WEBVTT - Nick Jonas

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<v Speaker 1>I'm going to be in trouble with my brother in

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<v Speaker 1>law to begin with, because I was in his house

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<v Speaker 1>in London without him being there last night and we

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<v Speaker 1>cracked over him. Your tequila. Oh good, I'm glad. I

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<v Speaker 1>don't know that I'm in aficionado, but that is my

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<v Speaker 1>drink on the rocks with line. I'm not on an

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<v Speaker 1>Ajo fan normally, but that was absolutely delicious. I'm so

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<v Speaker 1>glad you liked it. Um. We we ran out at

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<v Speaker 1>our place. We enjoy it quite a bit. That's a

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<v Speaker 1>that's a big finish on the tequila. That will pack

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<v Speaker 1>to serious punch. We were very happy to be hit

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<v Speaker 1>with it. Glad to hear it. Hello, I'm mini driver

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<v Speaker 1>and welcome to many questions. I've always loved Pruce's questionnaire.

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<v Speaker 1>It was originally an eighteenth century parlor game meant to

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<v Speaker 1>reveal an individual's true nature, but with so many questions

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<v Speaker 1>there wasn't really an opportunity to expand on anything. So

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<v Speaker 1>I took the format of Pruce's questionnaire and adapted What

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<v Speaker 1>I think are seven of the most important questions you

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<v Speaker 1>could ever ask someone They are when and where were

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<v Speaker 1>you happiest? What is the quality you like least about yourself.

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<v Speaker 1>What relationship, real or fictionalized, defines love for you? What

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<v Speaker 1>question would you most like answered, What person, place, or

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<v Speaker 1>experience has shaped you the most? What would be your

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<v Speaker 1>last meal? And can you tell me something in your

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<v Speaker 1>life that has grown out of a personal disaster. The

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<v Speaker 1>more people we ask, the more we begin to see

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<v Speaker 1>what makes us similar and what makes us individual. I've

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<v Speaker 1>gathered a group of really remarkable people who I am

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<v Speaker 1>honored and humbled to have had a chance to engage with.

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<v Speaker 1>My guest today is Nick Jonas, a legitimate teen idol

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<v Speaker 1>who is evolved into a producer, creative director, writer, and

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<v Speaker 1>actor in addition to continuing to record as a solo artist.

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<v Speaker 1>I find it to be very thoughtful and quite reserved,

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<v Speaker 1>virtually a living antonym for pop star. I was really

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<v Speaker 1>inspired by his work, ethic and how he clearly sees

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<v Speaker 1>creativity as multifaceted and constantly moving forward. I think it's

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<v Speaker 1>quite a hard question, where and when you were happiest?

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<v Speaker 1>Where and when I was happiest. I've got kind of

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<v Speaker 1>two answers that are somewhat similar. I think the piece

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<v Speaker 1>I felt when my now wife and I realized that

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<v Speaker 1>we should give it a proper go. I don't describe

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<v Speaker 1>it as saying, oh, I was you know, I swept

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<v Speaker 1>off my feet, or I don't imagine she was swept

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<v Speaker 1>off hers at that moment, But there was an immense

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<v Speaker 1>piece that I felt that carried on and took us

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<v Speaker 1>into what became my happiest moment, which was our wedding day.

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<v Speaker 1>And it was sort of a six month runaway from

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<v Speaker 1>that moment. I realized it's so interesting around love as well,

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<v Speaker 1>the realization that it throws everything else into relief that

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<v Speaker 1>when you really love somebody, how sharp that is. I

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<v Speaker 1>think particularly it must be I've never been married, but

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<v Speaker 1>I imagine that really is what kind of lights the

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<v Speaker 1>pathway towards marrying somebody. And it's the difference between just

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<v Speaker 1>being into somebody and really knowing I want to spend

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<v Speaker 1>the rest of my life with this person. You know,

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<v Speaker 1>it's obviously different for everybody, but for she and I

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<v Speaker 1>both there was there was just an ease to it

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<v Speaker 1>that came. And not to say we didn't think it

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<v Speaker 1>would have its challenging moments, as every relationship, whether that's

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<v Speaker 1>marriage or friendship or family does, but there was speak

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<v Speaker 1>about that piece again that's just sort of settled for

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<v Speaker 1>each of us. And I think that's probably a good indication.

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<v Speaker 1>If it feels tumultuous and troubling at the beginning, it's

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<v Speaker 1>probably not the thing to write into. But this was

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<v Speaker 1>quite special. It's interesting that you equate peace with happiness.

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<v Speaker 1>I mean, happiness it's so layered. I mean, it's as

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<v Speaker 1>tricky to pin down as love itself. But for you,

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<v Speaker 1>like when you think about your life and all of

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<v Speaker 1>the layers that you've lived at a very young age,

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<v Speaker 1>do you think the piece is the premium because there's

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<v Speaker 1>so much noise in your life and there's so much spectacle.

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<v Speaker 1>I think so. I used to think of happiness tied

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<v Speaker 1>to achievements and that there would be sort of a

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<v Speaker 1>part of goal at the end of the rainbow, and

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<v Speaker 1>that I feel like what ends up happening is if

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<v Speaker 1>you're a person who cares deeply about your work, as

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<v Speaker 1>you clearly do, you sort of just keep chasing more

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<v Speaker 1>of those achievements as opposed to just finding the happiness.

