WEBVTT - SUNDAY SAMPLER - The Nashville Podcast Network (11-3-24)

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<v Speaker 1>Sunday Sampler. We got some clips. If you like the clip, hey,

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<v Speaker 1>go listen to the whole podcast. On the Bobby Cast.

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<v Speaker 1>I sat with Brenda Lee, almost eighty years old, talks

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<v Speaker 1>about the Beatles, how they opened for her, hanging out

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<v Speaker 1>with Patsy Kline pretty good. Check out Amy four Things

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<v Speaker 1>with Amy Brown. Also our newest podcast, Take This Personally,

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<v Speaker 1>with Morgan Hulsman. In honor of Halloween. She brought on.

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<v Speaker 1>It's not her best friend, but she's called psychic bestie

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<v Speaker 1>Zoey Greco. They talk about intuition areas. Here's a clip

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<v Speaker 1>from that episode of Take This Personally.

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<v Speaker 2>Take It personallyman, Hi, everybody, I'm so excited to be

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<v Speaker 2>joined by Zoe Greco. She is a psychic and all

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<v Speaker 2>around just super awesome vibey person that I've seen on Instagram.

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<v Speaker 3>And I'm really happy to have you here. How are you, Zoe,

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<v Speaker 3>I'm really well.

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<v Speaker 4>Thank you so much for having me here. I'm really

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<v Speaker 4>looking forward to this conversation. I think your vibe is

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<v Speaker 4>really unique and it's really fun to be able to

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<v Speaker 4>like tap into you and tune into your energy.

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<v Speaker 3>So I'm excited for what's a hud for us today?

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<v Speaker 3>You do talk a.

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<v Speaker 2>Lot about empathy and IMPASS, and I am a impath myself,

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<v Speaker 2>and I'd really just love to talk about that because

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<v Speaker 2>I have a lot of people I know that listen

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<v Speaker 2>who are deep feelers and very empathetic people, and I

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<v Speaker 2>also know being one myself, it can be very special

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<v Speaker 2>and it can also be very challenging. So kind of

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<v Speaker 2>tell me your work with IMPASS and then we'll dive

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<v Speaker 2>into it a little bit.

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<v Speaker 4>Sure, you know, I think being an EmPATH myself self

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<v Speaker 4>a gives me a lot of empathy but also like

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<v Speaker 4>compassion for that experience, and so it's kind of like

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<v Speaker 4>when you speak the same language as someone, you just

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<v Speaker 4>know how to approach them lovingly. And I think the

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<v Speaker 4>highest compliment I ever get paid from clients is when

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<v Speaker 4>they say I feel so seen, like I feel so recognized.

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<v Speaker 4>No one's ever understood me so deeply, And that's the

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<v Speaker 4>feeling I want them to feel. But being an EmPATH

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<v Speaker 4>is what enables me to do that. And I think

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<v Speaker 4>we see empathy or like being an EmPATH or a

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<v Speaker 4>highly sensitive purchase person in HSP, we often see that

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<v Speaker 4>as a detriment because you know, we're called cry babies

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<v Speaker 4>or we're too sensitive. In fact, my license plate is

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<v Speaker 4>cry baby, and I wear it like a like a

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<v Speaker 4>badge of courage. I don't like that, but I feel

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<v Speaker 4>so honored to be able to enter into people's spiritual

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<v Speaker 4>spaces and emotional spaces. And I find that as an

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<v Speaker 4>intuitive my particular gift is being able to feel other

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<v Speaker 4>people's emotions, and I'm only able to do that through

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<v Speaker 4>my empathetic abilities. But what I do is I use

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<v Speaker 4>that to kind of build this like this internal reference

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<v Speaker 4>inside of me where I feel the vibration of an

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<v Speaker 4>emotion and I go, oh, I know this one, it's shame.

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<v Speaker 4>And that way, I'm able to kind of help like

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<v Speaker 4>point people in the direction of what they're feeling, like, oh,

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<v Speaker 4>this is shame, Oh this is joy, like oh, and

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<v Speaker 4>really helping people recognize how to like turn themselves towards

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<v Speaker 4>the things that feel good and how to help them

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<v Speaker 4>create space from the things that are not in alignment

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<v Speaker 4>with their authenticity. So one of the things that I

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<v Speaker 4>definitely support people in is how to take care of

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<v Speaker 4>yourself as an mpath because it's, oh, that's tough, hard

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<v Speaker 4>out here on these streets for these sensitive souls. And

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<v Speaker 4>I think you know, the world doesn't make it easy

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<v Speaker 4>for empaths to take care of themselves. So one of

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<v Speaker 4>the first things I always tell people is that you

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<v Speaker 4>have to be really selective about what you're canuming. So

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<v Speaker 4>just like you would take care of your body and

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<v Speaker 4>make sure that like if your body was sensitive to something,

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<v Speaker 4>that you wouldn't overly consume that, or that you would

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<v Speaker 4>be like cautious about how you consume that, the same

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<v Speaker 4>is true for what you consume, like mentally and emotionally,

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<v Speaker 4>so media that might be like overly graphic or upsetting.

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<v Speaker 4>And it doesn't mean that you turn away from things

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<v Speaker 4>that are hard. In fact, empaths are needed in spaces

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<v Speaker 4>where there is you know, dissent or difficulty or separation

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<v Speaker 4>or disparity.

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<v Speaker 3>Empaths are needed there.

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<v Speaker 4>But it's about creating a positive relationship with those things

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<v Speaker 4>that can be triggering to know that you can be

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<v Speaker 4>of service, but you also don't have to be You

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<v Speaker 4>can just be present, you can be supportive and learning

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<v Speaker 4>sort of like one to step into those things when

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<v Speaker 4>it's necessary and when to take space from those things

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<v Speaker 4>for your own internal needs. So just making sure that

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<v Speaker 4>you're not overly exposing yourself to things that are damaging

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<v Speaker 4>or triggering, even when it means you have to make

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<v Speaker 4>tough to decisions, even when it means you might need

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<v Speaker 4>to create space from certain people, or that you might

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<v Speaker 4>need to reevaluate certain relationships, or even if that's your

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<v Speaker 4>relationship to your job, your work environment, your living situation,

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<v Speaker 4>the people closest to you. So being an EmPATH is

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<v Speaker 4>no joke, because you sometimes have to do really hard things.

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<v Speaker 4>But when you're able to actually take action toward those

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<v Speaker 4>necessary things on the other side of that, your reality

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<v Speaker 4>is like a breath of fresh air. It's like living

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<v Speaker 4>in a rainbow. Honestly, when you have built a world

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<v Speaker 4>around yourself that supports you as an empathetic being rather

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<v Speaker 4>than challenges you as an empathetic being, your entire reality

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<v Speaker 4>is altered. And not only are you surrounding yourself with

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<v Speaker 4>people that make you feel safe or opportunities or experiences,

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<v Speaker 4>but you're also granting so much permission for the people

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<v Speaker 4>around you, and that moves out into this larger ripple

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<v Speaker 4>of influence. So when we do honor ourselves, we actually

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<v Speaker 4>make it so much easier for the people in our

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<v Speaker 4>lives who are like you're too sensitive you're to this.

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<v Speaker 4>We give them room to feel those feelings too.

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<v Speaker 5>The Beatles open for you. I read that.

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<v Speaker 1>Yeah, must have been you know, had to be the fifties, right.

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<v Speaker 6>Late fifties, early sixties.

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<v Speaker 5>Yeah, how did that come together? It's your man, your

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<v Speaker 5>mom or right now.

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<v Speaker 6>It was a big tour. There was Dusty Springfield, me,

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<v Speaker 6>the Beatles.

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<v Speaker 1>What were they at the time at this time we're

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<v Speaker 1>talking about specifically, I'm assuming they're very young and.

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<v Speaker 6>Not very young, yeah, and really kind of like, I

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<v Speaker 6>don't know that polished, not just raw. But I saw

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<v Speaker 6>the greatness in them and you would have too.

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<v Speaker 5>And this is pre ed Sulomon. Oh. Yeah.

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<v Speaker 6>So I go back to New York and I go

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<v Speaker 6>to my label, which was Decca, which is now MCA,

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<v Speaker 6>which I'm.

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<v Speaker 5>Still on same contract.

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<v Speaker 6>Yeah, And I said, I took a picture of them

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<v Speaker 6>and they looked like your normal teddy boy would look.

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<v Speaker 6>And I took a little tape and I'll never forget.

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<v Speaker 6>They walked in rank and file like they do, and

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<v Speaker 6>it got through playing and it was very quiet, and

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<v Speaker 6>I thought this could be bad, could be good. And

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<v Speaker 6>I said, okay, what do you think? And the President

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<v Speaker 6>stood up and said Brenda, We're very proud that you

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<v Speaker 6>brought this in, but this look will never happen and

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<v Speaker 6>this sound won't either either. Next year they were playing

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<v Speaker 6>the Ballpark Stadium, filling it.

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<v Speaker 5>Up like Shay Stadium. Wow.

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<v Speaker 1>And when you saw them the first time, was Ringo

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<v Speaker 1>with them? Or was it still Pea Best?

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<v Speaker 6>But Pete was with them? But then Ringo came right along.

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<v Speaker 6>So I've I've worked with the.

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<v Speaker 5>You've been there through all of it. Yeah, that's exciting.

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<v Speaker 1>Do you ever listen back to any year old music

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<v Speaker 1>that like, every once in a while put something on

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<v Speaker 1>you haven't thought about in a long time.

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<v Speaker 6>I do. I listened back to like when I started

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<v Speaker 6>at ten, and I sound like Mickey Mouse on steroids,

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<v Speaker 6>And I thought, oh my lord, but I was ten.

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<v Speaker 5>What would you tell that kid? Now?

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<v Speaker 6>I would tell them, if that's what you want to do,

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<v Speaker 6>you don't give up. People might give up on you,

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<v Speaker 6>but don't you give.

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<v Speaker 5>Up on you. And you would tell that to yourself

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<v Speaker 5>as well. That's the advice you'd give to yourself.

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<v Speaker 6>Because and I didn't know if I was good or not.

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<v Speaker 6>I just knew I loved it, and that's what I

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<v Speaker 6>wanted to do.

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<v Speaker 5>Cast up road thing, little food for yourself life. Oh

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<v Speaker 5>it's pretty bad. It's pretty beautiful thing beautiful for a

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<v Speaker 5>little more family exciting. Carse said, he can't. You're kicking

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<v Speaker 5>that with four Thing.

