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Speaker 1: And I invited you here. I thought I made myself

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Speaker 1: perfectly clear. When you're a guest to my home, you

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Speaker 1: gotta come to me empty. And I said, no, guests,

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Speaker 1: your presences presence enough. I already had too much stuff,

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Speaker 1: So how do you dare to surbey me?

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Speaker 2: Welcome to I said, no gifts. I'm Richard Wineger. Wow,

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Speaker 2: what a feeling. Yeah, you may notice some difference in

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Speaker 2: audio quality than the usual episode of this show, and

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Speaker 2: that's because we're in my backyard for the second time

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Speaker 2: I'm in seven months. It's a very special, exciting episode.

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Speaker 2: And you know, when we're back in the backyard, I

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Speaker 2: like to give a little disclaimer. There may be other noises.

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Speaker 2: There may be police sirens. There may be neighbors hammering,

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Speaker 2: there may be you know, bees buzzing. This is all

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Speaker 2: free to you, the listener. It's a bonus. I don't

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Speaker 2: want complaints. I don't want you heading to the review

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Speaker 2: page to say it sounded like they were outside, because

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Speaker 2: that's true. That's a plus, it's not a minus for

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Speaker 2: this episode. So enjoy it, and you're going to enjoy

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Speaker 2: our guests as well. I adore these two people. They

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Speaker 2: really make me laugh. Anna sar Gina and Kyle Mazono.

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Speaker 2: Welcome to I said, no gifts, Thank you, oh so much.

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Speaker 2: Welcome to my backyard.

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Speaker 3: That's beautiful here, it's honestly gorgeous.

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Speaker 2: Thank you so much. It's just so nice to have

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Speaker 2: you to see two people in three dimensions. How are

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Speaker 2: you two doing? You know what? Actually, before we even

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Speaker 2: answer that this is another I said, no gifts. First

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Speaker 2: two guests once nobody. Usually it's a one on one thing,

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Speaker 2: and this is going to be a whole new night

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Speaker 2: dynamic for me and uh, but not a new dynamic

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Speaker 2: for you two because you two work together so often. Oh,

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Speaker 2: we at this point only work together. We had to

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Speaker 2: be together.

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Speaker 3: He said, let's let's do one at a time.

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Speaker 2: We said, no, I don't feel comfortable.

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Speaker 4: I said, I would really rather be here with you know,

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Speaker 4: my plus one, if she would rather be here with

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Speaker 4: her plus one.

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Speaker 2: Yeah, you didn't mention Kyle when when we booked this.

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Speaker 2: You just referred to her as your plus one. So

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Speaker 2: this is a big surprise, Kyle. I was furious. I

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Speaker 2: saw Kyle walking up the driveway and I said, oh, okay,

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Speaker 2: I've been trying to keep her out of my life

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Speaker 2: and here, she comes an invasion. It's just so unfair,

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Speaker 2: but I'm excited. You know, I'm going to just deal

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Speaker 2: with it. Sorry, No, that's not true. You two, what

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Speaker 2: I want to hear about your set for days? I

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Speaker 2: want you each to give me a full answer of

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Speaker 2: our day to day. Yeah, I want to see what

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Speaker 2: you've done today.

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Speaker 4: I hate to disappoint you, but already I refuse to

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Speaker 4: answer the prompt because I mean, it's gonna be really

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Speaker 4: hard to talk about.

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Speaker 2: Are you okay? Just coking? Kyle is choking? Anna's refusing

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Speaker 2: to answer my question. This is unfair. I'm gonna watch

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Speaker 2: Kyle just kind of choke. Are you okay if I

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Speaker 2: really read? No, okay, you're perfect. Yeah, okay, thank you everybody. Sorry, Okay,

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Speaker 2: so Anna, let's get back to you refusing to answer

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Speaker 2: my question. Bridge. It's not that I'm refusing to answer

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Speaker 2: your question. It's just I mean, I can go.

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Speaker 4: I can try to answer your your kind of your

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Speaker 4: prompt with excluding Kyle from my day, but it would

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Speaker 4: be nearly impossible because our day.

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Speaker 2: Was spent together. Yeah, we've sent the whole day again.

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Speaker 2: Kind of a three legged race of a day, a

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Speaker 2: four legged even Wait, how is that when you're at

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Speaker 2: like a family reunion and people are running around with

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Speaker 2: their legs tied together, that's a three legged race. Yeah,

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Speaker 2: well it depends on your family. Okay, interesting, it's different traditions,

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Speaker 2: the traditions.

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Speaker 4: You know, Remember, people come from all walks of life.

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Speaker 4: You know, we're not here to assume anybody's kind of

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Speaker 4: familial makeup.

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Speaker 2: Okay, So you two have spent a day together.

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Speaker 4: We have spent a day together so much that we

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Speaker 4: have just come from napping together together?

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Speaker 2: What on her couch? Yeah? Okay, well then how did

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Speaker 2: the day begin?

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Speaker 5: Actually picked Anna up at nine am and bright and early,

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Speaker 5: and we drove to the beach.

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Speaker 2: You drove to the four the podcast, actually the I

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Speaker 2: mean not to immediately cross pond. Look, we're going to

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Speaker 2: get enough promotion about the Truthhounds podcast later on. These

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Speaker 2: two hosts a podcast called Truthhounds. Every episode, part of

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Speaker 2: it is recorded at the beach. Absolutely where you go

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Speaker 2: to talk. Might say that again, you go to talk, right,

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Speaker 2: everyone goes to talk at the beach. You kind of go.

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Speaker 2: If you have a conversation, you go to the beach

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Speaker 2: to talk. Yeah, these two are their podcast network's biggest nightmare.

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Speaker 2: They demand that they record at the beach, not beach

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Speaker 2: sound effects at the beach.

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Speaker 4: Well, they said we could do it in post, and

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Speaker 4: we go, well, we really rather not, of course you're natural,

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Speaker 4: and they just they go, oh, we just didn't consider

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Speaker 4: that perspective. So sometimes when a network says no, you

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Speaker 4: go oh, I would just rather not, and they go, oh,

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Speaker 4: we just didn't consider that perspective. And then it's okay.

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Speaker 4: So I think a lot of.

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Speaker 2: People don't know that interesting. It's the power of no.

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Speaker 2: It's the power of I rather would I like the

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Speaker 2: power if I would rather, or I rather would.

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Speaker 4: I think it's I guess it's the power of a boundary.

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Speaker 4: Oh right, my boundaries that I'd rather record at the beach.

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Speaker 2: I know nothing about boundaries, Okay, I cannot sit a

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Speaker 2: boundary with anyone. So this is something I could work on.

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Speaker 2: What beach are you going to? It's a secret beach. Oh,

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Speaker 2: it's a secret beach. Yeah. So there's not that many

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Speaker 2: people there, okay, and it's a secret from your listeners.

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Speaker 3: Yeah, I think so. I don't think we share ever

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Speaker 3: share where it.

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Speaker 4: Is probably a good idea, yeah, I mean, if ever

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Speaker 4: we were pressed, Yeah, bye, by our biggest fans, by

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Speaker 4: the one listener bye. We have one fan, And so

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Speaker 4: if he pressed us, and I would tell him, if

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Speaker 4: he levered his listenership against this location, I think we'd

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Speaker 4: have to spill the beans, right, But thus far, no

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Speaker 4: one's really pressed us to spill the beans.

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Speaker 2: I think, so the beans remain unspilled, right. And this

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Speaker 2: is not a podcast for secrets revealed or trauma's discovered.

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Speaker 2: This is one where you come on and you're in

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Speaker 2: a comfortable place where you get to just keep everything

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Speaker 2: to yourself, and so the beach will remain a secret.

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Speaker 2: I don't want this to be revealed. Well, trust us,

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Speaker 2: it's fabulous. Can we trust us on that? Paint a

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Speaker 2: picture for.

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Speaker 5: Me though, Oh oh, it's beautiful. It's these really long steps,

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Speaker 5: so long, I mean lifetimes between you and this step

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Speaker 5: road is but it's sandwich or what's on the wall.

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Speaker 2: It's like a vines, yes, green vines blush, a jungle

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Speaker 2: jungle as you walk down these lawns alongside you. You're

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Speaker 2: in the right direction, So you couldn't be carrying a surfboard?

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Speaker 2: Is that what I'm hearing?

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Speaker 4: You could, but you'd have to kind of you'd have

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Speaker 4: to turn it sideways. Okay, how did you find this

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Speaker 4: particular beach? So the way Kyle found it is I

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Speaker 4: guess I told her about it, and then the way

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Speaker 4: that I found it was, you know what, And this

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Speaker 4: is a profoundly boring answer, but somebody else told me

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Speaker 4: about it, right, And so that's how some of the

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Speaker 4: best secrets.

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Speaker 2: Kind of a game of telephone, a gorgeous game, gorgeous

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Speaker 2: Sandy beach of telephone.

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Speaker 4: A visual game of a kind of beautiful, kind of

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Speaker 4: cinematic game of telephone.

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Speaker 2: So are you two now going to the beach weekly, monthly, monthly?

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Speaker 5: Okay, yeah, but just for that podcast. So we don't

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Speaker 5: actually have our have fun there.

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Speaker 2: Sometimes we don't actually do Yeah, sometimes we don't even

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Speaker 2: have fun there. Yeah, we just kind of go into

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Speaker 2: our job and then yeah, we go, we clock in.

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Speaker 2: We're just like everyone else. We're part of the rat race.

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Speaker 4: So we get to the beach, clock in, the I go,

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Speaker 4: let's put on our suit and tie let's clock in,

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Speaker 4: you know, and just some people have cubicles and we

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Speaker 4: have the beach.

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Speaker 2: You've got the Pacific Ocean, you got the big Blue

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Speaker 2: Are you beginning to resent this decision of locking yourself

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Speaker 2: into having to drive an hour to the beach.

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Speaker 3: No, not yet, I don't not yet.

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Speaker 2: Maybe after years, right, years and years after your relationship

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Speaker 2: is kind of splintered, splintered, off we go. Can you

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Speaker 2: imagine being like, maybe you have ten other things to

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Speaker 2: do that day to go to the beach.

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Speaker 4: I got to go to the beach and take it

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Speaker 4: all in really quickly. Oh it's so beautiful. Okay, that's

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Speaker 4: recorded it. It's so beautiful.

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Speaker 2: Check. Oh the skyline is gorgeous. Check. You know we

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Speaker 2: are just kind of specs of dust in the grand

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Speaker 2: scope of life. Check. Okay, let's go. I feel like

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Speaker 2: this commitment to the beach. Eventually you are going to

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Speaker 2: be too busy for it. Turn to sound effects, turn

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Speaker 2: to studio magic, and then that's going to be your

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Speaker 2: big controversy. But it's going to be the end of

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Speaker 2: your podcast. I have one word for you never, I

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Speaker 2: have one word for you, moral to two words moral compromise. Wowow,

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Speaker 2: you're going to be You're headed towards a giant moral

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Speaker 2: compromise and you're both going to crumble. What do you think.

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Speaker 5: You don't have to answer him if you don't feel

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Speaker 5: like that that was hard to hear. Well, first and foremost,

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Speaker 5: I hope not. I mean maybe I have faith.

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Speaker 2: I have faith.

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Speaker 3: I mean I don't think we're going to do the

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Speaker 3: podcast if we ever can't.

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Speaker 2: Go to the beach. Oh, interesting, I would say, then

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Speaker 2: the podcast doesn't won't exist.

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Speaker 3: Well, the whole thing is that we go to the

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Speaker 3: beach to talk.

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Speaker 2: So if you can't go to the beach, we can't talk,

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Speaker 2: and without communication there is no podcast. Interesting. Okay, Well

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Speaker 2: check and mate diets, I'd say, do you two actually

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Speaker 2: like the beach? What do you do when you go

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Speaker 2: to the beach. I'm trying to figure out for myself

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Speaker 2: what a beach experience is. I I splash around and

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Speaker 2: I have honestly the time of my life. I will

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Speaker 2: speak without hyperbole. I look, I look like I'm having

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Speaker 2: a great time. I'm falling down left and right. There's

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Speaker 2: sand in parts that I'm sorry. Well, I don't know,

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Speaker 2: it just doesn't have to be like that. I don't know,

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Speaker 2: it doesn't have to be those. Okay, start keep going.

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Speaker 2: What parts are you thinking?

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Speaker 1: I don't know.

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Speaker 2: Okay, we'll put you sorry.

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Speaker 3: I just meant like under my nails, Okay, it doesn't

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Speaker 3: have to be.

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Speaker 2: Yeah, there are all under my eyelid, yes, under my

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Speaker 2: near my butt. Okay, we'll see there she can go.

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Speaker 2: There we go shock Jock Howard Stern herself. Uh okay,

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Speaker 2: well we've gotten an answer from Anna Kyle. What do

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Speaker 2: you do at the beach? I bring a towel, I

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Speaker 2: bring a water and say no more. That's sextually, that's it.

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Speaker 2: Do you read? No? Do you watch people? No? I don't.

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Speaker 2: I am today. I actually try not to look at anyone.

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Speaker 2: I just think that's more peaceful. You think that's private, Yeah,

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Speaker 2: it's private time, private time, sure for me. No, that's

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Speaker 2: understand Yes, I mean I'm not going to dig any

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Speaker 2: deeper here. I want a favorite ocean from both of you,

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Speaker 2: and I want it quick.

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Speaker 6: Specific ocean, okay, Anna, also also specific interesting even though

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Speaker 6: I'll say Pacific, because because it's not just.

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Speaker 2: Warm right off the bat right, Okay, it challenges it

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Speaker 2: challenges you, right, you got to want to be there.

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Speaker 4: Welcome arms. No, I don't want welcome arms. I want

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Speaker 4: a harder you know, I want kind of a standoffish.

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Speaker 4: I want to earn my way in there.

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Speaker 2: I did a report on the Pacific Ocean in fourth grade,

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Speaker 2: entirely plagiarized, just word for word, copied to add of

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Speaker 2: the encyclopedia. Learned nothing. But I do think the Pacific

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Speaker 2: Ocean it's our deepest ocean. Does that sound right? Now?

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Speaker 2: That doesn't make any sense? Now? It is our largest ocean.

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Speaker 2: And that's all I know about the Pacific Ocean. That's

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Speaker 2: all we can ask. I dream of the Indian Ocean, Okay,

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Speaker 2: never been beautiful, but it seems inaccessible and I just

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Speaker 2: I feel like someday I'm going to see it and

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Speaker 2: I'm going to be overwhelmed. Atlantic Ocean. Huh, how do

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Speaker 2: you feel about that? You know, I can't remember the

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Speaker 2: last time I saw it, but it is a welcoming

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Speaker 2: It's warmer. It's warmer, am I right? So like East coast?

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Speaker 2: East coast, You've got your Florida's your you know, Miami

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Speaker 2: loves Miami. Kyle loves my podcast that She's party scene free.

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Speaker 2: Before the podcast started, Kyle would not stop screaming about Miami.

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Speaker 3: Like a pool party with like a lot of everyone

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Speaker 3: has balloon things.

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Speaker 2: You see those like in the pool and they have balloons. Right, Wait,

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Speaker 2: you're thinking of blow up? Wait and you're thinking of

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Speaker 2: balloons and she's thinking of balloon So you guys, are

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Speaker 2: I love was just describing was a blow up pool toy?

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Speaker 1: Yeah?

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Speaker 2: Actually probably that's thank you, Kyle. Okay, So I'm kind

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Speaker 2: of the I like to educate on inflatable pool toys,

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Speaker 2: despite the fact that I barely was able to grab

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Speaker 2: that word in my head even after saying it thirty

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Speaker 2: seconds ago.

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Speaker 4: And that's the thing about the Atlantic Ocean as a

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Speaker 4: state of mind, very welcoming, very forgiving.

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Speaker 2: Right. The interesting thing for me with the Atlantic Ocean

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Speaker 2: is it's warm and it feels like it should be cold,

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Speaker 2: while the Pacific Ocean, I think it's more associated with California,

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Speaker 2: and you would assume warmer water, you would think. Whenever

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Speaker 2: I picture of the Atlantic, I imagine the Eastern seaboard,

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Speaker 2: cold rain, clam chowder, right, clam chowder trying to warm

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Speaker 2: up in your you know, your cod style is yelling

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Speaker 2: at you. He's yelling, screaming, he's like lost a sun

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Speaker 2: or whatever. It's hard for him to emote, and therein

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Speaker 2: is the challenge of the movie. Right, So it's really hard. Yeah,

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Speaker 2: the Atlantic for me, that's always been kind of the puzzle,

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Speaker 2: and I don't want to look any further into it.

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Speaker 2: It's sandwiched between Europe and colder parts of the United States.

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Speaker 2: It's the bouncer, right, So I'm just as asuming this

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Speaker 2: is going to be cold, and I guess that's why

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Speaker 2: it's surprising and fun and yet it's so warm. Where

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Speaker 2: is the Pacific again? You think Cali girls? Cali girls up?

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Speaker 4: Baha, men and women like both like in dignity. Okay, right,

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Speaker 4: it's you try to get in there. Good luck palll No,

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Speaker 4: you're not going to be comfortable. You're you're coming right out.

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Speaker 2: You're very aware of what's happening in the present that

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Speaker 2: you could only think about your body, which I think

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Speaker 2: is probably a good thing. Yeah, it's nice to be

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Speaker 2: able to just be in your body for a few seconds.

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Speaker 2: Brian all over you? Is that okay? That he said? Brian?

