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Speaker 1: Hey, everybody, this is Matt Rogers, one of the hosts

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Speaker 1: of the podcast We're about to listen to Last Cultureistas,

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Speaker 1: and if you're a regular listener, you know I've been

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Speaker 1: teasing a little project I have coming up. Well, Merry Christmas, literally,

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Speaker 1: because I'm ready to tell you what it is. My

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Speaker 1: debut album, Have You Heard Of Christmas is out November

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Speaker 1: three on Capitol Records, and you can pre order it now,

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Speaker 1: including on vinyl Wow. Also stream my first single also

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Speaker 1: It's Christmas Everywhere now, or watch the music video on YouTube.

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Speaker 1: I'm also going on tour all through December. Tickets are

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Speaker 1: on sale Friday, October thirteenth, Okay, Spooky at ten am

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Speaker 1: your local time. I'm in Philly, Boston, DC, Austin, Denver, Toronto, Chicago,

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Speaker 1: Saint Paul, Seattle, San Francisco, Los Angeles, and New York City.

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Speaker 1: Also London. I'm coming to you November thirteenth through eighteen.

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Speaker 2: At the Soho Theater.

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Speaker 1: Check out www dot Matt Rogersofficial dot com for tickets.

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Speaker 2: And if you listen this are and.

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Speaker 1: It's not yet October thirteenth, here's an early Christmas gift

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Speaker 1: for you.

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Speaker 2: The pre sale code. It's frosty.

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Speaker 1: That's the sound of a cold wind.

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Speaker 2: All right, here's the podcast. Look mare, oh I see

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Speaker 2: you and look over there. How is that the culture?

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Speaker 1: Yes?

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Speaker 2: Wow, loves now how do we say it? Ding dong

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Speaker 2: last jo Colin, I was German? What dingld on? Wow?

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Speaker 3: Okay, we were gonna come out and greet you and

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Speaker 3: say god. We would have been like don Cushin Schlampen,

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Speaker 3: but then that would have wait. But then we were

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Speaker 3: told by Peaches, he'll be on here in justice. But

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Speaker 3: for pages that like, bitch is not as casual here, right,

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Speaker 3: it's not. It's not we're getting some headshakes. Well that's

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Speaker 3: out here, and said dunk a Shlampin. People would have

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Speaker 3: stormed out, would have left, They would have left. But

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Speaker 3: that's a you know, we're learning some really key German phrases. Last,

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Speaker 3: pumpkin spice is feeded.

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Speaker 2: I forgot it immediately.

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Speaker 1: Poe said to me, He's like, it's important that we

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Speaker 1: say one thing, pumpkin spice feed because we weren't in

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Speaker 1: today say it with me Starbucks. And we did see

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Speaker 1: the announcement that pumpkin spice and it is, But then

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Speaker 1: you didn't like your pumpkin spice.

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Speaker 3: Well, you know what, we wanted, a pumpkin cream cold brew.

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Speaker 3: We were like, thank God, like a European establishment that

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Speaker 3: serves ice, major, major, But then they were out of

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Speaker 3: the pumpkin cream, and so then they put the pumpkin syrup.

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Speaker 3: We have a drink from.

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Speaker 1: At Oh, Hello and dunka dunka shlampa, Hey, Matt Donker

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Speaker 1: slampin or schlampo shlampe schlampe shlampe and then slampin is plural.

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Speaker 2: Schlampin would be all of you bitches. Are we offending

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Speaker 2: anyone by calling you a shlampa?

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Speaker 4: No?

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Speaker 2: Okay, thank you. Anyway, Starbucks sort of did bow and dirty.

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Speaker 2: That's okay.

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Speaker 3: I mean that's what I get for going to Starbucks

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Speaker 3: in Berlin, you know what I mean?

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Speaker 2: Yeah? But last night, where do we go?

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Speaker 1: No, we're gonna get into the burgheind of it all.

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Speaker 1: But we went to McDonald's.

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Speaker 2: We dig.

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Speaker 1: Because Bowen Yang says, he says this every single time

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Speaker 1: we travel. He says, it's one of my favorite things

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Speaker 1: to do internationally is go to the different McDonald's.

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Speaker 2: Am I alone?

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Speaker 5: Am I alone?

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Speaker 6: Oh?

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Speaker 2: So do you want to review? Yeah?

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Speaker 3: God, Germans love their curry sauce, yes, and the curry

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Speaker 3: worst and all of it.

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Speaker 2: I love it.

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Speaker 3: I embraced it. I embrace all curry culture. What else

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Speaker 3: I mean? They did not have buffalo sauce? Who here

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Speaker 3: is a what do they call it?

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Speaker 2: An X plant xpat X pat an x Yes?

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Speaker 1: Okay, so x plant X pats? Are you all missing

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Speaker 1: buffalo sauce?

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Speaker 2: Bad? I'm saying the curl.

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Speaker 1: And me are locking eyes buffalo pizza? Who doesn't even

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Speaker 1: who's never even tasted the stuff?

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Speaker 2: You're a kidding, you're missing out.

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Speaker 1: The dream scenario of this would be we bring out

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Speaker 1: like plates of buffaloes.

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Speaker 3: Oh my god, we would love to open you guys

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Speaker 3: with buffalo.

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Speaker 2: Don't know what you're missing now. Lots going on in

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Speaker 2: Berlin this weekend. It was a marathon. It was a marathon.

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Speaker 2: Did anybody run in the middle?

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Speaker 6: Oh my god, way.

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Speaker 2: Giving up for these people? We sit, stand.

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Speaker 7: Up, stand up? Oh my god, you too? You did

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Speaker 7: stand up?

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Speaker 2: You get sand you just ran twenty six.

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Speaker 1: It's we're like, we're like, if you ran the marathon today,

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Speaker 1: stand up. They're like, motherfucker, we've been running all day.

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Speaker 3: It's a miracle. That we're even here and not wrapped

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Speaker 3: in tinfoil.

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Speaker 2: Unbelievable.

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Speaker 1: Okay, so who did the best?

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Speaker 6: You did?

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Speaker 2: That's incredible, amazing? No, who doesn't?

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Speaker 1: What two hours fifty three minutes? Bye bitch, No, that's amazing.

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Speaker 2: Wow. What do you think you stand? That's so good?

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Speaker 3: I understand that's so good. Understand that's so good. And

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Speaker 3: what would you clock in at you think?

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Speaker 6: Oh?

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Speaker 2: I X runner x X runner.

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Speaker 1: Back in the day, I used to do like middle

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Speaker 1: distance to I was more of a miler. Am I

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Speaker 1: just saying my mile time? I ran a four thirty

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Speaker 1: six mile back in the day. It's really good, but

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Speaker 1: never could run more than like six miles? You know

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Speaker 1: what I mean to do?

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Speaker 2: Twenty six point two miles?

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Speaker 3: Stand up again, Stand up again? Stand up all of you?

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Speaker 2: Yes? Well, yeah, very good.

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Speaker 1: Now did any of you like sort of do it

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Speaker 1: like it wasn't to get the good time?

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Speaker 2: Why are you still staying? I don't know.

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Speaker 3: I I missed my window and now it's weird and

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Speaker 3: now you kid, and now I have to say it.

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Speaker 1: Flording over me. Did any of you kind of do

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Speaker 1: it because you wanted it to be fun?

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Speaker 2: You didn't care about the time. No, you all about

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Speaker 2: the time. It's Germany. It's Germany. Very serious, It's very serious.

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Speaker 3: You know what we're gonna say, and we might sound

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Speaker 3: very stupid and American for this.

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Speaker 2: A lot of rules here, a lot of.

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Speaker 3: Rules, the crossing of the streets, the crossing of the streets,

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Speaker 3: the you know. Today we went to a museum and

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Speaker 3: Matt walked a little too close to the paintings and

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Speaker 3: the alarm went off, and we got a little tongue lashing.

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Speaker 1: The alarm went off, and I said, come on, I

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Speaker 1: wasn't trying to touch the painting.

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Speaker 2: I barely want to look at it.

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Speaker 3: This is what Matt basically wanted to say to this man,

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Speaker 3: like the security guard who came home.

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Speaker 2: But he wanted to be like, beats it, beats it.

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Speaker 1: I did want to say that you show. But then

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Speaker 1: there was beautiful paintings on the lower beautiful. What was

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Speaker 1: the name of the museum?

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Speaker 3: We went to the Nous Nationalite National Gallery, the new

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Speaker 3: National Gallery? Is that Frank Gary? Is that Frank Gary? No,

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Speaker 3: we don't know, are you guys wooing?

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Speaker 1: Because you fuck love that museum because you just know it,

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Speaker 1: because they know it.

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Speaker 2: And they love it. The light's coming up. Amazing, it

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Speaker 2: was nice, it was great. Current events are happening as

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Speaker 2: we speak. That's right. Did you guys hear we have

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Speaker 2: a Super Bowl performer Usher? Usher?

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Speaker 6: Wait?

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Speaker 2: That was not a positive?

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Speaker 3: This is this is an amazing sort of thing that

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Speaker 3: you can't get on the internet because we need to

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Speaker 3: do this in a live setting.

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Speaker 2: It's a mixed response. I think in the real world

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Speaker 2: you can't get this on the internet. You really can't

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Speaker 2: because and this is we were in the car.

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Speaker 3: Yeah, it was the two of us and our friend

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Speaker 3: and you said, we have any super Bowl before?

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Speaker 2: I said, and they both turned to me.

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Speaker 1: They were so hopeful, and I said, it is Usher,

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Speaker 1: and then Bowen Yang.

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Speaker 2: I'm sorry, I'm gonna do this to you. Hun.

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Speaker 3: That's okay, he goes, what because I expecting a woman's name, and.

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Speaker 2: But I forget that.

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Speaker 3: These people they like to you know, it's to them

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Speaker 3: genders of binary and they switch every year.

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Speaker 2: You know what I'm saying. It's like, we couldn't have

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Speaker 2: Rihanna and then.

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Speaker 1: Let's say Taylor switch, we gotta have Usher. Yeah, I'm

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Speaker 1: seeing Usher in Las Vegas. Did I tell you this?

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Speaker 2: That's amazing? So our friend, are it is? That wasn't

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Speaker 2: a joke. I I don't know. That's all I heard it.

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Speaker 1: I heard it to the horniest sluttiest show you could see.

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Speaker 2: I mean he has to compete with Magic Mike, you know.

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Speaker 3: Yeah, like he's gotta like throw sex out there into

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Speaker 3: your face.

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Speaker 1: I don't think it's uncouth or untoward of me to

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Speaker 1: say this, because it's actually in legal documents. I think

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Speaker 1: Usher might be one of the most famous people with herpes.

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Speaker 2: It's true.

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Speaker 3: What about like like George Washington, I feel he can

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Speaker 3: never be sure if he had herpes because they couldn't

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Speaker 3: test for it at the time, and he's passed.

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Speaker 2: He's passed. The expats are like, fuck, yeah, we know this.

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Speaker 3: I didn't. Wasn't this a storyline on girls though? That

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Speaker 3: like men can't really test for herpes.

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Speaker 1: They can't test for V, which also is not true

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Speaker 1: because I have HPV And how do you know from

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Speaker 1: a test? My PCP primary care physician said you have

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Speaker 1: HPV And that's a lot of stick.

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Speaker 2: What was that not actually in my cock? In my asshole?

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Speaker 1: But thanks for dragging that out of the Yeah, yeah,

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Speaker 1: I have Rechtel HPV.

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Speaker 2: It's true. Can't it travel?

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Speaker 1: Oh yeah, I mean I would love for I think

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Speaker 1: I can speak on behalf of us both. We'd love

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Speaker 1: for one of you guys to fuck us tonight. Yea, no,

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Speaker 1: only if you only if you're there's some clapping happening

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Speaker 1: in the front round.

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Speaker 2: I we got it. Why are you so shy? I

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Speaker 2: don't know. I'm in my fruit era. You're not.

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Speaker 1: You're such a slampo slomp bo or shlompo. What did

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Speaker 1: you say title slompo? That's good?

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Speaker 2: Wait? Can we say we both hooked up in London?

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Speaker 3: I they love it, but we had different experiences.

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Speaker 2: Say yours? Well? Mine?

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Speaker 3: Yeah, because my mine's the bit of a it's a

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Speaker 3: bit of a bummer. And so I'll say mine first

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Speaker 3: and then we'll on a higher note because I think

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Speaker 3: Matt had fun.

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Speaker 2: But I whatever, it's this guy was so hot. Can

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Speaker 2: I say what was the club? We were at the

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Speaker 2: Glory and we Glory in London. Any of you gaze

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Speaker 2: Dalston gaze in the audience.

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Speaker 1: Yeah, okay, So we were at the Glory in London

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Speaker 1: and this guy he was really hot. He had a mustache,

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Speaker 1: broad shoulders and Bowen Yang was talking to him with

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Speaker 1: his arm draped over his shoulder, like this, get up,

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Speaker 1: I'll show you. So this is this I'm Bowen and

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Speaker 1: you're this you're the trade. Yeah, it's my move. I

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Speaker 1: have a limp wress And it was lovely.

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Speaker 3: And then and then I realized he was the one

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Speaker 3: who kind of pointed it out. He was like, I'm sorry,

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Speaker 3: I keep asking you questions about your career. He kept

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Speaker 3: being like, what's it like to work at or he

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Speaker 3: was like, you know, what was fire Island like to shoot?

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Speaker 3: Wasn't it like you know all these things and like

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Speaker 3: and like sho.

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Speaker 2: Q And it was amazing. He was he and it's

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Speaker 2: not an issue until like he.

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Speaker 3: Is acknowledging that he is kind of he is making

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Speaker 3: it feel like an interview, right, And I don't know,

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Speaker 3: there's nothing wrong with it. I was just like I

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Speaker 3: was a little like worn out and I was like, oh,

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Speaker 3: I'm not really horny necessarily anymore.

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Speaker 1: And I was for you, oh, thank you, because I

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Speaker 1: wasn't talking another guy, right.

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Speaker 2: You know what, though, there.

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Speaker 1: Was a moment where my sister and I sort of

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Speaker 1: met at the bar and he said, what do you think?

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Speaker 1: And that's my impression of Bowen He's like, let's go,

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Speaker 1: and I said, I think we should stay and have fun.

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Speaker 1: And I looked at him in his eyes and I

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Speaker 1: was like, if you don't fuck this man.

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Speaker 3: This is the thing, though, This is this is this

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Speaker 3: is the moral of Fire Island, the movie is that

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Speaker 3: you cannot force your friends to fuck people if they

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Speaker 3: don't want to, you know what I'm saying, if it

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Speaker 3: hurts them emotionally. And I would have been hurt emotionally

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Speaker 3: because he would have been like balls deep inside me

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Speaker 3: asking about Miami nomination, you know.

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Speaker 1: What I mean.

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Speaker 2: Oh and that wasn't me. No, that wasn't me, Brad.

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Speaker 3: No, no, no, no, no, no, no no no, no,

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Speaker 3: no no no. That was that was just that was

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Speaker 3: just the first thing that came to mind. Not this

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Speaker 3: year though, not this year. Hey, that's okay.

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Speaker 1: You know you you got bumped by uh jury duty?

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Speaker 2: Yeah, James Morgan jury duty? Here agree. It makes a

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Speaker 2: noise if you got a VP in at home.

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Speaker 1: Yeah, who's gonna VP? Who's popping the fuck off with

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Speaker 1: their VPN? I love every time we talked to you

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Speaker 1: guys in the house, lights come up. Can we just say,

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Speaker 1: because I have a deep, dark question because the lights

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Speaker 1: came up, and I see a lot of excited people,

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Speaker 1: and I see some people that are like, who thought

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Speaker 1: they were coming to like a general comedy show. Didn't

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Speaker 1: know what the fuck it was? None of you so

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Speaker 1: a lot of you were just kind of disappointed.

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Speaker 2: Yeah that's okay.

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Speaker 1: So, speaking of Berghein, we sort of want to throw

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Speaker 1: this to the crowd and keep the lights up.

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Speaker 2: I like this, I like this vibe. Should we go okay?

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Speaker 2: See we're getting a mix. Who thinks we should definitely go? Okay?

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Speaker 2: So can you come up here? Yeah? Okay, yeah, give

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Speaker 2: it up. We have an amazing volunteers coming up here.

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Speaker 2: Is there there's a staircase to her.

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Speaker 5: You're dressed for.

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Speaker 2: Berghin, you're dressing star a way for you to get

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Speaker 2: up here? No, you're scared of this? Okay, okay, okay,

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Speaker 2: so here, take the microphone here.

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Speaker 1: And then and then we'll talk to you from what's

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Speaker 1: so great about it?

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Speaker 2: Yeah?

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Speaker 1: It's on, it's on that. Sorry, I'm not I'm not

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Speaker 1: now that boone has two Emmy nominations. We get the

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Speaker 1: mics turned on what's so great about Burghin?

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Speaker 2: And what's your name? I'm Chris Christy.

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Speaker 8: I am from from New York. I know that I

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Speaker 8: might be biased, but I do think it's like the

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Speaker 8: best club in the world. So that, yeah, like the

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Speaker 8: hype is there for a reason, so you may as

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Speaker 8: well try. If you don't get in, it's not the

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Speaker 8: end of the world. There's a million other clubs. But like,

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Speaker 8: I don't know, you're here, why not you.

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Speaker 2: Think we should just go?

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Speaker 6: Why not?

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Speaker 2: It's the best club in the world.

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Speaker 8: Like the Okay, So it's it's kind of everything. It's like,

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Speaker 8: the crowd is amazing, the music is amazing. It's thumping

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Speaker 8: techno in the main room, and then the upstairs bar

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Speaker 8: is like a house, more like a house. Uh, it's

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Speaker 8: called Panorama Bar, so you can you can start of switch,

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Speaker 8: like pick your vibe and like kind of move around.

