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Speaker 1: The volume.

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Speaker 2: All right.

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Speaker 1: First of all, all I know you put your other

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Speaker 1: phone away and ship, why did I come out the

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Speaker 1: bathroom and p just playing the new Kya record which

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Speaker 1: sounded fine.

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Speaker 2: It's not bad.

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Speaker 1: I asked who is that and he was like, that's

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Speaker 1: keeping neck like my neck in my back. Yeah, that's

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Speaker 1: not it's not bad. She don't sound bad, man, No,

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Speaker 1: it sounds fine. But yeah, videos a little cheesy, but

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Speaker 1: you know that's okay. Wait there's a video.

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Speaker 2: Oh yeah, that's what he was watching.

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Speaker 1: The video is her neck and her back in there.

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Speaker 2: Her neck and her back and fine, her neck and

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Speaker 2: her neck and her back are great.

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Speaker 1: But she was, I respect any artist coming back to

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Speaker 1: try to make some music. And she looked she had

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Speaker 1: a certified hit. But yeah, she looked great. My neck,

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Speaker 1: my back all right, so listen, man, hold on how

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Speaker 1: many seconds? And are we all right? We're in't enough?

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Speaker 1: She was definitely ahead of the ass eating wave. If

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Speaker 1: we're getting down.

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Speaker 2: To it, what do you mean she was ahead of

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Speaker 2: the wave.

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Speaker 1: I feel like it became like okay to publicly say

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Speaker 1: you ate ass. I don't know, maybe like twenty twelve

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Speaker 1: it was okay because even before that, like when I

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Speaker 1: was growing up, especially around West Indian people, eating pussy

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Speaker 1: was like forbidden. That was like batty boyshit, which is

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Speaker 1: still the funniest thing in the world. How's it gay

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Speaker 1: to eat pussy?

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Speaker 2: But yeah we have We're not even two minutes in yet, bro, Like,

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Speaker 2: are you okay?

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Speaker 1: How many times I have to tell y'all I'm not okay?

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Speaker 2: I didn't think I had to keep.

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Speaker 1: Doing not okay, But that just sparked the thought in

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Speaker 1: my head that like she was like kind of the

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Speaker 1: trailblazer for eating The song was very because even at

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Speaker 1: that point, like eating pussy was a little taboo to

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Speaker 1: tell you about, right, But are you okay? I was

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Speaker 1: trying to get her like her flowers. We are back

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Speaker 1: spots of boost Mobile unlimited talk.

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Speaker 2: Text and data.

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Speaker 1: You was eating crack at that time? Twelve yeah, no, no,

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Speaker 1: when my neck in my back came out like two

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Speaker 1: thousand and to three, two, yeah, yeah, I was early.

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Speaker 1: I don't think I'm a pioneer two thousand and one.

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Speaker 1: I definitely I had not.

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Speaker 2: He was, Yeah, he was. He wasn't even outside yet

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Speaker 2: like that.

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Speaker 1: I had like I had kissed the girl in two

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Speaker 1: thousand and.

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Speaker 2: One, Yeah, that's what I'm saying. He was getting your

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Speaker 2: feet wet, just jumped off the porch.

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Speaker 1: But like yo, when two thousand and fourhead it was

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Speaker 1: going crazy, didn't even stop the gun. Yeah yeah, well

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Speaker 1: actually know you could stop men. It was concept like

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Speaker 1: you could stop me.

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Speaker 2: Today we are here, but Demaris is now with us today.

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Speaker 2: She has a day off. Yes, so it's just hat

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Speaker 2: her club today.

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Speaker 1: Yes, that's why we started out with eating that we

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Speaker 1: hate women.

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Speaker 2: Club.

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Speaker 1: Yeah, and sorry to kill all the YouTube conspiracy reaction pages.

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Speaker 1: It's just the day off. But I enjoy that because

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Speaker 1: now we can actually be who we are and just

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Speaker 1: disrespectful and the way we want to, you know, talk

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Speaker 1: about them like objects.

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Speaker 2: Yes, hopefully she's somewhere in the kitchen right where she's

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Speaker 2: supposed to be.

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Speaker 1: Like, I don't even think she deserved to work. I

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Speaker 1: think she should just be holding sew in the kitchen.

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Speaker 2: Food, make my shoes, make me some shoes from scratch.

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Speaker 1: Would you rather be a housewife?

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Speaker 2: No?

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Speaker 1: Why not?

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Speaker 2: Because I just wouldn't rather be a housewive, okay, as

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Speaker 2: opposed to what I do now.

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Speaker 1: Yeah, like if roles were reversed in that way in

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Speaker 1: the world without stoterone like, would you mind just like

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Speaker 1: running around with a bunch of kids, And.

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Speaker 2: I wouldn't mind it, but not every day. I don't

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Speaker 2: think I could do that every day. I would I

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Speaker 2: would get super bored. I get bored with routine, like

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Speaker 2: easily a lot. Yeah, the housewife thing, I mean, you know,

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Speaker 2: being home with the kids, taking care of the kids.

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Speaker 2: You know, your wife might be you know, sick or whatever,

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Speaker 2: she has to go out of town. You got to

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Speaker 2: stay with the kids. Like it's cool for a couple days,

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Speaker 2: but for that to be my every day, Yeah, I

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Speaker 2: don't know if I could do that every day.

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Speaker 1: Yeah, I don't know, I mean, but I guess it

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Speaker 1: could be cool if you have some money, because you

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Speaker 1: could have a nanny while you're mom.

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Speaker 2: Money fixes everything, money and money buys convenience, money buys

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Speaker 2: you know, just politely need to be able to do

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Speaker 2: other things like that. Of course that fixes everything, but

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Speaker 2: you still want to have, you know, your time alone

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Speaker 2: with the family and the kids, Like you don't want

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Speaker 2: the nanny every day, you know what I mean.

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Speaker 1: Yeah, my cousin had a living nanny at one point,

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Speaker 1: and I thought it was the weirdest thing. And then

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Speaker 1: I had kids, and I was like, I totally get it.

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Speaker 2: Yeah, no, it's it's it's a real thing. Nanny's are

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Speaker 2: there to help, especially when you have a great nanny

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Speaker 2: like you know that comes and she'll cook breakfast for everybody,

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Speaker 2: and you know that type of nanny, Like it's it's

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Speaker 2: it's convenient, it makes.

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Speaker 1: Things convenien time about Vibes Cartel.

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Speaker 2: Yeah, yeah, yeah, you need you need a good nanny,

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Speaker 2: a cultured, cultured nanny. Get get a culture nanny. Don't

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Speaker 2: just get any nanny. Get a nanny with some culture.

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Speaker 1: I worked in Tribeca when I was at Havas and

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Speaker 1: just walking outside during lunch to watch like all the

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Speaker 1: West Indian nannies with white kids. Was like, by far

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Speaker 1: the funniest thing is like, is.

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Speaker 2: It not a documentary on that yet? I feel that

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Speaker 2: needs to be.

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Speaker 1: I'm sure it'll come eventually.

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Speaker 2: What's that kid? Has to be a documentary?

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Speaker 1: Once those kids start fucking.

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Speaker 2: The amount of mothers I see it on Madison Avenue

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Speaker 2: like like coming out of like the Polo Manion, Like

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Speaker 2: that's not your kid.

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Speaker 1: Once the gud start like doing a little dutty one,

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Speaker 1: it's over.

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Speaker 2: Yeah, we need to we need a West Indian nanny documentary,

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Speaker 2: like tell us about how you raised the guy that

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Speaker 2: is now the CEO of Fortune five hundred company, Like.

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Speaker 1: Is that a specific New York thing like nanny wise,

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Speaker 1: I'm sure, I'm sure. Like in Florida, it's probably more

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Speaker 1: like Spanish nannies, right or Haitian. Well, yeah, I can

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Speaker 1: see that California. Again, it's definitely the type.

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Speaker 2: Of Yeah, but it's definitely you know, just to depending

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Speaker 2: on the culture that's in that city.

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Speaker 1: Absolutely, but you could select that's not a blacknest, that's

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Speaker 1: a West Indian.

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Speaker 2: Actually difference, there's a difference.

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Speaker 1: And what do you think, like they're giving the child

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Speaker 1: at lunch.

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Speaker 3: Giving a kid like right on peas because there's a

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Speaker 3: difference between rice and peas and peas and rice.

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Speaker 2: That's a fact. People don't know the difference.

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Speaker 1: That is a fact.

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Speaker 2: There's a difference.

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Speaker 1: But even like I feel like Guyanese curry would be

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Speaker 1: crazy for a child. I think a child can handle,

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Speaker 1: like Jamaican giving.

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Speaker 2: A white kid that lives on Madison's Avon Hudson Guyanese

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Speaker 2: curry for lunch. By the time Dad comes back from

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Speaker 2: his murdered trial and he's work the kids in the bathroom,

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Speaker 2: asshole on fire, just even the like, oh it's his eggs, No,

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Speaker 2: that's yeah, there has to be a doctor. We need

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Speaker 2: a West Indian nanny doc wearing all the rich kids

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Speaker 2: from try because I know so many of them have

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Speaker 2: raised so many of these CEOs that are now out

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Speaker 2: here at these companies, like they we don't talk about

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Speaker 2: that enough for sure.

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Speaker 1: I mean even like Succession, which was one of my

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Speaker 1: favorite shows, I don't wish they added that element into

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Speaker 1: the show. That could have been a whole different storyline. Yeah,

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Speaker 1: that the West Indian nanny was raising all these people's kids.

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Speaker 2: Imagine the things the West Indian nanny has seen, all

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Speaker 2: the secret she knows.

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Speaker 1: Oh yeah, but shit when.

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Speaker 2: They go back home, when they take that barrel of

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Speaker 2: close back to the island to give everybody, you know,

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Speaker 2: they're telling all them stories down there.

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Speaker 1: But even like, that's why they're the best nannies, because

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Speaker 1: it's in a middle aged West Indians women's nature to

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Speaker 1: hold it down. Oh yeah, you think the ship in

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Speaker 1: Tribeca is crazy That she's say she's seen some shit

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Speaker 1: on a farm in Guyana that she will never talk about.

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Speaker 2: That's a fact.

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Speaker 1: Absolutely don't care about you doing lines.

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Speaker 2: Yeah, we need it. Let's get that doc soon, man, please,

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Speaker 2: somebody put it together. New York. Let's start with the

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Speaker 2: New York West Indian nannies first. Let's start there and

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Speaker 2: we get treated like baddies. We can go to different countries,

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Speaker 2: different cities. You know how it got baddies do nannies

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Speaker 2: or like.

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Speaker 1: It could be like a fun experiment to flip it,

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Speaker 1: like if we took a bunch of middle aged white

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Speaker 1: women and put them in Ghana or Nigeria and they

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Speaker 1: have to be nanny's.

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Speaker 2: Oh no, that's that's.

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Speaker 1: I mean the amount of wealth that's in Nigeria. Like

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Speaker 1: it could it's the same thing as Tribeca as.

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Speaker 2: You get down to it.

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Speaker 1: Absolutely that could be fucking just a bunch of Middle

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Speaker 1: America white women being nannies for Nigerian royalty.

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Speaker 2: Zeus, get on it.

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Speaker 1: We need it, we need Natalie None is going to

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Speaker 1: be the one to get that.

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Speaker 2: Maybe not heard, but on a network. We need we

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Speaker 2: need nannies on on zeus.

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Speaker 1: Yeah, definitely a Tyler Perry movie. That shit came and

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Speaker 1: went he got money? What Tyler Perry's case.

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Speaker 2: No, it wasn't the case though, was it. It was just uh,

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Speaker 2: he was being It wasn't a case, like he didn't

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Speaker 2: go to court yet. I think it was just like

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Speaker 2: he was being sued.

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Speaker 1: Yeah, but I mean one of the biggest directors and

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Speaker 1: film owners of our generation.

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Speaker 2: No, I don't think it went away. We just just

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Speaker 2: have those.

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Speaker 1: Text messages leaked and nobody talked about it after the day.

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Speaker 2: Well then after that he did like that. I saw

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Speaker 2: him doing a roundtable discussion? Was him Gez Kirk Franklin

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Speaker 2: see that?

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Speaker 4: Ye?

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Speaker 2: See that? Yeah?

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Speaker 1: That was not here, There's no way.

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Speaker 2: Yeah, it was like it was like Tyler Perry young

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Speaker 2: Jeezy Kirk Franklin. I saw sitting at the table simulation

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Speaker 2: like this is like I'm telling you, it was like

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Speaker 2: a real thing. I don't know what it was, but

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Speaker 2: I saw the clip and I was like, this is

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Speaker 2: an interesting group and he.

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Speaker 1: Was somebody's freaking ass texts.

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Speaker 2: Then of Kings is what it's called? Okay, yeah, then

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Speaker 2: of Kings.

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Speaker 1: And this happened like recently recently, Yeah.

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Speaker 2: This is I think so or the clips were recent

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Speaker 2: When was this post to Josh See Yeah, listen, man,

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Speaker 2: let's sit around. Let's talk about it. Let's talk they

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Speaker 2: did they start to show accountability. Let's talk about you

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Speaker 2: know what I'm saying, look at that. Let's learn how

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Speaker 2: to cook. That's what you do after text messages come out.

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Speaker 2: Gotta wear all white with pearls.

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Speaker 1: You gotta had a Gucci You gotta had a Gucci

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Speaker 1: tracksuit on, and you check in every box.

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Speaker 2: Uh.

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Speaker 1: Former alleged coke dealer, Now it turned its life around.

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Speaker 1: Got the church there.

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Speaker 2: If anybody knows how to cook his geez, I can

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Speaker 2: assure you that.

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Speaker 1: I mean, what do you think ingredients that he uses

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Speaker 1: for most.

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Speaker 2: Of this, It's gotta be a lot of a lot

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Speaker 2: of bacon soldas. He's heavy on the bacon soda. He's

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Speaker 2: a baking soda type of guy.

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Speaker 1: What do you cook with baking soda?

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Speaker 2: I mean it depends what the base? You need the base,

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Speaker 2: You need a bad crust, you know what I'm saying.

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Speaker 2: You need something that's gonna lock up. You know, baking

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Speaker 2: SODA's gonna help it rise if you're bacon. Yeah, you

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Speaker 2: Pastries is his expert expertise. I'm guessing. I'm guessing. I'm

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Speaker 2: guessing pastries.

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Speaker 1: Nobody finds that odd that like people were smoking things.

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Speaker 1: That takes the smell out of your fridge.

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Speaker 5: I know.

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Speaker 1: I mean we drink Coca cola, so yeah, that takes

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Speaker 1: stains out of cars.

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Speaker 2: So yeah, but you need baking soda is actually really

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Speaker 2: good for you in general.

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Speaker 1: Though, it's the best cleaning product in my opinion.

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Speaker 2: Yeah, baking solda is great for you. You need that.

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Speaker 1: How did I skip over this though?

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Speaker 2: Yeah, den Off Kings, I don't know. I didn't watch

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Speaker 2: that sort.

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Speaker 1: Of shout out to all these successful men.

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Speaker 2: Yeah, but I think I don't know if this was

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Speaker 2: shot before the text messages of Tyler Perry were released

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Speaker 2: or after. But yeah, I saw this clip floating around.

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Speaker 2: I didn't sit down and watch the entire episode, but

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Speaker 2: I just thought it was an interesting I'm not sure

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Speaker 2: the other gentlemen are, but seeing Kirk, Franklin, Geez and

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Speaker 2: Tyler Perry in a kitchen, that's something that I feel

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Speaker 2: like I should watch.

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Speaker 1: Always just have to go back to God every time

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Speaker 1: you get into some shit.

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Speaker 2: That's the fact.

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Speaker 1: What do you think? JEZI thought, and this said, if

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Speaker 1: this happened after the text messages.

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Speaker 2: What am I doing here? Why me? Why? Now?

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Speaker 1: Ty What were you doing.

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Speaker 2: Yeah, why am I here right now? Yeah, but I

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Speaker 2: don't know if that case is going has any real legs.

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Speaker 1: Though I don't know what's true and was not. I'm

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Speaker 1: not here to say that he's guilty of anything. I

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Speaker 1: just think they were funny text messages. No, very funny,

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Speaker 1: very funny, like hilarious. Actually, and you're a very creative

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Speaker 1: person if you just make those text messages up. But

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Speaker 1: we are even more sick in the head if you

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Speaker 1: can concoct fake text messages like that.

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Speaker 2: Yeah, no, I think it's real text messages. But I

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Speaker 2: don't know if it was any crime.

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Speaker 1: I mean, what do you think if you had like

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Speaker 1: the talent that Peege has, where you can photoshop anything,

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Speaker 1: how do you think that would change? Like your personal life?

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Speaker 1: Like the need the need to like lie in situations

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Speaker 1: would for some reason be very high to me, where

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Speaker 1: I could like doctor a text or Yeah, but I

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Speaker 1: wouldn't do that. But it's just to have the ability

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Speaker 1: to peach.

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Speaker 2: I just know that you can do it.

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Speaker 1: Yeah, like to manipulate a situation when you're back is

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Speaker 1: against the wall. I feel like photoshop would be the

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Speaker 1: greatest tool ever.

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Speaker 2: Yeah, but you would only need that if because if

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Speaker 2: she gets your phone, I don't care. How would it's

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Speaker 2: over at that point, it's over. But like if she's

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Speaker 2: just assuming or you know, she thinks that you're texting somebody,

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Speaker 2: you can be like, you know, send some screenshots like yo, look,

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Speaker 2: I don't even mean like I don't talk to this person.

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Speaker 2: It's nothing there, like it's just a regular conversation. Or

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Speaker 2: but if she has your phone, it's over. It's nothing.

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Speaker 2: I don't care how great you photoshop is over.

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Speaker 1: I feel like my need with that would be very

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Speaker 1: light where it was like yo, I called you, and

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Speaker 1: then I would just like add the number into a screenshot.

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Speaker 1: It wouldn't be like crazy I did call you back,

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Speaker 1: like Yo, I called you back, Like look right here

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Speaker 1: at the.

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Speaker 2: Time, Yeah, I don't have it on my end. What

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Speaker 2: do you mean like here's yeah. Look, that's as far

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Speaker 2: as I would call you twice. We gotta put two.

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Speaker 1: I called you twice, not have to ask what type

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Speaker 1: of diabolical photoshop ship he's done with his craft.

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Speaker 2: If he's definitely done some crazy ship for I know

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Speaker 2: for sure he pj gonna tell us, but he definitely

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Speaker 2: did some crazy shit with photoshop.

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Speaker 1: I would I would definitely consentially make my Dick way

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Speaker 1: bigger on a Dick pic. So we got new music.

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Speaker 1: I'm trying some new music. New music dropped Friday.

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Speaker 2: While I am happy that we get new music and

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Speaker 2: we get a lot of good new music, right, I

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Speaker 2: do think that it's bad that we get this much

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Speaker 2: new music.

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Speaker 1: Why it was three albums as far as like bigger artists.

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Speaker 2: Yeah, but.

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Speaker 1: I feel like we just got the Clips album a

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Speaker 1: couple of weeks ago, and weeks ago, Alfreido two. We

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Speaker 1: just got Alfreido two a few weeks ago, and now

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Speaker 1: we have Jid album, We have Gunner's album, we have

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Speaker 1: Bryson Tiller's.

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Speaker 2: Album to name a few. Show some other projects drop,

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Speaker 2: but like, when do we have the time to really

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Speaker 2: like listen to all of this Because we spent so

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Speaker 2: much time just having a conversation with my boy the

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Speaker 2: other day and we've lost We've in the conversation we

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Speaker 2: were talking about how we've lost the connection to music

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Speaker 2: like this this time's now where I could love somebody's

347
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Speaker 2: album and I don't even remember the lyrics to the

348
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Speaker 2: raps before. If I loved the probably this album is crazy,

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Speaker 2: I could recite every song because I felt like there

350
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Speaker 2: was a different connection to it versus now we do

351
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Speaker 2: everything on our phone. If I'm listening to the music

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Speaker 2: on my phone and then I get a text message

353
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Speaker 2: or get a call's somebody sends me a clip and

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Speaker 2: I gotta watch this clip, it's like you're being pulled

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Speaker 2: away from what I'm really Like, I'm listening to music

356
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Speaker 2: on my phone. So now if I got all these

357
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Speaker 2: other things happening, there is like this connect Like I

358
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Speaker 2: hear the music, I hear it like I'm listening to

359
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Speaker 2: the album, But there's no like the connection order order,

360
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Speaker 2: like there's something This is like a wall in between

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Speaker 2: us and really connecting to the music. It feels like.

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Speaker 1: But I don't think it's a music thing per se.

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Speaker 1: I just think it's an entertainment thing. Well into that

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Speaker 1: as music is just folded into that, because I mean

365
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Speaker 1: even the way we binge shows, Like imagine if a

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Speaker 1: season of The Sopranos was available one day, not spread

367
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Speaker 1: out amongst fourteen weeks, where you watched an episode, you

368
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Speaker 1: talked about it with your friends for the whole week,

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Speaker 1: you made predictions, you did all that, Like you can

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Speaker 1: just binge things immediately and on top of that, you

371
00:15:56,280 --> 00:15:58,760
Speaker 1: have every bit of content and your phone on social media,

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Speaker 1: whether it be TikTok, like music is gonna fall to

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Speaker 1: the wayside and that regard, and it's so it's so

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Speaker 1: much easier to make music now.

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Speaker 2: It's easier to make it, it's easy to put it out.

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Speaker 1: So in that regard, you have and you will get

377
00:16:15,200 --> 00:16:17,240
Speaker 1: to the Bryson thing, but you can put a double

378
00:16:17,280 --> 00:16:21,120
Speaker 1: album out. But the contradiction there is, I feel like

379
00:16:21,160 --> 00:16:23,480
Speaker 1: no one has the attention span for it, So it's

380
00:16:23,520 --> 00:16:26,200
Speaker 1: easier to put it out, but you're putting it out

381
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Speaker 1: to consumers that don't have the time or attention span

382
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Speaker 1: to listen to that amount. So yeah, everyone's fucked in

383
00:16:32,200 --> 00:16:36,400
Speaker 1: that regard. Like imagine imagine working on Netflix series for

384
00:16:36,520 --> 00:16:39,920
Speaker 1: three years and somebody binges it in one rainy Saturday

385
00:16:40,480 --> 00:16:43,120
Speaker 1: and then says, yo, know where's season two?

386
00:16:43,560 --> 00:16:43,880
Speaker 2: Watched?

387
00:16:43,880 --> 00:16:46,800
Speaker 1: Put my life into this shit? Yeah yeah, it's access

388
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Speaker 1: to everything. And even when I'm watching something i'm engaged with,

389
00:16:50,520 --> 00:16:53,480
Speaker 1: look at my phone and start scrolling through. I'll see

390
00:16:53,520 --> 00:16:59,400
Speaker 1: that right and get distracted. The music is the same way,

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00:16:59,480 --> 00:17:02,600
Speaker 1: Like it's very low on the totem pole. If you're

392
00:17:02,720 --> 00:17:06,639
Speaker 1: not like a real lover of music. But even if

393
00:17:06,760 --> 00:17:08,640
Speaker 1: the songs are too, I loved, I loved.

394
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Speaker 2: I love the technology now because again, literally I could

395
00:17:11,640 --> 00:17:13,879
Speaker 2: pull up any song. I could be thinking about a

396
00:17:13,920 --> 00:17:16,159
Speaker 2: record and type it in and pull it up and

397
00:17:16,200 --> 00:17:17,880
Speaker 2: listen to it. So I love Serio.

398
00:17:17,920 --> 00:17:19,639
Speaker 1: You can start saying the lyrics the series.

399
00:17:19,720 --> 00:17:22,359
Speaker 2: I love that aspect of it. But there is a

400
00:17:22,440 --> 00:17:26,000
Speaker 2: difference in the way I connect to music now. Then

401
00:17:26,040 --> 00:17:28,840
Speaker 2: I used to, like when I had to literally buy

402
00:17:28,960 --> 00:17:33,159
Speaker 2: physical music or you know, CD album there was like

403
00:17:33,200 --> 00:17:34,760
Speaker 2: a different even if I didn't.

404
00:17:34,520 --> 00:17:36,920
Speaker 1: Like it, because you could only carry so much with you,

405
00:17:37,000 --> 00:17:40,119
Speaker 1: like be able to carry the big CD booklet. But

406
00:17:40,119 --> 00:17:42,160
Speaker 1: but even then, like I would keep one CD.

407
00:17:42,280 --> 00:17:44,240
Speaker 2: And this is what I'm saying, because I think it's

408
00:17:44,280 --> 00:17:47,679
Speaker 2: too much now, like we just I'm still listening to

409
00:17:47,760 --> 00:17:51,960
Speaker 2: Alfredo too, and now I got J Jid's album. Now

410
00:17:51,960 --> 00:17:54,520
Speaker 2: I got you know, Bryce's time. It's just like bro,

411
00:17:54,640 --> 00:17:59,080
Speaker 2: I'm still I haven't really even you know, really digested

412
00:17:59,119 --> 00:18:02,680
Speaker 2: all the bars Alfredo two yet and already now j

413
00:18:02,880 --> 00:18:06,000
Speaker 2: I d is on on my phone. Okay, all right,

414
00:18:06,080 --> 00:18:06,600
Speaker 2: I hear you.

415
00:18:06,640 --> 00:18:08,760
Speaker 1: And again I'm not trying to beat Devil's Advocate here

416
00:18:09,440 --> 00:18:15,040
Speaker 1: ironically on September eleventh, when Blueprint and Fabs first album

417
00:18:15,480 --> 00:18:17,680
Speaker 1: came out, like people used to drop on the same

418
00:18:17,760 --> 00:18:20,920
Speaker 1: day graduation. Curtis like that would happen often, where people

419
00:18:20,960 --> 00:18:22,240
Speaker 1: would drop on the same day.

420
00:18:22,960 --> 00:18:25,680
Speaker 2: Right, But tell me what came out three weeks before

421
00:18:25,720 --> 00:18:26,280
Speaker 2: those albums.

422
00:18:26,400 --> 00:18:27,919
Speaker 1: Oh, I see it? Yeah, I don't know.

423
00:18:27,960 --> 00:18:30,240
Speaker 2: You get what I'm saying, Like that's the difference. It's like, Okay,

424
00:18:30,280 --> 00:18:33,320
Speaker 2: we get Alfredo two, two weeks ago, well a week ago,

425
00:18:33,960 --> 00:18:38,080
Speaker 2: and then now this week, Jed next week, chance to rapper.

426
00:18:38,880 --> 00:18:40,560
Speaker 2: It's like it's like if.

427
00:18:40,440 --> 00:18:43,200
Speaker 1: I'm on a phone call having a good conversation with somebody, somebody.

428
00:18:42,880 --> 00:18:46,560
Speaker 2: Calls in, I'm like, hold on, how real? How often

429
00:18:46,560 --> 00:18:48,000
Speaker 2: do I go back to that other call?

430
00:18:48,680 --> 00:18:50,840
Speaker 1: But that's if it's another good comp My Homie calls,

431
00:18:50,880 --> 00:18:52,640
Speaker 1: I'm like, yo, I'm downtown.

432
00:18:53,400 --> 00:18:55,359
Speaker 2: Was lit out out there? I just saw so I

433
00:18:55,400 --> 00:18:57,399
Speaker 2: forgot I got Homie on on on hold now, So

434
00:18:57,480 --> 00:18:59,560
Speaker 2: now it's like when do you when do you have

435
00:18:59,560 --> 00:19:04,560
Speaker 2: an opportuit tunity to really or it's a shorter window

436
00:19:04,640 --> 00:19:05,480
Speaker 2: to connect.

437
00:19:05,119 --> 00:19:07,080
Speaker 1: To the music now, I think, And I mean I'm

438
00:19:07,119 --> 00:19:09,880
Speaker 1: not saying this about you whatsoever. I'm just saying the consumer.

439
00:19:10,040 --> 00:19:13,280
Speaker 1: I feel like a lot of the consumers listen to

440
00:19:13,440 --> 00:19:17,240
Speaker 1: react as quick as they can, rather than live with

441
00:19:17,280 --> 00:19:18,760
Speaker 1: the music and then move on to the next thing

442
00:19:18,800 --> 00:19:19,560
Speaker 1: that they can react to.

443
00:19:19,760 --> 00:19:23,000
Speaker 2: So as its artists, how do you navigate through that

444
00:19:24,240 --> 00:19:26,840
Speaker 2: years to create an to put somebody in three hours

445
00:19:26,840 --> 00:19:27,800
Speaker 2: to be like Yoda shit trash.

446
00:19:27,920 --> 00:19:30,359
Speaker 1: Yeah, that's out of at that point, that's out of

447
00:19:30,400 --> 00:19:33,000
Speaker 1: your control. That's where finding the right consumer in the

448
00:19:33,119 --> 00:19:36,280
Speaker 1: right tribe and the right core fan base matters the most.

449
00:19:36,280 --> 00:19:37,480
Speaker 1: Which is which.

450
00:19:37,240 --> 00:19:38,400
Speaker 2: Will get to jid shit.

451
00:19:39,240 --> 00:19:41,480
Speaker 1: I don't think he tried to chase anything at all

452
00:19:41,520 --> 00:19:44,640
Speaker 1: but his core fan base on this project, myself being one,

453
00:19:45,080 --> 00:19:46,879
Speaker 1: and I think that was the smartest thing ever. Like

454
00:19:47,000 --> 00:19:49,199
Speaker 1: you try to, I get it. You got to grow

455
00:19:50,600 --> 00:19:53,800
Speaker 1: and get more fans the best way possible. Shit we

456
00:19:53,800 --> 00:19:56,040
Speaker 1: go through with podcasts and too down to how we

457
00:19:56,119 --> 00:19:58,360
Speaker 1: title certain YouTube shit. But at the end of the day,

458
00:19:58,440 --> 00:20:01,639
Speaker 1: it's still the core that's really good to matter and return,

459
00:20:01,680 --> 00:20:04,720
Speaker 1: and that's the only people you really should feed. That's

460
00:20:04,920 --> 00:20:07,119
Speaker 1: the strategy, that's the only strategy that you could have

461
00:20:07,160 --> 00:20:12,640
Speaker 1: control of feeding your core and your tribe. Along the way,

462
00:20:12,680 --> 00:20:15,640
Speaker 1: maybe you'll get some more people. But do you think

463
00:20:15,680 --> 00:20:18,720
Speaker 1: Freddy and Al was sitting there of like, yo, we

464
00:20:18,800 --> 00:20:20,720
Speaker 1: got to get it as many people as possible to

465
00:20:20,760 --> 00:20:22,440
Speaker 1: go back to listen to our freidle one after this

466
00:20:22,640 --> 00:20:25,960
Speaker 1: is no, Let's keep our formula and grow our formula.