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<v Speaker 1>And then for me, piece came in the picture and

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<v Speaker 1>actually provided ten times the happiness that some career achievement

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<v Speaker 1>or personal achievement could It's something that my mother and

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<v Speaker 1>I used to talk about a lot, which is this

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<v Speaker 1>idea that there's actually no there there. We're set up

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<v Speaker 1>in condition to believe that exactly as you said, there's

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<v Speaker 1>a potch of gold at the end of the rainbow,

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<v Speaker 1>that there's this place we're supposed to arrive at and

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<v Speaker 1>then we will get happiness, as opposed to letting go

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<v Speaker 1>of the notion of arrival and being in the quietness,

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<v Speaker 1>just letting the moment unfold. And it takes a bit

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<v Speaker 1>of practice. Does this year has certainly been good practice

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<v Speaker 1>and sort of settling into peace in general and quiet

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<v Speaker 1>wasn't something that I was used to, you know, kind

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<v Speaker 1>of an anti person by nature, so having to just

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<v Speaker 1>relax and chill out. It was a good thing to

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<v Speaker 1>practice because you can find, you know, a routine that

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<v Speaker 1>actually ends up benefiting you more than just always chasing

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<v Speaker 1>the next thing totally. Did you write very differently in

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<v Speaker 1>this period? Do you notice that your state of being

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<v Speaker 1>informed you creatively? Yeah, well it was too fold in

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<v Speaker 1>the sense that the obstacles, the hurdles that you know,

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<v Speaker 1>we're so unique to this time, so much like we're

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<v Speaker 1>doing now writing over zoom with collaborators. In addition to music,

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<v Speaker 1>now one of my biggest priorities is writing screenplays and

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<v Speaker 1>developing film and television projects, and so that took a

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<v Speaker 1>totally different approach, and in isolation kind of came the

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<v Speaker 1>ability to actually take some time and let it happen

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<v Speaker 1>in a more languid way, as opposed to my sort

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<v Speaker 1>of pattern before, which would be to be as efficient

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<v Speaker 1>quick as possible, which isn't always the best obviously. Yeah,

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<v Speaker 1>And I think it's the same thing. We were forced

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<v Speaker 1>to stay out of the idea of there being this

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<v Speaker 1>place we were meant to reach because we didn't know

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<v Speaker 1>how long this was going to go on for. So

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<v Speaker 1>being creative without that being a time frame I found

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<v Speaker 1>really interesting. And actually the freedom and the sort of

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<v Speaker 1>spaceiness of it actually created more discipline creatively, I found.

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<v Speaker 1>I agree. Yeah, I did feel moments of frustration, you know,

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<v Speaker 1>when I would complete a task, whether it was a

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<v Speaker 1>song or writing a script and the work was done

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<v Speaker 1>and it felt like, oh, the reality said in this

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<v Speaker 1>may never see the light day because of the state

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<v Speaker 1>of the world. Know what's happening, right, And so I

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<v Speaker 1>had sort of my biggest lesson this year and just

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<v Speaker 1>patients and the ability to be proud of something knowing

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<v Speaker 1>that the runway to it being released maybe long. But

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<v Speaker 1>as long as you're happy with your work and how

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<v Speaker 1>you applied yourself to the process, it's it's fine. Got

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<v Speaker 1>your very grown up. I'm literally a hundred and fifty

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<v Speaker 1>times your age. I feel like I'm only just arriving

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<v Speaker 1>at those conclusions. It's cool, like I'm and I'm sort

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<v Speaker 1>of slightly bitter, but I'm also stacked. What is the

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<v Speaker 1>quality that you least like about yourself? The quality I

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<v Speaker 1>at least like about myself. I have knee jerk reactions,

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<v Speaker 1>two things sometimes that I think are incredibly uh stupid,

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<v Speaker 1>And in retrospect it's it's never you know, anything to

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<v Speaker 1>intense or you know, my my fuse is not short

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<v Speaker 1>in the sense that I feel that I get angry,

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<v Speaker 1>but I'll react because, as we all do, there's an

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<v Speaker 1>insecurity that I'm not willing to just sort of own.

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<v Speaker 1>And it's just it's funny. More and more I'll sort

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<v Speaker 1>of visualize myself in the doctor's office and he hits

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<v Speaker 1>the knee with the rubber mallet and it pops up,

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<v Speaker 1>and that's my literal sort of emotional reaction to certain things.

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<v Speaker 1>Can you give me an example of a knee jerk

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<v Speaker 1>reaction to something that you've either in the moment or

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<v Speaker 1>later gone back and thought, you know what that was? Yeah,

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<v Speaker 1>there's there's plenty. I guess you'd have to ask my

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<v Speaker 1>wife too. That's probably example. This was somebody on the

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<v Speaker 1>other end of the knetz Jack reaction getting kicked. Yeah, exactly. Well,

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<v Speaker 1>I think what it is is like, in our early

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<v Speaker 1>days of working, there was a bit of a structure

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<v Speaker 1>kind of to the things that we were doing because

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<v Speaker 1>of our partnership with Disney, which is not to say

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<v Speaker 1>that it was a negative experience. In fact, I really

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<v Speaker 1>thought it was great training wheels for all that we did.

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<v Speaker 1>But naturally there's a structure to it, and so, you know,

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<v Speaker 1>sort of rules and guidelines. As the three of us,

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<v Speaker 1>my brothers and I have gotten older, it can be

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<v Speaker 1>a bit of a thing where we sort of react

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<v Speaker 1>to it. So it's like, oh, you know, it's an

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<v Speaker 1>early more tomorrow we would probably get to bed. It's like, well,

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<v Speaker 1>I'll be fine, I don't need to go to bed now.

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<v Speaker 1>If I want to, i'll go, but I don't have to,

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<v Speaker 1>So it's idiotic stuff like that. But when you can

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<v Speaker 1>own it after the fact, I think it's it's all good.

