1 00:00:00,320 --> 00:00:04,000 Speaker 1: I listened to The Black Guy Who Tips Podcast because 2 00:00:04,120 --> 00:00:08,000 Speaker 1: Rod and Karen are heart. Hey, welcome to another episode 3 00:00:08,000 --> 00:00:11,560 Speaker 1: of The Black Guy Who Tips Podcast. I'm your host, Rod, 4 00:00:11,880 --> 00:00:14,280 Speaker 1: join us always on my co host Kim, and we're 5 00:00:14,360 --> 00:00:19,160 Speaker 1: live on a Wednesday. Ready to do some recapping. Okay, 6 00:00:19,160 --> 00:00:21,120 Speaker 1: it's gonna be some capping up in here. Shout out 7 00:00:21,160 --> 00:00:25,079 Speaker 1: to Medea. We're gonna be talking about the show love 8 00:00:25,160 --> 00:00:29,240 Speaker 1: Craft Country, Okay, in the way that only we can. 9 00:00:29,520 --> 00:00:32,159 Speaker 1: Don't forget. If you like this content and you want 10 00:00:32,200 --> 00:00:34,639 Speaker 1: to hear more of it. October twenty sixth, it will 11 00:00:34,680 --> 00:00:38,000 Speaker 1: only be on Spotify. Okay. After that, it's gonna be 12 00:00:38,040 --> 00:00:39,280 Speaker 1: gone from wherever you're listening to. 13 00:00:39,280 --> 00:00:40,000 Speaker 2: It's gonna be gone. 14 00:00:40,080 --> 00:00:44,360 Speaker 1: You have been forewarned, so hop on Spotify. It's free. Okay, 15 00:00:44,400 --> 00:00:46,720 Speaker 1: you can still listen to us for free, both free. 16 00:00:46,840 --> 00:00:48,559 Speaker 1: All you gotta do is just get the app and 17 00:00:48,560 --> 00:00:50,199 Speaker 1: then you can just stream it right from there, or 18 00:00:50,200 --> 00:00:53,559 Speaker 1: you can download episodes whatever you prefer. All the episodes 19 00:00:53,600 --> 00:00:55,880 Speaker 1: will be over there already, so you won't be missing 20 00:00:55,920 --> 00:00:58,280 Speaker 1: out on the thing. If your premium everything for the 21 00:00:58,280 --> 00:01:00,800 Speaker 1: premium side, say it stays the same, so you know. 22 00:01:00,880 --> 00:01:03,360 Speaker 1: Occasionally I get questions about that nothing's changing. If you're 23 00:01:03,400 --> 00:01:06,560 Speaker 1: premium and you're already listening to premium stuff, however you 24 00:01:06,600 --> 00:01:09,200 Speaker 1: listen to it, just that stays the same. But for 25 00:01:09,200 --> 00:01:11,640 Speaker 1: people that want to hear regular episodes, that's where you're 26 00:01:11,640 --> 00:01:16,039 Speaker 1: gonna need to go. All right, we're gonna talk about 27 00:01:16,040 --> 00:01:19,880 Speaker 1: love Craft Country. Okay. Today's love Craft Country recap is 28 00:01:19,880 --> 00:01:26,280 Speaker 1: of Jiga Bobo, episode eight of season one. Only two 29 00:01:26,319 --> 00:01:30,080 Speaker 1: more episodes that go after this, and we will break 30 00:01:30,120 --> 00:01:32,399 Speaker 1: it down hot and heavy. But before we do that, 31 00:01:32,440 --> 00:01:35,360 Speaker 1: I have to always ask Karen, what did you think 32 00:01:35,400 --> 00:01:36,440 Speaker 1: about this episode? In general? 33 00:01:37,080 --> 00:01:41,040 Speaker 2: Oh? I loved it. I had a very I had 34 00:01:41,040 --> 00:01:42,480 Speaker 2: a very good time. 35 00:01:46,280 --> 00:01:49,880 Speaker 3: It was I like the fact that they have kind 36 00:01:49,920 --> 00:01:54,520 Speaker 3: of divided up and sometimes they focus focus on certain characters, 37 00:01:54,880 --> 00:01:59,200 Speaker 3: and I like that they how they focused on this 38 00:01:59,240 --> 00:02:00,680 Speaker 3: particular character had the ball. 39 00:02:01,360 --> 00:02:05,760 Speaker 1: Yeah, it was interesting because from the title, I mean, 40 00:02:05,880 --> 00:02:08,320 Speaker 1: maybe they did this to disguise it, but I didn't 41 00:02:08,320 --> 00:02:13,240 Speaker 1: even think about Emmitt til But then once the episode started, 42 00:02:13,240 --> 00:02:16,320 Speaker 1: I was like, oh Bobo, yes, oh God, like. 43 00:02:16,320 --> 00:02:20,240 Speaker 2: They was asking about him, like ago he coming back? 44 00:02:20,680 --> 00:02:25,840 Speaker 1: So but no, I thought the episode was great. 45 00:02:26,200 --> 00:02:28,080 Speaker 2: It was to me. 46 00:02:28,360 --> 00:02:30,960 Speaker 1: Probably it's weird because I feel like every episode is 47 00:02:31,000 --> 00:02:34,519 Speaker 1: so different, but this was not to me. It was 48 00:02:34,560 --> 00:02:36,160 Speaker 1: this the first time I watched the show in a while, 49 00:02:36,160 --> 00:02:38,320 Speaker 1: and I wasn't like this was even better than the 50 00:02:38,400 --> 00:02:40,000 Speaker 1: last one, Like this is the first one I watched. 51 00:02:40,160 --> 00:02:42,359 Speaker 1: I was like, this was really good. But I think 52 00:02:42,440 --> 00:02:45,600 Speaker 1: my Hippolyta episode, I'm still I think I'm still in 53 00:02:45,600 --> 00:02:46,240 Speaker 1: love with that one. 54 00:02:46,320 --> 00:02:48,800 Speaker 3: I think that's my favorite episode of the entire season, 55 00:02:49,560 --> 00:02:54,560 Speaker 3: and I've enjoyed them all, but I really loved that episode. 56 00:02:54,600 --> 00:02:56,480 Speaker 1: But it's just weird because before that, it felt like 57 00:02:56,560 --> 00:02:59,919 Speaker 1: almost every week a new I was like, this one, 58 00:03:00,160 --> 00:03:02,480 Speaker 1: just the new episode, just the best episode they ever 59 00:03:02,520 --> 00:03:05,800 Speaker 1: did that next week, but this one was good, And 60 00:03:05,880 --> 00:03:07,760 Speaker 1: what I thought was surprising is that it focus so 61 00:03:07,840 --> 00:03:10,639 Speaker 1: much on d but we actually still got a lot 62 00:03:10,639 --> 00:03:15,440 Speaker 1: of other story filled in between it. And it's really 63 00:03:15,440 --> 00:03:18,000 Speaker 1: given the storyline somewhere to go for the last two episodes. 64 00:03:18,040 --> 00:03:22,600 Speaker 1: I believe so, and I feel like all these narrative 65 00:03:22,639 --> 00:03:26,359 Speaker 1: storylines are starting to come together and we're starting to 66 00:03:26,360 --> 00:03:28,880 Speaker 1: get some answers to some questions and stuff. Yes, so 67 00:03:29,240 --> 00:03:32,800 Speaker 1: all right, let's get into the breakdown now. I had 68 00:03:32,800 --> 00:03:35,440 Speaker 1: to break it down into three different kind of segments. 69 00:03:36,280 --> 00:03:39,240 Speaker 1: We got D and Montrosse because it's kind of like 70 00:03:39,320 --> 00:03:40,480 Speaker 1: D and Montrose's story. 71 00:03:40,800 --> 00:03:40,920 Speaker 2: Right. 72 00:03:41,280 --> 00:03:46,360 Speaker 1: Well, then we have Ruby and Christina and Letty and Tick. 73 00:03:46,600 --> 00:03:49,440 Speaker 1: Now they all kind of intermingle into each other's stories 74 00:03:49,440 --> 00:03:50,920 Speaker 1: a little bit. But I kind of broke it down 75 00:03:50,960 --> 00:03:54,119 Speaker 1: as neatly as I could. I guess we can start 76 00:03:54,200 --> 00:03:58,280 Speaker 1: with the shortest one, which is Ruby and Christina and 77 00:03:58,320 --> 00:04:02,400 Speaker 1: they're uh, I don't even though we will call this relationship, Okay, 78 00:04:02,600 --> 00:04:04,600 Speaker 1: I don't know what. Okay, this relationship is a little 79 00:04:04,600 --> 00:04:08,840 Speaker 1: bit of everything. It's swirl, it's all kinds of it's queer, 80 00:04:09,200 --> 00:04:12,280 Speaker 1: it's everything, inter racial. 81 00:04:12,280 --> 00:04:13,320 Speaker 2: Yeah, all in one. 82 00:04:13,840 --> 00:04:15,400 Speaker 1: It's a lot. It's a lot going on. 83 00:04:15,560 --> 00:04:16,839 Speaker 2: It's all the letters. 84 00:04:17,120 --> 00:04:23,800 Speaker 1: Okay. So Ruby uh comes to well, actually, let me think, 85 00:04:23,839 --> 00:04:26,240 Speaker 1: should I do this that way? Yeah? Okay, we'll do this. Yeah. 86 00:04:26,560 --> 00:04:30,360 Speaker 1: So Ruby is coming to the crib William Slash Christina's home, 87 00:04:30,880 --> 00:04:33,240 Speaker 1: and she's trying to get in the gate, drops her keys. 88 00:04:33,279 --> 00:04:36,360 Speaker 1: Some white man from across the street goes full Karen 89 00:04:36,720 --> 00:04:38,400 Speaker 1: and he's like, hey, are. 90 00:04:38,279 --> 00:04:41,000 Speaker 2: You the maid? What you're doing over here? Gal? 91 00:04:41,920 --> 00:04:45,800 Speaker 1: I'm not minding my business. Okay. I feel attacked. I 92 00:04:45,839 --> 00:04:49,920 Speaker 1: feel threatened I'm calling nine one one, and so Ruby 93 00:04:50,080 --> 00:04:53,240 Speaker 1: is like, no, I'm not the damn maid, which in 94 00:04:53,400 --> 00:04:57,560 Speaker 1: nineteen fifties and twenty twenty, a black woman getting an 95 00:04:57,560 --> 00:05:00,640 Speaker 1: attitude with some white man on the street is basically 96 00:05:01,279 --> 00:05:03,960 Speaker 1: calls for that white man to come over there and 97 00:05:04,000 --> 00:05:08,160 Speaker 1: not respect her at all. And so, uh, he gets outraged, 98 00:05:08,200 --> 00:05:10,320 Speaker 1: like like she asked him to wear a mask inside 99 00:05:10,360 --> 00:05:11,400 Speaker 1: of a public come on. 100 00:05:11,720 --> 00:05:14,200 Speaker 2: He was like, fuck that, right, sir. 101 00:05:14,520 --> 00:05:16,680 Speaker 1: Give masks a cover of your nose. What this is 102 00:05:16,720 --> 00:05:19,359 Speaker 1: my freedom front I got. I got a card that 103 00:05:19,400 --> 00:05:21,280 Speaker 1: says it's against my rights. 104 00:05:21,880 --> 00:05:23,360 Speaker 2: Make America game again. 105 00:05:23,680 --> 00:05:27,800 Speaker 1: Right, this is my this is my medical condition. Uh. 106 00:05:27,960 --> 00:05:31,880 Speaker 1: So William pulls up on the white man and gets 107 00:05:31,920 --> 00:05:34,840 Speaker 1: out the car and it's like uh and and he's 108 00:05:34,880 --> 00:05:36,559 Speaker 1: like what seems to be the problem. And the dudes 109 00:05:36,600 --> 00:05:38,800 Speaker 1: like do you know this woman? And he's like, yes, 110 00:05:38,880 --> 00:05:43,080 Speaker 1: I do. And he's like, oh, okay. Well, I was 111 00:05:43,120 --> 00:05:46,000 Speaker 1: worried because on today, which is the day that they 112 00:05:46,080 --> 00:05:50,400 Speaker 1: buried in Mattel, the one of the most infamous days 113 00:05:50,480 --> 00:05:54,560 Speaker 1: in American history, where MADEI Till decided to have an 114 00:05:54,600 --> 00:05:57,320 Speaker 1: open casket funeral for Immet Tel so the world could 115 00:05:57,360 --> 00:06:00,200 Speaker 1: see the damage that they did to her son right 116 00:06:00,320 --> 00:06:06,480 Speaker 1: when they brutalized him. And so you know, obviously Ruby, 117 00:06:06,560 --> 00:06:09,480 Speaker 1: who has come from that event, we'll get to that later, Uh, 118 00:06:10,000 --> 00:06:13,599 Speaker 1: is disheveled, she's heard, she's you know, feeling everything black 119 00:06:13,640 --> 00:06:15,600 Speaker 1: people feel, you know that we feel to this day 120 00:06:15,640 --> 00:06:20,520 Speaker 1: when we see George Floyd's murder, you know, video and 121 00:06:20,720 --> 00:06:24,800 Speaker 1: and and and all those feelings of rage and disappointment 122 00:06:25,000 --> 00:06:27,440 Speaker 1: and and all this stuff. She's feeling all of that. 123 00:06:28,160 --> 00:06:34,000 Speaker 1: And William does notice that she's like like crying and distraught, 124 00:06:34,600 --> 00:06:37,680 Speaker 1: uh to some level, and and like let's go inside, 125 00:06:37,800 --> 00:06:41,640 Speaker 1: you know. And Ruby looks at him and says he 126 00:06:41,760 --> 00:06:45,320 Speaker 1: looked like a monster. And I assume she's talking about 127 00:06:45,520 --> 00:06:48,280 Speaker 1: Emmet telling the clack casket after what they did to 128 00:06:48,400 --> 00:06:52,320 Speaker 1: his body. So they go inside, and this is where 129 00:06:52,320 --> 00:06:55,800 Speaker 1: it gets weird because it's like this weird, really sensual scene, 130 00:06:56,760 --> 00:07:00,719 Speaker 1: like hot bathwater is running from the Golden duck Fawcett. 131 00:07:01,040 --> 00:07:01,200 Speaker 1: You know. 132 00:07:01,600 --> 00:07:03,920 Speaker 3: Yes, it's almost like that's her ritual, you know, because 133 00:07:03,920 --> 00:07:08,320 Speaker 3: when she was over there, William slash Christina kind of 134 00:07:08,360 --> 00:07:11,200 Speaker 3: did that like like that was it's almost like it 135 00:07:11,360 --> 00:07:13,880 Speaker 3: was going there is her place. 136 00:07:13,680 --> 00:07:18,360 Speaker 1: Of escape and so she gets her backwashed in the 137 00:07:18,640 --> 00:07:22,559 Speaker 1: water and stuff from William, and then they they kiss, 138 00:07:22,760 --> 00:07:25,720 Speaker 1: and then Ruby pulls away when they kiss a little bit. 139 00:07:26,200 --> 00:07:29,160 Speaker 1: And then we see Ruby go to the dresser and 140 00:07:29,400 --> 00:07:32,160 Speaker 1: she takes some of the wear car and potion so 141 00:07:32,360 --> 00:07:36,440 Speaker 1: she can uh turn into that white woman. And then 142 00:07:36,520 --> 00:07:39,720 Speaker 1: William starts undressing in the background as Ruby starts to 143 00:07:39,880 --> 00:07:42,920 Speaker 1: change into the white woman, and then we see they 144 00:07:43,040 --> 00:07:46,080 Speaker 1: have sex. And as they have sex, and I guess 145 00:07:46,120 --> 00:07:52,480 Speaker 1: it's Ruby climaxes. She transforms from the wear white woman 146 00:07:52,760 --> 00:07:57,560 Speaker 1: into back in the Ruby, and I look, I don't 147 00:07:57,600 --> 00:07:59,480 Speaker 1: know what section of porn hub that's on, but I 148 00:07:59,560 --> 00:07:59,840 Speaker 1: don't know. 149 00:07:59,880 --> 00:08:02,160 Speaker 2: I've never seen, you know, and I dig far into 150 00:08:02,200 --> 00:08:03,840 Speaker 2: the end ofnet, but I don't think I've got that 151 00:08:03,920 --> 00:08:04,320 Speaker 2: far yet. 152 00:08:04,360 --> 00:08:06,640 Speaker 1: I mean, I'm into it, so, you know, I imagine 153 00:08:06,640 --> 00:08:08,680 Speaker 1: that's what Rachel Dolar's al jacksaw too. I don't know, 154 00:08:08,840 --> 00:08:11,880 Speaker 1: but it's like, you know, let me know the section. 155 00:08:12,840 --> 00:08:15,200 Speaker 1: Is it in ebony, is it in ivory? I don't know. 156 00:08:17,280 --> 00:08:20,080 Speaker 1: And then the other thing, because people are like, how 157 00:08:20,120 --> 00:08:21,960 Speaker 1: could she turn back so quick? I was like, maybe 158 00:08:22,000 --> 00:08:22,720 Speaker 1: she just took a step. 159 00:08:23,320 --> 00:08:26,240 Speaker 3: Not only that, she has transformed several times, and if 160 00:08:26,280 --> 00:08:31,120 Speaker 3: people remember William told her it will be quicker each time, 161 00:08:31,200 --> 00:08:31,960 Speaker 3: like like he would think. 162 00:08:32,120 --> 00:08:34,880 Speaker 1: I think she said it'll get easier. I don't know 163 00:08:35,080 --> 00:08:35,679 Speaker 1: about quicker. 164 00:08:35,679 --> 00:08:37,760 Speaker 2: I'm about quicker, but it'd be easier. So I think 165 00:08:37,800 --> 00:08:39,920 Speaker 2: it's just an easier process now, like. 166 00:08:40,000 --> 00:08:43,600 Speaker 1: Maybe she can turn on her own without yes, without. 167 00:08:43,280 --> 00:08:45,680 Speaker 3: An assistance, Like it's like breaking out of a shell. 168 00:08:45,800 --> 00:08:49,679 Speaker 3: Eventually you'll know how to molt, like I'm almost on 169 00:08:49,840 --> 00:08:51,079 Speaker 3: cue whenever you feel like it. 170 00:08:51,440 --> 00:08:53,679 Speaker 1: Yeah, I thought the one thing I didn't like about 171 00:08:53,720 --> 00:08:55,920 Speaker 1: it because you know, I know people think it was 172 00:08:55,960 --> 00:08:57,800 Speaker 1: gross and all that stuff. I just thought it was 173 00:08:57,880 --> 00:09:00,439 Speaker 1: weird that they had the music over later sounds of 174 00:09:00,520 --> 00:09:02,960 Speaker 1: the sex, because I thought it would have been interesting 175 00:09:03,040 --> 00:09:05,079 Speaker 1: to see when she was a white woman if she 176 00:09:05,200 --> 00:09:05,400 Speaker 1: was like. 177 00:09:05,440 --> 00:09:07,559 Speaker 2: Give me that cock, give me that Oh my god, 178 00:09:07,679 --> 00:09:10,880 Speaker 2: that hard cock. Yeah, that cock. 179 00:09:11,120 --> 00:09:12,839 Speaker 1: You never got to see if that's what she would do, 180 00:09:13,600 --> 00:09:16,240 Speaker 1: you know, like that's an important part of the thing, 181 00:09:16,400 --> 00:09:18,400 Speaker 1: you know, and then reminds one of those and then 182 00:09:18,400 --> 00:09:19,760 Speaker 1: when she changed back to the black people were like, 183 00:09:19,840 --> 00:09:22,679 Speaker 1: oh that dick. Oh, this is some good dick right here, 184 00:09:22,760 --> 00:09:26,080 Speaker 1: you know, but we never got to find out. Sorry, Sorry, buddy, 185 00:09:26,559 --> 00:09:29,920 Speaker 1: Mischa Green ain't want us to know all that, but yeah, 186 00:09:29,960 --> 00:09:33,559 Speaker 1: it was pretty gross, just like just the cleanup of that, 187 00:09:34,360 --> 00:09:37,880 Speaker 1: like that that takes period sex to the next level. Okay, yes, 188 00:09:38,040 --> 00:09:40,959 Speaker 1: it does not enough towels in the room to fix 189 00:09:41,160 --> 00:09:42,680 Speaker 1: what was happening in the post. 190 00:09:43,040 --> 00:09:45,120 Speaker 2: Yeah, you definitely got to lay out of sheet for 191 00:09:45,200 --> 00:09:45,959 Speaker 2: that one. Right. 192 00:09:46,200 --> 00:09:50,959 Speaker 1: So then after they have some uh that freaky sex, 193 00:09:51,520 --> 00:09:54,439 Speaker 1: Christina is on the phone talking to somebody and she's 194 00:09:54,640 --> 00:09:56,520 Speaker 1: orchestrating like, oh, yeah, I'm gonna be there right now, 195 00:09:56,559 --> 00:09:59,200 Speaker 1: I'm about to meet you, blah blah blah. And Ruby 196 00:09:59,280 --> 00:10:02,760 Speaker 1: comes in and she has like a super duper attitude, 197 00:10:02,840 --> 00:10:07,160 Speaker 1: like she is mad, and she's mostly mad because it 198 00:10:07,240 --> 00:10:10,600 Speaker 1: seems like Christina don't care that Emmett till dies. She's 199 00:10:10,640 --> 00:10:12,640 Speaker 1: just going about her day like it's just it's a 200 00:10:12,720 --> 00:10:19,680 Speaker 1: Tuesday or whatever. And she's like describe. Ruby explains to Christina, 201 00:10:20,360 --> 00:10:23,679 Speaker 1: you know, no longer is William the levels on this. 202 00:10:23,880 --> 00:10:27,920 Speaker 1: It's just interesting. It's so interesting. She wasn't really that 203 00:10:28,160 --> 00:10:31,839 Speaker 1: upset with William the white man that she's in a 204 00:10:32,080 --> 00:10:36,520 Speaker 1: kind of quasi relationship, but then this white woman when 205 00:10:36,559 --> 00:10:38,920 Speaker 1: she sees her, it's like almost a visual reaction of like, 206 00:10:39,640 --> 00:10:42,480 Speaker 1: how can you just be okay with this? You know? 207 00:10:42,679 --> 00:10:43,640 Speaker 2: Right? You know what it is. 208 00:10:43,800 --> 00:10:45,600 Speaker 1: It's like how people get mad at the fifty three 209 00:10:45,640 --> 00:10:48,800 Speaker 1: percent quote unquote, but white men just get to be 210 00:10:49,160 --> 00:10:53,200 Speaker 1: pieces of shit and we just accepted. Yeah, it's kind 211 00:10:53,240 --> 00:10:55,000 Speaker 1: of like it was almost like that, like where's your 212 00:10:55,040 --> 00:10:56,200 Speaker 1: empathy as a woman. 213 00:10:56,240 --> 00:11:01,000 Speaker 2: Yes, for this modulized group, right, for your rights too. 214 00:11:01,040 --> 00:11:03,360 Speaker 1: Right, right, And it felt like Christina was just on 215 00:11:03,480 --> 00:11:05,600 Speaker 1: something like, yeah, I don't be worried about that shit. 216 00:11:05,640 --> 00:11:06,040 Speaker 1: That's y'all. 217 00:11:06,080 --> 00:11:08,360 Speaker 2: Shit, I got other plans. 218 00:11:08,720 --> 00:11:11,760 Speaker 1: Yeah, I don't know. It's kind of interesting. And then 219 00:11:11,800 --> 00:11:14,439 Speaker 1: I would imagine too, this discussion that happens. We'll get 220 00:11:14,480 --> 00:11:17,640 Speaker 1: into it, but I would imagine that regardless of gender, 221 00:11:18,720 --> 00:11:23,000 Speaker 1: just race is an albatross and a lot of interracial relationships, 222 00:11:23,200 --> 00:11:26,040 Speaker 1: especially for black people that go through trauma like this 223 00:11:26,280 --> 00:11:29,559 Speaker 1: racially and have partners that are unsupportive. 224 00:11:29,920 --> 00:11:32,360 Speaker 3: You know, Yeah, you feel lonely, you don't know what 225 00:11:32,520 --> 00:11:35,839 Speaker 3: to do, you know, and this kind of reflected that. 226 00:11:36,360 --> 00:11:38,280 Speaker 3: To go back to what you were saying before, But yeah, 227 00:11:38,280 --> 00:11:41,120 Speaker 3: a lot of people deal with that today, Like you said, 228 00:11:41,160 --> 00:11:43,640 Speaker 3: for we don't have high expectations of white men, we 229 00:11:43,840 --> 00:11:46,880 Speaker 3: expect them to be racist, we expect them not to care, 230 00:11:46,960 --> 00:11:49,200 Speaker 3: we expect them to be callous, you know. But when 231 00:11:49,240 --> 00:11:52,160 Speaker 3: it come to white women, a lot of times people 232 00:11:53,000 --> 00:11:55,480 Speaker 3: are looking at them like, y'all out here from some 233 00:11:55,559 --> 00:11:58,040 Speaker 3: of the largest groups fighting for your rights, but you 234 00:11:58,200 --> 00:12:00,360 Speaker 3: don't care about anybody else up put it neath you, 235 00:12:01,120 --> 00:12:03,160 Speaker 3: And a lot of times they don't because of their 236 00:12:03,240 --> 00:12:04,360 Speaker 3: proximity to white men. 237 00:12:05,200 --> 00:12:09,120 Speaker 1: So and in this case Christina's ability to be a 238 00:12:09,200 --> 00:12:14,959 Speaker 1: white man. Yes, so yeah. So they get in this 239 00:12:15,080 --> 00:12:20,439 Speaker 1: conversation where she Christina's like, I'm like, Ruby was like, 240 00:12:20,520 --> 00:12:23,800 Speaker 1: do you even like, do you know that he got killed? 241 00:12:23,840 --> 00:12:27,080 Speaker 1: And do you care? And she was like, I feel 242 00:12:27,120 --> 00:12:30,640 Speaker 1: like you want me to say yes, and the Ruby 243 00:12:30,760 --> 00:12:32,880 Speaker 1: goes I don't want you to say anything. I want 244 00:12:32,920 --> 00:12:37,120 Speaker 1: you to feel what I feel right now. Heartbroke and scared, furious, tired, 245 00:12:37,240 --> 00:12:39,960 Speaker 1: so fucking tired of feeling this way over and over, 246 00:12:40,280 --> 00:12:42,800 Speaker 1: and I want you to feel alone and shameful because 247 00:12:42,880 --> 00:12:46,640 Speaker 1: I'm here feeling this and you feeling this and you 248 00:12:46,720 --> 00:12:49,319 Speaker 1: will never understand. I want you to feel guilty for 249 00:12:49,360 --> 00:12:52,280 Speaker 1: feeling safe next to you and your privilege. I should 250 00:12:52,280 --> 00:12:54,120 Speaker 1: be on the South side with my people morning a 251 00:12:54,160 --> 00:12:56,679 Speaker 1: sweet little boy who was taken from us. You want 252 00:12:56,720 --> 00:12:58,560 Speaker 1: to know why I took that potion because the day 253 00:12:58,600 --> 00:13:00,240 Speaker 1: of all days, I didn't want to be a black 254 00:13:00,280 --> 00:13:03,520 Speaker 1: woman fucking a white man. And I thought this was 255 00:13:03,600 --> 00:13:05,400 Speaker 1: interesting because I felt like a lot of what she 256 00:13:05,559 --> 00:13:08,079 Speaker 1: was saying was how just how she felt. It's basically, 257 00:13:08,160 --> 00:13:09,720 Speaker 1: I want you to feel how I feel right now. 258 00:13:09,920 --> 00:13:13,439 Speaker 1: I feel ashamed that I'm here basking in your privilege 259 00:13:13,520 --> 00:13:17,280 Speaker 1: and protection and my family is going through it. My 260 00:13:17,480 --> 00:13:20,160 Speaker 1: niece is going through it essentially or Nisse and law 261 00:13:20,360 --> 00:13:23,079 Speaker 1: know how you put that, But like, and I'm over 262 00:13:23,240 --> 00:13:27,640 Speaker 1: here just like I'm choosing myself over everyone else right now, 263 00:13:27,800 --> 00:13:31,040 Speaker 1: my comfort and I feel guilty about that. And then 264 00:13:31,120 --> 00:13:33,839 Speaker 1: you don't even like, you can't even relate, you don't 265 00:13:33,880 --> 00:13:38,640 Speaker 1: even acknowledge it. And Christina just goes no, and Ruby's 266 00:13:38,679 --> 00:13:41,120 Speaker 1: like what, It's just like, No, I don't care about 267 00:13:41,160 --> 00:13:44,480 Speaker 1: im Mattel, I don't care about Roy Bryant or JW. Millum, 268 00:13:44,760 --> 00:13:46,760 Speaker 1: who will never see justice for what they did. I 269 00:13:46,840 --> 00:13:48,520 Speaker 1: don't care that half of the city's on the brink 270 00:13:48,600 --> 00:13:50,720 Speaker 1: because of it. And I don't think that you really 271 00:13:50,760 --> 00:13:51,240 Speaker 1: do either. 272 00:13:53,080 --> 00:13:59,199 Speaker 3: And for me, that was bars because a lot of 273 00:13:59,240 --> 00:14:01,040 Speaker 3: white people feel that, but they don't want to come 274 00:14:01,080 --> 00:14:03,480 Speaker 3: out and say that. Like you could go through the 275 00:14:03,559 --> 00:14:06,959 Speaker 3: list of names of today and and the people that 276 00:14:07,040 --> 00:14:10,040 Speaker 3: have died today, and a lot of them feel that way, 277 00:14:10,280 --> 00:14:13,040 Speaker 3: but they won't come out and say that's how they feel. 278 00:14:15,200 --> 00:14:19,400 Speaker 3: And it's one of those things to where I feel 279 00:14:19,440 --> 00:14:24,200 Speaker 3: like Christina basically was saying kind of calling her out 280 00:14:24,320 --> 00:14:25,680 Speaker 3: on her shit, not trying to be funny, because like, 281 00:14:25,720 --> 00:14:28,080 Speaker 3: if you care, why you here, like like like and 282 00:14:28,200 --> 00:14:29,440 Speaker 3: you know, I know people don't want to hear that, 283 00:14:29,520 --> 00:14:30,120 Speaker 3: but that's the truth. 284 00:14:30,200 --> 00:14:33,040 Speaker 2: Like you're over here with me if it meant that 285 00:14:33,280 --> 00:14:37,280 Speaker 2: much to you. You you had the option of staying 286 00:14:37,320 --> 00:14:39,800 Speaker 2: with your people, but you chose to come over here 287 00:14:39,880 --> 00:14:42,800 Speaker 2: for a reason. So don't pin this all on me, 288 00:14:43,280 --> 00:14:46,600 Speaker 2: Like it's all it's all me, you know. And it's 289 00:14:46,640 --> 00:14:48,880 Speaker 2: one of these things where I like the fact that 290 00:14:48,960 --> 00:14:51,880 Speaker 2: the character embraced her fucked upness, and I like she 291 00:14:52,000 --> 00:14:54,040 Speaker 2: was like, bitch, I got a mission. I got a 292 00:14:54,120 --> 00:14:55,880 Speaker 2: mission that I'm all like, she's not trying to hide 293 00:14:55,880 --> 00:14:58,480 Speaker 2: a mission. She's not. She's like, look, I'm trying to 294 00:14:58,520 --> 00:15:02,120 Speaker 2: do shit. This other shit I don't care nothing about it. 295 00:15:03,480 --> 00:15:09,120 Speaker 1: Yeah, it's interesting because we know Christina seduced William when 296 00:15:09,200 --> 00:15:11,120 Speaker 1: he was alive. We never get to see that relationship, 297 00:15:11,280 --> 00:15:13,840 Speaker 1: but she admits to it. And it's obvious to me 298 00:15:13,960 --> 00:15:15,960 Speaker 1: that a lot of what she's doing with Ruby is 299 00:15:16,080 --> 00:15:19,240 Speaker 1: a seduction type thing, where it's like, I need you 300 00:15:19,360 --> 00:15:22,800 Speaker 1: to I need you as an asset, and so if 301 00:15:23,440 --> 00:15:26,920 Speaker 1: sleeping with you is gonna be part of kind of 302 00:15:26,960 --> 00:15:28,560 Speaker 1: getting you to do the things I want you to do, 303 00:15:28,840 --> 00:15:32,040 Speaker 1: then I'm gonna do that. And I think she hasn't 304 00:15:32,080 --> 00:15:35,400 Speaker 1: even been like coy about it. I don't think Christina 305 00:15:35,440 --> 00:15:37,760 Speaker 1: even pretends around the shit. One of the things I 306 00:15:37,840 --> 00:15:41,240 Speaker 1: actually like about Christina is that she seems to know 307 00:15:41,320 --> 00:15:43,280 Speaker 1: who she is and what she wants and she just 308 00:15:43,400 --> 00:15:47,040 Speaker 1: doesn't like she doesn't give a fuck. Her goal and 309 00:15:47,160 --> 00:15:50,920 Speaker 1: her pictures are much bigger than anything going on right now. 310 00:15:51,400 --> 00:15:55,560 Speaker 2: Yeah, she's not out here like a little finger. 