WEBVTT - Preserving the Histories

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<v Speaker 1>Before this week's episode, I wanted to take a moment

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<v Speaker 1>to let y'all know about the devastating floods happening in

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<v Speaker 1>Pakistan right now. Over thirty million people have been affected,

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<v Speaker 1>with the death toll around eleven hundred and rising with

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<v Speaker 1>every passing day. Entire buildings are being washed away, with

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<v Speaker 1>many people sustaining injuries. I encourage every listener to donate

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<v Speaker 1>any amount they can to help alleviate this disaster. You

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<v Speaker 1>can find a list of organizations to send funds to

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<v Speaker 1>linked in the show notes. These stories had to be

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<v Speaker 1>the thing with saud Asia and many other ancient cultures

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<v Speaker 1>of the world is that all our histories are all

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<v Speaker 1>While there is such a beauty in these older traditions,

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<v Speaker 1>there is also real fear that these stories will get

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<v Speaker 1>lost if they're not driking down. I really felt that

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<v Speaker 1>that I didn't want these nuances to be raced. I

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<v Speaker 1>wanted to where do you go if you want to

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<v Speaker 1>pay tribute to someone? Most people would visit a specific

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<v Speaker 1>place like a grave, a memorial, or a site that

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<v Speaker 1>has been well preserved for visitors. But what if you

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<v Speaker 1>don't have any of those places at your disposal? Neither

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<v Speaker 1>India nor Pakistan have any memorials dedicated to partition. There

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<v Speaker 1>is no communal place to reflect on this grief. One

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<v Speaker 1>of the only ways we can ensure that memories and

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<v Speaker 1>stories of those who went through this very distressing event

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<v Speaker 1>don't get lost is by preserving their oral histories. Children

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<v Speaker 1>and grandchildren of partition survivors took it upon themselves to

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<v Speaker 1>start asking questions, recording interviews, and writing down stories that

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<v Speaker 1>their elders told them. It became clear that if they

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<v Speaker 1>didn't note these histories, no one else would. From I

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<v Speaker 1>Heart Radio, I'm Najazi's and This is Partition, a podcast

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<v Speaker 1>that will take a closer look into this often forgotten

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<v Speaker 1>part of history. My grandparents from my father's side, my

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<v Speaker 1>paternal grandparents and my dad when he was a baby,

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<v Speaker 1>they migrated from Lahore to what is now India in

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<v Speaker 1>ninety seven and it was a forced migration. It wasn't

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<v Speaker 1>something that they wanted to do, but you know, like

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<v Speaker 1>millions of people, they were uprooted from their home and uh,

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<v Speaker 1>you know, I grew up in India. The first ten

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<v Speaker 1>years of my life. I was an army kid, so

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<v Speaker 1>I lived in a lot of different places, including Gemmuine, Kashmi.

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<v Speaker 1>That's Dr Gunita Singh Bala, the founder of the ninety

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<v Speaker 1>seven Partition an Archive. You may recall her telling us

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<v Speaker 1>about the vast differences between what she learned about partition

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<v Speaker 1>from her family versus what she learned from school from

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<v Speaker 1>episode two. This discrepancy is something that has stayed with

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<v Speaker 1>her for decades. When conned the travel to Japan to

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<v Speaker 1>conduct research for her PhD, she visited the Hiroshima Peace Memorial.

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<v Speaker 1>It was here that she was inspired to document the

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<v Speaker 1>stories of her family and community in an archive. We

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<v Speaker 1>had read books in high school about the history of

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<v Speaker 1>the atomic bombing of Japan and so on, But when

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<v Speaker 1>you hear from survivors, it really fits you in a

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<v Speaker 1>different way because you connect with it on a human level.

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<v Speaker 1>You hear it in their voice, you see it in

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<v Speaker 1>their expressions, you hear how it impacted their very human lives.

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<v Speaker 1>She quickly understood this way of storytelling is one that

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<v Speaker 1>demands attention. It is not something that could easily be

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<v Speaker 1>swept under the road. I realized in that moment that

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<v Speaker 1>you know the power of witness testimony, that we needed

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<v Speaker 1>to hear the story of partition directly from people who

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<v Speaker 1>lived through it, because if I said something like I

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<v Speaker 1>did to my school teacher was dismissed very easily. But

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<v Speaker 1>when my grandmother, who lived through it, she told it differently.

