WEBVTT - Adam Rodriguez: From the Bronx to the Big Screen

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<v Speaker 1>All right, hey, this is Freddie Rodriguez and I'm Wilmer

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<v Speaker 1>brother Rama. Welcome to the Those Amigos podcast. You know

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<v Speaker 1>you can see we're already laughing Roman. Well if you're not,

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<v Speaker 1>you can hear our smile also, but you can see

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<v Speaker 1>it as well. So all of you who have been

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<v Speaker 1>watching and listening to our podcast for so long, thank

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<v Speaker 1>you so much. He is a very special episode for

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<v Speaker 1>us because our third amigo today is someone not only

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<v Speaker 1>very dear, but he's really blood brother with us.

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<v Speaker 2>Yeah.

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<v Speaker 3>Absolutely, he is my family. His mother is my mother,

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<v Speaker 3>his father is my father. I know his family dearly,

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<v Speaker 3>and I love him like he's my brother. Ladies and gentlemen,

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<v Speaker 3>please help woman, and I welcome Adam Rodriguez.

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<v Speaker 4>For this interview.

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<v Speaker 5>You can keep your shirt on.

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<v Speaker 4>Please you. I'm like, where are my hat? I'm like,

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<v Speaker 4>how am I looking?

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<v Speaker 3>Because the crowd speaking of shirt on, I remember and

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<v Speaker 3>I'm going to just start here. Adam came to my

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<v Speaker 3>house one time and we were playing poker and my

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<v Speaker 3>wife cooked. You know, she's Puerto Rican, she could Puerto

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<v Speaker 3>Rican rice. And Adam came with his own tupp aware

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<v Speaker 3>of like salmon.

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<v Speaker 5>When was this?

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<v Speaker 1>This is like a decade and you're in production probably

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<v Speaker 1>like imagine, Mike, Yeah, I went to every restaurant in

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<v Speaker 1>LA with that, because I didn't stop my social life.

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<v Speaker 6>I would literally go to restaurants. Luckily, I go to

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<v Speaker 6>the same places all the time, so nobody gave me

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<v Speaker 6>any ship. But like I would bring my little prepared

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<v Speaker 6>meal and sit and have socialized.

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<v Speaker 4>But I was just gonna eat whatever was in that.

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<v Speaker 2>Elsie was like, aren't you going to eat?

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<v Speaker 3>I made rice and I was like, no, man, I

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<v Speaker 3>got my little salmon here.

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<v Speaker 2>We're like, come on, man, we were drinking back then.

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<v Speaker 2>We're like, come have a drink with us. No, man,

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<v Speaker 2>I'm having my little salmon.

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<v Speaker 1>But I got it to explain to our listeners and

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<v Speaker 1>our yours. So what happens is when you're entering a

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<v Speaker 1>role and you're preparing for a role, you have to

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<v Speaker 1>be incredibly strict because not only you have to be

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<v Speaker 1>in some type of shape, but you also have to

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<v Speaker 1>maintain it for a certain amount of time.

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<v Speaker 5>I can't even imagine for Magic Minke, because you know

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<v Speaker 5>that was.

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<v Speaker 4>That changed my life.

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<v Speaker 1>Man.

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<v Speaker 6>Those movies are that first one especially, but then the

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<v Speaker 6>second one as well, Like you know, taught me about

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<v Speaker 6>diet and how critical diet is to getting in shape

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<v Speaker 6>because when that call came in.

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<v Speaker 4>So I've been training with a guy named.

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<v Speaker 6>Tito Raymondo and now it's become a dear, dear friend

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<v Speaker 6>of mine over the years. We probably know each other

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<v Speaker 6>twenty years now. And you know, remember when I got

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<v Speaker 6>that job, man, I was like, listen, man, I wasn't

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<v Speaker 6>like I got to be a male stripper.

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<v Speaker 3>Man.

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<v Speaker 4>We only had six weeks to prepare, and I.

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<v Speaker 2>Was, you know, six weeks, only had six weeks.

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<v Speaker 6>I always keep my body moving, but I'm never like,

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<v Speaker 6>I don't walk around with a six pack.

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<v Speaker 4>That's just not me. I enjoyed, I enjoy eating. I

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<v Speaker 4>love food.

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<v Speaker 6>I'm not like, you know, oh my god, I don't

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<v Speaker 6>see a six pack, Like what's up?

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<v Speaker 4>So I was like, is this going to be possible?

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<v Speaker 7>Man?

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<v Speaker 6>You know, because I don't have six weeks to do this? Like,

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<v Speaker 6>am I going to have to take steroids?

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<v Speaker 5>I don't want to.

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<v Speaker 4>I don't want to do that.

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<v Speaker 6>Yeah, but this is a massive opportunity in my life

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<v Speaker 6>to like, you know, and I got to show up

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<v Speaker 6>prepared and a challenge for you to big time challenge

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<v Speaker 6>you know, Steven Soderberg and McConnaughey and Channing and you know,

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<v Speaker 6>and just an opportunity to be in a in a

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<v Speaker 6>film that I knew was going to be seen on

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<v Speaker 6>a scale that nothing I'd ever done before was going

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<v Speaker 6>to be seen. And so, I mean, I don't think

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<v Speaker 6>anybody could predict how big it was was going to

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<v Speaker 6>be and spawn a whole other business. But you know,

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<v Speaker 6>I just didn't want to show up and be the

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<v Speaker 6>weak link, you know, and and you know.

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<v Speaker 5>They shoot around you.

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<v Speaker 2>Like yeah, like.

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<v Speaker 5>Forward.

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<v Speaker 6>So I was on a mission, man, to just like

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<v Speaker 6>make sure I was my very best. And he was like, no, no,

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<v Speaker 6>we don't need to do that, like you're not gonna

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<v Speaker 6>And I was relieved because it was the first time

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<v Speaker 6>i life, I had ever even considered, you know, maybe

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<v Speaker 6>doing well.

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<v Speaker 1>Nowadays nowadays, that's like the first thing, you know, a

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<v Speaker 1>trainer is going to be. It's like all right, cool,

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<v Speaker 1>we're gonna get you on this and this, and there's

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<v Speaker 1>no like negotiations like can I do it with food?

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<v Speaker 6>Can just Fortunately Tito was you know, he had a

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<v Speaker 6>bodybuilding career and he was natural. He stopped the bodybuilding

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<v Speaker 6>actually because the next level for him would have had

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<v Speaker 6>to be you know, to get on you know, steroids,

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<v Speaker 6>a whole program of that kind of thing. And he

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<v Speaker 6>was like, no, you don't need to do it, man,

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<v Speaker 6>but you're gonna have to work your ass off in it.

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<v Speaker 6>And I never worked so hard man, between the diet

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<v Speaker 6>and you know, two three hours a day of cardios.

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<v Speaker 2>How many how many days were you working out with.

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<v Speaker 6>I worked out six days a week. Yeah, I was

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<v Speaker 6>working out six days a week. Sunday was like, uh,

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<v Speaker 6>you know you could have one cheat meal on a Sunday.

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<v Speaker 5>What did that cheat meal look like?

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<v Speaker 6>Usually, like I love breakfast, It was probably like pancakes.

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<v Speaker 5>You know that's early.

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<v Speaker 6>And and then I would hit cardio and because I yeah,

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<v Speaker 6>I was doing cardio seven days a week. I mean

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<v Speaker 6>I remember seeing you seven time, man, So I was

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<v Speaker 6>on set. You know, I was getting up, you know,

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<v Speaker 6>before my call time, getting cardio in, then getting my

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<v Speaker 6>workout in. You know it's not usually before work or

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<v Speaker 6>if I got an early call time.

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<v Speaker 4>Whatever it was. I was navigating all of that. And

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<v Speaker 4>then my meals were just programmed for for the day.

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<v Speaker 6>So I had six weeks man, and and and what

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<v Speaker 6>I saw what my body could do.

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<v Speaker 4>I was like, wow, this is incredible.

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<v Speaker 2>Who prepared your meals?

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<v Speaker 4>So I had my shout out to Rohan.

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<v Speaker 5>My boy wrote Rohan.

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<v Speaker 7>Yeah, Rohan is a chef, Rohan and he he yeah,

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<v Speaker 7>he just he was up for some sidework at the time.

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<v Speaker 4>So him and I would meet at like a parking

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<v Speaker 4>lot of a smart and final deal beach.

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<v Speaker 3>Here's the chicken breast, two big bags with food like

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<v Speaker 3>fourteen meals in them for a few days, and we

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<v Speaker 3>would exchange.

