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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, Girl Drama, Girl,

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Speaker 2: all about.

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Speaker 3: Them high school queens. We'll take you for a ride.

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Speaker 4: And our comic girl cheering for the right teams.

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Speaker 2: Drama, Queens of girl fashion, but your tough girl, you

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Speaker 2: could sit with us.

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Speaker 3: Girl Drama, Queen Drama, Queens Drama, Queens Drama, Drahna Queens

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Speaker 3: Drama Queens. Okay, how's it going everybody out there? Oh boy,

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Speaker 3: do we have some fun stuff coming up for you.

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Speaker 4: I can't believe we're starting season nine. I also cannot believe.

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Speaker 4: I mean I can because we have the best fans

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Speaker 4: in the world. But we announced a live show for

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Speaker 4: Wilmington and sold out in like under an.

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Speaker 3: Hour, and what real, unreal. You guys are the best.

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Speaker 3: Thank you so much for showing up for us.

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Speaker 1: The Eras tour didn't even sell out.

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Speaker 3: I don't know about it.

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Speaker 1: We may not fill arenas, but we sell out faster

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Speaker 1: than Tea Swift.

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Speaker 3: That's going on my bio from No on rap.

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Speaker 4: I have set well and we are so lucky that

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Speaker 4: the wonderful folks organizing the convention were able to add

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Speaker 4: one hundred extra seats because we sold out so fast

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Speaker 4: and then those sold out so fast that we kind

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Speaker 4: of have come up with a good plan.

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Speaker 3: I think, Robert, tell them what they've won.

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Speaker 5: We're flying all of you who didn't get tickets down

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Speaker 5: to meet us. No I'm kidding.

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Speaker 1: What we are going to do for those of you

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Speaker 1: that weren't able to get a ticket or you are

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Speaker 1: just too far away to make the trip, which we

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Speaker 1: totally get. We are going to live stream the event.

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Speaker 1: So what that means is the tickets will go on sale.

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Speaker 1: You buy a ticket, and then you can watch it

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Speaker 1: all while it happens.

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Speaker 3: For sure, you don't want to miss out on this.

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Speaker 3: So okay, it's available on November fifth at five pm PST.

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Speaker 3: You can watch it for a week and the tickets

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Speaker 3: are going on sale at VP dot com, so v

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Speaker 3: Epsnpeter dot com and they're twenty bucks. Guys, nineteen ninety nine.

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Speaker 4: Come hang with us no matter where in the world

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Speaker 4: you are. I actually have no idea what's going to

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Speaker 4: be in store for you. And that's kind of the

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Speaker 4: fun thing. It's a live show. It's gonna be pure Shenanigans.

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Speaker 1: And you know what's great about it is that you

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Speaker 1: don't have to figure an outfit out.

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Speaker 5: You don't have to worry about.

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Speaker 1: Maybe being stuck next to someone who's chewing gum loudly

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Speaker 1: or you do. If you're like me, You don't have

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Speaker 1: to worry about only bringing snacks that don't make a

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Speaker 1: lot of noise when you open them. You can be

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Speaker 1: as loud as you want because we can't hear you

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Speaker 1: from your living room, So go ahead, snack your best life,

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Speaker 1: wear your comfiest clothes, enjoy the show.

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Speaker 3: Or you could plan like a watch party with your

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Speaker 3: friends and then actually, yes, you want to make sure

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Speaker 3: you know what you're wearing because you're putting together an outfit.

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Speaker 3: You guys gonna dress up like characters from the show.

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Speaker 3: It's near Halloween. How how into it are you going

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Speaker 3: to get watch party at your house?

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Speaker 4: You know, I like all the options, and if you

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Speaker 4: want to have a hybrid option of Joy's plan and

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Speaker 4: Rob's plan, you could go for my plan, which is

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Speaker 4: watch party with friends all in pajamas and bonus points

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Speaker 4: for face masks. No matter how you watch, we want

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Speaker 4: to see it. Send us your photos, tag us in

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Speaker 4: your videos. We are so excited to celebrate with all

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Speaker 4: of you. So if you want to join us on

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Speaker 4: the live stream, hit veep v as in Victor ee

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Speaker 4: P as in Peter.

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Speaker 5: Did you say?

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Speaker 3: I did say?

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Speaker 4: You did? I wanted to make sure I got the

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Speaker 4: right one viep dot com and we will see you

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Speaker 4: there in the meantime. Are you ready?

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Speaker 3: Are you ready for it?

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Speaker 5: Hey? Man?

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Speaker 1: This episode started off red hot and did not let

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Speaker 1: this is how you kick a season off?

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Speaker 5: Man? Yeah?

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Speaker 3: Hell yeah? What an episode?

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Speaker 5: I mean?

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Speaker 3: This was okay, Well, let's read the thing right. Season nine,

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Speaker 3: episode one, Know This We've Noticed, which aired January eleventh,

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Speaker 3: twenty twelve. As Brooke and Julian began to adjust to

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Speaker 3: life with their new children, Haley and Nathan find themselves

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Speaker 3: dealing with similar issues. Are they dealing with similar issues?

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Speaker 3: I'm not convinced. Although they don't know it yet, faces

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Speaker 3: from the past threatened to interrupt plans for all their futures,

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Speaker 3: and meanwhile, a mysterious problem arises for Clay and Quinn.

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Speaker 3: I find the synopsis to be wholly inadequate.

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Speaker 4: I do too. It's very underwhelming for a fantastic episode.

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Speaker 5: I want all of our producers behind the scenes to just.

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Speaker 1: Feel terrible right now about what you've done to the

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Speaker 1: drama Queen's podcast. Now, I'm just kidding, Hannah. You all

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Speaker 1: do great, No, you do.

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Speaker 3: You guys doing a great job.

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Speaker 5: That's actually because I'm with you.

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Speaker 1: I hadn't read it until this moment, and it is

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Speaker 1: Are they trying to say that Haley and Nathan are

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Speaker 1: dealing with a familiar issue?

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Speaker 3: Well, first of all, I thought they'd get these synopsis,

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Speaker 3: these synopsis off the internet somewhere, I think so, I

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Speaker 3: think so. I'm sorry. I really didn't mean to insult producers.

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Speaker 3: That wasn't my attention. But I do think that Nathan

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Speaker 3: and Hayley are going through I don't know if it's

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Speaker 3: life with the new kids, like, that's not quite the

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Speaker 3: same thing. It's more like he's gone and she's I

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Speaker 3: guess she's holding down the homestead.

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Speaker 4: Well, and they have a relatively new baby.

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Speaker 3: Yeah, so there's some domestic you know issues they're figuring out.

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Speaker 4: So yeah, okay, okay, yeah, new new adjustment could be

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Speaker 4: worded better. Our producers are clarifying that no, they do

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Speaker 4: not write these, they do get them off the internet,

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Speaker 4: and they agree that they're terrible.

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Speaker 3: So here we are, okay, Okay, Well, Look what an opening.

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Speaker 3: I mean, Okay, here's what we have. We have Dan

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Speaker 3: is cocking a gun and Chris Keller is with him,

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Speaker 3: with him in the car, bizarre. Then we've got Chase

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Speaker 3: spattered with blood in the back of a police car.

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Speaker 5: Then we have.

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Speaker 3: Clay yelling at Quinn like.

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Speaker 5: Get out of here.

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Speaker 4: I don't watch you here.

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Speaker 3: Then we have Brooke rashing a diner, the diner right

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Speaker 3: like the one in town Hailey is I ding a

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Speaker 3: body at the morgue and Julian is getting the chi

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Speaker 3: kicked out of him, and some massive houses on fire.

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Speaker 3: Maybe it's a diner now we know, but yeah, goodness, yeah.

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Speaker 1: I mean walled wall like in the opening voiceover of

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Speaker 1: Nathan is so good and ominous, and again like, what

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Speaker 1: is on fire in front of this man?

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Speaker 5: Oh my god? That man is Dan Scott. Terrific.

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Speaker 1: We've been thirsty for Dan Scott and then all of

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Speaker 1: a sudden we got Dan Scott and Chris Keller in

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Speaker 1: an episode of True Detective. We have Chase in an

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Speaker 1: episode of Cops. We have Julian and the feature of

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Speaker 1: fight club, and we have Clay who clearly needs a snack.

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Speaker 1: And I guess currently Brooke does too, like everyone was angry.

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Speaker 3: I love your recap. Wait, you should have been doing

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Speaker 3: this the whole time. It's so good.

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Speaker 4: He's like, I know what's wrong with those two? They

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Speaker 4: need some carps. They're angry.

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Speaker 1: That also might have just been me projecting, because I

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Speaker 1: know that Sophie and I our lives are so food centric.

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Speaker 1: That probably probably wasn't that, but that was my brain

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Speaker 1: first went.

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Speaker 3: I think what I.

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Speaker 4: Love about it is it was such a big jump

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Speaker 4: when we skipped ahead to season five and everyone was

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Speaker 4: coming home after four years and you had to figure

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Speaker 4: out where they'd all been, and you were learning in

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Speaker 4: these tidbits of flashback and the start of season nine

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Speaker 4: all plays and flash forward, and it's so smart. It's

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Speaker 4: a device we know, but a new version of it,

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Speaker 4: and you're seeing things that make absolutely no sense once

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Speaker 4: you get out of the teaser, but you just can't wait,

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Speaker 4: and especially especially the Dan Scott bit, because when his

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Speaker 4: diner's burning and he's standing there and you think, oh God,

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Speaker 4: something's happened, but he does. He look upset, and then

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Speaker 4: the way he approaches Haley. It made all the hairs

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Speaker 4: on the back of my next stand up. It made

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Speaker 4: me feel so uneasy.

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Speaker 5: He was so very Dan Scott doing Dan Scott things.

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Speaker 3: But in a way we've never seen before. I have

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Speaker 3: never seen that level of fragility displayed from Dan Scott

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Speaker 3: in the entire nine seasons of the show. So I

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Speaker 3: think that's why Haley gave in, because it was so

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Speaker 3: seemingly out of character for him. So either he's really

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Speaker 3: had a life change and something is different, or he's

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Speaker 3: just super duper upgraded his manipulative tactics.

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Speaker 1: It was also a smart device to open the season

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Speaker 1: with because we ended season eight because we didn't know

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Speaker 1: the future of the show on a very overwhelmingly positive note,

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Speaker 1: so that if it was the end of the show,

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Speaker 1: I think it would have left the viewers satisfied and

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Speaker 1: happy that they're the people they like had a good ending.

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Speaker 1: It was a great intro to be like, Okay, remember

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Speaker 1: how things were great not for long?

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Speaker 5: Yeah, buckle up.

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Speaker 3: Yeah yeah. The promise of what is coming this season

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Speaker 3: is delicious, delicios. So this is the insomnia episode basically

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Speaker 3: like Nobody Can Sleep, which I love that as a

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Speaker 3: device as well, the tie in for where everybody's at,

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Speaker 3: and it feels the sense of nostalgia that they tapped

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Speaker 3: into for that also is really great because I feel

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Speaker 3: like everybody can relate to that. I'm sure everyone can

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Speaker 3: relate to that on some level.

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Speaker 4: One of the things that I loved too, that the

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Speaker 4: device works so well for each of these people. You know,

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Speaker 4: for what you're dealing with is Haley with Nathan on

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Speaker 4: the road, and you know what it feels like when

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Speaker 4: your partner has to leave all the time, Rob with

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Speaker 4: what Clay is going through and how scary it is

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Speaker 4: for Quinn and leaving us as an audience not quite

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Speaker 4: understanding why Clay's not taking it so seriously, but maybe

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Speaker 4: it's to try to, you know, lessen her stress. Who knows.

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Speaker 4: And then the classic device of Oh, I have a

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Speaker 4: kid that doesn't sleep two in fact, yeah, and I'm

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Speaker 4: driving them around in the car. I remember reading it

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Speaker 4: and going, God, I love this, and then catching the

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Speaker 4: scene where I was going to stop at a stoplight,

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Speaker 4: look over at all the kids outside the bar, the

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Speaker 4: kids we used to be, and then be one of

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Speaker 4: the kids, and I remember how smart it was. Carol

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Speaker 4: our wardrobe supervisor said, Oh, let's go into the archives

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Speaker 4: in the warehouse.

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Speaker 3: Oh, I recognize that outfit.

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Speaker 4: Yeah, so they actually pulled an outfit I'd worn like

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Speaker 4: eight years prior in high school, and it was so smart.

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Speaker 3: That was one of my favorite moments of the episode.

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Speaker 3: I loved that so much. It was immediately drew me

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Speaker 3: right into every time I've driven past a place that

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Speaker 3: I visited or hung out when I was in high

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Speaker 3: school or when I would live in New York in

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Speaker 3: my late teens early twenties, and I would walk by

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Speaker 3: the same spot over and over again, you know, corners

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Speaker 3: that I had a kiss on with someone. It's like,

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Speaker 3: oh my.

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Speaker 6: Gosh, I love that.

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Speaker 3: I love that we're here. And it wasn't just Brooks nostalgia.

