WEBVTT - TikTok Part 1: An Epiphany on a Train

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<v Speaker 1>Let me take you back to the summer of a

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<v Speaker 1>pandemic is gripping the world, leading to hundreds of thousands

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<v Speaker 1>of debts in the US alone. The economy took a

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<v Speaker 1>dive and a lot of people were losing their jobs.

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<v Speaker 1>And then, unexpectedly, the daily flood of headlines turned to

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<v Speaker 1>something else, entirely a social media app called TikTok. A

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<v Speaker 1>stern rebuke from the US President, We're not going to

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<v Speaker 1>do anything to jeopardize security. White House alleges the popular

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<v Speaker 1>Chinese based apps TikTok and wheat Chat are stealing American

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<v Speaker 1>users private information, handing it to the government in Beijing.

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<v Speaker 1>We want no security problems with China. It's got to

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<v Speaker 1>be an American company. Has got to be American security

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<v Speaker 1>has got to be owned here. They have millions and

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<v Speaker 1>millions of US US. They're probably the single most popular

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<v Speaker 1>social media app among people under age twenty. TikTok provided

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<v Speaker 1>an escape from the anxiety and boredom brought on by

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<v Speaker 1>the pandemic for tens of millions of Americans. Scrolling through

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<v Speaker 1>never ending feeds of dance videos and funny memes seemed

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<v Speaker 1>to make people feel better, and this cemented TikTok into

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<v Speaker 1>the mainstream in a way we haven't seen with any

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<v Speaker 1>other social media platform since Facebook. TikTok entered kind of

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<v Speaker 1>a golden period, but then in the span of a

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<v Speaker 1>few weeks, TikTok's fortunes changed. One night in late July,

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<v Speaker 1>the US President threatened to ban TikTok because it was

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<v Speaker 1>owned by a Chinese company that he thought was spying

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<v Speaker 1>on American users. That night, people on TikTok freaked out.

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<v Speaker 1>The app was flooded by videos of teenagers giving premature

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<v Speaker 1>eulogies to TikTok, talking about how special it was, how

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<v Speaker 1>much they relied on it, especially during the pandemic, how

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<v Speaker 1>sad they were. It felt like a funeral. I don't know. Okay,

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<v Speaker 1>so you know how we stopped freaking about what about

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<v Speaker 1>tiktoking literally shaking um, yeah, yeah, this might be it?

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<v Speaker 1>Well ship fuck vollowme on Instagram. I guess I know.

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<v Speaker 1>You guys may think it's not that big a deal,

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<v Speaker 1>but two creators like me and my brother and other

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<v Speaker 1>creators is a big deal. Getting TikTok band. You're listening

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<v Speaker 1>to Foundering, I'm your host, Shelley Banjo. This season will

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<v Speaker 1>tell you the story of TikTok, how a mysterious tech

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<v Speaker 1>founder from China outsmarted Facebook, YouTube and Snapchat to change

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<v Speaker 1>the Internet while capturing the attention of an entire generation

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<v Speaker 1>and becoming an obsession for the most powerful man in

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<v Speaker 1>the world. TikTok almost got wiped out in the process,

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<v Speaker 1>in a cautionary tale of what happens when you get

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<v Speaker 1>so big you wind up in the middle of a

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<v Speaker 1>standoff between the world's two greatest superpowers. I've been covering

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<v Speaker 1>TikTok for three years out of Hong Kong, China and

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<v Speaker 1>the US, and even though TikTok has been in the

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<v Speaker 1>news for a while now, I realized few people really

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<v Speaker 1>know the whole story. I want to tell you just

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<v Speaker 1>how surprising it's been. Every step has been full of

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<v Speaker 1>twists and turns, from TikTok's crazy rise to its run

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<v Speaker 1>ins with the law, to its all out battle with

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<v Speaker 1>Facebook and other Silicon Valley giants, all leading to the

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<v Speaker 1>first ever social media powerhouse to emerge from China. For

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<v Speaker 1>this season, you'll hear from current and former TikTok employees, investors,

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<v Speaker 1>and influencers about what it was really like inside the company.

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<v Speaker 1>You'll also hear from the CEO of TikTok's controversial Chinese

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<v Speaker 1>parent company, Byte Dance, in one of his only interviews

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<v Speaker 1>with Western media. We'll tell you more after this quick break.

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<v Speaker 1>To truly understand TikTok, you have to spend time with

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<v Speaker 1>someone like Katie Peeney. My name is Katie Heeney. I'm

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<v Speaker 1>seventeen years old and I've been on TikTok since musically

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<v Speaker 1>back in two thousand fifteen. If you haven't heard of TikTok,

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<v Speaker 1>TikTok is the most addicting app in the entire world.

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<v Speaker 1>If you get it, I'm warning you, you will be

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<v Speaker 1>on it for four hours just scrolling through your four

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<v Speaker 1>you page. Katie is a true TikTok evangelist for people

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<v Speaker 1>who have never been on the app before. She tried

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<v Speaker 1>to explain the appeal. I mean, it's like if you

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<v Speaker 1>were to watch a movie for an hour and a half.

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<v Speaker 1>I guess TikTok is like watching a movie. It's just

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<v Speaker 1>it's that entertaining, like you could I mean, I could

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<v Speaker 1>watch TikTok's longer than I could watch a movie. To

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<v Speaker 1>explain how TikTok became a cultural institution with tens of

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<v Speaker 1>billions of dollars. I want to take you back to

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<v Speaker 1>its roots. The app that we now know is TikTok

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<v Speaker 1>is actually based on a lip syncing app called music Lee.

