1 00:00:00,080 --> 00:00:03,160 Speaker 1: Hey, this is Questlove, and we're continuing to celebrate Women's 2 00:00:03,240 --> 00:00:06,480 Speaker 1: History Month by releasing episodes of my new podcast with 3 00:00:06,559 --> 00:00:10,639 Speaker 1: Story Pirates. Historical Records is an explosive fusion of hip 4 00:00:10,640 --> 00:00:14,880 Speaker 1: hop and history, tailor made for music loving kids and families. 5 00:00:15,480 --> 00:00:19,640 Speaker 1: In this episode, Nimine learns the inspiring story of Judy Human, 6 00:00:20,000 --> 00:00:22,360 Speaker 1: who fought for the rights of disabled people, and a 7 00:00:22,440 --> 00:00:26,720 Speaker 1: list Broadway actor Jenna Brainbridge for fierce hip hop track 8 00:00:26,960 --> 00:00:31,160 Speaker 1: to honor Judy's legacy. We hope you enjoy Historical Records, 9 00:00:31,200 --> 00:00:33,320 Speaker 1: the show that proves that in order to make history, 10 00:00:33,760 --> 00:00:34,880 Speaker 1: you have to make some noise. 11 00:00:38,880 --> 00:00:43,080 Speaker 2: Hey, listeners, it's Niminy. Welcome back to Historical Records. We're 12 00:00:43,120 --> 00:00:45,520 Speaker 2: doing things a little different on the show today because 13 00:00:45,600 --> 00:00:49,200 Speaker 2: I am at the gardening store and whoops, I dropped 14 00:00:49,200 --> 00:00:52,800 Speaker 2: my trowel. Anyway, as I was saying, I'm throwing a 15 00:00:52,840 --> 00:00:56,880 Speaker 2: garden party tonight's and I need a few last minute supplies. 16 00:00:57,160 --> 00:01:04,200 Speaker 2: For example, these seeds, these pruning snips ooh, and this 17 00:01:04,440 --> 00:01:06,400 Speaker 2: huge clay pot. Oh. 18 00:01:06,440 --> 00:01:09,960 Speaker 3: Dear clean up on Aisle five, herb please report to 19 00:01:10,000 --> 00:01:11,000 Speaker 3: the vegetable section. 20 00:01:11,440 --> 00:01:14,000 Speaker 2: My bad. I'll just grab another large clay. 21 00:01:13,840 --> 00:01:16,680 Speaker 3: Pot herb clean up on Aisle five. 22 00:01:16,800 --> 00:01:21,520 Speaker 2: Stat whoops, I'll just grab another one, Herb. 23 00:01:21,440 --> 00:01:24,800 Speaker 3: Come red. Someone is breaking all the pots in Aisle five. 24 00:01:26,319 --> 00:01:26,399 Speaker 4: What. 25 00:01:26,720 --> 00:01:29,440 Speaker 2: I don't even roots for one? What is happening? 26 00:01:30,840 --> 00:01:31,200 Speaker 5: Herb? 27 00:01:31,440 --> 00:01:32,120 Speaker 2: Where are you? 28 00:01:32,280 --> 00:01:34,480 Speaker 6: This is officially a clean up emergency? 29 00:01:34,760 --> 00:01:39,479 Speaker 7: Ole fine? 30 00:01:41,480 --> 00:01:45,520 Speaker 2: Where am I? Okay, calm down, Niminy. You're back at 31 00:01:45,560 --> 00:01:48,920 Speaker 2: the bunker in your bed. There's no herb, there's no 32 00:01:49,000 --> 00:01:53,040 Speaker 2: Aisle five. It was all a dream man. I guess 33 00:01:53,080 --> 00:01:57,320 Speaker 2: I'm a little how you say, stressed about this garden party. 34 00:01:57,360 --> 00:02:00,440 Speaker 2: I'm gonna throw later, but you know it's great for 35 00:02:00,560 --> 00:02:09,079 Speaker 2: stress gardening listeners, Let's go check on those plans. 36 00:02:07,880 --> 00:02:11,560 Speaker 3: It's historical Records. 37 00:02:12,320 --> 00:02:15,359 Speaker 8: You are now listening to Historical We're. 38 00:02:16,480 --> 00:02:19,520 Speaker 2: To make history. You got to have struggles to make history. 39 00:02:19,639 --> 00:02:22,520 Speaker 2: You got to show toois cannot be quiet loud as 40 00:02:22,520 --> 00:02:30,200 Speaker 2: a riot to make history. You gotta make some noise. Hello, 41 00:02:30,280 --> 00:02:34,079 Speaker 2: lovely listeners, Welcome back to Historical Records, the show where 42 00:02:34,120 --> 00:02:37,360 Speaker 2: I dig into historical records in order to produce historically 43 00:02:37,400 --> 00:02:41,000 Speaker 2: themed records. And by records, I mean songs, which is 44 00:02:41,080 --> 00:02:44,040 Speaker 2: actually a bit of a history lesson in itself. Did 45 00:02:44,080 --> 00:02:47,440 Speaker 2: you know songs and albums used to be called records. 46 00:02:47,840 --> 00:02:49,960 Speaker 2: It's true. And if you have an adult in your 47 00:02:50,000 --> 00:02:53,240 Speaker 2: life who still listens to records, be warned that if 48 00:02:53,280 --> 00:02:56,840 Speaker 2: you ask their opinion about music, they're gonna talk a lot. 49 00:02:57,280 --> 00:02:59,600 Speaker 2: Now follow me, listeners. We're headed to a part of 50 00:02:59,600 --> 00:03:04,679 Speaker 2: the bunker you've never been to. Oh hot, Tina, where 51 00:03:04,760 --> 00:03:07,120 Speaker 2: my headed? I'm on my way to the greenhouse to 52 00:03:07,200 --> 00:03:09,839 Speaker 2: check on my plants for the garden party later. Where 53 00:03:09,880 --> 00:03:15,240 Speaker 2: are you going? Oh, that's right. You're nocturnal, so you're 54 00:03:15,280 --> 00:03:18,000 Speaker 2: going to bed. And that's also probably why you're in 55 00:03:18,080 --> 00:03:20,720 Speaker 2: a dressing gown and a bonnet. And here I thought 56 00:03:20,760 --> 00:03:23,880 Speaker 2: you were making a bold fashioned choice. Sleep tight, Tina. 57 00:03:24,320 --> 00:03:26,840 Speaker 2: I hope you don't have any stress dreams about herb 58 00:03:27,880 --> 00:03:32,840 Speaker 2: Never mind, I'll see you later anyway, listeners. Today's episode 59 00:03:32,840 --> 00:03:37,200 Speaker 2: of Historical Records is all about Shooty Human, who is 60 00:03:37,400 --> 00:03:41,000 Speaker 2: known as the mother of the disability rights movement. But 61 00:03:41,280 --> 00:03:43,720 Speaker 2: before we learn more about her, I need to check 62 00:03:43,800 --> 00:03:46,120 Speaker 2: up on my plants. I started a bunch of seeds 63 00:03:46,120 --> 00:03:48,720 Speaker 2: a few weeks ago, and today's the first day I've 64 00:03:48,760 --> 00:03:55,080 Speaker 2: been able to check up on them. Oh no, all 65 00:03:55,160 --> 00:03:59,040 Speaker 2: the plants are dead or dying. What have I done 66 00:03:59,440 --> 00:03:59,840 Speaker 2: hate him? 67 00:03:59,840 --> 00:04:01,920 Speaker 5: And I'm here for the garden party? 68 00:04:02,160 --> 00:04:04,720 Speaker 2: Me, what are you doing here? The party is not 69 00:04:04,800 --> 00:04:06,200 Speaker 2: for another twelve hours. 