WEBVTT - Selects: What is a Numbers Station?

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<v Speaker 1>A happy Saturday, everybody, chuck here. I hope you're enjoying

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<v Speaker 1>your weekend. I hope you're enjoying your year, your month.

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<v Speaker 1>I hope you're enjoying the very hour in which you

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<v Speaker 1>are coming across this. It is the select episode for

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<v Speaker 1>the week, and I'm picking this one because honestly don't

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<v Speaker 1>remember much about it, and I got to listen to it,

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<v Speaker 1>so maybe I'll learn it all over again. It's about

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<v Speaker 1>number stations and it's called what is a number Station?

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh Clark with

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<v Speaker 2>Charles W Chuck Bryant, and this is oh Jerry and this.

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<v Speaker 3>Is Stuffish seven four two five eight.

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<v Speaker 2>Can you say it in German? You speak German? Don't

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<v Speaker 2>even jog me.

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<v Speaker 3>It's why dry boom ah Steven, Now, can.

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<v Speaker 2>You do that in a little girl voice?

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<v Speaker 3>You're just toying, Come on, do it. No, you always

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<v Speaker 3>make me play Saint Paly Girl. I'm tired of it.

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<v Speaker 2>Same poly girl. Now. This is apparently even younger than

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<v Speaker 2>the Saint Poly Girl. It's like a little girl and

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<v Speaker 2>it was a live little girl who in the Swedish

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<v Speaker 2>rhapsody number station. It was a young little girl reading

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<v Speaker 2>out numbers and letters in German.

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<v Speaker 3>Which makes it even creepier.

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<v Speaker 2>Yeah, it's very creepy.

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<v Speaker 4>This is a very neat subject, so kudos to you

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<v Speaker 4>for tossing this one out there.

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<v Speaker 2>Well, I've been waiting for it to publish. Yeah, I'd

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<v Speaker 2>seen it in the calendar coming up and coming up.

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<v Speaker 2>I'm like, come on and publish, and I think it

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<v Speaker 2>published on Friday is Tuesday, yes, and we're talking about

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<v Speaker 2>it just as they are completing their decline, so we

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<v Speaker 2>are on top of this.

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<v Speaker 3>Well I think that well, we'll get into it.

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<v Speaker 4>I think that's what makes it even more interesting is

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<v Speaker 4>that it's still happening, all right.

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<v Speaker 3>Numbers stations, number stations.

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<v Speaker 2>Yeah, like you said number, both words are pluralized. It's

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<v Speaker 2>a little clumsy, and number stations are we should just

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<v Speaker 2>come out and say their short wave radio transmissions or

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<v Speaker 2>transmitters making really weird baffling is the best word for it.

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<v Speaker 2>Transmissions and have been doing so apparently since at least

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<v Speaker 2>World War One.

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<v Speaker 3>Oh really.

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<v Speaker 2>Yeah. Supposedly, the first mention of a numbers station came

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<v Speaker 2>from a German magazine in World War One and World

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<v Speaker 2>War Two, they were in full swing, sure, but apparently

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<v Speaker 2>they somehow popped up first around World War One, which

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<v Speaker 2>makes them some of the earliest shortwave transmissions in the world,

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<v Speaker 2>because shortwave radio didn't come around at least into commercial

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<v Speaker 2>use until about nineteen twenty. World War One was a

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<v Speaker 2>few years before that, if you'll remember correct.

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<v Speaker 4>Yeah, that's why I didn't even think that that was possible.

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<v Speaker 4>But like you said, World War II is when they

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<v Speaker 4>were in full swing. Yeah, they really peaked in the

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<v Speaker 4>Cold War and they have been dying out slowly ever since.

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<v Speaker 4>But I think one of the neatest things is they

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<v Speaker 4>are still If you have a short wave radio, you

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<v Speaker 4>can tune into a frequency and here beep one, two, seven,

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<v Speaker 4>five eight. You know, it's usually like some sort of tone.

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<v Speaker 2>We should mention to Jerry of the future. Yeah, you're

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<v Speaker 2>supposed to leave that beep in because it's part of

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<v Speaker 2>the numbers station.

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<v Speaker 4>Yeah, we beep Jerry to signal when we want something edited.

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<v Speaker 4>But yeah, number station. That's not always a beep, it'll

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<v Speaker 4>just have some sort of Sometimes it's a bit of

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<v Speaker 4>a song.

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<v Speaker 2>Yeah, like this Swedish Rhapsody or the Lincolnshire poacher a

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<v Speaker 2>British English uksh folk song.

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<v Speaker 4>Yeah, and I'm so scared of thetuff like that. And

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<v Speaker 4>the reason that the transmission starts off with a tone

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<v Speaker 4>or a beep or a song so you can it

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<v Speaker 4>alerts like here comes a transmission in your station. Hone

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<v Speaker 4>in make sure you get some good reception because the

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<v Speaker 4>secret code is about to be revealed.

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<v Speaker 2>And that's exactly what everyone is pretty much in consensus

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<v Speaker 2>on that what comes after this and what is broadcast

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<v Speaker 2>over these numbers stations are secret codes.

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<v Speaker 3>Yeah.

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<v Speaker 2>Again, like for the Swedish rhap City station, it is

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<v Speaker 2>a little girl in speaking in German, reading numbers and letters,

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<v Speaker 2>random seemingly random numbers and letters, and then the transmission

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<v Speaker 2>is over and that happens like or it used to happen.

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<v Speaker 2>That's a defunct numbers station now, but it happened on

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<v Speaker 2>a fairly regular schedule. There's other ones. The Intension station

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<v Speaker 2>is a woman saying a tension and then reading Spanish

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<v Speaker 2>numbers and repeating them over and over again and then

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<v Speaker 2>going on to the next set and everybody. No one

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<v Speaker 2>can say for certain, but virtually everyone in the world

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<v Speaker 2>from Cecil Adams at Straight Dope to the head of

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<v Speaker 2>the UK's Trade and Industry Agency say these are secret

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<v Speaker 2>transmissions for spies. The whole basis of them was for espionage.

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<v Speaker 3>Yeah.

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<v Speaker 4>And the reason why everyone is speculating that that is

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<v Speaker 4>absolutely the case, which it almost certainly is, like we said,

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<v Speaker 4>is because no government to this day has come forward

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<v Speaker 4>and admitted this or owned this. It is all still

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<v Speaker 4>technically speculation because you cannot point to a factual statement.

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<v Speaker 4>The closest we've ever come is.

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<v Speaker 3>They finally got someone from the United Kingdom, a spokesperson.

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<v Speaker 2>That was the dude from the Trade Agency.

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<v Speaker 4>Oh really, Yeah, the exact quotas people should not be

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<v Speaker 4>mystified by them. They're not, shall we say, for public consumption. Yeah,

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<v Speaker 4>And that's the only thing on record that any government

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<v Speaker 4>has ever spoke about what these transmissions are.

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<v Speaker 2>Right, So the idea that they are government transitions are

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<v Speaker 2>the reason we have to speculate is because the government's

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<v Speaker 2>never claimed them. On the flip side, the reason everyone

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<v Speaker 2>thinks that they are government backed clandestine transmissions is because

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<v Speaker 2>these are pirate radio frequencies, pirate radio transmitters. Yeah.

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<v Speaker 4>My first thing was like, just find one of these

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<v Speaker 4>and look it up and find out what the deal is.

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<v Speaker 2>Yeah, you would think.

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<v Speaker 1>So.

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<v Speaker 2>They're totally unlicensed. Nobody knows exactly where they are.

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<v Speaker 3>They're illegal technically.

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<v Speaker 2>Yes, they're very illegal because they transmit over air traffic

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<v Speaker 2>control frequencies. Well that's a big one. And no one

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<v Speaker 2>investigates them. There's no investigation into these number stations whatsoever.

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<v Speaker 2>So the fact that the government won't say anything about them,

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<v Speaker 2>and the fact that the government isn't investigating these very

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<v Speaker 2>blatantly out in the open, weird baffling transmissions suggests that, Yeah,

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<v Speaker 2>everybody's right that these are government backed transmissions used to

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<v Speaker 2>communicate anonymously and in one direction two spies embedded in

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<v Speaker 2>foreign countries.

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<v Speaker 3>Yeah.