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Speaker 3: It was all of our nostalgia because we grew up

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Speaker 3: in Tree Hill. We all have been with her since

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Speaker 3: the beginning. And man, what a what a rich amount

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Speaker 3: of the story was told just in that quick moment.

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Speaker 3: I loved that.

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Speaker 5: Also, kudos to you, So if that what is it now?

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Speaker 1: Eight years later? You were still able to play high

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Speaker 1: school Brook So I actually had to like rewind to

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Speaker 1: see if we were watching season one footage or if

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Speaker 1: it was just they did the thing in high school.

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Speaker 5: Yeah, I did.

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Speaker 1: Both of you guys had huge wins in that department

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Speaker 1: because so first of all, so if I thought first

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Speaker 1: I was like, oh wait is that old footage?

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Speaker 5: I had to go back. So I was like, well, kudos,

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Speaker 5: because you're doing great. You're not aging. Joy For a moment,

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Speaker 5: I thought you caught Benjamin Button's disease, because I'm watching.

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Speaker 1: The episode going how is she looking younger? Like when

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Speaker 1: is the television magic? What woman has a baby in

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Speaker 1: real life and fake life.

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Speaker 5: And looks younger?

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Speaker 1: And then I realized you also cut your hair, so

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Speaker 1: that might have been part of it.

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Speaker 5: But I was genuinely watching.

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Speaker 1: It going like, these two don't age. You got the

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Speaker 1: Dick Clark deal.

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Speaker 5: You're just like, I'm not going to age for forty years.

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Speaker 3: It's gonna be a great Clark deal.

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Speaker 4: Here's the thing. And this is something I actually have

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Speaker 4: to give kudos, accidental, but still to our producers. We

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Speaker 4: spent the entire decade of our twenties locked in sound

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Speaker 4: stages for seventeen hours a day, So when all of

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Speaker 4: our friends were like traveling and working odd summer jobs

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Speaker 4: and going out and like getting sunburned, we were living

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Speaker 4: like vampires.

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Speaker 3: Oh my god, Sophia, I never once in my life

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Speaker 3: thought that, oh do you think absolutely right? You're absolutely right.

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Speaker 4: We have none of the sun damage all of our

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Speaker 4: friends have.

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Speaker 5: That's crazy.

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Speaker 3: You're so right.

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Speaker 4: I've honestly kind of had to say, like when people

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Speaker 4: are like, really, what's to do, like are you I

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Speaker 4: don't know, are you doing like cryofacials? And I'm like, no,

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Speaker 4: it was it was a true accident. And like back

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Speaker 4: then when we would be so sad that we couldn't

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Speaker 4: go on the family reunion or like the fun birthdays

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Speaker 4: we have time to go to the beach, we didn't

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Speaker 4: even have time, never unless we were shooting there. And

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Speaker 4: I'm like, you know what, honestly, thank you, thank you

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Speaker 4: long days, thank you soundstages, thank you casino time. I will,

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Speaker 4: I will, I will be grateful forever.

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Speaker 3: That's awesome. True, it's so true.

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Speaker 4: So listen, I'll take it. Lock me inside.

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Speaker 3: Yeah, that is so interesting. I loved that.

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Speaker 1: I thought that the all of the all of the

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Speaker 1: brilliant exhaustion, the sleep deprivation storyline.

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Speaker 5: It's so funny.

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Speaker 1: You know how you revisit a show after time has

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Speaker 1: passed and you have changed and you have a new

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Speaker 1: experience with it because I was laughing during the opening

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Speaker 1: scene of You Guys because now that I have little

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Speaker 1: ones and I've been in that spot, ooh, I felt

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Speaker 1: that's so.

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Speaker 5: Deep in my bones.

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Speaker 1: And Julian's jokes about like listen, option be orphanage. Yeah,

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Speaker 1: they're beautiful, someone will take up, someone will.

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Speaker 4: Want them, They're cute.

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Speaker 5: I have had that exact same advance at four in

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Speaker 5: the morning to Jenny. I'm just like, hear me out,

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Speaker 5: what if?

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Speaker 4: What?

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Speaker 3: Yeah? I did like that. You guys did it really well.

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Speaker 3: It's fun to watch the two of you in that position,

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Speaker 3: and it's a good setup for the things that are

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Speaker 3: coming as well. Yeah, it was also good.

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Speaker 4: It felt so fun to play it then. But it's

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Speaker 4: just I'm basically just going to repeat what you're saying.

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Speaker 5: Rob.

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Speaker 4: It's like everyone in my world since has kids. We've

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Speaker 4: all been through this in our own homes and each

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Speaker 4: other's homes so many times. Now that it does it

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Speaker 4: just cuts a little different. And I was laughing at

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Speaker 4: myself realizing like I was just riffing in that fish

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Speaker 4: eye camera, being like, oh, yeah, you don't like it

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Speaker 4: when you don't sleep join the club, you know whatever,

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Speaker 4: And I'm like that is literally how all of us

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Speaker 4: talk to kids, because they're nuts and sometimes you have

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Speaker 4: to talk to them like they're grumpy little old men,

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Speaker 4: so the only way to get through. I loved that

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Speaker 4: fish Eye Lads with your Dafne, and it's like I

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Speaker 4: didn't even know then how real the instinct was, and

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Speaker 4: now it just I don't know, it feels so funny

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Speaker 4: to me to see it.

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Speaker 5: Yeah, it was very believable.

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Speaker 1: The only thing that I laughed at was it was

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Speaker 1: the It was the perfect CW portrayal of exhausted parents.

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Speaker 1: Oh of course, because you two both looked equally beautiful

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Speaker 1: and handsome, and I was like, this is the only

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Speaker 1: part of it. Yeah, I'm going to raise an eyebrow

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Speaker 1: at the rest of it is completely accurate.

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Speaker 4: Everybody still has a blowout and all they do is

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Speaker 4: paint a little purple under your eyes and they go,

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Speaker 4: look they're exhausted and haggard.

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Speaker 5: Yeah.

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Speaker 3: You know what I appreciated though about your storyline, which

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Speaker 3: I think is kind of hard to pull off because

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Speaker 3: nothing really happened. Like you guys, they were just showing

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Speaker 3: you living your life and then you were trying to

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Speaker 3: go to the You went to the Christening and Dad

333
00:16:11,480 --> 00:16:14,400
Speaker 3: doesn't doesn't show, and that's you're trying to get the

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Speaker 3: babies to go sleep, like it's essentially there's no big

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Speaker 3: thing happening. But they made it really I would say

336
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Speaker 3: the writing, directing, and you guys also just made it

337
00:16:26,080 --> 00:16:29,960
Speaker 3: so enjoyable to watch that. I was really invested in

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Speaker 3: every part of your scenes, even though it wasn't like

339
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Speaker 3: high stakes or anything. And I was so happy when

340
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Speaker 3: your dad showed up. And I didn't know who to

341
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Speaker 3: expect because I forgot who he had hired to play

342
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Speaker 3: your dad. Yeah, and I don't remember his name. Was

343
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Speaker 3: he on Dawson's or.

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Speaker 5: Like Richard Bergee?

345
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Speaker 4: I think, yeah, yeah, Richard.

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Speaker 3: Yeah, he was great, What a great choice. He just

347
00:16:53,400 --> 00:16:57,960
Speaker 3: has that perfect mix of charm and schmarm.

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Speaker 4: Yeah, he's perfect, and the two of them and they're

349
00:17:02,640 --> 00:17:05,800
Speaker 4: the way they ruffle each other's feathers, but you can

350
00:17:05,920 --> 00:17:10,800
Speaker 4: kind of see where their chemistry used to happen. Yeah,

351
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Speaker 4: he and Daphne were so excellent.

352
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Speaker 1: Together, even him just calling her Vicky, such a great

353
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Speaker 1: insight into their history and their.

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Speaker 3: Dynamic so good. Also, Daphne's hair, I don't know what

355
00:17:22,760 --> 00:17:25,159
Speaker 3: she's doing to her hair. But that volume, I'm.

356
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Speaker 4: It's so good. But when he called her the old

357
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Speaker 4: Gray Mayor, I went, oh yeah, like out loud, I gasped.

358
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Speaker 1: I couldn't remember this. Did James choose to shave his

359
00:17:51,720 --> 00:17:55,000
Speaker 1: head during our break? And he just kind of showed

360
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Speaker 1: up and was like, so I've buzzed my head. I

361
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Speaker 1: think that was what happened.

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Speaker 3: I think yeah. I think he thought the show was

363
00:18:00,040 --> 00:18:01,719
Speaker 3: over like we all did. And then they happened to

364
00:18:01,720 --> 00:18:04,000
Speaker 3: negotiate us back, but it was like, you know, probably

365
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Speaker 3: eleventh hour and so mm hmmm. He was like, well,

366
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Speaker 3: this is what you gotta work with here.

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Speaker 4: I am.

368
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Speaker 3: I think so all right. I have a question about Clay.

369
00:18:12,200 --> 00:18:14,399
Speaker 3: How is Clay say? Okay, I love the Clays asleep

370
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Speaker 3: on the playground so random?

371
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Speaker 5: Also, who's pushing the Merry go round?

372
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Speaker 4: What I'm seeing?

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Speaker 3: Who's pushing the merry go round?

374
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Speaker 5: There's no one at the park.

375
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Speaker 4: It's not like you're small enough for the wind to

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Speaker 4: do it.

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Speaker 1: No, And anyone who's ever been on one of those

378
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Speaker 1: nose the inconvenience of them is that you have to

379
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Speaker 1: have a second party otherwise you're pushing and writing. Yet

380
00:18:35,800 --> 00:18:39,600
Speaker 1: Clay found the magic Merry Go Round and it just

381
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Speaker 1: spun him to sleep. Also a fun fact about those

382
00:18:42,920 --> 00:18:47,560
Speaker 1: those were I think outlawed in North Carolina.

383
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Speaker 5: And that's this is what I remember being told me.

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Speaker 3: Yeah, I remember hearing something about this.

385
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Speaker 5: They're removed from all the playgrounds because kids were getting

386
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Speaker 5: hurt on them.

387
00:18:54,680 --> 00:18:58,480
Speaker 3: I think, yes, they were getting their feet stuck underneath.

388
00:18:59,160 --> 00:19:04,040
Speaker 1: Yes, we had to find like a decommissioned one essentially

389
00:19:04,160 --> 00:19:07,040
Speaker 1: and have it put like stabilized and put back in

390
00:19:07,080 --> 00:19:10,240
Speaker 1: the park for that singular shot. Yeah, and then taken

391
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Speaker 1: out again.

392
00:19:11,200 --> 00:19:13,919
Speaker 3: Yeah, kids were, But also how strange, like why not

393
00:19:14,119 --> 00:19:16,760
Speaker 3: just put Can they not just weld some netting, some

394
00:19:16,840 --> 00:19:18,800
Speaker 3: like metal netting onto the side of those things? Why'd

395
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Speaker 3: they have to remove all the fun from the playgrounds.

396
00:19:21,240 --> 00:19:23,000
Speaker 3: Feels like a solvable problem to me.

397
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Speaker 5: But I interrupted you. Was that going to be your

398
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Speaker 5: question about Clay?

399
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Speaker 3: That's it?

400
00:19:26,440 --> 00:19:31,199
Speaker 1: Oh okay, our biggest issue with the upcoming storyline is

401
00:19:31,359 --> 00:19:33,280
Speaker 1: who was pushing and Merry go Round?

402
00:19:33,520 --> 00:19:35,040
Speaker 4: Who was with him?

403
00:19:35,520 --> 00:19:38,639
Speaker 3: I did love you guys. Oh sorry, so go ahead.

404
00:19:38,840 --> 00:19:41,080
Speaker 4: I was just going to say. It is one of

405
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Speaker 4: those things where it adds a poetry to the shot,

406
00:19:45,280 --> 00:19:47,639
Speaker 4: but it pulls me out of the scene because I

407
00:19:47,680 --> 00:19:51,480
Speaker 4: have so many technical questions, And then I think, could

408
00:19:51,480 --> 00:19:56,560
Speaker 4: we not have just panned over all the playground paraphernalia

409
00:19:56,680 --> 00:19:59,920
Speaker 4: and found you and been just as surprised about where

410
00:19:59,920 --> 00:20:00,320
Speaker 4: you were?

411
00:20:00,760 --> 00:20:04,199
Speaker 1: Okay, to that end, how about Julian walking into his

412
00:20:04,280 --> 00:20:08,680
Speaker 1: empty soundstage that's pitch black. Okay, he opens the door,

413
00:20:08,680 --> 00:20:11,080
Speaker 1: you're gonna he's back lit for a moment, and then

414
00:20:11,119 --> 00:20:15,120
Speaker 1: we cut to him standing in the singular spot of light,

415
00:20:15,160 --> 00:20:18,080
Speaker 1: which is a spotlight, and he's standing in the middle

416
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Speaker 1: of it thinking.

417
00:20:20,200 --> 00:20:22,800
Speaker 5: Amazing, guys, I know what we're going for.