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<v Speaker 1>Musically became TikTok after it was acquired in ten by

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<v Speaker 1>a giant Chinese tech company. It's users and design were

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<v Speaker 1>all absorbed into TikTok. The two apps look and feel

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<v Speaker 1>pretty similar. This episode will focus on the rise of

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<v Speaker 1>Musically and the story of its founder, a thirty six

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<v Speaker 1>year old guy from China who seemed to have an

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<v Speaker 1>uncanny understanding of American teenagers. His name is Alex Jew.

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<v Speaker 1>He kind of had a metal Jesus style haircut. This

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<v Speaker 1>just long, black, flowing hair. That's Josh Ellman. He was

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<v Speaker 1>one of Musically's first investors. Josh likekens Alex to an

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<v Speaker 1>artist or a poet. He totally looks like a poet,

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<v Speaker 1>like an ancient Chinese painter sitting by the side of

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<v Speaker 1>a river, you know, doing one of those giant scroll paintings.

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<v Speaker 1>Alex was a mysterious figure. He was also really hard

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<v Speaker 1>to pin down. Multiple people told me that when they

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<v Speaker 1>wanted to connect for a business deal, they literally couldn't

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<v Speaker 1>find him. Here's Josh introducing Alex at a conference. I

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<v Speaker 1>was like, Oh, I'd love to meet up. Are you

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<v Speaker 1>in San Francisco maybe l A. He was like, no,

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<v Speaker 1>I'm in Shanghai, China, And that's where the entire team

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<v Speaker 1>was based on where they were, where they were building

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<v Speaker 1>it out, and and so I think he just has

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<v Speaker 1>this incredible perspective of building this company, you know from

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<v Speaker 1>China that you know, American teenagers are using kind of

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<v Speaker 1>more than anything right now, So that I'd love to

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<v Speaker 1>bring up Alex you. Alex was known for being kind

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<v Speaker 1>of out there for years before creating musically. He worked

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<v Speaker 1>at a big global software company and he had a

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<v Speaker 1>super vague job title. They called him a futurist. Futurist

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<v Speaker 1>songs to be a fancy job title, but actually the

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<v Speaker 1>job was pretty easy. What I did as a time

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<v Speaker 1>was quite a simple sitting in my tent, playing it

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<v Speaker 1>around with my small crystal ball telling the future. Futurist

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<v Speaker 1>is one of those wacky titles in the tech industry,

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<v Speaker 1>but it played right into the way Alex approached life.

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<v Speaker 1>Many people I spoke to told me Alex was a thinker.

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<v Speaker 1>His head was in the clouds. So I got really bored.

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<v Speaker 1>I want to walk out of my tent. I want

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<v Speaker 1>to be a black smith. I want to be a carpenter.

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<v Speaker 1>I want to be a fisherman. I want to be

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<v Speaker 1>a duel carpenter, blacksmith, fisherman. Alex speaks in these sort

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<v Speaker 1>of extended metaphors, but what he's getting at is that

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<v Speaker 1>he's ready to walk away from his job and start

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<v Speaker 1>his own company. First, Alex made an education app. He

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<v Speaker 1>had this idea that people could teach each other lessons

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<v Speaker 1>online by watching short videos that though I got a

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<v Speaker 1>brilliant idea, everybody can be ta true, everybody can learn

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<v Speaker 1>from everybody else. We spent seven months creating the first

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<v Speaker 1>education and finally it turned to be a very miserable

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<v Speaker 1>fidel and it was a failure because people didn't want

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<v Speaker 1>to learn that way. They mostly used their phones to

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<v Speaker 1>socialize or have fun. And this was the breakthrough that

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<v Speaker 1>led to musically the app that would one day become

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<v Speaker 1>TikTok In. Alex was doing a stint in the US

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<v Speaker 1>and living in the Bay Area. One day he was

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<v Speaker 1>riding the train and he sat across from a group

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<v Speaker 1>of teenagers. One day I was on Cultread from Mountain

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<v Speaker 1>View to San Francisco, and on that train so with

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<v Speaker 1>lots of high school students, and I was observing their behavior,

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<v Speaker 1>he says. Watching these teenagers good for around on their

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<v Speaker 1>phones gave him an epiphany. So we're listening to music

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<v Speaker 1>and the other they were taking videos and photos selfies.

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<v Speaker 1>So that give me some idea. First, entertainment is going

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<v Speaker 1>to be much easier the education, because education is against

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<v Speaker 1>the human nature, and entertainment is basically following the human nature.

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<v Speaker 1>Education is against human nature. This is the moment Alex

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<v Speaker 1>abandoned his education app and he went all in on fun.

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<v Speaker 1>He turned his new idea into musically in just thirty days.

