WEBVTT - Billy Eichner: The new rom-com king

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<v Speaker 1>Hi everyone, I'm Katie Couric and welcome to next question.

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<v Speaker 1>That's right, I'm back with a whole new season, and

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<v Speaker 1>there is truly no one better or more fun to

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<v Speaker 1>start with than Billy Eichner. Everyone's like, are you having fun?

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<v Speaker 1>Having funny? I'm trying. Billy is probably best known for

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<v Speaker 1>creating and hosting the hilarious, random, and sometimes aggressively a

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<v Speaker 1>cerbic show Billy on the Street. It's a Name a Woman,

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<v Speaker 1>Name a woman? Yeah, um, who name a woman? If

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<v Speaker 1>you haven't seen it, it was a cult hit from

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<v Speaker 1>back in the twenty tents, where Billy quizzes unsuspecting strangers

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<v Speaker 1>and sometimes his famous friends around New York City a woman.

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<v Speaker 1>Billy has also appeared in a slew of comedies on

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<v Speaker 1>the small and big screen, including most recently the mere

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<v Speaker 1>cat character Timne in Disney's remake of The Lion King.

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<v Speaker 1>I've got it. What if he's on our side? Hear

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<v Speaker 1>me out, Having a ferocious line around might not be

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<v Speaker 1>such a bad idea. Well, then can we keep him? Yes,

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<v Speaker 1>of course we can keep it. God who is the

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<v Speaker 1>brains of this operation? And now Billy has written and

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<v Speaker 1>stars in the first gay romcomp from a major movie studio.

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<v Speaker 1>This historic boy meets boys story is called Bros. And

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<v Speaker 1>Billy plays the professionally driven but emotionally unavailable Bobby. I

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<v Speaker 1>don't think that his type, because I know he told

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<v Speaker 1>me he likes country music and his favorite singer is

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<v Speaker 1>Garth Brooks. What kind of gamemance is his favorite singer

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<v Speaker 1>is Garth Brooks? That scares me. Plus I see the

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<v Speaker 1>guys he likes, they'll look exactly like him. They're all

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<v Speaker 1>these like big, hot, straight acting dudes. It's just not me.

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<v Speaker 1>Was the top or bottom? What does that have to

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<v Speaker 1>do with anything? Maybe you're both bottoms and that's a problem.

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<v Speaker 1>I'm not always the bottom, Edgar, Oh my god, sex

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<v Speaker 1>was more fun when straight people were uncomfortable with it. Well,

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<v Speaker 1>I am super proud of you, Billy. It is a

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<v Speaker 1>big deal. I know you're feeling the pressure of it too.

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<v Speaker 1>But you know, there have been storylines about gay couples

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<v Speaker 1>and gay dating before I'm thinking about looking right was

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<v Speaker 1>on HBO, and even more in the mainstream. You have

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<v Speaker 1>Modern Family, and there's a whole panoply of shows that

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<v Speaker 1>is kind of that have tackled this. But this is

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<v Speaker 1>a really big deal. This movie, and I want you

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<v Speaker 1>to explain why it is and why it's different than

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<v Speaker 1>the things that have been done before. Well, all of

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<v Speaker 1>those things are All of those shows you mentioned are classics,

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<v Speaker 1>and there are many others too, And there's there's also

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<v Speaker 1>a whole I mean, decades of indie films, UM that

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<v Speaker 1>I grew up watching because that was often the only

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<v Speaker 1>places you would find gay love stories and and really

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<v Speaker 1>the only places you would find gay love stories written

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<v Speaker 1>and directed by other LGBTQ people. UM. And I went

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<v Speaker 1>to see all those movies and movie theaters, and I

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<v Speaker 1>was lucky. I grew up in New York, so I

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<v Speaker 1>had access to them, UM And and Bros. Would not

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<v Speaker 1>be here without all of those happening for for decades.

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<v Speaker 1>You know. That's where like the ground was laid, you know,

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<v Speaker 1>to to lead up to something UM like Bros. Where

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<v Speaker 1>you have a major studio and Universal, you know, the

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<v Speaker 1>same studio that makes these huge franchise films like Jurassic

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<v Speaker 1>Park and Fast and The Theories and Minions and all

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<v Speaker 1>these global phenomenons who are putting their support UM behind

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<v Speaker 1>an R rated romantic comedy about a gay mail couple. Right,

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<v Speaker 1>and not only that, but the entire cast of the movie,

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<v Speaker 1>save for a couple of quick celebrity cameos, everyone is

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<v Speaker 1>an openly l g B t Q actor or actress,

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<v Speaker 1>even in the straight roles, which you really never see.

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<v Speaker 1>Um And I also think that although there are many

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<v Speaker 1>many wonderful l g B t Q centric films and

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<v Speaker 1>TV shows obviously that we've all been watching on streaming

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<v Speaker 1>services for for years, for me, you know, there is

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<v Speaker 1>something that is special about going to the movie theater.

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<v Speaker 1>Um And, I think people have forgotten how much fun

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<v Speaker 1>it is and how magical it is, and how uplifting

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<v Speaker 1>it is to go watch a great romantic comedy in

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<v Speaker 1>a movie theater and straight or gay. We just don't

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<v Speaker 1>get many movies like that anymore. And I grew up

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<v Speaker 1>in the eighties nineties, we had so many great romantic

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<v Speaker 1>comedies and I loved them so much. And those were

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<v Speaker 1>movies that made me fall in love with movies. They

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<v Speaker 1>made me want to be in Hollywood, you know. I

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<v Speaker 1>I Pretty Woman and Moonstruck and When Harry Met Sally

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<v Speaker 1>and Annie Hall and Working Girl and Broadcast News and

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<v Speaker 1>all Nora Ephron movies. I mean, I went to see

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<v Speaker 1>all of them with my parents. I can tell you

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<v Speaker 1>exactly what movie theater I was in for many of them.

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<v Speaker 1>I still remember, you know. And I also went to

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<v Speaker 1>see action movies and superhero movies and all that stuff too,

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<v Speaker 1>I was a kid. But those are the movies that

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<v Speaker 1>really stay with many of us for years, and we

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<v Speaker 1>don't get many of them anymore. We've never gotten many

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<v Speaker 1>of them about a gay couple. And so you know,

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<v Speaker 1>these are the reasons why Bros. Is special, and you know,

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<v Speaker 1>more than your average comedy. You know, it is it

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<v Speaker 1>is an event. It's we haven't gotten something like this.

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<v Speaker 1>And and also on top of it, the main thing

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<v Speaker 1>is that I hope I think it's really funny. You know,

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<v Speaker 1>we we Nick Stoler and Jadapa Tow and I. We

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<v Speaker 1>never sat down and said, let's make a history movie

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<v Speaker 1>or you know, right right break some barriers here. No,

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<v Speaker 1>we didn't even know we were doing that. We didn't

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<v Speaker 1>know who would buy the movie or sell the movie

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<v Speaker 1>or distribute the movie, you know, at the beginning of

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<v Speaker 1>the process, and we just said, let's make a hilarious movie.

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<v Speaker 1>Judd and Nick have a long history of making some

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<v Speaker 1>of the funniest movies of the past twenty Years Bridesmaids

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<v Speaker 1>and four year Old Virgin and Knocked Up and Forgetting

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<v Speaker 1>Sarah Marshall and all these amazing movies that we all love.

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<v Speaker 1>But this one happens to be like that, but about

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<v Speaker 1>a gate couple and with lgbt Q actors, and that's

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<v Speaker 1>really exciting. And so there's a lot about it that

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<v Speaker 1>I think is going to feel new to people while

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<v Speaker 1>also giving them that classic rom com experience that we

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<v Speaker 1>all love. There's so much I want to cover with you, Billy,

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<v Speaker 1>and one of those is why aren't there more rom coms?

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<v Speaker 1>I mean, I know that the movie industry is really

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<v Speaker 1>obsessed with these global blockbusters that can be trained flayed

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<v Speaker 1>it into a lot of languages. My nephews a director,

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<v Speaker 1>and he explained to me a few years ago that's

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<v Speaker 1>why action films are so desirable, because you don't have

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<v Speaker 1>a lot of dialogue and you don't have to translate it,

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<v Speaker 1>and it's not like it's not like, you know, culturally,

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<v Speaker 1>you have to really help people understand sort of the

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<v Speaker 1>nuances of relationships, etcetera. Is that why we just don't

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<v Speaker 1>see that many romcoms now being produced by these big

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<v Speaker 1>movie studios. I think there's probably a few different reasons

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<v Speaker 1>for it. Judd Apataw recently put it best when he said,

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<v Speaker 1>years ago, you had romantic comedies that were big hits,

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<v Speaker 1>you know, including many of his movies, and they would

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<v Speaker 1>make a profit. They would make money when they worked. However,

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<v Speaker 1>somewhere along the way, studios realized on a big franchise film,

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<v Speaker 1>they wouldn't just make a profit. They wouldn't just make

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<v Speaker 1>a hundred million dollars. They could make a billion dollars.