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Speaker 2: Are you not a Brian? I don't love the word Kyle.

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Speaker 2: You don't like the word Brian, Briany, No, it's it. Yeah,

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Speaker 2: it's a little it's a little weird. How do you

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Speaker 2: feel about pickles? I like pickle? Okay, give her that

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Speaker 2: chillis pickle? Do you both like pickles? We do sweet?

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Speaker 2: Do you like sweet pickles? No? No, despise, Why does

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Speaker 2: it exist? Why it is? I don't think I've even

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Speaker 2: had one. It's it's good to hell, you know, it's

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Speaker 2: it's just honestly, where are they? You know if they're

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Speaker 2: usually at your local grocer. Uh. And that's about it.

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Speaker 2: Like no one serves like puts a sweet pickle on

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Speaker 2: like a burger. Absolutely not. I need the you know,

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Speaker 2: the tartness, I need the vinegar, I want the dill

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Speaker 2: pronounced right, okay, I want I want it to be salty,

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Speaker 2: of course, and just and the yellow sweet? What are

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Speaker 2: you doing?

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Speaker 6: Well?

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Speaker 2: See? I was a latent life pickle eater because all

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Speaker 2: I was ever served growing up was a sweet pickle.

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Speaker 2: And they're uh, they're not good. It's a weird texture

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Speaker 2: combined with sweet, and it's like, what are we doing here?

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Speaker 2: Then I had some you know, delicious pickles at uh

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Speaker 2: a place called Tayeme somewhere in Los Angeles. They made

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Speaker 2: an excellent pickle. It converted me instantly. They're salty, They're salty.

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Speaker 2: You want it to be salty, that's what you want, right,

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Speaker 2: of course, any like savory food that is more sweet,

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Speaker 2: just doesn't really add up.

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Speaker 3: For me, well, to me, grow up?

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Speaker 2: Grow up? Yeah, I don't sweet as for dessert, that's

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Speaker 2: for everything to be sweet exactly. What's wrong with you?

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Speaker 2: Why do you need to be coddled?

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Speaker 1: What is this?

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Speaker 6: Yes?

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Speaker 2: Foods exactly right. I think we make a good point here. Look,

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Speaker 2: you two. I mentioned earlier that you are in my backyard.

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Speaker 2: You're kind of invading my space. That's actually an idea

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Speaker 2: for a podcast. It could be called You're invading my space?

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Speaker 2: Or I let myself in? H do you mind if

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Speaker 2: I help myself to a snack? Those are all three

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Speaker 2: different podcasts ideas. I love that.

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Speaker 4: It's so do you mind if I help myself to

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Speaker 4: a snack? I invite myself into your home?

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Speaker 2: Yeah, you're kind of there when the guests in the Yeah,

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Speaker 2: when the guests gets home, yeah yeah, yeah, and you're

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Speaker 2: about to host a podcast in their home without them

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Speaker 2: knowing exactly, and then they're already like kind of getting

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Speaker 2: in their fridge and they're screaming.

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Speaker 3: You go, Wow, you've really shown your true colors to

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Speaker 3: this podcast.

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Speaker 2: Audience just right off the bat. You've could have you know,

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Speaker 2: been likable to start become unlikable but you're screaming about

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Speaker 2: me being in your place. What kinds of snacks are

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Speaker 2: we even working with you here? Your fridge is empty? Yeah,

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Speaker 2: it's like some you know, limp celery, half a gallon

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Speaker 2: of milk? What am I supposed to eat? That's the

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Speaker 2: podcast though, that's a great podcasts. Excellent. Okay, we've got

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Speaker 2: to get a network on board. We'll start pitching next week. Absolutely,

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Speaker 2: this will be the one when you guys can't go

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Speaker 2: to the beach anymore. You started fading homes, you start

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Speaker 2: getting another great giant thing you have to overcome. Look,

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Speaker 2: I'm off track as usual, because I did want to

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Speaker 2: kind of just get into this. You brought this, so

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Speaker 2: you brought a bag and this podcast is called I

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Speaker 2: said no gifts, and so a couple of weeks ago,

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Speaker 2: your publicists reached out to me. Anna's publicists reached out first,

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Speaker 2: Kyle's second, then your joint publicist third. I remember there

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Speaker 2: were emails, there were direct messages, there were calls. They

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Speaker 2: all said, we've got to get the gals on the podcast.

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Speaker 2: Their words. They referred to you as gals. Every one

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Speaker 2: of your publicists referred to you as gals, Gal, gal,

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Speaker 2: galgau Gal reported to a spam just to cut down

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Speaker 2: on the you know, swarm of flies around me trying

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Speaker 2: to get you two on this podcast. Ah, finally I agreed.

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Speaker 2: I said, you know, I know Anna kind of I

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Speaker 2: might recognize her if we cross paths in them all.

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Speaker 2: I have not met Kyle yet. She's always been very

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Speaker 2: cold to me. As I've watched her stand up. She won't,

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Speaker 2: you know, look me in the eye. Well, you know,

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Speaker 2: kind of roast me. I go to I go to

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Speaker 2: comedy shows to.

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Speaker 4: Wait, she's not looking at you, and she's yet from

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Speaker 4: across the direction from the room.

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Speaker 2: She's the roast are bouncing back to you.

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Speaker 4: They're kind of ricocheting back to you, but they're directed

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Speaker 4: kind of six o'clock.

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Speaker 2: It's like a dragon shooting fire and it bounces off

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Speaker 2: the wall and roasts me, which I hate as an

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Speaker 2: audience member. I want if someone's gonna roast me, if

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Speaker 2: you you know you're Jeffrey Ross's, let's just say it.

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Speaker 2: Uh he looks at me directly in the eye. When

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Speaker 2: that's respect, all right, that's respect. That's want to give

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Speaker 2: you the dignity of perspect. No taken, So okay, So

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Speaker 2: you agreed to be on this podcast, and I kind

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Speaker 2: of lowered myself and said, sure, whatever. I don't have

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Speaker 2: time for bookings anymore. I don't care. Someone can wander

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Speaker 2: in from the street for all I care. They can

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Speaker 2: be on the podcast. And so you two show up

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Speaker 2: with this bag. It's kind of a I don't know

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Speaker 2: if it's like a plastic canvas. What is this type

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Speaker 2: of fabric. It's like it's one of these reusable bags

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Speaker 2: that also feels dangerous to the environment. Yeah, it feels

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Speaker 2: like any if the if the temperature were hotter, this

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00:21:22,240 --> 00:21:26,040
Speaker 2: would be melted into the ground and it would be

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Speaker 2: like poisonous to your grass. Grass would die more than

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00:21:31,240 --> 00:21:35,040
Speaker 2: it already is. Okay, So it says din Tai fung

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Speaker 2: on it, which is a you know, I believe in

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00:21:37,440 --> 00:21:40,040
Speaker 2: international chain. I believe in Los Angeles, and I think

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00:21:40,080 --> 00:21:42,919
Speaker 2: they may have some you know in other countries. They

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Speaker 2: serve dumplings, they serve soup dumplings, they serve an excellent

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00:21:47,680 --> 00:21:54,280
Speaker 2: green bean, they really do. Yeah, I would go there

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Speaker 2: just for the I don't even really the dumplings. Sure,

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Speaker 2: I'll eat them.

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Speaker 3: And the services.

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Speaker 2: Five stars. What do you say?

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Speaker 3: What do you say about restaurant, food, you go early services.

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00:22:09,520 --> 00:22:14,000
Speaker 2: That's an excellent word to describe a souper restaurant. You

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00:22:14,080 --> 00:22:18,360
Speaker 2: will deserve it. Yeah, an excellent restaurant that I recommend

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Speaker 2: to anyone. So you did bring this bag. This podcast

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Speaker 2: is called I said no gifts, so uh, I'm just

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Speaker 2: going to approach both of you, and I want a

401
00:22:29,080 --> 00:22:32,200
Speaker 2: clear answer. Is this a gift for me? It is

402
00:22:32,680 --> 00:22:36,480
Speaker 2: a gift. A gift. Uh? Do you want me to

403
00:22:36,520 --> 00:22:38,159
Speaker 2: open it here on the show or I could do

404
00:22:38,200 --> 00:22:40,879
Speaker 2: it a few weeks from now. We really would like

405
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Speaker 2: you to open it. Open it now. Okay, I'm going

406
00:22:48,960 --> 00:22:50,360
Speaker 2: to get in here. I'm going to bring it over

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Speaker 2: to me. I think you're really gonna like it. I'm

408
00:22:54,920 --> 00:22:57,160
Speaker 2: reaching around and really you're going to like it. I'm

409
00:22:57,280 --> 00:23:01,200
Speaker 2: just trying to see what's happening here. Oops, dropped it. Okay,

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00:23:01,880 --> 00:23:07,639
Speaker 2: that's resilient. Okay, So now we've gotten inside and lo

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Speaker 2: and behold, the Din Taiphong was not the end of

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Speaker 2: the rapping. It was only the beginning. There. I'm now

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00:23:13,960 --> 00:23:18,720
Speaker 2: looking at some honkah rapping, very cute honkkah rapping with

414
00:23:18,920 --> 00:23:22,959
Speaker 2: the gelt little gelt coins and beautiful sugar cookies. Oh,

415
00:23:23,000 --> 00:23:24,320
Speaker 2: I would love it for the for it to be

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00:23:24,359 --> 00:23:27,400
Speaker 2: the holidays right now. I do feel like, uh, Honkkah

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00:23:27,480 --> 00:23:32,639
Speaker 2: has like a better breadth of treats than Christmas. I

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00:23:32,680 --> 00:23:35,680
Speaker 2: feel like you get savory treats, you get sweet treats

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00:23:35,720 --> 00:23:39,200
Speaker 2: with Hanukah, whereas Christmas basically you're getting sugar cookies, which

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Speaker 2: I have no problem with. I love a sugar cookie,

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Speaker 2: but I don't like a Christmas ham.

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Speaker 1: No.

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Speaker 3: I agree. I very much agree with you. I love

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Speaker 3: the variety right of Honkkah.

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Speaker 2: It is July, so, I mean this is more of

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Speaker 2: a tease. It feels like a tease teas.

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00:23:58,880 --> 00:24:03,399
Speaker 4: Alternately, yet another gift in of itself, the gift of

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00:24:03,560 --> 00:24:05,320
Speaker 4: reminiscing and looking forward to.

429
00:24:05,680 --> 00:24:09,440
Speaker 2: Okay, I like that. Yes, do either of you celebrate Hanakkah?

430
00:24:10,320 --> 00:24:10,480
Speaker 1: You know?

431
00:24:10,680 --> 00:24:15,520
Speaker 5: I I guess I did last Honkah. But but I'm

432
00:24:15,560 --> 00:24:19,200
Speaker 5: not Jewish, right, but I was celebrating it with someone

433
00:24:19,240 --> 00:24:19,959
Speaker 5: who is Jewish.

434
00:24:20,640 --> 00:24:22,480
Speaker 2: Well should I? I guess I'm going to open it up.

435
00:24:22,600 --> 00:24:25,639
Speaker 3: Yes, we'll start with the first time, start with the Oh.

436
00:24:25,720 --> 00:24:27,480
Speaker 2: So it is two different items with it kind of

437
00:24:27,520 --> 00:24:30,040
Speaker 2: a belt, a wrapping paper belt.

438
00:24:30,520 --> 00:24:35,080
Speaker 3: You know, I was thinking kind of a bracelet or cuff.

439
00:24:35,359 --> 00:24:37,760
Speaker 4: Oh interesting, just so interesting how two people can look

440
00:24:37,800 --> 00:24:40,119
Speaker 4: at the same thing and see such wildly different things.

441
00:24:40,400 --> 00:24:43,399
Speaker 2: It's a learning experience, as you have got to be

442
00:24:43,480 --> 00:24:45,840
Speaker 2: in another person's shoes from time to time and just

443
00:24:46,040 --> 00:24:48,680
Speaker 2: look at the world outside of your own experience, like

444
00:24:48,800 --> 00:24:51,480
Speaker 2: I just did. Absolutely and in that way, I think

445
00:24:51,520 --> 00:24:54,080
Speaker 2: that that is also a gift, right, And I will

446
00:24:54,160 --> 00:24:57,600
Speaker 2: say that said, I'm I feel like I'm correct here

447
00:24:57,640 --> 00:24:59,879
Speaker 2: and you're not. This is more of a belt. This

448
00:25:00,119 --> 00:25:03,360
Speaker 2: is more of a w w F like World championship

449
00:25:03,440 --> 00:25:07,399
Speaker 2: belt that I'm looking at here. But I'm gonna rip

450
00:25:07,440 --> 00:25:09,720
Speaker 2: it open. I'm gonna tear the belt, which is kind

451
00:25:09,760 --> 00:25:12,560
Speaker 2: of sexy almost where I'm like taking the belt off.

452
00:25:13,440 --> 00:25:14,960
Speaker 2: And so this is the one I should open first.

453
00:25:15,040 --> 00:25:17,760
Speaker 3: Yeah, I think, so start with that. You have a

454
00:25:17,880 --> 00:25:19,120
Speaker 3: meaning behind the whole.

455
00:25:19,520 --> 00:25:24,600
Speaker 2: The whole gifts some wrapping noises, the thrill of being

456
00:25:24,720 --> 00:25:28,640
Speaker 2: in person, the three D experience of opening a thing

457
00:25:28,720 --> 00:25:34,399
Speaker 2: on a podcast. I mean, it can't be replicated over zoom. Okay,

458
00:25:34,440 --> 00:25:36,960
Speaker 2: we've got bubble wrap. We're getting it. Oh my god,

459
00:25:37,040 --> 00:25:43,600
Speaker 2: what is this is? So I've opened a thing and

460
00:25:43,720 --> 00:25:47,280
Speaker 2: it's like some kind of it's like a dish that

461
00:25:47,400 --> 00:25:50,159
Speaker 2: says queen bee on it with a beautiful bee with

462
00:25:50,280 --> 00:25:52,840
Speaker 2: a crown. It's actually a dish to put your big

463
00:25:52,920 --> 00:25:57,080
Speaker 2: spoon on. It's a spoon dish. It's a spoons I've

464
00:25:57,160 --> 00:25:59,240
Speaker 2: never heard of a school just trussed your spoon there.

465
00:26:01,200 --> 00:26:03,760
Speaker 2: You just rested there and you thought about your day.

466
00:26:03,960 --> 00:26:06,800
Speaker 2: Give it a break, give it a break. What you know,

467
00:26:07,560 --> 00:26:10,840
Speaker 2: fastpace environment. We're all work, work work, you know, we're

468
00:26:10,880 --> 00:26:14,040
Speaker 2: always moving forward, you know, kind of just cogs in

469
00:26:14,080 --> 00:26:17,880
Speaker 2: the machine. And so you're saying, take a rest, take

470
00:26:17,960 --> 00:26:21,920
Speaker 2: a little rest. Is this something that anyone uses normally?

471
00:26:22,040 --> 00:26:24,560
Speaker 2: Do either? You have a spoon rest? I do, actually do.

472
00:26:25,200 --> 00:26:27,159
Speaker 2: It's not as big as that one. That one's a

473
00:26:27,200 --> 00:26:31,000
Speaker 2: big one. That's really big. So walk me through like

474
00:26:31,280 --> 00:26:33,399
Speaker 2: a situation where you're like, I need to rest my spoon.

475
00:26:33,680 --> 00:26:36,960
Speaker 5: You're making some sauce, and then you're you're like, I

476
00:26:37,000 --> 00:26:39,000
Speaker 5: don't need my spoon now, but I need to let

477
00:26:39,040 --> 00:26:41,159
Speaker 5: my sauce sit for a bit. I'm going to let

478
00:26:41,200 --> 00:26:44,080
Speaker 5: my my my spoon rest for a bit. Then I'm

479
00:26:44,119 --> 00:26:46,440
Speaker 5: going to bring it back when it's taking its rest

480
00:26:46,480 --> 00:26:49,240
Speaker 5: and it's time to get back in the Actually take five.

481
00:26:49,600 --> 00:26:51,560
Speaker 2: We'll call you back when we need you. You know,

482
00:26:51,640 --> 00:26:55,680
Speaker 2: we're looking the camera anyway, click to your trailer. We'll

483
00:26:55,720 --> 00:26:58,560
Speaker 2: call you back on so and it's time. Just do whatever.

484
00:26:58,680 --> 00:27:01,600
Speaker 2: It's fine, you know, yeah, just have us whatever, take

485
00:27:01,640 --> 00:27:04,040
Speaker 2: a moment. No, I understand that. You know when I

486
00:27:04,640 --> 00:27:07,240
Speaker 2: when I'm cooking, I just find like the like loose

487
00:27:07,320 --> 00:27:09,960
Speaker 2: piece of material that I ripped the food out of

488
00:27:10,080 --> 00:27:12,240
Speaker 2: to rest my spoon on, or it's like on a

489
00:27:12,359 --> 00:27:15,720
Speaker 2: dish rag, or it's just literally on the counter making

490
00:27:15,760 --> 00:27:18,200
Speaker 2: a mess. I've never even considered, oh, there should be

491
00:27:18,280 --> 00:27:21,439
Speaker 2: an item for this. No more so, this is shocking

492
00:27:21,480 --> 00:27:23,800
Speaker 2: that I have a Queen Bee spoon rest.

493
00:27:24,400 --> 00:27:26,359
Speaker 3: There's also we just wanted to say there was also

494
00:27:26,600 --> 00:27:28,119
Speaker 3: that was the only one in the store.

