 --> 01:25:22,880
Speaker 4: like like what what I even had that that that

2001
01:25:23,040 --> 01:25:25,600
Speaker 4: anngst to to to do it? Broccoli? You know what

2002
01:25:25,600 --> 01:25:27,000
Speaker 4: I'm saying, Like you know what I'm saying. I mean,

2003
01:25:27,120 --> 01:25:30,920
Speaker 4: like Queen Queen by Due, like like what I'm saying,

2004
01:25:30,920 --> 01:25:34,120
Speaker 4: fucking with me, Like what I'm saying Beyonce Queen, you

2005
01:25:34,120 --> 01:25:38,360
Speaker 4: know what I'm saying, Like like her her putting on

2006
01:25:38,520 --> 01:25:40,759
Speaker 4: child with whatever, like bro, like that opened the doors

2007
01:25:40,760 --> 01:25:43,599
Speaker 4: for all of the corporate sides or whatever everybody was,

2008
01:25:43,680 --> 01:25:45,679
Speaker 4: you know, sucking dick. You know what I'm saying basically

2009
01:25:45,880 --> 01:25:49,920
Speaker 4: what I'm saying. And then it's like what she did

2010
01:25:50,000 --> 01:25:52,320
Speaker 4: on the back end, bro, how she she tapped me

2011
01:25:52,400 --> 01:25:55,719
Speaker 4: in with diplos, She tapped me in with she told

2012
01:25:56,200 --> 01:25:58,040
Speaker 4: the writers of writers, Yo, y'all need.

2013
01:25:57,960 --> 01:26:00,519
Speaker 1: To watch out for drum for his pen in ability.

2014
01:26:00,560 --> 01:26:04,640
Speaker 4: People thought it was like a remixed type thing. It

2015
01:26:04,680 --> 01:26:07,960
Speaker 4: was bro like, it was it was depend how about that.

2016
01:26:09,880 --> 01:26:12,600
Speaker 2: And the melody which is paying.

2017
01:26:12,800 --> 01:26:15,400
Speaker 4: For everything or whatever like, And once I was able

2018
01:26:15,439 --> 01:26:17,840
Speaker 4: to just like see past that ship, it's just like,

2019
01:26:17,920 --> 01:26:20,320
Speaker 4: come on, man, like, you know that's that's one of

2020
01:26:20,360 --> 01:26:22,639
Speaker 4: those things that's just like man, No.

2021
01:26:22,640 --> 01:26:25,439
Speaker 1: But I mean I understand that, and I and and

2022
01:26:25,560 --> 01:26:27,920
Speaker 1: just me knowing you somewhat personally, I know what your

2023
01:26:28,040 --> 01:26:30,360
Speaker 1: energy is like, and you one of those you know,

2024
01:26:32,000 --> 01:26:34,160
Speaker 1: you know you just kind of let ship go high.

2025
01:26:34,160 --> 01:26:34,680
Speaker 6: It's gonna go.

2026
01:26:34,800 --> 01:26:38,120
Speaker 1: But that is something that I feel like, you know,

2027
01:26:39,200 --> 01:26:42,840
Speaker 1: it's fucked up, and you know it's as black men,

2028
01:26:42,920 --> 01:26:46,800
Speaker 1: as artists especially, we got to always keep a certain

2029
01:26:46,880 --> 01:26:52,800
Speaker 1: level of just morals and ethics respect. So has has

2030
01:26:52,840 --> 01:26:56,120
Speaker 1: has has a conversation with you and Drake even happened.

2031
01:26:58,840 --> 01:27:02,200
Speaker 4: It looks like a little whatever like some years ago

2032
01:27:02,439 --> 01:27:07,720
Speaker 4: or whatever. It's one of them I'm saying, but you

2033
01:27:07,760 --> 01:27:08,120
Speaker 4: know what I mean.

2034
01:27:08,360 --> 01:27:11,720
Speaker 2: Yeah, But I mean I think it speaks to the

2035
01:27:11,760 --> 01:27:16,040
Speaker 2: SoundCloud era so much of how like these records that

2036
01:27:16,080 --> 01:27:18,760
Speaker 2: are just meant to be thrown out almost come in

2037
01:27:18,800 --> 01:27:20,840
Speaker 2: post mixtape era, like, let's just do some shit and

2038
01:27:20,880 --> 01:27:22,720
Speaker 2: throw it out, and then they turn out to be

2039
01:27:22,760 --> 01:27:26,120
Speaker 2: the biggest hit records ever. There's no real business in them.

2040
01:27:26,120 --> 01:27:26,320
Speaker 4: Shit.

2041
01:27:26,439 --> 01:27:29,320
Speaker 2: So it's like Drake at the time thinking everyone is

2042
01:27:29,320 --> 01:27:31,400
Speaker 2: going to go off charged up. It's like, let me

2043
01:27:31,439 --> 01:27:34,599
Speaker 2: remix this shit now. Yeah, it becomes the biggest record

2044
01:27:34,600 --> 01:27:37,519
Speaker 2: of his career and there's no real business as if

2045
01:27:37,560 --> 01:27:39,400
Speaker 2: it would have been a single because now you got

2046
01:27:39,400 --> 01:27:42,080
Speaker 2: to add in his pen that's publishing. You have to

2047
01:27:42,080 --> 01:27:44,840
Speaker 2: add in the producers that he worked with on the ship,

2048
01:27:45,479 --> 01:27:47,839
Speaker 2: and then you get producer Beef because if I remember correctly,

2049
01:27:47,880 --> 01:27:51,519
Speaker 2: there was producer Beef with that entire thing. Because who's

2050
01:27:51,520 --> 01:27:53,760
Speaker 2: credited on Hotline Blank? Is it eighty five? I believe

2051
01:27:54,240 --> 01:27:56,880
Speaker 2: who's the family Love eighty five? But I know there

2052
01:27:56,920 --> 01:27:57,680
Speaker 2: was something.

2053
01:27:59,720 --> 01:28:04,800
Speaker 4: Yeah, to keep it a band. You know what I'm saying.

2054
01:28:05,479 --> 01:28:07,439
Speaker 4: You gotta you know, at the end of the day,

2055
01:28:08,120 --> 01:28:10,719
Speaker 4: as a man, your word is your word, right if

2056
01:28:11,200 --> 01:28:14,640
Speaker 4: it ain't no words kind of not really you know

2057
01:28:14,640 --> 01:28:17,439
Speaker 4: what I'm saying. I get overstand that. But that ship,

2058
01:28:17,520 --> 01:28:21,599
Speaker 4: that's bro yo life. Let's get into what we got

2059
01:28:21,640 --> 01:28:24,000
Speaker 4: going now. You know what I'm saying, That bro like

2060
01:28:24,000 --> 01:28:25,360
Speaker 4: you know what I'm saying. All that shit is.

2061
01:28:25,320 --> 01:28:27,320
Speaker 2: Just old passion. I understand you're not.

2062
01:28:27,439 --> 01:28:29,280
Speaker 1: We understand that, but you know, it's just things that

2063
01:28:29,400 --> 01:28:32,200
Speaker 1: happen and you gotta have, you know, kind of make

2064
01:28:32,240 --> 01:28:35,559
Speaker 1: sure that they don't happen again, so you learn from it.

2065
01:28:35,560 --> 01:28:37,519
Speaker 1: It's all about learning shit. Like yo, we learn from it,

2066
01:28:37,560 --> 01:28:39,880
Speaker 1: like we we know now this is how we gotta move,

2067
01:28:39,920 --> 01:28:41,720
Speaker 1: this is how we gotta do ship. So that's just

2068
01:28:41,760 --> 01:28:44,400
Speaker 1: important for you know, artists just in general to understand

2069
01:28:44,400 --> 01:28:47,160
Speaker 1: that story and just know how to how to forward.

2070
01:28:47,320 --> 01:28:50,439
Speaker 2: More so, not even harping on the old bullshit. I

2071
01:28:50,439 --> 01:28:52,439
Speaker 2: do want you to get your flowers with so much

2072
01:28:52,479 --> 01:28:54,920
Speaker 2: of the melodic rap ship that exists right now because

2073
01:28:54,960 --> 01:28:58,240
Speaker 2: Broccoli became a blueprint for I think how rap is

2074
01:28:58,280 --> 01:29:00,719
Speaker 2: even delivered at this point now. I even just watched

2075
01:29:00,800 --> 01:29:05,160
Speaker 2: Drake on What's the Playlist album that he has? He

2076
01:29:05,240 --> 01:29:08,120
Speaker 2: tried to make seven Broccolis on that album, which one

2077
01:29:09,400 --> 01:29:13,880
Speaker 2: the playlist one no no, the other one more likely,

2078
01:29:13,960 --> 01:29:16,240
Speaker 2: which I like. But there's there's three or four attempts

2079
01:29:16,240 --> 01:29:18,720
Speaker 2: to try to remake up Broccoli that point.

2080
01:29:20,439 --> 01:29:23,040
Speaker 4: I wouldn't I wouldn't have even known and caught that

2081
01:29:23,240 --> 01:29:25,800
Speaker 4: like even when like like records that like yo, that

2082
01:29:25,920 --> 01:29:27,680
Speaker 4: that sounds like it's like bro like I don't even

2083
01:29:28,280 --> 01:29:31,080
Speaker 4: that shit ain't even like I don't know, like to

2084
01:29:31,160 --> 01:29:33,559
Speaker 4: go from, like you know, records that were like so

2085
01:29:34,320 --> 01:29:36,320
Speaker 4: oh to go from, Like records that were so like

2086
01:29:36,880 --> 01:29:40,240
Speaker 4: night and day, like clear copy. You know what I'm saying, Like, yeah,

2087
01:29:40,360 --> 01:29:42,080
Speaker 4: you know what I'm saying, Like records that I heard

2088
01:29:42,120 --> 01:29:45,000
Speaker 4: like had to sample get resampled.

2089
01:29:44,360 --> 01:29:45,040
Speaker 6: Like three times.

2090
01:29:45,080 --> 01:29:47,400
Speaker 4: Yeah, you know, like you're dancing on the lines of

2091
01:29:47,400 --> 01:29:48,479
Speaker 4: infringement like that.