311 00:15:55,640 --> 00:15:58,200 Speaker 3: If that makes like little finger, this shit behind the scenes, 312 00:15:58,840 --> 00:16:00,560 Speaker 3: and you know it's one of the I mean not 313 00:16:00,720 --> 00:16:03,280 Speaker 3: just she doesn't do things behind the scenes, but it's 314 00:16:03,320 --> 00:16:05,680 Speaker 3: one of those things where if push come to shove, 315 00:16:06,080 --> 00:16:08,600 Speaker 3: she won't hide what she's trying to do. She's like, look, 316 00:16:08,640 --> 00:16:09,560 Speaker 3: this is what I'm trying to do. 317 00:16:10,040 --> 00:16:12,480 Speaker 1: I just think she tells people what she needs them 318 00:16:12,520 --> 00:16:14,880 Speaker 1: to know. But there's just something about the fact that 319 00:16:15,280 --> 00:16:19,200 Speaker 1: she doesn't really even pretend to, Like she tells people like, 320 00:16:19,320 --> 00:16:21,680 Speaker 1: this is what I'm after. Can you help me get 321 00:16:21,680 --> 00:16:23,280 Speaker 1: it or not? And if you help me get it out, 322 00:16:23,360 --> 00:16:26,080 Speaker 1: try to give you something you want. But nothing comes 323 00:16:26,120 --> 00:16:28,960 Speaker 1: before my goal of getting power. And there's something about 324 00:16:29,040 --> 00:16:33,640 Speaker 1: that in this show that is different where it's just like, oh, 325 00:16:33,680 --> 00:16:36,000 Speaker 1: a person that will admit what they want. It doesn't 326 00:16:36,000 --> 00:16:39,400 Speaker 1: make her a good person, obviously, but there's something refreshing 327 00:16:39,400 --> 00:16:42,000 Speaker 1: about that character where it's just a lot less like, well, 328 00:16:42,000 --> 00:16:44,480 Speaker 1: what does she really want? And maybe there's something she 329 00:16:44,640 --> 00:16:48,440 Speaker 1: does want beyond what she will tell them, But there 330 00:16:48,560 --> 00:16:50,720 Speaker 1: is something about the fact that she really was like 331 00:16:51,120 --> 00:16:55,080 Speaker 1: nah and then called Ruby on her shit by being like, yeah, 332 00:16:55,240 --> 00:16:58,840 Speaker 1: I don't even think that's what you want. And when 333 00:16:59,520 --> 00:17:03,000 Speaker 1: we will have having sex, you talked about you know, 334 00:17:03,240 --> 00:17:05,600 Speaker 1: She was like, when I like pain, you talked about 335 00:17:05,680 --> 00:17:09,240 Speaker 1: being it felt like being unmade when you transformed. But 336 00:17:09,440 --> 00:17:11,119 Speaker 1: when we were having sex, when I was fucking you, 337 00:17:11,240 --> 00:17:14,160 Speaker 1: I saw someone being reborn. You took that postion because 338 00:17:14,200 --> 00:17:15,960 Speaker 1: you wanted to hide from the fact that even on 339 00:17:16,080 --> 00:17:18,920 Speaker 1: a day today, of all days, you were a woman 340 00:17:18,960 --> 00:17:25,000 Speaker 1: who wanted what she wanted, which was like like, and 341 00:17:25,119 --> 00:17:30,520 Speaker 1: my thing is, if Ruby felt that that was unfair 342 00:17:31,040 --> 00:17:33,479 Speaker 1: or not true, I feel like Ruby should have got 343 00:17:33,520 --> 00:17:37,359 Speaker 1: her shit left and not come back. And the fact 344 00:17:37,440 --> 00:17:40,600 Speaker 1: that it like she was kind of just sitting there stunned, 345 00:17:40,640 --> 00:17:43,160 Speaker 1: like you called me on my shit, kind of made 346 00:17:43,200 --> 00:17:46,000 Speaker 1: me think, like, you know, that's a lot of that 347 00:17:46,160 --> 00:17:47,200 Speaker 1: was true for Ruby. 348 00:17:47,359 --> 00:17:50,480 Speaker 3: Yeah, because it was her way of escaping, Like she 349 00:17:50,640 --> 00:17:53,760 Speaker 3: could literally opt out of blackness if she wanted to, 350 00:17:54,040 --> 00:17:56,320 Speaker 3: like literally just never if she. 351 00:17:56,400 --> 00:17:59,840 Speaker 2: Wanted to disappear, she could literally disappear and nobody would 352 00:18:00,040 --> 00:18:00,480 Speaker 2: ever know. 353 00:18:00,600 --> 00:18:02,600 Speaker 3: They'd be like, damn, she just left and nobody ever 354 00:18:02,680 --> 00:18:05,280 Speaker 3: heard from her again, you know, And she could just 355 00:18:05,480 --> 00:18:08,200 Speaker 3: bask in that whiteness because she's had a taste of it. 356 00:18:08,960 --> 00:18:11,760 Speaker 3: And I always said, whiteness is a hell of a drug, 357 00:18:12,000 --> 00:18:14,640 Speaker 3: and if you never had the drug, you don't understand 358 00:18:14,720 --> 00:18:19,440 Speaker 3: the allure and the addiction to it. And I think 359 00:18:19,560 --> 00:18:24,720 Speaker 3: that with Christina and Ruby, it's a very interesting thing, 360 00:18:24,920 --> 00:18:28,960 Speaker 3: particularly with Christina, for the fact that they rarely make 361 00:18:29,200 --> 00:18:32,440 Speaker 3: women like Christina because normally Christina roll would have been 362 00:18:32,520 --> 00:18:34,880 Speaker 3: strictly played by man, because I know they're going back 363 00:18:34,880 --> 00:18:37,240 Speaker 3: and forth, but that role would have been played by 364 00:18:37,359 --> 00:18:40,240 Speaker 3: man straightforward, you know, not beating around a bush. 365 00:18:41,200 --> 00:18:43,879 Speaker 2: I'm scheming. You know, I'm scheming. Everybody know I'm scheming, 366 00:18:43,920 --> 00:18:46,000 Speaker 2: you know type of thing. And so I like the 367 00:18:46,040 --> 00:18:48,439 Speaker 2: fact that they have a woman doing it. Very cold, 368 00:18:48,680 --> 00:18:51,920 Speaker 2: very callous, very calculated, you know know what they want. 369 00:18:52,040 --> 00:18:55,280 Speaker 2: Ain't ain't really hit for your bullshit, you know, almost 370 00:18:55,440 --> 00:18:59,960 Speaker 2: like mapping out the board almost like it's like Christina 371 00:19:00,119 --> 00:19:02,920 Speaker 2: almost knows everybody's move before they make it, like like 372 00:19:03,080 --> 00:19:05,359 Speaker 2: like her mind kind of ticks like that. And so 373 00:19:05,640 --> 00:19:07,199 Speaker 2: I really enjoyed that about her. 374 00:19:08,640 --> 00:19:11,879 Speaker 1: Yeah, she's extremely ambitious, and it's very rare that a 375 00:19:11,960 --> 00:19:14,840 Speaker 1: black woman comes into his face what she is going 376 00:19:14,920 --> 00:19:28,720 Speaker 1: off and a white woman class back. You normally don't 377 00:19:28,760 --> 00:19:31,760 Speaker 1: get that, not not not in the like I normally 378 00:19:31,920 --> 00:19:33,680 Speaker 1: black woman reads you fl filth and then it's like, 379 00:19:33,800 --> 00:19:37,879 Speaker 1: well you got me. I'm a terrible person. And uh 380 00:19:38,160 --> 00:19:41,720 Speaker 1: it's hard to It's like talking to somebody that's what 381 00:19:41,880 --> 00:19:44,119 Speaker 1: is it October seventh. It's like talking to somebody on 382 00:19:44,200 --> 00:19:47,560 Speaker 1: October seventh that says, uh, I'm just not gonna vote. 383 00:19:48,359 --> 00:19:51,359 Speaker 1: You know, like, at this point, they know they're a 384 00:19:51,440 --> 00:19:54,200 Speaker 1: terrible person, so it's nothing you can say that will 385 00:19:54,240 --> 00:19:56,159 Speaker 1: change their mind because as far as they're concerned, they're like, 386 00:19:56,160 --> 00:19:59,080 Speaker 1: I'm gonna just be terrible. I don't actually care about 387 00:19:59,160 --> 00:20:01,520 Speaker 1: being a good person. And that's kind of what Christina did, 388 00:20:01,680 --> 00:20:04,680 Speaker 1: was like, yeah, not only that, but I don't really 389 00:20:04,720 --> 00:20:06,679 Speaker 1: think you're a good person. You you kind of here 390 00:20:06,880 --> 00:20:10,399 Speaker 1: for the same shit. And and it's weird because at 391 00:20:10,440 --> 00:20:16,320 Speaker 1: that intersection that Ruby existed where uh and I you know, 392 00:20:16,359 --> 00:20:18,639 Speaker 1: and I said this when it happened, but Ruby's dreams 393 00:20:18,680 --> 00:20:22,359 Speaker 1: were so small even when she had access to magic. 394 00:20:22,440 --> 00:20:26,160 Speaker 1: This nigga hadn't got a job as n right now. 395 00:20:26,320 --> 00:20:28,760 Speaker 1: For black life in the fifties, that was the dream, 396 00:20:29,000 --> 00:20:31,959 Speaker 1: come on, that was the goal. But it's like, magic 397 00:20:32,080 --> 00:20:36,880 Speaker 1: is supposed to give you an like and uh, it's 398 00:20:36,880 --> 00:20:39,879 Speaker 1: supposed to give you this expanding view. It's almost like 399 00:20:40,520 --> 00:20:43,840 Speaker 1: the Hippolyta episode was so good because it expanded into 400 00:20:44,040 --> 00:20:47,359 Speaker 1: infinity and we were like, she could do anything. And 401 00:20:47,720 --> 00:20:50,000 Speaker 1: it's something about that that that is so alluring to 402 00:20:50,080 --> 00:20:51,840 Speaker 1: the point where y'all didn't want her to come back 403 00:20:51,880 --> 00:20:54,720 Speaker 1: and even take care of her daughter, like y'all was 404 00:20:54,800 --> 00:20:59,800 Speaker 1: like fuck D. So I like, I feel like Ruby's 405 00:20:59,840 --> 00:21:04,320 Speaker 1: dream was so small, and now Christina and her ambition 406 00:21:05,080 --> 00:21:08,240 Speaker 1: is showing Ruby there's a world beyond the ship you're 407 00:21:08,240 --> 00:21:09,000 Speaker 1: talking about. 408 00:21:09,119 --> 00:21:11,520 Speaker 3: And I think, in my prediction was gonna be really 409 00:21:11,560 --> 00:21:14,480 Speaker 3: really dangerous, like what she kind of completely embraces it. 410 00:21:15,200 --> 00:21:18,600 Speaker 3: And you know, because the fus Christina, cause she's like, 411 00:21:18,640 --> 00:21:21,119 Speaker 3: she look like you bullshit and like, holl that mean 412 00:21:21,160 --> 00:21:22,720 Speaker 3: when you get serious about the shit you want. 413 00:21:22,600 --> 00:21:24,000 Speaker 2: To do, so we can do something right. 414 00:21:24,280 --> 00:21:29,200 Speaker 1: And of course I don't know if it's even possible 415 00:21:29,359 --> 00:21:33,480 Speaker 1: to know if Christina truly has feelings for Ruby. But 416 00:21:34,040 --> 00:21:37,280 Speaker 1: the next time we see Christina, well in the in 417 00:21:37,440 --> 00:21:40,760 Speaker 1: this saga, she's at a peer and there's some white 418 00:21:40,800 --> 00:21:45,280 Speaker 1: men with her and they bring a gin a cotton 419 00:21:45,359 --> 00:21:49,600 Speaker 1: gin wheel, some barbed wires that was a cotton gin 420 00:21:49,680 --> 00:21:54,159 Speaker 1: wheel okay uh, and some barbed wire and stuff and 421 00:21:54,440 --> 00:21:56,800 Speaker 1: they're like, nobody ever paid us to do this? You sure? 422 00:21:56,920 --> 00:22:00,240 Speaker 1: She's like yes, and she does a little chance, takes 423 00:22:00,240 --> 00:22:03,320 Speaker 1: her invulnerability spell off of her for a second, and 424 00:22:03,560 --> 00:22:07,200 Speaker 1: then the men beat her to death. Basically the same 425 00:22:07,240 --> 00:22:10,199 Speaker 1: way Emmitt Tel died beating her. They shoot her, they 426 00:22:10,280 --> 00:22:12,359 Speaker 1: do the barbier around her neck, they throw in the 427 00:22:12,480 --> 00:22:18,560 Speaker 1: river with the cotton galls. Yeah, it was so interesting 428 00:22:18,640 --> 00:22:21,080 Speaker 1: a choice for the directors and stuff, because you're essentially 429 00:22:21,240 --> 00:22:24,560 Speaker 1: doing the violence that happened to Emmet Tell to a 430 00:22:24,680 --> 00:22:27,840 Speaker 1: white woman, and in a weird way, I think that 431 00:22:28,200 --> 00:22:30,359 Speaker 1: made and I hate to say it this way, but 432 00:22:31,280 --> 00:22:33,720 Speaker 1: I think it made it less triggering for black people 433 00:22:34,480 --> 00:22:37,240 Speaker 1: because you didn't really see a lot of like people 434 00:22:37,480 --> 00:22:40,040 Speaker 1: mad at this episode. They triggered me, they you know. 435 00:22:40,200 --> 00:22:42,199 Speaker 1: But if they would have done that too, if they 436 00:22:42,200 --> 00:22:45,040 Speaker 1: would have shown how Immet Til died, I'm not saying 437 00:22:45,160 --> 00:22:47,160 Speaker 1: people would have not watched or something, but there would 438 00:22:47,160 --> 00:22:48,959 Speaker 1: have been a contingent of people that were like very 439 00:22:49,040 --> 00:22:51,520 Speaker 1: upset with the show and nothing's worth showing that and 440 00:22:51,560 --> 00:22:53,760 Speaker 1: all the stuff. But somehow doing that same thing to 441 00:22:53,880 --> 00:22:58,600 Speaker 1: that white woman, which was still brutal, was it somehow 442 00:22:58,720 --> 00:23:01,520 Speaker 1: made it like, even though it's functional for the story 443 00:23:01,560 --> 00:23:04,480 Speaker 1: and stuff, it made it like visually where you were like, 444 00:23:04,760 --> 00:23:07,520 Speaker 1: it's just enough distance between what they did to Emmite 445 00:23:08,160 --> 00:23:13,480 Speaker 1: to say like they're not truly using black death as 446 00:23:13,560 --> 00:23:16,480 Speaker 1: a like as a hammer and like they're kind of 447 00:23:16,600 --> 00:23:19,840 Speaker 1: doing it like this like message, you know what I mean. 448 00:23:20,440 --> 00:23:22,679 Speaker 1: And then the other part I thought was interesting too, 449 00:23:23,040 --> 00:23:27,520 Speaker 1: was them doing that to her was clearly about her 450 00:23:27,680 --> 00:23:32,080 Speaker 1: having some level of what Ruby said got to her 451 00:23:32,160 --> 00:23:34,000 Speaker 1: as much as what she said got to Ruby. 452 00:23:34,760 --> 00:23:36,800 Speaker 3: Yeah, yeah, like like like, And it's one of those 453 00:23:36,840 --> 00:23:40,080 Speaker 3: things where you don't know where the lines are blurred 454 00:23:40,200 --> 00:23:42,959 Speaker 3: between both of them, right, So it may be one 455 00:23:42,960 --> 00:23:46,600 Speaker 3: of those things where they both maybe using each other, 456 00:23:46,720 --> 00:23:48,879 Speaker 3: they both maybe using each other and have feelings for 457 00:23:48,920 --> 00:23:51,040 Speaker 3: each other at the same time. So it could be 458 00:23:51,080 --> 00:23:54,119 Speaker 3: a little mixture of everything across the board with that, 459 00:23:54,880 --> 00:23:59,000 Speaker 3: And so I understand that. And so for me, and 460 00:23:59,119 --> 00:24:00,879 Speaker 3: I don't mean to sound ignore when I say this, 461 00:24:01,520 --> 00:24:04,720 Speaker 3: but I never really read up on how Emmitt till died. 462 00:24:04,760 --> 00:24:07,160 Speaker 2: I just knew. I just know the history that he died. 463 00:24:07,520 --> 00:24:09,920 Speaker 2: So for me, I was watching it going, oh, my gosh, 464 00:24:10,400 --> 00:24:13,520 Speaker 2: this is terrible. And when Roger said it, I was like, oh, 465 00:24:13,840 --> 00:24:15,600 Speaker 2: this makes more sense now. 466 00:24:16,600 --> 00:24:21,600 Speaker 3: How he you know, I'm gonna say it it was 467 00:24:21,680 --> 00:24:24,400 Speaker 3: so brutal, Yeah, you know, because I knew it was brutal. 468 00:24:24,480 --> 00:24:26,320 Speaker 3: But it's one of those things because I change fund, 469 00:24:26,480 --> 00:24:29,399 Speaker 3: just just lack of not knowing and and just not 470 00:24:29,840 --> 00:24:30,720 Speaker 3: reading up on it. 471 00:24:30,920 --> 00:24:33,000 Speaker 2: You know, some people knew, Okay, great, you knew, but 472 00:24:33,080 --> 00:24:33,840 Speaker 2: I know I didn't. 473 00:24:33,920 --> 00:24:36,600 Speaker 1: So for me it was like, oh my gosh, that 474 00:24:37,000 --> 00:24:39,240 Speaker 1: And honestly it's not even as brutal as what happened 475 00:24:39,280 --> 00:24:41,840 Speaker 1: to him, like it was actually worse than that. It 476 00:24:42,240 --> 00:24:45,160 Speaker 1: took a lot longer. They used all kinds of blunt 477 00:24:45,200 --> 00:24:48,720 Speaker 1: force instruments to put trauma to his face, a bunch 478 00:24:48,800 --> 00:24:53,040 Speaker 1: of stuff, and they questioned him and tortured them and 479 00:24:53,080 --> 00:24:57,359 Speaker 1: stuff like this too. For a I want, I mean, 480 00:24:57,400 --> 00:24:59,399 Speaker 1: there's no such thing as a quoe unquote good depiction. 481 00:25:00,200 --> 00:25:02,639 Speaker 1: I mean, if you're listening to this and you know, 482 00:25:03,240 --> 00:25:07,000 Speaker 1: you know your sensibility, so don't you know, don't don't 483 00:25:07,119 --> 00:25:08,800 Speaker 1: don't go watch this if you don't want to. But 484 00:25:09,760 --> 00:25:14,000 Speaker 1: I want to say, ironically, Tells from the Hood Too, 485 00:25:14,720 --> 00:25:18,159 Speaker 1: which is on Netflix, and it's not very good, but 486 00:25:18,640 --> 00:25:20,920 Speaker 1: it's not I told y'all, man, I kind of fuck 487 00:25:20,960 --> 00:25:23,159 Speaker 1: with a lot of Black history stuff, and Tells from 488 00:25:23,200 --> 00:25:26,560 Speaker 1: the Hood one is so good to me. Oh my god, 489 00:25:26,880 --> 00:25:29,600 Speaker 1: Tells from the Hood One is literally one of my 490 00:25:29,720 --> 00:25:33,960 Speaker 1: favorite movies of all time. I know most of the lines. Okay, oh, 491 00:25:34,760 --> 00:25:39,119 Speaker 1: Clarience Williams. The third a performance. You want the shit? Yes, 492 00:25:39,920 --> 00:25:44,560 Speaker 1: the shit like that. This ain't no anyway, y'all. I'm 493 00:25:44,600 --> 00:25:47,560 Speaker 1: just saying, y'all should check that shit out if y'all 494 00:25:47,640 --> 00:25:50,520 Speaker 1: into it. That's one of my favorite fucking movies of 495 00:25:50,640 --> 00:25:53,520 Speaker 1: all time. But the sequel has Keith David in, another 496 00:25:53,760 --> 00:25:58,560 Speaker 1: iconic black actor, but it's not as iconic a movie. 497 00:25:59,240 --> 00:25:59,919 Speaker 2: But the. 498 00:26:01,600 --> 00:26:05,639 Speaker 1: The depiction of how Immit Til died is in that movie, 499 00:26:05,760 --> 00:26:07,879 Speaker 1: and it happens in one of the stories, because you know, 500 00:26:07,960 --> 00:26:10,080 Speaker 1: it's like a it's a bunch of stories in each 501 00:26:10,280 --> 00:26:14,639 Speaker 1: like each each chapter of the movie is a different story. 502 00:26:14,960 --> 00:26:17,840 Speaker 1: And one of the stories is this black Republican coloon 503 00:26:17,960 --> 00:26:22,840 Speaker 1: politician and he's like trying to he's like really smoothing 504 00:26:22,920 --> 00:26:25,800 Speaker 1: up to white Republicans and trying to help them like 505 00:26:25,960 --> 00:26:29,919 Speaker 1: erase the like some race laws against racism and stuff. 506 00:26:30,359 --> 00:26:33,600 Speaker 1: And someone either puts a curse on him or something, 507 00:26:33,680 --> 00:26:36,920 Speaker 1: and he has to relive some of the racist moments 508 00:26:37,000 --> 00:26:39,160 Speaker 1: in US history, and one of them is him reliving 509 00:26:39,200 --> 00:26:42,480 Speaker 1: what happened to Emmett tel And so that's one where 510 00:26:42,480 --> 00:26:44,800 Speaker 1: you see, like, oh, these are the things they did 511 00:26:44,880 --> 00:26:48,040 Speaker 1: to that little boy, and then you're like, oh my god, 512 00:26:48,280 --> 00:26:50,200 Speaker 1: this is like how terrible was this? So, just in 513 00:26:50,280 --> 00:26:52,200 Speaker 1: case you haven't read on it and you want to 514 00:26:52,200 --> 00:26:54,680 Speaker 1: see it, it is kind of a comedy quote unquote, 515 00:26:54,720 --> 00:26:57,280 Speaker 1: but it's a comedy based on a lot. It's a comedy. 516 00:26:57,359 --> 00:27:00,359 Speaker 1: It's horror comedy. So some of us, honey, some of 517 00:27:00,440 --> 00:27:04,160 Speaker 1: us just fucked up, but it is actually educational anyway. 518 00:27:04,359 --> 00:27:07,560 Speaker 1: That's a big tangent to say. Uh, Christina comes out 519 00:27:07,600 --> 00:27:10,240 Speaker 1: of the water at the being thrown in there because 520 00:27:10,280 --> 00:27:14,480 Speaker 1: I guess her invincibilities fail, pops back on, she heals herself, 521 00:27:15,920 --> 00:27:20,200 Speaker 1: and then she's lying on the pier and she's sobbing 522 00:27:21,160 --> 00:27:26,320 Speaker 1: and crying and laughing almost at the same time. Like 523 00:27:26,720 --> 00:27:31,800 Speaker 1: she it's like, uh, like, it's like she's just fucked up, 524 00:27:32,080 --> 00:27:34,440 Speaker 1: you know, she's feeling everything at the same time. But 525 00:27:35,080 --> 00:27:38,920 Speaker 1: a lot of it was definitely pain trauma because she's 526 00:27:39,000 --> 00:27:43,760 Speaker 1: realizing now the emotions she and stuff you go through 527 00:27:44,280 --> 00:27:48,840 Speaker 1: dying a horrible traumatic death like that, And honestly, I 528 00:27:48,920 --> 00:27:50,600 Speaker 1: don't know what you do with that, Like, I don't 529 00:27:50,640 --> 00:27:55,040 Speaker 1: know if this is Christina's awakening to Okay, I do 530 00:27:55,600 --> 00:28:01,080 Speaker 1: understand why you feel this way or think or if 531 00:28:01,119 --> 00:28:03,679 Speaker 1: that's her yeah, you know, like I don't know if 532 00:28:03,720 --> 00:28:06,159 Speaker 1: that's going to change her relationship to Ruby, if that's 533 00:28:06,200 --> 00:28:09,639 Speaker 1: gonna change her relationship towards Tick and Letty and all 534 00:28:09,720 --> 00:28:12,119 Speaker 1: these other people, or if that's just like Okay, I 535 00:28:12,240 --> 00:28:14,600 Speaker 1: experienced that almost like a robot or a cyborg like 536 00:28:15,000 --> 00:28:17,240 Speaker 1: and now I know how that feels. All right, So 537 00:28:17,720 --> 00:28:20,879 Speaker 1: back to my plan, you know, because that I believe 538 00:28:21,000 --> 00:28:23,800 Speaker 1: is the last time we see her in this episode. 539 00:28:24,080 --> 00:28:28,080 Speaker 1: So if that changes anything for her plans, would that 540 00:28:28,160 --> 00:28:33,480 Speaker 1: would be interesting? Yeah? Yeah, so but yeah, it'll it'll be. 541 00:28:33,560 --> 00:28:35,280 Speaker 1: And then the other thing I thought was really deep 542 00:28:35,320 --> 00:28:38,920 Speaker 1: about it, Not to get too deep, but it just 543 00:28:39,040 --> 00:28:43,720 Speaker 1: reminded me like how many black people, And this happens 544 00:28:43,760 --> 00:28:45,040 Speaker 1: all the time we talk about on the show all 545 00:28:45,080 --> 00:28:49,000 Speaker 1: the time. Black people want white people to feel something 546 00:28:49,880 --> 00:28:53,480 Speaker 1: for our oppression. Yes, in a lot of cases, it's 547 00:28:53,560 --> 00:28:56,920 Speaker 1: something they can't feel, agreed, And I don't know that 548 00:28:57,360 --> 00:29:00,240 Speaker 1: black people understand that. And there's something that we have 549 00:29:00,400 --> 00:29:05,040 Speaker 1: in us that even if they could broach enough empathy 550 00:29:05,520 --> 00:29:09,640 Speaker 1: to relate, we have something in us because of what 551 00:29:09,760 --> 00:29:13,800 Speaker 1: we've experienced that we would not want that. We were 552 00:29:13,920 --> 00:29:16,480 Speaker 1: actually push back on that and go no no, no, no, no, 553 00:29:16,520 --> 00:29:19,280 Speaker 1: no no, don't get too close. You're getting too familiar. 554 00:29:19,600 --> 00:29:21,880 Speaker 1: You didn't go through this idea. You see what I'm saying, 555 00:29:22,520 --> 00:29:24,720 Speaker 1: which is totally valid. These are not critiques of us. 556 00:29:24,840 --> 00:29:27,400 Speaker 1: This is but this is something I've found as we've 557 00:29:27,480 --> 00:29:30,360 Speaker 1: talked about race for ten years on the show, is 558 00:29:30,400 --> 00:29:34,800 Speaker 1: that you get to this this threshold where white people 559 00:29:34,880 --> 00:29:37,600 Speaker 1: try to approach and then we shit on them kind 560 00:29:37,640 --> 00:29:40,320 Speaker 1: of and it becomes part of what they do, you know, 561 00:29:40,480 --> 00:29:45,960 Speaker 1: whether it be whether it be Tim White or fucking 562 00:29:46,080 --> 00:29:48,320 Speaker 1: Sam Wise or whatever, you know, like and a lot 563 00:29:48,360 --> 00:29:50,960 Speaker 1: of it's coming from pain, all of it. It's train 564 00:29:51,040 --> 00:29:54,120 Speaker 1: and trauma like it's it stains both sides of it, 565 00:29:54,240 --> 00:29:58,720 Speaker 1: even if only one side truly experiences the brutality of 566 00:29:58,840 --> 00:30:02,000 Speaker 1: it the other. To be brutal to someone you have 567 00:30:02,120 --> 00:30:06,080 Speaker 1: done something to yourself, you know. And so it's interesting 568 00:30:06,160 --> 00:30:09,840 Speaker 1: because we kind of resent them for even trying, but 569 00:30:10,040 --> 00:30:13,000 Speaker 1: then we know we can't even fix this without them 570 00:30:13,160 --> 00:30:17,280 Speaker 1: having some level of understanding. And what Christina, when Christina 571 00:30:17,400 --> 00:30:21,600 Speaker 1: did not even care earlier, that was my thing that 572 00:30:21,680 --> 00:30:23,360 Speaker 1: I bring up on this show all the time. Where 573 00:30:23,360 --> 00:30:28,360 Speaker 1: I'm like, that is worse to me than being overtly 574 00:30:28,520 --> 00:30:32,080 Speaker 1: like racist, like fuck niggers, I hate them. That's one 575 00:30:32,120 --> 00:30:35,280 Speaker 1: type of fucked up. Yes, But what's real fucked up 576 00:30:35,560 --> 00:30:37,800 Speaker 1: is I see what's happening to you. I don't give 577 00:30:38,040 --> 00:30:38,920 Speaker 1: that's nothing to do with me. 578 00:30:38,960 --> 00:30:39,600 Speaker 2: I ain't got nothing. 579 00:30:39,760 --> 00:30:41,520 Speaker 1: But she literally said she didn't even care that the 580 00:30:41,560 --> 00:30:44,200 Speaker 1: white men wouldn't get justice, like they wouldn't even go 581 00:30:44,240 --> 00:30:47,920 Speaker 1: to jail. She was like, I literally ate pancakes fucked 582 00:30:47,960 --> 00:30:49,520 Speaker 1: you this morning and were about to go out the 583 00:30:49,560 --> 00:30:52,360 Speaker 1: house to a meeting. I don't care, you know what 584 00:30:52,440 --> 00:30:52,720 Speaker 1: I mean. 585 00:30:52,880 --> 00:30:56,040 Speaker 3: My life don't change, and that that's what people go 586 00:30:56,560 --> 00:30:59,360 Speaker 3: And that's the point, because your life is not directly 587 00:30:59,520 --> 00:31:01,960 Speaker 3: impacted by it, so you don't care. 588 00:31:02,960 --> 00:31:05,800 Speaker 2: And that still lives to today. And that's why you 589 00:31:05,920 --> 00:31:09,840 Speaker 2: have a section of America that won't wear mask and. 590 00:31:09,880 --> 00:31:12,520 Speaker 3: All that stuff, because as far as their concern, even 591 00:31:12,560 --> 00:31:15,800 Speaker 3: the coronavirus is something that affects black and brown people, 592 00:31:16,360 --> 00:31:18,120 Speaker 3: you know. But at the end of the day, a 593 00:31:18,200 --> 00:31:20,920 Speaker 3: lot of this will impact us all, even racist. It 594 00:31:21,000 --> 00:31:24,080 Speaker 3: impacts us all in some way in different forms, but 595 00:31:24,200 --> 00:31:25,840 Speaker 3: it still impacts us all. 596 00:31:26,200 --> 00:31:29,520 Speaker 1: Yeah, to not even care to know. It is just 597 00:31:29,640 --> 00:31:33,240 Speaker 1: such a slap in the face, and then when confronted 598 00:31:33,320 --> 00:31:35,160 Speaker 1: with it, to be like, yeah, and I don't care. 599 00:31:35,720 --> 00:31:37,000 Speaker 1: It's even worse. Yeah. 600 00:31:37,440 --> 00:31:37,640 Speaker 2: Yeah. 601 00:31:37,840 --> 00:31:40,920 Speaker 3: And that's why it's very hard to get white people 602 00:31:40,920 --> 00:31:44,560 Speaker 3: in their masks to do anything because overall they go, way, 603 00:31:44,560 --> 00:31:47,720 Speaker 3: should I care? And the only the only things that 604 00:31:47,800 --> 00:31:51,960 Speaker 3: have caused them to care is repeatedly putting it in 605 00:31:52,000 --> 00:31:54,040 Speaker 3: front of their face where they can't ignore it. Civil 606 00:31:54,120 --> 00:31:57,320 Speaker 3: rights Martin Luther Kingingham had to go on TV, which 607 00:31:57,440 --> 00:31:58,840 Speaker 3: was something kind of newly created. 608 00:31:58,920 --> 00:32:00,480 Speaker 1: Well, they were shamed and in bad it. 609 00:32:00,600 --> 00:32:03,680 Speaker 2: They weren't actually right, but I mean it was repeatedly 610 00:32:03,720 --> 00:32:06,120 Speaker 2: put in their face, right, That's my point. It was 611 00:32:06,200 --> 00:32:08,040 Speaker 2: put in that face. Whether you couldn't turn away, you 612 00:32:08,080 --> 00:32:09,880 Speaker 2: couldn't ignore it. You had to look at it. 613 00:32:09,960 --> 00:32:13,640 Speaker 3: And that's when it's a temporary change, you know, because 614 00:32:14,000 --> 00:32:16,040 Speaker 3: after that everybody will go go back to normal. 615 00:32:16,480 --> 00:32:19,800 Speaker 1: That's the thing. Even then, it was mostly because the 616 00:32:19,880 --> 00:32:22,680 Speaker 1: rest of the world was seeing it, like not even 617 00:32:22,840 --> 00:32:25,320 Speaker 1: just that it was here, like they shit, white people 618 00:32:25,400 --> 00:32:28,640 Speaker 1: that lived in those places where those things happened, weren't surprised, 619 00:32:29,320 --> 00:32:30,880 Speaker 1: Like it wasn't like they turned on team and said, 620 00:32:30,880 --> 00:32:32,760 Speaker 1: oh they oh, they're beating black people. It's like, no, 621 00:32:32,880 --> 00:32:35,640 Speaker 1: if you live in Memphis, you know how we treat 622 00:32:35,680 --> 00:32:40,040 Speaker 1: black people. It was now Europe is judging us. Now 623 00:32:41,760 --> 00:32:46,440 Speaker 1: you know, Japan is judging us, the Soviet Reunion, who 624 00:32:46,480 --> 00:32:50,040 Speaker 1: we hate, they're Russia's judging us, and we now we 625 00:32:50,200 --> 00:32:53,720 Speaker 1: have to fix it because we look so fucking bad, which, 626 00:32:53,960 --> 00:32:56,000 Speaker 1: you know, which is interesting because in twenty twenty, I 627 00:32:56,040 --> 00:33:00,840 Speaker 1: would say that white people feel less embarrassed by the 628 00:33:00,960 --> 00:33:04,440 Speaker 1: world seeing how terrible things can be for black people 629 00:33:04,520 --> 00:33:07,200 Speaker 1: here than they did, and it seems than they did 630 00:33:07,280 --> 00:33:10,120 Speaker 1: in the sixties and seventies when the secret got out. 631 00:33:10,040 --> 00:33:12,760 Speaker 3: You know, yeah, and I agree, And it's one of 632 00:33:12,800 --> 00:33:20,520 Speaker 3: those things to where white supremacy has kind of almost reverted. 633 00:33:20,520 --> 00:33:22,960 Speaker 3: It's like, we're in charge now. So when they're in 634 00:33:23,160 --> 00:33:26,560 Speaker 3: charge and this shit comes out, they just throw that 635 00:33:26,720 --> 00:33:29,240 Speaker 3: illusion to whiteness back at white people. Go no, no, no, no, 636 00:33:29,400 --> 00:33:32,680 Speaker 3: it's okay, it's all right, go back to sleep, nothing, 637 00:33:32,960 --> 00:33:35,800 Speaker 3: it's nothing to say here. They Jedi mind took them 638 00:33:36,240 --> 00:33:38,560 Speaker 3: back to it. And when you don't have any shame, 639 00:33:39,000 --> 00:33:39,760 Speaker 3: that's the results. 640 00:33:39,800 --> 00:33:42,080 Speaker 1: That's why our education system doesn't teach white people about 641 00:33:42,160 --> 00:33:45,640 Speaker 1: racial problems in America, because it's better to have a 642 00:33:46,080 --> 00:33:48,200 Speaker 1: large mass of people that just don't know and aren't 643 00:33:48,240 --> 00:33:51,920 Speaker 1: going to be curious than to have white people that 644 00:33:52,160 --> 00:33:54,800 Speaker 1: you actively try to make racist. Like it would be 645 00:33:54,920 --> 00:33:58,920 Speaker 1: much harder for America to teach white supremacy in your classroom, 646 00:33:59,040 --> 00:34:00,800 Speaker 1: like to walk in and go white people are better 647 00:34:00,840 --> 00:34:04,280 Speaker 1: than black people. The end you would because it's so overt. 648 00:34:04,320 --> 00:34:06,400 Speaker 1: You would get a lot of people that go, that's wrong, 649 00:34:07,040 --> 00:34:09,040 Speaker 1: that's not right. Why are you teaching me that? Wait 650 00:34:09,080 --> 00:34:11,240 Speaker 1: a minute, what are you trying to do as opposed 651 00:34:11,280 --> 00:34:13,719 Speaker 1: to just going, We're not gonna teach you much about 652 00:34:13,760 --> 00:34:16,560 Speaker 1: what happened in our country. Slavery was bad, then white 653 00:34:16,560 --> 00:34:18,640 Speaker 1: people decided it wasn't bad and they thought about it, 654 00:34:18,920 --> 00:34:21,920 Speaker 1: and yeah, and then and then they and then you know, 655 00:34:22,160 --> 00:34:24,440 Speaker 1: it wasn't slavery wasn't that bad. We thought about it. 656 00:34:24,520 --> 00:34:27,719 Speaker 1: It's over, everyone's equal. Let's not look any further into 657 00:34:27,800 --> 00:34:31,400 Speaker 1: this like that. That keeps a bunch of people just sleep. 658 00:34:31,560 --> 00:34:34,880 Speaker 1: But anyway, uh so, should we do D story next? 659 00:34:35,480 --> 00:34:39,600 Speaker 1: Or letty and tick? I wonder you know, I'm gonna 660 00:34:39,640 --> 00:34:42,879 Speaker 1: do D story next even though it's long, because Letty 661 00:34:42,920 --> 00:34:48,799 Speaker 1: and Ticks kind of moves the rest of the stuff along, so, uh, 662 00:34:49,160 --> 00:34:52,840 Speaker 1: I think it's banana rama. They had the song Cruel 663 00:34:52,880 --> 00:34:54,440 Speaker 1: Summer and it's playing. 