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<v Speaker 4>I was about to call it a conversation, but it's

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<v Speaker 4>really not. It's I think on the BBC documentary Saw

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<v Speaker 4>they called it a monologue.

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<v Speaker 3>You're just sending a one way message exactly.

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<v Speaker 4>All right, Right after this break, we're going to talk

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<v Speaker 4>a little bit about shortwave radio technology. The secret key

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<v Speaker 4>to sending these messages, all right, The key to this

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<v Speaker 4>whole thing is sending a short way Like you might

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<v Speaker 4>think in this day and age, why not just send

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<v Speaker 4>a telefax?

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<v Speaker 2>Right now?

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<v Speaker 4>Why not send an email or you know, there's surely,

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<v Speaker 4>surely there are safer ways to send espionage, this information,

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<v Speaker 4>highly classified instructions to go kill the leader of a country, perhaps.

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<v Speaker 2>Right, like if you want to activate Reggie Jackson to

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<v Speaker 2>kill Queen Elizabeth kill Norberg. Yeah, yeah, that's that's how

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<v Speaker 2>would you do it in this day and age, you'd

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<v Speaker 2>think an email would do it? No, And you want

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<v Speaker 2>to know who proves definitively that that is not safe

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<v Speaker 2>for secure?

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<v Speaker 3>Who Jimmy Fallon, Edward Edward Snowden.

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<v Speaker 2>Yeah, there there are. If you use a computer, you

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<v Speaker 2>leave a trace. Yeah, it's virtually impossible to erase anything

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<v Speaker 2>on a computer.

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<v Speaker 3>Yeah, if you think you have, then you haven't.

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<v Speaker 2>Plus, if you are, say emailing somebody, you're transmitting what's

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<v Speaker 2>supposed to be highly sensitive even encrypted information over a network.

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<v Speaker 2>That stuff can be captured, like go listen to our

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<v Speaker 2>employer as your employer spying on you episode. Yeah, you

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<v Speaker 2>can't do it, Like you can communicate like that, but

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<v Speaker 2>you're leaving digital traces everywhere. The beauty of the short

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<v Speaker 2>wave radio transmission is that again it's anonymous and it's

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<v Speaker 2>one directional. But if you get caught with a short

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<v Speaker 2>wave radio. At least, say back in the sixties or

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<v Speaker 2>the seventies or something, it wasn't weird. It didn't prove

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<v Speaker 2>that you were a spy.

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<v Speaker 3>Yeah, you done, just tuning into my my stories.

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<v Speaker 2>Exactly, just listening to the BBC World.

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<v Speaker 4>Service shortwave energy radio energy. It's all determined by the

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<v Speaker 4>power of your transmitter. So if you've got a humongous transmitter,

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<v Speaker 4>you can send and any be that big, but you

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<v Speaker 4>can send a message one way message to the other

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<v Speaker 4>side of the world, right, And the reason it can

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<v Speaker 4>travel across the planet is because it's bouncing off of

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<v Speaker 4>it literally is bouncing off the ionosphere of the Earth

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<v Speaker 4>or well, yeah, of the Earth, fifty to three hundred

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<v Speaker 4>and seventy five miles up above our surface. It's in

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<v Speaker 4>the upper atmosphere, and solar ionization creates an electrical charge

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<v Speaker 4>and that charge reflects that signal right back down to Earth.

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<v Speaker 4>It's called skywave or skip and skywave. Yeah, And that's

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<v Speaker 4>why you can with a seemingly pretty simple piece of equipment,

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<v Speaker 4>I can send a message to the South Pacific. Yeah,

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<v Speaker 4>from my bedroom. Well, I don't know if i'd have

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<v Speaker 4>one big enough for my Bedroom's pretty big. I wanted

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<v Speaker 4>to see how big these things were actually, you know,

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<v Speaker 4>like if they say really big ones, to send them

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<v Speaker 4>further and further, Like how big do they get?

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<v Speaker 2>They get very huge. They can cover scores of acres.

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<v Speaker 2>Oh okay, a big shortwave antenna, which is why it

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<v Speaker 2>can get very expensive.

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<v Speaker 3>So that's bigger than my bedroom.

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<v Speaker 2>You can also use ones that are the size of

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<v Speaker 2>your bedroom. It depends not only like you said, on

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<v Speaker 2>the size of the transmitter, it depends on the atmospheric

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<v Speaker 2>conditions too, so uppusually shortwave transmissions are received best at

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<v Speaker 2>sunrise and sunset. And no one's one hundred percent sure,

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<v Speaker 2>but it has to do with the ion a sphere.

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<v Speaker 2>And because that's where the northern lights are happening. Yeah,

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<v Speaker 2>that's where solar rays hit the hit the Earth's atmosphere

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<v Speaker 2>and they the atoms loose their electrons, I believe, so

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<v Speaker 2>they become ions forming the iono sphere. And because this

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<v Speaker 2>is constantly changing, you can't predict exactly how shortwave radio

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<v Speaker 2>wave will act, but you can kind of guess, well,

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<v Speaker 2>this time the Sun's least active or most active, whatever,

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<v Speaker 2>it has some impact on that sky. What's it called

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<v Speaker 2>the sky? What skywave, the skywave effect, So you can

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<v Speaker 2>communicate with somebody in a foreign country, right, yea. And

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<v Speaker 2>not only can it not be tracked, it's very difficult

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<v Speaker 2>to trace who sent that, where that transmission's coming from.

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<v Speaker 2>It's impossible to trace who's receiving it.

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<v Speaker 3>That's right.

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<v Speaker 2>So you have no idea who in your country is

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<v Speaker 2>getting this, which means that you're broadcasting to anybody and

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<v Speaker 2>everybody who feels like listening to this a secret code.

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<v Speaker 2>But the fact is, if you use the right kind

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<v Speaker 2>of secret code, no one can crack all right.

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<v Speaker 4>That brings up an important point because you would think also,

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<v Speaker 4>you can hack into the most secure computer system on

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<v Speaker 4>the planet if you're good enough as a hacker. So

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<v Speaker 4>how in the world could sending a coded key like

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<v Speaker 4>it's nineteen fifty five and you're trying to get your

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<v Speaker 4>decoder ring, you know from.

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<v Speaker 3>The Red Was it the Red Rider?

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<v Speaker 2>No story? No, that's way off.

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<v Speaker 3>No, what was it? It was?

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<v Speaker 2>No?

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<v Speaker 3>No, no, I'm talking about it in the Christmas story.

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<v Speaker 2>It was a little orphan any that was the show.

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<v Speaker 3>I didn't think it was.

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<v Speaker 2>He didn't he didn't care about pirates and all that jazz,

0:13:16.520 --> 0:13:19.000
<v Speaker 2>pirates and smugglers and all that jazz. He listened to

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<v Speaker 2>a little Orphan Anne.

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<v Speaker 3>And I'll take it word for it. I remember, now

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<v Speaker 3>do you know?

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<v Speaker 2>But I'll take your word for it, dude, I'm telling

0:13:25.320 --> 0:13:27.320
<v Speaker 2>you it's a little orphan any I will. That's say,

0:13:27.360 --> 0:13:31.319
<v Speaker 2>I'm taking my hat. I don't have a hat on

0:13:31.559 --> 0:13:33.600
<v Speaker 2>right now, but I would eat it if I if

0:13:33.679 --> 0:13:34.160
<v Speaker 2>I were wrong.

0:13:34.559 --> 0:13:37.000
<v Speaker 4>At any rate, you're not little Ralphie decoding the message

0:13:37.000 --> 0:13:41.280
<v Speaker 4>from little Orphanani. But it is actually the most secure

0:13:41.720 --> 0:13:45.160
<v Speaker 4>way that you can send a secret message is by

0:13:46.120 --> 0:13:50.200
<v Speaker 4>creating a unique code that you know and have written

0:13:50.240 --> 0:13:52.600
<v Speaker 4>down on a piece of paper, and your buddy knows

0:13:52.920 --> 0:13:54.520
<v Speaker 4>who has it written down on a piece of paper.

0:13:55.000 --> 0:13:56.800
<v Speaker 4>You only use it once, that's the kind of the

0:13:56.920 --> 0:14:00.400
<v Speaker 4>key here, and then you destroy it afterward. That still

0:14:00.480 --> 0:14:02.120
<v Speaker 4>the most it's unbreakable.