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<v Speaker 1>It launched in July for high school students, especially in

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<v Speaker 1>the US, that spent laws of time on social media

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<v Speaker 1>and the love music to love videos, and can we

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<v Speaker 1>combine these very powerful elements into one platform, creating a

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<v Speaker 1>social network around music and around video music videos and

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<v Speaker 1>American teenagers. It sounds a lot like TikTok. I'm always

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<v Speaker 1>struck by how clear and immediate Alex's vision for the

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<v Speaker 1>app was. Honestly, Alex is so smart about design and

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<v Speaker 1>user experience and He's also so eccentric and captivating in

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<v Speaker 1>the way he speaks. These are the sorts of founders

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<v Speaker 1>that the tech industry usually loves, But Alex Ju isn't

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<v Speaker 1>a household name, and in fact, as TikTok grew bigger,

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<v Speaker 1>they even replaced him with an American CEO. You gotta

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<v Speaker 1>wonder if Alex wasn't from China, if he would be

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<v Speaker 1>more famous. For a new social platform, a new a

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<v Speaker 1>new social media to take off. It's about it to

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<v Speaker 1>have young people as an early adopter, especially the teenagers

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<v Speaker 1>in the US. Why they got a love time. When

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<v Speaker 1>we talk about musically and TikTok, now, it almost sounds

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<v Speaker 1>like it was an accident that so many young children

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<v Speaker 1>ended up on the platform. But early on Alex comes

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<v Speaker 1>right out and says that teenagers and even preteens were

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<v Speaker 1>the target audience From the get go. He understood that

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<v Speaker 1>teenagers would help the app grow explosively. What he didn't

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<v Speaker 1>realize was just how much trouble the kids would get

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<v Speaker 1>the company into later on, and Alex was obsessive about

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<v Speaker 1>seeing how young people behaved on his platform. He wasn't

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<v Speaker 1>just looking at data, he was looking at them. I

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<v Speaker 1>personally register a lot of fake accounts, right, and it

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<v Speaker 1>uses this fake identity to talk with the users on

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<v Speaker 1>the platform, comment on their videos and see why they

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<v Speaker 1>posted these videos, and just to try to understand them,

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<v Speaker 1>try to give us empathy. I want to underscore just

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<v Speaker 1>how unusual this is that a guy in his mid

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<v Speaker 1>thirties has launched fake accounts to interact with his users online.

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<v Speaker 1>These are mostly preteens. It sounds kind of creepy, right.

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<v Speaker 1>And it went beyond fake accounts. I've heard stories from

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<v Speaker 1>famous musically person ladies that Alex went even further. He'd

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<v Speaker 1>called their parents at home, He'd take them in their

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<v Speaker 1>families out for dinner. He was meticulous in learning everything

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<v Speaker 1>about them. To me, this is something really important about

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<v Speaker 1>the roots of musically and later TikTok. TikTok feels impulsive, fun, organic,

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<v Speaker 1>like this really spontaneous app where people can really be themselves.

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<v Speaker 1>But it's not the people who got famous, the trends

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<v Speaker 1>that were popular. Everything was centrally planned by Alex and

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<v Speaker 1>the people he hired. Here's Katie Feeney, the TikTok or

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<v Speaker 1>we heard from earlier. She was only twelve when she

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<v Speaker 1>got on Musically. Yeah. So I was very young and

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<v Speaker 1>my friends and I were just super excited when this

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<v Speaker 1>new app called Musically came out. So you would just

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<v Speaker 1>make fun videos, and I did a lot of dancing

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<v Speaker 1>videos with my dance team. It was like a big

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<v Speaker 1>way for us to just you know, have fun with

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<v Speaker 1>each other. Similar to TikTok. You would just scroll and

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<v Speaker 1>there was like an endless amount of videos you and

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<v Speaker 1>you would never get bored on it. You could just

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<v Speaker 1>like continuously watch for hours, and it really intrigued me

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<v Speaker 1>and all my friends. Katie remembers the first time one

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<v Speaker 1>of her videos blew up. Musically featured one of her

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<v Speaker 1>dance clips on its homepage. I probably started crying because

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<v Speaker 1>I like it was my dream to get featured, and

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<v Speaker 1>a little part of me kind of always wanted to

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<v Speaker 1>be famous, I guess you could say. So. I think

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<v Speaker 1>I was just in my room or something and I

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<v Speaker 1>was bawling. Katie was on Musically during its early days.

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<v Speaker 1>Back then, the app looked like a long shot to

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<v Speaker 1>people in the tech industry. Silicon Valley dismissed Musically as

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<v Speaker 1>a niche karaoke app for preteens. No one thought it

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<v Speaker 1>would grow to become a major cultural force. We'll be

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<v Speaker 1>right back in social media seemed almost locked up. Facebook

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<v Speaker 1>and Instagram were already so dominant, Snapchat had cornered the

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<v Speaker 1>teen market. Twitter had bought a video app called Vine,

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<v Speaker 1>which failed a few years later. Investors had been skeptical

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<v Speaker 1>about putting money into another social media app, but Josh Allman,

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<v Speaker 1>the investor we met earlier, said Musically was doing something

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<v Speaker 1>different because the app made it easy for anyone to

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<v Speaker 1>create their own videos, and then you were just seeing

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<v Speaker 1>regular people around the country dancing and performing and lip

0:14:32.520 --> 0:14:35.480
<v Speaker 1>syncing in ways that you know, I had never seen

0:14:35.480 --> 0:14:39.480
<v Speaker 1>that fountain of creativity, you know before, especially not in video.

0:14:39.880 --> 0:14:44.280
<v Speaker 1>And by July, about a year after it launched, Musically

0:14:44.320 --> 0:14:46.440
<v Speaker 1>had shot up to the number one spot in the

0:14:46.480 --> 0:14:50.240
<v Speaker 1>Apple App Store. It never fell out of the top forty.