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Speaker 8: The music is like best in class, and the sound

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Speaker 8: system is amazing and you can have a normal conversation

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Speaker 8: but you can also hear the music. It's like this

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Speaker 8: whole thing in Berlin, but it's the best there really. Yeah,

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Speaker 8: I guess that's.

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Speaker 2: What I don't like about club culture is you can't

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Speaker 2: total we can with the people there. That's beautiful.

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Speaker 3: And we have a friend who said that one time

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Speaker 3: he went with the group and one of the girls

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Speaker 3: brought the card game set.

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Speaker 2: Do we know what set is? So it's like a

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Speaker 2: matching game and it's whatever. It's it's very silly.

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Speaker 3: And then out of nowhere, this girl starts to play

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Speaker 3: set on the floor of Burke.

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Speaker 2: Yeah, you could do.

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Speaker 3: And then all these like cool she gas burliners were

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Speaker 3: like gathering around me, like what are they playing?

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Speaker 2: And meanwhile in the background there's like the best club

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Speaker 2: music in the world, but not loud enough.

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Speaker 8: So it's no, no, it is really loud, but they

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Speaker 8: have it like perfectly engineered so that it's not like

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Speaker 8: you can actually still connect with people. I think that's

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Speaker 8: the best one of the best things about it.

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Speaker 2: You made connections there. Yeah, are you with.

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Speaker 8: Christy from New Yorkity? From me, I've been there a

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Speaker 8: lot of times. I lived down the street. But I

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Speaker 8: do think, like, if you're in Berlin, you may as well.

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Speaker 8: But I will say they stopped letting people in four

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Speaker 8: hours before the last DJ, which that's probably around midnight.

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Speaker 2: So if you do go tonight, you gotta go, like

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Speaker 2: I go, like, after this.

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Speaker 3: Guys, the show's over, Yeah, we gotta go. Wait a minute,

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Speaker 3: you live down the street. Yeah, you live in the

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Speaker 3: Mercedes Benz Arena.

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Speaker 1: No, no, I lived the other way to talk, I can,

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Speaker 1: I ask, is the Mercedes Benzerena like sort of that

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Speaker 1: girl here? Yeah, like I saw Taylor's gonna perform there

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Speaker 1: when she comes. She would never come to Berlin.

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Speaker 2: Never come to Berlin.

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Speaker 8: It's too small. The Mercedes Benz is only like I

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Speaker 8: think seventeen thousand and when those like we saw Beyonce

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Speaker 8: and Hamburg because she didn't come to Berlin because our

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Speaker 8: biggest stadium isn't big enough. What I don't know how

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Speaker 8: to explain it, but Hamburg has this giant football stadium,

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Speaker 8: so a lot of the big people go there.

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Speaker 1: Yeah, so Berlin, who's like the biggest artistic come to Berlin?

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Speaker 1: Like Pink, No, no, no no, because we were walking

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Speaker 1: by because in order to get to the Starbucks here,

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Speaker 1: you know, I have to the Mercedes Arena, so everyone

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Speaker 1: knows in order to get to the Starbucks you have

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Speaker 1: to walk past Mercedes Benz and and I'm like, this

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Speaker 1: is like pink.

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Speaker 6: Yeah.

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Speaker 8: So I saw last week Fred again.

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Speaker 2: I love Fred again.

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Speaker 8: Yeah, he played last Tuesday at the Mercedes Benz Arena.

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Speaker 2: So Pink is going to Hamburg. No, no, she's too big,

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Speaker 2: Like that would be too big, right, Yeah.

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Speaker 8: So I also I also saw.

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Speaker 5: Like Lizzo and Sizza.

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Speaker 3: At the bench, where do they go? The benine makes sense?

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Speaker 3: And Fred again play the same side.

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Speaker 2: I know it's weird, but huge here, huge here because

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Speaker 2: you do love to go, like yeah, like y'all have

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Speaker 2: to go. We lost.

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Speaker 6: I was like, I gotta go.

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Speaker 2: But it was fun, okay, yeah.

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Speaker 8: But yeah, I would say yeah berkhun like And again,

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Speaker 8: if you don't get in, it's not under the world.

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Speaker 8: There are a million other clubs, but if you're here,

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Speaker 8: you may as well.

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Speaker 2: Okay, okay, So that's amazing.

378
00:20:03,200 --> 00:20:06,320
Speaker 8: Like low risk, high reward. That's how I always feel

379
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Speaker 8: about it. But again I live down the street. So

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Speaker 8: if I don't get and I'm.

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Speaker 2: Like, I see it next week. We live in the

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Speaker 2: United States, that's high probably, but no.

383
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Speaker 1: I mean not.

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Speaker 8: It depends on where you're staying. But if you're you know,

385
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Speaker 8: it's working at Hampton.

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Speaker 2: That's near it. Which is near it? It's on the

387
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Speaker 2: East Side Gallery. Now it's Eastide Gallery.

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Speaker 8: Did you walk there on you gotta go?

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Speaker 2: I guess I didn't know it was so close.

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Speaker 3: It's very close on our side of the wall, you know,

391
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Speaker 3: so it's on our side of the wall.

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Speaker 2: I was like, I don't know if I know. Are

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Speaker 2: you going tonight when we see you there?

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Speaker 8: No, I actually went out really hard last night.

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Speaker 2: I really are last night. Thank you for coming up.

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Speaker 1: Yeah, well there's somebody where run the marathon, so yeah,

397
00:20:53,960 --> 00:20:56,800
Speaker 1: you know, there's multiple types of Yeah.

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Speaker 2: Did you make any connections last night?

399
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Speaker 6: I did not.

400
00:21:02,080 --> 00:21:03,840
Speaker 8: The crowd was like a little too basic, but it

401
00:21:03,920 --> 00:21:04,440
Speaker 8: was really fun.

402
00:21:07,160 --> 00:21:11,119
Speaker 2: Look around. Hey, do you want to make connections here tonight?

403
00:21:11,359 --> 00:21:12,080
Speaker 2: There's so hot.

404
00:21:12,600 --> 00:21:12,800
Speaker 7: I know.

405
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Speaker 2: I was waiting for my two friends back then. I

406
00:21:14,920 --> 00:21:20,960
Speaker 2: was like, wow, yeah, everyone's like good looking. Yeah, all right,

407
00:21:21,040 --> 00:21:21,440
Speaker 2: good to know.

408
00:21:22,720 --> 00:21:23,720
Speaker 9: Give me for Christie.

409
00:21:24,480 --> 00:21:29,600
Speaker 1: Give it up for Christie, give it for Christy.

410
00:21:31,119 --> 00:21:31,399
Speaker 2: Okay.

411
00:21:31,640 --> 00:21:34,160
Speaker 3: One last sort of like addendum to the burghind conversation

412
00:21:34,280 --> 00:21:35,480
Speaker 3: we want to do is we want to play a

413
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Speaker 3: game with our wonderful DJ DJ Alias Error.

414
00:21:39,080 --> 00:21:41,080
Speaker 2: Give it up, Give it up for DJ Alias Air.

415
00:21:42,280 --> 00:21:44,600
Speaker 2: Can I say now I like being down here? Okay,

416
00:21:44,640 --> 00:21:45,919
Speaker 2: you like being down here? I'll stay up.

417
00:21:46,040 --> 00:21:48,960
Speaker 3: We're gonna give give bubbles yeah, okay, so we're gonna

418
00:21:48,960 --> 00:21:51,120
Speaker 3: play a little game where just off of not off

419
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Speaker 3: wardrobe off vibes alone, would we get into Berghine if

420
00:21:55,520 --> 00:21:56,400
Speaker 3: you were working the door.

421
00:21:56,640 --> 00:21:59,280
Speaker 2: Okay, let's just try this. So let's just like both

422
00:21:59,400 --> 00:22:02,040
Speaker 2: like that. We're going together. Let's let's go in together.

423
00:22:02,240 --> 00:22:05,560
Speaker 1: Just for background, we were told a few things. You

424
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Speaker 1: can't be loud, you can't just speak English. Those are

425
00:22:12,280 --> 00:22:13,840
Speaker 1: the two main things about us.

426
00:22:16,480 --> 00:22:19,879
Speaker 2: And you can't what is it. You literally can't go

427
00:22:20,040 --> 00:22:21,080
Speaker 2: up to the person at the door.

428
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Speaker 1: And be like, yeah, all right, so here's us trying

429
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Speaker 1: to be cool. Okay, hey, hi shit fuck hi hey hello.

430
00:22:42,480 --> 00:22:46,800
Speaker 2: No, no, okay, well we're gonna go. We're gonna go.

431
00:22:47,280 --> 00:22:49,320
Speaker 2: I think I know what we did wrong. Okay, yeah, yeah,

432
00:22:49,400 --> 00:22:52,520
Speaker 2: we did what we said we wouldn't do. We said, hey,

433
00:22:54,080 --> 00:22:56,280
Speaker 2: we were loud, we spoke English. All right, ready, here's

434
00:22:56,400 --> 00:23:00,840
Speaker 2: here it is. We're really trying to get it. Hello,

435
00:23:00,920 --> 00:23:05,520
Speaker 2: slamp nine, damn.

436
00:23:05,560 --> 00:23:11,280
Speaker 1: Okay, I think I know what happened there, you straight up? Yeah, okay,

437
00:23:11,400 --> 00:23:19,000
Speaker 1: let me take the lead this okay, uh.

438
00:23:21,680 --> 00:23:33,720
Speaker 2: Sy sy sy it's my Ghaki's isn't it. Well? We tried.

439
00:23:33,800 --> 00:23:38,280
Speaker 3: Everyone give it up for dj Alias there. Thank you

440
00:23:38,320 --> 00:23:39,480
Speaker 3: for being a good sport about that.

441
00:23:39,680 --> 00:23:41,920
Speaker 2: Do you guys have the Real Housewives here?

442
00:23:44,480 --> 00:23:46,520
Speaker 1: Do you guys know the Real Housewives is TWT Lake City.

443
00:23:48,720 --> 00:23:52,199
Speaker 1: Guess who made these pants? Brooks marks?

444
00:23:54,440 --> 00:24:01,520
Speaker 2: They're good? Not for nothing, these are good pants.

445
00:24:01,640 --> 00:24:04,640
Speaker 3: Yeah, I can tell I got a m mine because

446
00:24:04,640 --> 00:24:08,480
Speaker 3: I got short, short legs. But that's but that's part

447
00:24:08,520 --> 00:24:12,040
Speaker 3: of the style, right. It looks it looks great on you.

448
00:24:12,320 --> 00:24:14,199
Speaker 3: You've got great legs for pants.

449
00:24:15,440 --> 00:24:17,560
Speaker 1: Thank you for saying that. You've never said that to

450
00:24:17,640 --> 00:24:20,560
Speaker 1: me before, and I've been waiting for it. I've been

451
00:24:20,560 --> 00:24:22,240
Speaker 1: waiting my whole life for a mo one to just

452
00:24:22,320 --> 00:24:25,439
Speaker 1: tell me one compliment that I have good legs for pants.

453
00:24:27,240 --> 00:24:29,719
Speaker 3: We we've been rewatching the same episode of Salt Lake

454
00:24:29,800 --> 00:24:32,920
Speaker 3: City for the past week, which is this week's next episode.

455
00:24:34,960 --> 00:24:40,879
Speaker 3: You're embarrassing yourself when you don't anything you do.

456
00:24:41,440 --> 00:24:43,680
Speaker 2: I do own myself married. What do you need to

457
00:24:43,720 --> 00:24:50,159
Speaker 2: grow up? You called me pornography? What Heather? What does

458
00:24:50,240 --> 00:24:50,639
Speaker 2: she call me?

459
00:24:52,840 --> 00:24:53,040
Speaker 6: Yeah?

460
00:24:53,520 --> 00:24:57,680
Speaker 2: You guys know it. It's you couldn't write that I

461
00:24:57,800 --> 00:24:59,320
Speaker 2: am the hostess of this dinner.

462
00:25:03,000 --> 00:25:03,240
Speaker 8: Leave.

463
00:25:05,359 --> 00:25:07,120
Speaker 2: I mean, all of them are operating at a ten.

464
00:25:07,520 --> 00:25:12,080
Speaker 1: It's amazing, you know, Speaking of going over to the service, yes,

465
00:25:12,200 --> 00:25:15,520
Speaker 1: and asking them for help. We went to the Soho

466
00:25:15,640 --> 00:25:20,680
Speaker 1: House today and we thought we could, you know, sort

467
00:25:20,680 --> 00:25:26,119
Speaker 1: of go there and have like an enjoyable meal. But

468
00:25:26,440 --> 00:25:28,560
Speaker 1: am I gonna get your membership revoked if I say this?

469
00:25:28,720 --> 00:25:28,760
Speaker 3: No?

470
00:25:28,920 --> 00:25:29,800
Speaker 2: No, no, not at all.

471
00:25:30,800 --> 00:25:33,840
Speaker 3: We did have an enjoyable meal because we made great

472
00:25:33,960 --> 00:25:37,240
Speaker 3: friends with our server and we struck up conversation. We

473
00:25:37,280 --> 00:25:39,480
Speaker 3: told her we had to show tonight and we invited

474
00:25:39,480 --> 00:25:42,840
Speaker 3: her to come. Basically, so everyone, basically.

475
00:25:42,640 --> 00:25:45,440
Speaker 1: Today we didn't have much success with the server, but

476
00:25:45,520 --> 00:25:48,800
Speaker 1: we think that by bringing her out tonight it's gonna be.

477
00:25:48,800 --> 00:25:51,760
Speaker 2: A lot better. So everyone give it up for our

478
00:25:51,960 --> 00:25:57,600
Speaker 2: server from Soho House. Hey, this is our.

479
00:26:00,040 --> 00:26:00,159
Speaker 8: Man.

480
00:26:03,800 --> 00:26:04,719
Speaker 4: This is her.

481
00:26:08,720 --> 00:26:14,879
Speaker 2: Thanks, Hi, how are you ma'am man? No? Hold, we

482
00:26:14,920 --> 00:26:19,000
Speaker 2: wanted to get hold on miscomp We didn't order that.

483
00:26:19,960 --> 00:26:20,639
Speaker 9: That's your fruit.

484
00:26:20,960 --> 00:26:24,080
Speaker 2: Oh we we didn't order the fruit, but thank you.

485
00:26:24,280 --> 00:26:25,680
Speaker 2: We haven't ordered yet at all.

486
00:26:26,359 --> 00:26:27,680
Speaker 9: Oh do you guys want to order?

487
00:26:29,160 --> 00:26:32,200
Speaker 3: Yeah, we put it in order for like a limeless

488
00:26:32,240 --> 00:26:34,200
Speaker 3: squalkomole like two hours ago.

489
00:26:35,520 --> 00:26:36,120
Speaker 6: Is that okay?

490
00:26:36,119 --> 00:26:38,720
Speaker 4: You ordered the walkam only no lime because the seasoning

491
00:26:38,800 --> 00:26:41,480
Speaker 4: you have to pay extra for if you have a

492
00:26:42,119 --> 00:26:44,080
Speaker 4: house at Soho House.

493
00:26:44,040 --> 00:26:46,080
Speaker 9: In Germany. We do Mexican food.

494
00:26:48,680 --> 00:26:49,320
Speaker 2: That's fun.

495
00:26:49,800 --> 00:26:51,680
Speaker 9: Oh you guys seem cool. Where are you guys from?

496
00:26:52,840 --> 00:26:54,320
Speaker 2: I have to go Oh.

497
00:26:55,720 --> 00:26:56,040
Speaker 1: No, what.

498
00:27:04,400 --> 00:27:04,600
Speaker 3: Way?

499
00:27:04,800 --> 00:27:05,760
Speaker 5: I was acting?

500
00:27:07,560 --> 00:27:09,560
Speaker 9: Oh my god, I was acting. Did you know it

501
00:27:09,680 --> 00:27:11,320
Speaker 9: was me? Even though I was an actress?

502
00:27:11,760 --> 00:27:12,640
Speaker 2: No, no one new.

503
00:27:12,880 --> 00:27:14,400
Speaker 9: I transformed into the park.

504
00:27:14,760 --> 00:27:25,639
Speaker 1: You transformed into the Sudia is here with us on

505
00:27:25,720 --> 00:27:30,520
Speaker 1: our Euroad trip. Now I want to know what are

506
00:27:30,600 --> 00:27:33,480
Speaker 1: your big impressions of brilinsa farm? Because how many days

507
00:27:33,520 --> 00:27:34,040
Speaker 1: have you been here?

508
00:27:35,840 --> 00:27:36,040
Speaker 2: Three?

509
00:27:36,320 --> 00:27:38,359
Speaker 9: Three whole days before you guys showed up. This is

510
00:27:38,440 --> 00:27:39,120
Speaker 9: my fourth day.

511
00:27:39,600 --> 00:27:42,680
Speaker 2: I'm an expert roses thorns.

512
00:27:43,480 --> 00:27:48,120
Speaker 4: Okay, my rose is that people will be walking around

513
00:27:48,400 --> 00:27:52,640
Speaker 4: with a Heineken like it's a bottle of water. Heinekens

514
00:27:52,680 --> 00:27:57,359
Speaker 4: are the Stanley Cups of Berlin. Yeah, I went to

515
00:27:58,359 --> 00:28:02,320
Speaker 4: San Souci in potts Dam, had my little because these

516
00:28:02,520 --> 00:28:03,200
Speaker 4: they would never go.

517
00:28:04,119 --> 00:28:07,560
Speaker 2: I would, Yeah, you would go, I would? What is it?