0:14:02.480 --> 0:14:04.839
<v Speaker 2>So what it's called is a one time pad, the

0:14:05.000 --> 0:14:07.040
<v Speaker 2>old one time because you only use it once, and

0:14:07.160 --> 0:14:09.000
<v Speaker 2>it is old. It's from the nineteenth century.

0:14:09.080 --> 0:14:11.040
<v Speaker 3>Yeah, and it's still uncrackable. It is.

0:14:11.120 --> 0:14:13.960
<v Speaker 2>And the reason why it's uncrackable is because you each

0:14:14.000 --> 0:14:15.679
<v Speaker 2>have like you said, you each have a copy of

0:14:15.800 --> 0:14:19.880
<v Speaker 2>this this code. But it's randomly generated. Right, So let's

0:14:19.880 --> 0:14:22.680
<v Speaker 2>say you have the sheet of paper and the other

0:14:22.720 --> 0:14:24.520
<v Speaker 2>person as the sheet of paper, and the sheet of

0:14:24.560 --> 0:14:28.280
<v Speaker 2>paper says, it's just like strings of random numbers, like

0:14:28.360 --> 0:14:32.000
<v Speaker 2>four or five numbers long, and it's just totally random,

0:14:32.400 --> 0:14:35.800
<v Speaker 2>and it just covers, you know, several sheets of paper. Well,

0:14:35.840 --> 0:14:39.320
<v Speaker 2>you guys start at the same place, and when the

0:14:39.520 --> 0:14:44.280
<v Speaker 2>person transmitting the message wants to encrypt it, they run

0:14:44.360 --> 0:14:47.280
<v Speaker 2>their message. So say you guys have agreed like zero

0:14:47.600 --> 0:14:52.320
<v Speaker 2>is a, B is one, C is two, et cetera.

0:14:52.800 --> 0:14:57.040
<v Speaker 2>So you take that and you'd get you I know, dude,

0:14:57.040 --> 0:14:59.800
<v Speaker 2>it is mind boggling, Like this is about as simple

0:15:00.000 --> 0:15:02.920
<v Speaker 2>a cryptology gets. In it it makes me bleed from

0:15:02.960 --> 0:15:03.520
<v Speaker 2>my ears.

0:15:03.440 --> 0:15:05.080
<v Speaker 3>Because all you have to do is agree on what's what.

0:15:06.440 --> 0:15:07.920
<v Speaker 3>You know, it could be anything, right, So.

0:15:08.120 --> 0:15:11.240
<v Speaker 2>You're agreeing on what's what, but you also have this

0:15:11.480 --> 0:15:16.040
<v Speaker 2>randomly generated code. Sure key, right, So let's say I

0:15:16.120 --> 0:15:20.280
<v Speaker 2>want to say, what up, chuck? That's w h A

0:15:20.560 --> 0:15:24.840
<v Speaker 2>t U P C h U c K. So that's

0:15:24.880 --> 0:15:28.960
<v Speaker 2>eleven letters, right. So if you have your your key

0:15:29.680 --> 0:15:33.120
<v Speaker 2>and you're encoding it, you would use these first, the

0:15:33.240 --> 0:15:38.680
<v Speaker 2>first eleven numbers to encode what's already encoded. So the

0:15:39.080 --> 0:15:47.480
<v Speaker 2>w is say, Y says it's the number twenty two, okay, right,

0:15:47.600 --> 0:15:50.040
<v Speaker 2>and then so on. So like there's a number assigned

0:15:50.080 --> 0:15:53.000
<v Speaker 2>to each letter, so you have that, and then you

0:15:53.120 --> 0:15:56.960
<v Speaker 2>run it through this code, this randomly generated code. So

0:15:57.080 --> 0:16:01.400
<v Speaker 2>you add that and then so you have twenty what

0:16:01.560 --> 0:16:04.920
<v Speaker 2>I say, twenty two, yeah, and then say the first

0:16:05.040 --> 0:16:07.600
<v Speaker 2>letter or the first number of this code is seven,

0:16:08.040 --> 0:16:09.000
<v Speaker 2>so you have twenty nine.

0:16:09.160 --> 0:16:09.360
<v Speaker 3>Yeah.

0:16:09.720 --> 0:16:12.800
<v Speaker 2>So that's what the little German girl reads on the air,

0:16:13.360 --> 0:16:17.960
<v Speaker 2>twenty nine, yeah, fifty two, thirty seven eighteen.

0:16:18.160 --> 0:16:18.360
<v Speaker 3>Yeah.

0:16:18.760 --> 0:16:22.160
<v Speaker 2>It means nothing to anyone else in the entire world

0:16:22.200 --> 0:16:25.800
<v Speaker 2>except for you and the person who has the other

0:16:25.960 --> 0:16:29.720
<v Speaker 2>copy of this code, since there's only two copies and

0:16:29.840 --> 0:16:31.120
<v Speaker 2>you're only using it once and.

0:16:31.120 --> 0:16:32.160
<v Speaker 3>You're gonna eat it afterward.

0:16:32.400 --> 0:16:37.240
<v Speaker 2>Yeah. And the key is that it's randomly generated numbers. Yeah,

0:16:38.320 --> 0:16:41.680
<v Speaker 2>then it'll it's theoretically it will never be broken.

0:16:41.840 --> 0:16:44.000
<v Speaker 3>Yeah. But I mean that's just one example. You could

0:16:45.600 --> 0:16:49.440
<v Speaker 3>You could have five pre code rules.

0:16:50.640 --> 0:16:54.920
<v Speaker 4>To confuse someone trying to crack this code, right, yeah,

0:16:55.080 --> 0:16:57.680
<v Speaker 4>and they don't eat It's not like the simplest code

0:16:57.800 --> 0:17:01.080
<v Speaker 4>is this letter represents this number, this represents this letter.

0:17:01.600 --> 0:17:03.760
<v Speaker 4>It gets more complex than that. You could both have

0:17:04.280 --> 0:17:07.680
<v Speaker 4>agreed upon a book. You have to kill a mockingbird.

0:17:07.800 --> 0:17:13.160
<v Speaker 4>I've got to kill a mockingbird. Four eight twelve ninety thirteen.

0:17:13.840 --> 0:17:17.600
<v Speaker 4>Four means go to page four. Thirteen means now you're

0:17:17.640 --> 0:17:20.640
<v Speaker 4>really going to page thirteen. Ignore the four then look

0:17:20.680 --> 0:17:23.080
<v Speaker 4>at the twelfth line. Then look at the eighth word

0:17:23.600 --> 0:17:24.240
<v Speaker 4>on that page.

0:17:24.440 --> 0:17:27.280
<v Speaker 2>Right. What a one time pad would do is take

0:17:27.400 --> 0:17:31.040
<v Speaker 2>that already agreed upon code and encrypt it even further.

0:17:31.920 --> 0:17:34.199
<v Speaker 4>Yeah, But the point is it doesn't have to represent letters.

0:17:34.280 --> 0:17:37.880
<v Speaker 4>It can represent full words in a text that you've

0:17:37.920 --> 0:17:41.040
<v Speaker 4>agreed upon. True, And it's basically like thumbing through this

0:17:41.119 --> 0:17:43.600
<v Speaker 4>book picking out all these various words to make a sentence.

0:17:43.800 --> 0:17:47.119
<v Speaker 2>Right. The problem is that's its vulnerability as well. Like

0:17:47.320 --> 0:17:52.160
<v Speaker 2>to get a copy of the randomly generated key that's

0:17:52.280 --> 0:17:56.600
<v Speaker 2>used to encrypt this message, right, you have to have

0:17:56.720 --> 0:17:59.320
<v Speaker 2>some sort of contact with somebody. Yeah, So that's one

0:17:59.400 --> 0:18:02.680
<v Speaker 2>vulnerability of it. The thing is is like, depending on

0:18:02.840 --> 0:18:07.440
<v Speaker 2>how long this is, as many numbers as there are is,

0:18:07.480 --> 0:18:11.840
<v Speaker 2>as long as as many transmissions as you can transmit.

0:18:12.400 --> 0:18:13.720
<v Speaker 2>Does that make any sense? No?

0:18:14.440 --> 0:18:15.040
<v Speaker 3>Say it clearer?