0:14:50.320 --> 0:14:53.520
<v Speaker 1>Investors wanted to know who was behind it. Well, you know,

0:14:53.560 --> 0:14:56.280
<v Speaker 1>this app just came out of nowhere, and it just

0:14:56.320 --> 0:14:59.800
<v Speaker 1>became top five or something very very quickly, and all

0:14:59.840 --> 0:15:01.600
<v Speaker 1>of the son and it just really skyrocketed. So I

0:15:01.640 --> 0:15:05.080
<v Speaker 1>think a lot of vcs we're wondering, like, you know,

0:15:05.400 --> 0:15:08.160
<v Speaker 1>like who are these people? You know, where they're coming from?

0:15:08.240 --> 0:15:11.320
<v Speaker 1>That's jogilely out. She was working at a venture capital

0:15:11.360 --> 0:15:14.240
<v Speaker 1>firm at the time. Her bosses were literally trying to

0:15:14.280 --> 0:15:17.440
<v Speaker 1>give Alex money and couldn't find him. It was not straightforward.

0:15:17.520 --> 0:15:20.320
<v Speaker 1>It wasn't like another, you know, Slicon Valley based founder

0:15:20.360 --> 0:15:22.240
<v Speaker 1>of who we could find in thirty seconds to be

0:15:22.240 --> 0:15:25.560
<v Speaker 1>a LinkedIn. It was a bit more digging. It might

0:15:25.600 --> 0:15:28.720
<v Speaker 1>seem strange that people were so confused by Alex being

0:15:28.760 --> 0:15:31.360
<v Speaker 1>in China, but this is where you got to remember.

0:15:31.720 --> 0:15:36.160
<v Speaker 1>Silicon Valley is a small, insular place. These investors would

0:15:36.200 --> 0:15:40.640
<v Speaker 1>be confused if Alex was in Ohio, so China was

0:15:40.640 --> 0:15:44.680
<v Speaker 1>almost unthinkable to them. But I've also wondered if Alex

0:15:44.760 --> 0:15:48.240
<v Speaker 1>was intentionally being coy about where he was based. I'm

0:15:48.240 --> 0:15:51.160
<v Speaker 1>not saying that Musically was overtly trying to hide their

0:15:51.240 --> 0:15:55.040
<v Speaker 1>Chinese roots, but the company clearly wasn't advertising it either.

0:15:56.280 --> 0:16:00.120
<v Speaker 1>Here's mar J Roberts, an early Musically employee. Something a

0:16:00.120 --> 0:16:02.960
<v Speaker 1>lot of people don't know are they are starting to

0:16:03.000 --> 0:16:07.160
<v Speaker 1>recognize now, is that Musically was always first and foremost

0:16:07.240 --> 0:16:12.360
<v Speaker 1>a Chinese company. Our headquarters was based in Shanghai. Inside

0:16:12.360 --> 0:16:15.440
<v Speaker 1>the company, it was clear the bosses in China were

0:16:15.480 --> 0:16:18.720
<v Speaker 1>calling the shots. No, it definitely did not feel like

0:16:19.080 --> 0:16:23.040
<v Speaker 1>an American company. Were in constant everyday contact with the

0:16:23.160 --> 0:16:25.840
<v Speaker 1>Chinese team. We very much took a lot of our

0:16:26.160 --> 0:16:30.520
<v Speaker 1>cues from the Chinese team, especially since our founders are

0:16:30.520 --> 0:16:34.080
<v Speaker 1>based there for the majority of the time. That was

0:16:35.600 --> 0:16:38.600
<v Speaker 1>so a Chinese social media company in the US raised

0:16:38.600 --> 0:16:42.360
<v Speaker 1>a few eyebrows, but it wasn't considered a geopolitical threat

0:16:42.720 --> 0:16:46.680
<v Speaker 1>the way some politicians are looking at it now. That year,

0:16:47.080 --> 0:16:49.920
<v Speaker 1>Musically opened its first US outpost in the scrappy We

0:16:49.960 --> 0:16:53.400
<v Speaker 1>work in San Francisco. Here's marj We worked in a

0:16:53.440 --> 0:16:57.000
<v Speaker 1>rework room. There was one room, yes, so we crammed

0:16:57.040 --> 0:16:59.840
<v Speaker 1>in as much as we can. That was very much

0:17:00.200 --> 0:17:03.240
<v Speaker 1>like Harry Potter in a closet. There was a lot

0:17:03.280 --> 0:17:07.600
<v Speaker 1>of urgency and excitement. Here's Jogia, who was so impressed

0:17:07.600 --> 0:17:10.920
<v Speaker 1>by Musically's rise she decided to go work for them.

0:17:10.960 --> 0:17:12.640
<v Speaker 1>You know, we were ready to kick it off our

0:17:12.840 --> 0:17:15.760
<v Speaker 1>second summer, and really it's important time because it's one

0:17:15.840 --> 0:17:17.760
<v Speaker 1>kids are out of school and they were born at home.