2092
01:29:48,880 --> 01:29:51,760
Speaker 2: I'm gonna say, even Delivery and the melodic ship that

2093
01:29:51,880 --> 01:29:54,240
Speaker 2: came from Broccoli and on top of a business level,

2094
01:29:54,400 --> 01:29:57,280
Speaker 2: because I remember looking at Broccoli when it came out

2095
01:29:57,280 --> 01:29:58,840
Speaker 2: and I was like, wait, that's an independent song.

2096
01:29:59,560 --> 01:30:00,640
Speaker 5: And now Empire, who I.

2097
01:30:01,200 --> 01:30:03,760
Speaker 2: Think does amazing business and has has changed rat for

2098
01:30:03,760 --> 01:30:08,400
Speaker 2: the better. I think Broccoli was the proving ground for

2099
01:30:08,439 --> 01:30:11,439
Speaker 2: people to go to Empire. You could be a number

2100
01:30:11,439 --> 01:30:14,559
Speaker 2: one artist and be on Empire right now. It kind

2101
01:30:14,560 --> 01:30:18,160
Speaker 2: of made it solidified, not a like we know no

2102
01:30:18,200 --> 01:30:19,960
Speaker 2: limits to be independent, we know all that shit, but

2103
01:30:20,400 --> 01:30:23,640
Speaker 2: Empire had not been solidified and no one had a

2104
01:30:23,720 --> 01:30:26,240
Speaker 2: number one record. I think that was that Empire's first number.

2105
01:30:26,000 --> 01:30:29,240
Speaker 4: One, yo, bro like pep game. When I had taught

2106
01:30:29,280 --> 01:30:32,599
Speaker 4: to Ghazi like a couple of years after the record

2107
01:30:32,680 --> 01:30:37,160
Speaker 4: or whatever, and he had told me that Atlantic, Like

2108
01:30:37,479 --> 01:30:40,880
Speaker 4: I guess without really telling me or anybody around or

2109
01:30:40,960 --> 01:30:43,080
Speaker 4: you know, I didn't get the word that they had

2110
01:30:43,120 --> 01:30:46,680
Speaker 4: put me back just on Empire after the cha cha

2111
01:30:46,800 --> 01:30:49,560
Speaker 4: record got like you know, eighting up like that. Yeah,

2112
01:30:49,600 --> 01:30:52,360
Speaker 4: and when Broccoli came out and then they blew it

2113
01:30:52,439 --> 01:30:55,439
Speaker 4: the fuck up. Atlantic took it back for their year

2114
01:30:55,479 --> 01:30:57,400
Speaker 4: in numbers, and it's just like.

2115
01:30:57,880 --> 01:30:59,759
Speaker 1: Damn, that's that's that's.

2116
01:30:59,560 --> 01:31:01,800
Speaker 4: A wild game. And it's like it's crazy, you know

2117
01:31:01,840 --> 01:31:03,720
Speaker 4: what I'm saying, like just to get ahead for the

2118
01:31:03,880 --> 01:31:06,600
Speaker 4: you know what I'm saying. And then it's like I

2119
01:31:06,960 --> 01:31:09,719
Speaker 4: noticed they didn't have my picture on the wall until

2120
01:31:09,920 --> 01:31:12,439
Speaker 4: like shit was like charting that shit with I was like,

2121
01:31:12,439 --> 01:31:16,519
Speaker 4: oh damn, oh yo, I'm kind of like as soon as.

2122
01:31:16,400 --> 01:31:18,400
Speaker 1: You walk in the middle thing like, oh that's what

2123
01:31:18,479 --> 01:31:18,880
Speaker 1: you got.

2124
01:31:18,800 --> 01:31:22,400
Speaker 4: Me kind of up up near some shit, you know

2125
01:31:22,439 --> 01:31:27,760
Speaker 4: what I'm saying. But I overstand that it's a transactional

2126
01:31:27,840 --> 01:31:30,600
Speaker 4: world that we live in, in this music world, you

2127
01:31:30,600 --> 01:31:33,200
Speaker 4: know what I'm saying, Like I am I am now

2128
01:31:33,320 --> 01:31:36,280
Speaker 4: like like you know, walking into this light or whatever,

2129
01:31:36,439 --> 01:31:40,360
Speaker 4: Like even though you know, learning from lessons, you know firsthand,

2130
01:31:40,439 --> 01:31:43,080
Speaker 4: I'm not going to treat my people in my business

2131
01:31:43,160 --> 01:31:45,880
Speaker 4: matters this way. You know what I'm saying. It's just

2132
01:31:45,920 --> 01:31:50,800
Speaker 4: giving me the you know, the fire, the fuel to

2133
01:31:51,720 --> 01:31:52,879
Speaker 4: drive in the right direction.

2134
01:31:53,200 --> 01:31:56,920
Speaker 2: Yeah, I feel that so was going full R and

2135
01:31:56,960 --> 01:32:01,360
Speaker 2: B always the plan, just despite any success any That's

2136
01:32:01,400 --> 01:32:02,160
Speaker 2: what I wanted.

2137
01:32:01,920 --> 01:32:04,240
Speaker 4: To like, That's what I felt like like at the time.

2138
01:32:04,479 --> 01:32:07,600
Speaker 4: And it was also it was also very much so

2139
01:32:08,280 --> 01:32:10,920
Speaker 4: like kind of like a cores kind of like a

2140
01:32:11,040 --> 01:32:14,599
Speaker 4: suggested kind of thing like this, that's just what'll do it,

2141
01:32:15,040 --> 01:32:17,000
Speaker 4: you know what I'm saying, like kind of spaghetti at

2142
01:32:17,040 --> 01:32:20,360
Speaker 4: the wall. But like I always wanted this, you know,

2143
01:32:20,400 --> 01:32:22,880
Speaker 4: I wanted to show advancement and what I did, you

2144
01:32:22,960 --> 01:32:25,160
Speaker 4: know what I'm saying, And it ended up being like

2145
01:32:25,200 --> 01:32:27,599
Speaker 4: a full R and B thing, Like the album name

2146
01:32:27,720 --> 01:32:30,160
Speaker 4: was just supposed to be Shelley, you know what I'm saying,

2147
01:32:30,200 --> 01:32:32,960
Speaker 4: Like like what I'm saying, who wouldn't like to be

2148
01:32:33,120 --> 01:32:35,599
Speaker 4: still called? Like you know what I'm saying. But it's like, yo,

2149
01:32:35,760 --> 01:32:37,599
Speaker 4: all right, if you're going full on R and b

2150
01:32:37,800 --> 01:32:40,320
Speaker 4: you know what I'm saying, like, you know, switching like, Okay,

2151
01:32:40,400 --> 01:32:45,000
Speaker 4: I got it, Shelley f K A tromp like, but

2152
01:32:45,080 --> 01:32:47,760
Speaker 4: at the time, it was just it just wasn't.

2153
01:32:48,040 --> 01:32:51,360
Speaker 1: It wasn't even.

2154
01:32:51,640 --> 01:32:53,120
Speaker 4: So that's my government too.

2155
01:32:53,280 --> 01:32:54,040
Speaker 1: That's just that's why.

2156
01:32:54,680 --> 01:32:56,559
Speaker 4: That's why I'm like, that's why I'm like, why would

2157
01:32:56,600 --> 01:32:59,000
Speaker 4: I be really mad at that? You know what I'm saying, Like,

2158
01:32:59,040 --> 01:33:00,519
Speaker 4: why would not really would it?

2159
01:33:00,520 --> 01:33:03,360
Speaker 2: And I like the FKA drawn shit, I thought I

2160
01:33:03,439 --> 01:33:06,599
Speaker 2: thought that was a hard full name. I'm not mad

2161
01:33:06,760 --> 01:33:09,080
Speaker 2: paired with that album and that sound, it made sense

2162
01:33:09,080 --> 01:33:09,960
Speaker 2: to me as a consumer.

2163
01:33:10,000 --> 01:33:12,240
Speaker 4: I was like, well, and I appreciate it, you know

2164
01:33:12,280 --> 01:33:16,200
Speaker 4: what I'm saying. And you know, the powers to have

2165
01:33:16,280 --> 01:33:20,920
Speaker 4: been you know clearly, you know. But at the end

2166
01:33:20,960 --> 01:33:25,120
Speaker 4: of the day, when I got into this process making

2167
01:33:25,439 --> 01:33:32,000
Speaker 4: this album, and it was I don't know, like like damn,

2168
01:33:32,720 --> 01:33:40,680
Speaker 4: Like the album started like two weeks before, yeah, like

2169
01:33:40,720 --> 01:33:44,280
Speaker 4: two weeks before my mother passed. I'm not even gonna

2170
01:33:44,280 --> 01:33:48,120
Speaker 4: hold you like, and it might look like the second

2171
01:33:48,160 --> 01:33:52,240
Speaker 4: album was you know, around that, but my album was

2172
01:33:52,320 --> 01:33:56,360
Speaker 4: done for two years. It was done in November twenty nineteen.