418
00:20:22,840 --> 00:20:25,399
Speaker 1: But like, just for a second, imagine if we hadn't

419
00:20:25,400 --> 00:20:28,200
Speaker 1: cut and you had watched Julian walk over to the wall,

420
00:20:28,440 --> 00:20:30,480
Speaker 1: turn on a switch not the right one, turns on

421
00:20:30,520 --> 00:20:33,359
Speaker 1: the spotlight, and then walks over to the spotlight and then.

422
00:20:33,359 --> 00:20:36,320
Speaker 5: Stops to think in it, to stand in it. This

423
00:20:36,440 --> 00:20:37,560
Speaker 5: is my thinking light. Guys.

424
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Speaker 3: Oh, that's the kind of stuff that drives me crazy.

425
00:20:42,000 --> 00:20:43,480
Speaker 3: That would always drive me crazy.

426
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Speaker 4: You know what if we're gonna, if we're gonna say ours,

427
00:20:45,880 --> 00:20:48,080
Speaker 4: I'm gonna complete the trifacta. You know what drove me

428
00:20:48,200 --> 00:20:51,800
Speaker 4: absolutely crazy and gave me the uh huh was having

429
00:20:51,880 --> 00:20:58,080
Speaker 4: to call Richard Bergie daddy to run down the aisle

430
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Speaker 4: of the church and leap into his arms and go Daddy.

431
00:21:02,800 --> 00:21:05,160
Speaker 4: I was like, I, Oh, it's cute.

432
00:21:05,320 --> 00:21:09,920
Speaker 3: That's so brook You don't know any Okay, I'm hanging

433
00:21:09,960 --> 00:21:12,040
Speaker 3: I'm hanging out with teenage girls right now, and they're

434
00:21:12,160 --> 00:21:14,960
Speaker 3: totally like if they love their dad, there's like daddy, Like,

435
00:21:15,000 --> 00:21:17,200
Speaker 3: come on, daddy, what's going on? I mean, it's a

436
00:21:17,320 --> 00:21:19,639
Speaker 3: dad most of the time, but on occasion like it's not.

437
00:21:20,040 --> 00:21:22,080
Speaker 5: Are you referring to did you cringe when you had

438
00:21:22,119 --> 00:21:24,080
Speaker 5: to do it? Or you're cringing watching now as an.

439
00:21:23,960 --> 00:21:29,040
Speaker 4: Adult a little bit of both, Like I I obviously

440
00:21:29,119 --> 00:21:32,720
Speaker 4: had to sell it to myself for Brooke, but I'm

441
00:21:32,760 --> 00:21:36,360
Speaker 4: like this girl who has all this like trauma, she's

442
00:21:36,400 --> 00:21:40,520
Speaker 4: been unpacking from her parents and this neglectful existence she

443
00:21:40,600 --> 00:21:42,720
Speaker 4: grew up in where she was parented by an amex

444
00:21:42,720 --> 00:21:47,600
Speaker 4: and not a human, Like it feels that lovey dovey

445
00:21:47,640 --> 00:21:49,160
Speaker 4: about her dad. I don't know.

446
00:21:49,760 --> 00:21:52,480
Speaker 3: I actually think I'm gonna fight for this because I

447
00:21:52,560 --> 00:21:56,760
Speaker 3: actually think it goes to making Brooks character so much

448
00:21:56,800 --> 00:22:00,320
Speaker 3: more real because a lot of girls who have so

449
00:22:00,440 --> 00:22:04,080
Speaker 3: many issues with their dad's being absent. It's too complicated

450
00:22:04,200 --> 00:22:07,760
Speaker 3: to express yourself emotionally and to actually share how you

451
00:22:07,800 --> 00:22:10,040
Speaker 3: really feel, so you just keep the mood light and

452
00:22:10,080 --> 00:22:13,000
Speaker 3: happy all the time because the depth of pain is

453
00:22:13,080 --> 00:22:16,080
Speaker 3: way too deep and too hard. I absolutely think Brooke,

454
00:22:16,560 --> 00:22:18,920
Speaker 3: just from watching what I've watched the last nine seats

455
00:22:18,960 --> 00:22:21,560
Speaker 3: or eight seasons, I totally think that would have been

456
00:22:21,600 --> 00:22:25,119
Speaker 3: Brook's reaction, not maybe today as like who we are

457
00:22:25,160 --> 00:22:28,240
Speaker 3: at our age now, but she was twenty eight or

458
00:22:28,320 --> 00:22:29,840
Speaker 3: something at the time, right.

459
00:22:30,240 --> 00:22:32,919
Speaker 4: Yeah, It's just I guess the shift was interesting for

460
00:22:33,000 --> 00:22:35,359
Speaker 4: me because she's sitting there holding one of her kids,

461
00:22:35,400 --> 00:22:38,919
Speaker 4: talking to Victoria, who's so pissed he's been invited in

462
00:22:38,920 --> 00:22:41,800
Speaker 4: the first place, and says, you know, oh, you think

463
00:22:41,800 --> 00:22:43,520
Speaker 4: your dad's just going to change all of a sudden,

464
00:22:43,520 --> 00:22:45,080
Speaker 4: And she looks at her mom and goes, you did

465
00:22:46,240 --> 00:22:49,080
Speaker 4: you know, essentially arguing like, let's give him a shot.

466
00:22:49,359 --> 00:22:53,080
Speaker 4: Maybe now there's grandkids in the picture or whatever, and

467
00:22:53,119 --> 00:22:58,440
Speaker 4: then it's like all gone. But what I remember is thinking, Okay,

468
00:22:58,080 --> 00:23:00,560
Speaker 4: if the shift is going to be that big, I'm

469
00:23:00,600 --> 00:23:03,879
Speaker 4: not just gonna run and call him this. I'm literally

470
00:23:03,960 --> 00:23:05,919
Speaker 4: going to leap into his arms like a child, like

471
00:23:05,960 --> 00:23:07,800
Speaker 4: if I'm going to do it, I wanted to be

472
00:23:08,200 --> 00:23:12,639
Speaker 4: so big that it kind of whiplashes Victoria.

473
00:23:12,160 --> 00:23:14,000
Speaker 3: A little bit. It's good, but yeah, you can.

474
00:23:15,200 --> 00:23:16,720
Speaker 4: It made me a little uncomfortable.

475
00:23:17,000 --> 00:23:18,320
Speaker 3: Wait did you okay, Well, let me ask you a

476
00:23:18,359 --> 00:23:20,800
Speaker 3: question though. Did you have to pass off one of

477
00:23:20,800 --> 00:23:23,440
Speaker 3: your children to someone before you ran down the aisle

478
00:23:23,560 --> 00:23:25,520
Speaker 3: or were you were your arms empty?

479
00:23:26,520 --> 00:23:28,879
Speaker 5: Was Victoria holding one and you were holding one? Joy?

480
00:23:29,800 --> 00:23:30,120
Speaker 5: I don't.

481
00:23:30,160 --> 00:23:32,200
Speaker 3: I can't remember, because that does that would shift it

482
00:23:32,280 --> 00:23:34,000
Speaker 3: a little bit for me in terms of realism.

483
00:23:34,160 --> 00:23:38,080
Speaker 4: Yes, I did pass off the baby because we stood up.

484
00:23:38,200 --> 00:23:40,920
Speaker 4: It was like, we can't wait anymore. It's time, and

485
00:23:41,000 --> 00:23:44,600
Speaker 4: I gave I gave a baby to you, I think,

486
00:23:44,800 --> 00:23:47,840
Speaker 4: or maybe to her. Either way, I remember I passed

487
00:23:47,880 --> 00:23:50,480
Speaker 4: off a baby. Sorry, guys at home, we watched this

488
00:23:50,560 --> 00:23:56,120
Speaker 4: episode a few days ago because we got our rearrange

489
00:23:56,640 --> 00:23:59,240
Speaker 4: rearranged a bit, so it's not so fresh in my

490
00:23:59,320 --> 00:24:01,960
Speaker 4: mind right now. But I did. I did pass off

491
00:24:02,000 --> 00:24:04,240
Speaker 4: said baby. I didn't just drop it on the way

492
00:24:04,320 --> 00:24:04,879
Speaker 4: to daddy.

493
00:24:05,240 --> 00:24:07,560
Speaker 3: Yeah, so that's a little funny to take the effort

494
00:24:07,600 --> 00:24:09,560
Speaker 3: to pass off the baby to run down the aisle.

495
00:24:09,880 --> 00:24:12,040
Speaker 4: But I did it before he came in is what

496
00:24:12,040 --> 00:24:12,480
Speaker 4: I'm saying.

497
00:24:12,600 --> 00:24:15,080
Speaker 3: Oh oh oh, okay, yeah.

498
00:24:14,600 --> 00:24:17,359
Speaker 5: Yes, I will say I I hear what you're saying.

499
00:24:17,359 --> 00:24:20,800
Speaker 1: So because I think pop culture has really has really

500
00:24:20,840 --> 00:24:24,000
Speaker 1: given the word daddy extra ick in the last handful

501
00:24:24,040 --> 00:24:24,480
Speaker 1: of years.

502
00:24:25,200 --> 00:24:29,080
Speaker 5: But as a viewer, I completely bought it.

503
00:24:29,400 --> 00:24:32,040
Speaker 1: And to me, I was just watching a girl who

504
00:24:32,080 --> 00:24:34,680
Speaker 1: like is reverting back to the age when she had a.

505
00:24:34,640 --> 00:24:35,880
Speaker 5: Relationship with her dad.

506
00:24:36,200 --> 00:24:37,240
Speaker 4: Yeah.

507
00:24:37,280 --> 00:24:40,640
Speaker 1: I didn't at any point go like ooh. I was like, oh, yeah,

508
00:24:40,760 --> 00:24:42,600
Speaker 1: I see, I see the little girl who's been that's

509
00:24:42,680 --> 00:24:43,040
Speaker 1: that's her.

510
00:24:43,280 --> 00:24:44,000
Speaker 5: You know, I'm glad.

511
00:24:44,080 --> 00:24:47,600
Speaker 4: I'm glad it worked. Sometimes I think that's the solve

512
00:24:47,760 --> 00:24:49,760
Speaker 4: when there's something on a page that where you go

513
00:24:49,920 --> 00:24:52,960
Speaker 4: like oh, personally, this gives me a little bit of

514
00:24:53,040 --> 00:24:55,639
Speaker 4: the ick to go like, well, I'm just gonna double

515
00:24:55,720 --> 00:25:00,080
Speaker 4: commit and then the comedy will come from it.

516
00:25:00,240 --> 00:25:02,520
Speaker 5: Yeah, you never look worse than when you do the

517
00:25:02,560 --> 00:25:05,600
Speaker 5: half commit. Nothing. Every worst when you can tell someone

518
00:25:05,720 --> 00:25:08,440
Speaker 5: wasn't sure of the choice and they only commit halfway.

519
00:25:08,640 --> 00:25:09,400
Speaker 3: Yeah, yeah, you.

520
00:25:09,400 --> 00:25:12,320
Speaker 1: Will never look worse than you do. Then you got

521
00:25:12,320 --> 00:25:13,399
Speaker 1: to go folder go nothing.

522
00:25:13,480 --> 00:25:16,360
Speaker 4: The only things that haunt me are the half commits.

523
00:25:17,160 --> 00:25:19,520
Speaker 3: I love this about doing this podcast, that we have

524
00:25:19,640 --> 00:25:22,240
Speaker 3: these little things in the back of our mind on

525
00:25:22,240 --> 00:25:25,040
Speaker 3: a shelf somewhere that we're always cringed a little at,

526
00:25:25,080 --> 00:25:27,720
Speaker 3: and then we get to actually unpack them here and yeah,

527
00:25:27,760 --> 00:25:28,080
Speaker 3: maybe it.

528
00:25:28,080 --> 00:25:30,160
Speaker 4: Turns out it's not so bad, and your friends get

529
00:25:30,200 --> 00:25:31,640
Speaker 4: to be like, no, I thought that was a really

530
00:25:31,680 --> 00:25:35,000
Speaker 4: good choice, and you go, oh, oh nice.

531
00:25:35,200 --> 00:25:40,000
Speaker 1: I have a question because I remember parts of season nine,

532
00:25:40,160 --> 00:25:42,560
Speaker 1: but I do not remember all of it by any means,

533
00:25:42,600 --> 00:25:45,080
Speaker 1: So I don't know if you all remember this, But

534
00:25:45,840 --> 00:25:48,760
Speaker 1: are we where are you at with the fact that

535
00:25:49,760 --> 00:25:51,679
Speaker 1: what used to be Karen's cafe, I forget what we're

536
00:25:51,720 --> 00:25:54,720
Speaker 1: calling it now, the door was left open, which was

537
00:25:54,920 --> 00:25:58,000
Speaker 1: very suspicious. And then at Haley and Nathan's house the

538
00:25:58,119 --> 00:26:02,520
Speaker 1: door was open. My because I know a story. I mean,

539
00:26:02,560 --> 00:26:04,639
Speaker 1: everyone's seen the show. Because I know what's going to

540
00:26:04,640 --> 00:26:07,119
Speaker 1: happen with Nathan. Eventually my brain first went there. But

541
00:26:07,160 --> 00:26:07,840
Speaker 1: are we thinking?