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<v Speaker 1>She told it through every form of expression available to

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<v Speaker 1>Herder is very instinctive because she had lived through it,

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<v Speaker 1>and you can't really deny that. You know, this was

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<v Speaker 1>Goanitas Aha moment. I sort of casually started recording stories

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<v Speaker 1>on a trip to Punjab in two thousand nine. People

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<v Speaker 1>thought it was insane, like really strange what I was doing.

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<v Speaker 1>People who had witnessed it started to line up and

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<v Speaker 1>it was like, Oh, there's a need, like people want

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<v Speaker 1>to tell their story. Ever since then, Guanita has been

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<v Speaker 1>devoted to collecting these memories. Through this work, she's realized

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<v Speaker 1>that every moment is fleeting. In two nine, I finished

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<v Speaker 1>my pH d and I moved to Berkeley to do

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<v Speaker 1>my post talk and in a family member that I

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<v Speaker 1>was going to interview the last member of my family

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<v Speaker 1>in that nineties age group. I forgot my camera when

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<v Speaker 1>I meant to go talk to him before I came

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<v Speaker 1>back a couple of months later with my camera, he died.

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<v Speaker 1>I was like, Wow, this is a wake up call

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<v Speaker 1>like I have lost the adult version of my story

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<v Speaker 1>or in my family, but there are millions of other

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<v Speaker 1>families out there who still have this memory of partisition

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<v Speaker 1>and it needs to be documented for the world forgets.

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<v Speaker 1>She said. It was overwhelming and overpowering, and there was

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<v Speaker 1>nothing that was going to stop her. Every cell in

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<v Speaker 1>my body was committed into making this happen. At this time,

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<v Speaker 1>Counta had a strenuous career as an experimental condensed matter

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<v Speaker 1>physicist at UC Berkeley. She was working constantly, but somehow

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<v Speaker 1>she was still able to find time to look for

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<v Speaker 1>objects to interview. Somehow, I was finding time to go

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<v Speaker 1>and table at mosques and Mondays and Goodwias in the

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<v Speaker 1>Bay Area, and people were lining up to sign up

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<v Speaker 1>to tell their story. She realized she needed to enlist

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<v Speaker 1>people to help her if she wanted to keep up

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<v Speaker 1>with the demand. So I started speaking at student clubs

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<v Speaker 1>at various South Asian groups. You know, I was new

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<v Speaker 1>to the barrier. I didn't know anyone, which I think

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<v Speaker 1>really helped because I didn't have that fear of judgment,

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<v Speaker 1>you know. I kind of just started doing this stuff.

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<v Speaker 1>So that's how our initial teams were formed, and it

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<v Speaker 1>was just um. You know, there was a lot of obstacles,

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<v Speaker 1>but I think when you are so drunk on an

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<v Speaker 1>idea and you're so absolutely committed and you feel it

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<v Speaker 1>to your core, nothing can stop you. So that's how

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<v Speaker 1>it happened. And I was working around the clock. She

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<v Speaker 1>recalls her home turning into a library in a way.

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<v Speaker 1>She had a lot of video and recording equipment from

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<v Speaker 1>a variety of places. Sometimes people would stop by and

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<v Speaker 1>borrow tape recorders and other equipment from her to record

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<v Speaker 1>oral histories of people they knew. Knita spent hours and

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<v Speaker 1>hours digitizing all the tapes she collected. So my computer

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<v Speaker 1>was running seven UM. So that's kind of how it started.

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<v Speaker 1>We started teaching in order to you know, the idea

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<v Speaker 1>was the crowdsource. Basically, the idea was that you can

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<v Speaker 1>use the internet to get support from other people to

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<v Speaker 1>solve big problems. So I was like, well, why don't

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<v Speaker 1>we do that, Why don't we come together to document partition?

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<v Speaker 1>So we collaborated with MUC Berkeley's Regional Oral History Office

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<v Speaker 1>and UM learned how to conduct oral histories properly, developed

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<v Speaker 1>training modules, and you know, I had a lot of

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<v Speaker 1>teaching experience in other fields, but it was very easy

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<v Speaker 1>to adapt that to oral history. She created a webinar

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<v Speaker 1>where thousands of people all over the world could take

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<v Speaker 1>a course and learn how to record these histories. What

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<v Speaker 1>was originally a side project turned into a fully fledged organization.