2173
01:33:56,960 --> 01:34:01,400
Speaker 4: You know what I'm saying. It was just you know, pandemic, politics,

2174
01:34:01,720 --> 01:34:05,400
Speaker 4: all of this shit whatever. So when I'm recording, I'm

2175
01:34:05,479 --> 01:34:10,080
Speaker 4: just saying, Atlanta, you know, during a music camp or whatever,

2176
01:34:10,920 --> 01:34:14,200
Speaker 4: I'm working this bitch out or whatever, I'm living like

2177
01:34:14,400 --> 01:34:17,799
Speaker 4: care free. You know, Atlanta was free from the pandemic apparently,

2178
01:34:17,880 --> 01:34:19,880
Speaker 4: you know what I'm saying. Shit was open, Like damn,

2179
01:34:19,920 --> 01:34:22,040
Speaker 4: I was just in in LA for the whole time,

2180
01:34:22,160 --> 01:34:24,080
Speaker 4: like you know what I'm saying, having the best time

2181
01:34:24,080 --> 01:34:28,720
Speaker 4: of my life. And I don't know, like yeah, a

2182
01:34:28,800 --> 01:34:34,920
Speaker 4: few weeks later, yeah, and it's still so fucked up,

2183
01:34:35,560 --> 01:34:39,960
Speaker 4: you know what I'm saying. And I don't know, so

2184
01:34:41,400 --> 01:34:46,519
Speaker 4: me making music like it was it was. Really it's

2185
01:34:46,560 --> 01:34:48,640
Speaker 4: been like a real like kind of like dark and

2186
01:34:48,800 --> 01:34:54,760
Speaker 4: like I can't even really say, you know, in a

2187
01:34:54,840 --> 01:34:57,360
Speaker 4: sense or whatever. It has a different kind of feel

2188
01:34:57,400 --> 01:35:01,920
Speaker 4: to it because I feel like a the hugest chunk

2189
01:35:01,960 --> 01:35:06,000
Speaker 4: of my my inner joy was knowing like just what

2190
01:35:06,200 --> 01:35:09,640
Speaker 4: me and my mommy went through to even get to

2191
01:35:09,680 --> 01:35:16,479
Speaker 4: this point, you know what I'm saying. So a lot

2192
01:35:16,520 --> 01:35:19,479
Speaker 4: of shit sad on that project. It wasn't until I

2193
01:35:19,600 --> 01:35:22,960
Speaker 4: made Wham. It just happened like bro like like it

2194
01:35:23,040 --> 01:35:25,720
Speaker 4: was every we all talk about it, like I'm saying,

2195
01:35:25,720 --> 01:35:28,200
Speaker 4: shout out to my boy spif, shout out to my

2196
01:35:28,280 --> 01:35:30,840
Speaker 4: boy hero. You know what I'm saying, Like my cousin

2197
01:35:30,960 --> 01:35:33,000
Speaker 4: was in there. You know what I'm saying, shout out to.

2198
01:35:33,400 --> 01:35:35,840
Speaker 4: I'm saying, my boy Cole was engineering. It was an

2199
01:35:36,000 --> 01:35:39,800
Speaker 4: energy in there that night, and something happened to where

2200
01:35:40,680 --> 01:35:47,240
Speaker 4: I was able to like break free from yeah, like

2201
01:35:47,240 --> 01:35:50,479
Speaker 4: like just even that approach, just what what I wanted

2202
01:35:50,560 --> 01:35:53,719
Speaker 4: to hear sonically before I even said a word saying

2203
01:35:53,720 --> 01:35:57,559
Speaker 4: a word, and I had fun. But it's still got that.

2204
01:35:58,240 --> 01:36:00,960
Speaker 4: It got that, it's got that darkness in it, but

2205
01:36:00,960 --> 01:36:03,639
Speaker 4: it's like always it's backed up and it's like yo,

2206
01:36:03,760 --> 01:36:06,720
Speaker 4: like drama is read like yo, I ain't you know

2207
01:36:06,760 --> 01:36:09,200
Speaker 4: what I'm saying. All my people like dramas like yo,

2208
01:36:09,320 --> 01:36:12,200
Speaker 4: yeah yeah yeah or whatever, like you know all my

2209
01:36:12,320 --> 01:36:14,639
Speaker 4: lady friends, you know, Shelley, you know what I'm saying, Like.

2210
01:36:15,080 --> 01:36:18,760
Speaker 1: Yeah, yeah, yeah, yeah, yeah, I'm not mad at that, but.

2211
01:36:18,840 --> 01:36:22,120
Speaker 2: Like, well, how do you balance grief in music where

2212
01:36:22,160 --> 01:36:25,599
Speaker 2: everything doesn't sound dark all the time or you're still

2213
01:36:25,600 --> 01:36:27,080
Speaker 2: trying to figure that out, or.

2214
01:36:27,120 --> 01:36:29,679
Speaker 1: As an artist, do you just go with the real

2215
01:36:29,720 --> 01:36:30,960
Speaker 1: emotion that's.

2216
01:36:30,880 --> 01:36:33,080
Speaker 4: Pure and you just go you just go with it,

2217
01:36:33,439 --> 01:36:38,080
Speaker 4: and I feel like being around other people who can

2218
01:36:38,160 --> 01:36:41,760
Speaker 4: help you get free from just in your head. Like

2219
01:36:42,120 --> 01:36:43,840
Speaker 4: I'm saying, like this is just what I'm thinking about.

2220
01:36:43,840 --> 01:36:46,240
Speaker 4: I'm thinking about how you won't there for me, bitch

2221
01:36:46,240 --> 01:36:49,000
Speaker 4: when I needed you the most. How y'all niggas did

2222
01:36:49,040 --> 01:36:51,200
Speaker 4: me dirty bro? Like you know what I'm saying, Like, oh,

2223
01:36:52,120 --> 01:36:53,760
Speaker 4: you know, I can't get over the fact, like I

2224
01:36:53,880 --> 01:36:55,960
Speaker 4: just just missed you so much, you know what I'm saying,

2225
01:36:56,000 --> 01:36:59,720
Speaker 4: Like you know, just down or down or down or down,

2226
01:37:00,320 --> 01:37:01,840
Speaker 4: you know what I'm saying. And it's just like nah,

2227
01:37:01,920 --> 01:37:05,760
Speaker 4: like bro, like that ain't that That's definitely not what

2228
01:37:05,760 --> 01:37:08,719
Speaker 4: what what? You know? That's that's that's not the whole equation.

2229
01:37:08,840 --> 01:37:10,840
Speaker 4: That's not what she would even want, you know what

2230
01:37:10,880 --> 01:37:17,400
Speaker 4: I'm saying, Like, Yeah, it's it's it's it feels sur

2231
01:37:17,400 --> 01:37:20,080
Speaker 4: real even talking about it right now, Like I can't even.

2232
01:37:21,240 --> 01:37:23,120
Speaker 2: But I think to even get to that next point,

2233
01:37:23,160 --> 01:37:26,960
Speaker 2: you got to get everything else out first, because instead

2234
01:37:26,960 --> 01:37:29,760
Speaker 2: of just using other people's subject matter, maybe working with

2235
01:37:29,840 --> 01:37:32,680
Speaker 2: music where you want to be like I'm sad you

2236
01:37:32,760 --> 01:37:35,479
Speaker 2: wasn't there for me. These people to be dirty, it's

2237
01:37:35,760 --> 01:37:37,880
Speaker 2: my mother stuff. And you get around other people to

2238
01:37:37,920 --> 01:37:42,240
Speaker 2: help you other things and that subject matter, but you

2239
01:37:42,360 --> 01:37:44,679
Speaker 2: got to get that ship out first before anything else.

2240
01:37:45,000 --> 01:37:47,280
Speaker 4: One thing is for certain. I've written one hundred percent

2241
01:37:47,360 --> 01:37:47,840
Speaker 4: of all of them.

2242
01:37:47,880 --> 01:37:50,160
Speaker 2: Oh no, I'm talking about subject matter of like getting

2243
01:37:50,200 --> 01:37:50,679
Speaker 2: at a studio.

2244
01:37:50,720 --> 01:37:51,680
Speaker 6: No, that's not about.

2245
01:37:54,120 --> 01:37:59,120
Speaker 7: Got right from my bag, like clear, yeah, yeah, okay, Yeah,

2246
01:37:59,840 --> 01:38:02,160
Speaker 7: the subject matter of maybe you wanting to walk in

2247
01:38:02,200 --> 01:38:05,240
Speaker 7: the studio and talk about something specifically, and you get

2248
01:38:05,280 --> 01:38:06,840
Speaker 7: in a room it's like, oh, we're on this vibe.

2249
01:38:07,320 --> 01:38:10,719
Speaker 2: I know I could do this type of thing. That's helpful,

2250
01:38:10,720 --> 01:38:13,120
Speaker 2: but you still have to get everything else out first.

2251
01:38:13,720 --> 01:38:16,160
Speaker 4: That's why I'm so grateful for this album, for this

2252
01:38:16,280 --> 01:38:19,719
Speaker 4: opportunity to be set up this way and to drop,

2253
01:38:21,520 --> 01:38:24,400
Speaker 4: you know, such a raw and emotional project that has

2254
01:38:24,479 --> 01:38:27,599
Speaker 4: all of those things that I've been battling with, you know,

2255
01:38:27,840 --> 01:38:33,640
Speaker 4: and still still dealing with, but just feel like this

2256
01:38:33,880 --> 01:38:36,520
Speaker 4: time around, like you know, like like you know, embracing

2257
01:38:36,560 --> 01:38:38,479
Speaker 4: the people that still hear from me, that's still in

2258
01:38:38,560 --> 01:38:42,360
Speaker 4: my corner right and building with them and building business

2259
01:38:42,360 --> 01:38:46,599
Speaker 4: within my own infrastructure. Is it's like a new it's

2260
01:38:46,600 --> 01:38:48,800
Speaker 4: a new outlook. On things I'm saying like you know,

2261
01:38:50,880 --> 01:38:54,720
Speaker 4: a new new new reason to you know, to make

2262
01:38:54,760 --> 01:38:56,240
Speaker 4: her proud, Like I know.

2263
01:38:56,479 --> 01:39:05,439
Speaker 1: Right right, that's a fact. So as far as being

2264
01:39:05,479 --> 01:39:12,080
Speaker 1: an artist, what is your your your your true like

2265
01:39:13,240 --> 01:39:15,400
Speaker 1: strong point as far as like being a writer, like

2266
01:39:15,479 --> 01:39:18,600
Speaker 1: do you love writing for others because you get to

2267
01:39:18,720 --> 01:39:22,920
Speaker 1: like jump into different perspectives, jump into different point of views,

2268
01:39:23,800 --> 01:39:27,040
Speaker 1: or do you like really really enjoy just writing for

2269
01:39:27,439 --> 01:39:30,679
Speaker 1: what you know is yours? Like this is mine? Which

2270
01:39:30,800 --> 01:39:33,200
Speaker 1: which one? Which which which point of view? Which way

2271
01:39:33,200 --> 01:39:35,640
Speaker 1: of writing is more enjoyable writing for someone else? Or

2272
01:39:35,640 --> 01:39:38,160
Speaker 1: it's strictly like what's for for Shelley.