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<v Speaker 1>And then they could make another billion on the sequel,

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<v Speaker 1>and and even more, and the toys into this and that,

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<v Speaker 1>and merchandise, and and like you say, those movies play

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<v Speaker 1>well internationally, like that material is a you know, translates

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<v Speaker 1>more easily maybe, whereas you know, a romantic comedy might

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<v Speaker 1>be culturally specific as as they say. But but I

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<v Speaker 1>maintain that there's nothing wrong with superhero movies. I love

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<v Speaker 1>those two, nothing wrong with big franchise movies, and they're

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<v Speaker 1>keeping the movie going business alive, so we have to

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<v Speaker 1>give them credit for that. However, people have forgotten how

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<v Speaker 1>much fun it is to go to a movie theater

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<v Speaker 1>with your friends or on a date, or even by yourself,

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<v Speaker 1>and just laugh out loud for two hours. And we

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<v Speaker 1>live in such a bleak world. It's such a cynical world.

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<v Speaker 1>And look, I'm a New Yorker, I'm an atom New Yorker.

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<v Speaker 1>I'm cynical. But we need movies that make us laugh

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<v Speaker 1>and then make us feel good. You know, Bros. Is

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<v Speaker 1>laugh out loud, funny, and it's really hopeful and it's uplifting.

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<v Speaker 1>It is on It's not like everything so hunky dorry.

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<v Speaker 1>You know, we wanted it to be real, but it

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<v Speaker 1>really leaves you feeling good. It's an emotional experience. And again,

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<v Speaker 1>to see it in a movie theater, there's a unique

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<v Speaker 1>sort of power to that because you really escaped the world.

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<v Speaker 1>It's a communal experience. You get swept away, it's all.

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<v Speaker 1>You're not watching it on two screens, you're not distracted.

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<v Speaker 1>There's that communal aspect that is so fun. When you're

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<v Speaker 1>watching something and with people with complete strangers, you have

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<v Speaker 1>this sense of community and and oneness that is so

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<v Speaker 1>missing in our culture. So I agree with you. I mean,

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<v Speaker 1>I haven't gone too many movie theaters since COVID Billy

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<v Speaker 1>and I miss it. Yeah, And I'm telling you, and

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<v Speaker 1>this is just the truth and it's weird to say

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<v Speaker 1>about my own movie, but you know, we've had a

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<v Speaker 1>ton of test screenings of Bros. Because that's part of

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<v Speaker 1>the process when you're making a major studio film. And

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<v Speaker 1>those test screenings happen in real movie theaters, big multiplexes

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<v Speaker 1>all over the country in New York, l A, Chicago,

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<v Speaker 1>and I went to all of them because I wanted

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<v Speaker 1>to see what the reaction was, and especially for the

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<v Speaker 1>first few, because I hadn't gone back to the movies

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<v Speaker 1>a lot at that point. This was earlier this year.

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<v Speaker 1>I even for me, I had forgotten how much fun

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<v Speaker 1>it is, you know, to to see a movie like

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<v Speaker 1>this and laugh with other people. You know, we're so

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<v Speaker 1>used to watching things alone in our house, and there's

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<v Speaker 1>a lot of great things to watch alone in your house,

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<v Speaker 1>but it is it's not the same experience. One doesn't

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<v Speaker 1>negate the other. But this, it is a magical thing

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<v Speaker 1>to go and sit in the dark and be swept

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<v Speaker 1>away by a movie like this and people leave and

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<v Speaker 1>they just feel good. You know, It's it's just it's

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<v Speaker 1>a different type of experience. It's it's unique, and you know,

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<v Speaker 1>it's why people go to the theater even you know,

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<v Speaker 1>it's there's something bigger than life about it and what

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<v Speaker 1>And this is gonna sound a little cheesy, but it

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<v Speaker 1>really has been my experience watching Bros. When you're watching

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<v Speaker 1>a movie at home and even on the biggest flat

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<v Speaker 1>screen TV, you kind of lose that childlike sense of

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<v Speaker 1>wonder that you have when you can get lost in

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<v Speaker 1>the movies in the movie theater, you know, and stare

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<v Speaker 1>up at the big screen. And that's the experience that

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<v Speaker 1>we really wanted to give people in addition to making

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<v Speaker 1>them laugh a lot. And I have to believe that

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<v Speaker 1>people still want that experience. You know, Before we get

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<v Speaker 1>too far into Billy's current successes, I couldn't help but

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<v Speaker 1>dig into his past more with Billy Eichner right after this,

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<v Speaker 1>I have to tell you, I know your parents are

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<v Speaker 1>no longer with us, but even reading about you, Billy,

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<v Speaker 1>I fell in love with your mom and dad, because

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<v Speaker 1>it sounds as if you grew up in such a

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<v Speaker 1>happy household. It sounds as if your parents were so

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<v Speaker 1>much fun. They took you to all these movies. They

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<v Speaker 1>took you to see Barbra streisand they took you to Broadway.

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<v Speaker 1>I guess somebody gave them a hard time about your

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<v Speaker 1>dad about taking you to a Madonna concert. And somebody

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<v Speaker 1>basically he said, it just very matter of factly, she's

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<v Speaker 1>a she's a great performer. Right. And and this was

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<v Speaker 1>in Forest Hills, New York. You were you were born

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<v Speaker 1>in ninety eight, And they sound as if they were

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<v Speaker 1>just completely and utterly supportive of you in every way. Um.

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<v Speaker 1>And and it made me wonder did they know sort

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<v Speaker 1>of immediately or did they get the sense that because

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<v Speaker 1>everything I've read about you, Billy, there hasn't been like

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<v Speaker 1>a moment where you said mom and dad, I'm gay

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<v Speaker 1>or anything like that. Was that just something that they

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<v Speaker 1>sensed and accepted from the get go, or how did

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<v Speaker 1>that enter the whole sort of dynamic of your family. Well,

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<v Speaker 1>I did have to come out to them as everyone,

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<v Speaker 1>you know, as as you usually do, even though I

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<v Speaker 1>I had a feeling he knew I was gay from

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<v Speaker 1>a young age. Um, but you still have to come out,

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<v Speaker 1>you know. I mean, I guess you don't have to,

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<v Speaker 1>But well, you know, I didn't know. They seemed so cool.

0:13:09.880 --> 0:13:12.760
<v Speaker 1>They might have even said, hey, are you know, Billy,

0:13:12.880 --> 0:13:15.679
<v Speaker 1>we we have this you know idea that you might

0:13:15.720 --> 0:13:17.520
<v Speaker 1>be gay and that's cool with us, do you know

0:13:17.559 --> 0:13:20.360
<v Speaker 1>what I mean. It's funny that you say that, Katie,

0:13:20.440 --> 0:13:23.959
<v Speaker 1>because the way I came out to my parents, it

0:13:24.120 --> 0:13:26.760
<v Speaker 1>was they were so supportive, and look, it was I

0:13:26.840 --> 0:13:29.920
<v Speaker 1>had a very happy childhood. Of course, they were human

0:13:29.960 --> 0:13:32.520
<v Speaker 1>beings and they were flawed, and it wasn't perfect by

0:13:32.559 --> 0:13:37.000
<v Speaker 1>any means, but um, when it came to me, they

0:13:37.160 --> 0:13:43.040
<v Speaker 1>really loved me so unconditionally and especially knowing. And this

0:13:43.120 --> 0:13:45.559
<v Speaker 1>is back in the eighties. It wasn't necessarily the norm

0:13:45.640 --> 0:13:48.760
<v Speaker 1>for the parents of a child who seemed like he

0:13:48.840 --> 0:13:51.960
<v Speaker 1>was most likely a gay kid to just have that

0:13:52.080 --> 0:13:56.560
<v Speaker 1>unconditional love without hesitation, you know. I mean, I don't

0:13:56.559 --> 0:13:59.720
<v Speaker 1>think people remember how different it was back then. You know,

0:13:59.760 --> 0:14:03.520
<v Speaker 1>it's almost shocking when you think about it. But you know,

0:14:03.640 --> 0:14:06.720
<v Speaker 1>certainly for me growing up Billy, and then even for

0:14:06.800 --> 0:14:09.560
<v Speaker 1>you in the eighties and nineties, it was a very

0:14:09.679 --> 0:14:12.920
<v Speaker 1>different culture. It was. And I remember I was a

0:14:13.000 --> 0:14:16.240
<v Speaker 1>child in New York at the height of the AIDS epidemic,

0:14:16.880 --> 0:14:19.440
<v Speaker 1>so which as a child, of course, I only could

0:14:19.480 --> 0:14:22.880
<v Speaker 1>understand to a certain degree. And this was long before

0:14:22.920 --> 0:14:25.520
<v Speaker 1>I was saying I was gay. But my parents certainly