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<v Speaker 1>We've documented stories from I believe fourteen or fifteen countries

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<v Speaker 1>at this point, more than five hundred cities and villages,

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<v Speaker 1>thirty six languages, over ten thousand oral histories of partition,

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<v Speaker 1>which was our founding goal. To showcase the magnitude of

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<v Speaker 1>what Kunita created, I'm going to walk you through the website.

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<v Speaker 1>Once you reach the Partition Archive, you're showing a map

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<v Speaker 1>that is incredibly interactive. You can see where people migrated from,

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<v Speaker 1>where they migrated to their current city. You can zoom

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<v Speaker 1>in on different areas, and you can see the number

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<v Speaker 1>of stories that are located in each city and village.

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<v Speaker 1>It's truly truly in heat a bowl. Within moments, you

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<v Speaker 1>have thousands of stories of partition survivors at your fingertips.

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<v Speaker 1>That being said, one unfortunate and common reality of partition

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<v Speaker 1>is that many people are still looking for siblings, friends,

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<v Speaker 1>and other loved ones whom they were separated from back

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<v Speaker 1>in ninety seven, I asked Anita if she came across

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<v Speaker 1>any stories like this. Yes, we have connected lots and

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<v Speaker 1>lots of brothers and sisters, friends and family and cousins

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<v Speaker 1>who were separated in so that's been part of our

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<v Speaker 1>work for a decade now. Interestingly, I had documented this man,

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<v Speaker 1>l Bano. I had documented his grandmother's story in the

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<v Speaker 1>San Francisco Bay area, and he was really inspired by

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<v Speaker 1>what we were doing. The man wanted these interviews to

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<v Speaker 1>be put up on YouTube, but the archive was unable

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<v Speaker 1>to do that at that time. In this discussion, I

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<v Speaker 1>told her about an article I read earlier in the

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<v Speaker 1>Washington Post about two brothers who are reunited after seventy

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<v Speaker 1>four years, and in a lovely and surprising twist, the

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<v Speaker 1>same man she mentioned helped create the same YouTube channel

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<v Speaker 1>that showcase the brothers meeting again. He actually started his

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<v Speaker 1>own channel. It's called Punjabi Lahire. It's a live thing.

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<v Speaker 1>They go when they talk to people who migrated in

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<v Speaker 1>the same thing as us, but they focus only on

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<v Speaker 1>pun job and they do it live. And it's not

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<v Speaker 1>like the rigular squirrel history, if you will, it's more

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<v Speaker 1>like a conversation and uh, you know, like a little

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<v Speaker 1>TV show where they visit. It's a beautiful thing that

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<v Speaker 1>they've done well. Friends and family being reunited after decades

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<v Speaker 1>is a wonderful thing to see. These moments are constantly

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<v Speaker 1>plagued by the unmaleable borders of India and Pakistan. India

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<v Speaker 1>and Pakistan have a very complex relationship with each other

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<v Speaker 1>because of the lasting legacy of partition. It is still

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<v Speaker 1>near impos sable today for Pakistan needs to visit India

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<v Speaker 1>and for Indians to visit Pakistan. The wounds of still

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<v Speaker 1>run very deep. Goodita and I really commiserate over this

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<v Speaker 1>in my twenties when I was like traveling all over

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<v Speaker 1>the world for conferences during this enough for my academic

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<v Speaker 1>work and even in general, you know, just for fun.

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<v Speaker 1>I was really floored by the fact that it was

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<v Speaker 1>so easy for me to travel everywhere except Pakistan. That's

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<v Speaker 1>like the motherland, that's where we're all from. She was

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<v Speaker 1>a lot more composed in our conversation than I was,

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<v Speaker 1>but we came to a hopeful thought. Perhaps with a

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<v Speaker 1>number of oral history projects out there and the more

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<v Speaker 1>stories of reunions coming out, there is a slight glimmer

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<v Speaker 1>that maybe slowly, but surely, these walls and barriers will

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<v Speaker 1>come down. Now we have people who made the effort

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<v Speaker 1>to open up that recorridor. People are starting to take

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<v Speaker 1>small step up and I think projects like ours and

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<v Speaker 1>others are helping to break those boundaries. Finally, the Cathar

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<v Speaker 1>Pork Corridor is home to a sea holy site that

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<v Speaker 1>is on the Bakistani side of the border. It's it's

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<v Speaker 1>only three miles from India and it wasn't until two

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<v Speaker 1>that the area became a visa free crossing. This corridor

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<v Speaker 1>was the only way the aforementioned brothers could physically meet.

