1
00:00:01,440 --> 00:00:12,280
Speaker 1: Come on transmitting. This is Helaska. He welcome, hope you

2
00:00:12,280 --> 00:00:14,800
Speaker 1: had a great weekend, morn studio morning. Hey, coming in

3
00:00:14,920 --> 00:00:19,680
Speaker 1: next ten minutes, Dirk s Bentley and el King will perform, which,

4
00:00:19,800 --> 00:00:22,680
Speaker 1: by the way, you may remember different for girls from

5
00:00:22,680 --> 00:00:29,600
Speaker 1: these two girls. And then obviously Elle had I'm drunk

6
00:00:29,680 --> 00:00:36,199
Speaker 1: and I don't want to go home baby, So they

7
00:00:36,200 --> 00:00:37,600
Speaker 1: have a new duet. They're going to perform in here

8
00:00:37,600 --> 00:00:39,960
Speaker 1: in the next ten to fifteen minutes. So since they're

9
00:00:40,080 --> 00:00:43,160
Speaker 1: playing early, let's go over and open up the mailbag.

10
00:00:43,720 --> 00:00:47,280
Speaker 1: You send the game, we read it all year. Get

11
00:00:47,360 --> 00:00:54,560
Speaker 1: something we call Bobby's mailbag. Ye, Hello, Bobby Bones. I'm

12
00:00:54,560 --> 00:00:57,760
Speaker 1: twenty five, I'm recently engaged. What was once a celebration

13
00:00:57,880 --> 00:01:00,240
Speaker 1: is turned into a debate over who should pay for

14
00:01:00,320 --> 00:01:03,280
Speaker 1: the wedding. I understand that it's traditional for the bride's

15
00:01:03,280 --> 00:01:05,320
Speaker 1: parents to pay, but my parents helped pay for both

16
00:01:05,319 --> 00:01:08,399
Speaker 1: of my college degrees. They haven't volunteered to cover the

17
00:01:08,440 --> 00:01:10,760
Speaker 1: cost of my wedding. I don't see a problem with this,

18
00:01:10,800 --> 00:01:13,399
Speaker 1: but my fiance is upset they haven't volunteered to pay

19
00:01:13,400 --> 00:01:17,880
Speaker 1: for the whole event. Thoughts suggestions, sincerely, Stuck between a

20
00:01:17,959 --> 00:01:23,560
Speaker 1: rock and a hard place. The idea that her parents

21
00:01:23,880 --> 00:01:27,319
Speaker 1: should always have to pay the end. Unequivocally, that's the

22
00:01:27,360 --> 00:01:31,280
Speaker 1: only answer that's wrong. Now, if you are someone who

23
00:01:31,360 --> 00:01:35,720
Speaker 1: wants to go by tradition and it's comfortable, great, I

24
00:01:35,760 --> 00:01:39,479
Speaker 1: don't hate you for it. But just because you have

25
00:01:39,520 --> 00:01:43,280
Speaker 1: ovaries doesn't mean your pops has got to pay for

26
00:01:43,280 --> 00:01:49,000
Speaker 1: the wedding. It doesn't. Maybe broke maybe a lot of factors.

27
00:01:49,120 --> 00:01:52,560
Speaker 1: He may be rich, maybe easier on them to come

28
00:01:52,560 --> 00:01:55,279
Speaker 1: together and do it. There's just not This is twenty

29
00:01:55,360 --> 00:01:57,880
Speaker 1: twenty two at this point. If you want to have

30
00:01:58,000 --> 00:02:02,160
Speaker 1: tradition for tradition's sake, good for you, But there's it's

31
00:02:02,160 --> 00:02:03,640
Speaker 1: not a sticker. You just don't go all right, here

32
00:02:03,640 --> 00:02:06,360
Speaker 1: we go, wedding boom, she pays, especially when there are

33
00:02:06,400 --> 00:02:08,799
Speaker 1: real life humans and a lot of factors into this.

34
00:02:09,160 --> 00:02:12,079
Speaker 1: So I would say that, great, it's traditional, but you

35
00:02:12,120 --> 00:02:13,960
Speaker 1: don't want to go by tradition. It ain't a tradition

36
00:02:14,000 --> 00:02:17,840
Speaker 1: for you. You need to have that talk with him. Hey,

37
00:02:17,840 --> 00:02:19,600
Speaker 1: I don't think this is fair, and here's why it's

38
00:02:19,639 --> 00:02:22,600
Speaker 1: not fair. That's it. Yeah, And if he's not able

39
00:02:22,639 --> 00:02:26,639
Speaker 1: to see that, then I don't know. I got engagement. Yeah,

40
00:02:29,680 --> 00:02:33,400
Speaker 1: so that's how I feel. I don't ever hate anybody

41
00:02:33,400 --> 00:02:34,920
Speaker 1: for going you know what. This is how it's supposed

42
00:02:34,919 --> 00:02:36,560
Speaker 1: to be, So it's how it is great. If you

43
00:02:36,560 --> 00:02:38,799
Speaker 1: can do that, you can pull it off. Great money, though,

44
00:02:38,919 --> 00:02:42,519
Speaker 1: is just not universal. Everybody didn't have it. Everybody didn't

45
00:02:42,560 --> 00:02:44,520
Speaker 1: have it the same. It's a lot harder for some

46
00:02:44,560 --> 00:02:47,960
Speaker 1: people to get it again. And if that affects this,

47
00:02:48,880 --> 00:02:54,120
Speaker 1: then don't let it now. I know, Lunchbox, you're gonna

48
00:02:54,240 --> 00:02:58,000
Speaker 1: weigh in and probably be on his side, but I'm

49
00:02:58,000 --> 00:03:00,959
Speaker 1: willing to take that, so your thoughts. It said it

50
00:03:00,960 --> 00:03:03,560
Speaker 1: in the email. The parents paid for both her college

51
00:03:03,680 --> 00:03:06,320
Speaker 1: educations her degree, so they have the money. So you

52
00:03:06,360 --> 00:03:08,000
Speaker 1: need to take them out to dinner and say, hey,

53
00:03:08,040 --> 00:03:10,640
Speaker 1: look we got engaged and now we need to know

54
00:03:10,680 --> 00:03:12,960
Speaker 1: where to send the bills for this wedding. Because you

55
00:03:12,960 --> 00:03:15,760
Speaker 1: guys are responsible for your daughter. You paid for her

56
00:03:15,760 --> 00:03:19,240
Speaker 1: college education, you raised her. You knew that this day

57
00:03:19,360 --> 00:03:22,240
Speaker 1: was coming when we started dating, hopefully you started saving,

58
00:03:22,639 --> 00:03:25,200
Speaker 1: and now we are here to collect. I guess we

59
00:03:25,320 --> 00:03:29,280
Speaker 1: just interpret things differently. When I say, but my parents

60
00:03:29,320 --> 00:03:30,679
Speaker 1: helped me pay for both of my college degrees, I

61
00:03:30,720 --> 00:03:32,880
Speaker 1: just feel like they're broke. Now you feel like they

62
00:03:32,880 --> 00:03:34,480
Speaker 1: did it because they're rich. I feel like they're probably

63
00:03:34,520 --> 00:03:36,600
Speaker 1: squeezed out of money. They got no money left. That's

64
00:03:36,640 --> 00:03:39,520
Speaker 1: not my problem. They knew, they knew from the moment

65
00:03:39,640 --> 00:03:41,640
Speaker 1: she was born, when she got married, they were gonna

66
00:03:41,640 --> 00:03:43,160
Speaker 1: have to pay for that wedding. So they should start

67
00:03:43,160 --> 00:03:45,720
Speaker 1: a little unless wedding fun. Unless they don't think that

68
00:03:45,760 --> 00:03:48,120
Speaker 1: the tradition is on them. Maybe that's not how it

69
00:03:48,120 --> 00:03:50,040
Speaker 1: worked for them, and they're like, Okay, yeah, this isn't

70
00:03:50,040 --> 00:03:51,320
Speaker 1: how we do it, and we're not gonna do that.

71
00:03:51,480 --> 00:03:54,320
Speaker 1: I don't know. My point is the father of the

72
00:03:54,360 --> 00:03:56,200
Speaker 1: bride should pay for the wedding. That's it. That's all

73
00:03:56,200 --> 00:03:57,680
Speaker 1: I mean. But if the bride doesn't have a father,

74
00:03:57,960 --> 00:04:00,920
Speaker 1: then the mother. My wife's dad didn't pay for the wedding,

75
00:04:01,000 --> 00:04:03,800
Speaker 1: which is crazy. Could he would have, Yes, he would have,

76
00:04:04,160 --> 00:04:06,560
Speaker 1: But you sepped in tried to be the hero, and

77
00:04:06,600 --> 00:04:09,240
Speaker 1: I don't know why the hero like I don't want

78
00:04:09,240 --> 00:04:11,440
Speaker 1: to ask anybody for money. Ever, I guess what. Never

79
00:04:11,560 --> 00:04:15,960
Speaker 1: my father in law paid for everything, every single thing.

80
00:04:16,040 --> 00:04:18,120
Speaker 1: Squee him out of him too? Oh man, let me

81
00:04:18,160 --> 00:04:20,800
Speaker 1: tell you, Oh is that cus natural twenty bucks? Who cares?

82
00:04:21,400 --> 00:04:23,839
Speaker 1: Father in law's paying for it. I don't see one bill,

83
00:04:24,000 --> 00:04:26,000
Speaker 1: not no single bill. I don't know how much a

84
00:04:26,120 --> 00:04:28,599
Speaker 1: single thing cost. And lunchbox has had a nice wedding.

85
00:04:28,600 --> 00:04:31,200
Speaker 1: I'm not gonna lie, no idea. Okay, but who paid

86
00:04:31,200 --> 00:04:35,599
Speaker 1: for the honeymoon lunchbox? Um? My parents? Okay, that's right.

87
00:04:36,040 --> 00:04:38,320
Speaker 1: If you're going by tradition, that's what it is. But

88
00:04:38,360 --> 00:04:42,520
Speaker 1: the honeymoon wedding exactly, So let's okay, here's my answer,

89
00:04:42,800 --> 00:04:44,400
Speaker 1: Rock and a hard Place. You need to have this

90
00:04:44,440 --> 00:04:46,839
Speaker 1: talk and say, hey, this isn't tradition of my family

91
00:04:46,920 --> 00:04:52,520
Speaker 1: and money gone by? What about taking the parents out

92
00:04:52,520 --> 00:04:54,640
Speaker 1: the dinner and saying, hey, you don't pay for this,

93
00:04:54,640 --> 00:04:56,360
Speaker 1: then you're gonna want them to pay accord to your rules.

94
00:04:56,400 --> 00:04:58,600
Speaker 1: Takes parents out for dinner, make them pay, and then

95
00:04:58,640 --> 00:05:00,599
Speaker 1: say hey keep it coming. You got a wedding to

96
00:05:00,600 --> 00:05:02,840
Speaker 1: pay for. That's right. Nah, Listen, if you don't want

97
00:05:02,839 --> 00:05:04,839
Speaker 1: to have a tradition, you don't have to have a tradition. Generally,

98
00:05:05,040 --> 00:05:07,600
Speaker 1: just generally, traditions they only last if you want them

99
00:05:07,600 --> 00:05:09,800
Speaker 1: to last, or they're forced upon you. And you don't

100
00:05:09,800 --> 00:05:11,359
Speaker 1: have to be forced onon this one. But yeah, but

101
00:05:11,440 --> 00:05:13,880
Speaker 1: also for the guy or whoever proposed. He's kind of

102
00:05:13,880 --> 00:05:15,520
Speaker 1: it's kind of like, oh man, he probably thought his

103
00:05:15,560 --> 00:05:16,880
Speaker 1: whole life. I'm not gonna have to worry about it.

104
00:05:16,920 --> 00:05:19,520
Speaker 1: Whoever I proposed to the family pays for the wedding.

105
00:05:19,560 --> 00:05:21,760
Speaker 1: I don't think about that the whole never once until

106
00:05:21,760 --> 00:05:25,760
Speaker 1: it's time to pay it. We're like, all right, thank you,

107
00:05:26,000 --> 00:05:31,520
Speaker 1: that's mail bad, close it up. We've got your Now,

108
00:05:31,520 --> 00:05:36,800
Speaker 1: it's bout the clothes, Bobby. They're getting set up in

109
00:05:36,800 --> 00:05:39,520
Speaker 1: here now. But it's l King and Dirk Spentley. Let's

110
00:05:39,520 --> 00:05:42,680
Speaker 1: play a few things. You'll know Elle from Drunken I

111
00:05:42,680 --> 00:05:47,560
Speaker 1: Don't Want to Go Home. You'll know Ellen Dirk's from

112
00:05:47,600 --> 00:05:53,240
Speaker 1: their last song together, which is different. For girls. You

113
00:05:53,320 --> 00:05:55,560
Speaker 1: may know Elle from this song x Is and O's

114
00:05:55,640 --> 00:06:10,520
Speaker 1: from twenty fifteen, or America Sweetheart from twenty sixteen. So

115
00:06:10,680 --> 00:06:13,520
Speaker 1: she's awesome. They're here now, and we are ready. Let's

116
00:06:13,520 --> 00:06:17,600
Speaker 1: go on the Bobby Bones Show now, O, King and

117
00:06:18,040 --> 00:06:20,320
Speaker 1: spent Le. Oh, it is really good to see you again.

118
00:06:20,680 --> 00:06:22,360
Speaker 1: Nice to see you too. Good, Thank you, and and

119
00:06:22,440 --> 00:06:24,640
Speaker 1: we come on it. Apparently Dirk's does a residency here

120
00:06:24,680 --> 00:06:27,640
Speaker 1: on the show. He's here every week, so for different reasons,

121
00:06:27,640 --> 00:06:30,120
Speaker 1: did you know he just comes in randomly? No. Yeah,

122
00:06:30,160 --> 00:06:31,560
Speaker 1: Sometimes they come in and don't even sing. I just

123
00:06:31,600 --> 00:06:34,080
Speaker 1: hang out, you know, kind of judge the show a

124
00:06:34,080 --> 00:06:35,840
Speaker 1: little bit, see how it's going, and I want to

125
00:06:35,920 --> 00:06:37,560
Speaker 1: keep listening or not. He's like the voice, but for

126
00:06:37,600 --> 00:06:38,800
Speaker 1: this show. He comes on. It tells us that the

127
00:06:38,800 --> 00:06:41,720
Speaker 1: show's good. Oh yeah, smart, yes, yes, yes, oh you

128
00:06:41,760 --> 00:06:44,599
Speaker 1: are here. We just spent some time together at my

129
00:06:44,600 --> 00:06:47,039
Speaker 1: house when we're doing a Bobby cast, and Mike, who

130
00:06:47,040 --> 00:06:50,279
Speaker 1: produces that, told me that that I went hard on her.