495
00:27:28,440 --> 00:27:29,440
Speaker 2: So you actually have one.

496
00:27:29,880 --> 00:27:33,480
Speaker 4: You have a one piece collectors, You're never gonna walk

497
00:27:33,560 --> 00:27:38,600
Speaker 4: into another house we think and see a piece just

498
00:27:38,680 --> 00:27:39,199
Speaker 4: like yours.

499
00:27:39,840 --> 00:27:43,120
Speaker 2: I think this is it. I've really this is actually

500
00:27:43,160 --> 00:27:46,600
Speaker 2: something I can use. This is something every day I'll

501
00:27:46,640 --> 00:27:48,840
Speaker 2: have a tea spoonful of something and I'm like, well,

502
00:27:48,840 --> 00:27:50,600
Speaker 2: I can't put this on the country yet. I don't

503
00:27:50,600 --> 00:27:52,200
Speaker 2: know where to put it. I can't put it in

504
00:27:52,240 --> 00:27:54,240
Speaker 2: the sink because I might need it for another thing.

505
00:27:55,520 --> 00:27:57,520
Speaker 2: I'm not making that many soups. I'm not making that

506
00:27:57,600 --> 00:28:00,359
Speaker 2: many sauces. But maybe this is the thing that's been

507
00:28:00,359 --> 00:28:02,920
Speaker 2: holding me back. Maybe this is the thing that'll turn

508
00:28:03,000 --> 00:28:06,760
Speaker 2: it all around. Right Suddenly I'm a soup queen Bee,

509
00:28:08,080 --> 00:28:09,439
Speaker 2: souper queen Well.

510
00:28:09,359 --> 00:28:12,080
Speaker 4: And for you, you're also bridger, So it's it's very

511
00:28:12,240 --> 00:28:15,800
Speaker 4: versatile in the way you're kind of got a lot

512
00:28:15,840 --> 00:28:16,600
Speaker 4: of buzz around you.

513
00:28:16,760 --> 00:28:21,160
Speaker 2: But also but also people call me be behind my back.

514
00:28:21,200 --> 00:28:25,160
Speaker 2: But it's more of a homophobic thing. The homophobic community

515
00:28:25,560 --> 00:28:27,920
Speaker 2: is after me and they're like, they refer to me

516
00:28:28,040 --> 00:28:32,400
Speaker 2: as Queen Bee. They do it with air quotes. They're sarcastic.

517
00:28:32,800 --> 00:28:35,119
Speaker 2: It's sarcastic. You don't mean it. It's a really weird

518
00:28:35,680 --> 00:28:41,000
Speaker 2: community of sarcastic homophobes. It's an odd mix of people,

519
00:28:41,200 --> 00:28:43,200
Speaker 2: which is hard for me to even deal with. But

520
00:28:43,920 --> 00:28:45,880
Speaker 2: it's something that I've kind of just had to, you know,

521
00:28:46,040 --> 00:28:51,360
Speaker 2: accept I'm Queen Bee. You're saying it's a concession, it's absolutely,

522
00:28:51,400 --> 00:28:53,520
Speaker 2: It's an absolute concession. It's one of the many I've

523
00:28:53,520 --> 00:28:56,880
Speaker 2: made in my life, just kind of deciding to deal

524
00:28:57,320 --> 00:29:02,880
Speaker 2: rather than to overcome or or you know, confront. I

525
00:29:03,000 --> 00:29:06,360
Speaker 2: do not overcome. I do not confront do either. I've

526
00:29:06,440 --> 00:29:10,320
Speaker 2: just had again. Now Anna has taken out a an

527
00:29:10,360 --> 00:29:14,280
Speaker 2: Olympus camera and an logger. Yeah, analog fully an god,

528
00:29:15,000 --> 00:29:17,520
Speaker 2: So that's going to be a printed photo at some point.

529
00:29:17,560 --> 00:29:19,520
Speaker 2: Where do you get a photo printed? Walgreens?

530
00:29:20,840 --> 00:29:24,280
Speaker 4: You could, okay, if you have weeks to spare, we

531
00:29:24,480 --> 00:29:26,640
Speaker 4: get your photos back. If you have weeks to spare

532
00:29:26,680 --> 00:29:31,600
Speaker 4: for a slow boat, the slowest boat possible that money

533
00:29:31,680 --> 00:29:34,040
Speaker 4: can buy. Okay, you could not. You could not pay

534
00:29:34,120 --> 00:29:38,040
Speaker 4: for slower if you wanted to, and just except two

535
00:29:38,120 --> 00:29:40,880
Speaker 4: months go by. Oh, your photos, I guess are back, right.

536
00:29:41,840 --> 00:29:44,760
Speaker 4: So I have kind of a place that I take them.

537
00:29:44,840 --> 00:29:48,440
Speaker 2: Like kind of a specialized photo place. Yeah, just a

538
00:29:48,560 --> 00:29:52,800
Speaker 2: photo place. That's interesting. Yeah, Kyle, do you take this

539
00:29:52,920 --> 00:29:55,240
Speaker 2: sort of old fashioned analog photography?

540
00:29:55,600 --> 00:29:55,640
Speaker 6: No?

541
00:29:56,160 --> 00:29:59,520
Speaker 2: No, you don't have photos and I don't. Yeah, And

542
00:29:59,600 --> 00:30:01,680
Speaker 2: so I can tribute as much as I can. I

543
00:30:01,800 --> 00:30:03,760
Speaker 2: give her as many photos as she she doesn't she

544
00:30:03,960 --> 00:30:06,440
Speaker 2: I mean, she's running out of space right right. Her

545
00:30:06,480 --> 00:30:10,440
Speaker 2: home is just stacked. She's being as gracious as possible,

546
00:30:11,040 --> 00:30:14,280
Speaker 2: but there's not enough. Yeah, this is the thing for

547
00:30:14,440 --> 00:30:17,760
Speaker 2: me about, you know, a physical photo. I do feel

548
00:30:17,840 --> 00:30:21,040
Speaker 2: like eventually society is going to end, Humanity is going

549
00:30:21,080 --> 00:30:24,000
Speaker 2: to be wiped out, and we're basically only going to

550
00:30:24,080 --> 00:30:28,000
Speaker 2: have photo documents, physical documents up to like two thousand

551
00:30:28,000 --> 00:30:30,480
Speaker 2: and one. I thought it's going to be really sparse,

552
00:30:31,240 --> 00:30:34,160
Speaker 2: and if aliens come, they're going to be very like

553
00:30:34,320 --> 00:30:39,080
Speaker 2: the last you know, digital society will have vanished until

554
00:30:39,480 --> 00:30:42,840
Speaker 2: they come upon kind of the ruins of my house, right,

555
00:30:43,160 --> 00:30:45,640
Speaker 2: gorgeous ruins. Yeah, and they're going to find kind of

556
00:30:45,720 --> 00:30:48,760
Speaker 2: scratch like the era is this.

557
00:30:49,040 --> 00:30:50,440
Speaker 4: And they look at this photo and of bits of

558
00:30:50,560 --> 00:30:53,800
Speaker 4: you holding this Queen Bee spoon arrest, and they go,

559
00:30:54,000 --> 00:30:54,360
Speaker 4: we have.

560
00:30:55,000 --> 00:30:59,040
Speaker 2: A little idea of what was going on. I think

561
00:30:59,080 --> 00:31:01,240
Speaker 2: I know what's going on moment. I have a pretty

562
00:31:01,280 --> 00:31:05,040
Speaker 2: good idea what was going on down there. So Kyle,

563
00:31:05,120 --> 00:31:10,520
Speaker 2: you cook? Actually I don't. Okay, so you're back pedaling

564
00:31:10,760 --> 00:31:12,000
Speaker 2: at one thousand miles in an hour.

565
00:31:12,160 --> 00:31:13,680
Speaker 3: No, but I do have a I do have a

566
00:31:13,800 --> 00:31:16,600
Speaker 3: smaller version. It doesn't say Queen Bee.

567
00:31:16,840 --> 00:31:20,920
Speaker 2: Okay, Okay, Well maybe if it said Queen Bee, honestly,

568
00:31:21,240 --> 00:31:23,120
Speaker 2: maybe I would be a better cook. Get your chef

569
00:31:23,200 --> 00:31:28,120
Speaker 2: had more inspired, but mind smaller and doesn't say that. Yeah,

570
00:31:28,400 --> 00:31:30,959
Speaker 2: so you're like, what sauces? Are you making? What sauces?

571
00:31:30,960 --> 00:31:32,040
Speaker 2: Suppose it sauces.

572
00:31:33,880 --> 00:31:37,840
Speaker 3: It's mostly what my partner uses. Your partner cooks, and

573
00:31:37,960 --> 00:31:38,480
Speaker 3: he's also the.

574
00:31:38,480 --> 00:31:41,880
Speaker 2: One who celebrates Hanukah. She's airing it all out.

575
00:31:42,520 --> 00:31:42,720
Speaker 1: I know.

576
00:31:42,840 --> 00:31:45,200
Speaker 3: That's why I hate going podcast. I just hate smelling

577
00:31:45,240 --> 00:31:45,840
Speaker 3: my be.

578
00:31:48,720 --> 00:31:54,400
Speaker 2: My life. Wow, okay, so your partner does cook though, Yes,

579
00:31:54,440 --> 00:31:55,120
Speaker 2: let's see cooking.

580
00:31:56,120 --> 00:32:02,320
Speaker 3: He's cooking all kinds of stuff. I can't even say

581
00:32:02,400 --> 00:32:02,920
Speaker 3: what did.

582
00:32:03,600 --> 00:32:05,760
Speaker 2: He's obviously not really knocking your socks off.

583
00:32:06,240 --> 00:32:10,640
Speaker 3: Sometimes not, sometimes he is.

584
00:32:10,840 --> 00:32:14,800
Speaker 5: And sometimes shocking. Yeah, he made a whole chicken one time. Right,

585
00:32:15,000 --> 00:32:19,120
Speaker 5: he rows chicken. He makes great like you know, he's

586
00:32:19,160 --> 00:32:20,480
Speaker 5: looking at the bonapa Ti.

587
00:32:22,160 --> 00:32:22,400
Speaker 2: Giuse me?

588
00:32:22,520 --> 00:32:24,400
Speaker 3: Your time is left and right, not.

589
00:32:24,440 --> 00:32:26,680
Speaker 2: To tell tales out of school. He's making for conscious

590
00:32:27,120 --> 00:32:31,760
Speaker 2: left and right. I love that bread absolutely, chewy, soft, absolutely,

591
00:32:31,840 --> 00:32:34,440
Speaker 2: and the olty sometimes absolutely if you're lucky.

592
00:32:34,760 --> 00:32:38,400
Speaker 5: Yeah, and then he makes me you know he's actually

593
00:32:38,440 --> 00:32:40,719
Speaker 5: I'm not giving him justice if I the other day

594
00:32:40,720 --> 00:32:43,160
Speaker 5: I said I really feel like a fruit cobbler, and

595
00:32:43,280 --> 00:32:43,800
Speaker 5: he made me a.

596
00:32:43,760 --> 00:32:46,840
Speaker 2: Fruit cop You're kidding me? What was the like what fruit.

597
00:32:47,800 --> 00:32:51,960
Speaker 2: It was like peaches and you've got to be kidding

598
00:32:52,040 --> 00:32:57,120
Speaker 2: peaches and this soundsberries amazing. Yeah, he's a really good cook. Actually,

599
00:32:57,120 --> 00:32:59,320
Speaker 2: correct me if I'm wrong. Is it stone fruit season yet?

600
00:32:59,520 --> 00:32:59,720
Speaker 1: It is?

601
00:33:00,600 --> 00:33:03,000
Speaker 4: We're in the middle of stone fruit season, and I couldn't.

602
00:33:03,040 --> 00:33:06,160
Speaker 4: I'm squealing. I'm squealing like a piglet.

603
00:33:06,240 --> 00:33:14,800
Speaker 2: I mean like like a pig like an absolute piglet. Absolutely.

604
00:33:15,840 --> 00:33:19,480
Speaker 2: I love a cobbler. Yeah, that's one of the few

605
00:33:19,520 --> 00:33:21,480
Speaker 2: things that I can make. Well, I can make a

606
00:33:21,600 --> 00:33:24,520
Speaker 2: BlackBerry cobbler. You put some chocolate ice cream on it,

607
00:33:24,560 --> 00:33:28,760
Speaker 2: and your brain is screaming, there's a hummingbird to get

608
00:33:28,800 --> 00:33:32,480
Speaker 2: into the conversation. Those things love sugar. And then heard

609
00:33:32,680 --> 00:33:36,160
Speaker 2: this talk about stone fruit season, blackberries, ice cream, and

610
00:33:36,280 --> 00:33:37,560
Speaker 2: it came squealing down.

611
00:33:37,800 --> 00:33:42,000
Speaker 3: Well you heard are you squealing? That was really a

612
00:33:42,040 --> 00:33:42,880
Speaker 3: beautiful butterfly.

613
00:33:43,120 --> 00:33:48,920
Speaker 2: Gosh, just I feel like I just yeah, I mean,

614
00:33:48,960 --> 00:33:51,200
Speaker 2: this is just this is where I come to pray.

615
00:33:51,640 --> 00:33:52,120
Speaker 2: My god.

616
00:33:53,960 --> 00:33:55,600
Speaker 4: Oh wait, so what kind of podcast do we need

617
00:33:55,680 --> 00:33:58,000
Speaker 4: to do to get you to make this BlackBerry cobbler?

618
00:33:58,360 --> 00:34:01,560
Speaker 2: That is? That's you mind? If I held myself to

619
00:34:01,600 --> 00:34:06,000
Speaker 2: a snack, I think you think that's Yeah, the guest

620
00:34:06,120 --> 00:34:08,560
Speaker 2: comes in. Anna and Kyle have cooked a full cobbler

621
00:34:09,000 --> 00:34:12,040
Speaker 2: using whatever was found in the fridge, just whatever, right,

622
00:34:12,200 --> 00:34:14,000
Speaker 2: just but you happen to we know you have gorgeous

623
00:34:14,000 --> 00:34:16,480
Speaker 2: produced in the right. That's an assumption that we actually,

624
00:34:16,520 --> 00:34:18,040
Speaker 2: you know, I don't think that's the podcast. I think

625
00:34:18,040 --> 00:34:21,319
Speaker 2: this is a fourth podcast idea. That's like, you've got

626
00:34:21,400 --> 00:34:22,960
Speaker 2: to try the cobbler. That's the name of it. You

627
00:34:23,120 --> 00:34:26,480
Speaker 2: have to try the right, that's the And the entire

628
00:34:26,640 --> 00:34:29,800
Speaker 2: time the guest is resisting and I'm you know, gently

629
00:34:29,880 --> 00:34:32,960
Speaker 2: nudging like this, the smell of cobblers in the air,

630
00:34:33,160 --> 00:34:35,800
Speaker 2: the oven is warm. I'm sitting there, I'm just like,

631
00:34:35,840 --> 00:34:38,480
Speaker 2: you've got to try the you're gently guiding right right,

632
00:34:38,719 --> 00:34:42,640
Speaker 2: the cobbler right or I'm a waiter at a restaurant

633
00:34:43,239 --> 00:34:46,120
Speaker 2: recording and I'm constantly going back to the table of

634
00:34:46,239 --> 00:34:49,920
Speaker 2: guests and saying, you got to try the complin. So

635
00:34:50,040 --> 00:34:52,520
Speaker 2: it's kind of a lot of field recording, a lot

636
00:34:52,560 --> 00:34:55,800
Speaker 2: of noise, kitchen noise, this kind of thing, Angry customers

637
00:34:55,880 --> 00:35:02,920
Speaker 2: being like, why are you holding a microphone? We've got

638
00:35:03,080 --> 00:35:06,360
Speaker 2: sirens and maybe we'll find out that we want that noise.

639
00:35:06,960 --> 00:35:09,120
Speaker 2: I mean, this could be, you know, alas could be

640
00:35:09,200 --> 00:35:13,480
Speaker 2: like we love the texture and the sound of sirens.

641
00:35:14,960 --> 00:35:17,040
Speaker 2: Modern life in Los Angeles. There will probably be a

642
00:35:17,120 --> 00:35:21,160
Speaker 2: helicopter at some point, I think also a it's you

643
00:35:21,239 --> 00:35:21,960
Speaker 2: know what it sounds like.

644
00:35:22,040 --> 00:35:23,359
Speaker 3: It sounds like a toy car.

645
00:35:23,600 --> 00:35:34,120
Speaker 2: A what's the oh, adroid? Adroid? You don't know what

646
00:35:34,200 --> 00:35:36,000
Speaker 2: they're doing Android nowadays.

647
00:35:37,200 --> 00:35:41,680
Speaker 4: I mean they kind of diverged from the Apple iPhone

648
00:35:42,200 --> 00:35:43,400
Speaker 4: standard a long time.

649
00:35:43,280 --> 00:35:46,439
Speaker 2: Ago, so now they're doing all sorts of flying Android. Yeah,

650
00:35:46,960 --> 00:35:50,800
Speaker 2: kind of a little phone. When no one pays attention

651
00:35:50,840 --> 00:35:53,359
Speaker 2: to you, that's the perfect time to experiment. Absolutely, I'm

652
00:35:53,400 --> 00:35:57,359
Speaker 2: always although for me. I love when people are looking

653
00:35:57,400 --> 00:35:59,799
Speaker 2: at me and I'm experimenting and failing. Oh my god,

654
00:36:00,040 --> 00:36:02,080
Speaker 2: I love to just watch people, you know, when people

655
00:36:02,280 --> 00:36:05,600
Speaker 2: see me fail. Nothing better in the world. Oh look

656
00:36:05,640 --> 00:36:08,440
Speaker 2: at me, look at me. I'm human. Of course I'm crumbling.