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<v Speaker 4>And like I'd give him the old bags with old container.

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<v Speaker 6>I mean, I got exactly what it looked like a

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<v Speaker 6>drug deal and look like it up to Miami vice man.

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<v Speaker 4>But yeah, we got it done.

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<v Speaker 6>And then when I learned that, when the second movie

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<v Speaker 6>came up, I was more confident bout knowing that I

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<v Speaker 6>could be able to do it.

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<v Speaker 5>Yeah I'm sand at this point.

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<v Speaker 6>Yeah yeah, but yeah, I just learned a tremendous amount

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<v Speaker 6>about that man.

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<v Speaker 5>So so just kind of recapping a little bit.

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<v Speaker 1>Everyone loves you for many things, but I want to

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<v Speaker 1>make sure we gave you flowers a couple of things.

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<v Speaker 5>So so you are iconically we're one.

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<v Speaker 1>Of the first, you know, batch wearing a good guys

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<v Speaker 1>Latinos on TV, you know, see Outside Miami, which was yea,

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<v Speaker 1>and you know, for us to have like a dude

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<v Speaker 1>that was catching the bad guys and that wasn't the

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<v Speaker 1>bad guy on the cop show, it is absolutely beautiful.

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<v Speaker 5>You were one of those first ones to be on

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<v Speaker 5>prime time to do that.

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<v Speaker 1>So I want to make sure people understand and realize

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<v Speaker 1>how how much space we got to make for that,

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<v Speaker 1>because because of characters like yours, you know that cast

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<v Speaker 1>could be colorful after that, right, So that that's that's

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<v Speaker 1>something you should know that we all know it isn't

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<v Speaker 1>we all know that? Then you go from there.

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<v Speaker 4>It's funny real quick.

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<v Speaker 6>Just a footnote on that that I got my SAG

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<v Speaker 6>card as a standing in photo double for a guy

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<v Speaker 6>that was Latino wearing the badge even before that on

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<v Speaker 6>New York Undercover Michael de Lorenzo.

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<v Speaker 3>Yes, well, well look we got to start from the beginning, yes, yes,

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<v Speaker 3>right back, because I was kind of what were you

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<v Speaker 3>where were you born?

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<v Speaker 4>I was born in New York. I was born in Yonkers,

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<v Speaker 4>all right.

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<v Speaker 5>Really got a flat so hard look that New York cat.

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<v Speaker 3>He came here repid, so so okay, so you're born

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<v Speaker 3>in Yonkers, right, what did your what did your pop

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<v Speaker 3>and your mom do?

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<v Speaker 4>My father, he was figuring it out.

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<v Speaker 6>My dad was always a hard worker, hard working guy,

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<v Speaker 6>just trying to figure out to ray shout out pop

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<v Speaker 6>uh to where to direct that energy really, you know.

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<v Speaker 6>And so he was a military guy for years and

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<v Speaker 6>then he sold insurance.

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<v Speaker 4>He drove limos.

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<v Speaker 6>He was a lawyer too, right, Well, he was trying

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<v Speaker 6>to figure it out, and my mother, I think, was

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<v Speaker 6>getting a little fed up, and he's like, listen, you

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<v Speaker 6>need to pick.

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<v Speaker 4>Up the pack.

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<v Speaker 6>You know, we got to move on because you know,

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<v Speaker 6>you need to get get life figured out or whatever.

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<v Speaker 4>And so when I was I.

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<v Speaker 6>Guess I was about five, he moved up to Boston

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<v Speaker 6>to go to law school. He started going to college

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<v Speaker 6>end of the seventies. He went to Fordham University in

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<v Speaker 6>the Bronx and then he moved up to Boston and

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<v Speaker 6>went to Northeastern Law School. And so he gi bill, Yeah,

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<v Speaker 6>he took advantage of the gi bill and then he

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<v Speaker 6>went up there and he was he lived there. He

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<v Speaker 6>would come home, you know, probably once a weekend for sure,

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<v Speaker 6>sometimes more, I mean once a month for sure.

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<v Speaker 4>Sometimes twice because he had to come home to do

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<v Speaker 4>army reserves.

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<v Speaker 6>So he would come home, do his reserves, see us,

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<v Speaker 6>and then go back. He probably came home maybe more

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<v Speaker 6>than once a month. But yeah, so that was the

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<v Speaker 6>deal for like four years. And then he got out

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<v Speaker 6>of that, and then it turns out he he instead

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<v Speaker 6>of practicing law, he ended up working, you know, for

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<v Speaker 6>New York government, just like working in an office for

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<v Speaker 6>small business. I'm trying to remember what it was. It

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<v Speaker 6>was something to do with women in small business. He

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<v Speaker 6>worked at an office there, and then he worked for

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<v Speaker 6>Mario Cuomo, the Governor's office.

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<v Speaker 4>You know, my dad.

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<v Speaker 6>He just bounced around wherever there was a good opportunity

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<v Speaker 6>bouncing around. He's very charismatic guy is you know, yeah, yeah, you.

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<v Speaker 4>Know, he's a sweetheart, he really is.

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<v Speaker 6>And that personality actually, I mean, as the story goes on,

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<v Speaker 6>you'll see really where that had such a big impact

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<v Speaker 6>on my life later on down the road because I

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<v Speaker 6>got my first break, you know, not to fast forward

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<v Speaker 6>too quickly, but really got my first big break from

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<v Speaker 6>a guy that my dad was in the army reserves with.

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<v Speaker 5>How did that come up?

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<v Speaker 4>Man?

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<v Speaker 6>So I started doing I started doing background on New

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<v Speaker 6>York Undercover and.

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<v Speaker 4>Doing that for a couple of years.

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<v Speaker 6>And through that process was you know, I knew I

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<v Speaker 6>wanted to act, but I just wanted to be on

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<v Speaker 6>a set somewhere, and so the opportunity to do background

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<v Speaker 6>work came up. There. I became a regular sort of

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<v Speaker 6>uh you know, part of the background crew on that

0:10:21.520 --> 0:10:24.760
<v Speaker 6>on that show, and then became a photo double and

0:10:24.800 --> 0:10:26.920
<v Speaker 6>a stand in, and that's where I got my SAG card.

0:10:27.400 --> 0:10:34.640
<v Speaker 6>Made lifelong friends there, you know, Malik Yoba and his

0:10:34.640 --> 0:10:37.680
<v Speaker 6>his sister Rahima and you know, just a crew of

0:10:37.679 --> 0:10:39.480
<v Speaker 6>people there that took me under their wing. And it

0:10:39.520 --> 0:10:42.320
<v Speaker 6>was that was actually the first place that I loved

0:10:42.320 --> 0:10:44.080
<v Speaker 6>that I could do a whole episode just talking about

0:10:44.080 --> 0:10:45.680
<v Speaker 6>my experience on that show. It was the first group

0:10:45.679 --> 0:10:48.440
<v Speaker 6>of people I met that they believed in me. You know,

0:10:49.800 --> 0:10:52.280
<v Speaker 6>there was a crew there, riche Owings. It was Dick

0:10:52.320 --> 0:10:54.679
<v Speaker 6>Wolf Show, Yeah, Dick Wolf Show. And it was huge, man,

0:10:54.720 --> 0:10:57.160
<v Speaker 6>I mean that time it was huge because it was

0:10:57.360 --> 0:11:00.240
<v Speaker 6>very you know, it was the first time you saw, uh,

0:11:00.600 --> 0:11:03.000
<v Speaker 6>you know, an urban cast like.

0:11:02.920 --> 0:11:05.040
<v Speaker 5>That, black and brown together, black and brown.

0:11:05.280 --> 0:11:07.760
<v Speaker 6>You know, you've seen black and white a million times.

0:11:07.840 --> 0:11:11.040
<v Speaker 6>Bill Cosby and you know the guy that he used

0:11:11.040 --> 0:11:12.760
<v Speaker 6>to do I spy with him, blanking out on his

0:11:12.840 --> 0:11:15.520
<v Speaker 6>name Robert something maybe. But anyway, you know you I

0:11:15.520 --> 0:11:18.480
<v Speaker 6>mean countless you've seen Black and White. Nick noted the

0:11:18.559 --> 0:11:20.880
<v Speaker 6>Eddie Murphy you know, the black and brown together on

0:11:20.920 --> 0:11:22.080
<v Speaker 6>that show you had never seen.

0:11:22.480 --> 0:11:23.839
<v Speaker 4>And the soundtrack.

0:11:23.440 --> 0:11:25.760
<v Speaker 2>Was hip hop was all over.

