1 00:00:09,400 --> 00:00:15,080 Speaker 1: Ye shots Bice, It's time Hell no love Love Love, 2 00:00:15,160 --> 00:00:18,279 Speaker 1: No and Lo. Hello, welcome to the Naughty Book. Nice show. 3 00:00:18,520 --> 00:00:21,200 Speaker 1: It really is me, Rumshooter Lem it doesn't sound like 4 00:00:21,280 --> 00:00:25,040 Speaker 1: the Today. I've lost my voice. So I have been 5 00:00:25,720 --> 00:00:28,880 Speaker 1: talking working round the clock to sell this book. The 6 00:00:28,920 --> 00:00:31,400 Speaker 1: book now is just weeks away. It's not months away, 7 00:00:31,400 --> 00:00:33,360 Speaker 1: it's just weeks away. And so I've been doing a 8 00:00:33,400 --> 00:00:35,720 Speaker 1: turn turn of publicity for the book. I think I've 9 00:00:35,760 --> 00:00:37,639 Speaker 1: ever done it a little bit. Yesterday morning, I did 10 00:00:37,680 --> 00:00:39,960 Speaker 1: Elvis Durant and thank you. I know there's a huge 11 00:00:40,200 --> 00:00:43,199 Speaker 1: crossover between as show and Elvis's. He got me to 12 00:00:43,440 --> 00:00:47,519 Speaker 1: number fifty four today on Amazon's charts, so it's really important. 13 00:00:47,560 --> 00:00:49,839 Speaker 1: Thank you, thank you, thank you, and enjoying us to 14 00:00:50,040 --> 00:00:52,559 Speaker 1: help Todave. My voice completely gives out. We know he 15 00:00:52,600 --> 00:00:55,080 Speaker 1: can talk. It's our friend Cory Andrew. 16 00:00:55,240 --> 00:00:59,440 Speaker 2: Hello, Oh hey baby, I'm here and I will pick 17 00:00:59,480 --> 00:01:01,720 Speaker 2: up the slack if you get tark Okay whatever, that. 18 00:01:01,800 --> 00:01:05,920 Speaker 1: Can just not beg you. Okay, let's jump in. What 19 00:01:05,959 --> 00:01:10,080 Speaker 1: time is it, my friends? It is time so Savannah's interview. 20 00:01:10,200 --> 00:01:13,200 Speaker 1: It's today, it was yesterday. It's a two parter on 21 00:01:13,240 --> 00:01:17,720 Speaker 1: the Today Show. Just heartbreaking. I can't believe she actually 22 00:01:18,280 --> 00:01:21,920 Speaker 1: managed to do this if my mom was missing, I'm 23 00:01:21,920 --> 00:01:24,760 Speaker 1: not sure I could. I could find the word. Part 24 00:01:24,840 --> 00:01:28,240 Speaker 1: of it that broke my heart is when she was asked, 25 00:01:28,720 --> 00:01:32,200 Speaker 1: does she think her celebrity, the fact she's on TV, 26 00:01:32,360 --> 00:01:34,440 Speaker 1: does she think she has anything to do with this? 27 00:01:34,560 --> 00:01:39,200 Speaker 1: And Savannah said yes, and I'm so sorry, mommy, I'm 28 00:01:39,240 --> 00:01:42,560 Speaker 1: so sorry. She was crying. She also gave some new 29 00:01:42,600 --> 00:01:46,640 Speaker 1: information that her mother, her mother could not have wandered off. 30 00:01:46,720 --> 00:01:49,080 Speaker 1: Nancy couldn't have just gone up and wounded off because 31 00:01:49,080 --> 00:01:52,400 Speaker 1: she had terrible, terrible pain. In fact, on a good day, 32 00:01:52,480 --> 00:01:55,240 Speaker 1: she could only make it down the drive to the mailbox, 33 00:01:55,280 --> 00:01:58,160 Speaker 1: so she did not wonder off. There are some curious 34 00:01:58,480 --> 00:02:01,640 Speaker 1: new details too, that the back or was left open. 35 00:02:02,040 --> 00:02:04,720 Speaker 1: It was held open, and so I don't know quite 36 00:02:05,080 --> 00:02:09,960 Speaker 1: what that means, but just heart breaking detail after detail 37 00:02:10,160 --> 00:02:13,360 Speaker 1: for me to watch us sit there and talk about 38 00:02:13,360 --> 00:02:15,240 Speaker 1: her mom. She talks about her mom in the presence. 39 00:02:16,639 --> 00:02:20,000 Speaker 1: I noted that it just I'm not sure I could 40 00:02:20,040 --> 00:02:23,519 Speaker 1: have got through it, and I'm not sure, and please 41 00:02:23,560 --> 00:02:26,320 Speaker 1: don't think this is a criticism of Savannah of the 42 00:02:26,360 --> 00:02:29,760 Speaker 1: Today Show. I'm not sure why she did this. I 43 00:02:29,800 --> 00:02:33,800 Speaker 1: don't know, why does this help? If that's the reason, 44 00:02:34,080 --> 00:02:37,639 Speaker 1: If police have told her, keeping your mom's name in 45 00:02:37,680 --> 00:02:41,919 Speaker 1: the press will help us find her, then you keep talking. 46 00:02:42,400 --> 00:02:44,880 Speaker 1: But it's just it was so hard to watch. I 47 00:02:44,919 --> 00:02:47,440 Speaker 1: can't imagine being the person actually telling it. What did 48 00:02:47,480 --> 00:02:48,000 Speaker 1: you think, Corey? 