0:17:18.640 --> 0:17:20.600
<v Speaker 1>You know, it was a great opportunity for us to

0:17:21.080 --> 0:17:24.240
<v Speaker 1>take the grove to the next level. And that's when

0:17:24.240 --> 0:17:30.040
<v Speaker 1>the venture capitalists rushed in by Musically had raised over

0:17:30.080 --> 0:17:33.280
<v Speaker 1>a hundred and fifty million dollars from some of Silicon

0:17:33.400 --> 0:17:37.760
<v Speaker 1>Valley's biggest BC firms. It surpassed over a hundred million downloads,

0:17:38.320 --> 0:17:41.560
<v Speaker 1>and the app was a huge sensation among teenagers, even

0:17:41.600 --> 0:17:44.840
<v Speaker 1>if it was virtually unknown to adults. Here's March again.

0:17:45.440 --> 0:17:50.560
<v Speaker 1>Musically was very underground, but I discovered that gen z

0:17:51.160 --> 0:17:55.120
<v Speaker 1>knew all about it, but no one else did. So um,

0:17:55.119 --> 0:17:58.600
<v Speaker 1>I actually reached out to my knees. She's a preteen

0:17:58.640 --> 0:18:00.840
<v Speaker 1>at the time. I was like, do you know what

0:18:00.920 --> 0:18:06.479
<v Speaker 1>this app is called? Musically? And this was the moment

0:18:06.520 --> 0:18:09.119
<v Speaker 1>of truth. She literally almost had a heart attack. She's like,

0:18:09.320 --> 0:18:12.400
<v Speaker 1>oh my god, it's the biggest It's the coolest app ever.

0:18:12.520 --> 0:18:15.520
<v Speaker 1>I love it. I'm obsessed with it. I'm like, what

0:18:15.800 --> 0:18:19.399
<v Speaker 1>is going on? This was a really special moment for video.

0:18:20.080 --> 0:18:24.200
<v Speaker 1>A landslide was about to happen. Remember back then people

0:18:24.240 --> 0:18:28.080
<v Speaker 1>were just figuring out video on mobile phones. Instagram was

0:18:28.119 --> 0:18:32.160
<v Speaker 1>mostly pictures. YouTube was barely on mobile at all. Shooting

0:18:32.240 --> 0:18:36.600
<v Speaker 1>video was considered difficult and expensive, and you needed editing software,

0:18:36.960 --> 0:18:40.360
<v Speaker 1>not to mention the skills to use it. But Musically

0:18:40.400 --> 0:18:42.520
<v Speaker 1>allowed you to shoot a video and then with a

0:18:42.560 --> 0:18:47.040
<v Speaker 1>touch of a button at effects and a soundtrack. Within seconds,

0:18:47.160 --> 0:18:51.120
<v Speaker 1>you had this striking finished product to be a British stereotype.

0:18:51.600 --> 0:18:58.120
<v Speaker 1>Loves of t and gen Z took to it. You're

0:18:58.119 --> 0:19:03.560
<v Speaker 1>going to my head because I love you. So the

0:19:03.720 --> 0:19:08.600
<v Speaker 1>short form video format is very perfect for younger folks

0:19:08.640 --> 0:19:13.320
<v Speaker 1>because it requires very little attentions fan quite honestly and

0:19:13.359 --> 0:19:15.840
<v Speaker 1>I think ultimately, which is very easy to get using.

0:19:16.119 --> 0:19:18.360
<v Speaker 1>You know, it didn't require you to create an original

0:19:18.400 --> 0:19:21.440
<v Speaker 1>song or create, you know, an original joke. You could

0:19:21.440 --> 0:19:24.200
<v Speaker 1>get started on the platform very easily by using um

0:19:24.200 --> 0:19:28.040
<v Speaker 1>an existing clip or an existing song, because I know,

0:19:28.240 --> 0:19:32.639
<v Speaker 1>in the hell and then their team users got the

0:19:32.680 --> 0:19:35.080
<v Speaker 1>hang of it quickly, and some of them were so

0:19:35.119 --> 0:19:38.760
<v Speaker 1>good at making these entertaining short videos. They were getting

0:19:38.760 --> 0:19:41.200
<v Speaker 1>famous on the app. Thanks to all you guys on

0:19:41.359 --> 0:19:43.439
<v Speaker 1>musically for supporting me, and I hope you guys like

0:19:43.480 --> 0:19:46.440
<v Speaker 1>my EP. We would have some of our users come

0:19:46.480 --> 0:19:48.639
<v Speaker 1>in and meet the team, and they were so excited

0:19:48.680 --> 0:19:51.680
<v Speaker 1>to meet us because they thought that, you know, we

0:19:52.200 --> 0:19:54.840
<v Speaker 1>make them famous sometimes. Um So it was pretty great

0:19:55.000 --> 0:19:57.280
<v Speaker 1>just to be there, like on the ground there and

0:19:57.320 --> 0:20:00.480
<v Speaker 1>by famous, I mean just a massive number of eyeballs

0:20:00.480 --> 0:20:04.000
<v Speaker 1>were on these teen influencers, even though musically hadn't hit

0:20:04.040 --> 0:20:07.840
<v Speaker 1>the mainstream yet. They were even beating out Beyonce on Instagram.

0:20:08.119 --> 0:20:12.280
<v Speaker 1>Beyonce on Instagram posted this picture of herself announcing her

0:20:12.280 --> 0:20:16.000
<v Speaker 1>pregnancy I think um, and it had a million views

0:20:16.080 --> 0:20:20.960
<v Speaker 1>or likes in twenty four hours. The unique difference with

0:20:21.080 --> 0:20:25.879
<v Speaker 1>musically is that our everyday influencers who were not traditional

0:20:25.920 --> 0:20:30.520
<v Speaker 1>celebrities were getting three million likes in a in an hour.