542
00:26:08,840 --> 00:26:10,080
Speaker 5: Were both of those Dan?

543
00:26:10,640 --> 00:26:13,480
Speaker 1: Like what are your And if you know the storyline

544
00:26:13,520 --> 00:26:16,160
Speaker 1: then that's different, But like I don't, I don't genuinely

545
00:26:16,200 --> 00:26:18,520
Speaker 1: wondering what was happening with those or are they a

546
00:26:18,600 --> 00:26:19,119
Speaker 1: red herring?

547
00:26:19,760 --> 00:26:21,760
Speaker 3: We do know that Dan was in the house when

548
00:26:21,760 --> 00:26:25,760
Speaker 3: there was someone jiggling the doorknob at Nathan and Haley's place.

549
00:26:26,320 --> 00:26:29,040
Speaker 3: Wait he was Am I wrong? I thought Dan was

550
00:26:29,040 --> 00:26:34,040
Speaker 3: already staying there. We established like he's there, Nathan comes home,

551
00:26:34,560 --> 00:26:36,359
Speaker 3: everything's fine, and then one of the last shots at

552
00:26:36,440 --> 00:26:38,879
Speaker 3: Nathan Haley's house is that door with the shadow of

553
00:26:38,920 --> 00:26:43,080
Speaker 3: some large person or tall person like jiggling the doorknob.

554
00:26:43,600 --> 00:26:44,560
Speaker 5: I don't think that's right.

555
00:26:44,960 --> 00:26:45,920
Speaker 3: Am I out of order?

556
00:26:46,320 --> 00:26:47,960
Speaker 1: If any of your producers, no, you feel free to

557
00:26:48,000 --> 00:26:51,320
Speaker 1: chime in here, because I feel like Dan doesn't get

558
00:26:51,320 --> 00:26:53,720
Speaker 1: to the house till the very end of the episode.

559
00:26:54,040 --> 00:26:56,560
Speaker 4: Yeah, because then Nathan comes home and finds him, Yes,

560
00:26:56,640 --> 00:26:58,760
Speaker 4: right in the nursery with Lydia.

561
00:26:59,520 --> 00:27:01,800
Speaker 3: But why can he'd be like jiggling the doorknob like

562
00:27:01,800 --> 00:27:05,040
Speaker 3: he's trying to get in if he was already invited

563
00:27:05,080 --> 00:27:07,360
Speaker 3: to come. I don't know. That doesn't line up to me.

564
00:27:07,600 --> 00:27:11,359
Speaker 1: Because I thought the jiggle happened before he sees Haley

565
00:27:11,440 --> 00:27:12,119
Speaker 1: at the church.

566
00:27:12,400 --> 00:27:13,840
Speaker 3: No, no, no, it was definitely at the end of

567
00:27:13,840 --> 00:27:16,760
Speaker 3: the episode. There was definitely like within the last like

568
00:27:17,040 --> 00:27:19,520
Speaker 3: ten minutes of the episode. I will be shocked if

569
00:27:19,560 --> 00:27:21,320
Speaker 3: I'm wrong, But I just watched it. I'm pretty sure

570
00:27:21,359 --> 00:27:21,720
Speaker 3: I'm right.

571
00:27:21,760 --> 00:27:23,440
Speaker 1: We have our experts looking into it now, so we

572
00:27:23,480 --> 00:27:25,879
Speaker 1: will have back checkers, please.

573
00:27:26,400 --> 00:27:28,920
Speaker 3: I think it is part of this whole like serbian

574
00:27:29,000 --> 00:27:31,280
Speaker 3: mafia thing that's coming.

575
00:27:31,960 --> 00:27:35,080
Speaker 1: Okay, Like I said, that's because I know he gets kidnapped.

576
00:27:35,119 --> 00:27:37,760
Speaker 1: I was like, is that is this the foreshadowing? LL

577
00:27:37,840 --> 00:27:40,679
Speaker 1: have to I guess I have to keep watching.

578
00:27:41,160 --> 00:27:45,080
Speaker 4: Yeah, you will. You'll have to solve this mystery.

579
00:27:45,160 --> 00:27:49,800
Speaker 1: As a viewer, Chase and Alex are super duper cute.

580
00:27:51,119 --> 00:27:53,320
Speaker 1: I will say, I'm very surprised because I, for some

581
00:27:53,440 --> 00:27:56,159
Speaker 1: reason my brain had told me that it was always

582
00:27:56,240 --> 00:27:59,480
Speaker 1: chasing Mia the entire time throughout the whole show. I

583
00:28:00,640 --> 00:28:04,280
Speaker 1: did not remember that correctly, because they're still going strong.

584
00:28:04,440 --> 00:28:12,159
Speaker 1: And also, I think, yet again, Janna gets the metal

585
00:28:12,240 --> 00:28:16,080
Speaker 1: of valor or courage or just being a team player

586
00:28:16,240 --> 00:28:21,240
Speaker 1: for really having to just get all the wall objectified,

587
00:28:21,320 --> 00:28:22,600
Speaker 1: like the entire episode.

588
00:28:22,640 --> 00:28:25,480
Speaker 4: You mean shoot a whole episode in her underwear's and.

589
00:28:25,640 --> 00:28:28,240
Speaker 3: Rolling around in a bed, not just like walking around

590
00:28:28,240 --> 00:28:30,320
Speaker 3: a house in her underwear, which would have been bad enough,

591
00:28:30,359 --> 00:28:34,040
Speaker 3: but like she's actually constantly being put in these positions.

592
00:28:34,080 --> 00:28:37,760
Speaker 3: Really it was Also, it's just lacks such imagination. I mean, fine,

593
00:28:37,800 --> 00:28:39,400
Speaker 3: if they're making out all day and I get the

594
00:28:39,400 --> 00:28:41,440
Speaker 3: storyline chases like I had a great sex life before

595
00:28:41,440 --> 00:28:43,320
Speaker 3: you showed up, blah blah blah, but like, there's a

596
00:28:43,360 --> 00:28:45,680
Speaker 3: lot of other ways to be making out with somebody.

597
00:28:45,960 --> 00:28:48,080
Speaker 3: How about it against a wall or something like do

598
00:28:48,160 --> 00:28:51,160
Speaker 3: you have to be laying in bed writhing around for

599
00:28:51,240 --> 00:28:54,000
Speaker 3: the entire episode? It just was so it was objectifying.

600
00:28:54,000 --> 00:28:54,800
Speaker 3: It really bothered me.

601
00:28:55,560 --> 00:28:56,240
Speaker 4: Yeah.

602
00:28:56,280 --> 00:28:58,320
Speaker 1: That said, the two of them have such great chemistry

603
00:28:58,360 --> 00:29:01,640
Speaker 1: that they managed to keep it interesting. But yeah, I

604
00:29:01,680 --> 00:29:04,440
Speaker 1: did find myself after like the third or fourth pop

605
00:29:04,720 --> 00:29:06,960
Speaker 1: of her in those tiny booty shorts and like a

606
00:29:07,040 --> 00:29:10,640
Speaker 1: shot directly up her bomb. Yeah, I was like, oh,

607
00:29:10,680 --> 00:29:13,800
Speaker 1: and then I remembered, you know who was behind the helmet.

608
00:29:13,800 --> 00:29:18,120
Speaker 1: I was like, yeah, that tracks, there's the signature tracks.

609
00:29:18,400 --> 00:29:21,880
Speaker 4: But I will say I I do echo your sentiment.

610
00:29:22,000 --> 00:29:22,200
Speaker 3: Rob.

611
00:29:22,280 --> 00:29:28,160
Speaker 4: It's like it's it's it tracks and to your point, Joy,

612
00:29:28,240 --> 00:29:32,680
Speaker 4: it's like so unimaginative, But they're so fun to watch

613
00:29:32,760 --> 00:29:39,200
Speaker 4: together that they make it sparkle anyway, Like they there's

614
00:29:39,240 --> 00:29:46,120
Speaker 4: a they're both obviously such good looking humans, but Jana

615
00:29:46,360 --> 00:29:51,200
Speaker 4: and Steven together bring out each other's goofy side, and

616
00:29:51,280 --> 00:29:56,080
Speaker 4: so there's this like goofy innocence in Chase and Alex.

617
00:29:56,240 --> 00:30:01,320
Speaker 4: That is, it's so unexpected and in an interesting way.

618
00:30:01,400 --> 00:30:07,320
Speaker 4: I almost think more unexpected because the writing is so typical,

619
00:30:07,880 --> 00:30:11,000
Speaker 4: and so I've realized it's like, no matter what they're doing.

620
00:30:11,160 --> 00:30:14,160
Speaker 4: A they're both great sports and she is such a

621
00:30:14,200 --> 00:30:17,600
Speaker 4: team player. But I have so much fun watching them

622
00:30:17,760 --> 00:30:20,400
Speaker 4: that I can almost tune out the rest of the noise.

623
00:30:21,040 --> 00:30:24,959
Speaker 1: Yeah, we also have an update on the door jigglegate.

624
00:30:25,560 --> 00:30:28,320
Speaker 1: Dan was not in the house yet when the door

625
00:30:28,400 --> 00:30:30,160
Speaker 1: jiggle happens, it does it happens in the middle of

626
00:30:30,200 --> 00:30:31,240
Speaker 1: the episode.

627
00:30:32,520 --> 00:30:35,280
Speaker 3: Yeah, oh my gosh, Okay, my brain put that out

628
00:30:35,320 --> 00:30:35,760
Speaker 3: of order.

629
00:30:36,000 --> 00:30:40,680
Speaker 4: Well, actually, so that's really interesting because he says he

630
00:30:40,720 --> 00:30:45,680
Speaker 4: went looking for you and was told he saw Jamie,

631
00:30:45,720 --> 00:30:47,960
Speaker 4: and Jamie told him you were at the church with me.

632
00:30:48,840 --> 00:30:52,320
Speaker 4: So then I wonder if the idea is something's up,

633
00:30:52,560 --> 00:30:55,000
Speaker 4: something happened at the cafe, something's happening at the house,

634
00:30:55,040 --> 00:30:58,480
Speaker 4: and then rob exactly to your theory, the audience is

635
00:30:58,520 --> 00:31:01,360
Speaker 4: being led to believe, Oh, it's Dan looking for her.

636
00:31:02,240 --> 00:31:06,400
Speaker 3: Okay, so maybe yeah, weirdesting. I do want to go

637
00:31:06,440 --> 00:31:10,800
Speaker 3: back to to Chase and Alex though, because it was

638
00:31:10,840 --> 00:31:14,360
Speaker 3: really nice to hear Jana's music on the show and

639
00:31:15,080 --> 00:31:18,320
Speaker 3: such a great device for bringing Chris Chris Keller back

640
00:31:18,400 --> 00:31:23,360
Speaker 3: into the frame. Sean Genes, I.

641
00:31:23,320 --> 00:31:24,680
Speaker 5: Gotta say, you know when.

642
00:31:26,040 --> 00:31:28,680
Speaker 1: Like someone introduces you to like a new food you

643
00:31:28,720 --> 00:31:32,680
Speaker 1: haven't tried and it's so good and you're like, how

644
00:31:32,840 --> 00:31:34,920
Speaker 1: how what was my life before this?

645
00:31:35,080 --> 00:31:35,160
Speaker 5: Like?

646
00:31:35,520 --> 00:31:38,360
Speaker 1: Did I not even know this existed? Because I only

647
00:31:38,440 --> 00:31:43,000
Speaker 1: know season seven, eight nine. I've never experienced Chris Keller.

648
00:31:43,280 --> 00:31:45,320
Speaker 4: Wait, is this your first time seeing him on?

649
00:31:45,400 --> 00:31:46,400
Speaker 5: This is my first?

650
00:31:46,440 --> 00:31:48,640
Speaker 1: All I knew about Chris is Tyler played him and

651
00:31:48,680 --> 00:31:52,040
Speaker 1: he talked to the person. So Tyler a video of

652
00:31:52,080 --> 00:31:53,720
Speaker 1: me watching this last night, and I was.

653
00:31:53,680 --> 00:31:56,960
Speaker 5: Like, buddy, you are incredible in this role.

654
00:31:57,080 --> 00:31:58,360
Speaker 4: Oh, he's so good.

655
00:31:58,560 --> 00:32:03,000
Speaker 5: He is such a likable lothario. He's the worst and

656
00:32:03,040 --> 00:32:07,120
Speaker 5: the best at the exact same time. Yes, she is

657
00:32:08,000 --> 00:32:09,760
Speaker 5: so fun to watch Chris Keller.

658
00:32:10,200 --> 00:32:12,280
Speaker 3: It is hard to pull that off too, to be

659
00:32:12,480 --> 00:32:15,080
Speaker 3: so smarty and so loved.