49 00:02:48,320 --> 00:02:51,200 Speaker 2: Yeah, I mean it did not seem exploitive, So I 50 00:02:51,800 --> 00:02:53,840 Speaker 2: like that you mentioned there. It just seemed like there 51 00:02:53,919 --> 00:02:56,040 Speaker 2: was a reason behind it, so to your point, and 52 00:02:56,040 --> 00:02:58,720 Speaker 2: maybe the police told her or the law told her, Yes, 53 00:02:58,840 --> 00:03:02,440 Speaker 2: let's keep the story going so the headlines don't get 54 00:03:02,440 --> 00:03:04,799 Speaker 2: so it doesn't get lost in other headlines. I will 55 00:03:04,800 --> 00:03:07,840 Speaker 2: tell you I actually unfriended a guy yesterday on Facebook 56 00:03:07,880 --> 00:03:10,680 Speaker 2: who he's an older gentleman, like maybe in his seventies, 57 00:03:10,680 --> 00:03:13,440 Speaker 2: maybe he was seventy or so, and I was appalled 58 00:03:13,520 --> 00:03:16,040 Speaker 2: that he made a post just for no reason and 59 00:03:16,120 --> 00:03:20,480 Speaker 2: he said, personally, I'm sick of Savannah Guthrie's trauma, and 60 00:03:20,560 --> 00:03:23,360 Speaker 2: I thought, how cold and sensitive. I think we're at 61 00:03:23,360 --> 00:03:26,040 Speaker 2: a point now where people just want to move on 62 00:03:26,200 --> 00:03:29,520 Speaker 2: from things, but we don't realize and don't want to. 63 00:03:29,880 --> 00:03:33,000 Speaker 2: I guess keep negative things in our minds immediately that 64 00:03:33,240 --> 00:03:35,560 Speaker 2: because it's so dark and scary, but this woman lost 65 00:03:35,600 --> 00:03:37,680 Speaker 2: her mom. We don't know where this woman is. So 66 00:03:37,720 --> 00:03:39,720 Speaker 2: I thought that was really cold and insensitive, and so 67 00:03:39,800 --> 00:03:41,160 Speaker 2: I unfriended this person. 68 00:03:41,240 --> 00:03:41,920 Speaker 3: So I just want to. 69 00:03:41,840 --> 00:03:44,920 Speaker 2: Remind people have a little compassion with the story because 70 00:03:44,920 --> 00:03:47,880 Speaker 2: we don't know how we would act it were us, right, 71 00:03:47,920 --> 00:03:48,360 Speaker 2: We don't know. 72 00:03:48,520 --> 00:03:51,200 Speaker 1: Yeah, Yeah, there was an amazing moment in the interview 73 00:03:51,480 --> 00:03:56,280 Speaker 1: when Hoda asked Savannah about criticism but about rumors that 74 00:03:56,440 --> 00:04:00,320 Speaker 1: somehow the family was involved early on actually Banfield when 75 00:04:00,360 --> 00:04:02,880 Speaker 1: on TV she was on her podcast saying that she 76 00:04:03,040 --> 00:04:08,800 Speaker 1: thought the brother in law, Savannah's sister's husband was Yeah, 77 00:04:09,360 --> 00:04:12,480 Speaker 1: she did say he was a top suspect, which legally 78 00:04:12,640 --> 00:04:14,960 Speaker 1: might have been true in that moment, because when somebody 79 00:04:15,000 --> 00:04:17,640 Speaker 1: goes missing, it's always the family that are looked at first. 80 00:04:17,640 --> 00:04:20,839 Speaker 1: So I'm not saying that Ashley was wrong. Technically, she 81 00:04:20,960 --> 00:04:23,919 Speaker 1: was probably wrong to say it out, but she I 82 00:04:23,920 --> 00:04:25,760 Speaker 1: don't think these two will ever speak ever again. And 83 00:04:25,800 --> 00:04:27,960 Speaker 1: a New York's a small world. They have a lot 84 00:04:27,960 --> 00:04:30,839 Speaker 1: of media parties where you do see people from GMA, 85 00:04:31,160 --> 00:04:34,120 Speaker 1: from the Today shirt from that they're all together in 86 00:04:34,160 --> 00:04:36,800 Speaker 1: a room. You see people from Fox News with Rachel Maddow, 87 00:04:36,839 --> 00:04:39,760 Speaker 1: you just like my head explodes. There's this fabulous media 88 00:04:39,800 --> 00:04:43,600 Speaker 1: site called Mediaite. Dan Abrams owns it and he has 89 00:04:43,640 --> 00:04:45,919 Speaker 1: a party each year, and I've been invited to it 90 00:04:45,920 --> 00:04:47,719 Speaker 1: several times. It's really firm. And you're in the room 91 00:04:48,080 --> 00:04:50,240 Speaker 1: and you see the liberals and the conservatives and people 92 00:04:50,279 --> 00:04:52,320 Speaker 1: who say the most horrible things about one another on 93 00:04:52,400 --> 00:04:55,960 Speaker 1: television are all getting together. I say, You're like, why 94 00:04:56,040 --> 00:04:58,440 Speaker 1: is going on here? I don't think Savannah will ever 95 00:04:58,839 --> 00:05:01,120 Speaker 1: be in the same room. Ashley Banfield, Yeah, she was 96 00:05:01,200 --> 00:05:01,960 Speaker 1: very upset about that. 97 00:05:02,000 --> 00:05:02,480 Speaker 3: I remembriage. 98 00:05:02,640 --> 00:05:04,880 Speaker 2: We spoke about it here, I remember, and yeah, that's 99 00:05:05,560 --> 00:05:06,960 Speaker 2: that's tough. And I didn't know if they had a 100 00:05:07,000 --> 00:05:09,640 Speaker 2: really did they have a social relationship before. 