657
00:36:09,000 --> 00:36:11,359
Speaker 2: You're watching me on a downhill slide. But you put

658
00:36:11,400 --> 00:36:14,120
Speaker 2: it on Broadway, it you put that on Broadway. Broadway

659
00:36:14,160 --> 00:36:18,480
Speaker 2: loves experimentation, Oh, of course. Dear Evan Hansen. Oh, we're

660
00:36:18,520 --> 00:36:22,040
Speaker 2: always saying the greatest experiment. We're always saying that we're

661
00:36:23,320 --> 00:36:27,640
Speaker 2: the two of you say in Unison. Okay, so we've

662
00:36:27,680 --> 00:36:29,680
Speaker 2: got Queen Bee. Is there anything else that needs to

663
00:36:29,719 --> 00:36:31,359
Speaker 2: be said here before I get into the next part

664
00:36:31,400 --> 00:36:33,520
Speaker 2: of the gift. And I don't think we've heard anything

665
00:36:33,520 --> 00:36:34,640
Speaker 2: about your cooking style.

666
00:36:35,320 --> 00:36:43,960
Speaker 4: My cooking style it is experimental, Okay, it is, it is.

667
00:36:45,760 --> 00:36:51,759
Speaker 4: It really waxes and wanes in that. I'll go through

668
00:36:53,160 --> 00:36:54,880
Speaker 4: like the beginning of the pandemic, I would say, the

669
00:36:54,920 --> 00:36:58,879
Speaker 4: first six months, I'm I'm cooking left and right right

670
00:36:59,800 --> 00:37:03,240
Speaker 4: right now. You could not pay me one hundred dollars

671
00:37:03,760 --> 00:37:07,160
Speaker 4: to go home and make myself literally anything, right, you

672
00:37:07,239 --> 00:37:09,040
Speaker 4: have one hundred dollars that you're waving in my face.

673
00:37:09,160 --> 00:37:13,719
Speaker 2: I go step off. Okay, stop tempting me. Stop tempting me,

674
00:37:13,880 --> 00:37:14,239
Speaker 2: dare you?

675
00:37:14,560 --> 00:37:17,680
Speaker 4: No, I'm I'm just I feel bad, but I'm right now,

676
00:37:17,680 --> 00:37:20,000
Speaker 4: I'm just not cooking, just not there right.

677
00:37:21,200 --> 00:37:25,120
Speaker 2: I myself was making Fikasha's at some point in the pandemic.

678
00:37:25,840 --> 00:37:30,960
Speaker 2: I am a I like stews and suits and recently

679
00:37:31,320 --> 00:37:32,959
Speaker 2: I did you know what, I will say. I didn't

680
00:37:32,960 --> 00:37:35,080
Speaker 2: even tell you about this yet, Kyle, And I'm sorry,

681
00:37:35,239 --> 00:37:37,879
Speaker 2: but I was. Remember we talked about grilling a fish,

682
00:37:38,280 --> 00:37:41,759
Speaker 2: a whole fish, whole fish. I went, I have to

683
00:37:41,840 --> 00:37:45,000
Speaker 2: come clean. I went to Whole Foods. I got a

684
00:37:45,080 --> 00:37:48,319
Speaker 2: trout and I go and please do me the honor

685
00:37:48,360 --> 00:37:50,799
Speaker 2: of deboning this. Oh yeah, that's that's what I love

686
00:37:50,840 --> 00:37:54,680
Speaker 2: about that servant. Yeah, this grills you. Guess what? Yeah,

687
00:37:54,960 --> 00:37:57,759
Speaker 2: sometimes they won't. Oh oh, I don't know what they did.

688
00:37:57,880 --> 00:37:59,719
Speaker 2: I think they took out the I don't want to

689
00:37:59,719 --> 00:38:00,360
Speaker 2: get too graphic.

690
00:38:00,560 --> 00:38:01,960
Speaker 4: I think you can get graphic. I don't think this

691
00:38:02,000 --> 00:38:05,319
Speaker 4: podcast extra podcast. This is okay, great. I think they

692
00:38:05,400 --> 00:38:07,799
Speaker 4: took out the guts and stuff, but the bones were

693
00:38:07,960 --> 00:38:10,880
Speaker 4: very much in. Okay, So I watched me and my

694
00:38:11,000 --> 00:38:14,440
Speaker 4: partner watched him de bone for someone else, a child

695
00:38:14,600 --> 00:38:15,080
Speaker 4: d bone.

696
00:38:15,600 --> 00:38:15,759
Speaker 6: You know.

697
00:38:16,600 --> 00:38:18,360
Speaker 2: The first video that was pulled up was just like

698
00:38:18,440 --> 00:38:20,799
Speaker 2: a kid being like, today, I'm gonna show you how

699
00:38:20,800 --> 00:38:23,439
Speaker 2: to wow fucking de bone a fish. You No, Usually

700
00:38:23,600 --> 00:38:25,279
Speaker 2: that kid on YouTube is like, here's how to lace

701
00:38:25,360 --> 00:38:29,120
Speaker 2: your sneakers. This was someone who's he.

702
00:38:29,200 --> 00:38:32,240
Speaker 4: Was wearing like a little a little bracelet that kids

703
00:38:32,760 --> 00:38:35,279
Speaker 4: give each other, like gift each other a friendship like

704
00:38:35,320 --> 00:38:36,200
Speaker 4: a friendship bracelet.

705
00:38:36,360 --> 00:38:39,520
Speaker 2: Right, But so he was definitely a child. Did it

706
00:38:39,640 --> 00:38:41,800
Speaker 2: help you? I didn't.

707
00:38:41,960 --> 00:38:46,839
Speaker 4: I don't have the adequate kind of knife situation at home,

708
00:38:47,280 --> 00:38:51,560
Speaker 4: so I was using any knife and it really his

709
00:38:51,719 --> 00:38:58,080
Speaker 4: guidance was certainly welcome. It did not get me there right.

710
00:38:58,640 --> 00:39:03,120
Speaker 4: The folats were actually not too bony, but smaller than

711
00:39:03,160 --> 00:39:03,520
Speaker 4: you want.

712
00:39:04,440 --> 00:39:07,120
Speaker 3: It's unfair. Something had to die for me to get

713
00:39:07,239 --> 00:39:08,040
Speaker 3: this little filet.

714
00:39:08,320 --> 00:39:10,440
Speaker 2: Oh. I see, I can't believe they wouldn't debone the

715
00:39:10,560 --> 00:39:12,680
Speaker 2: fish at the whole food So that feels like something

716
00:39:12,719 --> 00:39:14,160
Speaker 2: that they absolutely should.

717
00:39:14,880 --> 00:39:17,600
Speaker 5: But maybe they didn't because they were aware that that

718
00:39:17,880 --> 00:39:20,480
Speaker 5: if they had deboned it, there was so little fish

719
00:39:20,600 --> 00:39:21,960
Speaker 5: that they would have been giving you.

720
00:39:22,920 --> 00:39:33,440
Speaker 2: Just this is like a salesman's tricky. It's just a

721
00:39:33,480 --> 00:39:39,360
Speaker 2: big tooth. And uh, where's the trout? There we go?

722
00:39:39,400 --> 00:39:40,040
Speaker 2: Where's the trout?

723
00:39:40,080 --> 00:39:42,919
Speaker 4: What type of trout? Rainbow trout? I could not even

724
00:39:43,040 --> 00:39:46,040
Speaker 4: tell at this point. I look back on that fish

725
00:39:46,320 --> 00:39:50,719
Speaker 4: just with indifference because of how small the being.

726
00:39:50,920 --> 00:39:53,279
Speaker 2: What a shame. But I mean, for Kyle to find

727
00:39:53,320 --> 00:39:55,560
Speaker 2: out about this on this podcast, it looks like you

728
00:39:55,719 --> 00:39:58,239
Speaker 2: just spent an entire day together and you didn't even think.

729
00:40:00,080 --> 00:40:01,719
Speaker 5: No, it's crazy because there was a time where we

730
00:40:01,800 --> 00:40:04,800
Speaker 5: were laying down napping and I said, tell me your gossip.

731
00:40:05,000 --> 00:40:06,960
Speaker 2: She really did. We were gossiping.

732
00:40:07,080 --> 00:40:09,200
Speaker 3: She actually didn't should have that. I should have been

733
00:40:09,200 --> 00:40:09,560
Speaker 3: the time.

734
00:40:11,080 --> 00:40:13,560
Speaker 2: Rather than to kind of leave you just stunned here

735
00:40:13,760 --> 00:40:17,680
Speaker 2: on audio high and it's unfair. Yeah, I'm disgusting and

736
00:40:17,800 --> 00:40:20,640
Speaker 2: I am sorry. Okay, well, at least we get an apology.

737
00:40:21,000 --> 00:40:23,200
Speaker 2: I mean, when we began recording, I thought, you know,

738
00:40:23,280 --> 00:40:25,520
Speaker 2: I should lay the groundwork for, you know, a fissure

739
00:40:25,560 --> 00:40:26,520
Speaker 2: in their relationship.

740
00:40:27,120 --> 00:40:29,920
Speaker 3: And so there was you said, we're going to be

741
00:40:30,000 --> 00:40:32,480
Speaker 3: done going to the beach right, and this might be.

742
00:40:32,560 --> 00:40:34,960
Speaker 2: The Maybe that's my whole reason to have both of

743
00:40:35,000 --> 00:40:38,120
Speaker 2: you on at the same time rather than this feels good.

744
00:40:38,280 --> 00:40:39,680
Speaker 2: And then I think I am going to have you

745
00:40:39,760 --> 00:40:42,719
Speaker 2: both on separately soon. And then I will continue to

746
00:40:43,239 --> 00:40:46,600
Speaker 2: fortify this problem. Kyle will come on and we'll have

747
00:40:46,719 --> 00:40:49,160
Speaker 2: like a good two hour discussion just about the trout.

748
00:40:49,520 --> 00:40:52,279
Speaker 2: Like Kyle, I would tell you if I made a trout, Oh,

749
00:40:52,360 --> 00:40:55,840
Speaker 2: I don't know, my god. Then I'll bring Anna on.

750
00:40:56,040 --> 00:40:58,520
Speaker 2: I'll be like, you should never tell her anything anything.

751
00:40:58,640 --> 00:41:01,520
Speaker 2: I wouldn't believe what she had to say. Say wow,

752
00:41:01,840 --> 00:41:04,239
Speaker 2: And then your three publicists are gonna have a melt down.

753
00:41:04,320 --> 00:41:07,200
Speaker 4: I mean they're just gonna it's hard enough to get

754
00:41:07,239 --> 00:41:09,200
Speaker 4: them in the same room, but to get them in

755
00:41:09,280 --> 00:41:10,320
Speaker 4: the same room to hear about this.

756
00:41:10,600 --> 00:41:15,200
Speaker 2: I mean, that's okay. So you made a trout you

757
00:41:15,280 --> 00:41:18,640
Speaker 2: make for Kacia, not actively, but I have, Yeah, you have.

758
00:41:18,760 --> 00:41:21,520
Speaker 2: I mean that's more than I've ever done. I worked

759
00:41:21,520 --> 00:41:23,680
Speaker 2: at a bakery that sold for Kaca. Oh my god,

760
00:41:23,719 --> 00:41:27,399
Speaker 2: so you wrod Ficaca adjacent Yeah, okay, fine, it wasn't

761
00:41:27,440 --> 00:41:30,200
Speaker 2: the greatest. I've had better. And then the bakery accused

762
00:41:30,239 --> 00:41:33,279
Speaker 2: me of burglarizing it. And so you know, it's a

763
00:41:33,440 --> 00:41:36,280
Speaker 2: dark chapter in my hist How dark is this chapter?

764
00:41:36,600 --> 00:41:39,600
Speaker 2: I mean, that's about as dark as it gets. Stole

765
00:41:40,320 --> 00:41:43,319
Speaker 2: the till money. They still they thought I snuck back

766
00:41:44,280 --> 00:41:48,040
Speaker 2: after hours and the money from underneath the office door.

767
00:41:48,200 --> 00:41:51,359
Speaker 3: And I'm sorry, bakery. We all know the hours begin

768
00:41:51,440 --> 00:41:52,479
Speaker 3: at four am.

769
00:41:52,640 --> 00:41:55,840
Speaker 4: Four am, So I am to believe that you, Bridger,

770
00:41:57,719 --> 00:41:59,880
Speaker 4: I mean, would not hurt of fly other than our relationship,

771
00:42:01,200 --> 00:42:03,600
Speaker 4: but snuck in before I.

772
00:42:03,640 --> 00:42:05,480
Speaker 2: Mean what time, So I guess it would be between

773
00:42:05,560 --> 00:42:07,480
Speaker 2: I guess closing hours were nine. Then you've got to

774
00:42:07,520 --> 00:42:09,160
Speaker 2: clean up. You've got to do You've got to wash

775
00:42:09,200 --> 00:42:11,279
Speaker 2: the dishes, you've got to put everything away, you've got

776
00:42:11,400 --> 00:42:14,200
Speaker 2: to throw away the bread. By the way, they wouldn't

777
00:42:14,239 --> 00:42:17,399
Speaker 2: let us take the bread home, which is shocking. I would.

778
00:42:17,480 --> 00:42:19,120
Speaker 2: I would take bites out of the bread on my

779
00:42:19,160 --> 00:42:21,360
Speaker 2: way to the dumpster. No, yeah, which is maybe a

780
00:42:21,440 --> 00:42:24,200
Speaker 2: dark detail about my life. I love this detail, but

781
00:42:24,280 --> 00:42:25,919
Speaker 2: it was delicious. I didn't want to just throw away

782
00:42:25,960 --> 00:42:26,400
Speaker 2: the bread.

783
00:42:26,640 --> 00:42:26,839
Speaker 6: Yeah.

784
00:42:27,800 --> 00:42:29,600
Speaker 2: So then, so you're probably out of there by ten

785
00:42:29,680 --> 00:42:31,080
Speaker 2: on a good night, unless you have a customer who

786
00:42:31,120 --> 00:42:34,600
Speaker 2: shows up eight fifty five to have dinner. All those

787
00:42:34,640 --> 00:42:37,239
Speaker 2: people are going to hell, of course, so I would

788
00:42:37,239 --> 00:42:40,960
Speaker 2: have to be there between probably ten and four am. Yeah,

789
00:42:41,040 --> 00:42:43,319
Speaker 2: so you but presumably you're not coming in a ten

790
00:42:43,880 --> 00:42:47,359
Speaker 2: five No, No, you're right. I've got to go home

791
00:42:47,400 --> 00:42:49,480
Speaker 2: and put the stocking over my head or whatever. It

792
00:42:49,600 --> 00:42:54,520
Speaker 2: takes hours, right, put on my right just so you

793
00:42:54,640 --> 00:42:59,120
Speaker 2: gotta shimmy it down. Okay, that could take hours the

794
00:42:59,160 --> 00:43:01,759
Speaker 2: perfect we all know. And then by the time I've like,

795
00:43:02,160 --> 00:43:05,120
Speaker 2: you know, kind of gymnastics my way through the lasers,

796
00:43:05,200 --> 00:43:10,000
Speaker 2: it's earliest three thirty am. No, we know, you're doing

797
00:43:10,040 --> 00:43:17,080
Speaker 2: a fabulous Yeah. So, but they did accuse me of burglarizing,

798
00:43:17,440 --> 00:43:19,719
Speaker 2: Oh not directly. They called the police and I had

799
00:43:19,760 --> 00:43:22,160
Speaker 2: to go into the station and go be interrogated in

800
00:43:22,239 --> 00:43:26,800
Speaker 2: a police interrogation room. This is not a joke. And I,

801
00:43:27,120 --> 00:43:30,600
Speaker 2: you know, I had not burkelarized the restaurant, the bakery,

802
00:43:30,800 --> 00:43:34,600
Speaker 2: bakery cafe technically, and then they kind of slowly took

803
00:43:34,680 --> 00:43:37,799
Speaker 2: me off the schedule. Oh I've been there.

804
00:43:38,239 --> 00:43:41,680
Speaker 4: I've been there where they actually with both parts separately,

805
00:43:42,760 --> 00:43:48,960
Speaker 4: I've been accused of berkelarizing. I mean, I honestly the

806
00:43:49,080 --> 00:43:52,960
Speaker 4: first bartending job I had, the owner would get so

807
00:43:53,239 --> 00:43:57,640
Speaker 4: drunk and do quite frankly, so much cocaine that he

808
00:43:57,800 --> 00:44:02,359
Speaker 4: would take money out of the till and forget oh right, right,

809
00:44:02,520 --> 00:44:04,960
Speaker 4: So the height of us high. You know, he's kind

810
00:44:05,000 --> 00:44:09,239
Speaker 4: of his sunset strip is being is going up to

811
00:44:09,280 --> 00:44:14,000
Speaker 4: buy register at by the way, six pm. He's just

812
00:44:14,680 --> 00:44:17,400
Speaker 4: gone out of his about six pm at best, okay,

813
00:44:17,880 --> 00:44:19,279
Speaker 4: possibly five supper hours.

814
00:44:19,360 --> 00:44:21,600
Speaker 2: He takes true supper hours.

