WEBVTT - The Ballad of Biggie and Tupac

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<v Speaker 1>Hey, everybody, We're going on tour. We're going to be

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<v Speaker 1>in Denver, Seattle, and San Francisco soon and tickets are

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<v Speaker 1>still available.

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<v Speaker 2>That's right, in the next few days. Actually, we're gonna

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<v Speaker 2>be in Denver on Tuesday, the twenty seventh of January.

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<v Speaker 2>We're gonna be in Seattle the next night, our dear

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<v Speaker 2>beloved Seattle, and.

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<v Speaker 3>Then finally winding it up on Thursday the twenty ninth.

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<v Speaker 2>And San Francisco is part of our sketch best appearance

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<v Speaker 2>And you can get all the ticket into our information

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<v Speaker 2>at stuff youshould know dot com.

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<v Speaker 3>Isn't that right?

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<v Speaker 1>It is right, And we love you Denver, and we

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<v Speaker 1>love you San Francisco too.

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<v Speaker 3>That's right. We love all you cities and we missed

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<v Speaker 3>you and we can't wait to be back.

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<v Speaker 2>Welcome to stuff you should know, our production of iHeartRadio.

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<v Speaker 1>Hey, and welcome to the podcast. I'm Josh and there's

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<v Speaker 1>Chuck and Jerry's here too, so this is a good

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<v Speaker 1>old fashioned stuff you should know. One of our ongoing

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<v Speaker 1>hip hop editions. Yeah, I feel like a door anytime

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<v Speaker 1>I say hip hop, so I usually say rap. Yeah,

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<v Speaker 1>but regardless, that's what we're talking.

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<v Speaker 2>About Yeah, we're talking about Biggie and Tupac, and we

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<v Speaker 2>want to issue a.

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<v Speaker 3>Warning and a trigger warning.

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<v Speaker 2>No pun intended there, but this one's obviously gonna because

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<v Speaker 2>we're talking about the lives of these two guys who

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<v Speaker 2>were in many ways real gangsters. A lot of stuff

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<v Speaker 2>went down, including sexual assault and gunplay and murder, and

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<v Speaker 2>it's you know, it's probably not appropriate for the younger listeners,

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<v Speaker 2>and so you just wanted to get that out there. Hopefully,

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<v Speaker 2>if you know anything about Biggie and Tupac, you know

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<v Speaker 2>that there's some more adult content coming your way.

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<v Speaker 1>Nice CoA man. Yeah, so, yeah, we are talking about

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<v Speaker 1>Biggie and Tupac, and they are pretty well known. If

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<v Speaker 1>you listen to either one of them, or even kind

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<v Speaker 1>of have a passing awareness of hip hop, especially in

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<v Speaker 1>the nineties, you probably know that Biggie and Tupac had

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<v Speaker 1>probably the biggest rivalry in the hip hop world. It's

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<v Speaker 1>referred to as a beef between one another, so much

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<v Speaker 1>so that it actually triggered, or caused, at the very

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<v Speaker 1>least popularized the East Coast versus West Coast thing of

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<v Speaker 1>rap in the nineteen nineties. That was huge. It was

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<v Speaker 1>the central focus of rap during basically that whole decade.

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<v Speaker 2>Yeah, and sadly would leave both of them dead from violence.

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<v Speaker 2>It was I hope that's not a spoiler for anyone,

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<v Speaker 2>but yeah, at very young ages. It's super sad what

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<v Speaker 2>happened to those guys, and just super sad that that was,

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<v Speaker 2>you know, brought about because of just sort of the

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<v Speaker 2>lifestyle that went along with their careers, you know.

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<v Speaker 1>Yeah, And a lot of people make a case that

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<v Speaker 1>that lifestyle was essentially demanded by fans and the media

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<v Speaker 1>and certainly fostered and nurtured by fans in the media.

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<v Speaker 1>And so I think both Biggie and Tupac and all

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<v Speaker 1>the people around them and other rappers basically felt like

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<v Speaker 1>they had to act like they the stuff that they

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<v Speaker 1>wrapped about, or else they would be fake baby gangsters

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<v Speaker 1>sometimes or studio gangsters even worse. Well yeah, yeah, and

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<v Speaker 1>then they were also surrounded by literal bloods and crips,

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<v Speaker 1>so it essentially had it was inevitable that it would

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<v Speaker 1>end in death and violence.

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<v Speaker 3>Yeah.

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<v Speaker 2>I mean, I think hip hop more than other types

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<v Speaker 2>of music too, there's an expectation to be.

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<v Speaker 3>To be real again, got all these funs flying out of.

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<v Speaker 1>My mouth, oh from Cypress Hill.

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<v Speaker 3>Yeah, of course.

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<v Speaker 2>But to be real and like you said, not you know,

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<v Speaker 2>if you were found out to be sort of rapping

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<v Speaker 2>about something and really kind of fake in real life

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<v Speaker 2>like that, that's no good for your career as a

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<v Speaker 2>hip hop artist. So it's sort of you know, they

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<v Speaker 2>I don't know, to me, they're sort of victims of

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<v Speaker 2>that whole thing in a lot of ways.

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<v Speaker 1>Yeah, but at the same time, they definitely bought into it. Yeah,

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<v Speaker 1>I mean, they essentially laid the groundwork for that. It's

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<v Speaker 1>just it's crazy because it's just such a ubiquitous, widespread

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<v Speaker 1>thing for so long. It's strange to think that you

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<v Speaker 1>can trace it back to one group, one duo essentially.

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<v Speaker 2>Yeah, So we're going to tell you a little bit

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<v Speaker 2>about Tupac and his beginnings, a little bit about Biggie

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<v Speaker 2>and then once they met up kind of what happened

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<v Speaker 2>from there. But as far as Tupac goes, he was

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<v Speaker 2>born in nineteen seventy one, same year as me. He

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<v Speaker 2>was born in Harlem. His mother was a Finny Shakur

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<v Speaker 2>and she was one of the Panther twenty one. I'm

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<v Speaker 2>pretty sure we talked about them in the Black Panther episode,

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<v Speaker 2>but they were part of the Black Panther Party, the

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<v Speaker 2>ones who were accused of carrying out a bombing campaign.

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<v Speaker 2>She did win an acquittal in court defending herself and

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<v Speaker 2>exposed a lot of stuff about undercover cops and the

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<v Speaker 2>tactics they used that were very untoward. But Tupac was

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<v Speaker 2>born about a month after that trial and born Lesaine Crooks.

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<v Speaker 2>But it's not like he changed his name to be

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<v Speaker 2>a cool hip hop guy later. He was actually renamed

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<v Speaker 2>by his mom when he was about a year old,

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<v Speaker 2>after indigenous South American revolutionary Tupac Amaru the second, So

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<v Speaker 2>he's essentially he was always Tupac.

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<v Speaker 1>Yeah, he was named after an eighteenth century Incon I believe,

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<v Speaker 1>who led a rebellion against the Spanish. Little known fact.

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<v Speaker 1>I didn't know that, did you. I did not, So

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<v Speaker 1>I usually think I associate Tupac with New York because

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<v Speaker 1>pretty much all the movies he was ever in were

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<v Speaker 1>all set in New York. But he's from San Francisco.

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<v Speaker 1>I mean, he was born in Harlem, but his family

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<v Speaker 1>moved to San Francisco, or actually Marin County, which is

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<v Speaker 1>a suburb of San Francisco pretty early on in his life,

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<v Speaker 1>and at the time, his mom was struggling with a

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<v Speaker 1>crack addiction, So Tupac was essentially on his own from

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<v Speaker 1>a very young age, and as black kids at the

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<v Speaker 1>time in the eighties in particular, did to make money

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<v Speaker 1>when you were in a situation like that, he sold

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<v Speaker 1>drugs and that's how he supported himself for a long

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<v Speaker 1>time while he was even going through school too.

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<v Speaker 2>Yeah, and he was like, we'll see, Biggie was he

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<v Speaker 2>was a really good English student, and I bet a

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<v Speaker 2>lot of hip hop performers were good in English. You know,

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<v Speaker 2>it just sort of makes sense. But he dropped out

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<v Speaker 2>of high school. He studied poetry. He continued to after

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<v Speaker 2>he dropped out, and actually his teacher, his English teacher,

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<v Speaker 2>one of them, Leela Steinberg, was like, hey, I see

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<v Speaker 2>a lot of potential in you. You can crash on

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<v Speaker 2>my couch when you need to, And she ended up

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<v Speaker 2>becoming his first manager.

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<v Speaker 1>Yeah, and she said, you always have to wear that

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<v Speaker 1>bandana around your head just so like you because I

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<v Speaker 1>love it.

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<v Speaker 3>It looks super cool.

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<v Speaker 1>I know we've also talked about this before, but he

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<v Speaker 1>was a member of Digital Underground with Humpty Hump of

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<v Speaker 1>the famous Humpty Dance. He's shown dancing in the Humpty

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<v Speaker 1>Dance video in the background. He was a dancer for

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<v Speaker 1>Digital Underground, but later I think wrapped on some of

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<v Speaker 1>their albums. Yeah, but even from the outset, his whole

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<v Speaker 1>vibe was much much edgier than Humpty Humps was. Like

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<v Speaker 1>Humpty Hump was rapping about how big his nose was

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<v Speaker 1>and having sex and burger king bathrooms, right like Tupac

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<v Speaker 1>was rapping about what poverty and crime are like in

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<v Speaker 1>the black community.

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<v Speaker 3>You know, he didn't go by Humpty Hump.

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<v Speaker 1>What was this? Why do You Go Buy?

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<v Speaker 3>That was shock G.

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<v Speaker 1>I've heard him referred to on other songs as.

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<v Speaker 2>Well, all right, aka Humpty Hump. So yeah, you weren't

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<v Speaker 2>completely wrong.

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<v Speaker 1>A little side. I would direct people to the mrs

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<v Speaker 1>song Risky Business that features Humpty or shock G. It's

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<v Speaker 1>a pretty pretty cute little song, all right. So Tupac

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<v Speaker 1>goes out on his own. He's got, like I said,

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<v Speaker 1>a totally different vibe, and he released a solo album

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<v Speaker 1>called Tupac Ellipse. Now, there was no other title that

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<v Speaker 1>it could have possibly been than that, Yeah, for sure,

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<v Speaker 1>But the problem was like there was. He was keeping

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<v Speaker 1>it real, so there was nothing in the studio that

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<v Speaker 1>he was producing that could be played on the radio. Yeah,

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<v Speaker 1>so it was an underground sensation, but publicly, most people

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<v Speaker 1>had not heard of Tupac at that point.

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<v Speaker 3>Yeah, for sure.

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<v Speaker 2>Dan Quayle kind of gave him a little more press

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<v Speaker 2>when he blamed that record to Apocalypse Now on the

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<v Speaker 2>shooting of a Texas State trooper. So he was in

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<v Speaker 2>the news a little bit at least mm hm. And

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<v Speaker 2>he started acting kind of right afterward. In nineteen ninety

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<v Speaker 2>two and nineteen ninety three, he put out where he

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<v Speaker 2>was in the movies Juice and Poetic Justice, both really

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<v Speaker 2>great movies. Juice is awesome, actually, so is Poetic Justice.

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<v Speaker 2>I love both of those movies.

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<v Speaker 1>The one I've seen him and I don't think. I

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<v Speaker 1>think I saw Juice. I didn't see Poetic Justice. I

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<v Speaker 1>saw Above the Rim. He was really good, and Above

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<v Speaker 1>the Rim.

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<v Speaker 3>I never saw that one.

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<v Speaker 1>Oh that's a good one. He should see it.

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<v Speaker 3>Wet them together and have a Tupac watch party.

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<v Speaker 1>I guess, Okay, let's do that.

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<v Speaker 3>Yeah.

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<v Speaker 2>But he started getting a little more famous, sort of slowly,

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<v Speaker 2>and this is when kind of the early nineties, at

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<v Speaker 2>the very beginning of his career is when he first

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<v Speaker 2>started getting into trouble and getting like a real reputation

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<v Speaker 2>as sort of living that lifestyle.

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<v Speaker 1>Yeah, I mean, like for real. He was involved in

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<v Speaker 1>a shootout at the Marin County Festival where he lived,

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<v Speaker 1>where he had just performed, that killed a six year

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<v Speaker 1>old who was playing on a school ground nearby.

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<v Speaker 3>Yeah.