660
00:32:15,400 --> 00:32:20,040
Speaker 4: And it's so great because him just coming back with

661
00:32:20,080 --> 00:32:25,360
Speaker 4: such a bang, being the absolute worst and so unimaginative

662
00:32:25,640 --> 00:32:29,800
Speaker 4: Harry Johnson case in point, but how well it plays

663
00:32:30,680 --> 00:32:33,280
Speaker 4: and then having him be the one who solves a

664
00:32:33,320 --> 00:32:34,480
Speaker 4: problem for Alex.

665
00:32:34,840 --> 00:32:35,120
Speaker 3: Yeah.

666
00:32:35,640 --> 00:32:40,360
Speaker 4: Yeah, it's like Haley's hated him for so long, Alex

667
00:32:40,440 --> 00:32:42,560
Speaker 4: is meeting him and hating him in this moment. He's

668
00:32:42,600 --> 00:32:46,880
Speaker 4: the worst, but he does add something and it is good.

669
00:32:47,360 --> 00:32:50,360
Speaker 5: He sure does. Now Chase hates him as well. By

670
00:32:50,360 --> 00:32:50,600
Speaker 5: the way.

671
00:32:50,640 --> 00:32:54,560
Speaker 1: That was my favorite line of the episode is after

672
00:32:55,160 --> 00:32:58,280
Speaker 1: Chase is yelling at Chris Keller because now he is

673
00:32:58,480 --> 00:33:00,440
Speaker 1: his girlfriend is like not paying ten you know they're

674
00:33:00,440 --> 00:33:03,640
Speaker 1: not having sex, and he ends it by saying, you

675
00:33:03,840 --> 00:33:09,440
Speaker 1: peacock looking dork yea, And man, if that isn't one

676
00:33:09,440 --> 00:33:13,680
Speaker 1: of my new favorite insults, that is so obscure and hilarious,

677
00:33:15,280 --> 00:33:16,200
Speaker 1: it's so great.

678
00:33:16,960 --> 00:33:17,200
Speaker 5: Wait.

679
00:33:17,240 --> 00:33:21,400
Speaker 3: Also, does Chase live at Red Bedroom because his bedroom

680
00:33:21,560 --> 00:33:24,680
Speaker 3: looked exactly like the Red Bedroom set and there were

681
00:33:24,720 --> 00:33:29,680
Speaker 3: no rugs. It was just like this linoleum waxed linoleum floor.

682
00:33:29,960 --> 00:33:32,480
Speaker 5: We double the Red Bedroom set for his bedroom.

683
00:33:32,920 --> 00:33:35,800
Speaker 4: Yeah, I think I think he might live in the

684
00:33:35,920 --> 00:33:39,400
Speaker 4: loft at the back of Trick, which is also at

685
00:33:39,400 --> 00:33:41,320
Speaker 4: the back of the recording studio.

686
00:33:41,840 --> 00:33:42,920
Speaker 3: Never knew that was there.

687
00:33:43,320 --> 00:33:47,520
Speaker 4: Interesting, but it's so great and and Jana's song is

688
00:33:47,720 --> 00:33:52,200
Speaker 4: so good yeah, yeah, And there is something that is

689
00:33:52,320 --> 00:33:56,200
Speaker 4: kind of fun about getting to see how a mix

690
00:33:56,360 --> 00:34:00,280
Speaker 4: works as a viewer. You know, we know I ever

691
00:34:00,280 --> 00:34:02,760
Speaker 4: really got to see a lot of music get produced.

692
00:34:02,800 --> 00:34:06,120
Speaker 4: We've seen so much music be performed, and we know

693
00:34:06,200 --> 00:34:10,680
Speaker 4: there's this recording studio, but to see the layers go

694
00:34:10,800 --> 00:34:14,360
Speaker 4: into a song that is so great and then to

695
00:34:14,440 --> 00:34:17,719
Speaker 4: be so irritated that it's Chris who did it, and

696
00:34:17,719 --> 00:34:19,440
Speaker 4: he's like, yeah, well I just recorded this part and

697
00:34:19,480 --> 00:34:22,080
Speaker 4: recorded this part, recorded this part, past it in your vocals, like,

698
00:34:22,680 --> 00:34:25,440
Speaker 4: h he's the worst and he's the best.

699
00:34:25,920 --> 00:34:28,600
Speaker 3: It's so great. I love that too, And.

700
00:34:28,560 --> 00:34:30,560
Speaker 5: You have to tolerate him because he's good.

701
00:34:30,600 --> 00:34:34,120
Speaker 1: He's shown his value. So it's like far we need him,

702
00:34:34,560 --> 00:34:36,520
Speaker 1: but he is the worst thing to need.

703
00:34:36,600 --> 00:34:39,120
Speaker 3: And clearly we really need him because at some point

704
00:34:39,200 --> 00:34:42,439
Speaker 3: he's about to buddy up with Dan Scott to get

705
00:34:42,480 --> 00:34:44,800
Speaker 3: involved in whatever Snannigan's is happening.

706
00:34:45,400 --> 00:34:47,880
Speaker 5: Did anyone else think or see the fact that he

707
00:34:48,160 --> 00:34:52,040
Speaker 5: is an absolute dead ringer for Hayden Christensen?

708
00:34:52,239 --> 00:34:54,239
Speaker 3: Oh yeah, Oh wow, I didn't spot that.

709
00:34:54,480 --> 00:34:56,840
Speaker 1: Now, Oh buddy, go back and look at this episode

710
00:34:56,880 --> 00:34:59,680
Speaker 1: and they we used to talk about that complete doppelgangers.

711
00:35:00,120 --> 00:35:01,040
Speaker 3: Yeah, I could see that.

712
00:35:01,120 --> 00:35:13,200
Speaker 6: Oh that's wild.

713
00:35:14,440 --> 00:35:17,279
Speaker 3: I loved the Quinn and Clay stuff because it was

714
00:35:17,360 --> 00:35:20,120
Speaker 3: really fun to I mean, who hasn't had that night

715
00:35:20,120 --> 00:35:21,839
Speaker 3: where you're just up all night and your partner's next

716
00:35:21,840 --> 00:35:24,040
Speaker 3: to you and you're like, I can't sleep. What else

717
00:35:24,040 --> 00:35:25,920
Speaker 3: am I going to do? I mean, we're spilling popcorn

718
00:35:25,960 --> 00:35:30,160
Speaker 3: on you? And so it was really funny and you

719
00:35:30,160 --> 00:35:32,880
Speaker 3: know it. But I also it was nice to see that,

720
00:35:33,000 --> 00:35:36,040
Speaker 3: you like, all the things that are leading up to

721
00:35:36,120 --> 00:35:41,480
Speaker 3: what's coming down the pike for Clay and his storyline. Yeah,

722
00:35:41,520 --> 00:35:43,920
Speaker 3: it's just it was an interesting place to start knowing

723
00:35:44,360 --> 00:35:47,640
Speaker 3: or to flash backward to knowing where we were going

724
00:35:47,680 --> 00:35:49,600
Speaker 3: that there was going to be some massive blow up,

725
00:35:50,600 --> 00:35:53,600
Speaker 3: to start from a place where it's just pure coziness

726
00:35:53,640 --> 00:35:54,520
Speaker 3: and sweetness.

727
00:35:55,680 --> 00:35:59,160
Speaker 4: Yeah, to watch your characters just really care about each other,

728
00:36:00,280 --> 00:36:04,320
Speaker 4: you know, and to your point, Joy, it's not dissimilar

729
00:36:04,360 --> 00:36:07,239
Speaker 4: to what's happening with Brooke and Julian. There's not really

730
00:36:07,320 --> 00:36:10,520
Speaker 4: a lot going on. There's a device, we have the babies,

731
00:36:10,560 --> 00:36:14,680
Speaker 4: you have the sleepwalking, but you're seeing these people just

732
00:36:15,200 --> 00:36:20,640
Speaker 4: be together and navigate something and what would probably feel

733
00:36:20,680 --> 00:36:24,799
Speaker 4: like a breath of fresh air, doesn't You kind of

734
00:36:24,840 --> 00:36:28,960
Speaker 4: can't settle into it because you know from the teaser

735
00:36:29,280 --> 00:36:32,080
Speaker 4: that all these crazy things are coming. Yeah, and so

736
00:36:32,120 --> 00:36:36,440
Speaker 4: it gives you like a sense of unease in a

737
00:36:36,480 --> 00:36:38,640
Speaker 4: scenario that should make you feel comforted.

738
00:36:39,080 --> 00:36:43,360
Speaker 3: The irony that we've talked so often about our show

739
00:36:44,200 --> 00:36:48,360
Speaker 3: not taking time with storylines, but they rush through everything,

740
00:36:48,520 --> 00:36:50,879
Speaker 3: and now when they don't have twenty two episodes, there's

741
00:36:50,920 --> 00:36:53,800
Speaker 3: only thirteen. Now they're figuring out how to take their time.

742
00:36:53,600 --> 00:36:54,680
Speaker 4: Totally slowing down.

743
00:36:54,680 --> 00:36:58,799
Speaker 3: What the heck, Trob, what were you going to say

744
00:36:58,800 --> 00:37:00,120
Speaker 3: about Quinn and Clay?

745
00:37:00,040 --> 00:37:01,880
Speaker 5: Yes? I thought it was.

746
00:37:02,560 --> 00:37:05,680
Speaker 1: I mean, listen, if this is me in real life

747
00:37:05,760 --> 00:37:09,720
Speaker 1: and I'm like genuinely wandering away from my home, the

748
00:37:09,840 --> 00:37:11,800
Speaker 1: first thing I'm doing is going to the doctor.

749
00:37:12,080 --> 00:37:16,319
Speaker 5: But I appreciated. I think Clay's doing two things. He

750
00:37:16,480 --> 00:37:20,799
Speaker 5: is one trying to not alarm his partner, so he's

751
00:37:20,840 --> 00:37:23,839
Speaker 5: trying to downplay because he sees Quinn is worried. I

752
00:37:23,880 --> 00:37:26,680
Speaker 5: also feel like, and it's a stereotype.

753
00:37:26,160 --> 00:37:28,759
Speaker 1: For a reason, he is doing the total guy thing

754
00:37:29,080 --> 00:37:31,440
Speaker 1: of just not going to the doctor when you should

755
00:37:31,480 --> 00:37:32,279
Speaker 1: obviously go.

756
00:37:32,239 --> 00:37:32,840
Speaker 5: To the doctor.

757
00:37:33,400 --> 00:37:36,600
Speaker 1: Yeah, that is such a trope because it's so true,

758
00:37:36,640 --> 00:37:38,759
Speaker 1: like everyone has like the dad or the uncle and

759
00:37:38,760 --> 00:37:40,839
Speaker 1: they're like, I don't work itself out, and you're like,

760
00:37:40,960 --> 00:37:44,320
Speaker 1: it's a broken arm, dummy, go to the doctor.

761
00:37:44,680 --> 00:37:46,120
Speaker 3: You're bleeding all over.

762
00:37:46,719 --> 00:37:49,080
Speaker 1: And then the other part of that when it gets resolved,

763
00:37:49,080 --> 00:37:52,440
Speaker 1: like after it happens again or whatever, and he can

764
00:37:52,480 --> 00:37:55,560
Speaker 1: see that, Quinn's like really bothered and he goes, all right,

765
00:37:56,000 --> 00:37:58,720
Speaker 1: we're gonna go to the doctor. And she goes today

766
00:37:58,960 --> 00:38:02,560
Speaker 1: and he goes day and I laughed, going like, yeah, right,

767
00:38:02,640 --> 00:38:04,880
Speaker 1: maybe fifteen years ago you could get a see.

768
00:38:06,680 --> 00:38:08,759
Speaker 5: Who is your GP that you can call and be

769
00:38:08,840 --> 00:38:10,320
Speaker 5: like can I pop in in two hours?

770
00:38:10,360 --> 00:38:15,080
Speaker 4: And they're like, come on in, totally Nope. You know

771
00:38:15,120 --> 00:38:18,240
Speaker 4: what it makes me think of Rob have you because

772
00:38:18,239 --> 00:38:20,759
Speaker 4: I say this just because I'm such a fan of his.

773
00:38:20,960 --> 00:38:26,359
Speaker 4: Maybe you've seen it joy, But Mike Berbiglia is infamously

774
00:38:26,400 --> 00:38:29,720
Speaker 4: a sleepwalker, like severely. He walked through a plate glass

775
00:38:29,719 --> 00:38:33,400
Speaker 4: window once. If I'm remembering, who's the story from his

776
00:38:33,680 --> 00:38:36,600
Speaker 4: He's like one of my favorite comedians ever. He's genius

777
00:38:36,800 --> 00:38:39,400
Speaker 4: and he talks a lot about this and in his

778
00:38:39,480 --> 00:38:44,360
Speaker 4: new special he's sort of getting into the next stage

779
00:38:44,400 --> 00:38:48,560
Speaker 4: of discoveries about his sleepwalking, and it's like, to your point,

780
00:38:48,760 --> 00:38:52,960
Speaker 4: it's it's so serious, like the idea that you would

781
00:38:53,040 --> 00:38:55,920
Speaker 4: sleepwalk not just in your home, but actually leave your home.