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<v Speaker 7>With Amy Brown.

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<v Speaker 8>On Sunday, I got out my journal and I just

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<v Speaker 8>pinned a paper and I kept flowing and tears were

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<v Speaker 8>rolling down my face. And I woke up early that

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<v Speaker 8>morning leanne like. It was probably five thirty on a

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<v Speaker 8>weekend morning, and I don't really wake up at five

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<v Speaker 8>thirty on the weekends, but it was still dark out,

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<v Speaker 8>and I had that same feeling of when I was

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<v Speaker 8>woken up that morning that my mom passed. I was

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<v Speaker 8>taking i'd call it a nap because we weren't really

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<v Speaker 8>sleeping that much because you never knew when was going

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<v Speaker 8>to be her time. So I was on my sister's

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<v Speaker 8>couch and I remember somebody nudging me. Can't remember who,

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<v Speaker 8>but they're like, wake up, wake up, it's time. There's

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<v Speaker 8>a pattern that starts to happen with our breath when

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<v Speaker 8>our final moments are approaching. So they knew, like, curry,

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<v Speaker 8>get in there, you're going to want to be with her.

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<v Speaker 8>And I woke up and it was dark, and I

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<v Speaker 8>sort of had that exact feeling, and it maybe it

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<v Speaker 8>was because it was ten years. I was just thinking

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<v Speaker 8>about it more. I'm not quite sure because some years

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<v Speaker 8>it really doesn't impact me. But I decided I did. Look,

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<v Speaker 8>I think today could be hard. So I'm going to

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<v Speaker 8>be as proactive as possible, and I'm going to go downstairs.

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<v Speaker 8>I'm going to get out my journal. I'm going to cry,

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<v Speaker 8>I'm going to let it out. I'm going to go

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<v Speaker 8>for my walking meditation. I'm going to pray. I'm gonna

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<v Speaker 8>look up at the sky.

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<v Speaker 3>And talk to my mom.

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<v Speaker 8>And that may sound silly for some of you, but

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<v Speaker 8>for me, it was exactly what I needed, and what

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<v Speaker 8>Leanne is going to walk us through I think might

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<v Speaker 8>be exactly what some of you need this time of year.

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<v Speaker 8>And you can even earmark where this is like when

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<v Speaker 8>she starts doing it, and you can come back and

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<v Speaker 8>do this exercise as many times as you need to.

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<v Speaker 8>So if you have a specific thing that pops up,

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<v Speaker 8>or if you're just like ugh, I need to need

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<v Speaker 8>to get myself in a more regulated, peaceful, parasympathetic nervous

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<v Speaker 8>system type mood, because that's the energy Leanne is about

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<v Speaker 8>to drop on us. This is an exercise that will

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<v Speaker 8>get you there. And so that's just my little backstory

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<v Speaker 8>of why I wanted to have Leanne come on and

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<v Speaker 8>do this particular exercise now because also selfishly, I want

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<v Speaker 8>to have it to reference as well, because Leanne, now

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<v Speaker 8>it's going to be a recorded form and we'll have

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<v Speaker 8>it here on the podcast. But I wanted that on Saturday,

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<v Speaker 8>Like I remember thinking, or excuse me, on Sunday, I

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<v Speaker 8>was thinking like, oh, wish I had Leanne's exercise to

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<v Speaker 8>add it, but I had my other tools that I

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<v Speaker 8>busted out. But this will be something that people can use.

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<v Speaker 8>So thank you for taking the time to come on

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<v Speaker 8>land and do this exercise with us.

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<v Speaker 9>Yeah.

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<v Speaker 10>Absolutely, well, thank you for sharing your heart and sharing

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<v Speaker 10>behind the scenes of this. And you're absolutely correct. We

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<v Speaker 10>can have thoughts and memories and trauma stored in our

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<v Speaker 10>body and then just the go go go of a

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<v Speaker 10>heightened lifestyle can lead us to just be running in

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<v Speaker 10>that kind of sympathetic dominant state in our brain and

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<v Speaker 10>a lot of us think we don't have time. Actually,

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<v Speaker 10>the biggest blockade was the reason that I created this

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<v Speaker 10>was because for my self, actually I didn't think I

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<v Speaker 10>could meditate. I was just one of those people that

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<v Speaker 10>I was like, I don't have the ability. I didn't

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<v Speaker 10>think I could. I didn't think it was a skill

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<v Speaker 10>that I could acquire. I tried, and my monkey mind

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<v Speaker 10>took over. But when I met my logic and reason

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<v Speaker 10>brain with oh, there's a sympathetic branch of my nervous

0:13:15.840 --> 0:13:17.920
<v Speaker 10>system and I can actually just access that and kind

0:13:17.920 --> 0:13:20.439
<v Speaker 10>of hack into it, That's when it changed. And so

0:13:20.840 --> 0:13:23.079
<v Speaker 10>literally what I'm going to walk you through now is

0:13:23.200 --> 0:13:26.760
<v Speaker 10>just three different access points to access your parasympathetic nervous system.

0:13:27.240 --> 0:13:29.800
<v Speaker 10>Even if you've told yourself I can't meditate, even if

0:13:29.840 --> 0:13:32.000
<v Speaker 10>you have a monkey mind that goes one thousand miles

0:13:32.040 --> 0:13:34.360
<v Speaker 10>a minute, even if you have a hard time relaxing,

0:13:34.480 --> 0:13:36.840
<v Speaker 10>This is fool proof because we are going to literally

0:13:36.960 --> 0:13:39.520
<v Speaker 10>hijack your brain. And so the three components that I'm

0:13:39.559 --> 0:13:42.280
<v Speaker 10>going to introduce you to. One is a concept that

0:13:42.320 --> 0:13:45.679
<v Speaker 10>I call sensory breathing. So we've all learned how to breathe,

0:13:46.040 --> 0:13:48.520
<v Speaker 10>but a lot of times we don't breathe properly. So

0:13:48.679 --> 0:13:50.120
<v Speaker 10>what I'm going to invite you to do is every

0:13:50.160 --> 0:13:52.439
<v Speaker 10>time you breathe in picture your belly expanding like a

0:13:52.480 --> 0:13:54.760
<v Speaker 10>big balloon, which is the opposite a lot of us.

0:13:55.120 --> 0:13:57.000
<v Speaker 10>We breathe it in and we suck our belly in.

0:13:57.160 --> 0:13:59.079
<v Speaker 10>So I want you to think about breathing and expanding

0:13:59.120 --> 0:14:01.000
<v Speaker 10>your belly like a big bulk and every time you

0:14:01.080 --> 0:14:04.319
<v Speaker 10>breathe out, letting your belly contract. But breathing, what we're

0:14:04.320 --> 0:14:06.360
<v Speaker 10>going to do is we're going to again hijack the

0:14:06.559 --> 0:14:10.000
<v Speaker 10>sensory system, not just the respiratory system, but the sensory system,

0:14:10.360 --> 0:14:12.520
<v Speaker 10>because your nervous system can't tell the difference between a

0:14:12.559 --> 0:14:14.839
<v Speaker 10>real and an imagined experience. So when I invite you

0:14:14.960 --> 0:14:18.240
<v Speaker 10>to breathe in and picture it's a cool, crisp, blue

0:14:18.320 --> 0:14:21.080
<v Speaker 10>pepperminty air. And by the way, you can get some

0:14:21.280 --> 0:14:23.320
<v Speaker 10>essential oils and you can actually have peppermint, but you

0:14:23.400 --> 0:14:25.880
<v Speaker 10>don't need to actually have that in your mind to

0:14:26.000 --> 0:14:29.600
<v Speaker 10>picture cool crisp, blue pepperminty air, because your nervous system

0:14:29.600 --> 0:14:32.400
<v Speaker 10>can perceive that experience. And why I invite you to

0:14:32.440 --> 0:14:34.680
<v Speaker 10>breathe out and then I invite you to picture it's

0:14:34.720 --> 0:14:38.120
<v Speaker 10>a red hot, fiery cinnamony air. And this is how

0:14:38.200 --> 0:14:41.360
<v Speaker 10>we access and kind of hack into your nervous system.

0:14:41.800 --> 0:14:44.600
<v Speaker 10>Via the sensory system, the taste, the color, the texture,

0:14:44.680 --> 0:14:47.240
<v Speaker 10>the smell, all of the things aligned with your breath.

0:14:47.360 --> 0:14:50.440
<v Speaker 10>So that's one easy access point to the parasympathetic nervous

0:14:50.440 --> 0:14:52.800
<v Speaker 10>system that I'm going to walk you through. The second

0:14:52.920 --> 0:14:55.840
<v Speaker 10>access point is through your cranial nerves. You have twelve

0:14:55.960 --> 0:14:58.800
<v Speaker 10>in total that are covering the entire surface area of

0:14:58.920 --> 0:15:02.280
<v Speaker 10>your head, your neck, your hairline, your jawline, your ear lobes,

0:15:02.320 --> 0:15:04.440
<v Speaker 10>the base of your skull, so your entire cranium.

0:15:05.000 --> 0:15:05.960
<v Speaker 3>There's twelve in.

0:15:06.040 --> 0:15:08.960
<v Speaker 10>Total nerves that are a direct access point also to

0:15:09.040 --> 0:15:13.160
<v Speaker 10>your parasympathetic nervous system. So just scratching, massaging, tapping, touching,

0:15:13.280 --> 0:15:17.080
<v Speaker 10>giving any stimulus to those areas. The fashia of your

0:15:17.120 --> 0:15:21.160
<v Speaker 10>face included, is going to again access one more notch

0:15:21.280 --> 0:15:24.040
<v Speaker 10>into that parasympathetic nervous system. And all of these can

0:15:24.080 --> 0:15:27.400
<v Speaker 10>be used independently or together. And then the third access

0:15:27.440 --> 0:15:30.280
<v Speaker 10>point to the parasympathetic nervous system. One of my favorite

0:15:30.320 --> 0:15:32.640
<v Speaker 10>things about this third access point is we're going to

0:15:32.720 --> 0:15:35.760
<v Speaker 10>use what's called isometric squeezes. And the cool thing about

0:15:35.840 --> 0:15:38.840
<v Speaker 10>isometrics is, let's say you're sedentary, Let's say you have

0:15:39.040 --> 0:15:42.400
<v Speaker 10>chronic pain. Let's say you're injured, right, all of these

0:15:42.520 --> 0:15:45.600
<v Speaker 10>exercises are going to be safe to the nervous system because,

0:15:45.640 --> 0:15:47.520
<v Speaker 10>first of all, gravity is not involved. You're going to

0:15:47.520 --> 0:15:51.040
<v Speaker 10>be seated or laying down. And second of all, there's movement,

0:15:51.200 --> 0:15:54.000
<v Speaker 10>but there's no motion, so it's actually really safe to

0:15:54.040 --> 0:15:58.360
<v Speaker 10>the nervous system. And studies show that isometric squeezes can

0:15:58.480 --> 0:16:01.800
<v Speaker 10>actually down reyia late pain because pain is a nervous

0:16:01.800 --> 0:16:04.600
<v Speaker 10>system event, and so it's actually been proven to down

0:16:04.720 --> 0:16:06.880
<v Speaker 10>regulate pain. So it's very common that my clients do

0:16:06.960 --> 0:16:09.960
<v Speaker 10>these isometric squeezes and their pain levels go down a

0:16:10.040 --> 0:16:12.880
<v Speaker 10>few notches on the pain scale just from doing these isometrics.