815
00:44:21,840 --> 00:44:25,000
Speaker 3: Okay, you it's not even late enough to eat a soup.

816
00:44:25,160 --> 00:44:28,879
Speaker 2: And yet there he is taking one hundred dollars out

817
00:44:28,920 --> 00:44:29,399
Speaker 2: of the till.

818
00:44:29,680 --> 00:44:32,680
Speaker 4: Okay, And then he would sober up by the time

819
00:44:32,760 --> 00:44:34,320
Speaker 4: my shift would be done, and he'd be like, this

820
00:44:34,480 --> 00:44:39,440
Speaker 4: is short one hundred dollars. Oh no, no, recollection, and

821
00:44:40,040 --> 00:44:41,960
Speaker 4: sometimes I'd have to be like, please go watch your

822
00:44:42,000 --> 00:44:42,640
Speaker 4: own cameras.

823
00:44:43,680 --> 00:44:46,680
Speaker 2: Look at the Michael, look at the embroidered jeans you're wearing.

824
00:44:46,719 --> 00:44:48,840
Speaker 2: Those costs one hundred dollars. We all know where the

825
00:44:48,880 --> 00:44:53,319
Speaker 2: money's coming from for these studded jeans. No, stud Yeah,

826
00:44:53,360 --> 00:44:58,520
Speaker 2: they're charging And then separately have been not fired quote unquote,

827
00:44:58,560 --> 00:45:03,439
Speaker 2: but taking off the schedule slow, unbelievable, unbelievably. Yeah, Kyle,

828
00:45:03,520 --> 00:45:04,799
Speaker 2: have you ever been let go from a job?

829
00:45:05,360 --> 00:45:05,760
Speaker 3: Actually?

830
00:45:05,960 --> 00:45:10,040
Speaker 2: No, are you like a great like an a student

831
00:45:10,280 --> 00:45:13,520
Speaker 2: at jobs? I think so? I am too. I mean

832
00:45:13,560 --> 00:45:15,759
Speaker 2: that's the thing I am too. I feel like I

833
00:45:15,880 --> 00:45:19,279
Speaker 2: put in the work. I'm not burglarizing the bakery, but

834
00:45:19,440 --> 00:45:22,560
Speaker 2: the least maybe I'm too squeaky clean at work where

835
00:45:22,560 --> 00:45:27,040
Speaker 2: it becomes suspicious. So you should be making, by that logic,

836
00:45:27,040 --> 00:45:29,120
Speaker 2: a little bit of a mess. Yeah, I did burn

837
00:45:29,160 --> 00:45:32,759
Speaker 2: all of the croissants once. Wow, I'm revealing a lot

838
00:45:32,800 --> 00:45:34,640
Speaker 2: about why you should not hire me at a puge.

839
00:45:35,120 --> 00:45:38,160
Speaker 2: You are over there burning the croissants right, just torched?

840
00:45:38,280 --> 00:45:38,480
Speaker 4: Wow?

841
00:45:38,600 --> 00:45:43,160
Speaker 2: So you are actually baking okay, I mean not really

842
00:45:43,360 --> 00:45:44,840
Speaker 2: like I would take out the frozen I mean I

843
00:45:44,880 --> 00:45:46,320
Speaker 2: don't want to reveal too much about it. We're not

844
00:45:46,440 --> 00:45:50,280
Speaker 2: naming the frozen croissants. You put them on the cookie

845
00:45:50,320 --> 00:45:53,680
Speaker 2: shoots and then you bake them. They were perfectly fine.

846
00:45:53,719 --> 00:45:59,239
Speaker 2: You know, they were probably like a Costco level quality. Okay, well,

847
00:45:59,360 --> 00:46:01,080
Speaker 2: when you make it to a sandwich, it's like that's

848
00:46:01,120 --> 00:46:03,239
Speaker 2: pretty good. That's fine, but it's not, you know, not,

849
00:46:03,600 --> 00:46:03,840
Speaker 2: it's not.

850
00:46:03,920 --> 00:46:06,879
Speaker 4: When Kyle and I went to Paris and we threw

851
00:46:06,920 --> 00:46:08,320
Speaker 4: our bets off the idel.

852
00:46:08,200 --> 00:46:12,320
Speaker 3: They would wrap the the croissants in a little blanket.

853
00:46:12,440 --> 00:46:14,520
Speaker 2: Oh my god, and then they would twist the end.

854
00:46:14,880 --> 00:46:16,920
Speaker 2: Did you too actually go to Paris together? He has

855
00:46:16,960 --> 00:46:20,040
Speaker 2: a wonderful trip, beautiful. When was this like maybe a

856
00:46:20,160 --> 00:46:22,879
Speaker 2: year ago, a little over. We hope to go back

857
00:46:22,920 --> 00:46:24,520
Speaker 2: again the September pre pandemic.

858
00:46:25,160 --> 00:46:28,520
Speaker 5: And our classic story about our trip is that we

859
00:46:28,680 --> 00:46:33,759
Speaker 5: wore berets in the the airplane over there because.

860
00:46:33,520 --> 00:46:37,480
Speaker 2: We wanted to blend. We looked around. When you get there,

861
00:46:38,239 --> 00:46:39,000
Speaker 2: they would know we.

862
00:46:39,080 --> 00:46:43,160
Speaker 5: Looked around in our flight and goes, where's everyone? Where's everyone?

863
00:46:43,200 --> 00:46:44,319
Speaker 2: With everybody else?

864
00:46:44,360 --> 00:46:48,080
Speaker 4: Must there's everybody else, must be the locals are the

865
00:46:48,160 --> 00:46:49,399
Speaker 4: only locals going home?

866
00:46:52,040 --> 00:46:55,840
Speaker 2: We live so you know, okay, well, you've been to

867
00:46:55,880 --> 00:46:58,040
Speaker 2: France together. Look, we're getting so off track here, and

868
00:46:58,040 --> 00:47:00,800
Speaker 2: I still have another gift open. I'm so excited for

869
00:47:00,840 --> 00:47:03,440
Speaker 2: your listeners for the last twenty minutes has been screaming

870
00:47:03,440 --> 00:47:07,279
Speaker 2: there's another gift. Yeah, you fool. So I'm going to

871
00:47:07,360 --> 00:47:07,640
Speaker 2: open it.

872
00:47:08,440 --> 00:47:11,680
Speaker 3: And should we explain it first?

873
00:47:12,200 --> 00:47:14,120
Speaker 2: Is that your styles that you go to a birthday

874
00:47:14,160 --> 00:47:16,400
Speaker 2: party or a wedding, you want to give a condition?

875
00:47:16,600 --> 00:47:18,120
Speaker 2: I do you want to give ahead to do that?

876
00:47:18,719 --> 00:47:20,480
Speaker 3: Can I just say something before you get in that

877
00:47:20,880 --> 00:47:21,719
Speaker 3: she really does do that.

878
00:47:22,600 --> 00:47:24,359
Speaker 2: It's not a good thing to do. Just let them

879
00:47:24,480 --> 00:47:27,960
Speaker 2: experience it and then if they if they look surprised

880
00:47:28,080 --> 00:47:32,160
Speaker 2: or okay, unhappy, then begin explaining the condition. Don't give

881
00:47:32,160 --> 00:47:33,280
Speaker 2: them a reason to be unhappy.

882
00:47:33,440 --> 00:47:35,760
Speaker 4: Well, a condition can be what about kind of meeting

883
00:47:35,800 --> 00:47:37,560
Speaker 4: each other in the middle here and you go, you know,

884
00:47:37,760 --> 00:47:40,879
Speaker 4: something like, we're very excited about this one.

885
00:47:41,520 --> 00:47:44,959
Speaker 5: So the first present was like you queen Bee at home,

886
00:47:45,520 --> 00:47:49,160
Speaker 5: and so this next part givet is you queen Bee

887
00:47:49,320 --> 00:47:50,360
Speaker 5: outside in the world.

888
00:47:51,360 --> 00:47:57,080
Speaker 2: Maybe one of your clubs in Miami. Actually that would

889
00:47:57,120 --> 00:47:59,520
Speaker 2: be really nice. Yeah, actually I can be honestly, I

890
00:48:00,080 --> 00:48:04,120
Speaker 2: get myself one. Okay, So it's a Tankini is that

891
00:48:04,239 --> 00:48:06,400
Speaker 2: what I'm gonna be opening here? Oh no, no, we

892
00:48:06,440 --> 00:48:11,960
Speaker 2: would never all right, I'm gonna open it up. Okay,

893
00:48:12,600 --> 00:48:19,080
Speaker 2: wait wait, oh my? What is this? This is like

894
00:48:20,120 --> 00:48:22,680
Speaker 2: I'm gonna hold this up for the camera here. This

895
00:48:22,840 --> 00:48:26,560
Speaker 2: is a a shirt which the pattern on it is

896
00:48:26,680 --> 00:48:30,839
Speaker 2: actually stunning, but once you start looking at it, it's

897
00:48:30,920 --> 00:48:33,920
Speaker 2: a I don't even know this is Is this a tunic?

898
00:48:34,280 --> 00:48:37,160
Speaker 2: Am I looking at a tunic? Do you want to

899
00:48:37,200 --> 00:48:42,080
Speaker 2: say it? It's like a tunic? Captain, Oh, this is

900
00:48:42,480 --> 00:48:44,680
Speaker 2: so I'm not where I've like kind of placed it

901
00:48:44,719 --> 00:48:47,120
Speaker 2: over draped it over my body because I can't put

902
00:48:47,120 --> 00:48:48,480
Speaker 2: it on yet. I could go put it on, but

903
00:48:48,520 --> 00:48:51,360
Speaker 2: I feel like, what are we gonna do posting for

904
00:48:51,400 --> 00:48:57,080
Speaker 2: a photo? It's like a knee would you say, above

905
00:48:57,080 --> 00:49:01,040
Speaker 2: the knee? Honest? Above the knee, above the I'm honest

906
00:49:01,080 --> 00:49:04,520
Speaker 2: at all Actually take that back. Kaf Tan tunic with

907
00:49:05,440 --> 00:49:07,680
Speaker 2: what it's like kind of a leaf pattern.

908
00:49:07,480 --> 00:49:12,200
Speaker 4: A wild get away from life pattern, get away get

909
00:49:12,239 --> 00:49:13,520
Speaker 4: out of the city pattern.

910
00:49:14,000 --> 00:49:16,080
Speaker 2: And it's a beautiful design and brought to you by

911
00:49:16,440 --> 00:49:18,000
Speaker 2: Kiki Soletik.

912
00:49:19,680 --> 00:49:22,200
Speaker 3: What is Kiki sol is a fabulous brand.

913
00:49:22,239 --> 00:49:24,320
Speaker 4: Well, it's a fabulous bransion and it's actually a Kiki's

914
00:49:24,360 --> 00:49:27,720
Speaker 4: Holy Original, so that's a Kiki solely.

915
00:49:27,800 --> 00:49:30,279
Speaker 2: Fabrics are still printed by hand. That's what this says,

916
00:49:30,400 --> 00:49:33,680
Speaker 2: first and foremost. Due to changes in weather, temperature, and sunshine,

917
00:49:33,719 --> 00:49:35,839
Speaker 2: colors may vary slightly. So this they're kind of doing

918
00:49:35,880 --> 00:49:40,560
Speaker 2: a Kyle move here and explaining the problem. We hope

919
00:49:40,560 --> 00:49:43,200
Speaker 2: you enjoy wearing our colorful artists and fabrics that are

920
00:49:43,200 --> 00:49:44,719
Speaker 2: full of character and life.

921
00:49:44,960 --> 00:49:46,560
Speaker 4: Here's the thing about that note, and here's the thing

922
00:49:46,560 --> 00:49:50,400
Speaker 4: about Kyle okay, is that they both know the value

923
00:49:50,440 --> 00:49:52,360
Speaker 4: of this kaftan and they know that it's a Kiki's

924
00:49:52,400 --> 00:49:55,319
Speaker 4: Holy Original, so they actually don't need to apologize at all,

925
00:49:55,440 --> 00:49:58,320
Speaker 4: and they're being fake modest right by being like, I

926
00:49:58,400 --> 00:50:02,840
Speaker 4: don't know, just I don't Maybe maybe pools he had Miami,

927
00:50:03,000 --> 00:50:04,120
Speaker 4: or maybe it's hand crafted.

928
00:50:04,800 --> 00:50:05,120
Speaker 6: I don't know.

929
00:50:05,600 --> 00:50:08,239
Speaker 2: But the thing is, we all know it's fabulous. So

930
00:50:09,360 --> 00:50:11,360
Speaker 2: this is incredible. So do you think you know this

931
00:50:11,520 --> 00:50:13,640
Speaker 2: is you know? Do I throw this on, like I

932
00:50:13,719 --> 00:50:15,480
Speaker 2: get in a huge fight with Jim and I'm like,

933
00:50:15,520 --> 00:50:16,960
Speaker 2: I'm going to the desert, I put it on and

934
00:50:17,040 --> 00:50:18,400
Speaker 2: then drive to the desert, or do I put it

935
00:50:18,520 --> 00:50:19,800
Speaker 2: on once I drive to the desert.

936
00:50:20,160 --> 00:50:22,960
Speaker 4: Oh, that's a really good question. I think you're putting

937
00:50:23,040 --> 00:50:25,040
Speaker 4: it on mid getting a top of your vespa.

938
00:50:25,480 --> 00:50:28,360
Speaker 2: Oh, or I'm like fighting with him and pulling it

939
00:50:28,440 --> 00:50:31,920
Speaker 2: over my head. Yes, while screaming. We're like yelling at

940
00:50:31,960 --> 00:50:34,320
Speaker 2: each other. It's over, but I'm trying to get my

941
00:50:34,400 --> 00:50:42,399
Speaker 2: calf tan on catching up to me. Arm good luck

942
00:50:43,200 --> 00:50:48,759
Speaker 2: catching up to me, you know. Okay? Well, I uh,

943
00:50:49,600 --> 00:50:51,040
Speaker 2: do either of you own a calftan?

944
00:50:52,000 --> 00:50:52,040
Speaker 1: No?

945
00:50:52,480 --> 00:50:55,960
Speaker 2: No, no, I wish today to get you both to

946
00:50:56,000 --> 00:50:57,400
Speaker 2: commit to a buying a calftan.

947
00:50:57,800 --> 00:51:00,239
Speaker 5: Well, seeing that when we saw that, I was like,

948
00:51:00,440 --> 00:51:03,360
Speaker 5: I would absolutely love something like that my closet.

949
00:51:03,480 --> 00:51:09,640
Speaker 4: Absolutely originally akiki original in your closet. I don't even

950
00:51:09,680 --> 00:51:11,560
Speaker 4: know if I'm good It feels like I don't know

951
00:51:11,560 --> 00:51:13,440
Speaker 4: if I'm good enough to have that.

952
00:51:13,920 --> 00:51:18,319
Speaker 2: Oh. Interesting, it's kind of a self confidence issues. Okay, absolutely, Well,

953
00:51:18,320 --> 00:51:23,000
Speaker 2: I'm here today to tell you I'm certain you should

954
00:51:23,000 --> 00:51:26,600
Speaker 2: be in kalf tans multiple times a week, both of you. Wow,

955
00:51:26,880 --> 00:51:28,560
Speaker 2: you've got to have a couple in your closet. I mean,

956
00:51:28,600 --> 00:51:30,719
Speaker 2: this is my first one, but I'm already the authority.

957
00:51:32,160 --> 00:51:37,160
Speaker 2: I'm kind of the spokesperson spokes model. Eventually, because I

958
00:51:37,239 --> 00:51:40,040
Speaker 2: will be wearing this after getting a giant fight and

959
00:51:40,120 --> 00:51:44,120
Speaker 2: driving to the desert on my moped. And the great

960
00:51:44,160 --> 00:51:46,200
Speaker 2: thing is that it's not, you know, a floor length

961
00:51:46,320 --> 00:51:49,280
Speaker 2: calf tan that could get caught in a wheel. No, exactly.

962
00:51:49,560 --> 00:51:53,520
Speaker 2: That's why it's perfect for a quick getaway. Right it's

963
00:51:53,560 --> 00:51:57,000
Speaker 2: like mid thigh. I'm getting sunburned to hell because I

964
00:51:57,040 --> 00:52:00,200
Speaker 2: didn't have time to put on the sun's screen. But

965
00:52:00,320 --> 00:52:02,640
Speaker 2: the time I get to the desert, they're like he's

966
00:52:02,680 --> 00:52:05,799
Speaker 2: been through something. Absolutely free room. Yeah, free room, at

967
00:52:05,880 --> 00:52:08,200
Speaker 2: least a free upgrade, free upgrade for sure upgrade.

968
00:52:08,600 --> 00:52:10,440
Speaker 4: And you know what, we don't have one quite ready yet,

969
00:52:10,480 --> 00:52:12,799
Speaker 4: But why don't you lounge by the Pulled's gorgeous out

970
00:52:12,800 --> 00:52:13,239
Speaker 4: there right now?

971
00:52:15,080 --> 00:52:15,920
Speaker 2: You could just lounge.

972
00:52:16,800 --> 00:52:18,840
Speaker 4: It might seem like we're making you do that to

973
00:52:18,880 --> 00:52:21,000
Speaker 4: wait for the room, but it's actually honestly a gift.