0:20:31.240 --> 0:20:34.360
<v Speaker 1>And because musically was getting so big and so influential,

0:20:34.800 --> 0:20:39.159
<v Speaker 1>celebrities started to join. I remember the first big artist

0:20:39.359 --> 0:20:43.080
<v Speaker 1>on musically was Jason Darue and he was really active

0:20:43.200 --> 0:20:49.840
<v Speaker 1>forecasting from dancing in his studio. Here's pop star Jason

0:20:49.880 --> 0:20:52.840
<v Speaker 1>Derulo in one of his first videos he made for musically.

0:20:53.640 --> 0:20:55.080
<v Speaker 1>I want to do some spect I'm gonna do something

0:20:55.080 --> 0:20:57.080
<v Speaker 1>a little different. I want you to be a part

0:20:57.440 --> 0:20:59.879
<v Speaker 1>of the next music video. And all you gotta do

0:21:00.160 --> 0:21:02.560
<v Speaker 1>to be flown out to Elaine Barb, which you boy

0:21:02.720 --> 0:21:08.120
<v Speaker 1>is post a music video to musically. And then more

0:21:08.160 --> 0:21:12.240
<v Speaker 1>and more artists the camp like Selena Gomez, UM, Lady Gaga,

0:21:12.680 --> 0:21:16.840
<v Speaker 1>Katy Powery. I think Lady Gaga was probably Uh, one

0:21:16.880 --> 0:21:21.240
<v Speaker 1>of the artists I personally felt so excited about because

0:21:21.400 --> 0:21:27.320
<v Speaker 1>I loved no personality for Unique Nix. Famous musicians flocked

0:21:27.320 --> 0:21:29.119
<v Speaker 1>to the app as a new way to connect with

0:21:29.119 --> 0:21:32.400
<v Speaker 1>their fans, and users love the easy access to their

0:21:32.440 --> 0:21:37.199
<v Speaker 1>favorite songs. But Musically was basically stealing the music. Ja

0:21:37.720 --> 0:21:40.919
<v Speaker 1>the early employee, describes as they did it. When Musically

0:21:40.960 --> 0:21:46.160
<v Speaker 1>started out um back in UM, the company had actually

0:21:46.200 --> 0:21:50.760
<v Speaker 1>been rapping the fifteen second song clips from the iTunes review.

0:21:51.400 --> 0:21:53.800
<v Speaker 1>If you didn't hear her there, she's saying they were

0:21:54.000 --> 0:21:58.160
<v Speaker 1>ripping the songs, like literally taking the music for free

0:21:58.200 --> 0:22:01.560
<v Speaker 1>from iTunes, and so none of the music labels cared

0:22:01.560 --> 0:22:04.159
<v Speaker 1>about it about us doing this in the beginning when

0:22:04.200 --> 0:22:06.119
<v Speaker 1>we were just a small company, but then as we

0:22:06.200 --> 0:22:09.560
<v Speaker 1>got bigger over time, the music labels were basically like,

0:22:09.600 --> 0:22:12.439
<v Speaker 1>you know, we want a piece of this success. Like

0:22:12.560 --> 0:22:16.399
<v Speaker 1>many Silicon Valley startups, Musically was sort of skating around

0:22:16.400 --> 0:22:19.399
<v Speaker 1>the rules, but as they grew they had to figure

0:22:19.400 --> 0:22:22.080
<v Speaker 1>out how to work with the music industry rather than

0:22:22.119 --> 0:22:25.840
<v Speaker 1>against it. By the way, when we asked TikTok about this,

0:22:26.040 --> 0:22:29.760
<v Speaker 1>they gave us a statement TikTok places a high priority

0:22:29.800 --> 0:22:33.520
<v Speaker 1>on its work with record labels and artists. Another big

0:22:33.560 --> 0:22:36.480
<v Speaker 1>part of the app success was that it felt so personalized.

0:22:36.880 --> 0:22:39.720
<v Speaker 1>Here's Josh Shellman. You know, how do you make sure

0:22:39.760 --> 0:22:43.040
<v Speaker 1>that the feed has content that's relevant to you? You know,

0:22:43.080 --> 0:22:45.840
<v Speaker 1>if you're twenty two, you want to see different content

0:22:45.880 --> 0:22:50.080
<v Speaker 1>than somebody who's sixteen. Musically showed different people different things,

0:22:50.600 --> 0:22:54.520
<v Speaker 1>and that personalization made it incredibly engaging. But by the

0:22:54.560 --> 0:22:57.240
<v Speaker 1>same token, it also made it hard for parents to

0:22:57.280 --> 0:22:59.639
<v Speaker 1>track with their kids were doing on the app, so

0:22:59.720 --> 0:23:03.400
<v Speaker 1>it might come across damaging clips about eating disorders, while

0:23:03.400 --> 0:23:07.280
<v Speaker 1>that teenager's mom might see videos of cute puppies. Each

0:23:07.280 --> 0:23:11.399
<v Speaker 1>feed was tailored. Musically studied who you were over days

0:23:11.520 --> 0:23:14.600
<v Speaker 1>or weeks. Multiple people told me it felt like it

0:23:14.680 --> 0:23:18.560
<v Speaker 1>could read your mind, and this was intentional, according to Alex,

0:23:19.400 --> 0:23:24.119
<v Speaker 1>so we have to focus on the mechanism the invisible hands.