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<v Speaker 1>Are you quite competitive with your brothers? I mean in

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<v Speaker 1>a brotherly way. I don't mean she's sort of like

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<v Speaker 1>achievement's been in a sibling way. So it's kind of

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<v Speaker 1>like I'm gonna I'm going to hold out for the

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<v Speaker 1>last drink and I'm going to be the last bed.

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<v Speaker 1>Does that competition exist within your hierarchy? There is a

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<v Speaker 1>natural competitiveness. My brothers both have kids now, so the

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<v Speaker 1>bedtime thing is they're probably thrilled to get to bed,

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<v Speaker 1>you know. I tend to like to stay up a

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<v Speaker 1>bit later. But we are. We're very competitive. We're all

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<v Speaker 1>big golf fans, are all of you golfers? We are,

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<v Speaker 1>And that's the one arena that gets kind of heated.

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<v Speaker 1>I love it. That's only because none of us are

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<v Speaker 1>that good, and so it's it's tragic when you care

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<v Speaker 1>that much but you actually are terrible. The things. I'm

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<v Speaker 1>not even going to ask your handicap, because it's because

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<v Speaker 1>it doesn't matter. It's all about enjoying the game. I

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<v Speaker 1>got yelled at actually on the golf course the other day.

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<v Speaker 1>I was holding the dogs. I was what, we're waiting

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<v Speaker 1>for this guy to take a shot, and he was,

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<v Speaker 1>you know, whack in it, which I believe is the

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<v Speaker 1>technical term whack in the board away from the technical term.

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<v Speaker 1>So it's holding the dogs, keeping quiet, and you know

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<v Speaker 1>what it's like when someone's watching you. I guess because

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<v Speaker 1>he he whacked the ball real bad. It didn't work out,

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<v Speaker 1>and then he turned around and he yelled at me,

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<v Speaker 1>of course it's your fault. I was just like, I'm

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<v Speaker 1>standing a hold in the labrador like I didn't. It's

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<v Speaker 1>I think, and then his friends laughed at him. The

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<v Speaker 1>best thing about golf is that you can always blame

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<v Speaker 1>someone else for your bad shots. I've realized that, you know,

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<v Speaker 1>it's because this person talkers, because you did that. There's

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<v Speaker 1>an easy out there in your life. Can you tell

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<v Speaker 1>me of something that grew out of a personal disaster. Yeah, there,

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<v Speaker 1>I mean, there's a kind of handful of things, but

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<v Speaker 1>one in particular was a state of flub on stage

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<v Speaker 1>that was on televised performance, which which ended up being

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<v Speaker 1>really difficult for me to deal with after the facts.

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<v Speaker 1>It was just it was very embarrassing and one of

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<v Speaker 1>those things where I just had a brain fart to

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<v Speaker 1>describe it, and I was playing a guitar solo and

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<v Speaker 1>just I couldn't get it. My brain was connecting to

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<v Speaker 1>my my fingers, my hands, and and it wasn't the

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<v Speaker 1>end of the world as as you know, as you

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<v Speaker 1>always are able to sort of process in retrospect, and

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<v Speaker 1>from the thirty ft view, it's a blip and the

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<v Speaker 1>bigger sort of life story. I was sort of asked

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<v Speaker 1>myself the question, would this end up in the screenplay,

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<v Speaker 1>you know, of my life? And if it's not significant,

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<v Speaker 1>significant enough that it would, then it's just let it go.

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<v Speaker 1>But this feels like it would have been something that

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<v Speaker 1>would have marked a moment where I hopefully grew in

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<v Speaker 1>that I was more understanding of the fact that I

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<v Speaker 1>am human and I'm going to make mistakes and that's okay,

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<v Speaker 1>and these things happen. That's really nice. I mean that

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<v Speaker 1>kindness would be the thing that would grow out of

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<v Speaker 1>an embarrassing moment for you, and particularly being really young

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<v Speaker 1>with that happening and feeling humiliated that that's it's always

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<v Speaker 1>good to fall on your face from time to time.

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<v Speaker 1>I couldn't agree with you more. I mean I I

0:12:10.080 --> 0:12:13.640
<v Speaker 1>quite literally do it, and I also figuratively, and I'm

0:12:13.800 --> 0:12:15.880
<v Speaker 1>very clumsy and fall over a lot. I don't think

0:12:15.880 --> 0:12:17.480
<v Speaker 1>it's a bad thing at all. And I think we're

0:12:17.520 --> 0:12:19.840
<v Speaker 1>also I don't know if you agree, but we're often

0:12:19.880 --> 0:12:22.280
<v Speaker 1>trained to sort of a near ourselves, to pain and

0:12:22.320 --> 0:12:25.640
<v Speaker 1>to looking stupid. But it's the best breeding ground for

0:12:26.440 --> 0:12:30.760
<v Speaker 1>like you said, connecting with your humanity. Completely agree, and

0:12:30.800 --> 0:12:32.640
<v Speaker 1>I often think, you know, like God the universe, I

0:12:32.679 --> 0:12:35.160
<v Speaker 1>didn't need to be humbled, and I was pretty humble before,

0:12:35.200 --> 0:12:38.080
<v Speaker 1>but you show up at the times when you least

0:12:38.080 --> 0:12:40.120
<v Speaker 1>expected and just add a little bit to the humility.

0:12:40.200 --> 0:12:44.160
<v Speaker 1>Jar It's good to keep filling it up. I couldn't

0:12:44.200 --> 0:12:48.600
<v Speaker 1>agree with you more. Also, neurologically, when you talked about

0:12:48.679 --> 0:12:51.319
<v Speaker 1>your brain sort of disconnecting from you being able to

0:12:51.360 --> 0:12:53.000
<v Speaker 1>play the guitar. I was going to play in the

0:12:53.040 --> 0:12:56.600
<v Speaker 1>West End at David Mammitt play, you know, full House.