467
00:20:26,240 --> 00:20:29,240
Speaker 1: That's what's gonna move. Any type of vinyls move actual

468
00:20:29,280 --> 00:20:33,360
Speaker 1: real ticket sales. That's the only thing that matters at

469
00:20:33,359 --> 00:20:36,840
Speaker 1: this point. If you're in that space. And jid Is

470
00:20:36,840 --> 00:20:39,840
Speaker 1: is a big artist like he is an eminem feature

471
00:20:39,880 --> 00:20:42,080
Speaker 1: that we were completely wrong about. I feel like we

472
00:20:42,560 --> 00:20:44,280
Speaker 1: deserve some credit because I think he added it back

473
00:20:44,280 --> 00:20:45,200
Speaker 1: to the album because of us.

474
00:20:45,760 --> 00:20:47,600
Speaker 2: Well, no, you came in here with information that you

475
00:20:47,720 --> 00:20:49,360
Speaker 2: heard or you received from somewhere.

476
00:20:49,640 --> 00:20:50,800
Speaker 1: It was on a EP. I didn't know it was

477
00:20:50,840 --> 00:20:53,879
Speaker 1: gonna be ABLEM No, that's a old Rick Ross move. No,

478
00:20:53,960 --> 00:20:55,760
Speaker 1: but I ain't gonna lie like that would have been

479
00:20:56,640 --> 00:20:59,520
Speaker 1: insane if you don't put us He said when all

480
00:20:59,560 --> 00:21:02,200
Speaker 1: that shit came out, that this was not on the album. Oh,

481
00:21:02,359 --> 00:21:04,840
Speaker 1: he did say that when he posted the EP shit

482
00:21:04,840 --> 00:21:07,120
Speaker 1: if I'm correct me. If I'm wrong, fans, you can

483
00:21:07,200 --> 00:21:09,199
Speaker 1: kill me in the dam. When he was tweeting, she

484
00:21:09,240 --> 00:21:10,320
Speaker 1: was like, yo, I want to put out some shit

485
00:21:10,560 --> 00:21:13,560
Speaker 1: before my project, like this is this is the EP

486
00:21:13,680 --> 00:21:16,359
Speaker 1: before the album like this this did never placed.

487
00:21:16,080 --> 00:21:17,760
Speaker 2: On my album.

488
00:21:18,040 --> 00:21:21,280
Speaker 1: But again, I mean, it's an eminem feature, so it

489
00:21:21,280 --> 00:21:23,639
Speaker 1: should stay there. And I wasn't too mad at it

490
00:21:23,720 --> 00:21:25,520
Speaker 1: in the sequencing. It's not really a song for me,

491
00:21:28,000 --> 00:21:33,280
Speaker 1: are you? The prelux is strictly to get people talking intrigued,

492
00:21:33,320 --> 00:21:38,240
Speaker 1: excited about the album. That's well, yeah, how I interpreted it,

493
00:21:38,240 --> 00:21:42,720
Speaker 1: which is, you know, obviously I was wrong. I interpreted

494
00:21:42,720 --> 00:21:46,640
Speaker 1: that along with everyone else, that this was like your

495
00:21:46,680 --> 00:21:47,360
Speaker 1: pre ep. Shit.

496
00:21:47,440 --> 00:21:52,200
Speaker 2: The prelux is strictly to get people talking, intrigued, excited

497
00:21:52,200 --> 00:21:52,919
Speaker 2: about the album.

498
00:21:53,320 --> 00:21:59,680
Speaker 1: Great strategy, But would you not read that.

499
00:22:00,119 --> 00:22:03,720
Speaker 2: So there's another verse on the main album? Nope, I

500
00:22:03,760 --> 00:22:06,040
Speaker 2: got two of the best fast rappers of all time.

501
00:22:08,119 --> 00:22:10,320
Speaker 1: I think he was alluding to himself in there, But

502
00:22:11,000 --> 00:22:14,760
Speaker 1: I mean, either way, yeah, to close your point in

503
00:22:14,840 --> 00:22:18,040
Speaker 1: that regard, I think just feeding your core is the

504
00:22:18,119 --> 00:22:21,840
Speaker 1: only way, because the average consumer is just going to

505
00:22:21,920 --> 00:22:24,960
Speaker 1: move on and swipe up to the next fucking fifteen

506
00:22:25,000 --> 00:22:29,000
Speaker 1: second reel like music. Even when they've chopped it down

507
00:22:29,040 --> 00:22:33,359
Speaker 1: to two thirty as far as songs go, that's still

508
00:22:33,359 --> 00:22:36,960
Speaker 1: hard to keep people's attention, Like, you have fucking movie

509
00:22:36,960 --> 00:22:39,000
Speaker 1: studios trying to figure out how can we capture somebody

510
00:22:39,000 --> 00:22:41,600
Speaker 1: in ten seconds, and they're putting out films that are

511
00:22:41,640 --> 00:22:45,720
Speaker 1: four hours. We're fucked with a microwave brain. Like that's

512
00:22:45,760 --> 00:22:48,760
Speaker 1: just how things go. So it is kind of on

513
00:22:48,800 --> 00:22:51,160
Speaker 1: you as the consumer to get out of that way,

514
00:22:51,480 --> 00:22:53,440
Speaker 1: because yes, I'm more attached to some of the music

515
00:22:53,440 --> 00:22:56,040
Speaker 1: I grew up on, but I also had a different

516
00:22:56,119 --> 00:22:58,240
Speaker 1: mind state and was in a different environment at that

517
00:22:58,280 --> 00:23:01,960
Speaker 1: time and how I even consume things. So as a

518
00:23:02,040 --> 00:23:05,679
Speaker 1: music lover, as a consumer, sometimes I have to like

519
00:23:05,800 --> 00:23:08,720
Speaker 1: discipline myself and be like, yo, don't look at your phone,

520
00:23:09,359 --> 00:23:11,359
Speaker 1: sit and just live with this music because I know

521
00:23:11,400 --> 00:23:13,719
Speaker 1: that's where your heart really is with this shit, and

522
00:23:13,760 --> 00:23:15,760
Speaker 1: like how you feel better and everything.

523
00:23:16,200 --> 00:23:17,879
Speaker 2: I guess for me, it's just different though, because I

524
00:23:17,960 --> 00:23:21,200
Speaker 2: used to. I used to literally when the album come out,

525
00:23:21,480 --> 00:23:24,359
Speaker 2: you know, or artists I like drops a project. I

526
00:23:24,480 --> 00:23:26,600
Speaker 2: burned that project to the ground because I need to

527
00:23:26,640 --> 00:23:28,159
Speaker 2: I need to hear it, I need to live with it.

528
00:23:28,200 --> 00:23:29,680
Speaker 2: I need to move around with it just to see

529
00:23:29,680 --> 00:23:31,960
Speaker 2: if I like it, love it hate it. Now it's

530
00:23:32,040 --> 00:23:34,240
Speaker 2: like I'm in the mix of still trying to figure

531
00:23:34,240 --> 00:23:36,080
Speaker 2: out if I love this project or not. And then

532
00:23:36,119 --> 00:23:38,720
Speaker 2: now this week I got another artist that I like,

533
00:23:38,920 --> 00:23:41,720
Speaker 2: he's dropping his album. I gotta listen to this, And

534
00:23:41,720 --> 00:23:44,520
Speaker 2: now it's just it's like it seems like you can't.

535
00:23:45,000 --> 00:23:47,520
Speaker 2: I can't listen to everything fairly.

536
00:23:47,800 --> 00:23:49,919
Speaker 1: But we also got older, like you also have to

537
00:23:49,960 --> 00:23:52,320
Speaker 1: add that faculty well, and that's another thing life happens.

538
00:23:52,359 --> 00:23:54,240
Speaker 2: I got it to do now, I can't just be

539
00:23:54,280 --> 00:23:56,840
Speaker 2: listening to the music move So all of these things happen.

540
00:23:56,920 --> 00:24:00,600
Speaker 2: But like the cadence of the way we receive music though,

541
00:24:00,640 --> 00:24:03,280
Speaker 2: I think it's just like it just feels very like

542
00:24:05,520 --> 00:24:09,600
Speaker 2: it's almost like a conveyor belt and you know, I'm

543
00:24:09,640 --> 00:24:11,119
Speaker 2: seeing a product come down. Oh I like this, and

544
00:24:11,119 --> 00:24:13,760
Speaker 2: by the time I'm looking at this, three mores going

545
00:24:13,880 --> 00:24:15,879
Speaker 2: underneath it, and I'm like, oh shit, like let me

546
00:24:15,880 --> 00:24:17,760
Speaker 2: listen to it. It just feel like you always playing

547
00:24:17,800 --> 00:24:20,119
Speaker 2: catch up when it comes to your favorite music.

548
00:24:21,040 --> 00:24:23,320
Speaker 1: But I mean, I'll even say, like, I have not

549
00:24:23,440 --> 00:24:27,080
Speaker 1: listened to the Gunner album yet, but I'm very not

550
00:24:27,080 --> 00:24:29,679
Speaker 1: because you don't like Gunner. No, you just hadn't had

551
00:24:29,760 --> 00:24:33,000
Speaker 1: opportunity with that yet. With that said, outside of I mean,

552
00:24:33,080 --> 00:24:36,200
Speaker 1: we have Chance on the podcast this this coming week,

553
00:24:36,800 --> 00:24:40,040
Speaker 1: and I had to listen to that album plus j

554
00:24:40,160 --> 00:24:43,040
Speaker 1: I D And Bryson Tiller, three artists that I really

555
00:24:43,160 --> 00:24:46,280
Speaker 1: like Gonna. I like Gunner, don't get me wrong, but

556
00:24:46,359 --> 00:24:49,960
Speaker 1: I've admitted like I'm not gonna move my life around

557
00:24:50,480 --> 00:24:55,760
Speaker 1: for a Gunner album. It would strictly be for the podcast. Yeah,

558
00:24:55,800 --> 00:24:57,840
Speaker 1: which to me also feels a little gross because like,

559
00:24:57,840 --> 00:25:00,040
Speaker 1: why should I be the one even reviewing, Like I

560
00:25:00,040 --> 00:25:02,760
Speaker 1: feel like that's fucked up to Gunna, like with them,

561
00:25:03,119 --> 00:25:05,359
Speaker 1: not that we have the biggest media platform, but you

562
00:25:05,400 --> 00:25:08,000
Speaker 1: know people do listen to us. I'm not the one

563
00:25:08,080 --> 00:25:10,199
Speaker 1: for this. Like I like a Gunner song every now

564
00:25:10,200 --> 00:25:12,159
Speaker 1: and then, I'm not gonna sit there and do a

565
00:25:12,160 --> 00:25:15,760
Speaker 1: deep dive on gun And that's nothing negative about him, right,

566
00:25:15,880 --> 00:25:18,199
Speaker 1: it's my taste. I'm sure Gunn would look at some

567
00:25:18,200 --> 00:25:19,440
Speaker 1: of the music I listened to and be like, O

568
00:25:19,720 --> 00:25:24,240
Speaker 1: you that's whack. That's just my brother, That's just how

569
00:25:24,359 --> 00:25:30,080
Speaker 1: life goes. So you also have to take that into consideration.

570
00:25:30,200 --> 00:25:32,960
Speaker 1: I'm not never in my life, even when I would

571
00:25:32,960 --> 00:25:34,919
Speaker 1: be completely free and have nothing to do, would I

572
00:25:35,119 --> 00:25:37,920
Speaker 1: run to go dissect a gun album?

573
00:25:38,000 --> 00:25:38,400
Speaker 2: Yeah?

574
00:25:39,480 --> 00:25:41,639
Speaker 1: So add that into and I think a lot of

575
00:25:41,640 --> 00:25:44,240
Speaker 1: people feel that way with how much music is out there.

576
00:25:44,280 --> 00:25:46,439
Speaker 1: I love that streaming allows you to not have to

577
00:25:46,440 --> 00:25:50,040
Speaker 1: sit with the radio and the mainstream shit you're just

578
00:25:50,040 --> 00:25:51,199
Speaker 1: forced to listen to. When I get in the car,

579
00:25:51,240 --> 00:25:53,800
Speaker 1: I don't have to listen to what the radio is programming.

580
00:25:54,440 --> 00:25:56,760
Speaker 1: But you're also going to not listen to other shit

581
00:25:56,800 --> 00:25:59,480
Speaker 1: because of that. Even if gun is the biggest shit moving,

582
00:25:59,640 --> 00:26:01,280
Speaker 1: I can't. I'm not gonna sit there and listen to

583
00:26:01,280 --> 00:26:02,399
Speaker 1: with a Gunner album on the.

584
00:26:02,400 --> 00:26:06,200
Speaker 2: South and listen to me and listening to radio now,

585
00:26:06,200 --> 00:26:08,160
Speaker 2: I can't believe I actually used to listen to the radio.

586
00:26:08,480 --> 00:26:11,000
Speaker 1: Why I used to record the radio.

587
00:26:11,560 --> 00:26:17,200
Speaker 2: It's the same twelve songs from seven artists. Oh and

588
00:26:17,400 --> 00:26:19,880
Speaker 2: was it not that an over But that's what I'm saying.

589
00:26:19,880 --> 00:26:21,679
Speaker 2: And now that you realize that, now that I have

590
00:26:22,320 --> 00:26:25,600
Speaker 2: the ability to listen to whatever I want, whenever I want,

591
00:26:26,240 --> 00:26:28,639
Speaker 2: I can't really I cannot believe that radio was such

592
00:26:28,680 --> 00:26:31,080
Speaker 2: a big part of my life at one point because

593
00:26:31,080 --> 00:26:33,960
Speaker 2: when you listen to it now, like sometimes in commute,

594
00:26:34,000 --> 00:26:39,000
Speaker 2: I'll just listen to the radio and then like example,

595
00:26:39,000 --> 00:26:41,840
Speaker 2: the other day, I went out, so I caught an

596
00:26:41,920 --> 00:26:45,800
Speaker 2: uber went downtown. Right when I got out the car,

597
00:26:45,920 --> 00:26:49,680
Speaker 2: a song was playing. Two hours later I got back

598
00:26:49,680 --> 00:26:53,960
Speaker 2: in an uber, that same song was playing again, and

599
00:26:54,000 --> 00:26:56,560
Speaker 2: I was like, bro, this is so now I'm listening

600
00:26:56,600 --> 00:26:58,480
Speaker 2: because now I'm gonna say, okay, let me hear what's next.

601
00:26:58,640 --> 00:27:00,720
Speaker 2: It almost got to a point where I know which

602
00:27:00,760 --> 00:27:03,479
Speaker 2: song they get ready to play next. So I'm just

603
00:27:03,520 --> 00:27:06,480
Speaker 2: like we used to sit down in the crib like

604
00:27:06,560 --> 00:27:08,919
Speaker 2: around the radio and listen. Yeah, and it's like, well,

605
00:27:08,920 --> 00:27:13,199
Speaker 2: it's the same songs, the same artists. And then I'm thinking, like,

606
00:27:14,800 --> 00:27:16,720
Speaker 2: we know how programming works. We know that they have

607
00:27:16,760 --> 00:27:19,280
Speaker 2: playlists at the radio and things like that, but my

608
00:27:19,320 --> 00:27:22,399
Speaker 2: things that there's so many other songs and dope artists

609
00:27:22,400 --> 00:27:24,720
Speaker 2: that you could easily like, we don't have to listen

610
00:27:24,760 --> 00:27:28,640
Speaker 2: to this song three times in the hour, Like there's

611
00:27:28,760 --> 00:27:30,639
Speaker 2: two other artists you get to put in that spot

612
00:27:30,800 --> 00:27:32,280
Speaker 2: and play play dead new record.

613
00:27:32,320 --> 00:27:34,720
Speaker 1: I mean, I hear you. But in yes, this was

614
00:27:34,760 --> 00:27:39,720
Speaker 1: programming working. But like you know, I remember taking the

615
00:27:39,760 --> 00:27:43,919
Speaker 1: boombox to go play ball and just waiting for Country

616
00:27:44,000 --> 00:27:48,400
Speaker 1: Grammar to play, like just waiting for it. And yeah,

617
00:27:48,440 --> 00:27:50,399
Speaker 1: it would play once an hour, But that was like

618
00:27:50,440 --> 00:27:53,240
Speaker 1: a moment at that time. That's why it resonated more

619
00:27:54,400 --> 00:27:57,320
Speaker 1: because we only had access to that. Had I have

620
00:27:57,400 --> 00:27:59,440
Speaker 1: the ability to just listen before the album came out,

621
00:28:00,000 --> 00:28:02,159
Speaker 1: I'd have the ability to just listen to country grammar

622
00:28:02,680 --> 00:28:05,240
Speaker 1: every five minutes, I probably would have moved the fuck

623
00:28:05,280 --> 00:28:09,680
Speaker 1: on the fact that we sat around the radio waiting

624
00:28:09,840 --> 00:28:12,959
Speaker 1: for that song, even if it played every hour like

625
00:28:13,240 --> 00:28:16,240
Speaker 1: it made it resonate more. Like even like when we

626
00:28:16,280 --> 00:28:20,040
Speaker 1: would Tiara one on six in part like Tara waiting

627
00:28:20,160 --> 00:28:24,359
Speaker 1: for DMX party up video like run home so you

628
00:28:24,400 --> 00:28:27,360
Speaker 1: could watch that again. If YouTube was really a thing,

629
00:28:29,040 --> 00:28:30,439
Speaker 1: it wouldn't have been a moment with me and my

630
00:28:30,480 --> 00:28:32,600
Speaker 1: friends of like, yo, what nover you think?

631
00:28:32,880 --> 00:28:33,080
Speaker 2: Yo?

632
00:28:33,440 --> 00:28:35,199
Speaker 1: That part in this year I caught another thing in

633
00:28:35,240 --> 00:28:38,560
Speaker 1: the video because you could only maybe see it once

634
00:28:38,640 --> 00:28:39,160
Speaker 1: a day.

635
00:28:39,080 --> 00:28:42,400
Speaker 2: Can't this is TV? Yeah, And even.

636
00:28:42,200 --> 00:28:44,400
Speaker 1: When we used to record the radio on tapes, because

637
00:28:44,440 --> 00:28:48,160
Speaker 1: I'm really not that young, we would do that as well,

638
00:28:48,400 --> 00:28:50,280
Speaker 1: like all right, if we want to listen to this again,

639
00:28:50,440 --> 00:28:54,120
Speaker 1: let's do a pushape, like literally record the radio. That

640
00:28:54,280 --> 00:28:56,640
Speaker 1: was a thing that made it made it a moment

641
00:28:56,760 --> 00:28:59,480
Speaker 1: for a record outside of it just resonating sonically, that

642
00:28:59,560 --> 00:29:02,240
Speaker 1: was like a went with your friends, like who knows

643
00:29:02,280 --> 00:29:02,720
Speaker 1: the lyrics?

644
00:29:02,720 --> 00:29:04,560
Speaker 2: Like who? Like that was to the point, too much

645
00:29:04,600 --> 00:29:08,840
Speaker 2: access kind of killed that, like having the ability the

646
00:29:08,920 --> 00:29:11,640
Speaker 2: ability to you shouldn't have that much access to art

647
00:29:11,680 --> 00:29:12,760
Speaker 2: at any times.

648
00:29:12,840 --> 00:29:15,160
Speaker 1: It's a catch twenty two, Like I really see both

649
00:29:15,200 --> 00:29:17,800
Speaker 1: sides of how great that is because I love the

650
00:29:17,840 --> 00:29:20,320
Speaker 1: ability to do that. Especially when I got an iPod,

651
00:29:20,400 --> 00:29:21,959
Speaker 1: I thought it was the greatest thing ever. Yeah, and

652
00:29:22,080 --> 00:29:27,200
Speaker 1: it definitely changed my music discovery and my music taste.

653
00:29:27,400 --> 00:29:31,880
Speaker 1: But it did definitely take away from the moments you

654
00:29:31,960 --> 00:29:36,120
Speaker 1: have with music, like the Jid and Offset record, which

655
00:29:36,160 --> 00:29:38,840
Speaker 1: is fired BOI is for shit, Like if that was

656
00:29:38,880 --> 00:29:41,720
Speaker 1: in radio time, that would probably be a joint that

657
00:29:41,760 --> 00:29:46,680
Speaker 1: would live with me forever. But now I don't know.

658
00:29:46,760 --> 00:29:49,920
Speaker 2: I mean I like it, yeah, but too much access.

659
00:29:50,000 --> 00:29:52,160
Speaker 1: Yeah, I'm not waiting for that record to come on

660
00:29:52,200 --> 00:29:53,800
Speaker 1: because I can just play it.

661
00:29:53,920 --> 00:29:54,200
Speaker 2: Yeah.

662
00:29:54,480 --> 00:29:57,520
Speaker 1: So well, g I D dropped his God does like ugly.

663
00:29:57,920 --> 00:30:02,960
Speaker 1: I'll take my sunflowers, I texted tomorrow shows me some

664
00:30:03,040 --> 00:30:03,960
Speaker 1: sunflowers as well.

665
00:30:04,720 --> 00:30:06,520
Speaker 2: Yes you did. At the top of the year, I

666
00:30:06,520 --> 00:30:09,880
Speaker 2: believe you said, Jid will drop the best rap album.

667
00:30:09,640 --> 00:30:14,000
Speaker 1: Said Jid in clips will be candidates for Rap Album

668
00:30:14,000 --> 00:30:15,880
Speaker 1: of the Year, and I think I'm there. It's only

669
00:30:15,920 --> 00:30:18,240
Speaker 1: been two days plus obviously we had to listen to

670
00:30:18,280 --> 00:30:22,040
Speaker 1: the chance Shit had tomorrow, the whole weekend and studio sessions.

671
00:30:22,640 --> 00:30:26,640
Speaker 1: But off the few listens I had of the Jid Shit,

672
00:30:28,560 --> 00:30:32,800
Speaker 1: I mean, I feel like personally he's setting himself up

673
00:30:33,000 --> 00:30:37,040
Speaker 1: to be the next generation person. But I don't know

674
00:30:37,080 --> 00:30:39,880
Speaker 1: if that even exists anymore, that there's going to be

675
00:30:39,920 --> 00:30:43,920
Speaker 1: at like a new Big three, but Ginyati see it. Yeah,

676
00:30:44,040 --> 00:30:45,560
Speaker 1: I don't know if that's even going to be a thing.

677
00:30:45,640 --> 00:30:46,320
Speaker 2: Not not to.

678
00:30:47,880 --> 00:30:53,000
Speaker 1: Jid's credit or discredit, but this this is easily up

679
00:30:53,040 --> 00:30:56,240
Speaker 1: there with the clips Alfredo two. Was I the only

680
00:30:56,240 --> 00:30:57,920
Speaker 1: one that like listened to Shit and I thought it

681
00:30:57,960 --> 00:30:58,760
Speaker 1: was fucking incredible.

682
00:30:58,920 --> 00:31:04,360
Speaker 2: No, So it was Sunday. I was on the phone

683
00:31:04,400 --> 00:31:06,080
Speaker 2: with Nick Nick Grant and he asked me, say, Yo,

684
00:31:06,080 --> 00:31:08,640
Speaker 2: your a Jed album yet, And I said, oh, shit,

685
00:31:08,800 --> 00:31:11,640
Speaker 2: Like I'm still listening to Alfredo too and clips, like I

686
00:31:11,640 --> 00:31:15,760
Speaker 2: forgot Jed dropped Friday, so said, I'm listening to it today.

687
00:31:16,200 --> 00:31:17,800
Speaker 2: So I'm like, what you think, Nick, Like, Yo, it's

688
00:31:17,800 --> 00:31:19,360
Speaker 2: some joints on there, like he definitely. You know, he

689
00:31:19,400 --> 00:31:21,400
Speaker 2: got some shit on there, definitely some joints that I

690
00:31:21,400 --> 00:31:22,920
Speaker 2: think you're gonna like. So I said, all right, let

691
00:31:22,920 --> 00:31:25,040
Speaker 2: me let me check it out. So all day Sunday

692
00:31:26,280 --> 00:31:28,360
Speaker 2: moving around. So I'm playing the album and again, when

693
00:31:28,360 --> 00:31:30,240
Speaker 2: I'm listening to the music, it's literally the music I

694
00:31:30,240 --> 00:31:32,920
Speaker 2: hear first. I don't even know what you're saying, Cambrill.

695
00:31:32,920 --> 00:31:34,720
Speaker 2: I'm just trying to hear the sound that you went

696
00:31:34,800 --> 00:31:37,760
Speaker 2: after what you did with the music. So then now

697
00:31:37,800 --> 00:31:42,040
Speaker 2: I'm getting to the lyrics and the flows, and I'm like, damn,

698
00:31:42,120 --> 00:31:44,080
Speaker 2: Like this feels like an album that would have came

699
00:31:44,080 --> 00:31:44,880
Speaker 2: out in the nineties.

700
00:31:45,000 --> 00:31:45,240
Speaker 4: Yep.

701
00:31:46,080 --> 00:31:49,120
Speaker 2: Like it has that, it has that energy, it has

702
00:31:49,200 --> 00:31:52,560
Speaker 2: that attention to you know, details when it comes to

703
00:31:52,680 --> 00:31:57,640
Speaker 2: bars and how you write and construct songs. And you know,

704
00:31:57,760 --> 00:32:00,560
Speaker 2: Jed is one of those rappers that understand his voice

705
00:32:00,560 --> 00:32:03,560
Speaker 2: as an instrument. The way he uses inflections in his

706
00:32:03,680 --> 00:32:08,120
Speaker 2: voice and his tone, his cadence, his his you know,

707
00:32:09,280 --> 00:32:12,720
Speaker 2: his flows on a lot of the records. He does

708
00:32:13,680 --> 00:32:16,640
Speaker 2: like interesting little things with his voice that he that

709
00:32:16,680 --> 00:32:19,240
Speaker 2: he does with the music. And I thought that this

710
00:32:19,320 --> 00:32:23,440
Speaker 2: album was was incredible, Like I listened to it some joints.

711
00:32:23,560 --> 00:32:27,000
Speaker 2: I think the G's record to me is one of

712
00:32:27,000 --> 00:32:31,560
Speaker 2: the better records I've heard from Jid in his discography.

713
00:32:31,640 --> 00:32:34,320
Speaker 2: Like ever, Yeah, that's one of my favorite JID songs,

714
00:32:35,080 --> 00:32:39,240
Speaker 2: I think. Ever. I'm terrible with titles, but I specifically

715
00:32:39,320 --> 00:32:41,520
Speaker 2: looked at that because when I heard it. I remember

716
00:32:41,560 --> 00:32:43,400
Speaker 2: when I was listening to it the first time, and

717
00:32:43,400 --> 00:32:46,520
Speaker 2: I'm listened to the music and I'm listening, I'm like, damn,

718
00:32:46,560 --> 00:32:48,040
Speaker 2: like what is that? So I went and looked. I

719
00:32:48,080 --> 00:32:50,800
Speaker 2: had to see what the name of that particular song was.

720
00:32:51,560 --> 00:32:53,720
Speaker 2: And I played that like three times, and I'm listening

721
00:32:53,760 --> 00:32:56,440
Speaker 2: to what he's saying and the way he ended the

722
00:32:56,480 --> 00:32:59,040
Speaker 2: album on for Keeps, I think it's the name of

723
00:32:59,040 --> 00:33:02,760
Speaker 2: that one he keeps up for keeps. Uh. You know,

724
00:33:02,840 --> 00:33:04,920
Speaker 2: he really got in his you know soul loop, the

725
00:33:04,960 --> 00:33:09,720
Speaker 2: soul sample let me just get my shit off. You

726
00:33:09,760 --> 00:33:14,200
Speaker 2: could obviously hear, you know, the all J T. Thousand influenced,

727
00:33:14,200 --> 00:33:15,360
Speaker 2: the Outcast influence.

728
00:33:15,360 --> 00:33:17,719
Speaker 1: You can hear it's not even just that Dungeon family,

729
00:33:17,760 --> 00:33:21,400
Speaker 1: and it's Dungeon Family, Goodie Mob, like even from Earth Gang,

730
00:33:21,480 --> 00:33:24,920
Speaker 1: that whole that whole crew, like the new version of

731
00:33:25,920 --> 00:33:31,480
Speaker 1: East Atlanta, like post Gucci between Black Jib, Earth Gang,

732
00:33:32,480 --> 00:33:36,840
Speaker 1: like all of them doesn't get talked about enough, even

733
00:33:36,880 --> 00:33:38,840
Speaker 1: though they all aren't in the same I mean obviously

734
00:33:38,920 --> 00:33:42,160
Speaker 1: Jid and Earth Gang or Dreamville and LVR went Black,

735
00:33:42,200 --> 00:33:44,880
Speaker 1: but they all grew up together. That doesn't get talked

736
00:33:44,920 --> 00:33:48,880
Speaker 1: about enough of like carrying on and elevating a sound

737
00:33:49,080 --> 00:33:52,040
Speaker 1: in Atlanta, because to me, that shit is is goodie

738
00:33:52,040 --> 00:33:54,840
Speaker 1: mob on steroids in twenty twenty five. For what Earth

739
00:33:54,880 --> 00:33:57,480
Speaker 1: Gang and Jid with This did with his production, I

740
00:33:57,520 --> 00:34:00,440
Speaker 1: should have looked at the credits. I don't know the

741
00:34:00,440 --> 00:34:04,600
Speaker 1: full production breakdown, but yeah, on the side of somebody

742
00:34:04,600 --> 00:34:09,560
Speaker 1: that could just rap really well, Atlanta is Atlanta artists

743
00:34:09,600 --> 00:34:13,040
Speaker 1: are great at rapping really well, but making sure that

744
00:34:13,080 --> 00:34:16,560
Speaker 1: we're going to make good music. Yeah, Like music goes

745
00:34:16,600 --> 00:34:19,600
Speaker 1: first in Atlanta, lyrics go second. And I don't mean

746
00:34:19,600 --> 00:34:22,440
Speaker 1: that as a slight because I think three Stacks, who

747
00:34:22,480 --> 00:34:24,359
Speaker 1: was one of the greatest lyricists ever, if you want

748
00:34:24,400 --> 00:34:27,040
Speaker 1: to get down to it, he's going to put music

749
00:34:27,320 --> 00:34:30,520
Speaker 1: way before lyrics with everything, and that's where Atlanta always wins.