0:16:12.880 --> 0:16:14.480
<v Speaker 10>So I'm gonna walk you through all three of those

0:16:14.760 --> 0:16:15.120
<v Speaker 10>right now.

0:16:16.720 --> 0:16:20.440
<v Speaker 11>We're gonna do it live. We are the one, two,

0:16:20.760 --> 0:16:25.120
<v Speaker 11>three sore losers. What up, everybody?

0:16:25.200 --> 0:16:27.280
<v Speaker 12>I am lunchbox. I know the most about sports, so

0:16:27.320 --> 0:16:30.840
<v Speaker 12>I'll give you the sports facts, my sports opinions, because

0:16:30.880 --> 0:16:33.400
<v Speaker 12>I'm pretty much a sports genius, y'all.

0:16:33.480 --> 0:16:35.760
<v Speaker 11>It's Sison. I'm from the North. I'm an alpha male.

0:16:35.840 --> 0:16:38.040
<v Speaker 11>I live on the North side of Nashville with Bayser,

0:16:38.120 --> 0:16:40.040
<v Speaker 11>my wife. We do have a farm. It's beautiful, a

0:16:40.080 --> 0:16:43.880
<v Speaker 11>lot of acreage, no animals, a lot of crops, hopefully

0:16:43.960 --> 0:16:48.840
<v Speaker 11>soon corn pumpkins, rye. I believe maybe a little fescue

0:16:50.320 --> 0:16:51.240
<v Speaker 11>to be determined.

0:16:52.360 --> 0:16:55.200
<v Speaker 12>Over to you, coach, And here's a clip from this

0:16:55.320 --> 0:16:57.120
<v Speaker 12>week's episode of The Sore Losers.

0:16:59.160 --> 0:17:01.760
<v Speaker 11>We're always doing so, we're always doing video. Yeah, you're

0:17:01.800 --> 0:17:04.439
<v Speaker 11>always live, man. That's what I tell my nephew when

0:17:04.480 --> 0:17:06.920
<v Speaker 11>he's hanging out with me. Their cameras are always rolling.

0:17:06.960 --> 0:17:11.479
<v Speaker 11>I'm always ripping audio. Man, You're always live. Live your

0:17:11.560 --> 0:17:12.200
<v Speaker 11>life live.

0:17:12.720 --> 0:17:14.639
<v Speaker 12>I'm living my life live. I don't live it in

0:17:14.720 --> 0:17:16.240
<v Speaker 12>the past. I don't live it in the future. I

0:17:16.280 --> 0:17:18.680
<v Speaker 12>don't think about, oh this could be that. I think, man,

0:17:18.720 --> 0:17:20.040
<v Speaker 12>what is going on right now?

0:17:20.600 --> 0:17:24.160
<v Speaker 11>And I would say generations forty years ago, you could

0:17:24.200 --> 0:17:26.520
<v Speaker 11>do stuff in hidden you know, you could say a quote,

0:17:26.600 --> 0:17:29.119
<v Speaker 11>hey man, hey, you know what, I'm about to hit

0:17:29.160 --> 0:17:34.280
<v Speaker 11>a Bobby Bone show quote. Hey Manuh yeah, you know what?

0:17:35.400 --> 0:17:38.000
<v Speaker 11>Why does everybody turn these keys down? Leave them up?

0:17:38.200 --> 0:17:41.280
<v Speaker 11>Go yourself. Back in the day, you can say that

0:17:41.400 --> 0:17:43.080
<v Speaker 11>nobody will know. Now everything's live.

0:17:43.240 --> 0:17:44.359
<v Speaker 12>Everybody knows everything.

0:17:44.520 --> 0:17:49.800
<v Speaker 11>That a trucker in South Carolina that was loud. He

0:17:50.080 --> 0:17:53.680
<v Speaker 11>is gonna then say, I heard you say that, whereas

0:17:53.800 --> 0:17:56.000
<v Speaker 11>forty years ago you're on the tractor, you're in the field.

0:17:56.440 --> 0:18:01.160
<v Speaker 11>I'm this is full circle. That guy, you could say

0:18:01.200 --> 0:18:03.280
<v Speaker 11>whatever you wanted, but people are always gonna know, is

0:18:03.320 --> 0:18:05.320
<v Speaker 11>my point. I said all that to say that.

0:18:05.920 --> 0:18:07.360
<v Speaker 12>I mean, it's like you could used to be able

0:18:07.400 --> 0:18:09.040
<v Speaker 12>to go for a walk and let off some steam

0:18:09.119 --> 0:18:12.119
<v Speaker 12>and just yell and scream like I hate her. I

0:18:12.280 --> 0:18:16.159
<v Speaker 12>can't believe I cheated on her. But now someone's doorbell

0:18:16.200 --> 0:18:18.160
<v Speaker 12>cam catches that. Man, you're busted.

0:18:18.760 --> 0:18:21.800
<v Speaker 11>You're you're up at a door. Okay, so you're just

0:18:22.000 --> 0:18:26.560
<v Speaker 11>now going to a neighbor's house. We'll stay in the neighborhood. Man, Honey, Hey,

0:18:26.640 --> 0:18:28.800
<v Speaker 11>I can't believe we gotta go over to dinner at

0:18:29.280 --> 0:18:32.560
<v Speaker 11>John and Jane's house. Man, Like, I hate when he

0:18:32.680 --> 0:18:35.680
<v Speaker 11>does that weird thing where he goes, hey, man, his

0:18:35.920 --> 0:18:38.200
<v Speaker 11>work still good. I just hate when we have to

0:18:38.280 --> 0:18:40.600
<v Speaker 11>then talk about work and he tries to be funny

0:18:40.600 --> 0:18:43.919
<v Speaker 11>and he tries to act like he's condescendingly. He undermines

0:18:44.000 --> 0:18:46.880
<v Speaker 11>my career. I knocked out, knocked on the door, knock

0:18:46.880 --> 0:18:50.320
<v Speaker 11>on the door. Whereas back in the day, you could

0:18:50.359 --> 0:18:52.680
<v Speaker 11>get away with saying that. Now somebody's gonna hear you

0:18:52.720 --> 0:18:53.359
<v Speaker 11>on the ring doorbell.

0:18:53.440 --> 0:18:55.000
<v Speaker 12>Actually, they're gonna be like, oh, you don't like coming

0:18:55.000 --> 0:18:57.560
<v Speaker 12>over here and talking about work. You don't think I'm funny? Well,

0:18:57.600 --> 0:18:58.959
<v Speaker 12>how did you hear me? Well we got a ring

0:18:59.000 --> 0:18:59.600
<v Speaker 12>doorbell camera.

0:18:59.720 --> 0:18:59.840
<v Speaker 9>Man.

0:19:00.359 --> 0:19:02.280
<v Speaker 12>Oh okay, well it is awkward.

0:19:02.160 --> 0:19:09.040
<v Speaker 11>And uh, post office people throw the packages thirty years ago. Hey, hey,

0:19:09.080 --> 0:19:11.200
<v Speaker 11>you want to see how far I can yankee this one. Man,

0:19:11.200 --> 0:19:13.800
<v Speaker 11>I'm gonna launch this one, tear it out of my glove.

0:19:13.960 --> 0:19:15.320
<v Speaker 11>I'm gonna throw it at the door.

0:19:15.440 --> 0:19:16.440
<v Speaker 12>I'm not even gonna get out.

0:19:16.320 --> 0:19:19.280
<v Speaker 11>Of the damn band. Whereas now they know they're all

0:19:19.359 --> 0:19:21.760
<v Speaker 11>being recorded, so you have to be perfect. Oh I'm

0:19:21.800 --> 0:19:25.000
<v Speaker 11>just gonna gracefully and just perfectly and politely set this

0:19:25.119 --> 0:19:27.879
<v Speaker 11>down on your doorstep. Have a great day, dude. If

0:19:27.880 --> 0:19:30.280
<v Speaker 11>I was a ups person, I would do the most

0:19:30.440 --> 0:19:32.879
<v Speaker 11>fake things ever because people are gonna post it on

0:19:32.960 --> 0:19:35.520
<v Speaker 11>their ring. You're gonna go viral, or they're gonna turn

0:19:35.520 --> 0:19:39.560
<v Speaker 11>it into your boss because you realize, you realize that

0:19:39.680 --> 0:19:43.760
<v Speaker 11>people you're being recorded. Here you go, here's your package,

0:19:43.840 --> 0:19:47.240
<v Speaker 11>have a lovely day, and then wave. Guys, you're gonna

0:19:47.240 --> 0:19:49.440
<v Speaker 11>be viral tomorrow because everybody's gonna post that.

0:19:50.960 --> 0:19:54.040
<v Speaker 12>They all know that they are going above and beyond, like, oh,

0:19:54.520 --> 0:19:56.199
<v Speaker 12>the kitty cats out, Let me knock on the door

0:19:56.200 --> 0:19:58.679
<v Speaker 12>and make sure they know that kitty cat and is outside.

0:19:58.960 --> 0:20:01.000
<v Speaker 12>Did you know your kiddy that's outside? Oh, it's an

0:20:01.000 --> 0:20:01.600
<v Speaker 12>outside cat.

0:20:01.680 --> 0:20:02.000
<v Speaker 11>Okay.

0:20:02.359 --> 0:20:04.000
<v Speaker 12>I was just trying to make sure I saved a

0:20:04.080 --> 0:20:10.119
<v Speaker 12>pussy you know cat and I Oh, but it was

0:20:10.240 --> 0:20:13.000
<v Speaker 12>Amazon guy. He cares about animals. He tried to save

0:20:13.040 --> 0:20:13.760
<v Speaker 12>a pussy cat.