664 00:34:54,840 --> 00:34:57,080 Speaker 2: Because it's like one of the hottest days of the summer. 665 00:34:57,080 --> 00:35:00,040 Speaker 1: As hot as hell. Black people dressed to the nine. 666 00:35:00,239 --> 00:35:02,120 Speaker 3: You know, with all them Oh I know they was 667 00:35:02,120 --> 00:35:05,520 Speaker 3: sweating at them stockings and girdles and slips. 668 00:35:06,320 --> 00:35:08,960 Speaker 2: Oh I know they're about to pass out in tights. 669 00:35:09,160 --> 00:35:11,080 Speaker 1: In the wool suits and shit. 670 00:35:11,360 --> 00:35:12,799 Speaker 2: You know they're about to pass out. 671 00:35:13,160 --> 00:35:15,560 Speaker 1: So they dressed in their Sunday best filling the street. 672 00:35:16,080 --> 00:35:16,560 Speaker 1: It's hot. 673 00:35:17,520 --> 00:35:17,640 Speaker 2: Uh. 674 00:35:18,160 --> 00:35:22,759 Speaker 1: People. People are coming out of a church and their distraught. 675 00:35:23,080 --> 00:35:26,920 Speaker 1: There's some woman was a woman's even vomiting. They had 676 00:35:26,960 --> 00:35:29,200 Speaker 1: like a bucket outside because that's how much it was happening. 677 00:35:30,120 --> 00:35:32,440 Speaker 1: And then the camera pans in on d almost like 678 00:35:32,640 --> 00:35:36,480 Speaker 1: a fish islands where things are hazy around her, but 679 00:35:36,680 --> 00:35:39,800 Speaker 1: super focused on D who's outside in the heat and 680 00:35:39,880 --> 00:35:42,440 Speaker 1: a dress and yeah, like she was in the days. 681 00:35:42,840 --> 00:35:46,160 Speaker 1: We see and we realized at this point, oh my god, 682 00:35:46,239 --> 00:35:50,760 Speaker 1: this is emt Tell's funeral. Yes, and you know EMMTT 683 00:35:50,840 --> 00:35:52,240 Speaker 1: was a good friend of hers. 684 00:35:52,960 --> 00:35:53,560 Speaker 2: And then. 685 00:35:54,880 --> 00:35:59,040 Speaker 1: We see all the stages of black grief and rage 686 00:35:59,400 --> 00:36:02,360 Speaker 1: and reaction that happened to this day. And one of 687 00:36:02,440 --> 00:36:05,160 Speaker 1: the things I loved about this scene was because this 688 00:36:06,200 --> 00:36:10,160 Speaker 1: reading helped me be a little bit more understanding of 689 00:36:10,320 --> 00:36:13,440 Speaker 1: different types of Black people and not hold it against them, 690 00:36:13,880 --> 00:36:17,160 Speaker 1: because none of this shit has gotten us free, period. 691 00:36:17,680 --> 00:36:20,680 Speaker 1: So all the rage in the world, we're allowed to 692 00:36:20,760 --> 00:36:23,480 Speaker 1: have that, all the sadness in the world, we're allowed 693 00:36:23,520 --> 00:36:25,640 Speaker 1: to have that. All the optimism in the world we're 694 00:36:25,640 --> 00:36:28,160 Speaker 1: allowed to have that. All the organizers in the world, 695 00:36:28,239 --> 00:36:30,680 Speaker 1: we're allowed to have that. I hate to see Black 696 00:36:30,719 --> 00:36:33,719 Speaker 1: people turn on each other, but it's gonna happen, and 697 00:36:34,600 --> 00:36:36,320 Speaker 1: to a certain extent, I just have to allow that 698 00:36:36,480 --> 00:36:38,919 Speaker 1: to even when I find that it's unproductive or bad. 699 00:36:39,120 --> 00:36:41,520 Speaker 1: We're human and some of us are going to take 700 00:36:41,560 --> 00:36:43,800 Speaker 1: different paths and we're gonna be upset that everyone's not 701 00:36:43,920 --> 00:36:46,080 Speaker 1: on our path. But the truth of the matter is, 702 00:36:46,400 --> 00:36:49,360 Speaker 1: none of the paths have ever worked by themselves, period. 703 00:36:49,520 --> 00:36:51,000 Speaker 2: It's to take a collection of them. 704 00:36:51,320 --> 00:36:56,440 Speaker 1: Seeing it play out with Emmett till in a way 705 00:36:56,520 --> 00:36:59,919 Speaker 1: that it still plays out with Breonna Taylor, where people 706 00:37:00,080 --> 00:37:04,040 Speaker 1: are mad, you have Brianna Khan. People are mad that you. 707 00:37:05,239 --> 00:37:08,280 Speaker 1: You know, you're in the streets looting and rioting, quote unquote. 708 00:37:08,320 --> 00:37:14,000 Speaker 1: People are mad that you organize and you want to vote. 709 00:37:14,200 --> 00:37:16,239 Speaker 1: People are mad that you protest and stand on this 710 00:37:16,360 --> 00:37:19,360 Speaker 1: man's lawn. People are mad at every type of response 711 00:37:19,440 --> 00:37:22,080 Speaker 1: of blackness to this. But at the end of the day, 712 00:37:22,239 --> 00:37:24,239 Speaker 1: we never did the wrong thing to start it in 713 00:37:24,320 --> 00:37:26,400 Speaker 1: the first place, right, we didn't start it. We're just 714 00:37:26,480 --> 00:37:29,440 Speaker 1: trying to fix it and trying to aid in getting 715 00:37:29,480 --> 00:37:31,920 Speaker 1: some justice. So, you know, that's what it reminded me of. 716 00:37:31,960 --> 00:37:33,680 Speaker 1: Because they show a black woman pray to the Lord 717 00:37:33,760 --> 00:37:36,320 Speaker 1: to protect us from evil. We see a black musclm 718 00:37:36,360 --> 00:37:38,880 Speaker 1: man ranning angrily about you know, there will be no 719 00:37:39,040 --> 00:37:41,040 Speaker 1: more as the police look on from across the street. 720 00:37:41,560 --> 00:37:44,120 Speaker 1: We see a pastor who says we should organize and 721 00:37:44,200 --> 00:37:47,520 Speaker 1: fight using the law. All these things you know. 722 00:37:47,760 --> 00:37:51,000 Speaker 2: To this day on the different techniques to this day, man, it. 723 00:37:51,120 --> 00:37:56,600 Speaker 1: Literally stays the same cycles, you know. And Dee says, 724 00:37:57,080 --> 00:38:01,960 Speaker 1: what's that horrible smell? And Ruby basically implies that it's 725 00:38:02,400 --> 00:38:05,760 Speaker 1: it tells body from that heat. Yeah, because the open 726 00:38:05,840 --> 00:38:08,399 Speaker 1: casket is out as hot as hell, you know, all 727 00:38:08,440 --> 00:38:14,600 Speaker 1: that stuff. And Tick asked Letty if she wants some 728 00:38:14,719 --> 00:38:17,640 Speaker 1: water or to sit down for a while, and she's 729 00:38:17,760 --> 00:38:20,439 Speaker 1: like no, like what's wrong with you? And he's like sure, 730 00:38:20,440 --> 00:38:23,239 Speaker 1: you don't want to see nothing, and she's like, no, 731 00:38:23,840 --> 00:38:26,959 Speaker 1: I can stand leave me alone. And at this point 732 00:38:27,000 --> 00:38:29,880 Speaker 1: I thought, oh, she must have told him that she's pregnant, 733 00:38:30,640 --> 00:38:33,680 Speaker 1: but we'll find out later. She has not told him 734 00:38:33,719 --> 00:38:36,719 Speaker 1: that she's pregnant, okay, but he's fretting over her, like, 735 00:38:36,960 --> 00:38:38,839 Speaker 1: you know, like you would have pregnant. When man Truns 736 00:38:38,880 --> 00:38:41,480 Speaker 1: comes over asked if they want some water, Tick said 737 00:38:41,520 --> 00:38:44,440 Speaker 1: she can have his, and he looked at him like, 738 00:38:44,520 --> 00:38:47,640 Speaker 1: I don't want you right, Yeah, I couldn't tell her. 739 00:38:47,680 --> 00:38:49,239 Speaker 1: At first, I thought he was just being shady to 740 00:38:49,320 --> 00:38:52,040 Speaker 1: his dad, like you know, I don't want your gay water. 741 00:38:52,239 --> 00:38:53,680 Speaker 1: You know, I'm a homophobal black man. 742 00:38:54,239 --> 00:38:56,319 Speaker 2: But his thing was like because that's what I thought, 743 00:38:56,360 --> 00:38:56,920 Speaker 2: initiative too. 744 00:38:56,960 --> 00:38:59,120 Speaker 1: But he was like like, I just give it to Letty, right. 745 00:39:00,840 --> 00:39:03,880 Speaker 1: So Ruby wonders if they should have brought D and 746 00:39:04,000 --> 00:39:07,800 Speaker 1: Montross I mean, you should have brought D to the funeral, 747 00:39:08,080 --> 00:39:10,239 Speaker 1: and Montros says, which I thought was one of the 748 00:39:10,280 --> 00:39:12,720 Speaker 1: best lines of the show. He said, ain't no getting 749 00:39:12,719 --> 00:39:15,440 Speaker 1: around this. Every Negroes write a passage in this country 750 00:39:15,560 --> 00:39:23,080 Speaker 1: child or Not, which to this day message to this 751 00:39:23,400 --> 00:39:26,920 Speaker 1: motherfucking day man. Oh my god, we. 752 00:39:27,000 --> 00:39:30,000 Speaker 2: Tried so hard to protect our children, but there we 753 00:39:30,200 --> 00:39:33,640 Speaker 2: just can't like. And that's very heartbreaking for a lot 754 00:39:33,680 --> 00:39:34,520 Speaker 2: of parents. 755 00:39:34,239 --> 00:39:37,279 Speaker 3: Because you know, they're cute and adorable until they not 756 00:39:37,360 --> 00:39:39,040 Speaker 3: cute and adorable to the white people no more. And 757 00:39:39,160 --> 00:39:41,000 Speaker 3: then you're like, Okay, now I have to talk to 758 00:39:41,080 --> 00:39:42,759 Speaker 3: you because I don't want to have to worry about 759 00:39:42,760 --> 00:39:43,400 Speaker 3: you getting shot in. 760 00:39:43,400 --> 00:39:46,040 Speaker 1: This I mean, this is the real legacy of America. 761 00:39:47,000 --> 00:39:49,279 Speaker 1: This is the real inheritance that black people have in 762 00:39:49,360 --> 00:39:53,000 Speaker 1: this countries, This inheritance of grief and pain and rage 763 00:39:53,040 --> 00:39:56,360 Speaker 1: of being like you don't get long like you know, 764 00:39:56,480 --> 00:39:58,640 Speaker 1: and I know black parents, you know, you talk to 765 00:39:58,680 --> 00:40:01,160 Speaker 1: them all the time. And my friends, I have to 766 00:40:01,239 --> 00:40:04,319 Speaker 1: choose between my kid being a kid, protecting them from 767 00:40:04,360 --> 00:40:08,319 Speaker 1: the world, and then equipping them to go out into 768 00:40:08,360 --> 00:40:10,879 Speaker 1: this world. That is definitely not time to protect them. 769 00:40:11,320 --> 00:40:18,279 Speaker 1: So it's that balance and nineteen fifty twenty twenty, same shit, right, And. 770 00:40:18,320 --> 00:40:22,320 Speaker 3: It's very very difficult because children are different, and you 771 00:40:22,480 --> 00:40:25,680 Speaker 3: have children that I'm more outspoken and all that stuff, 772 00:40:25,760 --> 00:40:28,719 Speaker 3: But we understand that white people don't understand an outspoken 773 00:40:28,800 --> 00:40:30,360 Speaker 3: black child that's considered a threat. 774 00:40:30,719 --> 00:40:33,200 Speaker 2: That's why particularly black girls get suspended at. 775 00:40:33,080 --> 00:40:36,400 Speaker 3: A higher rate than any other group of people, you know, 776 00:40:36,440 --> 00:40:39,320 Speaker 3: because we considered sassy and back talking and all this 777 00:40:39,400 --> 00:40:42,319 Speaker 3: other kind of bullshit, right, and you know, And it's 778 00:40:42,360 --> 00:40:45,000 Speaker 3: one of those things to where it has to be 779 00:40:45,120 --> 00:40:48,719 Speaker 3: a fine line and a balance because you, like you said, 780 00:40:48,760 --> 00:40:50,879 Speaker 3: you want your child to be a child, but you don't. 781 00:40:51,680 --> 00:40:54,440 Speaker 2: But you also have to get them to understand that in. 782 00:40:54,480 --> 00:40:57,000 Speaker 3: Certain situations you have to watch your tone and all 783 00:40:57,040 --> 00:40:59,359 Speaker 3: this stuff, and that has to be very diffubful parent. 784 00:40:59,400 --> 00:41:01,759 Speaker 1: I'm not talking them out necessarily, like I have to 785 00:41:01,840 --> 00:41:03,680 Speaker 1: talk to my kid and say this need how you 786 00:41:03,719 --> 00:41:08,080 Speaker 1: need to act. I'm talking about this pain of race 787 00:41:08,200 --> 00:41:11,000 Speaker 1: in America, like not even like we need to sit 788 00:41:11,120 --> 00:41:13,040 Speaker 1: deep down and tell her like you're a black child, 789 00:41:13,120 --> 00:41:16,080 Speaker 1: but just like you being a black child means you 790 00:41:16,239 --> 00:41:21,239 Speaker 1: are inherited into this, like George Floyd dies, that's gonna 791 00:41:21,280 --> 00:41:24,160 Speaker 1: leave a scar on you. Yes, this is not like 792 00:41:25,000 --> 00:41:28,000 Speaker 1: this this type of trauma specifically to us. It's not 793 00:41:28,200 --> 00:41:28,960 Speaker 1: for everybody. 794 00:41:29,520 --> 00:41:29,680 Speaker 2: You know. 795 00:41:30,520 --> 00:41:34,480 Speaker 1: We see Rodney King get beat everyone I know remembers 796 00:41:34,640 --> 00:41:37,600 Speaker 1: the La riots and how it happened and Rodney King 797 00:41:37,680 --> 00:41:40,080 Speaker 1: and can we all just get along. White people don't 798 00:41:40,120 --> 00:41:43,239 Speaker 1: have to carry that necessarily, and they don't carry it 799 00:41:43,400 --> 00:41:46,239 Speaker 1: internally the way we do. And when you're a kid, 800 00:41:47,360 --> 00:41:49,920 Speaker 1: you know, when you're a black kid, there's that moment 801 00:41:50,000 --> 00:41:53,440 Speaker 1: of like, oh, I'm black and that's not good in 802 00:41:53,520 --> 00:41:57,400 Speaker 1: this country. So but yeah, I just love that Mantross 803 00:41:57,600 --> 00:42:01,359 Speaker 1: brought that up. And then the crowd gets really tight 804 00:42:01,440 --> 00:42:05,080 Speaker 1: around D and she hasn't even said a word yet. 805 00:42:05,200 --> 00:42:08,719 Speaker 1: She has tears streaming out her eyes like that get 806 00:42:08,800 --> 00:42:09,280 Speaker 1: out crying. 807 00:42:10,080 --> 00:42:10,160 Speaker 3: Uh. 808 00:42:10,239 --> 00:42:12,880 Speaker 1: We see a picture of Bobo on like the funeral, 809 00:42:13,239 --> 00:42:17,960 Speaker 1: like placard or whatever his picture. Yeah, and then Letty 810 00:42:18,040 --> 00:42:21,880 Speaker 1: and Tick have an argument because Letty thinks they should 811 00:42:21,880 --> 00:42:25,319 Speaker 1: tell D about Hippolyta and that she ain't coming back, 812 00:42:26,160 --> 00:42:28,880 Speaker 1: so because enough time has passed apparently, and we. 813 00:42:28,880 --> 00:42:30,279 Speaker 2: Don't know what the timeframe is. 814 00:42:30,400 --> 00:42:34,040 Speaker 3: But I am I agree with her, you know, as 815 00:42:34,120 --> 00:42:35,920 Speaker 3: the as the episode goes on, I was like, yeah, 816 00:42:35,960 --> 00:42:37,719 Speaker 3: I agree to inform her. 817 00:42:38,360 --> 00:42:40,239 Speaker 1: Yeah, I mean, well, you don't want her to come back, 818 00:42:40,320 --> 00:42:41,840 Speaker 1: so of course you like tell her that. 819 00:42:43,719 --> 00:42:46,759 Speaker 3: But but even with that, it's one of those things, 820 00:42:46,800 --> 00:42:48,440 Speaker 3: but they don't even believe she's coming back, but at 821 00:42:48,520 --> 00:42:52,960 Speaker 3: least inform her about magic and so because you didn't 822 00:42:52,960 --> 00:42:56,879 Speaker 3: tell Hippolyta and what she in space somewhell mm hmmm hmm. 823 00:42:57,400 --> 00:43:03,239 Speaker 1: So the hen the arguing about should they tell d 824 00:43:03,480 --> 00:43:07,520 Speaker 1: or not? And Letty says to tell her, Tick says 825 00:43:07,640 --> 00:43:10,480 Speaker 1: not to, And I think Tick just errs on the 826 00:43:10,560 --> 00:43:15,160 Speaker 1: side of He's like Peter Parker Spider Man. He thinks 827 00:43:15,600 --> 00:43:19,520 Speaker 1: not telling somebody protects them. Like if I tell you 828 00:43:19,640 --> 00:43:24,239 Speaker 1: on Spider Man and someone fucking finds out who I am, 829 00:43:24,320 --> 00:43:27,440 Speaker 1: they gonna fuck you up. So I should just do 830 00:43:27,600 --> 00:43:30,040 Speaker 1: as much as I can to keep my secret. The 831 00:43:30,200 --> 00:43:33,040 Speaker 1: less people who know the better. Now, obviously that's a 832 00:43:33,080 --> 00:43:35,759 Speaker 1: comic book trope that never works. I mean, that's the 833 00:43:35,800 --> 00:43:38,320 Speaker 1: whole point of it in the comic books, that someone 834 00:43:38,440 --> 00:43:40,399 Speaker 1: does find out. Now you got to rush to tell 835 00:43:40,400 --> 00:43:42,319 Speaker 1: your friends and shit, because they gonna be in danger 836 00:43:42,360 --> 00:43:44,920 Speaker 1: because and now they're less equipped than they would be 837 00:43:45,520 --> 00:43:48,520 Speaker 1: if they had known, correct and they're less helpful to 838 00:43:48,560 --> 00:43:52,160 Speaker 1: you then, you know. So, I mean, obviously, the wisdom 839 00:43:52,239 --> 00:43:54,680 Speaker 1: of telling everybody and everyone being on the same page, 840 00:43:55,160 --> 00:43:58,520 Speaker 1: I think it's kind of obvious. That being said, we 841 00:43:58,680 --> 00:44:01,320 Speaker 1: find out later some of the reason that Tick was 842 00:44:01,520 --> 00:44:03,879 Speaker 1: because I felt like, for most of this episode, Tick 843 00:44:04,000 --> 00:44:06,520 Speaker 1: was on my fucking nerves. I was like, this is 844 00:44:06,560 --> 00:44:09,640 Speaker 1: literally the worst Tike ever been, Like, honestly, this is 845 00:44:09,760 --> 00:44:13,000 Speaker 1: like I was like, this motherfucker right here the whole episode. 846 00:44:13,440 --> 00:44:15,400 Speaker 1: And then they kind of have some revelations at the 847 00:44:15,520 --> 00:44:18,359 Speaker 1: end where I'm like, I mean, I see why you're 848 00:44:18,400 --> 00:44:21,759 Speaker 1: being the worst. I'm not saying it's okay, but now 849 00:44:21,840 --> 00:44:24,799 Speaker 1: I understand what the fuck is going through your head 850 00:44:24,960 --> 00:44:28,400 Speaker 1: knowing the character, which is the you know his characters 851 00:44:28,520 --> 00:44:31,840 Speaker 1: very much like need to know basis type shit. So 852 00:44:32,640 --> 00:44:37,080 Speaker 1: but anyway, they look up D's gone. 853 00:44:38,280 --> 00:44:39,160 Speaker 2: She just disappeared. 854 00:44:39,360 --> 00:44:42,319 Speaker 1: She slipped away, okay, and they all go off looking 855 00:44:42,360 --> 00:44:46,120 Speaker 1: for her in different places. My thing, Letty goes home, 856 00:44:46,440 --> 00:44:51,000 Speaker 1: My trouss is going to Georgia and Hippolytis a place 857 00:44:53,960 --> 00:44:59,200 Speaker 1: Ruby's gonna stay in line, and then Tick is going 858 00:44:59,239 --> 00:45:01,319 Speaker 1: to go to the five and Dome. Now it ends 859 00:45:01,440 --> 00:45:04,640 Speaker 1: up that and we see when when Letty turns the ticks, 860 00:45:04,680 --> 00:45:07,680 Speaker 1: she's like, uh, Tick, and he's like, oh yeah, I'll 861 00:45:07,719 --> 00:45:10,320 Speaker 1: go check the five and dime, But he was distracted 862 00:45:10,400 --> 00:45:11,399 Speaker 1: and looking at his watch. 863 00:45:12,680 --> 00:45:15,320 Speaker 2: He was not paying attention at all, right, Like he 864 00:45:15,520 --> 00:45:16,000 Speaker 2: just like I. 865 00:45:16,040 --> 00:45:19,120 Speaker 1: Said, there was an energy about him that felt you know, 866 00:45:19,200 --> 00:45:21,560 Speaker 1: I know those people that just don't like tick, that's fine, 867 00:45:21,800 --> 00:45:23,800 Speaker 1: but it was just there was an energy that was 868 00:45:23,960 --> 00:45:25,799 Speaker 1: more off this week than normal. 869 00:45:25,680 --> 00:45:29,000 Speaker 3: Right, because he's normally there, you know, but he didn't 870 00:45:29,040 --> 00:45:30,439 Speaker 3: like he just wasn't there. 871 00:45:30,600 --> 00:45:32,399 Speaker 2: Like he was there, but he wasn't there. 872 00:45:32,760 --> 00:45:40,239 Speaker 1: Right. So ud goes off on her own and she 873 00:45:40,360 --> 00:45:42,360 Speaker 1: goes to the window of an arcade and looks in 874 00:45:42,560 --> 00:45:45,399 Speaker 1: there's some black girls getting some ice cream. And first 875 00:45:45,480 --> 00:45:47,680 Speaker 1: I thought it was the same place that Ruby got 876 00:45:47,760 --> 00:45:49,439 Speaker 1: that ice cream she was a white woman, but it wasn't. 877 00:45:49,680 --> 00:45:53,399 Speaker 1: It was like an arcade. And so then these little 878 00:45:53,400 --> 00:45:56,920 Speaker 1: black girls come outside and they're looking ice cream in there, laughing, 879 00:45:57,600 --> 00:46:03,000 Speaker 1: and he picks up some rocks and throws it at 880 00:46:03,080 --> 00:46:06,320 Speaker 1: them and yells that's nothing to laugh about, and the 881 00:46:06,400 --> 00:46:09,200 Speaker 1: girls run off, and I'm like, oh my god, d 882 00:46:09,400 --> 00:46:13,160 Speaker 1: invented black twitter. That is literally that's all the. 883 00:46:13,280 --> 00:46:15,839 Speaker 3: Girls was mine and that Bunes wouldn't even thinking about her, 884 00:46:16,040 --> 00:46:16,759 Speaker 3: that's all it is. 885 00:46:17,120 --> 00:46:19,399 Speaker 1: Okay, you go, I'm hurt. I'm gonna hurt you too. 886 00:46:19,600 --> 00:46:20,319 Speaker 2: Take these rocks. 887 00:46:20,360 --> 00:46:22,200 Speaker 1: They're catching nigga out here having some fun. 888 00:46:22,480 --> 00:46:24,680 Speaker 2: Oh, they're gonna, they're gonna be They're gonna let you know, 889 00:46:24,920 --> 00:46:26,880 Speaker 2: they're gonna come. They're gonna hit you upside of the 890 00:46:26,880 --> 00:46:27,440 Speaker 2: head with the rock. 891 00:46:27,600 --> 00:46:32,640 Speaker 1: The rocks are motherfucking coming. But yeah, but that was 892 00:46:32,719 --> 00:46:36,640 Speaker 1: I thought that was an interesting scene. And obviously she 893 00:46:36,840 --> 00:46:40,520 Speaker 1: lost her best friend, she's traumatized, she's coming from the funeral, 894 00:46:42,239 --> 00:46:44,839 Speaker 1: and literally seeing these other black girls have any joy 895 00:46:44,920 --> 00:46:48,120 Speaker 1: at all was insulting to her, you know, And and 896 00:46:48,280 --> 00:46:50,160 Speaker 1: and that at that point in time in the community, 897 00:46:50,680 --> 00:46:53,000 Speaker 1: I'm sure it would have felt that way, like how 898 00:46:53,080 --> 00:46:55,799 Speaker 1: can we have joy at this moment? And I think 899 00:46:55,920 --> 00:46:59,560 Speaker 1: especially Ford, who's lost their father, potentially lost their mother, 900 00:47:00,400 --> 00:47:02,680 Speaker 1: and because she's putting some stuff together with her mom 901 00:47:02,719 --> 00:47:05,200 Speaker 1: when she's like, maybe something's wrong with my mom not 902 00:47:05,360 --> 00:47:06,319 Speaker 1: being here right now. 903 00:47:06,520 --> 00:47:08,920 Speaker 2: Right because she had wanted to go with her. 904 00:47:09,440 --> 00:47:13,279 Speaker 1: Yeah, yeah, yeah, So I just think that's a big 905 00:47:13,640 --> 00:47:16,880 Speaker 1: you know, like that was a big moment. Then she 906 00:47:17,000 --> 00:47:19,799 Speaker 1: walks off towards an alleyway, which is that ever good 907 00:47:19,960 --> 00:47:20,600 Speaker 1: on any show? 908 00:47:20,800 --> 00:47:21,000 Speaker 2: Ever? 909 00:47:21,360 --> 00:47:25,000 Speaker 1: No, she walks off towards an alleyway in no movie. 910 00:47:25,040 --> 00:47:27,840 Speaker 2: I don't care what it is. You know, didn't Batman 911 00:47:27,960 --> 00:47:29,120 Speaker 2: show you something. 912 00:47:29,000 --> 00:47:31,680 Speaker 1: Right, And then the police pull up the pop pole, 913 00:47:31,760 --> 00:47:34,560 Speaker 1: pull up on her, and as Captain Lancaster and one 914 00:47:34,600 --> 00:47:37,520 Speaker 1: of his henchmen, one of the ones that be knowing 915 00:47:37,560 --> 00:47:42,320 Speaker 1: about his magic and shit, and they have her comic 916 00:47:42,400 --> 00:47:45,480 Speaker 1: book that they found with the dead policeman's body, yep, 917 00:47:46,040 --> 00:47:51,360 Speaker 1: and they're like, what you know about magic? Because clearly 918 00:47:51,520 --> 00:47:54,320 Speaker 1: your comic book was there. You d uh you you 919 00:47:54,520 --> 00:47:58,920 Speaker 1: Diana Freeman, right, And these scared they're super in her 920 00:47:58,960 --> 00:48:02,680 Speaker 1: personal space. Like one of the cops is yelling at 921 00:48:02,760 --> 00:48:06,200 Speaker 1: her and the other cop is it's like bad cop, 922 00:48:06,320 --> 00:48:08,920 Speaker 1: bad cop. There's no good cop. It's just you know, 923 00:48:09,200 --> 00:48:11,560 Speaker 1: they were just yelling at her. Super scary. It wasn't 924 00:48:11,600 --> 00:48:14,840 Speaker 1: anything like sexual or perverted or something like that. It 925 00:48:14,960 --> 00:48:20,480 Speaker 1: was just scary. It was intimidating. And the captain was like, 926 00:48:20,840 --> 00:48:22,959 Speaker 1: what you know about magic? And who was your mama? 927 00:48:23,000 --> 00:48:26,600 Speaker 1: What's her name? And you know she's like, you know, 928 00:48:26,719 --> 00:48:28,640 Speaker 1: he know. And then the other cop in the background 929 00:48:28,760 --> 00:48:32,200 Speaker 1: was like, the captain won't ask you a good girl? 930 00:48:32,560 --> 00:48:35,239 Speaker 1: You know shit like that, which reminded me that when 931 00:48:35,320 --> 00:48:39,000 Speaker 1: they found Hippolyta in the observatory. They call her a 932 00:48:39,080 --> 00:48:42,520 Speaker 1: girl like they like, I like the writing for stuff 933 00:48:42,600 --> 00:48:45,759 Speaker 1: like that on the show, like because they call the 934 00:48:45,840 --> 00:48:49,239 Speaker 1: black men boy and the way they call a little 935 00:48:49,280 --> 00:48:52,200 Speaker 1: boy boy, like there's no type of black person they 936 00:48:52,280 --> 00:48:56,280 Speaker 1: have to respect, period. So then she says, a mom's 937 00:48:56,320 --> 00:48:59,680 Speaker 1: name is Hippolyta and the one cop is like niggers 938 00:48:59,719 --> 00:49:01,000 Speaker 1: and the African names. 939 00:49:03,239 --> 00:49:04,799 Speaker 2: Can you believe it? Now? 940 00:49:04,840 --> 00:49:07,200 Speaker 1: Maybe it's because they pronounce it hippolyta on the show 941 00:49:07,320 --> 00:49:09,600 Speaker 1: instead of like hip holga like some people do. 942 00:49:11,360 --> 00:49:13,279 Speaker 2: I like Hippolyte. I like better. 943 00:49:13,480 --> 00:49:15,520 Speaker 1: Yeah, I mean, you know, I just know that that's 944 00:49:15,560 --> 00:49:17,960 Speaker 1: the thing, you know some people. I saw a couple 945 00:49:18,000 --> 00:49:19,399 Speaker 1: of people be like if I just mean they don't 946 00:49:19,400 --> 00:49:22,480 Speaker 1: pronounce it, you know, the white way. But I was like, 947 00:49:22,719 --> 00:49:25,320 Speaker 1: could he just be mad that they pronouncing it different, 948 00:49:25,480 --> 00:49:28,040 Speaker 1: like because it still spelled the same. But uh, I 949 00:49:28,120 --> 00:49:30,640 Speaker 1: think it was just he was ignorant. So uh, the 950 00:49:30,719 --> 00:49:32,960 Speaker 1: henchman cops starts making these marks on the ground and 951 00:49:33,080 --> 00:49:35,800 Speaker 1: chalked by these feet, and they asked and her mom's 952 00:49:35,840 --> 00:49:39,040 Speaker 1: been acting strange and what you know about magic? And 953 00:49:39,160 --> 00:49:40,760 Speaker 1: she like it's in books. 954 00:49:41,400 --> 00:49:43,680 Speaker 2: Like I was thinking that baby, I don't know nothing 955 00:49:43,719 --> 00:49:45,040 Speaker 2: about nobody's magic. 956 00:49:45,000 --> 00:49:49,520 Speaker 1: Right, And so it's interesting because that's the moment where 957 00:49:49,560 --> 00:49:56,080 Speaker 1: you go, would Tick telling her have protected her or 958 00:49:56,320 --> 00:49:58,480 Speaker 1: would it be even worse if she did know? And 959 00:49:58,600 --> 00:50:00,320 Speaker 1: the cops were like, oh, so you you do know 960 00:50:00,440 --> 00:50:03,440 Speaker 1: something about magic or whatever? Because I don't know, I 961 00:50:03,520 --> 00:50:05,960 Speaker 1: don't have to answer. She still ended up getting fucked up. 962 00:50:06,040 --> 00:50:10,840 Speaker 1: But it's like, that's the moment that's supposed like his 963 00:50:11,680 --> 00:50:14,839 Speaker 1: his reasoning is that that's the moment that would save her, 964 00:50:14,960 --> 00:50:18,920 Speaker 1: but it really, in the end doesn't. So she ends 965 00:50:19,000 --> 00:50:23,080 Speaker 1: up saying she doesn't know about the ship. And I mean, 966 00:50:23,200 --> 00:50:26,400 Speaker 1: clearly they believe her, but now that they've asked her 967 00:50:26,440 --> 00:50:32,120 Speaker 1: about magic and right, somebody right, So they start doing 968 00:50:32,160 --> 00:50:36,520 Speaker 1: the spell and words of Adam yep, the work the 969 00:50:36,640 --> 00:50:38,880 Speaker 1: language of Adam spitting and then he spits on his 970 00:50:39,000 --> 00:50:43,680 Speaker 1: handing the other henchman cop is holding her down and 971 00:50:45,440 --> 00:50:48,600 Speaker 1: the dude as he's doing the spell, d you can 972 00:50:48,680 --> 00:50:52,320 Speaker 1: see maggots going from the ground turning into flies. And 973 00:50:53,320 --> 00:50:56,440 Speaker 1: he then takes spit and spits in his hand and 974 00:50:56,560 --> 00:51:00,320 Speaker 1: rubs it on her forehead and then the maggots the 975 00:51:00,400 --> 00:51:03,920 Speaker 1: flies like, fly up to her face and then the 976 00:51:04,320 --> 00:51:07,360 Speaker 1: cops stole her down getting the car leave, and then 977 00:51:07,440 --> 00:51:10,520 Speaker 1: she tries to wipe the spit off her face and she. 978 00:51:10,640 --> 00:51:12,280 Speaker 2: Looked like glue. 979 00:51:12,960 --> 00:51:18,080 Speaker 1: Yeah, it was real thick, thick spit. And then she 980 00:51:18,440 --> 00:51:24,279 Speaker 1: there's in the background, and in the background there's a 981 00:51:25,520 --> 00:51:31,640 Speaker 1: poster of a cream a week Guyama week kind of 982 00:51:31,719 --> 00:51:37,920 Speaker 1: looking like you know, Uncle Ben or something, and the caricatures. 983 00:51:38,160 --> 00:51:40,680 Speaker 1: Obviously that we've seen an advertising that has now come 984 00:51:40,760 --> 00:51:43,040 Speaker 1: to a head that you know, it only took George 985 00:51:43,080 --> 00:51:45,360 Speaker 1: Floyd dying for companies to be like, maybe we should 986 00:51:45,360 --> 00:51:50,319 Speaker 1: take some of these like minstrel inspired black avatars off 987 00:51:50,360 --> 00:51:53,719 Speaker 1: of our products, our white people products. You know, Uncle 988 00:51:53,800 --> 00:52:01,400 Speaker 1: Ben's rice, what's the syrup? Lady Karen, Jami, oh aunt Jemima. 989 00:52:02,000 --> 00:52:05,120 Speaker 1: You know, so they said, maybe we should take some 990 00:52:05,200 --> 00:52:08,279 Speaker 1: of these black masks off. Yeah, even Lindo late they 991 00:52:08,320 --> 00:52:08,480 Speaker 1: had to. 992 00:52:08,520 --> 00:52:10,040 Speaker 3: You know, they took the mascot off of that too, 993 00:52:10,080 --> 00:52:11,919 Speaker 3: even though in that black, but they just like, let's 994 00:52:11,960 --> 00:52:13,359 Speaker 3: take them all down, right. 