131
00:06:50,600 --> 00:06:52,000
Speaker 1: Did you think I I went hard on you. I

132
00:06:52,040 --> 00:06:55,800
Speaker 1: would rather someone be honest and real with me. I

133
00:06:55,839 --> 00:07:00,440
Speaker 1: would rather take something, you know, genuine than fake. I

134
00:07:00,480 --> 00:07:02,920
Speaker 1: guess so. And I wasn't meaning it in any way

135
00:07:02,960 --> 00:07:04,799
Speaker 1: that I had a whole different I was wrong about

136
00:07:04,800 --> 00:07:07,679
Speaker 1: my perception of Elle. I thought she was fancy Hollywood girl.

137
00:07:08,680 --> 00:07:10,400
Speaker 1: And I said that, I said, my perception was totally

138
00:07:10,440 --> 00:07:11,720
Speaker 1: wrong on you, and I admitted that. I said, I

139
00:07:11,720 --> 00:07:14,520
Speaker 1: thought you were from Los Angeles and you know you

140
00:07:14,560 --> 00:07:16,880
Speaker 1: came to and I said, I was completely one hundred

141
00:07:16,920 --> 00:07:20,080
Speaker 1: percent wrong, and from you know, growing up in southern

142
00:07:20,080 --> 00:07:22,840
Speaker 1: Ohio to living on a farm now. And I was like,

143
00:07:22,960 --> 00:07:25,280
Speaker 1: I apologize that I'm really sorry that I felt the

144
00:07:25,320 --> 00:07:28,920
Speaker 1: wrong way about you. I think too, you're so talented.

145
00:07:28,920 --> 00:07:31,040
Speaker 1: I think that could be intimidating at times too to

146
00:07:31,160 --> 00:07:34,160
Speaker 1: someone like well, I'll say it, Charlie Worsham, No me,

147
00:07:34,280 --> 00:07:37,680
Speaker 1: I'm just kidding, diver tip of the time. My first

148
00:07:37,720 --> 00:07:39,080
Speaker 1: time being the studio with Bobby and you made me

149
00:07:39,120 --> 00:07:43,480
Speaker 1: sing the YMCA theme song. Yeah, how to Go Terrible. Yeah,

150
00:07:43,480 --> 00:07:45,360
Speaker 1: that's the whole thing. Yeah, we're just now getting over

151
00:07:45,400 --> 00:07:47,200
Speaker 1: that point. Our friendship at this pointed to it. So

152
00:07:47,480 --> 00:07:50,640
Speaker 1: it's a thing. So l King is here, and hey,

153
00:07:50,720 --> 00:07:52,840
Speaker 1: Derks I had asked l I said, hey, since you

154
00:07:52,880 --> 00:07:55,000
Speaker 1: had asked her to do different for girls, right, and

155
00:07:55,080 --> 00:07:57,440
Speaker 1: she did it? Did she have a coupon at anytime?

156
00:07:57,440 --> 00:07:59,240
Speaker 1: She could have cashed in on you, like, at any time,

157
00:07:59,280 --> 00:08:03,960
Speaker 1: regardless of how good amazing a polka song? It didn't

158
00:08:03,960 --> 00:08:05,440
Speaker 1: matter if she said I'd like to do this song

159
00:08:05,480 --> 00:08:07,760
Speaker 1: with me, you have to do it? Oh man, I

160
00:08:07,800 --> 00:08:09,640
Speaker 1: would you have say yes, obviously, yes, anything she asked

161
00:08:09,680 --> 00:08:11,560
Speaker 1: to do. Because I love el to death, but I

162
00:08:11,600 --> 00:08:13,560
Speaker 1: feel honored to be on the songs. It's a build

163
00:08:13,640 --> 00:08:16,240
Speaker 1: smash hit song that I love now that I get

164
00:08:16,240 --> 00:08:18,400
Speaker 1: a chance to be with you. It's just I feel

165
00:08:18,440 --> 00:08:20,840
Speaker 1: like ELL's got so many, so much good things happening

166
00:08:20,840 --> 00:08:22,240
Speaker 1: for right now. I'm kind of like, yeah, let me

167
00:08:22,280 --> 00:08:23,960
Speaker 1: be part of anything you have happening right now, because

168
00:08:24,000 --> 00:08:26,960
Speaker 1: you're hot. What was it about her initially that drew

169
00:08:27,000 --> 00:08:28,560
Speaker 1: you to her? Yes, you know, you all are just

170
00:08:28,560 --> 00:08:30,440
Speaker 1: talking about the conversation. I only knew El since I

171
00:08:30,480 --> 00:08:32,840
Speaker 1: met her. I knew that XS and os and that song,

172
00:08:32,920 --> 00:08:34,680
Speaker 1: and I had that song different for girls, the Shame

173
00:08:34,760 --> 00:08:37,440
Speaker 1: mcnell i song that I loved, and I was trying

174
00:08:37,480 --> 00:08:39,120
Speaker 1: to find someone that could sing that song. That's kind

175
00:08:39,160 --> 00:08:40,880
Speaker 1: of a weird song, you know, different for girls. It's

176
00:08:40,920 --> 00:08:43,680
Speaker 1: it's it's talking about I mean, the reality of things,

177
00:08:43,840 --> 00:08:45,600
Speaker 1: of life is a lot of things are different for girls,

178
00:08:45,600 --> 00:08:47,400
Speaker 1: but not for Elle. It's kind of weird for her

179
00:08:47,440 --> 00:08:50,400
Speaker 1: to sing on it because she's like, you know, rolls

180
00:08:50,480 --> 00:08:52,040
Speaker 1: or sleeps up and and fights her way into the

181
00:08:52,120 --> 00:08:54,840
Speaker 1: room and not girly girl at all. But she has

182
00:08:54,920 --> 00:08:57,240
Speaker 1: enough confidence, as you're talking about earlier and to be

183
00:08:57,240 --> 00:08:58,719
Speaker 1: able to take on that role. And she's the only

184
00:08:58,720 --> 00:09:01,439
Speaker 1: one I really can see singing that song and playing

185
00:09:01,440 --> 00:09:03,719
Speaker 1: it off and not you know, it's just such a

186
00:09:03,800 --> 00:09:06,120
Speaker 1: chuckposition for you and the cool because everything we were

187
00:09:06,120 --> 00:09:07,960
Speaker 1: singing about like I do yeah, Like she's the one

188
00:09:08,000 --> 00:09:10,240
Speaker 1: drinking monster as did your coffee drink this morning? And

189
00:09:10,240 --> 00:09:12,680
Speaker 1: I'm drinking a decalf coffee. It's like it's our roles

190
00:09:12,679 --> 00:09:16,679
Speaker 1: are totally actually reversed. But I just so I've only

191
00:09:16,720 --> 00:09:19,960
Speaker 1: known her as like playing the banjo. You know, she

192
00:09:20,080 --> 00:09:22,079
Speaker 1: to me is has always been like a country kind

193
00:09:22,080 --> 00:09:23,520
Speaker 1: of singer or girl. And that's what we know each

194
00:09:23,559 --> 00:09:26,199
Speaker 1: other now for about five years. Don't age me. I

195
00:09:26,240 --> 00:09:28,440
Speaker 1: can't remember, but um, I would have sung anything she

196
00:09:28,480 --> 00:09:30,120
Speaker 1: asked me to do. I'm thankful she asked me. This

197
00:09:30,160 --> 00:09:32,280
Speaker 1: thing on a big hit. Um, but uh yeah, I'm

198
00:09:32,280 --> 00:09:34,040
Speaker 1: a huge fan. Did you know she started playing the

199
00:09:34,040 --> 00:09:35,280
Speaker 1: band joke? She saw a guy in a park in

200
00:09:35,320 --> 00:09:38,480
Speaker 1: Philadelphia just randomly playing it. Then I started, Yeah, I

201
00:09:38,480 --> 00:09:40,400
Speaker 1: saw him and I was like, anything you can do,

202
00:09:40,440 --> 00:09:44,839
Speaker 1: I could do maybe okay, And I was like, let

203
00:09:44,840 --> 00:09:46,800
Speaker 1: me play it and like, you know, let me borrow

204
00:09:46,800 --> 00:09:48,520
Speaker 1: that banjo for like, can you listen to Bobby cast

205
00:09:48,559 --> 00:09:50,319
Speaker 1: Oh It's it's really good. Yeah, it's really good. But

206
00:09:50,640 --> 00:09:52,240
Speaker 1: especially after this little thing, I need to go back

207
00:09:52,240 --> 00:09:53,400
Speaker 1: and check it out. I don't even know there was

208
00:09:53,440 --> 00:09:55,120
Speaker 1: a thing. I was just like, hey, did you feel it?

209
00:09:55,160 --> 00:09:56,680
Speaker 1: And then Mike was like, yeah, you just kind of.

210
00:09:56,720 --> 00:09:58,280
Speaker 1: But also the air was out of my house and

211
00:09:58,280 --> 00:10:00,880
Speaker 1: I think I was a little crabby. Yeah, he was warm.

212
00:10:01,160 --> 00:10:04,040
Speaker 1: I was fine. Well, I tried, no, stop, you stop.

213
00:10:05,520 --> 00:10:07,960
Speaker 1: We don't need that. I was like, l I'm so,

214
00:10:08,000 --> 00:10:10,320
Speaker 1: I'm so embarrassed that the eras out of my house.

215
00:10:10,559 --> 00:10:12,840
Speaker 1: It's eighty degrees and she's like all kay, let's let's go.

216
00:10:13,080 --> 00:10:15,080
Speaker 1: And I'm you know me, I'm Beyonce. I don't know.

217
00:10:15,200 --> 00:10:17,440
Speaker 1: The temperature is not exactly right with my water and

218
00:10:17,520 --> 00:10:19,600
Speaker 1: so but she rocked it and it was awesome. Gonna

219
00:10:19,600 --> 00:10:20,719
Speaker 1: hope you guys check it out. And we talk a

220
00:10:20,760 --> 00:10:22,320
Speaker 1: lot about this song too, which is what we're gonna

221
00:10:22,320 --> 00:10:25,440
Speaker 1: play here and so worth the shot. It's l King

222
00:10:25,440 --> 00:10:28,880
Speaker 1: with Dirk Spentley. So, el, what drew you to this song?

223
00:10:29,080 --> 00:10:32,120
Speaker 1: You heard it and thought I love it? Why? Well,

224
00:10:32,160 --> 00:10:36,600
Speaker 1: I mean, it's it's very very catchy, and it was.

225
00:10:37,040 --> 00:10:41,120
Speaker 1: It happened really really quickly. We had done like five

226
00:10:41,720 --> 00:10:45,480
Speaker 1: six songs all just slammed into one day, and we

227
00:10:45,480 --> 00:10:48,800
Speaker 1: were kind of scrambling just trying to find songs and

228
00:10:49,040 --> 00:10:51,320
Speaker 1: Ross was like, hey, I've got this one, and um,

229
00:10:51,400 --> 00:10:53,800
Speaker 1: Dirk's was going to cut it and and I don't

230
00:10:53,840 --> 00:10:55,960
Speaker 1: know why it didn't make the record, probably because you're

231
00:10:56,040 --> 00:10:58,559
Speaker 1: waiting for me. I knew it on the right home.

232
00:10:58,600 --> 00:11:01,720
Speaker 1: He was just like waiting to deliver it on a platter.

233
00:11:01,760 --> 00:11:03,920
Speaker 1: But Ross played it for me and I was like, dying,

234
00:11:04,040 --> 00:11:07,319
Speaker 1: that's catchy and yeah, it's just like hey, Dirk's like

235
00:11:07,440 --> 00:11:09,240
Speaker 1: will you? And then I sent the text that we

236
00:11:09,280 --> 00:11:12,240
Speaker 1: talked about, like hey man, you don't have to say yes,

237
00:11:12,360 --> 00:11:14,560
Speaker 1: but like have you really wanted to? Like I can't

238
00:11:14,559 --> 00:11:16,600
Speaker 1: put out a country record and like not have you

239
00:11:16,640 --> 00:11:21,280
Speaker 1: sing online? And it's not like he doesn't like owe

240
00:11:21,400 --> 00:11:25,560
Speaker 1: me anything. This is all like forever indebted to him

241
00:11:25,720 --> 00:11:29,600
Speaker 1: and also saying like you brought me here like cant

242
00:11:29,600 --> 00:11:32,360
Speaker 1: will you still be a part of what you like

243
00:11:32,640 --> 00:11:36,280
Speaker 1: led me to? Yeah? Well, thank you. And the story

244
00:11:36,280 --> 00:11:37,880
Speaker 1: of the song is interesting for hyone out there listening

245
00:11:37,880 --> 00:11:39,679
Speaker 1: because it's cool to see how songs find their home.