0:20:15.680 --> 0:20:17.680
<v Speaker 11>Let's start to show the man, Well, can I do

0:20:17.800 --> 0:20:20.040
<v Speaker 11>one more before we started? I love it. That's how

0:20:20.200 --> 0:20:22.200
<v Speaker 11>it actually will get you in trouble. Our trash can

0:20:22.320 --> 0:20:24.800
<v Speaker 11>guy at the apartment complex on the West Side, he

0:20:24.880 --> 0:20:27.680
<v Speaker 11>didn't know about the ring doorbell camera, so he picked

0:20:27.760 --> 0:20:30.320
<v Speaker 11>up our trash can and shook it until it broke

0:20:30.560 --> 0:20:32.240
<v Speaker 11>and all fell to the ground. So I'm getting up

0:20:32.240 --> 0:20:34.439
<v Speaker 11>in the morning for work. You know you already got

0:20:34.480 --> 0:20:37.200
<v Speaker 11>those thoughts, hate my job, hate life? What is happening?

0:20:37.320 --> 0:20:40.119
<v Speaker 11>I opened my front door, dude, it looked like Milton

0:20:40.200 --> 0:20:44.240
<v Speaker 11>came through too soon. Well yeah, okay, and it was

0:20:44.320 --> 0:20:47.280
<v Speaker 11>everywhere trash. I mean it. I didn't know what had happened. Oh,

0:20:47.480 --> 0:20:50.320
<v Speaker 11>the trash guy just shook our trash, apparently, looked at

0:20:50.359 --> 0:20:53.200
<v Speaker 11>the camera, found it, sent it to his employer, got

0:20:53.280 --> 0:20:55.240
<v Speaker 11>him fired. Wasn't trying to get him fired?

0:20:55.320 --> 0:20:55.720
<v Speaker 12>Are bad?

0:20:56.000 --> 0:20:58.640
<v Speaker 11>We got a two hundred dollars target gift card. Not bad?

0:20:58.760 --> 0:21:00.760
<v Speaker 12>Do you ever get Did you ever worry about the

0:21:00.840 --> 0:21:05.520
<v Speaker 12>wildlife getting into your trash? Because don't you probably have raccoons, possums,

0:21:05.960 --> 0:21:08.920
<v Speaker 12>probably rats. I mean, when you leave your trash outside

0:21:09.000 --> 0:21:10.840
<v Speaker 12>your door, isn't that what happens?

0:21:11.280 --> 0:21:14.280
<v Speaker 11>It's just the night before and the animal doesn't know

0:21:14.359 --> 0:21:16.680
<v Speaker 11>that it only has an eight hour window, so sure

0:21:16.720 --> 0:21:20.440
<v Speaker 11>there would be animals search. They didn't realize trash people

0:21:20.520 --> 0:21:23.840
<v Speaker 11>only come under it from six to ten at night, and.

0:21:23.920 --> 0:21:26.000
<v Speaker 12>You live upstairs, so they're probably not gonna climb the

0:21:26.080 --> 0:21:27.320
<v Speaker 12>stairs to get to your trash.

0:21:27.520 --> 0:21:31.280
<v Speaker 11>But you know what did one time Armadilla? No yet,

0:21:31.359 --> 0:21:32.920
<v Speaker 11>it came all the way to the top, and they're

0:21:33.000 --> 0:21:35.760
<v Speaker 11>dumb as hell. It was bouncing around, eventually found its

0:21:35.840 --> 0:21:37.680
<v Speaker 11>way down. But then they sent out a message to

0:21:37.720 --> 0:21:40.199
<v Speaker 11>everybody in the app. They said, Armadillo's guys, they've been

0:21:40.280 --> 0:21:42.479
<v Speaker 11>known now to climb to the fourth floor heads up,

0:21:42.680 --> 0:21:45.400
<v Speaker 11>but they don't do anything that's dangerous. They're not, dude,

0:21:45.680 --> 0:21:47.959
<v Speaker 11>they have a hard shell, hard head. You could hear

0:21:48.040 --> 0:21:52.800
<v Speaker 11>them because I think they're blind. Oh, guys, this is uninformed.

0:21:52.840 --> 0:21:54.200
<v Speaker 11>I'm not a zoo keeper. I don't work at the

0:21:54.280 --> 0:21:58.200
<v Speaker 11>Nashville Zoo. Love you guys, but I wanted to say this, dude,

0:21:58.280 --> 0:22:01.960
<v Speaker 11>they I believe they're colorblind. Here, ding ding ding ding

0:22:02.160 --> 0:22:05.520
<v Speaker 11>ding ding. Another armadilla made its way to the fourth floor.

0:22:05.560 --> 0:22:13.520
<v Speaker 12>Honey, I've never really seen an armadilla up close. Yeah,

0:22:13.760 --> 0:22:15.199
<v Speaker 12>I've seen one dead on the side of the road,

0:22:15.240 --> 0:22:17.520
<v Speaker 12>but never really like walking around, never seen one.

0:22:17.640 --> 0:22:20.760
<v Speaker 11>That's why I think they're blind. They're not great on roads,

0:22:21.880 --> 0:22:26.080
<v Speaker 11>confined areas. They're probably meant to be San Antonio out

0:22:26.119 --> 0:22:27.359
<v Speaker 11>wearre the Buffalo roam, you know.

0:22:27.720 --> 0:22:29.560
<v Speaker 12>I've been told though, like, if you see them on

0:22:29.600 --> 0:22:31.679
<v Speaker 12>the street, don't try don't hit them with your car

0:22:31.760 --> 0:22:35.120
<v Speaker 12>because right before they hit they jump up and mess

0:22:35.200 --> 0:22:36.720
<v Speaker 12>up your car. That's what I've been told. I don't

0:22:36.720 --> 0:22:38.800
<v Speaker 12>know if that's true for this urban legend. Don't know

0:22:38.920 --> 0:22:39.840
<v Speaker 12>much about the armadillo.

0:22:40.119 --> 0:22:43.199
<v Speaker 11>Yeah, maybe it is sad driving in from the country, man,

0:22:44.040 --> 0:22:46.679
<v Speaker 11>you'll see the roadkill and you're.

0:22:46.520 --> 0:22:48.040
<v Speaker 12>Not supposed to pick it up because they have someone

0:22:48.080 --> 0:22:52.440
<v Speaker 12>that their job is to drive and document all the roadkill.

0:22:52.560 --> 0:22:55.800
<v Speaker 11>And it's it's it is some armadilla's you got your

0:22:56.680 --> 0:22:58.359
<v Speaker 11>I think I've said it on the show before. Is

0:22:58.440 --> 0:23:01.320
<v Speaker 11>it the minx or the possum? Yeah, not a lot

0:23:01.359 --> 0:23:06.000
<v Speaker 11>of raccoons. You're gonna get your your gophers, your squirrels,

0:23:07.119 --> 0:23:11.080
<v Speaker 11>and I see the squirrels. Proud of drivers though, haven't

0:23:11.119 --> 0:23:12.040
<v Speaker 11>seen a family pet.

0:23:13.080 --> 0:23:13.560
<v Speaker 12>That's good.

0:23:13.840 --> 0:23:17.760
<v Speaker 11>Did see Oh, first time I've seen it?

0:23:18.640 --> 0:23:18.880
<v Speaker 6>Oh?

0:23:19.200 --> 0:23:19.960
<v Speaker 12>No, saw a person?

0:23:21.440 --> 0:23:24.840
<v Speaker 11>Coach, What in the morbid hell is going on in

0:23:24.920 --> 0:23:25.280
<v Speaker 11>your head?

0:23:25.600 --> 0:23:27.240
<v Speaker 12>The way you went, You act like you saw a

0:23:27.320 --> 0:23:29.719
<v Speaker 12>dead person on the side of the road. You are

0:23:29.760 --> 0:23:31.600
<v Speaker 12>the one that went I did see one.

0:23:31.640 --> 0:23:36.960
<v Speaker 11>Yet I was sticking with the theme of animals, not

0:23:37.119 --> 0:23:41.160
<v Speaker 11>a human being death seed dude, Yeah, man, I saw

0:23:41.200 --> 0:23:43.080
<v Speaker 11>a guy gunned down with an arrow.

0:23:45.000 --> 0:23:47.560
<v Speaker 12>You're like, human beings can't get hit by a car.

0:23:49.440 --> 0:23:52.320
<v Speaker 12>You act like, oh God, can't be walking across the

0:23:52.400 --> 0:23:55.080
<v Speaker 12>street and get hit by the car. Sorry, that's where I.

0:23:55.119 --> 0:23:57.480
<v Speaker 11>Thought you were going. My apology it was it was

0:23:58.040 --> 0:24:03.800
<v Speaker 11>it was domestic. A woman shot her husband's roadkill. No,

0:24:04.040 --> 0:24:06.560
<v Speaker 11>this one doesn't need to doesn't need to laugh track

0:24:06.640 --> 0:24:12.680
<v Speaker 11>baser saw it. I think she did cry it was

0:24:12.720 --> 0:24:16.119
<v Speaker 11>a horse. Oh somebody hit.

0:24:17.680 --> 0:24:19.159
<v Speaker 9>A horse?

0:24:19.600 --> 0:24:23.000
<v Speaker 11>Oh oh my, I mean and they are quick, so

0:24:23.119 --> 0:24:25.760
<v Speaker 11>it's almost like the person driving wasn't able to time

0:24:25.840 --> 0:24:29.320
<v Speaker 11>it out. You got to give it some leeway. Oh dude,

0:24:29.400 --> 0:24:31.760
<v Speaker 11>it was weird, But props the guy you're talking about

0:24:31.840 --> 0:24:33.680
<v Speaker 11>that records it all. They had it cleaned up, man,

0:24:33.760 --> 0:24:38.520
<v Speaker 11>it was. It was a police cop, ambulance squad. Everybody shy,

0:24:38.600 --> 0:24:41.560
<v Speaker 11>a SpongeBob on the scene within five minutes, and it

0:24:41.720 --> 0:24:42.960
<v Speaker 11>was I didn't see it the next day.

0:24:43.119 --> 0:24:45.080
<v Speaker 12>But how do you clean up a horse man?

0:24:45.440 --> 0:24:45.480
<v Speaker 9>Like?

0:24:45.600 --> 0:24:46.680
<v Speaker 12>Put him in a dump truck?

0:24:47.160 --> 0:24:50.040
<v Speaker 11>Like, honestly, do you do?