518
00:28:07,800 --> 00:28:11,120
Speaker 9: And then also a big palace, right, it's a commute

519
00:28:11,160 --> 00:28:11,720
Speaker 9: on a train.

520
00:28:12,280 --> 00:28:13,760
Speaker 2: Okay, it's a palace.

521
00:28:13,920 --> 00:28:15,879
Speaker 9: It's a palace. It's a beautiful palace.

522
00:28:16,000 --> 00:28:17,960
Speaker 1: Anyway, stuff today on the train, when I realized there

523
00:28:18,000 --> 00:28:21,040
Speaker 1: was noising there, it was like, so I.

524
00:28:21,040 --> 00:28:21,920
Speaker 9: Guess what was going on?

525
00:28:22,080 --> 00:28:24,800
Speaker 4: Kind of like a regional like commuter rail and there's

526
00:28:24,880 --> 00:28:27,320
Speaker 4: just like this mom with a big ass backpack and

527
00:28:27,400 --> 00:28:30,879
Speaker 4: she is just like breaks open, not like the normal.

528
00:28:30,640 --> 00:28:33,159
Speaker 9: Beer, but like the big beer. She's just like fuck it.

529
00:28:33,359 --> 00:28:36,560
Speaker 9: I was like, this needs to happen more. This is amazing.

530
00:28:36,680 --> 00:28:40,200
Speaker 4: Like you're going home from work, you buy the beer

531
00:28:40,400 --> 00:28:43,000
Speaker 4: in the train station and you get a little not

532
00:28:43,160 --> 00:28:45,600
Speaker 4: even a buzz, like you take the edge off before

533
00:28:45,640 --> 00:28:47,200
Speaker 4: you go home, and you have to make dinner.

534
00:28:48,240 --> 00:28:51,520
Speaker 9: It's a perfect system. So that's my rose and that's

535
00:28:51,520 --> 00:28:52,400
Speaker 9: what I'm going to take.

536
00:28:52,280 --> 00:28:53,160
Speaker 5: With me on this trip.

537
00:28:54,400 --> 00:28:57,160
Speaker 2: Is drinking in public Back in the States.

538
00:28:57,560 --> 00:29:01,160
Speaker 4: Is mom's with backpacks getting a little little tipsy on

539
00:29:01,240 --> 00:29:01,600
Speaker 4: the train.

540
00:29:03,760 --> 00:29:05,320
Speaker 5: My thorn is.

541
00:29:06,960 --> 00:29:10,320
Speaker 9: Do It's actually not a thorn, it's question do you

542
00:29:10,560 --> 00:29:11,960
Speaker 9: have to pay for the train?

543
00:29:12,080 --> 00:29:12,200
Speaker 4: Here?

544
00:29:15,200 --> 00:29:17,680
Speaker 9: I have walked on every train.

545
00:29:17,840 --> 00:29:19,520
Speaker 6: I haven't paid. Of God to.

546
00:29:20,000 --> 00:29:27,280
Speaker 1: Say, we thought it was socialism? Everyone does it all?

547
00:29:27,920 --> 00:29:28,840
Speaker 9: Do you pay?

548
00:29:29,160 --> 00:29:29,800
Speaker 2: When?

549
00:29:29,840 --> 00:29:30,040
Speaker 4: Do you?

550
00:29:30,800 --> 00:29:38,400
Speaker 5: We have answers yes, but they don't do that.

551
00:29:41,040 --> 00:29:45,959
Speaker 9: Wait wait he's saying no. They're saying no, we were

552
00:29:46,040 --> 00:29:49,240
Speaker 9: on the ooh ooh, on the underground.

553
00:29:52,360 --> 00:29:57,720
Speaker 2: Something kind of ooh something kind of o so but

554
00:29:57,760 --> 00:29:59,240
Speaker 2: then how but then they do this often.

555
00:30:01,640 --> 00:30:07,040
Speaker 1: Okay, what's gonna happen? If we didn't pay, We're gonna

556
00:30:07,040 --> 00:30:11,840
Speaker 1: be arrested. Okay, So so who's gonna arrest us you?

557
00:30:16,400 --> 00:30:16,680
Speaker 2: Okay?

558
00:30:16,800 --> 00:30:19,600
Speaker 3: So we had a plan in case someone was gonna

559
00:30:19,600 --> 00:30:21,479
Speaker 3: come check our tickets and we would have been link

560
00:30:21,520 --> 00:30:22,280
Speaker 3: we we would have been like.

561
00:30:22,560 --> 00:30:26,680
Speaker 1: Oh my gosh, we're so sorry, Oh my god, it's

562
00:30:26,720 --> 00:30:29,040
Speaker 1: so sorry. We would have pretended to be so dumb

563
00:30:29,200 --> 00:30:35,720
Speaker 1: gay an American, A pretend that's that's check check check.

564
00:30:40,080 --> 00:30:40,800
Speaker 9: I love it here.

565
00:30:41,280 --> 00:30:42,800
Speaker 2: I'm moving here.

566
00:30:43,240 --> 00:30:47,520
Speaker 4: Yeah, I'm gonna move here. I'm going to move here.

567
00:30:47,600 --> 00:30:50,080
Speaker 4: Except German will not stick in my hand. I was

568
00:30:50,120 --> 00:30:52,640
Speaker 4: playing dual lingo for like a week before I got here,

569
00:30:53,440 --> 00:30:57,680
Speaker 4: and I can't remember how to say this is how

570
00:30:57,720 --> 00:30:59,080
Speaker 4: I think you say bye.

571
00:31:03,640 --> 00:31:05,160
Speaker 9: Some it's juice.

572
00:31:05,680 --> 00:31:07,640
Speaker 6: It's juice, je jez?

573
00:31:08,080 --> 00:31:10,600
Speaker 2: Does it have to be that high head? Juice? Is

574
00:31:10,680 --> 00:31:12,280
Speaker 2: it like tonally chee?

575
00:31:13,400 --> 00:31:16,360
Speaker 9: It's a tonal language. I just won't stick in my head.

576
00:31:16,400 --> 00:31:19,000
Speaker 4: But I think if I really well, this is also

577
00:31:19,160 --> 00:31:21,840
Speaker 4: me at every coffee shop where, like you know, I

578
00:31:21,960 --> 00:31:22,520
Speaker 4: try and be like.

579
00:31:22,560 --> 00:31:24,600
Speaker 9: A good tourist and I like learn my six words.

580
00:31:24,640 --> 00:31:27,000
Speaker 4: So they're like, she made an effort because I think

581
00:31:27,120 --> 00:31:30,360
Speaker 4: people are giving me a grade in every single situation.

582
00:31:30,240 --> 00:31:33,840
Speaker 10: And I really needed to be an a and so

583
00:31:34,160 --> 00:31:37,920
Speaker 10: I hope to the people and I'm like hi, or

584
00:31:38,000 --> 00:31:41,440
Speaker 10: I go like hello, and then I was like cappuccino, bitta,

585
00:31:41,760 --> 00:31:43,720
Speaker 10: and then they say something back to me in German.

586
00:31:43,760 --> 00:31:50,080
Speaker 11: They're like sorry, and then they go in perfect English, Yeah,

587
00:31:50,120 --> 00:31:53,600
Speaker 11: we don't have to do this, Yeah, just go or

588
00:31:53,840 --> 00:31:54,320
Speaker 11: for here.

589
00:31:55,360 --> 00:31:59,360
Speaker 2: Yeah, this is what I know form de lingo does,

590
00:31:59,480 --> 00:32:08,280
Speaker 2: pot does apphoist and schlumper is that I can get.

591
00:32:08,480 --> 00:32:11,640
Speaker 3: I can get like the tongue placement right, but I

592
00:32:12,240 --> 00:32:15,240
Speaker 3: can't like the VOGUEA is the toughest part.

593
00:32:15,480 --> 00:32:20,440
Speaker 2: I don't like doing this. We gotta okay, you don't

594
00:32:20,520 --> 00:32:23,120
Speaker 2: have to do it. Can I say one thing I

595
00:32:23,240 --> 00:32:31,000
Speaker 2: say is beyond many We were we were saying.

596
00:32:31,200 --> 00:32:33,800
Speaker 3: We were saying that, like Matt doesn't know how to

597
00:32:33,840 --> 00:32:36,280
Speaker 3: say like welcome in different languages. And then he this

598
00:32:36,480 --> 00:32:41,520
Speaker 3: is his attempt at yelmy, at French if they don't

599
00:32:41,520 --> 00:32:44,520
Speaker 3: even want to fuck me anymore, that one was so

600
00:32:44,640 --> 00:32:45,960
Speaker 3: excited about sucking me before.

601
00:32:46,200 --> 00:32:48,680
Speaker 9: My favorite thing when Matt isn't a country?

602
00:32:48,760 --> 00:32:51,680
Speaker 4: Is that he learns the sounds and then it's just

603
00:32:51,800 --> 00:32:56,320
Speaker 4: like strong and wrong, just all the way through extremely

604
00:32:56,440 --> 00:32:57,400
Speaker 4: confident sounds.

605
00:32:57,560 --> 00:33:00,720
Speaker 2: I communicate via winks and shoulder shrugs like.

606
00:33:01,840 --> 00:33:04,840
Speaker 9: It's I don't know my words, but I know my

607
00:33:05,040 --> 00:33:06,960
Speaker 9: heart international.

608
00:33:13,400 --> 00:33:15,280
Speaker 2: And with that hug, with that hug.

609
00:33:15,680 --> 00:33:18,880
Speaker 1: So this is a really special night. When we thought

610
00:33:18,880 --> 00:33:21,320
Speaker 1: about who we'd want to have on the show, like

611
00:33:22,000 --> 00:33:26,520
Speaker 1: we couldn't have scored a better guess we really could.

612
00:33:26,360 --> 00:33:30,000
Speaker 2: Not, We really couldn't have It makes complete sense.

613
00:33:30,280 --> 00:33:32,520
Speaker 3: As soon as we knew we could have her on,

614
00:33:32,800 --> 00:33:36,080
Speaker 3: it was like, yes, whatever she wants, I will do

615
00:33:36,240 --> 00:33:37,000
Speaker 3: whatever it.

616
00:33:37,120 --> 00:33:39,440
Speaker 2: Takes to get this person. But one offer it off

617
00:33:39,480 --> 00:33:47,040
Speaker 2: his body and they declined. But god, she's a fucking

618
00:33:47,640 --> 00:33:49,800
Speaker 2: legend in every way.

619
00:33:50,280 --> 00:33:54,000
Speaker 3: We saw her live this summer and then me and

620
00:33:54,120 --> 00:33:56,360
Speaker 3: Josh Sharp, friend of the pod, Josh Sharp, we said.

621
00:33:56,760 --> 00:34:00,360
Speaker 2: Peaches invented everything. Peaches invented everything.

622
00:34:00,320 --> 00:34:04,000
Speaker 3: Like literally, like all these fucking girlies thinking about their

623
00:34:04,000 --> 00:34:06,480
Speaker 3: pussy and tits right now, have herd a thing, you

624
00:34:06,520 --> 00:34:06,960
Speaker 3: know what I mean?

625
00:34:07,400 --> 00:34:10,040
Speaker 2: So we're so excited to have her. She's a fucking icon.

626
00:34:10,160 --> 00:34:11,520
Speaker 2: Everyone give it up for.

627
00:34:37,160 --> 00:34:43,880
Speaker 6: I give it.

628
00:34:47,239 --> 00:34:49,720
Speaker 2: It's a good night. It is how you doing?

629
00:34:52,239 --> 00:34:52,399
Speaker 6: Hi?

630
00:34:52,800 --> 00:34:54,840
Speaker 2: This one is a moment of time and you changed

631
00:34:54,920 --> 00:35:00,960
Speaker 2: into this. Look Oh my god, char Trus. Yeah, are

632
00:35:01,040 --> 00:35:03,120
Speaker 2: we calling it chartreuse? Oh?

633
00:35:03,280 --> 00:35:04,000
Speaker 5: Is that the color?

634
00:35:04,320 --> 00:35:05,160
Speaker 2: Yeah? I'm coloring?

635
00:35:05,480 --> 00:35:05,640
Speaker 6: Yeah?

636
00:35:05,719 --> 00:35:06,320
Speaker 3: No, I like that?

637
00:35:06,760 --> 00:35:06,960
Speaker 6: Yeah?

638
00:35:07,440 --> 00:35:10,240
Speaker 2: Am I color blind? Church Trus? Does that feel accurate?

639
00:35:11,040 --> 00:35:11,160
Speaker 4: Is it?

640
00:35:13,400 --> 00:35:15,040
Speaker 2: We're incure about color?

641
00:35:15,320 --> 00:35:17,640
Speaker 3: Everybody? I don't know what's going on. I'm being insecure

642
00:35:17,640 --> 00:35:22,440
Speaker 3: about color. Oh my god, I'm like not confident about color.

643
00:35:25,120 --> 00:35:25,600
Speaker 5: I see that.

644
00:35:25,840 --> 00:35:30,520
Speaker 9: Ah, Like, isn't this another thing for burk kind It's.

645
00:35:30,360 --> 00:35:34,800
Speaker 2: Like you cannot dress like that? Well, yeah you could. No.

646
00:35:35,200 --> 00:35:37,239
Speaker 12: I showed up at Bert Kine once I went to

647
00:35:37,320 --> 00:35:39,840
Speaker 12: the door and they said, oh, are you still alive?

648
00:35:43,600 --> 00:35:44,439
Speaker 2: And then what did you say?

649
00:35:45,080 --> 00:35:48,320
Speaker 5: Yes, I'm right in front of your goddamn face.

650
00:35:50,040 --> 00:35:52,080
Speaker 2: I mean we're still on the fence about going today.

651
00:35:52,239 --> 00:35:55,080
Speaker 5: Well I'll tell you why not to go. Okay, because

652
00:35:55,120 --> 00:35:56,520
Speaker 5: you can't go to the bathroom there?

653
00:35:56,800 --> 00:35:59,759
Speaker 2: Wait? Really true, Christie.

654
00:36:00,120 --> 00:36:03,000
Speaker 12: I'm sorry, I'm gonna tell you way too much information.

655
00:36:03,120 --> 00:36:06,040
Speaker 12: I've paid, I've feed in many garbage.

656
00:36:05,760 --> 00:36:08,520
Speaker 2: Cans there perfect, No, you can't get in.

657
00:36:08,600 --> 00:36:11,240
Speaker 12: People are doing drugs and having sex, which is fine,

658
00:36:11,320 --> 00:36:14,439
Speaker 12: but you can't go to the bathroom there because people

659
00:36:14,480 --> 00:36:16,319
Speaker 12: are doing drugs, having sex and there.

660
00:36:16,920 --> 00:36:18,560
Speaker 1: But there should be I feel like at a club

661
00:36:18,680 --> 00:36:21,640
Speaker 1: situation where you know there's gonna be a situation where

662
00:36:21,760 --> 00:36:24,919
Speaker 1: like many of the stalls are occupied by drugs and sex.

663
00:36:25,000 --> 00:36:27,360
Speaker 1: It's like, let's have like, first of all, burn it

664
00:36:27,440 --> 00:36:30,960
Speaker 1: all down, no male female restarooms have This is the binary.

665
00:36:31,080 --> 00:36:35,960
Speaker 1: Instead one bathroom is for drugs and fucking one bathroom

666
00:36:36,000 --> 00:36:36,560
Speaker 1: is for pissing.

667
00:36:36,600 --> 00:36:41,960
Speaker 5: And you know what, you know what would happen?

668
00:36:42,200 --> 00:36:45,839
Speaker 12: What everybody would be doing drugs and having sex. Yeah,

669
00:36:48,239 --> 00:36:50,879
Speaker 12: like great, another place to do drugs and have sex.

670
00:36:51,080 --> 00:36:53,320
Speaker 2: Yeah, because the line will get real long for the

671
00:36:53,400 --> 00:36:55,759
Speaker 2: drugs and sex. One. That's what it is.

672
00:36:56,120 --> 00:36:57,800
Speaker 3: And as soon as you designate a place to do

673
00:36:57,880 --> 00:36:59,600
Speaker 3: drugs and have sex, people aren't gonna want to do

674
00:36:59,680 --> 00:37:00,960
Speaker 3: this thing, right exactly.

675
00:37:01,239 --> 00:37:03,480
Speaker 5: Bring your own porta potty, that's it.

676
00:37:03,840 --> 00:37:06,080
Speaker 2: Bring your own diaper life.

677
00:37:06,600 --> 00:37:11,040
Speaker 5: Diaper life could be a good moment for diaper life.

678
00:37:11,200 --> 00:37:14,120
Speaker 2: Where we go if we showed up to the line

679
00:37:14,360 --> 00:37:18,279
Speaker 2: and a diaper, I think we would get in. What

680
00:37:18,400 --> 00:37:20,120
Speaker 2: do you think I mean?

681
00:37:20,719 --> 00:37:23,400
Speaker 4: I once went to Burkhein and then left off to

682
00:37:23,440 --> 00:37:25,520
Speaker 4: half an hour because I needed to use the toilet and.

683
00:37:26,040 --> 00:37:30,319
Speaker 3: Wow, after waiting in line for hours, and that's real

684
00:37:30,480 --> 00:37:32,120
Speaker 3: priority sort of setting.

685
00:37:32,280 --> 00:37:35,080
Speaker 2: I think, Yeah, like I'm going to piss and shit,

686
00:37:35,239 --> 00:37:36,080
Speaker 2: thanks very much.

