1 00:00:05,160 --> 00:00:07,360 Speaker 1: Hey, this is Annie and Samantha and welcome to Stuff 2 00:00:07,360 --> 00:00:19,480 Speaker 1: I Never told you, production by Heart Radio, and welcome 3 00:00:19,760 --> 00:00:24,200 Speaker 1: to another episode of our seven part mini series on 4 00:00:24,239 --> 00:00:26,200 Speaker 1: the last of Us Season two. 5 00:00:27,120 --> 00:00:31,000 Speaker 2: Only two more left, everybody after this one? Oh? I know? 6 00:00:32,479 --> 00:00:37,120 Speaker 2: So this is follow up to our season one reactions 7 00:00:37,159 --> 00:00:39,960 Speaker 2: that we did. And the way that this works is 8 00:00:40,000 --> 00:00:44,159 Speaker 2: that Samantha and I watched the episode together when it 9 00:00:44,200 --> 00:00:47,080 Speaker 2: comes out on Sunday, and then we record this the 10 00:00:47,120 --> 00:00:50,360 Speaker 2: following week, and then the episode comes out the Saturday 11 00:00:50,400 --> 00:00:54,240 Speaker 2: before the previous episode, So spoilers the previous the next episode, 12 00:00:54,280 --> 00:00:59,720 Speaker 2: so spoilers for what has come out in season two already, 13 00:01:00,040 --> 00:01:05,280 Speaker 2: season one, first game and parts of the second game, 14 00:01:05,319 --> 00:01:09,000 Speaker 2: although I'm trying to avoid plot points, but it's getting 15 00:01:09,120 --> 00:01:14,640 Speaker 2: difficult so that I am ready to burst at the seams. 16 00:01:15,200 --> 00:01:18,679 Speaker 3: Also, the timing is changing, like the way that they 17 00:01:18,760 --> 00:01:20,400 Speaker 3: kind of look and what we know of it, and 18 00:01:20,440 --> 00:01:22,360 Speaker 3: like but we don't know of it, and I say 19 00:01:22,400 --> 00:01:24,800 Speaker 3: we being new and me asking questions. 20 00:01:26,160 --> 00:01:31,600 Speaker 2: Yes, but it's also getting too. It's getting to the 21 00:01:31,720 --> 00:01:35,920 Speaker 2: finale that I have. I'm just I want to talk 22 00:01:35,920 --> 00:01:37,480 Speaker 2: about all of it, so I want it all to 23 00:01:37,480 --> 00:01:38,880 Speaker 2: be out already, So we can talk about it, but 24 00:01:38,880 --> 00:01:43,440 Speaker 2: we can't. So today we're talking about the most recent episode, 25 00:01:43,440 --> 00:01:47,800 Speaker 2: which at this point is episode five. Content orning I 26 00:01:47,800 --> 00:01:57,080 Speaker 2: suppose for violence. It's pretty violent show and game. But yeah, yeah, 27 00:01:57,240 --> 00:02:00,240 Speaker 2: that's what we're doing. We're not doing sex in the 28 00:02:00,240 --> 00:02:05,480 Speaker 2: City reactions or fiction episodes during this time because that's 29 00:02:05,520 --> 00:02:09,480 Speaker 2: more work on Christina. But as mentioned, yeah, there's only 30 00:02:09,520 --> 00:02:14,400 Speaker 2: seven episodes in this only two more. I do want 31 00:02:14,440 --> 00:02:16,560 Speaker 2: to put in here at this point because I do 32 00:02:16,720 --> 00:02:19,760 Speaker 2: think I know what's gonna happen in the finale. Please remember, 33 00:02:19,800 --> 00:02:20,639 Speaker 2: there's a season three. 34 00:02:21,840 --> 00:02:28,160 Speaker 3: This is a season everybody's so angry anyway, So I know. 35 00:02:28,760 --> 00:02:30,359 Speaker 2: Well, we all knew what was going to happen. 36 00:02:31,320 --> 00:02:34,520 Speaker 3: We all knew. We all people who've watched the game 37 00:02:34,600 --> 00:02:35,280 Speaker 3: played the game. 38 00:02:36,080 --> 00:02:40,480 Speaker 2: Yeah, and they did call it their Empire strikes Back season, which, 39 00:02:40,480 --> 00:02:44,000 Speaker 2: if you remember the Empire Strikes Back, it was not 40 00:02:44,040 --> 00:02:47,920 Speaker 2: popular when it first came out. Was people were so mad. So, uh, 41 00:02:48,280 --> 00:02:52,240 Speaker 2: you know, give it time, give it time, rewatch when 42 00:02:52,280 --> 00:02:54,799 Speaker 2: it all comes out, I promise you the rewatch is 43 00:02:54,840 --> 00:02:59,359 Speaker 2: gonna be worth it. Okay, okay, m So the way 44 00:02:59,400 --> 00:03:04,960 Speaker 2: that these work is Samantha gives a recap, which if 45 00:03:05,000 --> 00:03:08,640 Speaker 2: you somehow missed all of this, one of the reasons 46 00:03:08,680 --> 00:03:10,440 Speaker 2: we're doing it is this is like my favorite game, 47 00:03:10,440 --> 00:03:14,000 Speaker 2: and I've made Samantha watch me play it more than once. 48 00:03:15,040 --> 00:03:18,240 Speaker 2: I am convinced more than ever. I actually could make 49 00:03:18,320 --> 00:03:20,919 Speaker 2: some money playing it because a lot of people want 50 00:03:20,960 --> 00:03:22,720 Speaker 2: to see the game versus the show. 51 00:03:23,040 --> 00:03:24,960 Speaker 3: Right, Well, that's the thing. I just actually read an 52 00:03:25,080 --> 00:03:29,920 Speaker 3: article about how people are feeling a little not jilted necessarily, 53 00:03:29,960 --> 00:03:32,680 Speaker 3: but like they the difference is so different, like so 54 00:03:32,840 --> 00:03:34,760 Speaker 3: much that people were like, but no, it's better when 55 00:03:34,760 --> 00:03:38,640 Speaker 3: you watch it, and that they said that the hour 56 00:03:38,800 --> 00:03:42,480 Speaker 3: they tallied that most people who are gamers have spent 57 00:03:42,560 --> 00:03:45,040 Speaker 3: more time watching the game people playing the game than 58 00:03:45,120 --> 00:03:48,560 Speaker 3: playing the actual game. Not necessarily for you, but no 59 00:03:48,760 --> 00:03:54,040 Speaker 3: other people's any I'm pretty good, good, but also you 60 00:03:54,080 --> 00:03:55,480 Speaker 3: are that person that people watch. 61 00:03:56,200 --> 00:03:59,120 Speaker 2: Yes, and I do pick up all the notes and 62 00:03:59,160 --> 00:04:01,080 Speaker 2: all of this stuff. Well, anyway, we'll we'll talk about 63 00:04:01,080 --> 00:04:03,960 Speaker 2: that bore in a second. So saman think it's the 64 00:04:04,000 --> 00:04:05,760 Speaker 2: recap and then yeah, I go through my thoughts. 65 00:04:06,000 --> 00:04:07,600 Speaker 3: Yes, yeah, so let's do this recap. 66 00:04:07,800 --> 00:04:08,000 Speaker 2: Right. 67 00:04:08,040 --> 00:04:12,240 Speaker 3: We are on episode five and we open up to 68 00:04:12,640 --> 00:04:18,120 Speaker 3: seeing once again Henry hann Alana Ubach. She is a 69 00:04:18,200 --> 00:04:24,200 Speaker 3: legend in her own and we see a door, everybody 70 00:04:24,279 --> 00:04:28,080 Speaker 3: staring at this door. She walks away into an interrogation 71 00:04:28,200 --> 00:04:32,240 Speaker 3: room and we see a wolf officer WLF. And the 72 00:04:32,279 --> 00:04:36,359 Speaker 3: first question essentially is why did you leave your soldiers 73 00:04:36,400 --> 00:04:39,000 Speaker 3: to die or why did you kill your soldiers? Implications 74 00:04:39,080 --> 00:04:42,719 Speaker 3: that she had to kill soldiers, and it goes into 75 00:04:42,760 --> 00:04:47,560 Speaker 3: this story about them trying to get into a hospital 76 00:04:47,680 --> 00:04:51,000 Speaker 3: to take the hospital. Essentially, hospitals are really important right now, 77 00:04:51,000 --> 00:04:54,320 Speaker 3: I'm assuming, and she talks about how they were clearing it. 78 00:04:54,320 --> 00:04:57,680 Speaker 3: It was really empty. It was surprisingly empty. They were 79 00:04:57,880 --> 00:05:01,080 Speaker 3: thinking either someone like maybe the seraphi or something was there, 80 00:05:01,160 --> 00:05:03,680 Speaker 3: so they were trying to clear it. And what they 81 00:05:03,720 --> 00:05:07,080 Speaker 3: discover is that it is so dead like that not 82 00:05:07,120 --> 00:05:10,479 Speaker 3: even rats. There's no noise. So that's that clearing uh, 83 00:05:10,760 --> 00:05:13,520 Speaker 3: people are doing floor by floor. She gets a call 84 00:05:13,640 --> 00:05:16,400 Speaker 3: from Leon. She just says Leon, who she sent to 85 00:05:16,640 --> 00:05:20,640 Speaker 3: B two, basement two, and she hears him and his 86 00:05:20,720 --> 00:05:24,120 Speaker 3: reaction was like it sounded like he couldn't breathe, she says, 87 00:05:24,480 --> 00:05:28,160 Speaker 3: And he says, something's down here. Don't come down here. 88 00:05:28,920 --> 00:05:33,920 Speaker 3: I can't breathe. And in this point they are like, okay, 89 00:05:34,240 --> 00:05:37,400 Speaker 3: there's something in the air. There's do they actually say 90 00:05:37,440 --> 00:05:39,640 Speaker 3: the word spores in this part. 91 00:05:40,400 --> 00:05:42,680 Speaker 2: He doesn't say spores, but he says it's in the air. 92 00:05:42,839 --> 00:05:45,720 Speaker 3: Seala's in, Yes, it's in the air, and Cela's in 93 00:05:45,839 --> 00:05:48,040 Speaker 3: And so she makes a difficult choice of doing so, 94 00:05:48,920 --> 00:05:51,120 Speaker 3: and you could tell she's really broken up about it 95 00:05:51,720 --> 00:05:55,320 Speaker 3: the officer, and then as we go back to Hanrahan, 96 00:05:55,520 --> 00:05:59,640 Speaker 3: she essentially says, we're gonna call We're gonna consider this handled. 