0:24:50.080 --> 0:24:51.600
<v Speaker 12>You chop him up right there on the side.

0:24:51.400 --> 0:24:54.240
<v Speaker 11>Of the road. I don't know, man, but you feel

0:24:54.320 --> 0:24:57.119
<v Speaker 11>for the driver. You gotta think he could have got

0:24:57.160 --> 0:24:58.880
<v Speaker 11>out of the way. These cars are in my area.

0:24:58.920 --> 0:25:03.320
<v Speaker 11>They're only going forty fifty. The horse just it must

0:25:03.359 --> 0:25:05.520
<v Speaker 11>have just been a Sorry guys, if you're dry, it

0:25:05.600 --> 0:25:07.800
<v Speaker 11>must have been a bee line into a damn semi

0:25:07.960 --> 0:25:11.480
<v Speaker 11>or something like that. So guys, if you're out there

0:25:11.680 --> 0:25:15.159
<v Speaker 11>to all our truckers, just be on the lookout. You

0:25:15.280 --> 0:25:17.960
<v Speaker 11>can go over the squirrels just time it out perfectly.

0:25:18.280 --> 0:25:20.880
<v Speaker 11>The rabbits, the minx, the armadillos, God knows they're gonna

0:25:20.920 --> 0:25:23.960
<v Speaker 11>jump up in the last second. But the horses just

0:25:24.160 --> 0:25:26.639
<v Speaker 11>kind of break a little bit. But let them go

0:25:27.040 --> 0:25:30.680
<v Speaker 11>go around them. You just can't go ahead on collision

0:25:30.720 --> 0:25:32.800
<v Speaker 11>with a damn horse. You're not gonna outrun them. They're

0:25:32.800 --> 0:25:34.160
<v Speaker 11>going faster than we are. Man.

0:25:45.280 --> 0:25:47.560
<v Speaker 7>Hey, it's Mike d And this week a movie Mike's

0:25:47.600 --> 0:25:50.320
<v Speaker 7>Movie Podcast, i shared the top five movies I want

0:25:50.359 --> 0:25:53.080
<v Speaker 7>to see before I die. I'm not sick, but these

0:25:53.119 --> 0:25:55.120
<v Speaker 7>are movies coming out in the next three to four

0:25:55.240 --> 0:25:57.359
<v Speaker 7>years that I just want you to be alive to

0:25:57.520 --> 0:25:59.760
<v Speaker 7>see because I get so much anxiety when these movies

0:25:59.800 --> 0:26:02.040
<v Speaker 7>get announced and they're like coming in twenty twenty six,

0:26:02.080 --> 0:26:04.320
<v Speaker 7>I'm like, could you please put these out today? So

0:26:04.440 --> 0:26:06.600
<v Speaker 7>I shared my top five lists. I also did a

0:26:06.680 --> 0:26:09.399
<v Speaker 7>spoiler free review of Venom The Last Stance. But right now,

0:26:09.520 --> 0:26:12.480
<v Speaker 7>here's just a little bit of movie Mike's Movie Podcast.

0:26:14.440 --> 0:26:18.399
<v Speaker 7>At number three, I'm lumping in both of the Avengers movies,

0:26:18.640 --> 0:26:22.040
<v Speaker 7>Avengers Doomsday, which is coming out on May first, twenty

0:26:22.119 --> 0:26:28.919
<v Speaker 7>twenty six, and Avenger Secret Wars, coming out on May seventh,

0:26:29.400 --> 0:26:33.720
<v Speaker 7>twenty twenty seven, three years away. That is wild to me.

0:26:33.800 --> 0:26:35.680
<v Speaker 7>That is a really long time. By the time this

0:26:35.800 --> 0:26:39.240
<v Speaker 7>movie comes out, I'm gonna be thirty six years old.

0:26:39.280 --> 0:26:42.240
<v Speaker 7>Sometimes I forget how old I am. Somebody mentioned someone

0:26:42.400 --> 0:26:44.159
<v Speaker 7>being thirty one, and I was like, oh, I'm thirty one.

0:26:44.240 --> 0:26:46.200
<v Speaker 7>I'm like, no, I was thirty one two years ago.

0:26:46.680 --> 0:26:48.840
<v Speaker 7>But I'm gonna be thirty six still going to the

0:26:48.960 --> 0:26:52.359
<v Speaker 7>theater and watching superhero movies, which is another thing that

0:26:52.400 --> 0:26:54.800
<v Speaker 7>people say is that the genre is going to die out.

0:26:55.040 --> 0:26:56.760
<v Speaker 7>I don't think it's going to die out. But what

0:26:56.880 --> 0:26:59.920
<v Speaker 7>I'm looking forward to the most about Doomsday, of course,

0:27:00.400 --> 0:27:03.760
<v Speaker 7>to see how they bring Robert Downey Junior into the picture.

0:27:04.240 --> 0:27:06.159
<v Speaker 7>The more and more I see and read about it,

0:27:06.280 --> 0:27:08.119
<v Speaker 7>and the more and more I get invested into the

0:27:08.240 --> 0:27:11.960
<v Speaker 7>character of doctor Doom, I get more excited and I

0:27:12.080 --> 0:27:14.880
<v Speaker 7>really feel like something is brewing, and I just want

0:27:14.960 --> 0:27:18.240
<v Speaker 7>to be in that theater to experience that moment the

0:27:18.359 --> 0:27:21.680
<v Speaker 7>first time you see the person that we know as

0:27:21.760 --> 0:27:25.639
<v Speaker 7>Tony Stark now as a villain. I have to know

0:27:25.840 --> 0:27:29.200
<v Speaker 7>how that happens. I cannot leave this world until I

0:27:29.359 --> 0:27:31.600
<v Speaker 7>know how that happens. I'm just gonna say that that

0:27:31.720 --> 0:27:34.159
<v Speaker 7>is already gonna be a core movie memory for me,

0:27:34.800 --> 0:27:37.840
<v Speaker 7>like a lot of Marvel movies have contained. And on

0:27:37.960 --> 0:27:41.000
<v Speaker 7>top of that, the next year we get Secret Wars,

0:27:41.040 --> 0:27:45.960
<v Speaker 7>which is my favorite story out of anything in Marvel Comics.

0:27:46.440 --> 0:27:49.359
<v Speaker 7>It is on my wall in this studio, I have

0:27:49.520 --> 0:27:52.440
<v Speaker 7>the issue number eight with the first appearance of the

0:27:52.480 --> 0:27:55.160
<v Speaker 7>Black Suit Spider Man. I feel it is the best

0:27:55.200 --> 0:27:58.440
<v Speaker 7>story because it takes all the superheroes, puts them on

0:27:58.520 --> 0:28:01.119
<v Speaker 7>a planet and pits them against each other, the X Men,

0:28:01.480 --> 0:28:05.600
<v Speaker 7>Fantastic Four, the Avengers. That is gonna be such a

0:28:05.800 --> 0:28:08.760
<v Speaker 7>big feat for the Russo Brothers to get right. But

0:28:08.880 --> 0:28:10.760
<v Speaker 7>if I had to invest in somebody to do it,

0:28:11.119 --> 0:28:13.280
<v Speaker 7>it would be with the people who brought us Infinity

0:28:13.320 --> 0:28:16.160
<v Speaker 7>War and who brought us Endgame. Everything now, of course,

0:28:16.320 --> 0:28:18.359
<v Speaker 7>is a rumor of how they are going to do it.

0:28:18.800 --> 0:28:21.159
<v Speaker 7>I cannot wait to see those stories come to fruition.

0:28:21.840 --> 0:28:24.480
<v Speaker 7>I just gotta make it to twenty twenty seven. At

0:28:24.600 --> 0:28:28.720
<v Speaker 7>number two, I have TMNT the Last ronin. When this

0:28:28.840 --> 0:28:31.560
<v Speaker 7>got announced earlier this year, I thought I was dreaming

0:28:31.960 --> 0:28:34.159
<v Speaker 7>this is one of those movies. I never thought what

0:28:34.400 --> 0:28:38.200
<v Speaker 7>happened because I have been a lifelong Teenage Mutant Ninja

0:28:38.200 --> 0:28:41.320
<v Speaker 7>Turtles fan since the first one back in nineteen ninety.

0:28:41.440 --> 0:28:44.680
<v Speaker 7>Growing up, my favorite was probably, well, at least the

0:28:44.720 --> 0:28:47.000
<v Speaker 7>one I watched the most was Secret of the Us

0:28:47.360 --> 0:28:50.640
<v Speaker 7>because that one was a lot more appealing to me

0:28:50.760 --> 0:28:53.080
<v Speaker 7>as a kid because they knew that Okay, the first

0:28:53.120 --> 0:28:55.080
<v Speaker 7>one was a little bit more serious, the violence was

0:28:55.080 --> 0:28:57.600
<v Speaker 7>a little bit more intense because the demo was the

0:28:57.680 --> 0:28:59.920
<v Speaker 7>kids who grew up with the cartoon in the eighties

0:29:00.040 --> 0:29:02.400
<v Speaker 7>and now wanted to see that cartoon come to life.

0:29:03.080 --> 0:29:05.400
<v Speaker 7>And for me as a kid, seeing Secret of the

0:29:05.520 --> 0:29:09.640
<v Speaker 7>Us was exactly what I wanted. It was fun quick lines,

0:29:10.080 --> 0:29:13.320
<v Speaker 7>it was fun battles where they weren't necessarily hurting each

0:29:13.360 --> 0:29:16.480
<v Speaker 7>other with weapons, they were using other things to fight

0:29:16.600 --> 0:29:18.720
<v Speaker 7>off the villains, and at the core of it, it

0:29:18.840 --> 0:29:20.920
<v Speaker 7>was just a lot of fun. You have Vanilla Ice dancing.

0:29:20.960 --> 0:29:23.719
<v Speaker 7>I still see it going on tour with Ninja Turtles

0:29:23.800 --> 0:29:26.320
<v Speaker 7>because of how big this song was in that movie.