2273
01:39:38,280 --> 01:39:41,320
Speaker 4: I think it's a balance of understanding the assignment. You

2274
01:39:41,360 --> 01:39:43,800
Speaker 4: know what I'm saying, like if I'm here for you,

2275
01:39:43,960 --> 01:39:46,320
Speaker 4: for your ship and what you got going on? Okay,

2276
01:39:46,320 --> 01:39:48,760
Speaker 4: I catch the vibe even in music speaking to me,

2277
01:39:48,840 --> 01:39:50,760
Speaker 4: this is what it's saying with whatever, like we make

2278
01:39:50,800 --> 01:39:57,080
Speaker 4: a language and when it's for me, when it's for me,

2279
01:39:57,760 --> 01:40:02,160
Speaker 4: it's like the am like whatever I'm feeling for for me.

2280
01:40:02,840 --> 01:40:06,800
Speaker 4: I literally once when once I recorded Wham, I have

2281
01:40:06,960 --> 01:40:10,160
Speaker 4: not written a single bar since I just go in

2282
01:40:10,479 --> 01:40:12,200
Speaker 4: and blackout. I call it the A way I do

2283
01:40:12,240 --> 01:40:16,800
Speaker 4: it anyway. I'm saying fun fact ciss just like in

2284
01:40:16,880 --> 01:40:19,640
Speaker 4: she jumped in like that or work, yeah, bro, I

2285
01:40:19,880 --> 01:40:22,439
Speaker 4: even know. I'm like, Yo, that's that's so crazy, you

2286
01:40:22,479 --> 01:40:25,040
Speaker 4: know what I'm saying. Like make I'm saying and be like,

2287
01:40:25,080 --> 01:40:27,760
Speaker 4: oh damn, bro, like that's how it's just all connected

2288
01:40:27,880 --> 01:40:31,120
Speaker 4: or whatever. But I feel like with the way that

2289
01:40:31,200 --> 01:40:34,720
Speaker 4: I make records, it's almost like a muscle memory. You

2290
01:40:34,760 --> 01:40:36,880
Speaker 4: know what I'm saying. I'm not writing it down, but

2291
01:40:37,040 --> 01:40:39,400
Speaker 4: I know the structure of how I write songs. You

2292
01:40:39,439 --> 01:40:41,120
Speaker 4: know what I'm saying. And then I and I can

2293
01:40:41,120 --> 01:40:44,160
Speaker 4: say incredibly zaney ship like oh damn, I just said that.

2294
01:40:44,160 --> 01:40:46,880
Speaker 4: That's funny as fun but like that's keep that you

2295
01:40:46,880 --> 01:40:49,479
Speaker 4: know what I'm saying, Like it's fun. It's a whole

2296
01:40:49,520 --> 01:40:52,639
Speaker 4: new way of recording and releasing music. I say about

2297
01:40:52,680 --> 01:40:54,920
Speaker 4: six of the records on a new album wasn't written.

2298
01:40:55,200 --> 01:40:59,200
Speaker 4: When what's the start of that? And and I and

2299
01:40:59,640 --> 01:41:03,240
Speaker 4: I acord it like five records that just beat out

2300
01:41:03,280 --> 01:41:05,320
Speaker 4: all the like like you know other records or whatever.

2301
01:41:05,439 --> 01:41:10,799
Speaker 4: You know what I'm saying, And man, it's just crazy.

2302
01:41:10,840 --> 01:41:13,200
Speaker 4: Oh when when I get this out, you know, just

2303
01:41:14,240 --> 01:41:16,559
Speaker 4: I will not be confined, like whatever I want to do.

2304
01:41:16,680 --> 01:41:19,519
Speaker 4: You know what I'm saying. If I find that Jay

2305
01:41:19,560 --> 01:41:21,679
Speaker 4: Diller beat and I got something that I want to say,

2306
01:41:22,040 --> 01:41:24,559
Speaker 4: I said, you know what I'm saying on some if

2307
01:41:24,560 --> 01:41:26,519
Speaker 4: we turn ship, you know what I'm saying, I'm linking

2308
01:41:26,600 --> 01:41:29,320
Speaker 4: with everybody. I'm jumping on everybody ship. If you dope,

2309
01:41:29,439 --> 01:41:31,800
Speaker 4: I'm jumping on your ship. Like it don't matter where

2310
01:41:31,840 --> 01:41:33,560
Speaker 4: you at with your ship or whatever. Like know what

2311
01:41:33,560 --> 01:41:35,920
Speaker 4: I'm saying, I'm back outside. You know what I'm saying.

2312
01:41:36,960 --> 01:41:40,880
Speaker 2: I don't know if people know Drun could rap not broccoli, no,

2313
01:41:41,000 --> 01:41:42,640
Speaker 2: he could rap No, but he can rap. Right.

2314
01:41:42,720 --> 01:41:44,479
Speaker 1: But that's the thing when you're a writer, when you're

2315
01:41:44,479 --> 01:41:48,120
Speaker 1: a pin pusher, it's like, you know, you know how

2316
01:41:48,120 --> 01:41:52,000
Speaker 1: to get into different modes and different emotions and things

2317
01:41:52,040 --> 01:41:55,519
Speaker 1: like that. What it like some of the things that

2318
01:41:55,920 --> 01:41:59,880
Speaker 1: you're into that people would never even think you knew

2319
01:42:00,120 --> 01:42:01,640
Speaker 1: thing about, Like what some of your things that you like?

2320
01:42:01,640 --> 01:42:03,840
Speaker 1: Your people knew that I was really like doing this

2321
01:42:03,920 --> 01:42:06,280
Speaker 1: type of shit, They'll be like, Yo, he's.

2322
01:42:07,280 --> 01:42:14,760
Speaker 4: I don't even think I can.

2323
01:42:12,960 --> 01:42:15,920
Speaker 1: Shit, Like you know what I'm saying, Like if they

2324
01:42:15,960 --> 01:42:19,240
Speaker 1: knew that you was a dude, that just like like

2325
01:42:19,360 --> 01:42:23,320
Speaker 1: you just enjoyed like cutting lawns like grass and ship

2326
01:42:23,400 --> 01:42:25,080
Speaker 1: like that, like you had a real joy.

2327
01:42:25,080 --> 01:42:27,559
Speaker 4: And think some of the people that like follow me

2328
01:42:27,640 --> 01:42:30,360
Speaker 4: or whatever, like they know, like over the pandemic, I

2329
01:42:30,400 --> 01:42:34,080
Speaker 4: started cooking, you know what I'm saying, Like like like

2330
01:42:34,200 --> 01:42:36,840
Speaker 4: really really got nasty with that ship too, Like like

2331
01:42:37,040 --> 01:42:39,080
Speaker 4: I'm type of you know what I mean, but like

2332
01:42:39,680 --> 01:42:41,599
Speaker 4: I haven't been on it as much, you know, outside

2333
01:42:41,640 --> 01:42:44,800
Speaker 4: open up or whatever and the working out and ship, bro,

2334
01:42:44,840 --> 01:42:46,680
Speaker 4: like I had lost like I don't know, like what

2335
01:42:46,680 --> 01:42:49,120
Speaker 4: I'm saying. The lowest signing got down to it was

2336
01:42:49,160 --> 01:42:51,800
Speaker 4: like one ninety eight or some shit. But I was

2337
01:42:51,800 --> 01:42:53,479
Speaker 4: looking kind of out sharped in me when he was

2338
01:42:53,560 --> 01:42:56,800
Speaker 4: dancing out. It sounds like I don't like that all

2339
01:42:56,880 --> 01:42:57,200
Speaker 4: the ship.

2340
01:42:57,280 --> 01:42:58,960
Speaker 2: Yeah, just a big ass head.

2341
01:42:59,160 --> 01:43:03,080
Speaker 4: Put a little bit more waiting. I can run them out,

2342
01:43:03,160 --> 01:43:07,640
Speaker 4: no problem, probably too, what I'm saying. Not a few by.

2343
01:43:08,600 --> 01:43:11,200
Speaker 1: Yeah, yeah, yeah, it's all good.

2344
01:43:14,680 --> 01:43:15,400
Speaker 2: Put the Jimmy on.

2345
01:43:18,760 --> 01:43:23,760
Speaker 4: I said, hat got it, got it. That's why that's

2346
01:43:24,240 --> 01:43:25,040
Speaker 4: look got it.

2347
01:43:25,800 --> 01:43:27,120
Speaker 2: Favorite part of our dr troop.

2348
01:43:29,000 --> 01:43:32,120
Speaker 4: I snucked them shrooms. I snuck a couple of chocolates.

2349
01:43:32,160 --> 01:43:32,840
Speaker 4: How hold you.

2350
01:43:33,160 --> 01:43:35,519
Speaker 1: Oh you had the chocolate though. Yeah, you can't fucking

2351
01:43:35,520 --> 01:43:36,439
Speaker 1: around with I know.

2352
01:43:36,800 --> 01:43:39,000
Speaker 4: I fucked with shrooms, like like if it comes from

2353
01:43:39,000 --> 01:43:41,320
Speaker 4: the earth, you're good. You know I'm saying, I'm fucking

2354
01:43:41,320 --> 01:43:43,360
Speaker 4: with You know what I'm saying. I fucked with the weed.

2355
01:43:43,400 --> 01:43:44,719
Speaker 4: I fucked with the shrooms. You know what I'm saying.