0:14:25.640 --> 0:14:30.040
<v Speaker 1>understood it, um, And you know, I'm sure they had

0:14:30.120 --> 0:14:33.840
<v Speaker 1>fears around that in terms of my gainness at that time,

0:14:34.240 --> 0:14:38.480
<v Speaker 1>but even so, they they never put a stigma on it,

0:14:38.800 --> 0:14:41.200
<v Speaker 1>you know. Um, of course they wanted me to be happy,

0:14:41.240 --> 0:14:43.640
<v Speaker 1>and they were worried for any number of reasons, you know,

0:14:43.680 --> 0:14:48.040
<v Speaker 1>about my well being. But um, they were so great,

0:14:48.600 --> 0:14:52.880
<v Speaker 1>and I really think that they're the reason why a

0:14:52.920 --> 0:14:57.120
<v Speaker 1>movie like Rose can happen for me personally, and why

0:14:57.160 --> 0:14:59.880
<v Speaker 1>maybe not specifically this movie, but there why I was

0:15:00.040 --> 0:15:02.800
<v Speaker 1>able to stick with it for so long, you know,

0:15:02.960 --> 0:15:06.360
<v Speaker 1>especially in the lean years. You know. My mom died

0:15:06.400 --> 0:15:09.040
<v Speaker 1>when I was twenty, about six months after I came

0:15:09.040 --> 0:15:12.960
<v Speaker 1>out to her. Um, she was just fifty four and

0:15:13.520 --> 0:15:16.800
<v Speaker 1>she had a heart attack. And that was so young.

0:15:17.520 --> 0:15:19.920
<v Speaker 1>I was. I was, I was really young. And getting

0:15:19.920 --> 0:15:23.320
<v Speaker 1>back to your story though about coming out, which happened

0:15:23.360 --> 0:15:26.160
<v Speaker 1>for me, Like I said, I think it was, yeah,

0:15:26.200 --> 0:15:30.520
<v Speaker 1>about six months before she died, Um, she they came

0:15:30.520 --> 0:15:34.520
<v Speaker 1>out to I went to Northwestern. I was a theater major, UM,

0:15:34.680 --> 0:15:38.120
<v Speaker 1>and I did a lot of musicals and they came

0:15:38.160 --> 0:15:40.600
<v Speaker 1>to see me. I was playing Mr Mushnik in a

0:15:40.600 --> 0:15:43.000
<v Speaker 1>Little Shop of Horrors, which is not even the lead

0:15:43.080 --> 0:15:45.080
<v Speaker 1>and they still flew from New York to see me

0:15:45.160 --> 0:15:49.760
<v Speaker 1>in it. Um. And we went to dinner the next

0:15:49.840 --> 0:15:55.119
<v Speaker 1>night in Evanston, Illinois, where Northwestern is, and out of nowhere,

0:15:55.520 --> 0:15:58.440
<v Speaker 1>my mom, out of nowhere said, so are you dating

0:15:58.440 --> 0:16:03.760
<v Speaker 1>anyone boy? Girl? Whatever? And that was and I said,

0:16:04.080 --> 0:16:08.040
<v Speaker 1>I remember looking down being like, oh god, here we go.

0:16:08.280 --> 0:16:11.120
<v Speaker 1>Here we go at the Davis Street Fish Market, which

0:16:11.120 --> 0:16:16.320
<v Speaker 1>is the restaurant we reading and um, and I said, no, Mom,

0:16:16.400 --> 0:16:20.360
<v Speaker 1>I'm on dating anyone. And then we were going home

0:16:20.760 --> 0:16:23.280
<v Speaker 1>from that dinner and I my dad was driving me

0:16:23.320 --> 0:16:26.120
<v Speaker 1>back to my apartment and I said, okay, pull over,

0:16:27.160 --> 0:16:29.600
<v Speaker 1>and I see he did, and I said, as it

0:16:29.640 --> 0:16:36.240
<v Speaker 1>turns out I'm gay and um, and they say, knocked

0:16:36.240 --> 0:16:39.200
<v Speaker 1>me over with a feather. No, you know, they said,

0:16:39.520 --> 0:16:41.640
<v Speaker 1>it was an emotional moment even when you all know,

0:16:41.840 --> 0:16:44.840
<v Speaker 1>it's still like there's such a weight being lifted off

0:16:44.840 --> 0:16:48.840
<v Speaker 1>of my shoulders that has probably been carried around for years,

0:16:49.040 --> 0:16:51.520
<v Speaker 1>you know. And at one point I did say to them,

0:16:51.560 --> 0:16:55.360
<v Speaker 1>I was like, guys, like you know you knew right,

0:16:55.920 --> 0:16:57.600
<v Speaker 1>you know. I was like, you took me to Barber

0:16:57.600 --> 0:17:00.520
<v Speaker 1>Streisang concerts and you need a bet mid a radio

0:17:00.560 --> 0:17:03.240
<v Speaker 1>city music all and it took me to every Madonna

0:17:03.360 --> 0:17:08.439
<v Speaker 1>concert and my father, classic Jaikener said, we discussed the possibility.

0:17:09.119 --> 0:17:13.760
<v Speaker 1>Um um. But they were great. And then he I

0:17:13.800 --> 0:17:16.480
<v Speaker 1>do have a half brother who I didn't really grow

0:17:16.560 --> 0:17:19.720
<v Speaker 1>up with, but my dad's first child from his first marriage,

0:17:19.800 --> 0:17:21.680
<v Speaker 1>and and you know, we are in each other's lives,

0:17:21.720 --> 0:17:23.239
<v Speaker 1>but he was older than me, so we didn't grow

0:17:23.320 --> 0:17:26.119
<v Speaker 1>up together. And my dad's next question was, is your

0:17:26.160 --> 0:17:30.200
<v Speaker 1>brother gay? And I said, no, he's not gay at all.

0:17:30.560 --> 0:17:32.600
<v Speaker 1>But my brother had It was the late nineties, and

0:17:32.640 --> 0:17:34.720
<v Speaker 1>he was he was a photographer and he had dyed

0:17:34.760 --> 0:17:38.080
<v Speaker 1>his hair peroxye blonde just to be like hip, you know,

0:17:38.400 --> 0:17:40.240
<v Speaker 1>and my dad and my dad said, as your brother

0:17:40.320 --> 0:17:42.520
<v Speaker 1>gay And I said, no, Dad, Steve is not gay.

0:17:42.560 --> 0:17:44.760
<v Speaker 1>And he said he died as hip blonde. And I

0:17:44.800 --> 0:17:47.919
<v Speaker 1>was like, yeah, that's not that's not a reason he

0:17:48.200 --> 0:17:51.440
<v Speaker 1>might be gay. Um. And and they were and then

0:17:51.480 --> 0:17:54.600
<v Speaker 1>from then on they were great and um and then yeah,

0:17:54.640 --> 0:17:58.480
<v Speaker 1>my mom died six months after that, and but my dad.

0:17:58.600 --> 0:18:01.359
<v Speaker 1>I did have an older dad's so he died about

0:18:01.359 --> 0:18:03.520
<v Speaker 1>ten years ago, but he was eighty already. He had

0:18:03.600 --> 0:18:06.800
<v Speaker 1>me later in life. He was older than my mom. Um,

0:18:06.840 --> 0:18:09.320
<v Speaker 1>but even my dad, you know, because I was in

0:18:09.359 --> 0:18:12.040
<v Speaker 1>my early thirties at that point, and I kept having

0:18:12.080 --> 0:18:15.600
<v Speaker 1>brushes with success, like I kept you know, I would

0:18:15.600 --> 0:18:17.639
<v Speaker 1>get a pilot, but I wouldn't get picked up, or

0:18:18.320 --> 0:18:20.439
<v Speaker 1>you know, it was I was getting close but no cigar,

0:18:20.560 --> 0:18:22.800
<v Speaker 1>and everyone was telling me, I'm so talented and this

0:18:22.920 --> 0:18:25.439
<v Speaker 1>and that, and it's going to happen. But you know,

0:18:25.640 --> 0:18:28.040
<v Speaker 1>it's it's cute in your twenties, and in your thirties

0:18:28.080 --> 0:18:31.360
<v Speaker 1>you start to worry, right, And my dad did start

0:18:31.400 --> 0:18:35.520
<v Speaker 1>to worry more too. But even when he was worried,

0:18:35.680 --> 0:18:38.640
<v Speaker 1>he always he always, at the end of the day said,

0:18:38.680 --> 0:18:41.359
<v Speaker 1>you have to keep going, you have to stick with it.

0:18:41.520 --> 0:18:44.480
<v Speaker 1>He just really believed in me. And it must be

0:18:44.960 --> 0:18:48.639
<v Speaker 1>pretty bitter sweet too. You know, here you've got this

0:18:48.960 --> 0:18:54.480
<v Speaker 1>major movie release happening, and um, you know, you must

0:18:54.480 --> 0:18:57.040
<v Speaker 1>wish that they could be here to celebrate with you.