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<v Speaker 1>He shot at off duty police in Atlanta in nineteen

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<v Speaker 1>ninety three when he tried to prevent them from beating

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<v Speaker 1>up a black motorist, and those charges were thrown out

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<v Speaker 1>because it turns out the cops were off duty, didn't

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<v Speaker 1>announce themselves as cops, and were super drunk. But you know,

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<v Speaker 1>those kind of things, like his legend as like a

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<v Speaker 1>thug living the thug life, which I think he basically coined,

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<v Speaker 1>that just formed, melded really quickly right out of the gate,

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<v Speaker 1>Like this guy was legit as far as his fans

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<v Speaker 1>were concerned.

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<v Speaker 3>Yeah, for sure. So that's Tupac's early days.

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<v Speaker 2>Biggie Smalls was born he's a little younger. He's born

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<v Speaker 2>in nineteen seventy two in Brooklyn. His name was Christopher Wallace.

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<v Speaker 2>He was born to Jamaican immigrant parents, and his mom

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<v Speaker 2>was a preschool teacher. His dad was a politician in

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<v Speaker 2>Jamaica but ended up, you know, leaving when he was

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<v Speaker 2>two years old and became a welder in the United States.

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<v Speaker 2>But her, his mom, you know, Veletta, really thought a

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<v Speaker 2>lot about education, obviously as a teacher, so she took

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<v Speaker 2>on a second job just so she could send him

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<v Speaker 2>to a very well regarded high school and then later

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<v Speaker 2>went to George Westinghouse Career in Tech Education High School,

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<v Speaker 2>which had quite an alumni base as far as hip

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<v Speaker 2>hop goes, because DMX, Buster Rhymes, Love Busta, and jay

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<v Speaker 2>Z all went there.

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<v Speaker 1>Yeah, I'm guessing I didn't. I wasn't able to find it,

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<v Speaker 1>but I'm guessing they crossed paths. May have been there

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<v Speaker 1>at the same time.

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<v Speaker 2>Yeah, I mean, Donald Glover would have gone to my

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<v Speaker 2>high school had they not sent him to the School

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<v Speaker 2>of the Arts. Oh yeah, And I saw him in

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<v Speaker 2>New York City a few feet from me when I

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<v Speaker 2>was there in December. And let me tell you, dude,

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<v Speaker 2>I don't know if I've ever seen a more handsome

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<v Speaker 2>grown man in person.

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<v Speaker 3>With my eyeballs.

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<v Speaker 2>Really, he's astoundingly good looking, and I wanted to go

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<v Speaker 2>over and say, like, hey man, we grew up in

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<v Speaker 2>the same neighborhood basically.

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<v Speaker 1>And you're really good looking, You're really handsome.

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<v Speaker 2>But he I'm such a big fan of his but

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<v Speaker 2>from his music to his acting. But he was with

0:11:37.880 --> 0:11:40.520
<v Speaker 2>his family and like it was just like, I'm just

0:11:40.559 --> 0:11:41.240
<v Speaker 2>not going to do that.

0:11:41.559 --> 0:11:45.240
<v Speaker 1>Instead, you got in your car and shouted Dan high

0:11:45.280 --> 0:11:48.200
<v Speaker 1>rules and like laid rubber peeling out of the parking lot.

0:11:48.920 --> 0:11:51.839
<v Speaker 3>Yeah that's right. Sure, Danger Mouse went to my high

0:11:51.880 --> 0:11:52.440
<v Speaker 3>school too, though.

0:11:52.679 --> 0:11:55.200
<v Speaker 1>Oh yeah, oh I forgot about Danger Mouse. Danger Mouse

0:11:55.240 --> 0:11:58.400
<v Speaker 1>did that gray album with the Beatles, and.

0:12:00.520 --> 0:12:04.840
<v Speaker 3>Right, I don't know, we'll.

0:12:04.600 --> 0:12:09.160
<v Speaker 1>Find out the hard way. So, like you said, a

0:12:09.200 --> 0:12:11.960
<v Speaker 1>lot of hip hop artists are probably or probably were

0:12:12.120 --> 0:12:15.920
<v Speaker 1>our good English students, and Biggie Smalls was not an

0:12:15.960 --> 0:12:19.160
<v Speaker 1>exception to that. Like Tupac, he was. Actually he excelled

0:12:19.200 --> 0:12:23.360
<v Speaker 1>in English and high school. But also like Tupac, his

0:12:23.800 --> 0:12:26.760
<v Speaker 1>family was not exactly well to do. Remember, his mom

0:12:26.800 --> 0:12:29.200
<v Speaker 1>took a second job to put him just through high school.

0:12:29.520 --> 0:12:33.000
<v Speaker 1>So he started selling drugs on the side, crack again

0:12:33.200 --> 0:12:36.959
<v Speaker 1>because it's the eighties, and eventually he dropped out of

0:12:37.040 --> 0:12:40.920
<v Speaker 1>high school, and I think any kind of straight and

0:12:41.000 --> 0:12:43.000
<v Speaker 1>narrow he might have been on from high school was

0:12:43.040 --> 0:12:45.400
<v Speaker 1>just kind of removed and he started to get in

0:12:45.480 --> 0:12:47.800
<v Speaker 1>like actual trouble with the cops.

0:12:48.280 --> 0:12:50.800
<v Speaker 2>Yeah, he ended up in jail, actually spent nine months

0:12:50.800 --> 0:12:53.720
<v Speaker 2>in jail at one point because it couldn't make bail.

0:12:53.840 --> 0:12:56.520
<v Speaker 2>And once he got out, he made a demo tape

0:12:56.600 --> 0:12:59.280
<v Speaker 2>under the name Biggie Smalls. His nickname as a kid

0:12:59.320 --> 0:13:02.680
<v Speaker 2>was big, but I think that came from a gangster

0:13:02.760 --> 0:13:04.720
<v Speaker 2>in a movie from nineteen seventy five called Let's Do

0:13:04.760 --> 0:13:07.840
<v Speaker 2>It Again. Biggie Smalls did, and he said that he

0:13:07.920 --> 0:13:10.000
<v Speaker 2>wasn't trying to get into a career, he just sort

0:13:10.000 --> 0:13:14.280
<v Speaker 2>of did it for fun, and that got him on

0:13:14.679 --> 0:13:18.160
<v Speaker 2>Source magazine's list in nineteen ninety two of Unsigned in

0:13:18.200 --> 0:13:21.320
<v Speaker 2>their Unsigned hype Columneah, which eventually put him on a

0:13:21.360 --> 0:13:26.080
<v Speaker 2>compilation with other Unsigned rappers, which eventually landed him on

0:13:26.160 --> 0:13:27.880
<v Speaker 2>the ears of a twenty.

0:13:27.640 --> 0:13:30.439
<v Speaker 3>Three year old named named Sean Combs.

0:13:30.800 --> 0:13:34.240
<v Speaker 1>So yeah, Shawn Combs, puff Daddy did he People have

0:13:34.280 --> 0:13:36.720
<v Speaker 1>probably heard of him by now for all sorts of reasons.

0:13:37.440 --> 0:13:39.760
<v Speaker 1>His career as a twenty three year old was as

0:13:39.840 --> 0:13:46.240
<v Speaker 1>vice president of Uptown Records, and being an entrepreneur and

0:13:46.679 --> 0:13:49.160
<v Speaker 1>all sorts of other things, he decided to found his

0:13:49.200 --> 0:13:54.000
<v Speaker 1>own record company, bad Boy Worldwide Music Group usually known

0:13:54.040 --> 0:13:56.560
<v Speaker 1>as bad Boy Records, and one of the first things

0:13:56.600 --> 0:14:00.720
<v Speaker 1>he did was sign Biggie Small's and they became paired

0:14:00.800 --> 0:14:03.160
<v Speaker 1>up in the media. They hung out there, friends, They

0:14:03.160 --> 0:14:06.600
<v Speaker 1>were fairly close, but like those two were inseparable as

0:14:06.600 --> 0:14:09.600
<v Speaker 1>far as like the public was concerned whether that was

0:14:09.640 --> 0:14:10.560
<v Speaker 1>fully true or not.

0:14:11.320 --> 0:14:13.839
<v Speaker 2>Yeah and his when he put out his first single,

0:14:13.880 --> 0:14:18.240
<v Speaker 2>it was under the name Notorious Big because of legal issues.

0:14:18.320 --> 0:14:21.280
<v Speaker 3>I guess with the movie Yeah Biggie Smalls was that

0:14:21.440 --> 0:14:24.240
<v Speaker 3>my take you? Okay? So he was Notorious Big Ig

0:14:24.400 --> 0:14:26.360
<v Speaker 3>officially everyone called him Biggie. Of course.

0:14:27.320 --> 0:14:29.840
<v Speaker 2>He had as a kid in ninety three with his

0:14:29.920 --> 0:14:34.880
<v Speaker 2>high school girlfriend jan Jackson, not Jana Jackson, and he

0:14:35.040 --> 0:14:37.320
<v Speaker 2>hadn't really broken through at this point, even though he

0:14:37.440 --> 0:14:41.640
<v Speaker 2>was with Shawn Combs at the time. But he you know,

0:14:41.680 --> 0:14:44.440
<v Speaker 2>so he continued to kind of deal drugs, apparently colms.

0:14:44.440 --> 0:14:46.000
<v Speaker 2>It was like, he can't do that kind of stuff

0:14:46.000 --> 0:14:47.080
<v Speaker 2>if you want to get anywhere.

0:14:48.160 --> 0:14:50.040
<v Speaker 3>But he broke up with his.

0:14:51.560 --> 0:14:53.800
<v Speaker 2>High school sweetheart who he had his first kid with

0:14:54.160 --> 0:14:57.440
<v Speaker 2>and a few months after that ended up with Faith Evans.

0:14:57.200 --> 0:14:58.680
<v Speaker 3>Who was also on the Bad Boy label.

0:14:59.280 --> 0:15:03.040
<v Speaker 2>And that is is Biggie and his start, So good

0:15:03.040 --> 0:15:03.720
<v Speaker 2>time for a break.

0:15:04.120 --> 0:15:07.520
<v Speaker 1>Yeah, we're at nineteen ninety three, Tupac's already a star

0:15:07.600 --> 0:15:08.960
<v Speaker 1>and Biggie's starting to come up.

0:15:09.320 --> 0:15:10.560
<v Speaker 3>All right, We'll be right back.

0:15:10.640 --> 0:15:14.360
<v Speaker 1>As why why Why s K as big.

0:15:17.200 --> 0:15:34.160
<v Speaker 4>Tough. He should know, definitely should know, Charles s K. So.

0:15:34.720 --> 0:15:36.080
<v Speaker 1>One of the things you may or may not know,

0:15:36.120 --> 0:15:38.880
<v Speaker 1>if you're just kind of passing passingly familiar with the

0:15:38.920 --> 0:15:42.280
<v Speaker 1>beef between Biggie and Tupac, is that they started out

0:15:42.320 --> 0:15:46.320
<v Speaker 1>as friends. They were actually pretty good friends for a while. Tupac,

0:15:46.440 --> 0:15:49.080
<v Speaker 1>like I said, before he broke, was already a star.

0:15:49.280 --> 0:15:52.280
<v Speaker 1>His star was established and still growing. Biggie was just

0:15:52.320 --> 0:15:54.480
<v Speaker 1>starting to come up. He was pretty pretty well known

0:15:54.520 --> 0:15:58.360
<v Speaker 1>around New York, and Tupac kind of became a mentor

0:15:58.440 --> 0:16:02.760
<v Speaker 1>to him. They met in nineteen ninety three, and they

0:16:02.840 --> 0:16:04.720
<v Speaker 1>hung out with a bunch of other people, played around

0:16:04.720 --> 0:16:08.200
<v Speaker 1>with a bunch of guns at Tupac's house, and they

0:16:08.640 --> 0:16:11.200
<v Speaker 1>became close enough that whenever Biggie went out to la

0:16:11.600 --> 0:16:13.560
<v Speaker 1>he stayed on Tupac's couch.

0:16:14.160 --> 0:16:14.640
<v Speaker 3>That's right.