2356
01:43:44,840 --> 01:43:46,639
Speaker 4: Shout out to the Bakery Boys. You know what I'm saying,

2357
01:43:46,680 --> 01:43:49,360
Speaker 4: all all all our records that that was kind of

2358
01:43:49,360 --> 01:43:52,519
Speaker 4: look for for better concept. After I finished the album

2359
01:43:52,800 --> 01:43:54,920
Speaker 4: and I did the mixing master session with my boy

2360
01:43:55,000 --> 01:43:59,040
Speaker 4: Louis Louis Mask, like literally two weeks later, I booked

2361
01:43:59,040 --> 01:44:01,320
Speaker 4: another block of time, you know what I'm saying, And

2362
01:44:01,360 --> 01:44:03,639
Speaker 4: I have my boys, Bakery Boys, come down, said, bro,

2363
01:44:03,960 --> 01:44:05,840
Speaker 4: I gotta keep going, you know what I'm saying. We

2364
01:44:05,920 --> 01:44:09,200
Speaker 4: had two four day sessions or whatever. We recorded like

2365
01:44:09,320 --> 01:44:13,519
Speaker 4: thirty seven songs like straight straight, like I mean old,

2366
01:44:13,560 --> 01:44:15,120
Speaker 4: like damn. Like what I'm saying, you're giving me. You

2367
01:44:15,120 --> 01:44:16,720
Speaker 4: know I'm saying. One epic summer vise. You know what

2368
01:44:16,720 --> 01:44:20,320
Speaker 4: I'm saying. Just fun, fun, fun, melodic, you know what

2369
01:44:20,320 --> 01:44:25,000
Speaker 4: I'm saying, Like trap the fuck out, like real real

2370
01:44:25,400 --> 01:44:27,639
Speaker 4: that language. Yeah, you know what I'm saying, but it's

2371
01:44:27,880 --> 01:44:31,440
Speaker 4: it's so real to me. Yeah, he walked in on

2372
01:44:30,960 --> 01:44:34,080
Speaker 4: on one of the most I'm like, god, damn, why

2373
01:44:34,120 --> 01:44:34,559
Speaker 4: this one?

2374
01:44:34,720 --> 01:44:36,360
Speaker 2: You know what I'm saying, Like what I walk in

2375
01:44:36,520 --> 01:44:40,519
Speaker 2: was like, oh, I'm not welcome. I wanted I wanted

2376
01:44:40,560 --> 01:44:42,000
Speaker 2: to be, like I said here, I was like all

2377
01:44:42,479 --> 01:44:43,080
Speaker 2: I wanted.

2378
01:44:42,880 --> 01:44:45,760
Speaker 4: To be like, Yo, stop the presses, y'all play Billy Go,

2379
01:44:45,880 --> 01:44:49,639
Speaker 4: please play, Billy Go, play anything.

2380
01:44:50,120 --> 01:44:51,639
Speaker 2: I liked what I was playing. I could just see

2381
01:44:51,640 --> 01:44:53,080
Speaker 2: the vibe that I was on. I was like, it's

2382
01:44:53,080 --> 01:44:54,679
Speaker 2: a lot of people in here. It's a lot of smoke.

2383
01:44:54,680 --> 01:44:57,080
Speaker 2: I see where y'all are going. Yeah, I'm just grab

2384
01:44:57,160 --> 01:44:57,360
Speaker 2: my over.

2385
01:44:58,320 --> 01:44:59,360
Speaker 1: I'm gonna just go lay down.

2386
01:45:00,360 --> 01:45:03,439
Speaker 4: But nah, you know, I appreciate like every time one

2387
01:45:03,439 --> 01:45:06,120
Speaker 4: thing about Rory since me and him connected out in

2388
01:45:06,240 --> 01:45:09,240
Speaker 4: dr every time he's in the city or every time

2389
01:45:09,240 --> 01:45:11,840
Speaker 4: I'm in the city, like we we make a very

2390
01:45:12,040 --> 01:45:14,320
Speaker 4: very good point to link up.

2391
01:45:14,640 --> 01:45:15,920
Speaker 2: Even if it's not music related.

2392
01:45:16,000 --> 01:45:18,519
Speaker 4: Like you know what I'm saying, Bro, I've I've crashed

2393
01:45:18,560 --> 01:45:21,240
Speaker 4: on this very couch. I ain't going to hold you

2394
01:45:21,400 --> 01:45:23,320
Speaker 4: know what I'm saying, Like, so to be doing this,

2395
01:45:23,360 --> 01:45:25,080
Speaker 4: you know what I'm saying it's fine because it's like

2396
01:45:25,120 --> 01:45:27,080
Speaker 4: you know what I'm saying, like we were cool as fun,

2397
01:45:27,160 --> 01:45:30,800
Speaker 4: but like that that's that doesn't Yeah, it doesn't getting

2398
01:45:30,800 --> 01:45:33,439
Speaker 4: away in the integrative what you guys got going on

2399
01:45:33,520 --> 01:45:33,880
Speaker 4: right here?

2400
01:45:34,080 --> 01:45:36,320
Speaker 1: No, So I told I told Ry, I said, yo, man,

2401
01:45:36,360 --> 01:45:39,280
Speaker 1: I like I like him. Man. When I first link

2402
01:45:39,320 --> 01:45:41,360
Speaker 1: when I was in Atlanta for the uh the lv

2403
01:45:41,520 --> 01:45:48,200
Speaker 1: R in writing camp, my people's that was yeah, having

2404
01:45:48,200 --> 01:45:50,800
Speaker 1: on peoples down there so she could write and ship.

2405
01:45:51,080 --> 01:45:52,960
Speaker 1: And I told Rory I was like, y'all fuck with him.

2406
01:45:53,360 --> 01:45:55,680
Speaker 1: So he walked into studios automatic like yo, what's up?

2407
01:45:55,720 --> 01:45:58,479
Speaker 1: Like y'all with you? Like, nah, fuck with you? You

2408
01:45:58,520 --> 01:46:01,439
Speaker 1: know what I'm saying, smoke whatever outside chilling, then music

2409
01:46:01,479 --> 01:46:03,360
Speaker 1: come on drama like Yo, we need to get a

2410
01:46:03,400 --> 01:46:05,640
Speaker 1: mic going around. Let's just start scatting something. And just

2411
01:46:06,600 --> 01:46:08,479
Speaker 1: so when I saw that, I'm like, Okay, I see

2412
01:46:08,520 --> 01:46:10,800
Speaker 1: he's all the way like yo, like we're doing this wrong,

2413
01:46:10,840 --> 01:46:13,040
Speaker 1: Like let's catch a vibe, like somebody got something to say,

2414
01:46:13,080 --> 01:46:13,800
Speaker 1: let's lay it down.

2415
01:46:14,280 --> 01:46:15,160
Speaker 2: I mean shit, I just knew.

2416
01:46:15,160 --> 01:46:16,519
Speaker 1: I was like, yeah, fuck with him. I just like

2417
01:46:16,560 --> 01:46:18,680
Speaker 1: this energy. Loved your energy. From day one. I was

2418
01:46:18,720 --> 01:46:19,559
Speaker 1: like he's one.

2419
01:46:19,680 --> 01:46:22,200
Speaker 2: He's solid, bro, He's solid, and this could get into

2420
01:46:22,240 --> 01:46:24,519
Speaker 2: like some nerves studio shit. That is why I think

2421
01:46:25,520 --> 01:46:27,720
Speaker 2: Drama I connected in the studio so quickly, because he

2422
01:46:27,720 --> 01:46:30,439
Speaker 2: does the scat mic shit, and that's how we've done

2423
01:46:30,479 --> 01:46:32,120
Speaker 2: everything prior to him. He's like, Yo, let me just

2424
01:46:32,200 --> 01:46:35,040
Speaker 2: scap Mike and just start mumbling some melodies and try

2425
01:46:35,040 --> 01:46:36,760
Speaker 2: to get some shiit. We'll feel the words like, oh great,

2426
01:46:36,800 --> 01:46:40,000
Speaker 2: he works exactly how the fun I work. Let's find

2427
01:46:40,120 --> 01:46:41,519
Speaker 2: our vibe and this ship because.

2428
01:46:41,479 --> 01:46:42,360
Speaker 1: It ain't gonna be perfect.

2429
01:46:42,360 --> 01:46:44,000
Speaker 2: We could sit there and write everything all day, there

2430
01:46:44,000 --> 01:46:46,519
Speaker 2: will be no real feeling to anything unless we start

2431
01:46:46,520 --> 01:46:47,760
Speaker 2: crooning on this motherfucking scap.

2432
01:46:48,000 --> 01:46:50,479
Speaker 1: Yeah, exactly, exactly like I mean.

2433
01:46:50,600 --> 01:46:54,639
Speaker 4: So my process has pretty much been like that since

2434
01:46:55,240 --> 01:46:58,720
Speaker 4: since I started with whatever. You know, a lot of

2435
01:46:58,720 --> 01:47:01,639
Speaker 4: my hooks, a lot of my bridges and things like that,

2436
01:47:01,640 --> 01:47:04,360
Speaker 4: they're they're really off the top, you know what I'm saying,

2437
01:47:04,479 --> 01:47:06,800
Speaker 4: like ideas and things like that, and the verses was

2438
01:47:06,880 --> 01:47:09,920
Speaker 4: kind of like fleshed out, you know, more so or whatever,

2439
01:47:10,160 --> 01:47:14,080
Speaker 4: And I don't know, it's just like reorganizing this ship,

2440
01:47:14,120 --> 01:47:17,599
Speaker 4: you know what I'm saying. Yeah, reorganizing this ship and

2441
01:47:18,640 --> 01:47:21,880
Speaker 4: you know, being way more open to just like really

2442
01:47:22,040 --> 01:47:26,240
Speaker 4: lock in with whoever for the greater good of the

2443
01:47:26,360 --> 01:47:29,960
Speaker 4: record and things like that, These bakery board sessions like

2444
01:47:30,360 --> 01:47:32,800
Speaker 4: I'm looking I'm talking about I'm talking about that when

2445
01:47:32,840 --> 01:47:35,760
Speaker 4: I need to be talking about like that ship too.

2446
01:47:35,840 --> 01:47:38,400
Speaker 4: You know what I'm saying. But you know, we got this,

2447
01:47:38,479 --> 01:47:40,920
Speaker 4: We got this R and B album, but it got

2448
01:47:40,960 --> 01:47:43,960
Speaker 4: some it got some words up there, I got some says,

2449
01:47:44,560 --> 01:47:45,000
Speaker 4: I got a few.

2450
01:47:45,600 --> 01:47:48,479
Speaker 2: What was your favorite moment or favorite session in creating

2451
01:47:48,479 --> 01:47:49,720
Speaker 2: this album.

2452
01:47:49,400 --> 01:47:53,800
Speaker 4: The WAM session. I swear to god, damn h that

2453
01:47:54,000 --> 01:47:59,000
Speaker 4: was that was unforgettable. That's for the rafters what uh wait?