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<v Speaker 1>I think if we keep working at it, all of

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<v Speaker 1>us in our generation, I think we can help you

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<v Speaker 1>praise some of these tensions which really don't need to

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<v Speaker 1>be there if you really dig deep. At the top

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<v Speaker 1>of the episode, the voice you heard was of author

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<v Speaker 1>and oral historian until Molotra. She acknowledged her fear about

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<v Speaker 1>these stories disappearing if there wasn't a record of them anywhere.

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<v Speaker 1>Over many years, she has talked to numerous people about

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<v Speaker 1>partition and their memories associated with it, but it wasn't

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<v Speaker 1>until two thirteen she thought to start writing a book

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<v Speaker 1>called Remnants of Partition twenty one objects from a continent divided.

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<v Speaker 1>It might seem strange to some that I have written

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<v Speaker 1>a book about mere objects carried across the border, when

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<v Speaker 1>I could very well have written about the enormity of

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<v Speaker 1>memory and experience that survives. And I must admit that

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<v Speaker 1>at times during my interviews I did feel uncomfortable and

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<v Speaker 1>perhaps even petty, to be continually asking about things people

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<v Speaker 1>brought when clearly they had witnessed so much horror along

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<v Speaker 1>the path to safety. But still I would persist, what

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<v Speaker 1>did you bring? How much did you bring? How did

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<v Speaker 1>you bring it? What did you leave behind? Why? These things? Things? Things, things.

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<v Speaker 1>I have learned to say things in so many different languages.

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<v Speaker 1>It alarms me. But I will say this that continuing

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<v Speaker 1>to remember clearly as very difficult. And so my entry

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<v Speaker 1>point into the memory of that time remains the material object,

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<v Speaker 1>the personal possession. It is still my main gateway and

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<v Speaker 1>the life before it fabrics and documents and soil and

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<v Speaker 1>stones and touch and smell and caress. In October, Unto

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<v Speaker 1>was on sabbatical from grad school and returned to India.

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<v Speaker 1>One of her friends mentioned to her that he was

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<v Speaker 1>writing about old houses in billy. He was interested in

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<v Speaker 1>visiting Until's nanas her maternal grandfather's home phrase project Manana's

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<v Speaker 1>eldest brother. I remember he left the room and he

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<v Speaker 1>came back with an array of objects, and he said

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<v Speaker 1>that if you have to talk about the past, then

0:15:13.840 --> 0:15:16.160
<v Speaker 1>you know these objects are also old, and you must

0:15:16.240 --> 0:15:18.880
<v Speaker 1>talk about them as well. And two objects from that pile,

0:15:19.000 --> 0:15:21.960
<v Speaker 1>which were a medium sized vessel in which Lessie has

0:15:22.000 --> 0:15:26.240
<v Speaker 1>made out and a yardstick or the gas, had been

0:15:26.280 --> 0:15:30.120
<v Speaker 1>carried by his family from lower to Lizza, and they

0:15:30.160 --> 0:15:32.480
<v Speaker 1>were obviously by five and older than the house Pap

0:15:32.520 --> 0:15:37.120
<v Speaker 1>was standing in. And I had never seen those objects before.

0:15:37.120 --> 0:15:40.640
<v Speaker 1>They were so ordinary, so mundane, and there was nothing

0:15:40.760 --> 0:15:45.240
<v Speaker 1>exceptional about it, except for the stories that emerged when

0:15:45.640 --> 0:15:49.920
<v Speaker 1>he began touching the object, caressing it, talking about it.