246
00:11:39,679 --> 00:11:42,079
Speaker 1: You know, it's like Shane mcnelli and Ross. He's a

247
00:11:42,120 --> 00:11:44,720
Speaker 1: great songwriters, but they probably only get like three or

248
00:11:44,720 --> 00:11:46,520
Speaker 1: four great songs a year. And I feel a huge

249
00:11:46,559 --> 00:11:48,880
Speaker 1: responsibility and I'm writing my own record and then someone

250
00:11:48,920 --> 00:11:50,320
Speaker 1: pitches me the song. I hear it and got's a

251
00:11:50,320 --> 00:11:51,960
Speaker 1: big hit. But I kind of want to put this

252
00:11:51,960 --> 00:11:53,560
Speaker 1: one out there rope. I'm really attached to it, but

253
00:11:54,080 --> 00:11:57,120
Speaker 1: I don't want to like jeopardize these guys. One baby

254
00:11:57,120 --> 00:11:58,640
Speaker 1: of a song. It's such a good song. So I

255
00:11:58,679 --> 00:12:00,199
Speaker 1: was kind of sitting on it. Then I heard they

256
00:12:00,240 --> 00:12:01,520
Speaker 1: like love it, and I'm like, yes, give it to

257
00:12:01,679 --> 00:12:03,560
Speaker 1: l She'll make it a hit. And I just I

258
00:12:03,600 --> 00:12:06,040
Speaker 1: care about those guys. All of my friends are songwriters,

259
00:12:06,080 --> 00:12:07,839
Speaker 1: and you care about them. You don't want to hold

260
00:12:07,840 --> 00:12:09,280
Speaker 1: their song up. You know, you get this song you

261
00:12:09,320 --> 00:12:10,880
Speaker 1: just sit on and now I'll think about that. Let

262
00:12:10,920 --> 00:12:12,000
Speaker 1: me come back to me in a year. And then

263
00:12:12,040 --> 00:12:13,599
Speaker 1: the song has lost its moment, it doesn't have a

264
00:12:13,679 --> 00:12:15,679
Speaker 1: heat left, and you just like destroyed somebody's chance to

265
00:12:15,720 --> 00:12:17,720
Speaker 1: have like a hit song. So I was super happy

266
00:12:17,720 --> 00:12:19,840
Speaker 1: this this song found the right home and then kind

267
00:12:19,840 --> 00:12:21,200
Speaker 1: of calmer, I think it came back to me with

268
00:12:21,240 --> 00:12:22,959
Speaker 1: a chance to be part of it. I still got

269
00:12:22,960 --> 00:12:24,880
Speaker 1: to be on the song, but it's it's your song.

270
00:12:25,920 --> 00:12:30,360
Speaker 1: Really finally, too deep, now too far? This is Elking

271
00:12:30,440 --> 00:12:33,360
Speaker 1: with Dirk Spenley and the band doing worth the shot.

272
00:12:49,559 --> 00:12:56,720
Speaker 1: We've been turning into stranger now we're barely even superficial

273
00:12:56,760 --> 00:13:03,160
Speaker 1: conversation because God's always I'm not ready to give up

274
00:13:03,440 --> 00:13:09,280
Speaker 1: on us. Yeah, one last to right and might just

275
00:13:09,720 --> 00:13:18,880
Speaker 1: do that train. Might be in the bottom little proof

276
00:13:19,000 --> 00:13:25,960
Speaker 1: from the past, might be the bottom of an empty glass.

277
00:13:26,080 --> 00:13:31,560
Speaker 1: Don't know if the whiskey can fix it on mind

278
00:13:34,400 --> 00:13:38,079
Speaker 1: babies Worth the shine? One shot from the top of

279
00:13:38,200 --> 00:13:41,760
Speaker 1: the show. Mete too? What the hells we've been on

280
00:13:41,800 --> 00:13:45,600
Speaker 1: the right? One shine mediall that we got. I don't

281
00:13:45,640 --> 00:13:50,880
Speaker 1: know where you, but I think it's worth the shine.

282
00:13:53,400 --> 00:14:01,000
Speaker 1: I think it's worth the shine. Think you it's worth

283
00:14:01,000 --> 00:14:06,160
Speaker 1: the show? Come on, that's awesome, guys. El King and

284
00:14:06,240 --> 00:14:11,960
Speaker 1: Dark spent lay on the Bobby Bones show. Now King

285
00:14:12,200 --> 00:14:16,000
Speaker 1: and Dirk spent Le. Oh, how's your ankle like broken

286
00:14:16,080 --> 00:14:19,880
Speaker 1: or something? I don't know. I got heeled boots on

287
00:14:19,960 --> 00:14:22,120
Speaker 1: sor right. She says she's always hurt. We were talking.

288
00:14:22,160 --> 00:14:23,800
Speaker 1: She said, I'm always hurt. She has a sprained ankle

289
00:14:23,880 --> 00:14:26,040
Speaker 1: right now. Yeah. We're in the video shoot for the

290
00:14:26,080 --> 00:14:28,520
Speaker 1: song where she was hobbling around pretty good. Yea, I

291
00:14:28,520 --> 00:14:31,000
Speaker 1: resprained it that day. Black and Blue is pretty nice. Yeah,

292
00:14:31,040 --> 00:14:33,560
Speaker 1: it still is. Yeah. So you just wrapped up a

293
00:14:33,560 --> 00:14:35,440
Speaker 1: boot and said let's go. Yeah, I gotta thing, I

294
00:14:35,440 --> 00:14:39,880
Speaker 1: gotta thing on it. Yeah. Yeah. You two are hosting

295
00:14:40,200 --> 00:14:43,360
Speaker 1: CMA Fest together. Yeah that's pretty cool. Yeah yeah, So

296
00:14:43,440 --> 00:14:46,600
Speaker 1: how what's that situation? How that? How'd that get come

297
00:14:46,680 --> 00:14:48,440
Speaker 1: to you? You know, I've seen people do in the past,

298
00:14:48,440 --> 00:14:49,520
Speaker 1: and it looks like a lot of work. So I

299
00:14:49,600 --> 00:14:51,320
Speaker 1: was like, you, I don't want to do that, but uh,

300
00:14:52,120 --> 00:14:54,600
Speaker 1: you gotta be all week. But then I heard, you know,

301
00:14:54,640 --> 00:14:56,240
Speaker 1: there's an opportunity for us to do together. I was like, oh,

302
00:14:56,240 --> 00:14:57,840
Speaker 1: of course I'm gonna do with that because it's just fun.

303
00:14:58,160 --> 00:14:59,280
Speaker 1: You don't have to leave her a day to go

304
00:14:59,360 --> 00:15:00,960
Speaker 1: to the Blue Guys Fest of all right? Where which

305
00:15:01,000 --> 00:15:05,560
Speaker 1: one I can't do? You have to work? Yeah, because

306
00:15:05,600 --> 00:15:07,720
Speaker 1: that is we were and I were talking about it. Yeah,

307
00:15:07,720 --> 00:15:09,400
Speaker 1: it's a lot you guys, it's a lot of work. Yeah,

308
00:15:09,440 --> 00:15:10,920
Speaker 1: she was like what it. I was like, it's you're

309
00:15:10,960 --> 00:15:12,760
Speaker 1: there all I know, four days, which but you guys

310
00:15:12,800 --> 00:15:14,600
Speaker 1: are bigger stars though with me, I think they just

311
00:15:14,680 --> 00:15:17,600
Speaker 1: kept me around. Oh come on, like Dan fixed Yeah,

312
00:15:17,680 --> 00:15:23,200
Speaker 1: Walkie talkie. Yeah, somebody's got to do all the stuff. Yes, No, Uh,

313
00:15:23,760 --> 00:15:25,280
Speaker 1: she's still fun to be you know, she's still fun

314
00:15:25,280 --> 00:15:26,960
Speaker 1: to be around. It just makes you know we're back

315
00:15:27,000 --> 00:15:28,760
Speaker 1: there rehearsing the song, you know, having fun. Then she

316
00:15:28,800 --> 00:15:30,680
Speaker 1: walks the room. It's just like the sun comes in

317
00:15:30,720 --> 00:15:32,120
Speaker 1: with her. So it's just fun to be around her.

318
00:15:32,120 --> 00:15:34,360
Speaker 1: And that makes at this point in my career, it's

319
00:15:34,360 --> 00:15:35,920
Speaker 1: just like I just want to do things that are fun.

320
00:15:36,000 --> 00:15:38,480
Speaker 1: And that's kind of like the main like that's how

321
00:15:38,520 --> 00:15:39,600
Speaker 1: you sell it. Is it gonna be a good time

322
00:15:39,640 --> 00:15:41,440
Speaker 1: or not? It'll be O king Okay, it'll be fun.

323
00:15:41,560 --> 00:15:45,000
Speaker 1: Are you guys playing the fest as well? Together? I'm saying,

324
00:15:45,040 --> 00:15:47,120
Speaker 1: you have two songs at this point. They're one number

325
00:15:47,160 --> 00:15:48,600
Speaker 1: one hit, a one that's about to be massive, So

326
00:15:48,640 --> 00:15:50,840
Speaker 1: I'm assuming you'll play them. I think we'll do this, right,

327
00:15:50,840 --> 00:15:52,600
Speaker 1: I would assume. I don't know this, Yeah, I mean

328
00:15:52,760 --> 00:15:55,160
Speaker 1: we I would hope. So, yeah, yeah, we got it's

329
00:15:55,160 --> 00:15:56,480
Speaker 1: gonna be a fun show. They've done it a little

330
00:15:56,480 --> 00:15:58,160
Speaker 1: different this year. It's like we get a forty five

331
00:15:58,160 --> 00:15:59,880
Speaker 1: minutes set you so it's like, you know, to a

332
00:16:00,040 --> 00:16:01,920
Speaker 1: three songs and you're this is like we had a

333
00:16:02,000 --> 00:16:06,440
Speaker 1: longer sets order. I get two songs, just me right,

334
00:16:06,920 --> 00:16:08,360
Speaker 1: we'll bring you out we got and we'll bring us

335
00:16:08,360 --> 00:16:10,160
Speaker 1: another guest out that you know, the hot country nights

336
00:16:10,160 --> 00:16:12,760
Speaker 1: are gonna be excited about it. So I was talking

337
00:16:12,800 --> 00:16:14,440
Speaker 1: to Ellen. She said that drunking, I don't want to

338
00:16:14,480 --> 00:16:17,600
Speaker 1: go home so good I had actually written years prior.

339
00:16:17,680 --> 00:16:19,880
Speaker 1: Did you know this? I didn't know this? That song is.

340
00:16:20,280 --> 00:16:22,680
Speaker 1: It's so good. The song is so good, the vocals

341
00:16:22,680 --> 00:16:25,320
Speaker 1: are so good. It's it's a killer song. The more

342
00:16:25,320 --> 00:16:26,520
Speaker 1: I hear it, the more. I mean, I always have

343
00:16:26,600 --> 00:16:28,040
Speaker 1: loved it every time it comes on the radio. Now

344
00:16:28,040 --> 00:16:29,440
Speaker 1: I'm just like, I just dig into something else that

345
00:16:29,480 --> 00:16:30,800
Speaker 1: I love about that song. But yeah, I don't know.

346
00:16:30,840 --> 00:16:32,360
Speaker 1: I didn't know you've written a long time ago? Is

347
00:16:32,360 --> 00:16:35,240
Speaker 1: that on the Bobby Cast? It is? But but the

348
00:16:35,320 --> 00:16:37,160
Speaker 1: interesting thing wasn't And I want to ask you the

349
00:16:37,160 --> 00:16:38,840
Speaker 1: same question, dirks. But Ell, you wrote that how many

350
00:16:38,880 --> 00:16:42,080
Speaker 1: years ago? I was about twenty four, so eight years ago.

351
00:16:42,160 --> 00:16:44,760
Speaker 1: So if you write that eight years ago, and she

352
00:16:44,880 --> 00:16:47,840
Speaker 1: sat on it, but she had that, she rewrote it

353
00:16:47,960 --> 00:16:49,960
Speaker 1: right with it. I hated. I hated the verses. Yeah,

354
00:16:49,960 --> 00:16:52,720
Speaker 1: the verses were crap. Did you ever do that dark

355
00:16:52,760 --> 00:16:54,240
Speaker 1: for you have a song? No, okay, okay, all right,

356
00:16:54,280 --> 00:16:56,040
Speaker 1: well no, Usually the song is written and then it's

357
00:16:56,080 --> 00:16:58,320
Speaker 1: just like such a great song, and then time goes on.

358
00:16:58,360 --> 00:16:59,880
Speaker 1: I'm just started thinking about I don't even know where

359
00:16:59,880 --> 00:17:01,800
Speaker 1: my with my catalog, I'm gonna go back, And I mean,

360
00:17:01,800 --> 00:17:03,280
Speaker 1: I've written a lot of songs a lot of people

361
00:17:03,320 --> 00:17:05,199
Speaker 1: that just for some reason, the song just doesn't make

362
00:17:05,200 --> 00:17:07,800
Speaker 1: it to the the album, which is crazy because it's

363
00:17:07,800 --> 00:17:09,280
Speaker 1: just kind of like almost a timing thing you write.

364
00:17:09,720 --> 00:17:11,720
Speaker 1: You have a you know this record, I'm Morgan right now,

365
00:17:11,760 --> 00:17:13,320
Speaker 1: I'm on my third version of it. So there's a

366
00:17:13,359 --> 00:17:14,960
Speaker 1: lot of songs that just didn't make it for some

367
00:17:15,000 --> 00:17:17,320
Speaker 1: reason to the next phase and they're just great songs,

368
00:17:17,359 --> 00:17:20,280
Speaker 1: and you know, they just kind of disappear. Did you

369
00:17:20,320 --> 00:17:22,520
Speaker 1: have a song, Dirks that lasted a long time and

370
00:17:22,600 --> 00:17:24,639
Speaker 1: made it and you're like that, I can't believe the

371
00:17:24,640 --> 00:17:26,320
Speaker 1: thing lasted that long and then it was a big hit,

372
00:17:26,400 --> 00:17:28,080
Speaker 1: like years and years because I get written a long

373
00:17:28,119 --> 00:17:30,439
Speaker 1: time ago, or we yeah, sure, because that's her situation

374
00:17:30,480 --> 00:17:31,800
Speaker 1: with drunking, I don't want to go home and she

375
00:17:31,800 --> 00:17:34,040
Speaker 1: wrote it, but you knew right all that the hook

376
00:17:34,119 --> 00:17:37,440
Speaker 1: was so strong that eventually it would be something for somebody, right, Oh,

377
00:17:37,480 --> 00:17:39,280
Speaker 1: hell yeah. And so you even tried to you thought

378
00:17:39,320 --> 00:17:41,679
Speaker 1: about selling the song to like a DJ. Yeah, I

379
00:17:41,680 --> 00:17:45,080
Speaker 1: mean my manager right there, I've been We've been messaging

380
00:17:45,160 --> 00:17:48,800
Speaker 1: for like like a year before that, like we have

381
00:17:48,880 --> 00:17:50,840
Speaker 1: to give this to a DJ or somebody. I can't.