782
00:38:56,000 --> 00:38:59,440
Speaker 4: It's like it is like a level ten. Yeah, alarm

783
00:38:59,480 --> 00:39:02,840
Speaker 4: bells going off, crisis problem. And I love that. Clay's like,

784
00:39:03,000 --> 00:39:06,239
Speaker 4: it's not a big deal. I'll be fine. Just must

785
00:39:06,239 --> 00:39:07,800
Speaker 4: be having a funky dream, honey.

786
00:39:08,120 --> 00:39:11,480
Speaker 1: Yeah, dude, if you're if you have the capacity to

787
00:39:11,640 --> 00:39:15,920
Speaker 1: get dressed and navigate streets, that means you also have

788
00:39:15,920 --> 00:39:19,000
Speaker 1: the capacity to walk into traffic, to throw your wallet

789
00:39:19,000 --> 00:39:20,640
Speaker 1: in a random trash can, like.

790
00:39:20,640 --> 00:39:22,359
Speaker 3: To break into someone's house.

791
00:39:22,560 --> 00:39:23,640
Speaker 5: You know, you.

792
00:39:23,600 --> 00:39:26,840
Speaker 1: Literally just had the best case scenario of your nightmare

793
00:39:26,880 --> 00:39:30,000
Speaker 1: situation and you're like, not gonna take it seriously like that,

794
00:39:30,000 --> 00:39:32,160
Speaker 1: that to me is crazy.

795
00:39:32,360 --> 00:39:34,719
Speaker 4: Yeah, it is, Well, that's that's one of those things.

796
00:39:34,760 --> 00:39:37,719
Speaker 4: Though you had to commit to the bit. You had

797
00:39:37,760 --> 00:39:39,960
Speaker 4: no choice. It's not like you could go to the

798
00:39:39,960 --> 00:39:42,640
Speaker 4: writers and be like, guys, this is ridiculous. They're like, yeah,

799
00:39:42,680 --> 00:39:44,719
Speaker 4: we know, but it's your storyline for the season, so

800
00:39:44,920 --> 00:39:45,439
Speaker 4: good luck.

801
00:39:46,200 --> 00:39:49,319
Speaker 1: And truthfully, I didn't think, like I actually don't think

802
00:39:49,360 --> 00:39:51,960
Speaker 1: it is super outlantic because I also think there's a

803
00:39:52,000 --> 00:39:57,359
Speaker 1: world in which Clay is also concerned. But sometimes people

804
00:39:57,400 --> 00:40:02,000
Speaker 1: are more concerned about finding out what the real issue is. Yeah,

805
00:40:02,840 --> 00:40:07,200
Speaker 1: then they are about just dealing with the symptoms. Yeah,

806
00:40:07,440 --> 00:40:09,520
Speaker 1: And I think you can make an easy argument that

807
00:40:09,520 --> 00:40:10,719
Speaker 1: that could be what Clays up.

808
00:40:10,680 --> 00:40:11,200
Speaker 5: To right there.

809
00:40:11,480 --> 00:40:13,160
Speaker 4: Yeah, Like he's too scared to go to the.

810
00:40:13,120 --> 00:40:17,839
Speaker 1: Doctor because what is happening to him is abnormal and

811
00:40:17,880 --> 00:40:20,480
Speaker 1: he can't explain it, and he's and it's out of control.

812
00:40:20,560 --> 00:40:22,800
Speaker 5: Like, I think it's very easy to go. That's a

813
00:40:22,840 --> 00:40:24,040
Speaker 5: guy who's just terrified.

814
00:40:24,640 --> 00:40:26,960
Speaker 1: He's like he's ducking it in the sense that he's

815
00:40:27,120 --> 00:40:29,880
Speaker 1: he's presenting very calm, but under the water, he's just like,

816
00:40:29,920 --> 00:40:31,080
Speaker 1: what the hell is happening?

817
00:40:31,600 --> 00:40:34,520
Speaker 3: M I think that makes a lot of sense, considering

818
00:40:34,600 --> 00:40:38,440
Speaker 3: everything Clay's been through recently, just to finally be in

819
00:40:38,480 --> 00:40:41,600
Speaker 3: a place of like low drama, everything's cool and like,

820
00:40:41,680 --> 00:40:45,080
Speaker 3: oh no, my my Psyche is playing tricks on me.

821
00:40:45,120 --> 00:40:48,840
Speaker 3: I've got lots of under the current things happening. That's terrifying.

822
00:40:49,520 --> 00:40:51,759
Speaker 1: And I think we had, like so far, what we've

823
00:40:51,760 --> 00:40:54,319
Speaker 1: seen of Clay, he's not really a guy who has

824
00:40:54,440 --> 00:40:58,560
Speaker 1: shown much interest in really like taking a peek under

825
00:40:58,560 --> 00:41:01,680
Speaker 1: the hood and like what really going on inside Clay,

826
00:41:02,960 --> 00:41:05,880
Speaker 1: you know, like he wasn't really dealing with the Sarah stuff.

827
00:41:05,880 --> 00:41:06,880
Speaker 5: He was running from it.

828
00:41:07,560 --> 00:41:12,560
Speaker 1: We haven't really seen a lot of processing around nearly dying. Yeah,

829
00:41:12,760 --> 00:41:14,680
Speaker 1: you know, if there's anything wrong with that, but it

830
00:41:14,680 --> 00:41:17,680
Speaker 1: would it would track if this same person then was

831
00:41:17,760 --> 00:41:19,920
Speaker 1: like and now I have a new thing. No, I'm

832
00:41:19,960 --> 00:41:21,600
Speaker 1: going to just bury my head in the sand and

833
00:41:21,640 --> 00:41:22,680
Speaker 1: hope it just passes.

834
00:41:22,880 --> 00:41:26,120
Speaker 4: Yeah, it's like you're disassociating a little bit. Yeah, and

835
00:41:27,320 --> 00:41:30,520
Speaker 4: not that we've seen it, but I think the intensity

836
00:41:30,600 --> 00:41:34,560
Speaker 4: of what will this be when you consider the context

837
00:41:34,640 --> 00:41:38,359
Speaker 4: of you know, twenty eleven, twenty twelve, like if you'd

838
00:41:38,360 --> 00:41:41,040
Speaker 4: plugged these symptoms into WebMD, it would one hundred percent

839
00:41:41,040 --> 00:41:45,359
Speaker 4: have said brain tumor, so like, of course you don't

840
00:41:45,400 --> 00:41:45,960
Speaker 4: want to go to the.

841
00:41:45,920 --> 00:41:48,000
Speaker 5: Doctor, and on that.

842
00:41:48,080 --> 00:41:50,040
Speaker 1: I love it when she stays up all night and

843
00:41:50,080 --> 00:41:52,960
Speaker 1: then of course she's exhausted and you know, she's asleep

844
00:41:53,000 --> 00:41:54,600
Speaker 1: in the doctor's office in Clay says like, oh, I

845
00:41:54,680 --> 00:41:57,160
Speaker 1: have what she's having. And then the next that they

846
00:41:57,200 --> 00:42:00,279
Speaker 1: do such a fun job of Julian getting the bad

847
00:42:00,320 --> 00:42:03,440
Speaker 1: news about the stages, him walking out of the church

848
00:42:03,640 --> 00:42:05,920
Speaker 1: on the phone call, and then quickly in the foreground,

849
00:42:06,040 --> 00:42:11,200
Speaker 1: clays car pulls up unsing outside of Sleep and then.

850
00:42:11,160 --> 00:42:13,320
Speaker 5: Just keeps going. Yeah, so good.

851
00:42:13,520 --> 00:42:15,800
Speaker 1: It was just like a fun little wink for the audience.

852
00:42:15,840 --> 00:42:18,200
Speaker 1: You know, by the way, this is for you guys.

853
00:42:18,320 --> 00:42:18,600
Speaker 5: Enjoy.

854
00:42:19,000 --> 00:42:21,600
Speaker 3: I love it when they showed, show, don't tell. It's

855
00:42:21,640 --> 00:42:24,720
Speaker 3: so nice when they stop explaining and just show things.

856
00:42:25,160 --> 00:42:27,239
Speaker 4: One of my favorite things I've ever seen on a

857
00:42:27,280 --> 00:42:29,880
Speaker 4: show was I want to see Maybe in the second

858
00:42:29,880 --> 00:42:33,959
Speaker 4: season of Easy, which was on Netflix, and it's so good,

859
00:42:34,239 --> 00:42:37,719
Speaker 4: and there's an episode because it's an anthology series, but

860
00:42:37,760 --> 00:42:41,520
Speaker 4: it all happens in Chicago, and there's an episode where

861
00:42:42,040 --> 00:42:46,680
Speaker 4: the group of people you're following in that episode are

862
00:42:46,719 --> 00:42:49,640
Speaker 4: standing in line for coffee, and the people in line

863
00:42:49,680 --> 00:42:52,320
Speaker 4: behind them are the couple you'd seen in the episode before.

864
00:42:53,239 --> 00:42:55,560
Speaker 4: And it was such a simple little nod. And they

865
00:42:55,560 --> 00:42:59,040
Speaker 4: were probably finishing one episode in the coffee shop and

866
00:42:59,080 --> 00:43:02,120
Speaker 4: then starting the knack or whatever, you know, location based shooting,

867
00:43:02,480 --> 00:43:04,920
Speaker 4: and they threw them in there and it's like you

868
00:43:05,120 --> 00:43:07,719
Speaker 4: just understand, Oh, they all live in the same neighborhood.

869
00:43:08,160 --> 00:43:12,759
Speaker 4: It's tiny things like that that put together a geography

870
00:43:12,840 --> 00:43:16,040
Speaker 4: and a life and you guys driving by because we're

871
00:43:16,040 --> 00:43:18,560
Speaker 4: all downtown makes perfect sense.

872
00:43:19,080 --> 00:43:22,840
Speaker 5: Yeah, it's that connective tissue that sort of builds your world,

873
00:43:22,960 --> 00:43:23,160
Speaker 5: you know.

874
00:43:23,719 --> 00:43:25,720
Speaker 4: Yeah, I love it and it was funny.

875
00:43:26,880 --> 00:43:31,200
Speaker 3: Last exciting thing about the episode is the possibility of

876
00:43:31,680 --> 00:43:36,760
Speaker 3: Brooks new line with Victoria starting over, starting this whole

877
00:43:36,760 --> 00:43:39,960
Speaker 3: company all over again. That it's like, yeah, we could

878
00:43:39,960 --> 00:43:42,000
Speaker 3: start all over. Mom, is that what she said? Like, oh,

879
00:43:42,120 --> 00:43:44,360
Speaker 3: and you shot at you holding the baby while you

880
00:43:44,360 --> 00:43:46,200
Speaker 3: said that to her went, oh, man, look how far

881
00:43:46,239 --> 00:43:48,560
Speaker 3: we've come. Little baker Man.

882
00:43:49,280 --> 00:43:51,800
Speaker 5: I think that's a terrific name for a clothing label.

883
00:43:51,840 --> 00:43:54,200
Speaker 5: That's one of my names I do too. Yeah, it's

884
00:43:54,719 --> 00:43:56,799
Speaker 5: just because Ted Baker's already out there, so I've seen

885
00:43:56,840 --> 00:43:59,120
Speaker 5: baker a lot, but no, but baker Man's also it's

886
00:43:59,120 --> 00:44:01,759
Speaker 5: a bit of as a reference to the Patty Cake song.

887
00:44:01,840 --> 00:44:05,040
Speaker 5: But I was like, this is why Brooke is successful,

888
00:44:05,040 --> 00:44:06,319
Speaker 5: because that's a genius name.

889
00:44:06,680 --> 00:44:09,759
Speaker 1: Yeah, amen's especially little kids, because let's be honest, there

890
00:44:09,840 --> 00:44:12,360
Speaker 1: is nothing in the world than little kid close.

891
00:44:12,480 --> 00:44:17,800
Speaker 4: Come on, baby clothes are the best best, they really are.

892
00:44:17,840 --> 00:44:20,319
Speaker 4: And I remember thinking when I read this script, I

893
00:44:20,520 --> 00:44:23,640
Speaker 4: still I was like, fuck, that's a good idea, and

894
00:44:23,680 --> 00:44:25,200
Speaker 4: I was so mad it wasn't mine.

895
00:44:25,200 --> 00:44:27,680
Speaker 5: And I still knew that way.

896
00:44:27,480 --> 00:44:29,279
Speaker 4: Because I was like, well, I could never do it

897
00:44:29,840 --> 00:44:32,319
Speaker 4: because it's you know, from our show.

898
00:44:33,840 --> 00:44:36,799
Speaker 5: Wah, going back to the church.