995 00:52:13,520 --> 00:52:18,240 Speaker 1: So this was nineteen fifty, way before you know, twenty 996 00:52:18,400 --> 00:52:22,279 Speaker 1: twenty when we finally got them off. And so the 997 00:52:22,920 --> 00:52:27,160 Speaker 1: kind of minstrelsy advertising that was i mean huge at 998 00:52:27,200 --> 00:52:32,400 Speaker 1: the time that started sticking out in this episode, and 999 00:52:32,560 --> 00:52:36,480 Speaker 1: so d takes off running and the sign, the eyes 1000 00:52:36,680 --> 00:52:40,000 Speaker 1: of that minstrel on the sign or that black spells 1001 00:52:40,560 --> 00:52:41,319 Speaker 1: it follows her. 1002 00:52:41,800 --> 00:52:44,759 Speaker 2: Yes, the first time I seen I was like, what 1003 00:52:45,040 --> 00:52:47,040 Speaker 2: has happened? I was like them as moved. 1004 00:52:47,640 --> 00:52:50,759 Speaker 1: Yeah, Caaren made me rewind it, Like, what's like, what's 1005 00:52:50,760 --> 00:52:51,920 Speaker 1: going on with the kreama week guy? 1006 00:52:52,560 --> 00:52:54,120 Speaker 2: Yeah? Like what is happening here? 1007 00:52:54,480 --> 00:52:57,680 Speaker 3: Like when I'm Scooby dooe Eclipse, when Scooby and Shaggy 1008 00:52:57,719 --> 00:52:59,680 Speaker 3: walking all of a sudden, I started following. 1009 00:52:59,440 --> 00:53:05,319 Speaker 1: Them, right. And so then d gets to her house 1010 00:53:05,400 --> 00:53:08,040 Speaker 1: and Montross is waiting on her, and they basically get 1011 00:53:08,080 --> 00:53:10,759 Speaker 1: into a fight, and he's basically like, what the hell 1012 00:53:10,840 --> 00:53:11,200 Speaker 1: you been? 1013 00:53:11,360 --> 00:53:12,719 Speaker 2: She's like, she didn't want to hear none of you. 1014 00:53:13,000 --> 00:53:15,960 Speaker 2: Ain't my daddy the MoMA, my daddy dead. 1015 00:53:16,360 --> 00:53:19,920 Speaker 1: And then she was like, you know, my mom, where's 1016 00:53:19,960 --> 00:53:23,479 Speaker 1: my mom? She's not coming back issue because she would 1017 00:53:23,520 --> 00:53:25,759 Speaker 1: have heard about Bobo dying. It's the biggest news in 1018 00:53:25,840 --> 00:53:27,479 Speaker 1: the world, and she would have come home. 1019 00:53:28,080 --> 00:53:30,920 Speaker 3: Everybody is talking about it, So she would have been 1020 00:53:31,000 --> 00:53:35,879 Speaker 3: out here knowing, you know, in the black area, because 1021 00:53:35,880 --> 00:53:37,680 Speaker 3: you know how mama is gonna be safe. She's like, 1022 00:53:37,760 --> 00:53:40,160 Speaker 3: oh yeah, this would have been all across the country 1023 00:53:40,200 --> 00:53:43,200 Speaker 3: they put it on television. She would have been here 1024 00:53:43,280 --> 00:53:45,080 Speaker 3: for this, like she ma, Mama wouldn't have missed this. 1025 00:53:45,640 --> 00:53:47,120 Speaker 3: And they, like I said, they hadn't told us a 1026 00:53:47,239 --> 00:53:50,879 Speaker 3: timeframe of this. So it's one of those things where 1027 00:53:51,040 --> 00:53:52,879 Speaker 3: we don't actually know how long she's been gone. 1028 00:53:52,920 --> 00:53:55,320 Speaker 1: So well enough time for him to be killed and 1029 00:53:56,920 --> 00:53:59,960 Speaker 1: for the funeral, right, so you know, a pretty significant 1030 00:54:00,040 --> 00:54:02,000 Speaker 1: amount of time, at least a few couple of weeks, 1031 00:54:02,040 --> 00:54:05,480 Speaker 1: and her mom has it come back. They haven't told 1032 00:54:05,480 --> 00:54:07,520 Speaker 1: her where her mom is, just that she's on a 1033 00:54:07,600 --> 00:54:13,279 Speaker 1: road trip. And then in addition to that, Bobo was 1034 00:54:13,360 --> 00:54:16,520 Speaker 1: her friend. Her mom would have come home because her 1035 00:54:16,560 --> 00:54:20,160 Speaker 1: best friend dies. Just there's no I mean, unless she's 1036 00:54:20,280 --> 00:54:23,560 Speaker 1: just out in space having fun like Karen and said, wan, yeah, 1037 00:54:23,719 --> 00:54:25,920 Speaker 1: unless she she's going she could be dead for all 1038 00:54:25,960 --> 00:54:29,040 Speaker 1: I know, y'all just not telling me what's up, right. 1039 00:54:29,200 --> 00:54:31,440 Speaker 1: She probably thinks she's dead. Now we know that her 1040 00:54:31,520 --> 00:54:35,600 Speaker 1: mom is just having the time of her life. Like, yeah, 1041 00:54:35,680 --> 00:54:39,000 Speaker 1: fuck these kids. Okay, I'm out here living my black 1042 00:54:39,080 --> 00:54:42,400 Speaker 1: woman freedom. I'll give a damn about my daughter getting 1043 00:54:42,440 --> 00:54:45,759 Speaker 1: on my nerves anyway, writing stupid ass comic books like 1044 00:54:47,280 --> 00:54:51,439 Speaker 1: smoking cigarettes with Josephine Baker time. Yeah, she ain't worried 1045 00:54:51,440 --> 00:54:54,440 Speaker 1: about that, doing cocaine, just you know, doing what she 1046 00:54:54,600 --> 00:54:59,280 Speaker 1: wanted to do. So then she yells at Montros stop 1047 00:54:59,560 --> 00:55:02,840 Speaker 1: fucking lying to me, and I was like, oh, d 1048 00:55:04,280 --> 00:55:06,879 Speaker 1: you know Montross with kids? Now, I don't. I don't 1049 00:55:06,920 --> 00:55:07,520 Speaker 1: know if you heard. 1050 00:55:07,960 --> 00:55:09,399 Speaker 2: I don't know. Nobody told you yet. 1051 00:55:09,719 --> 00:55:12,960 Speaker 1: But Montross ain't fraid to put his hands on the child. 1052 00:55:13,400 --> 00:55:15,239 Speaker 2: But the way she was at that period time, I 1053 00:55:15,280 --> 00:55:17,560 Speaker 2: think she'd try to fight him because she was hot. 1054 00:55:18,040 --> 00:55:20,080 Speaker 1: I don't know. I just don't know that you would win. 1055 00:55:20,520 --> 00:55:23,000 Speaker 3: No, I'm I'm not saying so she would win, but 1056 00:55:23,440 --> 00:55:25,440 Speaker 3: you know, at that period of time, she'd have been like, 1057 00:55:25,520 --> 00:55:27,240 Speaker 3: you know, I know you're gonna with Bass, Well, i'mnna 1058 00:55:27,239 --> 00:55:27,680 Speaker 3: put a fight. 1059 00:55:27,960 --> 00:55:30,759 Speaker 1: Yeah. The kid in me was like, uh, ma'am, you're 1060 00:55:30,760 --> 00:55:31,759 Speaker 1: gonna have to go to your room. 1061 00:55:32,480 --> 00:55:33,799 Speaker 2: It's time out time. 1062 00:55:33,920 --> 00:55:36,040 Speaker 1: She goes to the bathroom and slams the door behind 1063 00:55:36,080 --> 00:55:38,480 Speaker 1: her to wash the spit off her head. But it's like, 1064 00:55:38,600 --> 00:55:41,920 Speaker 1: it's just you could tell that it's just so disgusting 1065 00:55:42,239 --> 00:55:45,040 Speaker 1: and no amount of water would be able to feel clean, 1066 00:55:45,280 --> 00:55:47,680 Speaker 1: no a matter of soap. Uh, And she puts a 1067 00:55:47,760 --> 00:55:52,040 Speaker 1: hat on her head instead, and then Montross talks to 1068 00:55:52,160 --> 00:55:56,479 Speaker 1: her outside the door, trying to like find some level 1069 00:55:56,520 --> 00:55:58,040 Speaker 1: of like connection to her. 1070 00:55:58,200 --> 00:56:00,640 Speaker 3: And yeah, because he was trying because he was mad 1071 00:56:00,680 --> 00:56:03,120 Speaker 3: because they were looking for her, but he was relieved 1072 00:56:03,120 --> 00:56:05,520 Speaker 3: at the same time. But like you said, he was 1073 00:56:05,560 --> 00:56:07,799 Speaker 3: trying to talk to her to try to get her 1074 00:56:07,840 --> 00:56:10,080 Speaker 3: to understand because he was like, nobody's really talking to 1075 00:56:10,200 --> 00:56:13,200 Speaker 3: her about the situation. So I'm gonna kind of step 1076 00:56:13,280 --> 00:56:15,880 Speaker 3: in because I know she can't go nowhere. She can 1077 00:56:16,080 --> 00:56:17,719 Speaker 3: she got at least stay here and hear me. 1078 00:56:18,680 --> 00:56:22,719 Speaker 1: Yeah, and so uh. And I thought it was a 1079 00:56:22,800 --> 00:56:24,600 Speaker 1: lot that he didn't just like bust in the door 1080 00:56:24,680 --> 00:56:25,799 Speaker 1: and started yelling at her. 1081 00:56:25,800 --> 00:56:28,640 Speaker 2: And I think he had some compassion. Yeah, And he. 1082 00:56:28,719 --> 00:56:31,719 Speaker 1: Talks about how his best friend was killed by white 1083 00:56:31,760 --> 00:56:34,279 Speaker 1: people when he was a kid, and that white people 1084 00:56:34,480 --> 00:56:38,800 Speaker 1: just keep coming. And she turns on the radio and 1085 00:56:39,520 --> 00:56:42,919 Speaker 1: she puts on her outside shoes or converts or whatever, 1086 00:56:43,600 --> 00:56:46,560 Speaker 1: and then the camera pans down to a copy of 1087 00:56:46,719 --> 00:56:51,480 Speaker 1: Uncle Tom's cabin with Topsy on the cover and a 1088 00:56:51,560 --> 00:56:55,560 Speaker 1: white girl who's probably Eva on the cover. Now I 1089 00:56:55,680 --> 00:56:57,879 Speaker 1: had to look out hisself because last time I read 1090 00:56:58,000 --> 00:57:02,759 Speaker 1: fucking Uncle Tom's Cabin, I was probably in like sixth grade. Okay, 1091 00:57:02,920 --> 00:57:07,239 Speaker 1: So Uncle Tom's Cabin is by Harriet Beecher Stowe. It's 1092 00:57:07,360 --> 00:57:11,120 Speaker 1: a who was an abolitionist. A lot of people give 1093 00:57:11,160 --> 00:57:14,840 Speaker 1: it credit for being one of the main reasons that 1094 00:57:14,920 --> 00:57:17,440 Speaker 1: we even had a Civil war. I don't really know 1095 00:57:17,600 --> 00:57:21,600 Speaker 1: if that's true, like that that's you know, like that 1096 00:57:21,720 --> 00:57:25,360 Speaker 1: could be just people wanting to believe that books were 1097 00:57:25,440 --> 00:57:28,720 Speaker 1: so powerful it changed everybody. But but but it is 1098 00:57:28,800 --> 00:57:31,160 Speaker 1: a big part of because because the thing is about 1099 00:57:31,200 --> 00:57:35,000 Speaker 1: the North, it wasn't necessarily about abolition for them, so that, 1100 00:57:35,200 --> 00:57:37,800 Speaker 1: you know, take it with a grain of salt, okay, 1101 00:57:38,240 --> 00:57:40,960 Speaker 1: but it was she was an abolitionist, and she wrote 1102 00:57:41,000 --> 00:57:45,920 Speaker 1: this book. And it's about this slave, Uncle Tom, who 1103 00:57:47,800 --> 00:57:52,200 Speaker 1: get sold because it's original owner's farm. They're losing money. 1104 00:57:52,680 --> 00:57:55,919 Speaker 1: They're gonna have to sell some slaves to make ends meet. 1105 00:57:56,400 --> 00:57:59,840 Speaker 1: They're gonna sell Uncle Tom, and then they're gonna sell 1106 00:58:00,720 --> 00:58:06,000 Speaker 1: this black woman's child that's a slave. And even though 1107 00:58:06,160 --> 00:58:08,320 Speaker 1: they had promised to never break up that woman's family, 1108 00:58:08,360 --> 00:58:11,080 Speaker 1: they was gonna sell the child. So that woman escapes 1109 00:58:12,480 --> 00:58:19,880 Speaker 1: to the north, and the Uncle Tom gets sold. He's 1110 00:58:19,880 --> 00:58:23,200 Speaker 1: supposed to be sold to like this farm, like where 1111 00:58:23,240 --> 00:58:27,280 Speaker 1: you work, like a working farm, but he like saves 1112 00:58:27,360 --> 00:58:30,960 Speaker 1: a white kid's life on a boat to the farm, 1113 00:58:31,040 --> 00:58:32,880 Speaker 1: you know what I'm saying, to go to be sold. 1114 00:58:33,480 --> 00:58:37,160 Speaker 1: And because he saves that white kid, the white kid's 1115 00:58:37,200 --> 00:58:41,040 Speaker 1: father buys Uncle Tom, and he's a lot kinder than 1116 00:58:41,080 --> 00:58:42,240 Speaker 1: it would have been for him to go to the 1117 00:58:42,280 --> 00:58:50,520 Speaker 1: working farm. Right in the meantime, the slave who escaped, 1118 00:58:51,000 --> 00:58:54,400 Speaker 1: the woman who didn't want family broken up, she goes 1119 00:58:54,480 --> 00:58:56,080 Speaker 1: to make it to the north. They send like a 1120 00:58:56,160 --> 00:59:01,480 Speaker 1: slave hunter after her. They shoot him, but fear they 1121 00:59:01,600 --> 00:59:03,480 Speaker 1: fear for his life. They don't want to kill him, 1122 00:59:03,560 --> 00:59:06,000 Speaker 1: probably because they come fine ass for sure for real, 1123 00:59:06,120 --> 00:59:08,960 Speaker 1: they kill somebody, right, So they take him to like uh, 1124 00:59:10,000 --> 00:59:15,160 Speaker 1: not the Mormons, but like somebody some like the somebody 1125 00:59:15,280 --> 00:59:16,960 Speaker 1: to take care of him. I forget what they call, 1126 00:59:17,200 --> 00:59:19,440 Speaker 1: like them people that don't believe in technologies on like 1127 00:59:19,480 --> 00:59:22,600 Speaker 1: Quakers or something. And uh, they nurse that man back 1128 00:59:22,680 --> 00:59:24,920 Speaker 1: to health, and that man becomes like an abolitionist and 1129 00:59:24,960 --> 00:59:28,280 Speaker 1: he starts helping slaves get to Canada so they can 1130 00:59:28,360 --> 00:59:30,680 Speaker 1: be free. Okay, that's that's that part of the story. 1131 00:59:31,240 --> 00:59:37,560 Speaker 1: Then with Uncle Tom, he takes his I cannot believe 1132 00:59:38,720 --> 00:59:43,640 Speaker 1: recalling this off the top of my head. Uh oh Tom. 1133 00:59:43,760 --> 00:59:51,720 Speaker 1: So Tom is he's friended this girl and he's taken, uh, 1134 00:59:51,800 --> 00:59:55,600 Speaker 1: he's bought by the girl's father and they go to 1135 00:59:55,720 --> 00:59:59,400 Speaker 1: his farm or whatever the fuck that dude own slaves 1136 01:00:00,120 --> 01:00:03,280 Speaker 1: And he has a cousin from the North who thinks 1137 01:00:03,320 --> 01:00:07,840 Speaker 1: slavery is wrong, but she's still racist, right, so he 1138 01:00:08,040 --> 01:00:11,120 Speaker 1: kind of makes like not a bet, but like he 1139 01:00:11,200 --> 01:00:13,400 Speaker 1: wants to prove a point to her that look, we 1140 01:00:13,640 --> 01:00:15,960 Speaker 1: have to have black people slaves. They inferior to us. 1141 01:00:16,120 --> 01:00:18,840 Speaker 1: Done And she's like, we don't have to have them 1142 01:00:18,840 --> 01:00:22,120 Speaker 1: as slaves. And he's like, well I will. Basically, you 1143 01:00:22,320 --> 01:00:26,120 Speaker 1: pick a girl, will, I'll let you raise her, basically, 1144 01:00:26,280 --> 01:00:30,280 Speaker 1: like you civilize this girl. That girl is topsy. Topsy 1145 01:00:30,440 --> 01:00:33,320 Speaker 1: is the black girl on the cover Eva I believe 1146 01:00:33,480 --> 01:00:37,520 Speaker 1: is the girl from the North, or the or the 1147 01:00:37,600 --> 01:00:40,680 Speaker 1: little girl that Tom's saved or something like that. That's 1148 01:00:40,840 --> 01:00:43,280 Speaker 1: like helping to civilize her or some shit. And so 1149 01:00:43,720 --> 01:00:46,720 Speaker 1: the original picture you see is like them being on 1150 01:00:46,800 --> 01:00:50,360 Speaker 1: the cover. And what's funny is that Harriet Beecher Stowe 1151 01:00:51,360 --> 01:00:56,160 Speaker 1: thought that she was examining and explaining the plight of 1152 01:00:56,240 --> 01:01:00,560 Speaker 1: black pete enslaved people to this mass of white people, 1153 01:01:00,640 --> 01:01:05,240 Speaker 1: and her appeal was to use religion, Christianity to say 1154 01:01:05,400 --> 01:01:09,720 Speaker 1: to white people, listen, God wouldn't want us doing this. 1155 01:01:10,480 --> 01:01:12,840 Speaker 1: This is a bad thing. And so she thought, what 1156 01:01:12,920 --> 01:01:15,720 Speaker 1: what happened was that through showing that black people were 1157 01:01:15,760 --> 01:01:18,760 Speaker 1: good Christians, Tom was a devout Christian. He dies in 1158 01:01:18,840 --> 01:01:25,280 Speaker 1: the book forgiving the overseers who killed him. Okay, and Tom, 1159 01:01:25,440 --> 01:01:28,320 Speaker 1: really what we know is an uncle Tom. That's not 1160 01:01:28,480 --> 01:01:31,840 Speaker 1: really what this book is about. But anyway, so Tom 1161 01:01:32,000 --> 01:01:34,160 Speaker 1: dies in the book being a good Christian. All the 1162 01:01:34,240 --> 01:01:36,560 Speaker 1: black people are good Christians. All the white people that 1163 01:01:36,760 --> 01:01:39,840 Speaker 1: have epiphanies about slavery, it's all because of Christianity and 1164 01:01:39,880 --> 01:01:44,840 Speaker 1: they realize that's not what Jesus want. Okay. So in 1165 01:01:44,960 --> 01:01:47,440 Speaker 1: this book she put Topsy in there to show that 1166 01:01:48,360 --> 01:01:51,360 Speaker 1: she came from a brutalized background. Her parents were like 1167 01:01:52,160 --> 01:01:54,520 Speaker 1: slaves that were made to breed and shit. They own 1168 01:01:54,680 --> 01:01:58,160 Speaker 1: like a restaurant, but they treated her badly. They beat 1169 01:01:58,240 --> 01:02:01,120 Speaker 1: her and they yelled at her. And so they figured, 1170 01:02:01,240 --> 01:02:03,439 Speaker 1: we took out of this environment, she would be better. 1171 01:02:03,600 --> 01:02:05,280 Speaker 1: But then she also wrote stuff in the book where 1172 01:02:05,320 --> 01:02:09,480 Speaker 1: Topsy like stole stuff and she lied. And so what 1173 01:02:09,760 --> 01:02:15,400 Speaker 1: happens is that instead of this character becoming the sympathetic like, oh, 1174 01:02:15,720 --> 01:02:19,160 Speaker 1: slavery is so bad, it's making the children suffer, what 1175 01:02:19,360 --> 01:02:22,520 Speaker 1: happens White people took it and said, oh, Topsy is 1176 01:02:22,600 --> 01:02:28,480 Speaker 1: so entertaining. She's just she lies, she's she stills, she 1177 01:02:28,600 --> 01:02:31,680 Speaker 1: doesn't talk good, she's got this hair. 1178 01:02:33,240 --> 01:02:33,400 Speaker 2: Right. 1179 01:02:33,680 --> 01:02:36,680 Speaker 1: And so what happens is that Topsy becomes like a 1180 01:02:36,800 --> 01:02:42,120 Speaker 1: major mascot in America of like yeah, of like for fun, 1181 01:02:42,360 --> 01:02:49,120 Speaker 1: like when they start minstrel shows, they Topsy is actually 1182 01:02:49,120 --> 01:02:51,840 Speaker 1: in a lot of them, and they even had Uncle 1183 01:02:51,920 --> 01:02:54,600 Speaker 1: Tom minstrel shows. Now that's where Uncle Tom comes from, 1184 01:02:55,160 --> 01:02:59,520 Speaker 1: the minstrel the legacy of the minstrel show, of which 1185 01:03:00,000 --> 01:03:02,160 Speaker 1: I don't know how long after eighteen fifty, whenever the 1186 01:03:02,160 --> 01:03:04,720 Speaker 1: book was put out, like this shit was, the minstrel 1187 01:03:04,720 --> 01:03:07,640 Speaker 1: shows came about. But that's where you get all these 1188 01:03:07,680 --> 01:03:10,240 Speaker 1: depictions of people saying this person's or Uncle Tom, because 1189 01:03:10,280 --> 01:03:12,560 Speaker 1: by then they had broken down what the book was 1190 01:03:12,640 --> 01:03:16,640 Speaker 1: into like you know, just talking you know, talking slavery 1191 01:03:17,280 --> 01:03:21,080 Speaker 1: and black face and dancing jigs and shit. And so 1192 01:03:21,400 --> 01:03:25,920 Speaker 1: now you have minstrels that literally came from anti slavery. 1193 01:03:26,320 --> 01:03:30,120 Speaker 1: It came from abolitionist text. Give it up, give it 1194 01:03:30,160 --> 01:03:34,000 Speaker 1: fifty years in America. Now it's the new like minstrel show, 1195 01:03:34,320 --> 01:03:39,840 Speaker 1: like if that ain't America. So that's Topsy okay, So 1196 01:03:40,080 --> 01:03:43,720 Speaker 1: Topsy when you first look, you see like this black 1197 01:03:43,800 --> 01:03:47,760 Speaker 1: girl with the like with like the braided, like unkempt hair. 1198 01:03:47,960 --> 01:03:48,120 Speaker 2: Yes. 1199 01:03:48,520 --> 01:03:52,720 Speaker 1: And so when Dee looks back at the book, Topsy 1200 01:03:52,840 --> 01:03:56,240 Speaker 1: now has a ghoulish face. Her lips and eyes are 1201 01:03:56,320 --> 01:04:00,320 Speaker 1: kind of like red or yellow. And then eve Eva 1202 01:04:00,440 --> 01:04:03,760 Speaker 1: has been pushed into the mirror and it's cracked behind 1203 01:04:03,840 --> 01:04:08,520 Speaker 1: her and Topsy's hands are almost like claws. So when 1204 01:04:08,640 --> 01:04:11,240 Speaker 1: DC's that, she knows she is tripping ball. 1205 01:04:11,400 --> 01:04:15,200 Speaker 2: Come on, I was like that book don't look right right. 1206 01:04:15,240 --> 01:04:19,600 Speaker 1: Like she was fucked up. And then the book falls 1207 01:04:19,640 --> 01:04:24,840 Speaker 1: off the shelf and uh meanwhile on the other side, uh, 1208 01:04:26,400 --> 01:04:28,720 Speaker 1: uncle Marchross is still like you hear me, d they 1209 01:04:28,800 --> 01:04:30,760 Speaker 1: come for you, you damn sure make him work for it. 1210 01:04:31,080 --> 01:04:33,120 Speaker 3: Yeah, Like he's like, hey, you you hear me, girl, 1211 01:04:33,240 --> 01:04:35,800 Speaker 3: Because he went from beating on dough holling at until 1212 01:04:36,160 --> 01:04:37,640 Speaker 3: you know I understand. 1213 01:04:38,680 --> 01:04:42,280 Speaker 1: And so he uh and when he says you, when 1214 01:04:42,320 --> 01:04:44,080 Speaker 1: they come for you, you damn She'll make them work 1215 01:04:44,160 --> 01:04:46,640 Speaker 1: for it. I feel like it works two ways, like 1216 01:04:47,160 --> 01:04:49,560 Speaker 1: when them creatures, the minstrel things come for you, you 1217 01:04:49,680 --> 01:04:52,440 Speaker 1: make them work for it or whatever or something some 1218 01:04:52,600 --> 01:04:56,640 Speaker 1: foreboding presence is making itself aware, mate to D And 1219 01:04:56,760 --> 01:04:59,040 Speaker 1: so D takes off out the window. 1220 01:04:59,320 --> 01:04:59,880 Speaker 2: Yes she does. 1221 01:05:00,080 --> 01:05:02,480 Speaker 1: Montross opens the door, finds the book on the ground, 1222 01:05:02,760 --> 01:05:04,960 Speaker 1: lifts up the cover. It's back to normal. Yes, it 1223 01:05:05,080 --> 01:05:08,880 Speaker 1: is so whatever DC and only dcnce nobody else sees it, 1224 01:05:09,040 --> 01:05:12,560 Speaker 1: which is scary as fuck for a kid. Yes, like 1225 01:05:12,680 --> 01:05:14,480 Speaker 1: this is one of the night the worst nightments for 1226 01:05:14,480 --> 01:05:16,560 Speaker 1: a black kid, because nobody believes black kids anyway. 1227 01:05:16,760 --> 01:05:16,920 Speaker 2: Right. 1228 01:05:17,400 --> 01:05:20,080 Speaker 1: Uh So then Dee goes to take the train, uh 1229 01:05:20,480 --> 01:05:23,000 Speaker 1: to the south side, I think, to go see Letty, 1230 01:05:23,600 --> 01:05:26,480 Speaker 1: And in the reflection of the glass on the train, 1231 01:05:27,200 --> 01:05:31,160 Speaker 1: you can see it's only reflecting her. All the people 1232 01:05:31,240 --> 01:05:33,760 Speaker 1: on the platform with her are gone. There's nobody. 1233 01:05:34,160 --> 01:05:37,160 Speaker 2: Yeah, because it goes by, and she's like, okay, something, 1234 01:05:37,840 --> 01:05:38,720 Speaker 2: what's happening here? 1235 01:05:39,000 --> 01:05:41,040 Speaker 1: And then she looks at the stairs and you can 1236 01:05:41,120 --> 01:05:46,000 Speaker 1: see a pair of top like girls dressed as Topsy 1237 01:05:46,680 --> 01:05:50,480 Speaker 1: except the Topsy when she looked at the cover with 1238 01:05:50,560 --> 01:05:53,200 Speaker 1: the claws and the teeth and the red lips and 1239 01:05:53,200 --> 01:05:57,640 Speaker 1: shit like that. And they're dancing kind of like, uh, 1240 01:05:57,960 --> 01:06:00,440 Speaker 1: I guess you could say, dancing a jig coming up 1241 01:06:00,480 --> 01:06:04,360 Speaker 1: the stairs, but it's menacing and scary. The music changes. 1242 01:06:04,920 --> 01:06:06,920 Speaker 1: No one else seems to even be reacting to him, 1243 01:06:07,000 --> 01:06:11,760 Speaker 1: but did Yeah, I mean it was basically like they 1244 01:06:11,960 --> 01:06:17,160 Speaker 1: like the nigglets and uh and tail from the hood 1245 01:06:17,760 --> 01:06:21,680 Speaker 1: like well, it's like, oh my god, these minstrels are 1246 01:06:21,840 --> 01:06:24,280 Speaker 1: fucking jerking around scary looking at me. 1247 01:06:24,880 --> 01:06:26,800 Speaker 2: Like like the like the two twins that hold each 1248 01:06:26,840 --> 01:06:28,479 Speaker 2: other at the end of the highway in that movie. 1249 01:06:28,680 --> 01:06:33,040 Speaker 1: Yes, and then uh, she bumps into a white man 1250 01:06:33,360 --> 01:06:37,280 Speaker 1: trying to like distance herself from them, and he doesn't 1251 01:06:37,360 --> 01:06:39,320 Speaker 1: even see She's like do you see that? And he's like, 1252 01:06:39,680 --> 01:06:42,480 Speaker 1: first he like, get on my little niggah. What seems 1253 01:06:42,480 --> 01:06:45,560 Speaker 1: to be the problem. And she's like, you don't see him? 1254 01:06:45,600 --> 01:06:48,680 Speaker 1: And he was like see what? And uh she and 1255 01:06:48,760 --> 01:06:50,960 Speaker 1: then an announcement on the Inner ComCom store, it's like 1256 01:06:51,040 --> 01:06:53,240 Speaker 1: all South Foule trains have been delayed due to a 1257 01:06:53,320 --> 01:06:57,160 Speaker 1: power outage. Uh, and so now everyone's like, oh man, 1258 01:06:57,200 --> 01:06:58,920 Speaker 1: we got a line up to get off the platform, 1259 01:06:59,320 --> 01:07:01,640 Speaker 1: and since the line forms is so tight and the's 1260 01:07:01,720 --> 01:07:04,080 Speaker 1: not near the beginning of the line, she's trying to 1261 01:07:04,160 --> 01:07:06,880 Speaker 1: push through the line as these little girls are just 1262 01:07:06,960 --> 01:07:12,760 Speaker 1: fucking dancing around and zooming, like appearing and disappearing behind people, 1263 01:07:13,200 --> 01:07:14,840 Speaker 1: and they keep their eyes on her, and they got 1264 01:07:14,880 --> 01:07:17,920 Speaker 1: these fucking like yellow teeth and their fucking claws are growing. 1265 01:07:18,600 --> 01:07:20,680 Speaker 1: It was just they it was just it was like 1266 01:07:20,800 --> 01:07:25,680 Speaker 1: the most intense low speed chase ever of all times, 1267 01:07:25,840 --> 01:07:27,760 Speaker 1: because you're really just standing in the line. But she's 1268 01:07:27,800 --> 01:07:31,080 Speaker 1: excuse me, I gotta get through. And so she barely 1269 01:07:31,120 --> 01:07:33,840 Speaker 1: makes it out, and we do see their fingernails are 1270 01:07:33,920 --> 01:07:37,720 Speaker 1: growing in the claws as they reach out for Later, 1271 01:07:37,880 --> 01:07:43,280 Speaker 1: d is now going to Letty's house, and uh, some 1272 01:07:43,440 --> 01:07:45,480 Speaker 1: white girls are playing and I think she took the bus. 1273 01:07:45,640 --> 01:07:48,440 Speaker 1: Some white girls are playing jump rope and the song 1274 01:07:48,520 --> 01:07:51,880 Speaker 1: they're singing it's about Topsy. Oh y'all. I noticed it 1275 01:07:51,960 --> 01:07:55,520 Speaker 1: when I rewatched it. It was Topsy with the yellow eyes, 1276 01:07:55,680 --> 01:07:59,080 Speaker 1: tries to claw the one she spies, follows them from 1277 01:07:59,120 --> 01:08:03,560 Speaker 1: Treed up brook over under every nut. Topsy has the 1278 01:08:03,640 --> 01:08:07,080 Speaker 1: wildest dude. She just wants to dance with ju jig 1279 01:08:07,360 --> 01:08:11,800 Speaker 1: jig jig. Yeah. Yeah, I didn't even pick that the 1280 01:08:11,880 --> 01:08:15,560 Speaker 1: first time, Like what the goodness, like, what are the 1281 01:08:15,680 --> 01:08:19,400 Speaker 1: white girls doing playing that game? And uh, it's and 1282 01:08:19,520 --> 01:08:21,280 Speaker 1: then just just the fact that there was that white 1283 01:08:21,320 --> 01:08:26,000 Speaker 1: neighborhood too, right, So then Dee tries to talk to Letty. 1284 01:08:26,200 --> 01:08:28,519 Speaker 1: Letty was on some Michael Jordan sucked them kids, she 1285 01:08:28,640 --> 01:08:29,280 Speaker 1: was on a mission. 1286 01:08:29,640 --> 01:08:33,200 Speaker 2: She was not paying attention, and I was like, she 1287 01:08:33,400 --> 01:08:34,320 Speaker 2: actually needs you. 1288 01:08:34,439 --> 01:08:37,040 Speaker 3: But like you say, because people don't pay kids' attention, 1289 01:08:37,960 --> 01:08:39,760 Speaker 3: she didn't even take the time to realize that d 1290 01:08:39,960 --> 01:08:43,400 Speaker 3: was in pure distress. Like if if she would have 1291 01:08:43,439 --> 01:08:46,439 Speaker 3: took us second to actually tune in, because she was 1292 01:08:46,479 --> 01:08:47,840 Speaker 3: the one that was pushing we need to. 1293 01:08:47,920 --> 01:08:51,360 Speaker 1: Tell her or listen to the motherfucking the white girls 1294 01:08:51,400 --> 01:08:54,240 Speaker 1: sing across the street singing the goddamn Freddy Kruger l 1295 01:08:54,960 --> 01:08:59,519 Speaker 1: and shit, that shit was too accurate. But but like 1296 01:08:59,720 --> 01:09:01,519 Speaker 1: I I think one of the thing that's interesting is 1297 01:09:01,560 --> 01:09:03,920 Speaker 1: that this gets to the paranoia. Now, no, kids probably 1298 01:09:03,920 --> 01:09:06,479 Speaker 1: aren't watching the show, hopefully not right, but this gets 1299 01:09:06,520 --> 01:09:09,360 Speaker 1: to the paranoid paranoia that I think all kids feel 1300 01:09:09,920 --> 01:09:12,519 Speaker 1: or at least definitely black kids for sure. But this 1301 01:09:12,760 --> 01:09:16,560 Speaker 1: idea of like going through traumatic shit, no one is 1302 01:09:16,680 --> 01:09:20,200 Speaker 1: looking out for you period. You know, she's got lost 1303 01:09:20,240 --> 01:09:23,639 Speaker 1: her mom, she lost her dad, like, because honestly, Letty 1304 01:09:23,680 --> 01:09:26,200 Speaker 1: could have stopped and told her about Hippolyta if she wanted. 1305 01:09:26,920 --> 01:09:29,439 Speaker 1: You know, nobody make Letty do anything she don't want 1306 01:09:29,520 --> 01:09:33,040 Speaker 1: to do, agreed. So it was just stuff where I'm like, man, 1307 01:09:33,200 --> 01:09:35,960 Speaker 1: no one is listening to d you know, you walk 1308 01:09:36,000 --> 01:09:38,559 Speaker 1: in the house, Montross is yelling at you. And keep 1309 01:09:38,560 --> 01:09:41,800 Speaker 1: in mind, all these people know magic exists, yes, and 1310 01:09:43,000 --> 01:09:44,599 Speaker 1: could have been a resource for her. 1311 01:09:44,760 --> 01:09:47,040 Speaker 2: Yeah, And she could have been like, well it looks 1312 01:09:47,120 --> 01:09:49,200 Speaker 2: like nobody sees this for me, but there's something wrong. 1313 01:09:49,320 --> 01:09:51,559 Speaker 2: Can you please help me? You know, all the shit 1314 01:09:51,600 --> 01:09:53,800 Speaker 2: they've seen, they would have believed her, you know. 1315 01:09:54,479 --> 01:09:56,519 Speaker 1: And I just thought it was a commentary on colorism 1316 01:09:56,600 --> 01:10:00,120 Speaker 1: because Leeddy was like, I'm like skinned and I I 1317 01:10:00,200 --> 01:10:03,439 Speaker 1: have text messages to ignore and just walked off. I 1318 01:10:03,600 --> 01:10:06,240 Speaker 1: was like, wow, this show gets it okay, right. But 1319 01:10:06,400 --> 01:10:09,760 Speaker 1: now she tries to tell Letty because she she's like, 1320 01:10:10,240 --> 01:10:13,120 Speaker 1: you know, hold up, I want I gotta tell you something. 1321 01:10:13,240 --> 01:10:15,920 Speaker 1: When she tries to tell her. That's when we find out, 1322 01:10:16,160 --> 01:10:20,439 Speaker 1: actually she can't tell nobody because she starts choking when 1323 01:10:20,479 --> 01:10:22,600 Speaker 1: she said when she tries to tell Letty. 