0:11:25.640 --> 0:11:27.600
<v Speaker 6>That show, and it was current and in the moment,

0:11:27.640 --> 0:11:30.400
<v Speaker 6>and you know, people our age were like, oh, that

0:11:30.520 --> 0:11:33.600
<v Speaker 6>feels like us. You know, it was really ahead of

0:11:33.600 --> 0:11:34.600
<v Speaker 6>its time in that way.

0:11:34.760 --> 0:11:36.440
<v Speaker 5>And shout out to Michael too.

0:11:36.520 --> 0:11:37.600
<v Speaker 4>I mean, yeah, Mike.

0:11:41.280 --> 0:11:43.480
<v Speaker 6>He was a dancer and he was in Fame. Man,

0:11:43.559 --> 0:11:46.760
<v Speaker 6>he was in Fame, the television show Fame. You know, uh,

0:11:47.000 --> 0:11:48.080
<v Speaker 6>super talented guy.

0:11:48.200 --> 0:11:53.840
<v Speaker 4>Man. So those people on that show, they they just

0:11:53.880 --> 0:11:54.880
<v Speaker 4>were so good to me. Man.

0:11:55.040 --> 0:11:59.080
<v Speaker 6>Richie Owings was a costume designer and uh you know

0:11:59.240 --> 0:12:02.080
<v Speaker 6>they had some people in other departments. Anyway, they helped

0:12:02.120 --> 0:12:04.640
<v Speaker 6>me get head shots. Shout out to Stephen McBride man.

0:12:05.120 --> 0:12:07.959
<v Speaker 6>He was a photographer and basically my first photo shoot

0:12:07.960 --> 0:12:09.559
<v Speaker 6>I ever did. Like the people, they were like, look,

0:12:09.559 --> 0:12:11.680
<v Speaker 6>we want to put it, put together. Photo shoot will

0:12:11.679 --> 0:12:13.840
<v Speaker 6>make you the subject of it. They just helped me

0:12:13.880 --> 0:12:17.360
<v Speaker 6>out in ways that you know that I'm so grateful for.

0:12:26.760 --> 0:12:28.760
<v Speaker 6>So anyway, I'm doing this for a couple of years,

0:12:29.320 --> 0:12:30.440
<v Speaker 6>doing extra work.

0:12:30.240 --> 0:12:32.840
<v Speaker 2>But how did you even get into it? Into extra work?

0:12:32.920 --> 0:12:36.280
<v Speaker 5>Well in his past, Like Wendy, You're like, you know what, acting.

0:12:36.240 --> 0:12:37.480
<v Speaker 4>How did that? Okay, you know what?

0:12:37.800 --> 0:12:40.880
<v Speaker 6>Taking it back to that, yeah, you know, leading up

0:12:40.920 --> 0:12:43.560
<v Speaker 6>to all that, it was always sports, baseball in particular,

0:12:43.720 --> 0:12:45.320
<v Speaker 6>I thought like, Okay, that was going to be my path.

0:12:45.320 --> 0:12:47.319
<v Speaker 6>I'll go to college and play baseball. Maybe I'll be

0:12:47.400 --> 0:12:49.880
<v Speaker 6>lucky enough to take it, you know. Somewhere from there,

0:12:50.920 --> 0:12:53.200
<v Speaker 6>about eighteen, you know, I had a couple of injuries

0:12:53.240 --> 0:12:55.199
<v Speaker 6>that I realized, like, this just isn't going any further.

0:12:55.480 --> 0:12:57.480
<v Speaker 6>I didn't have the discipline to get back on the

0:12:57.520 --> 0:12:59.680
<v Speaker 6>horse and go after it in the way that that.

0:12:59.600 --> 0:13:04.800
<v Speaker 4>I realize now as a baseball was my spouse. Yeah, yeah, and.

0:13:05.480 --> 0:13:06.880
<v Speaker 6>I look back on it now and I'm like, yeah,

0:13:06.880 --> 0:13:08.760
<v Speaker 6>you see, the guys that make it, they just either

0:13:08.760 --> 0:13:11.120
<v Speaker 6>you got to be uber, uber talented on a level

0:13:11.160 --> 0:13:13.240
<v Speaker 6>that's like, you know, hard to believe. But even with that,

0:13:13.800 --> 0:13:16.400
<v Speaker 6>even with the talent, if you don't have the discipline

0:13:16.480 --> 0:13:19.200
<v Speaker 6>and the drive to work hard, the talent's only going

0:13:19.280 --> 0:13:19.600
<v Speaker 6>to take.

0:13:19.520 --> 0:13:20.160
<v Speaker 5>The perfect star.

0:13:20.320 --> 0:13:21.880
<v Speaker 4>Yeah it is. You got to have it all man,

0:13:22.000 --> 0:13:24.199
<v Speaker 4>especially to make it to that level. And so.

0:13:26.800 --> 0:13:29.000
<v Speaker 6>I didn't have that, and I was trying to figure

0:13:29.000 --> 0:13:31.720
<v Speaker 6>out what the next move was. And so I knew

0:13:31.760 --> 0:13:35.520
<v Speaker 6>it wasn't college for me because I wasn't this, wasn't

0:13:35.559 --> 0:13:38.200
<v Speaker 6>interested in learning in a structured environment in that way.

0:13:38.280 --> 0:13:40.960
<v Speaker 6>That just that just wasn't for me. I love learning,

0:13:42.400 --> 0:13:44.240
<v Speaker 6>but I'm more of an autodid act. I like to

0:13:44.320 --> 0:13:46.360
<v Speaker 6>learn on my own and read on my own and

0:13:46.520 --> 0:13:49.920
<v Speaker 6>process the information myself and not, you know, not have

0:13:50.000 --> 0:13:52.240
<v Speaker 6>it be about getting a grade or having you know,

0:13:52.400 --> 0:13:56.120
<v Speaker 6>somebody else's opinion about how I'm learning it and being

0:13:56.200 --> 0:14:01.040
<v Speaker 6>judged in that way. So, but my mother was like, listen,

0:14:01.120 --> 0:14:05.640
<v Speaker 6>you either staying out to Janet shout out mom, uh yeah,

0:14:05.720 --> 0:14:07.439
<v Speaker 6>stay in school, go get a full time job, or

0:14:07.520 --> 0:14:10.520
<v Speaker 6>join the military. Those were those were my options. So

0:14:10.800 --> 0:14:12.880
<v Speaker 6>she was you're not going to sit around while you

0:14:13.000 --> 0:14:13.719
<v Speaker 6>try and figure it out.

0:14:13.720 --> 0:14:17.200
<v Speaker 4>To my mother with your dad, she was pissed that

0:14:17.280 --> 0:14:19.280
<v Speaker 4>I wasn't going to I can see her doing this

0:14:19.480 --> 0:14:21.160
<v Speaker 4>pissed for years.

0:14:21.200 --> 0:14:22.800
<v Speaker 6>She was pissed that I wasn't going to college. I

0:14:22.840 --> 0:14:25.160
<v Speaker 6>mean even after I started working as an actor. I

0:14:25.160 --> 0:14:26.800
<v Speaker 6>think it really was a thorn in her side.

0:14:27.480 --> 0:14:29.800
<v Speaker 3>So you're eighteen, you said, you're like, I'm not going

0:14:29.840 --> 0:14:30.320
<v Speaker 3>to college.

0:14:30.400 --> 0:14:31.680
<v Speaker 2>Janet cracks the whip.

0:14:31.480 --> 0:14:33.120
<v Speaker 4>Cracks the whip. So I'm like, cool. I had a

0:14:33.200 --> 0:14:34.520
<v Speaker 4>job as a bellman at a hotel.

0:14:34.840 --> 0:14:37.560
<v Speaker 3>Oh well what hotel I was?

0:14:36.880 --> 0:14:40.680
<v Speaker 6>Uh, I was contracted by Marriott. Marriott was the contractor,

0:14:40.720 --> 0:14:43.280
<v Speaker 6>so technically I was an employee of Marriott, but it

0:14:43.400 --> 0:14:46.480
<v Speaker 6>was an IBM owned property. It was this beautiful campus

0:14:46.600 --> 0:14:50.920
<v Speaker 6>across the water from Manhattan, uh, in an area called Palisades,

0:14:51.000 --> 0:14:53.600
<v Speaker 6>New York. And it was basically a facility where they

0:14:53.760 --> 0:14:59.120
<v Speaker 6>educated and hosted all of like Fortune five hundred.

0:15:00.360 --> 0:15:00.840
<v Speaker 4>Events.