382
00:17:51,080 --> 00:17:55,840
Speaker 1: I can't just let this chorus like die. And and

383
00:17:55,880 --> 00:17:57,760
Speaker 1: so I was like, let's just rewrite it. But it

384
00:17:57,800 --> 00:18:00,240
Speaker 1: taught me a lot because now we have other songs, songs,

385
00:18:00,240 --> 00:18:03,359
Speaker 1: and yeah, it now you can really kind of shift

386
00:18:03,400 --> 00:18:06,520
Speaker 1: and open your mind about you know, songwriting process, and

387
00:18:06,560 --> 00:18:09,680
Speaker 1: like I love this one thing about this song, but

388
00:18:09,720 --> 00:18:12,159
Speaker 1: this is where it doesn't hit. So it's okay to

389
00:18:12,760 --> 00:18:16,440
Speaker 1: you know, throw the baby out and kind of restarted. Yeah,

390
00:18:16,520 --> 00:18:18,359
Speaker 1: you could always fall back on what was there. Man,

391
00:18:18,359 --> 00:18:20,040
Speaker 1: it's hard to I mean you guys Charlie about this too.

392
00:18:20,040 --> 00:18:21,680
Speaker 1: It's hard to take a song. It's like half you

393
00:18:21,760 --> 00:18:23,720
Speaker 1: write and he's like, I don't like it. I'm gonna

394
00:18:23,720 --> 00:18:25,880
Speaker 1: go back and read purpose the song. I think once

395
00:18:25,920 --> 00:18:27,560
Speaker 1: it's written, it's kind OF's like for me, it seems

396
00:18:27,560 --> 00:18:29,600
Speaker 1: like it's locked in. It's just kind of like onto

397
00:18:29,600 --> 00:18:31,359
Speaker 1: the next one, damn it. But did you have a

398
00:18:31,400 --> 00:18:33,680
Speaker 1: song that lasted the test of time, meaning it set

399
00:18:33,720 --> 00:18:35,480
Speaker 1: around maybe you forgot about it for a long time,

400
00:18:35,760 --> 00:18:37,119
Speaker 1: and then it came back and like, oh man, that

401
00:18:37,160 --> 00:18:38,359
Speaker 1: was a good song, let's record it, and then it

402
00:18:38,400 --> 00:18:41,280
Speaker 1: was a hit. No, okay, all right, cool, but alright anyway,

403
00:18:41,320 --> 00:18:43,520
Speaker 1: I've had songs. I've had songs of albums. I've had

404
00:18:43,520 --> 00:18:45,639
Speaker 1: songs of albums that I wish had been singles, and

405
00:18:45,680 --> 00:18:47,879
Speaker 1: I've tried to like reap to put them back on it,

406
00:18:48,000 --> 00:18:49,359
Speaker 1: you know, because you've got it's a great song, like,

407
00:18:49,359 --> 00:18:50,800
Speaker 1: oh I can't but it was in a single. Let's

408
00:18:50,800 --> 00:18:53,359
Speaker 1: recut it and put it out on this next record.

409
00:18:53,400 --> 00:18:56,639
Speaker 1: And it just feels like there's some just the everyone's

410
00:18:56,640 --> 00:18:58,679
Speaker 1: just calling this song had its moment, and it's just

411
00:18:58,760 --> 00:19:00,560
Speaker 1: write something new. I don't know. It's hard to do that,

412
00:19:01,200 --> 00:19:05,000
Speaker 1: well not for That's why we're supporting her. That's why

413
00:19:05,080 --> 00:19:07,119
Speaker 1: we're on the wings and she's in the center. L

414
00:19:07,240 --> 00:19:09,400
Speaker 1: King is here. She's got a brand new song. Um,

415
00:19:09,760 --> 00:19:11,920
Speaker 1: you're all over, I mean, are you playing more Stapleton

416
00:19:11,960 --> 00:19:13,400
Speaker 1: shows too? I was looking at you're I mean you're

417
00:19:13,400 --> 00:19:15,920
Speaker 1: on the road a lot. Yeah, do you feel like

418
00:19:15,960 --> 00:19:19,080
Speaker 1: you're living on the road. Yeah. Is it more like

419
00:19:19,119 --> 00:19:22,200
Speaker 1: a rock tour that you're on the road so much

420
00:19:22,240 --> 00:19:25,000
Speaker 1: than a typical country tour where you're out for Thursday, Friday, Saturday.

421
00:19:25,440 --> 00:19:29,080
Speaker 1: Uh well, I mean now that festival season is going

422
00:19:29,119 --> 00:19:31,520
Speaker 1: to be coming up, our the days will get filled.

423
00:19:31,880 --> 00:19:35,159
Speaker 1: But I mean I'm here in Nashville, Husland, and I

424
00:19:35,520 --> 00:19:38,360
Speaker 1: never really get days off. I like country tours when

425
00:19:38,359 --> 00:19:40,320
Speaker 1: it's slower. I like to have a couple of days off.

426
00:19:40,359 --> 00:19:42,600
Speaker 1: I had Sunday and Monday off and that was real nice.

427
00:19:42,600 --> 00:19:45,040
Speaker 1: I was in a pool, But like, I just I

428
00:19:45,160 --> 00:19:47,840
Speaker 1: like to work. You know, what is it idle hands

429
00:19:47,840 --> 00:19:50,080
Speaker 1: of the Devil's Playground. I don't do well with too

430
00:19:50,119 --> 00:19:53,359
Speaker 1: much time off. So um, it does feel like a

431
00:19:53,480 --> 00:19:55,960
Speaker 1: rock thing. I guess I don't know. L King, listen

432
00:19:56,000 --> 00:19:57,840
Speaker 1: to this the first female artist in history. You've scored

433
00:19:57,880 --> 00:20:00,800
Speaker 1: four radio number one singles on different form mats for

434
00:20:01,040 --> 00:20:05,159
Speaker 1: a country, for alternative, adult, alternative, and adult pop songs.

435
00:20:05,160 --> 00:20:08,280
Speaker 1: So that's awesome. It just shows how versatile your message is,

436
00:20:08,400 --> 00:20:11,439
Speaker 1: more than any certain instrument or sound. Yeah. Yeah, but

437
00:20:11,520 --> 00:20:15,080
Speaker 1: like it shows how versatile that messages and that all people,

438
00:20:15,520 --> 00:20:18,560
Speaker 1: regardless of what yeah. I'm not a big genre guy myself,

439
00:20:19,040 --> 00:20:21,199
Speaker 1: but it just shows that you're connected in a lot

440
00:20:21,240 --> 00:20:24,320
Speaker 1: of ways. That's really cool. Yeah, goods um So I

441
00:20:24,320 --> 00:20:27,920
Speaker 1: think that's it. Dirk's Elle, Charlie the band, great job.

442
00:20:28,119 --> 00:20:30,240
Speaker 1: As always, I feel like in different forms, I see

443
00:20:30,240 --> 00:20:32,680
Speaker 1: everybody here about I don't know, twice a week somebody

444
00:20:32,720 --> 00:20:34,720
Speaker 1: from some dis groups coming in in some way. It

445
00:20:34,840 --> 00:20:36,360
Speaker 1: was a killer band. You guys that it great today?

446
00:20:36,400 --> 00:20:38,560
Speaker 1: All right, go look for Ell on the road. Also

447
00:20:38,680 --> 00:20:41,119
Speaker 1: Dirk Spentley, he'll be in next week with who who

448
00:20:41,119 --> 00:20:46,679
Speaker 1: do you think we'll be well, who's supporting Charlie next week? Yeah? Yeah,

449
00:20:46,280 --> 00:20:51,720
Speaker 1: maybe maybe SHO TJS. Yeah yeah, both brothers. Chance. I'll

450
00:20:51,800 --> 00:20:53,560
Speaker 1: end with this because something El and I were talking

451
00:20:53,560 --> 00:20:57,199
Speaker 1: about was asking people to do collabs or like to

452
00:20:57,280 --> 00:21:00,439
Speaker 1: feature on a song. And you know, we had we

453
00:21:00,480 --> 00:21:03,000
Speaker 1: had opened for Garth Brooks and we did this song

454
00:21:03,040 --> 00:21:05,600
Speaker 1: called Opening Act, and so I had to reach out

455
00:21:05,640 --> 00:21:08,040
Speaker 1: to people and be like, hey, we're looking for somebody

456
00:21:08,040 --> 00:21:09,760
Speaker 1: to hop on this verse and it's a very awkward

457
00:21:09,800 --> 00:21:11,919
Speaker 1: thing for me and I do comedy music, and I

458
00:21:12,000 --> 00:21:13,480
Speaker 1: was like, I'm always like, hey, do you want to

459
00:21:13,480 --> 00:21:14,840
Speaker 1: get on the song if you don't want to. You

460
00:21:14,840 --> 00:21:16,119
Speaker 1: don't have to. I know, it's stupid. Who wants to

461
00:21:16,160 --> 00:21:18,359
Speaker 1: do when you reach out to somebody dirks. Are you

462
00:21:18,440 --> 00:21:21,000
Speaker 1: always like hey, man, it's a great song. You should

463
00:21:21,040 --> 00:21:22,760
Speaker 1: be on it? No, or are you on the same

464
00:21:22,840 --> 00:21:25,200
Speaker 1: I'm like you, I'm like, man, because it's a big response.

465
00:21:25,240 --> 00:21:27,240
Speaker 1: It's a big obligation. You're asking somebody to kind of,

466
00:21:27,359 --> 00:21:29,040
Speaker 1: you know, be in with you for the next year.

467
00:21:29,040 --> 00:21:30,520
Speaker 1: If sar I was like, you know, if you can

468
00:21:30,520 --> 00:21:32,080
Speaker 1: make it to an award show or make the video

469
00:21:32,119 --> 00:21:34,840
Speaker 1: shoot or you're gonna go. There's a lot of responsibility

470
00:21:34,840 --> 00:21:35,800
Speaker 1: to come with being on a song. It's not like

471
00:21:35,800 --> 00:21:37,680
Speaker 1: you just go in there cutting like all right, see you.

472
00:21:37,840 --> 00:21:40,440
Speaker 1: It's like, hey, I'm gonna need you, uh next month

473
00:21:40,480 --> 00:21:42,240
Speaker 1: these day, it's gonna need you for the video shoot

474
00:21:42,240 --> 00:21:43,479
Speaker 1: and all this stuff. So it's kind of you're kind

475
00:21:43,520 --> 00:21:45,159
Speaker 1: of I think it's a favor to be even it's

476
00:21:45,160 --> 00:21:47,240
Speaker 1: a big hit song, you're kind of saying, hey, you know,

477
00:21:47,280 --> 00:21:49,960
Speaker 1: would you be I really appreciate if you'd take a

478
00:21:50,000 --> 00:21:51,280
Speaker 1: look at being on this. So I come to the

479
00:21:51,320 --> 00:21:53,560
Speaker 1: other angle, you know, but is it then do you

480
00:21:53,560 --> 00:21:56,600
Speaker 1: get nervous they're gonna has anyone ever said no to you. Yeah,

481
00:21:56,680 --> 00:21:58,960
Speaker 1: and I've said no to other other people too. You know,

482
00:21:59,119 --> 00:22:02,320
Speaker 1: I've had some people two songs. I like, I don't know, friends, friends,

483
00:22:02,320 --> 00:22:03,600
Speaker 1: good friends. Yeah, I'd be like, I don't know this

484
00:22:03,640 --> 00:22:05,119
Speaker 1: is a good song for your career. I mean, I'm

485
00:22:05,160 --> 00:22:07,920
Speaker 1: just as an outside you know, as a friend of yours,

486
00:22:07,960 --> 00:22:09,639
Speaker 1: an outside looker, I'm like, I don't know if you

487
00:22:09,680 --> 00:22:11,360
Speaker 1: should be putting this song out. So you just tell

488
00:22:11,400 --> 00:22:12,760
Speaker 1: them you don't want to do it and they shouldn't

489
00:22:12,760 --> 00:22:16,960
Speaker 1: do it like that. I just don't know this song

490
00:22:17,000 --> 00:22:18,560
Speaker 1: has been good for your career. I don't know if

491
00:22:18,560 --> 00:22:23,720
Speaker 1: you're a singer, but uh yeah, I've had to go

492
00:22:23,760 --> 00:22:26,680
Speaker 1: both ways for sure. So well, Bobby, wasn't it Breland

493
00:22:26,720 --> 00:22:29,920
Speaker 1: on the Bobby Cast that said, when Dirk's reached out

494
00:22:29,920 --> 00:22:32,160
Speaker 1: to him about beers on me like you texted him.

495
00:22:32,320 --> 00:22:34,840
Speaker 1: He said, Hey, this is Dirk Stantly, you know, the

496
00:22:34,880 --> 00:22:37,560
Speaker 1: country artist, oh, the country singer, and like you were

497
00:22:37,600 --> 00:22:40,320
Speaker 1: defining who you were, And Britland said that he was like, dude,

498
00:22:40,320 --> 00:22:44,080
Speaker 1: you don't I always introduced myself, even like I remember

499
00:22:44,280 --> 00:22:46,480
Speaker 1: Taylor Swift. I've known a song with her on stage

500
00:22:46,520 --> 00:22:48,000
Speaker 1: and done some stuff with her every time I see him,

501
00:22:48,040 --> 00:22:50,800
Speaker 1: so like, hey, Taylor Dirk Spelly and I know who

502
00:22:50,840 --> 00:22:52,760
Speaker 1: you are. Well, I'm just making sure you know I

503
00:22:52,800 --> 00:22:55,920
Speaker 1: don't know. But uh yeah, I've had I've been I've

504
00:22:55,920 --> 00:22:57,760
Speaker 1: cut a song something before and had to call Mary

505
00:22:57,840 --> 00:23:00,320
Speaker 1: Hilliar and be like, you gotta get me off the song.

506
00:23:00,520 --> 00:23:03,600
Speaker 1: So you've cut it, Like that's not a good song.

507
00:23:03,600 --> 00:23:07,800
Speaker 1: You gotta help me. That's dicey. That's a dicey situation.

508
00:23:08,800 --> 00:23:11,359
Speaker 1: We've got a couple of people want that we're going

509
00:23:11,400 --> 00:23:13,200
Speaker 1: to be in this little song. And one of them

510
00:23:13,240 --> 00:23:14,560
Speaker 1: was like yeah immediately the other one. I sent a

511
00:23:14,600 --> 00:23:16,400
Speaker 1: message too, and I still haven't heard back. And it's

512
00:23:16,400 --> 00:23:18,800
Speaker 1: been like a bit because you send voice notes. But

513
00:23:19,320 --> 00:23:21,680
Speaker 1: what do you mean it's because of that, well you

514
00:23:21,800 --> 00:23:23,399
Speaker 1: didn't type it out. Oh I don't want them to

515
00:23:23,480 --> 00:23:26,040
Speaker 1: keep it though they keep you to keep it, but

516
00:23:26,040 --> 00:23:28,840
Speaker 1: they don't. I told el people remember that usually think

517
00:23:28,880 --> 00:23:30,560
Speaker 1: at one point all our text messages are gonna be

518
00:23:30,560 --> 00:23:35,160
Speaker 1: totally public. I do pointier how much Bolly Bones talked

519
00:23:35,160 --> 00:23:37,440
Speaker 1: about me, and you know they like everything you better said?