1324 01:10:22,439 --> 01:10:24,920 Speaker 2: That okay, that's plays why she started choking right right. 1325 01:10:25,000 --> 01:10:27,320 Speaker 1: But up until this point, I was like, you know, 1326 01:10:27,800 --> 01:10:29,720 Speaker 1: would y'all even listen to her if she could talk? 1327 01:10:29,800 --> 01:10:32,520 Speaker 1: But this is our first time trying to, you know, communicate. 1328 01:10:32,560 --> 01:10:35,840 Speaker 1: She was in trouble, and soon she started she started choking. 1329 01:10:35,880 --> 01:10:37,320 Speaker 1: I was like, oh fuck, that spell. 1330 01:10:37,840 --> 01:10:41,120 Speaker 3: I thought she was choking because they their proximity had 1331 01:10:41,160 --> 01:10:46,120 Speaker 3: got closer. No, because Robert, that wasn't the fact, but 1332 01:10:46,760 --> 01:10:48,519 Speaker 3: that but that I understand. That's why I thought she 1333 01:10:48,640 --> 01:10:51,120 Speaker 3: was truk. I was like, oh shit, they in close proximity. 1334 01:10:51,680 --> 01:10:54,240 Speaker 1: And what's even crazier is this is when we realized 1335 01:10:54,400 --> 01:10:57,559 Speaker 1: nobody else can see it for sure, because the fucking 1336 01:10:57,600 --> 01:11:01,200 Speaker 1: little girl is right in Letty's face and lady just 1337 01:11:01,200 --> 01:11:02,680 Speaker 1: turns around like girl gets some water in. 1338 01:11:02,640 --> 01:11:05,680 Speaker 2: The house and turned around and like right. 1339 01:11:06,200 --> 01:11:09,960 Speaker 1: So then Dee goes to the house. She sees in 1340 01:11:10,040 --> 01:11:14,040 Speaker 1: the front yard Woody has parked there, which means they 1341 01:11:14,439 --> 01:11:16,760 Speaker 1: have the car that her mama drove off in. 1342 01:11:17,400 --> 01:11:21,600 Speaker 3: So they know something, you know, it and that's not 1343 01:11:22,080 --> 01:11:24,800 Speaker 3: sound crazy. Initially when I seen that car, I thought 1344 01:11:25,560 --> 01:11:28,400 Speaker 3: she is really tripping. Where the fuck did this car 1345 01:11:28,520 --> 01:11:28,960 Speaker 3: come from? 1346 01:11:29,040 --> 01:11:31,360 Speaker 2: And it's prestin like, that's what I thought before, because 1347 01:11:31,360 --> 01:11:33,720 Speaker 2: you've been saying ship, So I thought, what does she 1348 01:11:33,840 --> 01:11:35,519 Speaker 2: walk in the back yard turn to a goddamn corn 1349 01:11:35,560 --> 01:11:37,880 Speaker 2: field with alis nah. 1350 01:11:37,880 --> 01:11:39,720 Speaker 1: Soon Tick would have drove the car home from the 1351 01:11:39,760 --> 01:11:42,400 Speaker 1: observatory when he couldn't find. 1352 01:11:43,880 --> 01:11:47,679 Speaker 2: Yet that makes sense, so they, uh. 1353 01:11:49,439 --> 01:11:50,160 Speaker 1: What was I gonna say? 1354 01:11:50,479 --> 01:11:50,519 Speaker 2: So? 1355 01:11:50,840 --> 01:11:54,080 Speaker 1: Anyway, so she sees the car and one we get 1356 01:11:54,120 --> 01:11:56,479 Speaker 1: a jump scare. One of the one of the little 1357 01:11:56,520 --> 01:11:58,280 Speaker 1: minstrel girls pops up on the other side of the 1358 01:11:58,360 --> 01:12:04,080 Speaker 1: window and uh uh de grabs a bicycle and takes 1359 01:12:04,120 --> 01:12:08,880 Speaker 1: the fuck off. She just jets okay, and then d 1360 01:12:09,120 --> 01:12:11,759 Speaker 1: goes to the police station and steaks out the police 1361 01:12:11,840 --> 01:12:15,559 Speaker 1: looking for Captain Lanister. She sees them, but as she's 1362 01:12:15,720 --> 01:12:21,120 Speaker 1: like another dark alley on her right, you see the 1363 01:12:22,080 --> 01:12:24,599 Speaker 1: the you see dominant silk dancing behind her. 1364 01:12:24,840 --> 01:12:28,080 Speaker 2: Come on, trying to trying to creep up on that 1365 01:12:28,120 --> 01:12:30,280 Speaker 2: and ship like breath and kerr like I like to 1366 01:12:30,320 --> 01:12:31,600 Speaker 2: do your health right, just. 1367 01:12:31,800 --> 01:12:34,439 Speaker 1: All like all the way down the thing just dancing 1368 01:12:34,479 --> 01:12:35,080 Speaker 1: and ship. 1369 01:12:41,800 --> 01:12:50,320 Speaker 3: They soft shirting all behind us. 1370 01:12:50,360 --> 01:12:56,960 Speaker 1: Ship that I really want somebody to take that song 1371 01:12:57,040 --> 01:12:58,720 Speaker 1: and put it underneath the video them coming up that 1372 01:12:58,840 --> 01:13:04,640 Speaker 1: motherfucking alley. We need that. But yeah, so they was 1373 01:13:04,760 --> 01:13:08,320 Speaker 1: just jigging up there, and then Dee pulls off on 1374 01:13:08,439 --> 01:13:12,160 Speaker 1: the bike after the police car, right before they were 1375 01:13:12,200 --> 01:13:14,760 Speaker 1: about to touch her with their claws. So and this 1376 01:13:14,920 --> 01:13:20,280 Speaker 1: time she wasn't even aware of them. Sode wants to 1377 01:13:20,439 --> 01:13:23,519 Speaker 1: talk to and it was giving me very Freddy Krueger vibes, 1378 01:13:24,120 --> 01:13:27,760 Speaker 1: like how Freddy Krueger comes to you, Like everyone has 1379 01:13:27,840 --> 01:13:30,839 Speaker 1: to sleep at some point, everybody, and when you fall asleep, 1380 01:13:30,920 --> 01:13:33,640 Speaker 1: this nigga's gonna be waiting. And for d it's like 1381 01:13:33,800 --> 01:13:36,920 Speaker 1: whether she sees them or not, these motherfuckers are always coming. 1382 01:13:37,400 --> 01:13:38,920 Speaker 1: She canna get up a little bit ahead of them, 1383 01:13:38,960 --> 01:13:45,680 Speaker 1: but they never stopped. So then d goes to She 1384 01:13:45,800 --> 01:13:49,639 Speaker 1: follows the cops back to that lodge and she busted 1385 01:13:49,720 --> 01:13:57,000 Speaker 1: the motherfucking lodge in the captain's office and she is pissed. Okay, 1386 01:13:57,360 --> 01:14:00,439 Speaker 1: they were just reading the paper about how Letty is 1387 01:14:00,560 --> 01:14:03,720 Speaker 1: a pioneer and a white neighborhood and they like, you know, 1388 01:14:03,960 --> 01:14:06,840 Speaker 1: now she's a fucking celebrity because she's the first black 1389 01:14:06,880 --> 01:14:10,240 Speaker 1: woman in this white neighborhood. So we can't just barge 1390 01:14:10,280 --> 01:14:12,600 Speaker 1: in there. And it's like, well, we don't know how 1391 01:14:12,680 --> 01:14:15,560 Speaker 1: much magic that the blacks that live there know, so 1392 01:14:15,960 --> 01:14:18,200 Speaker 1: you know, we can't just come at them straight. And 1393 01:14:19,000 --> 01:14:20,519 Speaker 1: they're trying to come up with a plan to get 1394 01:14:20,560 --> 01:14:23,160 Speaker 1: in the house because they want that orry from here 1395 01:14:23,479 --> 01:14:26,400 Speaker 1: or whatever, probably amongst a bunch of other shit too. 1396 01:14:27,760 --> 01:14:32,479 Speaker 1: So then d barges in and its like is my 1397 01:14:32,560 --> 01:14:34,920 Speaker 1: mama dad? Like straight up? 1398 01:14:35,040 --> 01:14:37,800 Speaker 2: And I got questions, mister officer, yeah, and. 1399 01:14:37,880 --> 01:14:41,320 Speaker 1: Captain Lancaster was like probably, Like he ain't give a fuck, 1400 01:14:41,400 --> 01:14:44,880 Speaker 1: He was like, oh, probably shit. Uh. He finds out 1401 01:14:45,000 --> 01:14:47,160 Speaker 1: and she finds out that apparently the spit spell is 1402 01:14:47,240 --> 01:14:49,680 Speaker 1: to keep her from talking, which it literally did. It 1403 01:14:49,800 --> 01:14:51,600 Speaker 1: choke her when she tried to tell anybody about it, 1404 01:14:52,120 --> 01:14:55,559 Speaker 1: and she asked what happens if if those things get her, 1405 01:14:56,280 --> 01:14:58,880 Speaker 1: and he offers to remove the curse and she will 1406 01:14:58,920 --> 01:15:01,439 Speaker 1: give them the orry, and he goes, you know what 1407 01:15:01,520 --> 01:15:03,640 Speaker 1: the oriy is and she's like, yeah, I know what 1408 01:15:03,720 --> 01:15:07,679 Speaker 1: the ori is. And my mom's name is Hippolyta. Greek 1409 01:15:07,840 --> 01:15:11,320 Speaker 1: is Greek asshole to the other cop. I was like, damn, 1410 01:15:11,400 --> 01:15:12,000 Speaker 1: she going off. 1411 01:15:12,400 --> 01:15:14,000 Speaker 2: Yeah, and it's one of those things. Was like, oh, 1412 01:15:14,120 --> 01:15:15,479 Speaker 2: she got that from my mama, because a lot of 1413 01:15:15,479 --> 01:15:18,600 Speaker 2: people fed to realize. When Hippolytta was left out, she 1414 01:15:18,760 --> 01:15:21,080 Speaker 2: got mad, she got angry, she went to go find 1415 01:15:21,120 --> 01:15:23,680 Speaker 2: out shit, and that right there was her mama, likee, 1416 01:15:24,040 --> 01:15:26,360 Speaker 2: y'all left me out. I know y'all lied to me. 1417 01:15:27,280 --> 01:15:29,320 Speaker 2: Somebody here has got to tell me something. 1418 01:15:29,880 --> 01:15:33,599 Speaker 1: I think so too, especially when she found out when 1419 01:15:33,640 --> 01:15:36,679 Speaker 1: George died. I think she saw her mom react differently. 1420 01:15:37,439 --> 01:15:39,240 Speaker 1: But the other thing I was gonna say is D 1421 01:15:39,680 --> 01:15:43,160 Speaker 1: was like that book like D seems to be that 1422 01:15:43,360 --> 01:15:47,120 Speaker 1: generational difference in black people. Yes, where you know our 1423 01:15:47,280 --> 01:15:50,160 Speaker 1: parents a little bit more like Nah, you kind of 1424 01:15:51,160 --> 01:15:52,880 Speaker 1: you make a life out of what you can do, 1425 01:15:53,360 --> 01:15:55,559 Speaker 1: and you try to stay safe and make smart decisions. 1426 01:15:56,080 --> 01:15:59,479 Speaker 1: And while they're doing that, they don't realize you're actually 1427 01:15:59,479 --> 01:16:02,880 Speaker 1: setting the around for your kid to be to feel 1428 01:16:02,920 --> 01:16:04,519 Speaker 1: those things and to go I want to take a 1429 01:16:04,560 --> 01:16:07,799 Speaker 1: few more risks than you did, and each generation hopefully 1430 01:16:07,920 --> 01:16:09,720 Speaker 1: is able to pass it to the next. Yes, and 1431 01:16:09,880 --> 01:16:13,559 Speaker 1: D takes more risks than her mom did, Like even 1432 01:16:14,160 --> 01:16:17,080 Speaker 1: without all this magic shit. Whatever d you wanted to 1433 01:16:17,160 --> 01:16:19,639 Speaker 1: be was kinbably gonna be closer to her mom's dreams 1434 01:16:19,720 --> 01:16:23,000 Speaker 1: for herself than what her mom ended up being. 1435 01:16:23,240 --> 01:16:25,160 Speaker 2: Yeah, because it's also one of the things. That's why 1436 01:16:25,360 --> 01:16:28,479 Speaker 2: you know, when Hippolytap was telling de about the stars, 1437 01:16:28,640 --> 01:16:30,760 Speaker 2: she yelled down the room. You know, it's one of 1438 01:16:30,760 --> 01:16:32,160 Speaker 2: those things. But she's like, no, no, no, no, no, 1439 01:16:32,520 --> 01:16:34,400 Speaker 2: I'm not gonna be quiet, you know, because she would 1440 01:16:34,400 --> 01:16:36,000 Speaker 2: ask her mama like, why didn't you do this? And 1441 01:16:36,040 --> 01:16:39,200 Speaker 2: why didn't you do that? Almost kind of not disrespectful, 1442 01:16:39,280 --> 01:16:40,920 Speaker 2: but just challenging. 1443 01:16:40,680 --> 01:16:43,320 Speaker 3: Her as far as you know, you got these dreams 1444 01:16:43,439 --> 01:16:45,880 Speaker 3: and almost, Mama, I still believe in what in what 1445 01:16:46,040 --> 01:16:49,440 Speaker 3: you can do. And I think that that says generational 1446 01:16:49,600 --> 01:16:51,400 Speaker 3: thing where she's like, oh no, no, no, no, I'm 1447 01:16:51,439 --> 01:16:52,280 Speaker 3: not gonna be quiet. 1448 01:16:52,600 --> 01:16:52,760 Speaker 2: Right. 1449 01:16:53,640 --> 01:16:57,519 Speaker 1: Uh So the this is when Lancaster basically says, I 1450 01:16:57,600 --> 01:17:01,840 Speaker 1: will take the spell off of you for the and 1451 01:17:01,920 --> 01:17:09,280 Speaker 1: then she says, uh, fuck you pig, and spits on 1452 01:17:09,479 --> 01:17:13,920 Speaker 1: his tie, spits on him and then says it fucking 1453 01:17:14,000 --> 01:17:18,120 Speaker 1: stinks in here and walks out. And then the henchman 1454 01:17:18,760 --> 01:17:22,240 Speaker 1: goes to get d like like probably do something to 1455 01:17:22,320 --> 01:17:26,040 Speaker 1: her and that's when the Captain's like, the hell with 1456 01:17:26,160 --> 01:17:28,479 Speaker 1: the girl. She's already dead. It's time to get what 1457 01:17:28,600 --> 01:17:31,720 Speaker 1: belongs to me. And I was like, damn, whatever the 1458 01:17:31,800 --> 01:17:35,479 Speaker 1: spell is, he definitely ain't gonna lift it. And it 1459 01:17:35,600 --> 01:17:38,280 Speaker 1: sounds like it's a spell that kills you, and he 1460 01:17:38,320 --> 01:17:40,080 Speaker 1: ain't gonna save her. He don't give a fuck, Like 1461 01:17:40,200 --> 01:17:42,719 Speaker 1: that was a whole point. He doomed her to death. 1462 01:17:42,880 --> 01:17:44,680 Speaker 2: Yeah, and not only he part of mine out of 1463 01:17:44,680 --> 01:17:46,599 Speaker 2: took it off anyway because he don't care. Yeah. 1464 01:17:47,280 --> 01:17:48,800 Speaker 3: And it's also one of those things too where she 1465 01:17:48,880 --> 01:17:50,920 Speaker 3: was probably smelled that body in that closet. 1466 01:17:52,080 --> 01:17:54,519 Speaker 1: Yeah, that's in there. 1467 01:17:54,640 --> 01:17:54,840 Speaker 3: Yeah. 1468 01:17:55,439 --> 01:17:59,839 Speaker 1: And so then she goes outside and mother fucking Candice 1469 01:17:59,880 --> 01:18:01,040 Speaker 1: Ones is out there again. 1470 01:18:02,320 --> 01:18:02,439 Speaker 2: Uh. 1471 01:18:03,040 --> 01:18:14,920 Speaker 1: And and them little girls is waiting on us, and 1472 01:18:15,520 --> 01:18:19,760 Speaker 1: she gets on her bike and she rides past them. 1473 01:18:19,880 --> 01:18:21,840 Speaker 1: We have like a little scare where one of them 1474 01:18:21,840 --> 01:18:24,880 Speaker 1: slipes at her, but she she gets past them. And 1475 01:18:24,960 --> 01:18:28,080 Speaker 1: they also played the speech from Naomi Widler, who is 1476 01:18:28,160 --> 01:18:30,559 Speaker 1: the Black Girls spoke for the march at the March 1477 01:18:30,640 --> 01:18:33,560 Speaker 1: of Our for Our Lives rally, She's the one that 1478 01:18:34,080 --> 01:18:36,840 Speaker 1: did the speech where she specifically talked about little black 1479 01:18:36,880 --> 01:18:39,280 Speaker 1: girls and gun violence, and how it's different than it's 1480 01:18:39,320 --> 01:18:42,519 Speaker 1: school gun violence, that that that that we that makes 1481 01:18:42,600 --> 01:18:45,560 Speaker 1: the news when like Parkling happens or something like that. 1482 01:18:45,840 --> 01:18:48,760 Speaker 1: She's like, we're getting killed by guns all the time 1483 01:18:49,280 --> 01:18:53,120 Speaker 1: in our neighborhoods, in our homes, in our schools, and 1484 01:18:53,880 --> 01:18:57,280 Speaker 1: we need to do something about it, not just when 1485 01:18:57,320 --> 01:19:00,600 Speaker 1: it happens to white kids. So I just thought that 1486 01:19:00,800 --> 01:19:03,680 Speaker 1: was an interesting thing to choose to play right there. 1487 01:19:05,160 --> 01:19:09,560 Speaker 1: And so d comes into her daddy's business, goes to 1488 01:19:09,640 --> 01:19:13,679 Speaker 1: the garage, earl's garage, and she locks all the doors 1489 01:19:13,720 --> 01:19:15,120 Speaker 1: except this one that won't lock. 1490 01:19:16,280 --> 01:19:18,120 Speaker 2: I thought she left it purposely unlocked. 1491 01:19:18,520 --> 01:19:21,000 Speaker 1: Oh you know, maybe she did. Yeah, she left one 1492 01:19:21,040 --> 01:19:23,040 Speaker 1: of them unlocked so that they would have one way 1493 01:19:23,120 --> 01:19:25,920 Speaker 1: to get in, right. And then she gets a pipe 1494 01:19:27,720 --> 01:19:32,840 Speaker 1: and she draws some paper because you know, she's an artist, 1495 01:19:33,400 --> 01:19:38,479 Speaker 1: so she draws a depiction of the little girls who 1496 01:19:38,479 --> 01:19:41,040 Speaker 1: are after her. And then the little girls come in 1497 01:19:41,880 --> 01:19:47,120 Speaker 1: and she, uh, she pulls out the pipe and she 1498 01:19:48,400 --> 01:19:51,400 Speaker 1: put she laid the pipe to the badass chaps. She 1499 01:19:51,520 --> 01:19:52,960 Speaker 1: was beating the hell out them little girls. 1500 01:19:54,960 --> 01:19:57,080 Speaker 2: She was giving them the motherfucking business. 1501 01:19:57,320 --> 01:19:59,600 Speaker 1: Yeah, she beat them with a pole and ship and 1502 01:20:00,000 --> 01:20:02,280 Speaker 1: when Mantras comes in, he just sees us swinging in 1503 01:20:02,360 --> 01:20:05,320 Speaker 1: the air nothing because he can't see them, right, and 1504 01:20:05,479 --> 01:20:09,160 Speaker 1: so he grabs her trying to like be like, what's wrong. 1505 01:20:09,320 --> 01:20:11,200 Speaker 2: Yeah, and I saw it. That's the worst thing he 1506 01:20:11,240 --> 01:20:11,920 Speaker 2: could do right. 1507 01:20:11,880 --> 01:20:14,840 Speaker 1: Now, right, And when he grabs her, we see her 1508 01:20:14,960 --> 01:20:17,479 Speaker 1: arms start turning like black, as if her veins have 1509 01:20:17,560 --> 01:20:21,439 Speaker 1: been poisoned. And from the her perspective, we see the 1510 01:20:21,560 --> 01:20:27,320 Speaker 1: little girls have poison her. Their claws have dug into 1511 01:20:27,400 --> 01:20:31,280 Speaker 1: her arms and poison. That's where the poisons coming from. 1512 01:20:31,520 --> 01:20:33,680 Speaker 2: Yes, I was like, oh, that's the worst thing he 1513 01:20:33,720 --> 01:20:36,360 Speaker 2: could have did. But he didn't know, no, you know, 1514 01:20:36,600 --> 01:20:36,880 Speaker 2: none of that. 1515 01:20:36,960 --> 01:20:39,599 Speaker 1: He couldn't have known really, and she couldn't tell anybody. 1516 01:20:41,120 --> 01:20:44,360 Speaker 1: But I'm assuming we'll we'll figure it out. 1517 01:20:44,600 --> 01:20:46,760 Speaker 3: Yeah, And I can't even imagine because this is not 1518 01:20:46,840 --> 01:20:48,960 Speaker 3: the first time they used to spell so I can't 1519 01:20:49,000 --> 01:20:52,120 Speaker 3: even imagine them doing this and having black people put 1520 01:20:52,160 --> 01:20:53,120 Speaker 3: in the looney being. 1521 01:20:53,040 --> 01:20:54,960 Speaker 2: Quote unquote or the quote unquote. 1522 01:20:54,680 --> 01:20:56,559 Speaker 3: Crazy house, you know, being locked up, you know, because 1523 01:20:56,560 --> 01:20:58,600 Speaker 3: that's what they used to call it, because that you know, 1524 01:20:58,960 --> 01:21:01,760 Speaker 3: they're acting Iraq and don't nobody know what's happening, and 1525 01:21:01,840 --> 01:21:04,680 Speaker 3: they you know, they're they're doing all these weird and 1526 01:21:04,840 --> 01:21:05,559 Speaker 3: and and and. 1527 01:21:06,400 --> 01:21:08,880 Speaker 2: Not normal things. So I can't even imagine the people 1528 01:21:08,880 --> 01:21:10,519 Speaker 2: that have been like locked up because of that. 1529 01:21:12,000 --> 01:21:17,200 Speaker 1: Yeah, all the I mean, but demons aren't real, so 1530 01:21:17,680 --> 01:21:20,360 Speaker 1: they you know what I mean, Like it would have 1531 01:21:20,400 --> 01:21:22,280 Speaker 1: been a little bit different, you know what I'm saying 1532 01:21:22,360 --> 01:21:22,840 Speaker 1: real life. 1533 01:21:23,120 --> 01:21:24,840 Speaker 3: No no, no, no, I'm talking No, I'm talking about 1534 01:21:24,880 --> 01:21:27,519 Speaker 3: like like in this world. Like like like in this world, 1535 01:21:27,600 --> 01:21:30,000 Speaker 3: the captain and them may have done this before. And 1536 01:21:30,200 --> 01:21:32,080 Speaker 3: I could see other people. 1537 01:21:32,080 --> 01:21:33,680 Speaker 1: Well see that's the thing. It seemed like it's a 1538 01:21:33,800 --> 01:21:36,479 Speaker 1: death thing, like you die. So I don't even think 1539 01:21:36,520 --> 01:21:39,040 Speaker 1: it's like, oh this person's crazy, let's go put them 1540 01:21:39,040 --> 01:21:41,400 Speaker 1: in a silence sound like the second that the thing 1541 01:21:41,520 --> 01:21:44,400 Speaker 1: gets you, you start getting it starts killing you. So 1542 01:21:44,600 --> 01:21:47,559 Speaker 1: they ain't gonna be no time for time to put 1543 01:21:47,560 --> 01:21:49,280 Speaker 1: you in the asylum. In a week, you're gonna be dead, 1544 01:21:50,200 --> 01:21:50,679 Speaker 1: that's true. 1545 01:21:50,720 --> 01:21:54,960 Speaker 2: But but I could see like them following somebody for 1546 01:21:54,960 --> 01:21:57,240 Speaker 2: a while and they eventually just put them away and 1547 01:21:57,280 --> 01:21:59,320 Speaker 2: then end up getting in there killed them anyway. Don't 1548 01:21:59,320 --> 01:22:01,040 Speaker 2: get me wrong, but I could see it going to 1549 01:22:01,120 --> 01:22:01,880 Speaker 2: that extent. 1550 01:22:03,360 --> 01:22:06,960 Speaker 1: Makes look crazy, yeah right, Yeah, And you can't tell nobody. Yeah, 1551 01:22:07,080 --> 01:22:09,000 Speaker 1: so they Yeah, you're right. Who else could they have 1552 01:22:09,080 --> 01:22:11,720 Speaker 1: done that to? Like, maybe we'll find other stories of 1553 01:22:12,040 --> 01:22:15,040 Speaker 1: what leg casters have done to people, or what Captain 1554 01:22:15,120 --> 01:22:15,920 Speaker 1: Lancaster has done. 1555 01:22:16,040 --> 01:22:18,840 Speaker 3: Yeah, other adults And all of a sudden, did you going, 1556 01:22:19,200 --> 01:22:20,200 Speaker 3: what the hell is wrong with them? 1557 01:22:20,479 --> 01:22:22,200 Speaker 1: Yeah? And I think it was really poigning they did 1558 01:22:22,240 --> 01:22:25,479 Speaker 1: it to a kid, because it's nobody fucking believes kids. Anyway, 1559 01:22:26,960 --> 01:22:31,439 Speaker 1: Letty and Tich let's do their story last. Back at 1560 01:22:31,520 --> 01:22:35,000 Speaker 1: Letty's house, Letty is looking for D and D's not there. 1561 01:22:35,120 --> 01:22:39,040 Speaker 1: But guess who is there, y'all? Jia, she'd have made 1562 01:22:39,080 --> 01:22:39,439 Speaker 1: the trip. 1563 01:22:39,640 --> 01:22:40,720 Speaker 2: Yep, I was right. 1564 01:22:40,960 --> 01:22:41,479 Speaker 1: I was right. 1565 01:22:42,560 --> 01:22:44,240 Speaker 2: Yes, it is one of them things. When he walked 1566 01:22:44,320 --> 01:22:46,720 Speaker 2: up and he's seen them shoes, you might as well 1567 01:22:46,760 --> 01:22:47,719 Speaker 2: hear the anime flue. 1568 01:22:47,920 --> 01:22:51,479 Speaker 1: We haven't got there yet. I'm sorry, but she she 1569 01:22:52,240 --> 01:22:54,920 Speaker 1: she's in the house, in the lobby of the house. 1570 01:22:55,080 --> 01:22:57,160 Speaker 1: I actually saw her in the corner when I rewatched 1571 01:22:57,200 --> 01:23:01,160 Speaker 1: it before Letty saw. And then Letty goes, are you 1572 01:23:01,240 --> 01:23:03,320 Speaker 1: looking for a room or something? She was like, I'm 1573 01:23:03,360 --> 01:23:04,760 Speaker 1: looking for Atticus. 1574 01:23:06,040 --> 01:23:07,080 Speaker 2: And it was a stair off. 1575 01:23:09,400 --> 01:23:12,000 Speaker 1: She's like, I'm looking for your man, and I think 1576 01:23:12,080 --> 01:23:22,000 Speaker 1: you know, so you know, it was getting kind of 1577 01:23:22,080 --> 01:23:23,719 Speaker 1: it was getting kind of heated up in there. Okay, 1578 01:23:24,000 --> 01:23:27,680 Speaker 1: it was We've been waiting for this to happen the 1579 01:23:27,760 --> 01:23:31,720 Speaker 1: whole time, so, uh, we were finally getting that confrontation 1580 01:23:32,120 --> 01:23:39,160 Speaker 1: coming up next to confrontation. So meanwhile, while this is happening, 1581 01:23:39,520 --> 01:23:44,400 Speaker 1: Tech meets Christina in a graveyard inside of mausoleum containing 1582 01:23:45,280 --> 01:23:50,599 Speaker 1: the body of her mother, Clarissa Braithwhite, and he asked 1583 01:23:50,800 --> 01:23:53,400 Speaker 1: her to teach him how to cast a spell to 1584 01:23:53,479 --> 01:23:56,439 Speaker 1: protect himself, and she's like, why are you reaching out now? 1585 01:23:56,479 --> 01:23:59,519 Speaker 1: I gave you my card weeks ago. And he's like, 1586 01:24:00,800 --> 01:24:04,280 Speaker 1: it's my birthright. But he says it's so without authority, 1587 01:24:04,439 --> 01:24:07,000 Speaker 1: like it's my birth right, and she was like she 1588 01:24:07,160 --> 01:24:08,720 Speaker 1: laughed at him, and it was like, you don't have 1589 01:24:08,880 --> 01:24:14,160 Speaker 1: enough whiteness in you to sell that entitlement, Like you not, 1590 01:24:14,479 --> 01:24:16,160 Speaker 1: like you ain't even have no base in your voice. 1591 01:24:17,320 --> 01:24:19,559 Speaker 1: She was like not unless something has changed you. You're 1592 01:24:19,640 --> 01:24:22,880 Speaker 1: desperate now to do what to protect yourself? You managed 1593 01:24:22,920 --> 01:24:25,920 Speaker 1: to get tied to his pages. Congratulations. I wasn't sure 1594 01:24:25,960 --> 01:24:28,000 Speaker 1: you could pull it off. People died trying to hear 1595 01:24:28,400 --> 01:24:32,400 Speaker 1: him lost in arm, which we saw, but that also 1596 01:24:32,560 --> 01:24:35,720 Speaker 1: means that hear them made it out of there, that 1597 01:24:35,880 --> 01:24:38,360 Speaker 1: doctor with the one arm, so he didn't die down 1598 01:24:38,400 --> 01:24:40,439 Speaker 1: there like I thought. Maybe he had died down there, 1599 01:24:40,560 --> 01:24:42,960 Speaker 1: but I guess he went back to do more evil 1600 01:24:43,040 --> 01:24:44,040 Speaker 1: experiments on black people. 1601 01:24:44,080 --> 01:24:45,840 Speaker 2: Apparently he did. He didn't have the right blood, so 1602 01:24:45,920 --> 01:24:49,760 Speaker 2: the thing chopped his arm off, right, And so then 1603 01:24:49,800 --> 01:24:52,720 Speaker 2: he says, well, Horatio, stolen pages are still out there, 1604 01:24:53,760 --> 01:24:56,360 Speaker 2: and I give you the orry, but what I think 1605 01:24:56,400 --> 01:24:57,479 Speaker 2: you really want is this. 1606 01:24:57,720 --> 01:25:00,200 Speaker 1: And it was the key to the porter machine, which 1607 01:25:00,200 --> 01:25:04,200 Speaker 1: he snatched up right before he left last week. And 1608 01:25:04,320 --> 01:25:09,719 Speaker 1: so she says, look, uh, the reason that the spell 1609 01:25:09,880 --> 01:25:13,280 Speaker 1: end is it gonna work is because the incantation, the 1610 01:25:13,400 --> 01:25:18,920 Speaker 1: incantation isn't the spell. You actually need energy, intention, and 1611 01:25:19,040 --> 01:25:21,880 Speaker 1: a body. And that's how you upset the ballots of 1612 01:25:21,960 --> 01:25:24,840 Speaker 1: nature without a disaster perfect alignment. And what I thought 1613 01:25:25,080 --> 01:25:28,880 Speaker 1: was full metal alchemists. Yes you know what I mean, 1614 01:25:28,960 --> 01:25:32,600 Speaker 1: because I was like, oh yeah, full metal alchemists equal exchange, Like, 1615 01:25:33,160 --> 01:25:36,360 Speaker 1: you can't just do the spell because you're fucking with 1616 01:25:36,439 --> 01:25:39,400 Speaker 1: the fabric of reality. You got to give up something, 1617 01:25:39,640 --> 01:25:43,880 Speaker 1: You're transmuting something somewhere. So there's a there's a give here, 1618 01:25:43,960 --> 01:25:47,280 Speaker 1: there's a take somewhere. Yes, it is, so shout out 1619 01:25:47,280 --> 01:25:49,120 Speaker 1: the anime, Like I said, I feel like I just 1620 01:25:49,920 --> 01:25:52,840 Speaker 1: just fucking this show is made for us. Yes. So 1621 01:25:53,000 --> 01:25:55,719 Speaker 1: then she shows him the symbol for protection. It says 1622 01:25:56,920 --> 01:25:58,960 Speaker 1: like she draws it in dust and she's like, you 1623 01:25:59,080 --> 01:26:01,519 Speaker 1: need to put this around the area before you cast 1624 01:26:01,600 --> 01:26:06,320 Speaker 1: any of these fails. This invulnerability of immortality spells or 1625 01:26:06,320 --> 01:26:08,519 Speaker 1: it's not gonna work. And he gives her the key 1626 01:26:08,800 --> 01:26:11,920 Speaker 1: and she says, good luck, cousin, and before she leaves, 1627 01:26:12,120 --> 01:26:15,719 Speaker 1: he goes the tom no equal Knox. What's gonna happen 1628 01:26:16,760 --> 01:26:17,479 Speaker 1: in her face? 1629 01:26:18,200 --> 01:26:20,760 Speaker 2: Like like he says, something that triggered something in her? 1630 01:26:21,960 --> 01:26:24,840 Speaker 1: Yeah, like she she had almost like how do you 1631 01:26:24,960 --> 01:26:27,280 Speaker 1: know that? Come on? 1632 01:26:29,960 --> 01:26:31,479 Speaker 2: Exactly how it looked. 1633 01:26:32,240 --> 01:26:34,960 Speaker 1: But she was looking like how like scared that he knew, 1634 01:26:35,040 --> 01:26:37,360 Speaker 1: like he's not supposed to know about this she and 1635 01:26:37,520 --> 01:26:42,439 Speaker 1: she says that's the day I'm gonna achieve immortality on 1636 01:26:42,560 --> 01:26:47,519 Speaker 1: that night. And then Tick pulls up to the crib. 1637 01:26:48,360 --> 01:26:51,880 Speaker 1: That's when he sees some shoes sitting on the porch 1638 01:26:53,439 --> 01:26:57,400 Speaker 1: and he's like, not every black people don't need they 1639 01:26:57,439 --> 01:26:59,200 Speaker 1: put the outside on the porch. 1640 01:26:59,360 --> 01:27:00,960 Speaker 2: I told you what I seen it. All of her 1641 01:27:01,080 --> 01:27:03,439 Speaker 2: was a flute and some wind blow by with some leaves. 1642 01:27:05,479 --> 01:27:08,200 Speaker 1: And he walks in and he sees sitting at the 1643 01:27:08,280 --> 01:27:12,200 Speaker 1: table is Jia and Letty. 1644 01:27:13,240 --> 01:27:15,120 Speaker 2: He walked in that room and he knew. He was like, 1645 01:27:15,240 --> 01:27:25,160 Speaker 2: oh this, this ain't gonna be good looking at each other. 1646 01:27:26,320 --> 01:27:31,920 Speaker 1: And so then Jia does spell all the beans okay, 1647 01:27:32,439 --> 01:27:33,200 Speaker 1: like she's. 1648 01:27:33,320 --> 01:27:34,880 Speaker 3: I ain't got no shame, like I might as well 1649 01:27:34,960 --> 01:27:37,200 Speaker 3: tell her, I mean, because Letty knew about her, so 1650 01:27:37,280 --> 01:27:40,879 Speaker 3: and so it's not like, uh, Letty didn't know she existed. 1651 01:27:41,080 --> 01:27:42,760 Speaker 1: Yeah, she done spelled all the beans, like when I 1652 01:27:42,840 --> 01:27:45,120 Speaker 1: offset mistresses on Instagram live. 1653 01:27:45,360 --> 01:27:47,360 Speaker 2: Just I'm gonna tell you everything ain't I ain't got 1654 01:27:47,400 --> 01:27:47,880 Speaker 2: nothing hide. 1655 01:27:48,240 --> 01:27:52,320 Speaker 1: And so then uh tick is is right, you know, 1656 01:27:52,479 --> 01:27:55,800 Speaker 1: pissed off or whatever. He's like, you a sucky bitch, 1657 01:27:56,280 --> 01:27:59,720 Speaker 1: and she was like in Korea, actually well actually, and 1658 01:28:00,640 --> 01:28:04,240 Speaker 1: it's called a cameo, a nine tail fox spirit, so 1659 01:28:04,479 --> 01:28:07,160 Speaker 1: like that's what I am. And he was like, you 1660 01:28:07,280 --> 01:28:09,759 Speaker 1: killed one hundred men, and she was like, it's my nature. 