0:18:57.600 --> 0:19:00.000
<v Speaker 1>I wish they were here. I'd love to meet them

0:19:01.160 --> 0:19:04.120
<v Speaker 1>they were, Yes, of course I do. Yeah, I mean,

0:19:04.200 --> 0:19:08.000
<v Speaker 1>I just you know it it's comforting to know, though,

0:19:08.040 --> 0:19:12.240
<v Speaker 1>I mean, you can dwell on the sad part of it, um,

0:19:12.280 --> 0:19:15.719
<v Speaker 1>but but honestly, whenever I think about them, I you know,

0:19:15.840 --> 0:19:17.520
<v Speaker 1>not that I'm not sad, because of course I am,

0:19:17.520 --> 0:19:19.280
<v Speaker 1>and I wish they were here to to see all

0:19:19.280 --> 0:19:23.399
<v Speaker 1>of this, but I'm just feel so lucky, you know,

0:19:23.560 --> 0:19:25.879
<v Speaker 1>like as as an adult, I have even more of

0:19:25.880 --> 0:19:27.920
<v Speaker 1>an a you know, I was like a kid, and

0:19:28.000 --> 0:19:30.439
<v Speaker 1>you know, didn't always appreciate it all and I was

0:19:30.480 --> 0:19:32.640
<v Speaker 1>just like moms their away from me and all that,

0:19:32.760 --> 0:19:35.960
<v Speaker 1>you know, as a teenager and all that. But looking back,

0:19:36.119 --> 0:19:39.640
<v Speaker 1>like I always think, God, I'm so lucky, and and

0:19:39.680 --> 0:19:44.119
<v Speaker 1>the reason for all of my success, fundamentally it is

0:19:44.160 --> 0:19:48.240
<v Speaker 1>how supportive they were, um and how much they encouraged me.

0:19:48.480 --> 0:19:50.760
<v Speaker 1>And that's really the reason I was. I was able

0:19:50.800 --> 0:19:53.479
<v Speaker 1>to hold on for so long and get to this moment.

0:19:54.000 --> 0:19:57.879
<v Speaker 1>I wanted to ask you about your early career because,

0:19:57.960 --> 0:20:01.280
<v Speaker 1>as you said, it took you a to get your mojo,

0:20:01.320 --> 0:20:04.640
<v Speaker 1>and you weren't really bullied. I know that you've said

0:20:04.680 --> 0:20:07.320
<v Speaker 1>it's because you were tall and kind of an imposing guy,

0:20:07.520 --> 0:20:10.679
<v Speaker 1>and you know, you didn't face a lot of a

0:20:10.760 --> 0:20:13.679
<v Speaker 1>lot of I don't think it sounds like it people

0:20:13.720 --> 0:20:16.919
<v Speaker 1>being mean. Yes, there was the occasional comment here and there,

0:20:16.960 --> 0:20:20.680
<v Speaker 1>but but as you started to go into show business

0:20:20.800 --> 0:20:24.360
<v Speaker 1>and after you graduated from Northwestern you found there were

0:20:24.480 --> 0:20:29.399
<v Speaker 1>some pretty significant obstacles for a young gay man trying

0:20:29.400 --> 0:20:32.960
<v Speaker 1>to make it in the entertainment business. What what were

0:20:33.040 --> 0:20:38.199
<v Speaker 1>those exactly, Billy, Yeah, it's interesting. Um, Again, I was

0:20:38.280 --> 0:20:40.680
<v Speaker 1>lucky as a kid. There were comments, and there were

0:20:40.680 --> 0:20:44.040
<v Speaker 1>bullies and things, but it never got too extreme, and

0:20:44.080 --> 0:20:47.000
<v Speaker 1>for some reason I was always able to shake it off. Again,

0:20:47.080 --> 0:20:48.679
<v Speaker 1>probably had a lot to do with my parents, I

0:20:48.720 --> 0:20:50.840
<v Speaker 1>was going to say, yeah, and also the culture I

0:20:50.880 --> 0:20:52.720
<v Speaker 1>was exposed to at the time, and the fact that

0:20:52.760 --> 0:20:55.159
<v Speaker 1>I grew up in New York City. So even though

0:20:55.840 --> 0:20:59.680
<v Speaker 1>forest Tails not exactly excuse me, Queens is a borrow

0:21:00.040 --> 0:21:03.199
<v Speaker 1>New York City, all right, Um, but my but my

0:21:03.320 --> 0:21:06.119
<v Speaker 1>parents would take me into the city as we called

0:21:06.160 --> 0:21:09.440
<v Speaker 1>it all the time, and we would go into Manhattan

0:21:09.440 --> 0:21:12.359
<v Speaker 1>and and you know, I think that that exposed me

0:21:12.440 --> 0:21:15.040
<v Speaker 1>to so much that I could shake off, you know,

0:21:15.119 --> 0:21:18.920
<v Speaker 1>the bully at my local school, because I knew there

0:21:18.960 --> 0:21:23.440
<v Speaker 1>was a much bigger world out there for me. Um. However,

0:21:24.160 --> 0:21:27.040
<v Speaker 1>interestingly enough, it's when I got into that bigger world,

0:21:27.720 --> 0:21:31.200
<v Speaker 1>specifically Hollywood and the entertainment industry in my twenties, as

0:21:31.280 --> 0:21:35.400
<v Speaker 1>I started to develop a fan base and TV execs

0:21:35.440 --> 0:21:37.920
<v Speaker 1>were coming to see my live comedy show in New York,

0:21:38.080 --> 0:21:40.479
<v Speaker 1>and that's where the Billy on the Street videos started

0:21:40.480 --> 0:21:42.920
<v Speaker 1>as part of that show, and and I was getting

0:21:42.920 --> 0:21:45.840
<v Speaker 1>a lot of attention. But that's also the place where

0:21:45.880 --> 0:21:51.280
<v Speaker 1>I really experienced homophobia for the first time in my life.

0:21:51.320 --> 0:21:54.480
<v Speaker 1>It was professionally, you know, it wasn't physical, you know,

0:21:54.520 --> 0:21:59.199
<v Speaker 1>one was beating me up physically, But there were the

0:21:59.320 --> 0:22:02.960
<v Speaker 1>things that people said, overt things, more subtle things. There

0:22:03.040 --> 0:22:05.679
<v Speaker 1>was a TV executive when we first sold Billy on

0:22:05.720 --> 0:22:08.080
<v Speaker 1>the Street at the first cable network it was on,

0:22:08.119 --> 0:22:11.080
<v Speaker 1>which was a very obscure network. But um, I wrote

0:22:11.080 --> 0:22:13.600
<v Speaker 1>this silly little Billy on the Street jingle for it,

0:22:13.680 --> 0:22:16.159
<v Speaker 1>and to this day, like the fans sing the song

0:22:16.359 --> 0:22:23.320
<v Speaker 1>and it's like, you know, it's a silly little thing,

0:22:26.800 --> 0:22:29.440
<v Speaker 1>but it started with a whistle that I guess kind

0:22:29.440 --> 0:22:33.080
<v Speaker 1>of sounded a little disco ee. And the executive said

0:22:33.080 --> 0:22:35.480
<v Speaker 1>to me, you know that can't be your theme song.

0:22:35.600 --> 0:22:40.320
<v Speaker 1>This isn't logo and logo being the gay network, and

0:22:40.320 --> 0:22:42.320
<v Speaker 1>and and but I mean little things like that. It

0:22:42.400 --> 0:22:44.520
<v Speaker 1>was just so annoying to have to fight those battles.

0:22:44.560 --> 0:22:47.520
<v Speaker 1>But then bigger things where I had a manager in

0:22:47.600 --> 0:22:52.040
<v Speaker 1>two thousand six, very successful manager, UM, a straight woman

0:22:52.119 --> 0:22:55.840
<v Speaker 1>in New York City who had a lot of Broadway clients,

0:22:55.880 --> 0:22:58.919
<v Speaker 1>you know, a very which is obviously as a you know,

0:22:59.000 --> 0:23:01.480
<v Speaker 1>as a ton of LGBT p Q folks in that community.