0:15:50.680 --> 0:15:54.400
<v Speaker 1>It's like he remembered his childhood in law. He remembered

0:15:54.480 --> 0:15:58.320
<v Speaker 1>the gully, remembered eating chilgos as, he remembered drinking the

0:15:58.440 --> 0:16:01.560
<v Speaker 1>kind of you know, what makes a giant. He remembered

0:16:01.600 --> 0:16:04.600
<v Speaker 1>what the house looks like. He remembered his father using

0:16:04.680 --> 0:16:07.080
<v Speaker 1>the yard stick in their clothing store. He remembered their

0:16:07.160 --> 0:16:09.920
<v Speaker 1>mother making lesstie in the girl, and it was just

0:16:10.080 --> 0:16:16.160
<v Speaker 1>such a visceral transportation. Uncle's words brought me back to

0:16:16.280 --> 0:16:18.680
<v Speaker 1>the conversation I had with my mom in episode one,

0:16:18.960 --> 0:16:20.600
<v Speaker 1>where she said she would take a photo of her

0:16:20.640 --> 0:16:24.680
<v Speaker 1>family an object that couldn't easily be replaced. I often

0:16:24.720 --> 0:16:28.320
<v Speaker 1>think about what my family members brought with them, A newspaper,

0:16:28.800 --> 0:16:32.360
<v Speaker 1>a book, a piece from a school uniform. I can

0:16:32.440 --> 0:16:35.240
<v Speaker 1>only really wonder since my living grandparents don't remember what

0:16:35.360 --> 0:16:38.680
<v Speaker 1>they brought after seventy five years have passed. When I

0:16:38.760 --> 0:16:42.840
<v Speaker 1>saw the item question from home, I asked myself, what

0:16:42.960 --> 0:16:44.920
<v Speaker 1>would I have brought if I was in this position.

0:16:45.760 --> 0:16:47.640
<v Speaker 1>From time to time this question pops up in my

0:16:47.720 --> 0:16:54.120
<v Speaker 1>head and I still don't have any idea. So I

0:16:54.280 --> 0:16:57.760
<v Speaker 1>just had never considered objects to be photos of the past,

0:16:57.800 --> 0:17:00.120
<v Speaker 1>which of course they are, you know, the mini you

0:17:00.360 --> 0:17:03.440
<v Speaker 1>infuse them with memories, and I think that kind of

0:17:03.880 --> 0:17:07.439
<v Speaker 1>unfolding of the past that happened that afternoon, I couldn't

0:17:07.480 --> 0:17:11.879
<v Speaker 1>forget it, and I kept thinking about what people carry.

0:17:12.280 --> 0:17:15.119
<v Speaker 1>Actually that was the first thought, like what did they carry?

0:17:15.240 --> 0:17:18.000
<v Speaker 1>And how could they carry things? And you know, if

0:17:18.040 --> 0:17:20.800
<v Speaker 1>you're leaving your home at a moment's notice, one of

0:17:20.880 --> 0:17:22.840
<v Speaker 1>the things that you take what is valuable to you

0:17:23.000 --> 0:17:26.040
<v Speaker 1>emotionally or monetary. What do you carry? And so I

0:17:26.359 --> 0:17:30.080
<v Speaker 1>basically started a small exercise for myself and Danny, asking

0:17:30.560 --> 0:17:33.679
<v Speaker 1>refugees when migrated at the time of partition what they carried.

0:17:35.920 --> 0:17:38.560
<v Speaker 1>One of the chapters and Remnants of Partition is devoted

0:17:38.600 --> 0:17:42.040
<v Speaker 1>to Anto's grandmother, Bubma Lochra, who speaks of a piece

0:17:42.080 --> 0:17:49.800
<v Speaker 1>of druy that belonged to her mother. I showed you then,

0:17:50.840 --> 0:17:54.360
<v Speaker 1>but almost forgot that. My mother brought one other thing

0:17:54.440 --> 0:17:57.560
<v Speaker 1>with her all the way from the French til it

0:17:57.840 --> 0:18:00.040
<v Speaker 1>was the only thing She made sure to take it,

0:18:00.840 --> 0:18:03.840
<v Speaker 1>and now it is with me. But you have seen

0:18:03.920 --> 0:18:08.480
<v Speaker 1>it already many times. This was once a month taka,

0:18:09.359 --> 0:18:12.840
<v Speaker 1>something to be worn on the head. The stones are

0:18:12.880 --> 0:18:16.639
<v Speaker 1>peculiar to the frontier and upon only in that region.

