WEBVTT - 206: Spies Like Us

0:00:00.120 --> 0:00:02.720
<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

0:00:02.759 --> 0:00:26.079
<v Speaker 1>partnership with Higheart Radio, shown as.

0:00:26.200 --> 0:00:36.000
<v Speaker 2>Katie, how's your social life lately? What have you been doing?

0:00:36.120 --> 0:00:38.240
<v Speaker 2>Have you been going out? Wait? Do you have heat?

0:00:38.920 --> 0:00:42.400
<v Speaker 1>We no heat yet, but today they just installed the

0:00:42.400 --> 0:00:46.680
<v Speaker 1>water heater today. So, folks, it's been almost a month

0:00:46.800 --> 0:00:51.279
<v Speaker 1>that I've been showering with literally freezing cold water. It's

0:00:51.320 --> 0:00:54.800
<v Speaker 1>like extra cold. But today is they just installed the

0:00:54.800 --> 0:00:57.600
<v Speaker 1>water heater. So as I was showering today, it went

0:00:57.600 --> 0:01:00.160
<v Speaker 1>from freezing cold to like hot, and I was like, oh,

0:01:01.080 --> 0:01:04.240
<v Speaker 1>did you I didn't, but you check this out. Okay,

0:01:04.280 --> 0:01:06.400
<v Speaker 1>you're so in the middle of me taking the hot shower,

0:01:06.480 --> 0:01:09.600
<v Speaker 1>I turned it all the way to cold, like not

0:01:09.720 --> 0:01:11.880
<v Speaker 1>completely cold, but I was like, oh, this is because

0:01:11.920 --> 0:01:13.000
<v Speaker 1>I don't know my body.

0:01:13.040 --> 0:01:14.840
<v Speaker 2>You're not trained it, I know.

0:01:15.000 --> 0:01:17.120
<v Speaker 1>And now I'm like, well I don't want it too hot. Yeah.

0:01:17.160 --> 0:01:19.560
<v Speaker 2>I was like, whoa, You'll change that.

0:01:19.840 --> 0:01:24.640
<v Speaker 1>Yeah, it'll go away, Yeah.

0:01:23.160 --> 0:01:27.160
<v Speaker 2>That will go away. Well, I have shit all in

0:01:27.200 --> 0:01:30.760
<v Speaker 2>my teeth because I was I was drinking a smoothie.

0:01:31.240 --> 0:01:33.520
<v Speaker 2>Have you ever had mirror lax? I think it makes

0:01:33.520 --> 0:01:34.080
<v Speaker 2>you poop.

0:01:34.400 --> 0:01:37.399
<v Speaker 1>Oh listen, everybody knows who knows me knows that I

0:01:37.480 --> 0:01:39.800
<v Speaker 1>poop like a duck. I don't need any help.

0:01:40.760 --> 0:01:43.720
<v Speaker 2>Wow, you and I are yin and yang.

0:01:43.920 --> 0:01:47.039
<v Speaker 1>Yeah. I could literally think about pooping and be like,

0:01:47.120 --> 0:01:48.200
<v Speaker 1>I have to go to the bathroom.

0:01:48.480 --> 0:01:51.279
<v Speaker 2>You're so lucky if I don't chug like the most

0:01:51.320 --> 0:01:54.360
<v Speaker 2>water ever. I am just not a regular goal. Really,

0:01:55.160 --> 0:02:01.720
<v Speaker 2>I was just watching this episode, Oh, Darby, her acting work,

0:02:02.040 --> 0:02:07.680
<v Speaker 2>I'm so envious, Like I just fuck her and her

0:02:07.720 --> 0:02:14.400
<v Speaker 2>fucking face, her fucking hair, her fucking body acting chops,

0:02:14.440 --> 0:02:18.040
<v Speaker 2>her acting chops. She's unbelievable.

0:02:18.160 --> 0:02:21.440
<v Speaker 1>Listen, this is that scene when she's like boarding David

0:02:21.600 --> 0:02:24.000
<v Speaker 1>in his apartment, even her hair was acting.

0:02:24.320 --> 0:02:27.560
<v Speaker 2>That's what I was just finishing watching. And she's like

0:02:27.800 --> 0:02:33.840
<v Speaker 2>the best at almost getting upset and holding it.

0:02:34.040 --> 0:02:37.360
<v Speaker 1>Which is so much more powerful than going there slipping

0:02:37.400 --> 0:02:38.120
<v Speaker 1>out completely.

0:02:38.360 --> 0:02:39.720
<v Speaker 2>Oh my god, Darby.

0:02:39.800 --> 0:02:42.360
<v Speaker 1>And the first day we met her, if I'm not mistaken,

0:02:42.960 --> 0:02:45.040
<v Speaker 1>was when we were about to do a table read

0:02:45.160 --> 0:02:48.960
<v Speaker 1>right for like some executives whoever it was some of

0:02:48.440 --> 0:02:52.000
<v Speaker 1>the Will Sewan it was a writer, but producers and

0:02:52.040 --> 0:02:54.200
<v Speaker 1>what have you, studio people. But that's the first time

0:02:54.280 --> 0:02:56.280
<v Speaker 1>we met her. In the first time, like she had

0:02:56.360 --> 0:02:58.840
<v Speaker 1>just she had just been cast and then she was

0:02:58.919 --> 0:03:01.919
<v Speaker 1>thrown into like, Okay, we're gonna do the table read. Yeah,

0:03:01.919 --> 0:03:03.640
<v Speaker 1>if I'm not mistaken crazy, Yes.

0:03:03.680 --> 0:03:07.120
<v Speaker 2>And I also remember meeting her. She like came in

0:03:07.160 --> 0:03:09.760
<v Speaker 2>and she was wearing the like suit. I think she

0:03:09.840 --> 0:03:12.280
<v Speaker 2>wore to like the audition, which she had just had.

0:03:12.360 --> 0:03:15.840
<v Speaker 2>I also think that the breakdown was like for a

0:03:15.960 --> 0:03:21.040
<v Speaker 2>much older woman who likes cats or like or like

0:03:21.440 --> 0:03:25.640
<v Speaker 2>pin like a needling, like fucking sewing or whatever, like

0:03:26.000 --> 0:03:29.360
<v Speaker 2>again similar to you, like, Yeah, she was completely different

0:03:29.480 --> 0:03:31.600
<v Speaker 2>from what the breakdown called for.

0:03:31.840 --> 0:03:34.800
<v Speaker 1>Yes, And I love that Shonda has an open mind

0:03:34.840 --> 0:03:38.120
<v Speaker 1>that way, and she's like, Nope, I'm going completely against type.

0:03:38.520 --> 0:03:40.840
<v Speaker 1>Yeh from you know that that was in the breakdown.

0:03:40.880 --> 0:03:43.640
<v Speaker 1>A breakdown is a description of the character when you

0:03:43.720 --> 0:03:45.520
<v Speaker 1>go in for the audition. It's like you look in

0:03:45.720 --> 0:03:47.040
<v Speaker 1>like describing the character.

0:03:48.680 --> 0:03:51.000
<v Speaker 2>The most famous one that I ever heard of was

0:03:51.040 --> 0:03:55.560
<v Speaker 2>I think on Grey's Anatomy, this is like folklore in Shondaland.

0:03:55.560 --> 0:03:56.760
<v Speaker 2>I don't know if this is true, but I had

0:03:56.800 --> 0:04:00.800
<v Speaker 2>heard that the breakdown for Chandro Wilson characters. So it's

0:04:00.880 --> 0:04:04.600
<v Speaker 2>Chandra Wilson who fucking runs Gray's Anatomy and is like,

0:04:05.040 --> 0:04:09.280
<v Speaker 2>you know, the bulldog she plays doctor Bailey. The breakdown

0:04:09.440 --> 0:04:13.480
<v Speaker 2>was for a Kristin Chenowith type, what like a tiny

0:04:13.960 --> 0:04:19.960
<v Speaker 2>southern blonde like the girl next like a teeny teeny

0:04:20.000 --> 0:04:23.039
<v Speaker 2>animal that you would never expect to be the like

0:04:23.240 --> 0:04:26.599
<v Speaker 2>fucking driver of the you know, and like that.

0:04:27.200 --> 0:04:30.000
<v Speaker 1>Wow, I wonder if Kristin Chennawick auditioned for the role,

0:04:30.560 --> 0:04:31.200
<v Speaker 1>she might right.

0:04:31.279 --> 0:04:35.160
<v Speaker 2>And then supposedly Chandra Wilson came in and Shonda and

0:04:35.200 --> 0:04:38.719
<v Speaker 2>Lindelowie were like, Nope, that's Bailey, that's Space.

0:04:38.839 --> 0:04:41.120
<v Speaker 1>I can't imagine anyone else playing that role. Do you

0:04:41.120 --> 0:04:44.120
<v Speaker 1>remember my Chandra. Chandra likes to make.

0:04:44.040 --> 0:04:51.560
<v Speaker 2>It clear Chandra people called brilliant women. It's Hawk, it's Millie,

0:04:51.960 --> 0:04:55.480
<v Speaker 2>and it's Chandra, rhymes to like everyone in my family.

0:04:55.480 --> 0:04:58.600
<v Speaker 2>I'm like, it is not Chandra rhymes like please stop,

0:04:58.760 --> 0:05:03.600
<v Speaker 2>it's Chandra will and Shonda rhymes exactly.

0:05:03.680 --> 0:05:06.560
<v Speaker 1>And do you remember when Chandra came on set and

0:05:06.600 --> 0:05:09.040
<v Speaker 1>she was shadowing. I think she was shadowing a director

0:05:09.480 --> 0:05:11.960
<v Speaker 1>for a few days. Oh man, I was so star

0:05:12.040 --> 0:05:17.159
<v Speaker 1>trust I love what She's such a great actor, she's

0:05:17.240 --> 0:05:18.200
<v Speaker 1>so good.