899
00:44:36,880 --> 00:44:40,560
Speaker 1: I thought the scene with uh Dan and Hailey was

900
00:44:40,600 --> 00:44:42,319
Speaker 1: great because you're right, Joy, I thought the same as

901
00:44:42,360 --> 00:44:45,560
Speaker 1: you were. Granted, I've only seen a couple seasons of

902
00:44:45,600 --> 00:44:49,520
Speaker 1: this show, but I have never seen Dan present that

903
00:44:49,640 --> 00:44:54,759
Speaker 1: vulnerable and sincere, so it made sense that she was

904
00:44:54,800 --> 00:44:55,920
Speaker 1: willing to entertain it.

905
00:44:56,440 --> 00:44:59,920
Speaker 4: Yes, because the sincerity was surprising, But there was also

906
00:45:00,160 --> 00:45:04,440
Speaker 4: something that just the shape of the building gave to

907
00:45:04,520 --> 00:45:09,320
Speaker 4: the scene. That long aisle and you having to walk

908
00:45:09,600 --> 00:45:10,879
Speaker 4: down toward him.

909
00:45:11,239 --> 00:45:12,799
Speaker 3: It almost gave the.

910
00:45:14,280 --> 00:45:18,920
Speaker 4: Hallway shot from the shining, you know, like you just

911
00:45:19,000 --> 00:45:21,480
Speaker 4: didn't know what she was going to walk into, and

912
00:45:21,520 --> 00:45:24,520
Speaker 4: then the ceiling height in the two shot where you're

913
00:45:24,600 --> 00:45:28,440
Speaker 4: facing each other. It made it feel so tense.

914
00:45:29,640 --> 00:45:31,360
Speaker 6: Yeah, very very Hitchcock for to go.

915
00:45:31,920 --> 00:45:34,120
Speaker 4: Yeah, it was a neat thing.

916
00:45:34,680 --> 00:45:37,480
Speaker 3: One of the benefits of having a good actor like

917
00:45:37,520 --> 00:45:40,160
Speaker 3: Paul that in, who's played this character for so long.

918
00:45:40,280 --> 00:45:43,080
Speaker 3: He knows the history, he knows that just a regular

919
00:45:43,400 --> 00:45:46,239
Speaker 3: cell is not going to work on Hailey, and so

920
00:45:46,640 --> 00:45:49,400
Speaker 3: that was all Paul like knowing that he can't just

921
00:45:49,440 --> 00:45:52,200
Speaker 3: come back. He's not going to insult the intelligence of

922
00:45:52,560 --> 00:45:55,640
Speaker 3: the character of Haley's character by coming in and just

923
00:45:55,680 --> 00:45:58,040
Speaker 3: giving her the same old spiel. Like he knew it

924
00:45:58,080 --> 00:46:03,360
Speaker 3: was going to have to be absolutely heartbreaking and plausible

925
00:46:04,640 --> 00:46:07,680
Speaker 3: that he's changed in a real way. I'm so grateful

926
00:46:07,719 --> 00:46:10,279
Speaker 3: he did that and that he understood that, because it

927
00:46:10,360 --> 00:46:13,400
Speaker 3: really made it work. I think for me, it was.

928
00:46:13,400 --> 00:46:16,560
Speaker 5: Also smart to have there be foot leather between the

929
00:46:16,600 --> 00:46:18,719
Speaker 5: two of you, because that was all time for the

930
00:46:18,719 --> 00:46:22,279
Speaker 5: audience to go, oh crap, what is this about to be?

931
00:46:22,640 --> 00:46:24,839
Speaker 1: You know, because of this shared history of you two,

932
00:46:24,840 --> 00:46:27,520
Speaker 1: and because of who Dan Scott is. I liked that

933
00:46:27,600 --> 00:46:29,600
Speaker 1: there was a moment for me to kind of spin

934
00:46:29,680 --> 00:46:32,320
Speaker 1: out about, oh crap, it's about to happen.

935
00:46:32,560 --> 00:46:37,319
Speaker 4: Yeah, because I caught myself catch my breath, Like in

936
00:46:37,360 --> 00:46:39,960
Speaker 4: that walk, I inhaled and I realized as I was

937
00:46:40,000 --> 00:46:43,839
Speaker 4: watching you too, I was holding my breath and I thought, Oh, okay,

938
00:46:43,880 --> 00:46:47,080
Speaker 4: like this this is a good build up to a scene.

939
00:46:47,160 --> 00:46:53,880
Speaker 4: And to your point, him being so fragile and so

940
00:46:54,040 --> 00:46:57,480
Speaker 4: willing to bring so much emotion and be still and

941
00:46:57,520 --> 00:47:01,200
Speaker 4: look scared. We've just not seen that in Dan and

942
00:47:01,239 --> 00:47:04,359
Speaker 4: it it's the only way, after everything we know about him,

943
00:47:04,360 --> 00:47:05,800
Speaker 4: for you to give him one more shot.

944
00:47:06,080 --> 00:47:08,719
Speaker 3: Yeah, yeah, it's the only way. There's nothing else.

945
00:47:09,120 --> 00:47:10,719
Speaker 4: I just want to time check us because I know

946
00:47:10,800 --> 00:47:12,520
Speaker 4: you have to go to the I do.

947
00:47:12,960 --> 00:47:15,520
Speaker 3: I'm sorry, guys, I got to bounce out. But I

948
00:47:15,600 --> 00:47:18,279
Speaker 3: loved this episode. This was a really exciting way to

949
00:47:18,400 --> 00:47:20,719
Speaker 3: kick everything off. And I can't wait to see what

950
00:47:20,960 --> 00:47:22,720
Speaker 3: is what's coming around the corner.

951
00:47:24,200 --> 00:47:28,160
Speaker 4: Here we go, by joy, you have a good doctor's appointment, honey.

952
00:47:28,200 --> 00:47:29,360
Speaker 3: Thanks, see you guys later.

953
00:47:42,040 --> 00:47:47,239
Speaker 5: And I loved the the reveal for Nathan of Dan

954
00:47:47,280 --> 00:47:52,439
Speaker 5: Scott was Dan Scott in his home, more specifically Dan

955
00:47:52,520 --> 00:47:55,960
Speaker 5: Scott in the nursery holding his baby.

956
00:47:56,760 --> 00:48:01,839
Speaker 1: Like, yeah, that is such a true pass. That is

957
00:48:02,080 --> 00:48:05,640
Speaker 1: so in your face aggressive, Like I it's such a

958
00:48:05,680 --> 00:48:08,880
Speaker 1: great way to end the episode and as a starting

959
00:48:08,960 --> 00:48:13,000
Speaker 1: point for the two of them, because oh, that's such

960
00:48:13,040 --> 00:48:13,799
Speaker 1: a no no.

961
00:48:15,040 --> 00:48:20,560
Speaker 4: And the repeat of the quote from the intro, hell

962
00:48:20,680 --> 00:48:24,279
Speaker 4: is empty and all the devils are here. Yeah, and

963
00:48:24,320 --> 00:48:27,359
Speaker 4: it's him and the I mean, it's it's like a

964
00:48:27,520 --> 00:48:35,160
Speaker 4: worst nightmare scenario. And similarly to seeing Dan differently in

965
00:48:35,239 --> 00:48:40,600
Speaker 4: the church. There's a look on Nathan's face unlike anything

966
00:48:40,640 --> 00:48:46,719
Speaker 4: we've ever seen before, and it it just really the

967
00:48:46,800 --> 00:48:49,520
Speaker 4: whole episode has been leading to this. You guys have

968
00:48:49,600 --> 00:48:54,000
Speaker 4: no idea what you're in store for, and it's who unnerving.

969
00:48:53,560 --> 00:48:56,359
Speaker 5: And I like it so ominous And the fact that

970
00:48:56,520 --> 00:49:01,799
Speaker 5: both times the line the are here it is Dan

971
00:49:01,880 --> 00:49:05,000
Speaker 5: Scott on so it's hard as a viewer to not

972
00:49:05,040 --> 00:49:07,200
Speaker 5: feel like we are being told that he is still,

973
00:49:07,239 --> 00:49:09,600
Speaker 5: in fact dark Dan Scott.

974
00:49:10,040 --> 00:49:12,040
Speaker 1: Yeah, I mean because we've all how many times have

975
00:49:12,040 --> 00:49:13,920
Speaker 1: we also seen him do? It is like redemption and

976
00:49:13,920 --> 00:49:14,440
Speaker 1: I've changed.

977
00:49:14,719 --> 00:49:18,560
Speaker 5: So yeah, super effective, great episode. I loved it.

978
00:49:18,880 --> 00:49:23,280
Speaker 1: Let's do a listener question. Okay, Hi, my name is Lucia.

979
00:49:23,320 --> 00:49:26,080
Speaker 1: I'm fifteen and I'm a huge fan of One Tree Hill.

980
00:49:26,520 --> 00:49:29,120
Speaker 1: Which set or sets from the show did you like

981
00:49:29,200 --> 00:49:31,760
Speaker 1: the most and which set are sets did you dislike

982
00:49:31,840 --> 00:49:34,160
Speaker 1: the most? And why were there any sets that were

983
00:49:34,160 --> 00:49:38,920
Speaker 1: more challenging to work on than others? I will say,

984
00:49:39,600 --> 00:49:42,120
Speaker 1: does does it stay Karen's Cafe and season nine or

985
00:49:42,160 --> 00:49:43,239
Speaker 1: have you all renamed it?

986
00:49:43,239 --> 00:49:47,680
Speaker 5: It's still Karen's Cafe. Yeah, I really liked working with

987
00:49:47,760 --> 00:49:48,160
Speaker 5: you guys.

988
00:49:48,200 --> 00:49:48,279
Speaker 1: On.

989
00:49:48,400 --> 00:49:50,239
Speaker 5: I liked it. I like any scenes I had in.

990
00:49:50,239 --> 00:49:53,479
Speaker 1: Karen's Cafe because that generally meant that I was also

991
00:49:53,520 --> 00:49:56,560
Speaker 1: going to be interacting with people I don't normally get

992
00:49:56,600 --> 00:49:58,960
Speaker 1: to interact with, So like I got to see you,

993
00:49:59,080 --> 00:50:01,279
Speaker 1: I got to see Joe, and it did start to

994
00:50:01,280 --> 00:50:01,759
Speaker 1: feel like.

995
00:50:02,200 --> 00:50:04,319
Speaker 5: That place has a very cheers vibe to it.

996
00:50:04,440 --> 00:50:05,640
Speaker 3: I was just gonna say that.

997
00:50:06,080 --> 00:50:08,359
Speaker 1: And so for me personally, I love that set because

998
00:50:08,400 --> 00:50:09,960
Speaker 1: it usually meant there's gonna be a lot of people

999
00:50:09,960 --> 00:50:11,160
Speaker 1: in the room. It's going to be some people I

1000
00:50:11,160 --> 00:50:13,120
Speaker 1: don't get to work with, So that was one of

1001
00:50:13,120 --> 00:50:13,719
Speaker 1: my favorites.

1002
00:50:14,160 --> 00:50:16,560
Speaker 4: Yeah, I always loved that set. It was always one

1003
00:50:16,560 --> 00:50:18,680
Speaker 4: of my favorites to work on all through the seasons,

1004
00:50:18,719 --> 00:50:21,440
Speaker 4: whether it was the cafe or the show, or the

1005
00:50:21,480 --> 00:50:24,880
Speaker 4: cafe or the store or becoming the cafe again. And

1006
00:50:24,920 --> 00:50:27,520
Speaker 4: I think, what set it up for me so well,

1007
00:50:27,600 --> 00:50:29,480
Speaker 4: And this is a perfect question to have in this

1008
00:50:29,560 --> 00:50:35,880
Speaker 4: episode is the hi everyone by everyone that Haley and

1009
00:50:35,960 --> 00:50:40,439
Speaker 4: Brooke get in this episode. It communicates without anyone having

1010
00:50:40,520 --> 00:50:44,080
Speaker 4: to say, this is our cheers. This is the place

1011
00:50:44,120 --> 00:50:46,680
Speaker 4: where everybody knows your name. This is the place where

1012
00:50:46,719 --> 00:50:49,480
Speaker 4: everybody gets to come on the wall. It says, this

1013
00:50:49,680 --> 00:50:54,839
Speaker 4: is the place and there's something really special about it,

1014
00:50:54,920 --> 00:51:00,160
Speaker 4: and I have so many great memories there of some

1015
00:51:00,239 --> 00:51:02,920
Speaker 4: of the scenes that were the most fun to shoot,

1016
00:51:03,000 --> 00:51:05,120
Speaker 4: that I thought were the funniest on the show, some

1017
00:51:05,160 --> 00:51:08,160
Speaker 4: of the things that were the most emotional. I mean,

1018
00:51:08,800 --> 00:51:12,720
Speaker 4: you know, brooking Julian's whole journey and brooking Victoria together

1019
00:51:12,920 --> 00:51:16,920
Speaker 4: and the stuff that's coming in this season. Like it

1020
00:51:16,920 --> 00:51:19,000
Speaker 4: it's just the place where I think all the best

1021
00:51:19,040 --> 00:51:22,080
Speaker 4: things have happened. I know I feel that way, and

1022
00:51:22,120 --> 00:51:24,239
Speaker 4: I think to your point, so many of the characters do,

1023
00:51:24,480 --> 00:51:27,040
Speaker 4: like when you see yourself in a Karen's Cafes and

1024
00:51:27,040 --> 00:51:28,920
Speaker 4: you know you're gonna have a good time, or that

1025
00:51:29,120 --> 00:51:32,640
Speaker 4: you know someone's going to have this huge emotional breakthrough,

1026
00:51:32,680 --> 00:51:33,520
Speaker 4: and I love that.