0:16:14.880 --> 0:16:17.560
<v Speaker 2>Uh, he was, like I said, he was a He

0:16:17.640 --> 0:16:20.760
<v Speaker 2>kind of considered Biggie like one of his lieutenants at

0:16:20.760 --> 0:16:24.840
<v Speaker 2>the time and definitely was a mentor. Biggie's debut came out,

0:16:25.080 --> 0:16:27.160
<v Speaker 2>it was called Ready to Die in nineteen ninety four,

0:16:28.000 --> 0:16:32.320
<v Speaker 2>and before that, Biggie was like, you know what, I

0:16:32.320 --> 0:16:34.360
<v Speaker 2>think you should just be my manager and take over

0:16:34.480 --> 0:16:38.120
<v Speaker 2>from takeover for Shawn Combs, and Tupac was like, no, man,

0:16:38.160 --> 0:16:42.240
<v Speaker 2>you need to stick with that guy. Apparently Tupac wasn't

0:16:42.240 --> 0:16:45.200
<v Speaker 2>a big fan of Combs. Yeah, but you know he

0:16:45.280 --> 0:16:48.000
<v Speaker 2>said that I had a feeling he just didn't want

0:16:48.000 --> 0:16:49.720
<v Speaker 2>to get into managing him.

0:16:49.920 --> 0:16:52.040
<v Speaker 1>Well, he said, he'll make you a star, and I

0:16:52.120 --> 0:16:54.480
<v Speaker 1>think he did know that. Like, you know, Tupac wasn't

0:16:54.720 --> 0:16:56.880
<v Speaker 1>a manager or a label owner. Like he was a

0:16:57.120 --> 0:17:00.520
<v Speaker 1>performer and Sean Combs liked the thing think of himself

0:17:00.560 --> 0:17:02.800
<v Speaker 1>as a performer, but really he was an executive. So

0:17:02.880 --> 0:17:05.360
<v Speaker 1>it probably was the smarter move to stay with him,

0:17:05.640 --> 0:17:08.600
<v Speaker 1>at least at first, right. Yeah, the problem was is

0:17:09.320 --> 0:17:14.840
<v Speaker 1>Seawn Combs again remember inextricably linked BFF with Biggie as

0:17:14.840 --> 0:17:18.320
<v Speaker 1>far as the public's concerned, was actually jealous of Biggie

0:17:18.320 --> 0:17:21.000
<v Speaker 1>and Tupac's friendship. He wanted to be friends with Tupac.

0:17:21.359 --> 0:17:23.760
<v Speaker 1>He was jealous that Bickie got to be friends with Tupac.

0:17:24.080 --> 0:17:28.000
<v Speaker 1>The reason Tupac didn't care about being friends with Sean

0:17:28.119 --> 0:17:32.240
<v Speaker 1>Combs is that he thought Shawn Combs was basically a poser.

0:17:33.119 --> 0:17:36.000
<v Speaker 1>He was a record executive, playing like he was a

0:17:36.040 --> 0:17:39.840
<v Speaker 1>hardcore rapper, and he didn't have much respect for him.

0:17:39.840 --> 0:17:43.000
<v Speaker 1>And I think that really kind of came through to

0:17:43.680 --> 0:17:46.720
<v Speaker 1>Shawn Combs after a little while, and he didn't he

0:17:46.800 --> 0:17:48.320
<v Speaker 1>started not liking Tupac.

0:17:48.840 --> 0:17:49.600
<v Speaker 3>Yeah, that's right.

0:17:50.040 --> 0:17:52.119
<v Speaker 2>So the beef is sort of the beef seed is

0:17:52.160 --> 0:17:55.000
<v Speaker 2>planted as they are, you know that old saying.

0:17:56.600 --> 0:17:57.600
<v Speaker 1>Where's the beef seed?

0:17:57.720 --> 0:18:01.600
<v Speaker 2>It's been exactly red to die. Like I mentioned, was

0:18:01.600 --> 0:18:04.120
<v Speaker 2>Biggie's debut in ninety four. It was a big hit

0:18:04.200 --> 0:18:08.200
<v Speaker 2>that went double platinum about a year later, which means

0:18:08.440 --> 0:18:11.080
<v Speaker 2>a lot of records were sold. And this was when

0:18:11.119 --> 0:18:14.280
<v Speaker 2>the West Coast was sort of like all the big

0:18:14.359 --> 0:18:16.320
<v Speaker 2>hip hop stars were mainly out of the West Coast,

0:18:16.760 --> 0:18:18.480
<v Speaker 2>so he was kind of the biggest thing coming out

0:18:18.520 --> 0:18:21.359
<v Speaker 2>of New York right off the bat. And it's a

0:18:21.400 --> 0:18:24.399
<v Speaker 2>great record, he was you know, he rapped a lot

0:18:24.440 --> 0:18:27.800
<v Speaker 2>about you know, sort of like the lifestyle and the

0:18:27.840 --> 0:18:29.439
<v Speaker 2>gangs of stuff that he was doing. But also there

0:18:29.480 --> 0:18:31.600
<v Speaker 2>was a lot of vulnerability on that first record too.

0:18:32.680 --> 0:18:36.280
<v Speaker 1>Yeah. Yeah, he and Tupac wasn't shy about rapping about

0:18:36.280 --> 0:18:38.720
<v Speaker 1>mental health and stuff like that. And up to this point,

0:18:38.760 --> 0:18:41.440
<v Speaker 1>like you did not talk about that kind of stuff.

0:18:41.480 --> 0:18:44.040
<v Speaker 1>It was all about partying and having sex and like

0:18:44.119 --> 0:18:46.080
<v Speaker 1>doing drugs and all that stuff. You didn't talk about

0:18:46.160 --> 0:18:49.639
<v Speaker 1>being paranoid or like super worried about being killed or

0:18:49.640 --> 0:18:52.880
<v Speaker 1>anything like that. And I just to kind of set

0:18:52.920 --> 0:18:54.760
<v Speaker 1>the scene, can we talk a little bit about the

0:18:55.359 --> 0:18:58.240
<v Speaker 1>brief history of hip hop up to that point and

0:18:58.280 --> 0:19:01.240
<v Speaker 1>how big of a deal it was when Ready to

0:19:01.320 --> 0:19:04.919
<v Speaker 1>Die came out, Sure, because you said that the West

0:19:04.920 --> 0:19:07.680
<v Speaker 1>Coast had kind of taken over from the East Coast,

0:19:07.800 --> 0:19:10.040
<v Speaker 1>like from Slick Rick and ll cool J and all

0:19:10.119 --> 0:19:12.480
<v Speaker 1>them the ones who were coming up in the eighties.

0:19:13.440 --> 0:19:16.680
<v Speaker 1>At the time that Biggie Small's record came out, everyone

0:19:16.800 --> 0:19:21.440
<v Speaker 1>was all about Doctor dre Ice Cube, Snoop Dogg, all

0:19:21.480 --> 0:19:23.959
<v Speaker 1>these guys, like that's where rap was. It was on

0:19:24.000 --> 0:19:27.240
<v Speaker 1>the West Coast. So for somebody to come along and

0:19:27.280 --> 0:19:30.560
<v Speaker 1>basically snatch that away and bring it back to New York.

0:19:30.920 --> 0:19:33.080
<v Speaker 1>It was just a really big deal. And it took

0:19:34.480 --> 0:19:38.240
<v Speaker 1>a rapper of the caliber of Biggie Smalls to do

0:19:38.280 --> 0:19:41.359
<v Speaker 1>something like that, because there are tons of other albums

0:19:41.400 --> 0:19:43.440
<v Speaker 1>that had come out, like Tribe Called Quest had three

0:19:43.520 --> 0:19:49.000
<v Speaker 1>albums by this time, and yet the Biggie Small's record

0:19:49.040 --> 0:19:53.280
<v Speaker 1>coming out just completely undid essentially caused an earthquake in

0:19:53.320 --> 0:19:56.240
<v Speaker 1>the rap world and tilted everything back to New York.

0:19:56.960 --> 0:19:57.680
<v Speaker 3>Yeah, for sure.

0:19:58.880 --> 0:20:01.800
<v Speaker 2>So as this is happening and Biggie's blowing up like

0:20:01.840 --> 0:20:05.480
<v Speaker 2>in a big way, Tupac is in New York filming

0:20:05.600 --> 0:20:08.639
<v Speaker 2>a movie in nineteen ninety three and we get a

0:20:08.640 --> 0:20:10.560
<v Speaker 2>new guy on the scene, or he was actually on

0:20:10.600 --> 0:20:11.919
<v Speaker 2>the scene, but a new guy as far as his

0:20:11.960 --> 0:20:16.280
<v Speaker 2>podcast goes named Haitian Jack, and he starts hanging out

0:20:16.280 --> 0:20:16.800
<v Speaker 2>with Tupac.

0:20:16.920 --> 0:20:19.399
<v Speaker 3>Tupac likes this guy. They start partying together.

0:20:20.760 --> 0:20:24.080
<v Speaker 2>Biggie knows about Haitian Jack because he was pretty familiar

0:20:24.119 --> 0:20:26.359
<v Speaker 2>with the street gangs of New York, and he warns

0:20:26.359 --> 0:20:28.359
<v Speaker 2>his friend Tupac and he's like, man, this guy is

0:20:28.640 --> 0:20:30.920
<v Speaker 2>real trouble. So like you got to watch out. You

0:20:30.920 --> 0:20:33.040
<v Speaker 2>should probably stay away from this guy because like he's

0:20:33.080 --> 0:20:36.000
<v Speaker 2>a super violent dude. Like, I know, we're all real,

0:20:36.040 --> 0:20:38.639
<v Speaker 2>but this guy is. He will land you in jail

0:20:38.840 --> 0:20:41.560
<v Speaker 2>probably at some point, So stay away or get you killed.

0:20:42.320 --> 0:20:46.160
<v Speaker 1>Yeah, so things are going along. Biggie and Tupac are friends.

0:20:46.280 --> 0:20:49.000
<v Speaker 1>One's in New York, one's on the West Coast. It

0:20:49.040 --> 0:20:54.199
<v Speaker 1>turned out Biggie was pretty right in warning Tupac against

0:20:54.200 --> 0:20:58.960
<v Speaker 1>Haitian Jack, because shortly after that, Tupac met a girl

0:20:59.000 --> 0:21:01.880
<v Speaker 1>named Ayana Jack. She was nineteen at the time, while

0:21:01.880 --> 0:21:04.760
<v Speaker 1>he was in New York filming hanging out with Haitian Jack,

0:21:05.200 --> 0:21:11.240
<v Speaker 1>and she alleged that Tupac Haitian Jack, the road manager

0:21:11.280 --> 0:21:13.560
<v Speaker 1>for Tupac, Charles man Man Fuller, and another man I

0:21:13.600 --> 0:21:16.720
<v Speaker 1>couldn't find who he was, gang raped her and she

0:21:16.800 --> 0:21:19.280
<v Speaker 1>called the police. Afterward, the police showed up, they found

0:21:19.320 --> 0:21:21.960
<v Speaker 1>guns in the room, and now Tupac is in big,

0:21:22.000 --> 0:21:26.880
<v Speaker 1>big trouble again. Right, So two threads begin here. One

0:21:26.960 --> 0:21:30.600
<v Speaker 1>is Tupac is now charged with sexual abus, sodomy and

0:21:31.000 --> 0:21:35.520
<v Speaker 1>possession of guns illegal guns. Yeah, that starts. That thread starts,

0:21:35.560 --> 0:21:38.080
<v Speaker 1>so we'll pick up again later. But another thread starts,

0:21:38.359 --> 0:21:42.280
<v Speaker 1>which is a dispute a beef now with Haitian Jack

0:21:42.400 --> 0:21:45.480
<v Speaker 1>because he thought that Haitian Jack had dropped the dime

0:21:45.520 --> 0:21:48.760
<v Speaker 1>on Tupac to get out of the trouble for this

0:21:48.880 --> 0:21:50.720
<v Speaker 1>gang rape charge.

0:21:51.440 --> 0:21:55.240
<v Speaker 2>Yeah, so Haitian Jack had his case separated from man

0:21:55.280 --> 0:21:59.359
<v Speaker 2>Man Fuller and Tupac. He pleaded down to a lesser charge.