70 00:04:06,440 --> 00:04:09,240 Speaker 5: Ah, well, the invite didn't say whether it was five 71 00:04:09,360 --> 00:04:12,520 Speaker 5: am or five pm. I thought it was a little 72 00:04:12,520 --> 00:04:14,960 Speaker 5: weird that a party would start at five am, But 73 00:04:15,280 --> 00:04:17,839 Speaker 5: you're a little weird Nimini, like in a good way, 74 00:04:18,080 --> 00:04:19,200 Speaker 5: so I just went with it. 75 00:04:19,560 --> 00:04:22,080 Speaker 2: I won't argue with you on that, but I don't 76 00:04:22,160 --> 00:04:24,440 Speaker 2: know if there's gonna be a party at all. Now, 77 00:04:24,720 --> 00:04:26,160 Speaker 2: just look at this garden. 78 00:04:27,040 --> 00:04:30,120 Speaker 5: It's not all bad. The leaves on this shrub here 79 00:04:30,160 --> 00:04:32,160 Speaker 5: are really beautiful, bright yellow. 80 00:04:32,640 --> 00:04:33,960 Speaker 2: They're supposed to be green. 81 00:04:34,600 --> 00:04:37,520 Speaker 5: Ooh, yikes, What were the conditions like in here? 82 00:04:37,960 --> 00:04:41,120 Speaker 2: You know me? I love my gadgets, so I set 83 00:04:41,160 --> 00:04:44,520 Speaker 2: my UV light timers to sixteen hours a day, programmed 84 00:04:44,720 --> 00:04:47,159 Speaker 2: plant food to scatter every other day, and set the 85 00:04:47,240 --> 00:04:50,240 Speaker 2: sprinklers to go off every five minutes at random intervals 86 00:04:50,240 --> 00:04:52,839 Speaker 2: to mimic rain and nature. Oh and of course I 87 00:04:52,920 --> 00:04:59,040 Speaker 2: programmed gentle thunderstorm noises to play whenever that happens. Oops, 88 00:04:59,080 --> 00:05:01,400 Speaker 2: they're going off now. Hope you brought your umbrella. 89 00:05:01,640 --> 00:05:05,520 Speaker 5: Who would go to a garden party without an umbrella, Nimoni. 90 00:05:05,839 --> 00:05:08,880 Speaker 5: I understand why you programmed this room the way you did, 91 00:05:09,120 --> 00:05:11,520 Speaker 5: but it looks like you have a lot of different 92 00:05:11,640 --> 00:05:16,000 Speaker 5: plants in here. Individual plants need specific conditions to thrive. 93 00:05:16,320 --> 00:05:19,000 Speaker 5: You can't expect a bonzie tree and a cactus to 94 00:05:19,040 --> 00:05:21,200 Speaker 5: grow strong in the same kind of environment. 95 00:05:21,800 --> 00:05:25,320 Speaker 2: Wow, I guess not. I was just excited to have 96 00:05:25,400 --> 00:05:27,839 Speaker 2: a garden party. I'm a tiny sandwich is. 97 00:05:27,839 --> 00:05:32,360 Speaker 5: In everything, totally understandable, and actually it makes me think 98 00:05:32,360 --> 00:05:36,839 Speaker 5: about this week's episode about Judy Human Really why i'll 99 00:05:36,839 --> 00:05:37,760 Speaker 5: show you here? 100 00:05:38,200 --> 00:05:41,400 Speaker 2: Oh, Lee, I think the party's off. You can put 101 00:05:41,440 --> 00:05:44,240 Speaker 2: away that bird shaped whistle you brought as a party favor. 102 00:05:44,560 --> 00:05:48,840 Speaker 5: Actually, this bird whistle is this week's history simulator. 103 00:05:49,240 --> 00:05:52,320 Speaker 2: Oh you know, I love a theme. Let's go. 104 00:05:53,160 --> 00:05:57,360 Speaker 5: Just as a heads up, this whistle attracts actual birds, 105 00:05:57,640 --> 00:05:59,599 Speaker 5: so you might see some after I blow on it. 106 00:06:00,000 --> 00:06:00,440 Speaker 2: It's great. 107 00:06:00,720 --> 00:06:04,520 Speaker 5: I love birds me too, But jes a reminder, there 108 00:06:04,520 --> 00:06:07,760 Speaker 5: are over eleven thousand species of birds, and I can't 109 00:06:07,760 --> 00:06:09,120 Speaker 5: control which ones show up. 110 00:06:09,880 --> 00:06:12,720 Speaker 2: In that case, maybe we should pause because I really 111 00:06:12,760 --> 00:06:21,240 Speaker 2: don't like sign Then fly I don't know, Well, come on, 112 00:06:21,400 --> 00:06:27,720 Speaker 2: let's fly. Whoa where did we travel to? Lee? I 113 00:06:27,800 --> 00:06:29,680 Speaker 2: assume somewhere near an ocean. 114 00:06:30,320 --> 00:06:32,800 Speaker 5: No, we're on the south lawn of the White House. 115 00:06:33,160 --> 00:06:36,320 Speaker 2: What then, why the seagulls. The birds have. 116 00:06:36,360 --> 00:06:39,839 Speaker 5: Their own reasoning, Nimini, best not to question it. But 117 00:06:40,120 --> 00:06:42,880 Speaker 5: you should look over there at. 118 00:06:42,680 --> 00:06:45,080 Speaker 2: That platform where a bunch of people are standing in 119 00:06:45,080 --> 00:06:48,400 Speaker 2: front of a crowd. Wait a minute, is that President 120 00:06:48,480 --> 00:06:50,120 Speaker 2: George HW. Bush? 121 00:06:50,240 --> 00:06:52,880 Speaker 5: Yup and see that woman over there wearing glasses in 122 00:06:52,880 --> 00:06:53,560 Speaker 5: the wheelchair. 123 00:06:54,000 --> 00:06:58,240 Speaker 2: That's Judy Human. Does Judy Human work at the White House? 124 00:06:58,600 --> 00:07:01,680 Speaker 5: Not yet. Eventually she does end up working with President 125 00:07:01,720 --> 00:07:05,080 Speaker 5: Clinton's administration, but that's still a few years away. Today, 126 00:07:05,120 --> 00:07:08,159 Speaker 5: she's here because President Bush is signing the nineteen ninety 127 00:07:08,200 --> 00:07:12,320 Speaker 5: Americans with Disabilities Act, also known as the ADA. 128 00:07:12,400 --> 00:07:13,920 Speaker 2: And what did the ADA do? 129 00:07:14,280 --> 00:07:17,200 Speaker 5: It's a civil rights law that says it's illegal to 130 00:07:17,280 --> 00:07:21,280 Speaker 5: discriminate against people who have disabilities. The world looked very 131 00:07:21,280 --> 00:07:23,560 Speaker 5: different before the ADA in what way? 132 00:07:23,800 --> 00:07:24,080 Speaker 2: Well? 133 00:07:24,200 --> 00:07:26,640 Speaker 5: Take Judy for example, when she was a kid, she 134 00:07:26,720 --> 00:07:29,400 Speaker 5: had a disease called polio that forced her to use 135 00:07:29,400 --> 00:07:32,320 Speaker 5: a wheelchair to get around. But many buildings were built 136 00:07:32,360 --> 00:07:35,440 Speaker 5: in a way that made it impossible for wheelchairs to 137 00:07:35,560 --> 00:07:37,600 Speaker 5: get inside and move around. 138 00:07:37,920 --> 00:07:38,720 Speaker 2: That's not fair. 139 00:07:39,160 --> 00:07:41,520 Speaker 5: It wasn't. But when the ADA became the law of 140 00:07:41,560 --> 00:07:44,560 Speaker 5: the land. See that wheelchair ramp over there leading up 141 00:07:44,560 --> 00:07:47,320 Speaker 5: to the stage where Bush is speaking. That is one 142 00:07:47,320 --> 00:07:51,960 Speaker 5: small way the ADA helped to make spaces accessible for everyone. Wow, 143 00:07:52,560 --> 00:07:55,200 Speaker 5: and look do you see how there's an ASL interpreter 144 00:07:55,320 --> 00:07:58,320 Speaker 5: translating everything that's being said into sign language. 145 00:07:58,520 --> 00:08:01,760 Speaker 2: Yes, I love watching interpretters, especially at concerts. 