101 00:05:09,839 --> 00:05:13,000 Speaker 1: They knew each other from TV? Remember remember Ashley Banfield 102 00:05:13,120 --> 00:05:14,760 Speaker 1: was going to be the new Katie Kirk. It's Katie 103 00:05:14,800 --> 00:05:17,040 Speaker 1: Couric that got rid of her, so she was on NBC. 104 00:05:17,200 --> 00:05:20,280 Speaker 1: But it's before Savannah even arrived. Savannah was still I 105 00:05:20,320 --> 00:05:23,479 Speaker 1: think too in Local but Ashley Banfield maybe that's part 106 00:05:23,480 --> 00:05:25,400 Speaker 1: of it too. Ashley Banfield was going to be Savannah 107 00:05:25,960 --> 00:05:28,000 Speaker 1: was going to be the star of this. It is 108 00:05:28,040 --> 00:05:30,680 Speaker 1: weird though, because they all do work together. Nancy Grace, 109 00:05:30,720 --> 00:05:33,200 Speaker 1: who I love. I know she's controversial. Yeah, she does 110 00:05:33,240 --> 00:05:37,040 Speaker 1: give me a friend. And where my twins? She sent 111 00:05:37,080 --> 00:05:39,640 Speaker 1: to me the sauciest text read the next time we're 112 00:05:39,680 --> 00:05:41,600 Speaker 1: together at Bottina's for a drink, I'm gonna show. I'm 113 00:05:41,600 --> 00:05:44,479 Speaker 1: gonna Oh. She does make me laugh. She said she 114 00:05:44,560 --> 00:05:46,920 Speaker 1: thinks my hair it's a wig. She said, you got 115 00:05:46,920 --> 00:05:48,200 Speaker 1: a better wig than I hair. 116 00:05:48,480 --> 00:05:49,120 Speaker 3: That's what she says. 117 00:05:50,200 --> 00:05:51,680 Speaker 1: I mean, I do have big hair. I do have 118 00:05:51,720 --> 00:05:54,760 Speaker 1: big hair, but it's mine. That's great. But Nancy Grace 119 00:05:54,839 --> 00:05:56,800 Speaker 1: used to work with Savannah at Court TV, So in 120 00:05:56,800 --> 00:05:59,240 Speaker 1: this little world they've all worked together. It's like all 121 00:05:59,279 --> 00:06:02,120 Speaker 1: the Broadway people or all the show they've all sort 122 00:06:02,120 --> 00:06:04,920 Speaker 1: of hung out together. So Savannah and actually knew each other. 123 00:06:04,960 --> 00:06:06,520 Speaker 1: I don't think they're ever going to be in the 124 00:06:06,520 --> 00:06:09,760 Speaker 1: same room today. It is an interesting point, though, that 125 00:06:09,839 --> 00:06:13,640 Speaker 1: you made that. I do think people now, the public 126 00:06:14,279 --> 00:06:16,359 Speaker 1: is ready to move on. I hate saying that, but 127 00:06:16,400 --> 00:06:18,920 Speaker 1: we're at war now. Prices are gone through the roof. 128 00:06:19,000 --> 00:06:22,400 Speaker 1: There's other topics out there that are assuming the culture. 129 00:06:22,480 --> 00:06:27,640 Speaker 1: And that Frankie goes to Hollywood Taylor Bachelorette, What like 130 00:06:27,800 --> 00:06:30,200 Speaker 1: if I get what if I get one more story 131 00:06:30,240 --> 00:06:34,400 Speaker 1: about that? So I do understand. As stories do move on, 132 00:06:34,520 --> 00:06:36,240 Speaker 1: it's going to be very interesting to see what the 133 00:06:36,240 --> 00:06:39,000 Speaker 1: Today Show does. If you are the executive producer of 134 00:06:39,040 --> 00:06:41,679 Speaker 1: The Today Show, do we do this story on Monday? 135 00:06:41,839 --> 00:06:44,640 Speaker 1: On Tuesday? On Wednesday? What day do we not do 136 00:06:44,720 --> 00:06:47,080 Speaker 1: the story? These stories don't just happen when you turn 137 00:06:47,160 --> 00:06:49,120 Speaker 1: on your TV in the morning and you see me 138 00:06:49,400 --> 00:06:52,720 Speaker 1: or somebody on TV chatting. It's all scripted. It's all 139 00:06:52,720 --> 00:06:55,520 Speaker 1: in the teleprompter. Maybe the comments aren't scripted. It's like 140 00:06:55,560 --> 00:06:58,400 Speaker 1: this show. But we do have our headlines, so we 141 00:06:58,520 --> 00:07:00,360 Speaker 1: know what we're going to talk about today. We make 142 00:07:00,360 --> 00:07:04,359 Speaker 1: a decision every night before the show. We zoom, we talked, 143 00:07:04,480 --> 00:07:06,080 Speaker 1: this is the lineup, this is what we're going to 144 00:07:06,160 --> 00:07:08,600 Speaker 1: talk about. This is the lead story. But Today Show 145 00:07:08,600 --> 00:07:10,920 Speaker 1: does the same. So at some point they're gonna have 146 00:07:10,920 --> 00:07:13,960 Speaker 1: to decide are we gonna still cover this or we're 147 00:07:14,000 --> 00:07:16,200 Speaker 1: going to move on to something that It is very, 148 00:07:16,280 --> 00:07:18,080 Speaker 1: very tricky. We're trying to do it with as much 149 00:07:18,280 --> 00:07:21,200 Speaker 1: grace as we can. I think we are here, yes, 150 00:07:21,280 --> 00:07:23,120 Speaker 1: So it is tricky too. Like I thought she did 151 00:07:23,280 --> 00:07:25,840 Speaker 1: a really good job, but she didn't ask any follow 152 00:07:25,920 --> 00:07:29,360 Speaker 1: up questions, Like Savannah revealed a lot of new information, 153 00:07:29,800 --> 00:07:31,640 Speaker 1: and if I'd been the