0:05:18.360 --> 0:05:21.680
<v Speaker 2>Such a great everything was the person that sat me down,

0:05:21.680 --> 0:05:23.120
<v Speaker 2>and I was like, how do you do this? Like

0:05:23.160 --> 0:05:26.920
<v Speaker 2>how do you have longevity? Like she was just saying

0:05:26.920 --> 0:05:31.279
<v Speaker 2>the key to episodic television was to just like, it's

0:05:31.360 --> 0:05:35.720
<v Speaker 2>all about the journey and the pace rather than like

0:05:35.800 --> 0:05:38.800
<v Speaker 2>the you know, what did I get this episode or

0:05:38.839 --> 0:05:40.920
<v Speaker 2>what didn't I get or whatever. She's like, you have

0:05:41.000 --> 0:05:44.840
<v Speaker 2>to look at this as like one huge, very long

0:05:45.800 --> 0:05:49.920
<v Speaker 2>paste thing and really think about like the healthiest things

0:05:49.960 --> 0:05:52.320
<v Speaker 2>you can do for the longevity of this, right.

0:05:52.480 --> 0:05:55.360
<v Speaker 1>That's so, that's that's such great advice because even for me,

0:05:55.440 --> 0:05:57.360
<v Speaker 1>I mean there were times that I'd read an episode

0:05:57.360 --> 0:05:59.479
<v Speaker 1>and I'd be like, what the fuck, Like Huck is

0:05:59.520 --> 0:06:01.640
<v Speaker 1>hardly in this and so and so has so much

0:06:01.640 --> 0:06:03.480
<v Speaker 1>stuff to do, and yeah, you know, you start to

0:06:03.520 --> 0:06:05.960
<v Speaker 1>take it personal. But that I love that advice. It's

0:06:05.960 --> 0:06:07.080
<v Speaker 1>it's it's you know, it's a mam.

0:06:07.400 --> 0:06:11.600
<v Speaker 2>She was like, no, exactly, exactly exactly.

0:06:11.240 --> 0:06:15.839
<v Speaker 1>And always, always, never failed. There was always an episode

0:06:15.839 --> 0:06:18.680
<v Speaker 1>down the pike that it was like super heavy with

0:06:18.760 --> 0:06:21.160
<v Speaker 1>your character, you know what I mean? So, yes, if

0:06:21.160 --> 0:06:21.960
<v Speaker 1>you just you.

0:06:21.920 --> 0:06:26.000
<v Speaker 2>Know patience, by the way, people, we are talking about

0:06:26.040 --> 0:06:29.599
<v Speaker 2>episode two oh six, right, yes, spy, we're talking about

0:06:29.640 --> 0:06:33.240
<v Speaker 2>episode two o six Spies Like Us. It aired on

0:06:33.279 --> 0:06:35.839
<v Speaker 2>November fifteenth to twenty twelve, and it was.

0:06:35.839 --> 0:06:39.919
<v Speaker 1>Written by Chris Van Duson and directed by Bethany Rooney.

0:06:40.160 --> 0:06:44.919
<v Speaker 2>There is a fucking scene where you're in Huck's office

0:06:45.279 --> 0:06:49.360
<v Speaker 2>and I walk in and you're listening to this amazing music,

0:06:49.880 --> 0:06:51.560
<v Speaker 2>which we'll talk about in a second of what's going

0:06:51.760 --> 0:06:58.040
<v Speaker 2>on the episode. But I came, what hi covin? And

0:06:58.080 --> 0:07:01.720
<v Speaker 2>it's so obvious that I'm looking at my mark, like

0:07:02.240 --> 0:07:06.479
<v Speaker 2>before my mark. Really the dumbest You have to go

0:07:06.600 --> 0:07:11.000
<v Speaker 2>back to the first scene where you are like decoding

0:07:11.200 --> 0:07:16.600
<v Speaker 2>the classical sheet music that had been yeah yeah, and

0:07:17.240 --> 0:07:19.000
<v Speaker 2>someone's already in there. I think Darby's already in there.

0:07:19.520 --> 0:07:22.080
<v Speaker 2>What the fuck is that sound? And Clinn walks in

0:07:22.600 --> 0:07:25.960
<v Speaker 2>and I take a real long step looking down for

0:07:26.000 --> 0:07:28.800
<v Speaker 2>a while, and then you see my dumb ass fucking

0:07:28.880 --> 0:07:31.960
<v Speaker 2>face look on it and trying to pretend like no

0:07:32.000 --> 0:07:34.320
<v Speaker 2>one noticed. How long I just like looked down for

0:07:34.440 --> 0:07:35.200
<v Speaker 2>the mark.

0:07:35.240 --> 0:07:38.120
<v Speaker 1>Yo for the listeners. A mark like when you're acting,

0:07:38.560 --> 0:07:40.840
<v Speaker 1>the camera department will put down a piece of tape

0:07:40.880 --> 0:07:44.120
<v Speaker 1>with different different color to all actors have their own color,

0:07:44.600 --> 0:07:46.600
<v Speaker 1>and they call those marks and you have to hit

0:07:46.640 --> 0:07:49.920
<v Speaker 1>those marks so the camera could focus on you properly.

0:07:50.440 --> 0:07:52.720
<v Speaker 1>But a lot of oftentimes, like I see it all

0:07:52.760 --> 0:07:55.560
<v Speaker 1>the time on movies and TV shows where people look

0:07:55.680 --> 0:07:58.280
<v Speaker 1>down and then they look up and start acting because

0:07:58.280 --> 0:07:59.960
<v Speaker 1>they're looking for their mark. They want to make sure

0:08:00.040 --> 0:08:02.840
<v Speaker 1>they hit their mark, because if you're off, then you

0:08:02.840 --> 0:08:04.560
<v Speaker 1>know you're out of focus or you're not in the

0:08:04.600 --> 0:08:05.640
<v Speaker 1>frame right.

0:08:05.760 --> 0:08:08.600
<v Speaker 2>And the mark is like a t shape with one

0:08:08.680 --> 0:08:10.880
<v Speaker 2>piece of masking tape that goes in between your left

0:08:10.880 --> 0:08:12.720
<v Speaker 2>and right foot and then in te the top of

0:08:12.760 --> 0:08:15.360
<v Speaker 2>the tee your toes are supposed to hit, And like

0:08:15.400 --> 0:08:18.480
<v Speaker 2>on Scandal a lot of times with the beveled glass

0:08:18.480 --> 0:08:19.840
<v Speaker 2>and all this shit, it was like if you missed

0:08:19.840 --> 0:08:22.400
<v Speaker 2>it by even ninch, you were fucked and you were

0:08:22.400 --> 0:08:23.360
<v Speaker 2>fucking up their shot.

0:08:23.640 --> 0:08:26.520
<v Speaker 1>Yeah. I made sure always to be like, walk up

0:08:26.560 --> 0:08:29.680
<v Speaker 1>to the mark once or twice and get used to it, yeah,

0:08:29.720 --> 0:08:32.720
<v Speaker 1>without looking at it. And then I always told myself,

0:08:32.760 --> 0:08:35.200
<v Speaker 1>do not look for your mark, because I would rather

0:08:35.400 --> 0:08:36.319
<v Speaker 1>be off.

0:08:36.160 --> 0:08:38.760
<v Speaker 2>And act the shit out of it than look down.

0:08:39.120 --> 0:08:39.679
<v Speaker 1>Yeah.

0:08:39.760 --> 0:08:42.800
<v Speaker 2>Oh well, honey, go back in this episode and take

0:08:42.800 --> 0:08:48.440
<v Speaker 2>a look at my work, because it is amateur acting,

0:08:48.840 --> 0:08:53.080
<v Speaker 2>one oh one. It is garbage. On a So Bad

0:08:54.280 --> 0:08:58.360
<v Speaker 2>It's Really Bad off Episode two. Sex is guest starring

0:08:58.520 --> 0:09:02.760
<v Speaker 2>Susan poor Far as Becky Flynn, Sam Anderson is Melvin Fien,

0:09:03.400 --> 0:09:05.480
<v Speaker 2>Mary Pat Gleason as Betsy Ray.

0:09:05.880 --> 0:09:09.600
<v Speaker 1>Adam Lazar White as Paul Gray, and Sarah Aldrich as

0:09:09.679 --> 0:09:11.600
<v Speaker 1>Maggie Andrews who's also wink.

0:09:12.440 --> 0:09:15.640
<v Speaker 2>Oh that's right. They have all their spine names. Yeah,

0:09:16.080 --> 0:09:17.520
<v Speaker 2>and you were spin.

0:09:17.640 --> 0:09:19.959
<v Speaker 1>Oh, I was spin because they thought he would never

0:09:20.040 --> 0:09:22.319
<v Speaker 1>find someone, so spin short for Spinster.

0:09:22.520 --> 0:09:26.000
<v Speaker 2>Right, you and you know what. At the end of Scandal,

0:09:26.320 --> 0:09:26.920
<v Speaker 2>they were right.

0:09:27.240 --> 0:09:29.599
<v Speaker 1>Jaca is still fucking Willy spin.

0:09:29.880 --> 0:09:32.440
<v Speaker 2>Willy Spence is just alone.

0:09:33.000 --> 0:09:33.720
<v Speaker 1>God damn it?

0:09:34.040 --> 0:09:37.960
<v Speaker 2>What the fuck? Uh okay? Synopsis Real Quick, Huck's old

0:09:37.960 --> 0:09:40.240
<v Speaker 2>handler publicly executes himself as a warning to Huck, who

0:09:40.280 --> 0:09:42.240
<v Speaker 2>is prepared to leave it a moment's notice, but Olivia

0:09:42.240 --> 0:09:44.320
<v Speaker 2>begs for time to sort out what's going on, where

0:09:44.360 --> 0:09:46.559
<v Speaker 2>she then learns that about the threat to expose B

0:09:46.640 --> 0:09:48.520
<v Speaker 2>six thirteen from an Internet hacker.

0:09:48.840 --> 0:09:52.600
<v Speaker 1>Huck assembles his old coworkers an ensemble of fellow assassins,

0:09:53.000 --> 0:09:54.960
<v Speaker 1>one of who must be the person ready to supply

0:09:55.000 --> 0:09:56.320
<v Speaker 1>the proof of the other operatives.

0:09:56.480 --> 0:09:58.360
<v Speaker 2>The OPA team only have a short time to fix

0:09:58.400 --> 0:10:02.760
<v Speaker 2>the case before the killers handily themselves. That's right, that's right.