0:15:00.880 --> 0:15:03.800
<v Speaker 6>Basically, so like you know, let's say, like the c

0:15:03.960 --> 0:15:06.320
<v Speaker 6>suite staff of a Fortune five hundred company might be

0:15:06.360 --> 0:15:07.360
<v Speaker 6>sent there for a week.

0:15:07.680 --> 0:15:10.480
<v Speaker 1>It's like a corporate stay for the for the think

0:15:10.520 --> 0:15:12.480
<v Speaker 1>tanking and exactly.

0:15:12.800 --> 0:15:16.000
<v Speaker 6>So we were serving those folks and I was a

0:15:16.000 --> 0:15:18.400
<v Speaker 6>bellman and I did that for a couple of years.

0:15:18.400 --> 0:15:19.560
<v Speaker 4>Man out of high school.

0:15:20.520 --> 0:15:22.160
<v Speaker 2>I mean, people make careers out of that.

0:15:22.400 --> 0:15:25.880
<v Speaker 6>Yeah, yeah, no, I never thought about it. Never, Never

0:15:25.920 --> 0:15:27.280
<v Speaker 6>for a moment that I think I was going to

0:15:27.360 --> 0:15:27.960
<v Speaker 6>stay there in.

0:15:28.160 --> 0:15:31.760
<v Speaker 5>The hotel you man, Like, yeah.

0:15:31.360 --> 0:15:35.440
<v Speaker 6>You're making I'm sure I wasn't making, like not the

0:15:35.520 --> 0:15:37.640
<v Speaker 6>kind of like I always had big aspirations, man, I

0:15:37.640 --> 0:15:39.880
<v Speaker 6>always yeah, but dreams for me, it was like yeah,

0:15:40.080 --> 0:15:43.680
<v Speaker 6>never that's for better or for worse, you know.

0:15:46.240 --> 0:15:49.360
<v Speaker 1>Yeah, So what was there an image or something that

0:15:49.400 --> 0:15:51.800
<v Speaker 1>made you go like I can do that?

0:15:52.080 --> 0:15:57.440
<v Speaker 6>So I'm you know, I always believed growing up. I

0:15:57.440 --> 0:15:59.120
<v Speaker 6>I was a latchy kid. There was you know, my

0:15:59.400 --> 0:16:01.520
<v Speaker 6>mom was always at work, my father was always at work,

0:16:01.720 --> 0:16:05.520
<v Speaker 6>and so you know, I was home probably eight hours

0:16:05.520 --> 0:16:07.800
<v Speaker 6>a day by myself, me and my sister, eight to

0:16:07.880 --> 0:16:10.000
<v Speaker 6>ten hours a day between the morning and the evening.

0:16:10.440 --> 0:16:13.120
<v Speaker 6>And so I watched a crazy amount of television and movies,

0:16:13.200 --> 0:16:14.880
<v Speaker 6>Like the TV was on twenty four seconds?

0:16:14.880 --> 0:16:16.240
<v Speaker 2>What like what was what was man?

0:16:16.440 --> 0:16:20.360
<v Speaker 6>Like every single thing like you know, oh Man, yeah, Ships,

0:16:20.680 --> 0:16:26.160
<v Speaker 6>Charlie Different Charlie's Angels, Bionic Man, Bionic Woman, yeah, or

0:16:26.240 --> 0:16:30.920
<v Speaker 6>six million Dollar Man, Bionic Woman, wonder Woman, Uh, credible.

0:16:32.040 --> 0:16:34.040
<v Speaker 6>Spider Man used to come on like the old old

0:16:34.080 --> 0:16:37.440
<v Speaker 6>Spider Man would come on on like Saturday mornings, and

0:16:37.480 --> 0:16:38.240
<v Speaker 6>I mean it was bad.

0:16:38.800 --> 0:16:40.320
<v Speaker 4>It wasn't even like the incredible.

0:16:40.320 --> 0:16:44.440
<v Speaker 6>Hope was good with with with with lou fregnant bhil

0:16:44.640 --> 0:16:47.200
<v Speaker 6>uh bixby, thank you nice pull.

0:16:47.280 --> 0:16:48.880
<v Speaker 4>I was trying to and.

0:16:48.920 --> 0:16:51.720
<v Speaker 6>Uh, you know so I mean just all the time,

0:16:51.760 --> 0:16:54.320
<v Speaker 6>love Bold. I mean everything that was on in that era.

0:16:54.480 --> 0:16:56.520
<v Speaker 6>Like I mean, I knew the TV schedule top to bottom.

0:16:56.600 --> 0:16:58.280
<v Speaker 6>You could ask me what was on TV at what time?

0:16:58.320 --> 0:17:00.960
<v Speaker 6>I knew exactly, Yeah, what was on at what time?

0:17:03.000 --> 0:17:04.679
<v Speaker 6>And I just you know, I loved all that. And

0:17:04.680 --> 0:17:06.520
<v Speaker 6>then movies. You know, as a matter of fact, I

0:17:06.600 --> 0:17:09.000
<v Speaker 6>ran into east Side not that long ago, and I

0:17:09.040 --> 0:17:10.960
<v Speaker 6>was telling him. I was like, man, I hadn't watched

0:17:11.000 --> 0:17:13.160
<v Speaker 6>Bad Boys in a long time, the original Bad Boys,

0:17:13.560 --> 0:17:15.800
<v Speaker 6>Sean Penn and the Eastside, and I was just telling

0:17:15.880 --> 0:17:17.960
<v Speaker 6>east I'm like, man, you know, it's so interesting now

0:17:18.960 --> 0:17:21.240
<v Speaker 6>as a grown man to watch his you know, watching

0:17:21.280 --> 0:17:23.400
<v Speaker 6>his work in that movie.

0:17:23.440 --> 0:17:25.840
<v Speaker 4>And I'm like, it was fantastic. He was such and

0:17:26.000 --> 0:17:26.919
<v Speaker 4>still is. I mean, but he.

0:17:28.840 --> 0:17:33.360
<v Speaker 5>Yes, how many people can face off with Tom Critiz.

0:17:33.240 --> 0:17:35.800
<v Speaker 6>Come on, man, you know, but you even see him

0:17:35.840 --> 0:17:38.159
<v Speaker 6>back then with Sean Penn, and he was, I mean,

0:17:38.200 --> 0:17:40.439
<v Speaker 6>he held the screen strong and anybody in that movie

0:17:40.480 --> 0:17:43.119
<v Speaker 6>and Bad Boys he was you know, he was on

0:17:43.200 --> 0:17:45.359
<v Speaker 6>fire Man, and then I put Leabamba on for the

0:17:45.400 --> 0:17:49.240
<v Speaker 6>kids not that long ago. And brilliant man, just brilliant

0:17:49.240 --> 0:17:51.840
<v Speaker 6>the guy, you know.

0:17:51.960 --> 0:17:55.119
<v Speaker 4>I mean, he's so good, He's so damn good man.

0:17:56.840 --> 0:17:58.960
<v Speaker 6>But you know, so there were a few people, and

0:17:59.000 --> 0:18:01.000
<v Speaker 6>I know, you guys know like that you could look

0:18:01.040 --> 0:18:02.480
<v Speaker 6>at and be like, oh, that could.

0:18:02.280 --> 0:18:04.560
<v Speaker 4>Be me, you know, but there were only a couple.

0:18:04.880 --> 0:18:05.600
<v Speaker 4>Won't that many?

0:18:06.240 --> 0:18:09.640
<v Speaker 6>Freddie Prinz, you know East Sigh at that time, Jimmy

0:18:09.720 --> 0:18:13.120
<v Speaker 6>Jimmy hadn't even really emerged yet really until late eighties

0:18:13.240 --> 0:18:16.520
<v Speaker 6>that I remember seeing. Hey, Erica, Erica Strada was early

0:18:16.640 --> 0:18:20.000
<v Speaker 6>you know Erica Strada for sure. I remember meeting him

0:18:20.000 --> 0:18:21.600
<v Speaker 6>at the Puerto Rican Day Parade when I was a kid,

0:18:21.680 --> 0:18:23.440
<v Speaker 6>went to the Puerto Rican Day Parade his back of

0:18:23.520 --> 0:18:26.480
<v Speaker 6>my father was driving limos and so I got to

0:18:26.480 --> 0:18:30.320
<v Speaker 6>meet Erica Strada somehow. I remember that, like probably late seventies,

0:18:30.359 --> 0:18:30.800
<v Speaker 6>seventy eight.

0:18:31.480 --> 0:18:35.320
<v Speaker 5>This is before soap operas or after.