146 00:08:02,120 --> 00:08:05,160 Speaker 5: That's part of the eightya two. Judy was part of 147 00:08:05,160 --> 00:08:08,120 Speaker 5: a movement that wanted to change the world, to give 148 00:08:08,200 --> 00:08:12,240 Speaker 5: everyone more access and the right kind of environment to 149 00:08:12,360 --> 00:08:13,560 Speaker 5: feel like they belong. 150 00:08:14,800 --> 00:08:17,760 Speaker 2: Seems like everyone here is happy about the ADA getting passed. 151 00:08:18,040 --> 00:08:20,640 Speaker 2: But is it just me or does Judy seem a 152 00:08:20,640 --> 00:08:22,440 Speaker 2: little unsatisfied? 153 00:08:22,960 --> 00:08:26,240 Speaker 5: Spot on Nimoni. Judy showed up to support this act 154 00:08:26,280 --> 00:08:29,080 Speaker 5: being signed because it was a step in the right direction, 155 00:08:29,480 --> 00:08:32,319 Speaker 5: but she had openly spoken out saying she didn't think 156 00:08:32,320 --> 00:08:34,880 Speaker 5: the ADA went nearly far enough. 157 00:08:35,400 --> 00:08:37,960 Speaker 2: She said that to the president. 158 00:08:38,360 --> 00:08:40,640 Speaker 5: Well, she said it to the media, so President Bush 159 00:08:40,720 --> 00:08:42,920 Speaker 5: knew she was less than thrilled about it. 160 00:08:43,240 --> 00:08:46,120 Speaker 2: Oh, I really admire her honesty. Me too. 161 00:08:46,440 --> 00:08:49,840 Speaker 5: It can be really intimidating to speak up for yourself. Now, 162 00:08:49,920 --> 00:08:52,400 Speaker 5: let me take you further back to another time when 163 00:08:52,480 --> 00:08:56,000 Speaker 5: Judy spoke up. Just prepare yourself because you know the 164 00:08:56,040 --> 00:08:56,560 Speaker 5: bird thing. 165 00:08:56,960 --> 00:09:03,240 Speaker 2: We can do this, Lee, give us a whistle. Oh, 166 00:09:03,320 --> 00:09:06,160 Speaker 2: thank goodness, it's a flock of meadow larks. 167 00:09:06,200 --> 00:09:12,400 Speaker 5: Gorgeous here we are. What a beautiful way to travel. 168 00:09:12,640 --> 00:09:14,760 Speaker 6: Hey lady, are you gonna stand in the middle of 169 00:09:14,800 --> 00:09:16,200 Speaker 6: this sidewalk all day? 170 00:09:16,360 --> 00:09:17,280 Speaker 2: I'm walking here. 171 00:09:17,640 --> 00:09:20,520 Speaker 5: If it's a break, we're lurking here. 172 00:09:21,559 --> 00:09:26,000 Speaker 6: All right, All right, everyone's a character in New York City, Lee, 173 00:09:26,080 --> 00:09:27,520 Speaker 6: Look over, there is that. 174 00:09:27,559 --> 00:09:30,679 Speaker 2: Kid, an old timy Newsy in a cap selling papers. 175 00:09:31,040 --> 00:09:34,319 Speaker 8: It sure is extra extra read all about it. Woman 176 00:09:34,360 --> 00:09:36,240 Speaker 8: in wheelchairs us to become teacher? 177 00:09:36,440 --> 00:09:39,520 Speaker 2: Whoa he must be talking about Judy Human. 178 00:09:39,520 --> 00:09:42,640 Speaker 8: Extra extra read all about it. Judy Human wins case 179 00:09:42,640 --> 00:09:44,600 Speaker 8: against school board again teacher's license. 180 00:09:44,920 --> 00:09:48,240 Speaker 2: Oh wait, newsies were a fixture of life in the 181 00:09:48,240 --> 00:09:50,560 Speaker 2: eighteen hundreds. How far back do we go? 182 00:09:50,679 --> 00:09:52,520 Speaker 5: Lee, the nineteen seventies. 183 00:09:52,800 --> 00:09:54,880 Speaker 2: Oh, the newsies as darkly accurate. 184 00:09:55,280 --> 00:09:57,760 Speaker 5: You Let me worry about that nmony. Listen to what 185 00:09:57,800 --> 00:10:00,720 Speaker 5: the newsies are saying about Judy. 186 00:10:00,080 --> 00:10:03,200 Speaker 2: Extra extra read all about it. In a twist of. 187 00:10:03,240 --> 00:10:06,720 Speaker 5: Fate, Judy Human wins discrimination lawsuit. 188 00:10:06,280 --> 00:10:09,520 Speaker 3: Against the school board that bought it from attending school 189 00:10:09,520 --> 00:10:10,280 Speaker 3: as a child. 190 00:10:10,800 --> 00:10:13,800 Speaker 2: Okay, wild, what are they talking about. 191 00:10:13,920 --> 00:10:16,800 Speaker 5: When she was entering elementary school in nineteen fifty two, 192 00:10:17,040 --> 00:10:20,240 Speaker 5: a school board in Judy's neighborhood didn't let her attend 193 00:10:20,559 --> 00:10:23,920 Speaker 5: school because they said her wheelchair was a fire hazard. 194 00:10:24,320 --> 00:10:28,400 Speaker 2: That seems outrageous even for the nineteen fifties, But what 195 00:10:28,480 --> 00:10:30,560 Speaker 2: does that have to do with these headlines about her 196 00:10:30,600 --> 00:10:32,000 Speaker 2: getting a teacher's license. 197 00:10:32,400 --> 00:10:35,640 Speaker 5: Years later, after Judy had earned her teaching license, that 198 00:10:36,120 --> 00:10:39,080 Speaker 5: same school board sai she couldn't be a teacher in 199 00:10:39,160 --> 00:10:42,560 Speaker 5: their school because she failed the medical exam because she 200 00:10:42,640 --> 00:10:43,480 Speaker 5: couldn't walk. 201 00:10:43,800 --> 00:10:47,920 Speaker 2: That's really unfair. She was obviously able to be a teacher. 202 00:10:48,160 --> 00:10:49,840 Speaker 2: She was just going to need to get around the 203 00:10:49,840 --> 00:10:52,679 Speaker 2: school in her own way. In schools today, there are 204 00:10:52,720 --> 00:10:55,560 Speaker 2: not only ramps in elevators so that everyone is able 205 00:10:55,600 --> 00:10:58,760 Speaker 2: to get around. There's even braille on all the signs 206 00:10:58,800 --> 00:11:01,439 Speaker 2: on the walls to help those that are vision and paired. 207 00:11:01,440 --> 00:11:04,520 Speaker 5: Exactly, and all that progress is the result of Judy 208 00:11:04,520 --> 00:11:08,640 Speaker 5: and her colleagues demanding that buildings be more accessible. Because 209 00:11:08,679 --> 00:11:12,120 Speaker 5: the world is largely designed with able people in mind, 210 00:11:12,320 --> 00:11:14,640 Speaker 5: you have to use your imagination in a new way 211 00:11:14,679 --> 00:11:17,840 Speaker 5: to rethink places and make them for everyone. 212 00:11:18,400 --> 00:11:21,240 Speaker 2: If only the school board could have realized that back 213 00:11:21,240 --> 00:11:22,600 Speaker 2: in nineteen fifty two. 214 00:11:22,840 --> 00:11:26,200 Speaker 8: Extra Extra Exclusive Interview with Judy Human, page four. 215 00:11:26,440 --> 00:11:29,480 Speaker 5: Oh we should read that. Excuse me, Hi, I'd like 216 00:11:29,520 --> 00:11:30,200 Speaker 5: to buy a paper. 217 00:11:30,240 --> 00:11:32,640 Speaker 8: Please show a thing that'll be three fifty. 218 00:11:32,559 --> 00:11:36,080 Speaker 5: Three fifty That is expensive for the seventies. 