0:21:59.359 --> 0:22:03.320
<v Speaker 2>He pleaded guilty to misdemeanors and avoided jail time. Tupac

0:22:03.800 --> 0:22:05.880
<v Speaker 2>always said he was innocent and that he was set

0:22:05.960 --> 0:22:09.919
<v Speaker 2>up and sold out by Haitian Jack. But that, you know,

0:22:09.960 --> 0:22:13.080
<v Speaker 2>we need to point out that completely contradicts the story

0:22:13.080 --> 0:22:17.919
<v Speaker 2>of the victim from Ayana Jackson. So but you know,

0:22:17.960 --> 0:22:20.520
<v Speaker 2>the whole point of this is there's, like you said,

0:22:20.520 --> 0:22:24.679
<v Speaker 2>there's now this official beef that kind of again planted

0:22:24.680 --> 0:22:27.200
<v Speaker 2>the seed of what would happen to he and eventually

0:22:27.200 --> 0:22:28.199
<v Speaker 2>Biggie moving forward.

0:22:28.480 --> 0:22:31.200
<v Speaker 1>Yeah, and the thing that really kind of blew this

0:22:31.480 --> 0:22:34.199
<v Speaker 1>this whole thing up is Tupac said as much. He said,

0:22:34.400 --> 0:22:38.320
<v Speaker 1>Haitian Jack cooperated with the police, This major actual gangster

0:22:38.400 --> 0:22:41.240
<v Speaker 1>in New York cooperated with the police. In an interview

0:22:41.280 --> 0:22:43.560
<v Speaker 1>with the New York Daily News, So the New York

0:22:43.640 --> 0:22:46.720
<v Speaker 1>Daily News prints Tupac saying that, and that did not

0:22:46.960 --> 0:22:51.840
<v Speaker 1>make Haitian Jack very happy. Those two separated immediately. They

0:22:51.840 --> 0:22:54.160
<v Speaker 1>didn't talk anymore. They weren't friends anymore, they didn't hang out,

0:22:54.160 --> 0:22:56.760
<v Speaker 1>and no, Tupac had essentially an enemy in Haitian Jack,

0:22:56.800 --> 0:22:59.720
<v Speaker 1>which is from what I can tell, not what you

0:22:59.760 --> 0:23:00.240
<v Speaker 1>want it.

0:23:01.040 --> 0:23:04.120
<v Speaker 3>No, not at all. So the case is moving forward.

0:23:04.160 --> 0:23:09.159
<v Speaker 2>At this point, Tupac is financially strapped because while he

0:23:09.240 --> 0:23:11.800
<v Speaker 2>is making money, he's spending it faster than he's making it.

0:23:12.160 --> 0:23:15.040
<v Speaker 2>He's also helping out friends and family with their finances.

0:23:16.200 --> 0:23:18.960
<v Speaker 2>So there was an invitation from a guy named Jimmy

0:23:19.040 --> 0:23:23.440
<v Speaker 2>Henchman Roseman. He knew Shawn Combs, he knew Haitian Jack,

0:23:24.040 --> 0:23:26.320
<v Speaker 2>and he said, Hey, Tupac, why don't you do a

0:23:26.320 --> 0:23:31.919
<v Speaker 2>guest spot for this rapper, Little Sean. He's in Biggie Circle.

0:23:32.040 --> 0:23:35.280
<v Speaker 2>He's a guy with Shawn Combs as well. We'll pay

0:23:35.359 --> 0:23:38.320
<v Speaker 2>seven grand. He needed the money, so he did it.

0:23:38.640 --> 0:23:41.920
<v Speaker 2>He shows up at Times Square at Quad Recording Studios

0:23:41.960 --> 0:23:45.840
<v Speaker 2>on November thirtieth along with three of his guys, and

0:23:45.960 --> 0:23:48.840
<v Speaker 2>before getting on the elevator to go up and record,

0:23:49.000 --> 0:23:52.360
<v Speaker 2>they were met by these other three guys who draw

0:23:52.440 --> 0:23:56.240
<v Speaker 2>guns tell him to get down on the ground. Tupac

0:23:56.359 --> 0:24:00.159
<v Speaker 2>draws his gun and he ends up being shot, ends

0:24:00.240 --> 0:24:02.399
<v Speaker 2>up being robbed, He ends up being beaten pretty badly.

0:24:03.119 --> 0:24:09.120
<v Speaker 2>And Combs and Biggie and Henchman Jimmy Henchman Roseman were

0:24:09.240 --> 0:24:13.160
<v Speaker 2>up in the studio at the time. They were there,

0:24:13.359 --> 0:24:16.360
<v Speaker 2>So all of a sudden, Tupac is getting wheeled out

0:24:16.400 --> 0:24:19.680
<v Speaker 2>on a gurney sees those guys and he flips a

0:24:19.720 --> 0:24:22.840
<v Speaker 2>bird at Biggie and his crew because he thought they

0:24:22.880 --> 0:24:25.560
<v Speaker 2>were in on this attack. And that's when the beef

0:24:25.640 --> 0:24:27.160
<v Speaker 2>like really started between these two.

0:24:27.600 --> 0:24:30.159
<v Speaker 1>Yeah, and Biggie was like, I have no idea what

0:24:30.200 --> 0:24:34.600
<v Speaker 1>he's talking about. And Tupac just decided that if Biggie

0:24:34.600 --> 0:24:38.600
<v Speaker 1>Smalls hadn't set him up, he had at least turned

0:24:38.640 --> 0:24:41.119
<v Speaker 1>his head and let all of this happen, like he

0:24:41.200 --> 0:24:43.160
<v Speaker 1>knew that it was going to happen. He didn't warn him.

0:24:43.480 --> 0:24:47.320
<v Speaker 1>There's no evidence whatsoever either one of those things happened. Yeah,

0:24:47.320 --> 0:24:50.520
<v Speaker 1>And Biggie Small's always is like, no, I like this

0:24:50.560 --> 0:24:53.320
<v Speaker 1>had nothing to do with it. After Tupac died, he

0:24:53.480 --> 0:24:56.760
<v Speaker 1>was obviously heartbroken and spoke in public about how sad

0:24:56.800 --> 0:25:00.000
<v Speaker 1>he was that Tupac was dead. It seems like it was.

0:25:00.000 --> 0:25:03.480
<v Speaker 1>He's a one sided beef, but the beef on Tupac's

0:25:03.480 --> 0:25:07.160
<v Speaker 1>side was so energetic that you couldn't just ignore it.

0:25:07.640 --> 0:25:10.720
<v Speaker 1>There was just a divide, and the divide was so

0:25:10.840 --> 0:25:13.640
<v Speaker 1>great that Blood's hung out with one side, I think

0:25:13.680 --> 0:25:18.760
<v Speaker 1>Tupac side, and Crips hung out with Biggie's side. Yeah,

0:25:18.800 --> 0:25:20.960
<v Speaker 1>and you have that kind of thing, like there's very

0:25:20.960 --> 0:25:25.040
<v Speaker 1>little chance of like reconciling or accidentally hanging out because

0:25:25.080 --> 0:25:26.879
<v Speaker 1>you ran into each other on the street and you

0:25:26.960 --> 0:25:29.199
<v Speaker 1>kind of crush things up. That is not going to

0:25:29.280 --> 0:25:32.240
<v Speaker 1>happen with you now hanging around with the Crips and

0:25:32.280 --> 0:25:33.119
<v Speaker 1>the Bloods.

0:25:33.359 --> 0:25:35.880
<v Speaker 2>Yeah, and no one ever really got to the bottom

0:25:35.920 --> 0:25:38.080
<v Speaker 2>of who was behind that shooting. There's a lot of

0:25:38.119 --> 0:25:40.480
<v Speaker 2>disagreement and people pointing fingers and claiming.

0:25:40.119 --> 0:25:40.680
<v Speaker 3>This and that.

0:25:41.800 --> 0:25:43.679
<v Speaker 2>I guess we don't need to totally get into that.

0:25:43.760 --> 0:25:48.880
<v Speaker 2>But after he was beaten and shot and robbed, he's

0:25:49.080 --> 0:25:52.119
<v Speaker 2>bandaged up, he's in a wheelchair. He's still got this

0:25:52.160 --> 0:25:54.199
<v Speaker 2>court case going on, and he has found guilty of

0:25:54.240 --> 0:25:57.840
<v Speaker 2>sexual assault, he's acquitted on the other charges, and he

0:25:57.960 --> 0:26:01.840
<v Speaker 2>sent its to eighteen months in prison and where his

0:26:01.960 --> 0:26:04.320
<v Speaker 2>third album came out, Me Against the World, came out

0:26:04.320 --> 0:26:06.600
<v Speaker 2>while he was in prison serving that sentence.

0:26:06.720 --> 0:26:10.760
<v Speaker 1>Dude, if you want cred, release your rap album while

0:26:10.800 --> 0:26:11.560
<v Speaker 1>you're in prison.

0:26:12.480 --> 0:26:14.000
<v Speaker 3>Yeah, called Me against the World.

0:26:14.160 --> 0:26:14.960
<v Speaker 1>Yeah exactly.

0:26:15.440 --> 0:26:16.640
<v Speaker 3>Yeah.

0:26:16.760 --> 0:26:20.440
<v Speaker 1>So, while Tupac was in jail, I don't remember how

0:26:20.440 --> 0:26:24.000
<v Speaker 1>long he was in for it, eighteen eighteen months, Okay.

0:26:24.359 --> 0:26:27.760
<v Speaker 1>While he was in jail, Biggie releases a track called

0:26:27.760 --> 0:26:32.840
<v Speaker 1>who Shatcha, and Tupac interprets that as it was completely

0:26:32.880 --> 0:26:37.119
<v Speaker 1>directed to him. It was essentially Biggie Small's gloating about

0:26:37.119 --> 0:26:39.760
<v Speaker 1>having set up Tupac, and now Tupac was in jail

0:26:39.800 --> 0:26:42.879
<v Speaker 1>and he'd been shot, and that seems to not be

0:26:42.960 --> 0:26:45.680
<v Speaker 1>the case at all. Biggie Smalls apparently wrote that song

0:26:45.800 --> 0:26:51.160
<v Speaker 1>before the Quad City shooting. And again, just from all evidence,

0:26:51.160 --> 0:26:54.520
<v Speaker 1>it seems like Biggie had no problem with Tupac. This

0:26:54.680 --> 0:26:57.560
<v Speaker 1>is all in Tupac's head. Like this whole East Coast

0:26:57.560 --> 0:27:01.320
<v Speaker 1>West West Coast beef seems to have come from Tupac

0:27:01.440 --> 0:27:06.640
<v Speaker 1>being paranoid, essentially, And I looked up why he might

0:27:06.640 --> 0:27:12.679
<v Speaker 1>have been paranoid, and apparently there's pretty widespread acknowledgment or

0:27:12.720 --> 0:27:16.440
<v Speaker 1>belief that he was suffering from substantial mental health issues

0:27:16.760 --> 0:27:19.080
<v Speaker 1>while he was alive, and that that had a huge

0:27:19.160 --> 0:27:23.879
<v Speaker 1>impact on the way that he interacted with people, the

0:27:24.000 --> 0:27:26.720
<v Speaker 1>level of trust he would afford, even the closest people,

0:27:26.960 --> 0:27:28.640
<v Speaker 1>Like I think it was very easy to fall out

0:27:28.680 --> 0:27:31.000
<v Speaker 1>of his favor because you might do or say something

0:27:31.040 --> 0:27:33.639
<v Speaker 1>that he suddenly found suspicious and now all of a sudden,

0:27:33.680 --> 0:27:35.800
<v Speaker 1>like you were his enemy, like you would do something

0:27:35.840 --> 0:27:37.600
<v Speaker 1>like set him up or rob him or pay for

0:27:37.680 --> 0:27:38.879
<v Speaker 1>him to be killed or something.

0:27:39.480 --> 0:27:41.919
<v Speaker 3>Yeah, I wondered about that. I'm glad you looked into that.

0:27:42.320 --> 0:27:43.399
<v Speaker 1>Thank you, I am too.

0:27:43.400 --> 0:27:46.840
<v Speaker 3>You're welcome. Maybe we should take another break.

0:27:47.200 --> 0:27:50.080
<v Speaker 2>Yeah, all right, we'll take another break and we'll we'll

0:27:50.080 --> 0:27:51.080
<v Speaker 2>get back to it right after this.

0:27:51.480 --> 0:27:52.439
<v Speaker 1>As why why.

0:27:53.840 --> 0:27:55.120
<v Speaker 4>SK as good.

0:27:58.040 --> 0:27:58.240
<v Speaker 2>Tough?

0:27:58.280 --> 0:28:01.400
<v Speaker 4>He should know?