687
00:37:36,560 --> 00:37:40,560
Speaker 3: Yeah, I don't care that you know Lakitu is here

688
00:37:40,880 --> 00:37:43,560
Speaker 3: or Fred again is here. I'm going to piss and

689
00:37:43,600 --> 00:37:50,840
Speaker 3: shit at my home. Ultimately it becomes your home. Yeah, listen.

690
00:37:51,880 --> 00:37:54,960
Speaker 1: One of my biggest questions for you, based on what

691
00:37:55,160 --> 00:37:57,640
Speaker 1: many would consider your biggest song, can you fuck the

692
00:37:57,719 --> 00:37:58,200
Speaker 1: pain away?

693
00:37:58,680 --> 00:38:03,040
Speaker 5: That is very personal? How dare you ask me that?

694
00:38:03,440 --> 00:38:04,880
Speaker 2: Because I'm wondering myself.

695
00:38:05,239 --> 00:38:09,240
Speaker 5: You can keep trying? Yeah, just keep trying, Yeah, trying?

696
00:38:09,719 --> 00:38:12,160
Speaker 1: Yeah, I mean not Ultimately, I guess you would die

697
00:38:12,239 --> 00:38:14,719
Speaker 1: trying if you kept trying to fuck the pain away.

698
00:38:14,800 --> 00:38:16,680
Speaker 1: I feel like when I'm sad and I try to

699
00:38:16,719 --> 00:38:18,640
Speaker 1: fuck the pain away, I become more sad.

700
00:38:25,480 --> 00:38:27,680
Speaker 2: How are you feeling now? When the heat really is cute?

701
00:38:27,800 --> 00:38:33,920
Speaker 5: Right the second seed, He's like it's me, He's like

702
00:38:34,000 --> 00:38:34,759
Speaker 5: they're talking about me.

703
00:38:36,000 --> 00:38:38,120
Speaker 2: But I mean, like, where did the song come from?

704
00:38:38,640 --> 00:38:44,919
Speaker 12: Literally it came literally Actually it's it's I was thinking

705
00:38:44,920 --> 00:38:48,320
Speaker 12: about Pat Benattar, not in a sexual way, but I

706
00:38:48,440 --> 00:38:51,120
Speaker 12: was thinking about you're a real tough cookie with a

707
00:38:51,239 --> 00:38:55,719
Speaker 12: long history of breaking little hearts like you wanted me,

708
00:38:55,880 --> 00:38:59,080
Speaker 12: which is the wrong lyrics actually, which is breaking little

709
00:38:59,120 --> 00:39:01,120
Speaker 12: hots like the one it But anyway, I was like

710
00:39:01,480 --> 00:39:04,000
Speaker 12: breaking little hearts like you want, sucking on my titties

711
00:39:04,080 --> 00:39:06,640
Speaker 12: like you. I don't know what, it's just tail, and

712
00:39:06,719 --> 00:39:08,560
Speaker 12: it just started going. I really don't know where fuck

713
00:39:08,640 --> 00:39:11,640
Speaker 12: the pain away. I was in a sad place, but

714
00:39:11,719 --> 00:39:13,600
Speaker 12: I didn't want to be in a sad place, so

715
00:39:13,680 --> 00:39:15,319
Speaker 12: it was like, I'm not gonna be in that sad place.

716
00:39:15,600 --> 00:39:17,279
Speaker 2: Fuck the pain away? Got it?

717
00:39:17,560 --> 00:39:17,759
Speaker 8: Yeah?

718
00:39:18,000 --> 00:39:20,920
Speaker 3: I mean I don't think there is a sort of

719
00:39:21,600 --> 00:39:25,399
Speaker 3: phrasing that just flows off the tongue more easily than

720
00:39:26,640 --> 00:39:28,680
Speaker 3: sucking on my titties like you wanted me?

721
00:39:28,760 --> 00:39:31,279
Speaker 2: Calling me all it just comes out, It.

722
00:39:31,400 --> 00:39:34,680
Speaker 12: Flows wait all the time, like check out mine my

723
00:39:35,040 --> 00:39:38,080
Speaker 12: blonde deep Chrissy was gonna play here.

724
00:39:41,520 --> 00:39:44,200
Speaker 2: The Pretenders are playing here in two days. That's what

725
00:39:44,280 --> 00:39:44,719
Speaker 2: we were saying.

726
00:39:44,719 --> 00:39:45,759
Speaker 5: We're the only ones who came.

727
00:39:48,440 --> 00:39:51,360
Speaker 2: I'm so sorry. I feel like I stepped peaches up backstage.

728
00:39:51,400 --> 00:39:53,680
Speaker 2: I was like, oh my god, Christy are the Pretenders?

729
00:39:53,760 --> 00:39:55,400
Speaker 5: And then she's amazing.

730
00:39:55,480 --> 00:39:57,120
Speaker 2: She's amazing, But anyway.

731
00:39:57,239 --> 00:39:59,680
Speaker 3: I feel like the pain Away and is one of

732
00:39:59,680 --> 00:40:02,480
Speaker 3: those songs that just the second you hear, it's staying

733
00:40:02,560 --> 00:40:04,480
Speaker 3: with you for life, you know what I mean?

734
00:40:04,800 --> 00:40:08,279
Speaker 2: Like herpies, I've stained you all. Yeah, and thank you

735
00:40:08,360 --> 00:40:08,920
Speaker 2: for the staining.

736
00:40:09,960 --> 00:40:15,120
Speaker 3: Glitter in the club, Glitter forever, forever, forever. We talk

737
00:40:15,160 --> 00:40:17,680
Speaker 3: about the downsides of glitter. Actually, that's come up on

738
00:40:17,719 --> 00:40:20,480
Speaker 3: the podcast several times, the downsides of glitter?

739
00:40:20,960 --> 00:40:23,600
Speaker 2: Does glitter happen at Berghein? No?

740
00:40:23,800 --> 00:40:26,319
Speaker 3: Okay, did he play the movie at Berghin? Do they

741
00:40:26,360 --> 00:40:28,800
Speaker 3: play glitter the film there? Because that would be fun?

742
00:40:29,880 --> 00:40:29,920
Speaker 8: No?

743
00:40:30,080 --> 00:40:30,800
Speaker 5: That schmootz.

744
00:40:36,520 --> 00:40:37,120
Speaker 2: Wait, what is that?

745
00:40:37,280 --> 00:40:37,640
Speaker 11: What is this?

746
00:40:39,160 --> 00:40:46,279
Speaker 3: Shoots Shoots Shoots, shoots shoots Shootz.

747
00:40:50,840 --> 00:40:55,240
Speaker 5: You had that d bat Shmootz. It's the big gay club,

748
00:40:55,440 --> 00:40:56,640
Speaker 5: the big queer gay.

749
00:40:56,560 --> 00:40:58,080
Speaker 2: Club within Burghine.

750
00:40:58,560 --> 00:41:05,000
Speaker 5: No, by gig, I'm saying glitter will happen at shoot.

751
00:41:04,800 --> 00:41:06,760
Speaker 2: I we're so stupid.

752
00:41:06,840 --> 00:41:09,200
Speaker 1: So you're saying it's like and and forgive me, but

753
00:41:09,320 --> 00:41:12,640
Speaker 1: you're saying Schootz is more like the faggy gay club

754
00:41:12,680 --> 00:41:14,719
Speaker 1: where the gay guys are gonna get glitter play.

755
00:41:14,800 --> 00:41:16,439
Speaker 9: You're gonna get in, you're gonna get into.

756
00:41:17,040 --> 00:41:22,880
Speaker 5: Yeah, but this is a true story.

757
00:41:23,160 --> 00:41:27,600
Speaker 12: And my boyfriend can back me up because he used

758
00:41:27,600 --> 00:41:29,680
Speaker 12: to do a party there called Doing the Most.

759
00:41:30,200 --> 00:41:32,360
Speaker 5: So I was like, I'm gonna go visit my boyfriend's

760
00:41:32,400 --> 00:41:34,440
Speaker 5: party and I rock up. I'm like kind of peaches.

761
00:41:35,040 --> 00:41:39,560
Speaker 5: They didn't know. They're like who It's like literally the

762
00:41:39,920 --> 00:41:42,160
Speaker 5: iconic gay club, and they didn't know who I was.

763
00:41:42,920 --> 00:41:44,319
Speaker 2: They were like, you're not Carly Mino.

764
00:41:45,840 --> 00:41:45,880
Speaker 4: No.

765
00:41:49,040 --> 00:41:52,160
Speaker 3: We saw you this summer at Ladyland, which is this

766
00:41:52,239 --> 00:41:55,520
Speaker 3: big gay party in Brooklyn during Pride, and god, you

767
00:41:55,560 --> 00:41:57,560
Speaker 3: had such an amazing set. You came out dressed to

768
00:41:57,680 --> 00:42:02,160
Speaker 3: what like, you know, your backup dances were like hairy pussies. Yeah,

769
00:42:02,719 --> 00:42:05,640
Speaker 3: and then you came out in this gorgeous like neutral,

770
00:42:06,080 --> 00:42:06,520
Speaker 3: like kind of.

771
00:42:06,719 --> 00:42:09,480
Speaker 5: Yetty hairy six tits.

772
00:42:09,640 --> 00:42:09,839
Speaker 2: Yeah.

773
00:42:09,920 --> 00:42:14,000
Speaker 5: There was a lot of sagina. Tit yeah, vagina, Yeah,

774
00:42:14,200 --> 00:42:15,400
Speaker 5: tit vagina was it?

775
00:42:15,719 --> 00:42:15,919
Speaker 2: Yeah?

776
00:42:16,000 --> 00:42:17,520
Speaker 5: Tit vagina vagina.

777
00:42:17,760 --> 00:42:17,960
Speaker 2: Yeah.

778
00:42:18,040 --> 00:42:20,520
Speaker 5: It was like a little titmerkin.

779
00:42:20,760 --> 00:42:21,400
Speaker 2: Titmkin.

780
00:42:21,719 --> 00:42:21,919
Speaker 4: Oh.

781
00:42:22,040 --> 00:42:24,240
Speaker 2: I love that, yeah, tit Mrkin.

782
00:42:24,440 --> 00:42:26,320
Speaker 5: And it was great because it's very you know, like

783
00:42:26,920 --> 00:42:32,160
Speaker 5: it's functional. Of course, it's functional and performative.

784
00:42:32,239 --> 00:42:35,640
Speaker 12: You know, you can take off hairy parts, leave parts

785
00:42:35,680 --> 00:42:37,560
Speaker 12: of boobies, on very.

786
00:42:38,120 --> 00:42:41,319
Speaker 9: Function of the mercan beyond esthetic or is it just art?

787
00:42:42,160 --> 00:42:46,279
Speaker 12: It was it backing when mercans in the I don't

788
00:42:46,320 --> 00:42:48,560
Speaker 12: even know when. Was it the Victorian when they.

789
00:42:49,000 --> 00:42:50,840
Speaker 2: Couldn't let's say it was the Victoria.

790
00:42:51,000 --> 00:42:53,640
Speaker 12: Yeah, back in the Victorian age when I don't really

791
00:42:53,719 --> 00:42:57,560
Speaker 12: know what it was, but you know they they would

792
00:42:57,719 --> 00:43:01,000
Speaker 12: shave the hair because they couldn't.

793
00:43:01,000 --> 00:43:04,120
Speaker 5: Like bathe, They couldn't bathe, and then they put merkans

794
00:43:04,200 --> 00:43:08,279
Speaker 5: on top. Right, Am I making of history? Or is

795
00:43:08,320 --> 00:43:09,719
Speaker 5: this this is really what it was?

796
00:43:09,800 --> 00:43:14,520
Speaker 9: But we all know what American is, right, is a

797
00:43:14,920 --> 00:43:15,880
Speaker 9: wig for your pussy.

798
00:43:16,920 --> 00:43:24,520
Speaker 5: I used to have them as I used to have merch, merch, merch.

799
00:43:24,719 --> 00:43:28,520
Speaker 9: It was merch. And it's like, you know, if you're

800
00:43:28,640 --> 00:43:31,759
Speaker 9: pussy bald or not bald, and it's sits. We're going

801
00:43:31,840 --> 00:43:36,360
Speaker 9: to demonstrate for you. It's it's right there so you

802
00:43:36,440 --> 00:43:37,840
Speaker 9: can have the fantasy.

803
00:43:40,960 --> 00:43:43,560
Speaker 2: I love this. We all found the rhythm so bad.

804
00:43:43,719 --> 00:43:49,360
Speaker 1: Yeah wait, I'm actually I just disassociated and started to

805
00:43:49,480 --> 00:43:50,440
Speaker 1: really enjoy this.

806
00:43:52,440 --> 00:43:54,120
Speaker 9: And when you do that, do you feel like you

807
00:43:54,239 --> 00:43:57,680
Speaker 9: have a vagina? Yeah?

808
00:43:58,280 --> 00:43:58,960
Speaker 2: No, I wouldn't.

809
00:43:59,560 --> 00:44:02,080
Speaker 1: I wouldn't no, But in terms of American I would

810
00:44:02,120 --> 00:44:03,880
Speaker 1: imagine some it's gotta be a little.

811
00:44:03,680 --> 00:44:06,640
Speaker 2: Bit for warmth. I don't.

812
00:44:06,960 --> 00:44:10,120
Speaker 5: I don't know it as a warmth item, but that

813
00:44:10,280 --> 00:44:10,840
Speaker 5: makes sense.

814
00:44:11,160 --> 00:44:13,480
Speaker 3: Well, I don't think anyone's ever with the vagina has

815
00:44:13,520 --> 00:44:16,279
Speaker 3: ever been like God, I wish it were warmer down there.

816
00:44:16,800 --> 00:44:19,120
Speaker 9: Literally, you check the words out of my mouth.

817
00:44:19,160 --> 00:44:21,719
Speaker 2: And I'm proud of you, thank you, thank you, proud

818
00:44:21,719 --> 00:44:21,880
Speaker 2: of you.

819
00:44:21,960 --> 00:44:25,640
Speaker 9: Because it's not. I've never thought my pussy is cold.

820
00:44:25,800 --> 00:44:30,120
Speaker 4: I thought, oh, my nips are cold, and my pussy

821
00:44:30,200 --> 00:44:33,600
Speaker 4: could cook an egg. Yeah, and it probably is, and

822
00:44:33,760 --> 00:44:35,200
Speaker 4: that's why I should freeze them.

823
00:44:38,320 --> 00:44:41,120
Speaker 2: We talked WGA, you know w g A.

824
00:44:41,400 --> 00:44:43,880
Speaker 4: Okay, this is why we strike all right, this is

825
00:44:43,920 --> 00:44:47,080
Speaker 4: a fun fact. The Writer's Guild of America will pay

826
00:44:47,239 --> 00:44:50,719
Speaker 4: for your egg freezing in the United States of America.

827
00:44:50,920 --> 00:44:56,600
Speaker 2: Move back. If you just think they're okay, they're good.

828
00:44:58,960 --> 00:45:01,279
Speaker 4: If you check the there a box that says that

829
00:45:01,360 --> 00:45:04,040
Speaker 4: you're infertile, which they don't, and I have some good

830
00:45:04,040 --> 00:45:06,200
Speaker 4: authority they don't follow up on. And they will give

831
00:45:06,280 --> 00:45:09,200
Speaker 4: you a debit card with thirty thousand dollars on it,

832
00:45:09,680 --> 00:45:12,040
Speaker 4: and you show up to the hospital and.

833
00:45:12,280 --> 00:45:15,319
Speaker 9: You just swipe it like every step of the way

834
00:45:15,960 --> 00:45:16,719
Speaker 9: and you tap it.

835
00:45:17,200 --> 00:45:18,400
Speaker 6: This is why we strike.

836
00:45:18,760 --> 00:45:19,840
Speaker 2: This is why we strike.

837
00:45:20,400 --> 00:45:24,520
Speaker 3: Give it up babies for all, or you can live

838
00:45:24,560 --> 00:45:26,320
Speaker 3: in Berlin and get free healthcare.

839
00:45:28,440 --> 00:45:33,760
Speaker 2: Oh so that no, no, sort of sort of speaking

840
00:45:33,840 --> 00:45:34,840
Speaker 2: of health endangerment.

841
00:45:35,000 --> 00:45:37,440
Speaker 1: So another thing that was happening at your show at

842
00:45:37,560 --> 00:45:39,640
Speaker 1: Brooklyn Pride where we saw you was you begin to

843
00:45:39,760 --> 00:45:42,320
Speaker 1: CrowdSurf and we were all very excited. But then the

844
00:45:42,400 --> 00:45:45,400
Speaker 1: harsh reality of crowdsurfing sort of came in, which is

845
00:45:45,480 --> 00:45:46,920
Speaker 1: that you I walk.

846
00:45:46,760 --> 00:45:50,640
Speaker 5: On teethle you walk on people, wat crowd, a crowd

847
00:45:50,719 --> 00:45:51,839
Speaker 5: walk on them.

848
00:45:52,040 --> 00:45:54,480
Speaker 1: But you sort of like so, for example, if I

849
00:45:54,600 --> 00:45:56,720
Speaker 1: were to sort of just like walk off the stage

850
00:45:56,800 --> 00:45:59,719
Speaker 1: right now, I'd have to trust you guy I've been

851
00:45:59,760 --> 00:46:01,279
Speaker 1: for with sort of all night.

852
00:46:01,640 --> 00:46:03,759
Speaker 5: He was ready, he was gonna catch you, I know.

853
00:46:03,960 --> 00:46:06,640
Speaker 1: But also like what happened to you when you tried

854
00:46:06,960 --> 00:46:08,520
Speaker 1: you couldn't trust your own fans.