0:23:01.520 --> 0:23:04.760
<v Speaker 1>And and she said to me, and I'm she considered

0:23:04.760 --> 0:23:07.200
<v Speaker 1>herself a very gay friendly person and an ally and

0:23:07.240 --> 0:23:10.040
<v Speaker 1>an advocate, but she wanted me to be able to

0:23:10.080 --> 0:23:12.480
<v Speaker 1>really break through in a mainstream way. And she said

0:23:12.520 --> 0:23:14.320
<v Speaker 1>to me, can you make your show a little less

0:23:14.359 --> 0:23:17.960
<v Speaker 1>gay this month, because I'm bringing agents from William Morris,

0:23:18.000 --> 0:23:20.960
<v Speaker 1>you know. And I had there was an executive at

0:23:21.040 --> 0:23:24.720
<v Speaker 1>Comedy Central back then. Back then there were two huge

0:23:24.760 --> 0:23:27.359
<v Speaker 1>platforms to try to break through as a comedian on

0:23:27.440 --> 0:23:31.520
<v Speaker 1>tv SNL obviously and Comedy Central. Right these are the

0:23:31.560 --> 0:23:35.000
<v Speaker 1>days of The Daily Show with John Steward and on

0:23:35.119 --> 0:23:37.159
<v Speaker 1>The Colbert Show. And you know, if you got a

0:23:37.200 --> 0:23:40.119
<v Speaker 1>show on Comedy Central, you could really go to the

0:23:40.160 --> 0:23:43.840
<v Speaker 1>next level. And I went in and pitched a show

0:23:43.920 --> 0:23:46.000
<v Speaker 1>to Comedy Central where I was going to be playing

0:23:46.000 --> 0:23:50.480
<v Speaker 1>a gay man. And um, the head of Comedy Central

0:23:50.520 --> 0:23:52.560
<v Speaker 1>at that time, who always claimed to be a big

0:23:52.560 --> 0:23:56.600
<v Speaker 1>fan of mine, said, well, I think you're hilarious. I

0:23:56.640 --> 0:24:00.520
<v Speaker 1>think you're brilliant in his words. We obviously can't do

0:24:00.560 --> 0:24:03.200
<v Speaker 1>that here, but I think you should go to Bravo

0:24:03.280 --> 0:24:06.840
<v Speaker 1>and you'll have a home run, right, because Bravo being

0:24:06.880 --> 0:24:08.840
<v Speaker 1>at that time the net was one of the only

0:24:08.880 --> 0:24:12.159
<v Speaker 1>networks that you know, regularly had gayman on. But but

0:24:12.240 --> 0:24:14.920
<v Speaker 1>they didn't do comedy, and they didn't do scripted comedy,

0:24:14.920 --> 0:24:17.159
<v Speaker 1>and they didn't do anything is subversive that I you know,

0:24:17.960 --> 0:24:21.240
<v Speaker 1>I wasn't trying to do a reality show. Literally, Oh

0:24:21.359 --> 0:24:24.359
<v Speaker 1>you're gay, go to the gay ghetto on Bravo and

0:24:24.400 --> 0:24:27.840
<v Speaker 1>maybe they'll have you because I'm not going to right.

0:24:28.000 --> 0:24:30.240
<v Speaker 1>And it was stuff like that all the time. You

0:24:30.320 --> 0:24:34.000
<v Speaker 1>were able to break through, really, Billy, I mean you obviously,

0:24:34.040 --> 0:24:38.560
<v Speaker 1>as you said, you had some chances and some opportunities,

0:24:38.600 --> 0:24:41.959
<v Speaker 1>but nothing that kind of catapulted you into the public

0:24:42.000 --> 0:24:45.520
<v Speaker 1>eye like Billy on the Street. Really, and and I

0:24:45.560 --> 0:24:49.520
<v Speaker 1>think I was thinking about this. I wonder if the

0:24:49.520 --> 0:24:55.080
<v Speaker 1>media landscape hadn't changed and you weren't able to do this. Um,

0:24:55.119 --> 0:24:58.679
<v Speaker 1>I guess you did it on YouTube originally, right, and

0:24:58.720 --> 0:25:02.560
<v Speaker 1>then it was picked up by a streamer. But you know,

0:25:02.680 --> 0:25:05.760
<v Speaker 1>do you ever wonder gosh, if there hadn't been this

0:25:06.400 --> 0:25:11.960
<v Speaker 1>revolution in media, if disintermediation, going direct to consumers, without

0:25:12.080 --> 0:25:15.000
<v Speaker 1>all these gate keepers and without the people you just

0:25:15.160 --> 0:25:19.159
<v Speaker 1>described kind of saying, go to Bravo. If if you

0:25:19.160 --> 0:25:21.920
<v Speaker 1>would have been given an opportunity, it's almost like the

0:25:22.000 --> 0:25:28.520
<v Speaker 1>market gave you the opportunity. Those executives be damned. That's

0:25:28.560 --> 0:25:32.280
<v Speaker 1>exactly what happened. I I mean, look, the Internet, social

0:25:32.320 --> 0:25:36.080
<v Speaker 1>media are greatest double edged sword, right so you know

0:25:36.320 --> 0:25:40.240
<v Speaker 1>it'll make you, it'll break you, um, sometimes within the

0:25:40.280 --> 0:25:43.800
<v Speaker 1>same week. But for me, ultimately, I would not have

0:25:43.840 --> 0:25:48.280
<v Speaker 1>a career without YouTube and originally Facebook, you know which,

0:25:48.320 --> 0:25:51.159
<v Speaker 1>before Instagram and Twitter and TikTok, there was Facebook, and

0:25:51.200 --> 0:25:53.440
<v Speaker 1>that's where you were posting your videos and people would

0:25:53.480 --> 0:25:58.119
<v Speaker 1>share your videos. Um. Because that allowed for the democratization

0:25:58.800 --> 0:26:04.119
<v Speaker 1>of entertainment. And for so many years, even fans of mine,

0:26:04.240 --> 0:26:07.320
<v Speaker 1>like agents and executives who I knew, loved me and

0:26:07.400 --> 0:26:09.000
<v Speaker 1>thought I was so funny, and they would come to

0:26:09.080 --> 0:26:11.760
<v Speaker 1>my shows voluntarily just as fans, but they would never

0:26:11.840 --> 0:26:16.000
<v Speaker 1>give me a job. And I had in their minds

0:26:16.240 --> 0:26:18.720
<v Speaker 1>I was to this. I was too that, I was

0:26:18.720 --> 0:26:20.639
<v Speaker 1>too gay. I was to New York. I was too smart,

0:26:20.680 --> 0:26:22.679
<v Speaker 1>I was too loud, I was too edgy, all of

0:26:22.720 --> 0:26:25.959
<v Speaker 1>these I'm to this and too that, you know. And

0:26:26.000 --> 0:26:28.959
<v Speaker 1>they were scared because I was new, because I was different,

0:26:28.960 --> 0:26:33.840
<v Speaker 1>and I was bold and I was unapologetic. Um. And

0:26:34.240 --> 0:26:37.160
<v Speaker 1>what it took was me putting my own work online.

0:26:37.359 --> 0:26:39.400
<v Speaker 1>And then you know, those early Billy on the Street videos,

0:26:39.400 --> 0:26:41.720
<v Speaker 1>they would get hundreds of thousands of views than millions

0:26:41.720 --> 0:26:43.320
<v Speaker 1>of views. And I could look at I could look

0:26:43.320 --> 0:26:46.719
<v Speaker 1>at the executives and say, look, this is this is

0:26:47.080 --> 0:26:51.840
<v Speaker 1>people people like me. They like me, like me, they

0:26:51.880 --> 0:26:55.639
<v Speaker 1>really like me. And it's not just gay men in Manhattan, okay,

0:26:55.680 --> 0:26:58.479
<v Speaker 1>Like these are people watching Billy on the Street clips

0:26:58.520 --> 0:27:03.240
<v Speaker 1>all over the world, straight people, gay people, everyone. It's

0:27:03.359 --> 0:27:07.520
<v Speaker 1>They're united not by being part of a particular demographic.

0:27:07.520 --> 0:27:10.119
<v Speaker 1>They're just united by the fact that they think I'm funny.

0:27:10.320 --> 0:27:13.840
<v Speaker 1>It's a shared comedic sensibility more than it is anything else.

0:27:13.920 --> 0:27:18.320
<v Speaker 1>That's all that matters. Funny is funny, people want to laugh.

0:27:18.760 --> 0:27:21.119
<v Speaker 1>Comedy is subjective. Of course, Billy on the Street was

0:27:21.160 --> 0:27:24.280
<v Speaker 1>never for everyone, but boy, the people that love it

0:27:24.760 --> 0:27:27.480
<v Speaker 1>really really love it. And mean now, even years later,

0:27:28.200 --> 0:27:32.840
<v Speaker 1>the clips are more popular on TikTok ever been before.