0:12:56.600 --> 0:12:59.520
<v Speaker 1>I've been doing the show for probably three months, and

0:12:59.600 --> 0:13:01.280
<v Speaker 1>when I went on stage and it was just me

0:13:01.320 --> 0:13:04.360
<v Speaker 1>and another actress on stage and you know, David Mammitt

0:13:04.600 --> 0:13:09.680
<v Speaker 1>very quick fire dialogue, and it was like it was

0:13:09.760 --> 0:13:13.760
<v Speaker 1>like the screen had just come down between all cognitive functions,

0:13:13.800 --> 0:13:16.080
<v Speaker 1>and I couldn't remember what I was supposed to say,

0:13:16.480 --> 0:13:19.920
<v Speaker 1>frozen in fear and then just spiraled and it sounds

0:13:20.000 --> 0:13:23.120
<v Speaker 1>quite similar to what you experienced. And it was so

0:13:23.240 --> 0:13:25.800
<v Speaker 1>terrifying and weird and anyway, whatever, you get through it.

0:13:26.520 --> 0:13:28.120
<v Speaker 1>But a few weeks later I was talking to this

0:13:28.160 --> 0:13:30.320
<v Speaker 1>guy who's that's his life is starting the brain, and

0:13:30.360 --> 0:13:32.720
<v Speaker 1>I said, look, this thing happened. Why did this happen?

0:13:33.440 --> 0:13:35.520
<v Speaker 1>And he said, oh, it's really it's actually really common

0:13:35.559 --> 0:13:38.720
<v Speaker 1>with creative people. And also when you've remembered something and

0:13:38.760 --> 0:13:42.960
<v Speaker 1>you've repeatedly done something, it stays in the forefront of

0:13:42.960 --> 0:13:45.120
<v Speaker 1>our brain and our memory. But there's a point when

0:13:45.120 --> 0:13:46.880
<v Speaker 1>you've done it so many times that your brain goes,

0:13:47.120 --> 0:13:49.440
<v Speaker 1>you know, we do this all the time. This needs

0:13:49.480 --> 0:13:54.679
<v Speaker 1>to be reredownloaded to a deep storage and in that moment,

0:13:55.280 --> 0:13:58.240
<v Speaker 1>literally when it's switching over, that's when we have these

0:13:58.280 --> 0:14:02.480
<v Speaker 1>moments of complete and utter forgetfulness and disconnection because it's

0:14:02.520 --> 0:14:06.400
<v Speaker 1>the brain quite literally transferring information. I felt so much better,

0:14:06.440 --> 0:14:08.360
<v Speaker 1>and I was like, what do I do? And he said, oh,

0:14:08.440 --> 0:14:10.480
<v Speaker 1>you just go and read the play again and you

0:14:10.559 --> 0:14:12.520
<v Speaker 1>tell your brain I'm needing to relearn this you do

0:14:12.559 --> 0:14:14.360
<v Speaker 1>whatever you did when you first sat down with it.

0:14:14.520 --> 0:14:17.440
<v Speaker 1>That's so interesting. It's quite cool. I I love that.

0:14:17.559 --> 0:14:19.880
<v Speaker 1>There's nothing quite like going up on a line on

0:14:20.080 --> 0:14:23.760
<v Speaker 1>stage though it's it's it's the most frightening thing in

0:14:23.800 --> 0:14:28.840
<v Speaker 1>the world. It's shockingly it feels so exposed, exposed and raw.

0:14:29.040 --> 0:14:32.680
<v Speaker 1>And I wonder why it's so terrifying. I wonder what

0:14:32.720 --> 0:14:34.680
<v Speaker 1>we think is actually going to happen, because like, there's

0:14:34.680 --> 0:14:37.960
<v Speaker 1>audience have paid tickets to see us, and they're probably

0:14:37.960 --> 0:14:41.120
<v Speaker 1>all quite nice people, like it's not the Roman colisseum,

0:14:41.200 --> 0:14:43.680
<v Speaker 1>Like they don't want to see us ripped to pieces.

0:14:43.720 --> 0:14:45.720
<v Speaker 1>For me, yeah, I agree with you. It's less about

0:14:45.720 --> 0:14:48.120
<v Speaker 1>the audience. It's the sort of embarrassment of going up

0:14:48.120 --> 0:14:50.000
<v Speaker 1>in front of your cast mates. And I did have

0:14:50.040 --> 0:14:53.640
<v Speaker 1>a succeeding business without really trying Broadway. And there's a

0:14:53.680 --> 0:14:57.480
<v Speaker 1>big monologue and it's very fast and if you if

0:14:57.520 --> 0:15:00.240
<v Speaker 1>you miss, if you hit a speed bump middle of

0:15:00.240 --> 0:15:03.680
<v Speaker 1>it's one of those where you've lost the whole. And

0:15:03.720 --> 0:15:06.760
<v Speaker 1>I hit the speed bump and I kept stumbling and

0:15:06.840 --> 0:15:09.320
<v Speaker 1>my cast mate was looking at me like I had

0:15:09.320 --> 0:15:12.480
<v Speaker 1>a brain problem of some kind. And it was so

0:15:12.560 --> 0:15:17.560
<v Speaker 1>embarrassing more so than the audience. That's interesting. It's peer fear.