0:28:03.440 --> 0:28:09.399
<v Speaker 1>Definitely large house of h.

0:28:11.560 --> 0:28:12.040
<v Speaker 4>Y s K.

0:28:14.520 --> 0:28:18.040
<v Speaker 2>All right, So, uh, I don't need to go over

0:28:18.080 --> 0:28:20.320
<v Speaker 2>what we've been talking about because everyone's listening. So at

0:28:20.320 --> 0:28:25.480
<v Speaker 2>this point, the record labels that were handling this kind

0:28:25.480 --> 0:28:27.879
<v Speaker 2>of music, it wasn't like the major label stuff at

0:28:28.520 --> 0:28:31.919
<v Speaker 2>this time, like that would happen in the future, but

0:28:32.080 --> 0:28:32.320
<v Speaker 2>it was.

0:28:32.560 --> 0:28:34.119
<v Speaker 3>It was basically hip hop labels.

0:28:34.160 --> 0:28:37.600
<v Speaker 2>You had bad Boy with Shawn Comb's death Row Records

0:28:37.600 --> 0:28:41.520
<v Speaker 2>on the other side, that company was founded about the

0:28:41.560 --> 0:28:43.840
<v Speaker 2>same time in nineteen ninety two by Doctor Dre and

0:28:43.840 --> 0:28:46.200
<v Speaker 2>a few other guys, and one of those guys was

0:28:46.240 --> 0:28:49.440
<v Speaker 2>his former bodyguard, Marion sug Knight.

0:28:49.560 --> 0:28:51.880
<v Speaker 3>Spelled s u g e h.

0:28:52.040 --> 0:28:55.640
<v Speaker 2>He was the CEO of death Row Records and he

0:28:55.960 --> 0:28:58.840
<v Speaker 2>was a blood like he was you know, he was

0:28:58.880 --> 0:29:02.200
<v Speaker 2>just a straight up blood for from South central Los Angeles.

0:29:02.280 --> 0:29:06.480
<v Speaker 1>Yeah, and he's now the CEO of death Row Records, right,

0:29:06.520 --> 0:29:10.040
<v Speaker 1>so that automatically makes death Row Records like another It's

0:29:10.320 --> 0:29:13.880
<v Speaker 1>a legit music label as far as like the stuff

0:29:13.880 --> 0:29:17.680
<v Speaker 1>that the artists on the label are rapping about. The

0:29:17.720 --> 0:29:20.320
<v Speaker 1>CEO of the record label is a blood, not a

0:29:20.320 --> 0:29:21.600
<v Speaker 1>form of blood, a blood.

0:29:22.080 --> 0:29:22.720
<v Speaker 3>Yeah.

0:29:22.920 --> 0:29:26.880
<v Speaker 1>So we talked about how the Quad Studio shooting like

0:29:26.960 --> 0:29:29.520
<v Speaker 1>really kind of started the beef. The thing that made

0:29:29.560 --> 0:29:33.720
<v Speaker 1>that beef really genuinely public came at the award show

0:29:33.760 --> 0:29:36.800
<v Speaker 1>for Source Magazine their annual awards this time this one

0:29:36.880 --> 0:29:40.120
<v Speaker 1>was in nineteen ninety five, where sug Knight, who'd been

0:29:40.200 --> 0:29:43.840
<v Speaker 1>visiting Tupac and Jail and apparently had bought into Tupac's

0:29:43.840 --> 0:29:47.560
<v Speaker 1>theory that Seawn Combs and Biggie Smalls had set him

0:29:47.640 --> 0:29:51.520
<v Speaker 1>up to be shot and robbed. Suge Knight was accepting

0:29:51.760 --> 0:29:57.400
<v Speaker 1>an award and during his speech he invited any rapper

0:29:57.440 --> 0:30:00.400
<v Speaker 1>who didn't want to worry about the executive producer trying

0:30:00.440 --> 0:30:02.840
<v Speaker 1>to be in all the videos, which was a direct

0:30:02.880 --> 0:30:06.360
<v Speaker 1>shot at Shawn Comb's. He said, come on over to

0:30:06.400 --> 0:30:10.120
<v Speaker 1>death Row Records. And I mean, if you go back

0:30:10.120 --> 0:30:14.480
<v Speaker 1>and look at like Biggie Small's videos and like basically

0:30:14.520 --> 0:30:17.560
<v Speaker 1>any rapper on this label at the time, oh yeah,

0:30:17.640 --> 0:30:20.480
<v Speaker 1>Shawn Combs is probably going to pop up making a cameo,

0:30:20.680 --> 0:30:24.120
<v Speaker 1>if not dance on it, usually with his shirt wide open.

0:30:25.000 --> 0:30:28.280
<v Speaker 1>He really was not. He was not what they, like

0:30:28.480 --> 0:30:31.080
<v Speaker 1>death Row Records was doing. And so, like Suge Knight

0:30:31.160 --> 0:30:33.560
<v Speaker 1>made it a pretty good point, like if you were

0:30:33.800 --> 0:30:36.880
<v Speaker 1>really actually looking for legit stuff, come over here. But

0:30:37.080 --> 0:30:39.720
<v Speaker 1>saying it publicly and doing it by taking a shot

0:30:40.200 --> 0:30:44.560
<v Speaker 1>at Sewan Comb's at the Source Awards while you're accepting

0:30:44.600 --> 0:30:47.800
<v Speaker 1>an award. It was a big deal. That really kind

0:30:47.800 --> 0:30:51.040
<v Speaker 1>of made that beef public and it turned into East

0:30:51.120 --> 0:30:53.320
<v Speaker 1>Coast versus West Coast essentially immediately.

0:30:53.840 --> 0:30:57.200
<v Speaker 2>Yeah, I mean I remember at the time thinking because

0:30:59.280 --> 0:31:01.920
<v Speaker 2>I remember just and it wasn't just rappers like they

0:31:01.960 --> 0:31:03.920
<v Speaker 2>had like some R and B acts And I feel like,

0:31:04.720 --> 0:31:07.440
<v Speaker 2>I feel like Combs was always in those videos just

0:31:07.560 --> 0:31:10.640
<v Speaker 2>like like you said, either dancing or just like yeah

0:31:10.960 --> 0:31:12.320
<v Speaker 2>yeah in the background.

0:31:12.400 --> 0:31:12.960
<v Speaker 1>Yeah.

0:31:12.960 --> 0:31:15.280
<v Speaker 2>And I remember thinking about the time at the time,

0:31:15.320 --> 0:31:18.160
<v Speaker 2>and this wasn't like my hip hop was all like

0:31:18.240 --> 0:31:20.480
<v Speaker 2>earlier stuff and tribe call quests and that kind of thing,

0:31:21.000 --> 0:31:22.880
<v Speaker 2>and you know, Doctor Dray and Snoop. I was into

0:31:22.920 --> 0:31:25.480
<v Speaker 2>that at first, but this generally wasn't my thing. But

0:31:25.560 --> 0:31:29.360
<v Speaker 2>I remember thinking, like, this guy's like he sucks, like

0:31:29.440 --> 0:31:34.120
<v Speaker 2>he's not he's not a talented artist, no, because he wasn't.

0:31:34.160 --> 0:31:34.959
<v Speaker 3>I guess you know.

0:31:35.040 --> 0:31:37.440
<v Speaker 2>He was a like you said, an executive and a producer,

0:31:37.520 --> 0:31:39.800
<v Speaker 2>and I was I remember thinking, they're like, why is

0:31:39.840 --> 0:31:41.880
<v Speaker 2>he always throwing himself in there in front of the camera,

0:31:41.960 --> 0:31:42.520
<v Speaker 2>like he sucks?

0:31:42.840 --> 0:31:45.880
<v Speaker 1>Yeah, And he was dorky even compared to who were

0:31:45.960 --> 0:31:50.360
<v Speaker 1>essentially mainstream rap artists like Tupac and Biggie Smalls. Oh yeah, no,

0:31:50.400 --> 0:31:53.800
<v Speaker 1>shade on them, but there were way more underground rappers

0:31:53.840 --> 0:31:56.720
<v Speaker 1>at the time putting out really good stuff. Tribe called

0:31:56.760 --> 0:31:59.760
<v Speaker 1>Quest is a really good example of that that when

0:31:59.760 --> 0:32:04.280
<v Speaker 1>you compared them to them, he became even more cringey.

0:32:04.040 --> 0:32:05.840
<v Speaker 3>Right, Yeah, yeah, for sure he was.

0:32:06.000 --> 0:32:09.040
<v Speaker 1>It was and he definitely like kind of brought down

0:32:09.080 --> 0:32:12.480
<v Speaker 1>the credibility of the label and all the artists on

0:32:12.520 --> 0:32:16.120
<v Speaker 1>it for sure. Like Biggie Smalls was exponentially too good

0:32:16.520 --> 0:32:19.640
<v Speaker 1>for Sean Combs. Seawan Combs just kind of had him

0:32:19.720 --> 0:32:20.520
<v Speaker 1>under his thumb.

0:32:21.000 --> 0:32:22.960
<v Speaker 3>Yeah, absolutely, which is sad.

0:32:22.760 --> 0:32:26.560
<v Speaker 1>Because I mean, Biggie Smalls is. Biggie Smalls and Tupac

0:32:26.680 --> 0:32:29.800
<v Speaker 1>usually kind of battle for first or second place on

0:32:29.880 --> 0:32:33.480
<v Speaker 1>most lists of the greatest rapper of all time. My

0:32:33.560 --> 0:32:34.800
<v Speaker 1>money's on Biggie Smalls.

0:32:34.800 --> 0:32:37.560
<v Speaker 3>What about you as the greatest rapper of all time?

0:32:37.960 --> 0:32:40.200
<v Speaker 1>Well, it's between Tupac and Biggie how about that?

0:32:40.560 --> 0:32:41.120
<v Speaker 3>Oh okay?

0:32:41.440 --> 0:32:44.240
<v Speaker 2>Because Chuck d like dead in the bullseye for me,

0:32:44.400 --> 0:32:47.120
<v Speaker 2>Oh yeah, oh yeah, I was always a public enemy

0:32:47.120 --> 0:32:48.520
<v Speaker 2>guy like that started in high school.

0:32:48.800 --> 0:32:51.520
<v Speaker 1>I like them too, but I don't know, I think

0:32:51.560 --> 0:32:56.640
<v Speaker 1>I don't like the I don't like the instrumental track

0:32:56.840 --> 0:33:00.680
<v Speaker 1>to a lot of their stuff. It's too hard edgy

0:33:00.720 --> 0:33:01.000
<v Speaker 1>for me.

0:33:01.680 --> 0:33:04.400
<v Speaker 2>Yeah, I liked it, I mean, trust me, I was

0:33:04.440 --> 0:33:07.880
<v Speaker 2>way more into like, uh, the tribe called Quest and

0:33:08.280 --> 0:33:13.000
<v Speaker 2>Far Side and Jungle Brothers and like that kind of style.

0:33:13.680 --> 0:33:16.720
<v Speaker 2>Uh so public Enemy me being into Public Enemy in

0:33:16.760 --> 0:33:18.760
<v Speaker 2>high school is definitely kind of a weird thing.

0:33:20.320 --> 0:33:22.280
<v Speaker 3>Yeah, But as I was listening to the Smiths and

0:33:22.320 --> 0:33:23.200
<v Speaker 3>The Cure, It's.

0:33:23.160 --> 0:33:25.440
<v Speaker 1>Right, no, I'm with you. I was listening to Smith's

0:33:25.440 --> 0:33:27.720
<v Speaker 1>and The Cure, but also like boot Camp Click, like

0:33:27.960 --> 0:33:31.440
<v Speaker 1>Smith and Wesson, Nah's Wu Tang Gangs.

0:33:31.400 --> 0:33:33.760
<v Speaker 3>Yeah, I see. I never I like Gangstar, but I

0:33:33.800 --> 0:33:34.960
<v Speaker 3>never got into Wu Tang.

0:33:35.240 --> 0:33:38.040
<v Speaker 1>They were pretty good. They were they were better solo.

0:33:38.160 --> 0:33:40.640
<v Speaker 1>I think most of like method Man and Rizza were

0:33:40.640 --> 0:33:42.280
<v Speaker 1>better solo than Wu Tang together.

0:33:42.360 --> 0:33:45.960
<v Speaker 3>But whatever, and this is two middle aged white guys

0:33:46.240 --> 0:33:47.360
<v Speaker 3>that's their hip hop pass.