97 00:05:59,839 --> 00:06:02,640 Speaker 3: You did what you had to do. You saved everybody, 98 00:06:02,960 --> 00:06:05,320 Speaker 3: Sorry for the loss of your son, essentially. So it 99 00:06:05,360 --> 00:06:06,880 Speaker 3: turns out it was her son that she sailed in. 100 00:06:07,520 --> 00:06:09,840 Speaker 3: And then we cut two before we figure out what 101 00:06:09,920 --> 00:06:12,160 Speaker 3: really is happening, what is happening, what is in the air, 102 00:06:12,560 --> 00:06:16,880 Speaker 3: to Dina and Ellie at the theater which Annie has 103 00:06:16,960 --> 00:06:23,400 Speaker 3: gone to dum and Dina's doing some things, ruined, some 104 00:06:23,440 --> 00:06:25,520 Speaker 3: things out, you know, And it turns out she tries 105 00:06:25,560 --> 00:06:30,440 Speaker 3: to tryangulate the location of Wolfe, specifically Nora, who they 106 00:06:30,480 --> 00:06:33,200 Speaker 3: have already said that she was at the hospital, the 107 00:06:33,320 --> 00:06:37,440 Speaker 3: aforementioned hospital, and she's trying to try to angulate her 108 00:06:37,480 --> 00:06:40,320 Speaker 3: location and make a plan. She's got maps, she got 109 00:06:40,320 --> 00:06:44,640 Speaker 3: all these things. Ellie, who as inferred as not the 110 00:06:44,800 --> 00:06:49,080 Speaker 3: mostudious of types, I was like, you know, I can help, 111 00:06:49,120 --> 00:06:50,839 Speaker 3: and she's like, oh really, well the well can you 112 00:06:50,880 --> 00:06:52,760 Speaker 3: do these things? She's like, I'm gonna go. I'm gonna 113 00:06:52,760 --> 00:06:54,560 Speaker 3: go and do them things. But she did turn the 114 00:06:54,640 --> 00:06:56,720 Speaker 3: lights on for the theater. She found I'm a generator, 115 00:06:56,800 --> 00:06:58,960 Speaker 3: so I thought that's very loud, but hey, you do 116 00:06:59,040 --> 00:07:02,359 Speaker 3: you so moving on, so she goes to explore and 117 00:07:02,400 --> 00:07:06,000 Speaker 3: look around. Uh, finds the stage with a somewhat good 118 00:07:06,040 --> 00:07:08,240 Speaker 3: guitar and gets all the stages. She starts playing some 119 00:07:08,320 --> 00:07:13,320 Speaker 3: notes in which Annie starts screaming, oh no, oh no, yeah, 120 00:07:13,360 --> 00:07:16,000 Speaker 3: and there's tears to be had. Turns out to be 121 00:07:16,280 --> 00:07:20,680 Speaker 3: a little bit of the Pearl Jam song that obviously 122 00:07:20,680 --> 00:07:23,320 Speaker 3: brings up some things in Ellie. Because she can't get 123 00:07:23,320 --> 00:07:25,760 Speaker 3: through it, she has to put it back down. We 124 00:07:25,800 --> 00:07:31,400 Speaker 3: move on where Dinas has founder. Essentially, I got good news, 125 00:07:31,480 --> 00:07:33,560 Speaker 3: you know, I figured out where she was. However, we're 126 00:07:33,600 --> 00:07:37,320 Speaker 3: gonna have to go through this area, this building which 127 00:07:37,400 --> 00:07:42,520 Speaker 3: seems to be empty but they're assuming has infected. So 128 00:07:42,560 --> 00:07:46,240 Speaker 3: we can do this reckless thing, or we don't have 129 00:07:46,320 --> 00:07:48,960 Speaker 3: to or whatever whatnot. And as they're preparing to go, 130 00:07:49,200 --> 00:07:51,640 Speaker 3: they're like, Ellie's like, yes, we're gonna go, let's do this. 131 00:07:52,520 --> 00:07:55,400 Speaker 3: They get a plan together because Ellie, you know, it's 132 00:07:55,400 --> 00:07:58,040 Speaker 3: a little bit reckless as she intends, but Dina's got 133 00:07:58,040 --> 00:07:59,800 Speaker 3: some plans. She's got we gotta do this, we gotta 134 00:07:59,800 --> 00:08:01,360 Speaker 3: do that, We're going to do this. So they get 135 00:08:01,360 --> 00:08:04,640 Speaker 3: it all that way. But then as I go, Ellie realizes, 136 00:08:04,720 --> 00:08:06,680 Speaker 3: oh my god, oh my god, I've brought you in here. 137 00:08:06,760 --> 00:08:08,240 Speaker 3: You're pregnant. I don't know if we should do this. 138 00:08:08,280 --> 00:08:10,720 Speaker 3: We can turn around. And at this point is when 139 00:08:11,160 --> 00:08:14,280 Speaker 3: Dina shares her story about her family and how she 140 00:08:14,280 --> 00:08:16,200 Speaker 3: had a sister and her mother and that she really 141 00:08:16,240 --> 00:08:17,880 Speaker 3: wanted to go outside and play. She want to do 142 00:08:17,880 --> 00:08:20,320 Speaker 3: these things, and one thing she did, but when she returned, 143 00:08:20,320 --> 00:08:23,080 Speaker 3: her mom and her sister were dead. The raider was 144 00:08:23,120 --> 00:08:26,520 Speaker 3: still there and there she shot him, and she would 145 00:08:26,520 --> 00:08:29,200 Speaker 3: do it again. Essentially, she's like, yep, I don't regret that. 146 00:08:29,640 --> 00:08:31,880 Speaker 3: As well as being like eight, she said that, she 147 00:08:31,880 --> 00:08:32,520 Speaker 3: said she was eight. 148 00:08:32,480 --> 00:08:33,240 Speaker 2: Years eight years old. 149 00:08:33,440 --> 00:08:35,320 Speaker 3: She was eight years old when she did this, and 150 00:08:35,360 --> 00:08:36,960 Speaker 3: she's like, you know, and I didn't even have to 151 00:08:37,000 --> 00:08:40,920 Speaker 3: watch them die they were already dead, So imagining like 152 00:08:41,000 --> 00:08:44,280 Speaker 3: watching your person die, being beaten, being forced to watch 153 00:08:44,320 --> 00:08:46,760 Speaker 3: them and die, all these things, I would want to 154 00:08:46,800 --> 00:08:49,360 Speaker 3: go after them as well, implying that yes, I will 155 00:08:49,360 --> 00:08:51,160 Speaker 3: go with you, or I'll turn around with you. But 156 00:08:51,679 --> 00:08:54,200 Speaker 3: I understand why you're doing this. I would do it too. 157 00:08:54,880 --> 00:08:57,360 Speaker 3: So they're like, all right, let's keep going. And as 158 00:08:57,400 --> 00:09:01,439 Speaker 3: they keep going, they go in to this building. At 159 00:09:01,480 --> 00:09:05,920 Speaker 3: the building, they see a mural that says feel her Love, 160 00:09:06,800 --> 00:09:09,800 Speaker 3: and then you see dead bodies all riddled with bullets 161 00:09:09,840 --> 00:09:14,600 Speaker 3: and below with the graffiti fill this. Yeah, really cruel, 162 00:09:14,640 --> 00:09:16,679 Speaker 3: and you know they are like like kind of like 163 00:09:16,760 --> 00:09:19,800 Speaker 3: having a moment. And then as they walk they're like, oh, 164 00:09:19,800 --> 00:09:23,520 Speaker 3: it's really quiet. It's weirdly quiet. What's going on? Famous 165 00:09:23,600 --> 00:09:25,800 Speaker 3: last words? As they turn around and see as stalker 166 00:09:25,840 --> 00:09:27,840 Speaker 3: and this is where Natalie's like, oh, yeah, these are 167 00:09:27,880 --> 00:09:31,079 Speaker 3: the smart ones. They do these things. There's only one 168 00:09:31,080 --> 00:09:32,800 Speaker 3: of these, so we can flank them and we'll do 169 00:09:32,840 --> 00:09:34,400 Speaker 3: it this way. Has a plan. But then they turn 170 00:09:34,440 --> 00:09:37,040 Speaker 3: around and they're like, there's two, there's three, there's four, 171 00:09:37,240 --> 00:09:40,320 Speaker 3: there's five. Oh. So Ellie comes up with a new plan. 172 00:09:40,600 --> 00:09:44,160 Speaker 3: Sees like a sealed off, secured area that Ena can 173 00:09:44,200 --> 00:09:45,880 Speaker 3: go into. She tells her to go in there. She's like, 174 00:09:45,880 --> 00:09:48,360 Speaker 3: I can get bitten. I won't die from being bitten. 175 00:09:49,080 --> 00:09:50,800 Speaker 3: Of course, she get be ripped apart, because we definitely 176 00:09:50,840 --> 00:09:52,920 Speaker 3: see bodies just being torn in half. So you know, 177 00:09:53,040 --> 00:09:56,439 Speaker 3: that's that's not a thing you can survive. This is 178 00:09:56,480 --> 00:09:59,680 Speaker 3: a whole different type of show. Who knows, but I 179 00:09:59,679 --> 00:10:03,360 Speaker 3: do know. I'm just kidding. But so Dina runs and 180 00:10:03,400 --> 00:10:05,520 Speaker 3: it gets in there and we have a whole scene 181 00:10:05,600 --> 00:10:08,040 Speaker 3: of them going back and forth. I'm like, oh my god, 182 00:10:08,800 --> 00:10:10,640 Speaker 3: these things are trying to kill them all and she's 183 00:10:10,640 --> 00:10:13,440 Speaker 3: getting bitten and screaming, and all of a sudden we 184 00:10:13,480 --> 00:10:16,559 Speaker 3: see a shadow we figure Cafter shoots one of the 185 00:10:16,640 --> 00:10:18,920 Speaker 3: infected and it comes through and you don't know who 186 00:10:19,000 --> 00:10:21,079 Speaker 3: Quiet is, and you know, Ellie has a moment of 187 00:10:21,200 --> 00:10:24,240 Speaker 3: like is that maybe? And then it turns out to 188 00:10:24,240 --> 00:10:27,200 Speaker 3: me Jesse. Jesse comes to the hero and grabs them 189 00:10:27,240 --> 00:10:31,320 Speaker 3: and runs them out, and like, Ellie's like, I had 190 00:10:31,400 --> 00:10:34,560 Speaker 3: a handle and he's like, oh really, oh really, And 191 00:10:34,559 --> 00:10:36,320 Speaker 3: then she's trying to have all this conversation. He's like, 192 00:10:36,360 --> 00:10:38,080 Speaker 3: do you really think I want to talk to you? 193 00:10:38,360 --> 00:10:42,480 Speaker 3: Right now, very real, very real Dina even at one 194 00:10:42,480 --> 00:10:44,839 Speaker 3: point she wasn't bitten. She wasn't bitten because there was 195 00:10:44,840 --> 00:10:46,800 Speaker 3: that whole moment. So I think that's very significant that 196 00:10:46,840 --> 00:10:49,480 Speaker 3: Dena's also trying to help her out. She's like, I 197 00:10:49,480 --> 00:10:51,880 Speaker 3: saw her, I saw her. She was never beaten. So 198 00:10:51,920 --> 00:10:55,000 Speaker 3: they run and then oh boylets are flying at them 199 00:10:55,040 --> 00:10:57,240 Speaker 3: because they've made too much noise in that building, and 200 00:10:57,400 --> 00:10:59,360 Speaker 3: wolves are coming and they're like, where do we go? 201 00:10:59,720 --> 00:11:02,599 Speaker 3: And they run into the woods and they're like, Jesse's like, 202 00:11:02,600 --> 00:11:04,600 Speaker 3: they're not going to come in here, and they kind 203 00:11:04,600 --> 00:11:06,680 Speaker 3: of sit there and then their correct wolf is like, 204 00:11:06,920 --> 00:11:09,080 Speaker 3: we'll stay here. If you shoot see them, come out, 205 00:11:09,120 --> 00:11:12,440 Speaker 3: shoot them. Blah blah blah. It turns out that Jesse 206 00:11:12,520 --> 00:11:15,120 Speaker 3: tells them that he and Tommy have come to get them. 207 00:11:15,160 --> 00:11:18,560 Speaker 3: They came after them the day after they snuck out, 208 00:11:18,600 --> 00:11:21,000 Speaker 3: the day after they had Ellie and Dina had left 209 00:11:21,000 --> 00:11:23,480 Speaker 3: to come and find them. They split ways to try 210 00:11:23,520 --> 00:11:27,520 Speaker 3: to best find their location. Jesse was able to find 211 00:11:28,000 --> 00:11:31,080 Speaker 3: the theater and saw the map, so I was able 212 00:11:31,080 --> 00:11:33,199 Speaker 3: to figure out where they were. So all this is 213 00:11:33,520 --> 00:11:35,199 Speaker 3: while Jesse is very furious. 