0:29:26.840 --> 0:29:31.120
<v Speaker 7>But now the Last Ronan is going to take everything

0:29:31.200 --> 0:29:34.040
<v Speaker 7>we know about the Teenage Mutant Ninja Turtles and totally

0:29:34.080 --> 0:29:36.760
<v Speaker 7>flip it on its side, because it's now going to

0:29:36.800 --> 0:29:40.280
<v Speaker 7>be an R rated version based upon the graphic novel,

0:29:40.360 --> 0:29:44.480
<v Speaker 7>which is the graphic novel that has really guiden me

0:29:44.640 --> 0:29:49.320
<v Speaker 7>into reading graphic novels. It entirely changed my perspective on

0:29:50.280 --> 0:29:53.760
<v Speaker 7>Teenage Mutant Ninja Turtles lore. And if we're not familiar

0:29:53.880 --> 0:29:56.960
<v Speaker 7>with what happens in the last ronin there is only

0:29:57.520 --> 0:30:00.280
<v Speaker 7>one remaining Ninja Turtle who was out to evail the

0:30:00.360 --> 0:30:03.680
<v Speaker 7>deaths of his brothers and the death of Splinter, and

0:30:03.800 --> 0:30:07.480
<v Speaker 7>it's a very raw and emotional story. And I know

0:30:07.560 --> 0:30:10.200
<v Speaker 7>we've been talking about things that have a darker, sinister

0:30:10.320 --> 0:30:12.360
<v Speaker 7>feel to it, and you think, why do the Ninja

0:30:12.400 --> 0:30:15.080
<v Speaker 7>Turtles that need to be dark and sinister? They say

0:30:15.160 --> 0:30:18.520
<v Speaker 7>Calabunga and they eat pizza. But if you think back

0:30:18.600 --> 0:30:21.760
<v Speaker 7>to that first movie, the root of the anger of

0:30:21.760 --> 0:30:25.440
<v Speaker 7>the Ninja Turtles, of being a now cast, of wanting

0:30:25.520 --> 0:30:29.400
<v Speaker 7>to be heroes to these humans, but they also see

0:30:29.520 --> 0:30:31.680
<v Speaker 7>you as a monster. There is a lot of pent

0:30:31.840 --> 0:30:34.520
<v Speaker 7>up anger in there. And I think why this movie

0:30:34.640 --> 0:30:37.280
<v Speaker 7>is going to be successful, It's obviously because it's in

0:30:37.560 --> 0:30:40.800
<v Speaker 7>the Teenage Mutant Ninja Turtles franchise, and you're gonna have

0:30:40.920 --> 0:30:43.520
<v Speaker 7>the people like me who grew up with them. I mean,

0:30:43.520 --> 0:30:45.280
<v Speaker 7>they were even a little bit ahead of my time.

0:30:45.440 --> 0:30:47.200
<v Speaker 7>I feel like you had to be an eighties kid

0:30:47.240 --> 0:30:50.040
<v Speaker 7>to really fully appreciate the Turtles, but they've had so

0:30:50.200 --> 0:30:53.640
<v Speaker 7>many iterations throughout the years that you've no matter when

0:30:53.720 --> 0:30:56.760
<v Speaker 7>you grew up, you were introduced to them in some capacity.

0:30:57.360 --> 0:30:59.800
<v Speaker 7>But I think now at this point in time, which

0:31:00.000 --> 0:31:03.480
<v Speaker 7>movie is supposed to there's no official release date on it.

0:31:03.600 --> 0:31:05.920
<v Speaker 7>Now they're working on it. It was just a nownced

0:31:05.920 --> 0:31:09.440
<v Speaker 7>earlier this year, so it's probably gonna be twenty twenty six,

0:31:09.520 --> 0:31:11.720
<v Speaker 7>twenty twenty seven, and by that time, I'm gonna be

0:31:11.880 --> 0:31:15.080
<v Speaker 7>in thirty six, thirty seven years old. I'll probably be

0:31:15.200 --> 0:31:17.800
<v Speaker 7>thirty five thirty six years old, and I'm gonna be

0:31:17.880 --> 0:31:20.960
<v Speaker 7>at that age where they're gonna be making it for

0:31:21.080 --> 0:31:23.840
<v Speaker 7>the people like me who grew up with them and

0:31:24.000 --> 0:31:27.440
<v Speaker 7>who are now adults and probably feeling like these type

0:31:27.440 --> 0:31:30.160
<v Speaker 7>of ways that these characters are and what you would

0:31:30.200 --> 0:31:32.720
<v Speaker 7>do to avenge the death of your brothers, which is

0:31:32.800 --> 0:31:35.800
<v Speaker 7>something you really couldn't explore back when they were teenagers.

0:31:36.640 --> 0:31:38.840
<v Speaker 7>And I think the big success of this movie is

0:31:38.920 --> 0:31:42.120
<v Speaker 7>going to come down to the look of the teenage

0:31:42.160 --> 0:31:44.160
<v Speaker 7>mutant ninja Turtles, because back when they did it with

0:31:44.240 --> 0:31:47.560
<v Speaker 7>Michael Bay. The look just wasn't right that I never

0:31:47.640 --> 0:31:50.840
<v Speaker 7>felt any connection to those characters because they were entirely

0:31:50.960 --> 0:31:54.920
<v Speaker 7>cgi'm which I feel now they're gonna probably lean towards CGI,

0:31:55.080 --> 0:31:57.480
<v Speaker 7>and I'm not opposed to that, But they look so

0:31:57.760 --> 0:32:01.960
<v Speaker 7>freakish like and so over eyes and had no real

0:32:02.080 --> 0:32:06.240
<v Speaker 7>warmth to him that I never really found myself grasping

0:32:06.320 --> 0:32:08.920
<v Speaker 7>to those characters like I did to the rubber suits

0:32:08.960 --> 0:32:11.000
<v Speaker 7>back in the nineties. And it's not just because I

0:32:11.080 --> 0:32:14.280
<v Speaker 7>had the nostalgia for those suits. It's just because it

0:32:14.400 --> 0:32:17.440
<v Speaker 7>felt a little bit cold and a little bit faceless,

0:32:17.600 --> 0:32:20.880
<v Speaker 7>that this really isn't how these characters should be represented.

0:32:20.960 --> 0:32:24.280
<v Speaker 7>So I'm okay if they use some CGI, which has

0:32:24.400 --> 0:32:26.960
<v Speaker 7>greatly improved. If you look at the last Guardians of

0:32:27.000 --> 0:32:30.680
<v Speaker 7>the Galaxy movie, they do a fantastic job with CGI,

0:32:31.240 --> 0:32:34.560
<v Speaker 7>especially with the character like Rocket Raccoon, where it looks

0:32:34.720 --> 0:32:37.040
<v Speaker 7>like on the screen that you could actually go in

0:32:37.120 --> 0:32:40.400
<v Speaker 7>there and touch them, even though he is a CGI character.

0:32:41.000 --> 0:32:44.520
<v Speaker 7>That movie also had a fantastic wardrobe and makeup and

0:32:44.600 --> 0:32:49.040
<v Speaker 7>hair department. They use over twenty thousand prosthetics, five hundred wigs,

0:32:49.320 --> 0:32:52.960
<v Speaker 7>and one hundred and thirty facial hair pieces to create

0:32:53.000 --> 0:32:56.360
<v Speaker 7>the characters and Guardians of the Galaxy Volume three. That

0:32:56.520 --> 0:32:59.560
<v Speaker 7>movie actually broke the record for the most prosthetics ever

0:32:59.800 --> 0:33:02.560
<v Speaker 7>used in a film. So to make this teenage mutant

0:33:02.600 --> 0:33:05.840
<v Speaker 7>Ninja Shurtles movie look great, you're gonna have to spend

0:33:05.880 --> 0:33:09.640
<v Speaker 7>some money, which I hope they actually invest the money

0:33:09.720 --> 0:33:11.920
<v Speaker 7>in this movie, because that is gonna make or break it.

0:33:12.040 --> 0:33:15.800
<v Speaker 7>You can't rely on the power of the name and

0:33:15.840 --> 0:33:18.600
<v Speaker 7>the nostalgia bate and it doesn't just take a great

0:33:18.640 --> 0:33:22.040
<v Speaker 7>story like basing it on the Great Graphic novel. You

0:33:22.280 --> 0:33:24.960
<v Speaker 7>have to spend the money to make the movie look good,

0:33:25.320 --> 0:33:28.880
<v Speaker 7>which I feel gets overlooked so much. It reboots and

0:33:29.720 --> 0:33:33.200
<v Speaker 7>sequels that you think, which sounds so elementary. Oh, to

0:33:33.280 --> 0:33:35.560
<v Speaker 7>get a movie that people are gonna be excited about,

0:33:35.640 --> 0:33:39.320
<v Speaker 7>it has to look good. Yes, it has to represent

0:33:39.840 --> 0:33:43.760
<v Speaker 7>what the characters embody and that's gonna cost money and

0:33:43.880 --> 0:33:48.080
<v Speaker 7>studios cannot cut corners in that department. So no official

0:33:48.160 --> 0:33:51.600
<v Speaker 7>release date. I'm hoping twenty twenty six, but probably looking

0:33:51.680 --> 0:33:54.719
<v Speaker 7>more at twenty twenty seven. I have to be alive

0:33:54.880 --> 0:33:56.360
<v Speaker 7>to see the last ronin.

0:34:06.160 --> 0:34:07.360
<v Speaker 5>Carrylne.

0:34:08.320 --> 0:34:10.719
<v Speaker 11>She's a queen and talking, so.

0:34:12.800 --> 0:34:15.600
<v Speaker 9>She's getting really not afraid to feel episode and so

0:34:16.120 --> 0:34:16.919
<v Speaker 9>just let it blow.

0:34:17.440 --> 0:34:18.920
<v Speaker 1>No one can do we quiet.

0:34:19.760 --> 0:34:23.840
<v Speaker 7>Cary Lone is sounding Carolne.

0:34:25.080 --> 0:34:27.960
<v Speaker 9>So you and Tyler that a stay church, yes, and

0:34:28.040 --> 0:34:32.759
<v Speaker 9>that's what spawned cowboy tears. Yes, because you guys were

0:34:32.960 --> 0:34:35.239
<v Speaker 9>hanging out and then he walked up with a face mask.

0:34:35.440 --> 0:34:36.840
<v Speaker 3>Yes you're good, and you're like.

0:34:37.000 --> 0:34:38.239
<v Speaker 9>Who is this handsome zoro?

0:34:38.520 --> 0:34:41.879
<v Speaker 3>He was dancing. Are you handsome? Let's see, Yes, you're

0:34:41.920 --> 0:34:42.320
<v Speaker 3>good at this.

0:34:43.040 --> 0:34:44.680
<v Speaker 9>I just love to hear pool stories and this gives

0:34:44.680 --> 0:34:46.879
<v Speaker 9>me like the permission to get all free and nosy

0:34:46.920 --> 0:34:48.440
<v Speaker 9>with people, which you can't do in real life.