219 00:11:36,480 --> 00:11:38,160 Speaker 2: Oh well, here you go, neosy. 220 00:11:38,520 --> 00:11:43,000 Speaker 8: Thanks Extra extra podcast assurer and swindled by anachronistic noozy. 221 00:11:43,160 --> 00:11:45,800 Speaker 8: Read all about it, you little rascal. 222 00:11:46,040 --> 00:11:49,280 Speaker 2: Wait, Lee, why would we just read about it when 223 00:11:49,280 --> 00:11:52,160 Speaker 2: we could go see Judy get interviewed. 224 00:11:52,800 --> 00:11:55,160 Speaker 5: Oh yeah, maybe I could return this paper to that 225 00:11:55,440 --> 00:11:59,760 Speaker 5: sales final, Oh New York, let's get to that interview. 226 00:12:02,640 --> 00:12:03,480 Speaker 2: That's a burn. 227 00:12:03,600 --> 00:12:06,120 Speaker 5: Well yeah, it's called a jacksnipe. 228 00:12:06,360 --> 00:12:08,400 Speaker 2: I might need to sample it for a beat. That 229 00:12:08,720 --> 00:12:14,600 Speaker 2: is awesome. Now that's the only way to time travel. 230 00:12:15,200 --> 00:12:19,360 Speaker 5: Judy Humans about to give her statement. Sorry, okay, so niminy. 231 00:12:19,559 --> 00:12:22,920 Speaker 5: Here we are at the Overseas Press Club at Judy's 232 00:12:23,000 --> 00:12:25,439 Speaker 5: news conference, and there she is. 233 00:12:26,160 --> 00:12:28,280 Speaker 8: Judy, how do you feel now that you've won the case? 234 00:12:28,679 --> 00:12:31,400 Speaker 9: I feel qualified to teach now and I don't want 235 00:12:31,480 --> 00:12:31,959 Speaker 9: to wait. 236 00:12:32,720 --> 00:12:34,679 Speaker 2: I bet Judy was an amazing teacher. 237 00:12:34,960 --> 00:12:37,319 Speaker 5: She didn't end up teaching that much after the lawsuit. 238 00:12:37,720 --> 00:12:40,280 Speaker 2: What that makes me sad to hear? 239 00:12:40,760 --> 00:12:44,840 Speaker 5: It's actually pretty inspiring. Judy realized that her work needed 240 00:12:44,880 --> 00:12:47,840 Speaker 5: to be outside of the classroom after this whole experience. 241 00:12:48,120 --> 00:12:49,400 Speaker 2: What did she end up doing? 242 00:12:49,679 --> 00:12:50,520 Speaker 5: I'll show you. 243 00:12:53,400 --> 00:12:55,200 Speaker 2: Her case. What am I supposed to. 244 00:12:55,200 --> 00:12:55,520 Speaker 8: Go with this? 245 00:12:56,080 --> 00:12:59,320 Speaker 5: Did you know that Benjamin Franklin wanted the National burn 246 00:12:59,440 --> 00:13:02,000 Speaker 5: to be the anybody. 247 00:13:01,480 --> 00:13:05,720 Speaker 2: Knows that late? Where are we? 248 00:13:06,080 --> 00:13:08,439 Speaker 5: Sh try to keep your voice down. It's pretty late 249 00:13:08,480 --> 00:13:11,200 Speaker 5: at night or early in the morning, depending on how 250 00:13:11,240 --> 00:13:11,880 Speaker 5: you look at it. 251 00:13:12,040 --> 00:13:15,040 Speaker 2: We're in some kind of office building full of people 252 00:13:15,679 --> 00:13:16,840 Speaker 2: having a sleepover. 253 00:13:17,200 --> 00:13:20,000 Speaker 5: It's less of a sleep over and more of a 254 00:13:20,120 --> 00:13:20,680 Speaker 5: sit in. 255 00:13:21,360 --> 00:13:24,720 Speaker 2: Hm hm, that makes sense. People are definitely sitting, mostly 256 00:13:24,720 --> 00:13:27,520 Speaker 2: at empty desks. And look, there's a few people over 257 00:13:27,559 --> 00:13:29,880 Speaker 2: there on the floor in sleeping bags playing a game. 258 00:13:30,320 --> 00:13:33,240 Speaker 2: And based on the various haircuts, I'm guessing we're in 259 00:13:33,280 --> 00:13:34,679 Speaker 2: the seventies again. 260 00:13:34,880 --> 00:13:37,480 Speaker 5: Correct, we're in nineteen seventy seven. 261 00:13:37,800 --> 00:13:40,640 Speaker 2: I thought sit ins were like protests, like the ones 262 00:13:40,679 --> 00:13:41,880 Speaker 2: from the civil rights movement. 263 00:13:42,280 --> 00:13:45,840 Speaker 5: That's right, All of these folks are part of DA 264 00:13:45,920 --> 00:13:50,400 Speaker 5: Disability in Action, an organization that Judy helped create that 265 00:13:50,440 --> 00:13:53,400 Speaker 5: brings people together to fight for the inclusion of disabled people. 266 00:13:53,600 --> 00:13:56,679 Speaker 2: Are they all protesting about another teacher license getting denied? 267 00:13:57,080 --> 00:13:59,719 Speaker 5: No, this is a much bigger moment. This is what 268 00:14:00,160 --> 00:14:03,200 Speaker 5: many sit ins staged across the country by DIA and 269 00:14:03,280 --> 00:14:06,600 Speaker 5: other groups demanding that the government take action on section 270 00:14:06,800 --> 00:14:11,240 Speaker 5: five oh four of the Rehabilitation Act of nineteen seventy three. 271 00:14:11,600 --> 00:14:15,080 Speaker 2: Nineteen seventy three. But didn't you just say it's nineteen 272 00:14:15,120 --> 00:14:15,800 Speaker 2: seventy seven. 273 00:14:16,280 --> 00:14:19,920 Speaker 5: Yes, So in nineteen seventy three, after other protests led 274 00:14:19,960 --> 00:14:24,200 Speaker 5: by Judy in her community, President Nixon finally signed papers 275 00:14:24,240 --> 00:14:28,000 Speaker 5: that basically said no disabled person should be excluded from 276 00:14:28,000 --> 00:14:32,320 Speaker 5: any program, service, or similar which receives federal funds. That's great, 277 00:14:32,720 --> 00:14:35,960 Speaker 5: it is great. But before section five oh four could 278 00:14:36,000 --> 00:14:39,280 Speaker 5: be put into law, the US Department of Health, Education, 279 00:14:39,400 --> 00:14:41,600 Speaker 5: and Welfare had to come up with this sort of 280 00:14:42,000 --> 00:14:44,640 Speaker 5: checklist to help determine who is disabled. 281 00:14:44,840 --> 00:14:47,920 Speaker 2: So all these activists had already helped bring about a 282 00:14:47,960 --> 00:14:51,560 Speaker 2: new law, but one department delayed those laws being put 283 00:14:51,600 --> 00:14:56,240 Speaker 2: into action for four years. Pretty much No wonder Judy 284 00:14:56,280 --> 00:14:57,239 Speaker 2: got so feisty. 285 00:14:57,640 --> 00:15:00,080 Speaker 3: Okay, everybody, I don't want to wake you have if 286 00:15:00,120 --> 00:15:02,360 Speaker 3: you're resting, but you know what time it is. 287 00:15:04,200 --> 00:15:06,440 Speaker 5: I'm not exactly sure what's happening now. 288 00:15:06,560 --> 00:15:09,400 Speaker 2: They're taking down that big sign that says twenty one 289 00:15:09,600 --> 00:15:12,840 Speaker 2: and replacing it with another sign that says twenty two. 290 00:15:13,400 --> 00:15:16,480 Speaker 3: Fellow protesters, if you can, we'd love for you to 291 00:15:16,520 --> 00:15:17,880 Speaker 3: stay just one more night. 