214 00:11:35,400 --> 00:11:36,240 Speaker 2: He is very. 215 00:11:36,080 --> 00:11:39,080 Speaker 3: Furious in this moment, and at this time we see 216 00:11:39,080 --> 00:11:42,600 Speaker 3: the Seraphites come out having a ritual, and we see 217 00:11:42,640 --> 00:11:47,280 Speaker 3: them taking a wolf a soldier and disemboweling and hanging 218 00:11:47,320 --> 00:11:50,640 Speaker 3: them and saying that this is for the greater good, 219 00:11:50,800 --> 00:11:54,720 Speaker 3: releasing you really disgusting and really kind of chriss and 220 00:11:54,760 --> 00:11:56,480 Speaker 3: you hear because I did not watch. I had to 221 00:11:56,520 --> 00:11:58,840 Speaker 3: close my eyes to the point so everybody else saw 222 00:12:00,400 --> 00:12:06,359 Speaker 3: no good. At that point, we hear the whistles because 223 00:12:06,640 --> 00:12:08,400 Speaker 3: Ellie and then we're like trying to figure out what 224 00:12:08,440 --> 00:12:10,200 Speaker 3: to do. They're still kind of arguing, trying to figure 225 00:12:10,200 --> 00:12:12,160 Speaker 3: out how to get out, and that's when we hear 226 00:12:12,200 --> 00:12:16,120 Speaker 3: the whistle and an arrow comes and gets Dina in 227 00:12:16,240 --> 00:12:20,360 Speaker 3: the leg. Oh no, So Ellie tells Jesse to take 228 00:12:20,440 --> 00:12:24,160 Speaker 3: Dina and go to the theater. She would go distract 229 00:12:24,160 --> 00:12:26,080 Speaker 3: them and take them a different way. So they split 230 00:12:26,240 --> 00:12:30,160 Speaker 3: and all these things happen, and we see Ellie hiding 231 00:12:30,200 --> 00:12:32,800 Speaker 3: in the trunk. We assume I don't know because we 232 00:12:32,840 --> 00:12:36,600 Speaker 3: don't see Dina or Jesse. After this, we see only 233 00:12:36,800 --> 00:12:40,840 Speaker 3: Ellie so across her fingers. At that point, she realizes 234 00:12:40,880 --> 00:12:43,520 Speaker 3: they finally left, and as she comes out and she's 235 00:12:43,559 --> 00:12:46,199 Speaker 3: trying to get to back to the theater. She spots 236 00:12:46,200 --> 00:12:48,640 Speaker 3: the hospital and she has a moment. You see this 237 00:12:48,679 --> 00:12:50,800 Speaker 3: moment of like what do I do? I need to 238 00:12:50,800 --> 00:12:53,880 Speaker 3: go to them? Hell no, no, I'm going. 239 00:12:53,720 --> 00:12:54,600 Speaker 2: To the hospital. 240 00:12:54,640 --> 00:12:57,480 Speaker 3: So she runs to go to the hospital to find Nora. 241 00:12:58,280 --> 00:13:00,800 Speaker 3: She makes her way in. At that point, we see 242 00:13:00,840 --> 00:13:04,680 Speaker 3: Noura doing all the things cleaning, like I believe, like 243 00:13:04,840 --> 00:13:08,760 Speaker 3: clothing and tools, and she's kind of just having her 244 00:13:08,760 --> 00:13:12,480 Speaker 3: own moment, and you turn and she Ellie goes put 245 00:13:12,520 --> 00:13:15,440 Speaker 3: that down, and it's that moment like do you remember me? 246 00:13:15,520 --> 00:13:18,920 Speaker 3: So we have a standoff between Ellie and Nora and 247 00:13:19,000 --> 00:13:21,760 Speaker 3: Norah there doesn't say much and I was like, yeah, yeah, 248 00:13:21,800 --> 00:13:23,800 Speaker 3: you remember me, you remember my face? I told you 249 00:13:23,840 --> 00:13:26,360 Speaker 3: it was going to find you and kill you. And 250 00:13:26,400 --> 00:13:28,719 Speaker 3: then Norah's kind of like trying to distract her. She's like, 251 00:13:28,760 --> 00:13:30,760 Speaker 3: I'm sorry you had to see that. That was one 252 00:13:30,760 --> 00:13:32,240 Speaker 3: of the worst things that I have to see and 253 00:13:32,280 --> 00:13:34,440 Speaker 3: no one should ever have to see that. Do you 254 00:13:34,480 --> 00:13:37,040 Speaker 3: ever think about the screams? I dream about his screams 255 00:13:37,080 --> 00:13:38,439 Speaker 3: all the time. It's one of the worst things I've 256 00:13:38,440 --> 00:13:41,720 Speaker 3: ever heard. And then she ends that with but that 257 00:13:41,960 --> 00:13:45,880 Speaker 3: she got what he deserved and that of course, sends 258 00:13:45,960 --> 00:13:48,679 Speaker 3: Ellie off, and it's at that point Nora throws some 259 00:13:48,760 --> 00:13:51,400 Speaker 3: chemicals in her face and runs, and we have a 260 00:13:51,400 --> 00:13:56,160 Speaker 3: whole chase and Norah's screaming about intruder, intruder, and they're 261 00:13:56,200 --> 00:13:59,400 Speaker 3: going different ways. People are like doing all the things, 262 00:13:59,440 --> 00:14:01,920 Speaker 3: and then all the in Nora's corner, she's like, she 263 00:14:02,320 --> 00:14:05,000 Speaker 3: realizes that she can go to the elevator shaft and 264 00:14:05,000 --> 00:14:07,840 Speaker 3: looks at the elevator, jumps into it as the elevator 265 00:14:07,840 --> 00:14:12,800 Speaker 3: goes down, and then Ellie follows, and uh oh, Nora 266 00:14:12,920 --> 00:14:16,320 Speaker 3: goes into B two what we talked about at first 267 00:14:16,400 --> 00:14:20,000 Speaker 3: that had been sealed off completely because of whatever's in 268 00:14:20,040 --> 00:14:24,360 Speaker 3: the air. Ellie comes back down as well, and he's 269 00:14:24,360 --> 00:14:26,240 Speaker 3: trying to figure out what all things and we see 270 00:14:26,240 --> 00:14:31,800 Speaker 3: a terrific sight. All of my anxieties around, like spots 271 00:14:31,840 --> 00:14:33,840 Speaker 3: and polka dots and diseases came out and I'm like, 272 00:14:33,840 --> 00:14:37,440 Speaker 3: I can't watch this. I get this is a nightmare. 273 00:14:37,760 --> 00:14:40,680 Speaker 3: I started itching and failing really broke. Anyway, all that 274 00:14:40,800 --> 00:14:44,600 Speaker 3: happens and Ellie turns on the light is all red 275 00:14:45,000 --> 00:14:47,080 Speaker 3: and this is like for me, I was like, oh, 276 00:14:47,120 --> 00:14:49,920 Speaker 3: she really looks like the character from the game, Ellie, 277 00:14:50,560 --> 00:14:53,040 Speaker 3: she did a beautiful job. And she comes round and 278 00:14:53,080 --> 00:14:56,200 Speaker 3: we see Nora at the end of a hallway, coughing, 279 00:14:56,240 --> 00:14:58,400 Speaker 3: and she's like, you've you killed us both? Are you happy? 280 00:14:58,400 --> 00:15:02,560 Speaker 3: We're both dead? And Elly goes, are we are? 281 00:15:02,600 --> 00:15:03,320 Speaker 2: We are? We both? 282 00:15:03,400 --> 00:15:05,320 Speaker 3: And then and then that's when it clicks with Nora. 283 00:15:05,400 --> 00:15:07,480 Speaker 3: And Nora's like, oh my god, it's you. You're the 284 00:15:07,520 --> 00:15:10,680 Speaker 3: one they're talking about. You're immune. You're the girl who's immune. 285 00:15:11,160 --> 00:15:13,280 Speaker 3: And she said, Joe, do you not know what Joel 286 00:15:13,320 --> 00:15:15,800 Speaker 3: has did? Do you not know what he did? He 287 00:15:15,880 --> 00:15:18,920 Speaker 3: killed everybody at that hospital, including the only person alive 288 00:15:19,240 --> 00:15:24,640 Speaker 3: who could turn you into a cure, And that goes 289 00:15:24,840 --> 00:15:27,880 Speaker 3: She's like going back and forth, and this is the 290 00:15:28,040 --> 00:15:30,800 Speaker 3: entire time. Ellie's like, where is Abby? Where is Abby? 291 00:15:31,240 --> 00:15:35,600 Speaker 3: Tell me where Abby is? Nora's refusing, Nora's refusing, And 292 00:15:35,640 --> 00:15:39,120 Speaker 3: when she makes that line, Joel killed everyone and she says, 293 00:15:39,440 --> 00:15:45,240 Speaker 3: Ellie says, I know, grabs a pipe and starts hammering 294 00:15:45,280 --> 00:15:51,360 Speaker 3: on Nora. End of that shot. But then we come 295 00:15:51,400 --> 00:15:54,680 Speaker 3: back to an aftershot where it's like a beautiful scenery 296 00:15:54,760 --> 00:15:57,360 Speaker 3: with Ellie asleep, been a knock on the door, and 297 00:15:57,400 --> 00:16:06,160 Speaker 3: she's like, come in all happy and okay and Joel, hey, kiddo, insing. 298 00:16:16,400 --> 00:16:17,120 Speaker 2: That was excellent. 299 00:16:17,280 --> 00:16:17,680 Speaker 3: Thank you. 300 00:16:18,280 --> 00:16:20,000 Speaker 2: I want to watch it again so badly. 301 00:16:21,520 --> 00:16:24,000 Speaker 3: You're gonna what do you want to You're gonna, I. 302 00:16:23,920 --> 00:16:25,520 Speaker 2: Know, but I want to do it right now, like 303 00:16:25,800 --> 00:16:30,360 Speaker 2: pause recording. I loved it. 304 00:16:30,960 --> 00:16:34,640 Speaker 3: Yeah, this is a really intense episode and weirdly and 305 00:16:34,640 --> 00:16:36,360 Speaker 3: I'm not you're gonna talk about this. There was a 306 00:16:36,400 --> 00:16:38,800 Speaker 3: lot more criticism to this episode, saying that it's taking 307 00:16:38,840 --> 00:16:43,640 Speaker 3: too long. I know, I'm so because I was like, no, 308 00:16:43,720 --> 00:16:48,640 Speaker 3: but this was the most intense, like on point. Maybe 309 00:16:48,960 --> 00:16:51,400 Speaker 3: I don't know. Anyway, what are your thoughts, Annie's your. 310 00:16:52,280 --> 00:16:57,840 Speaker 2: Yes, okay, I have many a thought Yeah, okay. First 311 00:16:57,880 --> 00:16:59,800 Speaker 2: of all, yes, this episode is called feel Her Love, 312 00:17:00,040 --> 00:17:04,800 Speaker 2: which I do think is relevant in many ways, the 313 00:17:04,880 --> 00:17:10,480 Speaker 2: obvious one being the Saraphites worship this prophet who we 314 00:17:10,600 --> 00:17:12,680 Speaker 2: do not know much about at this point other than 315 00:17:13,200 --> 00:17:19,200 Speaker 2: they believe she predicted the pandemic, and. 316 00:17:19,440 --> 00:17:23,199 Speaker 3: So I wonder if the profit is based off the 317 00:17:23,240 --> 00:17:26,560 Speaker 3: woman who the doctor they brought in. I don't know why. 318 00:17:26,600 --> 00:17:28,879 Speaker 3: That just hit me, well, like that would be interesting. 