0:10:02.960 --> 0:10:04.800
<v Speaker 2>So many guns in this episode.

0:10:04.960 --> 0:10:05.800
<v Speaker 1>So many guns.

0:10:06.120 --> 0:10:08.480
<v Speaker 2>Yo, guns, fuck.

0:10:08.440 --> 0:10:16.319
<v Speaker 1>Are fucking props. People were so hot, like shelf like professionals,

0:10:16.360 --> 0:10:19.280
<v Speaker 1>Like there was never a handing off of a gun

0:10:19.760 --> 0:10:23.240
<v Speaker 1>without everyone. I remember the crew even asking to look

0:10:23.240 --> 0:10:25.760
<v Speaker 1>inside the gun if we were any of us were

0:10:25.760 --> 0:10:26.360
<v Speaker 1>holding a gun.

0:10:26.440 --> 0:10:28.000
<v Speaker 2>I can't believe how many times on the show I

0:10:28.040 --> 0:10:31.400
<v Speaker 2>held a gun. Didn't you me too, like hundreds of times.

0:10:31.600 --> 0:10:33.960
<v Speaker 1>You know. A memory that popped up watching this episode

0:10:34.080 --> 0:10:36.320
<v Speaker 1>is how fucking heavy are those damn guns?

0:10:36.760 --> 0:10:43.320
<v Speaker 2>When you told me about shooting this episode, shaking everybody

0:10:43.600 --> 0:10:45.880
<v Speaker 2>was when you're holding a gun.

0:10:45.920 --> 0:10:48.440
<v Speaker 1>Listen, it's not heavy, but when you're holding a gun

0:10:48.600 --> 0:10:51.679
<v Speaker 1>up to another person in a scene, and sometimes in

0:10:51.720 --> 0:10:53.839
<v Speaker 1>this scene, we're holding that gun up and there's like

0:10:54.040 --> 0:10:56.280
<v Speaker 1>how many people. There's like eight of us in the scene,

0:10:56.320 --> 0:10:58.080
<v Speaker 1>so you have to hold that gun up for everyone's

0:10:58.080 --> 0:10:59.600
<v Speaker 1>coverage that she gets.

0:11:00.120 --> 0:11:02.760
<v Speaker 2>It's no your arms were shaking, you would tell. You

0:11:02.800 --> 0:11:04.480
<v Speaker 2>told me after you shot this episode that it's like

0:11:05.240 --> 0:11:07.240
<v Speaker 2>you're trying to look like a motherfucker, like you're trying

0:11:07.240 --> 0:11:09.040
<v Speaker 2>to be so cool, and you're holding your gun with

0:11:09.080 --> 0:11:11.920
<v Speaker 2>like a perfectly straight arm, like at someone's face, and

0:11:11.960 --> 0:11:14.640
<v Speaker 2>your arm is just straight up quivering, shaking.

0:11:14.800 --> 0:11:18.079
<v Speaker 1>My fucking breast are sweating.

0:11:18.200 --> 0:11:22.600
<v Speaker 2>Your pectoral My pectorals are away. My god. I love

0:11:22.679 --> 0:11:26.560
<v Speaker 2>this episode. I love everything having to do with spies.

0:11:26.880 --> 0:11:29.480
<v Speaker 1>I feel like we say that every single episode, but no,

0:11:29.920 --> 0:11:30.600
<v Speaker 1>fucking good.

0:11:30.960 --> 0:11:32.920
<v Speaker 2>I know they're all fucking good, but this point, Quinn

0:11:33.000 --> 0:11:35.160
<v Speaker 2>is not a spot. Quinn is not B six thirteen.

0:11:35.240 --> 0:11:37.800
<v Speaker 2>This is the first motherfucking episode that we ever hear

0:11:38.000 --> 0:11:41.880
<v Speaker 2>the words BE six thirteen. Ye what writer in the

0:11:41.920 --> 0:11:46.520
<v Speaker 2>writer's room? Yeah, came up with the terminology B six thirteen.

0:11:46.960 --> 0:11:49.280
<v Speaker 2>Give him cookies the fuck.

0:11:49.679 --> 0:11:53.040
<v Speaker 1>This is also the first episode that I was like, Yo,

0:11:53.280 --> 0:11:57.640
<v Speaker 1>this episode feels special, it feels different. I was like,

0:11:57.679 --> 0:11:59.360
<v Speaker 1>this episode could be a movie.

0:11:59.559 --> 0:12:02.760
<v Speaker 2>Yes, it totally felt like a movie.

0:12:03.040 --> 0:12:07.160
<v Speaker 1>Yeah. And it's this ominous, like dangerous tone to it.

0:12:07.160 --> 0:12:09.720
<v Speaker 1>It's such such a special episode, and it was special

0:12:09.720 --> 0:12:10.440
<v Speaker 1>shooting it too.

0:12:10.960 --> 0:12:14.240
<v Speaker 2>It almost feels like a bottle episode, where like it's

0:12:14.280 --> 0:12:16.960
<v Speaker 2>its own storyline and its own container. I mean that's

0:12:17.000 --> 0:12:19.160
<v Speaker 2>not true, because the episode is filled with other stuff.

0:12:19.160 --> 0:12:20.839
<v Speaker 2>There's like shit going on in the white House where

0:12:20.920 --> 0:12:24.319
<v Speaker 2>James Novak writes a fucking article on the front page

0:12:24.440 --> 0:12:28.640
<v Speaker 2>of The Times out like that, using that Cyrus is

0:12:28.640 --> 0:12:31.160
<v Speaker 2>talking about Hollis and now Hollis has got a bone

0:12:31.200 --> 0:12:32.120
<v Speaker 2>and it's it's bad.

0:12:32.679 --> 0:12:36.760
<v Speaker 1>We have Edison and Olivia like going on a date. Yeah, yeah, they're.

0:12:36.600 --> 0:12:39.080
<v Speaker 2>Super cute together. But the shit that's going on in

0:12:39.120 --> 0:12:44.199
<v Speaker 2>OPA is big talk, big fighting for the office. There's

0:12:44.200 --> 0:12:46.440
<v Speaker 2>Steven has not been in the office and it's been

0:12:46.480 --> 0:12:50.720
<v Speaker 2>sitting there empty its entire second season, and everyone's doing

0:12:50.840 --> 0:12:55.839
<v Speaker 2>big office talk. Abby, Harrison, and Quinn all want that office. Yeah,

0:12:56.200 --> 0:12:58.440
<v Speaker 2>but I just love this episode. What I was thinking

0:12:58.559 --> 0:13:00.640
<v Speaker 2>was like, oh my god, Quinn has no idea yet

0:13:00.679 --> 0:13:03.080
<v Speaker 2>that she's going to be B six thirteen, that she

0:13:03.200 --> 0:13:05.200
<v Speaker 2>at one point on this show is also going to

0:13:05.200 --> 0:13:06.760
<v Speaker 2>be trained, that she's going to know how to do

0:13:06.800 --> 0:13:07.280
<v Speaker 2>all this shit.

0:13:07.400 --> 0:13:10.079
<v Speaker 1>Like Yeah, there's even a scene where you mentioned what

0:13:10.200 --> 0:13:12.520
<v Speaker 1>is B six thirteen and Olivia gives you this look

0:13:12.520 --> 0:13:14.600
<v Speaker 1>and you're like, what what what did I say?

0:13:14.920 --> 0:13:15.720
<v Speaker 2>What's the issue?

0:13:15.800 --> 0:13:18.679
<v Speaker 1>Yeah, you're still that deer in headlights in this episode.

0:13:18.880 --> 0:13:22.160
<v Speaker 2>Oh God, we will be back with more after the break.

0:13:26.559 --> 0:13:31.200
<v Speaker 2>The Abby David shit in this episode is a huge winner.

0:13:31.280 --> 0:13:34.199
<v Speaker 2>I mean he starts the episode saying, like you want

0:13:34.240 --> 0:13:36.760
<v Speaker 2>a drawer? It just is filled with like my hiking shit,

0:13:36.840 --> 0:13:38.840
<v Speaker 2>and I don't go hiking, so would you like a drawer?

0:13:39.120 --> 0:13:43.000
<v Speaker 1>Yeah? And she's also it goes from that to like

0:13:44.360 --> 0:13:48.160
<v Speaker 1>a shot of Olivia listening to that conversation, like she's

0:13:48.200 --> 0:13:49.920
<v Speaker 1>spying on them, and it was the first time I

0:13:50.000 --> 0:13:53.280
<v Speaker 1>was like, oh shit, Like Olivia's no joke, Like she's

0:13:53.320 --> 0:13:56.000
<v Speaker 1>going dark, like.

0:13:54.760 --> 0:13:58.120
<v Speaker 2>A bad friend. You're a bad, bad, bad friend, Like

0:13:58.160 --> 0:14:01.600
<v Speaker 2>your friend is clearly very happy. He's a very good dude.

0:14:01.800 --> 0:14:03.360
<v Speaker 2>I think carry did such a good job. There's like

0:14:03.440 --> 0:14:06.600
<v Speaker 2>the bobble Head seen where she's listening and overhearing that

0:14:06.840 --> 0:14:11.440
<v Speaker 2>Abby and David are getting more serious and then she

0:14:12.440 --> 0:14:14.520
<v Speaker 2>knows that they can't be together because we can't have

0:14:14.600 --> 0:14:19.760
<v Speaker 2>Abby and them figuring out about defiance. But she sends

0:14:19.960 --> 0:14:26.840
<v Speaker 2>in Brolivia, and by Brolivia, I mean Harris Harrison. Harrison

0:14:26.880 --> 0:14:29.120
<v Speaker 2>goes to Livia like shit's getting weird in here, Dude,

0:14:29.160 --> 0:14:32.120
<v Speaker 2>shit is getting weird. There are fucking spies in here.

0:14:32.560 --> 0:14:37.360
<v Speaker 2>Abby's having sex with you know, David Rosen, you are

0:14:37.400 --> 0:14:38.800
<v Speaker 2>with Edison, Like what is going on?

0:14:38.840 --> 0:14:40.360
<v Speaker 1>Things you're not Steven.