1661 01:28:09,800 --> 01:28:13,320 Speaker 1: What's your excuse? All right, I'm a motherfucking monster. You 1662 01:28:13,400 --> 01:28:15,120 Speaker 1: just killed one hundred people for no reason, just to 1663 01:28:15,200 --> 01:28:17,400 Speaker 1: kill him. You went the war and was killing people 1664 01:28:17,439 --> 01:28:20,800 Speaker 1: and shit, I just can't help myself. And she and 1665 01:28:20,920 --> 01:28:25,599 Speaker 1: then the whole time, Letty's looking over there and she's like, uh, Camie. 1666 01:28:25,920 --> 01:28:27,960 Speaker 1: She's like, oh, yeah, Camo. What I mean by that 1667 01:28:28,120 --> 01:28:30,120 Speaker 1: is when I have sex and my love of climaxes 1668 01:28:30,160 --> 01:28:32,720 Speaker 1: my nine tails attached to him and taking his life 1669 01:28:32,760 --> 01:28:34,400 Speaker 1: for us. That's how I am able to see the 1670 01:28:34,680 --> 01:28:38,960 Speaker 1: entire lives up to their deaths. And Letty's just like, Okay, 1671 01:28:39,840 --> 01:28:40,599 Speaker 1: that just happened. 1672 01:28:40,920 --> 01:28:42,720 Speaker 2: Yeah, I've seen a lot of shit, but this is new. 1673 01:28:43,040 --> 01:28:46,599 Speaker 1: And Tick once he hears that she saw his life 1674 01:28:46,680 --> 01:28:49,559 Speaker 1: up to his death's, he's like, what did you see? 1675 01:28:49,840 --> 01:28:52,479 Speaker 1: How did I die? When is it gonna happen? And 1676 01:28:52,600 --> 01:28:54,880 Speaker 1: she's like I don't know. I don't have all those answers. 1677 01:28:54,960 --> 01:28:57,519 Speaker 1: And he's like, then what the why are you here? 1678 01:28:58,520 --> 01:29:02,360 Speaker 1: And then that's when Letty goes because she loves you, right, 1679 01:29:04,920 --> 01:29:09,479 Speaker 1: She's not for no reason. So yeah, she was like, 1680 01:29:09,560 --> 01:29:12,880 Speaker 1: it's it's because she loves you and that's why she here, 1681 01:29:12,920 --> 01:29:15,519 Speaker 1: and then Letty leaves the table, and then that's when 1682 01:29:15,600 --> 01:29:18,880 Speaker 1: Tik comes over to her and he's like our ship 1683 01:29:19,040 --> 01:29:22,080 Speaker 1: wasn't real and I'm not dying now, get the fuck out. 1684 01:29:24,000 --> 01:29:25,360 Speaker 2: And then he was an asshole. 1685 01:29:25,439 --> 01:29:27,200 Speaker 1: It got quiet for a second, and then it was 1686 01:29:27,280 --> 01:29:30,639 Speaker 1: like in your metro and I trust you, I'm gonna shoot. 1687 01:29:31,479 --> 01:29:34,120 Speaker 1: And I was like, oh no, oh, the spirit of 1688 01:29:34,160 --> 01:29:37,400 Speaker 1: the future done got into it, ain't got into tick. 1689 01:29:37,760 --> 01:29:39,840 Speaker 2: Oh my god, we can't be having this. 1690 01:29:41,000 --> 01:29:43,800 Speaker 1: I rebuked that, Yeah, this is the coldest that he 1691 01:29:43,880 --> 01:29:46,760 Speaker 1: ever sounded, right, and you know what. 1692 01:29:47,680 --> 01:29:49,840 Speaker 2: He gonna end up needing her like. 1693 01:29:52,160 --> 01:29:55,080 Speaker 3: That was that was dirty because they actually had I 1694 01:29:55,200 --> 01:29:58,240 Speaker 3: think they actually felt had a relationship, like a truth 1695 01:29:58,320 --> 01:29:59,040 Speaker 3: for they did. 1696 01:29:59,240 --> 01:30:02,960 Speaker 1: I mean saying that, you know, if this man can't 1697 01:30:03,000 --> 01:30:06,960 Speaker 1: handle his father being you know, closeted, then I mean, 1698 01:30:06,960 --> 01:30:08,880 Speaker 1: he's probably not gonna be able to handle, you know, 1699 01:30:09,640 --> 01:30:12,840 Speaker 1: having sex with uh demon that got nine tails. It'll 1700 01:30:12,960 --> 01:30:15,840 Speaker 1: it'll suck you up here, okay. I mean unless you 1701 01:30:15,920 --> 01:30:17,880 Speaker 1: had sex with a demon that just popped nine tails 1702 01:30:17,920 --> 01:30:19,720 Speaker 1: on you and you get tell you I mean, I mean, 1703 01:30:19,920 --> 01:30:22,000 Speaker 1: I can understand that as a reason for wanting to 1704 01:30:22,000 --> 01:30:22,400 Speaker 1: break up. 1705 01:30:22,520 --> 01:30:24,200 Speaker 2: I don't know, I heard when you go nine tails, 1706 01:30:24,240 --> 01:30:24,840 Speaker 2: you don't go back. 1707 01:30:24,880 --> 01:30:27,960 Speaker 1: I don't know, you know, I don't know yeah, well, 1708 01:30:28,200 --> 01:30:30,880 Speaker 1: I don't know you getting nine tails popping out of nowhere. 1709 01:30:30,880 --> 01:30:32,479 Speaker 1: I think it's gonna change a few things, and you're 1710 01:30:32,479 --> 01:30:35,639 Speaker 1: gonna wonder why we never had this conversation the old time. 1711 01:30:36,439 --> 01:30:38,080 Speaker 1: And you might not want to tell nobody about it. 1712 01:30:38,200 --> 01:30:40,120 Speaker 1: You might not you know, it might feel like it's 1713 01:30:40,160 --> 01:30:43,320 Speaker 1: your fault somehow. But uh, he goes upstairs and him 1714 01:30:43,360 --> 01:30:45,880 Speaker 1: and Letty have a fight, and uh, this scene had 1715 01:30:45,920 --> 01:30:49,000 Speaker 1: such good black acting in it. It was it was 1716 01:30:49,120 --> 01:30:52,439 Speaker 1: black acting school because they was they was doing. They 1717 01:30:52,560 --> 01:30:55,679 Speaker 1: was doing old school. It was, you know, just yelling 1718 01:30:55,840 --> 01:30:58,040 Speaker 1: and crying and all this ship. She wants him to 1719 01:30:58,080 --> 01:31:01,400 Speaker 1: get the hell out the house. She's like, lead with Jia, 1720 01:31:01,560 --> 01:31:04,320 Speaker 1: and he's like, you know, uh, she leaves, she left already. 1721 01:31:04,360 --> 01:31:05,960 Speaker 1: I'm not going with her. I love you, let it 1722 01:31:06,000 --> 01:31:08,400 Speaker 1: blah blah blah. And she's like, why you ain't tell 1723 01:31:08,439 --> 01:31:12,120 Speaker 1: me about Jia And she's like, I'm just mad I 1724 01:31:12,200 --> 01:31:14,160 Speaker 1: had to hear from her. And he's like he thought 1725 01:31:14,200 --> 01:31:16,519 Speaker 1: he was protecting everyone, which is another theme of TICK. 1726 01:31:16,640 --> 01:31:19,720 Speaker 1: He doesn't tell people things because he thinks it's protecting them. 1727 01:31:20,000 --> 01:31:22,840 Speaker 3: And to an extent, I understand because he was like, 1728 01:31:23,800 --> 01:31:25,800 Speaker 3: how would the fuck I'll be able to explain this 1729 01:31:25,920 --> 01:31:29,000 Speaker 3: to you prior to all now now, now this right, 1730 01:31:29,040 --> 01:31:31,040 Speaker 3: he would have been for all the other ship we've 1731 01:31:31,040 --> 01:31:34,160 Speaker 3: been through, it had been you'd have thought I was insane. 1732 01:31:34,479 --> 01:31:35,920 Speaker 2: You literally would have thought I was crazy. 1733 01:31:36,040 --> 01:31:40,200 Speaker 1: The thing that was weird to me because Ticket is 1734 01:31:40,200 --> 01:31:44,320 Speaker 1: such a complex character. He's abused, he's a survivor of abuse. 1735 01:31:45,040 --> 01:31:49,240 Speaker 1: He's didn't he's trying to break that cycle, but he's 1736 01:31:49,600 --> 01:31:55,280 Speaker 1: but he doesn't always, you know, And in a way 1737 01:31:55,600 --> 01:31:59,200 Speaker 1: I can understand, I still understand why in his mind 1738 01:31:59,240 --> 01:32:01,679 Speaker 1: he was like, I wasn't gonna tell no one about 1739 01:32:01,720 --> 01:32:04,920 Speaker 1: this ever, this shit was coming with me to my grade, 1740 01:32:05,240 --> 01:32:07,800 Speaker 1: and I literally I can't even imagine what the fuck 1741 01:32:07,800 --> 01:32:10,040 Speaker 1: it would have to do. Even though it was some 1742 01:32:10,160 --> 01:32:13,240 Speaker 1: magical creature shit, it literally has nothing to do with 1743 01:32:13,439 --> 01:32:15,920 Speaker 1: this shit, So why the fuck would I need to 1744 01:32:15,960 --> 01:32:19,880 Speaker 1: bring that up to you? And it also, how what 1745 01:32:20,120 --> 01:32:22,080 Speaker 1: woman do you know that would be cool about that? 1746 01:32:22,760 --> 01:32:24,400 Speaker 2: And I'm surprised he'd be like, how did you find 1747 01:32:24,400 --> 01:32:26,880 Speaker 2: out where I lived off the telephone number? I mean, 1748 01:32:27,120 --> 01:32:29,880 Speaker 2: I mean, what did you do the reverse? Reverse calls? 1749 01:32:30,040 --> 01:32:33,840 Speaker 1: Honestly, it's not yeah, but that's the thing though, like 1750 01:32:34,520 --> 01:32:37,200 Speaker 1: I don't know. I found that to be more reasonable 1751 01:32:37,280 --> 01:32:39,439 Speaker 1: to like people try to make it sound like it 1752 01:32:39,600 --> 01:32:42,200 Speaker 1: was like some typical relationship drama, like he didn't tell 1753 01:32:42,240 --> 01:32:44,599 Speaker 1: her about a lover. He told her that he had 1754 01:32:44,640 --> 01:32:47,559 Speaker 1: something with Jia. It wasn't that. But I can see 1755 01:32:47,600 --> 01:32:49,280 Speaker 1: why you wouldn't want to. And that's the thing they 1756 01:32:49,360 --> 01:32:51,599 Speaker 1: all keep secret. She ain't told them that she's pregnant. 1757 01:32:51,880 --> 01:32:54,599 Speaker 1: She hasn't told Ruby about all this magical shit happening 1758 01:32:54,640 --> 01:32:57,800 Speaker 1: around them. They never told Hippolyta. They agreed to latch, 1759 01:32:58,320 --> 01:33:01,080 Speaker 1: so you know, Hippolyta got I mean, Letty got the 1760 01:33:01,160 --> 01:33:04,760 Speaker 1: pull the like, you know, the higher moral card this week. 1761 01:33:04,840 --> 01:33:06,880 Speaker 1: But it's like, Letty, you be doing. You make a 1762 01:33:06,960 --> 01:33:10,439 Speaker 1: lot of moves without telling people to ye, and it'll 1763 01:33:10,479 --> 01:33:12,519 Speaker 1: come back up in this episode, by the way, another 1764 01:33:12,560 --> 01:33:15,679 Speaker 1: one of these moves she made in secret. But they're 1765 01:33:15,720 --> 01:33:18,200 Speaker 1: all What I like about the characters is that, for 1766 01:33:18,280 --> 01:33:21,200 Speaker 1: the most part, with Letty and Tick, the moves they 1767 01:33:21,320 --> 01:33:24,639 Speaker 1: make are not selfish. They're actually to protect each other. 1768 01:33:25,560 --> 01:33:27,840 Speaker 1: Now do I wish they had better communication? Of course? 1769 01:33:28,200 --> 01:33:31,120 Speaker 1: Would that make a great TV show? Probably not right 1770 01:33:31,920 --> 01:33:35,519 Speaker 1: to know, right, you know, like, but struggle love makes 1771 01:33:35,600 --> 01:33:38,040 Speaker 1: good TV for a lot of people. You know, a 1772 01:33:38,120 --> 01:33:41,760 Speaker 1: lot of people are bored by Secure, you know, or 1773 01:33:41,920 --> 01:33:44,679 Speaker 1: maybe they just they don't write those stories. I don't 1774 01:33:44,720 --> 01:33:47,760 Speaker 1: know many people that I don't even know now think about. 1775 01:33:47,760 --> 01:33:50,479 Speaker 1: I don't know really any shows that people love where 1776 01:33:50,520 --> 01:33:52,960 Speaker 1: the people are just like really a less like a 1777 01:33:53,040 --> 01:33:55,639 Speaker 1: sitcom or something where the people just go and then it's. 1778 01:33:55,520 --> 01:33:58,200 Speaker 2: Some form of conflict, like it's one of those things 1779 01:33:58,240 --> 01:33:59,600 Speaker 2: with all the side people go. 1780 01:33:59,720 --> 01:34:02,560 Speaker 3: I don't want to watch regular boring ass life, Like 1781 01:34:03,120 --> 01:34:05,200 Speaker 3: what the drama? If it ain't no drama, why am 1782 01:34:05,240 --> 01:34:05,559 Speaker 3: I here? 1783 01:34:05,840 --> 01:34:06,040 Speaker 2: Yeah? 1784 01:34:06,080 --> 01:34:08,160 Speaker 1: This is just Tyres and baby Boy, you know, just 1785 01:34:08,840 --> 01:34:12,120 Speaker 1: with magical creatures. But now he uh, I mean he's 1786 01:34:12,120 --> 01:34:14,320 Speaker 1: gotten her pregnant At this point, she ain't told him, 1787 01:34:15,360 --> 01:34:17,240 Speaker 1: you know, you got your old Asian. What if she 1788 01:34:17,280 --> 01:34:19,479 Speaker 1: would have only been mad she was Asian? That would 1789 01:34:19,520 --> 01:34:21,519 Speaker 1: have been fucked up. I don't even care if she's 1790 01:34:21,520 --> 01:34:22,400 Speaker 1: a non tael demon. 1791 01:34:22,640 --> 01:34:24,120 Speaker 2: You slept with an Asian woman? 1792 01:34:25,439 --> 01:34:30,000 Speaker 1: I am racist there, but uh nah. So she tells 1793 01:34:30,080 --> 01:34:32,000 Speaker 1: him to get out the house, and he's like, all right, cool, 1794 01:34:32,040 --> 01:34:34,519 Speaker 1: I'm gonna leave. I'm gonna go fix this, And she's. 1795 01:34:34,360 --> 01:34:36,800 Speaker 2: Like, what you mean by that yeah, I just told 1796 01:34:36,880 --> 01:34:38,360 Speaker 2: him to leave. Come on now, right. 1797 01:34:38,439 --> 01:34:42,360 Speaker 1: He's like, look, I I didn't tell you this to 1798 01:34:42,439 --> 01:34:44,120 Speaker 1: protect you. She was like, well, you ain't here fucked 1799 01:34:44,160 --> 01:34:47,479 Speaker 1: up because everything you've done, you're the only one alive. 1800 01:34:47,600 --> 01:34:50,160 Speaker 1: Everybody been dead since you've been back. And I was like, damn, 1801 01:34:50,200 --> 01:34:51,960 Speaker 1: it's a low blow. That was his uncle and aunt 1802 01:34:53,360 --> 01:34:57,599 Speaker 1: and really his daddy. Uh So then well he's going 1803 01:34:57,680 --> 01:35:01,960 Speaker 1: to leave Christina. He tells, like, I gave Christina the 1804 01:35:02,040 --> 01:35:06,560 Speaker 1: key to the ry and so she would teach me 1805 01:35:06,600 --> 01:35:09,640 Speaker 1: how to finish the immortality spell. So I'm about to 1806 01:35:09,680 --> 01:35:12,280 Speaker 1: go and do that spell. And she says, well, you 1807 01:35:12,320 --> 01:35:15,600 Speaker 1: don't get to make those decisions anymore alone anymore. And 1808 01:35:15,720 --> 01:35:18,200 Speaker 1: he says he's doing what he's doing in order to 1809 01:35:18,240 --> 01:35:21,400 Speaker 1: protect him. But what's funny is she has not told 1810 01:35:21,520 --> 01:35:25,320 Speaker 1: him that she's pregnant, so she's going, you don't get 1811 01:35:25,400 --> 01:35:28,240 Speaker 1: to tell him. You don't get to make these decisions 1812 01:35:28,280 --> 01:35:32,960 Speaker 1: alone anymore. Now she doesn't know if he knows she's 1813 01:35:33,000 --> 01:35:35,560 Speaker 1: pregnant or not, so he could, like he could a 1814 01:35:35,600 --> 01:35:38,760 Speaker 1: little been like why not, but he didn't. He just 1815 01:35:38,880 --> 01:35:42,599 Speaker 1: was like, I'm out, you know, And he's essentially saying 1816 01:35:42,640 --> 01:35:46,840 Speaker 1: I'm doing this to protect the family, and she when 1817 01:35:46,920 --> 01:35:48,920 Speaker 1: he went to lead, that's when she came outstairs, like, 1818 01:35:49,200 --> 01:35:51,479 Speaker 1: don't go. We could figure it out together. But I 1819 01:35:51,640 --> 01:35:53,800 Speaker 1: was like, nigga, you just kicked me out the house. 1820 01:35:55,080 --> 01:35:57,960 Speaker 1: Aund Is this some of those like pregnancy hormones that 1821 01:35:58,120 --> 01:36:00,519 Speaker 1: we had with the garlic? Like, is this it is 1822 01:36:00,560 --> 01:36:02,920 Speaker 1: all pregnancy home, all stronger than normal people? Is this 1823 01:36:03,080 --> 01:36:05,720 Speaker 1: just normal pregnant behavior? What's happening with this? 1824 01:36:05,840 --> 01:36:07,320 Speaker 2: Is this is that truma up and down love? 1825 01:36:07,439 --> 01:36:10,600 Speaker 1: Like we got to have a conflict, yeah, because I 1826 01:36:10,720 --> 01:36:12,759 Speaker 1: was like, the nigga, this is crazy. 1827 01:36:12,920 --> 01:36:15,080 Speaker 2: Two beautiful people yelling at each other. Yes, that's why 1828 01:36:15,120 --> 01:36:15,439 Speaker 2: we came. 1829 01:36:15,600 --> 01:36:17,439 Speaker 1: Get the fuck out, Come back where you going? 1830 01:36:17,760 --> 01:36:17,920 Speaker 2: Nah? 1831 01:36:18,120 --> 01:36:18,599 Speaker 1: Nah, I'm good. 1832 01:36:18,680 --> 01:36:19,880 Speaker 2: Some people do that in real life. 1833 01:36:19,960 --> 01:36:21,320 Speaker 1: I know they do, but I don't want. 1834 01:36:22,000 --> 01:36:25,240 Speaker 2: I don't give me regular snag a little boring ass life. 1835 01:36:25,320 --> 01:36:26,479 Speaker 2: I'm good with that. Right. 1836 01:36:26,920 --> 01:36:30,479 Speaker 1: Oh my god, this nigga did what she wanted them 1837 01:36:30,520 --> 01:36:32,880 Speaker 1: to do. And this stop threatening people with you don't 1838 01:36:32,920 --> 01:36:35,479 Speaker 1: want them to do, right, you know what, they don't 1839 01:36:35,520 --> 01:36:38,519 Speaker 1: come home okay, and then you mad like but you 1840 01:36:38,640 --> 01:36:40,840 Speaker 1: said right. It's like when people get in an argument 1841 01:36:40,840 --> 01:36:42,920 Speaker 1: in a car it's like, well, I'm gonna walk home. 1842 01:36:43,000 --> 01:36:46,519 Speaker 1: It's like no, because if I let you walk home 1843 01:36:46,720 --> 01:36:50,160 Speaker 1: from the highway, I am now if alt for the 1844 01:36:50,320 --> 01:36:52,679 Speaker 1: murder that happens to you or whatever the fuck happens 1845 01:36:53,120 --> 01:36:56,040 Speaker 1: the rest of this time, Like no, I can't and 1846 01:36:56,160 --> 01:36:58,880 Speaker 1: then you're gonna hate me forever. It's no, I can't 1847 01:36:58,920 --> 01:37:02,559 Speaker 1: believe you left me. Like, oh my god, I'm calling 1848 01:37:02,640 --> 01:37:03,960 Speaker 1: my motherfucking bluff. 1849 01:37:04,200 --> 01:37:05,760 Speaker 2: Right because somebody might take you up on it. 1850 01:37:05,960 --> 01:37:10,960 Speaker 1: It's the worst. Anyway. Tick goes to see Montross and 1851 01:37:11,360 --> 01:37:13,360 Speaker 1: ask him if he cheated on his mama. Mantra was 1852 01:37:13,360 --> 01:37:19,040 Speaker 1: sitting in the street drinking and uh, He's like you cheat. Yeah, 1853 01:37:20,200 --> 01:37:23,320 Speaker 1: he drank and he's like, d ran out somewhere again 1854 01:37:23,400 --> 01:37:25,840 Speaker 1: and he's like, man, did you cheat on my mama? 1855 01:37:26,160 --> 01:37:29,880 Speaker 1: He's like damn and he's like no, right and he 1856 01:37:30,000 --> 01:37:32,599 Speaker 1: says no. He's like I didn't. You know, I had urgentes, 1857 01:37:32,640 --> 01:37:34,960 Speaker 1: but I never acted on him until after your mom passed. 1858 01:37:35,479 --> 01:37:38,360 Speaker 1: And then he was like, look, I when I was 1859 01:37:38,400 --> 01:37:41,240 Speaker 1: a kid. I love how they put the story in there, 1860 01:37:41,240 --> 01:37:43,439 Speaker 1: because you know, this is another thing based on truth 1861 01:37:43,520 --> 01:37:45,479 Speaker 1: in America. When I was a kid, we had a 1862 01:37:45,600 --> 01:37:48,800 Speaker 1: pastor who got accused of sleeping with somebody at a 1863 01:37:48,840 --> 01:37:52,400 Speaker 1: local park, another man, and he when he was in 1864 01:37:52,479 --> 01:37:55,280 Speaker 1: the pulpit on Sunday, the police came in, arrested him, 1865 01:37:55,360 --> 01:37:57,320 Speaker 1: dragged him out of there, and he ended up in 1866 01:37:57,400 --> 01:38:00,640 Speaker 1: a solemn and got lobottomized. And that is what we 1867 01:38:00,800 --> 01:38:03,320 Speaker 1: used to do to gay people in America, straight up, 1868 01:38:04,200 --> 01:38:07,080 Speaker 1: straight the fuck up. Used to be illegal to even 1869 01:38:07,200 --> 01:38:10,560 Speaker 1: have sex as a gay man, specifically side of me. 1870 01:38:10,600 --> 01:38:14,280 Speaker 1: It was a law, and it was like it was 1871 01:38:14,600 --> 01:38:17,080 Speaker 1: enforced for a long time, and it was on the 1872 01:38:17,160 --> 01:38:20,679 Speaker 1: books till not too long ago in many, many, many states. 1873 01:38:20,760 --> 01:38:22,519 Speaker 1: It may still be on the books in some states, 1874 01:38:22,560 --> 01:38:26,640 Speaker 1: but this is not ancient history. And I love that 1875 01:38:26,720 --> 01:38:29,000 Speaker 1: they kind of dropped that tidbit in there, because that's 1876 01:38:29,040 --> 01:38:32,320 Speaker 1: a very real thing, and especially the lobotomization of people. 1877 01:38:32,360 --> 01:38:35,240 Speaker 1: They used to do that to women and men, where 1878 01:38:35,240 --> 01:38:39,320 Speaker 1: they would literally say, you're living a deviant lifestyle, it's 1879 01:38:39,400 --> 01:38:41,600 Speaker 1: something wrong with your brain. We're gonna cut part of 1880 01:38:41,640 --> 01:38:42,400 Speaker 1: your frontal lobe. 1881 01:38:43,840 --> 01:38:45,760 Speaker 2: They used to do that to people that were mentally ill. 1882 01:38:45,920 --> 01:38:48,320 Speaker 2: And then the cycle and things like that too. 1883 01:38:48,600 --> 01:38:50,519 Speaker 1: Yeah, And I love when they show that shit because 1884 01:38:50,560 --> 01:38:54,920 Speaker 1: it it humanizes that character that we've seen as like 1885 01:38:55,080 --> 01:38:57,800 Speaker 1: abusive book. It doesn't mean they're not abusive, it doesn't 1886 01:38:57,840 --> 01:39:01,160 Speaker 1: mean they didn't, but it didn't. It didn't contextualizes them 1887 01:39:01,200 --> 01:39:04,560 Speaker 1: as a complete character where you're like, oh, this this, 1888 01:39:04,720 --> 01:39:07,559 Speaker 1: there's levels to why this person was so messed up. 1889 01:39:08,240 --> 01:39:11,200 Speaker 1: You know, well, he said, I chose a life over 1890 01:39:11,240 --> 01:39:14,400 Speaker 1: a damned asylum or a jail cell, or being found 1891 01:39:14,479 --> 01:39:17,120 Speaker 1: dead in the bathroom of some public park. Your mother 1892 01:39:17,240 --> 01:39:20,519 Speaker 1: lost everything in the riots massacre. Really, we both just 1893 01:39:20,600 --> 01:39:23,040 Speaker 1: wanted a family. That's what I love was built on. 1894 01:39:23,240 --> 01:39:26,320 Speaker 1: It wasn't romantic, but familiar. Love is the strongest kind 1895 01:39:26,400 --> 01:39:28,559 Speaker 1: you'll see one day, God bless you to have kids. 1896 01:39:29,000 --> 01:39:31,120 Speaker 1: And all the time Tickles looked like he wasn't feeling them. 1897 01:39:31,160 --> 01:39:33,479 Speaker 1: But then the power went out on the block. Took 1898 01:39:33,520 --> 01:39:37,320 Speaker 1: a took a swig from the flask and told him 1899 01:39:38,240 --> 01:39:42,400 Speaker 1: Letty pregnant. She hadn't told me yet. And I'm like, 1900 01:39:42,560 --> 01:39:44,479 Speaker 1: how did he get Super Bowls? 1901 01:39:44,720 --> 01:39:48,360 Speaker 2: Yes? How did he know? And then he said, I 1902 01:39:48,439 --> 01:39:50,519 Speaker 2: mean he counted the days, but she ain't had a period, 1903 01:39:50,600 --> 01:39:52,000 Speaker 2: and then three days, right. 1904 01:39:52,000 --> 01:39:54,160 Speaker 1: I'm like, And so he was like, I went through 1905 01:39:54,160 --> 01:39:57,960 Speaker 1: the portal into the future, Hippolyta wasn't the only one 1906 01:39:58,000 --> 01:40:01,640 Speaker 1: that went through the portal, and we never seen what 1907 01:40:01,760 --> 01:40:04,719 Speaker 1: he saw, right, And he said he found a book 1908 01:40:04,840 --> 01:40:06,920 Speaker 1: and he shows him the book love Craft Country by 1909 01:40:06,960 --> 01:40:12,160 Speaker 1: George Freeman, and it's a book written by his not 1910 01:40:12,400 --> 01:40:21,200 Speaker 1: yet born son, and uh bamn, mind blew up. My 1911 01:40:21,280 --> 01:40:24,240 Speaker 1: mind just exploded while I was watching screen and I 1912 01:40:24,320 --> 01:40:26,599 Speaker 1: was like, what, what the fuck is happening? 1913 01:40:26,800 --> 01:40:28,800 Speaker 3: Yeah, he basically was like, I went through the portal, 1914 01:40:28,920 --> 01:40:32,240 Speaker 3: somebody came shoved that book in my hand and literally 1915 01:40:32,400 --> 01:40:33,840 Speaker 3: threw me back out right. 1916 01:40:34,560 --> 01:40:37,720 Speaker 1: So he wasn't in there as long as Hippolyta and 1917 01:40:37,880 --> 01:40:40,160 Speaker 1: all this shit and place. The probably knew he couldn't 1918 01:40:40,160 --> 01:40:42,360 Speaker 1: figure out them keyboards and shit. They was like, just 1919 01:40:42,479 --> 01:40:45,840 Speaker 1: take the book and leave niggas. We'll get to that lady. 1920 01:40:45,880 --> 01:40:48,599 Speaker 1: He does describe it a little bit more. Letty goes 1921 01:40:48,600 --> 01:40:50,479 Speaker 1: to church. She's praying to the Lord to protect Tech 1922 01:40:50,560 --> 01:40:54,559 Speaker 1: and extend grace to Emmetell's family. And I mean, listen, 1923 01:40:54,960 --> 01:40:57,080 Speaker 1: you find out your man used to fucking Jen Kerkee, 1924 01:40:57,800 --> 01:40:59,200 Speaker 1: you gonna that might take it. 1925 01:40:59,240 --> 01:40:59,719 Speaker 2: To the altar. 1926 01:41:00,000 --> 01:41:02,439 Speaker 1: Okay, when you find out your man is in the hint, 1927 01:41:04,080 --> 01:41:06,280 Speaker 1: you know in real life. You might need to sit 1928 01:41:06,360 --> 01:41:07,160 Speaker 1: down for a second. 1929 01:41:07,240 --> 01:41:08,640 Speaker 2: Okay, I need to get your mind right. 1930 01:41:08,760 --> 01:41:11,479 Speaker 1: I mean you about eight tails too short the box 1931 01:41:11,560 --> 01:41:14,599 Speaker 1: with that lady, Okay, got one. You can't satisfy this man. 1932 01:41:14,680 --> 01:41:20,360 Speaker 1: He done have nine tails, okay. Christina walks into the church, Letty, 1933 01:41:21,439 --> 01:41:23,760 Speaker 1: She's like, I never took you for a believer. Letty's like, 1934 01:41:24,000 --> 01:41:26,320 Speaker 1: I mean I believe in God since I died and 1935 01:41:26,439 --> 01:41:29,760 Speaker 1: came back. And she's like, well, you died and came 1936 01:41:29,840 --> 01:41:34,120 Speaker 1: back because of magic, not because of God. And my 1937 01:41:34,280 --> 01:41:38,120 Speaker 1: dad might think he's immortal but or whatever. I want 1938 01:41:38,120 --> 01:41:40,519 Speaker 1: to become a God, but he ain't no God, and 1939 01:41:40,800 --> 01:41:44,600 Speaker 1: he got a God complex. But men with God complexes 1940 01:41:44,640 --> 01:41:46,880 Speaker 1: want to live in heaven but not hell, failing to 1941 01:41:46,960 --> 01:41:49,640 Speaker 1: understand that God is both. And Letty's like, is that 1942 01:41:49,720 --> 01:41:50,320 Speaker 1: what you want to be? 1943 01:41:50,960 --> 01:41:51,200 Speaker 2: God? 1944 01:41:51,760 --> 01:41:54,320 Speaker 1: And she's like, you didn't summon me here to find 1945 01:41:54,360 --> 01:41:57,880 Speaker 1: out what I want? What do you want? Nigger? And 1946 01:41:58,000 --> 01:42:01,960 Speaker 1: then Letty was like, I'm gonna give you the negatives 1947 01:42:02,000 --> 01:42:06,360 Speaker 1: of Titus's pages that I took pictures of, but I 1948 01:42:06,479 --> 01:42:11,160 Speaker 1: need you to make tick in vulnerable. And Christina says immediately, Nope, 1949 01:42:11,720 --> 01:42:15,840 Speaker 1: not gonna do that. But I will make you invulnerable, 1950 01:42:16,479 --> 01:42:20,360 Speaker 1: and Letty takes the pages back and says, I'm good. 1951 01:42:20,439 --> 01:42:23,120 Speaker 1: Then don't worry about it. And then Christina goes let 1952 01:42:23,520 --> 01:42:25,760 Speaker 1: leave and Letty changes her mind and says, hold up, 1953 01:42:25,840 --> 01:42:28,760 Speaker 1: I take the deal. And Christina puts the Marka Cain 1954 01:42:29,040 --> 01:42:33,840 Speaker 1: on Letty and says that she was also the person 1955 01:42:33,920 --> 01:42:36,840 Speaker 1: that figured out you can use the spell the Marker 1956 01:42:36,960 --> 01:42:42,000 Speaker 1: Caine to actually heal people. So that was that was her. 1957 01:42:43,920 --> 01:42:48,000 Speaker 1: So hold on a second. Yeah, So after she tells 1958 01:42:49,320 --> 01:42:56,120 Speaker 1: she gives Letty that spell with you, that protection spell, 1959 01:42:56,280 --> 01:43:02,120 Speaker 1: I did wonder, like, is she does that protect the 1960 01:43:02,240 --> 01:43:06,439 Speaker 1: baby as well? You know what I mean, like what else? 1961 01:43:06,479 --> 01:43:09,479 Speaker 1: Because it does that mean for her? But you know, 1962 01:43:09,640 --> 01:43:11,559 Speaker 1: I'm glad that my black people are starting to get 1963 01:43:11,600 --> 01:43:14,960 Speaker 1: some things. But also this is why I got to 1964 01:43:15,000 --> 01:43:18,000 Speaker 1: point out Christina. I mean, Letty's a bit of a 1965 01:43:18,080 --> 01:43:22,120 Speaker 1: hypocrite too, you know, because Letty's are why are you 1966 01:43:22,200 --> 01:43:24,560 Speaker 1: keeping all these secrets? Why are you making decisions without me? 1967 01:43:24,760 --> 01:43:27,960 Speaker 1: Why are you meeting with these people? And you know, 1968 01:43:28,320 --> 01:43:30,280 Speaker 1: this is now like the second or third time she's 1969 01:43:30,360 --> 01:43:33,519 Speaker 1: really come down on somebody else for dealing with these 1970 01:43:33,560 --> 01:43:36,640 Speaker 1: white people are making these deals and then she's she's here, 1971 01:43:36,760 --> 01:43:38,120 Speaker 1: she is making this deal. Yeah. 1972 01:43:38,200 --> 01:43:39,719 Speaker 2: Also one of those things where. 1973 01:43:41,400 --> 01:43:43,799 Speaker 3: This was the week of let's everybody talk to Christina 1974 01:43:45,120 --> 01:43:47,640 Speaker 3: because everybody has everybody was summoning. 1975 01:43:47,400 --> 01:43:53,840 Speaker 1: Her, all right, So it was interesting that she thought 1976 01:43:53,880 --> 01:43:55,960 Speaker 1: it was worth making the deal because that's really the 1977 01:43:56,080 --> 01:43:59,000 Speaker 1: math that everybody else is using, right, they all think 1978 01:43:59,200 --> 01:44:05,400 Speaker 1: that these deals are smart. So Montross and Tick are 1979 01:44:05,479 --> 01:44:09,360 Speaker 1: now Montrous's house, and he mon trousers of course, saying 1980 01:44:09,479 --> 01:44:11,439 Speaker 1: you know, Tick, you shouting the gate the keys to 1981 01:44:11,720 --> 01:44:16,839 Speaker 1: the machine to Christina and Tickets like the machine broke, yeah. 1982 01:44:16,840 --> 01:44:20,400 Speaker 3: And ain't gonna be able to fix it? Yeah, and 1983 01:44:21,040 --> 01:44:23,000 Speaker 3: she because he's like that ship so ancient, ain't no 1984 01:44:23,479 --> 01:44:24,200 Speaker 3: gonna be able to fix it. 1985 01:44:24,360 --> 01:44:27,000 Speaker 1: Not even ancient. This is nineteen fifty. That was futuristic 1986 01:44:27,080 --> 01:44:27,880 Speaker 1: technology to them. 1987 01:44:28,280 --> 01:44:32,320 Speaker 2: That's what I mean advanced, Yeah exactly. 