319 00:17:30,520 --> 00:17:31,480 Speaker 2: It could be you. 320 00:17:31,400 --> 00:17:33,320 Speaker 3: Know that cold opening where she was the one the 321 00:17:33,320 --> 00:17:39,120 Speaker 3: first one to like, really, yeah, I guess experiment research 322 00:17:39,280 --> 00:17:42,959 Speaker 3: and she was like and she ran yeah. 323 00:17:42,720 --> 00:17:47,240 Speaker 2: I mean it could be. Uh, you don't really find 324 00:17:47,240 --> 00:17:48,879 Speaker 2: out too much about her. I don't think we're going 325 00:17:48,920 --> 00:17:50,800 Speaker 2: to find out much about her in the show, to 326 00:17:50,840 --> 00:17:52,960 Speaker 2: be honest. But in the game, you basically find out 327 00:17:53,960 --> 00:17:58,639 Speaker 2: about her from so you can find notes in artifacts, 328 00:17:58,640 --> 00:18:01,360 Speaker 2: like all the newspapers and things like that while you're playing, 329 00:18:01,840 --> 00:18:04,840 Speaker 2: and so you can find out about her from that. 330 00:18:05,040 --> 00:18:09,280 Speaker 2: But also she gets like sometimes you'll find places where 331 00:18:09,280 --> 00:18:13,720 Speaker 2: people have left wishes or prayers to her, and you 332 00:18:13,760 --> 00:18:18,240 Speaker 2: can learn about her kind of through that. So we've 333 00:18:18,280 --> 00:18:20,800 Speaker 2: got her. She died, and she did meet Isaac in 334 00:18:20,840 --> 00:18:25,600 Speaker 2: the game. They were a quainted so that's one obvious 335 00:18:25,760 --> 00:18:29,720 Speaker 2: feel her love. But then I feel like it's also 336 00:18:29,960 --> 00:18:36,960 Speaker 2: kind of we've got Ellie and Dina going with their 337 00:18:37,000 --> 00:18:42,040 Speaker 2: relationship but also being open about how violent their past 338 00:18:42,119 --> 00:18:45,200 Speaker 2: has been and maybe what they want is. And then 339 00:18:45,320 --> 00:18:51,680 Speaker 2: we've got Ellie at the end having this real brutal, 340 00:18:52,880 --> 00:18:56,639 Speaker 2: brutal moment, so that is what it's called. And we 341 00:18:56,680 --> 00:19:04,040 Speaker 2: are seeing more of the Seraphyite Wolf battle. So that 342 00:19:06,359 --> 00:19:09,360 Speaker 2: graffiti that you describe Samantha that said fill her love, 343 00:19:09,400 --> 00:19:12,879 Speaker 2: and then underneath it said feel this. That's where they 344 00:19:12,920 --> 00:19:17,120 Speaker 2: found all the bodies of a bunch of seraphytes underneath, 345 00:19:17,800 --> 00:19:21,160 Speaker 2: and that's when Ellie was like, what am I thinking? 346 00:19:22,320 --> 00:19:24,120 Speaker 2: We should turn around? Which, by the way, she never 347 00:19:24,119 --> 00:19:26,040 Speaker 2: had that moment in the game. But also in the game, 348 00:19:26,240 --> 00:19:30,800 Speaker 2: do you know, is mostly sidelined by morning sits, So 349 00:19:30,840 --> 00:19:34,359 Speaker 2: she wasn't really there for that part. She was the 350 00:19:34,359 --> 00:19:37,560 Speaker 2: person like on your radio and doing the map stuff. 351 00:19:38,040 --> 00:19:42,280 Speaker 2: She did all that, but she wasn't with you for 352 00:19:42,359 --> 00:19:45,760 Speaker 2: what This would be day two in Seattle, which is 353 00:19:45,800 --> 00:19:48,360 Speaker 2: the longest day. So yeah, I disagree with those people 354 00:19:48,400 --> 00:19:54,040 Speaker 2: who say it's moving too quick. But anyway, the Seraphytes 355 00:19:54,119 --> 00:20:02,040 Speaker 2: believe that the infected are like God punishment for humanity 356 00:20:02,119 --> 00:20:07,440 Speaker 2: for whatever they did. They askew modern technology because of this, 357 00:20:09,680 --> 00:20:16,640 Speaker 2: and they believe that in doing that disemboweling ceremony ritual 358 00:20:16,680 --> 00:20:19,520 Speaker 2: that they were doing that they were removing sin and 359 00:20:19,520 --> 00:20:26,000 Speaker 2: in its act of mercy, which by the way, so 360 00:20:26,640 --> 00:20:29,320 Speaker 2: I've mentioned before, they really gas lit a bunch of 361 00:20:29,320 --> 00:20:32,800 Speaker 2: people with the trailers of the game. One came out 362 00:20:33,240 --> 00:20:37,119 Speaker 2: and it was basically Ellie playing guitar and there's a 363 00:20:37,119 --> 00:20:41,920 Speaker 2: bunch of dead bodies around her, and then Joel comes 364 00:20:41,960 --> 00:20:44,639 Speaker 2: into the door and it's like, what are you doing, kiddo, 365 00:20:44,800 --> 00:20:47,440 Speaker 2: but there's all this white light. Everybody was like, oh, 366 00:20:47,520 --> 00:20:51,520 Speaker 2: Joel dies. And so then they really reversed, and then 367 00:20:51,520 --> 00:20:54,440 Speaker 2: they put Jesse in the place of Joel and made 368 00:20:54,520 --> 00:20:58,040 Speaker 2: us think whatever. But one trailer they released was this 369 00:20:58,280 --> 00:21:02,240 Speaker 2: entire scene where you see for the first time the 370 00:21:02,280 --> 00:21:09,320 Speaker 2: seraphytes disemboweling somebody. And then well, I can't say, but 371 00:21:09,960 --> 00:21:15,280 Speaker 2: we at this point a bunch of speculation rang out 372 00:21:15,840 --> 00:21:20,639 Speaker 2: about this group, and a lot of people we included 373 00:21:21,280 --> 00:21:24,879 Speaker 2: thought Abby was Ellie's mom and she'd gotten involved in 374 00:21:24,920 --> 00:21:30,160 Speaker 2: this cult. So it's just interesting to me to look 375 00:21:30,200 --> 00:21:33,240 Speaker 2: at it now and be like, no, that was we 376 00:21:33,240 --> 00:21:38,800 Speaker 2: were way off. We were way off of that one. Also, 377 00:21:38,880 --> 00:21:40,840 Speaker 2: the whistles, so this part of the game is really, 378 00:21:40,880 --> 00:21:42,560 Speaker 2: really scary. It's one of the scariest parts of the 379 00:21:42,600 --> 00:21:48,320 Speaker 2: game to me because basically Ellie's just had a horrible time. 380 00:21:49,880 --> 00:21:52,120 Speaker 2: You go through the convention Center, which I'm not sure 381 00:21:52,160 --> 00:21:54,479 Speaker 2: if that's what they were saying that long building they 382 00:21:54,600 --> 00:22:00,680 Speaker 2: cut through us, but the Seattle Convention Center and you 383 00:22:00,880 --> 00:22:03,879 Speaker 2: run into clickers and stalkers, and eventually you get shoved 384 00:22:03,920 --> 00:22:06,119 Speaker 2: out a window and then you fall into the river 385 00:22:06,280 --> 00:22:08,320 Speaker 2: and you end up in the sewer system. It's a 386 00:22:08,320 --> 00:22:11,160 Speaker 2: whole thing. It's a whole thing. But you come up 387 00:22:11,720 --> 00:22:17,560 Speaker 2: and you're at this park and it seems cool, seems good. 388 00:22:18,080 --> 00:22:20,720 Speaker 2: You're just moving along and then you hear this whistle 389 00:22:21,080 --> 00:22:25,240 Speaker 2: and then you get shot with an arrow Ellie and 390 00:22:25,320 --> 00:22:28,879 Speaker 2: it's out of nowhere, and that's when they introduce the 391 00:22:28,880 --> 00:22:31,640 Speaker 2: function where you have to if you don't break out 392 00:22:31,640 --> 00:22:35,600 Speaker 2: the arrow and take care of it, it will kill you. Yeah, 393 00:22:35,680 --> 00:22:38,399 Speaker 2: So that was the difference between the game and show. 394 00:22:39,520 --> 00:22:43,600 Speaker 2: Ellie gets shot, but if you want, no one wants to. 395 00:22:43,920 --> 00:22:49,560 Speaker 2: But if you do, somebody has deciphered the whistles that 396 00:22:49,640 --> 00:22:51,680 Speaker 2: the serifies do and so you can look it up 397 00:22:51,720 --> 00:22:54,359 Speaker 2: and it's actually helpful when you're playing the game because 398 00:22:54,359 --> 00:22:57,040 Speaker 2: you can tell, oh, they know I'm here. 399 00:22:57,080 --> 00:23:01,439 Speaker 3: I got it level study to not get shot. 400 00:23:02,080 --> 00:23:07,000 Speaker 2: Yes, Well, the thing is in the show, Ellie doesn't 401 00:23:07,080 --> 00:23:10,359 Speaker 2: kill anybody. She hides in that tree trunk. But in 402 00:23:10,440 --> 00:23:13,479 Speaker 2: the game it's very very hard not to kill anybody 403 00:23:13,520 --> 00:23:17,560 Speaker 2: because they have this whistle system. So like, if you 404 00:23:17,600 --> 00:23:20,440 Speaker 2: get seen, they start whistling, they all know you're there, 405 00:23:20,480 --> 00:23:23,880 Speaker 2: and they all converge on you. It's a very difficult 406 00:23:23,920 --> 00:23:29,200 Speaker 2: part of the game. I was watching an Easter Egg 407 00:23:29,280 --> 00:23:31,800 Speaker 2: video which shout out to everybody who makes those within 408 00:23:31,920 --> 00:23:35,520 Speaker 2: like five hours of the episode coming out. But they 409 00:23:35,520 --> 00:23:39,439 Speaker 2: were saying like that is probably the most one of 410 00:23:39,480 --> 00:23:43,000 Speaker 2: the most difficult things for newcomer to this kind of 411 00:23:43,040 --> 00:23:48,840 Speaker 2: genre is that section, because if they hear you you've 412 00:23:48,920 --> 00:23:53,720 Speaker 2: done four, you've done messed up. Yeah, it's not good. 413 00:23:54,520 --> 00:23:59,439 Speaker 2: It's not good at all, Samantha. But also this is 414 00:24:00,560 --> 00:24:04,000 Speaker 2: They kind of touched on this more in the when 415 00:24:04,000 --> 00:24:09,440 Speaker 2: they're interviewing the creators afterwards after the show. But this 416 00:24:09,520 --> 00:24:12,639 Speaker 2: is sort of an example of what they were talking 417 00:24:12,640 --> 00:24:16,679 Speaker 2: about in the last episode with the extremism and the 418 00:24:16,800 --> 00:24:23,520 Speaker 2: radicalization and this sort of well, you killed this many people, 419 00:24:23,560 --> 00:24:26,840 Speaker 2: so I'm going to kill this many people. This feel 420 00:24:26,840 --> 00:24:32,520 Speaker 2: her love feel this. It's a very violent reciprocal thing 421 00:24:32,760 --> 00:24:37,840 Speaker 2: that is happening that we're seeing, and it's also celebrating violence. 