750
00:34:30,520 --> 00:34:33,680
Speaker 1: And that's what I think Jid did on this album.

751
00:34:34,239 --> 00:34:37,160
Speaker 1: We all know he could rap just as good as

752
00:34:37,200 --> 00:34:40,640
Speaker 1: anybody in twenty twenty five. To me, that wasn't the focus.

753
00:34:40,680 --> 00:34:43,040
Speaker 1: It was content of what he was saying, and it

754
00:34:43,200 --> 00:34:46,839
Speaker 1: was melodies. It was how he was arranging his flow

755
00:34:46,880 --> 00:34:50,520
Speaker 1: on certain things. Nothing about outside of Animal Volume one

756
00:34:51,320 --> 00:34:52,120
Speaker 1: was yo, I could rap.

757
00:34:52,040 --> 00:34:54,600
Speaker 2: But you know, yeah, it was music I could have

758
00:34:54,640 --> 00:34:57,520
Speaker 2: did without that record though. I mean, yeah, just being

759
00:34:57,520 --> 00:35:00,000
Speaker 2: honest like that, and that's one thing. Even the album

760
00:35:00,120 --> 00:35:04,480
Speaker 2: is incredible. I think the music is great, the you know, lyrically,

761
00:35:04,640 --> 00:35:08,120
Speaker 2: his flows, everything like he Jid paid attention to every

762
00:35:08,160 --> 00:35:10,560
Speaker 2: detail when it comes to constructing.

763
00:35:10,840 --> 00:35:13,719
Speaker 1: Yeah, fucking Sierra on that ship Atlanta.

764
00:35:13,440 --> 00:35:15,239
Speaker 2: The features was dope.

765
00:35:15,280 --> 00:35:17,760
Speaker 1: Obviously having the clips is fucking crazy.

766
00:35:18,000 --> 00:35:21,160
Speaker 2: Malice might have another versity year on that.

767
00:35:21,600 --> 00:35:27,400
Speaker 1: Push and Malice both went on that community record Pastor Troy. Yeah,

768
00:35:27,440 --> 00:35:29,239
Speaker 1: I mean showing my age of just how great it

769
00:35:29,320 --> 00:35:30,800
Speaker 1: was to hear from Pastor Troy.

770
00:35:30,920 --> 00:35:31,320
Speaker 2: Yeah.

771
00:35:31,480 --> 00:35:34,840
Speaker 1: But yeah, I can't say enough about this project.

772
00:35:34,840 --> 00:35:36,920
Speaker 2: Shut Out the Vince Vince got a crazy verse on

773
00:35:36,960 --> 00:35:42,080
Speaker 2: that VCRs record, crazy verse on that VCRs record. Don Toliver,

774
00:35:42,320 --> 00:35:45,120
Speaker 2: I love that. I loved that Don Taliver record. I

775
00:35:45,160 --> 00:35:47,040
Speaker 2: was you know, I didn't when I saw the Don

776
00:35:47,080 --> 00:35:49,320
Speaker 2: Taliver feature. I was kind of like, you know, seems

777
00:35:49,360 --> 00:35:53,520
Speaker 2: like completely different worlds, but you know, you quickly realize

778
00:35:55,040 --> 00:35:57,239
Speaker 2: how much of an artist Jid is. He's not just

779
00:35:57,280 --> 00:36:00,719
Speaker 2: a rapper, like, so mixing him with Don it looks

780
00:36:00,800 --> 00:36:02,920
Speaker 2: kind of like to the eye, like what would they

781
00:36:03,000 --> 00:36:05,480
Speaker 2: do together? But the directors though, But.

782
00:36:05,440 --> 00:36:08,120
Speaker 1: That's very much to what I was saying before, like

783
00:36:08,760 --> 00:36:10,880
Speaker 1: Three Stacks, Like once Three Stacks went on his like

784
00:36:10,960 --> 00:36:13,839
Speaker 1: feature run. It was always on records that you wouldn't expect. Yeah,

785
00:36:13,840 --> 00:36:18,000
Speaker 1: even though he would do his freestyles of uh, walk

786
00:36:18,040 --> 00:36:20,120
Speaker 1: it out and like he would always go on things

787
00:36:20,120 --> 00:36:22,200
Speaker 1: that you'd be like, all right, I didn't expect you

788
00:36:22,280 --> 00:36:24,680
Speaker 1: to go on this even would whether it be James Blake,

789
00:36:25,160 --> 00:36:27,480
Speaker 1: whether it be Frank like all that stuff. He always

790
00:36:27,480 --> 00:36:29,960
Speaker 1: found a way to be on something different. And I

791
00:36:29,960 --> 00:36:33,640
Speaker 1: think Jed has that same ability. Yeah, he can show

792
00:36:33,680 --> 00:36:36,319
Speaker 1: out on anything and not sound weird.

793
00:36:36,320 --> 00:36:37,880
Speaker 2: Of blue phenomenal record.

794
00:36:38,960 --> 00:36:41,200
Speaker 1: No, I think Don and Jig could do an EP

795
00:36:41,719 --> 00:36:43,320
Speaker 1: tomorrow and it would sound great.

796
00:36:43,480 --> 00:36:45,960
Speaker 2: Yeah, No, I was. I was definitely again, you know,

797
00:36:46,200 --> 00:36:49,160
Speaker 2: always always like Jid, always supported Jed, think he's phenomenal,

798
00:36:50,280 --> 00:36:52,000
Speaker 2: But you know, you kind of get scared when it

799
00:36:52,040 --> 00:36:54,520
Speaker 2: comes to your favorites putting out a project because you're like,

800
00:36:54,560 --> 00:36:57,080
Speaker 2: I hope he didn't. It wasn't you know, influenced by

801
00:36:57,239 --> 00:36:59,759
Speaker 2: certain pressures that make this type of sound and this that.

802
00:37:00,840 --> 00:37:03,160
Speaker 2: It's good to know that Jid is gonna be Jid.

803
00:37:03,320 --> 00:37:05,279
Speaker 2: Like he looks like he's sticking to what he wants

804
00:37:05,280 --> 00:37:07,600
Speaker 2: to do, how he wants to sound, how he wants

805
00:37:07,640 --> 00:37:10,680
Speaker 2: to you know, be perceived. So it's always dope when

806
00:37:10,719 --> 00:37:13,800
Speaker 2: your favorite rappers go about it that way and approach you,

807
00:37:13,880 --> 00:37:15,319
Speaker 2: like you said, stick to their core.

808
00:37:15,800 --> 00:37:17,759
Speaker 1: Yeah, And I mean I think that speaks to the

809
00:37:17,800 --> 00:37:20,040
Speaker 1: system that he's in. I think he was talking to

810
00:37:20,280 --> 00:37:21,920
Speaker 1: b Dot. I forgot who was talking to when I

811
00:37:21,920 --> 00:37:24,520
Speaker 1: saw the clip, but just that Dreamville system of they're

812
00:37:24,560 --> 00:37:26,799
Speaker 1: not going to give you any of that pressure whatsoever. Yeah,

813
00:37:26,920 --> 00:37:29,680
Speaker 1: Cold talked for years when he was in that first

814
00:37:29,800 --> 00:37:32,520
Speaker 1: Rock Nation system where it was radio record, let's get you,

815
00:37:32,480 --> 00:37:34,880
Speaker 1: We're stargate and like you have to have that, and

816
00:37:34,880 --> 00:37:37,319
Speaker 1: they were like, no, no, we could do this another way.

817
00:37:37,440 --> 00:37:40,160
Speaker 1: Let me show you another way to get to that

818
00:37:40,280 --> 00:37:43,680
Speaker 1: a list rapper shit, which Cole did. So Jid is

819
00:37:43,680 --> 00:37:46,239
Speaker 1: in a system where they're gonna let him do what

820
00:37:46,280 --> 00:37:48,880
Speaker 1: he wants to do. Yeah, and yeah, I think that

821
00:37:48,920 --> 00:37:51,799
Speaker 1: speaks to Dreamville and why the music sounds so good,

822
00:37:52,200 --> 00:37:56,440
Speaker 1: because if they were over Jid's shoulder trying to make

823
00:37:56,600 --> 00:37:59,480
Speaker 1: something happen, I don't think we'd get a good project.

824
00:37:59,719 --> 00:38:01,840
Speaker 1: I don't think you get like a shade buttered baby.

825
00:38:01,880 --> 00:38:04,960
Speaker 1: I think the system that Even and Cole have with

826
00:38:05,000 --> 00:38:07,719
Speaker 1: their artists is the best way.

827
00:38:08,800 --> 00:38:10,759
Speaker 2: Nari doesn't seem to be too happy with it, though,

828
00:38:10,800 --> 00:38:12,920
Speaker 2: Well she left you will, yeah exactly.

829
00:38:14,080 --> 00:38:16,120
Speaker 1: Yeah, but I mean again, I really don't know like

830
00:38:16,160 --> 00:38:20,080
Speaker 1: the politics of that. But before they let her even

831
00:38:20,520 --> 00:38:24,080
Speaker 1: asl like, they let her do her thing, So I mean,

832
00:38:24,400 --> 00:38:27,120
Speaker 1: I'm not sure contractually what that looks like, but Jid

833
00:38:27,160 --> 00:38:29,840
Speaker 1: spoke very highly of what it was like working with

834
00:38:29,880 --> 00:38:33,440
Speaker 1: them in the major label system, and they did right

835
00:38:33,480 --> 00:38:38,680
Speaker 1: by him. I don't know Ari's take on that, but yeah,

836
00:38:38,719 --> 00:38:41,080
Speaker 1: I think everyone kind of just gets left alone, you

837
00:38:41,080 --> 00:38:43,320
Speaker 1: could do. Some people maybe don't want to be left alone,

838
00:38:43,400 --> 00:38:45,880
Speaker 1: Maybe some people want people can't alone, some people maybe

839
00:38:45,880 --> 00:38:48,719
Speaker 1: want more support than what they're doing. Like Earth Gang,

840
00:38:48,760 --> 00:38:52,160
Speaker 1: I think is incredible because they're left alone. Now, you

841
00:38:52,200 --> 00:38:55,640
Speaker 1: could say if they weren't, maybe they would be bigger

842
00:38:55,680 --> 00:38:58,839
Speaker 1: because they're like to the most talented fucking people I've

843
00:38:58,880 --> 00:39:02,160
Speaker 1: heard in the last fifteen years, but they're left alone.

844
00:39:02,320 --> 00:39:02,840
Speaker 2: Yeah.

845
00:39:02,960 --> 00:39:04,200
Speaker 1: So if you want to be left alone and make

846
00:39:04,239 --> 00:39:07,000
Speaker 1: your music and make your money, great system. If you

847
00:39:07,080 --> 00:39:10,160
Speaker 1: want the major shit and like all right, we're gonna

848
00:39:10,160 --> 00:39:12,239
Speaker 1: go buy you a hit somewhere, then maybe it's not

849
00:39:12,280 --> 00:39:14,040
Speaker 1: the place for you. I don't know if that's the

850
00:39:14,080 --> 00:39:16,520
Speaker 1: case with art, I really don't, but well.

851
00:39:16,440 --> 00:39:19,120
Speaker 2: Either way, shout out to j I d Jitty Jig.

852
00:39:19,160 --> 00:39:22,799
Speaker 1: God does like Ugly available now, stream that download, that

853
00:39:23,000 --> 00:39:27,399
Speaker 1: play that support that phenomenal raps, great music, westside Gun.

854
00:39:27,400 --> 00:39:30,600
Speaker 1: Popping the album off within the first two seconds, I

855
00:39:30,640 --> 00:39:32,360
Speaker 1: was like, did I click the right album?

856
00:39:32,520 --> 00:39:34,799
Speaker 2: Yeah? Man, I really really liked this project. I'm looking

857
00:39:34,840 --> 00:39:37,640
Speaker 2: forward to living with it a little longer, even though

858
00:39:38,000 --> 00:39:40,040
Speaker 2: fucking next week Drake might decide to drop and then

859
00:39:40,080 --> 00:39:42,680
Speaker 2: now I can't listen to or Kendrick might put some

860
00:39:42,760 --> 00:39:46,040
Speaker 2: things like what the fuck man, I'm just I'm just digesting.

861
00:39:46,080 --> 00:39:48,520
Speaker 2: God does like Ugly and here come you Niggas with

862
00:39:48,600 --> 00:39:52,280
Speaker 2: more raps. But no, this is a great project. Definitely

863
00:39:52,360 --> 00:39:55,400
Speaker 2: enjoyed it and shout out to Jed for a phenomenal

864
00:39:55,400 --> 00:39:59,399
Speaker 2: phenomenal album Bryson Tiller The Vices, Disc too came out

865
00:39:59,400 --> 00:40:02,560
Speaker 2: before disc Yes, I'm really interested.

866
00:40:02,600 --> 00:40:03,960
Speaker 1: Why you want to about it that way?

867
00:40:05,840 --> 00:40:07,359
Speaker 2: Double disc or why dis before?

868
00:40:08,160 --> 00:40:10,520
Speaker 1: I mean the double disc whatever, it's the streaming era,

869
00:40:10,800 --> 00:40:14,879
Speaker 1: I get it, But why lead would disc too? Why

870
00:40:14,880 --> 00:40:18,279
Speaker 1: wouldn't that be disc one? Maybe it'll it'll flow better

871
00:40:18,320 --> 00:40:20,759
Speaker 1: once both are out and it'll make more sense, But

872
00:40:21,480 --> 00:40:23,120
Speaker 1: I don't know. Give me the beginning, in the beginning,

873
00:40:24,320 --> 00:40:29,839
Speaker 1: the beginning of the beginning. Yeah, like we gave this

874
00:40:30,040 --> 00:40:33,120
Speaker 1: a one over listen, so I want to make that

875
00:40:33,280 --> 00:40:35,360
Speaker 1: very clear that this may not be a very fair

876
00:40:35,440 --> 00:40:40,360
Speaker 1: review based off the schedule that we have had with

877
00:40:40,480 --> 00:40:41,000
Speaker 1: the time.

878
00:40:40,840 --> 00:40:43,759
Speaker 2: We're hearing this, we can we can revisit it though.

879
00:40:45,640 --> 00:40:45,799
Speaker 6: Yeah.

880
00:40:45,840 --> 00:40:47,919
Speaker 1: No, I'm gonna be honest and what I feel now,

881
00:40:48,680 --> 00:40:52,200
Speaker 1: I feel like Bryson Tiller owned a sound.

882
00:40:52,360 --> 00:40:53,480
Speaker 2: Yeah, a lot of kids are here.

883
00:40:54,000 --> 00:40:57,360
Speaker 1: His DNA is all over R and B. People that

884
00:40:57,440 --> 00:41:03,400
Speaker 1: y'all claim are innovative, their babies, Bryson him chasing the

885
00:41:03,520 --> 00:41:06,440
Speaker 1: sexy drill sound on three or four of these records

886
00:41:07,760 --> 00:41:11,600
Speaker 1: was very disappointing to somebody. I feel, as an innovator

887
00:41:12,280 --> 00:41:13,640
Speaker 1: in the R and B space.

888
00:41:15,040 --> 00:41:16,440
Speaker 2: You don't want to hear him on those drums.

889
00:41:16,640 --> 00:41:23,160
Speaker 1: No, I just don't. All right, one cool, that's fine,

890
00:41:23,200 --> 00:41:25,759
Speaker 1: I get it, it's the times. But it was like

891
00:41:26,080 --> 00:41:29,560
Speaker 1: the first two records and then uh no sharing I

892
00:41:29,600 --> 00:41:34,360
Speaker 1: believe it was. Yeah, I don't need three Sexy Drill records.

893
00:41:35,480 --> 00:41:38,040
Speaker 1: I don't need three of the same fucking beat. And

894
00:41:39,600 --> 00:41:42,360
Speaker 1: I just think the words are are too important to

895
00:41:42,440 --> 00:41:45,040
Speaker 1: go over the same shit that we have already, Like,

896
00:41:45,880 --> 00:41:49,640
Speaker 1: you're not that Bryson started an entire R and B movement,

897
00:41:49,680 --> 00:41:52,720
Speaker 1: an entire R and B pivot to then go back

898
00:41:53,360 --> 00:41:56,720
Speaker 1: to what is trending at the moment. I just don't.

899
00:41:57,560 --> 00:42:00,160
Speaker 1: I don't get it because he's not that.

900
00:42:00,680 --> 00:42:03,040
Speaker 2: Yeah. Well only had time to listen to the music.

901
00:42:03,080 --> 00:42:05,759
Speaker 2: I didn't really get into what Bryson was saying. But

902
00:42:05,760 --> 00:42:07,600
Speaker 2: the music, I'm not mad at music sounds good. It's

903
00:42:07,640 --> 00:42:11,720
Speaker 2: a lot of that the Bryson Field feel. It's trapped

904
00:42:11,800 --> 00:42:14,920
Speaker 2: so DNA is in there, some of the cllipso DNA

905
00:42:15,040 --> 00:42:16,960
Speaker 2: is in there, yeah, which.

906
00:42:16,760 --> 00:42:19,799
Speaker 1: Which which Sexy Drill takes a lot of clipso ship

907
00:42:20,080 --> 00:42:21,080
Speaker 1: Yeah to begin.

908
00:42:20,920 --> 00:42:23,000
Speaker 2: So I'm not I'm you know, I like it often

909
00:42:23,200 --> 00:42:25,440
Speaker 2: just to just listening to the music. I want to

910
00:42:25,480 --> 00:42:27,320
Speaker 2: go back and you know, really get into a Bryson

911
00:42:27,320 --> 00:42:29,759
Speaker 2: and saying what he's talking about. But just off of

912
00:42:30,520 --> 00:42:32,319
Speaker 2: I think I listened to it once and then we

913
00:42:32,320 --> 00:42:35,040
Speaker 2: were playing it in the studio earlier. Just listening to

914
00:42:35,040 --> 00:42:38,279
Speaker 2: the music. I'm not mad at it. It sounds It's

915
00:42:38,360 --> 00:42:41,080
Speaker 2: right on part what Bryson does. It's his sound. I

916
00:42:41,120 --> 00:42:42,600
Speaker 2: know you said you don't really want too much of

917
00:42:42,640 --> 00:42:44,439
Speaker 2: the Sexy drill Ship, but that's not.

918
00:42:45,880 --> 00:42:48,200
Speaker 1: In it, Okay. I mean, I guess you're right in

919
00:42:48,200 --> 00:42:50,480
Speaker 1: that it's not too far from the tress say all

920
00:42:50,480 --> 00:42:53,719
Speaker 1: of Bryce's DNA is over everything, because I do think

921
00:42:53,719 --> 00:42:57,399
Speaker 1: the Sexy Drill Ship is pretty much drill music with trap,

922
00:42:57,440 --> 00:43:01,160
Speaker 1: so like that that's his sound, but I mean do

923
00:43:01,239 --> 00:43:05,319
Speaker 1: it in a more innovative and creative way like that

924
00:43:05,320 --> 00:43:08,040
Speaker 1: could that could have just been any sexy drill beat

925
00:43:08,040 --> 00:43:10,359
Speaker 1: from the Bronx. Like I feel like I could find

926
00:43:10,360 --> 00:43:13,560
Speaker 1: that beat on YouTube if I typed in sexy drill beat,

927
00:43:14,560 --> 00:43:17,040
Speaker 1: and I just feel like Bryson is better than that.

928
00:43:17,160 --> 00:43:18,719
Speaker 1: But don't get me wrong, Like Burnout, I thought it

929
00:43:18,719 --> 00:43:22,600
Speaker 1: was incredible. Money shower interlude is fire more than money?

930
00:43:23,080 --> 00:43:25,200
Speaker 1: What's the Rick Ross joint Mini Kelt. Like I liked

931
00:43:25,280 --> 00:43:29,960
Speaker 1: records on this first disc, I just it makes me

932
00:43:30,000 --> 00:43:35,680
Speaker 1: more curious what's on disc one? Like why why this approach?

933
00:43:36,040 --> 00:43:38,200
Speaker 1: I think, I think, why do we need this? I

934
00:43:38,239 --> 00:43:40,040
Speaker 1: think it'll probably be more R and B. I think

935
00:43:40,040 --> 00:43:42,280
Speaker 1: it's gouda be straight R and B A fucking music

936
00:43:42,400 --> 00:43:44,160
Speaker 1: is really what I think it's gonna be.

937
00:43:44,200 --> 00:43:48,279
Speaker 2: But but Bryson is I mean, just like I said,

938
00:43:48,280 --> 00:43:51,200
Speaker 2: the music is still Bryson is still Brison there.

939
00:43:52,960 --> 00:43:54,560
Speaker 1: His pen did not miss on it. He's one of

940
00:43:54,560 --> 00:43:58,799
Speaker 1: the greatest writers period. But I just I don't know.

941
00:43:59,040 --> 00:44:03,759
Speaker 1: It's my personal taste. I'm sure everyone else likes hearing

942
00:44:03,800 --> 00:44:07,040
Speaker 1: him on Sexy Drill. I would have just like one

943
00:44:07,880 --> 00:44:09,640
Speaker 1: flip of like, oh damn, all right, we got Bryson

944
00:44:09,640 --> 00:44:12,080
Speaker 1: on the new sound. I didn't need fucking three.

945
00:44:11,880 --> 00:44:12,640
Speaker 2: Of them, right.

946
00:44:13,600 --> 00:44:16,919
Speaker 1: That's really where I stand on the entire thing. But again,

947
00:44:16,920 --> 00:44:19,840
Speaker 1: I don't know if it's todied devices there's a deeper meaning.

948
00:44:20,200 --> 00:44:24,040
Speaker 1: I don't know, fucking bitches to sexy Drill, and he's

949
00:44:24,040 --> 00:44:26,799
Speaker 1: trying to live his rhymes. It's his vice. I don't know.

950
00:44:27,040 --> 00:44:29,640
Speaker 2: Yeah, I liked it though the music sounds good. I'm

951
00:44:29,640 --> 00:44:32,920
Speaker 2: definitely gonna listen to it some more today and you know,

952
00:44:33,040 --> 00:44:34,719
Speaker 2: the rest of the week, just to kind of get

953
00:44:34,719 --> 00:44:37,279
Speaker 2: into the music a little more. But it sounds great.

954
00:44:37,320 --> 00:44:39,239
Speaker 2: It sounds like Bryson Tiller. It sounds like he got

955
00:44:39,239 --> 00:44:42,440
Speaker 2: another project to add to his discography that we we're

956
00:44:42,480 --> 00:44:46,560
Speaker 2: gonna fuck with. So yeah, Bryson Tiller device is available now.

957
00:44:46,680 --> 00:44:49,319
Speaker 2: Disc two, not one, Disc two.

958
00:44:52,600 --> 00:44:52,799
Speaker 5: Maul.

959
00:44:52,840 --> 00:44:55,440
Speaker 1: Have you ever been walking up Third av and then

960
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961
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962
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963
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964
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965
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966
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967
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968
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969
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970
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971
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Speaker 2: But Boost did it right. Visit boost mobile dot com

972
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Speaker 2: or head to your local Boost store today and get

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Speaker 2: unlimited talk, text and data for twenty five dollars a

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978
00:45:52,960 --> 00:45:55,200
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998
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Speaker 1: slash Rory Moore. There's an announcement right before we got

999
00:47:02,719 --> 00:47:05,760
Speaker 1: on Mike. Cardi b is putting out a record this Friday,

1000
00:47:05,800 --> 00:47:11,840
Speaker 1: Right this Friday, Imaginary Players naturally off our New York brains.

1001
00:47:13,120 --> 00:47:17,360
Speaker 1: We're assuming she's referencing the jay Z song Imaginary Players.

1002
00:47:17,800 --> 00:47:21,040
Speaker 2: Yeah, so she put out a video explaining that I

1003
00:47:21,040 --> 00:47:23,440
Speaker 2: think one of the ideas she had for the announcement

1004
00:47:23,520 --> 00:47:25,479
Speaker 2: or how she wanted to roll out the next song,

1005
00:47:25,600 --> 00:47:26,560
Speaker 2: was kind of spoiled.

1006
00:47:26,920 --> 00:47:29,120
Speaker 1: Yeah, so I guess somebody leaked the announcement in title

1007
00:47:29,640 --> 00:47:32,879
Speaker 1: is from again. We're recording this literally right now at

1008
00:47:32,880 --> 00:47:38,439
Speaker 1: five o'clock on August eleventh. But yeah, it appears once

1009
00:47:38,520 --> 00:47:42,360
Speaker 1: again that this feels a little rushed. And I'm not

1010
00:47:43,200 --> 00:47:43,840
Speaker 1: trying to shit on.

1011
00:47:43,840 --> 00:47:45,920
Speaker 2: Cardi what feels rushed the announcement or.

1012
00:47:47,000 --> 00:47:49,440
Speaker 1: Just the entire thing, because but she wasn't trying to

1013
00:47:49,480 --> 00:47:53,000
Speaker 1: announce nothing leaked, I know, but it feels very like

1014
00:47:53,120 --> 00:47:56,840
Speaker 1: reactive because how Outside came out is because it leaked,

1015
00:47:57,480 --> 00:48:00,480
Speaker 1: which she even said, you know, after she had some

1016
00:48:00,520 --> 00:48:03,120
Speaker 1: words for us, which was fine, but she went on

1017
00:48:03,160 --> 00:48:07,000
Speaker 1: to say that they had to pivot because it leaked, right,

1018
00:48:07,280 --> 00:48:10,520
Speaker 1: And now she's saying, all right, well, I had a

1019
00:48:10,520 --> 00:48:13,240
Speaker 1: better idea of how I wanted to put out Imaginary Players,

1020
00:48:13,280 --> 00:48:15,320
Speaker 1: but clearly it leaked. The title leaked, so now I

1021
00:48:15,360 --> 00:48:16,840
Speaker 1: have to figure out what the fuck to do for Friday.

1022
00:48:17,600 --> 00:48:21,120
Speaker 1: So I'm not saying rushed per se. It just feels sloppy,

1023
00:48:21,120 --> 00:48:23,040
Speaker 1: and I feel for Cardi. This is not a slight

1024
00:48:23,080 --> 00:48:27,840
Speaker 1: to Carty whatsoever, like what's going on internally with Atlantic

1025
00:48:28,880 --> 00:48:31,400
Speaker 1: that would unless this is the strategy and this is

1026
00:48:31,440 --> 00:48:35,440
Speaker 1: like the deeper rollout that I don't really fully understand

1027
00:48:35,480 --> 00:48:38,239
Speaker 1: yet that this is the leak rollout, that hey, we're

1028
00:48:38,280 --> 00:48:41,160
Speaker 1: just going to keep leaking shit and then react to it.

1029
00:48:41,200 --> 00:48:44,400
Speaker 1: I don't know that could be it, but I do

1030
00:48:44,480 --> 00:48:50,280
Speaker 1: have a very deeper barb theory with Imaginary Players. Because

1031
00:48:50,320 --> 00:48:55,240
Speaker 1: Carti was saying in that clip, was there some version

1032
00:48:55,280 --> 00:48:57,200
Speaker 1: of it it being hard to get that record to

1033
00:48:57,280 --> 00:48:57,839
Speaker 1: be put out?

1034
00:48:58,239 --> 00:49:00,800
Speaker 2: Well, she alluded to saying, is if I got to

1035
00:49:00,800 --> 00:49:02,719
Speaker 2: tell you today, I wish I could tell you the

1036
00:49:02,719 --> 00:49:05,239
Speaker 2: story of what I had to go through to get

1037
00:49:05,239 --> 00:49:07,720
Speaker 2: this record. You know what I mean? I guess done

1038
00:49:07,840 --> 00:49:08,720
Speaker 2: or whatever.

1039
00:49:08,960 --> 00:49:12,120
Speaker 1: This is a full theory. What's like full theory, guys.

1040
00:49:12,160 --> 00:49:14,440
Speaker 1: I'm just I'm shooting the ship right now amongst friends.

1041
00:49:16,120 --> 00:49:19,960
Speaker 1: I think Cardi had an imaginary player's beat that was

1042
00:49:19,960 --> 00:49:22,880
Speaker 1: a flip of the jay Z record, and she wanted

1043
00:49:22,920 --> 00:49:26,040
Speaker 1: to use it, and Hove said no, and then Nicki

1044
00:49:26,480 --> 00:49:32,120
Speaker 1: went on all her fucking insane des Hove. I'm sure

1045
00:49:32,120 --> 00:49:34,200
Speaker 1: if I refresh my timeline right now, she's probably still going.

1046
00:49:35,120 --> 00:49:37,480
Speaker 1: I think Hole probably went, oh, Cardy, you you want?

1047
00:49:37,520 --> 00:49:38,240
Speaker 1: You want the sample?

1048
00:49:38,560 --> 00:49:42,439
Speaker 2: I got you and gave it to it. You think you.

1049
00:49:42,360 --> 00:49:46,719
Speaker 1: Fully think Hove cleared the imaginary players sample based off

1050
00:49:46,719 --> 00:49:53,760
Speaker 1: everything Nicky has been doing. I fully believe that. Listen,

1051
00:49:53,960 --> 00:49:56,560
Speaker 1: I could be make sure you put this in the

1052
00:49:57,920 --> 00:50:00,719
Speaker 1: I G clip. I can be wrong. I'm no, We're

1053
00:50:00,760 --> 00:50:02,960
Speaker 1: going with the information we have and we're shooting the shit.

1054
00:50:03,320 --> 00:50:03,520
Speaker 2: No.