520
00:23:37,680 --> 00:23:40,239
Speaker 1: Just searching Boom, Yes, yeah, I searched Bobylon's my name.

521
00:23:40,280 --> 00:23:45,520
Speaker 1: Oh my god Dercy's mouth breathing into the microphone. Okay, listen,

522
00:23:46,200 --> 00:23:49,760
Speaker 1: great job, Dirk, sound wonderful, great new song. You guys

523
00:23:49,800 --> 00:23:52,639
Speaker 1: appreciate you and we will see you, if not on

524
00:23:52,680 --> 00:23:57,400
Speaker 1: TV sooner than that. Okay, guys co hosting the CMA

525
00:23:57,480 --> 00:24:00,600
Speaker 1: Fest on ABC and we will. So you, guys say,

526
00:24:01,040 --> 00:24:08,320
Speaker 1: it's time for the good news. So this kid, Brody,

527
00:24:08,400 --> 00:24:10,720
Speaker 1: transferred to a different school in Colorado because he was

528
00:24:10,760 --> 00:24:13,080
Speaker 1: getting bullied at his old school. He's a very shy

529
00:24:13,160 --> 00:24:16,119
Speaker 1: sixth grader. He says, the situation at his new school

530
00:24:16,200 --> 00:24:18,280
Speaker 1: isn't much better. When Brodie got his year book at

531
00:24:18,280 --> 00:24:19,440
Speaker 1: the end of the year, he went around asking for

532
00:24:19,480 --> 00:24:21,040
Speaker 1: his classmates to sign it, and a lot of them

533
00:24:21,080 --> 00:24:24,479
Speaker 1: said no. Three classmates who did it only signed their

534
00:24:24,560 --> 00:24:28,000
Speaker 1: names or nothing else. So Brody wrote a message to himself.

535
00:24:28,200 --> 00:24:31,440
Speaker 1: The message was hope he makes some more friends. Said

536
00:24:31,800 --> 00:24:33,480
Speaker 1: when his mom saw the note, she went to social

537
00:24:33,480 --> 00:24:35,360
Speaker 1: media and was like, hey, this is going on. So

538
00:24:35,480 --> 00:24:38,560
Speaker 1: when fellow academy student where he's at Logan South's parents

539
00:24:38,640 --> 00:24:42,120
Speaker 1: saw this, they said, hey, let me talk to our son.

540
00:24:42,359 --> 00:24:44,720
Speaker 1: Say get a man. They say, Hey, the kid's going

541
00:24:44,760 --> 00:24:47,520
Speaker 1: through this. You know, we don't want other kids to

542
00:24:47,560 --> 00:24:51,200
Speaker 1: suffer like this. So the other kid went in, got

543
00:24:51,200 --> 00:24:54,080
Speaker 1: his yearbook, signed a long message to him, and they

544
00:24:54,119 --> 00:24:55,359
Speaker 1: went to his friends and was like, hey, you guys,

545
00:24:55,359 --> 00:24:57,159
Speaker 1: mind hopping in here. And so at the end of

546
00:24:57,160 --> 00:25:00,280
Speaker 1: the day, his yearbook was completely full of paragraph apps

547
00:25:00,280 --> 00:25:04,120
Speaker 1: of kind messages, words of encouragement, and people just hanging

548
00:25:04,119 --> 00:25:05,639
Speaker 1: out with them all day. And hopefully that will kind

549
00:25:05,680 --> 00:25:07,720
Speaker 1: of be the you know, the springboard into more friendships

550
00:25:07,720 --> 00:25:11,040
Speaker 1: for this kid. That a good for Logan South and

551
00:25:11,119 --> 00:25:13,320
Speaker 1: Logan South's parents too, because I know that as someone

552
00:25:13,359 --> 00:25:15,160
Speaker 1: who's gonna go in and be like, hey, I'm gonna

553
00:25:15,160 --> 00:25:16,920
Speaker 1: I'm gonna help you out, it's not always the cool

554
00:25:16,960 --> 00:25:18,680
Speaker 1: thing to do to go in and be friends with

555
00:25:18,640 --> 00:25:20,480
Speaker 1: somebody who's getting picked on. I know, I got to

556
00:25:20,520 --> 00:25:22,280
Speaker 1: crappy out of me, and I was always very appreciative

557
00:25:22,320 --> 00:25:24,240
Speaker 1: when somebody they didn't have to be cool, they could

558
00:25:24,240 --> 00:25:25,760
Speaker 1: be anybody was like, hey, man, hang out with me,

559
00:25:25,800 --> 00:25:28,239
Speaker 1: hang out with us. And that wasn't easy for them

560
00:25:28,240 --> 00:25:29,840
Speaker 1: because then they got made fun out. They're like, oh,

561
00:25:29,880 --> 00:25:33,439
Speaker 1: you're hanging out with Bobby, Oh a loser, you know,

562
00:25:33,520 --> 00:25:35,840
Speaker 1: So that I like that. I like Logan South, if

563
00:25:35,840 --> 00:25:37,959
Speaker 1: you're listening to this. It's awesome. Your parents are awesome.

564
00:25:38,320 --> 00:25:40,800
Speaker 1: And hang in there, Brody, it definitely gets a lot better.

565
00:25:41,440 --> 00:25:44,399
Speaker 1: You're probably shine and super smart and all those idiots

566
00:25:44,400 --> 00:25:47,120
Speaker 1: to be working for you soon enough. No offense to you, guys,

567
00:25:49,960 --> 00:25:53,640
Speaker 1: all right, that's what it's all about. That was tell

568
00:25:53,680 --> 00:25:57,720
Speaker 1: me something good. We're gonna play two truths and a lie.

569
00:25:58,200 --> 00:26:00,760
Speaker 1: A lie is on in Utah Alee. Are you great?

570
00:26:00,800 --> 00:26:02,959
Speaker 1: How are you doing pretty good? So we're gonna give

571
00:26:02,960 --> 00:26:04,840
Speaker 1: you a prize if you can win. I'm gonna give

572
00:26:04,880 --> 00:26:08,760
Speaker 1: you three statements about my life. Can you find the

573
00:26:08,840 --> 00:26:14,000
Speaker 1: one that's a lie? Okay? Ready? Yes? Ready? Statement number one?

574
00:26:14,160 --> 00:26:19,040
Speaker 1: I once rode in an elevator with Prince the Artist.

575
00:26:19,520 --> 00:26:23,920
Speaker 1: Do you have Princess? Yes? Statement two. I was once

576
00:26:23,960 --> 00:26:26,040
Speaker 1: pulled on stage at a concert to sing with Alan

577
00:26:26,119 --> 00:26:31,720
Speaker 1: Jackson when I was ten years old. Statement three Elton

578
00:26:31,800 --> 00:26:36,240
Speaker 1: John wants kiss me on the lips. Okay, so we

579
00:26:36,359 --> 00:26:41,600
Speaker 1: got three superstars here, musical superstars. I definitely know the

580
00:26:41,760 --> 00:26:44,840
Speaker 1: Prince one is true. So you think I rode in

581
00:26:44,920 --> 00:26:49,160
Speaker 1: an elevator with Prince? Yes? Okay, So then which one

582
00:26:49,240 --> 00:26:51,800
Speaker 1: is not true in your mind? Is it? I was

583
00:26:51,840 --> 00:26:53,760
Speaker 1: once pulled on stage at a concert to sing with

584
00:26:53,800 --> 00:26:57,919
Speaker 1: Alan Jackson or Elton John once kissed me on the lips?

585
00:27:00,960 --> 00:27:03,000
Speaker 1: Did you go out to go to Elton John kissed

586
00:27:03,040 --> 00:27:05,439
Speaker 1: me on the lips? So you think that one is

587
00:27:05,480 --> 00:27:09,640
Speaker 1: the lie? Yeah, okay, she's going locker n ray, she's

588
00:27:09,720 --> 00:27:11,680
Speaker 1: going to Elton John kissed me on the lips. That's

589
00:27:11,680 --> 00:27:14,600
Speaker 1: a lie, she says, all right, she is locked in

590
00:27:15,000 --> 00:27:17,480
Speaker 1: rated hit any sound, But I don't know there is

591
00:27:17,520 --> 00:27:20,000
Speaker 1: a sound, as yelled at him. I don't know. Okay.

592
00:27:20,000 --> 00:27:22,480
Speaker 1: So I once wrote an elevator with Prince. That is true.

593
00:27:22,680 --> 00:27:24,359
Speaker 1: It was an accident. I was in Austin. It was

594
00:27:24,480 --> 00:27:26,640
Speaker 1: like a bar club. He was a secret, secret show.

595
00:27:26,680 --> 00:27:28,640
Speaker 1: I got on. There were huge guys and one lower guy,

596
00:27:28,640 --> 00:27:31,600
Speaker 1: and I was like, what did I get myself into?

597
00:27:31,880 --> 00:27:35,359
Speaker 1: That's a weird one. That was a weird one. The

598
00:27:35,440 --> 00:27:37,479
Speaker 1: Alan Jackson one. I was once pulled on stage at

599
00:27:37,480 --> 00:27:39,240
Speaker 1: a concert to sing with Alan Jackson when I was ten.

600
00:27:39,800 --> 00:27:44,920
Speaker 1: That is not true. I have never as a kid,

601
00:27:44,960 --> 00:27:46,880
Speaker 1: I didn't really go to concerts. I mean, my first

602
00:27:46,880 --> 00:27:49,320
Speaker 1: show ever was Diamond Rio. I think I was twelve

603
00:27:49,440 --> 00:27:52,840
Speaker 1: or thirteen with Church at Magic Springs Theme Park, and

604
00:27:52,920 --> 00:27:55,960
Speaker 1: so that did not happen. It is true. Elton John

605
00:27:56,000 --> 00:27:57,679
Speaker 1: once kissed me on the lips. Believe it or not.

606
00:27:58,200 --> 00:28:00,639
Speaker 1: I was at a charity event and I set him

607
00:28:00,680 --> 00:28:02,520
Speaker 1: all night and he showed me pictures of his new baby,

608
00:28:02,560 --> 00:28:04,359
Speaker 1: and he went up and he played the set and

609
00:28:04,400 --> 00:28:06,040
Speaker 1: he came off and he was shaking people's hands. And

610
00:28:06,080 --> 00:28:07,520
Speaker 1: at the end of Graub's Man, he kissing round in

611
00:28:07,520 --> 00:28:10,080
Speaker 1: the mouth and it keeps walking and I was like, whoa,

612
00:28:10,200 --> 00:28:14,040
Speaker 1: that's crazy. Crazy. Yeah, they're crazy. So you okay, you

613
00:28:14,080 --> 00:28:16,280
Speaker 1: didn't get that one, so you got to get the

614
00:28:16,320 --> 00:28:19,960
Speaker 1: next two right. But the lie was Alan Jackson one. Okay,

615
00:28:20,040 --> 00:28:22,960
Speaker 1: next up, I'll give you three statements. Remember one of

616
00:28:23,000 --> 00:28:27,359
Speaker 1: these is a lie. Statement one, I've had dinner with

617
00:28:27,560 --> 00:28:33,560
Speaker 1: Orlando Bloom. Statement two. I'm in a group chat with

618
00:28:33,640 --> 00:28:37,240
Speaker 1: Keith Urban, Dirk Spentley, and Luke Bryan where we share

619
00:28:37,320 --> 00:28:42,880
Speaker 1: industry secrets and make fun of other artists. Statement three.

620
00:28:43,120 --> 00:28:46,160
Speaker 1: I've played ping pong with the lead singer of Creed

621
00:28:46,840 --> 00:28:53,000
Speaker 1: with arms wide open. Okay, thank you' there. So I've

622
00:28:53,000 --> 00:28:54,880
Speaker 1: had dinner with Orlando Bloom, I'm in a group chat

623
00:28:54,920 --> 00:28:57,720
Speaker 1: with Urban, Dirks and Luke Brian, and I've played ping

624
00:28:57,760 --> 00:29:00,400
Speaker 1: pong with the lead singer of Creed, which one of

625
00:29:00,440 --> 00:29:03,440
Speaker 1: those who thinks the lie? Okay, well, I know the

626
00:29:03,600 --> 00:29:11,600
Speaker 1: orlandom Bloom one isn't Whose American Idol with Katie Perry. Um,

627
00:29:12,200 --> 00:29:16,280
Speaker 1: probably the group chat with Keith Urban, luth Brian and

628
00:29:16,760 --> 00:29:22,160
Speaker 1: but whoever else? You think that's the true one. No,

629
00:29:22,280 --> 00:29:24,600
Speaker 1: I think that one. I think that's the lie. Got it? Okay?

630
00:29:24,640 --> 00:29:26,960
Speaker 1: So she is locking in as the lie that I'm

631
00:29:27,000 --> 00:29:28,600
Speaker 1: in a group chat with Keith Urban, Dark Spilling and

632
00:29:28,640 --> 00:29:30,320
Speaker 1: Luke Brian where we share industry secrets and make fun

633
00:29:30,320 --> 00:29:34,680
Speaker 1: of the artist. All right, Ray locker In, I hung

634
00:29:34,720 --> 00:29:43,280
Speaker 1: up the phone. Is that her? Okay? All right? All right? Interesting? Um, Well,

635
00:29:43,600 --> 00:29:45,840
Speaker 1: it is true I've had dinner with Orlando Bloom because

636
00:29:45,880 --> 00:29:47,280
Speaker 1: at the end of American Idol we all went to

637
00:29:47,320 --> 00:29:50,640
Speaker 1: dinner Katie Perry, Orlando Bloom really didn't fit in, but

638
00:29:50,680 --> 00:29:53,000
Speaker 1: I went and had some good food for free. And

639
00:29:53,200 --> 00:29:54,880
Speaker 1: it is true that I've played ping pong with the

640
00:29:54,960 --> 00:29:57,080
Speaker 1: lead singer of Creed backstage way back in the day

641
00:29:57,080 --> 00:29:58,760
Speaker 1: and he beat me like twenty two to nothing. Was like,

642
00:29:58,800 --> 00:30:02,040
Speaker 1: get this guy out of here. And you are right.