0:33:47.440 --> 0:33:50.280
<v Speaker 1>I do have to say that Doctor Dre's The Chronic

0:33:50.440 --> 0:33:54.200
<v Speaker 1>was literally life changing, oh for sure. And it's not

0:33:54.320 --> 0:33:56.880
<v Speaker 1>just me that that happened to. I think that changed

0:33:56.960 --> 0:33:58.400
<v Speaker 1>a lot of people's trajection.

0:33:58.600 --> 0:33:59.320
<v Speaker 3>I was one of them.

0:33:59.320 --> 0:34:02.320
<v Speaker 2>Man, that thing by heart and inside and out. It's

0:34:02.320 --> 0:34:04.120
<v Speaker 2>a fun listen when I put it on a lot

0:34:04.120 --> 0:34:05.960
<v Speaker 2>of nostalgia, Let's back it is.

0:34:06.400 --> 0:34:10.360
<v Speaker 1>I thought the same thing would be for Doggie Style

0:34:10.440 --> 0:34:14.799
<v Speaker 1>Snoop's debut solo album, It's not It does not hold up.

0:34:15.680 --> 0:34:15.879
<v Speaker 4>Yeah.

0:34:15.920 --> 0:34:17.839
<v Speaker 3>I mean it's not like it wasn't as good as

0:34:17.880 --> 0:34:18.960
<v Speaker 3>the Chronic, not a mile.

0:34:19.200 --> 0:34:21.200
<v Speaker 1>But I liked it as much as the Chronic at

0:34:21.200 --> 0:34:22.400
<v Speaker 1>the time, and I don't anymore.

0:34:23.000 --> 0:34:23.719
<v Speaker 3>Yeah, I'm with you.

0:34:24.000 --> 0:34:25.360
<v Speaker 2>And part of that may have to do with the

0:34:25.360 --> 0:34:28.040
<v Speaker 2>fact that Snoop Dogg has I don't know, become the

0:34:28.040 --> 0:34:29.080
<v Speaker 2>Snoop Dogg of today.

0:34:29.280 --> 0:34:32.840
<v Speaker 1>Man, he's amazing. He's now the owner of the Thrower Records.

0:34:33.239 --> 0:34:36.080
<v Speaker 2>No, he's awesome, but I just feel like he's he's

0:34:36.400 --> 0:34:37.840
<v Speaker 2>a bit over exposed for my taste.

0:34:38.400 --> 0:34:42.000
<v Speaker 1>Oh, I see, he's like the the Peyton Manning of

0:34:42.000 --> 0:34:45.480
<v Speaker 1>the hip hop world. He's the Pedro Pascal of rap.

0:34:46.040 --> 0:34:47.920
<v Speaker 3>Okay, even better said, but he's.

0:34:47.760 --> 0:34:51.000
<v Speaker 1>An American treasure though. I mean like he's an Olympic

0:34:51.080 --> 0:34:52.600
<v Speaker 1>mascot along with Flavor Flav.

0:34:53.560 --> 0:34:57.200
<v Speaker 2>Now I'm picturing Snoop Dogg, Pedro Pascal, and Peyton Manning

0:34:57.440 --> 0:35:00.640
<v Speaker 2>and just sitting at lunch just saying, like, guys, this

0:35:00.719 --> 0:35:01.040
<v Speaker 2>is great.

0:35:01.320 --> 0:35:04.360
<v Speaker 1>I could see that talking about mutual funds.

0:35:04.719 --> 0:35:07.160
<v Speaker 3>Yeah, we should do something together because we're done out there.

0:35:07.160 --> 0:35:11.120
<v Speaker 1>Enough, right, it'll blow everyone's mind.

0:35:11.640 --> 0:35:12.080
<v Speaker 3>All right.

0:35:12.239 --> 0:35:16.320
<v Speaker 2>So we are in September nineteen ninety five, At this point,

0:35:16.640 --> 0:35:19.040
<v Speaker 2>sug Knight has dropped the dropped the bomb at the

0:35:19.080 --> 0:35:22.520
<v Speaker 2>Source Awards, which I'm sure did not sit well with

0:35:22.560 --> 0:35:25.760
<v Speaker 2>Shawn Combs. And Tupac is in prison at this point,

0:35:26.320 --> 0:35:30.160
<v Speaker 2>and Knight and Comb's go to the same party here

0:35:30.200 --> 0:35:33.160
<v Speaker 2>in Atlanta at what was called the Platinum House. It's

0:35:33.200 --> 0:35:37.840
<v Speaker 2>a strip bar over on Piedmont Road near the Colonnade.

0:35:37.400 --> 0:35:37.919
<v Speaker 3>Which you love.

0:35:38.480 --> 0:35:43.080
<v Speaker 2>Yeah, a fight breaks out and a guy named Jake

0:35:43.160 --> 0:35:45.520
<v Speaker 2>Roebles it was a death Row employee and he was

0:35:45.600 --> 0:35:48.839
<v Speaker 2>a blood and a close friend of sug Knight. He

0:35:48.960 --> 0:35:52.880
<v Speaker 2>was shot and killed and witnesses were like, Seawan Combs's

0:35:52.920 --> 0:35:54.400
<v Speaker 2>bodyguard is the one who did.

0:35:54.239 --> 0:35:57.440
<v Speaker 1>It, right, So this is not good. This has not

0:35:57.560 --> 0:36:02.600
<v Speaker 1>helped this rivalry at all. And eventually, I guess over

0:36:02.640 --> 0:36:05.200
<v Speaker 1>the same time, Tupac is still in prison, but sug

0:36:05.320 --> 0:36:07.680
<v Speaker 1>Knight is still visiting Tupac there, and like they're becoming

0:36:07.719 --> 0:36:11.279
<v Speaker 1>closer and closer because not only is Suge Night going

0:36:11.360 --> 0:36:13.760
<v Speaker 1>out of his way to go visit Tupac in prison,

0:36:14.680 --> 0:36:17.960
<v Speaker 1>he's also helping him financially, helped him post bail to

0:36:18.040 --> 0:36:22.839
<v Speaker 1>get out on an appeal. And when Tupac gets out

0:36:22.880 --> 0:36:26.319
<v Speaker 1>of prison, again. He's now deeply indebted to sug Knight,

0:36:26.400 --> 0:36:30.520
<v Speaker 1>but apparently they have become real friends. He releases his

0:36:30.520 --> 0:36:33.759
<v Speaker 1>fourth album, All Eyes on Me. I think it was

0:36:33.800 --> 0:36:38.400
<v Speaker 1>in February of nineteen ninety six, like immediately when double Platinum.

0:36:38.440 --> 0:36:40.480
<v Speaker 1>I think it went to number one on the charts.

0:36:41.080 --> 0:36:46.600
<v Speaker 2>So at this time, Death Row is at CANAM Studios

0:36:46.600 --> 0:36:50.640
<v Speaker 2>outside La That's what they're working out of, and people,

0:36:50.920 --> 0:36:52.759
<v Speaker 2>you know at the time were like, you know, the

0:36:53.000 --> 0:36:55.480
<v Speaker 2>real stuff is going down. There's a big gangster culture

0:36:55.560 --> 0:37:01.840
<v Speaker 2>in and around that studio. Sug Knight is a real heavy.

0:37:02.239 --> 0:37:05.080
<v Speaker 2>He's threatening people right and left if they don't, you know,

0:37:05.120 --> 0:37:09.200
<v Speaker 2>aren't on his good side. And people are hanging out

0:37:09.200 --> 0:37:12.759
<v Speaker 2>there with gang members who are their security. So there's

0:37:13.239 --> 0:37:14.880
<v Speaker 2>you know, there might be bloods there one day, there

0:37:14.920 --> 0:37:17.120
<v Speaker 2>might be crips there one day. There might be a

0:37:17.239 --> 0:37:20.920
<v Speaker 2>huge singer there one day recording. But all of this

0:37:20.960 --> 0:37:22.880
<v Speaker 2>is sort of happening around can M Studios.

0:37:23.360 --> 0:37:27.719
<v Speaker 1>Right. So twopuckets out of prison, and remember like this

0:37:27.800 --> 0:37:32.520
<v Speaker 1>guy's like essentially a heat seeking missile focused on Biggie Smalls.

0:37:33.280 --> 0:37:35.640
<v Speaker 1>Like I get the impression that he just sat in

0:37:35.680 --> 0:37:39.279
<v Speaker 1>prison like ruminating about Biggie Smalls and getting back at him.

0:37:39.320 --> 0:37:41.360
<v Speaker 1>So one of the first things he does was hire

0:37:41.840 --> 0:37:44.640
<v Speaker 1>Biggie Small's wife, Faith Evans, who was herself a pretty

0:37:45.640 --> 0:37:49.680
<v Speaker 1>popular recording artist at the time. He offered her twenty

0:37:49.680 --> 0:37:53.680
<v Speaker 1>five thousand dollars to be on one of his records,

0:37:53.800 --> 0:37:57.880
<v Speaker 1>a track for his album All Eyes on Me, and

0:37:57.920 --> 0:38:00.000
<v Speaker 1>she did. She's like, sure, twenty five grand I'll do it.

0:38:01.280 --> 0:38:04.720
<v Speaker 1>And I guess after she performed or laid down the track,

0:38:04.800 --> 0:38:08.040
<v Speaker 1>I guess what it's called. He was like, I got

0:38:08.040 --> 0:38:09.680
<v Speaker 1>my check at the hotel room. You got to come

0:38:09.680 --> 0:38:11.520
<v Speaker 1>over to my hotel room to get it.

0:38:11.600 --> 0:38:12.280
<v Speaker 3>The red flag.

0:38:12.760 --> 0:38:16.640
<v Speaker 1>Yeah, so she went. Both of them say that he

0:38:16.840 --> 0:38:19.960
<v Speaker 1>propositioned her. He says that they had sex. She has

0:38:20.560 --> 0:38:24.480
<v Speaker 1>repeatedly denied and emphatically denied that they did. But just

0:38:24.560 --> 0:38:26.440
<v Speaker 1>the fact that they were in a hotel room together

0:38:26.600 --> 0:38:29.879
<v Speaker 1>gave tupac even if it wasn't true that they had sex,

0:38:29.920 --> 0:38:32.440
<v Speaker 1>gave him plenty of grounds to tell everybody that they

0:38:32.440 --> 0:38:36.000
<v Speaker 1>did have sex to at least gnaw at Biggie Small's

0:38:36.040 --> 0:38:40.360
<v Speaker 1>with questions, you know in this yeah.

0:38:39.800 --> 0:38:41.640
<v Speaker 2>Yeah, and this is his wife, so like it's on

0:38:42.000 --> 0:38:45.200
<v Speaker 2>for real. At this point, There's no coming back. At

0:38:45.200 --> 0:38:48.120
<v Speaker 2>the Sole Train Award show, this in March of ninety six,

0:38:48.440 --> 0:38:50.839
<v Speaker 2>Tupac and Biggie both won award, so they were there.

0:38:51.680 --> 0:38:53.760
<v Speaker 2>That was the first time they had been together since

0:38:53.800 --> 0:38:56.960
<v Speaker 2>that Quad Studio shooting, which is where it all started.

0:38:57.040 --> 0:38:58.920
<v Speaker 3>And they both had their guys with them. They both

0:38:58.960 --> 0:38:59.880
<v Speaker 3>had their entourages.

0:39:00.840 --> 0:39:05.040
<v Speaker 2>Tupac had the Bloods, Biggie had the South Side Crips

0:39:05.080 --> 0:39:08.160
<v Speaker 2>on his side, and there was a guy named Keith

0:39:08.239 --> 0:39:11.680
<v Speaker 2>d and he was a crip, so he is with Biggie.

0:39:11.680 --> 0:39:14.680
<v Speaker 2>And outside of this, at the Soul Train Award show,

0:39:15.440 --> 0:39:16.879
<v Speaker 2>they got into a fight.

0:39:16.960 --> 0:39:17.440
<v Speaker 3>Basically.

0:39:18.239 --> 0:39:22.440
<v Speaker 2>Witnesses said that Tupac is shouting, shouting down biggiees groups,

0:39:22.480 --> 0:39:26.960
<v Speaker 2>sort of inciting them. They all brandish guns, but nothing

0:39:27.000 --> 0:39:29.200
<v Speaker 2>happens at this point, just a lot of sort of

0:39:29.280 --> 0:39:31.960
<v Speaker 2>back and forth and like, you know, I've got my gun,

0:39:32.160 --> 0:39:33.160
<v Speaker 2>so shut up.