855
00:46:09,320 --> 00:46:11,920
Speaker 12: I mean, I do it every night, and what did

856
00:46:11,960 --> 00:46:13,400
Speaker 12: you have to say to the well every night I

857
00:46:13,480 --> 00:46:15,399
Speaker 12: have to say, like hello, I'm in front of your face,

858
00:46:15,440 --> 00:46:17,919
Speaker 12: put down your phone, yeah, because they're like, you can't

859
00:46:17,920 --> 00:46:20,439
Speaker 12: be taking pictures of me crowd walking if you don't

860
00:46:20,520 --> 00:46:22,160
Speaker 12: use your hands they help me crowd walk, because then

861
00:46:22,160 --> 00:46:24,360
Speaker 12: I won't be walking, I'll be on the ground, and

862
00:46:24,400 --> 00:46:29,120
Speaker 12: then they would have killed Peaches, yes, or embarrassed. Yeah right,

863
00:46:29,920 --> 00:46:34,239
Speaker 12: I embarrassed New York. If you're doing this every night,

864
00:46:34,480 --> 00:46:36,880
Speaker 12: every night, then this is a huge thing for you

865
00:46:37,000 --> 00:46:40,480
Speaker 12: to like just trust complete strangers.

866
00:46:40,560 --> 00:46:42,000
Speaker 2: I feel, yes, is it not?

867
00:46:43,120 --> 00:46:46,160
Speaker 12: It is, especially when you're at festivals and it's like

868
00:46:46,480 --> 00:46:49,879
Speaker 12: the European burning Man thing where they don't announce who's playing,

869
00:46:49,920 --> 00:46:52,319
Speaker 12: so people don't really know you and they're high off

870
00:46:52,360 --> 00:46:53,560
Speaker 12: their asses and they have no.

871
00:46:53,680 --> 00:46:56,640
Speaker 5: Idea that your foot's a foot and they're just.

872
00:46:56,719 --> 00:46:57,280
Speaker 6: Like, whoa.

873
00:47:01,560 --> 00:47:04,440
Speaker 2: I'm very surreal because I got kind of like turned on.

874
00:47:04,680 --> 00:47:06,840
Speaker 2: I will say when you in Brooklyn, you were like,

875
00:47:07,239 --> 00:47:07,480
Speaker 2: if you.

876
00:47:07,480 --> 00:47:09,719
Speaker 1: Don't doubt your fucking phone, I'm gonna fall and die.

877
00:47:10,480 --> 00:47:13,239
Speaker 3: And it was like so it was like so raw,

878
00:47:13,280 --> 00:47:17,680
Speaker 3: and it was like, yeah, I like anger in general,

879
00:47:19,320 --> 00:47:21,520
Speaker 3: but I'll take anger. Oh yeah, yeah, I love you

880
00:47:21,640 --> 00:47:23,719
Speaker 3: angry love me? Yeah?

881
00:47:25,320 --> 00:47:26,319
Speaker 2: Really thick?

882
00:47:26,560 --> 00:47:37,960
Speaker 6: Okay, Peaches and are about.

883
00:47:37,760 --> 00:47:41,200
Speaker 2: Canadians, so it's like, this is the outlet. Do we

884
00:47:41,280 --> 00:47:44,600
Speaker 2: have any Canadians here? Wow? Quite a few.

885
00:47:45,840 --> 00:47:46,399
Speaker 5: How's it going?

886
00:47:46,520 --> 00:47:46,640
Speaker 4: Eh?

887
00:47:47,360 --> 00:47:49,359
Speaker 2: How's it going? He did you go to Marine Land

888
00:47:49,400 --> 00:47:49,799
Speaker 2: as a kid?

889
00:47:50,239 --> 00:47:54,840
Speaker 12: No, but I can sing the theme song marine Niagara,

890
00:47:56,480 --> 00:48:03,920
Speaker 12: Niagara Falls, Ontario. Wonderful play for you to go Marineland Niagara.

891
00:48:06,440 --> 00:48:10,279
Speaker 1: There are people who are really reacting. Wait, because who

892
00:48:10,360 --> 00:48:12,560
Speaker 1: else knew it? There was someone over there that was like.

893
00:48:12,840 --> 00:48:13,440
Speaker 2: Your shook.

894
00:48:13,640 --> 00:48:15,359
Speaker 5: Listen, I'm a million years old.

895
00:48:15,440 --> 00:48:17,960
Speaker 12: Nobody knows that version. They're like, I know about like

896
00:48:18,120 --> 00:48:21,400
Speaker 12: from the eighties. I know it from like nineteen twenty.

897
00:48:21,480 --> 00:48:25,600
Speaker 1: Jingles like that back again though Marineland, Like see I

898
00:48:25,760 --> 00:48:26,160
Speaker 1: want that.

899
00:48:26,760 --> 00:48:28,960
Speaker 2: Yeah, that's right, I confess that I don't know that version.

900
00:48:29,000 --> 00:48:31,799
Speaker 2: But this is the marine jingle that I know at

901
00:48:31,960 --> 00:48:37,440
Speaker 2: Niagara Falls on Terrio. Marineland is the place to go?

902
00:48:38,040 --> 00:48:43,320
Speaker 7: Was fred esteem and did them everyone marine Land?

903
00:48:46,040 --> 00:48:46,080
Speaker 4: No?

904
00:48:48,040 --> 00:48:49,600
Speaker 9: Wait, you were sticking really good.

905
00:48:49,800 --> 00:48:52,400
Speaker 3: No not, I didn't stick the landing at the end, Bowen,

906
00:48:52,680 --> 00:48:56,279
Speaker 3: that's a sort It was a very difficult key you chose.

907
00:48:56,160 --> 00:48:57,640
Speaker 2: And you nailed it.

908
00:48:58,280 --> 00:48:59,160
Speaker 6: You did you?

909
00:49:00,120 --> 00:49:05,040
Speaker 2: So I did it. I prove I crowd gorgeous voice,

910
00:49:05,200 --> 00:49:05,640
Speaker 2: thank you.

911
00:49:06,160 --> 00:49:08,640
Speaker 3: But then at the end of your set you sang

912
00:49:08,800 --> 00:49:11,920
Speaker 3: a cover of Private Dancer by Tina Turner, and it

913
00:49:12,200 --> 00:49:15,520
Speaker 3: was it was truly incredible because like we we thought

914
00:49:15,560 --> 00:49:17,719
Speaker 3: this that was over. So people started to leave and

915
00:49:17,880 --> 00:49:21,719
Speaker 3: then you started singing Private Dancer and everyone froze and

916
00:49:21,800 --> 00:49:23,439
Speaker 3: they were like, what the fuck is she doing?

917
00:49:24,120 --> 00:49:26,480
Speaker 2: Is she Oh my god? And it was I mean

918
00:49:26,520 --> 00:49:28,719
Speaker 2: we were all in tears. It was incredible.

919
00:49:28,800 --> 00:49:32,400
Speaker 1: It was amazing, and your voice on Private Dancer was

920
00:49:32,680 --> 00:49:34,160
Speaker 1: so incredible too.

921
00:49:34,239 --> 00:49:37,560
Speaker 2: I mean it was just like, Tina is the legend.

922
00:49:38,080 --> 00:49:41,760
Speaker 1: I mean, yeah, yeah, give it up for Tina europe

923
00:49:41,920 --> 00:49:43,919
Speaker 1: Zone for the last years of her life.

924
00:49:45,440 --> 00:49:47,839
Speaker 2: What's it, I said, europe own for the last years

925
00:49:47,880 --> 00:49:48,279
Speaker 2: of her life.

926
00:49:48,320 --> 00:49:50,239
Speaker 5: I went to see Tina the Musical. Have you seen

927
00:49:50,280 --> 00:49:50,879
Speaker 5: Tina the Musical?

928
00:49:51,000 --> 00:49:51,720
Speaker 2: You know what's funny?

929
00:49:52,040 --> 00:49:54,160
Speaker 1: The three of us were actually supposed to see it

930
00:49:54,239 --> 00:49:59,960
Speaker 1: for my birthday on March eighth, and right it was

931
00:50:00,080 --> 00:50:01,720
Speaker 1: but it was like right when.

932
00:50:01,640 --> 00:50:03,480
Speaker 2: The pandemic hit, but the three of us were gonna

933
00:50:03,480 --> 00:50:05,799
Speaker 2: go and then we never got to go. Was good?

934
00:50:05,840 --> 00:50:09,800
Speaker 5: I went in London, yeah, like, yeah, it was amazing.

935
00:50:09,960 --> 00:50:10,640
Speaker 6: It was so good.

936
00:50:10,840 --> 00:50:12,319
Speaker 2: It was so so good.

937
00:50:12,520 --> 00:50:14,400
Speaker 5: I didn't want to see it in Germany because I

938
00:50:14,560 --> 00:50:16,000
Speaker 5: don't want to see it in German.

939
00:50:16,239 --> 00:50:19,240
Speaker 3: Right, So is this a thing that happens in Europe

940
00:50:19,239 --> 00:50:22,279
Speaker 3: where if it's outside of let's say the UK, they

941
00:50:22,360 --> 00:50:24,520
Speaker 3: will do it in the regional language.

942
00:50:24,560 --> 00:50:27,799
Speaker 12: Yes, got it, And it's not what I want to see.

943
00:50:28,239 --> 00:50:31,640
Speaker 12: I don't want I want to see Tina Turner in English. Yeah,

944
00:50:32,200 --> 00:50:34,440
Speaker 12: they'll probably sing all the songs in English, but all

945
00:50:34,480 --> 00:50:35,920
Speaker 12: the dialogue will be in German.

946
00:50:36,040 --> 00:50:39,000
Speaker 2: And then I see, I see it's private answer your

947
00:50:39,040 --> 00:50:40,280
Speaker 2: favorite Tina, I would imagine.

948
00:50:41,800 --> 00:50:45,279
Speaker 5: I know I have so many favorites. Yeah, I mean

949
00:50:46,360 --> 00:50:53,359
Speaker 5: we don't need any Oh wow, so good and come

950
00:50:53,400 --> 00:50:55,920
Speaker 5: on all the children say.

951
00:50:58,080 --> 00:51:08,759
Speaker 9: Never, yes, okay.

952
00:51:08,680 --> 00:51:12,360
Speaker 1: Honestly, that is beyond Thunderdome. Oh my god, have you

953
00:51:12,400 --> 00:51:16,640
Speaker 1: guys ever seen that Tina is the villain? Do yourself

954
00:51:16,640 --> 00:51:20,920
Speaker 1: a favor? Because like Tina was serving acting. She was

955
00:51:20,960 --> 00:51:24,320
Speaker 1: one of those like artists that like could literally do everything,

956
00:51:24,400 --> 00:51:27,120
Speaker 1: but was like nah, she was like, she didn't give

957
00:51:27,160 --> 00:51:28,800
Speaker 1: you as much acting as she was capable of.

958
00:51:29,000 --> 00:51:30,439
Speaker 2: She was just Tina. Yeah.

959
00:51:30,560 --> 00:51:32,080
Speaker 1: She was like, I'm gonna give you a taste of

960
00:51:32,200 --> 00:51:34,640
Speaker 1: my star quality in all these areas and then dip

961
00:51:35,320 --> 00:51:36,960
Speaker 1: and then in the last twenty years of her life

962
00:51:37,040 --> 00:51:40,640
Speaker 1: she was like I'm here like hanging out, yeah, because

963
00:51:40,640 --> 00:51:41,640
Speaker 1: I'm finally happy.

964
00:51:41,719 --> 00:51:44,640
Speaker 2: In the documentary, Yeah, she was a Buddhist, right.

965
00:51:44,640 --> 00:51:48,720
Speaker 12: Yeah, yeah, but she you know, Mick Jagger got everything

966
00:51:48,760 --> 00:51:52,680
Speaker 12: from Tina Turner, right, you know, yeah, like an asshole.

967
00:51:52,800 --> 00:51:55,840
Speaker 1: No no, but like she's one of those artists like

968
00:51:56,400 --> 00:51:58,760
Speaker 1: every modern artist has taken from Tina.

969
00:51:59,040 --> 00:52:02,800
Speaker 3: Yeah, okay, Hey, does this claim that I made before

970
00:52:02,840 --> 00:52:04,640
Speaker 3: you came on to the stage ring true to you

971
00:52:04,719 --> 00:52:04,960
Speaker 3: at all?

972
00:52:05,200 --> 00:52:08,320
Speaker 2: I do feel like there is so much o to

973
00:52:08,400 --> 00:52:10,040
Speaker 2: you and you're you don't have to like claim this.

974
00:52:10,160 --> 00:52:12,200
Speaker 3: As like a debt or anything, but it's like, I

975
00:52:12,400 --> 00:52:15,520
Speaker 3: feel like you broke open this thing for so many

976
00:52:15,640 --> 00:52:18,400
Speaker 3: artists right where it's like it's about it's they're not

977
00:52:18,560 --> 00:52:20,759
Speaker 3: singing about their body parts in this lude way, they're

978
00:52:20,760 --> 00:52:23,520
Speaker 3: singing about like gender, they're singing about like the politics

979
00:52:23,560 --> 00:52:23,919
Speaker 3: of gender.

980
00:52:23,960 --> 00:52:25,480
Speaker 2: They're saying about all these different things.

981
00:52:26,040 --> 00:52:28,200
Speaker 3: And I feel like you really works someone who like

982
00:52:28,280 --> 00:52:30,839
Speaker 3: innovated on that, like you were the first person I feel.

983
00:52:31,280 --> 00:52:31,800
Speaker 2: And do you know what?

984
00:52:32,520 --> 00:52:35,360
Speaker 5: This weekend is twenty years of Fatherfucker my.

985
00:52:35,400 --> 00:52:41,840
Speaker 2: Second album, Wow Fucker, congrats amazing.

986
00:52:42,280 --> 00:52:45,319
Speaker 5: Yeah, ugh, it's called Fatherfucker.

987
00:52:45,960 --> 00:52:48,480
Speaker 2: Yeah. Why why don't we say that? Why don't we

988
00:52:48,520 --> 00:52:50,000
Speaker 2: say that? As a culture? I say it, I just

989
00:52:50,040 --> 00:52:51,040
Speaker 2: don't say it. In public.

990
00:52:51,480 --> 00:52:54,080
Speaker 5: Oh well, yeah, better start now.

991
00:52:54,680 --> 00:52:59,560
Speaker 1: I'm about the word I wish, uh not my own father, Daddy's.

992
00:52:59,880 --> 00:53:01,840
Speaker 1: I have been really into daddy porn lately.

993
00:53:02,600 --> 00:53:03,879
Speaker 2: Is this a good segue? Yeah?

994
00:53:03,880 --> 00:53:08,320
Speaker 1: Anyway, what do you think of like the like because

995
00:53:08,320 --> 00:53:11,120
Speaker 1: it really feels like in the past ten years or

996
00:53:11,200 --> 00:53:16,200
Speaker 1: so like sexual frankness and like mainstream pop music and

997
00:53:16,400 --> 00:53:19,680
Speaker 1: like I'll never forget like obviously, like Janet was doing

998
00:53:19,719 --> 00:53:22,879
Speaker 1: it in the nineties, you know, Madonna has always been

999
00:53:22,960 --> 00:53:26,120
Speaker 1: there doing it, like but then I feel like Beyonce's

1000
00:53:26,160 --> 00:53:28,480
Speaker 1: self titled album, that's when she was talking about like

1001
00:53:28,520 --> 00:53:30,759
Speaker 1: you know, turn the cherry out and everything, like it

1002
00:53:30,920 --> 00:53:34,759
Speaker 1: just feels like now it's like a really fixed part

1003
00:53:34,800 --> 00:53:37,840
Speaker 1: of pop music. Even these girls who are like you know,

1004
00:53:38,040 --> 00:53:41,799
Speaker 1: relatively young, are talking about themselves and like getting off

1005
00:53:41,880 --> 00:53:45,080
Speaker 1: in a way that feels like really powerful and emboldened.

1006
00:53:45,160 --> 00:53:51,360
Speaker 1: But I wonder like if you do feel some responsibility

1007
00:53:51,560 --> 00:53:53,040
Speaker 1: for it. But like you know what I mean, like

1008
00:53:53,360 --> 00:53:55,120
Speaker 1: like some like are you proud of these girls?

1009
00:53:55,239 --> 00:53:58,000
Speaker 5: I am all for it. I'm there for it. I'm

1010
00:53:58,080 --> 00:53:58,760
Speaker 5: so excited.

1011
00:53:59,080 --> 00:54:02,640
Speaker 2: Yeah, yeah, get off girls, I'm into it. Yes, yes,

1012
00:54:02,840 --> 00:54:03,239
Speaker 2: I love it.

1013
00:54:03,920 --> 00:54:08,400
Speaker 9: Do you think that there is any like taboos left

1014
00:54:09,160 --> 00:54:12,480
Speaker 9: in music or do you think that we've now just

1015
00:54:12,560 --> 00:54:14,400
Speaker 9: have to it's weird.

1016
00:54:14,520 --> 00:54:16,080
Speaker 5: It depends where you are.

1017
00:54:16,360 --> 00:54:20,799
Speaker 12: It's still contextual, or like, yeah, it's weird. It's still

1018
00:54:21,160 --> 00:54:24,080
Speaker 12: taboo in a way even though it's pop. It's it's

1019
00:54:24,200 --> 00:54:28,279
Speaker 12: so strange that it's like both does that make.

1020
00:54:28,200 --> 00:54:29,800
Speaker 9: It tax It depends on the audience.

1021
00:54:30,040 --> 00:54:30,279
Speaker 2: Yeah.

1022
00:54:30,560 --> 00:54:31,040
Speaker 9: Completely.