0:18:15.160 --> 0:18:18.720
<v Speaker 2>So I said, what up, Chuck, Yeah, that's eleven. That

0:18:18.960 --> 0:18:21.879
<v Speaker 2>uses the first eleven numbers on this key. But say

0:18:21.920 --> 0:18:24.560
<v Speaker 2>there's fifty thousand numbers on the key, Well, we have

0:18:24.640 --> 0:18:27.520
<v Speaker 2>a lot more messages I can send to you that

0:18:28.160 --> 0:18:31.600
<v Speaker 2>we're going through the pad. Eventually, though, we're going to

0:18:31.720 --> 0:18:33.720
<v Speaker 2>use up this pad and we need to meet again

0:18:33.840 --> 0:18:36.280
<v Speaker 2>so I can give you another randomly generated.

0:18:35.880 --> 0:18:36.760
<v Speaker 3>Key at Kinko's.

0:18:37.040 --> 0:18:38.600
<v Speaker 2>That's the vulnerability of it.

0:18:39.359 --> 0:18:42.640
<v Speaker 4>Well, the other fit well and not a fail safe.

0:18:42.680 --> 0:18:44.359
<v Speaker 4>But the thing that makes it even safer is a

0:18:44.440 --> 0:18:47.400
<v Speaker 4>lot of times they would send and presumably are still

0:18:47.440 --> 0:18:50.679
<v Speaker 4>sending dummy messages, so you don't even know if it's

0:18:50.760 --> 0:18:53.040
<v Speaker 4>real to begin with, And there are only so many

0:18:53.920 --> 0:18:57.800
<v Speaker 4>person hours you can dedicate as a government to code crackers,

0:18:58.880 --> 0:19:01.679
<v Speaker 4>and they might be working on a it's not even real, right,

0:19:01.760 --> 0:19:04.399
<v Speaker 4>you don't know what transmissions are legit.

0:19:04.880 --> 0:19:08.240
<v Speaker 2>And that is a proposal by a group called Enigma.

0:19:08.440 --> 0:19:10.880
<v Speaker 2>And we'll talk about Enigma right after this message because

0:19:10.960 --> 0:19:37.159
<v Speaker 2>they're pretty awesome. So, Chuck, we were talking about Enigma.

0:19:37.200 --> 0:19:41.440
<v Speaker 2>I mentioned Enigma, and Enigma is this group that of

0:19:41.720 --> 0:19:45.000
<v Speaker 2>basically amateur radio people, short.

0:19:44.800 --> 0:19:49.480
<v Speaker 4>Wave radio enthusiast. They really get into this. Yes it's

0:19:49.520 --> 0:19:50.080
<v Speaker 4>a thing, and.

0:19:50.160 --> 0:19:53.680
<v Speaker 2>They started this is pre pre internet days. I think

0:19:53.720 --> 0:19:56.439
<v Speaker 2>it was in the eighties, the late eighties early nineties

0:19:56.480 --> 0:20:00.480
<v Speaker 2>that ENIGMA first came around and kind of coalesced. And

0:20:00.680 --> 0:20:04.960
<v Speaker 2>ENIGMA stands for European Numbers Information Gathering and Monitoring Association.

0:20:05.560 --> 0:20:07.520
<v Speaker 2>And basically it was just a group of these people

0:20:07.600 --> 0:20:10.879
<v Speaker 2>who had all yeah, right, who had all and I

0:20:10.960 --> 0:20:13.760
<v Speaker 2>think they reverse engineered that well we always do, but

0:20:13.880 --> 0:20:17.280
<v Speaker 2>they had all kind of started to talk or find

0:20:17.359 --> 0:20:21.360
<v Speaker 2>each other and say have you heard this weird transmission

0:20:21.440 --> 0:20:24.000
<v Speaker 2>and they're like, yes, I've heard that one, and you should.

0:20:24.200 --> 0:20:27.359
<v Speaker 2>You should check out this frequency on Tuesday nights at

0:20:27.400 --> 0:20:32.080
<v Speaker 2>eight pm because it transmits this. And they suddenly realized

0:20:32.080 --> 0:20:34.520
<v Speaker 2>there's this whole community of people out there, so they

0:20:34.560 --> 0:20:38.320
<v Speaker 2>set up a newsletter, they started a naming convention, and

0:20:38.400 --> 0:20:42.600
<v Speaker 2>they started assigning, collecting and assigning names to these different things.

0:20:43.040 --> 0:20:44.399
<v Speaker 3>So like E.

0:20:44.760 --> 0:20:50.800
<v Speaker 2>Designated an English speaking trans numbers station, S was Slavic

0:20:50.960 --> 0:20:55.200
<v Speaker 2>v is various, which encapsulates everything from like French to Spanish.

0:20:55.880 --> 0:20:59.880
<v Speaker 2>And ENIGMA really took this thing and put it into

0:21:00.080 --> 0:21:05.879
<v Speaker 2>you understandable terms. And they are basically eavesdropping or they

0:21:05.960 --> 0:21:09.440
<v Speaker 2>were eaves dropping on the spy community.

0:21:09.600 --> 0:21:10.560
<v Speaker 3>Are they not doing that anymore.

0:21:10.760 --> 0:21:13.399
<v Speaker 2>So Enigma disbanded I think in two thousand and then

0:21:13.560 --> 0:21:16.359
<v Speaker 2>almost immediately another group came and said, well, we're Enigma

0:21:16.359 --> 0:21:18.280
<v Speaker 2>in two thousand. We're going to carry this on. And

0:21:18.400 --> 0:21:21.879
<v Speaker 2>that's pretty fortunate because they were around to put all

0:21:21.920 --> 0:21:24.399
<v Speaker 2>this on the internet. Before it was like you had

0:21:24.480 --> 0:21:27.879
<v Speaker 2>to like subscribe to newsletters and have a shortwave radio.

0:21:28.200 --> 0:21:29.800
<v Speaker 2>Now it's like you can just go on the internet

0:21:30.160 --> 0:21:34.520
<v Speaker 2>and listen to all sorts of archives of these defunct

0:21:35.119 --> 0:21:36.280
<v Speaker 2>number stations as well.

0:21:36.400 --> 0:21:38.840
<v Speaker 3>Yeah, I mean they're creepy sounding. I don't like. It's

0:21:38.920 --> 0:21:39.360
<v Speaker 3>kind of cool.

0:21:39.600 --> 0:21:41.760
<v Speaker 2>I've got one for you. We've talked about it before.

0:21:41.840 --> 0:21:44.000
<v Speaker 2>Do you remember the Yosemite Sam transmission.

0:21:44.480 --> 0:21:47.080
<v Speaker 3>Yeah, I'm convinced that that's just a person having fun.

0:21:48.119 --> 0:21:58.280
<v Speaker 2>Well, let's play it. I like that one. I think

0:21:58.359 --> 0:22:02.800
<v Speaker 2>it's full of info. It's cool.

0:22:02.840 --> 0:22:07.159
<v Speaker 4>It's coming from somewhere out in Albuquerque in the desert

0:22:07.240 --> 0:22:10.920
<v Speaker 4>in New Mexico, and it's been going since what like

0:22:11.040 --> 0:22:14.560
<v Speaker 4>two thousand and four. Yeah, And what makes this one

0:22:14.760 --> 0:22:18.359
<v Speaker 4>interesting is that it's not a code, it's just Yosemite

0:22:18.440 --> 0:22:20.080
<v Speaker 4>Sam saying that thing.

0:22:20.600 --> 0:22:23.320
<v Speaker 2>Well, then it's followed by that data burst, yeah, which

0:22:23.400 --> 0:22:25.400
<v Speaker 2>they think is some sort of compressed information.

0:22:26.240 --> 0:22:27.879
<v Speaker 4>Yeah, seah, I don't believe it. I think this is

0:22:28.000 --> 0:22:29.800
<v Speaker 4>a short wave enthusiasts having a good time.

0:22:30.240 --> 0:22:33.920
<v Speaker 2>Well, he's been doing it like, it's pretty sophisticated. It

0:22:34.040 --> 0:22:35.600
<v Speaker 2>does it like over and over again, I think, for

0:22:35.720 --> 0:22:37.960
<v Speaker 2>forty seconds and switches to the next frequency and it

0:22:38.080 --> 0:22:41.840
<v Speaker 2>just goes through the band. Yeah, on a then he's

0:22:41.840 --> 0:22:43.000
<v Speaker 2>got a computer doing.