0:23:24.400 --> 0:23:27.680
<v Speaker 1>The invisible hands of Musically are way more controlling than

0:23:27.720 --> 0:23:31.679
<v Speaker 1>apps like Facebook or Instagram. You're not choosing what videos

0:23:31.720 --> 0:23:34.879
<v Speaker 1>you see. You don't curate your own fee. The app

0:23:34.960 --> 0:23:38.160
<v Speaker 1>chooses for you. Even though it feels care free and fun,

0:23:38.480 --> 0:23:43.080
<v Speaker 1>it's actually very deliberate. Music Lease technology was considered advanced

0:23:43.080 --> 0:23:46.560
<v Speaker 1>for its time. Behind the app. There was an engineering

0:23:46.600 --> 0:23:49.920
<v Speaker 1>team in Shanghai that was working like mad. There was

0:23:49.960 --> 0:23:52.320
<v Speaker 1>even a name for this kind of work culture in China.

0:23:52.880 --> 0:23:57.080
<v Speaker 1>It's called nine nine six meeting. These employees worked nine

0:23:57.080 --> 0:24:01.120
<v Speaker 1>am to nine pm, six days a week. To this day,

0:24:01.480 --> 0:24:04.760
<v Speaker 1>many people at TikTok still work these hours. You know,

0:24:05.119 --> 0:24:09.159
<v Speaker 1>China tends to have a nine nine six work culture um,

0:24:09.160 --> 0:24:12.440
<v Speaker 1>which is even a little bit more intense than many

0:24:12.520 --> 0:24:14.560
<v Speaker 1>startups that I know in Silicon Valley. And so the

0:24:14.680 --> 0:24:17.160
<v Speaker 1>rate at which they were just building and putting out

0:24:17.240 --> 0:24:20.840
<v Speaker 1>features and putting out new things in their creation flow

0:24:21.240 --> 0:24:26.320
<v Speaker 1>was felt phenomenally fast. With this insane workload and crazy growth,

0:24:26.880 --> 0:24:30.000
<v Speaker 1>the Musically employees could barely keep up. So the company

0:24:30.040 --> 0:24:31.560
<v Speaker 1>was kind of in this spot of like, Okay, how

0:24:31.600 --> 0:24:34.520
<v Speaker 1>do we get really big? How do we make sure

0:24:34.560 --> 0:24:37.359
<v Speaker 1>that we're a network that's here to last? And they

0:24:37.359 --> 0:24:41.600
<v Speaker 1>were struggling. They were actually struggling to higher engineers fast enough,

0:24:41.880 --> 0:24:46.439
<v Speaker 1>especially deep algorithmic engineers, because people in China weren't as

0:24:46.480 --> 0:24:49.560
<v Speaker 1>interested to work on a product they didn't use. By

0:24:49.560 --> 0:24:53.400
<v Speaker 1>the fall of people in Silicon Valley started to hear

0:24:53.440 --> 0:24:55.760
<v Speaker 1>that Musically might be willing to sell itself to a

0:24:55.760 --> 0:24:59.920
<v Speaker 1>bigger company, and one of the contenders was Facebook. Here's Josha,

0:25:00.000 --> 0:25:02.280
<v Speaker 1>a man you know. Around the same time, when there's

0:25:02.280 --> 0:25:05.440
<v Speaker 1>something with that much traction and activity, folks at Facebook

0:25:05.480 --> 0:25:08.640
<v Speaker 1>would come kind of calling me or calling others involved

0:25:08.640 --> 0:25:10.960
<v Speaker 1>with the company and saying, hey, should we get to

0:25:10.960 --> 0:25:13.840
<v Speaker 1>know the team? Is there something here? This is something

0:25:13.880 --> 0:25:16.880
<v Speaker 1>Facebook is known for. They are aggressive when it comes

0:25:16.920 --> 0:25:20.560
<v Speaker 1>to scoping out the competition. Here's my colleague Sarah Fryar.

0:25:21.000 --> 0:25:24.600
<v Speaker 1>She's been covering Facebook now for almost a decade. Facebook

0:25:24.640 --> 0:25:31.360
<v Speaker 1>takes every potential competitor extremely seriously, and TikTok in particular,

0:25:32.080 --> 0:25:35.440
<v Speaker 1>was on their radar before it was even TikTok back

0:25:35.440 --> 0:25:38.240
<v Speaker 1>when it was musically, and musically was happy to take

0:25:38.280 --> 0:25:42.040
<v Speaker 1>Facebook's call because they thought maybe Facebook could help them

0:25:42.080 --> 0:25:45.000
<v Speaker 1>get even bigger. You know, they decided, hey, look, we

0:25:45.000 --> 0:25:46.720
<v Speaker 1>should at least take the calls and get to know

0:25:46.760 --> 0:25:49.160
<v Speaker 1>the teams. Alex was not in the US that often,

0:25:49.200 --> 0:25:52.400
<v Speaker 1>so I believe at some point Facebook sent a team

0:25:52.440 --> 0:25:55.440
<v Speaker 1>over to Shanghai to visit and to talk deeply about

0:25:55.480 --> 0:25:58.400
<v Speaker 1>strategy and the numbers. But nothing ever seemed to make