2454
01:47:59,080 --> 01:48:02,160
Speaker 4: But but that's in with Vibe of the Year, the intro.

2455
01:48:02,800 --> 01:48:07,080
Speaker 4: It was conceived and Uptown Newport News at my boy

2456
01:48:07,439 --> 01:48:09,320
Speaker 4: Gary's house. You know what I'm saying, Like you know

2457
01:48:09,320 --> 01:48:12,759
Speaker 4: what I'm saying. Yeah, yeah, but like that's Uptown new News,

2458
01:48:12,800 --> 01:48:15,720
Speaker 4: Like damn there for Houstons, okay, whatever, not the bad

2459
01:48:16,360 --> 01:48:20,120
Speaker 4: you know what I'm saying, respectfully, Like no, no, but

2460
01:48:22,120 --> 01:48:24,360
Speaker 4: you know what I'm saying, Gabe is there, my boy

2461
01:48:24,400 --> 01:48:26,920
Speaker 4: Mike Mizzle, you know what I'm saying, Like and and

2462
01:48:27,240 --> 01:48:29,080
Speaker 4: me and him like that was like maybe the first

2463
01:48:29,120 --> 01:48:32,200
Speaker 4: time we really like linked like that, because you know,

2464
01:48:32,240 --> 01:48:33,960
Speaker 4: when he was coming around in the fold, I was

2465
01:48:34,000 --> 01:48:35,840
Speaker 4: like traveling and ship like that. I will only see

2466
01:48:35,920 --> 01:48:39,160
Speaker 4: him around and I'm like, Yo, this nigga's cold. Bro.

2467
01:48:39,680 --> 01:48:41,800
Speaker 4: What I'm saying Like, Bro, I had these micro dose

2468
01:48:41,960 --> 01:48:44,760
Speaker 4: uh these micro swom ships or whatever. Like know what

2469
01:48:44,760 --> 01:48:47,360
Speaker 4: I'm saying, Just take it. I'm like, man, fucking overload

2470
01:48:47,360 --> 01:48:49,000
Speaker 4: you what I'm saying. Like what I'm saying, bust down,

2471
01:48:49,080 --> 01:48:51,000
Speaker 4: like like twelve of them ships, like we fucking with

2472
01:48:51,040 --> 01:48:54,080
Speaker 4: them ships. I'm like, yo, like this shit's going crazy.

2473
01:48:54,160 --> 01:48:58,320
Speaker 4: I'm like, Yo, we need like some like shot ey vibes,

2474
01:48:58,400 --> 01:49:04,120
Speaker 4: like some fucking st hell and that ship is the

2475
01:49:04,360 --> 01:49:08,040
Speaker 4: craziest ship. Every time I look into you, I said,

2476
01:49:08,040 --> 01:49:10,960
Speaker 4: I'm not gonna sing. I'm not gonna because every song,

2477
01:49:11,320 --> 01:49:13,479
Speaker 4: every song I've sang, I like sang. You know what

2478
01:49:13,479 --> 01:49:16,120
Speaker 4: I'm saying. I either did that yeah yeah yeah, or

2479
01:49:16,200 --> 01:49:18,840
Speaker 4: I like really like got on my knees and like

2480
01:49:18,880 --> 01:49:20,919
Speaker 4: you know what I'm saying, but like that smooth like

2481
01:49:20,920 --> 01:49:23,160
Speaker 4: like straight face, like you know, I mean like really

2482
01:49:23,200 --> 01:49:26,400
Speaker 4: locked into you know, my relationship with woman, you know,

2483
01:49:26,439 --> 01:49:29,040
Speaker 4: what I'm saying, like that kind of vibe. You know

2484
01:49:29,080 --> 01:49:31,360
Speaker 4: what I'm saying, That shit get you in touch with

2485
01:49:31,400 --> 01:49:34,800
Speaker 4: your relationship with woman. You know what I'm saying. And

2486
01:49:34,800 --> 01:49:39,800
Speaker 4: it's like, Yo, girl, Hey Yo, what the fuck I was?

2487
01:49:39,880 --> 01:49:42,200
Speaker 4: I want to play that day Yo, that ship Yo.

2488
01:49:42,240 --> 01:49:43,720
Speaker 4: I'll be playing that shit on my live. I ain't

2489
01:49:43,720 --> 01:49:45,479
Speaker 4: even gonna hold you like, you know what I'm saying.

2490
01:49:45,479 --> 01:49:47,840
Speaker 4: That's that's one of the ones. It's it's it's you

2491
01:49:47,880 --> 01:49:49,599
Speaker 4: know what I'm saying. It's a hell of an intro.

2492
01:49:50,280 --> 01:49:53,240
Speaker 4: I recorded it in Atlanta, but it was conceived in

2493
01:49:53,600 --> 01:49:57,640
Speaker 4: uptown Nepreneurs, Virginia. Shout out to Mike Mizzle and I

2494
01:49:57,760 --> 01:49:59,400
Speaker 4: love you forever, Gabe. You know what I'm saying. You

2495
01:49:59,479 --> 01:50:00,280
Speaker 4: my fucking brother.

2496
01:50:00,479 --> 01:50:15,440
Speaker 2: Like the most frustrating moment creating this album.

2497
01:50:09,160 --> 01:50:15,479
Speaker 4: I ain't going to do that. Uh damn. I think.

2498
01:50:15,720 --> 01:50:17,920
Speaker 4: I think, I think when it's when it when it's

2499
01:50:17,920 --> 01:50:23,280
Speaker 4: about just the clerical parts of this thing and how

2500
01:50:24,360 --> 01:50:28,200
Speaker 4: how how uh we forget about how simple you would

2501
01:50:28,200 --> 01:50:31,120
Speaker 4: think that you know, once it's outside of your hands.

2502
01:50:31,760 --> 01:50:34,360
Speaker 4: I've done everything. I dealt with all my problems, anything

2503
01:50:34,400 --> 01:50:36,679
Speaker 4: I did, I took it on a chain. I don't

2504
01:50:36,720 --> 01:50:38,599
Speaker 4: paid that bill. I didnet took that tab. But when

2505
01:50:38,680 --> 01:50:41,200
Speaker 4: I give it to you as my baby and you

2506
01:50:41,360 --> 01:50:45,720
Speaker 4: dropping on his head, you know what I'm saying, I

2507
01:50:45,800 --> 01:50:48,360
Speaker 4: really want to like pull up the fuck.

2508
01:50:49,600 --> 01:50:52,240
Speaker 1: And that's something that you know. I'm glad you said

2509
01:50:52,240 --> 01:50:54,519
Speaker 1: that because a lot of the times we forget that

2510
01:50:54,560 --> 01:50:56,840
Speaker 1: part of it. In the create it's like, oh yeah,

2511
01:50:56,880 --> 01:50:59,160
Speaker 1: we having fun. It's real vibe. By the way.

2512
01:50:59,280 --> 01:51:01,519
Speaker 2: I think you should get that. When you're creating, you

2513
01:51:01,600 --> 01:51:06,120
Speaker 2: have to you have. But then that's the ass bro.

2514
01:51:06,200 --> 01:51:08,439
Speaker 2: I did my job, I passed it to y'all, and

2515
01:51:08,479 --> 01:51:10,920
Speaker 2: then now all of a sudden, it's a whole fucking argument.

2516
01:51:10,640 --> 01:51:14,880
Speaker 4: Because everything my whole my whole platform is set up

2517
01:51:14,960 --> 01:51:18,040
Speaker 4: like like my whole business platform is set up on accountability.

2518
01:51:18,040 --> 01:51:19,640
Speaker 4: It's things like if I have to be there, and

2519
01:51:19,640 --> 01:51:22,000
Speaker 4: well whatever if I'm not there. If I'm there, I

2520
01:51:22,080 --> 01:51:24,240
Speaker 4: fucked up. I fucked up with whatever I'm saying. I

2521
01:51:24,240 --> 01:51:26,040
Speaker 4: do what I need to do. Da da da. I'm saying,

2522
01:51:26,320 --> 01:51:29,000
Speaker 4: we all make sure be on ship or whatever. Like

2523
01:51:30,280 --> 01:51:32,679
Speaker 4: you know, set director straight. I have a whole brand

2524
01:51:32,760 --> 01:51:35,559
Speaker 4: new operation. You know what I'm saying. Shout out to

2525
01:51:35,600 --> 01:51:37,960
Speaker 4: Benner shout out to Alex. You know what I'm saying, like,

2526
01:51:38,640 --> 01:51:40,439
Speaker 4: thank thank you know what I'm saying.

2527
01:51:40,200 --> 01:51:41,040
Speaker 2: That the whole family.

2528
01:51:41,760 --> 01:51:44,720
Speaker 4: It's so circling, yo, big homie, Nigel. You know what

2529
01:51:44,720 --> 01:51:46,920
Speaker 4: I'm saying, Like I love you forever, my big bro,

2530
01:51:47,080 --> 01:51:48,880
Speaker 4: my uncle, all that. You know what I'm saying, like

2531
01:51:49,120 --> 01:51:52,639
Speaker 4: from day one and bro like like I'm saying, type

2532
01:51:52,640 --> 01:51:57,879
Speaker 4: of man to help you really reconstruct your career without

2533
01:51:58,120 --> 01:52:01,680
Speaker 4: wanting really any fucking thing. You know what I'm saying, The.

2534
01:52:01,720 --> 01:52:02,680
Speaker 1: Right things happened to me.

2535
01:52:02,880 --> 01:52:05,120
Speaker 4: You know what I'm saying. Out of love, you know

2536
01:52:05,120 --> 01:52:08,400
Speaker 4: what I'm saying. And for everyone that's no longer with

2537
01:52:08,560 --> 01:52:10,599
Speaker 4: the ship. The time was good when it.

2538
01:52:10,560 --> 01:52:12,839
Speaker 2: Was good, which is that's life. Though we ain't.

2539
01:52:12,680 --> 01:52:15,960
Speaker 4: Gonna be on this hour hour since because life is sweet.

2540
01:52:16,680 --> 01:52:20,880
Speaker 4: Life is sweet. Listen and family. Jewelers fuck with me.