0:18:37.680 --> 0:18:44.480
<v Speaker 4>No No he was doing at the time. This is like, yeah,

0:18:44.520 --> 0:18:45.320
<v Speaker 4>he was a guy.

0:18:46.160 --> 0:18:48.840
<v Speaker 6>So you know, there weren't There weren't a lot of

0:18:48.880 --> 0:18:52.840
<v Speaker 6>faces that you went and that allowed you to imagine

0:18:52.880 --> 0:18:58.600
<v Speaker 6>yourself being in one of those casts and so New

0:18:58.640 --> 0:19:02.040
<v Speaker 6>York Undercover. So taking it back to how I had

0:19:02.080 --> 0:19:04.520
<v Speaker 6>this moment. So I'm working as a bellman. I'm enrolled

0:19:04.520 --> 0:19:07.000
<v Speaker 6>in community college just to keep my mother happy, and

0:19:07.640 --> 0:19:08.960
<v Speaker 6>and this is where I could stay living at home.

0:19:08.960 --> 0:19:10.520
<v Speaker 4>At the time, I wasn't ready to move out yet.

0:19:10.560 --> 0:19:13.720
<v Speaker 6>I'm still eighteen, trying to put my dough together. And

0:19:15.920 --> 0:19:19.040
<v Speaker 6>I started sending my head shots out. So I'm like, oh,

0:19:19.119 --> 0:19:21.320
<v Speaker 6>let me you know, you had headshots so well. So

0:19:21.440 --> 0:19:23.879
<v Speaker 6>I was like, maybe acting is a thing, right. So

0:19:23.920 --> 0:19:26.919
<v Speaker 6>I'm going to this community college and I'm like taking

0:19:26.920 --> 0:19:27.680
<v Speaker 6>an acting class.

0:19:27.680 --> 0:19:30.480
<v Speaker 4>And I had a moment where I was like, damn,

0:19:30.520 --> 0:19:32.639
<v Speaker 4>I could do this. This feels great to do.

0:19:32.720 --> 0:19:34.280
<v Speaker 2>What made you take it? What made you take an actor?

0:19:34.320 --> 0:19:36.800
<v Speaker 4>Because I was always I was interested in the arts. Man.

0:19:36.880 --> 0:19:39.200
<v Speaker 6>I just was like, whether it was music or it

0:19:39.240 --> 0:19:43.760
<v Speaker 6>was you know, I was basically interested in anything where

0:19:43.760 --> 0:19:46.119
<v Speaker 6>I felt like there was something free form about it,

0:19:46.200 --> 0:19:49.359
<v Speaker 6>you know, the idea of going to school and taking

0:19:49.400 --> 0:19:54.679
<v Speaker 6>a very rigid, structured classroomtality. Yeah, I needed something I

0:19:54.720 --> 0:19:56.600
<v Speaker 6>was I don't know, something in me just felt like

0:19:56.640 --> 0:19:58.480
<v Speaker 6>I was trying to find myself and these were the

0:19:58.520 --> 0:20:02.560
<v Speaker 6>places I thought I was going to do it, and so, yeah,

0:20:02.600 --> 0:20:06.639
<v Speaker 6>I ended up in this theater class at this community

0:20:06.680 --> 0:20:09.480
<v Speaker 6>college and we had to prepare a scene. And I

0:20:09.480 --> 0:20:11.960
<v Speaker 6>had come in and I had dabbled a little bit before.

0:20:12.000 --> 0:20:14.439
<v Speaker 6>I had taken like a scene study course with this woman.

0:20:15.080 --> 0:20:18.960
<v Speaker 6>Years prior. I would drive this woman. She had an

0:20:19.000 --> 0:20:21.159
<v Speaker 6>apartment in Manhattan and then her husband was a surgeon.

0:20:21.200 --> 0:20:23.879
<v Speaker 6>They had an apartment, I mean a house up in Nayak,

0:20:24.000 --> 0:20:26.120
<v Speaker 6>New York, and I would have to drive her back

0:20:26.119 --> 0:20:26.760
<v Speaker 6>and forth.

0:20:26.560 --> 0:20:27.120
<v Speaker 4>On the weekends.

0:20:27.160 --> 0:20:30.040
<v Speaker 6>And then in return, instead of paying me, I was

0:20:30.040 --> 0:20:31.240
<v Speaker 6>allowed to take this class of.

0:20:31.240 --> 0:20:31.920
<v Speaker 4>Hers for free.

0:20:32.520 --> 0:20:34.000
<v Speaker 6>And so you know, so I did that. But I

0:20:34.040 --> 0:20:36.200
<v Speaker 6>was just messing around, like I never thought about doing

0:20:36.200 --> 0:20:39.080
<v Speaker 6>it for a living. And here I was, like eighteen now,

0:20:39.119 --> 0:20:42.000
<v Speaker 6>in this class, eighteen or nineteen at the time, and

0:20:43.280 --> 0:20:45.440
<v Speaker 6>realizing that I needed to start getting a little more

0:20:45.440 --> 0:20:46.280
<v Speaker 6>serious about.

0:20:46.080 --> 0:20:49.560
<v Speaker 4>Life and figuring out a direction for myself.

0:20:49.760 --> 0:20:52.720
<v Speaker 6>And like I said, I was taking this theater arts

0:20:52.720 --> 0:20:54.720
<v Speaker 6>course doing this scene. In the middle of the scene,

0:20:54.720 --> 0:20:55.040
<v Speaker 6>I just.

0:20:55.000 --> 0:20:56.159
<v Speaker 4>Felt like I was flying. Man.

0:20:56.200 --> 0:20:58.040
<v Speaker 6>So had that feeling that you get, you know, when

0:20:58.119 --> 0:21:01.119
<v Speaker 6>you're doing the thing and having and it feels great.

0:21:01.760 --> 0:21:03.920
<v Speaker 4>And I was like, this is this is it? This

0:21:04.000 --> 0:21:05.120
<v Speaker 4>is this is.

0:21:05.080 --> 0:21:07.240
<v Speaker 6>What I'm looking for, you know, this is I want

0:21:07.280 --> 0:21:10.800
<v Speaker 6>to chase this high again somewhere else like this was

0:21:10.960 --> 0:21:14.399
<v Speaker 6>this is what I felt like when something exciting was happening,

0:21:14.400 --> 0:21:18.080
<v Speaker 6>when I'm playing baseball or doing something where you feel

0:21:18.119 --> 0:21:20.800
<v Speaker 6>those butterflies a little bit, but like the action is

0:21:20.840 --> 0:21:24.959
<v Speaker 6>happening and that feeling of like everything else disappears, you know.

0:21:25.080 --> 0:21:26.600
<v Speaker 4>And so I was like, I'm going to chase that.

0:21:27.200 --> 0:21:31.080
<v Speaker 1>So that like, oh, what about you know, some background

0:21:31.160 --> 0:21:32.720
<v Speaker 1>work and so start somewhere in there.

0:21:32.760 --> 0:21:34.600
<v Speaker 6>So all right, let me get head shots, let me

0:21:34.640 --> 0:21:37.560
<v Speaker 6>do this and do that. And so I got head shots,

0:21:37.640 --> 0:21:39.720
<v Speaker 6>I wrote cover letters. I sent them out to like

0:21:39.960 --> 0:21:43.080
<v Speaker 6>every single casting agency in the Tri state area.

0:21:43.280 --> 0:21:44.840
<v Speaker 5>And how'd you find that?

0:21:44.880 --> 0:21:45.880
<v Speaker 2>Like in the yellow Pages.

0:21:46.000 --> 0:21:49.080
<v Speaker 6>Back in the day, there was this thing called the

0:21:49.440 --> 0:21:51.760
<v Speaker 6>the Little Blue book Man, and you got it at

0:21:51.800 --> 0:21:55.159
<v Speaker 6>Samuel French, which was in midtown in Times Square, there

0:21:55.200 --> 0:21:56.679
<v Speaker 6>was a Samuel French bookstore.

0:21:57.119 --> 0:21:58.600
<v Speaker 4>They had all the plays.

0:21:58.240 --> 0:22:00.760
<v Speaker 6>And then they would have this book and I keep

0:22:00.800 --> 0:22:02.399
<v Speaker 6>wanting to call it the rob Report, but it's not.

0:22:02.480 --> 0:22:05.720
<v Speaker 6>It's the Something Report. And it had a list of

0:22:05.800 --> 0:22:08.920
<v Speaker 6>all the talent agencies from top to bottom, biggest to

0:22:08.960 --> 0:22:11.919
<v Speaker 6>the smallest, casting directors and everything. So I just went

0:22:11.960 --> 0:22:13.280
<v Speaker 6>in there, man, I bought a stack of like two

0:22:13.400 --> 0:22:16.840
<v Speaker 6>hundred yellow envelopes, put a cover letter and my head

0:22:16.880 --> 0:22:19.679
<v Speaker 6>shot and all them sent out, you know, sent out.