292 00:15:18,200 --> 00:15:21,240 Speaker 5: Oh. I see all these people have been here protesting 293 00:15:21,320 --> 00:15:25,080 Speaker 5: for twenty two days and twenty two nights. 294 00:15:25,280 --> 00:15:26,920 Speaker 2: That's such a long time. 295 00:15:27,240 --> 00:15:30,680 Speaker 5: Yeah, and some of the people here needed specific medical 296 00:15:30,720 --> 00:15:33,480 Speaker 5: supplies to get through even a regular day, so other 297 00:15:33,480 --> 00:15:36,280 Speaker 5: people from the community brought them stuff to help them 298 00:15:36,360 --> 00:15:37,000 Speaker 5: keep going. 299 00:15:37,240 --> 00:15:39,200 Speaker 2: How did they know what to bring them? I mean, 300 00:15:39,280 --> 00:15:42,240 Speaker 2: it's nineteen seventy seven. There are no cell phones, and 301 00:15:42,320 --> 00:15:44,640 Speaker 2: I don't think they'd just let the protesters use the 302 00:15:44,680 --> 00:15:45,560 Speaker 2: phones in here. 303 00:15:46,000 --> 00:15:50,560 Speaker 5: Oh they didn't. In fact, the FBI cut the phone 304 00:15:50,560 --> 00:15:53,280 Speaker 5: lines in here to try and get the protesters to leave, 305 00:15:53,600 --> 00:15:57,200 Speaker 5: but they found a way. Look over there, that woman. 306 00:15:57,040 --> 00:16:00,240 Speaker 2: Is using sign language to communicate with somebody on the 307 00:16:00,240 --> 00:16:01,360 Speaker 2: other side of that window. 308 00:16:01,800 --> 00:16:06,880 Speaker 5: Isn't that amazing? The FBI couldn't stop asl. 309 00:16:06,720 --> 00:16:10,040 Speaker 2: Still it sounds like hard work. How much longer does 310 00:16:10,080 --> 00:16:10,840 Speaker 2: the protest go? 311 00:16:11,120 --> 00:16:14,200 Speaker 5: They'll be here for a few more days, twenty four altogether. 312 00:16:14,600 --> 00:16:17,240 Speaker 2: I know this is a protest and everyone here is 313 00:16:17,440 --> 00:16:20,960 Speaker 2: rightfully angry and felt called to action. But it also 314 00:16:21,240 --> 00:16:24,120 Speaker 2: feels good in here. Is that weird to say? 315 00:16:24,520 --> 00:16:27,080 Speaker 5: I don't think so? And actually that makes me think 316 00:16:27,120 --> 00:16:29,360 Speaker 5: of one other thing I want to show you. I 317 00:16:29,440 --> 00:16:32,400 Speaker 5: really hope I don't wake anybody up with this history simulator. 318 00:16:32,440 --> 00:16:41,440 Speaker 5: But here we go. Owls. What a perfect bird to 319 00:16:41,520 --> 00:16:43,160 Speaker 5: take us to our next stuff. 320 00:16:45,920 --> 00:16:49,480 Speaker 2: You're right, Lee, those owls were on thepe I'm seeing 321 00:16:49,520 --> 00:16:53,080 Speaker 2: a bonfire with people gathered around it. I hear frogs 322 00:16:53,080 --> 00:16:55,320 Speaker 2: and crickets. There are mosquitoes. 323 00:16:57,120 --> 00:16:59,720 Speaker 5: Oh no, I do not do well with mosquitos. 324 00:17:00,200 --> 00:17:03,000 Speaker 2: We better be quick. What's the scoop on this gathering. 325 00:17:03,360 --> 00:17:06,480 Speaker 5: We're at a place called Camp jen Ed. It's a 326 00:17:06,480 --> 00:17:09,240 Speaker 5: summer camp Judy went to and she was a teenager. Look, 327 00:17:09,359 --> 00:17:11,399 Speaker 5: she's right over there, sitting near the fire. 328 00:17:11,640 --> 00:17:14,400 Speaker 2: Where Sorry, it's hard to tell from this far back, 329 00:17:14,440 --> 00:17:17,120 Speaker 2: and there's more than one person in a wheelchair over there. 330 00:17:18,240 --> 00:17:20,040 Speaker 5: She's the one who just made everyone laugh. 331 00:17:20,320 --> 00:17:20,760 Speaker 2: Gotcha. 332 00:17:21,080 --> 00:17:23,560 Speaker 5: I wanted to bring you here because Judy talks about 333 00:17:23,600 --> 00:17:26,480 Speaker 5: Camp Jened a lot. It was a camp for young 334 00:17:26,520 --> 00:17:29,880 Speaker 5: people with disabilities. It's here that Judy said she realized 335 00:17:29,920 --> 00:17:32,600 Speaker 5: that a lot of the limited way people view folks 336 00:17:32,600 --> 00:17:36,120 Speaker 5: with disabilities comes from fear. It sparked something in. 337 00:17:36,040 --> 00:17:38,480 Speaker 2: Her to want to change that. Maybe this is where 338 00:17:38,480 --> 00:17:41,280 Speaker 2: her flame for Scott it spark hard to say, but 339 00:17:41,359 --> 00:17:44,159 Speaker 2: it gave Judy and many other campers an idea of 340 00:17:44,200 --> 00:17:46,800 Speaker 2: how great things could be if everyone is given a 341 00:17:46,880 --> 00:17:47,720 Speaker 2: chance to thrive. 342 00:17:48,119 --> 00:17:51,200 Speaker 5: Other campers from Jened went on to be disability rights 343 00:17:51,240 --> 00:17:51,920 Speaker 5: activists too. 344 00:17:53,880 --> 00:17:57,800 Speaker 2: Okay, they're really getting into that song. Oh, which reminds 345 00:17:57,880 --> 00:18:00,040 Speaker 2: me we better get back to the studio to we 346 00:18:00,080 --> 00:18:02,760 Speaker 2: eat some music of our own. Also, it sort of 347 00:18:02,800 --> 00:18:06,240 Speaker 2: looks like you're getting eaten alive by mosquitoes. Yikes, let's 348 00:18:06,240 --> 00:18:12,000 Speaker 2: get out of here. Whoa child swans? 349 00:18:13,640 --> 00:18:16,119 Speaker 5: We're heading back to the studio. So he's sort of 350 00:18:16,119 --> 00:18:17,040 Speaker 5: our swan song. 351 00:18:19,920 --> 00:18:22,880 Speaker 2: All right, here we are back at the studio. 352 00:18:23,800 --> 00:18:26,560 Speaker 5: I'm covered in bug bites. Why did I create a 353 00:18:26,640 --> 00:18:29,480 Speaker 5: history simulator that didn't protect us from mosquitoes? 354 00:18:29,840 --> 00:18:32,760 Speaker 2: Oh? All that, and you didn't even get us'more? 355 00:18:33,880 --> 00:18:35,840 Speaker 5: Oh No, one came back with us a. 356 00:18:38,440 --> 00:18:43,200 Speaker 2: BII. Okay, listeners, let's hear this song about the one 357 00:18:43,240 --> 00:18:49,640 Speaker 2: and only Judy Human, featuring the amazing vocalist Jenna by Bridge. 358 00:18:52,480 --> 00:18:55,440 Speaker 5: I'm looking for feisty disabled. 359 00:18:54,840 --> 00:19:11,000 Speaker 10: People at eighteen months, that's just one and a half. 360 00:19:11,280 --> 00:19:15,119 Speaker 7: I contracted polio sort of cut me and I consume, 361 00:19:15,280 --> 00:19:16,440 Speaker 7: move my arms. 362 00:19:16,160 --> 00:19:17,480 Speaker 2: And my neck and my face. 363 00:19:17,520 --> 00:19:21,040 Speaker 7: But I was paralyzed from below the wigs. 364 00:19:21,600 --> 00:19:24,520 Speaker 2: But just know that the song ain't a sod story. 365 00:19:24,840 --> 00:19:27,840 Speaker 7: Ain't the go crying home to your mom's story. 