0:34:48.560 --> 0:34:53.640
<v Speaker 3>Let carey, that's true. M Okay. This is Tyler. So

0:34:53.800 --> 0:34:58.360
<v Speaker 3>he's got this song on Spotify called real Love. Okay,

0:34:58.480 --> 0:35:01.359
<v Speaker 3>so you're his muse all the time, I'd like to think.

0:35:01.440 --> 0:35:02.040
<v Speaker 6>So yeah.

0:35:02.760 --> 0:35:07.239
<v Speaker 3>And in this video that plays, I just typed in

0:35:07.320 --> 0:35:11.359
<v Speaker 3>real olive this song.

0:35:11.640 --> 0:35:16.000
<v Speaker 13>This thing that plays in the background, this is Tie

0:35:16.120 --> 0:35:20.160
<v Speaker 13>dancing before we met. This is me and my friends,

0:35:20.239 --> 0:35:22.839
<v Speaker 13>and then that's Tie hopping behind me before we met

0:35:22.920 --> 0:35:23.719
<v Speaker 13>with the bandana on.

0:35:24.360 --> 0:35:27.840
<v Speaker 9>So this is like he's strategically in the case we

0:35:27.840 --> 0:35:28.360
<v Speaker 9>want to show this.

0:35:29.400 --> 0:35:32.799
<v Speaker 3>He strategically danced behind me. No, I feel like those influencers.

0:35:33.239 --> 0:35:38.160
<v Speaker 13>This inst this lipstick and okay, okay, so this video

0:35:38.280 --> 0:35:40.360
<v Speaker 13>this was before we ever met, and I was like,

0:35:40.840 --> 0:35:42.160
<v Speaker 13>my friends, My friends were like.

0:35:42.200 --> 0:35:43.439
<v Speaker 5>That guy is so hot?

0:35:43.800 --> 0:35:46.440
<v Speaker 3>So is he just jumping around like a bopping around

0:35:46.480 --> 0:35:47.720
<v Speaker 3>so by himself.

0:35:47.960 --> 0:35:49.960
<v Speaker 13>With well actually who ended up being one of our

0:35:50.000 --> 0:35:55.840
<v Speaker 13>grooms men. So Dustin Lynch was performing, come here, Oh my.

0:35:56.080 --> 0:36:01.879
<v Speaker 3>Goodness, come over here, come on, come on? Yeah yeah yeah,

0:36:02.200 --> 0:36:03.600
<v Speaker 3>oh yeah, yeah yeah yeah.

0:36:03.960 --> 0:36:07.360
<v Speaker 13>So Dustin was performing, and ty had just been on

0:36:07.400 --> 0:36:09.799
<v Speaker 13>tour with Dustin. I didn't know anything about country music,

0:36:09.920 --> 0:36:11.799
<v Speaker 13>like at all, because you're just like living in La,

0:36:11.880 --> 0:36:13.040
<v Speaker 13>straight up living in La.

0:36:13.160 --> 0:36:15.120
<v Speaker 3>I knew nothing. I was actually going through a really

0:36:15.160 --> 0:36:18.239
<v Speaker 3>bad breakup. This was that season. It was I've only

0:36:18.239 --> 0:36:19.200
<v Speaker 3>had two boyfriends before.

0:36:19.280 --> 0:36:19.480
<v Speaker 1>Time.

0:36:19.800 --> 0:36:23.000
<v Speaker 3>Was this the bad bad breakup? Or this was you

0:36:23.040 --> 0:36:26.360
<v Speaker 3>have two bad breakups? This wasn't This was just a

0:36:26.440 --> 0:36:27.600
<v Speaker 3>regular heartbreak breakup.

0:36:27.719 --> 0:36:31.120
<v Speaker 9>Yes, not like a betrayal, yes, not like exactly Okay,

0:36:31.200 --> 0:36:33.160
<v Speaker 9>this one was just like a my heart's broken, yes,

0:36:33.280 --> 0:36:34.080
<v Speaker 9>okay exactly.

0:36:35.200 --> 0:36:37.479
<v Speaker 13>But so yeah, I've only had two boyfriends before, Tye,

0:36:37.760 --> 0:36:39.840
<v Speaker 13>and so we're at and I was like not ready

0:36:39.880 --> 0:36:42.839
<v Speaker 13>to meet somebody else and he's just bopping around next

0:36:42.880 --> 0:36:44.680
<v Speaker 13>to us, just hopping up a storm. And my friends

0:36:44.680 --> 0:36:47.799
<v Speaker 13>are like, that guy is so hot and I was like, hmm,

0:36:47.840 --> 0:36:49.560
<v Speaker 13>it's all tatted. I don't know if that's my thing.

0:36:50.520 --> 0:36:53.080
<v Speaker 13>And he had this bandana on his face and we're.

0:36:52.960 --> 0:36:54.239
<v Speaker 3>Like, so they didn't see his face.

0:36:54.280 --> 0:36:55.560
<v Speaker 9>They just thought his presence was hot.

0:36:55.680 --> 0:36:59.120
<v Speaker 13>Presence was hot, and his bodies tattoos, his eyes, and

0:36:59.200 --> 0:37:01.759
<v Speaker 13>we're like, what if people that ban Dan off? So

0:37:01.880 --> 0:37:03.920
<v Speaker 13>he became I was like, yeah, you're all very but

0:37:04.160 --> 0:37:06.200
<v Speaker 13>he also just kind of came out of nowhere. But

0:37:06.320 --> 0:37:07.239
<v Speaker 13>the story's start.

0:37:07.360 --> 0:37:09.080
<v Speaker 9>Pull the bandana off and what's there?

0:37:09.520 --> 0:37:13.920
<v Speaker 3>No teeth? Yeah, or mug mug, just like an ugly mug.

0:37:14.000 --> 0:37:15.800
<v Speaker 3>Oh mug ugly yeah yeah yeah, yeah.

0:37:15.800 --> 0:37:19.000
<v Speaker 13>Yeah, you know it's actually funny. The story starts before this,

0:37:19.040 --> 0:37:21.000
<v Speaker 13>which I didn't know. So Tyler had seen me on

0:37:21.080 --> 0:37:24.279
<v Speaker 13>Friday of Stage Coach. He saw me walk by backstage

0:37:24.280 --> 0:37:27.440
<v Speaker 13>and he was like, she must be with somebody, and

0:37:27.560 --> 0:37:29.359
<v Speaker 13>I guess he double. He like looked at me when

0:37:29.400 --> 0:37:31.640
<v Speaker 13>I walked by, and I didn't look at him, so

0:37:31.719 --> 0:37:34.400
<v Speaker 13>he's like, she's with somebody. And then on Sunday of

0:37:34.480 --> 0:37:37.560
<v Speaker 13>stage Coach. He was on stage watching Dustin because he

0:37:37.600 --> 0:37:39.799
<v Speaker 13>had just been touring with Dustin Lynch, and he saw

0:37:39.880 --> 0:37:41.960
<v Speaker 13>me in the pit dancing. He's like, that's the girl.

0:37:42.080 --> 0:37:44.520
<v Speaker 3>Ezy to see you everywhere at these very crowded places.

0:37:45.080 --> 0:37:47.600
<v Speaker 13>Well, the backstage area at stage Coach isn't like as

0:37:47.640 --> 0:37:49.560
<v Speaker 13>crowded as like Coachella and stuff is.

0:37:49.760 --> 0:37:52.759
<v Speaker 9>It's like, I'm just saying, he like locked eyes right away,

0:37:52.760 --> 0:37:55.400
<v Speaker 9>he felt, but I was a connection.

0:37:55.680 --> 0:37:58.480
<v Speaker 13>I I I was just not in a place of

0:37:58.560 --> 0:38:01.680
<v Speaker 13>ready to meet somebodybody else at all. I'd never been single.

0:38:01.719 --> 0:38:03.480
<v Speaker 13>I was like, it is time.

0:38:04.840 --> 0:38:06.800
<v Speaker 3>To get some random dick. I'm just kidding.

0:38:09.200 --> 0:38:10.520
<v Speaker 9>Did you have that season at all?

0:38:10.719 --> 0:38:10.759
<v Speaker 2>No?

0:38:11.320 --> 0:38:13.040
<v Speaker 3>He never, not even a little bit.

0:38:13.160 --> 0:38:14.480
<v Speaker 11>No. Never.

0:38:15.080 --> 0:38:17.200
<v Speaker 13>I maybe when I say I've only had two boyfriends

0:38:17.200 --> 0:38:19.400
<v Speaker 13>before time, like I was with one from twenty to

0:38:19.520 --> 0:38:22.600
<v Speaker 13>like thirty one and then two years and there's no

0:38:22.680 --> 0:38:23.200
<v Speaker 13>one between.

0:38:23.800 --> 0:38:26.080
<v Speaker 3>So we're not on double digits.

0:38:26.400 --> 0:38:27.600
<v Speaker 5>No, we're all one.

0:38:27.680 --> 0:38:29.640
<v Speaker 3>Oh No we're not. We're not on double digit So

0:38:29.719 --> 0:38:31.799
<v Speaker 3>you were like ready to explore. Oh I was ready

0:38:31.840 --> 0:38:32.320
<v Speaker 3>to explore.

0:38:32.560 --> 0:38:32.719
<v Speaker 11>Good.

0:38:32.880 --> 0:38:35.680
<v Speaker 3>Yeah, I was like, let's go, girls, fucking go.

0:38:36.280 --> 0:38:39.200
<v Speaker 13>And then here and then here comes this tatted gentleman

0:38:40.239 --> 0:38:43.000
<v Speaker 13>comes over and he's like takes his bandan off.

0:38:43.040 --> 0:38:44.920
<v Speaker 3>He's like does He's introduced himself to y'all and he's like,

0:38:45.000 --> 0:38:46.120
<v Speaker 3>do I know you from somewhere?

0:38:46.280 --> 0:38:46.560
<v Speaker 5>Stop?

0:38:46.719 --> 0:38:48.560
<v Speaker 13>And I don't know how to flirt because I haven't

0:38:48.800 --> 0:38:50.960
<v Speaker 13>really ever been single, and I was like, do I

0:38:51.040 --> 0:38:51.840
<v Speaker 13>know you from somewhere?

0:38:51.880 --> 0:38:54.040
<v Speaker 3>I just like repeated everything he said, and I was like,

0:38:54.280 --> 0:38:56.480
<v Speaker 3>you look familiar too. He's like maybe we follow the

0:38:56.520 --> 0:38:57.920
<v Speaker 3>same people. I'm like maybe, and.