0:15:18.000 --> 0:15:26.040
<v Speaker 1>Let's call it that. It's pear fair neck. Absolutely what relationship,

0:15:26.160 --> 0:15:31.200
<v Speaker 1>real or fictionalized, defines love fear, real or fictionalized. I

0:15:31.240 --> 0:15:35.560
<v Speaker 1>would say my parents relationship is quite inspiring to me

0:15:35.640 --> 0:15:38.720
<v Speaker 1>in one that I've always admired. They met very young

0:15:38.840 --> 0:15:42.120
<v Speaker 1>and at college and got married pretty quickly without having

0:15:42.120 --> 0:15:45.400
<v Speaker 1>ever really dated properly. They were just really good friends

0:15:45.400 --> 0:15:48.640
<v Speaker 1>and it evolved into love naturally, and you know, their

0:15:48.840 --> 0:15:53.800
<v Speaker 1>thirty four years. I believe now it's a great relationship

0:15:53.840 --> 0:15:57.600
<v Speaker 1>and certainly inspiring to me. What are the corner stands

0:15:57.640 --> 0:15:59.640
<v Speaker 1>I mean, because again, remember this is all field work

0:15:59.680 --> 0:16:03.000
<v Speaker 1>for me, Like I'm desperate to get answers about everything,

0:16:03.000 --> 0:16:05.480
<v Speaker 1>which is largely why I wanted to do this podcast.

0:16:06.320 --> 0:16:09.440
<v Speaker 1>A thirty four year old marriage becaus a kid. As

0:16:09.480 --> 0:16:11.600
<v Speaker 1>you're watching that as you grow up, do you notice

0:16:11.680 --> 0:16:16.280
<v Speaker 1>all the touchstones rather of what it's built on. Yes,

0:16:16.320 --> 0:16:18.160
<v Speaker 1>I think it's a kind of a combination of a

0:16:18.160 --> 0:16:20.600
<v Speaker 1>passion and love and being in a moment and all

0:16:20.600 --> 0:16:23.520
<v Speaker 1>these things, but also having a roadmap for success or

0:16:23.600 --> 0:16:27.800
<v Speaker 1>potential success, and you know, being able to set sort

0:16:27.840 --> 0:16:30.880
<v Speaker 1>of certain pillars as a couple and as a family

0:16:30.960 --> 0:16:33.520
<v Speaker 1>that you can actually lean on rely on in addition

0:16:33.560 --> 0:16:36.360
<v Speaker 1>to following your heart and kind of being in the moment,

0:16:36.800 --> 0:16:40.000
<v Speaker 1>which is something that uh, you know, in my life

0:16:40.440 --> 0:16:43.120
<v Speaker 1>I've tried to adopt as well. It's wonderful to be

0:16:43.160 --> 0:16:45.920
<v Speaker 1>spontaneous and really important for the kind of work that

0:16:46.240 --> 0:16:50.280
<v Speaker 1>we do, obviously in a creative field, but also understanding

0:16:50.280 --> 0:16:53.920
<v Speaker 1>who you are. Having that roadmap for success is important.

0:16:53.960 --> 0:16:55.920
<v Speaker 1>And when I say success just mean a healthy life

0:16:55.920 --> 0:16:58.960
<v Speaker 1>and marriage or friendships and relationships. It's tricky that with

0:16:59.080 --> 0:17:01.760
<v Speaker 1>to create two people. And I've just found that in

0:17:01.840 --> 0:17:06.200
<v Speaker 1>my life you can be on the same page spiritually

0:17:06.720 --> 0:17:09.320
<v Speaker 1>and the decisions about whether you want children and how

0:17:09.320 --> 0:17:11.600
<v Speaker 1>you would raise them and kind of who you are,

0:17:11.720 --> 0:17:14.119
<v Speaker 1>but logistically it can be so difficult to kind of

0:17:14.160 --> 0:17:18.399
<v Speaker 1>sink that up. Do you think that compromise, I guess

0:17:18.720 --> 0:17:21.920
<v Speaker 1>is something that you may be noticed in your parents relationship,

0:17:22.040 --> 0:17:25.440
<v Speaker 1>or that there's a loving compromise that one finds. Yeah,

0:17:25.480 --> 0:17:27.840
<v Speaker 1>I mean, I absolutely hear you on not to creative

0:17:27.840 --> 0:17:31.760
<v Speaker 1>people front that can be tricky. In my parents relationship,

0:17:31.840 --> 0:17:34.000
<v Speaker 1>they were both very creative but also very supportive of

0:17:34.000 --> 0:17:36.879
<v Speaker 1>one another. And then found that balance. And my mom

0:17:36.960 --> 0:17:39.200
<v Speaker 1>and dad will talk about, you know times my dad

0:17:39.240 --> 0:17:41.600
<v Speaker 1>was a singer as well, and oh was he It

0:17:41.840 --> 0:17:43.800
<v Speaker 1>was he was a pastor, and I said, I knew

0:17:43.920 --> 0:17:45.840
<v Speaker 1>as a pastor. I didn't know he was a singer.

0:17:46.320 --> 0:17:48.040
<v Speaker 1>It's very talented. But he would show up, you know,

0:17:48.040 --> 0:17:49.679
<v Speaker 1>in the early days of their marriage and have been

0:17:49.680 --> 0:17:51.800
<v Speaker 1>at the studio until four in the morning she was

0:17:51.840 --> 0:17:54.760
<v Speaker 1>with the three of us, we were quite young, and

0:17:55.080 --> 0:17:57.600
<v Speaker 1>show up with his tapes and she would like lean

0:17:57.680 --> 0:18:00.879
<v Speaker 1>up against the wall to stay awake to listen to it.