974
00:52:22,600 --> 00:52:25,759
Speaker 2: You will go lounge by the pool. I you know

975
00:52:25,840 --> 00:52:28,200
Speaker 2: I'm gonna, I actually am gonna take this on vacation

976
00:52:28,360 --> 00:52:32,360
Speaker 2: with me. How could I not? My back is against

977
00:52:32,400 --> 00:52:35,040
Speaker 2: the wall, you're both holding guns, gun, and I'm saying,

978
00:52:35,080 --> 00:52:37,400
Speaker 2: I'm putting on the calf, putting on I'm putting on

979
00:52:37,440 --> 00:52:44,760
Speaker 2: the geeky so you got well, this is absolutely wonderful,

980
00:52:45,000 --> 00:52:46,719
Speaker 2: And I don't even know what else to say about

981
00:52:46,760 --> 00:52:48,400
Speaker 2: a calf down. I feel like the three of us

982
00:52:48,480 --> 00:52:51,440
Speaker 2: are probably the scientifically the last three people who will

983
00:52:51,440 --> 00:52:54,040
Speaker 2: own klf tans, and so you two have thrown me

984
00:52:54,880 --> 00:52:57,600
Speaker 2: into this new world that you two don't dare tread in.

985
00:52:58,040 --> 00:53:00,400
Speaker 4: Sometimes you need to be pushed to realize is that

986
00:53:00,640 --> 00:53:03,279
Speaker 4: actually that's where you were meant to.

987
00:53:03,280 --> 00:53:03,919
Speaker 2: Be the whole time?

988
00:53:04,520 --> 00:53:07,200
Speaker 4: Interesting as I push you, and I think, as Kyle

989
00:53:07,280 --> 00:53:11,040
Speaker 4: pushes you, and I see you feeling already right at

990
00:53:11,080 --> 00:53:13,600
Speaker 4: home and you're not even wearing it yet, I.

991
00:53:13,680 --> 00:53:17,960
Speaker 2: Go, maybe that's where I live too. I don't know

992
00:53:18,000 --> 00:53:22,399
Speaker 2: what he brings up for you, Kyle. I'm not sure

993
00:53:22,480 --> 00:53:26,560
Speaker 2: what you actually mean by what you just say. Pictures

994
00:53:26,600 --> 00:53:30,360
Speaker 2: at home and you're saying I'm going loving it for him.

995
00:53:30,840 --> 00:53:34,520
Speaker 4: I'm going maybe I'm also want to Yeah, yeah, I

996
00:53:34,600 --> 00:53:37,279
Speaker 4: definitely want Kiki Sole, You want you.

997
00:53:37,320 --> 00:53:40,520
Speaker 2: Get any other brand? At this point? Garbage? Every other

998
00:53:40,640 --> 00:53:44,480
Speaker 2: captain go to hell, absolute garbage to go straight to hell,

999
00:53:45,040 --> 00:53:51,000
Speaker 2: unless so knee length captain. You don't want it to

1000
00:53:51,040 --> 00:53:54,520
Speaker 2: get stuck right, No one wants it. We've seen that

1001
00:53:54,600 --> 00:53:56,439
Speaker 2: happen too many times, too many times.

1002
00:53:57,719 --> 00:54:01,920
Speaker 4: Diane Lane style fast woman just trying to enjoy her day,

1003
00:54:02,120 --> 00:54:04,799
Speaker 4: is trying to go about her life. Her caftan gets

1004
00:54:04,800 --> 00:54:08,080
Speaker 4: stuck in the spokes, she falls over me. She basically

1005
00:54:08,200 --> 00:54:10,919
Speaker 4: drowns in the ocean right there. It's the Atlantic gets warm.

1006
00:54:11,000 --> 00:54:12,120
Speaker 4: So no one's worried, right.

1007
00:54:12,080 --> 00:54:14,080
Speaker 2: No one's concerned. They're just thinking that she's kind of bathing.

1008
00:54:14,239 --> 00:54:18,000
Speaker 2: Yeahs naked and she's bathing. She's fine. She was so

1009
00:54:18,080 --> 00:54:19,759
Speaker 2: excited she threw a calftain by the side of the road.

1010
00:54:19,800 --> 00:54:23,400
Speaker 2: So we loved your working under the Tuscan sun. Okay,

1011
00:54:24,800 --> 00:54:28,040
Speaker 2: they let her drown. Where's you know? Whereas this? This

1012
00:54:28,200 --> 00:54:30,520
Speaker 2: is the klftan on the go, Tunic on the go,

1013
00:54:30,760 --> 00:54:33,040
Speaker 2: tunic on the go? Do we know? Is? I think

1014
00:54:33,040 --> 00:54:34,799
Speaker 2: we should at least for the listener who hasn't seen

1015
00:54:34,840 --> 00:54:38,680
Speaker 2: this yet. Yeah, we do need to nail down kaftan

1016
00:54:38,880 --> 00:54:39,640
Speaker 2: or tunic.

1017
00:54:39,400 --> 00:54:42,319
Speaker 5: You too, tell me it's actually I would say it's

1018
00:54:42,320 --> 00:54:44,279
Speaker 5: actually a tunic, but I like to think of it

1019
00:54:44,400 --> 00:54:45,040
Speaker 5: as a caf dan.

1020
00:54:45,160 --> 00:54:47,600
Speaker 2: It's just too sure. It's got a captain spiriting. It's

1021
00:54:47,640 --> 00:54:50,239
Speaker 2: a little sure you got a captain. It's like you

1022
00:54:50,320 --> 00:54:52,239
Speaker 2: know what I mean, because caftan's going to be like

1023
00:54:52,280 --> 00:54:54,560
Speaker 2: a dress. Do you think a calf tan has to

1024
00:54:54,680 --> 00:54:57,560
Speaker 2: be or maybe that is I see.

1025
00:54:57,640 --> 00:54:59,800
Speaker 5: I genuinely don't know. I'm not even putting it. A

1026
00:55:00,160 --> 00:55:03,799
Speaker 5: caftan is always at least at your ankle.

1027
00:55:03,600 --> 00:55:05,840
Speaker 2: And the tunic is kind of like the tunic's gonna

1028
00:55:05,920 --> 00:55:08,719
Speaker 2: be where that one's gonna hit. Which is like wow,

1029
00:55:09,480 --> 00:55:13,040
Speaker 2: which is above? This is you're not allowed at school.

1030
00:55:13,239 --> 00:55:17,240
Speaker 2: This is against the dress code a school. You're absolutely

1031
00:55:17,239 --> 00:55:24,040
Speaker 2: getting sent home or something. Yeah your friends. Wow, did

1032
00:55:24,160 --> 00:55:25,879
Speaker 2: either of you two have trouble with the dress code

1033
00:55:25,920 --> 00:55:28,360
Speaker 2: in school? No? Well I went to I went to

1034
00:55:28,520 --> 00:55:31,440
Speaker 2: like a I had a uniform. You also, it was

1035
00:55:31,520 --> 00:55:32,720
Speaker 2: kind of hard to break the rules.

1036
00:55:33,000 --> 00:55:34,600
Speaker 5: Well, what I would do is I would sharp be

1037
00:55:35,080 --> 00:55:38,480
Speaker 5: things on my little skirt. That was the thing like

1038
00:55:38,680 --> 00:55:39,799
Speaker 5: this he told me about.

1039
00:55:39,880 --> 00:55:41,600
Speaker 3: I know, I don't think it just it literally just

1040
00:55:41,719 --> 00:55:42,840
Speaker 3: came back with that question.

1041
00:55:43,760 --> 00:55:46,640
Speaker 2: That's how this podcast is.

1042
00:55:46,719 --> 00:55:47,520
Speaker 3: It's just really.

1043
00:55:49,560 --> 00:55:51,400
Speaker 2: I'm walking. I've thought about for years.

1044
00:55:52,280 --> 00:55:53,640
Speaker 3: What sharp you sharpie?

1045
00:55:53,680 --> 00:55:57,160
Speaker 5: You know, like like a little like star okay, you know,

1046
00:55:57,360 --> 00:55:59,440
Speaker 5: like just to show like if someone could spot it,

1047
00:55:59,640 --> 00:56:02,960
Speaker 5: you go, yeah, yes, that's me that's me.

1048
00:56:03,560 --> 00:56:05,080
Speaker 2: But you weren't getting in trouble. It was just a

1049
00:56:05,160 --> 00:56:08,240
Speaker 2: little secret for you. And yeah, I don't be highly observant.

1050
00:56:09,600 --> 00:56:11,480
Speaker 5: We would get in trouble if we were ankle socks,

1051
00:56:11,480 --> 00:56:13,920
Speaker 5: which I never knew that an ankles were.

1052
00:56:14,440 --> 00:56:18,640
Speaker 2: I guess sexy about the person calling it out, And

1053
00:56:18,640 --> 00:56:24,279
Speaker 2: it's like ankles the devil's little shame. Anybody if you

1054
00:56:24,440 --> 00:56:27,359
Speaker 2: like ankles, great, but they're the devil's little snack. They're

1055
00:56:27,360 --> 00:56:29,440
Speaker 2: the devil's little snacks. That's what my principal said, I

1056
00:56:29,520 --> 00:56:34,359
Speaker 2: see your devil's little snacks. Let's get a showing by

1057
00:56:34,440 --> 00:56:37,400
Speaker 2: see your devil's little snacks once more, expect it.

1058
00:56:38,280 --> 00:56:41,320
Speaker 4: And it's really about the teacher because they're the ones

1059
00:56:41,440 --> 00:56:45,400
Speaker 4: experiencing the attraction right exactly. So they're looking at the

1060
00:56:45,400 --> 00:56:50,040
Speaker 4: devil's little snacks, and it's it's calling something up from

1061
00:56:50,200 --> 00:56:50,719
Speaker 4: within them.

1062
00:56:51,239 --> 00:56:51,399
Speaker 6: Right.

1063
00:56:52,000 --> 00:56:55,960
Speaker 2: Too much ankle, too much devil's little snack. They're canceled. There,

1064
00:56:56,680 --> 00:57:00,880
Speaker 2: Every teacher who loves the devil's little snacks canceled. Moving forward,

1065
00:57:00,960 --> 00:57:03,920
Speaker 2: we'll be canceled. Okay, you too. We've got to play

1066
00:57:03,960 --> 00:57:06,680
Speaker 2: a game. Do you want to play a game called

1067
00:57:06,719 --> 00:57:09,960
Speaker 2: Gift Master or a game called Gift or a Curse.

1068
00:57:11,719 --> 00:57:15,520
Speaker 2: I think our decision is gift curse. Okay, great, okay,

1069
00:57:15,560 --> 00:57:18,760
Speaker 2: now you have to decide on something else. Number between

1070
00:57:18,800 --> 00:57:23,400
Speaker 2: one and ten three three. Oh, an excellent choice. Okay.

1071
00:57:23,400 --> 00:57:25,640
Speaker 2: I have to do some light calculating, and as promised,

1072
00:57:26,440 --> 00:57:29,120
Speaker 2: I need you to promote, recommend, do whatever you want

1073
00:57:29,160 --> 00:57:33,120
Speaker 2: with the next minute or so and while I find

1074
00:57:33,160 --> 00:57:34,880
Speaker 2: the game pieces and then I'll be back. Can I

1075
00:57:34,920 --> 00:57:40,200
Speaker 2: hope you use this time wisely. We have a podcast

1076
00:57:40,920 --> 00:57:51,080
Speaker 2: of our own called Truth Pounds. I think you.

1077
00:57:52,880 --> 00:57:53,360
Speaker 1: Love it.

1078
00:58:00,080 --> 00:58:02,680
Speaker 5: Worked really hard on it. I think the thing that

1079
00:58:02,840 --> 00:58:06,160
Speaker 5: you'll see clearly and here clearly, if anything from it,

1080
00:58:06,280 --> 00:58:08,880
Speaker 5: what you'll take away is that these people worked really hard.

1081
00:58:08,760 --> 00:58:13,480
Speaker 3: On really hard. I think you'll go, who has this

1082
00:58:13,680 --> 00:58:14,200
Speaker 3: much time?

1083
00:58:14,760 --> 00:58:18,160
Speaker 2: Oh? They have this much time? Oh this is still

1084
00:58:18,520 --> 00:58:22,720
Speaker 2: kind of the listener. Oh they have this much time? Wow? Wow, Okay, listener,

1085
00:58:24,000 --> 00:58:27,440
Speaker 2: I you know, I just want to I'm not going

1086
00:58:27,480 --> 00:58:31,000
Speaker 2: to apologize for what these two have just dragged you through,

1087
00:58:32,360 --> 00:58:35,640
Speaker 2: but I am going to say it is what it is.

1088
00:58:37,440 --> 00:58:40,080
Speaker 2: Go listen to truth Haunds. It's very funny. These two

1089
00:58:41,000 --> 00:58:43,280
Speaker 2: are out of control. If you want to hear a

1090
00:58:43,320 --> 00:58:46,320
Speaker 2: podcast where every episode, at least part of it was

1091
00:58:46,520 --> 00:58:50,520
Speaker 2: at the actual beach. I can only you know, I

1092
00:58:50,560 --> 00:58:52,840
Speaker 2: actually can't think of a single other podcast that does that,

1093
00:58:52,920 --> 00:58:53,800
Speaker 2: that can make that promise.

1094
00:58:53,960 --> 00:58:56,360
Speaker 4: Well, actually, if I can even give away a little

1095
00:58:56,440 --> 00:59:01,360
Speaker 4: something without giving too much away, no other podcast will

1096
00:59:01,400 --> 00:59:04,360
Speaker 4: take you where we take you, which is that for

1097
00:59:04,480 --> 00:59:07,840
Speaker 4: one of the episodes, at least you hear us shoveling dirt.

1098
00:59:10,040 --> 00:59:14,800
Speaker 2: Are you comfortable with my revealing that? Yeah, that's okay, Yeah, okay,

1099
00:59:15,040 --> 00:59:17,280
Speaker 2: this is how the game works. I'm going to name

1100
00:59:17,360 --> 00:59:20,480
Speaker 2: three things, and this is gonna be hard. I think

1101
00:59:20,520 --> 00:59:22,120
Speaker 2: I'm gonna have to do it every other We can't

1102
00:59:22,160 --> 00:59:23,880
Speaker 2: have a bunch of conferring between the two of you

1103
00:59:24,040 --> 00:59:26,800
Speaker 2: for each one of these. So it's gonna go one, two, three,

1104
00:59:27,000 --> 00:59:30,000
Speaker 2: Kyle and Kyle. So two answers have to be answered

1105
00:59:30,040 --> 00:59:32,040
Speaker 2: by Kyle. You tell me if they're a gift you

1106
00:59:32,080 --> 00:59:36,680
Speaker 2: a cursor, why and why there are objectively correct answers.

1107
00:59:37,720 --> 00:59:41,160
Speaker 2: You can fail this game and it will be humiliating,

1108
00:59:42,400 --> 00:59:44,280
Speaker 2: So be careful. That's all I'm gonna say. So we're

1109
00:59:44,280 --> 00:59:48,360
Speaker 2: starting with Kyle. Kyle, this is a listener suggestion. Gift

1110
00:59:48,400 --> 00:59:52,520
Speaker 2: you a curse? This is from Lottie Lotty listener sucks

1111
00:59:52,600 --> 00:59:55,600
Speaker 2: with non slip dots on the bottom. Are you familiar

1112
00:59:55,640 --> 00:59:57,720
Speaker 2: with these? They have kind of little white dots along

1113
00:59:57,720 --> 00:59:58,120
Speaker 2: the bottom.

1114
00:59:58,240 --> 01:00:02,720
Speaker 5: It's like for pure bar that kind of exercise. I think,

1115
01:00:02,840 --> 01:00:08,000
Speaker 5: so you don't slip, right. So she's saying socks with

1116
01:00:08,160 --> 01:00:12,520
Speaker 5: those dots. I would say that's a gift because if

1117
01:00:12,600 --> 01:00:16,000
Speaker 5: you did want to do pure bar, I think that

1118
01:00:16,160 --> 01:00:20,400
Speaker 5: they will definitely support you from slipping and falling.

1119
01:00:22,840 --> 01:00:28,919
Speaker 2: So Hi, Lottie, I think it's a gift. Okay, so wrong?

1120
01:00:29,200 --> 01:00:33,960
Speaker 2: Oh wow, right off the bat. No, they're absolutely a curse.

1121
01:00:34,120 --> 01:00:36,080
Speaker 2: I love to slip and slide around the house and

1122
01:00:36,640 --> 01:00:40,400
Speaker 2: see if I'm wearing a pair of these socks with

1123
01:00:40,480 --> 01:00:42,920
Speaker 2: the little white dots on them, I'm in full control,

1124
01:00:43,040 --> 01:00:45,760
Speaker 2: which I don't like, and I can't move as quickly

1125
01:00:45,880 --> 01:00:47,760
Speaker 2: as I need to. Sometimes you need to be running

1126
01:00:47,880 --> 01:00:51,800
Speaker 2: and sliding across the floor to access parts of your

1127
01:00:51,800 --> 01:00:55,640
Speaker 2: house in a faster manner. One thing I will say

1128
01:00:55,800 --> 01:00:57,960
Speaker 2: in favor of those little things is the little white

1129
01:00:58,160 --> 01:01:00,320
Speaker 2: dots remind me of non perils. Is that those are

1130
01:01:00,360 --> 01:01:03,400
Speaker 2: called the candy parrels non parrels, non parrels, which I

1131
01:01:03,440 --> 01:01:05,480
Speaker 2: don't actually like, but they I like the appearance of

1132
01:01:05,560 --> 01:01:06,160
Speaker 2: non parrels.

1133
01:01:06,760 --> 01:01:07,160
Speaker 6: What is it?