2541
01:52:21,160 --> 01:52:25,720
Speaker 4: Oh that's what you wouldn't know. I'm a jeweler. You

2542
01:52:25,720 --> 01:52:29,000
Speaker 4: know what I'm saying. Put together by me, big babes. No,

2543
01:52:29,040 --> 01:52:32,840
Speaker 4: no ball cap, she's gonna run you though. No, no, no,

2544
01:52:33,120 --> 01:52:34,719
Speaker 4: that's not our best prices.

2545
01:52:34,760 --> 01:52:34,880
Speaker 10: Bro.

2546
01:52:35,000 --> 01:52:37,479
Speaker 4: Like we can get into a whole I'm gonna do it.

2547
01:52:37,920 --> 01:52:38,880
Speaker 4: We gotta do a series.

2548
01:52:38,960 --> 01:52:42,400
Speaker 1: We gotta this is just because our.

2549
01:52:42,240 --> 01:52:46,840
Speaker 4: Society is broken. When I get money black society, know

2550
01:52:46,840 --> 01:52:48,639
Speaker 4: what I'm saying. Even truckers, you know what I'm saying.

2551
01:52:48,640 --> 01:52:51,080
Speaker 4: They're gonna they gonna get that bus down. Football players

2552
01:52:51,120 --> 01:52:53,640
Speaker 4: the third round pick, who're gonna get that? You know

2553
01:52:53,640 --> 01:52:54,080
Speaker 4: what I'm saying.

2554
01:52:54,400 --> 01:52:58,200
Speaker 1: You don't even know they put them yellow yellow, like

2555
01:52:58,880 --> 01:52:59,760
Speaker 1: you know.

2556
01:52:59,360 --> 01:53:03,200
Speaker 4: I don't got so Yeah, family, jewelers, please fuck with us.

2557
01:53:03,320 --> 01:53:05,200
Speaker 4: You know what I'm saying. You'll see what I'm saying.

2558
01:53:05,200 --> 01:53:07,200
Speaker 4: Shout out to the people that that have what I'm saying.

2559
01:53:07,400 --> 01:53:09,080
Speaker 4: My boy Sunny Digital, you know what I'm saying, like

2560
01:53:09,400 --> 01:53:11,479
Speaker 4: he supported me, got a couple of rings. Okay, you

2561
01:53:11,520 --> 01:53:11,880
Speaker 4: know what I mean.

2562
01:53:12,080 --> 01:53:13,439
Speaker 1: We gotta come see what you're working with.

2563
01:53:13,479 --> 01:53:19,400
Speaker 4: Oh yeah, yeah, I see Okay, I see you. I've

2564
01:53:19,400 --> 01:53:21,160
Speaker 4: never been like a jewelry guy until it because I

2565
01:53:21,200 --> 01:53:23,000
Speaker 4: was like, Yo, it's gotta be a it's a catch.

2566
01:53:24,240 --> 01:53:26,320
Speaker 4: Get out the catch. I'm like, okay, and I can

2567
01:53:26,360 --> 01:53:28,000
Speaker 4: work my move. I'm gonna do all right. When I

2568
01:53:28,000 --> 01:53:30,800
Speaker 4: tell you my numbers, your eye is gonna drop. He's like, damn,

2569
01:53:32,320 --> 01:53:34,600
Speaker 4: but I'm gonna be all right. Just trust me.

2570
01:53:35,080 --> 01:53:36,840
Speaker 2: But most jeweler is the asset like, you got to

2571
01:53:36,840 --> 01:53:38,760
Speaker 2: move your money real quick, might as well wear it

2572
01:53:38,920 --> 01:53:41,240
Speaker 2: in the meantime, right facts and then turn it back

2573
01:53:41,240 --> 01:53:43,880
Speaker 2: in to get your money back. Yeah yeah, Bro, but

2574
01:53:43,920 --> 01:53:47,600
Speaker 2: that's a whole other conversation. Yeah you can, you can, Hi,

2575
01:53:47,680 --> 01:53:49,200
Speaker 2: you can hide some of your money and jewelry for

2576
01:53:49,240 --> 01:53:49,840
Speaker 2: the I R s.

2577
01:53:50,360 --> 01:53:51,879
Speaker 4: Oh yeah, hey hey, hey.

2578
01:53:53,160 --> 01:53:55,440
Speaker 6: Hey legal.

2579
01:53:57,640 --> 01:54:01,160
Speaker 2: Legally put your money in jewelry and then get it

2580
01:54:01,200 --> 01:54:02,400
Speaker 2: back after text time.

2581
01:54:04,280 --> 01:54:05,880
Speaker 1: I ain't met at that.

2582
01:54:05,880 --> 01:54:08,640
Speaker 4: That's see. That's why me and Bro because it'd be

2583
01:54:08,680 --> 01:54:10,880
Speaker 4: a lot of moments where he says something is already

2584
01:54:10,920 --> 01:54:13,600
Speaker 4: locked down. I said, just get to laughing. You know

2585
01:54:13,600 --> 01:54:15,000
Speaker 4: what I said, We do that laugh. You'll say you

2586
01:54:15,040 --> 01:54:19,240
Speaker 4: got that, yo. You gotta hear Kates laugh. He got

2587
01:54:19,280 --> 01:54:25,640
Speaker 4: a wheeze. Trying to include man, I love Gates all right.

2588
01:54:26,280 --> 01:54:27,800
Speaker 2: Name of the album when it's coming out all the

2589
01:54:27,840 --> 01:54:28,519
Speaker 2: plug ship.

2590
01:54:28,920 --> 01:54:32,280
Speaker 4: What happened was dot dot dot That's the name of

2591
01:54:32,320 --> 01:54:35,840
Speaker 4: the album. I'm addressing things artistically. What I'm saying, it's

2592
01:54:35,840 --> 01:54:38,560
Speaker 4: not in a pamphlet. Read between the lines. I hope

2593
01:54:38,600 --> 01:54:41,480
Speaker 4: that you can connect to it and that you can

2594
01:54:41,520 --> 01:54:45,560
Speaker 4: feel it. Shout out to this event tonight. You know

2595
01:54:45,560 --> 01:54:48,560
Speaker 4: what I'm saying, New York City, select few. You know,

2596
01:54:48,840 --> 01:54:53,320
Speaker 4: y'all gonna hear this Astra Club Shout out to Astra Club.

2597
01:54:53,360 --> 01:54:56,520
Speaker 4: You're gonna be smoke up the walls and carpets. You

2598
01:54:56,560 --> 01:55:00,560
Speaker 4: know what I'm saying, Like for real, Virginia, it was

2599
01:55:00,840 --> 01:55:03,960
Speaker 4: just as grand, like it was crazy, bro, Like I

2600
01:55:04,000 --> 01:55:06,680
Speaker 4: love you seven five seven. You know you have my heart.

2601
01:55:07,040 --> 01:55:09,480
Speaker 1: You know what I'm saying, Like drum seems happier.

2602
01:55:09,560 --> 01:55:14,720
Speaker 4: Yeah, yes, bro, yes, bro, yeah, yes that's good stuff.

2603
01:55:14,800 --> 01:55:17,800
Speaker 1: Process but no, no, it's gonna always be a process.

2604
01:55:17,840 --> 01:55:21,880
Speaker 1: But you seem a lot happier. You seem like you

2605
01:55:22,040 --> 01:55:25,240
Speaker 1: like the way things are headed, the direction. You seem

2606
01:55:25,320 --> 01:55:27,560
Speaker 1: like you have a new energy, a new a new spirit,

2607
01:55:27,640 --> 01:55:30,920
Speaker 1: new motivation. And you know, I know the type of

2608
01:55:30,920 --> 01:55:32,680
Speaker 1: guy you. I know you only use that for your

2609
01:55:32,720 --> 01:55:35,040
Speaker 1: passions and whatever that may be. You know what I'm saying,

2610
01:55:35,040 --> 01:55:36,800
Speaker 1: Like you're gonna always create because you're a creator. You're

2611
01:55:36,800 --> 01:55:40,280
Speaker 1: gonna write, You're a writer. So yeah, man, I'm just

2612
01:55:40,320 --> 01:55:43,000
Speaker 1: I'm excited to sit back and watch your watch all

2613
01:55:43,040 --> 01:55:43,840
Speaker 1: your shit take off.

2614
01:55:43,840 --> 01:55:47,720
Speaker 4: Man, Big Baby's Bakery Family Jewelers, Bakery. Boys. You know

2615
01:55:47,760 --> 01:55:50,680
Speaker 4: what I'm saying, Ellis Quinn Ran Danna. You know what

2616
01:55:50,680 --> 01:55:52,760
Speaker 4: I'm saying, Trip, you know what I'm saying, all the

2617
01:55:52,840 --> 01:55:54,440
Speaker 4: all the guys, you know what I'm saying, Cuz you

2618
01:55:54,480 --> 01:55:56,040
Speaker 4: know what I'm saying. Mass what you say. You know

2619
01:55:56,040 --> 01:55:58,360
Speaker 4: what I'm saying, Boopy. I love you through the same.

2620
01:55:58,440 --> 01:56:00,520
Speaker 4: I love you, I love you, my baby, I love you,

2621
01:56:00,800 --> 01:56:05,760
Speaker 4: and I love y'all. Bro, I love it. I like it.

2622
01:56:05,920 --> 01:56:09,760
Speaker 2: Yeah, all right, we'll close out here. We'll be there tonight.

2623
01:56:09,800 --> 01:56:11,760
Speaker 2: If we don't have to record seven episodes after this.

2624
01:56:12,120 --> 01:56:13,760
Speaker 1: You know I want to. I'm definitely gonna come out, come,

2625
01:56:13,800 --> 01:56:16,400
Speaker 1: fuck with you, smoke some more. I love the candy paint,

2626
01:56:17,840 --> 01:56:18,440
Speaker 1: Leek Cash.

2627
01:56:18,560 --> 01:56:22,080
Speaker 4: You know what I'm saying, Big Don thirty.

2628
01:56:23,240 --> 01:56:24,960
Speaker 2: Where can people get the weeds legally?

2629
01:56:24,960 --> 01:56:27,440
Speaker 4: And all that ship like to be continued?