reporter, I would have said, 154 00:07:31,640 --> 00:07:34,880 Speaker 1: hang on a minute, your mom couldn't walk, your mom 155 00:07:35,040 --> 00:07:37,760 Speaker 1: was that little? I didn't know that. The back door, 156 00:07:38,000 --> 00:07:40,040 Speaker 1: I want to know more about that. Why was it 157 00:07:40,120 --> 00:07:41,600 Speaker 1: propped open? Why was that? 158 00:07:42,000 --> 00:07:43,680 Speaker 2: And so me we hold it didn't want to be 159 00:07:43,920 --> 00:07:47,320 Speaker 2: too interrogative. I see, but you're right, like a normal 160 00:07:47,400 --> 00:07:51,240 Speaker 2: journalist would. But in that environment, I think hold it 161 00:07:51,280 --> 00:07:54,560 Speaker 2: was trying to not be too investigative. 162 00:07:55,280 --> 00:07:57,000 Speaker 1: Yeah, you don't want to push back too much. And 163 00:07:57,120 --> 00:07:58,800 Speaker 1: what do you think about the fact that Craig didn't 164 00:07:58,800 --> 00:08:01,600 Speaker 1: do the interview. It's been talked about it because Craig 165 00:08:01,680 --> 00:08:03,360 Speaker 1: and Savannah they had a co host. 166 00:08:03,480 --> 00:08:04,320 Speaker 3: Yeah, they're the co host. 167 00:08:04,640 --> 00:08:07,200 Speaker 1: They're not hold us not the co host. She stepped 168 00:08:07,200 --> 00:08:09,600 Speaker 1: away from the show and Craig got the job. And 169 00:08:11,120 --> 00:08:13,760 Speaker 1: I would be like, I'm your co host. You've presented 170 00:08:13,840 --> 00:08:17,160 Speaker 1: us to the world as a team. It's Savannah and Craig. 171 00:08:17,240 --> 00:08:20,240 Speaker 1: I saw commercials before the mother went miss into the 172 00:08:20,240 --> 00:08:23,280 Speaker 1: today s was running commercials and it was Savannah and Craig. 173 00:08:24,320 --> 00:08:27,160 Speaker 1: They're the first family of TV. So it felt weird. 174 00:08:27,200 --> 00:08:28,880 Speaker 2: It felt like they were trying to I hate to 175 00:08:28,880 --> 00:08:30,840 Speaker 2: say it, It felt like it was a vehicle to 176 00:08:31,000 --> 00:08:35,640 Speaker 2: perhaps bring Holda back into the spotlight because there's something 177 00:08:35,640 --> 00:08:38,559 Speaker 2: else pending where they you know, hold us whole thing. 178 00:08:38,600 --> 00:08:40,800 Speaker 2: Where does she come back? Is she going to be back? 179 00:08:40,880 --> 00:08:42,560 Speaker 2: Is she she's gonna leave her to. 180 00:08:42,520 --> 00:08:43,640 Speaker 3: Stay out of it? Whatever? 181 00:08:44,120 --> 00:08:46,200 Speaker 2: It felt like a vehicle piece for Holder, and that 182 00:08:46,320 --> 00:08:47,960 Speaker 2: was a little exploitive. 183 00:08:47,480 --> 00:08:50,520 Speaker 1: Yeah, didn't it. There was something about it. I don't 184 00:08:50,520 --> 00:08:53,200 Speaker 1: want to move past what the content was because it 185 00:08:53,240 --> 00:08:55,760 Speaker 1: was shocking and what's happening is appalling, but there was 186 00:08:55,800 --> 00:08:58,520 Speaker 1: something about it that didn't quite quite sit right. I 187 00:08:58,559 --> 00:09:01,719 Speaker 1: like Craig. I've known him from like my God, he handsome. 188 00:09:01,720 --> 00:09:06,080 Speaker 3: Craig first voice, Oh, he's. 189 00:09:05,800 --> 00:09:09,120 Speaker 1: Like but it's like mighty sounds the same as my 190 00:09:09,200 --> 00:09:13,520 Speaker 1: Nancy Grace impersonally. If I can, I can't. He's so 191 00:09:13,960 --> 00:09:17,040 Speaker 1: if I was great, I'd like, I'm going annoyed at that. Yeah, 192 00:09:17,080 --> 00:09:19,200 Speaker 1: and I'd be a little nervous and might not do 193 00:09:19,240 --> 00:09:23,400 Speaker 1: that interview. When I in my job, when I'm not 194 00:09:23,400 --> 00:09:25,760 Speaker 1: asked to do the interview and you are, I'm like, no, 195 00:09:25,800 --> 00:09:29,679 Speaker 1: it's it's a sign going on Let's get to a pole. 196 00:09:29,760 --> 00:09:34,800 Speaker 1: Question of the day. Savannah did a heart breaking, a 197 00:09:34,880 --> 00:09:38,960 Speaker 1: heartbreaking interview with Holder on The Today Show about her 198 00:09:39,040 --> 00:09:42,720 Speaker 1: mummy's disappearance. Should Craig have done the interview? What do 199 00:09:42,760 --> 00:09:45,560 Speaker 1: you think? Should it have been Craig? Or do you 200 00:09:45,559 --> 00:09:47,520 Speaker 1: think it's right that it was heard of two women talking? 201 00:09:47,559 --> 00:09:49,480 Speaker 1: I get that? What do you think? Hey? Go vote 202 00:09:49,679 --> 00:09:52,600 Speaker 1: on our Twitter page at Naughty Nice rob Our facebook 203 00:09:52,600 --> 00:09:55,560 Speaker 1: page is already gossip and be sure just check back 204 00:09:55,600 --> 00:10:00,400 Speaker 1: tomorrow or even on Monday to hear your results. Why 205 00:10:00,400 --> 00:10:01,880 Speaker 1: do you working on Kora? Yes? 206 00:10:01,920 --> 00:10:03,920 Speaker 2: Well, you know what, there's another story that's been looming 207 00:10:03,960 --> 00:10:06,679 Speaker 2: over the past week. It's about this whole bodyguard controversy 208 00:10:06,720 --> 00:10:09,320 Speaker 2: with Chapel Roone and Jude Law's daughter. 