1134
01:01:07,200 --> 01:01:09,680
Speaker 2: Why is it called a non parrel? Never heard of this?

1135
01:01:09,840 --> 01:01:10,400
Speaker 2: You've never heard of it?

1136
01:01:10,520 --> 01:01:14,480
Speaker 5: It looks like there is non Well I actually think

1137
01:01:14,520 --> 01:01:18,080
Speaker 5: a non parrel is actually just any like little like

1138
01:01:18,440 --> 01:01:22,200
Speaker 5: sugar like sprinkle is a non parrell like the little

1139
01:01:22,440 --> 01:01:24,040
Speaker 5: like circle white ones?

1140
01:01:24,080 --> 01:01:26,480
Speaker 3: Those are non pre okay, because I actually worked at

1141
01:01:26,520 --> 01:01:26,960
Speaker 3: a bakery.

1142
01:01:27,160 --> 01:01:30,640
Speaker 2: Oh so now we're getting some information. Sorry, Yeah, why

1143
01:01:30,680 --> 01:01:33,920
Speaker 2: am I sharing so much? Red? This is really nice.

1144
01:01:34,160 --> 01:01:38,200
Speaker 2: So it's really nice. You put basically like the dessert

1145
01:01:38,400 --> 01:01:40,440
Speaker 2: version of a button is called a non parrell.

1146
01:01:41,040 --> 01:01:43,920
Speaker 5: Yeah, but I think they're specifically the little white ones

1147
01:01:44,120 --> 01:01:48,240
Speaker 5: if I remember correctly, like the little white.

1148
01:01:48,120 --> 01:01:50,800
Speaker 2: Ones, right, they kind of like the things on the

1149
01:01:50,800 --> 01:01:54,000
Speaker 2: bottom of these sucks. Yeah, I guess, so it's a

1150
01:01:54,040 --> 01:01:57,440
Speaker 2: little larger. But okay, Well you did get it wrong,

1151
01:01:57,680 --> 01:02:01,680
Speaker 2: and that's fine, okay, And it'll be interesting to see

1152
01:02:01,720 --> 01:02:05,160
Speaker 2: if you're able to turn things around. Here, gift your

1153
01:02:05,160 --> 01:02:10,240
Speaker 2: a curse ordering cereal at a restaurant. You're the one ordering, yes,

1154
01:02:11,840 --> 01:02:18,160
Speaker 2: curse And why h First of all, what kind of

1155
01:02:18,200 --> 01:02:22,240
Speaker 2: restaurant is this? You're out of your gourd. Okay, you

1156
01:02:22,320 --> 01:02:25,440
Speaker 2: are out of your gourg The hubris of this restaurant

1157
01:02:26,040 --> 01:02:28,640
Speaker 2: owner who thinks that they could just open a business

1158
01:02:28,720 --> 01:02:31,760
Speaker 2: with everyday items and absolutely not. What if it's a

1159
01:02:31,840 --> 01:02:32,640
Speaker 2: breakfast place.

1160
01:02:34,240 --> 01:02:37,920
Speaker 4: No, no, I'm sorry. No, it's the simplest thing that

1161
01:02:38,000 --> 01:02:40,640
Speaker 4: you can make at home. Are you feeling so homesick

1162
01:02:40,720 --> 01:02:41,520
Speaker 4: that you can't.

1163
01:02:42,000 --> 01:02:46,040
Speaker 3: What if you're on vacation in Miami and I just

1164
01:02:46,200 --> 01:02:47,840
Speaker 3: got it on my brain, I'm sorry.

1165
01:02:48,080 --> 01:02:50,160
Speaker 2: Oh Miami, I'm too busy. I'm with my cash.

1166
01:02:50,400 --> 01:02:52,560
Speaker 5: I'm just saying, like, you got to be healthy, and

1167
01:02:52,680 --> 01:02:56,600
Speaker 5: your partners like, so I get a bold. Your partner

1168
01:02:56,680 --> 01:02:58,959
Speaker 5: is having a huge breakfast, but you're sort of trying

1169
01:02:59,000 --> 01:02:59,560
Speaker 5: to keep healthy.

1170
01:02:59,560 --> 01:03:01,000
Speaker 4: So you're like, I got to do a serial. I

1171
01:03:01,040 --> 01:03:04,080
Speaker 4: don't even think a cereal is a healthy option. First

1172
01:03:04,120 --> 01:03:07,080
Speaker 4: of all, I don't. Again, I see kids and they're like,

1173
01:03:08,120 --> 01:03:12,280
Speaker 4: especially if I have kids, absolutely not. No, we will

1174
01:03:12,320 --> 01:03:13,320
Speaker 4: never see eye to eye on this.

1175
01:03:13,560 --> 01:03:16,959
Speaker 2: This is simple. And so your full answer is curse.

1176
01:03:17,680 --> 01:03:19,560
Speaker 4: I think it's a curse. I think, yeah. I don't

1177
01:03:19,720 --> 01:03:26,720
Speaker 4: like the audacity of the restaurant owner. I have my

1178
01:03:26,800 --> 01:03:29,600
Speaker 4: own cereal style that I'd rather not discuss. On this podcast,

1179
01:03:30,680 --> 01:03:36,600
Speaker 4: So that's private, but that is to say that I'll

1180
01:03:36,640 --> 01:03:41,680
Speaker 4: look like a freak in public. No, okay, And they're

1181
01:03:41,800 --> 01:03:45,680
Speaker 4: marking up the prices, let's be honest. So you know,

1182
01:03:46,800 --> 01:03:48,240
Speaker 4: as my mother used to say, what am I Papa

1183
01:03:48,320 --> 01:03:55,960
Speaker 4: Carlo ping Pinocchio's biological father figure in Pinocchio?

1184
01:03:56,320 --> 01:03:57,600
Speaker 2: What am I Papa Carlo? No?

1185
01:03:57,760 --> 01:04:02,040
Speaker 4: I'm not paying these exorbitant prices. It's some I'm sorry

1186
01:04:02,200 --> 01:04:06,400
Speaker 4: idiots restaurants that was probably handed down to them by

1187
01:04:07,000 --> 01:04:08,160
Speaker 4: a wealthy relative.

1188
01:04:08,200 --> 01:04:10,600
Speaker 2: Absolutely not. I think it's a curse. Kyle, you were

1189
01:04:10,720 --> 01:04:13,520
Speaker 2: so lucky you weren't able to persuade Anna to your

1190
01:04:13,680 --> 01:04:16,440
Speaker 2: side of this, because of course it's a curse. Why

1191
01:04:16,600 --> 01:04:18,800
Speaker 2: is cereal on a restaurant? Man, what are you doing?

1192
01:04:18,920 --> 01:04:21,600
Speaker 2: Why is it different? And it's always like total Yes,

1193
01:04:21,800 --> 01:04:24,480
Speaker 2: the cereal the worst cereal in the world, Absolutely, like

1194
01:04:24,600 --> 01:04:27,200
Speaker 2: something that hasn't been seen since nineteen ninety three. No,

1195
01:04:28,600 --> 01:04:31,720
Speaker 2: what is the point, And it's we're paying ten dollars

1196
01:04:31,800 --> 01:04:34,400
Speaker 2: for what I'm saying. I know it's ten dollars. It's

1197
01:04:34,480 --> 01:04:35,200
Speaker 2: not gonna be three.

1198
01:04:36,000 --> 01:04:38,600
Speaker 4: Literally, they're not like I don't know some of the kids,

1199
01:04:38,720 --> 01:04:41,160
Speaker 4: if your kids are, they're really particular.

1200
01:04:41,240 --> 01:04:43,040
Speaker 2: Okay, give them a cereal for two fifty. It's not

1201
01:04:43,160 --> 01:04:44,160
Speaker 2: that it's I'm paying.

1202
01:04:44,200 --> 01:04:47,240
Speaker 4: You want me to play Brooklyn prices, and I'm sorry,

1203
01:04:47,440 --> 01:04:52,440
Speaker 4: but Brooklyn prices okay for apple jacks, I don't think so,

1204
01:04:53,360 --> 01:04:55,160
Speaker 4: thank you, And I mean, I don't think you're gonna

1205
01:04:55,160 --> 01:04:58,080
Speaker 4: even see apple jacks. And also if the kid, if

1206
01:04:58,120 --> 01:05:00,240
Speaker 4: you've got kids, you can't, You've kids, A got to

1207
01:05:00,280 --> 01:05:03,800
Speaker 4: grow up. You grow about to eat the All American

1208
01:05:03,840 --> 01:05:06,200
Speaker 4: and it's two eggs and bacon and a French toast.

1209
01:05:06,600 --> 01:05:09,480
Speaker 4: You're my child, You're coming with me. I'm giving you

1210
01:05:09,560 --> 01:05:12,600
Speaker 4: oatmeal plane. I don't even want it sweet and grow

1211
01:05:12,720 --> 01:05:17,280
Speaker 4: up right, oatmeal even it requires a third step. Even then,

1212
01:05:17,760 --> 01:05:20,840
Speaker 4: at least with oatmeal, like some preparation was required. It's

1213
01:05:20,880 --> 01:05:23,360
Speaker 4: not the waiter that's just sloppily dumping the cereal in

1214
01:05:23,400 --> 01:05:25,840
Speaker 4: a bowl. Unacceptable. It should not be on restaurant menus

1215
01:05:25,880 --> 01:05:26,680
Speaker 4: and should not be ordered.

1216
01:05:26,720 --> 01:05:27,960
Speaker 2: I agree, and I think they're going to get the

1217
01:05:28,040 --> 01:05:35,160
Speaker 2: ratio wrong. I've milk. Everyone has such an incredibly personal yeah. Okay, okay,

1218
01:05:35,200 --> 01:05:38,160
Speaker 2: so we're you know, one out of tude so far,

1219
01:05:38,600 --> 01:05:42,920
Speaker 2: final one, Kyle, Please please be careful, Please be there

1220
01:05:43,120 --> 01:05:48,440
Speaker 2: gift or a curse. Showers with no doors or with

1221
01:05:48,720 --> 01:05:52,800
Speaker 2: half doors, are you familiar, So like those showers that

1222
01:05:52,920 --> 01:05:55,320
Speaker 2: look like a stable, you know, they kind of look

1223
01:05:55,360 --> 01:05:56,920
Speaker 2: like a stable, or there's like a big piece of

1224
01:05:57,040 --> 01:05:59,400
Speaker 2: glass and then they're just a kind of a gaping hole,

1225
01:05:59,800 --> 01:06:02,560
Speaker 2: kind of a modern shower.

1226
01:06:02,840 --> 01:06:05,600
Speaker 5: As I just I don't want to fail. But as

1227
01:06:05,680 --> 01:06:09,200
Speaker 5: a I know I'm in dangerous territory. But as a

1228
01:06:09,280 --> 01:06:14,160
Speaker 5: private person myself, I just I don't want anyone to

1229
01:06:14,200 --> 01:06:17,800
Speaker 5: see me in the shower, and I just don't want

1230
01:06:17,840 --> 01:06:21,880
Speaker 5: anyone coming in. I don't want any swinging doors. I

1231
01:06:21,920 --> 01:06:24,600
Speaker 5: would say, I prefer a whole tour. You have maximum coverage.

1232
01:06:26,000 --> 01:06:28,840
Speaker 5: I want the most coverage possible. I actually preferred to

1233
01:06:28,920 --> 01:06:37,400
Speaker 5: be separate house. Preferred to actually be separate house in

1234
01:06:37,440 --> 01:06:44,560
Speaker 5: the hold area. Nowhere set you have a holding area, holding.

1235
01:06:44,320 --> 01:06:47,800
Speaker 2: Area, but base camp base camp because you're on set

1236
01:06:47,840 --> 01:06:51,320
Speaker 2: and I'm actually at pace camp where I'm showering, shower separate.

1237
01:06:52,080 --> 01:06:55,320
Speaker 2: So that's my answer. But you didn't curse then, so

1238
01:06:55,760 --> 01:06:56,160
Speaker 2: we're hearing.

1239
01:06:56,240 --> 01:06:58,320
Speaker 3: Yeah, I would say it's a curse you.

1240
01:06:58,400 --> 01:07:01,320
Speaker 2: Turned the ship around. I'm absolutely on board with this.

1241
01:07:01,640 --> 01:07:04,440
Speaker 2: This is a recent trend. I've seen you know, occasionally

1242
01:07:04,440 --> 01:07:06,800
Speaker 2: you'll go to a hotel or something. So I'm two

1243
01:07:06,960 --> 01:07:11,440
Speaker 2: hip hotel and you're getting half a door. Water is

1244
01:07:12,360 --> 01:07:14,360
Speaker 2: I don't care. You can tell me a thousand times

1245
01:07:14,440 --> 01:07:16,280
Speaker 2: water will end up on the floor and I'm sorry,

1246
01:07:16,320 --> 01:07:18,800
Speaker 2: did I pay for half? I want the full experience

1247
01:07:19,720 --> 01:07:22,000
Speaker 2: closed in a little glass room where I don't have

1248
01:07:22,040 --> 01:07:25,320
Speaker 2: to worry about water splashing everywhere. I want that last

1249
01:07:25,480 --> 01:07:28,720
Speaker 2: line of defense in case somebody barges in. Absolutely, and

1250
01:07:28,760 --> 01:07:31,880
Speaker 2: why am I monitoring my bliss? I thank you my eyes.

1251
01:07:31,960 --> 01:07:34,280
Speaker 2: The water is splashing left and right. I should be

1252
01:07:34,320 --> 01:07:38,200
Speaker 2: able to get in there and go wild. The dots around.

1253
01:07:39,720 --> 01:07:43,560
Speaker 4: You're doing heads hands if you recall now, Kyle, I

1254
01:07:43,720 --> 01:07:46,760
Speaker 4: do want to say that. I feel like Miami is

1255
01:07:46,960 --> 01:07:47,919
Speaker 4: very big half door.

1256
01:07:48,120 --> 01:07:50,160
Speaker 2: Oh yeah, that seems like a half door town. How

1257
01:07:50,200 --> 01:07:51,680
Speaker 2: do you I handle that?

1258
01:07:52,200 --> 01:07:54,560
Speaker 5: I'm pretty sure where I'm staying, I made sure there

1259
01:07:54,640 --> 01:07:56,840
Speaker 5: was a full door. I was actually one of the

1260
01:07:57,720 --> 01:08:00,720
Speaker 5: when I was looking around. But she calls the lobby,

1261
01:08:00,880 --> 01:08:03,000
Speaker 5: she goes front desk. She guys said, first of all,

1262
01:08:03,360 --> 01:08:05,320
Speaker 5: first of all, all treat me with respect.

1263
01:08:05,440 --> 01:08:09,160
Speaker 2: Treat me with respect, starting now, coming to you from

1264
01:08:09,200 --> 01:08:12,280
Speaker 2: the Pacific Okay, starting now, I said, now, tell me

1265
01:08:12,280 --> 01:08:15,800
Speaker 2: about your bathrooms. Is it a big door that's that's

1266
01:08:15,880 --> 01:08:18,920
Speaker 2: full size exactly? Yeah, you've got to have the full

1267
01:08:19,040 --> 01:08:22,160
Speaker 2: door absolutely, you know. I uh, I'm glad we're all

1268
01:08:22,280 --> 01:08:25,760
Speaker 2: able to kind of, you know, just decide that we're

1269
01:08:25,800 --> 01:08:28,280
Speaker 2: going to agree on one of these things banned behind

1270
01:08:28,320 --> 01:08:31,759
Speaker 2: all the three of us are behind the full shower experience,

1271
01:08:31,920 --> 01:08:34,000
Speaker 2: well because we have the room because it's a full

1272
01:08:34,080 --> 01:08:37,599
Speaker 2: door right behind the full door, right, so half door

1273
01:08:37,960 --> 01:08:40,519
Speaker 2: maybe one of us not a chance, not a chance,

1274
01:08:40,640 --> 01:08:43,720
Speaker 2: not a chance. I love it. And so two out

1275
01:08:43,760 --> 01:08:47,680
Speaker 2: of three, uh not the you know it's a D.

1276
01:08:48,200 --> 01:08:50,720
Speaker 2: What is that a D plus? Two out of three?