2630
01:56:27,560 --> 01:56:29,640
Speaker 2: Yeah, yeah, yeah, I wasn't sure if that was set

2631
01:56:29,680 --> 01:56:31,200
Speaker 2: up we could cut all this. I just want to

2632
01:56:31,240 --> 01:56:33,480
Speaker 2: make sure you could plug where you could buy the weed.

2633
01:56:34,320 --> 01:56:35,680
Speaker 2: Once that gets moving, all.

2634
01:56:35,720 --> 01:56:39,760
Speaker 1: Right, So we were here with on Boy, I got drum.

2635
01:56:39,840 --> 01:56:40,800
Speaker 1: I'm call you Shelley.

2636
01:56:40,840 --> 01:56:46,480
Speaker 4: I just like Shelley, call me Shell because on this album,

2637
01:56:46,600 --> 01:56:48,680
Speaker 4: I feel like people are gonna have to decide and

2638
01:56:48,760 --> 01:56:51,920
Speaker 4: decipher what was a drawm back and what's a Shelley bag.

2639
01:56:52,440 --> 01:56:54,960
Speaker 4: And drama is to be interpreted different ways, because if

2640
01:56:54,960 --> 01:56:58,839
Speaker 4: you fucked with Caretaker and Wi Fi and Swuper Virginia Breeze,

2641
01:56:58,880 --> 01:57:01,840
Speaker 4: you you see drama differently anyway. You know what I'm saying,

2642
01:57:02,160 --> 01:57:04,400
Speaker 4: it's more so in my opinion subject matter.

2643
01:57:04,960 --> 01:57:07,240
Speaker 1: Okay, all right, so you.

2644
01:57:07,280 --> 01:57:08,680
Speaker 2: Just go back and forth, Shelley.

2645
01:57:08,760 --> 01:57:13,200
Speaker 4: Yeah, yeah, yeah, yeah, Look, we're gonna figure it all out.

2646
01:57:14,080 --> 01:57:19,120
Speaker 2: I got rocket with the same spot.

2647
01:57:17,440 --> 01:57:22,240
Speaker 1: You come to me, that's all boy, Shelley Man look

2648
01:57:22,280 --> 01:57:23,200
Speaker 1: out for the new album.

2649
01:57:23,240 --> 01:57:26,520
Speaker 4: What had happened was Babe's back drawing back. I'm saying,

2650
01:57:26,600 --> 01:57:27,720
Speaker 4: you know what I'm saying, Let's go.

2651
01:57:28,120 --> 01:57:28,960
Speaker 2: How's the play?

2652
01:57:29,640 --> 01:57:33,040
Speaker 4: Oh, isn't it? He's He's good and bad. I'm saying,

2653
01:57:33,240 --> 01:57:37,560
Speaker 4: the smartest dog yet. I'm mad and I love you.

2654
01:57:37,640 --> 01:57:41,280
Speaker 4: Bear Bear Bear is my side kicks. That's my girl dogs.

2655
01:57:41,400 --> 01:57:45,760
Speaker 4: He's he loved me more than more than stinking feel like.

2656
01:57:45,760 --> 01:57:47,800
Speaker 4: But it is so cool, you know what I'm saying.

2657
01:57:47,800 --> 01:57:51,040
Speaker 4: He just he's he reminded me of me so much,

2658
01:57:51,160 --> 01:57:52,840
Speaker 4: like you know, he wanted to be up under you.

2659
01:57:52,960 --> 01:57:56,080
Speaker 4: So he wanted to get away, begin saying.

2660
01:57:56,440 --> 01:57:58,320
Speaker 1: I saw Rory post something the other day said, yo,

2661
01:57:59,080 --> 01:58:00,960
Speaker 1: you coddle with you all walk into the bedroom and

2662
01:58:00,960 --> 01:58:02,720
Speaker 1: put them down and dog just walks out the room.

2663
01:58:02,880 --> 01:58:07,720
Speaker 2: Yeah, felt portrayal, Yeah, like for real, especially when they

2664
01:58:07,760 --> 01:58:09,640
Speaker 2: are puppy, they just be up under you all the time.

2665
01:58:09,680 --> 01:58:13,000
Speaker 2: And now basis like of age where she got thing.

2666
01:58:14,040 --> 01:58:17,640
Speaker 4: Right now, like yeah that growing up, Like.

2667
01:58:17,720 --> 01:58:19,640
Speaker 2: No, it really offends me. Like she used to follow

2668
01:58:19,800 --> 01:58:22,520
Speaker 2: literally and I could walk to the most random corner

2669
01:58:22,520 --> 01:58:23,960
Speaker 2: of the house and she would follow me, like what

2670
01:58:24,000 --> 01:58:24,320
Speaker 2: you're doing?

2671
01:58:24,400 --> 01:58:25,840
Speaker 1: Yeah, now we're going to.

2672
01:58:25,880 --> 01:58:27,520
Speaker 2: Like it's time to lay down through the movie and

2673
01:58:27,520 --> 01:58:30,760
Speaker 2: basically like what's going on the liverd you have some

2674
01:58:30,960 --> 01:58:31,680
Speaker 2: nerve you bitch?

2675
01:58:31,920 --> 01:58:34,600
Speaker 4: Yo? That's that?

2676
01:58:35,360 --> 01:58:35,560
Speaker 6: Is that?

2677
01:58:35,640 --> 01:58:38,520
Speaker 2: Not the proper names.

2678
01:58:38,960 --> 01:58:39,120
Speaker 4: Used?

2679
01:58:39,120 --> 01:58:42,600
Speaker 1: The word might stop the dogs might he's a female dog,

2680
01:58:42,800 --> 01:58:46,480
Speaker 1: The dogs might cancel the dogs might.

2681
01:58:47,520 --> 01:58:53,280
Speaker 4: I ain't endorsement, I ain't endorsing minus that subtract equals

2682
01:58:53,680 --> 01:58:57,920
Speaker 4: me got love everybody, e everybody love everybody.

2683
01:58:57,960 --> 01:58:58,560
Speaker 1: That's a fact.

2684
01:58:58,600 --> 01:59:00,160
Speaker 2: I call it basically a human and they got mad

2685
01:59:00,160 --> 01:59:04,400
Speaker 2: at me. They try to cancel me because I'm in it.

2686
01:59:05,360 --> 01:59:09,440
Speaker 4: I look saying in this so and it's so cute.

2687
01:59:09,800 --> 01:59:13,280
Speaker 2: I can't she is she a dog? I can't say

2688
01:59:13,280 --> 01:59:15,520
Speaker 2: bitch because she actually is by definition of female dog,

2689
01:59:15,840 --> 01:59:18,120
Speaker 2: And like, nah, based my human, that's my daughter? Like

2690
01:59:18,160 --> 01:59:20,520
Speaker 2: how dare you call that your daughter?

2691
01:59:20,640 --> 01:59:20,920
Speaker 6: She's not?

2692
01:59:20,960 --> 01:59:26,360
Speaker 2: Are you saying women are dogs? I'm like, yes, welcome

2693
01:59:26,400 --> 01:59:26,960
Speaker 2: to the internet.

2694
01:59:27,160 --> 01:59:30,440
Speaker 7: Oh boy, that I ain't got that.

2695
01:59:31,240 --> 01:59:32,400
Speaker 2: I just want to love my puppy.

2696
01:59:33,680 --> 01:59:35,360
Speaker 1: I just want to love my I just want to

2697
01:59:35,360 --> 01:59:35,920
Speaker 1: love my dog.

2698
01:59:36,240 --> 01:59:36,960
Speaker 4: I love my dog.

2699
01:59:37,080 --> 01:59:39,760
Speaker 1: All right, Well we're going, all right, some more of

2700
01:59:39,800 --> 01:59:43,200
Speaker 1: this ship with Shelley Man and what's your name with

2701
01:59:43,200 --> 01:59:43,760
Speaker 1: the candy paint.

2702
01:59:44,880 --> 01:59:47,160
Speaker 4: Let's go. I said we won for four. You know

2703
01:59:47,160 --> 01:59:47,560
Speaker 4: what I'm saying.

2704
01:59:47,880 --> 01:59:50,480
Speaker 1: I came through with four flavors.

2705
01:59:52,000 --> 01:59:54,600
Speaker 4: I gotta get I'm seven out of ten with my wink.

2706
01:59:54,720 --> 01:59:57,160
Speaker 4: You know what I'm saying. But when I get it right,

2707
01:59:58,280 --> 01:59:59,280
Speaker 4: you better not be using that.

2708
01:59:59,560 --> 02:00:02,120
Speaker 2: How do you get to eight out of ten? Practice

2709
02:00:02,200 --> 02:00:02,840
Speaker 2: muscle memory?

2710
02:00:03,440 --> 02:00:03,960
Speaker 4: You know what I'm saying?

2711
02:00:04,120 --> 02:00:05,680
Speaker 1: Just like, is it a cheat?

2712
02:00:05,720 --> 02:00:06,520
Speaker 2: Aforehead ratio?

2713
02:00:06,720 --> 02:00:09,520
Speaker 4: How does it get like if I go a little

2714
02:00:09,560 --> 02:00:12,400
Speaker 4: to the side and give a little Clint Eastwood, like

2715
02:00:12,520 --> 02:00:14,760
Speaker 4: what I'm saying, Like mystique, you know what I'm saying,

2716
02:00:14,800 --> 02:00:18,120
Speaker 4: like and then and then I can't, I can't, I

2717
02:00:18,200 --> 02:00:19,040
Speaker 4: can latch.

2718
02:00:20,320 --> 02:00:22,520
Speaker 1: All right, this is another episode of New Rory and Mall.

2719
02:00:22,600 --> 02:00:25,480
Speaker 1: But I got our brother Shelley get that album. What

2720
02:00:25,560 --> 02:00:27,200
Speaker 1: had happened was when it's available.

2721
02:00:27,280 --> 02:00:30,600
Speaker 2: Breaking down the Wing Game is hilarious. Yeah, seven out

2722
02:00:30,640 --> 02:00:30,960
Speaker 2: of ten.

2723
02:00:33,560 --> 02:00:33,840
Speaker 1: No,