0:39:33.280 --> 0:39:36.000
<v Speaker 1>Yeah. It's astounding Crips and Bloods with their guns drawn

0:39:36.360 --> 0:39:39.800
<v Speaker 1>in the same spot and no one shot anybody. That's crazy.

0:39:41.000 --> 0:39:44.000
<v Speaker 1>So Tupac released Hit Him Up, which is considered one

0:39:44.040 --> 0:39:46.640
<v Speaker 1>of the best diss tracks of all time. He actually

0:39:46.680 --> 0:39:51.959
<v Speaker 1>specifically names Biggie Bye Well by name He also talks

0:39:52.000 --> 0:39:55.919
<v Speaker 1>about how he slept with Biggie's wife, Faith Evans. Yeah,

0:39:55.960 --> 0:39:58.520
<v Speaker 1>and while this is also going on, there's like a

0:39:58.560 --> 0:40:00.880
<v Speaker 1>lot of money to that people have figured out we

0:40:00.920 --> 0:40:04.799
<v Speaker 1>can make from this, right, like this beef and like say,

0:40:04.880 --> 0:40:08.880
<v Speaker 1>you know, some street skirmishes or whatever. This stuff makes news, right, Like,

0:40:08.920 --> 0:40:14.279
<v Speaker 1>people know about this and this is before I think

0:40:14.360 --> 0:40:16.640
<v Speaker 1>cell phones were still kind of bricky at the time,

0:40:17.080 --> 0:40:20.560
<v Speaker 1>long before the Internet, like, and people still knew about

0:40:20.600 --> 0:40:22.799
<v Speaker 1>this stuff. It was just a big deal. And that

0:40:22.880 --> 0:40:26.960
<v Speaker 1>helps sell records like crazy. It also helps sell magazines.

0:40:27.400 --> 0:40:31.359
<v Speaker 1>There's a Vibe magazine from September nineteen ninety five, and

0:40:31.400 --> 0:40:35.160
<v Speaker 1>on the covers Biggie Smalls and Sean Combs and it

0:40:35.200 --> 0:40:38.360
<v Speaker 1>talks about East versus West. Some people put their finger

0:40:38.440 --> 0:40:42.400
<v Speaker 1>on that Vibe issue and point to it as like

0:40:42.440 --> 0:40:47.520
<v Speaker 1>fanning the flames of this beef and essentially making these

0:40:47.760 --> 0:40:51.879
<v Speaker 1>these two groups like have to hate each other even

0:40:51.920 --> 0:40:54.279
<v Speaker 1>more or else they're going to seem weak or like,

0:40:54.520 --> 0:40:57.120
<v Speaker 1>you know, fake whatever.

0:40:58.400 --> 0:41:00.879
<v Speaker 2>Yeah, for sure, And while the this is all going on,

0:41:01.000 --> 0:41:04.799
<v Speaker 2>Tupac is becoming a little more paranoid about death Row

0:41:05.080 --> 0:41:09.279
<v Speaker 2>records and sug Knight and basically like suge Knight's kind

0:41:09.280 --> 0:41:11.799
<v Speaker 2>of controlling the money, saying that you know you're gonna

0:41:11.800 --> 0:41:14.719
<v Speaker 2>blow all your money unless I'm in control. He didn't

0:41:14.719 --> 0:41:18.279
<v Speaker 2>think he was getting the proper royalties. He thought, you're

0:41:18.280 --> 0:41:20.680
<v Speaker 2>holding me back in Hollywood, and I'm trying to get

0:41:20.680 --> 0:41:23.840
<v Speaker 2>my movie career going. So like trouble is sort of

0:41:23.840 --> 0:41:28.120
<v Speaker 2>brewing on the inside there, which finally would culminate. On

0:41:28.160 --> 0:41:32.080
<v Speaker 2>September seventh, nineteen ninety six, a lot of people connected

0:41:32.120 --> 0:41:35.200
<v Speaker 2>with death Row records, Tupac, you know as one of them,

0:41:35.239 --> 0:41:37.960
<v Speaker 2>went to the Mike Tyson fight against Bruce Selden in

0:41:38.040 --> 0:41:41.439
<v Speaker 2>Las Vegas, and after the fight, one of the Death

0:41:41.480 --> 0:41:45.000
<v Speaker 2>Row group members, he was a blood named Trevon Lane,

0:41:45.600 --> 0:41:48.520
<v Speaker 2>saw a guy who said, hey, he stole a death

0:41:48.600 --> 0:41:51.960
<v Speaker 2>Row necklace from me a few months ago. That guy's

0:41:52.000 --> 0:41:55.160
<v Speaker 2>name was Orlando Anderson. He was a crip and a

0:41:55.200 --> 0:41:59.719
<v Speaker 2>nephew of Keith d and Tupac. Sug Knight and other

0:41:59.719 --> 0:42:03.840
<v Speaker 2>people jump Anderson rough him up pretty good and a

0:42:03.840 --> 0:42:06.640
<v Speaker 2>few hours later, Suge Knight and Tupac are at a

0:42:06.640 --> 0:42:10.840
<v Speaker 2>STOPLIGHTE Cadillac pulls up next to them and the car

0:42:11.000 --> 0:42:13.160
<v Speaker 2>is shot up in Tupac.

0:42:13.920 --> 0:42:16.640
<v Speaker 3>Is dead six days later at the age of twenty five.

0:42:16.800 --> 0:42:19.319
<v Speaker 1>Yeah, apparently he was like making jokes and everything as

0:42:19.360 --> 0:42:22.080
<v Speaker 1>he was being put onto the gurney after the shooting.

0:42:22.080 --> 0:42:24.319
<v Speaker 1>But he just went downhill really quick from there.

0:42:24.800 --> 0:42:25.480
<v Speaker 3>Yeah.

0:42:25.560 --> 0:42:27.360
<v Speaker 1>So a lot of people are like, this is Biggie,

0:42:27.520 --> 0:42:30.560
<v Speaker 1>this is Sean Combs. They had they said they had

0:42:30.600 --> 0:42:35.319
<v Speaker 1>nothing to do with it, but this, this, this did

0:42:35.440 --> 0:42:39.080
<v Speaker 1>kind of give Biggie Smalls like a wide opening to

0:42:39.080 --> 0:42:41.200
<v Speaker 1>be like, this stuff has to stop. These this East

0:42:41.200 --> 0:42:45.200
<v Speaker 1>coast West coast thing has gotten out of hand. And

0:42:46.320 --> 0:42:49.040
<v Speaker 1>it seemed pretty cut and dry that really it was

0:42:49.120 --> 0:42:53.120
<v Speaker 1>them beating up Orlando Anderson and him and other crips

0:42:53.160 --> 0:42:57.279
<v Speaker 1>being in town who targeted and carried out this drive by.

0:42:57.520 --> 0:43:01.319
<v Speaker 1>You know, that seems like almost certainly the explanation for

0:43:01.360 --> 0:43:01.879
<v Speaker 1>the whole thing.

0:43:02.480 --> 0:43:04.759
<v Speaker 2>Yeah, I mean, that's who the cops thought from the

0:43:04.840 --> 0:43:06.920
<v Speaker 2>very beginning. It was the guy that was jumped and

0:43:06.960 --> 0:43:10.279
<v Speaker 2>beat up. They didn't arrest him. He died a couple

0:43:10.360 --> 0:43:14.080
<v Speaker 2>of years later in a shooting in Compton. Fast forward

0:43:14.120 --> 0:43:17.239
<v Speaker 2>all the way to twenty nineteen. In a memoir where

0:43:17.360 --> 0:43:21.200
<v Speaker 2>Keith d admitted that he was in that Cadillac. He said,

0:43:21.200 --> 0:43:22.960
<v Speaker 2>I gave the gun to Anderson. He was in the

0:43:22.960 --> 0:43:25.640
<v Speaker 2>back seat. There were two other guys in the car.

0:43:26.280 --> 0:43:28.640
<v Speaker 2>Some people say it was a guy named DeAndre Smith

0:43:28.640 --> 0:43:32.239
<v Speaker 2>who was the actual trigger man. But basically everyone in

0:43:32.280 --> 0:43:36.440
<v Speaker 2>that car ended up being killed except for Keith D.

0:43:36.840 --> 0:43:40.399
<v Speaker 2>And in September twenty twenty three, he was arrested and

0:43:40.520 --> 0:43:44.440
<v Speaker 2>charged with Tupac's murder. And that trial is going to

0:43:44.480 --> 0:43:47.600
<v Speaker 2>happen all these years later, coming up this summer in

0:43:47.800 --> 0:43:49.040
<v Speaker 2>August of twenty twenty six.

0:43:49.280 --> 0:43:51.839
<v Speaker 1>Yeah, and Keith D and later on a Bad Boy

0:43:51.880 --> 0:43:55.640
<v Speaker 1>co founder named Kirk Burrows and others. After all these

0:43:55.680 --> 0:43:59.400
<v Speaker 1>allegations in revelations about what Sean Combs has been up

0:43:59.400 --> 0:44:02.160
<v Speaker 1>to came out, They've come forward him and like we

0:44:02.520 --> 0:44:04.600
<v Speaker 1>think he actually did have something to do with this.

0:44:05.120 --> 0:44:08.200
<v Speaker 1>Seems like a pretty quick turnaround to me. I think

0:44:08.239 --> 0:44:13.480
<v Speaker 1>it was just crips retaliating for a beatdown. So Tupac

0:44:13.560 --> 0:44:18.080
<v Speaker 1>is gone now, like you said, age twenty five, and

0:44:18.320 --> 0:44:20.960
<v Speaker 1>if you want, you can go. You know where Clarkston is, Chuck?

0:44:21.840 --> 0:44:24.840
<v Speaker 3>Uh? Sure? That was a rival high school of Ridan.

0:44:25.080 --> 0:44:28.239
<v Speaker 1>There is a Tupac statue in memorial in Clarkston.

0:44:28.239 --> 0:44:30.799
<v Speaker 3>Did you know that I did? I've never seen it though.

0:44:30.880 --> 0:44:32.359
<v Speaker 1>We went there, You mean, I went there, and it's

0:44:32.440 --> 0:44:35.160
<v Speaker 1>pretty it's pretty amazing, and it's just in the middle

0:44:35.200 --> 0:44:39.560
<v Speaker 1>of this little RinkyDink suburb of Atlanta. Strange, but yeah cool.

0:44:40.080 --> 0:44:42.400
<v Speaker 2>That was kind of my stomping grounds. Was that area

0:44:42.600 --> 0:44:45.040
<v Speaker 2>of Memorial Drive where Clarkston was z owned?

0:44:45.080 --> 0:44:46.960
<v Speaker 1>Oh yeah, yeah, Well we'll have to go to the

0:44:47.000 --> 0:44:48.040
<v Speaker 1>Tupac statue together.

0:44:48.640 --> 0:44:49.560
<v Speaker 3>I'll go check it out.

0:44:49.840 --> 0:44:55.120
<v Speaker 1>So I think what Chuck like, less than six months no,

0:44:55.280 --> 0:44:58.960
<v Speaker 1>right at about six months after Tupac was killed, Biggie

0:44:58.960 --> 0:44:59.960
<v Speaker 1>Small's was murdered.

0:45:01.400 --> 0:45:05.080
<v Speaker 2>Yeah, this was March nineteen ninety seven. He was in

0:45:05.160 --> 0:45:08.000
<v Speaker 2>a car, riding in a car leaving a party a

0:45:08.080 --> 0:45:11.600
<v Speaker 2>Vibe magazine in La pronounced dead at the hospital. He

0:45:11.680 --> 0:45:16.200
<v Speaker 2>was but twenty four years old. And immediately everyone was like,

0:45:16.239 --> 0:45:19.040
<v Speaker 2>this is Shuge Knight, who by the way, people blamed

0:45:19.160 --> 0:45:22.279
<v Speaker 2>Tupac shooting initially on Shuge Knight. Yeah, but he was

0:45:22.320 --> 0:45:25.240
<v Speaker 2>shot as well. He was just grazed, but that seems

0:45:25.280 --> 0:45:27.560
<v Speaker 2>obviously to have not been the case. But everyone immediately

0:45:27.560 --> 0:45:30.000
<v Speaker 2>was like, no, Suge Knight. It definitely was in on

0:45:30.120 --> 0:45:31.319
<v Speaker 2>Biggie's murder.