209 00:10:09,320 --> 00:10:10,440 Speaker 3: But there's an update with that. 210 00:10:10,559 --> 00:10:13,560 Speaker 2: So apparently the security guard at the center of this 211 00:10:13,679 --> 00:10:17,520 Speaker 2: backlash story over his confrontation with Jude Law's young daughter, 212 00:10:17,960 --> 00:10:20,760 Speaker 2: well it turns out he was not protecting Chapel Roone 213 00:10:20,760 --> 00:10:24,240 Speaker 2: after all, he was working for Sabrina Carpenter and the 214 00:10:24,280 --> 00:10:27,199 Speaker 2: revelation now shifts the narrative, you know, around the heated 215 00:10:27,240 --> 00:10:29,840 Speaker 2: hotel incident that left the eleven. 216 00:10:29,520 --> 00:10:32,480 Speaker 3: Year old the daughter of Jude Law in tears. Apparently. 217 00:10:32,520 --> 00:10:34,120 Speaker 3: I guess she was trying to get. 218 00:10:34,240 --> 00:10:37,400 Speaker 2: An autograph or say hello to her favorite celebrity or something, 219 00:10:37,400 --> 00:10:40,400 Speaker 2: and the security guard was a little over protective, let's say. 220 00:10:40,640 --> 00:10:42,439 Speaker 3: So, what appeared to be a routine. 221 00:10:42,040 --> 00:10:46,000 Speaker 2: Celebrity encounter quickly escalated when the guard stepped in and 222 00:10:46,360 --> 00:10:50,360 Speaker 2: you know, apparently or allegedly spoke aggressively to the child 223 00:10:50,520 --> 00:10:53,320 Speaker 2: and to her mother. Now, the family insist there was 224 00:10:53,360 --> 00:10:56,280 Speaker 2: like no interaction that would have prompted this beyond just 225 00:10:56,360 --> 00:11:00,200 Speaker 2: a smile, which makes the security guard's response. 226 00:10:59,760 --> 00:11:01,199 Speaker 3: Sne really excessive. 227 00:11:01,480 --> 00:11:04,800 Speaker 2: So now the attention is turning to the guards actions 228 00:11:04,840 --> 00:11:07,280 Speaker 2: and whether they crossed a line. Now, you know, it's 229 00:11:07,320 --> 00:11:10,160 Speaker 2: interesting with these guards. I'm not sure what kind of 230 00:11:10,200 --> 00:11:13,280 Speaker 2: training they have typically when they have these jobs. We've 231 00:11:13,360 --> 00:11:16,760 Speaker 2: learned in some cases where some security guards actually you know, 232 00:11:16,880 --> 00:11:19,720 Speaker 2: have a past where they are a little overly aggressive 233 00:11:19,960 --> 00:11:23,240 Speaker 2: in their personal lives and their professional lives. Sometimes there's 234 00:11:23,240 --> 00:11:25,360 Speaker 2: a blurred line. I'm not sure who who? What do 235 00:11:25,440 --> 00:11:26,840 Speaker 2: you call background checks? 236 00:11:26,840 --> 00:11:27,880 Speaker 3: These people? Who knows? 237 00:11:27,880 --> 00:11:29,960 Speaker 2: So not sure if this guy is qualified or not. 238 00:11:30,000 --> 00:11:33,640 Speaker 2: That's not the point. The point is, apparently security guards 239 00:11:33,640 --> 00:11:37,440 Speaker 2: are now being a lot of scrutinized because maybe they're 240 00:11:37,480 --> 00:11:41,200 Speaker 2: going overboard when it comes to them protecting the artists 241 00:11:41,240 --> 00:11:44,280 Speaker 2: that they are hired to protect, Like how much is 242 00:11:44,400 --> 00:11:47,320 Speaker 2: too much? And how are they e gauging when a 243 00:11:47,360 --> 00:11:50,920 Speaker 2: security situation is worthy of aggression or if it's just 244 00:11:51,000 --> 00:11:53,760 Speaker 2: an eleven year old child trying. 245 00:11:53,520 --> 00:11:55,880 Speaker 3: To get an autograph from their favorite star, Like. 246 00:11:55,960 --> 00:11:59,000 Speaker 2: You can't treat both situations the same, right, So what 247 00:11:59,080 --> 00:12:00,000 Speaker 2: do you make of the story? 248 00:12:00,120 --> 00:12:02,560 Speaker 1: Yeah, well, I now believe Chapel Rose. I wasn't quite 249 00:12:02,559 --> 00:12:05,280 Speaker 1: sure yesterday that he was not her security guard. He 250 00:12:05,320 --> 00:12:07,959 Speaker 1: was there with Sabrina Carpenter. He's worked for Kim Kardashi 251 00:12:08,000 --> 00:12:09,720 Speaker 1: and I knew I recognized him. He's worked with Kim 252 00:12:09,960 --> 00:12:11,679 Speaker 1: in the past. In fact, I think it was working 253 00:12:11,679 --> 00:12:16,200 Speaker 1: with Kim when she was abducted, when she was I 254 00:12:16,200 --> 00:12:18,400 Speaker 1: think he was working with Kim then, and so he 255 00:12:18,480 --> 00:12:21,199 Speaker 1: has been around a while. Line of Richie Today had 256 00:12:21,200 --> 00:12:24,120 Speaker 1: some really great comments for celebrities who hate fame that 257 00:12:24,160 --> 00:12:26,800 Speaker 1: they work so hard to get, which is stop, like 258 00:12:26,840 --> 00:12:30,320 Speaker 1: you really wanted to be famous? Yeah, you're famous? And 259 00:12:30,360 --> 00:12:32,560 Speaker 1: so I love line on Richie like that is the price. 