0:22:42.840 --> 0:22:43.280
<v Speaker 3>It for him.

0:22:44.040 --> 0:22:46.640
<v Speaker 2>Maybe if it is just some dude, But either way,

0:22:46.800 --> 0:22:49.160
<v Speaker 2>I like the use of useemite Sam. No, it's cool,

0:22:49.280 --> 0:22:54.600
<v Speaker 2>but it's pretty It's exemplar of a number station, of

0:22:54.680 --> 0:22:58.200
<v Speaker 2>a numbers transmission. There's something that indicates that this is

0:22:58.240 --> 0:23:02.280
<v Speaker 2>about to happen, and then there's the happening, the transmission

0:23:02.359 --> 0:23:05.720
<v Speaker 2>of the secret code, whether it's digital in nature or

0:23:05.760 --> 0:23:10.680
<v Speaker 2>whether it's spoken. And then there it is ended by

0:23:11.320 --> 0:23:14.080
<v Speaker 2>you know, assumity Sam again or something like that. Yeah,

0:23:14.200 --> 0:23:17.840
<v Speaker 2>it's saying here's the beginning, here's the information, here's the end.

0:23:18.119 --> 0:23:19.679
<v Speaker 3>Now go kill Nordburg. Right.

0:23:20.600 --> 0:23:22.520
<v Speaker 4>One of the other cool things about this is, and

0:23:24.000 --> 0:23:26.240
<v Speaker 4>you know, when we were talking about surely there's better ways,

0:23:26.320 --> 0:23:31.159
<v Speaker 4>and the government could theoretically shut down the Internet. They

0:23:31.200 --> 0:23:34.840
<v Speaker 4>could zap a satellite transmissions, they could shut everything down.

0:23:35.240 --> 0:23:40.320
<v Speaker 4>This is almost unstoppable. You can't shut down shortwave radio.

0:23:40.480 --> 0:23:42.120
<v Speaker 4>I mean, I guess you've cut power maybe.

0:23:42.359 --> 0:23:45.760
<v Speaker 2>Yeah, well no, supposedly no, I mean yeah, and then

0:23:46.359 --> 0:23:49.680
<v Speaker 2>I guess if people have batteries though in their shortwave radio.

0:23:49.800 --> 0:23:50.200
<v Speaker 3>Good point.

0:23:50.400 --> 0:23:54.919
<v Speaker 2>The one way to combat it is called jamming. Frequency jamming,

0:23:54.960 --> 0:23:59.040
<v Speaker 2>And basically it's just broadcasting on the same frequency that

0:23:59.240 --> 0:24:03.720
<v Speaker 2>these other transmitters, the numbers stations are transmitting on. And

0:24:03.880 --> 0:24:07.520
<v Speaker 2>so if you're broadcasting within your country, you're probably gonna

0:24:07.560 --> 0:24:10.600
<v Speaker 2>reach those shortwave radios better than somebody on the other

0:24:10.680 --> 0:24:14.960
<v Speaker 2>side of the planet's transmission. Well, and so apparently Russia

0:24:15.040 --> 0:24:18.440
<v Speaker 2>spent billions or the Soviets spent billions of dollars during

0:24:18.480 --> 0:24:23.320
<v Speaker 2>the Cold War jamming frequencies from all sorts of different transmissions,

0:24:24.720 --> 0:24:27.080
<v Speaker 2>and they play things like the sound of seagulls or

0:24:27.240 --> 0:24:31.199
<v Speaker 2>random beeps or whatever. And it was just to prevent

0:24:31.920 --> 0:24:35.240
<v Speaker 2>people from transmitting into Russia. But even with all of

0:24:35.320 --> 0:24:39.359
<v Speaker 2>that money and technology mustard or marshalled against it, they

0:24:39.440 --> 0:24:43.320
<v Speaker 2>still weren't entirely successful. Like shortwave radio transmissions get through.

0:24:43.640 --> 0:24:45.840
<v Speaker 2>It's just too big to fight.

0:24:46.280 --> 0:24:50.240
<v Speaker 4>Yeah, you can't jam the entire frequency of all shortwaves,

0:24:50.760 --> 0:24:51.880
<v Speaker 4>like every single frequency.

0:24:53.760 --> 0:24:57.080
<v Speaker 3>If you have ever heard the uh the Wilco.

0:24:57.680 --> 0:25:02.399
<v Speaker 4>Remember Yankee Hotel Foxtrot that album, Yeah, that was on

0:25:02.520 --> 0:25:04.240
<v Speaker 4>the album at some point. I can't remember what song

0:25:04.320 --> 0:25:08.280
<v Speaker 4>it Yankee Hotel fox Trot in a woman's voice and

0:25:08.359 --> 0:25:09.480
<v Speaker 4>that is a famous.

0:25:09.440 --> 0:25:10.680
<v Speaker 3>Is it code?

0:25:11.200 --> 0:25:12.680
<v Speaker 2>Was that from the Content project?

0:25:13.880 --> 0:25:15.560
<v Speaker 3>No, I don't think so, but we should talk about that.

0:25:15.680 --> 0:25:15.960
<v Speaker 3>For sure.

0:25:16.560 --> 0:25:20.040
<v Speaker 4>That was a project and it was also I guess

0:25:20.119 --> 0:25:23.359
<v Speaker 4>in the wild West days where you're talking about pre internet,

0:25:23.440 --> 0:25:25.879
<v Speaker 4>if people wanted to hear the stuff, some people got

0:25:25.920 --> 0:25:31.359
<v Speaker 4>together and put together the greatest hits sort of on

0:25:31.560 --> 0:25:34.720
<v Speaker 4>CD with a lot of accompanying material about what you're

0:25:34.760 --> 0:25:38.000
<v Speaker 4>listening to, and none of them. Obviously, you can't break

0:25:38.040 --> 0:25:40.440
<v Speaker 4>these codes. That's the thing I find interesting is people

0:25:40.440 --> 0:25:44.000
<v Speaker 4>sit around listen to this stuff but with no aim

0:25:44.080 --> 0:25:45.240
<v Speaker 4>of cracking the code.

0:25:45.440 --> 0:25:48.359
<v Speaker 2>I think some people do attempt to crack the code

0:25:48.359 --> 0:25:51.040
<v Speaker 2>and it's impossible. Well, it's not impossible, and we should

0:25:51.080 --> 0:25:53.720
<v Speaker 2>say with the reason why it's not impossible is because

0:25:53.720 --> 0:25:57.639
<v Speaker 2>if you're using a computer generated random number A computers

0:25:57.720 --> 0:26:01.160
<v Speaker 2>not capable of truly of generating a truly random number

0:26:01.400 --> 0:26:04.920
<v Speaker 2>because computers run on algorithms. Yeah, algorithms are designed to

0:26:04.960 --> 0:26:08.560
<v Speaker 2>follow patterns, so they're just incapable of it. So you could,

0:26:08.920 --> 0:26:13.919
<v Speaker 2>especially today, a hacker could conceivably crack one of these,

0:26:14.119 --> 0:26:15.680
<v Speaker 2>especially old transmissions.

0:26:16.160 --> 0:26:18.320
<v Speaker 4>But yeah, but you still don't know what those numbers

0:26:18.359 --> 0:26:22.159
<v Speaker 4>stand for. Even if you find a pattern of numbers.

0:26:22.119 --> 0:26:24.160
<v Speaker 2>Right, they're still an agreed upon thing that you would

0:26:24.160 --> 0:26:26.800
<v Speaker 2>have to figure out, but it would it makes it

0:26:27.080 --> 0:26:30.760
<v Speaker 2>possible if you could crack that one time pad key,

0:26:31.320 --> 0:26:35.600
<v Speaker 2>then you have a real chance at de deciphering the

0:26:35.720 --> 0:26:36.560
<v Speaker 2>message itself.

0:26:36.960 --> 0:26:39.240
<v Speaker 4>Well, yeah, if you know what they stand for. But

0:26:39.320 --> 0:26:43.320
<v Speaker 4>I still maintain if only you and I know what

0:26:43.520 --> 0:26:45.160
<v Speaker 4>those numbers represent.

0:26:45.000 --> 0:26:47.280
<v Speaker 2>Right to kill a Mockingbird pages.

0:26:47.400 --> 0:26:48.200
<v Speaker 3>Yeah, exactly.