643
00:30:02,160 --> 00:30:04,240
Speaker 1: I am not in a group chat with those three.

644
00:30:04,280 --> 00:30:05,960
Speaker 1: Nor do we talk about about other people because they

645
00:30:05,960 --> 00:30:08,480
Speaker 1: wouldn't do that. I would, but they wouldn't. So that

646
00:30:08,600 --> 00:30:10,360
Speaker 1: is a correct, good job. All right, one more to go.

647
00:30:11,080 --> 00:30:13,760
Speaker 1: And by the way, if somebody can tell me about

648
00:30:13,760 --> 00:30:17,000
Speaker 1: price she's gonna win, that'd be pretty awesome. Oh, Sonic

649
00:30:17,000 --> 00:30:19,560
Speaker 1: gift cards. Since you're a Sonic guy, A one hundred dollars?

650
00:30:19,840 --> 00:30:23,120
Speaker 1: Do you have a Sonic near you? A lee, yes,

651
00:30:23,440 --> 00:30:27,640
Speaker 1: one hundred dollars at Sonic You're gonna od unslushy, you know?

652
00:30:28,520 --> 00:30:31,480
Speaker 1: All right? Here we go, Yeah, last one? Yeah, that

653
00:30:31,640 --> 00:30:35,000
Speaker 1: was one, all right? Which one's a lie? I turned

654
00:30:35,040 --> 00:30:37,320
Speaker 1: on Justin Bieber for an interview before he was famous.

655
00:30:39,080 --> 00:30:41,200
Speaker 1: I was once catfished by a man posing as a

656
00:30:41,240 --> 00:30:49,040
Speaker 1: model online. I've trademarked us saying sixty nine nice. Which

657
00:30:49,040 --> 00:30:51,760
Speaker 1: one's a lie? I turned on Justin Bieber. I used

658
00:30:51,800 --> 00:30:54,560
Speaker 1: catfished by a man posing his model or a trademarked

659
00:30:54,560 --> 00:30:58,680
Speaker 1: to saying sixty nine nice. The lie or the lie

660
00:30:58,960 --> 00:31:02,120
Speaker 1: is that you've trade marks the line sixty nine. Why

661
00:31:02,120 --> 00:31:05,600
Speaker 1: are you so sure about that one? Because I'm a

662
00:31:05,600 --> 00:31:09,840
Speaker 1: longtime listener, I know you turned down all of the Yeah, yeah,

663
00:31:09,880 --> 00:31:13,080
Speaker 1: Justin Bieber. Ray lock her in on sixty nine nice?

664
00:31:15,480 --> 00:31:17,640
Speaker 1: That was at least not me thinking she hung up.

665
00:31:18,400 --> 00:31:22,360
Speaker 1: Was that breaking news? Yeah, yeah, she's right, it's that

666
00:31:22,520 --> 00:31:24,600
Speaker 1: I'd never trade mark sixty nine nice. I did turn

667
00:31:24,680 --> 00:31:26,960
Speaker 1: out justin Bieber. It was a YouTube kids. They're like, hey,

668
00:31:26,960 --> 00:31:31,040
Speaker 1: YouTube kids, you want to interview him? I know, dang,

669
00:31:31,280 --> 00:31:35,240
Speaker 1: I know, I was an idiot. Another one, Oh funny,

670
00:31:35,240 --> 00:31:37,120
Speaker 1: I'm thought about this in yours. They said, hey, there's

671
00:31:37,120 --> 00:31:39,160
Speaker 1: some girl performing, do you want to interview her? She

672
00:31:39,200 --> 00:31:40,520
Speaker 1: has a song about kissing at the girl. And I

673
00:31:40,560 --> 00:31:43,760
Speaker 1: was like, no, it was Katy Perry. I kissed the

674
00:31:43,880 --> 00:31:46,720
Speaker 1: girl and I liked it. And then I did once

675
00:31:46,760 --> 00:31:48,640
Speaker 1: to get catfished by a man posing as a model online,

676
00:31:48,640 --> 00:31:50,200
Speaker 1: but we'll not go into that any further. Right now,

677
00:31:50,520 --> 00:31:55,120
Speaker 1: you are the winner, Hale A nice job. Thank you.

678
00:31:55,200 --> 00:31:57,400
Speaker 1: We're gonna, hey, will you lock her in as a winner? Ray?

679
00:31:57,440 --> 00:32:02,760
Speaker 1: There you go, We're locking her in as a winner. Okay, hey, Ale,

680
00:32:02,840 --> 00:32:05,200
Speaker 1: We're gonna send you this one hundred dollars Sonic gift card.

681
00:32:05,200 --> 00:32:07,160
Speaker 1: I love Sonic, You love Sonic, so go have a

682
00:32:07,640 --> 00:32:10,719
Speaker 1: have a Sonic day. Okay, awesome, thank you, right, thank

683
00:32:10,760 --> 00:32:12,200
Speaker 1: you for listening. We'll put you on hold you back

684
00:32:12,200 --> 00:32:16,120
Speaker 1: in a second. So Morgan was telling me about taking

685
00:32:16,120 --> 00:32:17,840
Speaker 1: it Uber I should hit her app car came picked

686
00:32:17,840 --> 00:32:19,760
Speaker 1: her up, and so what did the Uber driver say

687
00:32:19,760 --> 00:32:22,040
Speaker 1: to you? Morgan? So when I got in the car

688
00:32:22,280 --> 00:32:24,400
Speaker 1: and I had gotten in the back seat like I

689
00:32:24,440 --> 00:32:26,720
Speaker 1: always do, he was like, oh, you can just get

690
00:32:26,720 --> 00:32:30,480
Speaker 1: in the front seat. That's weird, so weird that in

691
00:32:30,480 --> 00:32:31,920
Speaker 1: no way. I'm like I and I can also just

692
00:32:31,960 --> 00:32:35,440
Speaker 1: get a new Uber recreet bow that. So did you

693
00:32:35,480 --> 00:32:37,200
Speaker 1: get in the back seat all the way before he

694
00:32:37,240 --> 00:32:39,280
Speaker 1: said that? Yeah, Like I was sitting in there. I

695
00:32:39,280 --> 00:32:41,520
Speaker 1: was about to put my seatbelbot on and he was

696
00:32:41,560 --> 00:32:43,280
Speaker 1: just like, no, you should come to the front seat.

697
00:32:43,280 --> 00:32:45,840
Speaker 1: And I was like no, like I'm more comfortable back here,

698
00:32:45,880 --> 00:32:47,840
Speaker 1: and he was like, no, you should come to the

699
00:32:47,840 --> 00:32:51,200
Speaker 1: front seat. He's like he's like, no, I just can't

700
00:32:51,240 --> 00:32:53,720
Speaker 1: as a candy get in the van. Okay, you'll like it.

701
00:32:53,840 --> 00:32:55,760
Speaker 1: Oh no, your parents said you should get in. That's

702
00:32:55,760 --> 00:32:58,560
Speaker 1: just it almost sounds like, So do you feel like

703
00:32:58,600 --> 00:33:02,080
Speaker 1: he was hitting on you or was his back seat

704
00:33:02,080 --> 00:33:05,360
Speaker 1: just like ripped up or something like it wasn't functional? No,

705
00:33:05,480 --> 00:33:08,520
Speaker 1: like the car was clean, totally fine. I didn't suspect

706
00:33:08,640 --> 00:33:11,000
Speaker 1: anything was weird. But I don't know if you just

707
00:33:11,040 --> 00:33:12,960
Speaker 1: wanted the company in the front seat or it made

708
00:33:13,000 --> 00:33:16,240
Speaker 1: him feel like more of a taxi situation. But I

709
00:33:17,640 --> 00:33:20,240
Speaker 1: like less of the taxi. Maybe we find out every

710
00:33:20,240 --> 00:33:23,320
Speaker 1: car asked Morgan is sit in the front. Okay, So

711
00:33:23,480 --> 00:33:25,840
Speaker 1: here's the thing. Have you guys heard the story yet? No,

712
00:33:26,240 --> 00:33:27,880
Speaker 1: what do you think she did? Do you think she

713
00:33:28,360 --> 00:33:32,760
Speaker 1: a got in the front seat and road b said no,

714
00:33:33,760 --> 00:33:37,040
Speaker 1: how much, chill in the back seat here, See you

715
00:33:37,080 --> 00:33:40,240
Speaker 1: can go on. I'm not taking this uber. So you

716
00:33:40,320 --> 00:33:44,240
Speaker 1: got three choices. Morgan is. If I could describe Morgan,

717
00:33:44,360 --> 00:33:49,200
Speaker 1: she's I'm gonna just five foot two, blonde, very athletic.

718
00:33:50,560 --> 00:33:55,080
Speaker 1: Um just I mean, she's short, and I don't know

719
00:33:56,280 --> 00:33:58,160
Speaker 1: who's always what celebrity does she look? Oh, we've talked

720
00:33:58,200 --> 00:34:02,360
Speaker 1: about before, what celebrity looks like? You've said, Brie Larson. Okay,

721
00:34:03,600 --> 00:34:05,600
Speaker 1: think of that. Think if we smashed those two together.

722
00:34:05,760 --> 00:34:07,120
Speaker 1: So I don't think of the blood that would happen

723
00:34:07,120 --> 00:34:10,440
Speaker 1: if you literally did, but if somehow I think, yeah,

724
00:34:10,520 --> 00:34:13,759
Speaker 1: So that's Morgan for you. She's like, all right, right

725
00:34:13,800 --> 00:34:16,319
Speaker 1: to take an uber ride. What do you think happened, Amy, Well,

726
00:34:16,360 --> 00:34:18,400
Speaker 1: I mean, Morgan's super nice. Maybe she doesn't want to

727
00:34:18,440 --> 00:34:20,200
Speaker 1: make it awkward because I have had someone asked me

728
00:34:20,200 --> 00:34:21,600
Speaker 1: to sit in the front before and I just did

729
00:34:22,480 --> 00:34:26,360
Speaker 1: because because I just didn't. I was like, well, okay,

730
00:34:26,400 --> 00:34:28,239
Speaker 1: I guess and it ended up being fine. But I

731
00:34:28,239 --> 00:34:31,480
Speaker 1: feel like Morgan just said, oh, it's okay, I'm comfortable

732
00:34:31,520 --> 00:34:36,040
Speaker 1: in the back and sat in road. Yes, Lunchbox, Oh listen,

733
00:34:36,080 --> 00:34:38,000
Speaker 1: she just sat in the back seat. It would be

734
00:34:38,040 --> 00:34:40,600
Speaker 1: too awkward to say I'm getting out of the Uber

735
00:34:40,719 --> 00:34:43,359
Speaker 1: and leave. Made them drive away because they know where

736
00:34:43,360 --> 00:34:47,000
Speaker 1: she lives, or she doesn't want to be at your house, Morgan, Yes,

737
00:34:48,120 --> 00:34:49,480
Speaker 1: from my house. Okay, But do you think if an

738
00:34:49,560 --> 00:34:53,560
Speaker 1: Uber driver he goes hey, either kill you, You're gonna

739
00:34:53,560 --> 00:34:56,680
Speaker 1: go a to Z like that? I mean, good thinking, Lunchbox.

740
00:34:56,719 --> 00:34:59,200
Speaker 1: It could happen. It happens. I mean things like this happened.

741
00:34:59,320 --> 00:35:02,319
Speaker 1: You watch Date Law and so, Yeah, she stayed in

742
00:35:02,360 --> 00:35:04,239
Speaker 1: the car because she didn't want to make it too

743
00:35:04,280 --> 00:35:06,080
Speaker 1: awkward and for that person to come back mad at

744
00:35:06,120 --> 00:35:08,640
Speaker 1: her house. But she sat in the back seat, Eddie. Yeah,

745
00:35:08,680 --> 00:35:10,920
Speaker 1: that's a big difference that the fact that he went

746
00:35:10,920 --> 00:35:12,480
Speaker 1: all the way to her house to pick her up.

747
00:35:12,600 --> 00:35:14,080
Speaker 1: She didn't want to wait for another one, so she

748
00:35:14,120 --> 00:35:16,359
Speaker 1: just said, no, thanks, I'll stay in the back seat. So, okay,

749
00:35:16,400 --> 00:35:18,440
Speaker 1: three of those, Yeah, Morgan, you have three votes stay

750
00:35:18,480 --> 00:35:20,960
Speaker 1: in the back seat. Was that what you did? Did

751
00:35:21,000 --> 00:35:24,520
Speaker 1: you stay in the back seat and ride to your destination? Yes?

752
00:35:24,600 --> 00:35:28,680
Speaker 1: Or no? I did not? Okay? So she either sent

753
00:35:28,719 --> 00:35:32,040
Speaker 1: the car away or she got in the front seat. Okay,

754
00:35:32,160 --> 00:35:34,719
Speaker 1: let's re vote. Okay, Amy, front seats. She got in

755
00:35:34,800 --> 00:35:38,920
Speaker 1: front seat. She has somebody that's doing it with her. Yeah, Eddie,

756
00:35:39,040 --> 00:35:42,560
Speaker 1: she asked for an Uber lunchbox. It's front seat because

757
00:35:42,560 --> 00:35:44,160
Speaker 1: I get in the front seat every time anyway, and

758
00:35:44,200 --> 00:35:45,920
Speaker 1: when I'm by myself, So why wouldn't she get in

759
00:35:45,920 --> 00:35:49,000
Speaker 1: the front seat. Nobody wants to make out with correct. Okay,

760
00:35:49,040 --> 00:35:50,799
Speaker 1: so you had two front seats and one he sent

761
00:35:50,840 --> 00:35:53,560
Speaker 1: the car on the way. Morgan, what'd you do? Well?

762
00:35:53,719 --> 00:35:56,240
Speaker 1: Because it's so hard to get ubers at my house,

763
00:35:56,440 --> 00:35:58,879
Speaker 1: I reluctantly got out of the car and got into

764
00:35:58,920 --> 00:36:06,520
Speaker 1: the front seat. I understand. No, Morgan, why would you

765
00:36:06,560 --> 00:36:09,000
Speaker 1: do that? And what happened while you were riding? Well,

766
00:36:09,080 --> 00:36:12,040
Speaker 1: so I it's so hard to get ubers to my

767
00:36:12,120 --> 00:36:15,640
Speaker 1: place and like not expensive ubers too, So I was like,

768
00:36:15,719 --> 00:36:17,239
Speaker 1: I'm not going to go through all of this again.