1055
00:50:03,800 --> 00:50:06,600
Speaker 1: But because I'm a thirty five year old New Yorker,

1056
00:50:06,680 --> 00:50:09,319
Speaker 1: I think imaginary players, and I think the jay Z song,

1057
00:50:09,560 --> 00:50:11,759
Speaker 1: and I think Cardi B from The Bronx, if she

1058
00:50:11,920 --> 00:50:15,120
Speaker 1: had that title, would flip that beat. And that's why

1059
00:50:15,160 --> 00:50:17,200
Speaker 1: she titled it that. And if there's a whole long

1060
00:50:17,239 --> 00:50:18,800
Speaker 1: story of how it got cleared and then all of

1061
00:50:18,840 --> 00:50:22,920
Speaker 1: a sudden it got cleared everything Nicki has been doing

1062
00:50:23,200 --> 00:50:26,840
Speaker 1: with Dez and Hove and rock Nation and the enemy

1063
00:50:26,960 --> 00:50:29,839
Speaker 1: that Cardi B is to Nicki Minaj. I can see

1064
00:50:29,880 --> 00:50:33,920
Speaker 1: them going, YO, take that fucking beat.

1065
00:50:35,200 --> 00:50:37,680
Speaker 2: Yeah, but no, I get what you're saying. I get

1066
00:50:37,719 --> 00:50:39,759
Speaker 2: how you put that together, but I don't I don't

1067
00:50:39,800 --> 00:50:42,359
Speaker 2: think Jay is that invested or.

1068
00:50:42,480 --> 00:50:44,120
Speaker 1: I didn't say it to be invested, or he does.

1069
00:50:44,239 --> 00:50:45,279
Speaker 2: I think the other.

1070
00:50:45,719 --> 00:50:47,759
Speaker 1: He has so many other I'm sure he was on

1071
00:50:47,800 --> 00:50:51,719
Speaker 1: a yacht now went yeah, you could do that. Does

1072
00:50:51,719 --> 00:50:53,439
Speaker 1: he then moved on with the rest of his life?

1073
00:50:53,480 --> 00:50:56,000
Speaker 2: Does he know that Nicki is currently, like you know,

1074
00:50:56,640 --> 00:50:59,600
Speaker 2: going on her campaign. Absolutely yes, But I don't think

1075
00:50:59,640 --> 00:51:01,680
Speaker 2: he's I don't think he said, you know what that

1076
00:51:01,880 --> 00:51:05,040
Speaker 2: sample I told Carty no to six months ago. Uh

1077
00:51:05,480 --> 00:51:06,120
Speaker 2: I get it done.

1078
00:51:06,200 --> 00:51:09,480
Speaker 1: I'm not saying that he said no to the sample.

1079
00:51:09,600 --> 00:51:11,680
Speaker 1: I think it was maybe on the back burner as

1080
00:51:11,680 --> 00:51:14,840
Speaker 1: it wasn't very much of a priority. And maybe the

1081
00:51:14,880 --> 00:51:17,480
Speaker 1: record for Carty wasn't that much of a priority. There's

1082
00:51:17,520 --> 00:51:19,600
Speaker 1: been a million songs that people do that have samples

1083
00:51:19,640 --> 00:51:21,960
Speaker 1: that you don't get around the clearing until you've got

1084
00:51:22,000 --> 00:51:24,080
Speaker 1: you gonna have a song for three years and a

1085
00:51:24,120 --> 00:51:25,879
Speaker 1: week before you go, yo, I want to put this out.

1086
00:51:26,200 --> 00:51:29,719
Speaker 1: Then it becomes a priority. Now with everything that's going

1087
00:51:29,760 --> 00:51:34,680
Speaker 1: on with Nikki. Yeah, what a stack for Carty to

1088
00:51:34,800 --> 00:51:39,520
Speaker 1: now wrap on a flip of imaginary Players? Like what

1089
00:51:39,560 --> 00:51:41,120
Speaker 1: if she really starts that hold shit out? It was

1090
00:51:41,120 --> 00:51:43,320
Speaker 1: like y'all drinking cosamigos. We all thought it was vodka.

1091
00:51:43,640 --> 00:51:49,400
Speaker 1: Like what happens? Then?

1092
00:51:50,120 --> 00:51:53,640
Speaker 2: Nothing to answer your question? Are you asking me nothing?

1093
00:51:54,280 --> 00:51:55,239
Speaker 2: I'm gonna just listen to it.

1094
00:51:56,360 --> 00:51:59,680
Speaker 1: Nah, that beat, the Imaginary Players beat is too iconic.

1095
00:52:00,360 --> 00:52:02,560
Speaker 1: Like if that comes in and Cardi talking her shit

1096
00:52:02,560 --> 00:52:04,560
Speaker 1: because that's what she said in the video she flex

1097
00:52:04,640 --> 00:52:07,400
Speaker 1: and getting her ship off imaginary Players. What is the

1098
00:52:07,400 --> 00:52:08,760
Speaker 1: theme of that record?

1099
00:52:09,000 --> 00:52:10,879
Speaker 2: You know it's gonna be funny this this song's gonna

1100
00:52:10,880 --> 00:52:12,440
Speaker 2: come out and it's gonna have nothing to do.

1101
00:52:12,920 --> 00:52:18,359
Speaker 1: I'm just I'm sure, I'm sure nothing. Let me put

1102
00:52:18,360 --> 00:52:22,000
Speaker 1: the pieces together, Bill her going Yo, this is one

1103
00:52:22,040 --> 00:52:23,920
Speaker 1: of them joints. I'm just really flexing and getting my

1104
00:52:23,960 --> 00:52:27,880
Speaker 1: ship off right. I would say Volume one that was

1105
00:52:27,920 --> 00:52:31,239
Speaker 1: the first time Home was really talking, not just drug dealer,

1106
00:52:31,239 --> 00:52:34,479
Speaker 1: to talk like what's a four point oh four point six?

1107
00:52:34,560 --> 00:52:38,839
Speaker 1: Like that record in particular thirty forty grand Cocks Sooker

1108
00:52:38,880 --> 00:52:41,279
Speaker 1: be like he was flexing so crazy on that record

1109
00:52:41,320 --> 00:52:44,680
Speaker 1: about everybody else? Why would Cardis flex on a million records?

1110
00:52:45,440 --> 00:52:48,360
Speaker 1: Why is she using those words in particular imaginary player?

1111
00:52:48,880 --> 00:52:51,640
Speaker 2: Okay, I get it. We're gonna wait and see when

1112
00:52:51,640 --> 00:52:52,680
Speaker 2: she said this was coming out.

1113
00:52:52,880 --> 00:52:55,160
Speaker 1: Friday Friday, but I guess they had to pivot. It

1114
00:52:55,320 --> 00:52:58,239
Speaker 1: could be this is how Lucian's son does things. I

1115
00:52:58,239 --> 00:52:58,560
Speaker 1: don't know.

1116
00:52:58,800 --> 00:53:01,040
Speaker 2: Listen, Cardi, I love you. I know it may seem

1117
00:53:01,080 --> 00:53:03,440
Speaker 2: like I don't, and I mean, you know, may take

1118
00:53:03,480 --> 00:53:05,440
Speaker 2: some things I say out of context, but I love you.

1119
00:53:05,840 --> 00:53:07,440
Speaker 2: Anybody from the Bronx, I know how I feel. I'm

1120
00:53:07,440 --> 00:53:10,880
Speaker 2: supporting the Bronx every day. But I'm worried about this

1121
00:53:10,960 --> 00:53:14,880
Speaker 2: album though. It's just too many things that's happening, leaks

1122
00:53:14,920 --> 00:53:17,919
Speaker 2: and you know, things not feeling like you know, Cardi

1123
00:53:17,920 --> 00:53:19,879
Speaker 2: doesn't seem like she's happy with the way a lot

1124
00:53:19,880 --> 00:53:24,040
Speaker 2: of shit is going. Some of the executives up there

1125
00:53:24,200 --> 00:53:25,880
Speaker 2: that were there, that had a big part in her

1126
00:53:25,920 --> 00:53:28,840
Speaker 2: success on the first album, no longer there. It's a

1127
00:53:28,880 --> 00:53:30,839
Speaker 2: lot that it seems like Cardi is behind the eight

1128
00:53:30,920 --> 00:53:34,400
Speaker 2: ball on a lot of this ship, you know, announcements

1129
00:53:34,440 --> 00:53:36,279
Speaker 2: of songs leaking and she don't want it to leak.

1130
00:53:36,320 --> 00:53:40,680
Speaker 2: And I'm worried, man, I'm worried because Cardi is, She's

1131
00:53:40,719 --> 00:53:44,440
Speaker 2: a she's a she's a priority. She's a priority artist

1132
00:53:44,480 --> 00:53:47,520
Speaker 2: in any building she walks in, had great success on

1133
00:53:47,520 --> 00:53:50,359
Speaker 2: her first album, one of the biggest stars that we have.

1134
00:53:52,000 --> 00:53:53,880
Speaker 2: And I'm you know, I'm happy to see her always

1135
00:53:53,880 --> 00:53:58,480
Speaker 2: win in whatever she's doing. But just talking about the music,

1136
00:53:58,920 --> 00:54:00,960
Speaker 2: and you know, because that's all the other shit is,

1137
00:54:00,960 --> 00:54:02,960
Speaker 2: you know, I don't. I'm just I'm always focused on

1138
00:54:02,960 --> 00:54:04,319
Speaker 2: the music. What does the music sound like?

1139
00:54:06,120 --> 00:54:09,440
Speaker 1: To And again, super respect to Carti, even after she

1140
00:54:09,520 --> 00:54:14,759
Speaker 1: did her Twitter spaces discussing our reaction to Outside, I

1141
00:54:14,800 --> 00:54:19,000
Speaker 1: feel for again because now Friday she has to put

1142
00:54:19,000 --> 00:54:21,839
Speaker 1: a record out and it doesn't have a visual and

1143
00:54:21,880 --> 00:54:25,680
Speaker 1: she's a visual leading artist like that's very important in

1144
00:54:25,719 --> 00:54:28,800
Speaker 1: what she's also amazing at. So I feel for the

1145
00:54:28,840 --> 00:54:31,640
Speaker 1: second single I mean she said with Outside, they didn't

1146
00:54:31,640 --> 00:54:34,839
Speaker 1: even have artwork, just fucking all right, whatever, we'll do that.

1147
00:54:36,000 --> 00:54:38,800
Speaker 1: Now it appears like she has to do it again. Yeah,

1148
00:54:39,280 --> 00:54:42,680
Speaker 1: but this again, this could be a crazy strategy where

1149
00:54:43,400 --> 00:54:45,799
Speaker 1: this isn't on the album. Outside is not on the album,

1150
00:54:45,840 --> 00:54:49,120
Speaker 1: even though it's in the track listing. But maybe we

1151
00:54:49,600 --> 00:54:52,319
Speaker 1: maybe they are shooting videos for the records that they

1152
00:54:52,360 --> 00:54:54,799
Speaker 1: are actually going to push. I just feel for the

1153
00:54:54,920 --> 00:54:58,600
Speaker 1: second time, with Carti's second album, that's the most anticipated

1154
00:54:58,640 --> 00:55:02,040
Speaker 1: shit for god knows how the first two records don't

1155
00:55:02,040 --> 00:55:07,160
Speaker 1: even have a video. Mm hmm. That's crazy. So I

1156
00:55:07,160 --> 00:55:09,520
Speaker 1: feel this is not a knock on Cardy at all.

1157
00:55:09,640 --> 00:55:10,680
Speaker 1: I feel for her.

1158
00:55:10,719 --> 00:55:12,840
Speaker 2: You know, that's what this is. Fucked up. It's not

1159
00:55:12,880 --> 00:55:15,600
Speaker 2: Cardi's fault. It just seems like the things around her

1160
00:55:15,600 --> 00:55:18,400
Speaker 2: are just not going the way she wants them to,

1161
00:55:18,440 --> 00:55:20,760
Speaker 2: and you know, envision in her head, and she seems

1162
00:55:20,760 --> 00:55:23,399
Speaker 2: like she always has to pivot and you know, make

1163
00:55:23,440 --> 00:55:26,040
Speaker 2: adjustments with things that are out of her control, just

1164
00:55:26,080 --> 00:55:29,120
Speaker 2: things that are happening. But you know, ultimately, it's her project,

1165
00:55:29,200 --> 00:55:31,120
Speaker 2: is her album, so she has to stand behind everything

1166
00:55:31,160 --> 00:55:31,880
Speaker 2: that happens with it.

1167
00:55:33,440 --> 00:55:33,600
Speaker 4: Man.

1168
00:55:33,680 --> 00:55:35,640
Speaker 2: So yeah, when I say scared, meaning like it just

1169
00:55:35,680 --> 00:55:38,319
Speaker 2: feels like, you know, she's gotta she gotta do too much,

1170
00:55:39,160 --> 00:55:42,040
Speaker 2: you know, figuring it out and and and making up

1171
00:55:42,040 --> 00:55:44,359
Speaker 2: for mishaps and things like that. And it's like she's

1172
00:55:44,400 --> 00:55:46,520
Speaker 2: supposed to just be the artist and she has this vision,

1173
00:55:46,560 --> 00:55:48,080
Speaker 2: and she has the team around her that helps pull

1174
00:55:48,160 --> 00:55:51,640
Speaker 2: the vision together and execute it and and get it out,

1175
00:55:51,719 --> 00:55:53,880
Speaker 2: like you know, let Cardi create the vision and you

1176
00:55:53,880 --> 00:55:55,760
Speaker 2: know the way she wants things to look and sound

1177
00:55:55,800 --> 00:55:58,279
Speaker 2: and feel, and then put the team around me to

1178
00:55:58,320 --> 00:56:01,840
Speaker 2: execute it. But it's like, you know, things keep happening

1179
00:56:01,880 --> 00:56:04,839
Speaker 2: where she got to make videos like this and say, yo,

1180
00:56:04,880 --> 00:56:07,160
Speaker 2: you know, I didn't want that to happen. I'm disappointed

1181
00:56:07,200 --> 00:56:09,279
Speaker 2: that it did this, that and the third. So it's like,

1182
00:56:09,360 --> 00:56:12,319
Speaker 2: I hope that doesn't take away from the music. I

1183
00:56:12,320 --> 00:56:15,440
Speaker 2: hope that doesn't affect the music. I hope doesn't affect

1184
00:56:15,480 --> 00:56:17,640
Speaker 2: you know, her energy around the rollout and putting things

1185
00:56:17,640 --> 00:56:19,960
Speaker 2: together and you know, being on top of her game.

1186
00:56:20,040 --> 00:56:22,279
Speaker 2: Because I'm root for I want to see Cardi do.

1187
00:56:22,239 --> 00:56:25,040
Speaker 1: Big ship and with an artists and a list artists

1188
00:56:25,160 --> 00:56:29,360
Speaker 1: like Carti. Sometimes it's also not just about the music.

1189
00:56:29,360 --> 00:56:32,279
Speaker 1: It's how it's presented. That's a very important part. So

1190
00:56:32,320 --> 00:56:34,120
Speaker 1: that's that's where I feel. But I mean, I don't know.

1191
00:56:35,080 --> 00:56:37,359
Speaker 1: If I was at Atlantic now, I would say, Yo,

1192
00:56:37,440 --> 00:56:40,200
Speaker 1: let's fly her to San Diego and let's shoot a

1193
00:56:40,239 --> 00:56:43,640
Speaker 1: live video at Seaworlds for imaginary players.

1194
00:56:43,760 --> 00:56:45,480
Speaker 2: Terrible segue, but I love it anyway.

1195
00:56:45,760 --> 00:56:47,359
Speaker 1: No, you don't think like that would be a thing

1196
00:56:47,400 --> 00:56:49,360
Speaker 1: if Cardi went to SeaWorld Like, if we have to

1197
00:56:49,360 --> 00:56:51,120
Speaker 1: shoot the video, let's do a live stream.

1198
00:56:51,600 --> 00:56:54,160
Speaker 2: Let's know it's it's anywhere Cardi goes.

1199
00:56:54,400 --> 00:56:56,960
Speaker 1: You don't think it'd be crazy with not starting next

1200
00:56:56,960 --> 00:56:59,319
Speaker 1: to sham move rapping like that would be the way

1201
00:56:59,360 --> 00:57:00,000
Speaker 1: we get the visual.

1202
00:57:00,480 --> 00:57:03,040
Speaker 2: That would be a livestream that because for anybody next

1203
00:57:03,040 --> 00:57:04,480
Speaker 2: to Shambo rapping, and you could.

1204
00:57:04,280 --> 00:57:05,960
Speaker 1: Do it like three times too, like let's go back

1205
00:57:06,000 --> 00:57:08,879
Speaker 1: to one started again and we tell Shambo that would

1206
00:57:08,880 --> 00:57:11,360
Speaker 1: be a moment we didn't do it again, Like No,

1207
00:57:12,640 --> 00:57:13,000
Speaker 1: I think that.

1208
00:57:13,000 --> 00:57:15,880
Speaker 2: Was you didn't hit your que go back, You're not

1209
00:57:15,880 --> 00:57:16,760
Speaker 2: getting no fish.

1210
00:57:17,000 --> 00:57:19,520
Speaker 1: Carti is hilarious. Like I think a live stream of

1211
00:57:19,560 --> 00:57:21,360
Speaker 1: trying to do a live video that way would be

1212
00:57:21,720 --> 00:57:24,080
Speaker 1: so fucking funny for Cardy. If you have to find

1213
00:57:24,360 --> 00:57:26,400
Speaker 1: last minute ways to put music out. It wasn't so

1214
00:57:26,480 --> 00:57:28,680
Speaker 1: much a segue even though I heard Trina, I mean

1215
00:57:28,720 --> 00:57:34,960
Speaker 1: shut it down. Can somebody shut shut SeaWorld down? Like

1216
00:57:35,000 --> 00:57:35,280
Speaker 1: for real?

1217
00:57:35,320 --> 00:57:38,240
Speaker 2: Well, Peter tried for years, but y'all didn't. Y'all didn't

1218
00:57:38,320 --> 00:57:40,320
Speaker 2: let it happen. Y'all they used our culture to open

1219
00:57:40,360 --> 00:57:43,080
Speaker 2: back the gates. See look, everybody, Trina in now shutting

1220
00:57:43,120 --> 00:57:45,160
Speaker 2: it down with his tongue out shout out to Trina.

1221
00:57:45,800 --> 00:57:47,720
Speaker 2: I'm sure Baby d would be happy to hear that

1222
00:57:47,760 --> 00:57:52,080
Speaker 2: Trina shut down her performance at sea World. I just

1223
00:57:52,120 --> 00:57:55,240
Speaker 2: think it's funny that SeaWorld is attaching themselves to our

1224
00:57:55,280 --> 00:57:58,840
Speaker 2: culture to be you know, cool, even though animals are

1225
00:57:58,880 --> 00:57:59,720
Speaker 2: being held in captivity.

1226
00:57:59,760 --> 00:58:02,360
Speaker 1: We got we got the documentary. We saw it, we

1227
00:58:02,520 --> 00:58:04,120
Speaker 1: were there, we saw the documentary.

1228
00:58:04,480 --> 00:58:07,840
Speaker 2: We should not be supporting SeaWorld, But how is it

1229
00:58:07,920 --> 00:58:09,880
Speaker 2: legal support Trina at the same time.

1230
00:58:10,280 --> 00:58:12,320
Speaker 1: Like, seriously, how is I don't know?

1231
00:58:12,320 --> 00:58:13,840
Speaker 2: I have no idea.

1232
00:58:13,880 --> 00:58:15,160
Speaker 1: How are you allowed to do that?

1233
00:58:15,280 --> 00:58:16,200
Speaker 2: I have no idea.

1234
00:58:16,480 --> 00:58:20,080
Speaker 1: There's no regulations of everything. We regulate on my on

1235
00:58:20,160 --> 00:58:22,440
Speaker 1: my own taxes of me, and I'm nobody in the country.

1236
00:58:22,520 --> 00:58:25,160
Speaker 2: I asked you how we first are we allowed to.

1237
00:58:25,400 --> 00:58:27,600
Speaker 1: We first saw this ship, I asked, y'all, wasn't I

1238
00:58:27,600 --> 00:58:28,840
Speaker 1: thought sea World was shut down.

1239
00:58:29,400 --> 00:58:30,640
Speaker 2: I thought Sea World was closed.

1240
00:58:30,680 --> 00:58:33,240
Speaker 1: I thought it was just they kill a trainer and

1241
00:58:33,280 --> 00:58:35,880
Speaker 1: just move them from Seattle to San Diego.

1242
00:58:36,120 --> 00:58:40,800
Speaker 2: Got it? Okay, I get it. Yeah, some appre ship. Yeah,

1243
00:58:41,240 --> 00:58:43,200
Speaker 2: just go to go to and you know what's.

1244
00:58:43,040 --> 00:58:46,680
Speaker 1: So crazy between Seattle and San Diego. There's a whole

1245
00:58:46,720 --> 00:58:50,200
Speaker 1: Pacific ocean right there. Yeah, just let him go, Just

1246
00:58:50,280 --> 00:58:52,240
Speaker 1: let him go home. They're both on the when they

1247
00:58:52,320 --> 00:58:54,800
Speaker 1: got him. That's when they caught him. Att Like, just

1248
00:58:54,840 --> 00:58:57,120
Speaker 1: let him go home, man. But shout out to Trina.

1249
00:58:57,200 --> 00:58:59,160
Speaker 1: I mean, you know it's ship. She's doing what she got.

1250
00:58:59,240 --> 00:59:01,440
Speaker 1: She was paid to do, show up, show out, and

1251
00:59:01,520 --> 00:59:03,840
Speaker 1: put on the great show. And you know that's what

1252
00:59:03,880 --> 00:59:07,200
Speaker 1: she did. I would pod from SeaWorld, but they would

1253
00:59:07,240 --> 00:59:10,040
Speaker 1: kick us out within five minutes of our convers Yeah.

1254
00:59:10,040 --> 00:59:11,960
Speaker 2: Because'm gon'n try to find a button hoping that game

1255
00:59:12,320 --> 00:59:14,600
Speaker 2: to that back gate that goes right into right into

1256
00:59:14,600 --> 00:59:15,280
Speaker 2: the Pacific year.

1257
00:59:15,280 --> 00:59:19,360
Speaker 1: I'm open what was Homie's name in Free Willy when

1258
00:59:19,400 --> 00:59:22,240
Speaker 1: got him over the ship. Yeah, I'm going dressed as him.

1259
00:59:22,240 --> 00:59:24,840
Speaker 1: I'm even bringing the baseball that he broke the window with,

1260
00:59:25,160 --> 00:59:27,280
Speaker 1: and I'm trying to break their fucking tank with a baseball.

1261
00:59:28,160 --> 00:59:31,000
Speaker 2: Oh man, somebody got arrested. Who the fuck gets arrested

1262
00:59:31,000 --> 00:59:35,400
Speaker 2: at SeaWorld? I mean at a trin of performance at SeaWorld.

1263
00:59:35,640 --> 00:59:37,760
Speaker 1: I don't know. I kind of checks out, Trinda.

1264
00:59:37,800 --> 00:59:39,840
Speaker 2: Don't got no songs that you should be getting arrested

1265
00:59:39,840 --> 00:59:42,360
Speaker 2: to unless you get naked, unless you're taking your clothes off.

1266
00:59:43,960 --> 00:59:47,280
Speaker 2: Fair Like, who wanna start fighting on a training record? No,

1267
00:59:47,400 --> 00:59:50,560
Speaker 2: I's plenty of training records that you start fighting. Every

1268
00:59:50,720 --> 00:59:53,760
Speaker 2: collab with Trick Daddy, I might fight somebody. A girl's

1269
00:59:53,800 --> 00:59:57,200
Speaker 2: definitely fighting, Yeah, because Trina, as much as she has

1270
00:59:57,240 --> 00:59:59,720
Speaker 2: sexual music, she has fight music for women. There was

1271
00:59:59,720 --> 01:00:02,640
Speaker 2: a there was a whole list of performances. I think

1272
01:00:02,840 --> 01:00:04,840
Speaker 2: who's who's next on the list, because they put out

1273
01:00:04,880 --> 01:00:07,000
Speaker 2: a whole list of who's coming.

1274
01:00:07,040 --> 01:00:10,200
Speaker 1: I know fact I love the nineties. I love the nineties.

1275
01:00:10,240 --> 01:00:14,160
Speaker 2: Is going, Yeah, that's that's that's that's rob rob based going.

1276
01:00:14,160 --> 01:00:17,000
Speaker 2: The sea World is absolutely fucking crazy. Yeah.

1277
01:00:17,440 --> 01:00:19,840
Speaker 1: I think it was a hologram of Prince was the

1278
01:00:19,880 --> 01:00:21,000
Speaker 1: next one?

1279
01:00:21,760 --> 01:00:23,360
Speaker 2: Wait till they try to get Michael Jackson.

1280
01:00:24,040 --> 01:00:27,520
Speaker 1: I love the Nineties tour calling me bad, Rob Pace,

1281
01:00:28,120 --> 01:00:29,760
Speaker 1: Tretch and Young MC.

1282
01:00:31,240 --> 01:00:36,160
Speaker 2: Is this the SeaWorld or this see they're calling it

1283
01:00:36,200 --> 01:00:40,720
Speaker 2: the sea World Summer Spectacular Concerts. It's running until August

1284
01:00:40,720 --> 01:00:43,840
Speaker 2: twenty third. Baby Bash was there, Ying Yang was there,

1285
01:00:43,880 --> 01:00:46,360
Speaker 2: Soldier Boy Boot they did that fact. Joe was there

1286
01:00:46,360 --> 01:00:48,920
Speaker 2: in July. Walker was there in July. I love the

1287
01:00:49,000 --> 01:00:51,720
Speaker 2: nineties tour was there? Training was just there. So now

1288
01:00:51,760 --> 01:00:54,960
Speaker 2: we have genuine this weekend and then it turned up

1289
01:00:54,960 --> 01:00:58,440
Speaker 2: tour with Petie, Polo, Paul Wall, j Kawn and Rory

1290
01:00:58,480 --> 01:00:59,920
Speaker 2: will be there August twenty third.

1291
01:01:00,160 --> 01:01:06,200
Speaker 1: A fact, would you because this is the episode I

1292
01:01:06,240 --> 01:01:07,880
Speaker 1: want to make you feel uncomfortable, would you go on

1293
01:01:07,880 --> 01:01:08,440
Speaker 1: a cruise with me?

1294
01:01:08,640 --> 01:01:12,400
Speaker 2: No? South Fast is not uncomfortable, Okay, answers, you know, Okay?

1295
01:01:12,520 --> 01:01:17,680
Speaker 1: What if the cruise was the Locks, the Brat, jizz A,

1296
01:01:17,840 --> 01:01:23,080
Speaker 1: Juvenile Loupe Fiasco, MC Light, Exhibit, Twisted, dead Press, Little Brother, Farside,

1297
01:01:23,080 --> 01:01:27,480
Speaker 1: Paul Wall, Coolgie, Wrap, Onyx Buckshot Smith and Wesson, Nappy Roots,

1298
01:01:27,880 --> 01:01:32,200
Speaker 1: MC rock Ed, Lover house Band, The Foreigner Degrees Band

1299
01:01:33,280 --> 01:01:36,880
Speaker 1: on DJ is Just On DJ, DJ Jazzy, Jeff Manny

1300
01:01:36,920 --> 01:01:40,520
Speaker 1: Fresh DJ, Paul j Period DJ Scratch, DJ Evil, D

1301
01:01:40,600 --> 01:01:43,960
Speaker 1: DJ Cool and it continues on. Then on top of that,

1302
01:01:44,040 --> 01:01:48,720
Speaker 1: you have Ivey On Crockett, got Torri, Tony Roberts, Lance Woods.

1303
01:01:49,040 --> 01:01:51,960
Speaker 1: Would you go on that cruise with me? Is that

1304
01:01:52,000 --> 01:01:54,800
Speaker 1: not the greatest cruise you've ever heard in your fucking life?

1305
01:01:55,040 --> 01:01:56,960
Speaker 2: When you say a cruise and then you say the

1306
01:01:57,000 --> 01:01:59,680
Speaker 2: locks is there and you say.

1307
01:01:59,560 --> 01:02:03,440
Speaker 1: Jizz, Oh damn. They took Fab off the list. I

1308
01:02:03,440 --> 01:02:06,919
Speaker 1: felt like Fab was on this. At one point, Dead

1309
01:02:07,000 --> 01:02:11,800
Speaker 1: Pred Miami to the Bahamas with Dead Press, Like imagine

1310
01:02:11,840 --> 01:02:14,360
Speaker 1: Dead Press just screaming White Devil by the hot tub

1311
01:02:16,920 --> 01:02:20,560
Speaker 1: in the Bahamas. That's a bucket list thing for me.

1312
01:02:21,640 --> 01:02:23,160
Speaker 1: So this has been This has been sold out for

1313
01:02:23,160 --> 01:02:26,080
Speaker 1: the entire year, and I have went through every publication

1314
01:02:26,560 --> 01:02:29,040
Speaker 1: and rapper on here to see if I could get

1315
01:02:29,080 --> 01:02:32,520
Speaker 1: a cabin. I'm trying. It's the Rock the Bells. If

1316
01:02:32,600 --> 01:02:35,640
Speaker 1: people don't know Rock the Bells, I mean the biggest

1317
01:02:35,640 --> 01:02:38,560
Speaker 1: innovators in the hip hop festival space by far. Shoutouts

1318
01:02:38,560 --> 01:02:41,120
Speaker 1: to Rock the Bells. You've changed all of hip hop

1319
01:02:41,120 --> 01:02:45,080
Speaker 1: with what you did. I have. I've reached out to everyone.

1320
01:02:45,240 --> 01:02:48,360
Speaker 1: I will pay whatever the fuck I need to for

1321
01:02:48,400 --> 01:02:50,880
Speaker 1: a cabin. I'm not looking for a free ticket. I

1322
01:02:50,960 --> 01:02:55,520
Speaker 1: will pay. This would be the funniest trip. I'm not

1323
01:02:55,600 --> 01:02:59,240
Speaker 1: saying there'll be hoes there. I just want to I

1324
01:02:59,320 --> 01:03:01,800
Speaker 1: just want to see a bit at the buffet.

1325
01:03:04,640 --> 01:03:06,680
Speaker 2: To see the Locks performing on a cruise ship.