0:14:40.680 --> 0:14:44.640
<v Speaker 2>Yes, there's a ghost. There's a ghost in this office,

0:14:44.920 --> 0:14:48.520
<v Speaker 2>Like what is up? And she's like, he's like what

0:14:48.560 --> 0:14:49.920
<v Speaker 2>do I do? What can I do?

0:14:50.760 --> 0:14:51.600
<v Speaker 1>What do you need?

0:14:51.720 --> 0:14:55.240
<v Speaker 2>And she's like I need you to end David Rosen

0:14:55.600 --> 0:14:58.080
<v Speaker 2>and Abby and he's like just kind of quiet, and

0:14:58.120 --> 0:15:00.440
<v Speaker 2>then she kind of says this line while she leaving

0:15:00.480 --> 0:15:02.480
<v Speaker 2>the room, but she says, like her husband used to

0:15:02.520 --> 0:15:09.239
<v Speaker 2>beat her. Use that so her that's.

0:15:09.000 --> 0:15:14.120
<v Speaker 1>Not right, that's best friends do. Hell no. And also

0:15:14.200 --> 0:15:16.920
<v Speaker 1>because Harrison is so close with Abby, the fact that

0:15:16.960 --> 0:15:20.400
<v Speaker 1>he's the one that then ends up going and pays

0:15:21.440 --> 0:15:25.520
<v Speaker 1>one of Rosen's ex girlfriends from one hundred years ago, yes,

0:15:25.560 --> 0:15:28.480
<v Speaker 1>from one hundred years ago, to lie and say that

0:15:28.600 --> 0:15:33.320
<v Speaker 1>David beat her. Oh, it's such such a fucked up situation.

0:15:33.000 --> 0:15:36.920
<v Speaker 2>All around, so fucked up, and Darby does such exquisite

0:15:37.000 --> 0:15:39.560
<v Speaker 2>work at the end. More towards the end of the episode,

0:15:39.640 --> 0:15:43.080
<v Speaker 2>she storms into David's apartment and she's like, you're not

0:15:43.200 --> 0:15:45.760
<v Speaker 2>a good guy. You're not a good guy, Like, look,

0:15:45.800 --> 0:15:49.120
<v Speaker 2>I have fucking photos of this girl's beat up, fucking

0:15:49.120 --> 0:15:51.200
<v Speaker 2>face from what you did. And he's like, go talk

0:15:51.240 --> 0:15:53.480
<v Speaker 2>to her, go ask her yourself, and she's like, I did.

0:15:53.880 --> 0:15:56.160
<v Speaker 2>I went to coffee with her yesterday. She was crying

0:15:56.200 --> 0:15:56.960
<v Speaker 2>and I trust my.

0:15:57.000 --> 0:16:00.160
<v Speaker 1>Door told me. Yeah, I heard it from the horse's mouth, yes.

0:16:00.200 --> 0:16:01.960
<v Speaker 2>And then and then Abby is like, and these are

0:16:01.960 --> 0:16:04.000
<v Speaker 2>the pictures of me when my husband.

0:16:03.760 --> 0:16:06.880
<v Speaker 1>Beat me, and I found them in your drawer, like

0:16:06.920 --> 0:16:08.360
<v Speaker 1>they were in your boulders.

0:16:08.600 --> 0:16:11.640
<v Speaker 2>And I was a target because you knew that I

0:16:11.720 --> 0:16:13.320
<v Speaker 2>was a target and then I was easy and that

0:16:13.400 --> 0:16:16.640
<v Speaker 2>I was a weak person, which is like Abby's achilles heel,

0:16:16.680 --> 0:16:18.440
<v Speaker 2>that anyone is ever going to think she's weak, and

0:16:18.440 --> 0:16:20.720
<v Speaker 2>it's why she's built this character that's had this whole

0:16:20.800 --> 0:16:25.520
<v Speaker 2>totally tough exterior. And then he tries to come near

0:16:25.560 --> 0:16:27.480
<v Speaker 2>her and like kind of console her, and she fucking

0:16:27.560 --> 0:16:30.120
<v Speaker 2>flinches and she's like, if you ever come near me,

0:16:30.200 --> 0:16:31.080
<v Speaker 2>I will kill you.

0:16:31.280 --> 0:16:34.360
<v Speaker 1>She's oh, and you believe that shit.

0:16:34.440 --> 0:16:39.440
<v Speaker 2>Oh you believe And then stupid ass bitch Olivia. Sorry, Gladiators,

0:16:39.480 --> 0:16:41.280
<v Speaker 2>I know we've Livia more than anything and she can

0:16:41.320 --> 0:16:43.720
<v Speaker 2>do no wrong. But then Abby's just sitting on her

0:16:43.880 --> 0:16:47.160
<v Speaker 2>office OPA couch saying like, I'm sorry I broke up

0:16:47.160 --> 0:16:51.200
<v Speaker 2>with David Rosen. I betrayed you, and I'm so sorry. Yeah,

0:16:51.200 --> 0:16:54.480
<v Speaker 2>she's holding tissues, and Olivia's like, it's okay, I'm there there,

0:16:54.880 --> 0:16:57.280
<v Speaker 2>and Harrison like walks through the back of the office

0:16:57.320 --> 0:17:00.280
<v Speaker 2>feeling like a shit like he should you.

0:17:00.400 --> 0:17:04.280
<v Speaker 1>Said there there? I fucking love that, yo. But the

0:17:04.320 --> 0:17:07.680
<v Speaker 1>other thing that stood out for me in this episode

0:17:07.800 --> 0:17:10.720
<v Speaker 1>they're there, they're there. Are the fucking guest stars in

0:17:10.760 --> 0:17:13.920
<v Speaker 1>this episode? Like, how fucking lucky were we to have

0:17:14.440 --> 0:17:17.600
<v Speaker 1>these people? This dude Sam Anderson. Let me just rattle

0:17:17.600 --> 0:17:21.040
<v Speaker 1>off a few of his credits, New Heart, Hardcastle and McCormick,

0:17:21.040 --> 0:17:23.840
<v Speaker 1>The Golden Girls, Cagney and Lacy, What's Happening Now? Twenty one,

0:17:23.880 --> 0:17:28.439
<v Speaker 1>Jump Street, La Bamba, Forrest Gump, Growing Pains, Lost of Course,

0:17:28.480 --> 0:17:30.520
<v Speaker 1>and then he did a bunch of horror movies. He

0:17:30.600 --> 0:17:33.200
<v Speaker 1>did a movie called Wija Origin of Evil. And that's

0:17:33.240 --> 0:17:34.440
<v Speaker 1>just a few of his credits.

0:17:34.520 --> 0:17:37.240
<v Speaker 2>Do you know any of the horror films he has appeared?

0:17:37.440 --> 0:17:39.840
<v Speaker 1>I do, I do Oija Origin of Evil. It's about

0:17:39.840 --> 0:17:40.639
<v Speaker 1>a Oiji board.

0:17:40.680 --> 0:17:42.800
<v Speaker 2>Oh man, do you like Ouiji boards?

0:17:43.320 --> 0:17:46.640
<v Speaker 1>Hell? No, Katie, no, no no. I had a very

0:17:46.640 --> 0:17:48.800
<v Speaker 1>bad experience with a Wiji board when I was in

0:17:49.680 --> 0:17:51.960
<v Speaker 1>a grammar school and then in high school again, I

0:17:52.000 --> 0:17:54.879
<v Speaker 1>played it with friends and it it worked. Man, It's

0:17:54.920 --> 0:17:58.560
<v Speaker 1>scared the shit out of me. I had horrible dreams

0:17:58.600 --> 0:18:00.720
<v Speaker 1>and nightmares and I just from the.

0:18:00.680 --> 0:18:03.200
<v Speaker 2>First time or the second time, we're both from.

0:18:03.000 --> 0:18:07.440
<v Speaker 1>Both, from both, and then years cut to years later.

0:18:08.040 --> 0:18:10.520
<v Speaker 1>Do you remember Teresa Kaputo from the Long Island Medium.

0:18:10.640 --> 0:18:11.360
<v Speaker 1>She's a medium.

0:18:11.400 --> 0:18:14.920
<v Speaker 2>She's been on Katie's Crib talking about Good Morning, her book. Yes,

0:18:15.160 --> 0:18:17.440
<v Speaker 2>I've been on her show. You've been on her show,

0:18:17.480 --> 0:18:19.840
<v Speaker 2>and she's been a guest on Katie's Crib. We had

0:18:19.880 --> 0:18:23.080
<v Speaker 2>her on my other podcast talking about how to teach

0:18:23.160 --> 0:18:25.359
<v Speaker 2>children about death, how to talk to them about death,

0:18:25.480 --> 0:18:28.840
<v Speaker 2>how to properly mourn in front of children. She's fucking amazing.

0:18:28.880 --> 0:18:30.040
<v Speaker 2>But okay, what did she say?

0:18:30.119 --> 0:18:32.080
<v Speaker 1>They asked me to do an episode of Long Island

0:18:32.080 --> 0:18:34.040
<v Speaker 1>Medium as well, and she came to me in Mikey's

0:18:34.040 --> 0:18:36.760
<v Speaker 1>house and she did a reading. When she was reading

0:18:36.840 --> 0:18:39.600
<v Speaker 1>us and doing her thing, she said, have you ever

0:18:39.640 --> 0:18:43.000
<v Speaker 1>played a widow Wigi board? And I said yeah, yeah,

0:18:43.080 --> 0:18:45.160
<v Speaker 1>And I was like, oh my god. And she said,

0:18:45.200 --> 0:18:48.720
<v Speaker 1>there's a spirit that you conjured up that came out

0:18:48.760 --> 0:18:51.320
<v Speaker 1>from when you played, that has been with you your

0:18:51.359 --> 0:18:55.480
<v Speaker 1>whole life. I have chills by my fucking arms right now.

0:18:55.480 --> 0:18:58.080
<v Speaker 2>I'm not even I am too, and I am fucking speechless,

0:18:58.119 --> 0:18:59.560
<v Speaker 2>and you know I'm never speechless.

0:18:59.680 --> 0:19:03.360
<v Speaker 1>Katie the Hair, I can't believe how.

0:19:03.720 --> 0:19:08.600
<v Speaker 2>Fuck did she say that the spirit was?