260 00:12:33,080 --> 00:12:35,200 Speaker 1: I find it's so annoying. Now, you know what if 261 00:12:35,240 --> 00:12:37,199 Speaker 1: you're having dinner and you're eating and somebody comes over 262 00:12:37,240 --> 00:12:39,160 Speaker 1: and bothers you, I get it. But I've been around 263 00:12:39,200 --> 00:12:42,280 Speaker 1: celebrities and they are so grateful to have a fan base. 264 00:12:42,360 --> 00:12:45,040 Speaker 1: It's lovely to have. Yesterday, somebody stopped me on the 265 00:12:45,120 --> 00:12:48,360 Speaker 1: street right when I was walking my doggie and he 266 00:12:48,400 --> 00:12:51,520 Speaker 1: had just pooped. I know, I was picking it up 267 00:12:51,600 --> 00:12:58,000 Speaker 1: and somebody said life at that moment, what timing it was. 268 00:12:58,320 --> 00:13:01,199 Speaker 1: I was thrilled, elizabe you help me? 269 00:13:01,480 --> 00:13:04,280 Speaker 3: Yes, just well, listen, I look. I know that celebrities 270 00:13:04,280 --> 00:13:05,080 Speaker 3: can be really nice. 271 00:13:05,120 --> 00:13:08,040 Speaker 2: To Angela Bassett, I have to say I was at 272 00:13:08,080 --> 00:13:11,560 Speaker 2: the opening of the Big African American Museum back in 273 00:13:11,559 --> 00:13:14,600 Speaker 2: two thousand and twenty thirteen, I guess that was in DC, 274 00:13:15,200 --> 00:13:17,280 Speaker 2: and I saw Angela Bassett. 275 00:13:16,840 --> 00:13:18,360 Speaker 3: In the restaurant. She was so kind. 276 00:13:18,360 --> 00:13:20,800 Speaker 2: Her and her husband, Corney b Vance, had a lovely 277 00:13:20,840 --> 00:13:21,760 Speaker 2: time speaking with them. 278 00:13:21,760 --> 00:13:22,640 Speaker 3: But a little. 279 00:13:22,320 --> 00:13:25,960 Speaker 2: Girl wanted to be an actress, and her father walked 280 00:13:25,960 --> 00:13:28,760 Speaker 2: over while they were having breakfast at the restaurant and said, 281 00:13:28,800 --> 00:13:32,360 Speaker 2: my daughter loves you, and angel said, well, where is she? 282 00:13:33,080 --> 00:13:35,120 Speaker 2: And he brings over the little girl. 283 00:13:35,679 --> 00:13:40,640 Speaker 3: And so I've seen celebrities really aken. How to embrace it? 284 00:13:40,720 --> 00:13:42,640 Speaker 1: Dude, I'm gonna try and choke through this next story. 285 00:13:42,640 --> 00:13:46,360 Speaker 1: We're gonna cut to Harry and Megan's story. Yes, so 286 00:13:46,600 --> 00:13:50,120 Speaker 1: now they excuse me, I'm sorry, I'm coughing and blurting. 287 00:13:50,200 --> 00:13:53,440 Speaker 1: Here they are talking about the Meta court room defeat. 288 00:13:53,440 --> 00:13:57,559 Speaker 1: There's a huge ruling that fan Meta and Google negligence 289 00:13:57,960 --> 00:14:00,920 Speaker 1: in the case that harmed a young you U. Now, 290 00:14:00,960 --> 00:14:04,400 Speaker 1: Harry and Meghan are celebrating that they've talked a lot 291 00:14:04,760 --> 00:14:07,760 Speaker 1: about the Internet, about the troubles with young people and 292 00:14:07,920 --> 00:14:11,920 Speaker 1: bullying online. I totally am with them for it. However, 293 00:14:12,160 --> 00:14:15,000 Speaker 1: some people are saying Harry and Megan are also using 294 00:14:15,040 --> 00:14:18,439 Speaker 1: social media now for their own children. We are seeing 295 00:14:18,480 --> 00:14:21,360 Speaker 1: a lot more Lilibert. We're seeing a lot more Archie. 296 00:14:21,560 --> 00:14:23,760 Speaker 1: It's tricky, isn't it, Because you don't want to be 297 00:14:23,800 --> 00:14:26,560 Speaker 1: a hypocrite. I think you can be both here. I 298 00:14:26,680 --> 00:14:29,000 Speaker 1: use social media, but I still think there should be 299 00:14:29,120 --> 00:14:33,000 Speaker 1: guard right, Yeah, and so I think, yeah, both things 300 00:14:33,040 --> 00:14:35,240 Speaker 1: are true. Okay, We're going to take a quick break 301 00:14:35,520 --> 00:14:39,520 Speaker 1: and we will be right back. Welcome back to the 302 00:14:39,600 --> 00:14:41,280 Speaker 1: Naughty but Nice Show. I think I've got five more 303 00:14:41,320 --> 00:14:43,520 Speaker 1: minutes left in my voice to get to I know 304 00:14:43,560 --> 00:14:51,600 Speaker 1: it's crazy, it's absolutely cort Let's do it. Nicest, stuffy, 305 00:14:52,480 --> 00:14:54,960 Speaker 1: nicest of the day is your Jackman, who is a 306 00:14:55,000 --> 00:14:58,000 Speaker 1: little bit on my not nice lifts. Because I don't 307 00:14:58,040 --> 00:15:00,800 Speaker 1: like this messiness with leaving the wife, you're allowed to 308 00:15:00,880 --> 00:15:02,800 Speaker 1: fall in a nut of love. I can get it, 309 00:15:02,920 --> 00:15:05,200 Speaker 1: but it doesn't need to be messy. This was messy. 