366 00:19:28,080 --> 00:19:31,720 Speaker 9: This about finding force when you're afraid, getting lemons. 367 00:19:31,280 --> 00:19:33,919 Speaker 5: Turning them to lemonade. 368 00:19:34,520 --> 00:19:37,720 Speaker 7: Jump forward to the first day of my new school. 369 00:19:37,760 --> 00:19:40,320 Speaker 9: Want to learn in the worst way, but in a 370 00:19:40,480 --> 00:19:41,080 Speaker 9: curse day. 371 00:19:41,480 --> 00:19:42,880 Speaker 5: They took one look at the. 372 00:19:42,840 --> 00:19:45,880 Speaker 10: Wheelchair teachers tell me I cannot be there. 373 00:19:47,119 --> 00:19:50,119 Speaker 9: You know they called me a fire hazard. 374 00:19:50,400 --> 00:19:52,360 Speaker 5: We will show them a fire. 375 00:19:52,080 --> 00:19:54,400 Speaker 7: Hazard to go to class. 376 00:19:54,520 --> 00:19:57,480 Speaker 9: Had to give them some sass claim my dignity, change 377 00:19:57,520 --> 00:19:58,240 Speaker 9: the policy. 378 00:19:58,480 --> 00:20:00,760 Speaker 8: So we had to be f see. 379 00:20:00,880 --> 00:20:02,520 Speaker 5: Be the brawler you want to be. 380 00:20:02,880 --> 00:20:06,000 Speaker 7: I see make the shift that you want to see. 381 00:20:06,080 --> 00:20:11,399 Speaker 7: I see no time for the niceties. Feisty, be feisty 382 00:20:12,840 --> 00:20:15,480 Speaker 7: second first second, lesson second time to fright. 383 00:20:15,920 --> 00:20:18,679 Speaker 9: I want to be a teacher, help the youth outright. 384 00:20:19,280 --> 00:20:21,920 Speaker 9: Got my grades, good pass my tests, got my shock. 385 00:20:22,280 --> 00:20:25,760 Speaker 9: They say I can't teach because I can't Watchcuse. 386 00:20:25,160 --> 00:20:28,760 Speaker 2: Me, this rule was blatantly I'm fair and wrong. I'm 387 00:20:28,800 --> 00:20:29,560 Speaker 2: teaching school. 388 00:20:29,640 --> 00:20:31,280 Speaker 5: I'm not running a marathon. 389 00:20:31,680 --> 00:20:33,080 Speaker 2: Lord of the Education of. 390 00:20:33,080 --> 00:20:36,000 Speaker 9: New York was not the paragon of equity I needed. 391 00:20:36,080 --> 00:20:37,760 Speaker 5: So I sued them, put the pressure on. 392 00:20:38,280 --> 00:20:42,400 Speaker 9: You know, they settled out of court. First ever teacher 393 00:20:42,440 --> 00:20:44,760 Speaker 9: in a wheelchair in New York. Plus, I got a 394 00:20:44,800 --> 00:20:47,760 Speaker 9: lot of press from a stress and so got so 395 00:20:48,040 --> 00:20:51,199 Speaker 9: many letters piles all up on the tests, those from 396 00:20:51,240 --> 00:20:55,480 Speaker 9: scared adults and from nervous kids being denied their basic services. 397 00:20:55,520 --> 00:20:57,040 Speaker 2: I now know what my purpose is. 398 00:20:57,320 --> 00:21:00,280 Speaker 9: Activists who makes disturbances. If there's dreading and it is 399 00:21:00,359 --> 00:21:03,359 Speaker 9: uncurbing and unscurving fervently and urgently. 400 00:21:03,080 --> 00:21:06,320 Speaker 7: I'm hidding sight saying being a brawl or you want 401 00:21:06,320 --> 00:21:09,480 Speaker 7: to be, I say, make the shift that you want 402 00:21:09,480 --> 00:21:13,120 Speaker 7: to see. See no time for the niceties. 403 00:21:13,280 --> 00:21:17,320 Speaker 5: Feisty, be seisty. 404 00:21:16,680 --> 00:21:19,520 Speaker 9: As you can SeeMe of facts of led to many positives, 405 00:21:19,520 --> 00:21:23,800 Speaker 9: but disabled people still in their policy parrogatives, prison by pity, 406 00:21:23,920 --> 00:21:29,040 Speaker 9: paternalism and persecution perpetrated by politicians, immuneful prosecution. 407 00:21:29,320 --> 00:21:34,800 Speaker 5: Ooh, we need a little traction. How about I'm selling 408 00:21:34,880 --> 00:21:35,600 Speaker 5: ash Now. 409 00:21:35,680 --> 00:21:38,800 Speaker 9: We on a mission to improve the positions of people 410 00:21:38,800 --> 00:21:41,200 Speaker 9: who won't be hidden, will be told that we don't 411 00:21:41,240 --> 00:21:43,840 Speaker 9: fit in. So we went to a building and started 412 00:21:43,880 --> 00:21:45,919 Speaker 9: what's called the city. And that's where you show up 413 00:21:45,920 --> 00:21:48,840 Speaker 9: on bidding and basically get to sit. You stay twenty 414 00:21:48,880 --> 00:21:53,399 Speaker 9: six days without a stock, wouldn't move even when they brought. 415 00:21:53,160 --> 00:21:54,439 Speaker 5: The army and the cops. 416 00:21:54,520 --> 00:21:57,000 Speaker 9: It was worth it when we finally got our props, 417 00:21:57,680 --> 00:22:00,480 Speaker 9: when we got the regulations that we wanted from our 418 00:22:00,600 --> 00:22:03,040 Speaker 9: arms and we learn the space of fact. People don't 419 00:22:03,040 --> 00:22:05,680 Speaker 9: clean up their axe just for kicks. Need a nudge 420 00:22:05,720 --> 00:22:07,040 Speaker 9: and a push and a flick. 421 00:22:07,119 --> 00:22:08,040 Speaker 2: They need by. 422 00:22:08,040 --> 00:22:11,480 Speaker 7: Sae be the brawl or you want to be I say, 423 00:22:12,000 --> 00:22:15,320 Speaker 7: make the shift that you want to see sisty, no 424 00:22:15,640 --> 00:22:17,120 Speaker 7: time for the niceties. 425 00:22:17,280 --> 00:22:19,320 Speaker 5: Feisty, be feisty. 426 00:22:20,480 --> 00:22:24,200 Speaker 7: Feisty, be the brawl or you want to be feisty, 427 00:22:24,840 --> 00:22:29,920 Speaker 7: Make the shift that you want no time for the niceties. 428 00:22:30,080 --> 00:22:38,400 Speaker 2: Feisty, be feisty. We'll be right back after a few 429 00:22:38,400 --> 00:22:46,639 Speaker 2: words for the grown ups. Listeners, thanks for joining in 430 00:22:46,680 --> 00:22:48,879 Speaker 2: today and for learning more about the mother of the 431 00:22:48,960 --> 00:22:53,760 Speaker 2: disability rights movement, Judy Human. In fact, she inspired me 432 00:22:53,840 --> 00:22:57,320 Speaker 2: so much I've changed my plan for the garden party. 433 00:22:57,680 --> 00:23:01,480 Speaker 2: Hey Nedy Haley, Hey, Hi Man, Hey Tina Yo. 434 00:23:01,720 --> 00:23:04,080 Speaker 3: I showed up today around five thirty am for your 435 00:23:04,119 --> 00:23:07,520 Speaker 3: party because I'm always fashionably late, but I think I 436 00:23:07,600 --> 00:23:10,320 Speaker 3: actually ended up being fashionably early. 