0:19:08.920 --> 0:19:11.440
<v Speaker 1>She said he's not bad. She even said his name.

0:19:11.560 --> 0:19:14.040
<v Speaker 1>I believe his name was Charlie. I wrote it down

0:19:14.040 --> 0:19:16.560
<v Speaker 1>in my thing. Isn't that crazy? But she said he

0:19:16.760 --> 0:19:21.240
<v Speaker 1>just attached himself to me. He's not evil, he's not bad,

0:19:21.840 --> 0:19:23.680
<v Speaker 1>but he just stayed with me. And she said that's

0:19:23.720 --> 0:19:27.239
<v Speaker 1>why people shouldn't. People think it's a game, and you know,

0:19:27.280 --> 0:19:29.200
<v Speaker 1>it's not real, but she was like, that's why people

0:19:29.240 --> 0:19:32.280
<v Speaker 1>should not play, because sometimes that could happen and it

0:19:32.280 --> 0:19:34.000
<v Speaker 1>could be a bad spirit and then you have this

0:19:34.160 --> 0:19:35.040
<v Speaker 1>horrible energy.

0:19:35.200 --> 0:19:38.639
<v Speaker 2>Like she does say that when she brings up spirits.

0:19:38.720 --> 0:19:41.919
<v Speaker 2>She always says this terminology that I don't really like

0:19:42.000 --> 0:19:43.920
<v Speaker 2>to even think about because it kind of freaks me out.

0:19:43.920 --> 0:19:46.639
<v Speaker 2>But she's like, we're only asking for the spirits to

0:19:46.800 --> 0:19:50.520
<v Speaker 2>show up. Who are you know? Of are of good intention?

0:19:50.640 --> 0:19:52.399
<v Speaker 2>And like, yeah, will or something like that. And I

0:19:52.880 --> 0:19:54.439
<v Speaker 2>questioned her once about it. I was like, why do

0:19:54.440 --> 0:19:56.200
<v Speaker 2>you have to say that? And I didn't want to

0:19:56.240 --> 0:19:58.240
<v Speaker 2>even hear the answer, because I was like kind of scared,

0:19:58.280 --> 0:20:03.119
<v Speaker 2>but she was just like, well, because you know, there

0:20:03.200 --> 0:20:08.159
<v Speaker 2>can be some spirits that aren't that don't have the

0:20:08.200 --> 0:20:11.080
<v Speaker 2>best intentions and they're really not great. And I'm like,

0:20:11.119 --> 0:20:12.080
<v Speaker 2>oh my god.

0:20:12.000 --> 0:20:15.800
<v Speaker 1>Just like in real life, there's terrifying, Like but can

0:20:15.840 --> 0:20:19.320
<v Speaker 1>you fucking believe that? That's my fucking experience with So.

0:20:19.680 --> 0:20:21.720
<v Speaker 2>Why did you do it again the second time after

0:20:21.760 --> 0:20:22.359
<v Speaker 2>the first time?

0:20:22.640 --> 0:20:24.879
<v Speaker 1>I don't know. I don't I don't know, because you know,

0:20:24.920 --> 0:20:27.240
<v Speaker 1>peer pressure, your friends we were I did it too.

0:20:27.320 --> 0:20:29.359
<v Speaker 2>I was peer pressured like multiple times to do is

0:20:29.400 --> 0:20:31.760
<v Speaker 2>fucking horrible. And you're all screaming at each other like

0:20:31.880 --> 0:20:34.680
<v Speaker 2>you're moving it. No, you're moving it. You moved it.

0:20:34.720 --> 0:20:36.919
<v Speaker 2>And you were supposed to start the ouiji boord session

0:20:36.920 --> 0:20:39.880
<v Speaker 2>with like are there any spirits currently in the room

0:20:39.960 --> 0:20:42.640
<v Speaker 2>or something like that, and it'll point to like yes,

0:20:43.560 --> 0:20:46.119
<v Speaker 2>and then you're like and then you're like, what is

0:20:46.119 --> 0:20:48.600
<v Speaker 2>your name? And it like spells out a name and

0:20:48.640 --> 0:20:49.160
<v Speaker 2>then you're like.

0:20:52.359 --> 0:20:54.080
<v Speaker 1>And when I played it, I went I went to

0:20:54.160 --> 0:20:56.440
<v Speaker 1>Catholic school my whole life. I played it in our

0:20:56.960 --> 0:21:00.399
<v Speaker 1>cafeteria in my school, which is attached to a church,

0:21:00.560 --> 0:21:02.359
<v Speaker 1>so I was in a sort of you know, a

0:21:02.520 --> 0:21:05.800
<v Speaker 1>sacred place if you will, and that's where I was

0:21:05.840 --> 0:21:07.480
<v Speaker 1>playing it. And then we played it again at my

0:21:07.520 --> 0:21:10.880
<v Speaker 1>friend's house that same day, that same night anyway.

0:21:11.480 --> 0:21:14.800
<v Speaker 2>And she said, Charlie has attached himself to you your

0:21:14.800 --> 0:21:15.399
<v Speaker 2>whole life.

0:21:15.720 --> 0:21:16.520
<v Speaker 1>Can you believe that?

0:21:16.680 --> 0:21:19.520
<v Speaker 2>Do you ever when you're alone in a room, do

0:21:19.560 --> 0:21:21.960
<v Speaker 2>you feel like I'm not alone because he's here, or

0:21:22.000 --> 0:21:24.320
<v Speaker 2>do you feel do you ever feel totally alone?

0:21:24.760 --> 0:21:28.760
<v Speaker 1>I thank the universe that I never feel anything evil

0:21:29.119 --> 0:21:33.960
<v Speaker 1>or unsettling around me. It's funny. After Teresa did that

0:21:34.040 --> 0:21:36.919
<v Speaker 1>whole day with us of shooting and yeah, you know,

0:21:36.960 --> 0:21:40.280
<v Speaker 1>giving us the reading, for about a week, Mikey and

0:21:40.320 --> 0:21:43.080
<v Speaker 1>I kept seeing stuff like moving or we were like

0:21:44.119 --> 0:21:47.440
<v Speaker 1>shadows and it felt like there was there was presences

0:21:47.560 --> 0:21:50.440
<v Speaker 1>around us, and it was it was weird. And then

0:21:51.040 --> 0:21:53.080
<v Speaker 1>someone we talked to someone who worked on the show

0:21:53.119 --> 0:21:56.639
<v Speaker 1>and they said, yeah, sometimes though spirits of course will

0:21:56.680 --> 0:21:59.320
<v Speaker 1>stick around, you know for a little bit. Because she

0:21:59.480 --> 0:22:01.280
<v Speaker 1>just had them all come to your house so she

0:22:01.320 --> 0:22:04.800
<v Speaker 1>could talk to them. Oh and that was that was weird.

0:22:04.840 --> 0:22:07.320
<v Speaker 1>But it wasn't again, it wasn't evil, It wasn't you know,

0:22:07.400 --> 0:22:08.320
<v Speaker 1>anything negative.

0:22:08.440 --> 0:22:12.600
<v Speaker 2>Charlie is not malevolent? Yes, yes, how did we get

0:22:12.640 --> 0:22:13.440
<v Speaker 2>on this subject?

0:22:13.440 --> 0:22:19.840
<v Speaker 1>I know because fucking Sam Origin of Evil?

0:22:19.880 --> 0:22:22.440
<v Speaker 2>Oh my god, was it a good movie?

0:22:22.720 --> 0:22:25.040
<v Speaker 1>Oh it was a good movie. But you know, g

0:22:25.160 --> 0:22:28.200
<v Speaker 1>Boord movies freak me out because I start thinking about

0:22:28.200 --> 0:22:29.360
<v Speaker 1>my experiences.

0:22:29.359 --> 0:22:32.840
<v Speaker 2>Odd. Okay, So other things that happened in this episode

0:22:32.920 --> 0:22:35.960
<v Speaker 2>is that all these guest stars come in and all

0:22:36.000 --> 0:22:39.639
<v Speaker 2>of the o PA people are waiting for all of

0:22:39.640 --> 0:22:41.879
<v Speaker 2>them to arrive, and we think they're gonna be like

0:22:41.920 --> 0:22:44.080
<v Speaker 2>the craziest, most badass looking spies you've ever seen in

0:22:44.119 --> 0:22:46.760
<v Speaker 2>your life. And the first one to come out is

0:22:46.840 --> 0:22:50.919
<v Speaker 2>Maggie Andrew's wink and she's so cute and she's a

0:22:50.960 --> 0:22:54.400
<v Speaker 2>mother of three and she's a little pink cardigan, super blonde,

0:22:54.680 --> 0:22:57.119
<v Speaker 2>super blonde. And then all of a sudden she starts

0:22:57.160 --> 0:22:59.320
<v Speaker 2>to like throw all of her guns in the.

0:22:59.280 --> 0:23:03.560
<v Speaker 1>Bast Yeah, is like, we gotta scrub you. Yeah. I

0:23:03.640 --> 0:23:06.280
<v Speaker 1>love that too, because even when I first read this episode,

0:23:06.320 --> 0:23:09.480
<v Speaker 1>I thought I had all these like, you know, just

0:23:09.560 --> 0:23:14.200
<v Speaker 1>your typical, your stereotypical like thug looking, spy looking people.

0:23:14.200 --> 0:23:16.280
<v Speaker 1>I was like, Oh, there's gonna be some interesting actors.

0:23:16.400 --> 0:23:19.640
<v Speaker 1>And they were all very like woman next door, guy

0:23:19.760 --> 0:23:20.680
<v Speaker 1>next door.

0:23:20.760 --> 0:23:23.120
<v Speaker 2>And it's like such a dress. The other one looks

0:23:23.160 --> 0:23:27.120
<v Speaker 2>like a librarian. Mary pat Gleeson, who's unbelievable.

0:23:27.400 --> 0:23:30.320
<v Speaker 1>Oh, Mary Pet Gleason, I love her. She just passed

0:23:30.359 --> 0:23:34.880
<v Speaker 1>away in twenty twenty. Yeah, but she was. Yeah, she's

0:23:34.920 --> 0:23:37.040
<v Speaker 1>been in a ton of great stuff. She was in

0:23:37.080 --> 0:23:39.280
<v Speaker 1>Mama's Family, which I love so much. I love the

0:23:39.359 --> 0:23:42.119
<v Speaker 1>carabernetco and Murphy Brown Troop Beverly Hills.