0:27:32.880 --> 0:27:35.679
<v Speaker 1>I mean, there are clips billion the street, clips on

0:27:35.680 --> 0:27:40.040
<v Speaker 1>TikTok which have millions and millions of views. I don't

0:27:40.080 --> 0:27:43.040
<v Speaker 1>even post them. It's fans posting them. And there are

0:27:43.080 --> 0:27:47.480
<v Speaker 1>probably there are absolutely kids watching those clips on TikTok

0:27:47.520 --> 0:27:51.439
<v Speaker 1>who were not born when I first did it. So

0:27:51.520 --> 0:27:54.200
<v Speaker 1>it's just amazing that, you know, the executives, they put

0:27:54.280 --> 0:27:56.480
<v Speaker 1>up so many obstacles, they were so scared of me

0:27:56.600 --> 0:27:59.720
<v Speaker 1>for being different. And yet even all these years later,

0:28:00.800 --> 0:28:03.120
<v Speaker 1>Billy on the Streets still and more popular than it's

0:28:03.160 --> 0:28:06.240
<v Speaker 1>ever been, and still continues to be the thing that

0:28:06.320 --> 0:28:09.720
<v Speaker 1>allows a movie like Bros. To happen. Did you have

0:28:09.800 --> 0:28:13.280
<v Speaker 1>a favorite episode? I have a few favorites. I mean

0:28:13.280 --> 0:28:18.040
<v Speaker 1>there are so many. UM. I love um singing Christmas

0:28:18.040 --> 0:28:21.080
<v Speaker 1>carols with Amy Poehler and people on the streets. So

0:28:21.119 --> 0:28:22.480
<v Speaker 1>do you want to send Christmas carols to me and

0:28:22.480 --> 0:28:26.040
<v Speaker 1>Amy Poehler for a dollar? For a dollar? Yes, here

0:28:26.320 --> 0:28:31.640
<v Speaker 1>we go. Check the holly fall? No no no, no, yes, yes,

0:28:31.840 --> 0:28:36.679
<v Speaker 1>chance the season to your be jolly. Don we now

0:28:38.120 --> 0:28:41.840
<v Speaker 1>orel Let's go ahead and let it go. Let's go

0:28:42.040 --> 0:28:46.200
<v Speaker 1>don't know he didn't know. We once took Julianne Moore

0:28:46.800 --> 0:28:49.520
<v Speaker 1>the Times Square and had her recreate some of her

0:28:49.520 --> 0:28:53.040
<v Speaker 1>classic monologues to tourists as if she was like Spider Man,

0:28:53.240 --> 0:28:55.360
<v Speaker 1>you know, like one of those guys roaming her mound

0:28:55.440 --> 0:28:58.400
<v Speaker 1>Time Square. It was really funny. And then I'm not

0:28:58.480 --> 0:29:02.160
<v Speaker 1>just saying this, Katie, because you're in it, but I

0:29:02.200 --> 0:29:05.360
<v Speaker 1>promise you I say this to people all the time. Um.

0:29:05.400 --> 0:29:07.720
<v Speaker 1>It wasn't a typical billy on the Street segment, but

0:29:07.760 --> 0:29:11.000
<v Speaker 1>when we did my version of the Macy's Thanksgiving Day Parade,

0:29:11.120 --> 0:29:14.160
<v Speaker 1>but very billy on the street version of it, and

0:29:14.200 --> 0:29:16.600
<v Speaker 1>you were so gracious to come and be my co

0:29:16.760 --> 0:29:19.440
<v Speaker 1>host the way you co hosted on TV all those years,

0:29:19.440 --> 0:29:21.880
<v Speaker 1>the real parade, Like all of the balloons she'll see

0:29:21.880 --> 0:29:24.760
<v Speaker 1>in the parade today, the Rooney Mara balloon stands at

0:29:24.760 --> 0:29:28.600
<v Speaker 1>a whoppi six ft tall. That's right, Katie. And you

0:29:28.600 --> 0:29:31.719
<v Speaker 1>know Todd Haynes directed the film Carol. He also directed

0:29:31.720 --> 0:29:34.040
<v Speaker 1>the first film I ever saw gay sex in, and

0:29:34.080 --> 0:29:38.480
<v Speaker 1>that was called Poison Happy Turkey Day, Rooney Mara. It

0:29:38.640 --> 0:29:42.280
<v Speaker 1>is perfect. It is so funny your delivery, and that

0:29:42.360 --> 0:29:44.200
<v Speaker 1>really is I'm not just saying it really is one

0:29:44.200 --> 0:29:46.960
<v Speaker 1>of my favorite ones. But I love doing it. And

0:29:47.000 --> 0:29:49.320
<v Speaker 1>I also happened to look really cute that day, So

0:29:49.360 --> 0:29:53.400
<v Speaker 1>I like watching the clips. What I had a little jaunty,

0:29:53.480 --> 0:29:58.680
<v Speaker 1>little driving cap on. When we come back, Billy teaches

0:29:58.720 --> 0:30:02.280
<v Speaker 1>me a thing or two about gay sex. Yeah, that's

0:30:02.320 --> 0:30:12.920
<v Speaker 1>right up to this. I want to get back to

0:30:12.960 --> 0:30:16.880
<v Speaker 1>the film because it's such an important film. It's for

0:30:16.920 --> 0:30:20.040
<v Speaker 1>so many reasons. It's such a big film for you,

0:30:20.560 --> 0:30:24.840
<v Speaker 1>and it's a very real and in some ways, um,

0:30:24.880 --> 0:30:31.280
<v Speaker 1>you know, very honest portrayal of gay relationships, including gay sex. Yeah.

0:30:31.320 --> 0:30:33.200
<v Speaker 1>I mean, look, sex is part of it. You know,

0:30:33.280 --> 0:30:35.920
<v Speaker 1>it's part of dating. You know. I think straight people

0:30:36.040 --> 0:30:39.800
<v Speaker 1>understand this too. And and look, it's also first and

0:30:39.880 --> 0:30:43.960
<v Speaker 1>foremost all the historic stuff aside. You know, we wanted

0:30:44.000 --> 0:30:47.480
<v Speaker 1>to make an explosively funny movie, the way that Judd

0:30:47.520 --> 0:30:50.160
<v Speaker 1>Apatow has always made movies. You know, they have these

0:30:50.200 --> 0:30:53.640
<v Speaker 1>big explosive scenes of great physical comedy, you know in

0:30:53.760 --> 0:30:57.640
<v Speaker 1>Bridesmaids when they go to the wedding shop, No, no,

0:30:58.560 --> 0:31:03.200
<v Speaker 1>look a way out, look away. I love those, like

0:31:03.680 --> 0:31:07.320
<v Speaker 1>big loud, funny scenes, you know, and Apatow movies are

0:31:07.360 --> 0:31:09.320
<v Speaker 1>known for that. The forty year Old Virgin when he's

0:31:09.320 --> 0:31:12.880
<v Speaker 1>getting his chest wax and right, and forgetting Sarah Marshall

0:31:12.960 --> 0:31:16.520
<v Speaker 1>that classic opening scene, UM where Jason Siegel is totally

0:31:16.600 --> 0:31:19.479
<v Speaker 1>naked and having that fight with his girlfriend. You know,

0:31:19.560 --> 0:31:22.080
<v Speaker 1>it's human and it's real and it's funny, and so

0:31:22.520 --> 0:31:24.520
<v Speaker 1>that's all we wanted to do, you know, And and

0:31:24.560 --> 0:31:27.680
<v Speaker 1>sex gives you so much potential. It's awkward, it's sweet,

0:31:27.760 --> 0:31:31.200
<v Speaker 1>it's funny, it's romantic, um, and it can be a

0:31:31.240 --> 0:31:34.240
<v Speaker 1>little shocking, you know. And this is an R rated comedy,

0:31:34.360 --> 0:31:37.080
<v Speaker 1>you know, this is um, this is for adults. And

0:31:37.400 --> 0:31:39.880
<v Speaker 1>I think those scenes are just honestly, they just felt

0:31:39.920 --> 0:31:43.280
<v Speaker 1>funny to us, Like our focus was always on what's

0:31:43.280 --> 0:31:47.160
<v Speaker 1>funny and also what's romantic and what shouldn't Why shouldn't

0:31:47.160 --> 0:31:50.040
<v Speaker 1>it be in there? I mean, you know, it's it's

0:31:50.160 --> 0:31:54.400
<v Speaker 1>it's part of relationships, it's part of life, and certainly

0:31:54.760 --> 0:31:58.560
<v Speaker 1>is in straight comedies you know, and has been for decades,

0:31:58.720 --> 0:32:01.760
<v Speaker 1>you know, like get gay people. We grow up from

0:32:01.760 --> 0:32:05.080
<v Speaker 1>the second we're conscious. We're watching love stories and comedies

0:32:05.080 --> 0:32:08.040
<v Speaker 1>and romantic comedies about men and women. You know, every

0:32:08.040 --> 0:32:10.920
<v Speaker 1>story is about men and women meeting and dating and

0:32:10.960 --> 0:32:14.160
<v Speaker 1>falling in love, falling out of love and you know, um,

0:32:14.240 --> 0:32:16.800
<v Speaker 1>and I love those stories obviously. Again, I love all

0:32:16.840 --> 0:32:19.320
<v Speaker 1>those romantic comedies, but I thought there was a bit

0:32:19.320 --> 0:32:22.200
<v Speaker 1>of an homage to win Herring that Sally too, when

0:32:22.240 --> 0:32:26.400
<v Speaker 1>you're walking around New York and uh, our Love is

0:32:26.440 --> 0:32:28.880
<v Speaker 1>Here to Stay is playing in the background. I was like,

0:32:29.000 --> 0:32:32.520
<v Speaker 1>that's a little when hearing that's Sally Ish. Yeah, yeah,

0:32:32.560 --> 0:32:35.160
<v Speaker 1>we we've got our nods to those romantic comedies. I

0:32:35.200 --> 0:32:38.120
<v Speaker 1>love in there when Harry met Sally and uh, there's

0:32:38.120 --> 0:32:42.040
<v Speaker 1>a scene with You've Got Mail that wet. And also

0:32:42.120 --> 0:32:45.520
<v Speaker 1>I should say Mark Shaman, who wrote the music for Bros.