1277
01:08:50,760 --> 01:08:53,519
Speaker 2: I think it's like a B right now, it's like, uh,

1278
01:08:54,320 --> 01:08:57,080
Speaker 2: sixty six percent, isn't it? Yeah it is. It's going

1279
01:08:57,120 --> 01:08:59,040
Speaker 2: to be sixty When you got three, you really have

1280
01:08:59,120 --> 01:09:02,599
Speaker 2: to nail it or you get to Okay, So basically

1281
01:09:02,680 --> 01:09:04,800
Speaker 2: every one of my guests on this podcast has either

1282
01:09:04,840 --> 01:09:07,800
Speaker 2: gone a D plus or an F. I think two

1283
01:09:07,840 --> 01:09:11,320
Speaker 2: people have gotten an A. So you know that's the

1284
01:09:12,400 --> 01:09:18,200
Speaker 2: principal Bridger. Mister Weineger has strict rules, and we've got

1285
01:09:18,280 --> 01:09:20,439
Speaker 2: to get into the final segment of this podcast. It's

1286
01:09:20,439 --> 01:09:23,639
Speaker 2: called I said no emails people write into I said

1287
01:09:23,680 --> 01:09:26,599
Speaker 2: no gifts at gmail dot com. And now these people

1288
01:09:26,720 --> 01:09:31,360
Speaker 2: have needs, they have wants, they have full, rich lives

1289
01:09:32,240 --> 01:09:34,920
Speaker 2: riddled with problems, and so they turned to me. I'm

1290
01:09:34,960 --> 01:09:36,400
Speaker 2: going to read one of these and we're going to

1291
01:09:36,560 --> 01:09:40,080
Speaker 2: help this person whether they like it or not. And

1292
01:09:40,120 --> 01:09:42,360
Speaker 2: I assume they like it because they did write an email,

1293
01:09:43,160 --> 01:09:47,960
Speaker 2: Hello Bridger and esteemed multi hyphenit disobedient guest. So and

1294
01:09:48,040 --> 01:09:50,200
Speaker 2: I think that kind of works for you too, especially

1295
01:09:50,240 --> 01:09:56,560
Speaker 2: combined your multi hyphen your esteemed it says I'm a

1296
01:09:56,800 --> 01:10:00,200
Speaker 2: raging homosexual and a sticky situation and I have to

1297
01:10:00,320 --> 01:10:04,000
Speaker 2: reach out to you. My ex boyfriend of about five

1298
01:10:04,120 --> 01:10:07,439
Speaker 2: years married a lady in twenty nineteen and now they're

1299
01:10:07,479 --> 01:10:10,280
Speaker 2: expecting a baby. We're still relatively close friends, and I

1300
01:10:10,320 --> 01:10:13,240
Speaker 2: think they have been somewhat open with sexuality conversations, etc.

1301
01:10:13,720 --> 01:10:16,240
Speaker 2: But I don't ask too many questions, as you shouldn't.

1302
01:10:16,479 --> 01:10:21,600
Speaker 2: You're now the ex you're not the current sex police. Absolutely.

1303
01:10:22,760 --> 01:10:25,840
Speaker 2: They've since invited me to a zoom baby shower, which

1304
01:10:25,840 --> 01:10:28,000
Speaker 2: I won't be attending. They're bad enough in person. So

1305
01:10:28,120 --> 01:10:31,880
Speaker 2: now this ex boyfriend has said some nice things, acted

1306
01:10:31,920 --> 01:10:34,240
Speaker 2: like the relationship was fine, and then immediately throws both

1307
01:10:34,280 --> 01:10:36,160
Speaker 2: of these people with their baby on the way under

1308
01:10:36,200 --> 01:10:38,640
Speaker 2: the bus. Under the bus. Yeah, but of course I

1309
01:10:38,680 --> 01:10:41,960
Speaker 2: want to send a gift. Being the melodramatic bitch I am,

1310
01:10:42,120 --> 01:10:45,800
Speaker 2: I want my gift to maybe be slightly condescending. If

1311
01:10:45,840 --> 01:10:49,679
Speaker 2: you can't help, no one can with love and admiration, Troy.

1312
01:10:50,560 --> 01:10:54,800
Speaker 2: Troy has brought a It had painted a real complicated

1313
01:10:54,880 --> 01:11:02,280
Speaker 2: picture here. The boyfriend now has a h a wife,

1314
01:11:02,760 --> 01:11:05,639
Speaker 2: not even a girlfriend, but a wife, and they're expecting

1315
01:11:05,680 --> 01:11:10,559
Speaker 2: a baby and apparently left on confusing terms because it's

1316
01:11:10,600 --> 01:11:12,599
Speaker 2: still part of they're still part of each other's lives.

1317
01:11:12,640 --> 01:11:15,519
Speaker 2: But Troy is then writing into my podcast to kind

1318
01:11:15,560 --> 01:11:18,360
Speaker 2: of just destroy them, looking for a gift that is

1319
01:11:18,439 --> 01:11:22,559
Speaker 2: going to make them feel bad them. Troy, We've got

1320
01:11:22,600 --> 01:11:27,519
Speaker 2: to get this baby a condescending gift. What is something

1321
01:11:27,560 --> 01:11:29,640
Speaker 2: we could give a baby that's condescending.

1322
01:11:30,080 --> 01:11:32,720
Speaker 5: I don't know if this really is condescending, but what

1323
01:11:32,920 --> 01:11:35,439
Speaker 5: you could do is you could get the baby get

1324
01:11:35,640 --> 01:11:38,000
Speaker 5: them closed for when it's like fourteen years old.

1325
01:11:38,520 --> 01:11:41,320
Speaker 2: Oh that's interesting, kind of like kind of like that

1326
01:11:41,479 --> 01:11:44,320
Speaker 2: is condescending to a baby, that's when you start to matter.

1327
01:11:45,600 --> 01:11:51,160
Speaker 4: You're worthless, worthless into those pans, absolutely right, that's about fourteen.

1328
01:11:51,200 --> 01:11:53,559
Speaker 4: And the pants can be as fabulous as you want. Yeah,

1329
01:11:54,080 --> 01:11:57,479
Speaker 4: that's the thing. There's no limit. There's no limit fabulous

1330
01:11:57,520 --> 01:12:00,320
Speaker 4: the pants can be. So it's something to look forward to. Sure,

1331
01:12:00,439 --> 01:12:03,200
Speaker 4: but I think would breed resentment. So it's technically a

1332
01:12:03,240 --> 01:12:03,680
Speaker 4: great gift.

1333
01:12:03,720 --> 01:12:06,519
Speaker 2: They're great pants, yeah right, But in the meantime, it's like,

1334
01:12:06,680 --> 01:12:10,280
Speaker 2: when well I get there, how about like a dense,

1335
01:12:10,600 --> 01:12:15,479
Speaker 2: dry novel, Like, yeah, you're getting a moby dick that

1336
01:12:15,560 --> 01:12:18,160
Speaker 2: might even be too much fun, you know, Warren Piece,

1337
01:12:18,360 --> 01:12:20,439
Speaker 2: Warren Piece. You send a copy of Warren Piece to

1338
01:12:20,520 --> 01:12:25,960
Speaker 2: the baby, and it's like, try reading this baby, Yeah, wow,

1339
01:12:26,800 --> 01:12:30,280
Speaker 2: I love that your parents are freaking out. Now ex

1340
01:12:30,360 --> 01:12:32,160
Speaker 2: boyfriend wasn't even on the zoom and now he's sending

1341
01:12:32,200 --> 01:12:38,240
Speaker 2: Warren Peace and usps not even yeah, oh gosh, Notex

1342
01:12:38,400 --> 01:12:45,280
Speaker 2: or the other guys. Cruel, condescending delivered in a breaking Yeah,

1343
01:12:45,400 --> 01:12:48,080
Speaker 2: it's just technically a good book, oh of course. But

1344
01:12:49,200 --> 01:12:53,680
Speaker 2: maybe once he's eighteen. Yeah, Troy, how about that for

1345
01:12:53,760 --> 01:12:59,160
Speaker 2: an answer. You've got two condescending gifts and goodness stamp, right,

1346
01:12:59,200 --> 01:13:02,640
Speaker 2: on the book. Put it in an envelope, because you

1347
01:13:02,680 --> 01:13:05,000
Speaker 2: can mail anything if you put you can put this.

1348
01:13:05,720 --> 01:13:08,160
Speaker 2: You know you can technically mail like a rock if

1349
01:13:08,200 --> 01:13:10,120
Speaker 2: you oh, yes, don't put it in package. Don't even

1350
01:13:10,120 --> 01:13:11,679
Speaker 2: put in PA. Is that true? You put a stamp

1351
01:13:11,720 --> 01:13:13,640
Speaker 2: in an address on anything? Are you? I have a

1352
01:13:13,680 --> 01:13:16,120
Speaker 2: hard time believing that, yes, I put, I can put

1353
01:13:16,160 --> 01:13:20,439
Speaker 2: the book in the mail usps, yes, us ps. Okay,

1354
01:13:20,520 --> 01:13:22,800
Speaker 2: So I mean again, not feedex or any of the

1355
01:13:23,439 --> 01:13:28,439
Speaker 2: But guys and gals encouraging people to kind of send rocks.

1356
01:13:28,680 --> 01:13:30,600
Speaker 3: Well, why don't I tell your listener to try it?

1357
01:13:31,280 --> 01:13:33,360
Speaker 2: Troy, this perfect opportunity to try it.

1358
01:13:33,880 --> 01:13:36,719
Speaker 5: You slap A have to be in that kind of shape,

1359
01:13:36,760 --> 01:13:38,560
Speaker 5: could it be? Could you actually mail a pair of

1360
01:13:38,640 --> 01:13:41,160
Speaker 5: jeans then, and just put the address on the gens honest?

1361
01:13:41,240 --> 01:13:43,680
Speaker 3: For what came to mind for me? Imagine just think

1362
01:13:43,760 --> 01:13:46,479
Speaker 3: you could. I think it's anything with.

1363
01:13:48,040 --> 01:13:51,160
Speaker 4: I'm under the impression, and keep in mind I'm foreign,

1364
01:13:51,880 --> 01:13:54,080
Speaker 4: but I am under the impression that you could put

1365
01:13:55,360 --> 01:13:57,920
Speaker 4: But because I've had to study your culture meticulously.

1366
01:13:57,560 --> 01:14:00,720
Speaker 5: Right and right, I guess the danger is that you

1367
01:14:00,840 --> 01:14:04,280
Speaker 5: without the packaging, someone could easily just say, wow, I

1368
01:14:04,360 --> 01:14:04,800
Speaker 5: want those.

1369
01:14:05,479 --> 01:14:09,719
Speaker 2: I'm about thirty eight light. Could we slip into these jeans,

1370
01:14:09,800 --> 01:14:14,320
Speaker 2: my long legs into these jeans? Peel the say thirty eight. Yeah,

1371
01:14:14,360 --> 01:14:17,360
Speaker 2: that's a that's an interesting uh. I can said thirty

1372
01:14:17,400 --> 01:14:20,200
Speaker 2: three thirty eight thirty two waist, thirty eight legs. So

1373
01:14:20,880 --> 01:14:21,880
Speaker 2: how tall is that person?

1374
01:14:22,720 --> 01:14:22,920
Speaker 1: Tall?

1375
01:14:23,760 --> 01:14:30,240
Speaker 4: Tall guyer gal X pant peddler at Levi's, specifically the

1376
01:14:30,320 --> 01:14:33,240
Speaker 4: men's floor. If I'm if you're asking me to go

1377
01:14:33,400 --> 01:14:36,800
Speaker 4: back to backstock for thirty three thirty eight thirty two,

1378
01:14:37,360 --> 01:14:40,080
Speaker 4: be fair to me, Okay, thirty thirty thirty eight.

1379
01:14:40,400 --> 01:14:43,320
Speaker 2: I'll humor you. I'll go back there, but I might

1380
01:14:43,400 --> 01:14:45,880
Speaker 2: be taking an unofficial break because I know I'm not

1381
01:14:45,920 --> 01:14:49,240
Speaker 2: finding them back there, so I know I'm coming out empty.

1382
01:14:49,479 --> 01:14:51,800
Speaker 3: But okay, have it your away. I'll go back there

1383
01:14:51,840 --> 01:14:53,000
Speaker 3: and I'll look okay.

1384
01:14:53,240 --> 01:14:55,519
Speaker 4: But so I'm pretty sure you're right Kyle in that

1385
01:14:55,760 --> 01:14:58,800
Speaker 4: it's I think it's more that the packaging is like

1386
01:14:59,600 --> 01:15:01,000
Speaker 4: these are these could be pants?

1387
01:15:01,040 --> 01:15:06,000
Speaker 2: They could not be. Yeah, it's yeah, and I've stayed away. Yeah.

1388
01:15:06,280 --> 01:15:08,800
Speaker 2: I did work for the USPS for a total of

1389
01:15:09,439 --> 01:15:11,400
Speaker 2: three days. Is that true. I've worked in one of

1390
01:15:11,439 --> 01:15:14,040
Speaker 2: their data processing centers where they you would have to

1391
01:15:14,080 --> 01:15:17,000
Speaker 2: type in the ZIP code of every piece of mail

1392
01:15:17,040 --> 01:15:19,400
Speaker 2: that came through. I worked in a giant warehouse full

1393
01:15:19,479 --> 01:15:22,120
Speaker 2: of polygamist women. For whatever reason, a lot of the

1394
01:15:22,240 --> 01:15:25,280
Speaker 2: employees were polygamist women at the meeting, and it was

1395
01:15:25,360 --> 01:15:29,320
Speaker 2: such a miserable job. It was so painful because they

1396
01:15:29,320 --> 01:15:32,080
Speaker 2: wouldn't let you use the regular keyboard method of typing

1397
01:15:32,160 --> 01:15:34,479
Speaker 2: with the small little numbers. You had to relearn how

1398
01:15:34,520 --> 01:15:39,479
Speaker 2: to type numbers. And it was freezing cold. And so

1399
01:15:39,600 --> 01:15:41,680
Speaker 2: what I'm saying here is I never saw a pair

1400
01:15:41,720 --> 01:15:45,120
Speaker 2: of jeans with a stamp. I never saw a rock, Okay,

1401
01:15:45,560 --> 01:15:47,599
Speaker 2: just because you didn't see it. In the three days,

1402
01:15:48,800 --> 01:15:51,040
Speaker 2: we've learned a lot about our job histories on this.

1403
01:15:51,720 --> 01:15:54,960
Speaker 2: Let's close up the mail bag here zip. I've never

1404
01:15:55,040 --> 01:15:59,880
Speaker 2: done that before, but Troyebert say that zip is a keeper.

1405
01:16:00,040 --> 01:16:05,080
Speaker 2: Oh it's absolute key for days looking forward to this state, Troy,

1406
01:16:05,160 --> 01:16:08,600
Speaker 2: you got your answer, and look you two, this is

1407
01:16:08,800 --> 01:16:11,479
Speaker 2: actually the end of the podcast. And so I now

1408
01:16:11,560 --> 01:16:16,000
Speaker 2: have my Queen Bee soup spoon holder? Is that what

1409
01:16:16,120 --> 01:16:19,640
Speaker 2: it was called? Spoon rest? Thank you? Uh? And my

1410
01:16:20,000 --> 01:16:24,879
Speaker 2: what we came to terms with is a tunic potential

1411
01:16:24,960 --> 01:16:30,680
Speaker 2: caftan sole an original sole. Thank you, Kiki reach Out.

1412
01:16:31,360 --> 01:16:35,240
Speaker 2: We're looking for advertisers lease reach Out. I'm willing to, uh,

1413
01:16:35,520 --> 01:16:38,400
Speaker 2: you know, lie about your brand. I'm not going to

1414
01:16:38,439 --> 01:16:40,240
Speaker 2: be lying. I will tell the truth about your brand

1415
01:16:40,240 --> 01:16:42,160
Speaker 2: because I've got your quality product. And I'm going to

1416
01:16:42,200 --> 01:16:45,240
Speaker 2: be out here in the backyard getting stung by a

1417
01:16:45,320 --> 01:16:49,680
Speaker 2: bee in my tiny little tunic. You're Queen Bee, and

1418
01:16:49,760 --> 01:16:52,360
Speaker 2: I'll be holding my superrest you too. Thank you so

1419
01:16:52,479 --> 01:16:55,560
Speaker 2: much for being here. Thank you so much. It's been delightful.

1420
01:16:56,160 --> 01:16:58,760
Speaker 2: I'm so thrilled to have these gifts that I will

1421
01:16:58,800 --> 01:17:02,800
Speaker 2: be using, utilizing and listener. Who knows what next week

1422
01:17:02,840 --> 01:17:06,280
Speaker 2: will bring, who knows what ten minutes from now will bring.

1423
01:17:06,439 --> 01:17:11,880
Speaker 2: That's what's exciting about life. Goodbye, take care. This is

1424
01:17:11,920 --> 01:17:18,960
Speaker 2: the end of the podcast. I said No Gifts is

1425
01:17:19,000 --> 01:17:23,760
Speaker 2: an exactly right production. It's produced and engineered by our

1426
01:17:23,880 --> 01:17:27,360
Speaker 2: dear friend Annalise Nelson and the theme song is by

1427
01:17:27,520 --> 01:17:31,360
Speaker 2: miracle worker Amy Mann. You must follow the show on

1428
01:17:31,600 --> 01:17:35,800
Speaker 2: Instagram at I Said No Gifts. That's where you're going

1429
01:17:35,840 --> 01:17:38,759
Speaker 2: to see pictures of all these wonderful gifts I'm getting.

1430
01:17:39,040 --> 01:17:42,760
Speaker 2: You have to see the gifts. Listen and subscribe on

1431
01:17:42,920 --> 01:17:47,080
Speaker 2: Apple Podcasts, Stitcher or wherever you found me. And why

1432
01:17:47,200 --> 01:17:50,200
Speaker 2: not leave a review while you're there. It's really the

1433
01:17:50,320 --> 01:17:52,720
Speaker 2: least you could do considering everything I do for you.

1434
01:17:53,400 --> 01:17:56,720
Speaker 2: And if you're interested in advertising on the show, go

1435
01:17:56,880 --> 01:17:59,439
Speaker 2: to midrol dot com slash ads.

1436
01:18:01,080 --> 01:18:08,040
Speaker 1: But I invited you here, thought I made myself perfectly clear.

1437
01:18:09,360 --> 01:18:14,439
Speaker 1: But you're I guess to my home. You gotta come

1438
01:18:14,520 --> 01:18:21,200
Speaker 1: to me empty, and I said, no, guess. Your presences

1439
01:18:21,479 --> 01:18:26,679
Speaker 1: presents enough that I already had too much stuff.

1440
01:18:27,439 --> 01:18:30,560
Speaker 2: So how did you dare to surbey me?