0:22:19.560 --> 0:22:22.040
<v Speaker 2>A stack at eighteen years old.

0:22:22.240 --> 0:22:24.160
<v Speaker 4>Yeah, it was probout eighteen or nineteen at the time.

0:22:24.280 --> 0:22:28.120
<v Speaker 6>That's a you know, trying to figure it out, man,

0:22:28.280 --> 0:22:31.440
<v Speaker 6>just to see like what, you know, what, what can

0:22:31.480 --> 0:22:37.080
<v Speaker 6>we drum up here? And and then while that was

0:22:37.160 --> 0:22:39.440
<v Speaker 6>I mean, there's so many men I think back, I'm like, man.

0:22:39.240 --> 0:22:41.480
<v Speaker 2>So what was the first bite? Like when you when

0:22:41.480 --> 0:22:43.440
<v Speaker 2>you were sending that out?

0:22:44.320 --> 0:22:45.639
<v Speaker 4>A couple of bytes came in.

0:22:45.720 --> 0:22:50.040
<v Speaker 6>I think I did I did some background on a movie,

0:22:50.040 --> 0:22:52.240
<v Speaker 6>and I can't remember what it was. And then the

0:22:53.359 --> 0:22:56.400
<v Speaker 6>bite I remember most distinctly, man, and because it led

0:22:56.400 --> 0:22:59.439
<v Speaker 6>to a lifelong friendship, was I get a call when

0:22:59.480 --> 0:23:00.119
<v Speaker 6>I had some work.

0:23:00.160 --> 0:23:04.000
<v Speaker 4>As a bellman and I get home. It's late. I

0:23:04.080 --> 0:23:06.719
<v Speaker 4>listen to my messages and uh, and there's a call.

0:23:06.760 --> 0:23:09.879
<v Speaker 6>It's probably about ten o'clock, not that late, but uh,

0:23:10.160 --> 0:23:13.280
<v Speaker 6>there's a call on there and it says, Hello, this

0:23:13.359 --> 0:23:19.640
<v Speaker 6>is Ulysses Terrero from TMT no way only because there's

0:23:19.640 --> 0:23:23.399
<v Speaker 6>an opportunity to work for an Academy Award winning director. Uh,

0:23:23.440 --> 0:23:26.440
<v Speaker 6>and I need to know if you're available and have

0:23:26.480 --> 0:23:29.000
<v Speaker 6>a bartender's uniform for uh.

0:23:29.040 --> 0:23:30.320
<v Speaker 4>I forget if it was the next day or the

0:23:30.400 --> 0:23:33.480
<v Speaker 4>day after whatever it was. So I'm like, oh shit, man,

0:23:34.080 --> 0:23:35.640
<v Speaker 4>Academy Awards. That sounds crazy.

0:23:35.680 --> 0:23:38.800
<v Speaker 5>I'm like, this sounds shut out releases, Yulie you.

0:23:39.400 --> 0:23:41.440
<v Speaker 4>I pick up the phone right and I call right away.

0:23:41.680 --> 0:23:44.040
<v Speaker 6>I have bartender close because I'm bartending at a place

0:23:44.080 --> 0:23:46.760
<v Speaker 6>on the on the weekends when I'm not doing the

0:23:46.760 --> 0:23:50.159
<v Speaker 6>bellman job, a bartend at this little restaurant and uh.

0:23:50.320 --> 0:23:53.119
<v Speaker 6>So I called the guy back, but it's after hours, right,

0:23:53.160 --> 0:23:54.480
<v Speaker 6>So I call the same number and.

0:23:54.440 --> 0:23:56.120
<v Speaker 4>He's like, yeah, what's up.

0:23:58.080 --> 0:24:01.679
<v Speaker 6>And I was like, it's the same person that left.

0:24:01.800 --> 0:24:03.120
<v Speaker 4>And I'm like, yeah, what's up?

0:24:03.160 --> 0:24:04.879
<v Speaker 6>Man. I was like, listen, I got a message on

0:24:04.920 --> 0:24:11.280
<v Speaker 6>my answering machine answering machines, so I said, uh, you

0:24:11.320 --> 0:24:16.359
<v Speaker 6>know there's uh there was a message about some extra

0:24:16.400 --> 0:24:19.960
<v Speaker 6>work for this Oh yeah yeah, yeah, yeah, okay, yeah,

0:24:20.040 --> 0:24:22.360
<v Speaker 6>let me do so, uh you have you have bartending?

0:24:22.680 --> 0:24:22.840
<v Speaker 3>Yeah?

0:24:22.840 --> 0:24:24.560
<v Speaker 4>I have that, all right? Can you be down at

0:24:24.600 --> 0:24:28.359
<v Speaker 4>Tramps at such and such a time. Yeah, yeah, I'll

0:24:28.400 --> 0:24:30.159
<v Speaker 4>just say yes and so. But but of course I'm like,

0:24:31.000 --> 0:24:32.440
<v Speaker 4>who's the director, you.

0:24:32.359 --> 0:24:34.199
<v Speaker 6>Know, because I'm trying to know, like who is this

0:24:34.400 --> 0:24:37.560
<v Speaker 6>kind of like who's the director? And he's like, uh,

0:24:37.720 --> 0:24:39.960
<v Speaker 6>I can't tell you. I can't tell y'all. That's that's

0:24:40.000 --> 0:24:40.879
<v Speaker 6>confidential information.

0:24:40.920 --> 0:24:42.160
<v Speaker 4>That be pandemonium in the.

0:24:42.080 --> 0:24:45.920
<v Speaker 6>Streets if I was to tell you what pandemonium in

0:24:45.960 --> 0:24:48.399
<v Speaker 6>the scale. So I'm like, well, ship man tomorrow or

0:24:48.600 --> 0:24:49.560
<v Speaker 6>day after whenever it was.

0:24:49.600 --> 0:24:50.919
<v Speaker 4>I was like, I'm I'm about.

0:24:50.680 --> 0:24:52.280
<v Speaker 5>To like be in comt.

0:24:52.000 --> 0:24:54.679
<v Speaker 6>Somebody maybe like man, maybe somebody's going to get a

0:24:54.680 --> 0:24:56.439
<v Speaker 6>look at the kid, and like who knows, you know,

0:24:56.840 --> 0:24:59.240
<v Speaker 6>you know, it's still silly enough to believe that that's

0:24:59.280 --> 0:24:59.879
<v Speaker 6>all it would work.

0:25:00.119 --> 0:25:07.080
<v Speaker 4>It could happen that way, right, like you yeah, yeah, yeah,

0:25:16.520 --> 0:25:19.040
<v Speaker 4>Oh I got a funny story like that too. Actually.

0:25:20.520 --> 0:25:24.000
<v Speaker 6>So I show up at this thing and it's like

0:25:24.440 --> 0:25:27.159
<v Speaker 6>it is a low budget movie, as low budget as

0:25:27.200 --> 0:25:30.520
<v Speaker 6>you can imagine, and it's taking place in this little

0:25:30.680 --> 0:25:33.200
<v Speaker 6>this spot in New York called Tramps. There used to

0:25:33.240 --> 0:25:37.880
<v Speaker 6>be a club. And I get there and I meet

0:25:37.960 --> 0:25:39.280
<v Speaker 6>the guy that was on the other end of the

0:25:40.000 --> 0:25:43.560
<v Speaker 6>phone call, and and it's Ulysses. You guys know Juli

0:25:44.240 --> 0:25:47.480
<v Speaker 6>and uh, you know, young Dominican guy looks like you know,

0:25:47.520 --> 0:25:49.680
<v Speaker 6>it looks like somebody I'll be friends with, Like he's

0:25:49.840 --> 0:25:52.680
<v Speaker 6>my age, Like he's a casting director. Those guys who pioneers,

0:25:52.680 --> 0:25:55.680
<v Speaker 6>they got started early. You know, UIs still going, still going,

0:25:55.720 --> 0:26:01.000
<v Speaker 6>stronger than ever. Love you, brother, And so he puts

0:26:01.040 --> 0:26:02.600
<v Speaker 6>me in as the bartender. He tries to get me

0:26:02.680 --> 0:26:05.800
<v Speaker 6>some light in the movie. Turns out the director won

0:26:05.880 --> 0:26:09.000
<v Speaker 6>an Academy Award for Best Foreign Short Film, so.