0:23:42.240 --> 0:23:43.840
<v Speaker 2>She's legend, She's legend.

0:23:43.880 --> 0:23:46.159
<v Speaker 1>She was in the Crucible. Yeah, she played Martha Corey

0:23:46.160 --> 0:23:48.320
<v Speaker 1>in The Crucible. Yeah, which she was in Basic.

0:23:48.600 --> 0:23:51.040
<v Speaker 2>She's had such an incredible she had an incredible career.

0:23:51.040 --> 0:23:52.640
<v Speaker 2>I am so sad to hear that she does.

0:23:52.720 --> 0:23:55.960
<v Speaker 1>I know right, me too, me too. And her character's

0:23:56.000 --> 0:23:58.720
<v Speaker 1>name is a Matches because.

0:23:58.520 --> 0:24:00.359
<v Speaker 2>She could just light ship the.

0:24:00.119 --> 0:24:02.800
<v Speaker 1>Fly shot, burned the place down.

0:24:03.240 --> 0:24:06.840
<v Speaker 2>What was Maggie Andrews's special spy for?

0:24:07.480 --> 0:24:09.880
<v Speaker 1>She was a sniper. Every time he looked at her,

0:24:09.920 --> 0:24:11.040
<v Speaker 1>she had one eye click.

0:24:11.000 --> 0:24:15.040
<v Speaker 2>Right right, right, right right right. And then and Sam

0:24:15.119 --> 0:24:17.440
<v Speaker 2>Anderson comes off. He's like a doctor, and we learned

0:24:17.440 --> 0:24:19.280
<v Speaker 2>like he thought he was a doctor doing good and

0:24:19.280 --> 0:24:21.120
<v Speaker 2>then he realized he just needed he was still addicted

0:24:21.119 --> 0:24:22.800
<v Speaker 2>to just fucking cutting bodies open.

0:24:23.119 --> 0:24:26.160
<v Speaker 1>Yes, Yeah, that's yeah. I love that piece of information.

0:24:26.320 --> 0:24:28.960
<v Speaker 1>Me too, Me too, And Huck says something like he

0:24:29.080 --> 0:24:32.160
<v Speaker 1>was an expert at knowing how much pain someone could

0:24:32.200 --> 0:24:33.960
<v Speaker 1>take before they actually.

0:24:33.640 --> 0:24:36.560
<v Speaker 2>Die, and now he's a oofter god fuck.

0:24:37.680 --> 0:24:40.160
<v Speaker 1>And then there's a couple of other spies that Adam

0:24:40.240 --> 0:24:43.040
<v Speaker 1>Lazar White who plays Paul Gray, who's like a professor

0:24:43.160 --> 0:24:48.000
<v Speaker 1>now yes, and he could speak like seventeen language languages yep.

0:24:48.880 --> 0:24:50.800
<v Speaker 2>And then the last person to walk off the OPA

0:24:50.920 --> 0:24:56.359
<v Speaker 2>elevator is our one and only Charlie And what was

0:24:56.400 --> 0:24:57.080
<v Speaker 2>his nickname?

0:24:58.000 --> 0:25:00.840
<v Speaker 1>Charlie's nickname was Charles Manson.

0:25:00.960 --> 0:25:02.560
<v Speaker 2>Yeah, but did he have a specialty?

0:25:02.640 --> 0:25:05.880
<v Speaker 1>Does it say he was amazing really great at disappearing

0:25:05.920 --> 0:25:08.880
<v Speaker 1>someone for good, like really well, which.

0:25:08.720 --> 0:25:10.760
<v Speaker 2>We saw him do in season one to Amanda Tanner.

0:25:11.520 --> 0:25:13.960
<v Speaker 1>Yes, and that's why you see the tension between Hock

0:25:14.040 --> 0:25:17.560
<v Speaker 1>and Charlie in this episode is super heavy and just.

0:25:17.560 --> 0:25:19.880
<v Speaker 2>Loaded with like, did the two of you do any

0:25:20.040 --> 0:25:21.359
<v Speaker 2>actor prep work for that?

0:25:21.680 --> 0:25:23.879
<v Speaker 1>We tell no, we did not. You know, our actor

0:25:23.920 --> 0:25:27.119
<v Speaker 1>prep work was going, Hey, uh, George, I'm gonna go

0:25:27.160 --> 0:25:28.800
<v Speaker 1>to craft. Do you want to come. He was like yep,

0:25:29.200 --> 0:25:31.560
<v Speaker 1>and we'd both go to Crafty and like Grey's Crafty.

0:25:31.640 --> 0:25:35.040
<v Speaker 1>Oh look they have little pieces of cake. Oh there's

0:25:35.040 --> 0:25:38.080
<v Speaker 1>sandwiches over there. That was our fucking prep work.

0:25:38.320 --> 0:25:40.399
<v Speaker 2>You guys are And then I would join in on that.

0:25:40.560 --> 0:25:44.199
<v Speaker 1>Always you were like what do they have? We'll be

0:25:44.280 --> 0:25:47.880
<v Speaker 1>right back, guys.

0:25:49.359 --> 0:25:53.800
<v Speaker 2>Okay. Other winning moments, winning scenes of this app Okay,

0:25:54.080 --> 0:25:59.040
<v Speaker 2>Quinn gets a new office, yeah, which I love because

0:26:00.000 --> 0:26:02.280
<v Speaker 2>person moves over to Steven's office. So Quinn does the

0:26:02.320 --> 0:26:04.800
<v Speaker 2>stupid thing with her jaw and she drops another goddamn

0:26:04.840 --> 0:26:06.800
<v Speaker 2>cup of coffee because we've left the spies for just

0:26:06.840 --> 0:26:09.440
<v Speaker 2>a few minutes. While we're figuring out Olivia's out trying

0:26:09.440 --> 0:26:12.119
<v Speaker 2>to work all her contacts. The spies are all holding

0:26:12.119 --> 0:26:15.280
<v Speaker 2>each other at gunpoint, and then Harrison comes in and

0:26:15.400 --> 0:26:20.240
<v Speaker 2>have a fucking best monologue, Oh, talking them down from

0:26:20.280 --> 0:26:24.200
<v Speaker 2>shooting each other. Yes, And then he walks out and

0:26:24.200 --> 0:26:27.280
<v Speaker 2>he's like that's big office talk, baby, big office talks.

0:26:27.320 --> 0:26:30.160
<v Speaker 2>And he goes into Steven's office and then I'm like, yay,

0:26:30.359 --> 0:26:32.600
<v Speaker 2>I get my office too, and I like run out

0:26:32.640 --> 0:26:34.359
<v Speaker 2>to my own. And then we see this close up

0:26:34.359 --> 0:26:36.320
<v Speaker 2>on Harrison where actually that was impossible for him, and

0:26:36.320 --> 0:26:38.320
<v Speaker 2>it was all affront in his hand, like can't stop

0:26:38.359 --> 0:26:40.200
<v Speaker 2>shaking because he thought he was gonna get shot and

0:26:40.200 --> 0:26:41.160
<v Speaker 2>everybody was going to die.

0:26:41.560 --> 0:26:44.800
<v Speaker 1>Yeah, Oh, I love that. I love that. There's also

0:26:45.400 --> 0:26:49.200
<v Speaker 1>a really memorable scene in this episode is when Hawk

0:26:49.359 --> 0:26:53.800
<v Speaker 1>is fussing with the radio with an old school radio. Yeah,

0:26:53.800 --> 0:26:57.720
<v Speaker 1>and he's calling the spies through the frequences of the radio,

0:26:57.760 --> 0:26:59.280
<v Speaker 1>And I just love that so much. And you hear

0:26:59.600 --> 0:27:03.199
<v Speaker 1>in the background, you hear three blind mice playing, and

0:27:03.200 --> 0:27:06.720
<v Speaker 1>it's so ominous and dark and oh so cool. A

0:27:06.840 --> 0:27:11.800
<v Speaker 1>radio for you guys, for the younger generation, is an apparatus,

0:27:11.840 --> 0:27:15.680
<v Speaker 1>a box that we would turn on with a button.

0:27:15.960 --> 0:27:18.480
<v Speaker 1>We would plug it into the wall somewhere battery operated,

0:27:18.520 --> 0:27:20.000
<v Speaker 1>and you could hear music out of it.

0:27:20.359 --> 0:27:23.280
<v Speaker 2>Yeah, and you could like you couldn't scroll with a button.

0:27:23.320 --> 0:27:25.000
<v Speaker 2>You actually had to like turn a dial.

0:27:25.280 --> 0:27:27.000
<v Speaker 1>You had to turn a fucking dial.

0:27:26.840 --> 0:27:28.159
<v Speaker 2>To find a fucking station.

0:27:28.440 --> 0:27:31.120
<v Speaker 1>And some radios had cassette tape holders and you could

0:27:31.119 --> 0:27:33.320
<v Speaker 1>put a cassette tape and when you found your favorite station,

0:27:33.520 --> 0:27:37.400
<v Speaker 1>like Z one hundred er bls were some of my favorites,

0:27:37.400 --> 0:27:39.560
<v Speaker 1>and when they played your favorite song, you press record

0:27:39.600 --> 0:27:40.040
<v Speaker 1>and record.

0:27:40.119 --> 0:27:43.720
<v Speaker 2>That's we are such New Yorkers. Z one hundred is

0:27:43.760 --> 0:27:48.320
<v Speaker 2>what I grew up really all day, one night, Z

0:27:48.680 --> 0:27:50.280
<v Speaker 2>one Z one hundred.

0:27:52.880 --> 0:27:57.480
<v Speaker 1>Yes, oh, man, radios. I miss radios. Does anybody have

0:27:57.640 --> 0:27:58.520
<v Speaker 1>radios anymore?

0:27:58.800 --> 0:28:01.480
<v Speaker 2>Well, you're still on an iPod, honey, I'm still on

0:28:01.520 --> 0:28:05.119
<v Speaker 2>a fuck So you're like the only person I know

0:28:05.160 --> 0:28:09.919
<v Speaker 2>that doesn't have Spotify? Or do you have serious radio

0:28:10.160 --> 0:28:10.600
<v Speaker 2>in your car?