0:18:17.640 --> 0:18:20.119
<v Speaker 1>My mother received it as a wedding gift from her

0:18:20.240 --> 0:18:22.840
<v Speaker 1>mother in law, and I believe it had been in

0:18:22.960 --> 0:18:27.040
<v Speaker 1>my father's family for quite a while before that. But

0:18:27.280 --> 0:18:31.040
<v Speaker 1>what I remember, she never worried after her wedding sermon,

0:18:32.080 --> 0:18:35.760
<v Speaker 1>just looked at it from time to time. When she

0:18:35.920 --> 0:18:40.240
<v Speaker 1>left Pakistan, though, she made sure to bring it because

0:18:40.320 --> 0:18:43.000
<v Speaker 1>she thought she could send it and get some money

0:18:43.080 --> 0:18:47.000
<v Speaker 1>to raise and educate us. I remember her telling us

0:18:47.080 --> 0:18:49.320
<v Speaker 1>how she had tied it within the codes of her

0:18:49.400 --> 0:18:52.919
<v Speaker 1>clothes for fear of being robbed on a way to Delhi,

0:18:53.720 --> 0:18:57.000
<v Speaker 1>which was precious. It would have brought us a happy

0:18:57.119 --> 0:19:01.000
<v Speaker 1>sum even at that time, but I don't think she

0:19:01.040 --> 0:19:04.440
<v Speaker 1>could have parted with it, and in a way, this

0:19:04.680 --> 0:19:08.800
<v Speaker 1>piece of jury was the only thing that remained of

0:19:09.400 --> 0:19:21.439
<v Speaker 1>her leg Once again, the subject of the borders came

0:19:21.560 --> 0:19:24.600
<v Speaker 1>up in addition to being an author until co created

0:19:24.640 --> 0:19:28.040
<v Speaker 1>the Museum of Material Memory with her friend Navva Malocha.

0:19:28.560 --> 0:19:32.679
<v Speaker 1>This online depository shares the same idea of objects telling stories.

0:19:35.560 --> 0:19:39.639
<v Speaker 1>So as I was working on recording stories of objects,

0:19:40.040 --> 0:19:42.320
<v Speaker 1>many people who started getting in touch with me that

0:19:42.680 --> 0:19:45.400
<v Speaker 1>had nothing to do with partition, but had aged objects

0:19:45.520 --> 0:19:49.160
<v Speaker 1>in their home. And these objects were sometimes even used,

0:19:49.200 --> 0:19:52.240
<v Speaker 1>you know, like you tensity in the kitchen, or fabrics

0:19:52.320 --> 0:19:54.840
<v Speaker 1>that had been fast down the generation that was still worn,

0:19:55.840 --> 0:19:59.280
<v Speaker 1>and they would ask me to come and write stories

0:19:59.320 --> 0:20:03.760
<v Speaker 1>about this. But I started thinking firstly about the accessibility

0:20:03.920 --> 0:20:06.240
<v Speaker 1>of the archives. You know, I am based in India,

0:20:06.320 --> 0:20:09.200
<v Speaker 1>but I would love for things to be seen by everybody.

0:20:09.640 --> 0:20:13.520
<v Speaker 1>And by everybody I mean Indians in the diaspora, Pakistani's,

0:20:13.600 --> 0:20:18.280
<v Speaker 1>Bangladesh's the dietspor of those two countries, nepolis of Ghanies,

0:20:18.480 --> 0:20:21.960
<v Speaker 1>people from Sri Lanka. How would you do that? And

0:20:22.080 --> 0:20:25.320
<v Speaker 1>the other thing I started thinking about was wouldn't it

0:20:25.400 --> 0:20:29.080
<v Speaker 1>be great if people started archiving stories of their objects

0:20:29.119 --> 0:20:35.080
<v Speaker 1>on their own. She emphasizes that intergenerational stories unrelated to

0:20:35.160 --> 0:20:37.560
<v Speaker 1>partition are just as important for the public to know.