0:26:09.560 --> 0:26:13.600
<v Speaker 4>He did have a not a lie. But I had

0:26:13.720 --> 0:26:15.119
<v Speaker 4>no idea who the guy was.

0:26:15.240 --> 0:26:18.600
<v Speaker 5>I don't know about the PanAm or from where. I

0:26:19.119 --> 0:26:23.440
<v Speaker 5>believe oh Man Brazilian, Mexican.

0:26:23.840 --> 0:26:25.520
<v Speaker 4>I believe he was Israeli.

0:26:26.000 --> 0:26:28.800
<v Speaker 6>I'm not sure. I would have to look it up.

0:26:28.840 --> 0:26:31.480
<v Speaker 6>The movie was called The Minotaur, and I don't know

0:26:31.520 --> 0:26:33.280
<v Speaker 6>if it ever saw the light of day. I have

0:26:33.480 --> 0:26:35.679
<v Speaker 6>no idea saw All I know is I was there

0:26:35.720 --> 0:26:38.440
<v Speaker 6>for about eighteen hours. It was non union extra work.

0:26:38.480 --> 0:26:42.920
<v Speaker 6>I might have made fifty bucks, right, but I made

0:26:43.040 --> 0:26:44.840
<v Speaker 6>up and I made a friend for the rest of

0:26:44.880 --> 0:26:47.720
<v Speaker 6>my life. Like you know, So I met Yuli, and

0:26:47.840 --> 0:26:50.400
<v Speaker 6>then Juli would put me on to anything he was doing,

0:26:50.640 --> 0:26:53.080
<v Speaker 6>you know, extra work wise for the next couple of years.

0:26:53.800 --> 0:26:57.280
<v Speaker 6>And then I went down to New York undercover because

0:26:57.280 --> 0:26:59.200
<v Speaker 6>it was one of the shows in town. Like I

0:26:59.280 --> 0:27:02.000
<v Speaker 6>was basically just walking into casting offices around town and like.

0:27:02.040 --> 0:27:05.280
<v Speaker 4>Dropping my head shot off. And my dad knew a

0:27:05.359 --> 0:27:09.040
<v Speaker 4>guy that was that was a teamster in New York

0:27:09.160 --> 0:27:10.480
<v Speaker 4>that used to know my grandfather.

0:27:11.000 --> 0:27:14.879
<v Speaker 6>This guy, Sonny Volkee. He shout out to Sonny. Sonny

0:27:15.000 --> 0:27:16.679
<v Speaker 6>was married to a woman who used to bartend at

0:27:16.720 --> 0:27:18.880
<v Speaker 6>a bar in Spanish Harlem that my my mom's dad

0:27:19.000 --> 0:27:22.919
<v Speaker 6>used to go in all the time, and so family

0:27:23.000 --> 0:27:25.680
<v Speaker 6>knew each other or whatever, and Sonny was he was like, yeah, yeah,

0:27:26.480 --> 0:27:28.320
<v Speaker 6>I had already sent my head shot down to New

0:27:28.359 --> 0:27:30.200
<v Speaker 6>York undercover and Sonny was like, yeah, go again.

0:27:30.280 --> 0:27:33.520
<v Speaker 4>We do the driving over there. So then yeah, project,

0:27:33.800 --> 0:27:36.480
<v Speaker 4>So I had gotten one day of non union extra

0:27:36.600 --> 0:27:37.399
<v Speaker 4>work there and.

0:27:37.520 --> 0:27:42.520
<v Speaker 5>Then who did you get to see shoot at that day?

0:27:42.960 --> 0:27:44.520
<v Speaker 4>The day that I did it, I played like a

0:27:44.560 --> 0:27:46.760
<v Speaker 4>little like a like a delivery boy. I had an

0:27:46.760 --> 0:27:47.200
<v Speaker 4>apron on.

0:27:47.280 --> 0:27:50.040
<v Speaker 6>It was like I was delivering something to the precinct

0:27:50.119 --> 0:27:52.119
<v Speaker 6>from a bodega or something like that, and you know

0:27:52.160 --> 0:27:54.720
<v Speaker 6>I brought up a little bag or whatever was in

0:27:54.800 --> 0:27:57.159
<v Speaker 6>the bag coffee, saying but that's a feature extra, right,

0:27:57.280 --> 0:27:59.040
<v Speaker 6>So no, I didn't have any lines that I was

0:27:59.240 --> 0:28:01.600
<v Speaker 6>I was talking about, you're you got a shot?

0:28:01.720 --> 0:28:06.920
<v Speaker 4>I got something? Yeah, yeah, yeah, yeah yeah. So I

0:28:07.119 --> 0:28:08.160
<v Speaker 4>meet on that day.

0:28:08.320 --> 0:28:12.800
<v Speaker 6>Actually I ended up meeting Rahima, a girl named Paschelle

0:28:13.280 --> 0:28:18.119
<v Speaker 6>who Michelle Robinson who was uh was the costumer, and

0:28:19.000 --> 0:28:21.399
<v Speaker 6>vet man blanking out on e Vet's last name. So

0:28:21.480 --> 0:28:23.600
<v Speaker 6>these three women that were running the wardrobe department, they

0:28:23.640 --> 0:28:28.679
<v Speaker 6>were working for a guy named Richie Owings, and Rahima

0:28:28.800 --> 0:28:32.199
<v Speaker 6>was my age. And so anyway, we all just become friends,

0:28:32.680 --> 0:28:34.760
<v Speaker 6>like we become cool. And they were like, yeah, we

0:28:35.080 --> 0:28:36.640
<v Speaker 6>gotta look out for you, like we gotta make sure

0:28:36.640 --> 0:28:37.520
<v Speaker 6>you gotta think.

0:28:37.359 --> 0:28:40.640
<v Speaker 1>About the New York community. The filmmaker New York community

0:28:40.800 --> 0:28:44.920
<v Speaker 1>was very small. Yeah, if you were doing something in

0:28:44.960 --> 0:28:48.080
<v Speaker 1>New York, they're usual suspects, right, Like they're gonna be

0:28:48.160 --> 0:28:52.360
<v Speaker 1>calling to do the wardrobe of this, especially.

0:28:53.040 --> 0:28:56.720
<v Speaker 6>Right there was not Yeah, more movies were being done

0:28:56.720 --> 0:29:00.360
<v Speaker 6>there at that time, but television hadn't had the resurgence yet, right,

0:29:00.840 --> 0:29:01.400
<v Speaker 6>But even.

0:29:01.320 --> 0:29:04.880
<v Speaker 5>Movies were like maybe one into maybe one to a year.

0:29:05.160 --> 0:29:07.560
<v Speaker 4>I mean that's not yeah, no, no, at this time.

0:29:07.640 --> 0:29:08.160
<v Speaker 4>I got to tell you.

0:29:08.240 --> 0:29:11.640
<v Speaker 6>At this time, this is like, let's call it like

0:29:11.840 --> 0:29:16.520
<v Speaker 6>ninety four through ninety seven. There were there was, there

0:29:16.560 --> 0:29:18.760
<v Speaker 6>were quite a bit of movies being shot at the time.

0:29:18.920 --> 0:29:20.880
<v Speaker 2>Well, didn't didn't we work together?

0:29:21.200 --> 0:29:23.400
<v Speaker 4>Back then? We never worked together.

0:29:23.560 --> 0:29:27.680
<v Speaker 6>I went on a cattle call for dead presidents and

0:29:27.840 --> 0:29:31.280
<v Speaker 6>waited online like somewhere in the village, but I never not.

0:29:31.360 --> 0:29:34.280
<v Speaker 6>I think Jesse might have done. I think Jesse might

0:29:34.360 --> 0:29:38.640
<v Speaker 6>have done some background on that. Yes, And so that's

0:29:38.720 --> 0:29:40.480
<v Speaker 6>how I got to see Jesse Torero.

0:29:41.360 --> 0:29:45.680
<v Speaker 3>Yeah, shout out to Jesse Terrerorero man, yo, quick, quick,

0:29:45.720 --> 0:29:51.400
<v Speaker 3>good story I had. We would have these like monthly dinners,

0:29:51.680 --> 0:29:55.440
<v Speaker 3>you know, me Adam, Jesse Terrero whenever ULI was in town,

0:29:56.640 --> 0:30:00.760
<v Speaker 3>David Ortiz, And one day Jesse goes, yo, man, I

0:30:01.000 --> 0:30:03.080
<v Speaker 3>was your standing on dead presidents?

0:30:04.360 --> 0:30:06.080
<v Speaker 4>And I was like what you were?