1988 01:44:32,400 --> 01:44:34,880 Speaker 1: Tick couldn't even understand that ship, Like he's like, I 1989 01:44:34,880 --> 01:44:37,280 Speaker 1: don't know they figured that ship out, let me know. 1990 01:44:37,960 --> 01:44:41,880 Speaker 1: But then uh, Tick was like when I went to 1991 01:44:41,960 --> 01:44:44,600 Speaker 1: the future because they was like hippolytam for must to 1992 01:44:44,600 --> 01:44:46,599 Speaker 1: be stuck there because the portal don't work. How she's 1993 01:44:46,600 --> 01:44:50,519 Speaker 1: gonna get back? And Tick was like, when I went 1994 01:44:50,600 --> 01:44:53,720 Speaker 1: to the future through the portal, I was only there 1995 01:44:53,800 --> 01:44:57,959 Speaker 1: for a few seconds, but there was white folks rioting 1996 01:44:58,960 --> 01:45:01,000 Speaker 1: in the future, and and a white woman in the 1997 01:45:01,040 --> 01:45:04,720 Speaker 1: hood with a robotic arm came through and shoved this 1998 01:45:04,840 --> 01:45:07,479 Speaker 1: book in my hand and pushed me back out of 1999 01:45:07,560 --> 01:45:11,479 Speaker 1: the portal. And that's the only thing. And he was like, 2000 01:45:11,680 --> 01:45:14,280 Speaker 1: and my tracks like, did you read this book? And 2001 01:45:14,400 --> 01:45:17,080 Speaker 1: Tick's like, yeah, I got the spoilers for my motherfucking line. 2002 01:45:17,640 --> 01:45:17,920 Speaker 2: I did. 2003 01:45:19,439 --> 01:45:23,920 Speaker 1: And Tick says, the details are different in the book. Now, 2004 01:45:24,040 --> 01:45:26,040 Speaker 1: this is a nod to the actual book this is 2005 01:45:26,080 --> 01:45:28,599 Speaker 1: based off of. Okay, So when he start talking about 2006 01:45:28,600 --> 01:45:30,880 Speaker 1: the details being different, these are the details in the 2007 01:45:30,960 --> 01:45:33,160 Speaker 1: real book that love Craft Country is based off of. 2008 01:45:33,800 --> 01:45:36,439 Speaker 1: So it got some it got real meta for a second, 2009 01:45:36,680 --> 01:45:41,479 Speaker 1: you know, I was wondering that. Yeah, and so Christina 2010 01:45:41,600 --> 01:45:43,479 Speaker 1: is a man in the book that this is based 2011 01:45:43,520 --> 01:45:46,479 Speaker 1: off of, and in the in the fictional book, in 2012 01:45:46,520 --> 01:45:50,080 Speaker 1: this movie, in this TV show Uncle George Savis Ardam 2013 01:45:50,240 --> 01:45:54,280 Speaker 1: that's also both fictional book and real and and uh, 2014 01:45:55,160 --> 01:45:57,360 Speaker 1: and the one this is based off of d is 2015 01:45:57,479 --> 01:46:00,559 Speaker 1: named hars and is a boy. Same thing. And then 2016 01:46:01,400 --> 01:46:03,040 Speaker 1: I don't know about this part because I didn't read 2017 01:46:03,080 --> 01:46:06,840 Speaker 1: the book. But he says Christina sacrificed him so that 2018 01:46:07,120 --> 01:46:10,640 Speaker 1: she will become a mortal on the automnal equinox, and 2019 01:46:10,760 --> 01:46:14,439 Speaker 1: that's in five days. And so that is why Tick 2020 01:46:15,120 --> 01:46:19,040 Speaker 1: has been more than tick annoying. He's been extra annoying 2021 01:46:19,120 --> 01:46:19,599 Speaker 1: this week. 2022 01:46:19,960 --> 01:46:22,560 Speaker 2: Right because he feels that timeline. He hadn't shared that 2023 01:46:22,640 --> 01:46:23,120 Speaker 2: with anybody. 2024 01:46:23,160 --> 01:46:25,960 Speaker 1: If you rewatch it, you know, I know listen, Okay, 2025 01:46:26,160 --> 01:46:28,800 Speaker 1: I know our audience. I know the people are kicking 2026 01:46:28,840 --> 01:46:32,040 Speaker 1: with I know black men are trash. This said man 2027 01:46:32,080 --> 01:46:33,920 Speaker 1: blah blah blah. I get it. Okay. I'm not trying 2028 01:46:33,960 --> 01:46:37,080 Speaker 1: to just defend us, but I'm just saying, if you 2029 01:46:37,200 --> 01:46:40,880 Speaker 1: watch the show again with the perspective of this nigga 2030 01:46:41,000 --> 01:46:43,200 Speaker 1: know he gonna die as trying to figure out a 2031 01:46:43,240 --> 01:46:45,759 Speaker 1: way to change the future. 2032 01:46:46,000 --> 01:46:49,160 Speaker 3: And that explains why he was hounding Jia, like, if 2033 01:46:49,200 --> 01:46:51,360 Speaker 3: you ain't got no answers, the fuck you doing here? 2034 01:46:51,479 --> 01:46:53,160 Speaker 2: Then that it. 2035 01:46:53,200 --> 01:46:54,680 Speaker 1: Explains he don't give it. 2036 01:46:54,800 --> 01:46:55,799 Speaker 2: He didn't have no patience. 2037 01:46:56,040 --> 01:46:58,200 Speaker 1: He's like, it's like, if I told you you had 2038 01:46:58,720 --> 01:47:02,080 Speaker 1: five days to live, and you have five you you 2039 01:47:02,200 --> 01:47:04,240 Speaker 1: got five days to figure out how you not gonna die. 2040 01:47:05,080 --> 01:47:06,640 Speaker 1: It's gonna fuck you. 2041 01:47:06,720 --> 01:47:08,560 Speaker 2: Up, you know what I mean, gonna have time for 2042 01:47:08,680 --> 01:47:11,880 Speaker 2: nobody's bullshit. You're gonna be short patient, You're gonna be 2043 01:47:11,920 --> 01:47:13,200 Speaker 2: like if you ain't gotta answer to get the fact 2044 01:47:13,200 --> 01:47:13,719 Speaker 2: out my masks. 2045 01:47:13,880 --> 01:47:16,200 Speaker 1: A lot of fucking politeness where out of the door. 2046 01:47:16,760 --> 01:47:19,479 Speaker 1: Because the other part is he's known this probably for 2047 01:47:19,680 --> 01:47:22,000 Speaker 1: at least a couple of weeks, right, and he ain't 2048 01:47:22,000 --> 01:47:25,160 Speaker 1: even finding these answers, and he got five days left. 2049 01:47:25,360 --> 01:47:28,439 Speaker 1: It's getting down to the like, I know what what 2050 01:47:29,520 --> 01:47:31,600 Speaker 1: I need a protection spell right now? I know you 2051 01:47:31,720 --> 01:47:34,639 Speaker 1: got one, right, Like I can apologize if I live 2052 01:47:34,800 --> 01:47:37,240 Speaker 1: past five days from now, Yes, I would come back 2053 01:47:37,280 --> 01:47:39,880 Speaker 1: to the cribb. I'm so sorry, La, I was tripping. 2054 01:47:40,200 --> 01:47:42,400 Speaker 1: I didn't even know, but but my life was on 2055 01:47:42,479 --> 01:47:42,800 Speaker 1: the line. 2056 01:47:42,840 --> 01:47:44,080 Speaker 2: I mean, you got to understand. 2057 01:47:44,280 --> 01:47:47,080 Speaker 1: But if I had five days to go and they 2058 01:47:47,240 --> 01:47:49,519 Speaker 1: was like, you got one shot, that changes you gotta 2059 01:47:49,680 --> 01:47:53,280 Speaker 1: Because that's also why he's doing the spell, because this 2060 01:47:53,840 --> 01:47:57,639 Speaker 1: fucking spell. He's like, you can die doing the spell. 2061 01:47:57,760 --> 01:48:01,080 Speaker 1: Everyone else has burned down their mansions and die. All 2062 01:48:01,160 --> 01:48:03,160 Speaker 1: these white men that took decades of their life have 2063 01:48:03,439 --> 01:48:06,080 Speaker 1: died during the spell. This Nigga's like, I figured it 2064 01:48:06,120 --> 01:48:08,479 Speaker 1: out in three days. We gotta do it. I got 2065 01:48:08,600 --> 01:48:11,080 Speaker 1: I gotta do it tonight, you know, he like he 2066 01:48:11,560 --> 01:48:14,840 Speaker 1: right now, let's go. The pressure is on this boy, okay. 2067 01:48:14,960 --> 01:48:17,400 Speaker 1: And then the fact that he knows Letty is pregnant 2068 01:48:17,880 --> 01:48:20,519 Speaker 1: and she ain't told him, and he trying to be 2069 01:48:20,680 --> 01:48:26,200 Speaker 1: nice about it, but he's basically it's like, uh, anything, 2070 01:48:26,200 --> 01:48:27,720 Speaker 1: you gonna tell me. You wanna sit down? You need 2071 01:48:27,800 --> 01:48:29,439 Speaker 1: some water? No, okay, all right, well I'm out. 2072 01:48:29,920 --> 01:48:31,840 Speaker 2: I guess you ain't gonna tell me. I need gonna 2073 01:48:31,840 --> 01:48:32,599 Speaker 2: figure out some other ship. 2074 01:48:32,640 --> 01:48:35,000 Speaker 1: You tell me when you're ready. I survived, get out 2075 01:48:35,040 --> 01:48:38,040 Speaker 1: the house. Fine, Bob, I'm gonna go fix I'm gonna 2076 01:48:38,040 --> 01:48:40,080 Speaker 1: go fix this to make this right. But no, you 2077 01:48:40,120 --> 01:48:42,400 Speaker 1: gotta do it together. No, we don't. Bob getting in 2078 01:48:42,439 --> 01:48:45,160 Speaker 1: the way, like it just changed everything was getting in 2079 01:48:45,240 --> 01:48:47,760 Speaker 1: his way. It changed everything again. 2080 01:48:48,040 --> 01:48:51,200 Speaker 2: He like everything and everybody and knowing me right now. 2081 01:48:51,920 --> 01:48:54,040 Speaker 1: Yeah, and that like and it's like I know he 2082 01:48:54,120 --> 01:48:56,400 Speaker 1: thinks not telling people it's protecting them, which we could 2083 01:48:56,439 --> 01:49:00,839 Speaker 1: disagree on obviously, but yeah, just this whole like, whatever's 2084 01:49:00,880 --> 01:49:02,840 Speaker 1: going on with the we can tell her if I'm alive, 2085 01:49:02,880 --> 01:49:05,680 Speaker 1: in five days, I gotta go like this is like 2086 01:49:05,960 --> 01:49:08,400 Speaker 1: I know I'm dying in five days. I know who's 2087 01:49:08,400 --> 01:49:10,400 Speaker 1: gonna kill me, and I know why they gonna do it, 2088 01:49:10,800 --> 01:49:13,560 Speaker 1: but I don't necessarily know how to stop it. And 2089 01:49:13,760 --> 01:49:15,960 Speaker 1: that's all I'm trying to figure out, right, And then. 2090 01:49:15,920 --> 01:49:18,040 Speaker 2: That explains why he knew about the equinox and all 2091 01:49:18,080 --> 01:49:18,400 Speaker 2: that ship. 2092 01:49:18,439 --> 01:49:22,200 Speaker 1: And she was looking like that right because think about 2093 01:49:22,200 --> 01:49:28,880 Speaker 1: it now from her perspective, she Christina knows that she's 2094 01:49:29,080 --> 01:49:31,920 Speaker 1: gonna have to kill Tick to get immortality. She needs 2095 01:49:31,960 --> 01:49:36,280 Speaker 1: his blood or something like that. She knows. So him 2096 01:49:36,479 --> 01:49:42,280 Speaker 1: knowing that that means something she that was like that 2097 01:49:42,439 --> 01:49:47,800 Speaker 1: was a big like hold up, now is the fucking right? 2098 01:49:47,960 --> 01:49:50,560 Speaker 1: Is the main part of my plan? Or where is 2099 01:49:50,640 --> 01:49:52,160 Speaker 1: that they're part of my plan? 2100 01:49:52,280 --> 01:49:52,320 Speaker 3: On? 2101 01:49:52,520 --> 01:49:53,240 Speaker 2: Is the jig up? 2102 01:49:53,800 --> 01:49:59,760 Speaker 1: Right? And then also I wonder if it contextualizes Christina 2103 01:50:00,320 --> 01:50:03,560 Speaker 1: doing that stuff that Emmett Till went through, if she 2104 01:50:03,720 --> 01:50:06,720 Speaker 1: will now look at the idea of killing Tick to 2105 01:50:06,880 --> 01:50:10,840 Speaker 1: get her goal as wrong, or if she will look 2106 01:50:10,840 --> 01:50:13,680 Speaker 1: at it and go, well, you know, this is for 2107 01:50:13,800 --> 01:50:16,040 Speaker 1: the greater good, and I don't you know, it doesn't 2108 01:50:16,080 --> 01:50:18,479 Speaker 1: matter that he's a black man or I wonder if 2109 01:50:18,479 --> 01:50:21,439 Speaker 1: it will change anything for that character. We never got 2110 01:50:21,479 --> 01:50:23,920 Speaker 1: to see how she came out of that m so 2111 01:50:24,360 --> 01:50:25,880 Speaker 1: it was just a lot of stuff that made my 2112 01:50:26,000 --> 01:50:28,439 Speaker 1: mind like, Tick, you. 2113 01:50:28,439 --> 01:50:28,880 Speaker 2: Know what I mean? 2114 01:50:29,040 --> 01:50:34,280 Speaker 3: Yes, no, no, no, no pun But and it wouldn't 2115 01:50:34,280 --> 01:50:38,120 Speaker 3: surprise me if Ruby plays a big role in whatever 2116 01:50:38,240 --> 01:50:38,919 Speaker 3: she's trying. 2117 01:50:38,720 --> 01:50:42,360 Speaker 1: To do, We'll get to Ruby. So Tick wants to 2118 01:50:42,439 --> 01:50:46,760 Speaker 1: cast their immortality style tonight. He's like, I want to 2119 01:50:46,840 --> 01:50:47,639 Speaker 1: live for my son. 2120 01:50:47,880 --> 01:50:49,320 Speaker 2: I'm trying to cray for his test. 2121 01:50:49,439 --> 01:50:52,120 Speaker 1: We got to do this shit tonight, right, And he 2122 01:50:52,280 --> 01:50:55,080 Speaker 1: tells us that, like, you know, I could die, You 2123 01:50:55,200 --> 01:50:57,600 Speaker 1: could die, because that's what happened with these motherfuckers that 2124 01:50:57,720 --> 01:51:01,800 Speaker 1: did this ship before. And I love this line where 2125 01:51:01,840 --> 01:51:05,120 Speaker 1: mon Trous goes, you know, son, I always thought my 2126 01:51:05,240 --> 01:51:06,920 Speaker 1: death would come at the end of a white man's 2127 01:51:06,960 --> 01:51:11,840 Speaker 1: bullet or rope magic so much more jazz. And I 2128 01:51:11,960 --> 01:51:14,200 Speaker 1: was like, oh, that is such a fucking dope line 2129 01:51:14,680 --> 01:51:16,360 Speaker 1: because most people have been like, boy, if you don't 2130 01:51:16,360 --> 01:51:17,920 Speaker 1: get the fuck out of my house at this match. 2131 01:51:19,840 --> 01:51:24,040 Speaker 1: But uh so, he said, didn't you tell me part 2132 01:51:24,080 --> 01:51:27,040 Speaker 1: of casting was intention? What was my intention to do 2133 01:51:27,120 --> 01:51:29,920 Speaker 1: whatever I can to save my son and my grandson 2134 01:51:30,120 --> 01:51:31,120 Speaker 1: even if he kills me. 2135 01:51:32,040 --> 01:51:34,600 Speaker 2: And I believe him on that one, I know, And 2136 01:51:34,720 --> 01:51:39,000 Speaker 2: it's so their relationship is so fucking weird. 2137 01:51:39,680 --> 01:51:43,280 Speaker 1: Yeah, like y'all was just like he was just disrespecting 2138 01:51:43,320 --> 01:51:45,040 Speaker 1: you because he found out you were gay and he 2139 01:51:45,200 --> 01:51:48,080 Speaker 1: was hurt because it was a bigness. And it's also 2140 01:51:49,040 --> 01:51:50,680 Speaker 1: this all and I'm sure a lot of families are 2141 01:51:50,760 --> 01:51:53,560 Speaker 1: like this, but it's also like ticks never getting that 2142 01:51:53,640 --> 01:51:55,400 Speaker 1: apology and. 2143 01:51:55,520 --> 01:51:57,599 Speaker 2: I got felams like that, you got how to shut 2144 01:51:57,640 --> 01:51:58,400 Speaker 2: that door and keep it. 2145 01:51:58,439 --> 01:52:01,200 Speaker 1: Moving, and mon Trouss never getting it either. Like they're 2146 01:52:01,280 --> 01:52:03,080 Speaker 1: never gonna be that kind of family. 2147 01:52:03,160 --> 01:52:06,920 Speaker 3: No, you know, what's an apology of some fried chicken, 2148 01:52:07,000 --> 01:52:09,040 Speaker 3: some green and corn breads and some sweet tea. 2149 01:52:09,479 --> 01:52:12,040 Speaker 1: That's an apology. I think the apology is just that 2150 01:52:12,400 --> 01:52:14,720 Speaker 1: I will help you with this spell. That's that's as 2151 01:52:14,760 --> 01:52:16,720 Speaker 1: close you're gonna get. It's like we're still family and 2152 01:52:16,720 --> 01:52:19,639 Speaker 1: I'm gonna take care of you. But you know, I've 2153 01:52:19,680 --> 01:52:21,920 Speaker 1: done horrible shit and I would do continue to do 2154 01:52:21,960 --> 01:52:23,599 Speaker 1: horrible shit and I ain't gonna ask. 2155 01:52:23,520 --> 01:52:26,599 Speaker 2: You, and you know, it's just crazy, yeah, because that's 2156 01:52:26,640 --> 01:52:27,960 Speaker 2: how my mom apologized. 2157 01:52:28,040 --> 01:52:30,040 Speaker 3: Like, like I said, I know you not getting that. 2158 01:52:30,160 --> 01:52:33,760 Speaker 3: Sorry is here is some food, like that's that's the apology, 2159 01:52:34,240 --> 01:52:34,960 Speaker 3: you know, them. 2160 01:52:34,880 --> 01:52:35,680 Speaker 2: Doing shit like that. 2161 01:52:36,240 --> 01:52:39,760 Speaker 1: Yeah, And I mean this is this is a long 2162 01:52:39,840 --> 01:52:42,519 Speaker 1: time before black people and therapy and all that shit 2163 01:52:42,640 --> 01:52:45,800 Speaker 1: was the way. So there's a lot of relationships like this. 2164 01:52:45,920 --> 01:52:47,599 Speaker 1: I think a lot of people have these high relationships 2165 01:52:47,600 --> 01:52:50,760 Speaker 1: with their pairs, not obviously not magical spells, but with 2166 01:52:50,920 --> 01:52:53,840 Speaker 1: this whole Like, you know, sometimes I'm a fiez of 2167 01:52:53,840 --> 01:52:55,160 Speaker 1: shit towards you. Sometimes I'm not. 2168 01:52:55,479 --> 01:52:58,000 Speaker 2: And because people are complaining, that's just love and. 2169 01:52:58,080 --> 01:53:00,120 Speaker 1: You just gotta deal with it. And you know, now 2170 01:53:00,160 --> 01:53:02,840 Speaker 1: people are learning you don't and you know, you can 2171 01:53:02,880 --> 01:53:04,600 Speaker 1: talk to people, you can get help. But I just 2172 01:53:04,680 --> 01:53:07,439 Speaker 1: don't think, Like I said, I kind of liked that 2173 01:53:07,520 --> 01:53:09,800 Speaker 1: the show didn't try to make them twenty twenty black 2174 01:53:09,840 --> 01:53:16,840 Speaker 1: people in nineteen fifty, right anyway, So they draw Tike 2175 01:53:16,920 --> 01:53:18,799 Speaker 1: draws of protection someone on the ground with his blood. 2176 01:53:18,920 --> 01:53:22,080 Speaker 1: We find out Montrosse in this scene is dyslexic, to 2177 01:53:22,200 --> 01:53:25,360 Speaker 1: which I'm like, that's the worst time to find that 2178 01:53:25,479 --> 01:53:28,000 Speaker 1: out because Montrosse is the one that got to read 2179 01:53:28,040 --> 01:53:31,560 Speaker 1: the spell. Yes, So I'm like, man, I don't know 2180 01:53:31,640 --> 01:53:33,120 Speaker 1: about this, Like. 2181 01:53:34,080 --> 01:53:36,880 Speaker 3: I don't know, like like, I mean, you don't mind 2182 01:53:36,920 --> 01:53:38,800 Speaker 3: have been your study buddy, but you got you got 2183 01:53:38,880 --> 01:53:39,840 Speaker 3: a cram too hard. 2184 01:53:39,920 --> 01:53:41,760 Speaker 1: Yeah, I'm gonna need to I'm gonna need to see 2185 01:53:41,800 --> 01:53:45,680 Speaker 1: the book you get in circle right like this is 2186 01:53:45,920 --> 01:53:48,160 Speaker 1: like I just told you. Everybody that fucks this up 2187 01:53:48,320 --> 01:53:53,120 Speaker 1: dies and montrosse like I got it. And I also 2188 01:53:53,320 --> 01:53:56,080 Speaker 1: love that how he told them it's such a black way, 2189 01:53:57,080 --> 01:53:59,840 Speaker 1: just like a black parent would. He was like, what, no, 2190 01:54:00,120 --> 01:54:02,400 Speaker 1: you got the words back when he was like, oh, 2191 01:54:03,200 --> 01:54:05,080 Speaker 1: you know, I'm just lexic. Boy, he was like, no, 2192 01:54:05,280 --> 01:54:08,720 Speaker 1: the fuck. I don't like you ain't guy jumping this 2193 01:54:08,880 --> 01:54:11,120 Speaker 1: knowledge on me. It's like you come in the house 2194 01:54:11,120 --> 01:54:13,000 Speaker 1: and your dad ain't got a foot and he's just like, boy, 2195 01:54:13,040 --> 01:54:14,040 Speaker 1: you know I got diabetes. 2196 01:54:14,040 --> 01:54:16,160 Speaker 2: He's like, you have never told me that, not one. 2197 01:54:18,160 --> 01:54:22,000 Speaker 2: You know, Black folks, they come in and they sitting down. 2198 01:54:22,120 --> 01:54:23,920 Speaker 2: What's wrong with you? You know I had back surgery. 2199 01:54:24,200 --> 01:54:26,240 Speaker 2: You didn't mean to tell me nothing's wrong with your back. 2200 01:54:26,439 --> 01:54:30,640 Speaker 1: Meet your sister, boy, my sister. Yes, you know I 2201 01:54:30,720 --> 01:54:33,240 Speaker 1: had a secret family. Nobody knew you had a secret family. 2202 01:54:33,360 --> 01:54:36,320 Speaker 3: Yes, I've experienced that with everybody's looking like the fuck 2203 01:54:36,440 --> 01:54:38,760 Speaker 3: is this I got an uncle that I'm older than, 2204 01:54:38,840 --> 01:54:41,400 Speaker 3: and I didn't realize that he was my uncle to 2205 01:54:41,480 --> 01:54:42,480 Speaker 3: my granddaddy died. 2206 01:54:42,600 --> 01:54:43,800 Speaker 2: I was like, who is this my boy? 2207 01:54:44,440 --> 01:54:44,840 Speaker 1: All right? 2208 01:54:45,200 --> 01:54:45,320 Speaker 2: Uh? 2209 01:54:45,520 --> 01:54:49,320 Speaker 1: But yeah, so he's like, uh, the take steps into 2210 01:54:49,360 --> 01:54:52,480 Speaker 1: the symbol, my trouc reads the spell and then nothing happens. 2211 01:54:53,640 --> 01:54:56,200 Speaker 1: They don't feel anything, and. 2212 01:54:56,160 --> 01:54:57,840 Speaker 2: Anybody looking at each other like you feel something? 2213 01:54:58,000 --> 01:55:00,360 Speaker 1: I like, how I like? My favorite part that made 2214 01:55:00,400 --> 01:55:02,720 Speaker 1: me laugh was when he ended the spell. He said 2215 01:55:02,800 --> 01:55:05,320 Speaker 1: amen and then he did the cross sign. He did 2216 01:55:05,760 --> 01:55:08,440 Speaker 1: that was so good. Oh my god, that was the best. 2217 01:55:08,920 --> 01:55:09,080 Speaker 2: Uh. 2218 01:55:09,280 --> 01:55:12,560 Speaker 1: He was like, can't hurt. I was like, you know what, bruh, 2219 01:55:12,640 --> 01:55:16,120 Speaker 1: I'm with you. Throw all of them on now. Okay, dude, 2220 01:55:16,200 --> 01:55:19,600 Speaker 1: do the Muslim prayer a bunch of shit freaking whatever 2221 01:55:19,640 --> 01:55:23,560 Speaker 1: you got to do, like some incense. Uh. Then back 2222 01:55:23,600 --> 01:55:26,920 Speaker 1: at Letty's house, Ruby comes into the dark room and 2223 01:55:27,120 --> 01:55:29,560 Speaker 1: there's a bunch of picks that Leeddy took of her 2224 01:55:29,600 --> 01:55:33,760 Speaker 1: and Tick. A lot of people don't notice, but Letitia 2225 01:55:33,880 --> 01:55:36,800 Speaker 1: Lewis is the inventor of taking selfies. Okay, she's the 2226 01:55:36,840 --> 01:55:40,040 Speaker 1: black woman that invented taking selfies before the iPhone. Uh, 2227 01:55:41,000 --> 01:55:43,520 Speaker 1: it's just pictures of them laying in the bed together, 2228 01:55:43,720 --> 01:55:48,240 Speaker 1: pictures of them smiling and all the shit. Ruby lies 2229 01:55:48,720 --> 01:55:51,360 Speaker 1: and says that the reason she she's just getting there 2230 01:55:51,400 --> 01:55:54,160 Speaker 1: is because she came from Mtill's way. Now, look, maybe 2231 01:55:54,280 --> 01:55:56,480 Speaker 1: she left that white man's house and went back to 2232 01:55:56,560 --> 01:55:59,040 Speaker 1: the wake, but I think she lied. I think she 2233 01:55:59,480 --> 01:56:02,280 Speaker 1: did not She left to go be with that white man, 2234 01:56:02,320 --> 01:56:06,320 Speaker 1: and that's why she was feeling guilty. And I think 2235 01:56:06,440 --> 01:56:09,280 Speaker 1: she kind of provides a tale in this conversation because 2236 01:56:09,360 --> 01:56:12,480 Speaker 1: Letty's upset that she She's like, did you see the body? 2237 01:56:12,720 --> 01:56:16,440 Speaker 1: And Ruby's like, she just looks at her, and then 2238 01:56:16,520 --> 01:56:20,760 Speaker 1: Letty goes, I couldn't even take pictures of it, and 2239 01:56:20,920 --> 01:56:24,200 Speaker 1: Mammy Tale was brave enough to let us see her 2240 01:56:24,320 --> 01:56:27,440 Speaker 1: son for the world, and I couldn't even take pictures 2241 01:56:27,480 --> 01:56:31,800 Speaker 1: of my camera. And then that's when Ruby's like, taking 2242 01:56:31,840 --> 01:56:34,560 Speaker 1: care of yourself in that moment, that is what's brave. 2243 01:56:34,720 --> 01:56:37,920 Speaker 1: That like, don't feel bad about that, that's that like, 2244 01:56:38,080 --> 01:56:42,480 Speaker 1: that was you protecting yourself. And part of me is like, 2245 01:56:42,920 --> 01:56:45,280 Speaker 1: I totally understand that self care sundays, you know, but 2246 01:56:45,440 --> 01:56:48,920 Speaker 1: part of me is also like, because Ruby went down 2247 01:56:49,360 --> 01:56:52,400 Speaker 1: William's house, so of course she's gonna say, the thing 2248 01:56:52,600 --> 01:56:56,400 Speaker 1: that was kind of quote unquote selfish is the thing 2249 01:56:56,520 --> 01:56:58,920 Speaker 1: that is the right thing to do, because who the 2250 01:56:59,160 --> 01:57:01,880 Speaker 1: you know, that's her. Her ideology has become a lot 2251 01:57:02,000 --> 01:57:04,120 Speaker 1: more about like I need to get mine. So if 2252 01:57:04,200 --> 01:57:08,440 Speaker 1: it's leaning more towards Christina, yes, he's influencing her, Yeah, 2253 01:57:08,480 --> 01:57:11,760 Speaker 1: I think so. And so then Letty tells Ruby that 2254 01:57:11,840 --> 01:57:18,040 Speaker 1: she's pregnant, and Ruby is blown. She's like, what this nigga? 2255 01:57:18,600 --> 01:57:22,120 Speaker 1: He ain't got no job, right, girl? Are you crazy? 2256 01:57:22,360 --> 01:57:25,960 Speaker 2: Stand up for free? You know. It's like she should 2257 01:57:26,000 --> 01:57:27,680 Speaker 2: have been like, ain't that coming to get his ass? 2258 01:57:27,720 --> 01:57:29,280 Speaker 2: He ain't never going back to the military. 2259 01:57:29,440 --> 01:57:32,320 Speaker 1: It's like how people must feel when their friends like, girl, 2260 01:57:32,520 --> 01:57:34,120 Speaker 1: I ain't want to tell you this, but future got 2261 01:57:34,200 --> 01:57:38,960 Speaker 1: me pregnant too. It's like, girl, oh, for real, for 2262 01:57:39,480 --> 01:57:44,040 Speaker 1: you the twenty seventh, well, ain't you got a job. 2263 01:57:44,120 --> 01:57:45,960 Speaker 1: Don't you got things you want to do in your life? 2264 01:57:46,040 --> 01:57:47,760 Speaker 2: I mean, don't you want to accomplish something? 2265 01:57:48,120 --> 01:57:48,280 Speaker 1: Right? 2266 01:57:48,600 --> 01:57:48,840 Speaker 2: And so. 2267 01:57:51,120 --> 01:57:54,720 Speaker 1: This is when Ruby says, you should have stayed your 2268 01:57:54,760 --> 01:57:58,240 Speaker 1: ass at Malcolm's instead of following that man. The artum Yeah, 2269 01:57:58,560 --> 01:58:01,480 Speaker 1: I know all about magic and how George really died, 2270 01:58:02,640 --> 01:58:06,080 Speaker 1: and she dropped a bombshell, and Letty was like that 2271 01:58:06,160 --> 01:58:13,040 Speaker 1: white man's staying with and then she says, only a 2272 01:58:13,160 --> 01:58:18,840 Speaker 1: man sometimes Christina Breithwhite. And what was funny about this 2273 01:58:18,960 --> 01:58:22,160 Speaker 1: scene Letty didn't even try to figure out the math 2274 01:58:22,320 --> 01:58:25,640 Speaker 1: on it also, like are y'all fucking She just was like, Nigga, 2275 01:58:25,800 --> 01:58:29,280 Speaker 1: Christina tried to get me the spy, so I know 2276 01:58:29,480 --> 01:58:31,080 Speaker 1: she trying are you spine on us? 2277 01:58:31,320 --> 01:58:33,200 Speaker 2: Is that what you're doing right now? That what you're doing? 2278 01:58:33,200 --> 01:58:34,960 Speaker 2: And she began a piece of it together. She was like, oh, 2279 01:58:35,200 --> 01:58:37,000 Speaker 2: everything makes sense now right. 2280 01:58:37,120 --> 01:58:39,400 Speaker 1: I thought she was how big it is? So why 2281 01:58:40,400 --> 01:58:45,280 Speaker 1: so how y'all doing? Did you have a do she 2282 01:58:45,360 --> 01:58:48,160 Speaker 1: have a transform? While y'all fucking like? But anyway, she 2283 01:58:48,240 --> 01:58:50,800 Speaker 1: didn't ask no question, so she too walked for all that. 2284 01:58:51,000 --> 01:58:56,680 Speaker 1: So then she was like instead of I mean, she 2285 01:58:56,840 --> 01:58:59,520 Speaker 1: was like, yes, so you're trying to you're trying to 2286 01:58:59,560 --> 01:59:04,720 Speaker 1: spawn and Ruby's like, no, I'm not trying to spawn, y'all, Like, 2287 01:59:05,280 --> 01:59:07,200 Speaker 1: don't even ask me that. Okay, what do you want 2288 01:59:07,200 --> 01:59:10,360 Speaker 1: to see? Sean King taxes? Nigga? Next like stop asking 2289 01:59:10,480 --> 01:59:15,200 Speaker 1: questions and I'm just here because she's given me what 2290 01:59:15,360 --> 01:59:18,800 Speaker 1: I want access to magic like the potion that helped 2291 01:59:18,800 --> 01:59:22,040 Speaker 1: me become a white woman and get a job. My 2292 01:59:22,520 --> 01:59:25,920 Speaker 1: two fantasies, okay, And she was like, and you know 2293 01:59:26,000 --> 01:59:28,000 Speaker 1: what I learned from being a white woman and getting 2294 01:59:28,000 --> 01:59:30,720 Speaker 1: a job. I don't want to be a white woman 2295 01:59:30,800 --> 01:59:32,680 Speaker 1: and get a job. I'm just sick. 2296 01:59:33,600 --> 01:59:34,680 Speaker 2: And she was like, I want more. 2297 01:59:35,040 --> 01:59:37,320 Speaker 1: She was like, I'm sick of forgiving every space that 2298 01:59:37,440 --> 01:59:39,680 Speaker 1: I enter because it's not for me. I want to 2299 01:59:39,720 --> 01:59:42,000 Speaker 1: create my own space. I can do that with magic. 2300 01:59:42,120 --> 01:59:46,800 Speaker 1: Christina can teach me. And I said, that was my 2301 01:59:46,960 --> 01:59:47,600 Speaker 1: villain speech. 2302 01:59:47,880 --> 01:59:48,760 Speaker 2: That's how it goes. 2303 01:59:49,320 --> 01:59:52,840 Speaker 1: When the motherfuckers start handing down that path. They always got. 2304 01:59:53,160 --> 01:59:56,320 Speaker 1: They always got some monologue, where's let me tell your 2305 01:59:56,400 --> 01:59:59,160 Speaker 1: girl what I'm gonna really do before I take over 2306 01:59:59,200 --> 02:00:02,120 Speaker 1: the world. It's like, oh, you're talking kind of crazy now. 2307 02:00:02,280 --> 02:00:04,680 Speaker 2: Oh no, you know, y'all might want to check upon her, 2308 02:00:05,120 --> 02:00:05,520 Speaker 2: Like when you. 2309 02:00:05,560 --> 02:00:09,160 Speaker 1: Start referring yourself in third person, like when I don't 2310 02:00:09,280 --> 02:00:11,560 Speaker 1: like some of these things. You starting to say Ruby. 2311 02:00:12,640 --> 02:00:15,160 Speaker 2: As far as Ruby is concerned, this is what Ruby 2312 02:00:15,240 --> 02:00:16,480 Speaker 2: going today, right, real. 2313 02:00:16,360 --> 02:00:19,520 Speaker 1: Boy puts Ruby in a corner. So I don't know, 2314 02:00:19,680 --> 02:00:22,760 Speaker 1: Like that speech was kind of like like I understand 2315 02:00:22,840 --> 02:00:25,280 Speaker 1: that obviously they've written Ruby is such a great character 2316 02:00:25,320 --> 02:00:29,720 Speaker 1: and stuff. But also at the same time, it's interesting 2317 02:00:30,120 --> 02:00:35,080 Speaker 1: that the way she phrased that about you know, I 2318 02:00:35,160 --> 02:00:37,520 Speaker 1: could I could do that with Magic and Christina a 2319 02:00:37,600 --> 02:00:40,320 Speaker 1: woman none of them can't really trust. It's gonna teach 2320 02:00:40,360 --> 02:00:44,080 Speaker 1: me o point, But all of them want something from Christina. 2321 02:00:43,840 --> 02:00:46,400 Speaker 3: Right even though Letty Letty keep talking about how they 2322 02:00:46,440 --> 02:00:49,360 Speaker 3: can't trust her, But at the same time, she ran 2323 02:00:49,480 --> 02:00:51,120 Speaker 3: to it all of Like I said, this was the 2324 02:00:51,200 --> 02:00:54,440 Speaker 3: episode of running to Christina a Christina knows. 2325 02:00:55,320 --> 02:01:00,200 Speaker 1: Yeah, everybody asked Christina for something, and maybe, like the 2326 02:01:00,320 --> 02:01:03,240 Speaker 1: interesting part about that relationship is going to be do 2327 02:01:03,440 --> 02:01:08,160 Speaker 1: they actually care about each other? And what did Christina 2328 02:01:08,280 --> 02:01:10,120 Speaker 1: learn from that thing at the pier? 2329 02:01:11,480 --> 02:01:11,879 Speaker 2: Correct? 