0:18:00.920 --> 0:18:02.679
<v Speaker 1>But the fact that she was willing to get up

0:18:02.680 --> 0:18:04.280
<v Speaker 1>out of bed and listen to his thing that he

0:18:04.320 --> 0:18:06.639
<v Speaker 1>was excited about it was really meaningful. And in the

0:18:06.640 --> 0:18:08.879
<v Speaker 1>same way, he would show up for her in ways

0:18:08.920 --> 0:18:11.280
<v Speaker 1>where she was being creative and needed to feel supportive.

0:18:11.400 --> 0:18:13.840
<v Speaker 1>I've found that. But I also know and have experience

0:18:13.920 --> 0:18:18.240
<v Speaker 1>in different relationships in my past and even friendships and

0:18:18.240 --> 0:18:21.240
<v Speaker 1>things like that, times where those two creative forces can

0:18:21.240 --> 0:18:23.600
<v Speaker 1>be really competitive and it's not the best to fit.

0:18:23.960 --> 0:18:27.280
<v Speaker 1>I guess when you say compromise, that's very important and

0:18:27.359 --> 0:18:30.520
<v Speaker 1>an essential piece. But also that willingness to sort of

0:18:30.800 --> 0:18:32.680
<v Speaker 1>at any point in time whether it's during the morning

0:18:32.760 --> 0:18:34.719
<v Speaker 1>or too in the afternoon, and show up and be

0:18:34.840 --> 0:18:52.119
<v Speaker 1>supportive of one's passion about something. What question which you

0:18:52.240 --> 0:18:56.800
<v Speaker 1>most like answered? Well, I am currently reading Sapiens, so

0:18:56.880 --> 0:19:01.359
<v Speaker 1>I'm deep into that world. And also it's simultaneously we

0:19:01.440 --> 0:19:05.000
<v Speaker 1>started watching the first season of Ancient Aliens. So I

0:19:05.000 --> 0:19:08.280
<v Speaker 1>don't necessarily want to know everything about how it all happened.

0:19:08.359 --> 0:19:10.160
<v Speaker 1>And when I say that, I mean the Earth and

0:19:10.600 --> 0:19:15.800
<v Speaker 1>civilization everything, but I would like to know some of it.

0:19:15.880 --> 0:19:18.560
<v Speaker 1>Just give me a little bit, which bit, like are

0:19:18.600 --> 0:19:20.119
<v Speaker 1>you like I would like to know if there was

0:19:20.160 --> 0:19:23.360
<v Speaker 1>a creative hand in the Big Bang, because I mean

0:19:23.560 --> 0:19:26.119
<v Speaker 1>even Harari doesn't get to it in Sapiens, Like I

0:19:26.160 --> 0:19:27.800
<v Speaker 1>was waiting for that to be. I mean, I don't

0:19:27.800 --> 0:19:30.439
<v Speaker 1>want to do any spoilers, but like it's not like

0:19:30.480 --> 0:19:31.920
<v Speaker 1>you get to the end of it and it's like,

0:19:32.119 --> 0:19:33.840
<v Speaker 1>this is what's up. I don't want to ruin it

0:19:33.840 --> 0:19:37.400
<v Speaker 1>for you. But there's no specific answer. Yeah, a conclusion,

0:19:37.840 --> 0:19:40.880
<v Speaker 1>yeah no, no, no, it's I saw it trending that direction.

0:19:41.119 --> 0:19:43.640
<v Speaker 1>So if I had like one thing i'd want to know.

0:19:43.880 --> 0:19:45.760
<v Speaker 1>I think one of the most fascinating things to me

0:19:45.800 --> 0:19:50.320
<v Speaker 1>about Homo sapiens is our ability to love one another,

0:19:51.119 --> 0:19:54.040
<v Speaker 1>and how there's a reverse reaction to that, which is violence,

0:19:54.080 --> 0:19:56.720
<v Speaker 1>and understanding why that happens. So that's something that I

0:19:56.760 --> 0:19:58.560
<v Speaker 1>just think is fascinating when that began and when it

0:19:58.680 --> 0:20:00.600
<v Speaker 1>evolved into what it is to day, because I think

0:20:00.600 --> 0:20:02.280
<v Speaker 1>a lot of the world's problems could be solved if

0:20:02.280 --> 0:20:05.840
<v Speaker 1>we had some understanding of that piece. I would really

0:20:05.840 --> 0:20:08.320
<v Speaker 1>like to know that as well. I would also really

0:20:08.320 --> 0:20:10.320
<v Speaker 1>like to know why more people aren't talking about the

0:20:10.359 --> 0:20:13.280
<v Speaker 1>little green pyramids that were seen off the naval ship.

0:20:13.359 --> 0:20:16.240
<v Speaker 1>I don't know about this. Oh you need to when

0:20:16.240 --> 0:20:18.159
<v Speaker 1>you get off the phone and you go deep. You

0:20:18.160 --> 0:20:19.480
<v Speaker 1>don't even have to go that deep. It was like

0:20:19.520 --> 0:20:22.159
<v Speaker 1>on the Today Show, it's everywhere. But they finally released

0:20:22.160 --> 0:20:25.080
<v Speaker 1>this footage that I guess the Navy have been recording

0:20:25.480 --> 0:20:31.720
<v Speaker 1>for years, and it's it's epic. I've we've now in

0:20:31.760 --> 0:20:34.040
<v Speaker 1>our household, We've been talking a lot about, you know,

0:20:34.520 --> 0:20:36.480
<v Speaker 1>if there's some bad behavior in our household. It's like,

0:20:36.880 --> 0:20:38.720
<v Speaker 1>what do you think the aliens would think about that?