0:26:49.000 --> 0:26:52.320
<v Speaker 2>Uh, well, you were saying the Content Project thing. Yeah,

0:26:52.480 --> 0:26:55.680
<v Speaker 2>so it's a four CD compilation and apparently I read

0:26:55.720 --> 0:26:58.640
<v Speaker 2>an article from the time when it came out, which

0:26:58.720 --> 0:27:01.560
<v Speaker 2>is the nineties. It was like perfect timing because there

0:27:01.640 --> 0:27:05.000
<v Speaker 2>was y two K going on, there was millennium angst,

0:27:05.320 --> 0:27:08.040
<v Speaker 2>there was the X files, and this thing came out

0:27:08.040 --> 0:27:11.359
<v Speaker 2>in nineteen ninety seven and Selon wrote an article on it,

0:27:11.480 --> 0:27:14.439
<v Speaker 2>and this guy who wrote it was like a music

0:27:14.640 --> 0:27:18.960
<v Speaker 2>Concrete Aficionado. So people appreciated it, not just for the

0:27:19.040 --> 0:27:23.879
<v Speaker 2>fact that it's like recordings of real live spy transmissions,

0:27:24.520 --> 0:27:28.000
<v Speaker 2>but some people like the kind of avant garde noise

0:27:28.600 --> 0:27:29.959
<v Speaker 2>that it had going on too.

0:27:30.119 --> 0:27:34.239
<v Speaker 4>And I'm sure the Flaming Lips are currently planning an

0:27:34.320 --> 0:27:39.040
<v Speaker 4>album composed of nothing but messages from number stations.

0:27:39.800 --> 0:27:40.440
<v Speaker 2>Number eight.

0:27:42.640 --> 0:27:45.760
<v Speaker 3>There's a movie that exists that I had never heard of,

0:27:46.240 --> 0:27:47.240
<v Speaker 3>called The Number Station.

0:27:47.960 --> 0:27:48.920
<v Speaker 2>I hadn't heard of it either.

0:27:49.359 --> 0:27:52.840
<v Speaker 4>Yeah, I don't think it was released really. It said

0:27:52.880 --> 0:27:56.160
<v Speaker 4>it from twenty thirteen, and like I know most movies

0:27:56.200 --> 0:27:58.640
<v Speaker 4>that are released, it probably went straight to video or something.

0:27:59.600 --> 0:28:04.080
<v Speaker 4>I watched trailer day. It's John Cusack and Malin Ackerman,

0:28:04.800 --> 0:28:07.760
<v Speaker 4>and you know, they work at a number station and

0:28:07.880 --> 0:28:11.080
<v Speaker 4>he's to protect the number station, but something bad happens

0:28:11.160 --> 0:28:13.199
<v Speaker 4>and they're compromised.

0:28:12.680 --> 0:28:14.879
<v Speaker 3>Right and is who he says he is? And is

0:28:14.960 --> 0:28:16.359
<v Speaker 3>she who she says she is?

0:28:16.560 --> 0:28:16.679
<v Speaker 2>Right?

0:28:17.359 --> 0:28:20.479
<v Speaker 3>Who knows? You'll have to rint that turkey to find out.

0:28:21.080 --> 0:28:21.800
<v Speaker 2>Did it look bad?

0:28:23.080 --> 0:28:25.600
<v Speaker 3>Yeah? Sure, it's looked pretty bad.

0:28:25.800 --> 0:28:32.680
<v Speaker 2>Sorry John Cusack, Yeah, sorry John Cusack. So I think

0:28:32.800 --> 0:28:37.800
<v Speaker 2>one of the most interesting things about numbers stations is that,

0:28:37.960 --> 0:28:41.360
<v Speaker 2>like you said they peaked during the Cold War right

0:28:41.480 --> 0:28:44.080
<v Speaker 2>when the Berlin Wall fell, and then in the few

0:28:44.160 --> 0:28:47.719
<v Speaker 2>years after that the number of transmissions supposedly just dropped

0:28:47.760 --> 0:28:50.040
<v Speaker 2>off dramatically, although I did see in at least one

0:28:50.080 --> 0:28:52.640
<v Speaker 2>place that supposedly they increased, but I didn't see that

0:28:52.720 --> 0:28:56.760
<v Speaker 2>supported anywhere else. But the idea that they're still around

0:28:56.840 --> 0:29:00.720
<v Speaker 2>it all in twenty fourteen, that there's still no stations

0:29:00.760 --> 0:29:04.960
<v Speaker 2>transmitting gibberish really says a lot. So it says a

0:29:05.000 --> 0:29:07.920
<v Speaker 2>couple of things, and you've already mentioned one. It's possible

0:29:08.000 --> 0:29:12.000
<v Speaker 2>they are just transmitting gibberish to throw off anybody listening. Yeah,

0:29:12.080 --> 0:29:16.640
<v Speaker 2>this one to basically just kind of sap their resources.

0:29:16.320 --> 0:29:19.720
<v Speaker 3>Right, like keep them riskies busy listening to our bach.

0:29:20.280 --> 0:29:23.760
<v Speaker 2>Sure. Another one is that they're keeping them going in

0:29:23.960 --> 0:29:26.400
<v Speaker 2>case they need to use them again.

0:29:26.680 --> 0:29:28.320
<v Speaker 3>I think that's totally the reason.

0:29:28.280 --> 0:29:32.240
<v Speaker 2>In which case that's pretty smart, because that's just you're

0:29:32.320 --> 0:29:34.360
<v Speaker 2>not showing your hand, like where all of a sudden

0:29:35.400 --> 0:29:40.640
<v Speaker 2>an inactive radio station suddenly starts up again indicase activity

0:29:40.920 --> 0:29:44.080
<v Speaker 2>or it's been doing the same thing for ten years,

0:29:44.720 --> 0:29:48.719
<v Speaker 2>and on year seven it actually transmitted a real secret message.

0:29:49.160 --> 0:29:51.840
<v Speaker 2>But it seemed just like the everything else in those

0:29:51.920 --> 0:29:54.920
<v Speaker 2>ten years, you're doing some pretty good spycraft there.

0:29:54.880 --> 0:29:56.960
<v Speaker 4>Yeah, or just to keep that, like you may not

0:29:57.080 --> 0:30:00.880
<v Speaker 4>be actively using it, but just to keep that a

0:30:01.040 --> 0:30:05.640
<v Speaker 4>method relevant, right, Like you know, if you quit doing something,

0:30:05.680 --> 0:30:07.040
<v Speaker 4>it's going to die off. No one's going to know

0:30:07.080 --> 0:30:09.280
<v Speaker 4>how to do it anymore. Sure, Yeah, so you know,

0:30:09.520 --> 0:30:13.360
<v Speaker 4>just keep those people working. And you know, they may

0:30:13.680 --> 0:30:16.200
<v Speaker 4>not even know if they're transmitting real messages or not.

0:30:16.600 --> 0:30:19.440
<v Speaker 2>I would guess if you're just saying, oh yeah, yeah,

0:30:19.440 --> 0:30:20.840
<v Speaker 2>if you just hand them a sheet of paper and

0:30:20.920 --> 0:30:21.920
<v Speaker 2>it's just yeah.

0:30:22.520 --> 0:30:24.520
<v Speaker 4>In fact, that may be a pretty safe way to

0:30:24.600 --> 0:30:28.240
<v Speaker 4>do things. Sure, it's like the person with the nuclear key.

0:30:28.720 --> 0:30:30.320
<v Speaker 3>Yeah, it's just a test.

0:30:31.240 --> 0:30:34.640
<v Speaker 2>Who knows, war games. We'll find out in thirty minutes.

0:30:35.280 --> 0:30:37.640
<v Speaker 4>There are also other theories that they are and I

0:30:37.680 --> 0:30:41.360
<v Speaker 4>think some of this does go on, maybe drug runners

0:30:41.840 --> 0:30:44.080
<v Speaker 4>right using stuff like this, because some of them are

0:30:44.160 --> 0:30:49.520
<v Speaker 4>less than professional. Apparently the ones from Cuba or Cuba, sorry, Jerry,

0:30:49.920 --> 0:30:50.760
<v Speaker 4>are a little.

0:30:52.880 --> 0:30:55.840
<v Speaker 2>Comical. Well, they were renowned for just having really bad

0:30:55.960 --> 0:30:57.840
<v Speaker 2>slip ups, especially during the whole war.