422 00:24:38,080 --> 00:24:42,760 Speaker 2: And I thought this was interesting because I mentioned in 423 00:24:42,760 --> 00:24:48,320 Speaker 2: the last episode we did I cry a lot when 424 00:24:48,320 --> 00:24:53,960 Speaker 2: I play these. I also don't like revenge stories that 425 00:24:54,119 --> 00:24:56,960 Speaker 2: much and that might be giving you pause and maybe 426 00:24:57,000 --> 00:25:01,280 Speaker 2: that's a spoiler enough. But so this scene in the 427 00:25:01,320 --> 00:25:05,040 Speaker 2: game where Ellie kills Nouram, I cry almost every time 428 00:25:05,040 --> 00:25:09,160 Speaker 2: I play it. It is miserable you have to do it, 429 00:25:09,600 --> 00:25:12,199 Speaker 2: and it makes you like press the button to do 430 00:25:12,280 --> 00:25:18,480 Speaker 2: it over and over and over. It's horrible. And almost 431 00:25:18,560 --> 00:25:21,480 Speaker 2: everyone I know who played the game had to stop 432 00:25:22,200 --> 00:25:26,560 Speaker 2: at that point and like, go outside, Arla, do something else. 433 00:25:27,000 --> 00:25:29,680 Speaker 2: And so this is really interesting to me because they've 434 00:25:29,680 --> 00:25:33,000 Speaker 2: seen a lot of reactions to the show and they're like, yeah, 435 00:25:33,160 --> 00:25:39,600 Speaker 2: get her very I'm curious. I'm curious what it will be. 436 00:25:39,720 --> 00:25:43,000 Speaker 2: But that kind of celebrating violence is sort of the 437 00:25:43,040 --> 00:25:46,560 Speaker 2: reason I don't like a lot of revenge stuff. It 438 00:25:46,640 --> 00:25:47,639 Speaker 2: just makes me uncomfortable. 439 00:25:47,720 --> 00:25:51,480 Speaker 3: But I'm wondering if that's I mean, honestly, I think 440 00:25:51,520 --> 00:25:53,560 Speaker 3: that's the main point part, Like people are like, this 441 00:25:53,600 --> 00:25:57,000 Speaker 3: doesn't hit nearly as well as the game, Like they're 442 00:25:57,040 --> 00:26:00,560 Speaker 3: trying their best, but it never will because you're watching 443 00:26:00,640 --> 00:26:04,960 Speaker 3: it as a show and not playing it as the player, right, 444 00:26:05,240 --> 00:26:06,400 Speaker 3: which is kind of that mention. 445 00:26:07,160 --> 00:26:11,000 Speaker 2: Yeah, for sure, and I think that, I mean, I 446 00:26:11,040 --> 00:26:15,720 Speaker 2: think it's it was still very upseting, but it's just 447 00:26:15,800 --> 00:26:17,840 Speaker 2: it is different when you're playing it and you have 448 00:26:17,920 --> 00:26:21,600 Speaker 2: to be like, I don't want to do this. I 449 00:26:21,640 --> 00:26:26,359 Speaker 2: don't want to do this anymore. That was That was 450 00:26:26,400 --> 00:26:30,000 Speaker 2: a miserable. That was Yeah, I had to stop. I 451 00:26:30,040 --> 00:26:32,720 Speaker 2: had to stop, and I hate stopping video games. I 452 00:26:32,720 --> 00:26:36,679 Speaker 2: want to know how the story goes. But also, yes, 453 00:26:37,160 --> 00:26:39,680 Speaker 2: this is the thing that I'm honestly not entirely sure 454 00:26:39,720 --> 00:26:44,560 Speaker 2: why people are so into. But the introduction of spores. 455 00:26:45,680 --> 00:26:51,120 Speaker 2: So we do get the spores in this episode. They 456 00:26:51,200 --> 00:26:53,719 Speaker 2: were in the game. I don't they didn't include them 457 00:26:53,720 --> 00:26:57,400 Speaker 2: in the show. I believe for two main reasons. Masks 458 00:26:57,520 --> 00:27:00,919 Speaker 2: over actors face all the time is not the most 459 00:27:01,720 --> 00:27:05,280 Speaker 2: cinematic thing. But also, I think I talked about this 460 00:27:05,320 --> 00:27:08,080 Speaker 2: in the first season. In the game, it's kind of 461 00:27:08,119 --> 00:27:11,359 Speaker 2: clear this is a spor area and this is not 462 00:27:11,440 --> 00:27:16,040 Speaker 2: a spore area. But if you kind of extrapolate out 463 00:27:16,080 --> 00:27:19,840 Speaker 2: from that, why how do I know that, Like it 464 00:27:19,880 --> 00:27:24,720 Speaker 2: could be in the air right now. So I think 465 00:27:24,760 --> 00:27:27,719 Speaker 2: that's one reason they haven't introduced them yet. I do 466 00:27:27,840 --> 00:27:30,239 Speaker 2: think that's also a reason they were like, it is 467 00:27:30,320 --> 00:27:35,000 Speaker 2: in this area, right it hasn't come out through the events. 468 00:27:35,119 --> 00:27:39,040 Speaker 2: This is where it is. But we do get that 469 00:27:39,119 --> 00:27:43,720 Speaker 2: really heartbreaking scene which I thought was great of han 470 00:27:43,880 --> 00:27:48,000 Speaker 2: Rahn kind of interrogating Eliza. I believe her name was 471 00:27:48,400 --> 00:27:51,400 Speaker 2: about this, and we don't know as the viewer until 472 00:27:51,440 --> 00:27:55,600 Speaker 2: the end that Leon is her son, and so that 473 00:27:55,720 --> 00:28:00,199 Speaker 2: was a really good review. But you could tell and 474 00:28:00,359 --> 00:28:07,200 Speaker 2: Eliza mentioned Leon, hand Rahann became much more like, oh, okay, 475 00:28:07,320 --> 00:28:08,560 Speaker 2: so this wasn't a treason. 476 00:28:08,640 --> 00:28:09,080 Speaker 1: This thing. 477 00:28:09,240 --> 00:28:13,720 Speaker 2: This was a real bad thing that just happened. Very serious. 478 00:28:14,359 --> 00:28:19,120 Speaker 2: But this is another area where you're kind of going 479 00:28:19,160 --> 00:28:23,960 Speaker 2: back to the beginning because this hospital was ground zero 480 00:28:25,080 --> 00:28:28,920 Speaker 2: for Seattle and for a lot of places. So when 481 00:28:28,960 --> 00:28:32,480 Speaker 2: you explore this hospital, you can find a lot of 482 00:28:32,600 --> 00:28:36,720 Speaker 2: notes about, oh, we don't know what to do. No 483 00:28:36,720 --> 00:28:40,320 Speaker 2: one's telling us anything from doctors, nurses, patients, all that stuff. 484 00:28:41,480 --> 00:28:43,200 Speaker 2: And then so many people were dying. They put them 485 00:28:43,200 --> 00:28:46,960 Speaker 2: in the basement and they didn't know it was really contagious, 486 00:28:46,960 --> 00:28:49,520 Speaker 2: so they didn't know. But then they piled them on 487 00:28:49,560 --> 00:28:54,160 Speaker 2: top of each other and they sort of became this mass. 488 00:28:55,000 --> 00:28:58,480 Speaker 2: But this like, we're going back to the beginning, and 489 00:28:58,520 --> 00:29:00,720 Speaker 2: the episode does that too, because you go back to 490 00:29:00,840 --> 00:29:05,400 Speaker 2: that same space where you started. But yeah, and you 491 00:29:05,440 --> 00:29:10,480 Speaker 2: can tell. It's horrifying because you don't really have this 492 00:29:10,920 --> 00:29:14,440 Speaker 2: in the game, but having the people who are breathing 493 00:29:14,480 --> 00:29:16,680 Speaker 2: out the spores and who are just sort of being 494 00:29:16,800 --> 00:29:20,360 Speaker 2: used to breathe out the spores. One of them is Leon, 495 00:29:20,480 --> 00:29:24,000 Speaker 2: but one of them is somebody in scrubs who's presumably 496 00:29:24,040 --> 00:29:31,000 Speaker 2: been there since at break day. That's hm, that's horrible. 497 00:29:32,200 --> 00:29:36,640 Speaker 2: That's horrible. It's also clearly a very quick infection because 498 00:29:38,240 --> 00:29:42,920 Speaker 2: when Eliza's telling story, she says, you know, five minutes 499 00:29:42,960 --> 00:29:46,320 Speaker 2: had passed between Leon saying he was okay to oh no, 500 00:29:46,520 --> 00:29:53,080 Speaker 2: seal it. Oh. So that's scary. Also, this made me 501 00:29:53,280 --> 00:29:57,080 Speaker 2: think of one of the greatest friend actions you've ever 502 00:29:57,120 --> 00:30:00,800 Speaker 2: done for me, Samantha, when we went to the Hunted 503 00:30:01,200 --> 00:30:06,680 Speaker 2: the Last of Us Haunted House in La they had spores. 504 00:30:07,440 --> 00:30:10,200 Speaker 2: They had like a little you would walk in a 505 00:30:10,280 --> 00:30:12,080 Speaker 2: room and you could see the sports and it was 506 00:30:12,120 --> 00:30:14,840 Speaker 2: really cool. It was a really cool effect. But also 507 00:30:15,560 --> 00:30:20,080 Speaker 2: our friend Marissa, she one time we were playing this 508 00:30:20,200 --> 00:30:24,080 Speaker 2: game and she got an idea and if you know Marissa, 509 00:30:24,240 --> 00:30:26,880 Speaker 2: let me tell you, when she gets an idea, it 510 00:30:26,960 --> 00:30:29,960 Speaker 2: is there. And she wanted to do a Haunted house 511 00:30:30,000 --> 00:30:33,600 Speaker 2: of this part the hospital. She was like, this is it. 512 00:30:33,960 --> 00:30:34,760 Speaker 2: Here's how we're. 513 00:30:34,600 --> 00:30:38,400 Speaker 3: Going to do. I have a plan, this is what 514 00:30:38,440 --> 00:30:38,880 Speaker 3: we're doing. 515 00:30:39,120 --> 00:30:41,160 Speaker 2: Oh And we kept like kind of moving on and 516 00:30:41,200 --> 00:30:43,680 Speaker 2: then she would suddenly be like, but we could also 517 00:30:43,920 --> 00:30:50,240 Speaker 2: do it was great, It was great. But also, this 518 00:30:50,320 --> 00:30:55,680 Speaker 2: is what Ellie sees in the basement is a very 519 00:30:55,760 --> 00:31:01,040 Speaker 2: advanced stage of infection. And we've seen some of those stages. 520 00:31:01,120 --> 00:31:04,200 Speaker 2: You've got your runners, you got your Stockers, the smart one, 521 00:31:04,280 --> 00:31:07,560 Speaker 2: you got air bloater. This is a different thing. They do. 522 00:31:08,040 --> 00:31:11,840 Speaker 2: The infected adapt based on environment. So if you're near water, 523 00:31:11,960 --> 00:31:15,120 Speaker 2: they look and act differently, if you're near snow, they 524 00:31:15,160 --> 00:31:19,160 Speaker 2: look and act differently. I hate to do it, but 525 00:31:19,200 --> 00:31:21,680 Speaker 2: I got to do it. They're really teasing this Ratking thing. 526 00:31:23,200 --> 00:31:26,640 Speaker 2: So when Ellie turns on the power this is a 527 00:31:26,840 --> 00:31:31,360 Speaker 2: horrible idea in the game. You turn on that generator, 528 00:31:31,640 --> 00:31:33,280 Speaker 2: they all be coming. 