0:20:39.080 --> 0:20:41.040
<v Speaker 1>They were if they were seeing that at the moment

0:20:41.359 --> 0:20:43.919
<v Speaker 1>they're watching, and I wonder what they think, Like, do

0:20:44.000 --> 0:20:47.320
<v Speaker 1>they think that we are just so extraordinarily primitive because

0:20:47.320 --> 0:20:48.879
<v Speaker 1>of the reasons that you just said, because of our

0:20:48.920 --> 0:20:52.639
<v Speaker 1>insane violence and our extraordinary capacity to love. Like, do

0:20:52.680 --> 0:20:55.240
<v Speaker 1>they feel that vibrationally or are they just looking at

0:20:55.640 --> 0:21:00.720
<v Speaker 1>our tactical missiles and and ships and going, boy, that's

0:21:00.720 --> 0:21:03.760
<v Speaker 1>that's some behind stuff. Yeah. I think it's probably a

0:21:03.760 --> 0:21:06.439
<v Speaker 1>combination of both. Do you love space because your record

0:21:06.600 --> 0:21:08.960
<v Speaker 1>is called Space Man, and I did watch a couple

0:21:08.960 --> 0:21:12.000
<v Speaker 1>of your videos and they do seem to be connected. Yeah,

0:21:12.119 --> 0:21:15.040
<v Speaker 1>I'm fascinated by it a little bit. The album and

0:21:15.080 --> 0:21:17.960
<v Speaker 1>the whole idea that came more so from being kind

0:21:17.960 --> 0:21:21.040
<v Speaker 1>of isolated from the world and feeling disconnected and and

0:21:21.080 --> 0:21:23.840
<v Speaker 1>I wanted to give that a name, sort of an

0:21:23.840 --> 0:21:26.840
<v Speaker 1>era record, a bit of a theme. Didn't necessarily think

0:21:26.840 --> 0:21:29.840
<v Speaker 1>it's a concept album, but it has fragments of that.

0:21:30.200 --> 0:21:32.320
<v Speaker 1>I think it's really cool. Thank you. Did you shoot

0:21:32.320 --> 0:21:35.000
<v Speaker 1>the videos during lockdown as well? We did? Yeah, you know,

0:21:35.040 --> 0:21:37.040
<v Speaker 1>we went out to for the Spaceman video. Were not

0:21:37.160 --> 0:21:39.240
<v Speaker 1>to displace here in California. It's a couple of hours

0:21:39.280 --> 0:21:42.560
<v Speaker 1>away from l A that's at some point was a volcano.

0:21:42.720 --> 0:21:46.119
<v Speaker 1>So the volcanic rock all around this site and pretty

0:21:46.200 --> 0:21:48.359
<v Speaker 1>fascinating place. And then the other one I shot in

0:21:48.440 --> 0:21:50.520
<v Speaker 1>London for a song called This is Heaven. I like

0:21:50.640 --> 0:21:52.960
<v Speaker 1>the fact, you know how, you're writing a screenplay and

0:21:53.200 --> 0:21:57.520
<v Speaker 1>this has happened, and you write his jet pack ignites,

0:21:58.200 --> 0:22:02.080
<v Speaker 1>and then in the Spaceman video, his yeah pack does ignite. Yeah,

0:22:02.200 --> 0:22:06.200
<v Speaker 1>I was trying to create some you know, Spaceman universe stuff.

0:22:06.600 --> 0:22:09.080
<v Speaker 1>By the way, it worked, Nick Jonas, because I saw

0:22:09.080 --> 0:22:12.280
<v Speaker 1>it and I completely loved it. Well, thank you very much.

0:22:12.320 --> 0:22:14.800
<v Speaker 1>They're with really beautiful videos. It was like watching a

0:22:14.840 --> 0:22:17.560
<v Speaker 1>short film that they were loving. Thank you. It's pretty cool.

0:22:19.440 --> 0:22:21.760
<v Speaker 1>I think it's my favorite question. But what would be

0:22:21.800 --> 0:22:26.760
<v Speaker 1>your last meal? My last meal? I've thought about this

0:22:26.880 --> 0:22:30.240
<v Speaker 1>quite a bit, so it's a little bit off the wall,

0:22:30.240 --> 0:22:32.879
<v Speaker 1>but just go with me for a second hit. First

0:22:33.080 --> 0:22:36.520
<v Speaker 1>course would be a Nioki pesto with pine nuts. That's

0:22:36.760 --> 0:22:39.560
<v Speaker 1>just my favorite. You're the first person, by the way,

0:22:39.600 --> 0:22:42.719
<v Speaker 1>to go already split it into courses, Bravo, carry on.

0:22:42.880 --> 0:22:48.040
<v Speaker 1>Second course would be a Japanese steak some kind not

0:22:48.359 --> 0:22:51.000
<v Speaker 1>like wagu, but like a Japanese seared steak with with

0:22:51.280 --> 0:22:54.880
<v Speaker 1>a soy glaze or something really kind of decadent and amazing.

0:22:55.080 --> 0:22:59.080
<v Speaker 1>And then I would finish it with and this is

0:22:59.200 --> 0:23:01.560
<v Speaker 1>abnormal because should usually confirst, but I finished with a

0:23:01.560 --> 0:23:06.720
<v Speaker 1>piece of pizza, Pepperoni pizza. That's like the final send off. Wait,

0:23:06.760 --> 0:23:08.920
<v Speaker 1>I love I love that that's the final send off.