1027
00:51:33,800 --> 00:51:36,160
Speaker 1: And as far as least favorite, I don't have a

1028
00:51:36,239 --> 00:51:38,960
Speaker 1: least favorite set off hand, but I can say a

1029
00:51:39,040 --> 00:51:42,719
Speaker 1: least favorite location anything I had to do in the rain,

1030
00:51:43,040 --> 00:51:46,080
Speaker 1: because the water they pump in for rain is like

1031
00:51:46,280 --> 00:51:49,000
Speaker 1: iceberg melt. It's never it's the coldest thing. It takes

1032
00:51:49,000 --> 00:51:51,359
Speaker 1: your breath away, so it's always not fun to do.

1033
00:51:51,640 --> 00:51:56,560
Speaker 1: And the river that we shot where I tackle Kellerman

1034
00:51:56,680 --> 00:51:59,319
Speaker 1: into the water and Austin and James get in there,

1035
00:51:59,360 --> 00:52:01,680
Speaker 1: because not only was it cold, but as I mentioned before,

1036
00:52:01,840 --> 00:52:04,480
Speaker 1: it had a dangerously high.

1037
00:52:03,960 --> 00:52:08,319
Speaker 5: Fecal contaminant level. So no one wants to be in that.

1038
00:52:08,840 --> 00:52:11,200
Speaker 4: Nope, nobody wants to be on a poop cruise.

1039
00:52:11,480 --> 00:52:13,920
Speaker 5: Nope. You know I'm good on a poop cruise.

1040
00:52:14,320 --> 00:52:17,960
Speaker 4: Hey, yeah, I'm I'm gonna echo your sentiment. Rain towers

1041
00:52:18,440 --> 00:52:22,680
Speaker 4: the worst, especially because for whatever reason, when we would

1042
00:52:22,680 --> 00:52:25,000
Speaker 4: have to shoot those, it was usually February and it

1043
00:52:25,080 --> 00:52:29,319
Speaker 4: was like thirty four degrees out, so just warm enough

1044
00:52:29,360 --> 00:52:31,359
Speaker 4: that it wouldn't freeze, but you felt like you were

1045
00:52:31,360 --> 00:52:35,640
Speaker 4: being frozen in a block of ice. Yeah, And then

1046
00:52:36,160 --> 00:52:38,120
Speaker 4: I would say the things that I always found the

1047
00:52:38,200 --> 00:52:42,120
Speaker 4: hardest were when we had to go out, like to

1048
00:52:42,200 --> 00:52:44,480
Speaker 4: our beach houses, when we'd have to go down to

1049
00:52:44,480 --> 00:52:48,879
Speaker 4: Topsail or out to Carolina Beach, and instead of you know,

1050
00:52:49,719 --> 00:52:52,480
Speaker 4: thirty twenty to forty minutes to get to work, you

1051
00:52:52,520 --> 00:52:55,560
Speaker 4: were looking at an hour and change each way. When

1052
00:52:55,600 --> 00:52:58,560
Speaker 4: you're on set for sixteen hours and then your days

1053
00:52:58,600 --> 00:53:01,600
Speaker 4: like eighteen and a half as of travel, it would

1054
00:53:01,600 --> 00:53:05,000
Speaker 4: just make me want to cry. So not really.

1055
00:53:04,760 --> 00:53:08,400
Speaker 3: About the set, just about like when will we ever.

1056
00:53:08,320 --> 00:53:11,480
Speaker 4: Get home and lay down? Yeah, it was hard for me.

1057
00:53:11,960 --> 00:53:13,680
Speaker 5: Agreed, Shall we spin a wheel?

1058
00:53:13,960 --> 00:53:18,200
Speaker 4: I think we should spend a wheel. I wonder what

1059
00:53:18,239 --> 00:53:24,719
Speaker 4: it's going to be. I think this is.

1060
00:53:24,719 --> 00:53:29,759
Speaker 5: Us likely to cry during a rom com. I mean

1061
00:53:29,800 --> 00:53:31,920
Speaker 5: you're a layup for that, right Yeah?

1062
00:53:32,760 --> 00:53:35,360
Speaker 4: Yeah, I feel like you would too, though. I feel

1063
00:53:35,360 --> 00:53:37,280
Speaker 4: like you might be a secret rom com cryer.

1064
00:53:37,400 --> 00:53:41,400
Speaker 5: No, no, I gotta like up. You know the Pixar

1065
00:53:41,480 --> 00:53:45,839
Speaker 5: movie Up. Oh, No, like cried at that opening, Yeah, devastation.

1066
00:53:46,680 --> 00:53:50,040
Speaker 5: But rom coms not as much. Do I think you

1067
00:53:50,080 --> 00:53:52,560
Speaker 5: know it is because it's I don't cry very often.

1068
00:53:53,000 --> 00:53:56,040
Speaker 5: I think I have to be a bit emotionally ambushed.

1069
00:53:57,080 --> 00:53:59,960
Speaker 5: Oh and Up. I was like, oh, I'm seeing a cartoon.

1070
00:54:00,320 --> 00:54:02,640
Speaker 1: And then it was the most heartbreaking love story in

1071
00:54:02,680 --> 00:54:04,560
Speaker 1: the opening, and I was like, I wasn't prepared for

1072
00:54:04,600 --> 00:54:05,480
Speaker 1: this another one.

1073
00:54:05,600 --> 00:54:07,239
Speaker 5: Everything everywhere, all at work.

1074
00:54:07,680 --> 00:54:08,479
Speaker 4: Sobbed. Yes.

1075
00:54:08,600 --> 00:54:10,480
Speaker 5: At the ending when I realized it was actually just

1076
00:54:10,520 --> 00:54:13,320
Speaker 5: about a mother and a daughter trying to connect, wept.

1077
00:54:13,960 --> 00:54:14,480
Speaker 4: Yeah.

1078
00:54:14,520 --> 00:54:16,319
Speaker 1: So, and I think a rom com, I know what

1079
00:54:16,400 --> 00:54:18,279
Speaker 1: the emotional manipulation ahead is.

1080
00:54:18,320 --> 00:54:20,439
Speaker 5: Wh I'm prepared for it. I think when I get

1081
00:54:20,440 --> 00:54:23,640
Speaker 5: blindsided is where interesting? I'm open.

1082
00:54:25,040 --> 00:54:26,799
Speaker 4: Interesting. I like that.

1083
00:54:27,880 --> 00:54:29,920
Speaker 5: So rom coms get you though, Oh.

1084
00:54:29,840 --> 00:54:32,520
Speaker 4: Yeah, I'm just yeah, I'm a crier. I also cry

1085
00:54:32,560 --> 00:54:37,720
Speaker 4: a lot watching documentaries full sob often.

1086
00:54:38,520 --> 00:54:40,799
Speaker 1: I like it, though, I think that's a soup. As

1087
00:54:40,800 --> 00:54:43,720
Speaker 1: someone who's the opposite end of the extreme. I would

1088
00:54:43,800 --> 00:54:46,160
Speaker 1: rather be closer to where you're at. I think it

1089
00:54:46,160 --> 00:54:49,120
Speaker 1: would be healthier if I if I cried more. But

1090
00:54:49,239 --> 00:54:50,880
Speaker 1: you know, that's something for me to take to therapy.

1091
00:54:50,920 --> 00:54:51,640
Speaker 1: Don't worry about it.

1092
00:54:51,640 --> 00:54:53,120
Speaker 4: I was going to say, do you know just many,

1093
00:54:53,440 --> 00:54:55,959
Speaker 4: just many years of therapy, my dear, Yeah, I had.

1094
00:54:56,360 --> 00:54:58,319
Speaker 4: Maybe I have to actually send you photos of this.

1095
00:54:58,480 --> 00:55:02,040
Speaker 4: The coolest experience this week. We took the family down

1096
00:55:02,120 --> 00:55:04,360
Speaker 4: to Florida so the kids could see the grandparents for

1097
00:55:04,480 --> 00:55:11,960
Speaker 4: Ocean's birthday. And the sea turtles were laying eggs and

1098
00:55:12,040 --> 00:55:14,920
Speaker 4: we went out. The beaches are all marked, you know,

1099
00:55:14,960 --> 00:55:16,840
Speaker 4: where you can and can't go, and there was like

1100
00:55:16,880 --> 00:55:21,839
Speaker 4: a spot where we could walk and watch. And when

1101
00:55:21,880 --> 00:55:24,560
Speaker 4: I tell you, one of these massive turtles came up

1102
00:55:24,600 --> 00:55:28,799
Speaker 4: out of the water eight feet from me and I

1103
00:55:28,880 --> 00:55:31,960
Speaker 4: stood there for forty minutes and just watched her walk

1104
00:55:32,160 --> 00:55:37,960
Speaker 4: up to her spot. I fell to the ground and wept.

1105
00:55:38,600 --> 00:55:40,480
Speaker 4: I just wept on my knees. I was like, I

1106
00:55:40,560 --> 00:55:46,279
Speaker 4: can't explain how unbelievable it is to see this, like

1107
00:55:46,360 --> 00:55:51,799
Speaker 4: we live on a planet where this happens. And I sobbed, and.

1108
00:55:51,760 --> 00:55:52,880
Speaker 5: Ash literally looked at me.

1109
00:55:52,960 --> 00:55:54,960
Speaker 4: She goes, this is like your space movie.

1110
00:55:55,040 --> 00:56:01,560
Speaker 5: I was like, it is, but that's a special thing.

1111
00:56:01,560 --> 00:56:01,960
Speaker 5: I will say.

1112
00:56:02,000 --> 00:56:04,799
Speaker 1: We used to vacation in Florida, so I've seen I've

1113
00:56:04,840 --> 00:56:06,400
Speaker 1: seen that as well, and it's.

1114
00:56:06,280 --> 00:56:09,600
Speaker 5: Because like they're also they're endangered, so it's rare. They're

1115
00:56:09,719 --> 00:56:13,880
Speaker 5: so vulnerable. I imagin that's what I'm saying, Like I

1116
00:56:13,920 --> 00:56:15,399
Speaker 5: get the emotional poll and the like.

1117
00:56:15,440 --> 00:56:19,080
Speaker 4: Science peeps were out on their little like scooter things

1118
00:56:19,120 --> 00:56:21,359
Speaker 4: with the red lights checking on everything and making sure

1119
00:56:21,400 --> 00:56:23,080
Speaker 4: everything was cool, and I was just like, this is

1120
00:56:23,120 --> 00:56:24,759
Speaker 4: so look at there's people out here on one in

1121
00:56:24,800 --> 00:56:29,320
Speaker 4: the morning, on like no light ATVs to save the jurnles.

1122
00:56:29,360 --> 00:56:32,279
Speaker 4: I just I couldn't stop crying. It was I'm unhinged,

1123
00:56:32,320 --> 00:56:33,200
Speaker 4: but here we are.

1124
00:56:34,800 --> 00:56:38,760
Speaker 1: Well, speaking of unhinged, Join us next week season nine,

1125
00:56:38,800 --> 00:56:41,240
Speaker 1: episode two, The Room where You Sleep.

1126
00:56:41,520 --> 00:56:43,600
Speaker 4: That sounds very creepy.

1127
00:56:43,880 --> 00:56:45,200
Speaker 5: See you next weekend.

1128
00:56:45,239 --> 00:56:47,840
Speaker 3: Bye, Hey, thanks for listening.

1129
00:56:47,920 --> 00:56:50,160
Speaker 4: Don't forget to leave us a review. You can also

1130
00:56:50,239 --> 00:56:53,320
Speaker 4: follow us on Instagram at Drama Queen's ot.

1131
00:56:53,880 --> 00:56:57,920
Speaker 2: Or email us at Drama Queens at iHeartRadio dot com.

1132
00:56:58,280 --> 00:56:59,320
Speaker 3: See you next time.

1133
00:57:00,520 --> 00:57:03,920
Speaker 2: We all about that high school drama Girl, Drama Girl,

1134
00:57:04,000 --> 00:57:04,719
Speaker 2: all about.

1135
00:57:04,440 --> 00:57:07,720
Speaker 4: Them high school queens Forever We'll take you for a ride.

1136
00:57:07,719 --> 00:57:10,640
Speaker 4: And our comic girl cheering for the right teams

1137
00:57:10,719 --> 00:57:14,200
Speaker 2: Drama Queens Trayleise my girl, rough girl fashion with your

1138
00:57:14,239 --> 00:57:16,840
Speaker 2: tough girl, you could sit with us Girl Drama Queens,

1139
00:57:16,880 --> 00:57:21,560
Speaker 2: Drama Queens, Drama Queens, Drama Drama Queens, Drama Queens