1326
01:03:07,120 --> 01:03:09,840
Speaker 1: Like dealing with kiss for four days just from Miami.

1327
01:03:10,640 --> 01:03:11,560
Speaker 2: I was just with Kissing.

1328
01:03:11,880 --> 01:03:14,440
Speaker 1: We was at the ball, we was we was just

1329
01:03:14,480 --> 01:03:17,480
Speaker 1: getting the pina Colada together. And now he's on stage

1330
01:03:17,480 --> 01:03:20,280
Speaker 1: in ten minutes. Like look at I mean, look at

1331
01:03:20,320 --> 01:03:24,120
Speaker 1: the DJL. This is one of the craziest ideas. This

1332
01:03:24,200 --> 01:03:28,160
Speaker 1: is what this would be nerd hip hop fire Fest

1333
01:03:28,240 --> 01:03:29,400
Speaker 1: and it's actually gonna happen.

1334
01:03:30,560 --> 01:03:33,439
Speaker 2: Yeah, this is this is crazy. This is Kai's Kai

1335
01:03:33,600 --> 01:03:37,160
Speaker 2: University on on on the water for me. Yeah, for me,

1336
01:03:37,800 --> 01:03:41,040
Speaker 2: this is this is the Streamers University in the ocean

1337
01:03:41,800 --> 01:03:43,400
Speaker 2: for me, Like you got the Locks and then you

1338
01:03:43,480 --> 01:03:45,680
Speaker 2: got because now when you get down a buckshot in

1339
01:03:45,720 --> 01:03:48,880
Speaker 2: Smith and Western, that's a put Onyx. I don't know

1340
01:03:48,880 --> 01:03:50,680
Speaker 2: if I want to be on a boat with Onyx fans.

1341
01:03:51,880 --> 01:03:53,840
Speaker 2: I just don't know. But I'm not saying that. I'm

1342
01:03:53,880 --> 01:03:55,880
Speaker 2: not saying it's not a hard no, I'm saying I

1343
01:03:55,920 --> 01:03:56,480
Speaker 2: don't know.

1344
01:03:56,640 --> 01:03:59,720
Speaker 1: But here's the thing. I think, because it's a cruise,

1345
01:04:00,520 --> 01:04:03,880
Speaker 1: most of these people are going to be families, like

1346
01:04:04,280 --> 01:04:07,080
Speaker 1: the way as men we get dragged on family vacasions.

1347
01:04:07,160 --> 01:04:10,000
Speaker 1: Niggas is gonna be convicted felons too, Yeah, but they

1348
01:04:10,320 --> 01:04:11,200
Speaker 1: change their life around.

1349
01:04:11,240 --> 01:04:12,680
Speaker 2: I don't know. I don't want to find out on

1350
01:04:12,720 --> 01:04:13,280
Speaker 2: the water and.

1351
01:04:14,080 --> 01:04:16,720
Speaker 1: You don't need a passport if you're going by boat

1352
01:04:17,080 --> 01:04:21,280
Speaker 1: from I I know, I'm saying from Miami to Thebamas,

1353
01:04:21,320 --> 01:04:23,840
Speaker 1: you only need one with flying you're on a boat,

1354
01:04:24,320 --> 01:04:24,720
Speaker 1: you're good.

1355
01:04:24,920 --> 01:04:25,120
Speaker 2: Yeah.

1356
01:04:25,320 --> 01:04:27,200
Speaker 1: So yeah, I'm sure everyone is going to be that.

1357
01:04:27,320 --> 01:04:30,840
Speaker 1: But I believe in you know, redemption, and I think

1358
01:04:30,880 --> 01:04:32,240
Speaker 1: a lot it's just gonna be a bunch of you

1359
01:04:32,280 --> 01:04:36,760
Speaker 1: believe in prison reform clearly, look how they treat the person.

1360
01:04:39,560 --> 01:04:42,200
Speaker 1: I really believe in everything the prison system does in

1361
01:04:42,200 --> 01:04:44,600
Speaker 1: the United States. That's why we jail so many people

1362
01:04:44,880 --> 01:04:47,320
Speaker 1: more than any other country in the world, is because

1363
01:04:47,360 --> 01:04:49,160
Speaker 1: we're we're thinking to reform.

1364
01:04:49,200 --> 01:04:49,760
Speaker 2: Absolutely.

1365
01:04:50,440 --> 01:04:53,440
Speaker 1: I think this would be the funnest people watching trip

1366
01:04:53,560 --> 01:04:55,880
Speaker 1: of all time. I would have so much fucking fun

1367
01:04:55,880 --> 01:04:56,160
Speaker 1: on us.

1368
01:04:56,840 --> 01:04:59,800
Speaker 2: That's a that's a crazy lineup. Shout out to everybody

1369
01:05:00,280 --> 01:05:03,280
Speaker 2: on this lineup. It's incredible lineup, the locks, the brat.

1370
01:05:04,200 --> 01:05:06,760
Speaker 2: I just don't know if I'm willing to be on

1371
01:05:06,800 --> 01:05:11,160
Speaker 2: the open ocean with Onyx and Smith and Western fans.

1372
01:05:11,200 --> 01:05:13,360
Speaker 2: So I don't want to be on the train with

1373
01:05:13,440 --> 01:05:15,080
Speaker 2: Onyx and Smith and Western fans.

1374
01:05:15,680 --> 01:05:19,160
Speaker 1: Rock the bells. I'm telling you now not that I

1375
01:05:19,200 --> 01:05:21,360
Speaker 1: have any value, especially to this lineup.

1376
01:05:21,840 --> 01:05:23,000
Speaker 2: I will host a.

1377
01:05:22,840 --> 01:05:26,440
Speaker 1: Three day podcast panel in the conference room just for

1378
01:05:26,520 --> 01:05:28,160
Speaker 1: a cabin. You don't need to pay me.

1379
01:05:29,840 --> 01:05:34,640
Speaker 2: I'll work for food. I will work for food. Give me.

1380
01:05:34,800 --> 01:05:37,080
Speaker 1: Give me the ship where everyone died in the Titanic,

1381
01:05:37,120 --> 01:05:38,160
Speaker 1: the people that was like in the bottom.

1382
01:05:40,080 --> 01:05:40,440
Speaker 2: Put me.

1383
01:05:40,640 --> 01:05:43,160
Speaker 1: I don't I need to uh the club quarters wherever

1384
01:05:43,160 --> 01:05:45,520
Speaker 1: that ship is at. Yeah, where all the employees is at.

1385
01:05:45,560 --> 01:05:46,880
Speaker 1: Just put me in one of those bunks.

1386
01:05:47,320 --> 01:05:48,520
Speaker 2: You just need to be on that boat.

1387
01:05:48,800 --> 01:05:51,080
Speaker 1: I wear the same thing every day. I don't even

1388
01:05:51,120 --> 01:05:52,800
Speaker 1: need a suitcase if that takes up too much space.

1389
01:05:52,880 --> 01:05:55,240
Speaker 1: Were talking ship and cracking jokes. But it's all in love.

1390
01:05:55,280 --> 01:05:57,760
Speaker 1: But this ship might be sold out. No, I'm telling

1391
01:05:57,760 --> 01:06:00,720
Speaker 1: you so, I can't. I've tried. I've tried away. I

1392
01:06:00,720 --> 01:06:03,680
Speaker 1: would have just bought a cabin. It sold out immediately.

1393
01:06:03,840 --> 01:06:06,040
Speaker 1: It's been Oh so never mind.

1394
01:06:08,120 --> 01:06:10,400
Speaker 2: There's some seats available, it's some rooms available.

1395
01:06:11,360 --> 01:06:14,000
Speaker 1: No, because last time I did that, they put me

1396
01:06:14,040 --> 01:06:14,920
Speaker 1: on like a waiting list.

1397
01:06:16,840 --> 01:06:17,480
Speaker 2: The weight's over.

1398
01:06:18,720 --> 01:06:20,320
Speaker 1: Don't tell me the wait, don't tell me the way.

1399
01:06:21,840 --> 01:06:23,040
Speaker 2: This is what you've been waiting for.

1400
01:06:24,320 --> 01:06:25,480
Speaker 1: Yeah, it's a waiting list.

1401
01:06:26,720 --> 01:06:28,800
Speaker 2: The ship is this ship is full, but we may

1402
01:06:28,840 --> 01:06:29,760
Speaker 2: have room for you. Yeah.

1403
01:06:29,920 --> 01:06:36,320
Speaker 1: No, this is sold out though, I mean maybe.

1404
01:06:38,280 --> 01:06:40,800
Speaker 2: Oh okay, we got action, but.

1405
01:06:40,800 --> 01:06:43,600
Speaker 1: That's a waiting list. You can like try to get that.

1406
01:06:43,840 --> 01:06:46,200
Speaker 2: Oh okay, I see what you're saying. Yeah, got you.

1407
01:06:47,280 --> 01:06:50,200
Speaker 1: So I was trying to go like direct to them.

1408
01:06:50,760 --> 01:06:53,400
Speaker 1: They'd be like, if one pulls up, like, I'll just

1409
01:06:53,400 --> 01:06:57,360
Speaker 1: send you. I'll cash at you, bro, like what you need?

1410
01:06:57,880 --> 01:07:00,400
Speaker 2: Yeah, who's scalping? Who's scalping? Rooms at the at you

1411
01:07:00,480 --> 01:07:07,560
Speaker 2: know they are at the dock. Sticky fingers shout out

1412
01:07:07,560 --> 01:07:09,320
Speaker 2: to rock the bells man. That shit looks like it's

1413
01:07:09,320 --> 01:07:11,400
Speaker 2: gonna be crazy. Though. That's a crazy lineup.

1414
01:07:11,600 --> 01:07:13,600
Speaker 1: You wouldn't want to go on that with me. I

1415
01:07:13,680 --> 01:07:16,200
Speaker 1: just don't know about being on a ship. Like, it's

1416
01:07:16,240 --> 01:07:18,919
Speaker 1: not it's Miami to Bahamas. It's three days. It ain't

1417
01:07:18,920 --> 01:07:20,400
Speaker 1: that much and then you get to kick it in

1418
01:07:20,440 --> 01:07:21,760
Speaker 1: the Bahamas, like are.

1419
01:07:21,600 --> 01:07:23,440
Speaker 2: They performing on the ship or like when they dock

1420
01:07:23,520 --> 01:07:24,280
Speaker 2: in the Bahamas.

1421
01:07:24,400 --> 01:07:26,439
Speaker 1: Oh that actually don't know. I thought for the most

1422
01:07:26,440 --> 01:07:28,960
Speaker 1: part was on the ship. I'm sure it's spread out.

1423
01:07:29,200 --> 01:07:30,840
Speaker 1: I'm sure probably like a lot of the DJ ship

1424
01:07:30,920 --> 01:07:33,560
Speaker 1: might be on the boat. Yeah, but like imagine just

1425
01:07:33,600 --> 01:07:36,600
Speaker 1: being on a cruise you could just see Jazzy Jeffson.

1426
01:07:36,440 --> 01:07:38,520
Speaker 2: Go upstairs and watch the locks perform.

1427
01:07:38,920 --> 01:07:43,040
Speaker 1: Yeah, oh yes, on the cruise there that that's one

1428
01:07:43,040 --> 01:07:45,360
Speaker 1: of the like I'll go with the ship cruise or whatever.

1429
01:07:45,440 --> 01:07:47,880
Speaker 1: All the documentaries are now on Netflix of how every

1430
01:07:47,920 --> 01:07:50,680
Speaker 1: cruise ship people are missing.

1431
01:07:50,960 --> 01:07:54,240
Speaker 2: I mean they change the name now to Rock the Boat. No, no,

1432
01:07:54,360 --> 01:07:57,280
Speaker 2: I still Rock the Bells. I mean they're on the

1433
01:07:57,360 --> 01:08:00,960
Speaker 2: fucking ship. I think that's right. That's a layup. No peas,

1434
01:08:01,360 --> 01:08:02,800
Speaker 2: Rock the Rock the Boat.

1435
01:08:02,800 --> 01:08:06,200
Speaker 1: You have to do a hole of lea set.

1436
01:08:06,000 --> 01:08:11,880
Speaker 2: Looking with Josh black Smith and Wesson. Jimmy didn't do it.

1437
01:08:11,880 --> 01:08:15,840
Speaker 1: It was like black jack, you know, literally going right

1438
01:08:15,840 --> 01:08:17,040
Speaker 1: outside and go play black Jack.

1439
01:08:17,120 --> 01:08:19,519
Speaker 2: You could have breakfast next to Curtis Blow. What the

1440
01:08:19,560 --> 01:08:23,360
Speaker 2: fuck are you talking about? Black Jacket? I could have

1441
01:08:23,400 --> 01:08:26,320
Speaker 2: eggs would rock him. What the fuck are you telling

1442
01:08:26,360 --> 01:08:26,800
Speaker 2: me right now?

1443
01:08:26,840 --> 01:08:30,599
Speaker 1: The soda fountain is free? Josh is there? Oh man?

1444
01:08:30,760 --> 01:08:33,439
Speaker 1: But yeah, I mean I really want to go and

1445
01:08:33,479 --> 01:08:34,920
Speaker 1: I could do yoga at the basketball court.

1446
01:08:35,960 --> 01:08:37,320
Speaker 2: That ship looks like it's gonna be interesting.

1447
01:08:38,320 --> 01:08:42,160
Speaker 1: And you know, you you could catch some like questionable bodies,

1448
01:08:42,200 --> 01:08:46,120
Speaker 1: but they'd have they'd have some good miles on them. Yeah,

1449
01:08:46,720 --> 01:08:48,840
Speaker 1: them girls would know what they were doing. You need

1450
01:08:48,840 --> 01:08:51,760
Speaker 1: that experience, veterans.

1451
01:08:50,640 --> 01:08:53,320
Speaker 2: And yeah, so we just cruising.

1452
01:08:53,360 --> 01:08:55,080
Speaker 1: We just chilling like any chick that was like, yo,

1453
01:08:55,120 --> 01:08:57,080
Speaker 1: I'm here for buckshot. I know that head is crazy

1454
01:08:57,240 --> 01:09:00,479
Speaker 1: for sure. Actually, while we're on music, what's up with

1455
01:09:00,520 --> 01:09:04,160
Speaker 1: Jamaa's It's gonna come across as hate? And I promise

1456
01:09:04,240 --> 01:09:09,280
Speaker 1: this it's really not hate whatsoever. Why is why is

1457
01:09:09,320 --> 01:09:12,280
Speaker 1: Aiden Ross the Iceman Rollout?

1458
01:09:13,280 --> 01:09:15,479
Speaker 2: Is is Aiden Ross the Iceman Rollout?

1459
01:09:16,240 --> 01:09:18,880
Speaker 1: I mean obviously been on uh stream together because of

1460
01:09:18,880 --> 01:09:21,120
Speaker 1: the stake relationship and everything that they've been doing. But

1461
01:09:21,960 --> 01:09:25,960
Speaker 1: he had mentioned that Drake had sent him Iceman already,

1462
01:09:26,000 --> 01:09:27,840
Speaker 1: and it was like, yeah, shit cool. And I could

1463
01:09:27,880 --> 01:09:31,240
Speaker 1: even see it in Drake's face of like I sent

1464
01:09:31,280 --> 01:09:33,880
Speaker 1: you the album and with the platform you have that's

1465
01:09:33,880 --> 01:09:34,960
Speaker 1: your reaction, Like.

1466
01:09:35,520 --> 01:09:39,639
Speaker 2: But that's not fucking that's not a rollout though you said, I'm.

1467
01:09:39,560 --> 01:09:41,120
Speaker 1: Just saying, well, yes it is. It is part of

1468
01:09:41,120 --> 01:09:43,439
Speaker 1: the rollout. Let's let's call it for what it is.

1469
01:09:43,640 --> 01:09:47,120
Speaker 1: Of course, it is his relationship with Aiden, whether it

1470
01:09:47,120 --> 01:09:53,040
Speaker 1: be genuine or because of common business interests, Aiden is

1471
01:09:53,040 --> 01:09:57,320
Speaker 1: a big part of anytime Drake speaks, and I just

1472
01:09:57,320 --> 01:10:00,920
Speaker 1: feel like that's cool when you're doing the streaming and

1473
01:10:01,000 --> 01:10:03,439
Speaker 1: gambling thing, because I'm never going to take away from

1474
01:10:03,479 --> 01:10:10,320
Speaker 1: the base that Aiden has. I'm well aware of his platform.

1475
01:10:10,360 --> 01:10:12,479
Speaker 1: But when it comes to music at a time when

1476
01:10:12,520 --> 01:10:18,200
Speaker 1: your music is probably under the biggest microscope it's ever

1477
01:10:18,280 --> 01:10:24,280
Speaker 1: been under since two thousand and eight, Yeah, Aiden is

1478
01:10:24,280 --> 01:10:25,680
Speaker 1: the one that you want to talk music with. Like

1479
01:10:25,880 --> 01:10:32,040
Speaker 1: he's not even like Aiden for hip hop, Like what

1480
01:10:32,040 --> 01:10:34,519
Speaker 1: are we talking about? Like this is the person that

1481
01:10:34,760 --> 01:10:37,120
Speaker 1: you want to go on stream with. Even I came

1482
01:10:37,160 --> 01:10:39,599
Speaker 1: on here and said that Kai should be number one

1483
01:10:39,640 --> 01:10:41,360
Speaker 1: on that hip hop list. But when it comes down

1484
01:10:41,400 --> 01:10:43,439
Speaker 1: to it, I don't think Kai. I think Kai is

1485
01:10:43,479 --> 01:10:45,479
Speaker 1: a streamer before he's a music person, which is fine.

1486
01:10:45,680 --> 01:10:47,800
Speaker 1: I'm not saying you have to be that whatsoever. But

1487
01:10:47,920 --> 01:10:52,960
Speaker 1: at least like Kai or somebody would have been better

1488
01:10:54,160 --> 01:10:57,360
Speaker 1: to send music to for a reaction and that would

1489
01:10:57,360 --> 01:10:58,519
Speaker 1: go out to the public.

1490
01:10:59,080 --> 01:11:00,880
Speaker 2: This guy, I don't think.

1491
01:11:00,920 --> 01:11:02,800
Speaker 1: What do you think that like the first song he

1492
01:11:02,840 --> 01:11:05,160
Speaker 1: ever heard was in his life, like and I'm not

1493
01:11:05,200 --> 01:11:07,519
Speaker 1: saying you had to be somewhere like a. I'm just

1494
01:11:07,560 --> 01:11:10,439
Speaker 1: saying I don't even think he like listens to music.

1495
01:11:11,000 --> 01:11:14,840
Speaker 2: I don't. I don't think that Drake anticipated he was

1496
01:11:14,960 --> 01:11:17,240
Speaker 2: mentioned anything about hearing the album. I don't think that

1497
01:11:17,400 --> 01:11:19,760
Speaker 2: was a part of the plane at all. I think

1498
01:11:19,800 --> 01:11:21,679
Speaker 2: Drake looked like he was actually surprised. He even said

1499
01:11:21,680 --> 01:11:22,080
Speaker 2: it was like.

1500
01:11:22,439 --> 01:11:24,840
Speaker 1: I think he was sick about it. He played it

1501
01:11:24,840 --> 01:11:25,320
Speaker 1: off well.

1502
01:11:25,360 --> 01:11:27,080
Speaker 2: But so this is what I'm saying, I don't so

1503
01:11:27,120 --> 01:11:29,880
Speaker 2: when you says the rollout like, I don't think Drake

1504
01:11:29,960 --> 01:11:32,360
Speaker 2: was anticipating Aiden saying anything about the new music like

1505
01:11:32,439 --> 01:11:34,720
Speaker 2: at all. I think he ate and caught him by

1506
01:11:34,760 --> 01:11:37,280
Speaker 2: surprise by just saying that. Like, I don't think that

1507
01:11:37,280 --> 01:11:39,080
Speaker 2: that was part of a plan or rollout at all.

1508
01:11:39,400 --> 01:11:42,040
Speaker 2: I mean him and Aiden obviously have a relationship, yeah,

1509
01:11:42,120 --> 01:11:44,240
Speaker 2: of course, and Drake, you know, trust him with his music,

1510
01:11:44,720 --> 01:11:46,960
Speaker 2: so he let him hear some of the music and

1511
01:11:47,080 --> 01:11:49,000
Speaker 2: Aiden just just said it.

1512
01:11:49,040 --> 01:11:50,720
Speaker 1: I mean, I don't, I'm not. I also want to

1513
01:11:50,720 --> 01:11:53,800
Speaker 1: make it clear, I'm not saying Drake being a global superstar,

1514
01:11:54,320 --> 01:11:57,840
Speaker 1: I don't think that the Living Die opinion is off

1515
01:11:57,920 --> 01:12:00,600
Speaker 1: like nerdy hip hop people like me. What's However, I

1516
01:12:00,640 --> 01:12:03,960
Speaker 1: think the Aiden community is a huge part of his

1517
01:12:04,000 --> 01:12:06,599
Speaker 1: fan base to begin with. He's a global superstar. People

1518
01:12:06,600 --> 01:12:09,479
Speaker 1: that are just casual music fans, you need their opinion

1519
01:12:09,560 --> 01:12:12,439
Speaker 1: as well. But I don't know. I just think with

1520
01:12:12,600 --> 01:12:16,880
Speaker 1: everything going on, I would have texted him like, though,

1521
01:12:16,920 --> 01:12:20,720
Speaker 1: I'm never sending you a fucking untitled link again.

1522
01:12:20,960 --> 01:12:23,200
Speaker 2: You know That's not what he texted him right there. Definitely,

1523
01:12:23,200 --> 01:12:26,200
Speaker 2: it definitely could be. It definitely could be.

1524
01:12:27,360 --> 01:12:31,840
Speaker 1: Like things are already on edge no matter what, and

1525
01:12:32,400 --> 01:12:35,040
Speaker 1: the only person that has publicly said that they heard

1526
01:12:35,080 --> 01:12:36,200
Speaker 1: the music, he was like, yeah.

1527
01:12:36,080 --> 01:12:36,839
Speaker 2: I should cool.

1528
01:12:38,200 --> 01:12:40,720
Speaker 1: And you not even like that, like nobody looks to

1529
01:12:40,760 --> 01:12:42,519
Speaker 1: Aiden for fuck depends.

1530
01:12:42,600 --> 01:12:44,120
Speaker 2: I don't think it matters what he said. I don't

1531
01:12:44,160 --> 01:12:45,599
Speaker 2: think that that No, just.

1532
01:12:45,560 --> 01:12:48,480
Speaker 1: It just fuels I would be frustrated because it fuels

1533
01:12:48,640 --> 01:12:55,000
Speaker 1: a narrative that's being carried already coming off everything. That's

1534
01:12:55,000 --> 01:12:56,720
Speaker 1: why I just think with certain like just stick to

1535
01:12:56,760 --> 01:12:58,800
Speaker 1: gam because he's talked on music with Aidan before and

1536
01:12:58,800 --> 01:13:01,599
Speaker 1: I've never understood it, Like mm hmm, that shouldn't even

1537
01:13:01,640 --> 01:13:07,639
Speaker 1: be your I guess, wave with the music side, keep

1538
01:13:07,680 --> 01:13:13,519
Speaker 1: to to gambling, keep to just funny streaming ship with him. Yeah, music,

1539
01:13:14,120 --> 01:13:17,559
Speaker 1: that should be the last thing that you don't even

1540
01:13:17,680 --> 01:13:19,040
Speaker 1: speak to that human being about.

1541
01:13:19,080 --> 01:13:20,720
Speaker 2: Yeah, but it don't matter, man, Drake is.

1542
01:13:21,280 --> 01:13:23,000
Speaker 1: Of course it's a very small thing.

1543
01:13:23,040 --> 01:13:25,439
Speaker 2: It doesn't that shit doesn't matter. That shit is very

1544
01:13:25,640 --> 01:13:29,160
Speaker 2: very small and the bigger, bigger scheme of things. But

1545
01:13:29,200 --> 01:13:31,759
Speaker 2: again and aid and have a personal relationship, and Aiden

1546
01:13:31,920 --> 01:13:34,920
Speaker 2: just you know, wanted people to know he heard the album,

1547
01:13:35,200 --> 01:13:36,760
Speaker 2: you know, for whatever reason, I don't I don't know

1548
01:13:36,760 --> 01:13:38,680
Speaker 2: why he would say that, Like it is what it is.

1549
01:13:38,720 --> 01:13:40,720
Speaker 2: But I don't think it's anything wrong with that. I

1550
01:13:40,720 --> 01:13:42,840
Speaker 2: don't think that does anything negative for the role. I

1551
01:13:42,840 --> 01:13:45,240
Speaker 2: don't think it does anything negative for the way people

1552
01:13:45,280 --> 01:13:48,880
Speaker 2: can receive the music once they have the music, which

1553
01:13:48,920 --> 01:13:51,400
Speaker 2: is what they seem to do with any Drake album

1554
01:13:51,439 --> 01:13:54,240
Speaker 2: over the years, is that they'll love it. It's that simple.

1555
01:13:54,600 --> 01:13:56,080
Speaker 2: I don't think changes.

1556
01:13:56,240 --> 01:14:00,720
Speaker 1: Drake should be extremely intentional with it. Every move he's

1557
01:14:00,720 --> 01:14:03,320
Speaker 1: about to make and I just don't think that's the

1558
01:14:03,360 --> 01:14:04,920
Speaker 1: one because even like.

1559
01:14:05,040 --> 01:14:08,280
Speaker 2: But how is that because he's about a Drake move

1560
01:14:08,360 --> 01:14:09,920
Speaker 2: that even he didn't just say let.

1561
01:14:09,880 --> 01:14:11,920
Speaker 1: Me, let me lay my point. Even back in the day,

1562
01:14:12,040 --> 01:14:16,760
Speaker 1: like I remember, and I'm not spilling any news per se,

1563
01:14:16,800 --> 01:14:19,200
Speaker 1: there was a time where there was a Drake dropbox

1564
01:14:20,000 --> 01:14:22,519
Speaker 1: that had just been sent to so many fucking people

1565
01:14:23,120 --> 01:14:26,160
Speaker 1: that they were just uploading music like I heard half

1566
01:14:26,200 --> 01:14:30,200
Speaker 1: of CLB because there was just a drop box that

1567
01:14:30,320 --> 01:14:33,519
Speaker 1: was just being shared everywhere because he was sending it

1568
01:14:33,560 --> 01:14:36,080
Speaker 1: to certain people. And I'm not saying AIDEN wouldn't hold

1569
01:14:36,120 --> 01:14:39,400
Speaker 1: it down anything like that, but like you're you're dealing

1570
01:14:39,400 --> 01:14:41,920
Speaker 1: with people that would be more on the side of hey,

1571
01:14:41,960 --> 01:14:45,800
Speaker 1: I have this than hey let me hear it. And

1572
01:14:46,680 --> 01:14:48,960
Speaker 1: to me, that's a problem in this stuff.

1573
01:14:49,200 --> 01:14:52,360
Speaker 2: That's all I understand you. I get it, But I

1574
01:14:52,400 --> 01:14:52,760
Speaker 2: don't know.

1575
01:14:53,600 --> 01:14:58,719
Speaker 1: I'm looking forward to to Iceman. I put out something

1576
01:14:58,760 --> 01:15:01,160
Speaker 1: literally just now. I don't know if this is a

1577
01:15:01,240 --> 01:15:03,280
Speaker 1: trailer for a tour coming to a city near you

1578
01:15:03,360 --> 01:15:06,040
Speaker 1: with a bunch of tour footage. What did I miss

1579
01:15:06,040 --> 01:15:12,000
Speaker 1: in the background. If he's already announcing a tour for

1580
01:15:12,040 --> 01:15:13,760
Speaker 1: Iceman and I don't know if that's the case here,

1581
01:15:14,280 --> 01:15:17,880
Speaker 1: I would assume Iceman would be coming out Friday. Have

1582
01:15:17,960 --> 01:15:19,360
Speaker 1: you putting out a tour announcement.

1583
01:15:20,080 --> 01:15:25,440
Speaker 2: I'm gonna go on a side of this is probably

1584
01:15:25,479 --> 01:15:31,840
Speaker 2: a visual movie going to be available in theaters. Okay,

1585
01:15:31,880 --> 01:15:35,679
Speaker 2: people that aren't at the show's overseas can get a

1586
01:15:36,800 --> 01:15:38,960
Speaker 2: you know, get a glimpse of the show, can watch

1587
01:15:39,000 --> 01:15:42,320
Speaker 2: the show maybe streaming at some point. Look at all

1588
01:15:42,320 --> 01:15:45,600
Speaker 2: the production that's going into the show to set, you know,

1589
01:15:45,680 --> 01:15:48,599
Speaker 2: that behind the scenes, in depth look of a Drake

1590
01:15:48,800 --> 01:15:51,320
Speaker 2: a Drake show. I think this this is probably gonna

1591
01:15:51,320 --> 01:15:54,360
Speaker 2: be like a yeah, one of those like a you know,

1592
01:15:54,400 --> 01:15:56,600
Speaker 2: a short short film type of.

1593
01:15:56,760 --> 01:15:58,559
Speaker 1: I mean, I'd love that type of stuff. I actually

1594
01:15:58,640 --> 01:16:01,200
Speaker 1: kind of miss I mean, not so much like Fade

1595
01:16:01,200 --> 01:16:03,840
Speaker 1: to Black, but just like that used to be a

1596
01:16:03,920 --> 01:16:06,880
Speaker 1: thing for huge artists where they their concerts would be

1597
01:16:06,960 --> 01:16:09,640
Speaker 1: in movie theaters. Yeah, if you couldn't catch itself that's

1598
01:16:09,640 --> 01:16:11,200
Speaker 1: the case. Yeah, I think that's a great idea.

1599
01:16:11,960 --> 01:16:13,240
Speaker 2: Yeah, I would like that. I think that would be

1600
01:16:13,280 --> 01:16:15,599
Speaker 2: dope some different shit cool ship for sure.

1601
01:16:17,160 --> 01:16:20,080
Speaker 1: All Right, you guys wanted to talk about this preseason game.

1602
01:16:20,280 --> 01:16:22,479
Speaker 1: You guys already think he's fucking Joe Montana, but.

1603
01:16:22,840 --> 01:16:23,080
Speaker 2: I mean.