1023
00:54:31,120 --> 00:54:34,000
Speaker 1: It feels like it's become more political now, Like it's

1024
00:54:34,000 --> 00:54:37,600
Speaker 1: almost like sexuality in music is like an accepted thing,

1025
00:54:37,760 --> 00:54:40,520
Speaker 1: like candor in that way is just like, yeah, that's

1026
00:54:40,560 --> 00:54:42,920
Speaker 1: what we talk about whatever. And now it's like people

1027
00:54:42,960 --> 00:54:45,000
Speaker 1: would get more up in arms and more like have

1028
00:54:45,120 --> 00:54:47,239
Speaker 1: their pearls clushed if like you made some sort of

1029
00:54:47,320 --> 00:54:49,719
Speaker 1: like political message that like fuck people up.

1030
00:54:50,080 --> 00:54:53,920
Speaker 12: Right, like to be more just straight out directly political, right,

1031
00:54:54,560 --> 00:54:57,239
Speaker 12: or would people just shut off? Like that's almost why

1032
00:54:57,320 --> 00:54:59,959
Speaker 12: I did what I did, you know, to give human

1033
00:55:00,160 --> 00:55:02,520
Speaker 12: to it, to give fun to give.

1034
00:55:02,640 --> 00:55:03,800
Speaker 2: Like don't.

1035
00:55:05,400 --> 00:55:07,600
Speaker 3: It really is this thing where it might not have

1036
00:55:07,840 --> 00:55:10,880
Speaker 3: taken off in this way for other people if you

1037
00:55:10,960 --> 00:55:13,800
Speaker 3: hadn't been so funny about it. Because I think my

1038
00:55:13,920 --> 00:55:18,479
Speaker 3: favorite couplet, like in like any genre I think about

1039
00:55:18,480 --> 00:55:20,440
Speaker 3: this always is I think it's didn't rub where you go.

1040
00:55:21,440 --> 00:55:23,640
Speaker 2: I'm feeling good on an edible. I'm out.

1041
00:55:23,719 --> 00:55:29,200
Speaker 3: If the hole is forgettable. I'm out if the whole

1042
00:55:29,320 --> 00:55:31,760
Speaker 3: is that's a rule of culture. That's rule of culture.

1043
00:55:35,960 --> 00:55:37,439
Speaker 3: What's a hole?

1044
00:55:37,719 --> 00:55:41,040
Speaker 1: I'm feeling good on an edible. I'm out If the

1045
00:55:41,160 --> 00:55:44,360
Speaker 1: whole is forgettable, period.

1046
00:55:45,840 --> 00:55:51,239
Speaker 3: So good, that's poetry. I am out if the hole

1047
00:55:51,360 --> 00:55:54,239
Speaker 3: is forgettable, because it's hard for a hole to be

1048
00:55:54,680 --> 00:55:57,480
Speaker 3: A whole is like the mac and Cheese of body parts.

1049
00:55:57,800 --> 00:55:59,120
Speaker 3: It's it's hard to fuck it up.

1050
00:56:03,600 --> 00:56:06,320
Speaker 2: Does that make sense? I think, Oh, I think a

1051
00:56:06,400 --> 00:56:10,560
Speaker 2: whole is incredibly easy to fuck up. I'm saying.

1052
00:56:11,840 --> 00:56:13,839
Speaker 9: You're saying a hole is a whole.

1053
00:56:14,040 --> 00:56:18,600
Speaker 3: A hole is like everyone's excited for a hole, and

1054
00:56:18,680 --> 00:56:21,400
Speaker 3: if your hole is forgettable, then it has to be

1055
00:56:21,680 --> 00:56:22,440
Speaker 3: pretty bad.

1056
00:56:22,840 --> 00:56:25,120
Speaker 1: Yeah. There is that thing of like when you're like

1057
00:56:25,239 --> 00:56:27,360
Speaker 1: psyched up for sex and you're just like, it's the

1058
00:56:27,480 --> 00:56:30,239
Speaker 1: hole and it really doesn't matter what the condition of

1059
00:56:30,320 --> 00:56:30,880
Speaker 1: the hole is.

1060
00:56:30,960 --> 00:56:33,719
Speaker 2: It's kind of just like I'm cross eyed gooning, you

1061
00:56:33,800 --> 00:56:34,359
Speaker 2: know what I mean.

1062
00:56:36,400 --> 00:56:38,600
Speaker 1: So you'd have to be really kind of like I'm

1063
00:56:38,600 --> 00:56:41,759
Speaker 1: not really liking this for the hole to ruin it up.

1064
00:56:41,880 --> 00:56:43,600
Speaker 1: But you're out of the holes forgettable.

1065
00:56:43,680 --> 00:56:48,319
Speaker 5: I'm just thinking about mac and cheese. Oh really I am.

1066
00:56:48,520 --> 00:56:51,160
Speaker 5: I love mac and had.

1067
00:56:51,120 --> 00:56:53,120
Speaker 2: Mac and cheese the other day at Soha House London.

1068
00:56:53,360 --> 00:56:54,000
Speaker 12: You did.

1069
00:56:55,400 --> 00:56:55,759
Speaker 2: You did?

1070
00:56:56,000 --> 00:56:57,320
Speaker 5: Do you just go to Soho House?

1071
00:56:57,760 --> 00:57:01,120
Speaker 2: From Soho House like it's the hard rock Calf teaches, Yes,

1072
00:57:01,520 --> 00:57:04,680
Speaker 2: it does. It's awful. But wait, what would make a

1073
00:57:04,760 --> 00:57:07,920
Speaker 2: whole forgettable for you? Purl taste?

1074
00:57:11,200 --> 00:57:15,799
Speaker 12: It rhymes with edible Okay, okay, okay, but it's.

1075
00:57:15,719 --> 00:57:18,439
Speaker 2: A perfect rhyme. It's a perfect thank you. Yeah.

1076
00:57:19,080 --> 00:57:21,920
Speaker 5: I'm not cited a lot, so I appreciate it.

1077
00:57:22,480 --> 00:57:26,439
Speaker 3: Oh, I've never forgotten it. We have the bibliography, yeah,

1078
00:57:27,040 --> 00:57:30,800
Speaker 3: the whole lyrics. We asked this question all of our guests. Yes,

1079
00:57:30,920 --> 00:57:33,360
Speaker 3: so Peaches, this is the question that is the lost

1080
00:57:33,400 --> 00:57:36,200
Speaker 3: culturalist's question. It is what is the culture that made

1081
00:57:36,240 --> 00:57:39,080
Speaker 3: you say culture is for me? This is like the

1082
00:57:39,240 --> 00:57:41,640
Speaker 3: formative pop cultural thing.

1083
00:57:41,920 --> 00:57:43,200
Speaker 2: It can be like the culture of.

1084
00:57:43,240 --> 00:57:45,840
Speaker 3: Your community or like anything and your upbringing that moved

1085
00:57:45,920 --> 00:57:50,200
Speaker 3: you into this sort of cultural direction that main Peaches Peaches,

1086
00:57:50,360 --> 00:57:51,240
Speaker 3: I think it was more.

1087
00:57:51,240 --> 00:57:52,880
Speaker 5: Just questioning things like.

1088
00:57:54,520 --> 00:57:59,920
Speaker 12: Looking at cultural mainstream and saying why is that mainstream?

1089
00:58:00,200 --> 00:58:01,280
Speaker 5: I don't relate to it.

1090
00:58:01,920 --> 00:58:05,480
Speaker 12: Yeah, so it was like, I don't understand why am

1091
00:58:05,520 --> 00:58:08,600
Speaker 12: I singing along with these certain lyrics? Why am I

1092
00:58:08,680 --> 00:58:11,760
Speaker 12: watching this movie from this point of view that I

1093
00:58:11,800 --> 00:58:13,040
Speaker 12: don't feel is my point of view?

1094
00:58:13,080 --> 00:58:16,120
Speaker 5: But I like the movie, I like this song. How

1095
00:58:16,200 --> 00:58:19,960
Speaker 5: can I switch it around so that I feel that

1096
00:58:20,320 --> 00:58:21,280
Speaker 5: I am included?

1097
00:58:21,800 --> 00:58:21,960
Speaker 1: Huh?

1098
00:58:22,320 --> 00:58:24,440
Speaker 2: That is like the queer way of looking at anything.

1099
00:58:24,600 --> 00:58:27,480
Speaker 4: Right, That's like a movie or a song that comes

1100
00:58:27,480 --> 00:58:30,840
Speaker 4: to mind that you're like home that what about a

1101
00:58:30,880 --> 00:58:31,720
Speaker 4: hole that you were like?

1102
00:58:34,040 --> 00:58:37,600
Speaker 12: Yeah, yeah, well I always like to use the Rod

1103
00:58:37,720 --> 00:58:39,800
Speaker 12: stupid like I remember I was born in like.

1104
00:58:39,960 --> 00:58:41,240
Speaker 5: Eighteen forty two, so.

1105
00:58:43,320 --> 00:58:51,600
Speaker 12: Yeah, well it's just like a Rod Stewart song where

1106
00:58:51,640 --> 00:58:56,120
Speaker 12: it's like, don't say a word, my virgin child, spread

1107
00:58:56,160 --> 00:58:58,760
Speaker 12: your wings and let me come inside you like just

1108
00:58:58,920 --> 00:59:02,160
Speaker 12: stuff like that. Why you know, like why I used

1109
00:59:02,160 --> 00:59:06,200
Speaker 12: to sing along with that? Or you know big leg

1110
00:59:06,320 --> 00:59:07,920
Speaker 12: a woman ain't got no soul?

1111
00:59:08,560 --> 00:59:08,600
Speaker 4: What?

1112
00:59:08,920 --> 00:59:10,600
Speaker 5: Just like, think, what am I singing along?

1113
00:59:12,640 --> 00:59:15,600
Speaker 3: We don't question that? Usually most people don't question that.

1114
00:59:15,840 --> 00:59:17,600
Speaker 3: I certainly have stopped.

1115
00:59:18,720 --> 00:59:20,120
Speaker 2: I'll sing along.

1116
00:59:19,960 --> 00:59:23,760
Speaker 12: To anything I love, Like I'm like a karaoke junkie,

1117
00:59:23,840 --> 00:59:25,480
Speaker 12: you know, and I'll sing along to that stuff.

1118
00:59:25,520 --> 00:59:28,920
Speaker 5: But also I was really, wait, why am I what

1119
00:59:29,320 --> 00:59:29,520
Speaker 5: is this?

1120
00:59:29,960 --> 00:59:30,160
Speaker 2: Yeah?

1121
00:59:30,320 --> 00:59:32,680
Speaker 3: I think I watched an interview of you saying that

1122
00:59:33,840 --> 00:59:37,680
Speaker 3: your first like moment of performing was singing.

1123
00:59:38,160 --> 00:59:38,800
Speaker 2: Can I say this?

1124
00:59:39,360 --> 00:59:40,760
Speaker 9: I think it's no, it's perfect.

1125
00:59:42,880 --> 00:59:45,080
Speaker 2: It was like you were at someone's like butt mits versus.

1126
00:59:45,240 --> 00:59:48,600
Speaker 12: It was Michael Besson's Barmits Run, New York, where most

1127
00:59:48,640 --> 00:59:49,560
Speaker 12: of my family lives.

1128
00:59:49,880 --> 00:59:51,920
Speaker 3: You go and like there was a band on stage,

1129
00:59:52,760 --> 00:59:55,240
Speaker 3: and then you were like, oh, that's cool, I want

1130
00:59:55,280 --> 00:59:58,320
Speaker 3: to go up there. And then your mom was like,

1131
00:59:58,440 --> 01:00:02,080
Speaker 3: but can you sing? You were like yeah, and then

1132
01:00:02,120 --> 01:00:05,040
Speaker 3: you went up there and you sang Barber streisand is

1133
01:00:05,040 --> 01:00:05,680
Speaker 3: the way we were?

1134
01:00:06,080 --> 01:00:06,400
Speaker 6: Wow?

1135
01:00:09,840 --> 01:00:12,560
Speaker 2: Yeah, like the corners of.

1136
01:00:15,480 --> 01:00:15,800
Speaker 8: Mister.

1137
01:00:20,080 --> 01:00:24,680
Speaker 5: Yes we were. But I was seven and I'm singing

1138
01:00:24,720 --> 01:00:25,560
Speaker 5: about divorce.

1139
01:00:31,240 --> 01:00:34,000
Speaker 2: It's like you've never taken a picture for seven. I

1140
01:00:34,120 --> 01:00:36,840
Speaker 2: mean that Scattered Pictures. That's one of the greatest towns

1141
01:00:36,880 --> 01:00:37,600
Speaker 2: of all time.

1142
01:00:37,720 --> 01:00:38,800
Speaker 5: We're doing that as a duet.

1143
01:00:38,960 --> 01:00:42,800
Speaker 2: Yes, I'll pay to see that. It's funny you mentioned karaoke.

1144
01:00:42,920 --> 01:00:43,640
Speaker 2: I used to sing.

1145
01:00:43,800 --> 01:00:43,960
Speaker 4: Then.

1146
01:00:44,560 --> 01:00:45,840
Speaker 1: Back in the day, we used to go to the

1147
01:00:45,960 --> 01:00:48,760
Speaker 1: Duplex in New York. My ex boyfriend would play the

1148
01:00:48,800 --> 01:00:50,360
Speaker 1: piano and I would sing the way we were to

1149
01:00:50,480 --> 01:00:51,080
Speaker 1: four people.

1150
01:00:53,040 --> 01:00:55,640
Speaker 4: Nothing is funnier than a child singing a song with

1151
01:00:55,800 --> 01:00:59,000
Speaker 4: like yeah, no understanding of the meaning, but like all

1152
01:00:59,080 --> 01:01:03,280
Speaker 4: of the SaaS, like does anybody remember like my favorite

1153
01:01:03,320 --> 01:01:05,560
Speaker 4: thing is when like there's a little girl on like

1154
01:01:05,680 --> 01:01:08,600
Speaker 4: this American not this American life on America.

1155
01:01:09,360 --> 01:01:10,680
Speaker 2: America's not talent, Yeah.

1156
01:01:11,240 --> 01:01:14,440
Speaker 9: On America's next, America's got next, guy.

1157
01:01:15,120 --> 01:01:16,200
Speaker 2: Get it out America.

1158
01:01:17,440 --> 01:01:20,240
Speaker 4: She's on an America singing show and then she goes

1159
01:01:20,280 --> 01:01:22,320
Speaker 4: out there and they're like, what's your name? She's like cheer,

1160
01:01:22,760 --> 01:01:25,000
Speaker 4: They're like how old are You's like I seven and

1161
01:01:25,080 --> 01:01:26,240
Speaker 4: they're like what will you be saying?

1162
01:01:26,680 --> 01:01:26,840
Speaker 6: If?

1163
01:01:32,880 --> 01:01:33,120
Speaker 4: Yeah?

1164
01:01:33,840 --> 01:01:35,120
Speaker 2: You know what you know what it was?

1165
01:01:35,320 --> 01:01:37,560
Speaker 1: It was X factor. Okay, so this is what it was.

1166
01:01:37,720 --> 01:01:39,680
Speaker 1: There was an X factor in America. And there was

1167
01:01:39,720 --> 01:01:42,680
Speaker 1: a little girl named Rachel Crow. She was ten and

1168
01:01:42,800 --> 01:01:45,640
Speaker 1: I remember one time, do you actually know this? Are

1169
01:01:45,680 --> 01:01:47,360
Speaker 1: you not in because you know this is insane, this

1170
01:01:47,520 --> 01:01:51,440
Speaker 1: is a pull from the past. But she sang Eda

1171
01:01:51,600 --> 01:01:56,600
Speaker 1: James and it was, oh my god, I'd rather go blind.

1172
01:01:57,640 --> 01:02:01,480
Speaker 1: And she was ten and she was like something tall

1173
01:02:02,800 --> 01:02:05,840
Speaker 1: me and it was like she was giving it like.

1174
01:02:06,920 --> 01:02:09,000
Speaker 2: Four hundred years of history.

1175
01:02:09,680 --> 01:02:12,360
Speaker 9: She was giving it the pain of a woman who knows.

1176
01:02:13,040 --> 01:02:15,040
Speaker 4: And it was this also this time where we were

1177
01:02:15,160 --> 01:02:17,920
Speaker 4: like kind of obsessed with her and kept watching her

1178
01:02:18,040 --> 01:02:20,840
Speaker 4: over this ten year old girl who then had an

1179
01:02:20,880 --> 01:02:22,800
Speaker 4: album come out when she was like a teenager, and

1180
01:02:22,840 --> 01:02:23,800
Speaker 4: there were like some bops on.

1181
01:02:24,000 --> 01:02:26,040
Speaker 2: Yeah, you were obsessed with her, you must stream.

1182
01:02:26,440 --> 01:02:28,400
Speaker 1: But what you need to know is she sang I'd

1183
01:02:28,520 --> 01:02:32,720
Speaker 1: rather go blind and gave it literally more gravitas than

1184
01:02:32,720 --> 01:02:35,880
Speaker 1: I've seen any woman in her forties ever give it,

1185
01:02:36,840 --> 01:02:41,920
Speaker 1: and like was eliminated, just like you gotta go, little girl,

1186
01:02:42,240 --> 01:02:45,280
Speaker 1: And I was like, no, that song. She sang that

1187
01:02:45,400 --> 01:02:46,960
Speaker 1: song and was promptly kicked off.

1188
01:02:49,240 --> 01:02:49,680
Speaker 2: She gave it.

1189
01:02:49,760 --> 01:02:51,680
Speaker 1: The whole thing was she gave it like rasp in

1190
01:02:51,760 --> 01:02:54,040
Speaker 1: the voice. She was giving it like all of it

1191
01:02:54,200 --> 01:02:57,600
Speaker 1: was wild. But she was ten, so maybe it freaked

1192
01:02:57,640 --> 01:03:01,360
Speaker 1: America out. Remember they were like, I don't know, like

1193
01:03:02,160 --> 01:03:04,160
Speaker 1: I don't want to see a ten year old divorcee.