0:20:38.200 --> 0:20:41.000
<v Speaker 1>Much like Pertica's work from last week's episode, the idea

0:20:41.119 --> 0:20:44.600
<v Speaker 1>of accessibility and resonating with one another across borders is

0:20:44.640 --> 0:20:50.320
<v Speaker 1>a vital Then I think that by doing that, we

0:20:50.440 --> 0:20:53.920
<v Speaker 1>not only are able to encompass obviously more of the

0:20:54.000 --> 0:20:57.280
<v Speaker 1>geographic diversity, but also include, you know, those kinds of

0:20:57.320 --> 0:21:00.439
<v Speaker 1>communities that really want impacted by partition, but who histories

0:21:00.480 --> 0:21:03.320
<v Speaker 1>have also gone and recorded. And I think the object

0:21:03.440 --> 0:21:05.879
<v Speaker 1>is a great way to enter into something that is

0:21:05.920 --> 0:21:08.880
<v Speaker 1>relatively unknown because you have something tangible in your hand

0:21:09.800 --> 0:21:12.960
<v Speaker 1>with a region whose borders continue to be so tenuinue.

0:21:13.560 --> 0:21:16.399
<v Speaker 1>Sometimes the digital is really a gift because it is

0:21:16.440 --> 0:21:22.800
<v Speaker 1>borderless and it allows us to converse. Really, I mean, yeah,

0:21:22.840 --> 0:21:24.879
<v Speaker 1>the internet can be a really harmful place in that

0:21:25.040 --> 0:21:27.320
<v Speaker 1>sense as well, but I think for us it was

0:21:27.400 --> 0:21:30.639
<v Speaker 1>really a gift because the common section of the archive

0:21:31.080 --> 0:21:36.000
<v Speaker 1>is really beautiful because people find I suppose the aspects

0:21:36.040 --> 0:21:38.600
<v Speaker 1>of themselves and other people's objects, or my mother had

0:21:38.680 --> 0:21:41.200
<v Speaker 1>something like that, or how intested Can you tell me

0:21:41.240 --> 0:21:44.000
<v Speaker 1>where you're from? My grandfather migrated from that place, you know.

0:21:44.600 --> 0:21:47.280
<v Speaker 1>So I think it was really about storytelling through the objects.

0:21:48.359 --> 0:21:50.960
<v Speaker 1>You can't walk on the soil of your ancestors because

0:21:51.000 --> 0:21:53.879
<v Speaker 1>of this border. There are a lot of obstacles standing

0:21:53.960 --> 0:21:57.400
<v Speaker 1>between you and your history. But I think the great

0:21:57.440 --> 0:22:02.119
<v Speaker 1>paradox of partition also is when Indians in Pakistani's meat overseas,

0:22:02.600 --> 0:22:06.040
<v Speaker 1>and how they immediately relate to one another and they

0:22:06.119 --> 0:22:09.119
<v Speaker 1>feel like they're speaking to their own. You know, I

0:22:09.200 --> 0:22:12.680
<v Speaker 1>am Indian and you are Pakistani Maia, but I know

0:22:13.119 --> 0:22:16.240
<v Speaker 1>so many nas that I dove and I have. I

0:22:16.400 --> 0:22:18.480
<v Speaker 1>feel like you are one of my own because you

0:22:18.600 --> 0:22:21.320
<v Speaker 1>relate to what I say, you understand my language, you

0:22:21.359 --> 0:22:25.159
<v Speaker 1>can pronounce my name in the right way. We have

0:22:25.320 --> 0:22:29.000
<v Speaker 1>shared history, which ultimately also means we have shared things,

0:22:29.440 --> 0:22:33.080
<v Speaker 1>which eventually, I hope, over the years, will mean we

0:22:33.200 --> 0:22:40.440
<v Speaker 1>can have shared reconciliation. It was at this point that

0:22:40.560 --> 0:22:43.960
<v Speaker 1>I began to cry. Unhel touched upon the truth that

0:22:44.080 --> 0:22:47.480
<v Speaker 1>I'm sure Indians and Pakistani's must know to be universal,

0:22:48.200 --> 0:22:50.159
<v Speaker 1>is that there is so much more that unites us

0:22:50.280 --> 0:22:53.800
<v Speaker 1>than divides us. I told her that I don't consider

0:22:53.880 --> 0:22:56.760
<v Speaker 1>myself a pessimist. I may be more of a realist.