1604
01:16:24,560 --> 01:16:28,639
Speaker 1: Top preseason. Listen, there's a new number twelve in town.

1605
01:16:29,320 --> 01:16:31,880
Speaker 1: Numbers a new number twelve again, it's gonna come off

1606
01:16:31,880 --> 01:16:32,400
Speaker 1: his hand, glory.

1607
01:16:33,479 --> 01:16:36,759
Speaker 2: Listen, there's a new number three. There's a new number

1608
01:16:36,800 --> 01:16:39,439
Speaker 2: twelve in town. And he has melon in this time,

1609
01:16:39,479 --> 01:16:40,120
Speaker 2: all right.

1610
01:16:42,000 --> 01:16:44,800
Speaker 1: It's not the melon in the brown and orange of

1611
01:16:44,840 --> 01:16:46,960
Speaker 1: the jersey that he wears. That is a curse of

1612
01:16:47,000 --> 01:16:49,599
Speaker 1: every that comes out.

1613
01:16:49,400 --> 01:16:54,760
Speaker 2: Of the league is a legend. Already stamp them. He's

1614
01:16:54,800 --> 01:16:57,720
Speaker 2: a stamp. Stamp them. He's a legend. He's on his

1615
01:16:57,800 --> 01:16:58,559
Speaker 2: way to Canton.

1616
01:16:59,680 --> 01:17:02,000
Speaker 1: It is what it is right there, it's an hour away.

1617
01:17:02,400 --> 01:17:07,160
Speaker 2: It's right there. But no saying. This preseason debut was

1618
01:17:07,160 --> 01:17:10,240
Speaker 2: this week this weekend, and he did a great job. Man,

1619
01:17:10,240 --> 01:17:10,680
Speaker 2: You look good.

1620
01:17:11,240 --> 01:17:13,680
Speaker 1: Listen. One hundred and thirty eight passing yards too tds.

1621
01:17:13,720 --> 01:17:16,880
Speaker 1: He looked good, even getting twenty three attempts in a

1622
01:17:16,920 --> 01:17:20,000
Speaker 1: preseason game to begin with. And we talked about being

1623
01:17:20,040 --> 01:17:22,200
Speaker 1: under the microscope. We know what your door is under

1624
01:17:22,280 --> 01:17:22,679
Speaker 1: right now.

1625
01:17:23,000 --> 01:17:26,560
Speaker 2: Everything that happened Draft night, you know, with all of

1626
01:17:26,600 --> 01:17:29,800
Speaker 2: the writers and you know, all of the experts were

1627
01:17:29,840 --> 01:17:33,839
Speaker 2: saying about him. He went out there this past weekend

1628
01:17:34,000 --> 01:17:36,080
Speaker 2: and you know, he put all of at the bed.

1629
01:17:36,120 --> 01:17:37,400
Speaker 2: He put on a solid performance.

1630
01:17:37,400 --> 01:17:40,679
Speaker 1: He didn't know nothing's been tucked in, there's been no bedtimes.

1631
01:17:40,720 --> 01:17:42,240
Speaker 1: I feel I think so, I think, I think this

1632
01:17:42,400 --> 01:17:46,160
Speaker 1: is just a yeah. But regardless it's I'm not saying

1633
01:17:46,200 --> 01:17:47,400
Speaker 1: it's not. It's great.

1634
01:17:47,600 --> 01:17:49,200
Speaker 2: But that's why. But that's why I don't like that

1635
01:17:49,320 --> 01:17:51,639
Speaker 2: it's a preseason game, because if it was a preseason

1636
01:17:51,640 --> 01:17:53,760
Speaker 2: game and he played like shit, they would say he

1637
01:17:53,760 --> 01:17:56,040
Speaker 2: played like shit. It wouldn't be oh, it's a preseason

1638
01:17:56,080 --> 01:17:58,960
Speaker 2: game because he played well. Not saying you, but I'm

1639
01:17:59,000 --> 01:18:02,360
Speaker 2: just saying that's what writers say. Oh it's a preseason game. Okay, cool.

1640
01:18:02,360 --> 01:18:04,759
Speaker 2: But had he went out there and went fucking seven

1641
01:18:04,840 --> 01:18:08,640
Speaker 2: for thirty and through four interceptions, would it have just

1642
01:18:08,680 --> 01:18:09,720
Speaker 2: been a preseason game then?

1643
01:18:09,800 --> 01:18:12,320
Speaker 1: And I know you're not saying I'm saying that, but

1644
01:18:12,840 --> 01:18:14,920
Speaker 1: with my take, I would have been like, yo, it's

1645
01:18:14,920 --> 01:18:16,640
Speaker 1: a preseason game. Let him get his footing, like, let

1646
01:18:16,720 --> 01:18:18,880
Speaker 1: him like that. If he went fucking oh for twenty,

1647
01:18:19,400 --> 01:18:21,599
Speaker 1: the other reason, like, give him a chance.

1648
01:18:21,640 --> 01:18:23,640
Speaker 2: Another reason why I don't like that it's a preseason

1649
01:18:23,680 --> 01:18:27,000
Speaker 2: game is because that's still NFL players.

1650
01:18:27,479 --> 01:18:31,600
Speaker 1: That's a fact. And first of all, NFL players that

1651
01:18:31,680 --> 01:18:34,599
Speaker 1: are playing for a spot in the most pressured job

1652
01:18:34,680 --> 01:18:38,160
Speaker 1: interview any of us could ever even fucking imagine I

1653
01:18:38,160 --> 01:18:41,120
Speaker 1: sit there and say, you know, I'm proficient in Microsoft XL.

1654
01:18:41,400 --> 01:18:43,960
Speaker 1: I could never imagine if there's this many roster spots

1655
01:18:44,120 --> 01:18:46,960
Speaker 1: and I have four games in a very weird, put

1656
01:18:47,000 --> 01:18:50,639
Speaker 1: together NFL game where people getting subbed out. We don't

1657
01:18:50,640 --> 01:18:52,960
Speaker 1: even know. Every move I make is one. I could

1658
01:18:52,960 --> 01:18:55,840
Speaker 1: get one play and that'll define my existence here. Yeah,

1659
01:18:56,000 --> 01:18:58,680
Speaker 1: I can never understand that pressure. But that's why I

1660
01:18:58,720 --> 01:19:02,760
Speaker 1: also say it's preseason. Like if he shipped the bed,

1661
01:19:03,000 --> 01:19:05,880
Speaker 1: I wouldn't be here slandering him preseason. Let the kid

1662
01:19:07,479 --> 01:19:09,120
Speaker 1: get some snaps like people would.

1663
01:19:08,960 --> 01:19:13,160
Speaker 2: Be Absolutely he's under a huge microscope. Everything he does, everything,

1664
01:19:13,200 --> 01:19:17,120
Speaker 2: he says, everything, he wears, everything, everything is under a microscope.

1665
01:19:17,160 --> 01:19:19,800
Speaker 2: For door saying this. I'm just happy that he went

1666
01:19:19,880 --> 01:19:23,800
Speaker 2: out there, he let his game do the talking, put

1667
01:19:23,840 --> 01:19:27,120
Speaker 2: on a great performance, looked solid, look good, look comfortable.

1668
01:19:28,479 --> 01:19:30,160
Speaker 2: And again, man, I'm just, you know, just happy to

1669
01:19:30,160 --> 01:19:32,799
Speaker 2: see that he put it together and under the pressure,

1670
01:19:32,880 --> 01:19:35,200
Speaker 2: was able to perform and put on a good put

1671
01:19:35,520 --> 01:19:36,599
Speaker 2: together a good game, that's all.

1672
01:19:36,720 --> 01:19:39,640
Speaker 1: Meanwhile, his man's is playing both ways in Jacksonville in

1673
01:19:39,680 --> 01:19:41,599
Speaker 1: a preseason game. Can't get a fucking rest.

1674
01:19:42,800 --> 01:19:44,120
Speaker 2: But that's what he couldn't want to do.

1675
01:19:44,240 --> 01:19:47,479
Speaker 1: He got time to rest, and ship is man's Paul

1676
01:19:47,560 --> 01:19:51,600
Speaker 1: is going both ways in the NFL. Only only his

1677
01:19:51,680 --> 01:19:52,280
Speaker 1: pops did that.

1678
01:19:53,000 --> 01:19:55,519
Speaker 2: I mean, you know, I don't think Travis Hunter is

1679
01:19:55,520 --> 01:19:57,439
Speaker 2: going to be a two way players in Tiger Carridough,

1680
01:19:57,520 --> 01:19:59,800
Speaker 2: that's I think that's he's gonna have to pick that.

1681
01:20:00,080 --> 01:20:02,240
Speaker 2: I figure out, yeah, figure out where we're gonna put him.

1682
01:20:02,240 --> 01:20:05,000
Speaker 2: But he looked okay, he had he had a decent game.

1683
01:20:05,640 --> 01:20:08,200
Speaker 2: But again, you know it's for both of them as early.

1684
01:20:08,960 --> 01:20:11,040
Speaker 2: I'm just happy that, you know, they look comfortable. They're

1685
01:20:11,040 --> 01:20:12,240
Speaker 2: settling in with.

1686
01:20:12,240 --> 01:20:13,360
Speaker 1: Shorty in the stands.

1687
01:20:14,840 --> 01:20:15,439
Speaker 2: Who's Shorty?

1688
01:20:16,080 --> 01:20:18,479
Speaker 1: I don't know his wife's name, Travis Hunt.

1689
01:20:18,560 --> 01:20:21,360
Speaker 2: Oh, I don't. I don't know miss Hunter, yes, missus Hunter. No,

1690
01:20:21,439 --> 01:20:24,600
Speaker 2: I don't. I have no idea. But something happened a

1691
01:20:24,640 --> 01:20:26,120
Speaker 2: couple of weeks ago, and you know how you see

1692
01:20:26,120 --> 01:20:29,080
Speaker 2: things online and you kind of just like put him

1693
01:20:29,080 --> 01:20:31,800
Speaker 2: to the back, like I didn't just see that. So now,

1694
01:20:32,120 --> 01:20:36,880
Speaker 2: first of all, prayers to Dion coach coach Deon Sanders. Uh.

1695
01:20:36,880 --> 01:20:41,160
Speaker 2: He revealed that I think he was battling bladder cancer

1696
01:20:41,240 --> 01:20:44,799
Speaker 2: something like that. They caught it, he had surgery. Everything

1697
01:20:44,880 --> 01:20:47,400
Speaker 2: is good. So he you know, he put out a

1698
01:20:47,479 --> 01:20:50,280
Speaker 2: video talking about him dealing with that and having to

1699
01:20:50,280 --> 01:20:53,760
Speaker 2: overcome you know, such a hurdle, as serious as that.

1700
01:20:56,360 --> 01:20:59,519
Speaker 2: But it was the video he posted he was with

1701
01:20:59,560 --> 01:21:05,720
Speaker 2: somebody that I was very confused. I didn't know what

1702
01:21:05,760 --> 01:21:07,960
Speaker 2: was happening. You know, I know, I understand Rory. I

1703
01:21:07,960 --> 01:21:10,360
Speaker 2: missed a lot of things that happened online. I don't

1704
01:21:10,360 --> 01:21:12,559
Speaker 2: subscribe to a lot of things y'all have to tell yo.

1705
01:21:12,479 --> 01:21:15,200
Speaker 1: You know this happening. I'm like work, but nobody. I

1706
01:21:15,200 --> 01:21:16,439
Speaker 1: felt like nobody told me this.

1707
01:21:16,479 --> 01:21:18,679
Speaker 2: I felt like this was something I just bumped into

1708
01:21:19,840 --> 01:21:22,120
Speaker 2: and was like, what is happening? What is going on?

1709
01:21:22,840 --> 01:21:26,080
Speaker 2: So coach Sanders released a video in the hospital with

1710
01:21:26,160 --> 01:21:32,200
Speaker 2: his night nurse with he had company with him, but

1711
01:21:32,320 --> 01:21:35,479
Speaker 2: the company was somebody that we recognize and we know

1712
01:21:35,960 --> 01:21:40,000
Speaker 2: as Carucci Sanders we recognize and as we know, isn't

1713
01:21:40,000 --> 01:21:43,800
Speaker 2: her last name Sanders? Oh? I thought it was saying,

1714
01:21:44,640 --> 01:21:48,519
Speaker 2: well now it is, No, I'm joking he was with Kruci.

1715
01:21:49,760 --> 01:21:56,280
Speaker 2: Now Carucci. Carucci is, you know, beautiful, talented. I just

1716
01:21:56,640 --> 01:22:00,280
Speaker 2: never thought I would see Carucci and Dion sand coach

1717
01:22:00,600 --> 01:22:02,320
Speaker 2: Deon Sanders.

1718
01:22:02,479 --> 01:22:05,080
Speaker 1: Why you were faring like miss Lauren Hill, like you

1719
01:22:05,160 --> 01:22:05,519
Speaker 1: just call him?

1720
01:22:06,160 --> 01:22:07,920
Speaker 2: Nah, no, you don't. You don't do that to no coach.

1721
01:22:08,000 --> 01:22:10,360
Speaker 2: He was always coaches coach first. It's like doctors.

1722
01:22:10,439 --> 01:22:12,200
Speaker 1: He didn't coach though, he shows how I can be.

1723
01:22:13,000 --> 01:22:16,240
Speaker 1: That's coach the greatest athletes of all time, that's coach promp.

1724
01:22:17,360 --> 01:22:18,080
Speaker 2: He was in there.

1725
01:22:18,080 --> 01:22:19,200
Speaker 1: You're such a Colorado fan.

1726
01:22:19,240 --> 01:22:24,840
Speaker 2: He was in a hospital room with Carucci, and I

1727
01:22:24,880 --> 01:22:28,000
Speaker 2: felt like that didn't get the attention that. I was

1728
01:22:28,160 --> 01:22:32,280
Speaker 2: so confused by that. I was like, again, that was

1729
01:22:32,320 --> 01:22:38,519
Speaker 2: the Leonardo moment, the like, yo, that's what the nobody liked.

1730
01:22:39,439 --> 01:22:42,120
Speaker 1: Did I miss the part with Deon Sanders and Carucci

1731
01:22:42,160 --> 01:22:44,519
Speaker 1: are dating? Did I miss that? I'm dead as I

1732
01:22:44,600 --> 01:22:47,599
Speaker 1: legitimately thought that was ai. I was like, all right,

1733
01:22:48,160 --> 01:22:49,519
Speaker 1: they're getting very tricky with the ship.

1734
01:22:52,040 --> 01:22:55,639
Speaker 2: Okay, so complex posted. I guess somebody asked him about

1735
01:22:55,640 --> 01:22:58,639
Speaker 2: Caroucci and they're saying he cut the interview short, citing

1736
01:22:58,680 --> 01:23:03,800
Speaker 2: a bad connection. After rumors surfaced and a video showed

1737
01:23:03,880 --> 01:23:07,880
Speaker 2: trend emotional and a hospital after saying after Coach Sanders

1738
01:23:08,280 --> 01:23:15,920
Speaker 2: cancer diagnosis, yeah, I'm just what is happening? What is

1739
01:23:16,040 --> 01:23:18,400
Speaker 2: going What is going on? Man?

1740
01:23:18,439 --> 01:23:21,519
Speaker 1: Where did they meet out of this relationship?

1741
01:23:21,560 --> 01:23:23,280
Speaker 2: Where did like?

1742
01:23:23,360 --> 01:23:26,599
Speaker 1: It wouldn't make now if Shador walked out the tunnel

1743
01:23:26,760 --> 01:23:29,000
Speaker 1: and was with Kruci makes all of sense, get it,

1744
01:23:29,160 --> 01:23:35,759
Speaker 1: Shador young, you know, do your thing cool, but pops

1745
01:23:37,320 --> 01:23:39,400
Speaker 1: Coach Prime like in Kruci.

1746
01:23:39,560 --> 01:23:44,360
Speaker 2: I just we know now I know better than most

1747
01:23:44,400 --> 01:23:48,120
Speaker 2: because I'm a little older than y'a Dion. He's that guy.

1748
01:23:48,840 --> 01:23:50,680
Speaker 1: Prime is that great greatest, is one of the.

1749
01:23:50,600 --> 01:23:54,080
Speaker 2: Greatest athletes, one of the biggest personalities in sports, biggest

1750
01:23:54,080 --> 01:23:57,920
Speaker 2: sports figures we've ever seen, and somehow I'm still not

1751
01:23:58,000 --> 01:24:05,519
Speaker 2: familiar with his game. Caroucci dog prom this is better

1752
01:24:05,560 --> 01:24:08,360
Speaker 2: than when the Diamond turfs dropped. When the Diamond turfs dropped,

1753
01:24:09,640 --> 01:24:11,799
Speaker 2: we went crazy in the hood with the domind turfs.

1754
01:24:12,439 --> 01:24:19,559
Speaker 2: The Carucci rollout Coach Prime and Carucci rollout beats, pumps

1755
01:24:19,560 --> 01:24:22,760
Speaker 2: in the bumps, the Dion saying mc hammer, all of

1756
01:24:22,800 --> 01:24:26,280
Speaker 2: that shit is into the back burner when it comes

1757
01:24:26,360 --> 01:24:33,720
Speaker 2: to finding out Coach Sanders and Carucci are dating. And

1758
01:24:33,720 --> 01:24:35,639
Speaker 2: that's what a question mark because I don't even.

1759
01:24:35,479 --> 01:24:40,360
Speaker 1: Know what that Happy birthday to coach Uh just passed

1760
01:24:40,360 --> 01:24:45,200
Speaker 1: August ninth, Happy birthday old Carucci, which I appreciate that

1761
01:24:45,240 --> 01:24:48,080
Speaker 1: she doesn't lie about her age. She looks incredible, thirty.

1762
01:24:47,760 --> 01:24:51,000
Speaker 2: Seven and beautiful, beautiful, incredible.

1763
01:24:51,080 --> 01:24:53,840
Speaker 1: I'm just saying, I thought twenty one years is like,

1764
01:24:54,120 --> 01:24:54,599
Speaker 1: I don't know.

1765
01:24:54,920 --> 01:24:58,160
Speaker 2: I thought I knew all about Coach Prime's game. I

1766
01:24:58,200 --> 01:25:00,759
Speaker 2: thought I was seeing them all his his greatest place,

1767
01:25:00,840 --> 01:25:03,040
Speaker 2: his greatest highlights, his greatest interceptions.

1768
01:25:03,880 --> 01:25:06,639
Speaker 1: We know he got hands. Here's my thing.

1769
01:25:06,760 --> 01:25:08,240
Speaker 2: I just didn't know his game.

1770
01:25:08,479 --> 01:25:12,120
Speaker 1: I did hear, oh, here's my thing. I just don't

1771
01:25:12,160 --> 01:25:13,840
Speaker 1: know how I feel. This went back to the Bill

1772
01:25:13,880 --> 01:25:16,679
Speaker 1: Belichick conversation we were having, even though that's drastically different

1773
01:25:16,720 --> 01:25:19,120
Speaker 1: than this one. This is twenty one years. This makes

1774
01:25:19,120 --> 01:25:24,720
Speaker 1: the Belichick shit look like Christian. But if you're at

1775
01:25:24,720 --> 01:25:30,160
Speaker 1: somebody's pops, like, no, I'm not meeting your boyfriend, that's

1776
01:25:30,160 --> 01:25:30,960
Speaker 1: the same age as me.

1777
01:25:34,200 --> 01:25:37,479
Speaker 2: Okay, okay, he.

1778
01:25:37,640 --> 01:25:41,400
Speaker 1: Like that's never gonna happen. Listen, Like I like if

1779
01:25:42,920 --> 01:25:46,640
Speaker 1: if Amara at at thirty seven years old, got a

1780
01:25:46,640 --> 01:25:50,000
Speaker 1: boyfriend and he was like, yo, man, yo, I used

1781
01:25:50,040 --> 01:25:53,120
Speaker 1: to listen to the pod every day. Would she like, no,

1782
01:25:53,600 --> 01:25:56,280
Speaker 1: get the fuck away from me and get the fuck

1783
01:25:56,320 --> 01:26:00,360
Speaker 1: away from my daughter. Yeah, that's a grown woman, woman

1784
01:26:00,360 --> 01:26:02,040
Speaker 1: with her own income. She could whatever the fuck you want.

1785
01:26:02,080 --> 01:26:07,080
Speaker 1: I'm not I'm only speaking from a very small father

1786
01:26:07,240 --> 01:26:09,559
Speaker 1: perspective of two and a half years, where I would

1787
01:26:09,600 --> 01:26:13,000
Speaker 1: just be like, dude, get no, get out of my

1788
01:26:13,120 --> 01:26:13,799
Speaker 1: fucking house.

1789
01:26:15,040 --> 01:26:17,760
Speaker 2: Yeah, I get it. I just I just thought it.

1790
01:26:17,880 --> 01:26:20,080
Speaker 2: I don't care if you're none of us have ever

1791
01:26:20,120 --> 01:26:23,320
Speaker 2: spoken about that. I haven't seen anybody speak about it.

1792
01:26:23,920 --> 01:26:25,680
Speaker 2: I don't know if people even care to sp I

1793
01:26:25,800 --> 01:26:27,920
Speaker 2: just I just thought that that was one of the

1794
01:26:27,960 --> 01:26:32,479
Speaker 2: most random things that I had seen you talk about

1795
01:26:32,560 --> 01:26:37,040
Speaker 2: keeping a relationship private. We had that no idea, and

1796
01:26:37,080 --> 01:26:37,599
Speaker 2: the way you.

1797
01:26:37,600 --> 01:26:39,479
Speaker 1: Even announced it of just crying at it, like wait,

1798
01:26:39,520 --> 01:26:41,439
Speaker 1: hold on, we need to see I'll hold hands, bro.

1799
01:26:41,560 --> 01:26:43,680
Speaker 2: I'm watching the video with you look like you and

1800
01:26:43,720 --> 01:26:47,080
Speaker 2: his will. I'm watching a video with coach talking about

1801
01:26:47,200 --> 01:26:49,840
Speaker 2: overcoming I'm like, damn, Dean, he just he just had

1802
01:26:49,840 --> 01:26:52,439
Speaker 2: to get h I think like five or six of

1803
01:26:52,479 --> 01:26:55,479
Speaker 2: his toes amputated a couple of years ago, So it's

1804
01:26:55,520 --> 01:26:58,120
Speaker 2: like damn, Like he just got over that, and it's

1805
01:26:58,120 --> 01:27:00,400
Speaker 2: like to find out that he just had to had

1806
01:27:00,400 --> 01:27:03,400
Speaker 2: to beat bladder cancer. Yeah, so I'm like damn. And

1807
01:27:03,400 --> 01:27:05,000
Speaker 2: then to see him talking like he's like, yo, you

1808
01:27:05,040 --> 01:27:07,880
Speaker 2: know me, I don't know how you know, things will

1809
01:27:07,920 --> 01:27:09,479
Speaker 2: be fighting, you know, try to keep it private with

1810
01:27:09,520 --> 01:27:13,639
Speaker 2: the family, emotional shit. I'm like, damn, like to see

1811
01:27:13,680 --> 01:27:15,800
Speaker 2: you know, this is Deon Sanders, Bro, this is one

1812
01:27:15,800 --> 01:27:16,960
Speaker 2: of your childhood heroes.

1813
01:27:16,960 --> 01:27:19,559
Speaker 1: I'm like, him having bladder cancer already was like damn.

1814
01:27:19,720 --> 01:27:23,920
Speaker 1: And then but then it happens to Carucci.

1815
01:27:23,560 --> 01:27:27,719
Speaker 2: Crying in the hospital. I'm like, bro, what the fuck

1816
01:27:27,920 --> 01:27:31,719
Speaker 2: is going on out here? Like I had? And again,

1817
01:27:31,840 --> 01:27:33,720
Speaker 2: I know I miss shit. I don't subscribe to a

1818
01:27:33,720 --> 01:27:35,680
Speaker 2: lot of shit. I don't see shit in half of

1819
01:27:35,720 --> 01:27:38,800
Speaker 2: the World season. I catch that shit very late. I

1820
01:27:38,840 --> 01:27:41,639
Speaker 2: don't know if anybody knew about this outside of his family.

1821
01:27:42,280 --> 01:27:47,400
Speaker 2: I don't know if anybody knew about Kroushie Indian forget dating.

1822
01:27:47,479 --> 01:27:49,639
Speaker 2: I don't even think people knew Crouci and Dion knew

1823
01:27:49,680 --> 01:27:53,160
Speaker 2: each other had each other's phone number. So to see

1824
01:27:53,200 --> 01:27:58,160
Speaker 2: her in the hospital room emotional with him, It's like, bro,

1825
01:27:58,320 --> 01:27:59,840
Speaker 2: what the fuck that I what is happening?

1826
01:28:00,160 --> 01:28:04,800
Speaker 1: Yeah, God willing, I'm alive when I'm sixty, and you're

1827
01:28:04,840 --> 01:28:08,200
Speaker 1: alive when you're seventy. And I hit the group chat, Josh,

1828
01:28:08,240 --> 01:28:10,559
Speaker 1: still there, Ape's still there, Demara is still there. We're

1829
01:28:10,560 --> 01:28:13,920
Speaker 1: getting ready to record, and I say, yo, I just

1830
01:28:13,920 --> 01:28:21,840
Speaker 1: saw a video of Amara with Lamar Jackson and in

1831
01:28:23,000 --> 01:28:26,360
Speaker 1: the hospital. What are y'all saying to me?

1832
01:28:27,800 --> 01:28:28,080
Speaker 2: Again?

1833
01:28:28,080 --> 01:28:29,520
Speaker 1: I'm not here to judge.

1834
01:28:30,280 --> 01:28:37,000
Speaker 2: Yeah, yeah, that's wild, Like, yo, we just that's wold

1835
01:28:38,040 --> 01:28:38,720
Speaker 2: when you like.

1836
01:28:38,760 --> 01:28:41,040
Speaker 1: That, that's not insane to you, that's wild.

1837
01:28:41,120 --> 01:28:42,400
Speaker 2: Putting it like that is crazy.

1838
01:28:42,840 --> 01:28:45,040
Speaker 1: Like I don't even know how I viewed that whole thing,

1839
01:28:45,320 --> 01:28:47,360
Speaker 1: Like I think my first question was where the fuck

1840
01:28:47,400 --> 01:28:48,880
Speaker 1: did she meet Lamar Jackson at?

1841
01:28:48,920 --> 01:28:49,760
Speaker 2: Like, where was she?

1842
01:28:50,160 --> 01:28:53,160
Speaker 1: How the fuck if it was a quarterback that was

1843
01:28:53,200 --> 01:28:56,479
Speaker 1: playing at when she's thirty years old, I'd be like,

1844
01:28:56,479 --> 01:28:58,040
Speaker 1: all right, I mean I get it. I'm sure social

1845
01:28:58,040 --> 01:29:02,360
Speaker 1: media somehow at some point, how did you meet Lamar Jackson?

1846
01:29:03,680 --> 01:29:09,679
Speaker 2: He's, oh my gosh, yeah, I don't know, lamorrow would

1847
01:29:09,680 --> 01:29:13,280
Speaker 2: be a hilarious Lamara. Yeah, I don't. I don't know.

1848
01:29:13,320 --> 01:29:14,600
Speaker 2: I just thought I just felt like that was some

1849
01:29:14,640 --> 01:29:16,400
Speaker 2: personal shit. I just wanted to bring to the room

1850
01:29:16,439 --> 01:29:19,720
Speaker 2: and some person because I was so confused. I was like, yo,

1851
01:29:19,760 --> 01:29:22,080
Speaker 2: did I meet? And then y'all was just as confused

1852
01:29:22,120 --> 01:29:24,320
Speaker 2: as I was. I'm like, okay, so I really thought

1853
01:29:24,320 --> 01:29:26,800
Speaker 2: it was Ai. So we're all confused together. Okay, fine,

1854
01:29:26,800 --> 01:29:27,120
Speaker 2: I just.

1855
01:29:27,040 --> 01:29:28,840
Speaker 1: Did not even if I saw them walking a red

1856
01:29:28,840 --> 01:29:33,040
Speaker 1: carpet or whatever, I'd be like, that's crazy, crazy, but

1857
01:29:33,080 --> 01:29:34,679
Speaker 1: even that makes whatever.

1858
01:29:35,120 --> 01:29:37,840
Speaker 2: But in the hospital run down to us that he'd

1859
01:29:37,880 --> 01:29:42,000
Speaker 2: just be blackicking, I was like, I don't know. I

1860
01:29:42,040 --> 01:29:43,320
Speaker 2: was just completely thrown off.

1861
01:29:43,360 --> 01:29:45,920
Speaker 1: That was a curveball coach Prome like, we found out

1862
01:29:45,920 --> 01:29:50,519
Speaker 1: that you beat cancer. Salute the coach prime man. Yeah, man,

1863
01:29:50,560 --> 01:29:51,720
Speaker 1: he's you know, simulation.

1864
01:29:52,160 --> 01:29:54,599
Speaker 2: I don't know, but I'm glad that to to know

1865
01:29:54,640 --> 01:29:58,639
Speaker 2: that coaches are recovering and he is cancer free.

1866
01:29:58,840 --> 01:30:00,760
Speaker 1: You guys are gonna get me in with all my

1867
01:30:01,840 --> 01:30:03,760
Speaker 1: actual friends that are gonna text me with this fucking

1868
01:30:03,800 --> 01:30:07,360
Speaker 1: podcast because I know Aaron, friend of the show Isci's

1869
01:30:07,360 --> 01:30:09,200
Speaker 1: best friend. We're going to get a text off that,

1870
01:30:09,640 --> 01:30:12,200
Speaker 1: and y'all are gonna get me in trouble with Chase.

1871
01:30:12,640 --> 01:30:14,439
Speaker 1: I know where that Travis Scott clip. I'm gonna get

1872
01:30:14,439 --> 01:30:18,760
Speaker 1: fucked Aaron text me and explain. But Aaron doesn't owe

1873
01:30:18,800 --> 01:30:20,360
Speaker 1: us no I mean.

1874
01:30:20,280 --> 01:30:21,640
Speaker 2: But now that we spoke about it, you know what

1875
01:30:21,640 --> 01:30:22,360
Speaker 2: I'm saying, Like.