529 00:31:33,720 --> 00:31:36,320 Speaker 3: That's so low, That's what I'm saying this, Why would 530 00:31:36,360 --> 00:31:36,760 Speaker 3: you do this? 531 00:31:37,280 --> 00:31:43,040 Speaker 2: Yes, but I've mentioned in the game you can hear 532 00:31:43,320 --> 00:31:46,440 Speaker 2: the rat King if you know what you're listening for. 533 00:31:46,800 --> 00:31:50,040 Speaker 2: There is something that sounds like it. They do have 534 00:31:50,040 --> 00:31:54,600 Speaker 2: the same soundscaping, but I don't I think it's a 535 00:31:54,680 --> 00:31:59,200 Speaker 2: reach to say it's actually the rat King, but we 536 00:31:59,280 --> 00:32:04,440 Speaker 2: must we must acknowledge B one, B two, what's in 537 00:32:04,600 --> 00:32:08,760 Speaker 2: B three. Yeah, this is not the end of the 538 00:32:08,760 --> 00:32:24,600 Speaker 2: hospital for sure. This also, okay, brings us to Dina's pregnancy. 539 00:32:26,640 --> 00:32:28,560 Speaker 2: Like I said, she's handling it way better than she 540 00:32:28,640 --> 00:32:32,440 Speaker 2: did in the game. She was like so sick with 541 00:32:32,960 --> 00:32:36,520 Speaker 2: morning sickness all of the time. But we get this 542 00:32:36,600 --> 00:32:39,800 Speaker 2: story of her first kill in response to Ellie being like, 543 00:32:40,160 --> 00:32:42,600 Speaker 2: I shouldn't have brought you here when I was thinking 544 00:32:43,680 --> 00:32:45,840 Speaker 2: she has a story like that in the game that 545 00:32:45,920 --> 00:32:51,400 Speaker 2: she mentions in passing and it's after So in the game, 546 00:32:51,520 --> 00:32:56,160 Speaker 2: Tommy went first and then Ellie and Dina follow after 547 00:32:56,280 --> 00:33:00,880 Speaker 2: Tommy and they find it's in that but hotel that 548 00:33:00,960 --> 00:33:04,120 Speaker 2: you stated that I didn't get to go to Hotels Wind. 549 00:33:04,480 --> 00:33:07,280 Speaker 3: It was like a three day later where I was like, yeah, 550 00:33:07,320 --> 00:33:08,880 Speaker 3: we just went to say that this really nice and 551 00:33:08,960 --> 00:33:10,040 Speaker 3: sell You're like what. 552 00:33:10,520 --> 00:33:14,600 Speaker 2: I was like, what it's like the only location on 553 00:33:14,640 --> 00:33:16,440 Speaker 2: my last one was two map I didn't go to 554 00:33:16,520 --> 00:33:16,720 Speaker 2: and so. 555 00:33:17,600 --> 00:33:21,440 Speaker 3: We did it vicariously for you too. 556 00:33:26,720 --> 00:33:31,200 Speaker 2: But anyway, you go in there and you find these 557 00:33:31,240 --> 00:33:34,120 Speaker 2: bodies who have been tortured in the way that you 558 00:33:34,200 --> 00:33:38,880 Speaker 2: know Joel does it from the first game, and Ellie's like, oh, 559 00:33:38,920 --> 00:33:41,880 Speaker 2: it was Tommy and this is how it works. And 560 00:33:42,280 --> 00:33:44,720 Speaker 2: later she says to Tina, I hope you're not judging 561 00:33:45,720 --> 00:33:49,000 Speaker 2: Tommy too harshly for this, and Dina says, no, if 562 00:33:49,040 --> 00:33:51,120 Speaker 2: I had the people who killed my sister tied to 563 00:33:51,160 --> 00:33:53,760 Speaker 2: a chair and would have done worse. So that's kind 564 00:33:53,840 --> 00:33:59,760 Speaker 2: of the extent of what she says, but it is 565 00:33:59,800 --> 00:34:04,520 Speaker 2: like another the reminder of the whole, like trauma on 566 00:34:04,560 --> 00:34:08,240 Speaker 2: top of trauma, because she says like, it doesn't matter 567 00:34:09,160 --> 00:34:12,120 Speaker 2: if if my family had done something something to them first, 568 00:34:13,200 --> 00:34:18,319 Speaker 2: would I have cared? No, But then you're creating that 569 00:34:18,360 --> 00:34:23,560 Speaker 2: trauma for someone else, so it just keep keeps going. 570 00:34:23,600 --> 00:34:27,560 Speaker 2: But she did give Ellie the choice where she was like, 571 00:34:27,600 --> 00:34:29,640 Speaker 2: I will go back if you want. I'll keep going 572 00:34:29,680 --> 00:34:31,680 Speaker 2: if you want, which I thought was interesting because so 573 00:34:31,719 --> 00:34:34,560 Speaker 2: far she has been much more into the let's avenged 574 00:34:34,600 --> 00:34:38,120 Speaker 2: ol thing than she is in the game. But she 575 00:34:38,239 --> 00:34:42,200 Speaker 2: did she was like, if I die, that's on me. 576 00:34:42,920 --> 00:34:45,640 Speaker 2: Take that out of the equation. Do you want to 577 00:34:45,719 --> 00:34:49,640 Speaker 2: keep going? I will go And I love that scene. 578 00:34:50,000 --> 00:34:53,560 Speaker 2: Bella Ramsay did so great in that scene because Ellie 579 00:34:53,600 --> 00:34:59,359 Speaker 2: is like, yeah, I do, let's keep going. But this 580 00:34:59,440 --> 00:35:02,000 Speaker 2: is this is where so many of the like moral 581 00:35:02,360 --> 00:35:04,680 Speaker 2: quandaries and arguments of the last one was coming, because 582 00:35:04,719 --> 00:35:09,879 Speaker 2: you're like, well, Abby saw this thing, and she did this, 583 00:35:10,719 --> 00:35:13,040 Speaker 2: and Ellie wasn't supposed to be there, but they did 584 00:35:13,200 --> 00:35:15,880 Speaker 2: do it even though Ellie was there, Like you just 585 00:35:15,920 --> 00:35:21,839 Speaker 2: get stuck in the cycle of dns. But Dina does 586 00:35:21,880 --> 00:35:25,839 Speaker 2: say I would have hunted him down forever, which I'm 587 00:35:25,920 --> 00:35:31,480 Speaker 2: just gonna say is very ominous. Also, yes, Dina is 588 00:35:31,600 --> 00:35:34,960 Speaker 2: your map person. She is the best. They've really leaned 589 00:35:34,960 --> 00:35:37,719 Speaker 2: into this whole dynamic of Dina being the smart one 590 00:35:37,800 --> 00:35:41,640 Speaker 2: and Ellie being the barn and she is I mean 591 00:35:41,640 --> 00:35:44,399 Speaker 2: in a game, she is. She's the one that's making 592 00:35:44,400 --> 00:35:46,719 Speaker 2: the plays and like, no, we shouldn't do this, but 593 00:35:46,760 --> 00:35:49,600 Speaker 2: they've really leaned into it. In the show. They also 594 00:35:49,640 --> 00:35:52,120 Speaker 2: have a moment they don't have in the game where 595 00:35:53,239 --> 00:35:55,239 Speaker 2: Dina says, you know, you're kind of crazy, but that's 596 00:35:55,239 --> 00:35:57,560 Speaker 2: why I love you, and Ellie's like, oh love me, 597 00:35:58,800 --> 00:36:03,279 Speaker 2: which is very sweet, very see once again feel her love, 598 00:36:05,680 --> 00:36:09,839 Speaker 2: but also once again fear of ending up alone, which 599 00:36:09,880 --> 00:36:13,239 Speaker 2: is Ellie's biggest fear, and I think this is kind 600 00:36:13,239 --> 00:36:20,880 Speaker 2: of why she is going back and forth about Dina 601 00:36:21,160 --> 00:36:25,359 Speaker 2: and pretty much sacrificing herself. At that scene with the Stalkers, 602 00:36:25,800 --> 00:36:27,960 Speaker 2: she was like, yeah, if one of us can live, 603 00:36:28,000 --> 00:36:32,399 Speaker 2: I want you to live. So we have that, then, yes, 604 00:36:32,880 --> 00:36:35,840 Speaker 2: we do have the theater. The theater, as we've said, 605 00:36:36,160 --> 00:36:41,160 Speaker 2: is like your bass. It's really visually interesting. I love it. 606 00:36:42,040 --> 00:36:48,600 Speaker 2: And Ellie plays the song the song which is Future 607 00:36:48,680 --> 00:36:52,320 Speaker 2: Days by Pearl Jam, and by the way, Pearl Jam 608 00:36:52,480 --> 00:36:56,919 Speaker 2: not only loves this, has given their full signature on it, 609 00:36:57,760 --> 00:37:00,600 Speaker 2: they are releasing a Last of Us album. 610 00:37:01,360 --> 00:37:05,440 Speaker 3: They did a pre release immediately after this episode. Like 611 00:37:05,560 --> 00:37:07,560 Speaker 3: I saw that from someone who was like a giant 612 00:37:07,600 --> 00:37:10,359 Speaker 3: fan of Pearl Jam, was like, what the hell, why 613 00:37:10,400 --> 00:37:11,400 Speaker 3: would you exploit this? 614 00:37:12,160 --> 00:37:18,560 Speaker 2: I just bought it. I'm like, you do it, man. 615 00:37:18,800 --> 00:37:20,480 Speaker 2: I love it. And the song at the end of 616 00:37:20,480 --> 00:37:26,200 Speaker 2: the credits is present sense. It's Pearl Jim song. Yeah yeah, 617 00:37:26,280 --> 00:37:29,920 Speaker 2: but anyway, the song in question, future Days I'd Surely 618 00:37:29,960 --> 00:37:34,279 Speaker 2: Lose Myself, is the song they used in the main 619 00:37:34,400 --> 00:37:37,080 Speaker 2: trailer for the second season, but it is a song 620 00:37:37,160 --> 00:37:41,400 Speaker 2: that is like the heart of a lot of the game. 621 00:37:42,239 --> 00:37:49,240 Speaker 2: It is a through line throughout. As we've said, Ellie 622 00:37:49,600 --> 00:37:53,200 Speaker 2: clearly has this connection to music. A part of her 623 00:37:54,360 --> 00:37:56,960 Speaker 2: connects to it because of Joel, and Joel taught her 624 00:37:57,000 --> 00:37:59,799 Speaker 2: how to play the guitar and he taught her this. 625 00:38:00,960 --> 00:38:05,719 Speaker 2: And when she is singing it, she can't finish it, like, 626 00:38:05,880 --> 00:38:10,279 Speaker 2: can't even get through the first line. And if you 627 00:38:10,320 --> 00:38:13,680 Speaker 2: haven't heard this song, she says, basically, if I ever 628 00:38:13,800 --> 00:38:18,239 Speaker 2: were to lose you, I'd surely lose myself. So she 629 00:38:18,440 --> 00:38:23,080 Speaker 2: tries to sing that and then she can't. Oh that song. 630 00:38:23,360 --> 00:38:27,080 Speaker 2: I don't think that song will ever. There's a lot 631 00:38:27,120 --> 00:38:31,759 Speaker 2: of her Oh God, yes, I think we Then we 632 00:38:31,840 --> 00:38:36,040 Speaker 2: have the maybe not that's different question, different quote. 633 00:38:36,120 --> 00:38:41,840 Speaker 3: Yeah, we've seen things we've seen. Then Nora say, we 634 00:38:41,960 --> 00:38:42,760 Speaker 3: let you survive. 635 00:38:43,719 --> 00:38:47,239 Speaker 2: Uh, she says, we let you live, we let you live. 636 00:38:47,840 --> 00:38:50,319 Speaker 3: Yeah, so we've got something that says we let you live, 637 00:38:50,920 --> 00:38:54,439 Speaker 3: not not dot Yeah, but not that one. 638 00:38:54,960 --> 00:38:59,920 Speaker 2: Yeah, it gets me. I remember we were in Seattle 639 00:39:00,600 --> 00:39:03,200 Speaker 2: when that trailer came out and I texted you and 640 00:39:03,239 --> 00:39:05,560 Speaker 2: your partner and I was just like the sad crying 641 00:39:05,600 --> 00:39:08,280 Speaker 2: face and your partner was like it was the song, 642 00:39:08,480 --> 00:39:14,200 Speaker 2: wasn't it? And I was like, Yes, it's gonna be. 643 00:39:14,760 --> 00:39:24,320 Speaker 2: It's gonna be throughout and I do love it. Anyway, 644 00:39:24,960 --> 00:39:31,000 Speaker 2: we also get the introduction the reintroduction of Jesse and Tommy. 