1194
01:03:06,880 --> 01:03:10,120
Speaker 2: But Peges did it with the way we were and I.

1195
01:03:10,200 --> 01:03:12,440
Speaker 5: Kind of I was with my family.

1196
01:03:14,120 --> 01:03:16,120
Speaker 9: Family, but it was like.

1197
01:03:16,120 --> 01:03:18,560
Speaker 3: A mixed crowd of people of all ages and then

1198
01:03:18,600 --> 01:03:20,040
Speaker 3: it mess. It must have gone over well enough that

1199
01:03:20,080 --> 01:03:21,040
Speaker 3: you kept doing it right.

1200
01:03:21,240 --> 01:03:23,800
Speaker 12: I had to do it at every bar Mitzvah butt

1201
01:03:23,920 --> 01:03:28,480
Speaker 12: miss Vah wedding up until I was like fifteen.

1202
01:03:28,320 --> 01:03:31,600
Speaker 9: Always that song, always Barbara, you sing Barbara.

1203
01:03:33,520 --> 01:03:35,680
Speaker 12: And then I was like, I'm gonna do Janice Jocqulin

1204
01:03:35,720 --> 01:03:37,760
Speaker 12: now had me the electric guitar, and then I was

1205
01:03:37,880 --> 01:03:40,960
Speaker 12: like yeah, and then everyone stopped asking.

1206
01:03:40,720 --> 01:03:45,560
Speaker 1: Me, also asking for Barbara's songs at the time, but

1207
01:03:45,880 --> 01:03:47,320
Speaker 1: it's like there's such downers, you know.

1208
01:03:47,480 --> 01:03:48,520
Speaker 2: She hadn't even gotten to.

1209
01:03:48,640 --> 01:03:50,640
Speaker 9: Like up in the Isn't that No?

1210
01:03:51,040 --> 01:03:54,280
Speaker 5: That was that was happening. And that's another duet that

1211
01:03:54,360 --> 01:03:54,920
Speaker 5: we would kill.

1212
01:03:55,040 --> 01:03:58,200
Speaker 2: We would crush it. Are you Donna or are you

1213
01:03:58,280 --> 01:03:59,040
Speaker 2: know you're Barbara?

1214
01:03:59,200 --> 01:04:02,200
Speaker 5: I can be whoever you. I like both fines bet

1215
01:04:02,360 --> 01:04:04,400
Speaker 5: whatever part you want to do it, I will talk, okay.

1216
01:04:04,560 --> 01:04:07,960
Speaker 4: And I saw Barbara in Brooklyn, Yes we did, and

1217
01:04:08,080 --> 01:04:10,760
Speaker 4: it was Barbara in Brooklyn. Yeah, and it was well,

1218
01:04:10,800 --> 01:04:14,360
Speaker 4: Barbara's my number one and she's like my my absolute

1219
01:04:14,440 --> 01:04:18,440
Speaker 4: number one diva and Matt and I were like singing.

1220
01:04:18,520 --> 01:04:20,360
Speaker 9: We were living for enough is Enough.

1221
01:04:20,360 --> 01:04:23,240
Speaker 4: She had one of her incredible backup dance backup singers

1222
01:04:23,320 --> 01:04:25,640
Speaker 4: come to the front and they sang it together and

1223
01:04:25,680 --> 01:04:26,360
Speaker 4: then everybody was.

1224
01:04:26,360 --> 01:04:28,200
Speaker 9: Like freaking out for this amazing backup singer.

1225
01:04:29,160 --> 01:04:31,920
Speaker 1: She couldn't help herself and started to pop off about politics,

1226
01:04:32,480 --> 01:04:34,960
Speaker 1: and one woman in the crowd, like in the back,

1227
01:04:35,120 --> 01:04:39,560
Speaker 1: was like shut down, and we were like, well, you

1228
01:04:39,680 --> 01:04:43,040
Speaker 1: came to Barbara Streisdan in the year twenty nineteen. This

1229
01:04:43,160 --> 01:04:45,480
Speaker 1: is about to go down, like honey, you know it

1230
01:04:45,600 --> 01:04:46,600
Speaker 1: was like twenty fifteen.

1231
01:04:46,680 --> 01:04:49,360
Speaker 4: It was twenty fifteen because she sang on what a

1232
01:04:49,400 --> 01:04:52,200
Speaker 4: Beautiful World and she was like also because it was

1233
01:04:52,280 --> 01:04:54,080
Speaker 4: her ten Barbara's.

1234
01:04:53,720 --> 01:04:57,480
Speaker 9: Ten number one albums. Yeah, so it was amazing.

1235
01:04:57,640 --> 01:04:59,480
Speaker 4: And she put up like the album art for every

1236
01:04:59,480 --> 01:05:01,960
Speaker 4: single home Woman, then sang songs from the album, and she.

1237
01:05:02,040 --> 01:05:04,200
Speaker 9: Told a lot of stories and all the stories were

1238
01:05:04,280 --> 01:05:05,160
Speaker 9: like when.

1239
01:05:05,000 --> 01:05:06,600
Speaker 4: I wanted to do this thing, they told me I

1240
01:05:06,680 --> 01:05:08,720
Speaker 4: couldn't do it, and then I yelled at them until

1241
01:05:08,760 --> 01:05:10,120
Speaker 4: I could do it, and then I did it.

1242
01:05:10,240 --> 01:05:11,440
Speaker 9: And it's a number one album.

1243
01:05:11,640 --> 01:05:11,840
Speaker 6: Yeap.

1244
01:05:13,040 --> 01:05:16,440
Speaker 2: That is literally every story you know. This album art.

1245
01:05:16,480 --> 01:05:18,640
Speaker 1: They said they don't like it because you can't see

1246
01:05:18,720 --> 01:05:20,120
Speaker 1: my face, and I said, We're gonna do it.

1247
01:05:20,160 --> 01:05:21,600
Speaker 2: I don't care what you say. And then it won

1248
01:05:21,680 --> 01:05:23,720
Speaker 2: Best Album Marth the Grammys. It was never even a

1249
01:05:23,760 --> 01:05:24,680
Speaker 2: category until then.

1250
01:05:26,360 --> 01:05:27,360
Speaker 9: So she's singing, what.

1251
01:05:27,400 --> 01:05:30,080
Speaker 4: A beautiful world, and then she says, and I sang

1252
01:05:30,200 --> 01:05:32,840
Speaker 4: this for this president, and I sang it for Jimmy Cotter,

1253
01:05:32,920 --> 01:05:35,080
Speaker 4: and I sang it for Bill Clinton, and I'm gonna

1254
01:05:35,080 --> 01:05:38,680
Speaker 4: sing it for the next president, Hillary Clinton.

1255
01:05:38,920 --> 01:05:39,120
Speaker 13: Yeah.

1256
01:05:41,680 --> 01:05:41,919
Speaker 6: Yeah.

1257
01:05:43,240 --> 01:05:46,160
Speaker 9: And then I told her. I told her, I was like,

1258
01:05:46,280 --> 01:05:48,560
Speaker 9: you shut up, you went to barber you know what

1259
01:05:48,720 --> 01:05:49,280
Speaker 9: she thinks.

1260
01:05:50,400 --> 01:05:58,520
Speaker 2: And that woman was Lauren Bubbera. Wowow a risk with

1261
01:05:58,600 --> 01:06:00,600
Speaker 2: the Lauren Bobert reference Germany.

1262
01:06:01,640 --> 01:06:05,040
Speaker 5: She was getting fingered and yeah, she was like getting.

1263
01:06:04,800 --> 01:06:08,600
Speaker 1: Felt her tits all felt up. I came to I

1264
01:06:08,640 --> 01:06:10,240
Speaker 1: came to Europe one time and I was like, so

1265
01:06:10,400 --> 01:06:13,520
Speaker 1: do you guys know, like are like joke political figures?

1266
01:06:13,560 --> 01:06:17,400
Speaker 1: And then everyone knew all of our like horrible politicians.

1267
01:06:17,480 --> 01:06:18,440
Speaker 5: They probably know them from you.

1268
01:06:19,120 --> 01:06:20,000
Speaker 2: Yeah, I guess.

1269
01:06:19,880 --> 01:06:25,480
Speaker 3: Maybe give them the platform. We don't get the platform.

1270
01:06:25,520 --> 01:06:26,439
Speaker 3: We just talk about them.

1271
01:06:26,760 --> 01:06:28,760
Speaker 2: Ted Cruz sends it the fruit basket. Hey, thanks for

1272
01:06:28,800 --> 01:06:31,720
Speaker 2: getting my name out there. Oh god, terrible.

1273
01:06:32,200 --> 01:06:35,680
Speaker 13: Wait, I just haven't you ever heard about this Barbara

1274
01:06:36,160 --> 01:06:41,000
Speaker 13: myth where she has so much stuff, the mall, the

1275
01:06:41,120 --> 01:06:43,360
Speaker 13: mall that they like set up her stuff in the

1276
01:06:43,440 --> 01:06:45,360
Speaker 13: mall and she rebuys her own thing.

1277
01:06:46,160 --> 01:06:47,080
Speaker 5: They take her around.

1278
01:06:47,440 --> 01:06:47,920
Speaker 6: You've heard this.

1279
01:06:48,560 --> 01:06:53,880
Speaker 1: It's so there's a mall under her home which is

1280
01:06:54,000 --> 01:06:56,600
Speaker 1: all her ship and all the things that she has

1281
01:06:56,800 --> 01:07:00,560
Speaker 1: like ever sold, created, producer. And also because she just

1282
01:07:00,600 --> 01:07:03,840
Speaker 1: accumulates over time, there is in this state and then

1283
01:07:04,040 --> 01:07:06,360
Speaker 1: under it it's like Disney World. It's like there's another

1284
01:07:06,840 --> 01:07:10,480
Speaker 1: world underneath it. And also the clone dogs are a

1285
01:07:10,560 --> 01:07:12,480
Speaker 1: real thing. And I knew a girl who was the

1286
01:07:12,600 --> 01:07:17,120
Speaker 1: dog's groomersh.

1287
01:07:15,560 --> 01:07:19,320
Speaker 4: So everyready knows she has cloned her dogs because she

1288
01:07:19,480 --> 01:07:21,440
Speaker 4: loved her dogs so much that she'd cloned them. And

1289
01:07:21,560 --> 01:07:25,520
Speaker 4: I just want to recontextualize the mall under Barbara's house, okay,

1290
01:07:26,200 --> 01:07:27,320
Speaker 4: because I do work.

1291
01:07:27,200 --> 01:07:31,600
Speaker 9: For her, which is that it actually started because she.

1292
01:07:31,760 --> 01:07:34,439
Speaker 4: Got a lot of her old costumes. So she had

1293
01:07:34,480 --> 01:07:37,040
Speaker 4: her costumes from like Hello Dolly and like you know

1294
01:07:37,160 --> 01:07:39,800
Speaker 4: What's Up? Doc, and all these great movies that she

1295
01:07:39,840 --> 01:07:42,520
Speaker 4: had been and she wanted to display them. So she

1296
01:07:42,720 --> 01:07:45,800
Speaker 4: was like, why don't I build a Victorian mall? It

1297
01:07:45,880 --> 01:07:48,200
Speaker 4: really is like Disney because it's from that like era.

1298
01:07:48,760 --> 01:07:53,440
Speaker 9: A Victorian mall in my basement to display my costumes.

1299
01:07:53,480 --> 01:07:57,640
Speaker 5: This is interesting to only me, I'm reasoning.

1300
01:07:59,240 --> 01:08:01,200
Speaker 4: And then she was It's like, wow, we can make

1301
01:08:01,280 --> 01:08:03,880
Speaker 4: the movie theater an old timey movie theater and have

1302
01:08:03,960 --> 01:08:06,600
Speaker 4: an old timey candy shop in front of the movie theater.

1303
01:08:06,960 --> 01:08:09,640
Speaker 4: And then I also have all this memoripilia myself.

1304
01:08:09,720 --> 01:08:14,320
Speaker 9: So it's really an extremely innovative and creative way.

1305
01:08:14,800 --> 01:08:18,240
Speaker 4: To display your archive to people who would visit your

1306
01:08:18,280 --> 01:08:22,840
Speaker 4: home and may be interested. Me.

1307
01:08:23,960 --> 01:08:27,280
Speaker 1: You know, one day if she passes if no no,

1308
01:08:28,960 --> 01:08:33,640
Speaker 1: If I say if, that would be horrible, but like

1309
01:08:33,920 --> 01:08:35,400
Speaker 1: they probably should open it up.

1310
01:08:36,320 --> 01:08:39,920
Speaker 4: Well she You know, what's interesting about Barbara is that

1311
01:08:40,040 --> 01:08:42,080
Speaker 4: she is like I think Tina did a similar thing

1312
01:08:42,160 --> 01:08:44,920
Speaker 4: where she's reaching a certain age and so she's very

1313
01:08:45,040 --> 01:08:48,599
Speaker 4: much like curating and really putting the stamp on her legacy.

1314
01:08:48,720 --> 01:08:51,360
Speaker 4: She just had like a center open up that has

1315
01:08:51,400 --> 01:08:53,639
Speaker 4: her name on it. She does tons of philanthropic work

1316
01:08:54,080 --> 01:08:55,840
Speaker 4: and has anybody heard the.

1317
01:08:55,880 --> 01:08:59,439
Speaker 9: Album of Barbara at the Carlisle. You must go by

1318
01:08:59,520 --> 01:09:07,240
Speaker 9: this album. Okay, great line, you must go buy this album.

1319
01:09:07,320 --> 01:09:07,599
Speaker 2: Okay.

1320
01:09:07,760 --> 01:09:11,880
Speaker 4: So when Barbara was truly like eighteen and trying to

1321
01:09:11,920 --> 01:09:14,719
Speaker 4: be a recording artist, she never wanted to be on Broadway.

1322
01:09:14,880 --> 01:09:18,360
Speaker 4: She's only on Broadway so that she become a recording artist.

1323
01:09:19,000 --> 01:09:21,439
Speaker 9: So, yeah, that's the way to do it.

1324
01:09:22,320 --> 01:09:26,720
Speaker 4: So she recorded this album live in the Carlisle, which

1325
01:09:26,800 --> 01:09:29,160
Speaker 4: is a club in New York that still exists today,

1326
01:09:29,439 --> 01:09:32,560
Speaker 4: and it was like a very intimate kind of cabaret recording.

1327
01:09:33,080 --> 01:09:34,919
Speaker 9: People are walking out, it's okay.

1328
01:09:35,160 --> 01:09:35,240
Speaker 2: And.

1329
01:09:37,920 --> 01:09:41,680
Speaker 9: She so it's like her at like nineteen, singing all

1330
01:09:41,760 --> 01:09:44,519
Speaker 9: these standards. And she found it in storage. She thought

1331
01:09:44,560 --> 01:09:45,080
Speaker 9: it was lost.

1332
01:09:45,120 --> 01:09:46,760
Speaker 4: She found it in storage a while ago, and she

1333
01:09:46,920 --> 01:09:50,080
Speaker 4: was like, I'm gonna save this one. I'm gonna save

1334
01:09:50,120 --> 01:09:51,800
Speaker 4: this one for when they really want it. And then

1335
01:09:51,840 --> 01:09:54,280
Speaker 4: she saved it forever and then she like just released

1336
01:09:54,320 --> 01:09:56,559
Speaker 4: it a year ago and it's like a perfect time

1337
01:09:56,560 --> 01:09:58,519
Speaker 4: for I'm gonna stop talking.

1338
01:09:58,840 --> 01:10:01,920
Speaker 2: No, no, that was That was the Barbera segment of

1339
01:10:02,040 --> 01:10:08,560
Speaker 2: this show. Give it up, the lights come up, they're

1340
01:10:08,600 --> 01:10:09,320
Speaker 2: all still here.

1341
01:10:09,680 --> 01:10:14,320
Speaker 9: Look, and that's for Barbara.

1342
01:10:15,360 --> 01:10:28,400
Speaker 2: Barbara the best of all times. She would say, I

1343
01:10:28,520 --> 01:10:29,920
Speaker 2: think it might be time for I don't think I

1344
01:10:30,000 --> 01:10:31,160
Speaker 2: think it's time for I don't think so.

1345
01:10:31,479 --> 01:10:36,200
Speaker 1: So this is the sixty second segment of our show

1346
01:10:36,720 --> 01:10:40,600
Speaker 1: where we take sixty seconds to rail against something in

1347
01:10:40,640 --> 01:10:44,519
Speaker 1: pop culture that needs a railing, not unlike us, say,

1348
01:10:45,560 --> 01:10:47,840
Speaker 1: he goes, hey, I'm so shy.

1349
01:10:48,960 --> 01:10:51,720
Speaker 2: No, and I think I actually have something based on

1350
01:10:51,760 --> 01:10:54,880
Speaker 2: an experience that we had today. Great, so I don't

1351
01:10:54,880 --> 01:10:56,120
Speaker 2: have a phone. Would you like me to time you?

1352
01:10:56,320 --> 01:11:02,000
Speaker 1: Yes, I'll give you mine. Okay, sister, they share poonds

1353
01:11:02,280 --> 01:11:06,040
Speaker 1: with each Sure, okay, great, this is Matt Rogers. I

1354
01:11:06,040 --> 01:11:07,599
Speaker 1: don't think so money. His time starts now.

1355
01:11:07,680 --> 01:11:12,439
Speaker 2: I don't think so many museums. Sorry, bitch.