2330 02:01:12,320 --> 02:01:14,920 Speaker 1: You know, So we'll see how that works out. But 2331 02:01:16,480 --> 02:01:18,600 Speaker 1: I don't think you can trust Christina to teach you. 2332 02:01:19,200 --> 02:01:23,480 Speaker 1: And I also don't know the way they've done with Ruby. 2333 02:01:24,080 --> 02:01:29,120 Speaker 1: Her motivations I understand, but at some point her family's 2334 02:01:29,160 --> 02:01:31,040 Speaker 1: going to be in the way of those motivations. So 2335 02:01:31,480 --> 02:01:34,640 Speaker 1: unless they yeah, she's got a decision to make. I'm 2336 02:01:34,680 --> 02:01:37,720 Speaker 1: not saying she will be a villain, but I think 2337 02:01:37,720 --> 02:01:39,040 Speaker 1: you'd be a fool to look at the show and 2338 02:01:39,120 --> 02:01:40,840 Speaker 1: not see their setting up some type of choice for 2339 02:01:40,920 --> 02:01:43,320 Speaker 1: her to make because it's coming down to Christina or 2340 02:01:43,400 --> 02:01:47,360 Speaker 1: her family, And can you trust Christina to have your 2341 02:01:47,480 --> 02:01:49,640 Speaker 1: back and to see you and your family as human 2342 02:01:50,240 --> 02:01:53,600 Speaker 1: enough to not want to not like cause it sounds 2343 02:01:53,640 --> 02:01:55,520 Speaker 1: like Christina's whole plan is I might have to kill 2344 02:01:55,560 --> 02:02:02,040 Speaker 1: taking some point and if Ruby can keep fucking with Christina, 2345 02:02:02,320 --> 02:02:04,160 Speaker 1: she killed Tick. I just don't know how that's not 2346 02:02:04,240 --> 02:02:04,960 Speaker 1: a bad person. 2347 02:02:05,680 --> 02:02:07,320 Speaker 2: Yeah, it's just it's just one. 2348 02:02:07,520 --> 02:02:10,040 Speaker 1: Well, even if she knows Christina needs to kill Tick 2349 02:02:10,240 --> 02:02:12,880 Speaker 1: and she goes along with it, like if she gonna 2350 02:02:12,880 --> 02:02:14,600 Speaker 1: have a choice, she's gonna have a choice to make. 2351 02:02:14,600 --> 02:02:15,240 Speaker 1: I'll put it that way. 2352 02:02:15,320 --> 02:02:17,440 Speaker 3: Yeah, at some point in time, a decision that is 2353 02:02:17,520 --> 02:02:20,320 Speaker 3: going it's gonna have to be made. Either you're gonna 2354 02:02:20,360 --> 02:02:23,080 Speaker 3: have to say, uh, fuck Christina, fuck my family. 2355 02:02:23,160 --> 02:02:25,000 Speaker 2: One of one of the choices has got to be 2356 02:02:25,080 --> 02:02:25,480 Speaker 2: made at. 2357 02:02:25,480 --> 02:02:28,600 Speaker 3: One period of time because the way the story is going, 2358 02:02:28,680 --> 02:02:30,400 Speaker 3: you you you can't have both. 2359 02:02:30,720 --> 02:02:32,720 Speaker 1: Yeah, you just not not in her shoes. 2360 02:02:33,200 --> 02:02:33,760 Speaker 2: So then. 2361 02:02:35,760 --> 02:02:38,840 Speaker 1: Uh, someone else will Letty to go upstairs. Now they 2362 02:02:38,920 --> 02:02:40,800 Speaker 1: go upstairs. The police or there would a warrant to 2363 02:02:40,840 --> 02:02:42,760 Speaker 1: search the premises fake one. 2364 02:02:42,880 --> 02:02:43,920 Speaker 2: They probably fucking made up. 2365 02:02:45,240 --> 02:02:49,280 Speaker 1: Who knows, who fucking knows, Like I'm sure, like they probably, 2366 02:02:49,360 --> 02:02:54,080 Speaker 1: I mean, uh yeah, yeah, yeah. It was like sign this, 2367 02:02:54,280 --> 02:02:57,520 Speaker 1: but we're going to that house school, like like we 2368 02:02:57,760 --> 02:03:01,000 Speaker 1: know it's we know why they really there and I'm 2369 02:03:01,040 --> 02:03:03,800 Speaker 1: sure but like, yeah, they could get a judge and 2370 02:03:03,840 --> 02:03:06,320 Speaker 1: signed off on any reason. Harassed black people living in 2371 02:03:06,400 --> 02:03:09,040 Speaker 1: a white neighborhood in the nineteen fifties, so they probably 2372 02:03:09,080 --> 02:03:10,880 Speaker 1: didn't have to wake the judge up for that one. 2373 02:03:11,760 --> 02:03:14,160 Speaker 1: It was like he already pre signed these let's just 2374 02:03:14,480 --> 02:03:18,440 Speaker 1: put Nation of Islam, which is what they say. They 2375 02:03:18,480 --> 02:03:20,840 Speaker 1: say the Nation of Islam was organizing in their house, 2376 02:03:21,400 --> 02:03:25,240 Speaker 1: which once Chicago heavy with the Nation of Islam. Two 2377 02:03:25,760 --> 02:03:29,000 Speaker 1: National Islam considered to be black radicals at the time. 2378 02:03:30,280 --> 02:03:33,240 Speaker 1: I mean, I guess maybe still now, but consider not 2379 02:03:33,400 --> 02:03:36,600 Speaker 1: as much now. I feel like, motherfucker's probably thing like 2380 02:03:36,640 --> 02:03:40,400 Speaker 1: Antifa and some of these other organizations might be more 2381 02:03:40,800 --> 02:03:44,720 Speaker 1: radical than Black Muscles, because you know, it's still a religion, 2382 02:03:44,800 --> 02:03:47,800 Speaker 1: so there's some conservatism within it, you know, gender rows, 2383 02:03:49,880 --> 02:03:52,400 Speaker 1: you know, homophobias, the same shit in every church. It's 2384 02:03:52,400 --> 02:03:56,440 Speaker 1: about so. But they were speaking black liberation and that 2385 02:03:56,760 --> 02:04:00,080 Speaker 1: was a time where you know, for Black America, for 2386 02:04:00,120 --> 02:04:03,640 Speaker 1: white America, these are the scary negroes. Yes, they was 2387 02:04:03,720 --> 02:04:06,520 Speaker 1: on some like we will get guns and defend ourselves. 2388 02:04:06,600 --> 02:04:10,120 Speaker 2: They were organized. We can't get organized. 2389 02:04:10,280 --> 02:04:13,400 Speaker 1: Well, Ship MLK was organized. They was like, we will 2390 02:04:13,440 --> 02:04:16,280 Speaker 1: get guns and defend ourselves. We will not let you 2391 02:04:16,400 --> 02:04:16,880 Speaker 1: beat us. 2392 02:04:17,480 --> 02:04:19,520 Speaker 2: You're organized, and like we're not gonna take y'all. 2393 02:04:19,520 --> 02:04:19,720 Speaker 1: Ship. 2394 02:04:19,840 --> 02:04:22,520 Speaker 2: Yeah, like they we not turn the other cheek. We're 2395 02:04:22,560 --> 02:04:23,320 Speaker 2: gonna turn these. 2396 02:04:23,240 --> 02:04:26,040 Speaker 1: Bullets right now, I don't know how much that came 2397 02:04:26,080 --> 02:04:28,560 Speaker 1: to fruition, but I do know that white people were 2398 02:04:28,600 --> 02:04:32,240 Speaker 1: super scared of them. And so the boogeyman, you know, 2399 02:04:32,320 --> 02:04:35,000 Speaker 1: the way they have turned Black Lives Matter into the boogeyman, right, 2400 02:04:35,520 --> 02:04:37,880 Speaker 1: the Black Panthers will turn into the boogeyman. They are 2401 02:04:37,960 --> 02:04:40,320 Speaker 1: now doing that. They were at this time doing that 2402 02:04:40,400 --> 02:04:44,080 Speaker 1: with Nation and Islam. So like Nation Islam in your house, organizing, 2403 02:04:44,360 --> 02:04:46,960 Speaker 1: We got to come in here, and that's the boogeyman. 2404 02:04:47,280 --> 02:04:52,960 Speaker 1: So she uh that one cop comes in and starts 2405 02:04:52,960 --> 02:04:54,880 Speaker 1: looking around, because we was like, let me Spock speak 2406 02:04:54,920 --> 02:04:57,520 Speaker 1: to the cops. I don't want you having your baby 2407 02:04:57,600 --> 02:05:00,920 Speaker 1: in jail. And I'm like, why are the ruby always 2408 02:05:01,000 --> 02:05:05,160 Speaker 1: think she's the respectable one that can like talk to 2409 02:05:05,280 --> 02:05:07,640 Speaker 1: these white folks. I'm like, these white folks are racist. 2410 02:05:07,720 --> 02:05:07,920 Speaker 3: Girl. 2411 02:05:08,640 --> 02:05:10,760 Speaker 1: You didn't learn that back in the fucking. 2412 02:05:10,560 --> 02:05:13,080 Speaker 2: Story room, right, And then you know you ain't got 2413 02:05:13,120 --> 02:05:13,879 Speaker 2: the right skin. 2414 02:05:13,720 --> 02:05:16,160 Speaker 1: On, right, Like you need to drink some potion first. 2415 02:05:16,200 --> 02:05:22,560 Speaker 1: But yeah, so the one cop goes in, but the 2416 02:05:23,280 --> 02:05:26,920 Speaker 1: Captain Lancaster and his henchman get blocked by the seal 2417 02:05:27,080 --> 02:05:31,440 Speaker 1: at the door, like Christina, right, if someone asked me, 2418 02:05:32,480 --> 02:05:35,920 Speaker 1: why did Jia get to come in the house but 2419 02:05:36,080 --> 02:05:39,520 Speaker 1: not them? And it sounds like it's not whether or 2420 02:05:39,560 --> 02:05:43,000 Speaker 1: not you are a monster. It sounds like if you 2421 02:05:43,120 --> 02:05:48,640 Speaker 1: can use magic yep, and maybe it even gauges your 2422 02:05:48,680 --> 02:05:51,600 Speaker 1: intentions to maybe they can do that, but you can't 2423 02:05:51,640 --> 02:05:54,240 Speaker 1: come in. So maybe if you intend to harm the 2424 02:05:54,320 --> 02:05:57,640 Speaker 1: house or something, use magic, then it blocks you from 2425 02:05:57,680 --> 02:05:57,960 Speaker 1: coming in. 2426 02:05:58,240 --> 02:06:01,080 Speaker 3: Because the thing about Ga Ga don't use magics, like 2427 02:06:01,200 --> 02:06:04,640 Speaker 3: she's actually a creature, which is completely different than somebody 2428 02:06:04,800 --> 02:06:06,200 Speaker 3: casting the spell, right. 2429 02:06:06,800 --> 02:06:09,680 Speaker 1: I know. Yeah, someone bringing up in the chat to Jermany, 2430 02:06:09,720 --> 02:06:10,400 Speaker 1: I was gonna say that. 2431 02:06:11,560 --> 02:06:11,840 Speaker 2: I know. 2432 02:06:13,240 --> 02:06:17,760 Speaker 1: Christina said part of magic was like intention, so it 2433 02:06:17,840 --> 02:06:20,160 Speaker 1: could be you got bad intentions. So you can't come 2434 02:06:20,200 --> 02:06:20,560 Speaker 1: in the help. 2435 02:06:21,040 --> 02:06:24,120 Speaker 2: Okay. So so if its sense, it's oh, what you're 2436 02:06:24,120 --> 02:06:25,960 Speaker 2: about to do? Nah, and it just stops it. 2437 02:06:26,360 --> 02:06:28,640 Speaker 1: Yeah, it could be. I don't have the answers. I 2438 02:06:28,680 --> 02:06:31,480 Speaker 1: didn't write this, but I thought there were a bunch 2439 02:06:31,520 --> 02:06:34,800 Speaker 1: of really like reasonable explanations that could apply. 2440 02:06:35,080 --> 02:06:38,920 Speaker 3: Yeah, and even if it didn't stop Jiya because of 2441 02:06:39,560 --> 02:06:41,840 Speaker 3: her you know, her intentions, I mean, not her intention 2442 02:06:41,920 --> 02:06:44,200 Speaker 3: because she's a creature. She didn't go in there to 2443 02:06:44,280 --> 02:06:45,200 Speaker 3: harm anybody either. 2444 02:06:45,240 --> 02:06:46,400 Speaker 1: Yeah, intentions exactly. 2445 02:06:46,760 --> 02:06:48,960 Speaker 3: But I just think it's because she's she's a creature 2446 02:06:49,040 --> 02:06:50,520 Speaker 3: and she doesn't cast spells. 2447 02:06:50,920 --> 02:06:56,880 Speaker 1: Yeah, so tick oh. So while this is happening, they 2448 02:06:57,040 --> 02:06:59,800 Speaker 1: they're like, fine, we'll leave because we can't walk in 2449 02:07:00,120 --> 02:07:02,240 Speaker 1: with the spell. And of course they didn't know there 2450 02:07:02,320 --> 02:07:04,160 Speaker 1: was a magic barrier around. They didn't know how much 2451 02:07:04,240 --> 02:07:06,840 Speaker 1: magic they were using or not right. And that's when 2452 02:07:06,960 --> 02:07:12,520 Speaker 1: Leddy was like, oh uh so they leave and then 2453 02:07:12,560 --> 02:07:15,880 Speaker 1: they go outside and start shooting up the house. I'm like, 2454 02:07:16,120 --> 02:07:20,520 Speaker 1: what kind of motherfucking gang is this? What kind of 2455 02:07:20,680 --> 02:07:23,760 Speaker 1: drive by behaviors? This? And this is white people neighborhood 2456 02:07:23,800 --> 02:07:26,240 Speaker 1: y'all shooting up? But I was just I don't know 2457 02:07:26,320 --> 02:07:28,840 Speaker 1: what happened to her neighbors from episode three, but I 2458 02:07:28,960 --> 02:07:31,640 Speaker 1: just imagined them all looking out the window, like God 2459 02:07:31,800 --> 02:07:36,120 Speaker 1: damn niggers always bringing violence to the neighborhood. 2460 02:07:36,200 --> 02:07:38,960 Speaker 3: About Tom and it was one of those things where 2461 02:07:39,040 --> 02:07:43,280 Speaker 3: I think, if I'm not mistaken right when he ran away, 2462 02:07:44,040 --> 02:07:47,080 Speaker 3: Leeddy was like, shit, he knows that we know magic, 2463 02:07:47,520 --> 02:07:48,600 Speaker 3: so it's going to be a. 2464 02:07:48,600 --> 02:07:50,200 Speaker 1: Problem probably, I don't know. 2465 02:07:51,040 --> 02:07:53,440 Speaker 2: She said something like that to Ruby, like he knows 2466 02:07:53,520 --> 02:07:56,520 Speaker 2: that we know magic because he hit that burrier. So 2467 02:07:56,640 --> 02:07:58,360 Speaker 2: I was like, oh, this is not gonna be good. 2468 02:07:58,480 --> 02:08:00,760 Speaker 1: Yeah, because Ruby was asking about it like what happened 2469 02:08:00,800 --> 02:08:03,120 Speaker 1: in ship because she didn't even understand, which is why 2470 02:08:03,160 --> 02:08:04,680 Speaker 1: I still don't know how she's gonna be at to 2471 02:08:04,720 --> 02:08:08,920 Speaker 1: fuck with Christina. She just don't know so much. But uh, Anyway, 2472 02:08:09,000 --> 02:08:12,040 Speaker 1: the cops shoot up the house, which made me immediately 2473 02:08:12,120 --> 02:08:17,040 Speaker 1: think bullets. The spell keep evil people out, but bullets 2474 02:08:17,080 --> 02:08:20,840 Speaker 1: can come in. I want my money back. Okay, it's 2475 02:08:20,920 --> 02:08:22,800 Speaker 1: not enough. There's not enough protection from me. 2476 02:08:23,280 --> 02:08:24,560 Speaker 2: I need teaches the bullets. 2477 02:08:24,720 --> 02:08:27,480 Speaker 1: I need my I need my protection spell to be 2478 02:08:27,640 --> 02:08:31,160 Speaker 1: like no bullets too. Well, you can't ask, right, I 2479 02:08:31,240 --> 02:08:36,760 Speaker 1: need my protection spell to say listen, the magic is stopping, Like, 2480 02:08:36,920 --> 02:08:37,760 Speaker 1: is that an extra fee? 2481 02:08:38,200 --> 02:08:41,800 Speaker 2: Let me know, let me up charged for the bullet fee. 2482 02:08:42,000 --> 02:08:42,440 Speaker 1: I'll pay. 2483 02:08:42,640 --> 02:08:44,840 Speaker 2: I'll pay extra, you know how you have to pay 2484 02:08:44,920 --> 02:08:47,960 Speaker 2: for you know fires, extra hurricane insurance. Can I get 2485 02:08:47,960 --> 02:08:48,839 Speaker 2: the bullet insurance? 2486 02:08:48,920 --> 02:08:51,040 Speaker 1: I want the bullet insurance for my house because I 2487 02:08:51,120 --> 02:08:53,280 Speaker 1: can't live live in the house that's got constant air 2488 02:08:53,320 --> 02:08:55,800 Speaker 1: condition because it's bullet holes through everything. Come on, okay, 2489 02:08:55,880 --> 02:08:58,520 Speaker 1: I bought this furniture up in here. I want protection 2490 02:08:58,760 --> 02:09:03,240 Speaker 1: for the whole crib, the whole thing, pullet proof. How 2491 02:09:03,320 --> 02:09:06,680 Speaker 1: much is the deductible on some extra insurance for the 2492 02:09:06,760 --> 02:09:14,880 Speaker 1: fucking bullets? I will pay anyway. So Letty was on 2493 02:09:15,080 --> 02:09:17,760 Speaker 1: the ground, All of them was on the ground when 2494 02:09:17,760 --> 02:09:19,600 Speaker 1: they started shot, because there's a bunch of renters in 2495 02:09:19,640 --> 02:09:22,240 Speaker 1: the house too, which I'm like, y'all about to lose 2496 02:09:22,280 --> 02:09:26,160 Speaker 1: autumn borders. I know they ain't coming back, But so 2497 02:09:26,280 --> 02:09:31,320 Speaker 1: they're on the ground ducking bullets like it was. Honestly, 2498 02:09:31,440 --> 02:09:33,920 Speaker 1: Leeddy was on the ground ducking straights like Abe de 2499 02:09:34,000 --> 02:09:40,200 Speaker 1: Vernet's mentions. And then she remember, oh wait, I'm bulletproof. Yeah, 2500 02:09:40,200 --> 02:09:43,120 Speaker 1: because she was laying down and she sat up and 2501 02:09:43,200 --> 02:09:45,480 Speaker 1: them bullets was bouncing off of her slow motion like 2502 02:09:45,520 --> 02:09:46,960 Speaker 1: the fucking matrix that was. 2503 02:09:47,160 --> 02:09:49,280 Speaker 3: It was really neat to watch because you could just 2504 02:09:49,280 --> 02:09:50,760 Speaker 3: see him boom boom boom. 2505 02:09:50,800 --> 02:09:52,560 Speaker 2: I was like, holy shit. 2506 02:09:52,600 --> 02:09:55,840 Speaker 1: Yeah, one bullet hit her hair and bounced off like 2507 02:09:55,960 --> 02:09:57,880 Speaker 1: that's how Like when I watched it again, I was like, 2508 02:09:58,200 --> 02:10:01,640 Speaker 1: damn she bulletproof as fuck. It didn't affect her at all, 2509 02:10:02,320 --> 02:10:04,840 Speaker 1: like them bullets bouncing off of her like Black Twitter's 2510 02:10:04,880 --> 02:10:09,440 Speaker 1: death wishes on Trump. Okay, it was no effect. 2511 02:10:10,840 --> 02:10:14,080 Speaker 2: She was doing that ship like they do with the 2512 02:10:14,160 --> 02:10:17,040 Speaker 2: swords on the anime slice nimble is left and right. 2513 02:10:17,200 --> 02:10:19,760 Speaker 1: Yeah, they didn't do nothing to it. So then Tick 2514 02:10:20,040 --> 02:10:26,760 Speaker 1: walked up to the house and was like, uh, what 2515 02:10:26,920 --> 02:10:29,000 Speaker 1: the fuck is happening. He sees all these cops on 2516 02:10:29,040 --> 02:10:31,880 Speaker 1: the street shooting at the house, and one of the 2517 02:10:31,960 --> 02:10:33,840 Speaker 1: cops points the gun at him and says, put your 2518 02:10:33,960 --> 02:10:37,720 Speaker 1: hands up, and he puts his hands up, complying with 2519 02:10:37,800 --> 02:10:39,840 Speaker 1: the police, which of course is the universal signed to 2520 02:10:39,960 --> 02:10:43,240 Speaker 1: shoot a black man. So the cops shoots at him. 2521 02:10:43,360 --> 02:10:45,240 Speaker 1: Lady runs out the house to try to get to 2522 02:10:45,360 --> 02:10:48,000 Speaker 1: him and telling him to stop and all this ship 2523 02:10:49,360 --> 02:10:53,960 Speaker 1: and once again, man like this is black work, black 2524 02:10:54,000 --> 02:10:57,760 Speaker 1: fiction and stuff, and I kind of just I like 2525 02:10:57,880 --> 02:10:59,720 Speaker 1: when they have things that happen to us in real 2526 02:10:59,760 --> 02:11:02,880 Speaker 1: life that can be very traumatic, but they circumvent it 2527 02:11:03,200 --> 02:11:06,000 Speaker 1: with the magic and stuff. I know, it's just it 2528 02:11:06,040 --> 02:11:10,040 Speaker 1: doesn't really mean anything. It's just like wish fulfillment fantasy. 2529 02:11:10,120 --> 02:11:13,360 Speaker 1: But this idea of like this black person being protected 2530 02:11:13,400 --> 02:11:16,880 Speaker 1: from this thing, it was just cool or whatever. She 2531 02:11:16,960 --> 02:11:19,760 Speaker 1: can't be shot with these bullets, and in this case 2532 02:11:19,840 --> 02:11:22,520 Speaker 1: with Tick, when they shoot the bullet, she can't get 2533 02:11:22,560 --> 02:11:23,280 Speaker 1: over there in time. 2534 02:11:24,040 --> 02:11:27,040 Speaker 2: But because everybody's attention to Tick now. 2535 02:11:28,200 --> 02:11:31,320 Speaker 1: But a black show GoF jumps out of the fucking 2536 02:11:31,440 --> 02:11:35,400 Speaker 1: asphalt in front of him and you know, bullets don't 2537 02:11:35,400 --> 02:11:39,880 Speaker 1: really fuck them up and blocks the bullet. And then 2538 02:11:39,960 --> 02:11:44,600 Speaker 1: this motherfucker did not believe blue lives matter. This thing 2539 02:11:44,720 --> 02:11:47,800 Speaker 1: went on the motherfucking call of duty. Keel Street, Come 2540 02:11:47,880 --> 02:11:52,040 Speaker 1: on on these cops that honestly, you have to see it. Like, yes, 2541 02:11:52,320 --> 02:11:54,280 Speaker 1: I know some of y'all don't watch the show, y'all 2542 02:11:54,360 --> 02:11:57,400 Speaker 1: just listen ers talk about it. I can't do this justice. 2543 02:11:57,520 --> 02:12:00,920 Speaker 2: This motherfucker everybody, he gave everybody the business. He was 2544 02:12:01,000 --> 02:12:02,920 Speaker 2: one of them people where if you playing call of 2545 02:12:03,000 --> 02:12:05,720 Speaker 2: dude us here. Everybody go, damn it, damn it, damn it. 2546 02:12:06,320 --> 02:12:08,800 Speaker 1: Everybody went down. This ship ran through them cops like 2547 02:12:08,960 --> 02:12:13,520 Speaker 1: motherfucking COVID ran through the white house. Okay, everybody got it. 2548 02:12:13,680 --> 02:12:17,560 Speaker 1: Everybody was cops like any kind of fucked up way 2549 02:12:17,560 --> 02:12:22,320 Speaker 1: a cop could get it, slam through windows, cars flying, fucking. 2550 02:12:22,160 --> 02:12:23,320 Speaker 2: They flying over the air. 2551 02:12:23,440 --> 02:12:25,480 Speaker 1: You was like, goddamn, one of them got bitten. The 2552 02:12:25,600 --> 02:12:29,160 Speaker 1: blood just sprayed onto on Letty and fucking Tick like 2553 02:12:29,280 --> 02:12:31,880 Speaker 1: it was like you threw a bucket of blood on them. Yes, 2554 02:12:32,400 --> 02:12:34,280 Speaker 1: it was. I mean I loved it. I watched it 2555 02:12:34,400 --> 02:12:39,080 Speaker 1: several times. But them them racist cops, but the l's 2556 02:12:39,240 --> 02:12:39,880 Speaker 1: were coming. 2557 02:12:40,120 --> 02:12:45,600 Speaker 2: Okay, that black show Golf was like, I don't like racism. 2558 02:12:46,760 --> 02:12:51,240 Speaker 1: And uh, Letty and Tick uh was just out there 2559 02:12:51,680 --> 02:12:55,360 Speaker 1: and I you know the the you know the black 2560 02:12:55,560 --> 02:12:59,760 Speaker 1: the next door app on the on the fucking on 2561 02:12:59,840 --> 02:13:01,120 Speaker 1: that on that neighborhood. 2562 02:13:01,200 --> 02:13:04,840 Speaker 2: Tomorrow it's gonna be lit that that that ring, that 2563 02:13:05,040 --> 02:13:07,960 Speaker 2: ring neighborhood app gonna be lit. Then they're gonna have it. 2564 02:13:08,000 --> 02:13:09,320 Speaker 2: All types of clips out there. 2565 02:13:09,440 --> 02:13:11,480 Speaker 1: I fucking told you, I got listened on my ring. 2566 02:13:11,600 --> 02:13:12,640 Speaker 1: I got the ring video. 2567 02:13:12,840 --> 02:13:15,240 Speaker 2: Yeah, police calls. I don't know what the hell was happening. 2568 02:13:15,280 --> 02:13:17,120 Speaker 1: On't know what kind of pit bull them black people 2569 02:13:17,120 --> 02:13:19,640 Speaker 1: don't brought here? Did they not check with the Homeown Association? 2570 02:13:19,760 --> 02:13:21,080 Speaker 1: We do not allow pit bulls. 2571 02:13:21,240 --> 02:13:23,120 Speaker 2: Yes, the pit bulls ate all the cops. 2572 02:13:23,280 --> 02:13:26,520 Speaker 1: Okay, the name of the I've seen them at the end, 2573 02:13:27,000 --> 02:13:30,120 Speaker 1: because Captain Lancaster was in his car shooting, and that 2574 02:13:30,160 --> 02:13:33,400 Speaker 1: ship ripped him out of the car, ripped his arm off. 2575 02:13:34,400 --> 02:13:36,040 Speaker 1: I don't know if it killed him, but it ripped 2576 02:13:36,080 --> 02:13:38,160 Speaker 1: his arm off, and I think he may have been 2577 02:13:38,200 --> 02:13:41,680 Speaker 1: the one that threw so he might still be alive. Yeah, 2578 02:13:42,960 --> 02:13:45,080 Speaker 1: but yeah, if but it did, it definitely ripped his 2579 02:13:45,240 --> 02:13:46,280 Speaker 1: arm off. I saw that much. 2580 02:13:47,480 --> 02:13:49,120 Speaker 2: And then the. 2581 02:13:50,800 --> 02:13:54,720 Speaker 1: Show GoF finally stops his rampage and rolls up towards 2582 02:13:54,800 --> 02:13:59,040 Speaker 1: Tick and Letty almost like it's gonna tack him, and 2583 02:13:59,240 --> 02:14:02,560 Speaker 1: let and Tick, like a real black man that cares 2584 02:14:02,600 --> 02:14:06,520 Speaker 1: about his woman and his baby, stood in front of 2585 02:14:06,720 --> 02:14:09,240 Speaker 1: Letty and put his hand up to shield her from 2586 02:14:09,280 --> 02:14:11,960 Speaker 1: the show GoF because he loved her deep down. Okay, 2587 02:14:12,000 --> 02:14:15,760 Speaker 1: they struggle. Love is real, all right, And he put 2588 02:14:15,840 --> 02:14:19,160 Speaker 1: his hand up to defend off the thing, like I 2589 02:14:19,240 --> 02:14:21,480 Speaker 1: guess I'm gonna have to die first like a man 2590 02:14:21,600 --> 02:14:24,880 Speaker 1: supposed to. But then the creature actually let him, let 2591 02:14:24,920 --> 02:14:29,800 Speaker 1: it pet let him pet it, and Letty said the 2592 02:14:29,880 --> 02:14:32,880 Speaker 1: spell worked, so apparently that spelled him and Montross did 2593 02:14:33,080 --> 02:14:35,640 Speaker 1: it worked. It just it wasn't the same type of 2594 02:14:36,160 --> 02:14:41,360 Speaker 1: spell that Christina has or that Letty has the mark 2595 02:14:41,400 --> 02:14:43,760 Speaker 1: of kin, but it was something, and well he got 2596 02:14:43,800 --> 02:14:46,600 Speaker 1: his own black show go and then and then right 2597 02:14:46,640 --> 02:14:50,440 Speaker 1: before I went the to the end, he said, I 2598 02:14:50,600 --> 02:14:54,800 Speaker 1: name you King, and that was the end. So we 2599 02:14:54,880 --> 02:14:59,720 Speaker 1: got a new show GoF pet y'all's king. King is King. 2600 02:15:00,680 --> 02:15:02,520 Speaker 3: Next time we're gonna we're gonna find he's gonna have 2601 02:15:02,520 --> 02:15:04,480 Speaker 3: a college gonna it's gonna have a little crown on it. 2602 02:15:04,640 --> 02:15:07,400 Speaker 1: King, It's King. Okay, we name him all the same 2603 02:15:07,480 --> 02:15:10,440 Speaker 1: thing every night, every place you go. All right, So 2604 02:15:10,560 --> 02:15:12,600 Speaker 1: that's it, Karen. What you look forward to next week? 2605 02:15:14,160 --> 02:15:14,400 Speaker 2: Ooh? 2606 02:15:16,000 --> 02:15:19,000 Speaker 3: Look like uh to find out what Ruby and Christina 2607 02:15:19,040 --> 02:15:22,680 Speaker 3: is gonna be up to. That's gonna be interesting. And 2608 02:15:23,480 --> 02:15:26,560 Speaker 3: also I don't know if she's gonna come back, but 2609 02:15:26,760 --> 02:15:28,520 Speaker 3: I don't think this is the end of jail. 2610 02:15:28,760 --> 02:15:32,160 Speaker 2: I think we were definitely gonna see her again. And 2611 02:15:34,960 --> 02:15:36,720 Speaker 2: how the hell they're gonna clean this up? Like, like, 2612 02:15:36,840 --> 02:15:40,240 Speaker 2: I guess that's another question too, Like is it gonna 2613 02:15:40,240 --> 02:15:43,200 Speaker 2: be something with Christina come in and just woofing, it's gone? 2614 02:15:43,240 --> 02:15:45,160 Speaker 3: You know how they did the car and Woody's car 2615 02:15:45,600 --> 02:15:47,480 Speaker 3: not Woody, but you know the car and ship like that, 2616 02:15:47,960 --> 02:15:49,280 Speaker 3: it's gonna be interesting. 2617 02:15:49,520 --> 02:15:52,680 Speaker 2: Or is the police officer that you know he might 2618 02:15:52,760 --> 02:15:54,560 Speaker 2: be there, who knows, Like how the hell he gonna 2619 02:15:54,600 --> 02:15:59,000 Speaker 2: explain half his department is gone? Like so it's just 2620 02:15:59,120 --> 02:16:03,080 Speaker 2: gonna be interested, see uh, to see what happens with this. 2621 02:16:03,560 --> 02:16:06,080 Speaker 1: I'm looking this really the main thing I care about 2622 02:16:06,280 --> 02:16:10,960 Speaker 1: is D and what's up with D? Like they looked 2623 02:16:11,040 --> 02:16:13,080 Speaker 1: like a big part plot point for the rest of 2624 02:16:13,080 --> 02:16:16,520 Speaker 1: the Season's gonna have to be how do they heal D? 2625 02:16:16,720 --> 02:16:18,280 Speaker 1: How do they get that curse re moved off her? 2626 02:16:18,320 --> 02:16:21,040 Speaker 1: Because like she got poison or something and then one 2627 02:16:21,080 --> 02:16:22,840 Speaker 1: of them in the previous life she was turning into 2628 02:16:22,880 --> 02:16:26,040 Speaker 1: one of them little jiggaboo girls. And we can't have D, 2629 02:16:26,920 --> 02:16:30,200 Speaker 1: you know, becoming the ancestor of Candice owners and ship. 2630 02:16:30,240 --> 02:16:30,840 Speaker 1: We can't have that. 2631 02:16:32,600 --> 02:16:32,800 Speaker 2: Like that. 2632 02:16:33,000 --> 02:16:35,960 Speaker 1: You know, D's like and my last name is Cameron, 2633 02:16:36,000 --> 02:16:38,800 Speaker 1: I'm gonna name my babies, Daniel, we can't have that. 2634 02:16:39,080 --> 02:16:41,640 Speaker 1: So I want to see I want to see d 2635 02:16:41,920 --> 02:16:44,720 Speaker 1: live and I want to see if Hippolyte is coming back, 2636 02:16:44,760 --> 02:16:47,560 Speaker 1: because I like, y'all, I care about little black girls. 2637 02:16:47,680 --> 02:16:49,120 Speaker 1: You know, I know a lot of our listeners in 2638 02:16:49,160 --> 02:16:51,280 Speaker 1: the chat, they don't care about little black girls. Little 2639 02:16:51,280 --> 02:16:54,320 Speaker 1: black girls lives don't matter to them. But as I 2640 02:16:54,400 --> 02:16:58,040 Speaker 1: stood against, uh, you know, all these predators and stuff 2641 02:16:58,080 --> 02:17:00,520 Speaker 1: out here that pray on little black girls, I stand 2642 02:17:00,640 --> 02:17:04,200 Speaker 1: against Hippolyta leaving her child. Y'all think y'all know what 2643 02:17:04,360 --> 02:17:06,760 Speaker 1: Tick fucked up because his mama died and he never 2644 02:17:06,840 --> 02:17:09,240 Speaker 1: had nobody. She never came back for him. She probably 2645 02:17:09,280 --> 02:17:11,640 Speaker 1: out in space. Now we know her history. She never 2646 02:17:11,720 --> 02:17:13,280 Speaker 1: came back. And that's how you end up with a 2647 02:17:13,400 --> 02:17:15,320 Speaker 1: man that tells a woman to get the fuck out 2648 02:17:15,400 --> 02:17:17,800 Speaker 1: my house because they wasn't raised right. Okay, you see 2649 02:17:17,879 --> 02:17:19,040 Speaker 1: d already acting bad. 2650 02:17:19,600 --> 02:17:22,360 Speaker 2: Okayaut she out in the streets. 2651 02:17:22,440 --> 02:17:24,480 Speaker 1: I'm just trying to save this little black girl. I'm 2652 02:17:24,520 --> 02:17:27,880 Speaker 1: sorry that I care more than y'all. I'm so sorry you. 2653 02:17:28,280 --> 02:17:31,879 Speaker 2: Okay, you know we ain't gonna see here for lighter 2654 02:17:31,920 --> 02:17:32,520 Speaker 2: the next season. 2655 02:17:32,640 --> 02:17:35,279 Speaker 1: I have to stand up Okay, someone has to protect 2656 02:17:35,320 --> 02:17:37,400 Speaker 1: these little black girls, and it's clearly gonna not be 2657 02:17:37,600 --> 02:17:40,120 Speaker 1: none of y'all or caring. All right, y'all, Well, be back, 2658 02:17:41,640 --> 02:17:45,120 Speaker 1: be back Saturday. Don't forget to check us out tomorrow 2659 02:17:45,320 --> 02:17:49,959 Speaker 1: six for our live panel on the Charlotte Podcast Festivals. 2660 02:17:50,120 --> 02:17:53,920 Speaker 1: Absolutely positively free. We got a couple hundred people that 2661 02:17:53,959 --> 02:17:57,240 Speaker 1: are attending already. We love for more people to sign 2662 02:17:57,360 --> 02:18:00,560 Speaker 1: up there and just hang out with us and let 2663 02:18:00,640 --> 02:18:04,200 Speaker 1: us tell you how to be funny. All right, until then, 2664 02:18:04,360 --> 02:18:05,640 Speaker 1: I love you, Yeah,