310 00:15:05,280 --> 00:15:07,280 Speaker 1: I don't like this, but that isn't the reason he's 311 00:15:07,280 --> 00:15:09,080 Speaker 1: on the list of to day. He's on the list because 312 00:15:09,080 --> 00:15:13,240 Speaker 1: he is embracing his silver fox era and he's spotted. 313 00:15:13,240 --> 00:15:16,880 Speaker 1: I've not seen you with these gray gray hair. He 314 00:15:16,960 --> 00:15:20,040 Speaker 1: looks really sex. He's a very good looking man. I 315 00:15:20,120 --> 00:15:23,160 Speaker 1: get him many many times. He's tall and handsome, great 316 00:15:23,360 --> 00:15:28,440 Speaker 1: muscular body him alone. But now he has this gray hair. 317 00:15:28,640 --> 00:15:31,040 Speaker 1: I've started to embrace Mike Gray higher Corey, you are 318 00:15:31,080 --> 00:15:32,760 Speaker 1: the king of hair that you've got a new one 319 00:15:32,840 --> 00:15:35,400 Speaker 1: to day. I love a really sure it looks great. 320 00:15:35,640 --> 00:15:37,880 Speaker 1: Do you dye your hair or is that naturally that dark? 321 00:15:37,920 --> 00:15:38,600 Speaker 1: It's beautiful? 322 00:15:38,720 --> 00:15:42,680 Speaker 2: No, I do die, and if I don't, I look 323 00:15:42,720 --> 00:15:45,320 Speaker 2: like Morgan Freeman and I'm not quite ready for that. 324 00:15:45,520 --> 00:15:50,720 Speaker 2: So I definitely throw up Just for Men up in there. 325 00:15:50,760 --> 00:15:52,600 Speaker 2: If they're listing, I will love the endorsement. 326 00:15:53,080 --> 00:15:54,920 Speaker 1: So yeah, I do die. 327 00:15:55,240 --> 00:15:57,880 Speaker 2: I'm just not ready for it, you know what I mean. 328 00:15:57,920 --> 00:15:59,200 Speaker 2: It's one of those things where you have to really 329 00:15:59,200 --> 00:16:01,320 Speaker 2: say I'm ready. I'm just not ready for ahead of 330 00:16:01,320 --> 00:16:01,800 Speaker 2: gray hair. 331 00:16:02,800 --> 00:16:03,760 Speaker 1: Yeah, I hear you. 332 00:16:03,960 --> 00:16:05,440 Speaker 3: But yeah, so Hugh Jackman. 333 00:16:05,520 --> 00:16:08,200 Speaker 2: Yes, he is embracing his silver Fox neiss as they say. 334 00:16:08,680 --> 00:16:12,000 Speaker 2: And you know, he's evolving now to these situations where 335 00:16:12,000 --> 00:16:15,440 Speaker 2: he's like embracing that that silver daddy age. Now off screen, 336 00:16:15,480 --> 00:16:16,960 Speaker 2: his personal life, of course. 337 00:16:16,720 --> 00:16:17,280 Speaker 3: Is evolving. 338 00:16:17,360 --> 00:16:21,120 Speaker 2: Reports suggests that his relationship with Sutton Foster is getting serious, 339 00:16:21,120 --> 00:16:23,560 Speaker 2: though family dynamics may be slowing down a bit. So 340 00:16:23,840 --> 00:16:25,920 Speaker 2: in this case with him, you know, I think he's 341 00:16:26,000 --> 00:16:28,640 Speaker 2: just gonna enjoy this silver daddy phase of his life 342 00:16:28,640 --> 00:16:32,320 Speaker 2: with this younger girl on his arm. And I think 343 00:16:32,360 --> 00:16:35,080 Speaker 2: this he's gonna have a whole new chapter that I think, 344 00:16:35,160 --> 00:16:37,080 Speaker 2: you know, right now, the silver Fox thing is in, 345 00:16:37,360 --> 00:16:38,840 Speaker 2: so he's only going to get more popular. 346 00:16:38,960 --> 00:16:42,000 Speaker 1: I left mind, I've stopped dying mind. I put a 347 00:16:42,000 --> 00:16:44,200 Speaker 1: little bit of Just Just for Men in too, and 348 00:16:44,440 --> 00:16:46,560 Speaker 1: it's a great product if you're listening to We're not 349 00:16:46,600 --> 00:16:49,080 Speaker 1: getting endorsed to say this, but you just like rub 350 00:16:49,120 --> 00:16:50,720 Speaker 1: it in and then I really leave it in for 351 00:16:50,840 --> 00:16:52,560 Speaker 1: like four or five minutes and I jump in the shower. 352 00:16:52,680 --> 00:16:55,280 Speaker 1: Yeah yeah, and then it all comes out and I've 353 00:16:55,280 --> 00:16:57,680 Speaker 1: stopped doing it. I sort of like my gray streaks. Now. 354 00:16:57,760 --> 00:17:02,000 Speaker 1: It's very very huge acment of Kay, let's do a 355 00:17:02,000 --> 00:17:05,240 Speaker 1: little bit, but give me more Corey. Yeah. 356 00:17:05,280 --> 00:17:08,840 Speaker 2: So we were talking earlier about this idea that maybe 357 00:17:08,880 --> 00:17:12,240 Speaker 2: some people in Guthrie's own family, Savannah Gusrie's family, were 358 00:17:12,520 --> 00:17:15,080 Speaker 2: being sort of looked at about this crime with her 359 00:17:15,080 --> 00:17:15,919 Speaker 2: mother being missing. 