1356
01:11:12,560 --> 01:11:14,120
Speaker 1: If I go into your step and and there's nothing

1357
01:11:14,160 --> 01:11:16,000
Speaker 1: I can like ride on a roller coaster, or there's

1358
01:11:16,040 --> 01:11:18,360
Speaker 1: no cocktails I can drink, I don't give a fuck.

1359
01:11:18,560 --> 01:11:20,519
Speaker 1: You know what happens when you go into a museum

1360
01:11:20,680 --> 01:11:24,000
Speaker 1: you look at a bunch of fucking tubes. It's like, oh, yes,

1361
01:11:24,080 --> 01:11:25,400
Speaker 1: someone like blue Glass.

1362
01:11:25,680 --> 01:11:25,920
Speaker 2: Great?

1363
01:11:26,479 --> 01:11:30,800
Speaker 1: Honestly, honestly, honestly, what is so good about some of

1364
01:11:30,880 --> 01:11:31,519
Speaker 1: these pictures?

1365
01:11:32,680 --> 01:11:33,879
Speaker 2: Outside of the texture?

1366
01:11:34,360 --> 01:11:37,519
Speaker 1: I got the textures, the ones we saw today, ms

1367
01:11:37,680 --> 01:11:40,799
Speaker 1: Mama that she wrote the ones. I'm telling you, museums

1368
01:11:40,960 --> 01:11:44,160
Speaker 1: you have to be so quiet. You can't walk up

1369
01:11:44,240 --> 01:11:48,920
Speaker 1: to the paintings there. The alarm goes off and then

1370
01:11:48,920 --> 01:11:50,360
Speaker 1: they come over to you and they're like, hey, you

1371
01:11:50,400 --> 01:11:52,240
Speaker 1: can't come close to the painting, and I'm Lifetean said,

1372
01:11:52,240 --> 01:11:54,479
Speaker 1: what the fuck? I wasn't gonna touch it. Oh so

1373
01:11:54,600 --> 01:11:56,320
Speaker 1: if you did have some things you could touch, maybe

1374
01:11:56,360 --> 01:11:58,840
Speaker 1: it will be more fun in here. I would love

1375
01:11:58,920 --> 01:12:00,760
Speaker 1: to for this to be more of a petting zoo,

1376
01:12:01,400 --> 01:12:03,680
Speaker 1: I said every museum. I would love for this to

1377
01:12:03,720 --> 01:12:06,040
Speaker 1: be more of a petting zoo. My no, for Berlin,

1378
01:12:06,920 --> 01:12:17,320
Speaker 1: better petting zoo. And that's one minute, and and you

1379
01:12:17,560 --> 01:12:21,720
Speaker 1: all feel the same. Not one of you actually likes museums.

1380
01:12:22,080 --> 01:12:23,960
Speaker 1: The reason why you go to a museum is because

1381
01:12:24,000 --> 01:12:25,920
Speaker 1: you have your two friends that say they like it.

1382
01:12:26,000 --> 01:12:29,840
Speaker 2: And they're lying too. I'm not lying, I'm not lying.

1383
01:12:29,960 --> 01:12:31,920
Speaker 9: I wept in a museum the other day.

1384
01:12:32,080 --> 01:12:36,120
Speaker 2: She's wept at the climpse exhibit the climp. Yeah, what's

1385
01:12:36,200 --> 01:12:36,679
Speaker 2: the climp?

1386
01:12:36,840 --> 01:12:41,839
Speaker 5: Okay, the climpt made it for climped Yes.

1387
01:12:42,000 --> 01:12:46,480
Speaker 2: Oh, bingo, bingo. You enjoyed the museum, not today's.

1388
01:12:47,640 --> 01:12:51,360
Speaker 3: But I have enjoyed museums a great deal. You agree

1389
01:12:51,560 --> 01:12:53,559
Speaker 3: they'd be better if it was a petting zoo.

1390
01:12:55,120 --> 01:12:56,479
Speaker 2: If yeah, if they were.

1391
01:12:56,439 --> 01:13:00,759
Speaker 3: More like a petting zoo, sure, yes, But I museums

1392
01:13:00,800 --> 01:13:02,519
Speaker 3: are best when your solo, because then you can go

1393
01:13:02,640 --> 01:13:04,720
Speaker 3: at your own pace, and you can read the placards

1394
01:13:04,800 --> 01:13:06,160
Speaker 3: on your own pace, and you can listen to the

1395
01:13:06,240 --> 01:13:07,320
Speaker 3: audio got at your own pace.

1396
01:13:07,360 --> 01:13:08,759
Speaker 2: And that's the way I have to be honest.

1397
01:13:09,000 --> 01:13:11,160
Speaker 1: There was a point in the museum today where I

1398
01:13:11,320 --> 01:13:13,439
Speaker 1: literally went into the next room because I know Bowen

1399
01:13:13,439 --> 01:13:15,360
Speaker 1: and Study were gonna come around the corner and see me.

1400
01:13:15,479 --> 01:13:17,679
Speaker 1: And I literally sat on like a couch and looked

1401
01:13:17,680 --> 01:13:19,760
Speaker 1: at a painting because I thought, I want them to

1402
01:13:19,800 --> 01:13:20,720
Speaker 1: see me doing this.

1403
01:13:23,040 --> 01:13:25,000
Speaker 4: Oh my god, that's so many because I did see

1404
01:13:25,040 --> 01:13:25,600
Speaker 4: you do that, and I.

1405
01:13:25,680 --> 01:13:29,920
Speaker 9: Go, he's moved. He found it.

1406
01:13:30,320 --> 01:13:32,720
Speaker 4: And then I didn't really like the painting you were

1407
01:13:32,760 --> 01:13:35,320
Speaker 4: staring at, but I wanted you to feel like, oh,

1408
01:13:35,479 --> 01:13:36,720
Speaker 4: I'm having the experience.

1409
01:13:36,800 --> 01:13:39,840
Speaker 9: So I said about the painting, I said, it really

1410
01:13:39,960 --> 01:13:42,320
Speaker 9: is beautiful. And then I said the texture.

1411
01:13:44,840 --> 01:13:46,519
Speaker 2: And that's why I just pointed you durhmam.

1412
01:13:46,560 --> 01:13:48,599
Speaker 1: And on this one, I said the texture in that one,

1413
01:13:48,680 --> 01:13:50,360
Speaker 1: because actually it was the only piece of mark that

1414
01:13:50,400 --> 01:13:51,519
Speaker 1: I really looked at all day.

1415
01:13:52,240 --> 01:13:52,519
Speaker 2: Wow.

1416
01:13:52,760 --> 01:13:55,800
Speaker 1: But can I say something when I sat down to

1417
01:13:55,960 --> 01:13:58,160
Speaker 1: do this bit of Bowen and Study are going to

1418
01:13:58,200 --> 01:13:59,840
Speaker 1: answer in the corner and see we're looking at the.

1419
01:13:59,800 --> 01:14:03,519
Speaker 2: Pain I actually was moved by the painting. Wow.

1420
01:14:04,080 --> 01:14:06,840
Speaker 1: So maybe this is a reminder for all of us

1421
01:14:06,880 --> 01:14:10,479
Speaker 1: out there to just stop, take a second, enjoy the view.

1422
01:14:13,120 --> 01:14:13,160
Speaker 4: This.

1423
01:14:14,080 --> 01:14:15,400
Speaker 2: Wait a minute, Wait a minute, Wait a minute.

1424
01:14:15,439 --> 01:14:17,960
Speaker 3: So we did this in London where oh I had

1425
01:14:18,000 --> 01:14:20,360
Speaker 3: a prepared I don't think so, honey, and Matt did not.

1426
01:14:20,520 --> 01:14:24,559
Speaker 3: So Matt took something from the audience. I'm drawing such

1427
01:14:24,600 --> 01:14:25,360
Speaker 3: a blink right now.

1428
01:14:25,400 --> 01:14:28,320
Speaker 1: So we do this thing called the troll bowl, where

1429
01:14:28,640 --> 01:14:31,000
Speaker 1: an old fans of Lost Coach will know. The troll

1430
01:14:31,080 --> 01:14:33,919
Speaker 1: bowl is where you reach into a bowl of topics.

1431
01:14:34,560 --> 01:14:37,519
Speaker 1: Usually they're popular topics that it would be very difficult

1432
01:14:37,560 --> 01:14:38,360
Speaker 1: to go negative on.

1433
01:14:39,080 --> 01:14:41,560
Speaker 2: And Julie Andrews is a great example. I mean, just

1434
01:14:41,720 --> 01:14:45,360
Speaker 2: the other night in London, I did Princess Diana. It's

1435
01:14:45,439 --> 01:14:46,880
Speaker 2: really hard, really hard.

1436
01:14:47,200 --> 01:14:50,360
Speaker 1: So I guess Bowen is gonna do a troll ball.

1437
01:14:50,600 --> 01:14:53,800
Speaker 1: Whatever you guys want, I will try and do. I mean,

1438
01:14:53,840 --> 01:14:56,080
Speaker 1: some suggestions of things that will be difficult to go

1439
01:14:56,240 --> 01:15:06,560
Speaker 1: negative on. Go chapelone, guacamole, guacam only, Jimmy Carter, what

1440
01:15:07,400 --> 01:15:09,280
Speaker 1: what the morning show?

1441
01:15:09,360 --> 01:15:09,640
Speaker 6: These are?

1442
01:15:09,800 --> 01:15:11,439
Speaker 2: These are all very good, These are all very good.

1443
01:15:11,520 --> 01:15:18,959
Speaker 2: These are all very good. Michaels, you should, I guess.

1444
01:15:18,920 --> 01:15:24,120
Speaker 3: Okay, yeah, okay, okay, okay, go oh no, okay, all right,

1445
01:15:24,200 --> 01:15:26,000
Speaker 3: all right, all right, all right, all right, all right.

1446
01:15:26,560 --> 01:15:29,240
Speaker 2: Yeah you'd be careful. Yeah yeah, yeah. Wait, this might

1447
01:15:29,320 --> 01:15:33,400
Speaker 2: not go this podcast. I don't think so honey in

1448
01:15:33,560 --> 01:15:37,799
Speaker 2: Berlin because time starts now. I don't think so honey,

1449
01:15:38,080 --> 01:15:39,679
Speaker 2: Lord my goals.

1450
01:15:43,240 --> 01:15:49,680
Speaker 1: That's one minute. Okay, okay, Sudie Green, do you have

1451
01:15:49,840 --> 01:15:53,920
Speaker 1: I don't think so honey. You want to tear up? Okay, okay, perfect, rise.

1452
01:15:54,840 --> 01:15:58,760
Speaker 1: This is Sudie Green's I don't think so honey, and

1453
01:15:58,840 --> 01:15:59,920
Speaker 1: her time starts now.

1454
01:16:00,520 --> 01:16:03,480
Speaker 9: I don't think so honey. Straight Men in groups.

1455
01:16:06,920 --> 01:16:07,360
Speaker 8: Terrify.

1456
01:16:08,600 --> 01:16:12,439
Speaker 14: Terrifys the shut of lightning that goes from my cerebral

1457
01:16:12,560 --> 01:16:13,919
Speaker 14: cortex to my butthole.

1458
01:16:13,960 --> 01:16:16,880
Speaker 9: When I see a group of straight men on the street,

1459
01:16:17,160 --> 01:16:18,280
Speaker 9: I am crossing the street.

1460
01:16:18,360 --> 01:16:21,120
Speaker 4: If they are drinking, if they are smoking, if they

1461
01:16:21,160 --> 01:16:22,439
Speaker 4: are laughing, I'm.

1462
01:16:22,360 --> 01:16:27,880
Speaker 9: Going the other way. Okay, I'm European men. You're still

1463
01:16:27,920 --> 01:16:32,599
Speaker 9: into skinny jeans and smarting cigarettes. I think that's ultimately queer.

1464
01:16:32,760 --> 01:16:38,559
Speaker 9: But like the whole group thing, it's scary. Okay. When

1465
01:16:38,600 --> 01:16:41,679
Speaker 9: you see that red blossom on your cheek. I'm sorry,

1466
01:16:41,840 --> 01:16:44,680
Speaker 9: it's our vibes. I don't want to see it on

1467
01:16:44,800 --> 01:16:45,760
Speaker 9: my vacations.

1468
01:16:46,080 --> 01:16:47,840
Speaker 2: I don't want to see you having fun.

1469
01:16:47,960 --> 01:16:50,200
Speaker 14: I don't trust it. I don't want to go to

1470
01:16:50,320 --> 01:16:52,760
Speaker 14: any place where there's a lot of you. I don't

1471
01:16:52,800 --> 01:16:54,879
Speaker 14: think so, honey, men's groups.

1472
01:16:55,120 --> 01:16:56,679
Speaker 9: You should be in groups of three.

1473
01:16:56,880 --> 01:16:57,640
Speaker 4: And that is it.

1474
01:17:01,760 --> 01:17:07,280
Speaker 2: Sudy Green, Sudie Green, so scared.

1475
01:17:08,160 --> 01:17:09,679
Speaker 9: It's so scared.

1476
01:17:10,200 --> 01:17:13,200
Speaker 2: Look, and there's a lot of them.

1477
01:17:14,160 --> 01:17:14,960
Speaker 3: I don't know.

1478
01:17:16,479 --> 01:17:20,840
Speaker 2: I mean, that's what the marathon was. Yeah, it was

1479
01:17:20,920 --> 01:17:23,000
Speaker 2: a lot of them, all running in a row. Are

1480
01:17:23,040 --> 01:17:24,599
Speaker 2: there any straight men even here?

1481
01:17:26,000 --> 01:17:30,599
Speaker 3: WHOA, you're spread out but not together?

1482
01:17:30,920 --> 01:17:33,920
Speaker 2: Not together? What straight man is here with their straight

1483
01:17:34,040 --> 01:17:35,840
Speaker 2: male friend? None?

1484
01:17:36,160 --> 01:17:36,439
Speaker 4: None?

1485
01:17:39,280 --> 01:17:40,840
Speaker 2: Thank you, thank you very much.

1486
01:17:42,920 --> 01:17:46,240
Speaker 3: It's very tough to be brought and you all got brought,

1487
01:17:46,360 --> 01:17:48,960
Speaker 3: and I thank you for that, sir apla.

1488
01:17:49,520 --> 01:17:51,800
Speaker 1: No, what straight man here was like, I'm going to

1489
01:17:51,880 --> 01:18:00,919
Speaker 1: lost coach you you incredible, incredible peaches.

1490
01:18:01,040 --> 01:18:02,080
Speaker 2: We talk you backstage.

1491
01:18:02,360 --> 01:18:07,680
Speaker 5: Yeah, I am terrified to do this. No, I am

1492
01:18:07,800 --> 01:18:11,040
Speaker 5: not a comedian, so just laugh for me, okay, or

1493
01:18:11,200 --> 01:18:12,160
Speaker 5: scream it's.

1494
01:18:13,640 --> 01:18:16,800
Speaker 2: So, I don't think so any Your time starts now.

1495
01:18:17,040 --> 01:18:20,800
Speaker 5: I don't think so, honey. Bad acoustics in restaurants, What

1496
01:18:20,920 --> 01:18:21,400
Speaker 5: the fuck?

1497
01:18:21,920 --> 01:18:27,280
Speaker 12: I don't carry I've been, I've been to Michelin Star restaurants.

1498
01:18:27,320 --> 01:18:31,759
Speaker 12: Your presentation, it's a sensory thing, presentation, taste, smell.

1499
01:18:32,160 --> 01:18:34,360
Speaker 5: You can't hear a fucking thing. You can't hear the

1500
01:18:34,400 --> 01:18:36,280
Speaker 5: person beside you. People are screaming.

1501
01:18:36,479 --> 01:18:36,920
Speaker 3: I like that.

1502
01:18:37,080 --> 01:18:38,160
Speaker 6: What am I eating? When am I?

1503
01:18:38,240 --> 01:18:41,040
Speaker 5: I want to harder that they're yelling at each other.

1504
01:18:41,360 --> 01:18:43,599
Speaker 15: My throat hurts. My throat hurts so much I can't

1505
01:18:43,680 --> 01:18:47,640
Speaker 15: swallow properly and then feel or taste anything anymore. It

1506
01:18:47,680 --> 01:18:51,439
Speaker 15: doesn't make any sense. The music is loud, everybody's yelling.

1507
01:18:51,920 --> 01:18:55,920
Speaker 16: Why can't you If you can invest in like land

1508
01:18:56,040 --> 01:19:00,760
Speaker 16: outside of you know, Berlin, to grow your own vegetables

1509
01:19:00,880 --> 01:19:04,040
Speaker 16: and tell us about I want to hear about them,

1510
01:19:04,640 --> 01:19:05,880
Speaker 16: and then you can.

1511
01:19:05,960 --> 01:19:07,759
Speaker 5: Invest in acoustic treatment.

1512
01:19:09,120 --> 01:19:10,960
Speaker 2: And it's not it's not just seconds.

1513
01:19:11,080 --> 01:19:13,200
Speaker 5: It's not just that I'm a musician. We all feel

1514
01:19:13,240 --> 01:19:13,559
Speaker 5: that way.

1515
01:19:18,320 --> 01:19:20,880
Speaker 2: It's not just because I'm listeners and we all feel

1516
01:19:20,960 --> 01:19:23,120
Speaker 2: that way. And then Mike was.

1517
01:19:23,200 --> 01:19:25,360
Speaker 5: Grop We all feel that way.

1518
01:19:25,720 --> 01:19:30,920
Speaker 2: Give it up for Peter, everybody. You have a sad

1519
01:19:33,400 --> 01:19:34,479
Speaker 2: but it's my friend,