769
00:36:17,280 --> 00:36:19,400
Speaker 1: I'll just get in the front seat. And then I

770
00:36:19,440 --> 00:36:20,960
Speaker 1: didn't talk to him. I stayed on my phone the

771
00:36:21,120 --> 00:36:22,839
Speaker 1: entire time. I was like, I need to get out

772
00:36:22,840 --> 00:36:24,440
Speaker 1: of this car as fast as I can, and I

773
00:36:24,480 --> 00:36:26,600
Speaker 1: just ignored him. He kind of talked a little bit

774
00:36:26,840 --> 00:36:29,400
Speaker 1: and I'd be like huh yeah, and then I just

775
00:36:29,440 --> 00:36:31,440
Speaker 1: like went back to my phone and really tried to

776
00:36:31,440 --> 00:36:34,680
Speaker 1: show lack of interest. Did you feel like he was

777
00:36:34,719 --> 00:36:36,320
Speaker 1: wanting you in the front seat so we could flirt

778
00:36:36,360 --> 00:36:39,560
Speaker 1: with you and hit on you. No, I got more

779
00:36:39,640 --> 00:36:41,239
Speaker 1: dad vibes from him, Like I don't know if he

780
00:36:41,320 --> 00:36:43,520
Speaker 1: was just trying to, like, you know, have a connection.

781
00:36:43,520 --> 00:36:45,040
Speaker 1: They're a creepy dad. I don't know if I like

782
00:36:45,120 --> 00:36:47,440
Speaker 1: that dad vibe you got with Hey, guys, what if

783
00:36:47,440 --> 00:36:50,320
Speaker 1: like his ex wife lived in that neighborhood and he's like, oh,

784
00:36:50,360 --> 00:36:52,400
Speaker 1: maybe she'll see me driving with his hot blonde. No,

785
00:36:52,520 --> 00:36:54,640
Speaker 1: we're doing a lot of the Only thing I know

786
00:36:54,760 --> 00:36:56,960
Speaker 1: is that this isn't safe and we shouldn't be doing it. Yeah.

787
00:36:57,000 --> 00:36:59,640
Speaker 1: I agree that, still it happens. The only because it

788
00:36:59,640 --> 00:37:00,799
Speaker 1: happened to you. You You made a bad decision, so now

789
00:37:00,840 --> 00:37:05,719
Speaker 1: you're trying to justify more more Again, let's not listen that.

790
00:37:06,080 --> 00:37:08,080
Speaker 1: I would prefer you not do that. You're you're your

791
00:37:08,080 --> 00:37:11,359
Speaker 1: own adult, but that is not safe. I know. I

792
00:37:11,400 --> 00:37:13,399
Speaker 1: just felt so uncomfortable. I didn't really know what else

793
00:37:13,440 --> 00:37:15,480
Speaker 1: to do and be like, Okay, leave, I'm gonna get

794
00:37:15,480 --> 00:37:18,239
Speaker 1: a new uber. I just I didn't. I'm not good

795
00:37:18,239 --> 00:37:21,640
Speaker 1: and uncomfortable situations. So that's why I reluctantly like just

796
00:37:22,040 --> 00:37:23,600
Speaker 1: got in the front seat and just kind of kept

797
00:37:23,600 --> 00:37:25,960
Speaker 1: to myself as much as possible. Here is your ticket

798
00:37:25,960 --> 00:37:28,640
Speaker 1: to get out of any situation like that. Okay, okay.

799
00:37:28,680 --> 00:37:31,759
Speaker 1: All you have to do is go, oh no, I

800
00:37:31,760 --> 00:37:35,239
Speaker 1: got a poop and run off because it'll he'll be

801
00:37:35,280 --> 00:37:37,439
Speaker 1: like wait what and then he'll be like, oh, thank god,

802
00:37:38,000 --> 00:37:40,680
Speaker 1: all of it. He's shocked by it. He didn't want

803
00:37:40,680 --> 00:37:42,719
Speaker 1: you in there any way. If you get to do that,

804
00:37:42,880 --> 00:37:44,799
Speaker 1: he can't be offended. Yeah, he won't come murder you

805
00:37:44,800 --> 00:37:47,160
Speaker 1: because you know your bathroom's gonna stink, you know, Yeah,

806
00:37:47,360 --> 00:37:49,080
Speaker 1: that's it. It hits every part of your like oh

807
00:37:49,160 --> 00:37:51,160
Speaker 1: and okay, and oh I feel sorry. I've been there.

808
00:37:51,600 --> 00:37:54,040
Speaker 1: That's it. Yo. Oh my goodness, I'm so sorry. I

809
00:37:54,040 --> 00:37:55,640
Speaker 1: got a poop and then run off and that's it.

810
00:37:57,200 --> 00:38:00,520
Speaker 1: Thank you, welcome, thank you, and you're welcome. That's more comfortable.

811
00:38:00,960 --> 00:38:04,640
Speaker 1: You'll never see him again, but you're not gonna get Martyred. Okay, okay, okay, right,

812
00:38:06,120 --> 00:38:09,600
Speaker 1: and now i'll voice mail from Cassandra in Santa Cruz, California.

813
00:38:09,680 --> 00:38:13,640
Speaker 1: This question is for Morgan. Number two. My girlfriend is

814
00:38:13,640 --> 00:38:17,359
Speaker 1: having a bachelor rette and she's having a Chania Twain

815
00:38:17,520 --> 00:38:21,040
Speaker 1: outfit inspired party one of the Knights. And I know

816
00:38:21,160 --> 00:38:23,399
Speaker 1: you're a huge fan of Shania Twain and so am I,

817
00:38:23,480 --> 00:38:25,680
Speaker 1: but I have a feeling you know her better than

818
00:38:25,719 --> 00:38:27,960
Speaker 1: I do, so I was wondering what I should wear

819
00:38:28,040 --> 00:38:32,040
Speaker 1: for this Shania Twain Elfid inspired night. I would love

820
00:38:32,160 --> 00:38:34,960
Speaker 1: any advice that you have so I could start shopping

821
00:38:35,000 --> 00:38:37,000
Speaker 1: for it and play my outfit. I love the show,

822
00:38:37,400 --> 00:38:40,200
Speaker 1: love you all. Thank you so much. Morgan. What you

823
00:38:40,200 --> 00:38:43,080
Speaker 1: got for well, definitely Leopard. I mean anytime I wear

824
00:38:43,120 --> 00:38:46,120
Speaker 1: anything Leopard, people like that's Shania. But if you don't

825
00:38:46,120 --> 00:38:48,440
Speaker 1: want to do Leopard because the bride maybe doing that,

826
00:38:48,520 --> 00:38:51,560
Speaker 1: then go like bright red leather, like a crop top

827
00:38:51,640 --> 00:38:57,600
Speaker 1: and some tight pants. Those are both like iconic Shania. Okay,

828
00:38:57,880 --> 00:39:00,520
Speaker 1: how well does Morgan no? Shania as a caller made

829
00:39:00,520 --> 00:39:04,360
Speaker 1: it seemed like she wanted to go on that show

830
00:39:04,520 --> 00:39:07,480
Speaker 1: Shania Twain's Super Soccer or whatever it was. What does

831
00:39:07,520 --> 00:39:09,880
Speaker 1: it called Super super Fans Fan? All right, thank you

832
00:39:10,000 --> 00:39:13,160
Speaker 1: Sandra for the call. Thanks Morgan. Here is Mel from

833
00:39:13,239 --> 00:39:16,680
Speaker 1: North Carolina Learning Studios. So, Bobby, I think I've got

834
00:39:16,680 --> 00:39:20,000
Speaker 1: your ghost dog situation figured out. You've recently been talking

835
00:39:20,040 --> 00:39:23,120
Speaker 1: about having foxes in your yard. I'm pretty sure you're

836
00:39:23,160 --> 00:39:26,200
Speaker 1: just seeing a gray fox or a white fox. My

837
00:39:26,280 --> 00:39:29,160
Speaker 1: grandfather claimed to see a gray fox running around his yard,

838
00:39:29,520 --> 00:39:32,040
Speaker 1: and we thought he was crazy until we moved into

839
00:39:32,080 --> 00:39:35,600
Speaker 1: his house and we also saw it. Heybye, Thank you

840
00:39:35,640 --> 00:39:37,879
Speaker 1: for that, Thanks for thinking about me. It's too big

841
00:39:37,920 --> 00:39:39,560
Speaker 1: for a fox. We have foxes all in our yard.

842
00:39:39,560 --> 00:39:42,760
Speaker 1: They're small. This dog is three times the size of fox.

843
00:39:43,880 --> 00:39:47,439
Speaker 1: This dog will be outside the window and then I'm like, okay,

844
00:39:47,480 --> 00:39:49,000
Speaker 1: let me walk over to the door. By the time

845
00:39:49,040 --> 00:39:51,359
Speaker 1: I walked to the door two point one seconds, it's

846
00:39:51,400 --> 00:39:52,920
Speaker 1: gone and I don't even see where it's gone. Where

847
00:39:52,960 --> 00:39:55,040
Speaker 1: it's gone, you would think you would see, like its

848
00:39:55,200 --> 00:39:58,520
Speaker 1: tail running off if it ain't a ghost dog. My

849
00:39:58,600 --> 00:40:02,160
Speaker 1: name is Bobby Bones. Well that's tricky because my real

850
00:40:02,200 --> 00:40:05,120
Speaker 1: name is Bobby that's not Bones. Yeah, all right, here

851
00:40:05,160 --> 00:40:09,040
Speaker 1: he is Finally, Kaylee from Kansas, I was listening to

852
00:40:09,280 --> 00:40:13,280
Speaker 1: the segment about Lunchbox being embarrassed by his wife having

853
00:40:13,320 --> 00:40:16,839
Speaker 1: the gross sale, and I was like, why doesn't Lunchbox

854
00:40:17,080 --> 00:40:21,239
Speaker 1: elevate his celebrity status and sell head shots or shut

855
00:40:21,320 --> 00:40:23,640
Speaker 1: up some sort of mystery booth where people pay twenty

856
00:40:23,640 --> 00:40:27,000
Speaker 1: dollars to like see the celebrity and meet the celebrity

857
00:40:27,280 --> 00:40:29,239
Speaker 1: to sit. Thought, I thought Lunchbox would want to make

858
00:40:29,239 --> 00:40:31,840
Speaker 1: more money by this huge listener of the show shout

859
00:40:31,840 --> 00:40:34,319
Speaker 1: out to Hannah, Katrina and my mom love the show.

860
00:40:34,920 --> 00:40:37,800
Speaker 1: Thoughts Lunchbox, Well, I like that idea, but the problem

861
00:40:37,880 --> 00:40:39,960
Speaker 1: is you want to be incognito. You don't want everybody

862
00:40:40,000 --> 00:40:41,920
Speaker 1: to know where you live, because then the tour buses

863
00:40:41,920 --> 00:40:43,640
Speaker 1: are gonna come by your house and they're gonna put

864
00:40:43,680 --> 00:40:45,960
Speaker 1: them on the route like, oh, there's where Lunchbox lives.

865
00:40:46,000 --> 00:40:48,200
Speaker 1: And you don't want that. So yes, I'd like to

866
00:40:48,239 --> 00:40:50,640
Speaker 1: sell headshots, but then guess what when there's not a

867
00:40:50,640 --> 00:40:54,000
Speaker 1: groad sale, people are gonna be going knock, knock, knock, Hey, lunchbox.

868
00:40:54,040 --> 00:40:55,960
Speaker 1: I know you live here at game to your garage sale,

869
00:40:56,280 --> 00:40:58,120
Speaker 1: and I don't want you're worried about people knowing you

870
00:40:58,120 --> 00:40:59,680
Speaker 1: live there anyway because you're having a garage That's the

871
00:40:59,680 --> 00:41:01,239
Speaker 1: whole point to this. I don't want your wife to

872
00:41:01,239 --> 00:41:03,759
Speaker 1: have a groad sale because people are gonna know what's

873
00:41:03,760 --> 00:41:06,120
Speaker 1: your house. Oh man, then maybe I'll set up an

874
00:41:06,120 --> 00:41:10,680
Speaker 1: autograph table. He turns like that. Wow, I thank you

875
00:41:10,680 --> 00:41:12,920
Speaker 1: guys for the voicemails. Hit us up eight seven seven

876
00:41:13,280 --> 00:41:15,520
Speaker 1: seventy seven, Bobby. If you don't get through on the show,

877
00:41:15,520 --> 00:41:17,920
Speaker 1: hopefully you get through the voicemail line. It's the same number.

878
00:41:20,400 --> 00:41:23,400
Speaker 1: You're Amy's Pile of Stories. There's a hacker group that

879
00:41:23,560 --> 00:41:26,239
Speaker 1: is forcing victims to do charitable deeds and then they'll

880
00:41:26,239 --> 00:41:29,440
Speaker 1: get their data back. It's like the Robin Hood of hackers.

881
00:41:29,960 --> 00:41:34,240
Speaker 1: It's called Goodwill and it has been identified by cyber

882
00:41:34,360 --> 00:41:38,000
Speaker 1: security analysts. And there's a list of charitable tasks that

883
00:41:38,040 --> 00:41:40,520
Speaker 1: you have to complete, maybe even take a selfie to

884
00:41:40,600 --> 00:41:43,880
Speaker 1: show that you did it, and then well you get

885
00:41:43,920 --> 00:41:46,080
Speaker 1: your stuff back. It's funny. It's not funny. It's not

886
00:41:46,239 --> 00:41:48,439
Speaker 1: it's wrong. And here's why I say Robin Hood because

887
00:41:48,520 --> 00:41:50,960
Speaker 1: Robin Hood, for some reasons a hero. But he stole

888
00:41:51,440 --> 00:41:53,120
Speaker 1: yas he's stole from the rich to give to the poor.

889
00:41:53,160 --> 00:41:55,239
Speaker 1: I understand that, but he's still stole, right, we would

890
00:41:55,320 --> 00:41:57,520
Speaker 1: that wouldn't really fly. But I think because I grew

891
00:41:57,600 --> 00:41:59,120
Speaker 1: up so poor, I was like, that's my guy. He's

892
00:41:59,120 --> 00:42:02,160
Speaker 1: gotta come and take care of them. But you can't steal, right.