0:30:06.520 --> 0:30:09.760
<v Speaker 2>And there was something about like Jesse's sort of body language,

0:30:10.960 --> 0:30:12.480
<v Speaker 2>like of course you were.

0:30:12.480 --> 0:30:17.000
<v Speaker 5>Man, that's crazy. But I didn't know until like I

0:30:17.200 --> 0:30:18.800
<v Speaker 5>love Jesse too ariosold.

0:30:19.000 --> 0:30:23.280
<v Speaker 1>Yeah, I just I mean, I've done how many music

0:30:23.360 --> 0:30:23.840
<v Speaker 1>videos you do.

0:30:24.480 --> 0:30:25.520
<v Speaker 5>I don't know, probably five.

0:30:25.640 --> 0:30:32.280
<v Speaker 3>I've been his Vigo, I saw those, Yeah I Didluma Ones,

0:30:32.400 --> 0:30:32.720
<v Speaker 3>I did that.

0:30:32.800 --> 0:30:33.680
<v Speaker 5>We've seen that.

0:30:35.160 --> 0:30:37.760
<v Speaker 3>Yeah, that did a few shout outs to Jesse to

0:30:38.480 --> 0:30:43.200
<v Speaker 3>he's a giant, he's speaking of cinematic guy. Just such beautiful,

0:30:43.240 --> 0:30:45.840
<v Speaker 3>beautiful human beings man, So shout out to them.

0:30:45.800 --> 0:30:47.360
<v Speaker 5>And always looked out for the homing.

0:30:47.440 --> 0:30:50.480
<v Speaker 2>So yeah, yeah, So how did how did New York

0:30:50.560 --> 0:30:51.760
<v Speaker 2>Undercover change your life?

0:30:51.920 --> 0:30:51.960
<v Speaker 4>Like?

0:30:52.040 --> 0:30:53.800
<v Speaker 2>How did how did things change from there?

0:30:54.120 --> 0:30:55.520
<v Speaker 6>You know, I think it changed my life in the

0:30:55.560 --> 0:30:57.520
<v Speaker 6>way that I got to be on a set almost

0:30:57.640 --> 0:30:58.440
<v Speaker 6>every day of the week.

0:30:58.520 --> 0:30:59.840
<v Speaker 4>All of a sudden, were you Were you.

0:30:59.840 --> 0:31:01.080
<v Speaker 2>There for all five seasons?

0:31:01.200 --> 0:31:03.200
<v Speaker 4>No, No, I was there. I think that show lasted

0:31:03.400 --> 0:31:06.160
<v Speaker 4>three or three and a half seasons, and I came in.

0:31:06.560 --> 0:31:08.640
<v Speaker 4>It was already running when I came in. It might

0:31:08.680 --> 0:31:09.840
<v Speaker 4>have been already on for.

0:31:11.840 --> 0:31:16.720
<v Speaker 6>The first let me see the first The first time

0:31:16.760 --> 0:31:19.840
<v Speaker 6>I did background on that was I want to say,

0:31:21.040 --> 0:31:26.880
<v Speaker 6>say October and ninety four, maybe right, And then it

0:31:27.000 --> 0:31:30.560
<v Speaker 6>became a regular thing the following like around February of

0:31:30.720 --> 0:31:34.440
<v Speaker 6>ninety five, it became a regular thing. And then I

0:31:34.560 --> 0:31:37.200
<v Speaker 6>did that for another year and a half, almost two

0:31:37.280 --> 0:31:39.320
<v Speaker 6>years until I moved out to La But I mean

0:31:39.360 --> 0:31:41.360
<v Speaker 6>it changed my life in the sense that, you know,

0:31:41.440 --> 0:31:43.360
<v Speaker 6>it cracked the egg man, like I got to see

0:31:43.520 --> 0:31:47.160
<v Speaker 6>how this happens every day, how the machine works, how

0:31:47.440 --> 0:31:48.240
<v Speaker 6>what the flow.

0:31:48.160 --> 0:31:50.720
<v Speaker 4>Is like, you know where to be at what time,

0:31:50.800 --> 0:31:54.000
<v Speaker 4>and what is going mean all of it. It was

0:31:54.080 --> 0:31:55.200
<v Speaker 4>like going to school, you know.

0:31:55.320 --> 0:31:57.640
<v Speaker 6>And then on top of that, being embraced by people

0:31:57.720 --> 0:32:01.480
<v Speaker 6>who were you know, participate in that on a on

0:32:01.600 --> 0:32:04.920
<v Speaker 6>a on a level that was you know, uh, a

0:32:05.000 --> 0:32:07.760
<v Speaker 6>bigger contribution than I was as a background player at

0:32:07.760 --> 0:32:11.760
<v Speaker 6>the time, you know. Was uh, you know, it was

0:32:11.840 --> 0:32:14.640
<v Speaker 6>incredible because it was like it was making community, you know,

0:32:14.760 --> 0:32:17.400
<v Speaker 6>I was. I made friends that I'm still friends with

0:32:17.600 --> 0:32:19.080
<v Speaker 6>to this day after all.

0:32:18.960 --> 0:32:21.080
<v Speaker 4>Those years, you know what I mean. Like and so

0:32:21.440 --> 0:32:21.760
<v Speaker 4>it was.

0:32:21.960 --> 0:32:24.640
<v Speaker 6>It was also one of those things sometimes like when

0:32:24.640 --> 0:32:27.160
<v Speaker 6>you're looking at something from the outside d you feel

0:32:27.200 --> 0:32:32.720
<v Speaker 6>like so far removed from it, and you know, you

0:32:32.880 --> 0:32:35.240
<v Speaker 6>can't really imagine how you could ever be a part

0:32:35.320 --> 0:32:37.240
<v Speaker 6>of it. And then all of a sudden, I was,

0:32:37.480 --> 0:32:39.240
<v Speaker 6>I was in the middle of it, you know, and

0:32:39.440 --> 0:32:42.560
<v Speaker 6>and you realize, like, oh man, it's just people.

0:32:42.320 --> 0:32:44.080
<v Speaker 1>All right, So I'm gonna hold you right there because

0:32:44.160 --> 0:32:47.280
<v Speaker 1>this conversation obviously has uh has a lot more layers

0:32:47.360 --> 0:32:50.080
<v Speaker 1>to it, and the dance in the detail from you

0:32:50.160 --> 0:32:51.160
<v Speaker 1>Adam is inpeccable.

0:32:51.240 --> 0:32:53.840
<v Speaker 5>So this is part one. Thank you for watching part one,

0:32:53.960 --> 0:32:56.240
<v Speaker 5>and I hope you guys stayed for part two.

0:32:56.400 --> 0:33:03.760
<v Speaker 3>If those Amingos, Dos Amigos is a production from WV

0:33:03.960 --> 0:33:07.880
<v Speaker 3>Sound and iHeartMedia's Michael through That podcast Network, hosted by Me,

0:33:08.280 --> 0:33:10.600
<v Speaker 3>Freddie Rodriguez and Wilmer Valdorama.

0:33:10.840 --> 0:33:14.920
<v Speaker 1>Those Amigos is produced by Aaron Burlson and Sophie Spencer Zabos.

0:33:15.040 --> 0:33:19.720
<v Speaker 3>Our executive producers are Wilmer Valdorama, Freddie Rodriguez, Aaron Burlson,

0:33:19.920 --> 0:33:22.040
<v Speaker 3>and Leo Klem at WV Sound.

0:33:22.280 --> 0:33:24.600
<v Speaker 1>This episode was shot and edited it by Ryan Posts

0:33:24.640 --> 0:33:27.680
<v Speaker 1>and mixed by Sean Tracy and features original music by

0:33:27.720 --> 0:33:29.320
<v Speaker 1>Madison Devenport and Hala Boy.

0:33:29.520 --> 0:33:32.960
<v Speaker 3>Our cover art photography is by David Avalos and designed

0:33:33.080 --> 0:33:34.400
<v Speaker 3>by Deny Holtz.

0:33:34.120 --> 0:33:36.920
<v Speaker 5>Clau and thank you for being there third amigo today.

0:33:36.920 --> 0:33:39.160
<v Speaker 5>I appreciate you guys always listening to Those Amigos.

0:33:39.520 --> 0:33:42.160
<v Speaker 3>More podcasts from my Heart, visit the ir Heart Radio app,

0:33:42.400 --> 0:33:45.560
<v Speaker 3>Apple podcast, or wherever you listen to your favorite shows.

0:33:45.840 --> 0:33:46.600
<v Speaker 5>See you next week,