0:28:10.760 --> 0:28:12.359
<v Speaker 1>I do I have Serious in my car?

0:28:12.680 --> 0:28:14.119
<v Speaker 2>And is there a Madonna station?

0:28:14.320 --> 0:28:17.560
<v Speaker 1>No? Right, not that I know of. No, not that

0:28:17.600 --> 0:28:18.040
<v Speaker 1>I know of.

0:28:18.119 --> 0:28:19.880
<v Speaker 2>Okay, you would know.

0:28:19.920 --> 0:28:21.760
<v Speaker 1>There's an Elvis Presley station.

0:28:22.000 --> 0:28:24.560
<v Speaker 2>There is, and it's great, but there's not a Madonna

0:28:24.560 --> 0:28:28.400
<v Speaker 2>one yet. Yes, what I love the most also about

0:28:28.400 --> 0:28:30.960
<v Speaker 2>this episode, and then we can do some fun facts.

0:28:31.040 --> 0:28:37.280
<v Speaker 2>But when Abby just is crying at the end and

0:28:37.359 --> 0:28:41.640
<v Speaker 2>she leaves David and we're wrapping up the episode, and

0:28:41.680 --> 0:28:43.280
<v Speaker 2>we see that the rest of the spies are going

0:28:43.360 --> 0:28:45.440
<v Speaker 2>to go off and live happy lives because they found

0:28:45.440 --> 0:28:48.080
<v Speaker 2>the one spy that sorted out of them, the doctor

0:28:49.120 --> 0:28:50.720
<v Speaker 2>Sam Anderson. They shoot him.

0:28:51.600 --> 0:28:58.120
<v Speaker 1>Has this like heart wrenching speech, not because they let's

0:28:58.160 --> 0:29:04.200
<v Speaker 1>not kill anyone. Figure out that Melvin Fee is the rat, right,

0:29:04.280 --> 0:29:06.560
<v Speaker 1>So then the others, all the Spies want to kill him.

0:29:06.560 --> 0:29:09.240
<v Speaker 1>They want to murder him. Yeah, and Huck has this

0:29:10.400 --> 0:29:13.080
<v Speaker 1>lovely speech and he's like, you know, he's one of us,

0:29:13.080 --> 0:29:15.160
<v Speaker 1>Like he's just a regular guy and he just wanted

0:29:15.160 --> 0:29:17.440
<v Speaker 1>a better life and blah blah blah, and all the

0:29:17.480 --> 0:29:19.640
<v Speaker 1>Spies are like yeah, yeah, yeah, And then next thing,

0:29:19.680 --> 0:29:23.120
<v Speaker 1>you know, two seconds later, fucking Wink shoots some dead

0:29:23.160 --> 0:29:26.640
<v Speaker 1>between the eyes and Huck is just sitting there in.

0:29:26.560 --> 0:29:29.600
<v Speaker 2>A Chuck is just sitting there like a lost like, yeah,

0:29:29.680 --> 0:29:30.720
<v Speaker 2>you were.

0:29:30.640 --> 0:29:35.120
<v Speaker 1>Reformed, yeah slightly, yes, yes, slightly slightly. But that's such

0:29:35.120 --> 0:29:37.960
<v Speaker 1>a wonderful scene where they have that time lap scene

0:29:38.000 --> 0:29:40.960
<v Speaker 1>of cleaning their eyes, cleaning up, and then there's even

0:29:41.000 --> 0:29:44.400
<v Speaker 1>a moment where a Wink cleans my face and Huck

0:29:44.480 --> 0:29:47.000
<v Speaker 1>is just sitting there the whole time, just like I

0:29:47.000 --> 0:29:48.840
<v Speaker 1>can't believe this happened, Just like, you know.

0:29:48.800 --> 0:29:50.360
<v Speaker 2>Do you remember anything from shooting that?

0:29:50.800 --> 0:29:54.720
<v Speaker 1>Yeah? I remember it being a really really emotional, emotional

0:29:54.720 --> 0:29:56.640
<v Speaker 1>scene to shoot. It was fun. I had a blast

0:29:56.640 --> 0:29:57.000
<v Speaker 1>doing it.

0:29:57.320 --> 0:29:59.880
<v Speaker 2>Well, I can't take the fucking sound when you do

0:30:00.080 --> 0:30:02.440
<v Speaker 2>the time lapse and the cleanup and the spies go

0:30:02.840 --> 0:30:05.760
<v Speaker 2>on to live their happy lives except for Charlie, who

0:30:05.960 --> 0:30:07.800
<v Speaker 2>you know, he's looking to get back in business, most

0:30:07.840 --> 0:30:10.600
<v Speaker 2>likely with Cyrus. And we see David Rosen putting a

0:30:10.640 --> 0:30:13.800
<v Speaker 2>picture of James on his wall who and he's totally

0:30:13.840 --> 0:30:16.800
<v Speaker 2>ready to return back to the Cytron case without Abby.

0:30:16.840 --> 0:30:20.120
<v Speaker 2>He's going to do it alone. And Edison and Olivia

0:30:20.360 --> 0:30:23.000
<v Speaker 2>are sort of moving their relationship forward, and we end

0:30:23.000 --> 0:30:25.040
<v Speaker 2>the episode with Edison staying over to Olivia's. But the

0:30:25.080 --> 0:30:28.680
<v Speaker 2>whole time, it's my favorite song. It's broken windows and

0:30:28.920 --> 0:30:33.440
<v Speaker 2>empty hall always moings and the sky streaked with gray,

0:30:34.200 --> 0:30:38.840
<v Speaker 2>human kindness is overflowing, and I think it's gonna rain.

0:30:39.240 --> 0:30:42.280
<v Speaker 1>Ah sing it, bitch, Yeah.

0:30:41.680 --> 0:30:45.040
<v Speaker 2>It's so fucking beautiful.

0:30:45.520 --> 0:30:47.160
<v Speaker 1>Wait, who sings that, Katie?

0:30:47.360 --> 0:30:50.000
<v Speaker 2>It's Nana Simone. I think it's gonna rain today. And

0:30:50.080 --> 0:30:53.520
<v Speaker 2>the lyrics are so outstanding, and the whole song is

0:30:53.600 --> 0:30:57.760
<v Speaker 2>like so beautiful and so juxtaposed to the mood of like,

0:30:57.800 --> 0:31:02.040
<v Speaker 2>it's the best fucking song choice.

0:31:02.120 --> 0:31:06.000
<v Speaker 1>Scam your feels like it damn it shoves you in

0:31:06.040 --> 0:31:08.120
<v Speaker 1>your feels. K I just say, you have such a

0:31:08.120 --> 0:31:12.440
<v Speaker 1>beautiful voice. I've heard Katie saying several so many times

0:31:12.440 --> 0:31:16.360
<v Speaker 1>throughout my life. I'm very since Kat, but that was

0:31:16.400 --> 0:31:17.240
<v Speaker 1>so good man.

0:31:17.360 --> 0:31:19.480
<v Speaker 2>Thank you. I love to saying and I don't get

0:31:19.520 --> 0:31:23.280
<v Speaker 2>to do it very often, but like it is one

0:31:23.320 --> 0:31:25.400
<v Speaker 2>of the first loves of my life until I realize, like,

0:31:25.440 --> 0:31:28.800
<v Speaker 2>oh shit, I'm as great as like so many people

0:31:28.840 --> 0:31:30.479
<v Speaker 2>at this I think I'm gonna go over here and

0:31:30.520 --> 0:31:36.600
<v Speaker 2>do acting by itself, by itself, like other fun facts

0:31:36.600 --> 0:31:38.680
<v Speaker 2>of this episode, Like I said, this is the first

0:31:38.720 --> 0:31:42.040
<v Speaker 2>fucking mention of B six thirteen. What else? What other

0:31:42.200 --> 0:31:43.240
<v Speaker 2>fun facts you got?

0:31:43.320 --> 0:31:45.840
<v Speaker 1>Another fun fact that I sort of discovered on my

0:31:45.880 --> 0:31:48.880
<v Speaker 1>own when I was looking up of guest stars on IMDb,

0:31:49.120 --> 0:31:53.440
<v Speaker 1>is that Ron Austro who was one of our stand

0:31:53.480 --> 0:31:57.800
<v Speaker 1>ins please Sarnoff in the like in the computer and

0:31:57.800 --> 0:32:01.880
<v Speaker 1>his face is blurred. Who is it ron Ostro? Remember

0:32:01.960 --> 0:32:04.160
<v Speaker 1>he he was sort of the skinny older guy.

0:32:04.320 --> 0:32:07.680
<v Speaker 2>Oh my god, I love Ron of course. Oh my god.

0:32:07.680 --> 0:32:10.080
<v Speaker 2>I'm sorry. I'm thinking about him in terms of he's

0:32:10.120 --> 0:32:10.600
<v Speaker 2>the best.

0:32:10.800 --> 0:32:13.840
<v Speaker 1>Yes, he's so wonderful episode.

0:32:14.360 --> 0:32:17.160
<v Speaker 2>Yeah, oh my god, shout out to him. What a

0:32:17.320 --> 0:32:21.000
<v Speaker 2>freaking oh my god, I haven't thought about him forever.

0:32:21.120 --> 0:32:25.960
<v Speaker 2>What a dream guy? Okay, Olivia Pope makes a reference

0:32:26.000 --> 0:32:28.840
<v Speaker 2>to Monica Lewinsky defending former President Bill Clinton when she's

0:32:28.840 --> 0:32:30.680
<v Speaker 2>talking Edison. Remember this when they're on the end of

0:32:30.680 --> 0:32:33.480
<v Speaker 2>their date at the beginning of the episode. And FYI,

0:32:33.600 --> 0:32:34.959
<v Speaker 2>I mean, if you don't fucking know this, then you're

0:32:35.000 --> 0:32:37.200
<v Speaker 2>not a real gladiator. But Judy Smith is the woman

0:32:37.240 --> 0:32:40.320
<v Speaker 2>who inspired Scandal and inspired Olivia Pope. But during the

0:32:40.320 --> 0:32:45.480
<v Speaker 2>Monica Lewinsky Bill Clinton scandal, Judy Smith actually represented Monica

0:32:46.320 --> 0:32:50.200
<v Speaker 2>check out and Monica is good friends with Shanda she

0:32:50.520 --> 0:32:52.200
<v Speaker 2>is in real life.