0:23:08.960 --> 0:23:12.119
<v Speaker 1>So it's there. She's like the last minute in you know,

0:23:12.600 --> 0:23:17.399
<v Speaker 1>the rizzler paper breath between life and death potentially, and

0:23:17.480 --> 0:23:20.159
<v Speaker 1>for you as Pepperoni pizza. Yeah, it's like you know,

0:23:20.400 --> 0:23:24.000
<v Speaker 1>we we start as children loving pizza and eating pizza

0:23:24.040 --> 0:23:26.959
<v Speaker 1>and having no consequences to that and just eat as

0:23:27.000 --> 0:23:29.040
<v Speaker 1>much as it as you want. It's great, and then

0:23:29.400 --> 0:23:31.679
<v Speaker 1>you know, you start choosing other things as you grow up,

0:23:31.720 --> 0:23:33.560
<v Speaker 1>and then going back to that as they send off

0:23:33.640 --> 0:23:36.200
<v Speaker 1>is what I'd want to do. Just the simplicity of it.

0:23:36.640 --> 0:23:38.800
<v Speaker 1>I really love that. Is it also because he is

0:23:38.840 --> 0:23:41.879
<v Speaker 1>from New Jersey and like pizza is in your blood,

0:23:41.960 --> 0:23:44.199
<v Speaker 1>it is. I would argue that there are better not

0:23:44.560 --> 0:23:47.000
<v Speaker 1>per capita, but there are better piece of shops in

0:23:47.200 --> 0:23:50.280
<v Speaker 1>New Jersey than there are in New York. But there

0:23:50.320 --> 0:23:53.000
<v Speaker 1>are also great places in New York. I love. It's

0:23:53.000 --> 0:23:54.840
<v Speaker 1>a bold statement, but I think that's what you're supposed

0:23:54.840 --> 0:23:57.280
<v Speaker 1>to do about your home state and I have fund

0:23:57.320 --> 0:24:00.199
<v Speaker 1>some good pizza in London to know. Oh yeah, and

0:24:00.280 --> 0:24:03.080
<v Speaker 1>by the way, there's like a whole racket going on

0:24:03.320 --> 0:24:06.800
<v Speaker 1>with pizza ovens that people have now got. I've had

0:24:06.880 --> 0:24:10.480
<v Speaker 1>better pizza in people's back gardens because it's crazy therm

0:24:10.800 --> 0:24:16.080
<v Speaker 1>imported from Naples ovens. Then maybe in the stores when

0:24:16.119 --> 0:24:18.119
<v Speaker 1>you're back in London, maybe I'll just give you a

0:24:18.160 --> 0:24:20.000
<v Speaker 1>tip about way you could put one in your in

0:24:20.080 --> 0:24:22.880
<v Speaker 1>back garden. It's good to know. I'm up for it.

0:24:23.280 --> 0:24:25.320
<v Speaker 1>I love a good slice of pizza. So wait, just

0:24:25.359 --> 0:24:28.119
<v Speaker 1>really quickly because I have to clarify. So no dessert.

0:24:28.160 --> 0:24:30.160
<v Speaker 1>Pizza is your dessert. You don't have a sweet tooth

0:24:30.160 --> 0:24:33.879
<v Speaker 1>at all. I do, but I want to end it

0:24:34.040 --> 0:24:39.720
<v Speaker 1>savory the sweet you know you know what that's um.

0:24:39.880 --> 0:24:41.800
<v Speaker 1>It's a very bold choice. No one has been there

0:24:41.880 --> 0:24:45.240
<v Speaker 1>yet and I'm very much here for it. I can't

0:24:45.400 --> 0:24:47.800
<v Speaker 1>thank you enough for your time, Thank you for having

0:24:48.000 --> 0:24:50.760
<v Speaker 1>this was great, very welcome, and I'll see you on

0:24:50.760 --> 0:24:53.959
<v Speaker 1>the golf course. Indeed, let's do it. You need your

0:24:54.000 --> 0:25:03.480
<v Speaker 1>mini driver what. Nick's fourth studio album, Spaceman, was released

0:25:03.560 --> 0:25:07.119
<v Speaker 1>on March twelve. It's an album that evolved out of

0:25:07.119 --> 0:25:11.360
<v Speaker 1>our global Lockdown and explores themes of distance and dislocation.

0:25:12.440 --> 0:25:15.439
<v Speaker 1>There is also a Mad Good sax solo in the

0:25:15.520 --> 0:25:20.000
<v Speaker 1>second single he released, called This Is Heaven. Nick hosts

0:25:20.040 --> 0:25:27.480
<v Speaker 1>the Billboard Music Awards on MA Mini Questions is hosted

0:25:27.520 --> 0:25:32.120
<v Speaker 1>and written by Me Mini Driver, supervising producer Aaron Kaufman,

0:25:32.920 --> 0:25:40.320
<v Speaker 1>Producer Morgan Levoy, Research assistant Marissa Brown. Original music Sorry

0:25:40.359 --> 0:25:45.200
<v Speaker 1>Baby by a Mini Driver, Additional music by Aaron Kaufman.

0:25:45.920 --> 0:25:49.960
<v Speaker 1>Executive produced by Me and man Gesh Hetty Cadore. Special

0:25:50.000 --> 0:25:55.680
<v Speaker 1>thanks to Jim Nikolay, Will Pearson, Addison No Day, Lisa

0:25:55.720 --> 0:26:01.560
<v Speaker 1>Castella and Nique Oppenheim, a w kPr Day, Pescador, Kate

0:26:01.640 --> 0:26:06.160
<v Speaker 1>Driver and Jason Weinberg, and for constantly solicited tech support

0:26:06.560 --> 0:26:08.119
<v Speaker 1>Henry Driver, M