0:45:31.040 --> 0:45:36.200
<v Speaker 1>In retaliation for Tupac shooting, right. Yeah, It's also entirely

0:45:36.239 --> 0:45:40.280
<v Speaker 1>possible that Shawn Combs did this too, but it certainly

0:45:40.320 --> 0:45:44.000
<v Speaker 1>seems to have been a contract hit. Like the people

0:45:44.040 --> 0:45:46.680
<v Speaker 1>who killed Biggie Small's shot and shot into his car.

0:45:47.000 --> 0:45:49.400
<v Speaker 1>They were lying in wait. They were essentially parked at

0:45:49.400 --> 0:45:53.480
<v Speaker 1>this intersection, waiting for them to stop. They stopped. Shawn

0:45:53.520 --> 0:45:57.200
<v Speaker 1>Comb's car ran a red light and Biggie's car stopped

0:45:57.239 --> 0:46:00.160
<v Speaker 1>at it. So Shawn Combs wasn't near the shooting when

0:46:00.200 --> 0:46:04.880
<v Speaker 1>it happened. There was an FBI agent who came forward

0:46:04.960 --> 0:46:08.400
<v Speaker 1>or actually I guess created a whole report on this,

0:46:08.440 --> 0:46:13.360
<v Speaker 1>who was like this. It was essentially the LAPD hiring

0:46:13.719 --> 0:46:17.359
<v Speaker 1>a hit man at the behest of either Suge Knight

0:46:17.520 --> 0:46:21.799
<v Speaker 1>or Sean Combs. And if so, it was not Tupac's

0:46:22.080 --> 0:46:25.200
<v Speaker 1>probably was not a conspiracy. Biggie Small's murder was almost

0:46:25.280 --> 0:46:26.600
<v Speaker 1>certainly a conspiracy.

0:46:27.520 --> 0:46:29.520
<v Speaker 2>Yeah, and you know Suge Knight would have done all

0:46:29.520 --> 0:46:31.359
<v Speaker 2>this from jail. He was in jail at the time.

0:46:32.560 --> 0:46:36.120
<v Speaker 2>He is in jail. He's in prison now. Again, this

0:46:36.200 --> 0:46:38.239
<v Speaker 2>is from This is a twenty eight year sentence, so

0:46:38.280 --> 0:46:39.920
<v Speaker 2>this is a big one. And this is for the

0:46:39.960 --> 0:46:43.640
<v Speaker 2>death of a Compton businessman from twenty fifteen. He was

0:46:43.680 --> 0:46:48.239
<v Speaker 2>never charged in Biggie's killing. But Biggie's last record or

0:46:48.320 --> 0:46:51.239
<v Speaker 2>last you know, sort of official release. I know they

0:46:51.280 --> 0:46:54.399
<v Speaker 2>both put out a lot of stuff posthumously. But his

0:46:54.480 --> 0:46:58.120
<v Speaker 2>next like real drop was Life After Death. Was called

0:46:58.120 --> 0:47:02.359
<v Speaker 2>that before he was murdered. But that sold more than

0:47:02.640 --> 0:47:05.720
<v Speaker 2>ten million copies and certified diamond.

0:47:06.560 --> 0:47:10.200
<v Speaker 1>Yeah, I guess not as Tupac released nine posthumous albums,

0:47:10.239 --> 0:47:14.239
<v Speaker 1>seven of them went platinum. Yeah. Did you know sug

0:47:14.320 --> 0:47:19.040
<v Speaker 1>Knight has a podcast from jail called collect Call uh Hit.

0:47:19.880 --> 0:47:22.680
<v Speaker 3>That's a pretty good name. It's a great podcast from prison.

0:47:22.840 --> 0:47:27.239
<v Speaker 1>Agreed. Yeah, you want to know what ended the East

0:47:27.239 --> 0:47:28.280
<v Speaker 1>Coast West Coast beef?

0:47:29.280 --> 0:47:30.480
<v Speaker 3>Oh was that still not happening?

0:47:31.160 --> 0:47:35.320
<v Speaker 1>No? No, it ended fairly soon after this rat became

0:47:35.360 --> 0:47:39.680
<v Speaker 1>more decentralized in groups like Outcast came out. Yeah, and

0:47:39.760 --> 0:47:42.400
<v Speaker 1>the whether you were from the East Coast or the

0:47:42.400 --> 0:47:45.200
<v Speaker 1>West Coast was watered down. It didn't matter nearly as much.

0:47:45.480 --> 0:47:47.800
<v Speaker 1>So you can thank Outcasts for ending the East Coast

0:47:47.800 --> 0:47:49.000
<v Speaker 1>West Coast rivalry.

0:47:49.440 --> 0:47:51.640
<v Speaker 3>Yeah, because people are like, no one's got a beef

0:47:51.680 --> 0:47:52.680
<v Speaker 3>with Big Boy and Andre.

0:47:53.000 --> 0:47:56.359
<v Speaker 1>No, everybody loves them for sure, Like I know we've

0:47:56.360 --> 0:47:58.560
<v Speaker 1>some maybe facetious. We are not being.

0:47:58.320 --> 0:48:01.719
<v Speaker 3>Facetious right now. No, hell abotcast.

0:48:02.760 --> 0:48:05.719
<v Speaker 1>One last thing. Apparently Michael Jackson assaulted Tupac once in

0:48:05.760 --> 0:48:09.600
<v Speaker 1>a studio when Tupac insulted Quincy Jones's daughter.

0:48:11.320 --> 0:48:15.320
<v Speaker 3>Oh h, Rashida or another one.

0:48:15.160 --> 0:48:18.120
<v Speaker 1>Another one, not Rashida. I don't think it was Rashida.

0:48:19.320 --> 0:48:19.759
<v Speaker 1>I don't know.

0:48:19.840 --> 0:48:22.839
<v Speaker 3>I went. I wonder how. I wonder how that fight went.

0:48:23.520 --> 0:48:28.200
<v Speaker 1>It's a widespread rumor. And apparently also, you know, Biggie

0:48:28.239 --> 0:48:32.359
<v Speaker 1>was on one of Michael Jackson's songs like doing his thing,

0:48:32.400 --> 0:48:34.360
<v Speaker 1>like legit doing his thing. It wasn't watered down for

0:48:34.480 --> 0:48:38.360
<v Speaker 1>the radio or anything like that. And apparently Michael Jackson

0:48:38.360 --> 0:48:40.400
<v Speaker 1>threw his lot in with Biggie and was not a

0:48:40.400 --> 0:48:43.600
<v Speaker 1>big fan of Tupac and snubbed him once. Oh wow,

0:48:44.040 --> 0:48:45.880
<v Speaker 1>and apparently in addition to beating him up.

0:48:46.920 --> 0:48:50.120
<v Speaker 2>And everyone said, no one cares put side here on

0:48:50.280 --> 0:48:53.479
<v Speaker 2>Michael Jackson. You don't have that kind of cred.

0:48:53.640 --> 0:48:56.400
<v Speaker 1>No, but it is a like Biggie does a pretty

0:48:56.400 --> 0:48:57.319
<v Speaker 1>good job on that song.

0:48:58.360 --> 0:48:59.200
<v Speaker 3>I'll have to check it out.

0:49:00.080 --> 0:49:02.640
<v Speaker 1>Okay, I think that's it, Chuck man.

0:49:02.680 --> 0:49:03.080
<v Speaker 3>We did it.

0:49:03.200 --> 0:49:05.640
<v Speaker 1>We did it. We made it through. Hopefully we didn't

0:49:05.640 --> 0:49:08.080
<v Speaker 1>sound too ridiculous and dorky at any point, but we'll

0:49:08.120 --> 0:49:11.440
<v Speaker 1>find out. Yeah, Chuck said, yeah, it means it's time

0:49:11.480 --> 0:49:12.560
<v Speaker 1>for listener now.

0:49:15.320 --> 0:49:17.480
<v Speaker 3>Yeah, this is just kind of a nice email with

0:49:17.480 --> 0:49:19.759
<v Speaker 3>some good suggestions. Hey guys, my name is Josiah Brown.

0:49:19.760 --> 0:49:20.560
<v Speaker 3>I live in Tennessee.

0:49:20.880 --> 0:49:22.640
<v Speaker 2>I've been a devoted fan since I was about ten

0:49:22.719 --> 0:49:25.239
<v Speaker 2>years old and I'm twenty now. My mom put me

0:49:25.280 --> 0:49:27.320
<v Speaker 2>on you guys, and I basically never stopped.

0:49:27.320 --> 0:49:27.919
<v Speaker 3>So thanks Mom.

0:49:28.000 --> 0:49:28.480
<v Speaker 1>Thanks Mom.

0:49:29.239 --> 0:49:31.959
<v Speaker 3>I've been binge listening recently. I do that every so often.

0:49:32.000 --> 0:49:34.040
<v Speaker 2>I've just been reminded of how wonderful the show is,

0:49:34.400 --> 0:49:35.759
<v Speaker 2>and I just want to reach out and say thanks

0:49:35.760 --> 0:49:38.600
<v Speaker 2>for providing some wonderful content and bringing the same big

0:49:38.600 --> 0:49:40.160
<v Speaker 2>old smile to my face all these years.

0:49:40.719 --> 0:49:43.080
<v Speaker 3>Keep up the good workfellas, and that is Josiah Bee.

0:49:43.600 --> 0:49:44.800
<v Speaker 3>And Josiah had a lot.

0:49:44.680 --> 0:49:51.240
<v Speaker 2>Of good ideas, including Ann Frank, Oscar Schindler. Motown Okay,

0:49:51.760 --> 0:49:54.360
<v Speaker 2>I want to do Motown for sure, mister Rogers, I

0:49:54.400 --> 0:49:55.839
<v Speaker 2>can't believe we haven't done that one yet.

0:49:56.000 --> 0:49:58.560
<v Speaker 1>We were going to, and then that Tom Hanks movie

0:49:58.560 --> 0:50:00.680
<v Speaker 1>came out and kind of ruined it for a little while.

0:50:01.200 --> 0:50:03.080
<v Speaker 3>Yeah, I finally saw that on a plane recently.

0:50:03.160 --> 0:50:05.239
<v Speaker 1>Would you think did you see it?

0:50:06.360 --> 0:50:09.200
<v Speaker 3>Uh? It was? Okay yep.

0:50:11.000 --> 0:50:13.719
<v Speaker 2>And the Hindenburg, and that the Hindenburg is going to

0:50:13.719 --> 0:50:15.400
<v Speaker 2>be coming at some point in the not too distant

0:50:15.440 --> 0:50:18.480
<v Speaker 2>future because we commissioned that article and it's it's in

0:50:18.520 --> 0:50:21.279
<v Speaker 2>the folder on the computer, so I definitely know we're

0:50:21.280 --> 0:50:22.000
<v Speaker 2>going to get to that one.

0:50:22.080 --> 0:50:25.680
<v Speaker 1>Okay, boo, Yeah, who is that again, Josiah, Josiah, thanks

0:50:25.680 --> 0:50:27.480
<v Speaker 1>a lot, Josiah. That was a very nice email, and

0:50:27.520 --> 0:50:29.719
<v Speaker 1>thanks for all the great ideas. If we do any

0:50:29.800 --> 0:50:33.120
<v Speaker 1>of them, hopefully will remember to credit you with them, right.

0:50:33.840 --> 0:50:36.000
<v Speaker 3>That's right, except for the Hindenburg. Yeah, it's already in

0:50:36.040 --> 0:50:36.680
<v Speaker 3>the bad Okay.

0:50:37.160 --> 0:50:39.360
<v Speaker 1>If you want to be like Josiah and email in,

0:50:39.480 --> 0:50:41.439
<v Speaker 1>we would love to hear from you. You can send

0:50:41.440 --> 0:50:46.879
<v Speaker 1>it off to Stuff podcast at iHeartRadio dot com.

0:50:48.440 --> 0:50:51.319
<v Speaker 3>Stuff you Should Know is a production of iHeartRadio. For

0:50:51.400 --> 0:50:55.600
<v Speaker 3>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:50:55.719 --> 0:50:57.560
<v Speaker 3>or wherever you listen to your favorite shows.