0:32:45.560 --> 0:32:48.640
<v Speaker 1>Who's the greatest he? I mean, how magical is that

0:32:48.760 --> 0:32:51.200
<v Speaker 1>Mark wrote the score for When Harry Met Sally And

0:32:51.240 --> 0:32:53.840
<v Speaker 1>he wrote the score for Bros. You know, and I

0:32:53.880 --> 0:32:57.560
<v Speaker 1>love Mark. Yeah, Mark's amazing, And the music is so important.

0:32:57.720 --> 0:33:00.320
<v Speaker 1>Every rom com needs a great score, are in a

0:33:00.360 --> 0:33:03.040
<v Speaker 1>great theme song, and we were so lucky to have Mark,

0:33:03.160 --> 0:33:05.880
<v Speaker 1>and so yeah, I mean Bros. Really is a really

0:33:05.920 --> 0:33:08.280
<v Speaker 1>fun mix of things that are kind of more current

0:33:08.480 --> 0:33:10.960
<v Speaker 1>and fun and shocking and things you've never seen before,

0:33:11.040 --> 0:33:16.400
<v Speaker 1>mixed with those timeless classic rom com elements that we

0:33:16.520 --> 0:33:19.320
<v Speaker 1>all love. You know. We were really going for that balance.

0:33:19.600 --> 0:33:21.680
<v Speaker 1>I woke up laughing about you so rudely calling me

0:33:21.720 --> 0:33:24.640
<v Speaker 1>out of my ship. Well you deserved it, bitch, Honestly

0:33:24.640 --> 0:33:27.120
<v Speaker 1>I was impressed. You may be more emotionally unavailable than

0:33:27.160 --> 0:33:30.200
<v Speaker 1>I am. Well, maybe we can be emotionally unavailable together.

0:33:30.600 --> 0:33:33.880
<v Speaker 1>Maybe we can be emotionally unavailable together. Who's writing your texts?

0:33:34.000 --> 0:33:37.920
<v Speaker 1>Maroon five? Funk off kidding? We can go out? Are

0:33:37.960 --> 0:33:41.280
<v Speaker 1>you asking me out? I'm done for whatever? Yeah? Same? Cool?

0:33:41.400 --> 0:33:44.240
<v Speaker 1>Sounds good? So tomorrow or we can do whenever? Yeah,

0:33:44.280 --> 0:33:46.120
<v Speaker 1>I can do whenever and I can do whatever. I

0:33:46.160 --> 0:33:48.200
<v Speaker 1>don't care what we do. Yeah, me neither. We can

0:33:48.240 --> 0:33:50.320
<v Speaker 1>do whatever and we can do it whenever. Does that

0:33:50.320 --> 0:33:54.400
<v Speaker 1>work for you? Yeah, that definitely works great, whatever, whenever, cool, whatever, whenever.

0:33:54.560 --> 0:33:58.640
<v Speaker 1>Gift of Michael Scott dancing. That's good office gift. This

0:33:58.680 --> 0:34:02.760
<v Speaker 1>person isn't gay. How much pressure are you feeling and

0:34:02.880 --> 0:34:06.560
<v Speaker 1>how are you managing it? Because you wanted to do well,

0:34:06.800 --> 0:34:10.360
<v Speaker 1>This needs to attract a mainstream audience. You need to

0:34:10.440 --> 0:34:12.920
<v Speaker 1>get what do you call it, butts in the seats?

0:34:13.200 --> 0:34:16.360
<v Speaker 1>Tell me a little bit about how you're feeling about

0:34:16.440 --> 0:34:22.319
<v Speaker 1>that and the importance of this being successful. Of course,

0:34:22.360 --> 0:34:25.120
<v Speaker 1>I want people to see it. The truth is, we

0:34:25.200 --> 0:34:28.279
<v Speaker 1>really need straight people to go see it. And that's

0:34:28.400 --> 0:34:32.799
<v Speaker 1>very blunt, but that's the honest truth. And and if

0:34:32.840 --> 0:34:35.560
<v Speaker 1>you go, you're gonna laugh your ass off. It is

0:34:35.600 --> 0:34:39.560
<v Speaker 1>a hilarious movie. It's super relatable no matter who you are.

0:34:40.120 --> 0:34:42.120
<v Speaker 1>And like I said, we wanted to make a great,

0:34:42.360 --> 0:34:46.120
<v Speaker 1>laugh out loud, jutt apatile comedy like Bridesmaids, like fourty

0:34:46.200 --> 0:34:49.239
<v Speaker 1>year Old Virgin, like Knocked Up, like train Wreck. It

0:34:49.320 --> 0:34:51.759
<v Speaker 1>happens to be about a gay couple. It happens to

0:34:51.800 --> 0:34:54.200
<v Speaker 1>have an l g b t Q cast, which is important,

0:34:54.360 --> 0:34:56.279
<v Speaker 1>you know, because we should be able to tell our

0:34:56.320 --> 0:34:59.920
<v Speaker 1>stories to you know, lgbt Q folks. We've been going

0:35:00.000 --> 0:35:03.000
<v Speaker 1>to see movie romantic comedies about straight people forever, so

0:35:03.280 --> 0:35:05.960
<v Speaker 1>why shouldn't it work in the reverse. It took us

0:35:06.000 --> 0:35:09.040
<v Speaker 1>a really long time to get here, and I want

0:35:09.600 --> 0:35:13.080
<v Speaker 1>everyone to go straight people, LGBTQ folks for a number

0:35:13.160 --> 0:35:15.600
<v Speaker 1>of reasons. I want to entertain people and give them

0:35:15.640 --> 0:35:18.440
<v Speaker 1>a feel good movie. I want to show the industry

0:35:18.520 --> 0:35:21.560
<v Speaker 1>and the world that people, especially straight people, will go

0:35:21.760 --> 0:35:25.680
<v Speaker 1>out and support a movie about two funny gay guys.

0:35:26.239 --> 0:35:28.840
<v Speaker 1>Um and and I also want to make sure that

0:35:28.920 --> 0:35:30.960
<v Speaker 1>there are more l g b t Q films that

0:35:31.080 --> 0:35:35.239
<v Speaker 1>follow this, and also that major studios straight or gay,

0:35:35.360 --> 0:35:39.600
<v Speaker 1>don't stop making comedies and romantic comedies, because this is

0:35:39.640 --> 0:35:42.279
<v Speaker 1>an important genre. It's a genre we all love, and

0:35:42.360 --> 0:35:44.600
<v Speaker 1>if we don't go support them, we won't get more

0:35:44.680 --> 0:35:47.839
<v Speaker 1>movies like this, And really all we will get our

0:35:47.920 --> 0:35:50.879
<v Speaker 1>superhero movies and action movies and horror films, and those

0:35:50.880 --> 0:35:54.840
<v Speaker 1>are all great, but these are equally great and equally necessary.

0:35:54.880 --> 0:35:58.279
<v Speaker 1>And you know, brokeback Mountain, right, So many of the

0:35:58.360 --> 0:36:02.840
<v Speaker 1>movies we have gotten out gay men and LGBTQ folks,

0:36:03.160 --> 0:36:07.759
<v Speaker 1>their tragedies. They're sad and it's about tortured characters, and

0:36:07.840 --> 0:36:10.960
<v Speaker 1>it's a period piece about how about our struggles and

0:36:11.040 --> 0:36:14.359
<v Speaker 1>our challenges and how tortured and sad we are right?