0:25:58.440 --> 0:26:02.920
<v Speaker 1>sense or or came together on either side. There. Sarah says,

0:26:02.960 --> 0:26:07.680
<v Speaker 1>the Musically executives visited Facebook to the founders did come

0:26:07.960 --> 0:26:11.760
<v Speaker 1>down to Menlo Park and meet with Mark Zuckerberg and

0:26:12.080 --> 0:26:15.120
<v Speaker 1>the growth team at Facebook, and they had a few

0:26:15.119 --> 0:26:17.840
<v Speaker 1>discussions about whether it was a good idea to acquire

0:26:17.920 --> 0:26:23.480
<v Speaker 1>them and ultimately decided no. Facebook saw some red flags

0:26:23.800 --> 0:26:27.840
<v Speaker 1>they started to look at some of the downsides. Facebook

0:26:27.880 --> 0:26:31.639
<v Speaker 1>was very worried about the liability of having an audience

0:26:31.800 --> 0:26:35.920
<v Speaker 1>that wasn't verified to be over the age of thirteen,

0:26:36.359 --> 0:26:40.280
<v Speaker 1>because they worried about running a foul of child data

0:26:40.320 --> 0:26:45.159
<v Speaker 1>privacy laws. Uh. They also worried about the Chinese ownership.

0:26:45.760 --> 0:26:48.560
<v Speaker 1>Some people at Facebook that working with the Chinese company

0:26:48.720 --> 0:26:52.760
<v Speaker 1>might mean complications down the road. See Facebook had been

0:26:52.760 --> 0:26:55.560
<v Speaker 1>blocked in China since two thousand and nine, so they

0:26:55.640 --> 0:26:57.960
<v Speaker 1>knew that doing a deal with a Chinese company might

0:26:58.000 --> 0:27:02.240
<v Speaker 1>be difficult the government might not approve. In the end,

0:27:02.560 --> 0:27:07.040
<v Speaker 1>both sides walked away. Josh says that back then Facebook

0:27:07.080 --> 0:27:10.760
<v Speaker 1>didn't think Musically was a serious threat. They thought musically

0:27:10.800 --> 0:27:14.240
<v Speaker 1>super young user base wouldn't stick around that long. I

0:27:14.280 --> 0:27:19.280
<v Speaker 1>think somebody somebody once said, um, hey, look, I think

0:27:19.320 --> 0:27:21.760
<v Speaker 1>that their churn is high enough that if we just

0:27:21.840 --> 0:27:24.200
<v Speaker 1>wait a couple of years, they won't be much bigger

0:27:24.560 --> 0:27:27.679
<v Speaker 1>and we can just add those features by then. But

0:27:27.800 --> 0:27:31.720
<v Speaker 1>Facebook was wrong. Musically would go on to exceed everyone's

0:27:31.800 --> 0:27:35.520
<v Speaker 1>expectations because it would morph into TikTok and become the

0:27:35.560 --> 0:27:39.960
<v Speaker 1>biggest competitor that Facebook had ever seen. Here's Joja again,

0:27:40.200 --> 0:27:43.000
<v Speaker 1>the early Musically employee for me. I thought it was

0:27:43.040 --> 0:27:48.720
<v Speaker 1>quite amazing that a team of founders from China built

0:27:49.680 --> 0:27:53.840
<v Speaker 1>such a massive consumer social app that was used the

0:27:53.880 --> 0:27:57.520
<v Speaker 1>time by American teenagers. And I don't think the teams

0:27:57.560 --> 0:28:00.200
<v Speaker 1>at that time knew that their favorite app was may

0:28:00.240 --> 0:28:04.919
<v Speaker 1>by to two guys in China. After TikTok's power and

0:28:05.000 --> 0:28:08.480
<v Speaker 1>reach grew bigger and bigger, you gotta wonder if Facebook

0:28:08.480 --> 0:28:13.560
<v Speaker 1>regrets walking away from these negotiations. Facebook's exit left the

0:28:13.560 --> 0:28:17.400
<v Speaker 1>door open for a massive Chinese internet conglomerate to come in.

0:28:18.359 --> 0:28:22.520
<v Speaker 1>This new company would supercharge the Musically app at even

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<v Speaker 1>more advanced artificial intelligence, collicked even more personal data on

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<v Speaker 1>each of its users, and rebrand Musically as TikTok, a

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<v Speaker 1>social media platform that would be downloaded around the world.

0:28:35.760 --> 0:28:44.280
<v Speaker 1>That's next time on Foundering. Foundering is hosted by me

0:28:44.640 --> 0:28:49.040
<v Speaker 1>Shelley Banjo. Sean Wyn is our executive producer. Sarah Fryar,

0:28:49.240 --> 0:28:53.080
<v Speaker 1>Chipping Kwang and Kurt Wagner contributed reporting to this episode.

0:28:53.720 --> 0:28:57.720
<v Speaker 1>Raymondo is our audio engineer. Mark Million and Vander May

0:28:57.840 --> 0:29:02.040
<v Speaker 1>and Ali Sturbar are our story editors. Production help from

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<v Speaker 1>My Aquava, Molly Nugent and Isabel Lee. Francesco Levi is

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<v Speaker 1>the head of Bloomberg Podcasts. Be sure to subscribe and

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<v Speaker 1>if you like our show, leave a review. Most importantly,

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<v Speaker 1>tell your friends see you next time.