0:38:58.000 --> 0:39:00.520
<v Speaker 13>We're just like he's like looking and he's just see

0:39:00.560 --> 0:39:02.759
<v Speaker 13>his like little muscles flexing and he's like looking at

0:39:02.800 --> 0:39:03.520
<v Speaker 13>his phone, and I'm like.

0:39:03.719 --> 0:39:05.200
<v Speaker 3>Just we follow the same people?

0:39:05.280 --> 0:39:05.800
<v Speaker 5>Is this people?

0:39:05.880 --> 0:39:06.040
<v Speaker 13>Dates?

0:39:06.160 --> 0:39:06.200
<v Speaker 11>Like?

0:39:06.280 --> 0:39:09.080
<v Speaker 13>Maybe? Okay, well there's no service. So I was like

0:39:09.360 --> 0:39:11.000
<v Speaker 13>looking at him, I'm like, maybe this is gonna be

0:39:11.040 --> 0:39:13.920
<v Speaker 13>my one night stand. Maybe we'll see I don't know.

0:39:15.400 --> 0:39:17.839
<v Speaker 13>Then I like get very flustered. I'm like he's talking

0:39:17.840 --> 0:39:19.759
<v Speaker 13>to you and he's got this beautiful smile, and I'm

0:39:19.840 --> 0:39:22.759
<v Speaker 13>like I was like, well, it's very nice to meet.

0:39:22.760 --> 0:39:25.480
<v Speaker 13>You'll see you around. And I actually like ran off

0:39:25.520 --> 0:39:26.800
<v Speaker 13>from him. I was like, nice to see you, and

0:39:26.840 --> 0:39:27.480
<v Speaker 13>he's like where are you going?

0:39:27.560 --> 0:39:28.200
<v Speaker 3>Like I'll see you later.

0:39:28.440 --> 0:39:30.879
<v Speaker 13>And I like left, and then I was like asking

0:39:30.960 --> 0:39:33.480
<v Speaker 13>her mutual friends, my friend Janice who was later at

0:39:33.520 --> 0:39:35.480
<v Speaker 13>our wedding, Yennis Janis.

0:39:35.480 --> 0:39:38.560
<v Speaker 3>I was like, Janice, where's that dude, that guy with

0:39:38.640 --> 0:39:40.920
<v Speaker 3>the tattoos, And she's like, oh, Tyler Rich. She's like, oh,

0:39:41.000 --> 0:39:42.600
<v Speaker 3>all the girls love him. I'm like, oh, I don't.

0:39:42.960 --> 0:39:45.080
<v Speaker 3>I don't like him. I feel really bad.

0:39:45.120 --> 0:39:48.840
<v Speaker 13>I like ran away, like in a big hurry. We

0:39:48.920 --> 0:39:51.960
<v Speaker 13>were easy and we didn't see each other the rest

0:39:52.000 --> 0:39:53.680
<v Speaker 13>of the night. And then ty had my name and

0:39:53.760 --> 0:39:54.320
<v Speaker 13>his phone.

0:39:54.880 --> 0:39:57.399
<v Speaker 3>How did he already know your name? Well, he looked

0:39:57.440 --> 0:39:59.120
<v Speaker 3>it up, but it was there was no service, so

0:39:59.160 --> 0:40:01.759
<v Speaker 3>he had screenshot and then screenshot your thing.

0:40:01.800 --> 0:40:03.719
<v Speaker 13>When you pulled it up he couldn't do so there's

0:40:03.760 --> 0:40:05.400
<v Speaker 13>no service. So he was like trying to find my name,

0:40:05.440 --> 0:40:07.400
<v Speaker 13>but there's no service that you know, in the desert

0:40:07.520 --> 0:40:09.239
<v Speaker 13>your name. But yes, he knew my name as you

0:40:09.320 --> 0:40:09.680
<v Speaker 13>told him.

0:40:09.760 --> 0:40:10.359
<v Speaker 3>Yes, okay.

0:40:10.480 --> 0:40:12.640
<v Speaker 13>And then the next day he DM me and we

0:40:12.680 --> 0:40:15.439
<v Speaker 13>started talking and then I got like shy again because

0:40:15.480 --> 0:40:17.480
<v Speaker 13>then he like sent me his number and you know,

0:40:17.560 --> 0:40:19.759
<v Speaker 13>when you read a message, you can see it, so

0:40:19.840 --> 0:40:22.279
<v Speaker 13>I just left it. I don't want to open it,

0:40:22.360 --> 0:40:23.600
<v Speaker 13>so I just saw the number, and I'm like, oh,

0:40:23.600 --> 0:40:25.840
<v Speaker 13>I can't open this. I'll leave that in there for

0:40:25.920 --> 0:40:26.239
<v Speaker 13>a moment.

0:40:26.520 --> 0:40:28.200
<v Speaker 9>What were we thinking was gonna happen if you like

0:40:28.480 --> 0:40:31.000
<v Speaker 9>continued talking to him, like, what were you like worried.

0:40:30.680 --> 0:40:37.359
<v Speaker 3>About my first one night stand? Yeah, just you're back

0:40:37.360 --> 0:40:39.239
<v Speaker 3>out there a while. I think I just wasn't ready

0:40:39.520 --> 0:40:41.440
<v Speaker 3>and I just like really had like a crush on him.

0:40:41.840 --> 0:40:44.040
<v Speaker 3>I really did. I was like, oh, you have cotton mouth,

0:40:44.080 --> 0:40:44.759
<v Speaker 3>by the way, I.

0:40:44.800 --> 0:40:45.520
<v Speaker 7>Have cotton mouth.

0:40:45.800 --> 0:40:46.880
<v Speaker 3>I feel really parched.

0:40:46.960 --> 0:40:48.960
<v Speaker 9>I feel like I had cotton mouse splashed bad old

0:40:49.000 --> 0:40:52.759
<v Speaker 9>please yeah, okay, oh okay.

0:40:53.400 --> 0:40:54.440
<v Speaker 3>Why should wrap this up?

0:40:55.760 --> 0:40:58.880
<v Speaker 9>Okay? Yeah, we am already at fifteen minutes. No, we

0:40:58.920 --> 0:41:00.800
<v Speaker 9>already at fifty minutes. But I like all your stories,

0:41:00.840 --> 0:41:02.920
<v Speaker 9>so we'll just like, no, we're just gonna wrap it up.

0:41:02.920 --> 0:41:04.600
<v Speaker 9>But I'm sad we're wrapping it up because I actually

0:41:04.640 --> 0:41:06.239
<v Speaker 9>really like, do you guys edit it at all?

0:41:06.640 --> 0:41:06.680
<v Speaker 12>No?

0:41:07.680 --> 0:41:07.719
<v Speaker 9>No?

0:41:08.160 --> 0:41:10.120
<v Speaker 3>Oh yeah, oh shit, I talked too long. I don't

0:41:10.120 --> 0:41:12.360
<v Speaker 3>think so my bad. All right, I've enjoyed everything. To

0:41:12.400 --> 0:41:14.640
<v Speaker 3>wrap up the tie thing and then what they would

0:41:14.640 --> 0:41:16.720
<v Speaker 3>make it good? Don't like wrap it up? Miss details?

0:41:17.000 --> 0:41:20.360
<v Speaker 13>Okay, so yes, so then we start talking only on

0:41:20.480 --> 0:41:22.320
<v Speaker 13>FaceTime because he was in Nashville, and he's like, you

0:41:22.360 --> 0:41:23.040
<v Speaker 13>should come out here.

0:41:23.080 --> 0:41:25.200
<v Speaker 3>I was like, that sounds like I have to spend

0:41:25.239 --> 0:41:29.080
<v Speaker 3>the night. That feels scary, scary, risky business. You're risky business,

0:41:29.840 --> 0:41:30.640
<v Speaker 3>risky business.

0:41:30.880 --> 0:41:32.000
<v Speaker 9>Is he already gone from La?

0:41:32.120 --> 0:41:34.800
<v Speaker 13>He's gone from La. But what he actually was being serious,

0:41:34.800 --> 0:41:38.440
<v Speaker 13>this is actually really sweet. He I had I was

0:41:38.480 --> 0:41:40.480
<v Speaker 13>in the Entourage movie and that had just come out

0:41:41.280 --> 0:41:43.960
<v Speaker 13>just so cool, and he had seen it, so he

0:41:44.040 --> 0:41:46.480
<v Speaker 13>knew it and he didn't know it was me, but

0:41:46.640 --> 0:41:49.279
<v Speaker 13>he meant it when he said you look familiar, and

0:41:49.360 --> 0:41:50.120
<v Speaker 13>he couldn't piece it.

0:41:50.160 --> 0:41:51.520
<v Speaker 3>But he was actually being sincere.

0:41:51.960 --> 0:41:54.320
<v Speaker 13>And then the next day he really like he like

0:41:54.400 --> 0:41:57.520
<v Speaker 13>went researching, and then he apparently I don't know if

0:41:57.520 --> 0:42:00.840
<v Speaker 13>this is just a line, but he's said he remembers

0:42:00.880 --> 0:42:02.600
<v Speaker 13>seeing me in the movie being.

0:42:02.520 --> 0:42:04.800
<v Speaker 3>Like I love her. Yeah, and then he saw you

0:42:04.920 --> 0:42:07.759
<v Speaker 3>like the next day yeah, well like a couple months later,

0:42:08.239 --> 0:42:09.719
<v Speaker 3>Like he had such a strong love.

0:42:09.760 --> 0:42:13.040
<v Speaker 13>He manifested you in his But he was like, I

0:42:13.120 --> 0:42:15.280
<v Speaker 13>remember looking at you in the movie and being like, life,

0:42:15.440 --> 0:42:17.200
<v Speaker 13>where do future baby Mama?

0:42:17.320 --> 0:42:20.799
<v Speaker 3>Yeah, I'm not surprised at all. But then we were

0:42:20.840 --> 0:42:21.719
<v Speaker 3>engaged a year later.

0:42:29.640 --> 0:42:32.160
<v Speaker 1>Hey, thanks for listening to this week's Sunday Sampler. New

0:42:32.239 --> 0:42:34.920
<v Speaker 1>episodes out weekly, check them out and go check out

0:42:34.960 --> 0:42:37.520
<v Speaker 1>the Nashville Podcast Networks Instagram as well if you have time.

0:42:37.600 --> 0:42:39.040
<v Speaker 1>All right, thanks, how great week, everybody,