0:36:14.800 --> 0:36:16.880
<v Speaker 1>And yes, that is part of our history, that is

0:36:17.040 --> 0:36:20.520
<v Speaker 1>part of our experience, and it's we need those movies too,

0:36:20.719 --> 0:36:23.640
<v Speaker 1>But it's so for so long, all we've gotten right

0:36:23.800 --> 0:36:27.680
<v Speaker 1>and all that the public has embraced, and why can't

0:36:27.719 --> 0:36:30.040
<v Speaker 1>we also star in a great comedy, you know, like

0:36:30.239 --> 0:36:32.680
<v Speaker 1>why why does it always have to be so tortured

0:36:32.719 --> 0:36:36.080
<v Speaker 1>and tragic? Um? And so there are many reasons. I

0:36:36.360 --> 0:36:38.560
<v Speaker 1>hope people get out and support this, and I really

0:36:38.640 --> 0:36:40.880
<v Speaker 1>think they'll have a great time. And a movie like

0:36:40.960 --> 0:36:44.479
<v Speaker 1>Brokeback Mountain, you know, it's a masterpiece. I've seen it once,

0:36:44.719 --> 0:36:48.839
<v Speaker 1>Pretty woman, I've seen fifty times. So who's to say

0:36:49.080 --> 0:36:52.239
<v Speaker 1>what's more important? You know, around coms are are important too.

0:36:52.760 --> 0:36:55.520
<v Speaker 1>I'm just curious from a both from a professional and

0:36:55.680 --> 0:36:59.839
<v Speaker 1>a personal standpoint. You know, how did this all imp

0:37:00.040 --> 0:37:03.160
<v Speaker 1>have to this whole experience, no matter what happens at

0:37:03.160 --> 0:37:07.800
<v Speaker 1>the box office. Yeah, I mean, in so many ways.

0:37:08.280 --> 0:37:11.080
<v Speaker 1>I think that a lot of times in life are

0:37:11.480 --> 0:37:16.839
<v Speaker 1>biggest learning experiences come from things that maybe fail creatively. Um,

0:37:17.080 --> 0:37:19.160
<v Speaker 1>And this is a strange one where I mean, again,

0:37:19.200 --> 0:37:23.640
<v Speaker 1>we'll see what happens, um. But from early reactions and

0:37:23.880 --> 0:37:26.680
<v Speaker 1>from my own reaction to it, I don't think we

0:37:26.840 --> 0:37:30.680
<v Speaker 1>failed creatively. I'm really really proud of the movie. And

0:37:30.960 --> 0:37:34.719
<v Speaker 1>also it has been a huge learning experience in a

0:37:34.840 --> 0:37:37.040
<v Speaker 1>very practical way. I learned how to write a movie.

0:37:37.320 --> 0:37:41.880
<v Speaker 1>I learned how to navigate a pretty high level major

0:37:42.000 --> 0:37:46.080
<v Speaker 1>studio experience, you know, and which would always be challenging

0:37:46.239 --> 0:37:48.919
<v Speaker 1>and and and I had to do it while making

0:37:49.000 --> 0:37:53.120
<v Speaker 1>an R rated gay romcom when there have not been many. Um,

0:37:54.400 --> 0:37:56.920
<v Speaker 1>and so I learned a lot just in terms of

0:37:57.000 --> 0:38:00.040
<v Speaker 1>the on the business side of things. And I don't know,

0:38:00.239 --> 0:38:04.800
<v Speaker 1>taking a bird's eye view look at it, regardless of

0:38:04.880 --> 0:38:08.800
<v Speaker 1>what happens, it's I think I'd like to think of

0:38:08.840 --> 0:38:11.200
<v Speaker 1>it in a way, me getting this experience and I'm

0:38:11.560 --> 0:38:15.200
<v Speaker 1>so grateful that they trusted me with it. But maybe

0:38:15.320 --> 0:38:19.840
<v Speaker 1>on some level it's a reward for always wanting success,

0:38:20.040 --> 0:38:23.600
<v Speaker 1>but really wanting it and almost insisting upon having it

0:38:23.719 --> 0:38:27.880
<v Speaker 1>on my own terms as an openly gay man in

0:38:28.200 --> 0:38:32.200
<v Speaker 1>in comedy, um, which when I was starting out, there

0:38:32.239 --> 0:38:34.359
<v Speaker 1>are a lot of barriers to that. As much as

0:38:34.400 --> 0:38:38.479
<v Speaker 1>I believed in myself. You have those moments because people

0:38:38.520 --> 0:38:40.840
<v Speaker 1>are telling you up there's gonna be a ceiling for

0:38:40.960 --> 0:38:44.239
<v Speaker 1>what you can do, you know, and Bros. Is an

0:38:44.320 --> 0:38:48.360
<v Speaker 1>example just just real tangible evidence that you know what

0:38:49.000 --> 0:38:52.840
<v Speaker 1>they were wrong. They were wrong. And I say that

0:38:52.920 --> 0:38:57.840
<v Speaker 1>in the movie. But um, anyone out there who you

0:38:57.920 --> 0:39:01.200
<v Speaker 1>know it is having that self out. We all have it.

0:39:01.440 --> 0:39:04.200
<v Speaker 1>But you've got to push through. And that's what you've

0:39:04.239 --> 0:39:07.320
<v Speaker 1>always done. That's what you've always done that And and

0:39:07.760 --> 0:39:09.880
<v Speaker 1>sometimes I get it right, sometimes I don't, but I

0:39:09.960 --> 0:39:13.280
<v Speaker 1>have always chosen, ultimately, even with all this self doubt,

0:39:13.760 --> 0:39:17.919
<v Speaker 1>to believe in myself and that talent would be enough.

0:39:18.760 --> 0:39:21.319
<v Speaker 1>That if you if you don't think I'm talented, that's

0:39:21.360 --> 0:39:23.480
<v Speaker 1>one thing. If you don't think I'm funny enough, that's

0:39:23.560 --> 0:39:26.040
<v Speaker 1>one thing, And I can deal with that. But don't

0:39:26.120 --> 0:39:28.399
<v Speaker 1>tell me I can't have what I want or make

0:39:28.480 --> 0:39:32.040
<v Speaker 1>what I want because of who I sleep with or

0:39:32.040 --> 0:39:35.640
<v Speaker 1>who I'm attracted to. That's just nonsense. And you know,

0:39:36.400 --> 0:39:40.359
<v Speaker 1>so I'm really proud of this movie. Well, I'm very

0:39:40.520 --> 0:39:44.919
<v Speaker 1>excited for you and um and and not to sound

0:39:44.960 --> 0:39:47.440
<v Speaker 1>too maternal, but I'm really proud of you, Billy, and

0:39:48.360 --> 0:39:50.920
<v Speaker 1>I have been a fan of yours for a very

0:39:51.040 --> 0:39:53.800
<v Speaker 1>long time, and I'm just so excited for you to

0:39:53.840 --> 0:39:58.000
<v Speaker 1>get this new opportunity and for to continue to watch

0:39:58.120 --> 0:40:02.560
<v Speaker 1>what you'll do next. So the oudious bros. It's terrific.

0:40:02.880 --> 0:40:06.880
<v Speaker 1>You're hilarious. And the whole cast and crew, I want

0:40:06.920 --> 0:40:10.880
<v Speaker 1>to congratulate them too, because you know, I think the

0:40:11.000 --> 0:40:13.839
<v Speaker 1>only way you usher and change is to put your

0:40:13.840 --> 0:40:16.279
<v Speaker 1>money where your mouth is, and you certainly did this

0:40:16.520 --> 0:40:19.880
<v Speaker 1>when it came to to staffing this film, and you

0:40:20.040 --> 0:40:22.880
<v Speaker 1>put a lot of thought into that too, so kudos

0:40:22.960 --> 0:40:25.719
<v Speaker 1>to you for that as well. Thank you, and you've

0:40:25.719 --> 0:40:29.080
<v Speaker 1>always been so supportive. You're a legend, so thank you

0:40:29.200 --> 0:40:34.439
<v Speaker 1>so much. Roses in theater starting this weekend September thirty,

0:40:34.800 --> 0:40:37.480
<v Speaker 1>So go get your bus in those theater seats everyone,

0:40:37.920 --> 0:40:44.000
<v Speaker 1>for Billy's sake. Next Question with Katie Kurik is a

0:40:44.040 --> 0:40:47.120
<v Speaker 1>production of My Heart Media and Katie Kurk Media. The

0:40:47.200 --> 0:40:52.000
<v Speaker 1>executive producers Army, Katie Curic, and Courtney Litz. The supervising

0:40:52.040 --> 0:40:57.400
<v Speaker 1>producer is Lauren Hansen. Associate producers Derek Clements and Adriana Fasio.

0:40:57.760 --> 0:41:01.120
<v Speaker 1>The show is edited and mixed by Eric Clements. For

0:41:01.239 --> 0:41:04.080
<v Speaker 1>more information about today's episode, or to sign up for

0:41:04.200 --> 0:41:07.120
<v Speaker 1>my morning newsletter wake Up Call, go to Katie correct

0:41:07.160 --> 0:41:09.800
<v Speaker 1>dot com. You can also find me at Katie Correct

0:41:09.840 --> 0:41:13.399
<v Speaker 1>on Instagram and all my social media channels. For more

0:41:13.520 --> 0:41:17.080
<v Speaker 1>podcasts from I Heart Radio, visit the i Heart Radio app,

0:41:17.280 --> 0:41:20.800
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.