1876
01:30:22,320 --> 01:30:24,439
Speaker 1: We love Aaron. Aaron, Yeah, he was front of the show.

1877
01:30:24,520 --> 01:30:27,559
Speaker 2: I met Carucci. She's super sweet, super nice, great, Like

1878
01:30:27,640 --> 01:30:30,439
Speaker 2: I'm I was just like they shout out to the

1879
01:30:30,479 --> 01:30:32,639
Speaker 2: team for holding that under wraps. That that never got

1880
01:30:32,640 --> 01:30:34,880
Speaker 2: out Like that to me is I'm just speaking to

1881
01:30:36,520 --> 01:30:38,880
Speaker 2: That was just so random, And then the funny shit

1882
01:30:38,960 --> 01:30:42,160
Speaker 2: is probably not random. They've probably been dating for a year,

1883
01:30:42,360 --> 01:30:44,559
Speaker 2: you know what I'm saying, So we just found out.

1884
01:30:44,560 --> 01:30:47,400
Speaker 2: But it was that was just so random, so left field.

1885
01:30:48,120 --> 01:30:49,880
Speaker 2: Sorry for throwing this shit off track. I just was

1886
01:30:49,960 --> 01:30:52,439
Speaker 2: trying to understand what the fuck was happening in the

1887
01:30:52,479 --> 01:30:53,519
Speaker 2: simulation called the World.

1888
01:30:53,680 --> 01:30:55,439
Speaker 1: Do you think I'll be able to go back to

1889
01:30:55,479 --> 01:30:56,320
Speaker 1: camp in Houston?

1890
01:30:58,240 --> 01:31:00,760
Speaker 2: Why wouldn't you be?

1891
01:31:00,760 --> 01:31:03,679
Speaker 1: Because we all decided to clip me saying Travis Scott

1892
01:31:03,720 --> 01:31:07,760
Speaker 1: is gonna be the biggest fall off in history. But

1893
01:31:07,840 --> 01:31:09,680
Speaker 1: it wasn't a but the way you said it, what

1894
01:31:09,960 --> 01:31:12,920
Speaker 1: you was most say it doesn't matter, It doesn't, but

1895
01:31:12,960 --> 01:31:15,360
Speaker 1: it does. But you were saying more so because Travis's

1896
01:31:15,400 --> 01:31:19,479
Speaker 1: focus is not going to be so music heavy, like

1897
01:31:19,520 --> 01:31:21,639
Speaker 1: that's what you were saying. It's like you're making sense,

1898
01:31:21,680 --> 01:31:23,920
Speaker 1: and I was making sense. That doesn't matter when people

1899
01:31:23,920 --> 01:31:27,080
Speaker 1: will see a clip, Yeah, but that does they gonna

1900
01:31:27,160 --> 01:31:27,439
Speaker 1: jump me.

1901
01:31:27,479 --> 01:31:27,800
Speaker 2: It can't.

1902
01:31:27,960 --> 01:31:31,599
Speaker 1: Nobody, kids, those are all my guys out there.

1903
01:31:31,640 --> 01:31:33,599
Speaker 2: Nobody Like, why'd you say that?

1904
01:31:33,720 --> 01:31:34,679
Speaker 1: Because I feel that way.

1905
01:31:34,760 --> 01:31:36,960
Speaker 2: Yeah, that's why. It's like, it's not disrespects you know,

1906
01:31:37,040 --> 01:31:39,839
Speaker 2: you honestly feel like and again it's because of his

1907
01:31:39,840 --> 01:31:43,400
Speaker 2: his focus. Travis is not I don't really think he

1908
01:31:43,640 --> 01:31:47,360
Speaker 2: Travis makes so much fucking business and money like he's

1909
01:31:47,520 --> 01:31:50,639
Speaker 2: music is just another thing, like not saying he doesn't

1910
01:31:50,680 --> 01:31:53,799
Speaker 2: love creating music and performing. He's one of the greatest

1911
01:31:53,800 --> 01:31:57,280
Speaker 2: performances we have in our culture. But I could see

1912
01:31:57,320 --> 01:31:59,840
Speaker 2: agatinting to a point where he's like, you know, I

1913
01:32:00,160 --> 01:32:02,000
Speaker 2: got so much other shit going on that the music

1914
01:32:02,080 --> 01:32:04,320
Speaker 2: is kind of it takes a it takes a seat

1915
01:32:04,320 --> 01:32:05,479
Speaker 2: in the back, like I could see that.

1916
01:32:05,520 --> 01:32:07,840
Speaker 1: I think the jack Boy's idea is great. I just

1917
01:32:07,840 --> 01:32:12,040
Speaker 1: don't think it's that progressive of what Travis has been doing.

1918
01:32:12,080 --> 01:32:13,519
Speaker 1: And Utopia to me, wasn't it.

1919
01:32:14,439 --> 01:32:16,439
Speaker 2: Don Taaliv is his artist, right is that his artist.

1920
01:32:17,080 --> 01:32:20,160
Speaker 1: I don't know contractually anymore where that was, but yeah,

1921
01:32:20,880 --> 01:32:22,679
Speaker 1: I mean Don was writing a lot of the shit

1922
01:32:22,760 --> 01:32:24,479
Speaker 1: that I love from Travis. I don't know if it's

1923
01:32:24,479 --> 01:32:25,120
Speaker 1: the same anymore.

1924
01:32:25,120 --> 01:32:28,320
Speaker 2: I think Don Toliver is so underrated. Yeah, no, I

1925
01:32:28,360 --> 01:32:30,519
Speaker 2: think he's I think he's so underrated, Like I don't

1926
01:32:30,520 --> 01:32:33,479
Speaker 2: think I don't think people talk about Don Tolliver enough,

1927
01:32:33,520 --> 01:32:34,799
Speaker 2: like he's extremely talented.

1928
01:32:35,080 --> 01:32:39,840
Speaker 1: The way uh, Don Toliver is to Travis, I feel

1929
01:32:39,920 --> 01:32:44,880
Speaker 1: is the way Leon Thomas was to Tie. And I

1930
01:32:44,920 --> 01:32:48,439
Speaker 1: think again, Tie and Travis both icons and their own right.

1931
01:32:48,600 --> 01:32:51,720
Speaker 1: I think their predecessors are going to pass them, just

1932
01:32:51,760 --> 01:32:54,519
Speaker 1: the way time does now the shit works, like yeah,

1933
01:32:54,960 --> 01:32:58,400
Speaker 1: I think it's just time for the people that were

1934
01:32:58,439 --> 01:33:00,679
Speaker 1: your prodigies to move to take your spot.

1935
01:33:01,040 --> 01:33:03,000
Speaker 2: Was that that was made in America? We saw done

1936
01:33:03,040 --> 01:33:07,000
Speaker 2: that right. He went on before Bad Bunny. That was incredible.

1937
01:33:07,000 --> 01:33:09,400
Speaker 2: Like I I was kind of worried when they say,

1938
01:33:09,439 --> 01:33:11,519
Speaker 2: you dontal was going on before Bad Bunny. I'm like,

1939
01:33:11,600 --> 01:33:13,080
Speaker 2: I don't know if that's a good idea.

1940
01:33:13,120 --> 01:33:14,880
Speaker 1: I mean, if you saw his performance, you could clearly

1941
01:33:14,920 --> 01:33:19,920
Speaker 1: see he's definitely got sauce from music. Incredible, but also

1942
01:33:20,040 --> 01:33:22,639
Speaker 1: a lot of sauce from Travis and how he performs

1943
01:33:22,920 --> 01:33:26,559
Speaker 1: like that set was incredible. It was by the way,

1944
01:33:27,280 --> 01:33:29,240
Speaker 1: Chase Aaron, I don't know.

1945
01:33:29,320 --> 01:33:34,080
Speaker 2: I'm sorry say you gotta agree with everything.

1946
01:33:34,240 --> 01:33:36,800
Speaker 1: God damn it. We ain't gonna agree with everything. Some

1947
01:33:36,880 --> 01:33:38,599
Speaker 1: shit gonna feel a little weird and we're gonna talk

1948
01:33:38,640 --> 01:33:40,240
Speaker 1: about it, and then we're gonna go now and Peach

1949
01:33:40,320 --> 01:33:41,520
Speaker 1: can't go back to the spot.

1950
01:33:41,800 --> 01:33:45,479
Speaker 2: Go anywhere, man, Go anywhere, man.

1951
01:33:45,360 --> 01:33:47,479
Speaker 1: That's true, because I mean, you carry a gun in Houston.

1952
01:33:47,920 --> 01:33:49,400
Speaker 2: Even if you can't, you can go anywhere. It's no

1953
01:33:49,439 --> 01:33:50,080
Speaker 2: where you can't go.

1954
01:33:50,200 --> 01:33:53,120
Speaker 1: Bro, I don't see that's that's like the last final

1955
01:33:53,160 --> 01:33:54,960
Speaker 1: words to a lot of people. Do you think you

1956
01:33:55,000 --> 01:33:55,679
Speaker 1: could go anywhere?

1957
01:33:55,760 --> 01:33:56,040
Speaker 2: Now?

1958
01:33:56,080 --> 01:33:57,000
Speaker 1: It'll be places where I be like.

1959
01:33:56,960 --> 01:33:58,799
Speaker 2: I should not based off of saying you think Travis

1960
01:33:58,800 --> 01:33:59,920
Speaker 2: is gonna have the biggest.

1961
01:33:59,600 --> 01:34:02,320
Speaker 1: FALLOUP know, people take things. People are emotional people, and

1962
01:34:02,360 --> 01:34:04,280
Speaker 1: I'm not saying Chase anything like that. When people crash

1963
01:34:04,320 --> 01:34:07,320
Speaker 1: out to show their the worth they.

1964
01:34:07,160 --> 01:34:10,240
Speaker 2: Don't have crashing out because you said you feel like Travis,

1965
01:34:10,240 --> 01:34:14,360
Speaker 2: guys gonna happen. That is crazy, you know how crazy

1966
01:34:14,400 --> 01:34:18,400
Speaker 2: about what happened? Why yo somebody. So Rory said Travis

1967
01:34:18,479 --> 01:34:20,280
Speaker 2: gonna have a major falloff, and Homi saw him and

1968
01:34:20,400 --> 01:34:24,120
Speaker 2: just what Yeah, No, that's nothing to crash out of.

1969
01:34:24,240 --> 01:34:28,200
Speaker 1: I mean I prefer I would prefer that over somebody

1970
01:34:28,280 --> 01:34:36,719
Speaker 1: like lying about checking energy. This episode is sponsored by Roe.

1971
01:34:36,760 --> 01:34:40,760
Speaker 1: You cannot spell Rory without Row Maul. I'm scared to

1972
01:34:40,760 --> 01:34:42,519
Speaker 1: get back in the streets because I just don't know

1973
01:34:42,520 --> 01:34:43,599
Speaker 1: if I can perform anymore.

1974
01:34:44,120 --> 01:34:44,880
Speaker 2: Got need some help.

1975
01:34:45,200 --> 01:34:48,560
Speaker 1: I definitely, I definitely need a teammate for sure. It's

1976
01:34:48,560 --> 01:34:50,719
Speaker 1: been a very long time for me. Will you grow

1977
01:34:50,880 --> 01:34:54,599
Speaker 1: and listen? Man two and one prescription treatment for guys

1978
01:34:54,640 --> 01:34:58,280
Speaker 1: who want a more controlled erection pause, and that's what

1979
01:34:58,360 --> 01:35:00,640
Speaker 1: I need. I feel like the next time I have

1980
01:35:00,760 --> 01:35:04,840
Speaker 1: the opportunity to participate in those type of activities, I

1981
01:35:04,880 --> 01:35:08,360
Speaker 1: don't know. If I could control my direction, I think

1982
01:35:08,400 --> 01:35:10,479
Speaker 1: it'll be quick. So that's where I feel like I

1983
01:35:10,520 --> 01:35:12,400
Speaker 1: really need some row in my life, because you know,

1984
01:35:12,400 --> 01:35:13,680
Speaker 1: I want to get back out there. I want to

1985
01:35:13,920 --> 01:35:14,880
Speaker 1: have some intimate moments.

1986
01:35:14,920 --> 01:35:16,760
Speaker 2: You want to be able to perform without the wait time.

1987
01:35:16,960 --> 01:35:19,160
Speaker 1: Yes, it's just a lot of build up over here,

1988
01:35:19,640 --> 01:35:21,320
Speaker 1: and I'm nervous. I need a teammate.

1989
01:35:21,520 --> 01:35:24,000
Speaker 2: Ro connects guys with a medical provider one hundred percent

1990
01:35:24,040 --> 01:35:26,599
Speaker 2: online so you don't have to waste time in waiting rooms.

1991
01:35:26,680 --> 01:35:30,040
Speaker 2: Rory if approve treatment ships directly to their door. If

1992
01:35:30,040 --> 01:35:32,960
Speaker 2: subscribe new sexual health patients get fifteen dollars off their

1993
01:35:33,000 --> 01:35:35,479
Speaker 2: first order of sparks on a recurring plan. Connect with

1994
01:35:35,520 --> 01:35:37,760
Speaker 2: the provider at road dot co slash Rory Mall to

1995
01:35:37,800 --> 01:35:41,720
Speaker 2: find out if prescription roll sparks. Excuse me, all right

1996
01:35:41,800 --> 01:35:44,960
Speaker 2: for you, that's our dot co slash Rory mal for

1997
01:35:45,000 --> 01:35:47,200
Speaker 2: fifteen dollars off your first order mall.

1998
01:35:47,240 --> 01:35:49,800
Speaker 1: We talked about it last week. Did you catch live

1999
01:35:49,880 --> 01:35:53,840
Speaker 1: golf in Chicago? I did catch last weekend. Yes, you

2000
01:35:53,880 --> 01:35:58,200
Speaker 1: weren't wrong with your predictions. Why can see he's still

2001
01:35:58,240 --> 01:36:00,280
Speaker 1: in the mix. I think everything's going to be okay.

2002
01:36:00,120 --> 01:36:03,080
Speaker 2: John Rams. He's he's cutting into the he's cutting the

2003
01:36:03,160 --> 01:36:05,040
Speaker 2: chase down. No, he's cutting into the he's gaining some

2004
01:36:05,080 --> 01:36:06,479
Speaker 2: ground or he's definitely graining ground.

2005
01:36:06,640 --> 01:36:08,200
Speaker 1: But but I'm still going to give you your credit.

2006
01:36:08,680 --> 01:36:09,800
Speaker 1: You're still batting it out.

2007
01:36:09,800 --> 01:36:11,679
Speaker 2: I think I think gonna win it. I think he'll

2008
01:36:11,720 --> 01:36:13,519
Speaker 2: win this this uh, this tournament.

2009
01:36:13,720 --> 01:36:17,880
Speaker 1: Sure, I saw that Colin was out there. Here's my thing.

2010
01:36:18,439 --> 01:36:22,320
Speaker 1: Do we think Colin hit like the DJ area after? Like,

2011
01:36:22,360 --> 01:36:26,479
Speaker 1: do we think Colin was? I think Colin, yes, absolutely,

2012
01:36:26,520 --> 01:36:29,040
Speaker 1: Like you think he was really over there, said I'm

2013
01:36:29,120 --> 01:36:30,880
Speaker 1: just going to grab a drink real quick, and then

2014
01:36:30,920 --> 01:36:33,320
Speaker 1: just ended up front row. Just I want to see

2015
01:36:33,320 --> 01:36:36,400
Speaker 1: that footage, Colin. Where were you during the DJ portion

2016
01:36:36,640 --> 01:36:37,400
Speaker 1: of the golf event?

2017
01:36:37,680 --> 01:36:40,160
Speaker 2: Yeah, it's dope thought that they have DJs at you know,

2018
01:36:40,240 --> 01:36:42,760
Speaker 2: golf events, because get a little stale and kind of

2019
01:36:42,800 --> 01:36:45,080
Speaker 2: slow if you're out there, like really on the course

2020
01:36:45,160 --> 01:36:48,400
Speaker 2: watching the watching the players play, It's like you need music,

2021
01:36:48,439 --> 01:36:50,080
Speaker 2: You need some type of entertainment to you know, keep

2022
01:36:50,080 --> 01:36:50,719
Speaker 2: people engaged.

2023
01:36:50,800 --> 01:36:53,880
Speaker 1: Yeah, I mean I respect the golf culture, but also

2024
01:36:54,000 --> 01:36:56,000
Speaker 1: it's many sport. You have to be quiet like every

2025
01:36:56,000 --> 01:36:59,040
Speaker 1: other sport. They get louder when you have to shoot

2026
01:36:59,040 --> 01:37:02,439
Speaker 1: your shot. Listen, keep batt and boogie and the DJ going.

2027
01:37:02,520 --> 01:37:05,880
Speaker 1: Every single time a can't mis experience, grab your tickets

2028
01:37:05,880 --> 01:37:08,960
Speaker 1: for the next live golf event at livegolf dot com.

2029
01:37:09,280 --> 01:37:13,040
Speaker 1: That's l I v golf dot com. Or if you

2030
01:37:13,080 --> 01:37:15,679
Speaker 1: can't make it the next time, you can follow every

2031
01:37:15,720 --> 01:37:25,479
Speaker 1: shot live and exclusively on Fox Sports. Do we have

2032
01:37:25,600 --> 01:37:30,960
Speaker 1: voicemails you've got mail sponsored by Boost.

2033
01:37:31,160 --> 01:37:33,960
Speaker 6: What's going on the marits? I love the show. I

2034
01:37:34,000 --> 01:37:35,960
Speaker 6: have a lengthy home re court question, so let me

2035
01:37:35,960 --> 01:37:38,240
Speaker 6: get right into it. I have two friends, and for

2036
01:37:38,200 --> 01:37:39,519
Speaker 6: your humor's sake, let's call.

2037
01:37:39,400 --> 01:37:42,240
Speaker 4: Them Rory and mal. Rory had a crush on this

2038
01:37:42,280 --> 01:37:44,040
Speaker 4: one girl loved since we were all in college.

2039
01:37:44,479 --> 01:37:46,639
Speaker 6: But he never shot his shot. He was real passive

2040
01:37:46,640 --> 01:37:49,400
Speaker 6: about it. Maul, I have to be the failing for

2041
01:37:49,479 --> 01:37:52,120
Speaker 6: this for this woman. He comes right in and he

2042
01:37:52,160 --> 01:37:53,720
Speaker 6: has a relationship with this woman and they have a

2043
01:37:53,760 --> 01:37:57,040
Speaker 6: kid together. The breakup was so nasty that Maul and

2044
01:37:57,120 --> 01:37:58,840
Speaker 6: this woman can't even be in the same room with

2045
01:37:58,880 --> 01:38:03,160
Speaker 6: each other without it. Getting fast forward to twenty twenty five,

2046
01:38:03,200 --> 01:38:05,919
Speaker 6: we're all in our forties. We all kind of reunite

2047
01:38:05,960 --> 01:38:10,240
Speaker 6: at a mutual friend's wedding, and ever since then, everybody's

2048
01:38:10,320 --> 01:38:12,799
Speaker 6: kind of leveled up. Rory, he has like a secure,

2049
01:38:13,680 --> 01:38:16,839
Speaker 6: nice six figure job, thank single.

2050
01:38:17,800 --> 01:38:20,400
Speaker 4: He's leveled up, you know, Ma, he's moved on.

2051
01:38:20,880 --> 01:38:25,280
Speaker 6: He's married, he has a second child with his you know,

2052
01:38:25,360 --> 01:38:26,080
Speaker 6: new marriage.

2053
01:38:26,600 --> 01:38:28,840
Speaker 4: And old girl also moved up as well. She's doing

2054
01:38:28,880 --> 01:38:29,479
Speaker 4: really good too.

2055
01:38:30,439 --> 01:38:33,640
Speaker 6: Lostory short, Rory and old Girl kind of reunite and

2056
01:38:33,720 --> 01:38:36,920
Speaker 6: catch up. During the reception, Roy gets inspired and he

2057
01:38:37,000 --> 01:38:38,680
Speaker 6: feels like he wants to shoot.

2058
01:38:38,360 --> 01:38:39,799
Speaker 1: His shot finally getting inspired.

2059
01:38:39,840 --> 01:38:41,680
Speaker 6: I'll tell him it's not a good idea because at

2060
01:38:41,720 --> 01:38:43,599
Speaker 6: the end of the day, that's still moms, that's still

2061
01:38:43,680 --> 01:38:46,599
Speaker 6: Mall's baby moms, and I feel like that's just wrong.

2062
01:38:47,760 --> 01:38:51,360
Speaker 6: Roy's justification is Mall and old Girl hate each other,

2063
01:38:51,640 --> 01:38:53,439
Speaker 6: you know what's wrong with it? And he also feels like,

2064
01:38:54,360 --> 01:38:56,679
Speaker 6: if anything, let me at least talk to me about

2065
01:38:56,680 --> 01:38:57,639
Speaker 6: my attentions first.

2066
01:38:58,400 --> 01:39:01,120
Speaker 4: So is Roy a line in this situation?

2067
01:39:01,920 --> 01:39:05,920
Speaker 2: Yes? What the fuck? Yeah? Once, once you have kids

2068
01:39:05,960 --> 01:39:09,000
Speaker 2: with a woman like your home, you can't you can't

2069
01:39:09,000 --> 01:39:10,000
Speaker 2: go behind your homeboys.

2070
01:39:10,080 --> 01:39:14,479
Speaker 1: And no, no, we've even spoken plenty of times. But

2071
01:39:14,600 --> 01:39:17,040
Speaker 1: I just find it sleeping with the same even if

2072
01:39:17,040 --> 01:39:20,840
Speaker 1: it was just like a whore, sleeping with the same

2073
01:39:20,880 --> 01:39:23,160
Speaker 1: person that my man's did, if you have a kid

2074
01:39:23,200 --> 01:39:26,000
Speaker 1: with like, it would't even enter my mind to do that. Yeah,

2075
01:39:26,880 --> 01:39:30,240
Speaker 1: that's fucking nuts, even if we haven't spoken, Like, let's say,

2076
01:39:30,240 --> 01:39:32,519
Speaker 1: what a kind of situation spoken in because they said

2077
01:39:32,520 --> 01:39:33,160
Speaker 1: there in the forties.

2078
01:39:33,160 --> 01:39:38,800
Speaker 2: So but friends though, yeah, no, for sure. If they're not.

2079
01:39:38,800 --> 01:39:44,360
Speaker 1: Friends, isn't cool? Hell no, okay, that's nasty as fuck. No,

2080
01:39:44,400 --> 01:39:46,160
Speaker 1: I agree with you. I'm just saying, like some people

2081
01:39:46,160 --> 01:39:48,280
Speaker 1: will be like yo, but if they wasn't friends.

2082
01:39:47,960 --> 01:39:48,240
Speaker 2: Is it?

2083
01:39:48,600 --> 01:39:52,320
Speaker 1: There? There's friends I've fallen out with that I would

2084
01:39:52,360 --> 01:39:56,240
Speaker 1: never again even think about fucking somebody that let alone

2085
01:39:56,280 --> 01:39:56,800
Speaker 1: had a kid with.

2086
01:39:56,880 --> 01:39:57,880
Speaker 2: But just.

2087
01:39:59,680 --> 01:40:02,439
Speaker 1: What I don't know how that could enter your mind

2088
01:40:02,479 --> 01:40:03,080
Speaker 1: with even.

2089
01:40:03,040 --> 01:40:06,080
Speaker 2: No me, No, yeah, no, he's he's to answer your.

2090
01:40:06,000 --> 01:40:08,800
Speaker 1: Question enemies that I wouldn't even fuck their girl because

2091
01:40:08,840 --> 01:40:11,640
Speaker 1: it's like we was friends. That that ill like. Yeah,

2092
01:40:11,800 --> 01:40:14,360
Speaker 1: And I know it's supposed to be the misogynistic podcast

2093
01:40:14,360 --> 01:40:16,439
Speaker 1: because the Marats is in here too. To me, that's

2094
01:40:16,479 --> 01:40:19,160
Speaker 1: also corny because now you like just using a woman

2095
01:40:19,360 --> 01:40:22,800
Speaker 1: as a way to get back to us. I don't know,

2096
01:40:22,880 --> 01:40:23,880
Speaker 1: I just don't like that type of ship.

2097
01:40:23,960 --> 01:40:26,960
Speaker 2: Yeah, no, I get it. To answer this question, yeah, no,

2098
01:40:27,040 --> 01:40:28,000
Speaker 2: he's he's fouled for that.

2099
01:40:28,080 --> 01:40:32,240
Speaker 1: He can't nah, And you're all at the wedding too.

2100
01:40:32,280 --> 01:40:34,479
Speaker 2: And then he's saying, yo, he's gonna holler at him

2101
01:40:34,800 --> 01:40:36,320
Speaker 2: to talk to him, like yo, you know me and

2102
01:40:36,360 --> 01:40:39,200
Speaker 2: your baby moms, Like, how's that conversation even go? He's like, yo,

2103
01:40:39,400 --> 01:40:41,519
Speaker 2: talk to what do you mean talk to him like

2104
01:40:41,560 --> 01:40:42,520
Speaker 2: what is that conversation?

2105
01:40:42,640 --> 01:40:47,400
Speaker 1: And even yes, but he's like he was fucking I'm

2106
01:40:47,400 --> 01:40:48,639
Speaker 1: gonna go up to him be like, Yo, he wants

2107
01:40:48,640 --> 01:40:51,280
Speaker 1: to shoot a shot at your baby mother, I might

2108
01:40:51,360 --> 01:40:55,280
Speaker 1: ruin that reception. Yeah, just off gp of like, wait,

2109
01:40:55,280 --> 01:40:58,519
Speaker 1: hold on, I'm not I've moved on in my life,

2110
01:40:58,520 --> 01:41:01,479
Speaker 1: but you're not about to Just you asking me if

2111
01:41:01,520 --> 01:41:04,920
Speaker 1: he could go shoot his shot at my BM at

2112
01:41:04,920 --> 01:41:09,720
Speaker 1: a wedding, Yeah, and the fun don't but also like,

2113
01:41:09,800 --> 01:41:13,080
Speaker 1: why this is a creepy ass setup. No, didn't even

2114
01:41:13,120 --> 01:41:14,360
Speaker 1: even ask her she's interested.

2115
01:41:15,479 --> 01:41:18,200
Speaker 2: The funny shit is I feel like he's one of

2116
01:41:18,240 --> 01:41:21,840
Speaker 2: the gentlemen. This was. I don't know which one he is.

2117
01:41:21,880 --> 01:41:24,240
Speaker 2: I'm trying to figure out in his tone, I think

2118
01:41:24,280 --> 01:41:26,559
Speaker 2: he's the one that wants to holler at the girl.

2119
01:41:27,080 --> 01:41:28,080
Speaker 1: Was that not obvious?

2120
01:41:28,360 --> 01:41:30,200
Speaker 2: I'm just saying. I mean, I don't want to just

2121
01:41:30,200 --> 01:41:31,040
Speaker 2: put that on his jacket.

2122
01:41:31,080 --> 01:41:33,439
Speaker 1: I'm putting it on his jacket confidently that he is

2123
01:41:33,439 --> 01:41:34,920
Speaker 1: the person that says, yo, I got this friend, but

2124
01:41:34,960 --> 01:41:37,599
Speaker 1: I'm talking about myself and put it on us. Yes,

2125
01:41:37,720 --> 01:41:40,400
Speaker 1: he is the guy that, at forty years.

2126
01:41:40,200 --> 01:41:42,479
Speaker 2: Old, is the guy that once with the sleep with

2127
01:41:42,520 --> 01:41:47,320
Speaker 2: the baby. Damn, I hope not man, I hope.

2128
01:41:47,120 --> 01:41:50,120
Speaker 1: Why he's asking because he knows he's wrong.

2129
01:41:50,560 --> 01:41:52,519
Speaker 2: No, I believe he's one of the guys. But I

2130
01:41:52,560 --> 01:41:56,160
Speaker 2: think he's the But he don't sound like he got

2131
01:41:56,240 --> 01:41:58,759
Speaker 2: kids though he knows something like he man.

2132
01:41:58,680 --> 01:41:59,479
Speaker 1: Wait, what's that sound?

2133
01:42:00,840 --> 01:42:02,400
Speaker 2: Struggle depression?

2134
01:42:02,520 --> 01:42:04,280
Speaker 1: Fair, you can see it. You can see in the

2135
01:42:04,280 --> 01:42:09,680
Speaker 1: wrinkles under my eyes. Not wait, but the but me

2136
01:42:10,000 --> 01:42:15,439
Speaker 1: in this instance, you're married and moved on. No, I

2137
01:42:15,479 --> 01:42:18,479
Speaker 1: have you married and moved on a kid?

2138
01:42:18,720 --> 01:42:18,920
Speaker 5: I have?

2139
01:42:19,080 --> 01:42:21,679
Speaker 1: I have six figures to play with, like I'm I'm

2140
01:42:22,520 --> 01:42:24,760
Speaker 1: I'm throwing money at the wedding. It's an open bar,

2141
01:42:24,800 --> 01:42:26,640
Speaker 1: but I got like, I'll pay for the drink, like

2142
01:42:26,680 --> 01:42:30,320
Speaker 1: I'm that guy there. So I think that's him.

2143
01:42:30,439 --> 01:42:32,000
Speaker 2: Okay, so he's the one that wants to sleep with

2144
01:42:32,040 --> 01:42:32,360
Speaker 2: the baby.

2145
01:42:32,360 --> 01:42:35,000
Speaker 1: Mam, one hundred percent either way.

2146
01:42:35,080 --> 01:42:37,439
Speaker 2: Don't do it, man, don't do it.

2147
01:42:37,680 --> 01:42:40,599
Speaker 1: But then if you think, consider read some letter they

2148
01:42:40,720 --> 01:42:43,680
Speaker 1: grow on the subject. They both there. No, I've never

2149
01:42:43,720 --> 01:42:48,000
Speaker 1: heard that song. They're both there. So that means that

2150
01:42:49,120 --> 01:42:51,200
Speaker 1: the kids have to be with a babysitter. So she's

2151
01:42:51,200 --> 01:42:51,800
Speaker 1: free that night.

2152
01:42:53,080 --> 01:42:53,479
Speaker 2: Mm hmm.