0:30:57.880 --> 0:31:00.360
<v Speaker 4>Like you'd hear people talking and laughing in the back ground,

0:31:00.520 --> 0:31:03.720
<v Speaker 4>or an accidental transmission of a radio station.

0:31:03.960 --> 0:31:05.720
<v Speaker 2>Right, Radio Havana.

0:31:05.840 --> 0:31:08.360
<v Speaker 4>Right, Yeah, so they were kind of known for not

0:31:08.520 --> 0:31:10.280
<v Speaker 4>being too skilled at it. But I imagine the drug

0:31:10.360 --> 0:31:11.160
<v Speaker 4>runners are the same.

0:31:11.560 --> 0:31:14.040
<v Speaker 2>Yeah, it's virtually the same thing. And I mean there's

0:31:14.040 --> 0:31:18.800
<v Speaker 2>absolutely no reason why drug runners couldn't have also couldn't

0:31:18.840 --> 0:31:24.360
<v Speaker 2>also use this. Yeah, alongside the espionage community too.

0:31:24.640 --> 0:31:27.440
<v Speaker 4>Yeah, there's might be as one b as two, right,

0:31:27.720 --> 0:31:30.640
<v Speaker 4>and they get the message, says huh Chipman of Kilo's

0:31:30.680 --> 0:31:31.840
<v Speaker 4>coming in Miami Beach tomorrow night.

0:31:32.040 --> 0:31:35.560
<v Speaker 2>Right, let's go get them kill one. I'm one.

0:31:38.800 --> 0:31:40.600
<v Speaker 4>But I do think there may be a little bit

0:31:40.640 --> 0:31:43.040
<v Speaker 4>of that. I think it's a mixed bag of why

0:31:43.120 --> 0:31:46.000
<v Speaker 4>they're still being broadcast. I think there are enthusiasts that

0:31:46.120 --> 0:31:47.960
<v Speaker 4>are probably just doing their own.

0:31:47.800 --> 0:31:48.440
<v Speaker 3>Thing for fun.

0:31:49.240 --> 0:31:53.440
<v Speaker 4>Yeah, that'd be fun, man, if I was in Guam

0:31:53.880 --> 0:31:55.600
<v Speaker 4>and I could send you a private message to be

0:31:55.640 --> 0:31:56.120
<v Speaker 4>a short.

0:31:55.960 --> 0:31:58.000
<v Speaker 2>Wave Oh yeah, yeah, yeah. I thought you meant people

0:31:58.040 --> 0:31:59.680
<v Speaker 2>who are just doing it just to mess with, like

0:31:59.800 --> 0:32:01.440
<v Speaker 2>the Enigma community or something.

0:32:01.480 --> 0:32:03.080
<v Speaker 3>I think that probably happens too. I bet you it's

0:32:03.080 --> 0:32:03.720
<v Speaker 3>all kinds of things.

0:32:03.800 --> 0:32:05.000
<v Speaker 2>Yeah, I'm sure you're right.

0:32:05.720 --> 0:32:07.000
<v Speaker 3>There's one guy out there, trust me.

0:32:07.200 --> 0:32:11.080
<v Speaker 2>There have been some some actual spies who have been

0:32:11.160 --> 0:32:16.320
<v Speaker 2>busted in this century, long after the Cold War, who

0:32:16.520 --> 0:32:22.240
<v Speaker 2>had shortwave radios and one time pads in their apartments

0:32:22.360 --> 0:32:27.160
<v Speaker 2>or houses. Apparently, in twenty eleven in Germany, a couple

0:32:27.440 --> 0:32:30.080
<v Speaker 2>who'd lived there since nineteen eighty eight and were spying

0:32:30.160 --> 0:32:34.560
<v Speaker 2>for the Russians were caught in the act of receiving

0:32:35.160 --> 0:32:39.400
<v Speaker 2>a Numbers transmission in their home when they were apprehended

0:32:39.480 --> 0:32:40.760
<v Speaker 2>and busted for spying.

0:32:40.880 --> 0:32:41.680
<v Speaker 3>I can see that scene.

0:32:41.720 --> 0:32:44.320
<v Speaker 4>He's got like one headphone up and he's holding it

0:32:44.440 --> 0:32:46.600
<v Speaker 4>with his hand and he's writing something down in pencil

0:32:46.920 --> 0:32:51.920
<v Speaker 4>and his wife's trying to eat it really quick, spit

0:32:52.040 --> 0:32:52.520
<v Speaker 4>it out.

0:32:53.000 --> 0:32:54.240
<v Speaker 3>And in two thousand and one, Anna A.

0:32:54.320 --> 0:32:58.320
<v Speaker 4>Montes worked for the US Civil Defension Intelligence Agency and

0:32:58.440 --> 0:33:01.640
<v Speaker 4>she was convicted of spying for Cuba. And when they

0:33:01.680 --> 0:33:03.880
<v Speaker 4>searched her home they found a short wave radio in

0:33:03.960 --> 0:33:07.640
<v Speaker 4>a code sheet. And so, yeah, I mean that's it's

0:33:07.680 --> 0:33:10.720
<v Speaker 4>still going on, man. I think it's pretty neat. Yeah,

0:33:11.000 --> 0:33:15.800
<v Speaker 4>I do too, Like it's old school but almost fool proof.

0:33:17.600 --> 0:33:22.880
<v Speaker 2>Yeah. The big vulnerability is getting the random randomly generated

0:33:22.960 --> 0:33:23.880
<v Speaker 2>key to the spy.

0:33:24.280 --> 0:33:24.480
<v Speaker 3>Yeah.

0:33:24.520 --> 0:33:26.320
<v Speaker 4>And they also point out on the article who wrote

0:33:26.360 --> 0:33:31.200
<v Speaker 4>this one by the way, Nathan Chandler. Nathan points out

0:33:31.280 --> 0:33:35.000
<v Speaker 4>that these days, you're likely your one timer might be

0:33:35.120 --> 0:33:39.160
<v Speaker 4>sent to you, maybe digitally somehow, but it's not It

0:33:39.200 --> 0:33:40.920
<v Speaker 4>doesn't like tip anyone off necessarily.

0:33:42.520 --> 0:33:44.120
<v Speaker 2>Yeah, but not quite sure how.

0:33:45.040 --> 0:33:48.400
<v Speaker 4>Yeah, I would think if you're being watched, then an

0:33:48.400 --> 0:33:50.240
<v Speaker 4>email with a lot of random numbers might dip somewhere.

0:33:50.320 --> 0:33:52.320
<v Speaker 2>Right. Well, it used to be they'd print them on

0:33:52.640 --> 0:33:55.240
<v Speaker 2>the kind of paper that like dissolved quickly or burned

0:33:55.280 --> 0:33:57.920
<v Speaker 2>and left no ash or whatever. They were on such

0:33:58.000 --> 0:33:59.720
<v Speaker 2>tiny piece of paper you had to use a really

0:34:00.200 --> 0:34:04.000
<v Speaker 2>good magnifying oh like lens to read it. Yeah, and

0:34:04.160 --> 0:34:06.000
<v Speaker 2>you could hide them in like a walnut shell or

0:34:06.040 --> 0:34:09.239
<v Speaker 2>something like that. Oh wow, who knows what they're doing now, Yeah,

0:34:09.680 --> 0:34:10.800
<v Speaker 2>but they are doing something.

0:34:11.200 --> 0:34:14.719
<v Speaker 4>Yeah, i'd like to I thought about getting a short

0:34:14.880 --> 0:34:17.640
<v Speaker 4>I was a little bit inspired, but then I thought, man,

0:34:17.640 --> 0:34:18.880
<v Speaker 4>I've got so many other things to do.

0:34:19.600 --> 0:34:21.279
<v Speaker 3>I don't know if I could do fall into their

0:34:21.400 --> 0:34:21.879
<v Speaker 3>rabbit hole.

0:34:22.360 --> 0:34:25.759
<v Speaker 2>So that's numbers stations. If that peaqued your interest, just

0:34:25.920 --> 0:34:28.840
<v Speaker 2>type in numbers stations into your favorite search engine and

0:34:29.120 --> 0:34:31.880
<v Speaker 2>it will lead you down the rabbit hole of short

0:34:31.920 --> 0:34:34.000
<v Speaker 2>wave radio. Did you say rabbit holes there where I

0:34:34.040 --> 0:34:34.600
<v Speaker 2>got that from?