645 00:39:32,120 --> 00:39:36,120 Speaker 2: As mentioned, Tommy and the game is already causing chaos, 646 00:39:36,640 --> 00:39:40,720 Speaker 2: and here it's implied Jesse. It's implied. It's said Jesse 647 00:39:40,840 --> 00:39:45,360 Speaker 2: and Tommy split up and they're gonna meet Tommy in 648 00:39:45,360 --> 00:39:48,879 Speaker 2: the morning and then go back to Jackson, to which 649 00:39:48,920 --> 00:39:52,840 Speaker 2: Ellie is like, oh what, no thanks, And then Dina 650 00:39:52,960 --> 00:39:57,640 Speaker 2: interestingly is like Ellie because I think she realized they 651 00:39:57,680 --> 00:40:01,239 Speaker 2: almost died right there. They've bitten off more than they 652 00:40:01,239 --> 00:40:05,600 Speaker 2: can chew and they can't do this. But Ellie is 653 00:40:05,640 --> 00:40:10,680 Speaker 2: like nope. But Jesse does come back, kind of similarly 654 00:40:10,760 --> 00:40:14,600 Speaker 2: in the games. It's actually really cool scene. They couldn't 655 00:40:14,640 --> 00:40:16,279 Speaker 2: have done it in the show, but it was a 656 00:40:16,320 --> 00:40:19,839 Speaker 2: really cool like the car is going out of control 657 00:40:20,120 --> 00:40:29,600 Speaker 2: and you're fighting, and anyway, I am very happy he 658 00:40:29,680 --> 00:40:33,440 Speaker 2: showed up. And they also did the thing I mentioned, 659 00:40:34,239 --> 00:40:37,480 Speaker 2: which is in the trailers or they were gaslighting all 660 00:40:37,480 --> 00:40:40,799 Speaker 2: of us, or they made you think that Joel survived 661 00:40:41,400 --> 00:40:44,520 Speaker 2: and it was Jesse at that point where Ellie thinks 662 00:40:45,480 --> 00:40:48,640 Speaker 2: she's hurt and she's kind of not seeing straight and 663 00:40:48,680 --> 00:40:53,360 Speaker 2: she sees Jesse she thinks it's Joel for a minute, 664 00:40:54,160 --> 00:40:58,719 Speaker 2: and that I think is a throwback too. Yeah, we 665 00:40:58,800 --> 00:41:03,360 Speaker 2: remember what we did. You we haven't forgotten. I know 666 00:41:03,440 --> 00:41:10,200 Speaker 2: you haven't, but I do, like I don't know, Like 667 00:41:10,239 --> 00:41:14,240 Speaker 2: I said, I just really like the dynamic between Jesse, Dina, 668 00:41:14,320 --> 00:41:17,520 Speaker 2: and Ellie. I think it's really interesting. I like that 669 00:41:17,560 --> 00:41:19,719 Speaker 2: there's no real enemy, even if they get mad at 670 00:41:19,719 --> 00:41:23,040 Speaker 2: each other, and in here, I really think it's interesting 671 00:41:23,080 --> 00:41:27,400 Speaker 2: that Ellie is jealous that Jesse protected Dina where Ellie couldn't, 672 00:41:28,400 --> 00:41:31,279 Speaker 2: and he's mad because he's like, this could have been 673 00:41:31,360 --> 00:41:35,160 Speaker 2: completely prevented. This was so ridiculous. And as we mentioned, 674 00:41:35,480 --> 00:41:38,560 Speaker 2: we don't know how he voted in that council mode, 675 00:41:38,600 --> 00:41:42,279 Speaker 2: but we suspect he said no. So it's just a 676 00:41:43,080 --> 00:41:48,680 Speaker 2: really interesting dynamic that I enjoy. This is also where 677 00:41:48,719 --> 00:41:51,840 Speaker 2: you kind of as a player in the game. You 678 00:41:51,920 --> 00:41:56,200 Speaker 2: start getting through the walkie talkie, you start hearing rumors 679 00:41:56,200 --> 00:42:01,400 Speaker 2: of an intruder and outsider who you presume to be 680 00:42:01,680 --> 00:42:06,640 Speaker 2: yourself Ellie, but then is Tommy and Jesse and you, 681 00:42:07,120 --> 00:42:09,879 Speaker 2: but there's like all this stuff. You're the chattery you're 682 00:42:09,880 --> 00:42:14,440 Speaker 2: hearing on the radio and they're freaking out. But okay, 683 00:42:14,480 --> 00:42:17,400 Speaker 2: this brings us to Nora's death. The big thing of 684 00:42:17,520 --> 00:42:22,520 Speaker 2: this episode. As I said, this was a devastating This 685 00:42:22,640 --> 00:42:25,880 Speaker 2: was devastating in the game, everybody, I know how to 686 00:42:25,920 --> 00:42:31,439 Speaker 2: pause it and stop. And you get the scene where 687 00:42:31,480 --> 00:42:38,400 Speaker 2: you see Ellie choosing this revenge on Nora and Abby 688 00:42:39,440 --> 00:42:42,160 Speaker 2: over Dina and Jesse because she doesn't know Dina and 689 00:42:42,239 --> 00:42:46,520 Speaker 2: Jesse are safe. We don't know, we don't know. She 690 00:42:46,800 --> 00:42:50,160 Speaker 2: just saw the hospital thought about it. It was like, 691 00:42:50,680 --> 00:42:57,080 Speaker 2: I'm going, I'm gonna get Nora, and they have that 692 00:42:57,239 --> 00:43:02,759 Speaker 2: really intense conversation which is pretty much lined for line 693 00:43:03,360 --> 00:43:06,719 Speaker 2: and have the chase is pretty much just like the game. 694 00:43:06,760 --> 00:43:09,080 Speaker 2: And I had to use your partner a lot because 695 00:43:09,520 --> 00:43:12,600 Speaker 2: he dies at places I assume you could never die, 696 00:43:13,360 --> 00:43:15,080 Speaker 2: but I did diet this part and I didn't know 697 00:43:15,120 --> 00:43:20,040 Speaker 2: you could, so I'll give him that. Basically, if you 698 00:43:20,080 --> 00:43:22,480 Speaker 2: don't follow her quickly enough, she's throwing a lot of 699 00:43:22,520 --> 00:43:27,160 Speaker 2: like roadblocks at you, you lose. It's not necessarily you die, 700 00:43:27,239 --> 00:43:32,240 Speaker 2: it's just like you up. So that's the end of that, right, 701 00:43:33,880 --> 00:43:39,399 Speaker 2: But it's I think one of the reasons. It's so painful, 702 00:43:40,239 --> 00:43:44,360 Speaker 2: is what Nora said was awful. It was like really terrible, 703 00:43:45,239 --> 00:43:47,759 Speaker 2: and you chase her and you're just filled with this 704 00:43:48,040 --> 00:43:53,480 Speaker 2: righteous rage and then you find her and you're standing 705 00:43:53,520 --> 00:43:56,279 Speaker 2: over her in this red light and you have this 706 00:43:56,400 --> 00:44:01,359 Speaker 2: steel pipe that looks like a golf club purposely, and 707 00:44:01,400 --> 00:44:03,719 Speaker 2: it's this character that you played when she was like 708 00:44:03,760 --> 00:44:08,000 Speaker 2: a child and she was, you know, making these puns 709 00:44:08,080 --> 00:44:13,880 Speaker 2: and still very dangerous but relatively innocent for this world. 710 00:44:15,239 --> 00:44:22,440 Speaker 2: And to see this like transformation just horrible. There's a 711 00:44:22,560 --> 00:44:24,719 Speaker 2: there's a great like gift you can find of the 712 00:44:24,719 --> 00:44:32,440 Speaker 2: way her face transforms and that like rage. And then 713 00:44:32,480 --> 00:44:36,680 Speaker 2: it's just focused on her face, on Ellie's face, and 714 00:44:37,000 --> 00:44:45,040 Speaker 2: you just see how far she's willing to go, and 715 00:44:45,360 --> 00:44:49,480 Speaker 2: you just have to keep swinging, and she does. Ellie 716 00:44:49,719 --> 00:44:54,360 Speaker 2: goes for the legs like they did. But Joel, which 717 00:44:54,440 --> 00:44:59,680 Speaker 2: is pretty it's it's awful. It's awful. It's especially awful 718 00:44:59,680 --> 00:45:05,400 Speaker 2: because when you think about it, Norah. Norah at this 719 00:45:05,560 --> 00:45:11,040 Speaker 2: point is the only one that knows Ellie was immune. 720 00:45:11,440 --> 00:45:17,120 Speaker 2: She's the only one that even believed it might be possible. 721 00:45:17,560 --> 00:45:23,800 Speaker 2: So she dies knowing more of the gravity of Joel's 722 00:45:23,800 --> 00:45:31,080 Speaker 2: actions than the rest than the rest do, and I 723 00:45:31,120 --> 00:45:33,880 Speaker 2: do think it's interesting. One of the things I like 724 00:45:33,920 --> 00:45:38,160 Speaker 2: about the second game is that Ellie kind of leans 725 00:45:38,200 --> 00:45:44,160 Speaker 2: into her superpower being immune. They're definitely leaning into it 726 00:45:44,200 --> 00:45:46,680 Speaker 2: more in the show because she's got bitten so many times, 727 00:45:47,400 --> 00:45:49,600 Speaker 2: but like in the game, it is cool to kind 728 00:45:49,600 --> 00:45:55,200 Speaker 2: of see her be like, bite me, go ahead. But 729 00:45:55,280 --> 00:46:00,400 Speaker 2: they're really really leaning leaning into it here, and to 730 00:46:00,480 --> 00:46:04,160 Speaker 2: have Nora have that realization of like, oh wow, this 731 00:46:04,280 --> 00:46:08,080 Speaker 2: could have been what could have been? Oh my gosh, 732 00:46:08,320 --> 00:46:14,720 Speaker 2: Oh my gosh, and just the you know, at this point, 733 00:46:16,160 --> 00:46:21,919 Speaker 2: probably nobody's gonna even try anymore. There are no more fireflies, 734 00:46:22,320 --> 00:46:26,839 Speaker 2: there's there's so it's just really painful. It's like such 735 00:46:26,880 --> 00:46:30,759 Speaker 2: a painful thing. And like I said, I was she 736 00:46:30,920 --> 00:46:33,520 Speaker 2: said that, I was like, I'll get her, but then 737 00:46:33,560 --> 00:46:35,040 Speaker 2: it got me to this point it was like, do 738 00:46:35,120 --> 00:46:37,200 Speaker 2: you really want to do it? I was like, no, 739 00:46:38,239 --> 00:46:55,920 Speaker 2: but I have to. And it's just yep. And also 740 00:46:56,040 --> 00:47:02,480 Speaker 2: we get something information that we've all been wondering about, 741 00:47:02,719 --> 00:47:10,000 Speaker 2: which is Ellie knew what Joel did. I've rered Bella 742 00:47:10,080 --> 00:47:15,439 Speaker 2: Ramsay say that Ellie knew the first the first lie 743 00:47:16,400 --> 00:47:18,239 Speaker 2: but was willing to let it go because of the 744 00:47:18,280 --> 00:47:20,680 Speaker 2: fear of being