2153
01:42:55,200 --> 01:42:56,120
Speaker 1: There's so many other women.

2154
01:42:56,200 --> 01:42:56,759
Speaker 2: You could fine.

2155
01:42:59,160 --> 01:43:00,000
Speaker 1: So many women.

2156
01:43:02,040 --> 01:43:04,479
Speaker 2: Go find a woman that has done doesn't know none

2157
01:43:04,520 --> 01:43:07,559
Speaker 2: of your friends, Like that's very easy to do. Like, yeah,

2158
01:43:07,560 --> 01:43:09,600
Speaker 2: you don't, don't do that. That's he's he's fouled for that.

2159
01:43:09,640 --> 01:43:10,559
Speaker 2: He's definitely for that.

2160
01:43:10,560 --> 01:43:13,120
Speaker 1: Correct me if I'm wrong. Did he like her?

2161
01:43:13,880 --> 01:43:15,040
Speaker 2: Well? Did I like her?

2162
01:43:15,080 --> 01:43:18,719
Speaker 1: In college? So this is like the ghost of pussy

2163
01:43:18,760 --> 01:43:19,280
Speaker 1: pass that he.

2164
01:43:19,280 --> 01:43:22,920
Speaker 2: Never gets, the ghost of the best man, but.

2165
01:43:22,960 --> 01:43:25,040
Speaker 1: The opposite he never beat. But he wanted to be

2166
01:43:25,320 --> 01:43:28,320
Speaker 1: like he liked her and then his man's ah, wait,

2167
01:43:28,360 --> 01:43:31,200
Speaker 1: hold on, now we're getting deeper into this. He may

2168
01:43:31,240 --> 01:43:34,960
Speaker 1: hold resentment because he probably told his man's yo, I

2169
01:43:35,120 --> 01:43:38,080
Speaker 1: like her, and then his man swooped in and got

2170
01:43:38,080 --> 01:43:40,280
Speaker 1: her pregnant, and he feel away now. But that was

2171
01:43:40,280 --> 01:43:42,679
Speaker 1: supposed to be his queen, his whole life. So twenty

2172
01:43:42,760 --> 01:43:44,120
Speaker 1: years past is everybody's single.

2173
01:43:44,200 --> 01:43:48,800
Speaker 2: It's not your queen, that's it. I see, I see.

2174
01:43:48,840 --> 01:43:50,240
Speaker 2: You're trying to put the whole play together in your mind.

2175
01:43:50,320 --> 01:43:52,320
Speaker 1: Let me stop right this was it more just nuts

2176
01:43:52,360 --> 01:43:53,120
Speaker 1: queen because it.

2177
01:43:53,080 --> 01:43:55,760
Speaker 2: Was Yeah, but they didn't have a baby together, that's true.

2178
01:43:56,000 --> 01:43:59,680
Speaker 2: Yeah that changes it? Yeah, that just that right there,

2179
01:43:59,760 --> 01:44:02,320
Speaker 2: change it. You could have dated, had sex school once

2180
01:44:02,360 --> 01:44:04,400
Speaker 2: you have a family. Nah, you can't do that, bro.

2181
01:44:05,360 --> 01:44:09,679
Speaker 1: I'm trying. They're like freshman year there was like girls

2182
01:44:09,680 --> 01:44:11,600
Speaker 1: that me and my friends would compete with, like in

2183
01:44:11,640 --> 01:44:14,360
Speaker 1: a not a funny way per se, but like we

2184
01:44:14,439 --> 01:44:18,360
Speaker 1: all understand that that's a pretty chick, that's coool. Holding

2185
01:44:18,439 --> 01:44:22,599
Speaker 1: onto that twenty years later is fucking insane, Like yeah,

2186
01:44:23,479 --> 01:44:26,000
Speaker 1: like you and he just got to plymouth rock first.

2187
01:44:26,360 --> 01:44:27,599
Speaker 2: You got to plymouth rock.

2188
01:44:28,160 --> 01:44:31,760
Speaker 1: I don't know, like you just gotta like you gotta

2189
01:44:31,800 --> 01:44:35,000
Speaker 1: deal with that. Yeah, don't do it though, Like holding

2190
01:44:35,040 --> 01:44:36,479
Speaker 1: onto that twenty years later.

2191
01:44:36,640 --> 01:44:39,439
Speaker 2: Yeah, he want that, he want that bad. But my

2192
01:44:39,520 --> 01:44:41,200
Speaker 2: thing is, if you wanted it that bad, why you

2193
01:44:41,200 --> 01:44:43,600
Speaker 2: ain't never Because he said he never approached her. He

2194
01:44:43,640 --> 01:44:45,200
Speaker 2: never like in school, like he never you know what

2195
01:44:45,200 --> 01:44:48,360
Speaker 2: I'm saying, Like try the data. He kind of tucked

2196
01:44:48,360 --> 01:44:51,160
Speaker 2: his feelings, whereas other homie went straight out of like yo,

2197
01:44:51,200 --> 01:44:55,160
Speaker 2: what's up? Like I like him, I want to date you.

2198
01:44:55,360 --> 01:44:57,920
Speaker 1: Yeah that's where I think you can't hold onto that

2199
01:44:57,960 --> 01:44:59,080
Speaker 1: because you didn't make a fucking move.

2200
01:44:59,160 --> 01:45:01,160
Speaker 2: Let it go, Yeah to go. Wasn't no other women

2201
01:45:01,200 --> 01:45:03,439
Speaker 2: at the wedding at the because they saw.

2202
01:45:03,320 --> 01:45:05,400
Speaker 1: Each other as they said there wasn't more women at

2203
01:45:05,439 --> 01:45:06,240
Speaker 1: y'all college.

2204
01:45:06,640 --> 01:45:08,640
Speaker 2: Yeah, like you just don't do that, man, leave that

2205
01:45:08,680 --> 01:45:10,840
Speaker 2: girl alone. We'll tell your friend if it's who's talking,

2206
01:45:10,840 --> 01:45:13,439
Speaker 2: because we know it's y'all. Don't do that.

2207
01:45:13,640 --> 01:45:15,720
Speaker 1: Don't do that, don't try, don't try to put us

2208
01:45:15,800 --> 01:45:17,200
Speaker 1: at a scenario, and don't do that.

2209
01:45:17,360 --> 01:45:20,160
Speaker 2: Do not sleep with your friends, baby moms desking, just

2210
01:45:20,160 --> 01:45:22,160
Speaker 2: make things very complicated.

2211
01:45:22,360 --> 01:45:24,719
Speaker 1: And then at the weird at a wedding, Yeah.

2212
01:45:24,600 --> 01:45:26,840
Speaker 2: No, don't do that. Please don't do that. We had

2213
01:45:26,840 --> 01:45:27,800
Speaker 2: another one that was.

2214
01:45:27,720 --> 01:45:31,879
Speaker 5: It, Hey, y'all, it's OK from Atlanta.

2215
01:45:32,280 --> 01:45:32,960
Speaker 1: Quick question.

2216
01:45:33,360 --> 01:45:35,240
Speaker 5: I know y'all fly a lot, so I wanted to

2217
01:45:35,320 --> 01:45:38,760
Speaker 5: know what kind of songs do y'all put on your

2218
01:45:38,840 --> 01:45:41,120
Speaker 5: flight playlist? And if you listen to music, because I

2219
01:45:41,120 --> 01:45:43,280
Speaker 5: think one time Damia says she doesn't listened to music

2220
01:45:43,320 --> 01:45:47,599
Speaker 5: while cleaning, which I think is absolutely insane to be sleeping.

2221
01:45:47,880 --> 01:45:49,800
Speaker 1: Will she say that there's no sam just.

2222
01:45:49,840 --> 01:45:50,639
Speaker 4: The sound of the room.

2223
01:45:51,120 --> 01:45:53,640
Speaker 1: But still have your baby, love the hair, and love everything.

2224
01:45:54,560 --> 01:45:56,519
Speaker 5: But I would love to y'all like what type of song,

2225
01:45:56,640 --> 01:45:58,880
Speaker 5: what genre? Like what do you like to listen to

2226
01:45:59,240 --> 01:46:02,040
Speaker 5: when you're on a floor, Like maybe a long fight

2227
01:46:02,120 --> 01:46:05,400
Speaker 5: versus a very short fight, I don't know. And lastly,

2228
01:46:06,439 --> 01:46:09,280
Speaker 5: I gotta have a bonu pique. We have to stop

2229
01:46:09,360 --> 01:46:12,759
Speaker 5: with the n Y bias. Okay, some of the albums

2230
01:46:12,840 --> 01:46:16,120
Speaker 5: y'all hate on are actually good, Like I feel like

2231
01:46:16,160 --> 01:46:20,160
Speaker 5: there's different sounds for different moments. Am I going to

2232
01:46:20,200 --> 01:46:22,479
Speaker 5: be listening to jack Boys too? If I'm trying to

2233
01:46:22,520 --> 01:46:24,160
Speaker 5: put somebody on a rappid red wrap?

2234
01:46:24,360 --> 01:46:24,400
Speaker 1: No?

2235
01:46:25,280 --> 01:46:28,200
Speaker 2: Well, okay, that god sort of out.

2236
01:46:29,200 --> 01:46:32,720
Speaker 5: But jack Boys two is not a bad album anyways.

2237
01:46:32,920 --> 01:46:35,040
Speaker 5: Would love to know what tacktas songs y'all listen to

2238
01:46:35,200 --> 01:46:36,120
Speaker 5: when you're playing.

2239
01:46:36,439 --> 01:46:38,680
Speaker 4: And Yeah, I love y'all.

2240
01:46:39,560 --> 01:46:41,200
Speaker 5: I don't love y'all. I don't know why I said that.

2241
01:46:41,439 --> 01:46:51,280
Speaker 2: I like y'all. Okay, I don't love y'all. Don't know

2242
01:46:51,439 --> 01:46:53,280
Speaker 2: why I said that. Like I like y'all. I like

2243
01:46:53,360 --> 01:46:56,439
Speaker 2: y'all lot. I respect you, respect that, and we like

2244
01:46:56,520 --> 01:46:57,280
Speaker 2: you a lot too.

2245
01:46:58,840 --> 01:47:02,519
Speaker 1: Ironically with the jack Boys two things, that's where I

2246
01:47:02,560 --> 01:47:06,519
Speaker 1: think things get misconstrued. We always have an NY bias,

2247
01:47:06,560 --> 01:47:08,559
Speaker 1: like how else, that's.

2248
01:47:07,960 --> 01:47:10,280
Speaker 2: How definite bias like where I'm from.

2249
01:47:10,360 --> 01:47:13,400
Speaker 1: But I didn't dislike jack Boys too because it wasn't

2250
01:47:13,520 --> 01:47:17,320
Speaker 1: rapidly rap rap like the clips. I compare Travis's catalog

2251
01:47:17,439 --> 01:47:20,280
Speaker 1: to his catalog, no other catalog. I thought it was

2252
01:47:20,400 --> 01:47:23,040
Speaker 1: low for his catalog. I don't look for Travis for

2253
01:47:23,040 --> 01:47:26,080
Speaker 1: any rappy rap shit. I lose my mind if Travis

2254
01:47:26,160 --> 01:47:27,719
Speaker 1: tried to rappy rap shit, like, what.

2255
01:47:27,600 --> 01:47:28,400
Speaker 2: The fuck is you doing?

2256
01:47:28,800 --> 01:47:31,320
Speaker 1: So to get that out of the way, her first

2257
01:47:31,360 --> 01:47:35,640
Speaker 1: part on a plane, I'm definitely not listening. If you

2258
01:47:35,640 --> 01:47:37,519
Speaker 1: listen to jack Boys too on a plane, your a

2259
01:47:37,520 --> 01:47:40,599
Speaker 1: psychopath and air Marshall should take you off.

2260
01:47:41,439 --> 01:47:43,760
Speaker 2: It depends on where you're going. I think the music

2261
01:47:43,800 --> 01:47:45,599
Speaker 2: you listen to on your flight depends where you're going.

2262
01:47:47,080 --> 01:47:49,519
Speaker 1: Like how you in the air, No, I just think

2263
01:47:49,520 --> 01:47:51,880
Speaker 1: it's a mood like that you if if you know

2264
01:47:51,920 --> 01:47:53,760
Speaker 1: you're going on vacation, like I'm gonna go to the

2265
01:47:53,800 --> 01:47:55,840
Speaker 1: Islands and chill for a couple of days, Like I

2266
01:47:55,840 --> 01:47:58,360
Speaker 1: think your playlist is different if I'm going toad Atlanta

2267
01:47:58,439 --> 01:48:02,160
Speaker 1: for the weekend. Absolutely, when I land, for sure, I

2268
01:48:02,200 --> 01:48:04,760
Speaker 1: agree there. But in the air, no, yeah, in the air,

2269
01:48:04,760 --> 01:48:07,160
Speaker 1: you gotta get in that zone, man, do you know

2270
01:48:07,400 --> 01:48:10,000
Speaker 1: if it's turbulence, I'm going Kirk Franklin the whole flight.

2271
01:48:10,800 --> 01:48:16,040
Speaker 2: I'm going now, Behold the lamb. Hey, hey, Kirk, if

2272
01:48:16,080 --> 01:48:18,920
Speaker 2: you get an uptick in now behold the lamb. Just

2273
01:48:19,040 --> 01:48:21,000
Speaker 2: know that I was taking one of them long flights

2274
01:48:21,040 --> 01:48:23,160
Speaker 2: and it was it was some chop along the way.

2275
01:48:23,439 --> 01:48:24,639
Speaker 2: How to probably say some chop.

2276
01:48:24,960 --> 01:48:27,920
Speaker 1: It was some chop along the way in the words

2277
01:48:27,920 --> 01:48:29,559
Speaker 1: of Wolf wars Street. You don't know shit about chop.

2278
01:48:30,000 --> 01:48:34,400
Speaker 1: But the amount of voice notes when it gets like

2279
01:48:34,560 --> 01:48:39,160
Speaker 1: turbulence goes crazy, I get on my quiet voice note. Shit,

2280
01:48:39,720 --> 01:48:41,599
Speaker 1: the amount of voice notes and text messages that I've

2281
01:48:41,640 --> 01:48:44,760
Speaker 1: just putting notes that have never been sent because I've

2282
01:48:44,760 --> 01:48:47,360
Speaker 1: been paranoid on a plane like should be its own

2283
01:48:47,680 --> 01:48:52,240
Speaker 1: coffee table book. Wait, I have like legitimately like said

2284
01:48:52,280 --> 01:48:54,719
Speaker 1: my piece to people on certain flights.

2285
01:48:54,800 --> 01:48:57,479
Speaker 2: You know why. I know you're crazy, known you were crazy,

2286
01:48:57,560 --> 01:49:00,160
Speaker 2: but this information let me tell you why you're You

2287
01:49:00,160 --> 01:49:01,479
Speaker 2: think they would find that phone?

2288
01:49:02,600 --> 01:49:05,479
Speaker 1: No, No, I would send them like when when it

2289
01:49:05,560 --> 01:49:07,240
Speaker 1: starts getting bumpy, Like I told you, I've been on

2290
01:49:07,280 --> 01:49:10,520
Speaker 1: flights we had air pockets and people's shoulders were separated.

2291
01:49:10,560 --> 01:49:13,639
Speaker 1: Like there's been time I've been on some crazy flights. Yeah,

2292
01:49:13,640 --> 01:49:16,600
Speaker 1: I had ships sitting there like yo, the moment this

2293
01:49:16,640 --> 01:49:20,679
Speaker 1: shit goes I'm hitting the send, not that they're gonna

2294
01:49:20,680 --> 01:49:23,240
Speaker 1: find my You think it's going to go through. Yeah,

2295
01:49:23,439 --> 01:49:25,160
Speaker 1: I think the I think they can. I think we

2296
01:49:25,240 --> 01:49:25,960
Speaker 1: feel to work.

2297
01:49:26,000 --> 01:49:31,920
Speaker 2: You think that Wi Yo, he's crazy that Wi fi.

2298
01:49:32,240 --> 01:49:35,000
Speaker 2: If the plane is going down, I promise you your

2299
01:49:35,120 --> 01:49:36,960
Speaker 2: voice note is not making But.

2300
01:49:38,720 --> 01:49:41,280
Speaker 1: It's also my peace of mind of like thinking when

2301
01:49:41,280 --> 01:49:43,360
Speaker 1: I'm about to die, at least, like maybe I could

2302
01:49:43,400 --> 01:49:44,599
Speaker 1: get my thoughts off to somebody.

2303
01:49:45,200 --> 01:49:47,200
Speaker 2: Okay, I'll get that. Like nine eleven, we see the

2304
01:49:47,240 --> 01:49:49,000
Speaker 2: documentaries there when they use.

2305
01:49:48,920 --> 01:49:50,840
Speaker 1: Their phone names when you call your mother, you know,

2306
01:49:51,320 --> 01:49:52,800
Speaker 1: like I would call my mom and be like, hey mom,

2307
01:49:52,840 --> 01:49:56,559
Speaker 1: it's Rory Farrell. Yeah, you talk about those those calls

2308
01:49:56,560 --> 01:49:57,200
Speaker 1: from not eleven.

2309
01:49:58,120 --> 01:49:59,960
Speaker 2: Those are the calls I'm talking about when you had

2310
01:50:00,040 --> 01:50:01,240
Speaker 2: the phones in the back of the sea.

2311
01:50:01,240 --> 01:50:03,720
Speaker 1: You have to get the credit card, swipe it. Hey

2312
01:50:03,720 --> 01:50:06,840
Speaker 1: mom called, hey mom, it's Rory yeah Pharaoh.

2313
01:50:06,600 --> 01:50:12,120
Speaker 2: Yeah yeah, Pharaoh. Naturally, what other Rory would it be?

2314
01:50:12,200 --> 01:50:15,320
Speaker 1: They think we're so it's crazy, But yeah, I've done

2315
01:50:15,360 --> 01:50:16,639
Speaker 1: that plenty of times on planes.

2316
01:50:16,720 --> 01:50:19,120
Speaker 2: You know, I listened to I listen to music depending

2317
01:50:19,120 --> 01:50:23,120
Speaker 2: on where I'm going. I love listening to new music

2318
01:50:23,360 --> 01:50:26,760
Speaker 2: on long flights because it just helps, you know, have

2319
01:50:26,840 --> 01:50:29,240
Speaker 2: nothing else to do, either sleep or the music is

2320
01:50:29,240 --> 01:50:30,840
Speaker 2: playing in my ears so I can hear it and

2321
01:50:30,920 --> 01:50:32,800
Speaker 2: kind of get into the music a little more. But

2322
01:50:32,840 --> 01:50:35,400
Speaker 2: it changes for me again. If I'm going to vacation,

2323
01:50:36,479 --> 01:50:38,240
Speaker 2: playlist is a little more you know, R and B,

2324
01:50:39,080 --> 01:50:43,280
Speaker 2: a little mellow. If I'm going to LA for BT weekend,

2325
01:50:43,600 --> 01:50:46,519
Speaker 2: I'm listening to Rayvaughn the whole flight. If I'm going

2326
01:50:46,600 --> 01:50:47,760
Speaker 2: to you.

2327
01:50:47,680 --> 01:50:51,080
Speaker 1: Know, because you're supporting, I'm supporting and listen like we

2328
01:50:51,080 --> 01:50:51,439
Speaker 1: always have.

2329
01:50:51,560 --> 01:50:55,800
Speaker 2: I'm always just keeping supporting, always just supporting. That's all

2330
01:50:55,840 --> 01:50:58,000
Speaker 2: I'm doing. I'm supporting my view, keeping the same energy.

2331
01:50:58,160 --> 01:51:00,920
Speaker 2: But yeah, depending on where I'm going, I listen to

2332
01:51:01,000 --> 01:51:02,800
Speaker 2: the music based on I know it's weird or it

2333
01:51:02,800 --> 01:51:04,960
Speaker 2: may seem weird. I'm sure other people do it too,

2334
01:51:05,000 --> 01:51:06,880
Speaker 2: But depending on where I'm going, where I'm headed on

2335
01:51:06,920 --> 01:51:08,920
Speaker 2: the flight, it depends on exactly what I'm listening.

2336
01:51:09,160 --> 01:51:13,880
Speaker 1: Is altitude make y'all more emotional? I will say this

2337
01:51:14,240 --> 01:51:17,920
Speaker 1: all right, so I'm not alone, right piece, Yeah, altitude

2338
01:51:17,960 --> 01:51:20,840
Speaker 1: makes me more emotional. Like there'll be certain movies or

2339
01:51:20,960 --> 01:51:23,280
Speaker 1: music that I've listened to a million times. There's something

2340
01:51:23,280 --> 01:51:26,840
Speaker 1: about altitude that just maybe it's the less oxygen in

2341
01:51:26,880 --> 01:51:30,320
Speaker 1: your brains, like or more oxygen because it's being fed

2342
01:51:30,360 --> 01:51:32,880
Speaker 1: through the fucking same event. I don't know. Go on

2343
01:51:32,960 --> 01:51:35,439
Speaker 1: Joe Rogan's podcast and you can figure out why. I'm

2344
01:51:35,479 --> 01:51:38,160
Speaker 1: just saying I feel more emotional on a plane.

2345
01:51:38,200 --> 01:51:41,080
Speaker 2: I will say this one of the most beautiful songs

2346
01:51:41,080 --> 01:51:42,760
Speaker 2: to listen to when it's like you're taking one of

2347
01:51:42,760 --> 01:51:45,559
Speaker 2: those morning flights and it's sunny out. You know, you

2348
01:51:45,600 --> 01:51:47,439
Speaker 2: get above the clouds and you see nothing but just

2349
01:51:47,479 --> 01:51:53,720
Speaker 2: blue sky and sun. Fancy by the Dream. Oh my god,

2350
01:51:53,920 --> 01:51:57,000
Speaker 2: I feel like a homosexual whenever I play that.

2351
01:51:57,240 --> 01:51:59,120
Speaker 1: So I was gonna bring up an example of me

2352
01:51:59,280 --> 01:52:02,760
Speaker 1: balling my eyes eyes out watching the Amy Winehouse documentary

2353
01:52:02,840 --> 01:52:05,240
Speaker 1: on a flight. I didn't know. Fancy got you.

2354
01:52:05,240 --> 01:52:08,640
Speaker 2: There, Bro, Listen to Rory. Listen because you're laughing at me.

2355
01:52:08,920 --> 01:52:11,320
Speaker 2: I know, listen the next flight you take, the next

2356
01:52:11,320 --> 01:52:14,680
Speaker 2: flight you take. I'm talking about those sunny morning flights.

2357
01:52:15,160 --> 01:52:17,080
Speaker 2: There's nothing as soon as you get above the clouds

2358
01:52:17,400 --> 01:52:18,960
Speaker 2: and it's like, yo, I didn't even know it was

2359
01:52:18,960 --> 01:52:21,599
Speaker 2: a whole nother airspace above the clouds like this, and

2360
01:52:21,640 --> 01:52:26,120
Speaker 2: it's just blue and Sun put Fancy on by the Dream,

2361
01:52:26,280 --> 01:52:29,120
Speaker 2: and I dare you not to cry. It is the

2362
01:52:29,160 --> 01:52:32,840
Speaker 2: most glorious, beautiful piece of music you will ever hear

2363
01:52:32,960 --> 01:52:37,200
Speaker 2: in your life. At thirty thousand feet.

2364
01:52:36,280 --> 01:52:40,400
Speaker 1: I'm gonna try it. But every time, like I played

2365
01:52:40,439 --> 01:52:44,160
Speaker 1: like March fifteenth and cried on plane, like I've purposely

2366
01:52:44,200 --> 01:52:45,639
Speaker 1: listened to like really emotional music.

2367
01:52:45,720 --> 01:52:46,559
Speaker 2: I'll give it a go with.

2368
01:52:46,560 --> 01:52:49,400
Speaker 1: Fancsy bro listen to Fancy, but like what, like which

2369
01:52:49,439 --> 01:52:51,479
Speaker 1: part of the song like get you there? Like what

2370
01:52:51,560 --> 01:52:52,040
Speaker 1: is the one?

2371
01:52:52,560 --> 01:52:56,240
Speaker 2: How't just like it's just the music. It's just like damn,

2372
01:52:56,240 --> 01:52:59,200
Speaker 2: it's so, it's just it's and then looking out the window,

2373
01:52:59,320 --> 01:53:01,800
Speaker 2: you see it's just he blue skis and it's just

2374
01:53:01,840 --> 01:53:05,040
Speaker 2: the music is just it just hits you differently, particularly so.

2375
01:53:05,120 --> 01:53:07,679
Speaker 1: Much smaller than what I think I am look.

2376
01:53:07,560 --> 01:53:09,840
Speaker 2: At in the scope of the universe. It's just like

2377
01:53:10,640 --> 01:53:13,400
Speaker 2: look at me, right, It's that type of.

2378
01:53:13,400 --> 01:53:14,880
Speaker 1: What's fucked up is because you're gonna call me more

2379
01:53:14,920 --> 01:53:16,760
Speaker 1: crazy when I'm on planes. That is like one of

2380
01:53:16,800 --> 01:53:19,519
Speaker 1: the main things. When I look out the one, I'm like, yo,

2381
01:53:19,600 --> 01:53:22,280
Speaker 1: I do not matter at all. I don't mean that.

2382
01:53:22,560 --> 01:53:23,240
Speaker 2: I really don't mean that.

2383
01:53:23,240 --> 01:53:23,920
Speaker 1: In a depressing way.

2384
01:53:25,160 --> 01:53:27,680
Speaker 2: Window seats, so you can think to this, so how

2385
01:53:27,760 --> 01:53:29,280
Speaker 2: much he window?

2386
01:53:30,920 --> 01:53:32,160
Speaker 1: Don't want nobody next to me?

2387
01:53:33,840 --> 01:53:38,400
Speaker 2: Yeah, looking out the window, like talking, I do not matter.

2388
01:53:38,479 --> 01:53:40,479
Speaker 1: You know I usually say things in a depressing state

2389
01:53:40,520 --> 01:53:41,920
Speaker 1: because I talk about that a lot. I don't mean

2390
01:53:41,960 --> 01:53:43,560
Speaker 1: that in a depressing thing. It's actually more of like

2391
01:53:43,600 --> 01:53:46,639
Speaker 1: a relief of Like, dude, there's like so many things

2392
01:53:46,680 --> 01:53:50,080
Speaker 1: do so look what the fuck fly like when you

2393
01:53:50,120 --> 01:53:51,840
Speaker 1: fly from New York to LA the ship that you

2394
01:53:51,920 --> 01:53:56,000
Speaker 1: just fly over, of the hundreds of thousands of stories

2395
01:53:56,040 --> 01:53:59,280
Speaker 1: of the little people down there. It's like, though, my

2396
01:53:59,320 --> 01:54:02,920
Speaker 1: life does not at all, Like I'm overstressing about my life.

2397
01:54:02,960 --> 01:54:05,240
Speaker 1: And that's why I think alsitude puts things in perspective,

2398
01:54:05,400 --> 01:54:08,639
Speaker 1: like yeah, we're supposed to be up there, because I've

2399
01:54:08,640 --> 01:54:10,719
Speaker 1: never understood why you have to go to thirty thousand feet,

2400
01:54:11,720 --> 01:54:14,160
Speaker 1: Like just just put me at ten thousand feet, get

2401
01:54:14,160 --> 01:54:19,360
Speaker 1: me there quicker, which I'm sure it's probably you can

2402
01:54:19,400 --> 01:54:20,479
Speaker 1: go quicker when you're high up there.

2403
01:54:20,720 --> 01:54:23,240
Speaker 2: Well, private just don't fly that hot. They don't go

2404
01:54:23,360 --> 01:54:23,920
Speaker 2: thirty thousand.

2405
01:54:24,080 --> 01:54:25,400
Speaker 1: I've never been on a private jet my life.

2406
01:54:25,439 --> 01:54:28,360
Speaker 2: Yeah, it's a little low. It's about twenty twenty thousand feet.

2407
01:54:28,360 --> 01:54:30,160
Speaker 2: I'm guessing because even when you're on a fly, you

2408
01:54:30,160 --> 01:54:31,599
Speaker 2: never look out the window and see.

2409
01:54:31,520 --> 01:54:35,080
Speaker 1: Like, oh yeah, for sure, yes, I assume that was

2410
01:54:35,120 --> 01:54:38,840
Speaker 1: Like I mean, since d I is hit, I don't

2411
01:54:38,880 --> 01:54:40,200
Speaker 1: know what the control towers.

2412
01:54:40,200 --> 01:54:41,920
Speaker 2: But yeah, we don't know who's on those towers.

2413
01:54:44,840 --> 01:54:44,960
Speaker 5: Yo.

2414
01:54:45,000 --> 01:54:47,240
Speaker 1: How does your party like really view D like they

2415
01:54:47,240 --> 01:54:49,600
Speaker 1: think they just really be like, hey, oh yo, if

2416
01:54:49,600 --> 01:54:53,080
Speaker 1: you're a woman, just come fly these planes, bro, Like.

2417
01:54:53,000 --> 01:54:57,360
Speaker 2: That's how they think the hour, Oh my god.

2418
01:54:58,040 --> 01:55:01,160
Speaker 1: Like nah, we just need to feel the quota. Like, Yo,

2419
01:55:01,240 --> 01:55:03,360
Speaker 1: you ever used the MacBook, you could be you could

2420
01:55:03,400 --> 01:55:04,520
Speaker 1: be in the control tower.

2421
01:55:04,560 --> 01:55:07,360
Speaker 2: Now that is fucking hilarious. Kay, thank you for that voicemail.

2422
01:55:07,400 --> 01:55:11,200
Speaker 2: We appreciate it. Hi mo. Let's get the funk out

2423
01:55:11,240 --> 01:55:11,640
Speaker 2: of here, man.

2424
01:55:12,200 --> 01:55:14,000
Speaker 1: Yeah, and if you're listening to us on a plane,

2425
01:55:14,000 --> 01:55:16,040
Speaker 1: it's okay to cry. It's okay to cry right now.

2426
01:55:16,040 --> 01:55:19,400
Speaker 1: Start crying right now. We'll talk to y'all soon. Be safe,

2427
01:55:19,520 --> 01:55:22,680
Speaker 1: be blessed. I'm that nigga, he's just ginger peace