360 00:17:15,920 --> 00:17:17,560 Speaker 3: But now Savannah herself. 361 00:17:17,520 --> 00:17:21,080 Speaker 2: Is shutting down these unbearable speculative rumors that her own 362 00:17:21,080 --> 00:17:23,280 Speaker 2: family had anything to do with it. And so, you know, 363 00:17:23,359 --> 00:17:26,920 Speaker 2: it's her mother's disappearance that's really pulling on the heartstrings 364 00:17:26,920 --> 00:17:29,600 Speaker 2: of her family and America. And she's calling these whispers 365 00:17:29,600 --> 00:17:32,000 Speaker 2: that they had something to do with it cruel and 366 00:17:32,119 --> 00:17:36,600 Speaker 2: deeply painful, and she fiercely defends her siblings, insisting that 367 00:17:36,680 --> 00:17:40,520 Speaker 2: they were loving caregivers who have already been cleared by authorities. 368 00:17:40,560 --> 00:17:43,639 Speaker 2: So basically, you know, the naughtiest of the day we 369 00:17:43,760 --> 00:17:46,359 Speaker 2: are saying they are the people who continue to push 370 00:17:46,400 --> 00:17:49,480 Speaker 2: these false rumors and blame the family when we don't 371 00:17:49,520 --> 00:17:52,760 Speaker 2: have any really serious evidence to accuse them of such. 372 00:17:52,960 --> 00:17:55,919 Speaker 2: So just calm down and cool it with those rulers 373 00:17:55,920 --> 00:17:56,760 Speaker 2: and those rumors. 374 00:17:56,760 --> 00:18:00,440 Speaker 1: They are the naughtist no evidence. And I said it 375 00:18:00,480 --> 00:18:03,080 Speaker 1: broke my heart. She said it was pain being piled 376 00:18:03,119 --> 00:18:06,639 Speaker 1: on pain awful. Okay, listen with a moment of Robert, 377 00:18:08,359 --> 00:18:11,160 Speaker 1: thank you. Be kind to yourself and you start right now. 378 00:18:11,400 --> 00:18:15,760 Speaker 1: Be kind to yourself today. The voice in your head, 379 00:18:15,800 --> 00:18:18,880 Speaker 1: it really does matter, so make friends with it. Don't 380 00:18:18,960 --> 00:18:22,240 Speaker 1: let it be a critic. You're allowed to rest. I 381 00:18:22,359 --> 00:18:25,840 Speaker 1: needed to hear this. You're allowed to reset, to start 382 00:18:25,880 --> 00:18:30,600 Speaker 1: over without any shame. Because progress isn't perfect. It's persistence 383 00:18:30,640 --> 00:18:34,320 Speaker 1: and it's celebrating the small winds. So you forgive your mistakes. 384 00:18:34,359 --> 00:18:37,119 Speaker 1: Do I forgive myself now, really really quickly, when I 385 00:18:37,200 --> 00:18:39,639 Speaker 1: mess up. And that is the way that you keep 386 00:18:39,920 --> 00:18:43,119 Speaker 1: moving forward. You show up, you take a step, and 387 00:18:43,160 --> 00:18:46,719 Speaker 1: you keep going. The life you want to build is 388 00:18:46,960 --> 00:18:51,359 Speaker 1: just around the corner. But it depends on how you 389 00:18:51,520 --> 00:18:55,159 Speaker 1: treat yourself. I'm kind to myself. I've learned this. I 390 00:18:55,240 --> 00:18:58,359 Speaker 1: wasn't in the past. I'd say really ugly things to myself. 391 00:18:58,400 --> 00:19:01,080 Speaker 1: My rule is if I wouldn't say it to somebody 392 00:19:01,119 --> 00:19:04,560 Speaker 1: I love, if I wouldn't say it to my mom, my, sister, Bruce, 393 00:19:04,600 --> 00:19:07,800 Speaker 1: even Darby, then why am I saying it to myself. 394 00:19:08,240 --> 00:19:12,280 Speaker 1: I would never ever be that cruel to somebody that 395 00:19:12,520 --> 00:19:16,919 Speaker 1: I loved. I love me, and so stop saying cruel 396 00:19:16,960 --> 00:19:20,159 Speaker 1: things to yourself, that voice in your head, it really 397 00:19:20,240 --> 00:19:23,960 Speaker 1: doesn't matter. Hey, that is eat for today. We did it, Corey. 398 00:19:24,080 --> 00:19:28,200 Speaker 1: You made it eat for them and not speak all week. 399 00:19:28,280 --> 00:19:30,240 Speaker 1: And thank you so much for listening to The Naughty 400 00:19:30,240 --> 00:19:32,520 Speaker 1: but Nice with Rob and Corey Show, a production of 401 00:19:32,600 --> 00:19:35,520 Speaker 1: Elvis Durant and iHeart Radio. Don't forget to check out 402 00:19:35,560 --> 00:19:38,680 Speaker 1: my substack rub shooter dot substack dot com and my 403 00:19:38,760 --> 00:19:41,480 Speaker 1: novel Yes I Could with a Wistener out in just 404 00:19:41,760 --> 00:19:43,960 Speaker 1: two three weeks, just three weeks. If you want to 405 00:19:44,000 --> 00:19:46,240 Speaker 1: pre order it, it would be great. I'd be very 406 00:19:46,320 --> 00:19:49,520 Speaker 1: very grateful. And remember all together now. 407 00:19:49,680 --> 00:19:53,720 Speaker 2: If you're going to be naughty, you've got. 408 00:19:53,440 --> 00:19:59,280 Speaker 1: To be It's not even nice with bra