alone. And then it just you know, 745 00:47:21,080 --> 00:47:24,359 Speaker 2: built up. But this is the point in the game 746 00:47:24,360 --> 00:47:28,120 Speaker 2: where you find out, oh, it was fireflies, I see. 747 00:47:28,520 --> 00:47:33,160 Speaker 2: But she says, you know, very like I don't care. 748 00:47:34,560 --> 00:47:40,960 Speaker 2: I know, she's not showing any signs of empathy, and 749 00:47:41,040 --> 00:47:44,759 Speaker 2: it just feels to me, again, the acting's fantastic, but 750 00:47:44,880 --> 00:47:47,799 Speaker 2: it feels to me like she's reliving that trauma in 751 00:47:47,800 --> 00:47:50,719 Speaker 2: her head. She's seeing Joel die in her head, and 752 00:47:50,760 --> 00:47:54,279 Speaker 2: she's re enacting it in what she thinks will be 753 00:47:55,360 --> 00:47:58,080 Speaker 2: something that will make her feel better, which sounds a 754 00:47:58,160 --> 00:48:03,360 Speaker 2: little bit like happy being kind of stuck in that 755 00:48:04,440 --> 00:48:09,480 Speaker 2: in that trauma. There are several parallels we see in 756 00:48:09,480 --> 00:48:13,839 Speaker 2: this episode between Joel and Ellie. Once somebody pointed out 757 00:48:13,840 --> 00:48:15,439 Speaker 2: to me the other day that I was like, oh, yeah, 758 00:48:15,440 --> 00:48:17,880 Speaker 2: you're right. It's one of those kind of arrogance of 759 00:48:19,400 --> 00:48:22,000 Speaker 2: I see how many wolves there are, I don't care, 760 00:48:22,120 --> 00:48:25,640 Speaker 2: I'll take them on. And then Joel kind of being like, 761 00:48:25,880 --> 00:48:30,680 Speaker 2: wait a minute, a whole hospital full of fireflies going in, 762 00:48:31,800 --> 00:48:35,520 Speaker 2: so we kind of got that, and then the whole 763 00:48:35,719 --> 00:48:41,520 Speaker 2: the motif of the basement, the red lighting the monster 764 00:48:42,120 --> 00:48:47,840 Speaker 2: and Ellie having that really dark revenge moment in that scene. 765 00:48:48,000 --> 00:48:50,759 Speaker 2: I think it's pretty telling if you think about the 766 00:48:52,640 --> 00:48:56,359 Speaker 2: if you watch the coming up next things like I do. 767 00:48:57,520 --> 00:49:01,200 Speaker 2: At the end of that, Joel says, remember what I 768 00:49:01,239 --> 00:49:05,400 Speaker 2: taught you, and I it feels kind of like, maybe 769 00:49:05,400 --> 00:49:07,799 Speaker 2: not the things you wish she would have remembered, but 770 00:49:07,920 --> 00:49:12,160 Speaker 2: she does remember the thing she taught you. But yeah, 771 00:49:12,200 --> 00:49:22,200 Speaker 2: they her and Dina almost died for this revenge. And 772 00:49:24,920 --> 00:49:27,640 Speaker 2: as as I say in every episode we do of this, 773 00:49:28,000 --> 00:49:30,239 Speaker 2: it's the cost. What are you willing to pay? And 774 00:49:30,280 --> 00:49:32,839 Speaker 2: so I think it's interesting that I both think it's 775 00:49:32,880 --> 00:49:37,120 Speaker 2: like giving Dina agency, but it's interesting that Ellie is 776 00:49:37,239 --> 00:49:41,440 Speaker 2: willing to lose Dina, even though it was Dina being like, 777 00:49:41,480 --> 00:49:44,480 Speaker 2: I'll do what you want to do. I'm ready. But 778 00:49:44,560 --> 00:49:49,160 Speaker 2: I do think that's interesting. And Okay, I feel like 779 00:49:49,160 --> 00:49:53,240 Speaker 2: I've addressed most of these, but the game differences morning 780 00:49:53,280 --> 00:49:56,600 Speaker 2: sickness with Dina, that's a big one, the arrow with Ellie, 781 00:49:57,160 --> 00:49:59,799 Speaker 2: Jesse's arrival, and then the whole Tommy situation on which 782 00:49:59,800 --> 00:50:06,839 Speaker 2: I'm very curious, yeah, very curious about random Summer, the horse. 783 00:50:06,800 --> 00:50:09,600 Speaker 3: I Know, Where's you know what? I'd rather just not 784 00:50:09,719 --> 00:50:11,880 Speaker 3: remember the horse. Well. 785 00:50:11,920 --> 00:50:15,600 Speaker 2: I feel like the official Last of Us page released 786 00:50:15,640 --> 00:50:18,200 Speaker 2: like a video about it, and it was just the 787 00:50:18,239 --> 00:50:21,799 Speaker 2: horse chilling so. 788 00:50:20,680 --> 00:50:25,000 Speaker 3: Good in the area, just hanging out with the records. 789 00:50:25,120 --> 00:50:25,600 Speaker 3: All good. 790 00:50:26,239 --> 00:50:31,160 Speaker 2: Yes, I did want to briefly mention I know probably 791 00:50:31,200 --> 00:50:32,480 Speaker 2: a lot of you have seen it. There's been a 792 00:50:32,480 --> 00:50:36,200 Speaker 2: lot of review bombing of this show. I'm not surprised. 793 00:50:36,520 --> 00:50:40,760 Speaker 2: Disappointed as always, but I'm not at all surprised the game. 794 00:50:42,239 --> 00:50:44,719 Speaker 2: When Joel died in the game, it's often called the 795 00:50:44,840 --> 00:50:49,440 Speaker 2: death that broke the Internet. It was bad, it was 796 00:50:49,600 --> 00:50:54,440 Speaker 2: real bad. I don't like it, but I'm just not 797 00:50:55,040 --> 00:50:57,600 Speaker 2: I don't know, I'm not surprised by it. I also 798 00:50:57,680 --> 00:51:00,319 Speaker 2: read something recently that said a lot of and you 799 00:51:00,400 --> 00:51:05,759 Speaker 2: were it's strange because it's kind of like, what is 800 00:51:05,800 --> 00:51:10,200 Speaker 2: this about? But like a lot of the things in 801 00:51:10,239 --> 00:51:13,600 Speaker 2: our lives entertainment wise that feel very one sided are 802 00:51:13,640 --> 00:51:18,400 Speaker 2: like eighty percent bots, which sucks because I was telling 803 00:51:18,400 --> 00:51:22,120 Speaker 2: you there's a whole thing about rotten tomatoes and can't 804 00:51:22,120 --> 00:51:27,719 Speaker 2: trust that anymore. That's for a different episode, but I 805 00:51:27,760 --> 00:51:30,920 Speaker 2: did I have found it interesting. I call it the 806 00:51:31,040 --> 00:51:36,120 Speaker 2: unholy matrimony of gamer Gate. Ros and pedro fangirls because 807 00:51:36,200 --> 00:51:42,200 Speaker 2: Pedro fangirls are there. You got up in there, didn't Oh? Well, yeah, 808 00:51:42,280 --> 00:51:44,560 Speaker 2: I don't know how serious it is. I've read a 809 00:51:44,560 --> 00:51:47,799 Speaker 2: couple things about it, and I saw again I can't 810 00:51:47,840 --> 00:51:50,560 Speaker 2: get any layout of the land of eighty percent of 811 00:51:50,560 --> 00:51:54,279 Speaker 2: its bots, but I do know that some of that 812 00:51:54,320 --> 00:51:59,480 Speaker 2: does exist. Some of it I think is jokingly. But anyway, 813 00:52:00,480 --> 00:52:05,640 Speaker 2: that segues into the next thing. Naughty Dog, which is 814 00:52:05,680 --> 00:52:11,160 Speaker 2: the company behind the Last of Us, has started this 815 00:52:11,280 --> 00:52:14,080 Speaker 2: new thing where they boot camp that's what they call it, 816 00:52:14,160 --> 00:52:20,239 Speaker 2: boot camping new actors because they know this kind of 817 00:52:20,280 --> 00:52:26,160 Speaker 2: backlash and hatred exists. I've always wondered about this because sometimes, 818 00:52:26,200 --> 00:52:28,759 Speaker 2: you know, like they had with Abby, they had to 819 00:52:28,760 --> 00:52:33,880 Speaker 2: be like this is going to happen, and it's been 820 00:52:33,920 --> 00:52:37,880 Speaker 2: a big conversation about protecting actors who play these characters 821 00:52:38,040 --> 00:52:42,640 Speaker 2: or what have you, and how a lot of studios 822 00:52:42,640 --> 00:52:45,000 Speaker 2: haven't been great at it. So I don't know. I mean, 823 00:52:45,000 --> 00:52:47,800 Speaker 2: it's one of those things where I've always been curious 824 00:52:47,800 --> 00:52:51,799 Speaker 2: about that. But it does suck that has to be 825 00:52:51,840 --> 00:52:55,799 Speaker 2: a thing at all, Yeah, But if it has to 826 00:52:55,840 --> 00:52:58,200 Speaker 2: be a thing at all, I would prefer they're at 827 00:52:58,280 --> 00:53:04,640 Speaker 2: least trying to do something about it. Right. Oh good 828 00:53:05,640 --> 00:53:13,520 Speaker 2: h Anyway, the next episode looks like we're getting the 829 00:53:13,600 --> 00:53:18,880 Speaker 2: flashbacks that we mentioned, right, which is different than the 830 00:53:18,960 --> 00:53:21,759 Speaker 2: game where they came kind of sporadically. I think you're 831 00:53:21,760 --> 00:53:24,759 Speaker 2: going to put them in one episode. So if you've 832 00:53:24,760 --> 00:53:27,920 Speaker 2: been missing Pedro Pascal, unless they're gaslighting us once again 833 00:53:28,400 --> 00:53:35,040 Speaker 2: once again, then the next episode, I'm excited. I'm excited. 834 00:53:35,320 --> 00:53:39,040 Speaker 2: Uh yes, well, listeners, I hope you enjoyed this, even 835 00:53:39,080 --> 00:53:44,040 Speaker 2: if you don't watch, or maybe you do and you're like, still, 836 00:53:44,120 --> 00:53:47,439 Speaker 2: this is a lot more than I do. But hey, 837 00:53:47,480 --> 00:53:50,080 Speaker 2: I hope you enjoy it. If you have any thoughts, 838 00:53:50,080 --> 00:53:52,160 Speaker 2: you can email us at Hello at stuff Weever Told 839 00:53:52,160 --> 00:53:54,279 Speaker 2: You dot com. You can find us on the sky 840 00:53:54,320 --> 00:53:57,120 Speaker 2: at mom Stuff podcast, or on Instagram and TikTok at 841 00:53:57,120 --> 00:53:59,799 Speaker 2: Stuff I Never Told You. We're also on YouTube. We 842 00:53:59,840 --> 00:54:01,520 Speaker 2: have a public store and with book you can get 843 00:54:01,600 --> 00:54:04,000 Speaker 2: wherever you get your books. Thanks a Zoways to our 844 00:54:04,000 --> 00:54:06,760 Speaker 2: super Christine or executive pducer My and your contributor Joey. 845 00:54:06,880 --> 00:54:09,440 Speaker 2: Thank you, and thanks to you for listening Stuff I've 846 00:54:09,440 --> 00:54:10,960 Speaker 2: Never Told You. Suspription of My Heart Radio for more 847 00:54:10,960 --> 00:54:12,360 Speaker 2: podcast from my heart Radio. You can check out the 848 00:54:12,400 --> 00:54:14,239 Speaker 2: heart Radio app, Apple podcast, or wherever you listen to 849 00:54:14,280 --> 00:54:15,319 Speaker 2: your favorite shows.