437 00:23:10,800 --> 00:23:15,320 Speaker 2: Ah, it was up, Mum, up Pazon, you did. 438 00:23:15,640 --> 00:23:17,080 Speaker 3: I thought it was kind of weird to have a 439 00:23:17,119 --> 00:23:19,800 Speaker 3: party so early in the morning, but then again, you're 440 00:23:19,880 --> 00:23:21,760 Speaker 3: pretty weird too, fuddy in. 441 00:23:21,640 --> 00:23:26,640 Speaker 2: A good way. Thanks Phil, You're kind of weird too, 442 00:23:27,080 --> 00:23:27,359 Speaker 2: I know. 443 00:23:28,280 --> 00:23:30,439 Speaker 3: Also, I just want to say, to this pile of 444 00:23:30,480 --> 00:23:33,560 Speaker 3: dirt and empty planter boxes we're all standing around off 445 00:23:33,640 --> 00:23:36,959 Speaker 3: fantastic love that pre playing esthetic. 446 00:23:37,359 --> 00:23:37,639 Speaker 8: Wah. 447 00:23:38,240 --> 00:23:40,760 Speaker 5: I actually had a question about that, Niminy. I thought 448 00:23:40,760 --> 00:23:43,600 Speaker 5: you were inviting us to a garden party, but there's 449 00:23:43,640 --> 00:23:44,840 Speaker 5: no garden in here. 450 00:23:45,320 --> 00:23:48,720 Speaker 2: I thought we could change this from a garden party 451 00:23:49,000 --> 00:23:53,200 Speaker 2: to a gardening party. I have all these different types 452 00:23:53,200 --> 00:23:55,639 Speaker 2: of seeds here, and they each need different conditions to 453 00:23:55,680 --> 00:23:59,720 Speaker 2: help them grow. So will you help me create a 454 00:23:59,720 --> 00:24:02,600 Speaker 2: better environment for each of these different types of plants. 455 00:24:02,880 --> 00:24:08,160 Speaker 5: Sure, what are all these birds doing here? I'll explain later. 456 00:24:08,600 --> 00:24:13,440 Speaker 3: Wow, that's what is very good with a wheelbarrow. 457 00:24:14,080 --> 00:24:19,520 Speaker 2: Let's get gardening. Thanks everyone. While we all work on 458 00:24:19,560 --> 00:24:27,080 Speaker 2: the garden, I am gonna briefly sneak away for an interview. Hi, Alie, 459 00:24:27,400 --> 00:24:29,760 Speaker 2: can you introduce yourself for our listeners. 460 00:24:30,240 --> 00:24:34,480 Speaker 11: My name is Ali Stroker and I am an actress 461 00:24:34,600 --> 00:24:39,000 Speaker 11: and a singer and a dancer. I have had the 462 00:24:39,040 --> 00:24:42,439 Speaker 11: privilege of performing on Broadway and winning a Tony Award 463 00:24:42,600 --> 00:24:47,200 Speaker 11: for my performance in Oklahoma, where I played ado Annie. 464 00:24:47,680 --> 00:24:52,960 Speaker 11: And I also am an activist and an advocate for 465 00:24:53,080 --> 00:24:55,720 Speaker 11: people with disabilities. I was injured in a car accident 466 00:24:55,720 --> 00:24:58,639 Speaker 11: when I was two and use a wheelchair for mobility. 467 00:24:59,000 --> 00:25:03,879 Speaker 11: I have a two year old son named Jesse, who 468 00:25:04,040 --> 00:25:07,960 Speaker 11: is hilarious and such a joy. And I'm married to 469 00:25:08,280 --> 00:25:11,640 Speaker 11: the love of my life named David, and we live 470 00:25:11,920 --> 00:25:12,639 Speaker 11: in Westchester. 471 00:25:13,160 --> 00:25:16,000 Speaker 2: Amazing. Now, Elizabeth, can you tell us a little bit 472 00:25:16,040 --> 00:25:16,720 Speaker 2: about yourself? 473 00:25:17,080 --> 00:25:18,600 Speaker 5: Okay, So I'm Elizabeth. 474 00:25:18,760 --> 00:25:25,119 Speaker 4: I'm fourteen and I'm in theater at my school. I 475 00:25:25,200 --> 00:25:31,080 Speaker 4: do chorus, and I like to play slued hockey, baseball, swimming. 476 00:25:31,880 --> 00:25:34,800 Speaker 2: So Elizabeth, I know you have some questions prepared? Do 477 00:25:34,840 --> 00:25:36,399 Speaker 2: you want to jump in with your first one? 478 00:25:36,960 --> 00:25:39,879 Speaker 4: What was the one thing that was most challenging for 479 00:25:39,920 --> 00:25:42,520 Speaker 4: you with your disability to start your acting career. 480 00:25:43,119 --> 00:25:46,120 Speaker 11: I began singing and doing theater when I was seven 481 00:25:46,200 --> 00:25:50,439 Speaker 11: years old. And before I began doing theater, I was 482 00:25:50,480 --> 00:25:54,240 Speaker 11: really shy and I felt really different being a little 483 00:25:54,320 --> 00:25:55,280 Speaker 11: kid with a disability. 484 00:25:55,320 --> 00:25:56,240 Speaker 5: It felt really hard. 485 00:25:56,880 --> 00:25:58,879 Speaker 11: It felt like when I would enter rooms, I was 486 00:25:58,920 --> 00:26:02,760 Speaker 11: being stung by base It was just so uncomfortable. And 487 00:26:02,800 --> 00:26:06,119 Speaker 11: then when I got on stage, everyone was staring at me, 488 00:26:06,200 --> 00:26:08,560 Speaker 11: but it was for a different reason. Now it wasn't 489 00:26:08,640 --> 00:26:11,600 Speaker 11: because of my wheelchair. It was because I was the 490 00:26:11,640 --> 00:26:14,240 Speaker 11: star of the show and I was totally hooked. 491 00:26:14,680 --> 00:26:14,880 Speaker 10: Yeah. 492 00:26:14,920 --> 00:26:17,440 Speaker 4: I can relate to that a lot, because like when 493 00:26:17,480 --> 00:26:20,679 Speaker 4: I was in sixth grade, it was really hard and 494 00:26:21,280 --> 00:26:23,760 Speaker 4: I went to theater and I was on the stage 495 00:26:23,840 --> 00:26:26,399 Speaker 4: and it kind of felt like it was where I 496 00:26:26,400 --> 00:26:30,000 Speaker 4: was supposed to be. I saw myself as a normal kid, 497 00:26:30,040 --> 00:26:31,120 Speaker 4: not with the disability. 498 00:26:31,720 --> 00:26:33,080 Speaker 5: Yes, exactly. 499 00:26:33,440 --> 00:26:35,240 Speaker 11: Wait, can I ask you a few questions? 500 00:26:35,640 --> 00:26:36,040 Speaker 4: Sure? 501 00:26:36,680 --> 00:26:41,879 Speaker 11: Yes, Okay, what is your dream role in a show? 502 00:26:42,440 --> 00:26:45,639 Speaker 4: I really want to try out for Dorothy and Wizard 503 00:26:45,680 --> 00:26:49,399 Speaker 4: of All Yes, But like I'm shy, and it's like 504 00:26:49,600 --> 00:26:50,840 Speaker 4: very scary. 505 00:26:50,440 --> 00:26:51,720 Speaker 2: For me totally. 506 00:26:52,080 --> 00:26:54,000 Speaker 11: I don't know what your audition will be like, but 507 00:26:54,040 --> 00:26:55,720 Speaker 11: I always say to people like, if you have any 508 00:26:55,800 --> 00:26:59,000 Speaker 11: questions about what I can do and sort of you 509 00:26:59,040 --> 00:27:01,720 Speaker 11: know how I moved in my physical vocabulary. 510 00:27:01,760 --> 00:27:04,000 Speaker 2: I'd love to talk to you guys about it. 511 00:27:03,880 --> 00:27:07,760 Speaker 11: Because the truth is, like, when you're collaborating on a show, 512 00:27:07,800 --> 00:27:10,399 Speaker 11: you probably have as many ideas as they do. Yeah, 513 00:27:10,440 --> 00:27:12,879 Speaker 11: and maybe even more that they wouldn't even think of 514 00:27:13,000 --> 00:27:16,359 Speaker 11: because you live with your disability and you know what 515 00:27:16,800 --> 00:27:18,879 Speaker 11: is really kind of unique and cool about it, and 516 00:27:18,920 --> 00:27:22,760 Speaker 11: there's ways to be creative and incorporate it into the show. Yeah, 517 00:27:22,840 --> 00:27:25,360 Speaker 11: you know this concept of clicking your heels three times? 