0:22:56.960 --> 0:22:59.879
<v Speaker 1>But the light and optimism that Antil possesses on a

0:23:00.000 --> 0:23:02.440
<v Speaker 1>soy made me reconsider the mentality I have for my

0:23:02.560 --> 0:23:08.600
<v Speaker 1>everyday life. I think it's very easy to be quite

0:23:08.720 --> 0:23:12.040
<v Speaker 1>sad about what has happened in the past, but partition,

0:23:13.000 --> 0:23:15.879
<v Speaker 1>it can teach us less for the future. It can

0:23:15.960 --> 0:23:17.879
<v Speaker 1>teach us how we want to live in the present,

0:23:17.960 --> 0:23:20.199
<v Speaker 1>what kind of future we want to have for our children.

0:23:20.880 --> 0:23:24.040
<v Speaker 1>And I know that the work I'm doing it may

0:23:24.119 --> 0:23:27.239
<v Speaker 1>not make a difference, because one book cannot really make

0:23:27.280 --> 0:23:34.960
<v Speaker 1>a difference. But you know, many writers together, many artists together, musicians, dances, choreographers, filmmakers,

0:23:35.560 --> 0:23:38.760
<v Speaker 1>a cultural movement can make a difference. You see Miss

0:23:38.880 --> 0:23:43.879
<v Speaker 1>Marvel in Hollywood and you feel seen. You feel like

0:23:44.000 --> 0:23:46.560
<v Speaker 1>the pain that you may not have been able to

0:23:46.680 --> 0:23:50.560
<v Speaker 1>voice ever has found the voice and you feel like, yeah,

0:23:50.640 --> 0:23:52.919
<v Speaker 1>this is my story. When I watched Miss Marvel, I'm

0:23:52.960 --> 0:23:56.400
<v Speaker 1>not Pakistani I'm not an immigrant. I don't live in America.

0:23:56.520 --> 0:24:00.840
<v Speaker 1>But everything that Kamala lived through, that can with how history.

0:24:01.000 --> 0:24:05.120
<v Speaker 1>Being in garages, speaking to her grandmother, trying to make

0:24:05.320 --> 0:24:08.920
<v Speaker 1>new associations with this catastrophic event that she has not

0:24:09.119 --> 0:24:12.240
<v Speaker 1>lived through but has defined the generations of her family.

0:24:13.080 --> 0:24:16.480
<v Speaker 1>I related to that. I think that you know, empathy

0:24:16.600 --> 0:24:19.600
<v Speaker 1>is borderless. You don't need to be Indian Pakistani to

0:24:19.640 --> 0:24:24.560
<v Speaker 1>be able to empathize. One of my interview is said

0:24:24.600 --> 0:24:29.800
<v Speaker 1>to me that governments divide far easier than people. I

0:24:29.880 --> 0:24:41.879
<v Speaker 1>think it's true. Next time on Partition, I spoke to

0:24:41.960 --> 0:24:45.120
<v Speaker 1>Shanty Dungary about how he escaped from Lahore to Kashmir.

0:24:45.200 --> 0:24:49.639
<v Speaker 1>In He shared an abundance of herring memories with me.

0:24:53.320 --> 0:24:57.120
<v Speaker 1>So I would listen to the radio, read the newspaper,

0:24:57.359 --> 0:25:01.000
<v Speaker 1>and there were articles about the fire and down down Lahore.

0:25:01.119 --> 0:25:08.040
<v Speaker 1>In con we started wadding about what's going to happen

0:25:08.160 --> 0:25:18.200
<v Speaker 1>men of your summer lives until next week. I'm nass

0:25:18.640 --> 0:25:25.440
<v Speaker 1>and this is Partition. Partition was developed as a part

0:25:25.480 --> 0:25:29.080
<v Speaker 1>of the Next Up initiative created by Anna Hosnier, Joel

0:25:29.200 --> 0:25:34.320
<v Speaker 1>Monique and Sina Median. Partition is produced by Anna Hosnier,

0:25:34.760 --> 0:25:39.439
<v Speaker 1>Tricia Mukerjee and Becca Ramos. It is edited by Rory Gagan,

0:25:39.720 --> 0:25:42.520
<v Speaker 1>with the original score composed by Mark Hadley.