893
00:42:02,560 --> 00:42:04,040
Speaker 1: It's like these guys who laugh or like ha ha,

894
00:42:04,160 --> 00:42:06,480
Speaker 1: they're making people do nice. You can't. But hopefully they're

895
00:42:06,480 --> 00:42:10,040
Speaker 1: only doing this ransomware. It's a really rude, frugal But

896
00:42:10,120 --> 00:42:12,319
Speaker 1: even then, that's not right. It's not it's not real.

897
00:42:12,360 --> 00:42:15,120
Speaker 1: It isn't I know it is. What if somebody worked

898
00:42:15,160 --> 00:42:17,759
Speaker 1: really hard to be rich, there shouldn't be penalized for that.

899
00:42:17,800 --> 00:42:20,120
Speaker 1: And they probably do a lot of giving themselves. They

900
00:42:20,120 --> 00:42:22,399
Speaker 1: shouldn't be forced somebody. I like it. I'm not gonna

901
00:42:22,440 --> 00:42:23,800
Speaker 1: lie to you. I like it. It's tough. I'm on

902
00:42:23,840 --> 00:42:25,440
Speaker 1: the fence here, so we should move on before I

903
00:42:25,480 --> 00:42:27,560
Speaker 1: go back to liking it more. Okay, well, I have

904
00:42:27,560 --> 00:42:33,160
Speaker 1: a list of gifts that you should never give to someone. Okay,

905
00:42:33,239 --> 00:42:37,759
Speaker 1: all right, Pets, you mean, Okay, these aren't dirty gifts,

906
00:42:37,840 --> 00:42:41,279
Speaker 1: got it? Oh? Yeah, no, I have a lot of

907
00:42:41,320 --> 00:42:43,880
Speaker 1: gifts you shouldn't give someone, Okay, pets because they have

908
00:42:43,880 --> 00:42:45,319
Speaker 1: to take care of it. They may not know it's coming.

909
00:42:45,440 --> 00:42:48,319
Speaker 1: Then the pet may not probably get good treatment. Right,

910
00:42:48,320 --> 00:42:50,839
Speaker 1: It's a major responsibility. Like even if you're thinking like, oh,

911
00:42:50,880 --> 00:42:53,279
Speaker 1: I'm want to get my child one or something, make

912
00:42:53,280 --> 00:42:56,279
Speaker 1: sure they're ready for it, or a boyfriend or a girlfriend. Yeah,

913
00:42:56,280 --> 00:42:59,080
Speaker 1: I would think more like a Valentine's their birthday. A kid.

914
00:43:00,040 --> 00:43:01,879
Speaker 1: You know you're probably gonna do it anyway. Yeah, yeah.

915
00:43:01,920 --> 00:43:05,080
Speaker 1: What else? Well, it's interesting you mentioned dirty. Something on

916
00:43:05,120 --> 00:43:08,080
Speaker 1: the list is anything sexy unless it's your spouse, you know,

917
00:43:08,080 --> 00:43:09,759
Speaker 1: you guys, feel free to get me anything sexy. I'll

918
00:43:09,760 --> 00:43:13,640
Speaker 1: open that up. Come on, yeah, anything I do, get

919
00:43:13,680 --> 00:43:16,160
Speaker 1: me something sexy. I haven't nothing, all right, go ahead.

920
00:43:16,440 --> 00:43:19,239
Speaker 1: Clothing when you don't know the person's exact size, because

921
00:43:19,280 --> 00:43:21,759
Speaker 1: if you buy too small, it's awkward, and if you

922
00:43:21,840 --> 00:43:25,680
Speaker 1: buy the other opposite way, it's could be insulting. Well, yes,

923
00:43:26,000 --> 00:43:29,080
Speaker 1: for the most part, they do make oversized clothing now purposeful,

924
00:43:29,440 --> 00:43:31,799
Speaker 1: so you can always go one size bigger and it's

925
00:43:31,800 --> 00:43:33,560
Speaker 1: oversized and be like, hey, it's oversized, it's gonna be

926
00:43:33,560 --> 00:43:35,799
Speaker 1: too big for you. That's mototile. Yeah, and if it's

927
00:43:35,840 --> 00:43:38,520
Speaker 1: like a team they like, I think that's okay. But yes,

928
00:43:38,880 --> 00:43:41,680
Speaker 1: you don't want to go buying jeans for somebody unless

929
00:43:41,680 --> 00:43:43,439
Speaker 1: you're sexy and you guys give me that size thirty two,

930
00:43:44,160 --> 00:43:46,399
Speaker 1: thirty one, okay, thirty one. I like to still wear

931
00:43:46,400 --> 00:43:48,400
Speaker 1: a thirty two, but okay, I was like, you know,

932
00:43:48,440 --> 00:43:51,759
Speaker 1: you're thirty one, stop wearing thirty twos. So everything's growing

933
00:43:51,760 --> 00:43:53,720
Speaker 1: on me except my wist. All right, what else, anything

934
00:43:53,760 --> 00:43:56,920
Speaker 1: that deals with losing weight or working out? Okay? Just

935
00:43:57,040 --> 00:44:00,239
Speaker 1: only give fitness gifts to like Legit Fitness Finati or

936
00:44:00,280 --> 00:44:03,200
Speaker 1: maybe if it's their job, okay. And then a regifted

937
00:44:03,320 --> 00:44:05,839
Speaker 1: gift card. It doesn't say gift card is a bad

938
00:44:05,880 --> 00:44:07,680
Speaker 1: thing to give. I don't even think regift it's bad.

939
00:44:08,560 --> 00:44:11,279
Speaker 1: If it's not your close close gift gift card is fine.

940
00:44:11,280 --> 00:44:12,920
Speaker 1: It's still a gift card. It's still getting the gifts.

941
00:44:12,920 --> 00:44:14,440
Speaker 1: Like if you're someone like, for example, Eddie, and you're

942
00:44:14,440 --> 00:44:16,200
Speaker 1: getting me a birthday gift, you mightn't want an example

943
00:44:16,200 --> 00:44:17,960
Speaker 1: you probably Yeah, just I'm out of the pull out

944
00:44:17,960 --> 00:44:19,279
Speaker 1: of the scout. You probably don't want to get them

945
00:44:19,320 --> 00:44:21,080
Speaker 1: a gift card because that's you, that's your best bud.

946
00:44:21,160 --> 00:44:23,799
Speaker 1: You probably want to get something your heartfelt. But other

947
00:44:23,840 --> 00:44:26,439
Speaker 1: than that, all good. I think the funnier part about

948
00:44:26,520 --> 00:44:28,600
Speaker 1: Eddie's gift card. It's not like you got you a

949
00:44:28,600 --> 00:44:30,279
Speaker 1: gift card to like your favorite golf store, so you

950
00:44:30,320 --> 00:44:32,600
Speaker 1: could go pick out like a new club or some balls,

951
00:44:32,840 --> 00:44:35,799
Speaker 1: or like a razorback gifts shot. Like a gift card

952
00:44:35,840 --> 00:44:37,759
Speaker 1: to that, okay, a store you might like, but he

953
00:44:37,840 --> 00:44:40,680
Speaker 1: got you a gift guard to Uber eats that way

954
00:44:40,719 --> 00:44:44,040
Speaker 1: he eats every day. It means food, trying to do less.

955
00:44:44,320 --> 00:44:47,360
Speaker 1: But it's just funny. Okay. So it is wedding season.

956
00:44:47,840 --> 00:44:50,680
Speaker 1: So a recent survey was done to find the most

957
00:44:50,760 --> 00:44:54,520
Speaker 1: popular recent country songs used at wedding. Oh recent, I

958
00:44:54,560 --> 00:44:58,680
Speaker 1: was gonna go like Loan Star amazed Okay recent, huh.

959
00:44:58,719 --> 00:45:00,560
Speaker 1: I don't know how recent you're talking about. But Dan

960
00:45:00,600 --> 00:45:05,160
Speaker 1: and Shay have just generally the best catalog for wonderful

961
00:45:05,200 --> 00:45:07,440
Speaker 1: wedding songs. But when you go recent, are they on

962
00:45:07,440 --> 00:45:09,120
Speaker 1: the top list? I will say Dan and Share at

963
00:45:09,200 --> 00:45:11,360
Speaker 1: number one they are. Yeah. Okay, Well let's get to

964
00:45:11,360 --> 00:45:12,879
Speaker 1: what that is in a second. What's a number? Three?

965
00:45:13,200 --> 00:45:19,120
Speaker 1: Lee Bryce? I don't dance. I don't dance, so it's

966
00:45:19,120 --> 00:45:21,719
Speaker 1: not super recent. It's like last ten years. Yeah, it's

967
00:45:21,719 --> 00:45:23,880
Speaker 1: not like you were saying lone Star amazed. Okay, but

968
00:45:23,920 --> 00:45:27,040
Speaker 1: it's not also the last year. Yeah, okay, since since

969
00:45:27,040 --> 00:45:28,520
Speaker 1: we've been in Nashville. I got it all right. Number

970
00:45:28,520 --> 00:45:35,640
Speaker 1: two Thomas Rhett Die Happy Man get see. It's good.

971
00:45:35,719 --> 00:45:37,400
Speaker 1: I like to Lee Brice one better than the t

972
00:45:37,560 --> 00:45:39,839
Speaker 1: R one here because this one has been done so

973
00:45:39,920 --> 00:45:44,080
Speaker 1: much it's almost cliche. So Lee Bry is pretty good.

974
00:45:44,120 --> 00:45:45,640
Speaker 1: And then Dan and Shay. Which one would it be?

975
00:45:45,640 --> 00:45:50,040
Speaker 1: It would be probably uten you me? Hey, can you

976
00:45:50,080 --> 00:45:51,279
Speaker 1: turn that song down? It's hard to get a song

977
00:45:51,320 --> 00:45:54,040
Speaker 1: to my hands playing my mind, so it's probably like

978
00:45:54,440 --> 00:45:58,000
Speaker 1: I want to marry you and I ain't even met

979
00:45:58,040 --> 00:46:00,279
Speaker 1: you yet. That's not a real song, but it should be.

980
00:46:00,320 --> 00:46:07,480
Speaker 1: Danny say you can have that. It's like what speechless? Okay?

981
00:46:10,920 --> 00:46:13,520
Speaker 1: My song could probably go stalker real quick though, because

982
00:46:13,520 --> 00:46:17,279
Speaker 1: it's like I won't marry you, I never even met

983
00:46:17,320 --> 00:46:21,840
Speaker 1: you yet. I'm on your Instagram and I'm gonna send

984
00:46:21,840 --> 00:46:26,239
Speaker 1: you this. It's not a just love love love, you know.

985
00:46:26,320 --> 00:46:28,319
Speaker 1: He could go, I just get out off the dome.

986
00:46:28,600 --> 00:46:32,360
Speaker 1: That's what happens. Yeah, it's not a but I wanna

987
00:46:33,040 --> 00:46:36,680
Speaker 1: sniff your hair because it's beautiful. Yeah, there you go,

988
00:46:36,719 --> 00:46:38,839
Speaker 1: take that Danna shape. But that the little thing you do.

989
00:46:38,920 --> 00:46:43,000
Speaker 1: All right, Amy, that's my pile. That was Amy's pile

990
00:46:43,040 --> 00:46:50,920
Speaker 1: of stories. It's time for the good news. Amy. There's

991
00:46:50,920 --> 00:46:53,319
Speaker 1: a dog and a pig and their best friends, and

992
00:46:53,400 --> 00:46:58,120
Speaker 1: their names Timone and Boomba, oh like lion king. Yeah,

993
00:46:58,200 --> 00:47:00,400
Speaker 1: and get this, They're not gonna have worries for the

994
00:47:00,440 --> 00:47:06,439
Speaker 1: rest of their days because an Arizona animal shelter made

995
00:47:06,440 --> 00:47:09,280
Speaker 1: sure that they were placed in a home together forever.

996
00:47:10,120 --> 00:47:13,560
Speaker 1: Did they name them after they were already friends, because

997
00:47:13,800 --> 00:47:16,320
Speaker 1: I think when they got to the shelter they formed

998
00:47:16,360 --> 00:47:18,759
Speaker 1: a friendship. They realized, oh wow, this dog and this pig,

999
00:47:18,760 --> 00:47:21,120
Speaker 1: they're really getting along. They named them, and then when

1000
00:47:21,120 --> 00:47:23,360
Speaker 1: it came time for an adoption, they made sure that

1001
00:47:23,400 --> 00:47:25,520
Speaker 1: it went to a home that would take both of them,

1002
00:47:25,560 --> 00:47:28,040
Speaker 1: so that way they weren't separated. I take both of them. Yeah,

1003
00:47:28,239 --> 00:47:30,000
Speaker 1: if I was going looking for a single dog, I

1004
00:47:30,040 --> 00:47:32,080
Speaker 1: was like, I can't take more than one dog. I'd

1005
00:47:32,080 --> 00:47:36,399
Speaker 1: still take the pig because that would be awesome. Yes, yes,

1006
00:47:36,600 --> 00:47:38,440
Speaker 1: So shout out to Moan and Poomba Yeah, and then

1007
00:47:38,440 --> 00:47:41,760
Speaker 1: shout out to Better Piggy's Rescue because that's who decided

1008
00:47:41,800 --> 00:47:43,719
Speaker 1: to adopt the pig and they were like, okay, yeah,

1009
00:47:43,719 --> 00:47:46,279
Speaker 1: we'll take the dog. Did the opposite, Yeah that I

1010
00:47:46,320 --> 00:47:49,920
Speaker 1: would have done so in the real Timoon and Poomba

1011
00:47:50,320 --> 00:47:53,279
Speaker 1: one is a wart hog. Yeah, that's Poomba, and then

1012
00:47:53,280 --> 00:47:56,000
Speaker 1: what's Timon? And rely he's I believe a meercat, a

1013
00:47:56,120 --> 00:48:01,759
Speaker 1: mere cat. Yeah, okay, they're awesome. I've never seen lion kings.

1014
00:48:01,760 --> 00:48:04,520
Speaker 1: Oh it's so good. Okay, I believe you. All right.

1015
00:48:04,560 --> 00:48:07,080
Speaker 1: That's what's up. That's what it's all about. That was

1016
00:48:07,120 --> 00:48:08,040
Speaker 1: telling me something good.