518 00:27:25,359 --> 00:27:26,720 Speaker 2: Like I wear a lot of rings. 519 00:27:27,560 --> 00:27:30,080 Speaker 11: Yeah, I don't know if you use a wheelchair or not, 520 00:27:30,119 --> 00:27:33,439 Speaker 11: but like I like to click my rings against my wheels. 521 00:27:33,720 --> 00:27:34,040 Speaker 5: All of a. 522 00:27:34,040 --> 00:27:36,600 Speaker 11: Sudden, It's like, who says clicking your heels three times 523 00:27:36,640 --> 00:27:39,359 Speaker 11: has to look the same as it's always look like 524 00:27:39,440 --> 00:27:45,040 Speaker 11: I can click my wheels instead of heels three times. 525 00:27:45,240 --> 00:27:49,440 Speaker 11: There's so many cool opportunities to come up with creative options. 526 00:27:49,720 --> 00:27:52,440 Speaker 2: Yeah, Elizabeth, is there anything you want to ask Ali? 527 00:27:52,480 --> 00:27:53,399 Speaker 2: About Judy Human. 528 00:27:53,960 --> 00:27:55,840 Speaker 4: I thought it was kind of cool that like she 529 00:27:56,160 --> 00:28:00,520 Speaker 4: thought for like our rights because of our disability. 530 00:28:00,920 --> 00:28:03,760 Speaker 11: Judy's whole thing was she was sick of hearing no. 531 00:28:04,240 --> 00:28:07,639 Speaker 11: She believed that we as a community of people with 532 00:28:07,680 --> 00:28:12,480 Speaker 11: disabilities deserved to have access and rights. By the way, Elizabeth, like, 533 00:28:12,720 --> 00:28:15,480 Speaker 11: I believe that the future is accessible. And that's the 534 00:28:15,560 --> 00:28:17,760 Speaker 11: life that I'm leading and the work that I do 535 00:28:18,000 --> 00:28:19,159 Speaker 11: in my life. 536 00:28:18,920 --> 00:28:19,639 Speaker 2: To make it so. 537 00:28:20,400 --> 00:28:24,160 Speaker 11: I always say when someone is not able to see that, 538 00:28:24,160 --> 00:28:27,320 Speaker 11: that's not a person for me, and that's okay too. 539 00:28:27,600 --> 00:28:28,640 Speaker 2: Like, I surround. 540 00:28:28,320 --> 00:28:33,480 Speaker 11: Myself with people who are passionate about my ability and 541 00:28:33,640 --> 00:28:37,600 Speaker 11: access to the world, and you will have the same Elizabeth. 542 00:28:37,640 --> 00:28:41,320 Speaker 11: You're so bright, you're so smart, Like, continue to surround 543 00:28:41,320 --> 00:28:45,280 Speaker 11: yourself with people who believe in accessibility and change. 544 00:28:45,720 --> 00:28:49,280 Speaker 2: Ah, this was an amazing conversation. Thank you both so 545 00:28:49,400 --> 00:28:50,240 Speaker 2: much for being here. 546 00:28:50,560 --> 00:28:52,240 Speaker 4: Thank you so much. 547 00:28:52,440 --> 00:28:53,440 Speaker 5: Do you inspire me? 548 00:28:53,720 --> 00:28:55,120 Speaker 2: I'm inspired by you. 549 00:28:56,040 --> 00:29:00,880 Speaker 11: Great to meet you and have a wonderful day, But by. 550 00:29:00,000 --> 00:29:04,440 Speaker 2: Bye, listeners, Thanks for joining in today and for going 551 00:29:04,520 --> 00:29:07,080 Speaker 2: on a journey with me to learn about the disability 552 00:29:07,160 --> 00:29:10,880 Speaker 2: rights activist Judy Human. And a huge thanks to today's 553 00:29:10,880 --> 00:29:15,280 Speaker 2: guests Jenna Bainbridge, Ali Stroker and Elizabeth. We'll be back 554 00:29:15,360 --> 00:29:19,040 Speaker 2: next week with another episode, another song, and another hero. 555 00:29:19,560 --> 00:29:23,960 Speaker 2: After all, someone's gotta make more historical records. Until then, 556 00:29:24,240 --> 00:29:30,800 Speaker 2: remember to make history, you gotta make some noise. Oops. 557 00:29:30,960 --> 00:29:34,200 Speaker 2: Forgot to turn the random sprinkler timer off. Gotta go 558 00:29:34,720 --> 00:29:47,400 Speaker 2: signing off. This is Niminy reminding you to stay my seat. Bye. 559 00:29:48,800 --> 00:29:53,040 Speaker 6: Historical Records is produced in partnership with Story Pirates Studios, 560 00:29:53,280 --> 00:29:58,360 Speaker 6: Questloves two on five Entertainment, John Blickman and iHeart Podcasts. 561 00:29:58,920 --> 00:30:04,240 Speaker 6: Executive producer by Amir Questlove Thompson, John Glickman, Lee Overtree 562 00:30:04,280 --> 00:30:09,080 Speaker 6: and Benjamin Salka. Executive produced for iHeart Podcasts by Noel Brown. 563 00:30:09,440 --> 00:30:13,520 Speaker 6: Producers for Story Pirate Studios are Isabella Riccio, Sam Bear, 564 00:30:13,960 --> 00:30:19,520 Speaker 6: Eric Gerson, Andrew Miller, Lee Overtree, Peter McNerney and niminy Ware. 565 00:30:20,080 --> 00:30:23,560 Speaker 6: Producers for two one five are Sean g Brittany, Benjamin 566 00:30:23,600 --> 00:30:27,320 Speaker 6: and Zarah Zolman. Hosted by niminy Ware. Our head writer 567 00:30:27,560 --> 00:30:31,880 Speaker 6: is Duke Doyle. Our historians are Gabe Pacheco and Lee Polis. 568 00:30:32,360 --> 00:30:36,160 Speaker 6: Music supervision for two one five by Stroe Elliott. Scoring 569 00:30:36,200 --> 00:30:39,560 Speaker 6: and music supervision for Story Pirate Studios by Eric Gerson. 570 00:30:40,040 --> 00:30:42,040 Speaker 6: Sound designed and mixing by Sam. 571 00:30:41,760 --> 00:30:43,760 Speaker 8: Bear at the Relic Room in New York City. 572 00:30:43,960 --> 00:30:48,200 Speaker 6: Additional recording by Brett Tuban, song mastering by Josh Han. 573 00:30:48,680 --> 00:30:51,600 Speaker 6: Theme song by Dan Foster and Eric Gerson and produced 574 00:30:51,600 --> 00:30:56,720 Speaker 6: by Eric Erson. Production coordination by Isabelle Riccio, Production management 575 00:30:56,800 --> 00:30:59,960 Speaker 6: by Maggie Lee. The line producer for Story Pirate Studios 576 00:31:00,120 --> 00:31:03,680 Speaker 6: is Glennis Brault. Pr for Story Pirate Studios is provided 577 00:31:03,680 --> 00:31:08,440 Speaker 6: by Naomi Shaw. Episode artwork by Camilla Franklin. This episode 578 00:31:08,480 --> 00:31:11,720 Speaker 6: was written by Megan O'Neill. The song Judy Human was 579 00:31:11,760 --> 00:31:15,480 Speaker 6: written by Dan Foster and produced by Eric Gerson. Special 580 00:31:15,480 --> 00:31:20,200 Speaker 6: guests Ali Stroker, Jenna Bainbridge, and Kid interviewer Elizabeth. This 581 00:31:20,320 --> 00:31:26,080 Speaker 6: episode features performances by Peter McNerney, Megan O'Neill, Lee Overtree, Lee, Polis, 582 00:31:26,280 --> 00:31:29,080 Speaker 6: Austin Sanders, Jamie Watson, and Nimini Ware