0:32:52.440 --> 0:32:54.360
<v Speaker 1>That's some crazy. That's crazy talk right there. Do you

0:32:54.440 --> 0:32:58.080
<v Speaker 1>have Monica Lewinsky's phone number? Tell me the truth, Katie?

0:32:58.120 --> 0:33:03.440
<v Speaker 2>You know what's crazy? Monica's ridiculously smart. Oh, and I'm

0:33:03.440 --> 0:33:06.040
<v Speaker 2>going to feel so intimidated.

0:33:06.240 --> 0:33:08.200
<v Speaker 1>Didn't she write it? But she wrote a book, right?

0:33:08.560 --> 0:33:11.600
<v Speaker 1>Doesn't she have her own pocketbook that she designed her

0:33:11.640 --> 0:33:14.320
<v Speaker 1>own person Yes, she has a whole amazing line.

0:33:14.360 --> 0:33:16.720
<v Speaker 2>And I want to tell the greatest Monica Lewinsky behind

0:33:16.720 --> 0:33:18.800
<v Speaker 2>the scenes story that I've ever known. But I'm gonna

0:33:18.840 --> 0:33:21.400
<v Speaker 2>wait because I Judy Smith was the one to tell

0:33:21.440 --> 0:33:23.880
<v Speaker 2>it at like a scandal thing, and I have to

0:33:23.920 --> 0:33:26.840
<v Speaker 2>wait for her to really come. Oh, I don't want

0:33:26.840 --> 0:33:28.760
<v Speaker 2>to blow it. You guys are just gonna need to

0:33:28.840 --> 0:33:31.600
<v Speaker 2>tune in. You're gonna need to keep listening to unpack

0:33:31.640 --> 0:33:32.840
<v Speaker 2>it into a box. If you want to know some

0:33:32.840 --> 0:33:36.160
<v Speaker 2>Monica Lewinsky shit, Let's look at the tweetwo three tweet

0:33:36.160 --> 0:33:38.440
<v Speaker 2>tree two three twe twee twe twe tree tree twee

0:33:38.440 --> 0:33:40.240
<v Speaker 2>twe twee twet twe tweet twet twe tweet a the

0:33:40.440 --> 0:33:47.040
<v Speaker 2>time tweet oigie boards and farts.

0:33:48.320 --> 0:33:52.760
<v Speaker 1>Whitney Robinson at Whitney Race sixty six said, I'm pretty

0:33:52.840 --> 0:33:55.600
<v Speaker 1>pissed the season finale of Jersey Shore will beyond at

0:33:55.640 --> 0:34:00.040
<v Speaker 1>the same time as Scandal hashtag what to do? Really, Whitney, Really.

0:34:00.200 --> 0:34:04.480
<v Speaker 2>I feel I've watched every episode of Jersey Shore, and

0:34:04.720 --> 0:34:06.200
<v Speaker 2>I would choose Jersey Shore.

0:34:06.840 --> 0:34:11.000
<v Speaker 1>You what about both?

0:34:11.360 --> 0:34:15.319
<v Speaker 2>It's the best show in the world. Scandal me uses

0:34:15.360 --> 0:34:17.719
<v Speaker 2>too much of your brain. Jersey Shore is just like

0:34:17.960 --> 0:34:22.680
<v Speaker 2>reading garbage. It's the best. It's nothing but sheer fucking entertainment.

0:34:23.480 --> 0:34:26.880
<v Speaker 2>It's the fucking best and the worst of humankind. I

0:34:27.000 --> 0:34:31.120
<v Speaker 2>love it so much. Yes at Lori s cloud nine

0:34:31.360 --> 0:34:36.200
<v Speaker 2>tweeted on November fifth, twenty twelve, no team fits, and

0:34:36.360 --> 0:34:38.200
<v Speaker 2>she was in response to do you think Edison is

0:34:38.239 --> 0:34:41.720
<v Speaker 2>good for Olivia. Yet lots of people on the tweeter

0:34:42.120 --> 0:34:44.880
<v Speaker 2>did not want Edison and Olivia together.

0:34:48.360 --> 0:34:51.239
<v Speaker 1>There's a lot of tweets about Edison here, and I'm

0:34:51.280 --> 0:34:54.080
<v Speaker 1>trying to make heads and tails of them. But Veronica,

0:34:54.480 --> 0:35:00.360
<v Speaker 1>I love Casey Chiefs said Scandal ABC, right, I'm not

0:35:00.560 --> 0:35:04.400
<v Speaker 1>here for Edison. Look at me. Season one is what

0:35:04.640 --> 0:35:08.000
<v Speaker 1>hooked me as a viewer hashtag scandal. I think she's

0:35:08.040 --> 0:35:10.600
<v Speaker 1>trying to say, don't bring no new people up in

0:35:10.680 --> 0:35:11.200
<v Speaker 1>this piece.

0:35:11.480 --> 0:35:12.720
<v Speaker 2>We only want Tony.

0:35:13.640 --> 0:35:17.080
<v Speaker 1>Yes it same Sador pudding pop.

0:35:17.560 --> 0:35:20.680
<v Speaker 2>Same that. I love Casey Chiefs. Actually in response to

0:35:20.880 --> 0:35:24.759
<v Speaker 2>Outlaw Josie, who at Outlaw Josie is an og gladiator

0:35:24.840 --> 0:35:28.120
<v Speaker 2>from the way back. We love you Outlaw Josie. But yeah,

0:35:28.960 --> 0:35:31.480
<v Speaker 2>she wrote did you read where Betsy Beer said Edison

0:35:31.560 --> 0:35:35.280
<v Speaker 2>is sticking around? My question is dot dot dot why why.

0:35:37.400 --> 0:35:39.640
<v Speaker 1>She don't want to have it? She don't want none?

0:35:40.920 --> 0:35:45.880
<v Speaker 1>Let's see boop here at Olivia. Twist Uh is replying

0:35:45.920 --> 0:35:50.600
<v Speaker 1>to Scandal ABC saying, ooh ohh the Dish people fixing

0:35:50.680 --> 0:35:56.320
<v Speaker 1>elections for Republicans for Republicants. How timely. I guess some

0:35:56.480 --> 0:35:59.200
<v Speaker 1>shady shit was going down in the world back then,

0:35:59.360 --> 0:36:01.400
<v Speaker 1>nothing compared to the shady ship that's going down in

0:36:01.800 --> 0:36:04.840
<v Speaker 1>our political world since then, right now, since then, Jesus.

0:36:06.200 --> 0:36:10.320
<v Speaker 2>The next episode, we have a guliermo Willie Diaz with

0:36:10.800 --> 0:36:16.279
<v Speaker 2>Charlie the spirit who follows you around. It is called Defiance.

0:36:16.960 --> 0:36:18.520
<v Speaker 2>Do you remember what the hell happened in that one?

0:36:18.560 --> 0:36:21.680
<v Speaker 1>I do not, you and I have thought it.

0:36:21.880 --> 0:36:27.759
<v Speaker 2>No, I think it's a flashback. Though I think it's

0:36:27.920 --> 0:36:28.719
<v Speaker 2>a flashback.

0:36:28.719 --> 0:36:30.359
<v Speaker 1>I don't know. We'll find out.

0:36:30.640 --> 0:36:32.719
<v Speaker 2>This is what we could tell you. It's gonna be hilarious,

0:36:32.760 --> 0:36:34.440
<v Speaker 2>it's gonna be awesome. We're gonna give you behind the

0:36:34.480 --> 0:36:36.320
<v Speaker 2>scenes scoop. We may have a guest, we may not

0:36:36.440 --> 0:36:39.040
<v Speaker 2>have a guest. Gladiators, We hope you had as good

0:36:39.080 --> 0:36:40.120
<v Speaker 2>of a time as we did.

0:36:40.440 --> 0:36:44.080
<v Speaker 1>You guys, please keep coming back and listening to unpacking

0:36:44.120 --> 0:36:47.640
<v Speaker 1>the toolbox because there's a lot of stuff in there.

0:36:48.160 --> 0:36:50.359
<v Speaker 2>Yeah, we've got a lot more tools to bring out.

0:36:50.680 --> 0:36:50.879
<v Speaker 1>Yeah.

0:36:51.280 --> 0:36:53.279
<v Speaker 2>I'm shocked at myself that I haven't said that yet.

0:36:54.600 --> 0:36:54.800
<v Speaker 1>We have.

0:36:55.000 --> 0:36:57.080
<v Speaker 2>We're in the middle of season two and there's such

0:36:57.160 --> 0:37:00.440
<v Speaker 2>great ship coming up. And we love you, We love

0:37:00.480 --> 0:37:03.840
<v Speaker 2>you and yours, We love you all you Gladiators have

0:37:03.960 --> 0:37:06.560
<v Speaker 2>a wonderful week and weekend.

0:37:07.120 --> 0:37:14.200
<v Speaker 1>Peace out peace. Thank you guys for joining us on

0:37:14.400 --> 0:37:18.120
<v Speaker 1>Unpacking the Toolbox. If you enjoyed the show, please subscribe,

0:37:18.200 --> 0:37:20.960
<v Speaker 1>share with your friends, rate, or leave us a review.

0:37:21.160 --> 0:37:25.080
<v Speaker 2>Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

0:37:25.400 --> 0:37:29.120
<v Speaker 2>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:37:29.239 --> 0:37:31.960
<v Speaker 2>Vince de Johnny, with music by Chad Fisher.

0:37:32.239 --> 0:37:35.160
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:37:35.200 --> 0:37:37.280
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:37:37.640 --> 0:37:40.040
<v Speaker 2>Unpacking the Toolbox is a production of Shondaland Audio in

0:37:40.120 --> 0:37:44.399
<v Speaker 2>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:37:44.440 --> 0:37:47.600
<v Speaker 2>the iHeartRadio app or anywhere you subscribe to your favorite shows.