0:34:35.560 --> 0:34:37.520
<v Speaker 3>I said rabbit hole. But I didn't invent it.

0:34:37.960 --> 0:34:40.480
<v Speaker 2>No, I know, but it just popped up in my head. Yeah,

0:34:40.600 --> 0:34:41.600
<v Speaker 2>it wasn't my own invention.

0:34:41.920 --> 0:34:43.480
<v Speaker 4>And I think if you have a short wave radio

0:34:43.520 --> 0:34:45.719
<v Speaker 4>you probably tune into these anyway because you're just into

0:34:45.760 --> 0:34:49.239
<v Speaker 4>that lifestyle. But I think there's a website called spy numbers, yeah,

0:34:49.280 --> 0:34:51.640
<v Speaker 4>where you can actually find the frequencies and just go

0:34:51.800 --> 0:34:53.280
<v Speaker 4>right there and you don't want to search.

0:34:53.160 --> 0:34:56.240
<v Speaker 2>For them, right, And if you want to read this article,

0:34:56.280 --> 0:34:59.720
<v Speaker 2>you can type the words numbers stations in the search

0:34:59.760 --> 0:35:03.000
<v Speaker 2>part HowStuffWorks dot com. And since I said search part,

0:35:03.000 --> 0:35:04.200
<v Speaker 2>it's time for listener mayo.

0:35:06.520 --> 0:35:09.279
<v Speaker 4>I'm going to call this a bit on sushi from

0:35:09.320 --> 0:35:13.120
<v Speaker 4>someone in Japan. Hey, guys, and Jerry he spelled Jerry

0:35:13.239 --> 0:35:13.759
<v Speaker 4>right as well.

0:35:14.040 --> 0:35:15.239
<v Speaker 2>Man, it's Jerry's day.

0:35:15.800 --> 0:35:17.680
<v Speaker 4>I enjoyed the sushi episode quite a bit and have

0:35:17.760 --> 0:35:21.040
<v Speaker 4>something to add. As a result of modern food production

0:35:21.080 --> 0:35:22.880
<v Speaker 4>following World War Two in Japan and of course the

0:35:23.000 --> 0:35:26.680
<v Speaker 4>US and elsewhere, the quality and traditional methods of making

0:35:26.800 --> 0:35:30.080
<v Speaker 4>show you miso and other Japanese food items sadly plummeted.

0:35:30.600 --> 0:35:33.480
<v Speaker 4>For example, miso can be fermented and aged a matter

0:35:33.520 --> 0:35:36.480
<v Speaker 4>of weeks with the use of temperature control tanks, where

0:35:36.600 --> 0:35:40.879
<v Speaker 4>traditional dark miso would age up to two years. Same

0:35:40.960 --> 0:35:44.800
<v Speaker 4>goes with other ferminted products like show you Meran no

0:35:44.960 --> 0:35:47.399
<v Speaker 4>longer at sweet rice cooking wine is practically sugar water.

0:35:47.920 --> 0:35:50.480
<v Speaker 4>Speaking of sugar, modern Japanese food wouldn't exist without it.

0:35:51.440 --> 0:35:56.360
<v Speaker 4>Bumi boshi, the sour salty pickled plum is lousy with

0:35:56.520 --> 0:35:58.359
<v Speaker 4>artificial color, sugar and refined salt.

0:35:58.480 --> 0:35:59.160
<v Speaker 2>They're still good.

0:35:59.320 --> 0:36:01.960
<v Speaker 4>As much as I loved Japanese food and culture, it's

0:36:02.000 --> 0:36:05.720
<v Speaker 4>quite heartbreaking to see these centuries of traditional food processing

0:36:05.760 --> 0:36:08.960
<v Speaker 4>supplanted by the Japanese version of a twinkie chemically made

0:36:09.000 --> 0:36:11.880
<v Speaker 4>in process as an alternative. There are good quality Japanese

0:36:11.920 --> 0:36:16.480
<v Speaker 4>products to be had, particularly those imported from Eden. Foods

0:36:17.160 --> 0:36:19.160
<v Speaker 4>just high quality, organic and widely distributed.

0:36:19.560 --> 0:36:21.160
<v Speaker 2>Is this the president of eating food?

0:36:21.360 --> 0:36:24.080
<v Speaker 3>I don't know. Are they based in Alameda, California?

0:36:24.719 --> 0:36:25.360
<v Speaker 2>Sounds like you.

0:36:27.560 --> 0:36:30.520
<v Speaker 4>That is from Lear in Alameda, California. I meant to

0:36:30.600 --> 0:36:32.719
<v Speaker 4>mention to you, I had the worst sushi I've had

0:36:32.800 --> 0:36:33.400
<v Speaker 4>my life.

0:36:33.200 --> 0:36:36.000
<v Speaker 3>The other day. Oh no, where I'm not going to

0:36:36.080 --> 0:36:38.200
<v Speaker 3>say it, but I'm not going back.

0:36:38.239 --> 0:36:40.840
<v Speaker 4>I'll tell you off air. I don't think you wouldn't

0:36:40.840 --> 0:36:44.240
<v Speaker 4>go there anyway, But it was the rice was gummy

0:36:45.760 --> 0:36:49.719
<v Speaker 4>and really gummy to the point where I ate it

0:36:50.239 --> 0:36:52.880
<v Speaker 4>just because I was starving, and I ate it really fast,

0:36:53.480 --> 0:36:54.880
<v Speaker 4>and I was like, oh, this kind of gummy. Then

0:36:54.920 --> 0:36:57.440
<v Speaker 4>afterward I was like, man, that was terrible.

0:36:57.719 --> 0:36:59.840
<v Speaker 2>Yeah, like you say that to yourself and like you

0:37:00.120 --> 0:37:03.399
<v Speaker 2>smiled in their whole mouth was coated and rice.

0:37:03.600 --> 0:37:05.760
<v Speaker 3>It was gross, man, I was. I was ticked off afterward.

0:37:05.800 --> 0:37:08.319
<v Speaker 4>After I paid the bill and complained the who way

0:37:08.360 --> 0:37:09.759
<v Speaker 4>home to Emily, I was like, I really should have

0:37:09.800 --> 0:37:12.879
<v Speaker 4>said something because that was like they should have known

0:37:12.880 --> 0:37:14.040
<v Speaker 4>they shouldn't have served that rice.

0:37:14.440 --> 0:37:15.800
<v Speaker 2>Well, why didn't you say something?

0:37:16.000 --> 0:37:18.160
<v Speaker 4>Because, like I said, I just shoved it in my

0:37:18.280 --> 0:37:22.640
<v Speaker 4>face hole and left and complained afterward, which is that's

0:37:22.920 --> 0:37:24.000
<v Speaker 4>how I do things usually.

0:37:24.560 --> 0:37:25.960
<v Speaker 3>I don't like to make a scene. I just like

0:37:26.040 --> 0:37:31.720
<v Speaker 3>to play the martyr afterward. I've talked about that gummy sushep.

0:37:31.280 --> 0:37:34.080
<v Speaker 2>For two days. Yeah. Oh it was that bad.

0:37:34.160 --> 0:37:35.719
<v Speaker 3>Huh. Yeah. The fish and stuff was good, but that

0:37:35.880 --> 0:37:38.480
<v Speaker 3>rice was just very subpar. They should have known better.

0:37:38.600 --> 0:37:41.160
<v Speaker 2>Okay, well tell me where it is afterwards. Oh, will

0:37:41.280 --> 0:37:48.120
<v Speaker 2>okay if you want to, I guess inadvertently or quietly

0:37:48.920 --> 0:37:54.400
<v Speaker 2>clandestineley promote your business like Leir did with his eating

0:37:54.480 --> 0:37:58.719
<v Speaker 2>foods subversively. Yeah, you could send us an email to

0:37:58.880 --> 0:38:01.680
<v Speaker 2>stuff podcast at iHeartRadio dot com.

0:38:04.920 --> 0:38:07.200
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio.

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<v Speaker 3>For more podcasts myheart Radio, visit the iHeartRadio app, Apple Podcasts,

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<v Speaker 3>or wherever you listen to your favorite shows.