1 00:00:00,120 --> 00:00:01,720 Speaker 1: This interview lounge. 2 00:00:02,240 --> 00:00:06,320 Speaker 2: The nicest guys, Nick, Froddy, Annie. Of course you know 3 00:00:06,400 --> 00:00:09,799 Speaker 2: winner of America. I don't back in the day. But now, well, 4 00:00:10,080 --> 00:00:12,080 Speaker 2: a big announcement. We'll leave it at that. Nick, welcome 5 00:00:12,119 --> 00:00:12,520 Speaker 2: to the show. 6 00:00:12,600 --> 00:00:13,800 Speaker 3: How are you doing. I'm great. 7 00:00:13,840 --> 00:00:16,400 Speaker 2: You know, several times since we planned on you being 8 00:00:16,400 --> 00:00:18,720 Speaker 2: here today, I almost cracked and like announced it, but 9 00:00:19,160 --> 00:00:20,239 Speaker 2: it wasn't officially announced. 10 00:00:20,280 --> 00:00:21,319 Speaker 3: It's not announced till today. 11 00:00:21,360 --> 00:00:23,440 Speaker 4: Right yeah, well this, yeah, it's not announced till after 12 00:00:24,000 --> 00:00:26,600 Speaker 4: this show because I said, Elvis, I want to announce 13 00:00:27,040 --> 00:00:28,319 Speaker 4: my cool news on your show. 14 00:00:28,400 --> 00:00:28,800 Speaker 3: Exactly. 15 00:00:28,880 --> 00:00:31,520 Speaker 5: Okay, you have such great neck nuts, like you should 16 00:00:31,560 --> 00:00:33,640 Speaker 5: be doing radio. Like that voice is just. 17 00:00:33,520 --> 00:00:35,720 Speaker 3: Wait, that's what a visual? 18 00:00:35,880 --> 00:00:37,279 Speaker 6: So like that's when you have like. 19 00:00:37,240 --> 00:00:39,520 Speaker 5: A great voice for radio, that deep voice. 20 00:00:40,040 --> 00:00:40,280 Speaker 7: Nuts. 21 00:00:40,479 --> 00:00:42,479 Speaker 2: Next, we know it has to do with like scrot 22 00:00:42,520 --> 00:00:45,360 Speaker 2: them and stuff. You don't know what you're talking about. 23 00:00:45,400 --> 00:00:50,520 Speaker 3: Sorry, I take you. Sorry to his girlfriend, my lord, 24 00:00:51,120 --> 00:00:53,480 Speaker 3: I love it. Less than sixty seconds in. This whole 25 00:00:53,479 --> 00:00:55,880 Speaker 3: thing is just about neck nuts going down a slippery 26 00:00:55,920 --> 00:00:58,240 Speaker 3: slope to hell. This is Gondehi, you've never met Gande. 27 00:00:58,360 --> 00:01:00,440 Speaker 3: This is forget nice to be nice to be you too. 28 00:01:00,680 --> 00:01:01,280 Speaker 3: I'm excited. 29 00:01:01,400 --> 00:01:04,520 Speaker 2: Okay, So Nick Frediani sent me a text and said, 30 00:01:04,640 --> 00:01:08,240 Speaker 2: guess what big announcement And it is a big announcement. 31 00:01:08,319 --> 00:01:10,600 Speaker 2: And I know you've been involved with this production, but 32 00:01:11,240 --> 00:01:13,319 Speaker 2: you're now going to be at the front. 33 00:01:13,840 --> 00:01:15,360 Speaker 3: You want to tell everyone what you're doing. Yeah? 34 00:01:15,440 --> 00:01:19,240 Speaker 4: Sure, so so yeah, starting October thirty first, I'll be 35 00:01:19,319 --> 00:01:21,880 Speaker 4: the lead in A Beautiful Noise on Broadway, which is 36 00:01:21,920 --> 00:01:24,000 Speaker 4: the Neil Diamond musical, and I'll be playing Neil Diamond. 37 00:01:24,160 --> 00:01:29,240 Speaker 3: Yeah, yeah, you this is cool. It is fun. 38 00:01:29,280 --> 00:01:30,920 Speaker 4: It's been so I've been a part of the show 39 00:01:30,959 --> 00:01:33,600 Speaker 4: now for a year and kind of you know, it's 40 00:01:33,600 --> 00:01:36,240 Speaker 4: been it's been so much fun and so now I 41 00:01:36,280 --> 00:01:37,720 Speaker 4: get to do it just a whole lot more. 42 00:01:37,880 --> 00:01:39,320 Speaker 2: So Okay, so let me tell you a couple of 43 00:01:39,319 --> 00:01:41,800 Speaker 2: fun things about this situation. So Nick Froudyani has been 44 00:01:41,800 --> 00:01:44,800 Speaker 2: involved as the understudy of the actor who played Neil 45 00:01:44,800 --> 00:01:47,240 Speaker 2: Diamond for a year. All right, So if you go 46 00:01:47,280 --> 00:01:49,400 Speaker 2: to a Broadway show and you open up the play 47 00:01:49,440 --> 00:01:51,560 Speaker 2: bill and that little white piece of paper falls out, 48 00:01:51,600 --> 00:01:54,880 Speaker 2: it says, sorry the lead is the lead isn't here tonight. 49 00:01:54,960 --> 00:01:57,520 Speaker 2: So the part of Neil Diamond will be played by 50 00:01:57,800 --> 00:02:01,440 Speaker 2: You're like oh crap, then you like, oh, Nick Froudiani. 51 00:02:01,680 --> 00:02:05,080 Speaker 3: Okay, yeah, I'd rather see Nick Froudiani than the other guy. 52 00:02:05,200 --> 00:02:06,680 Speaker 4: I did get that a couple of times, but it's 53 00:02:06,680 --> 00:02:09,640 Speaker 4: more confusion, like, wait, is that the guy from that show? 54 00:02:10,320 --> 00:02:12,440 Speaker 3: Was it the voice? Was it America's guy? 55 00:02:12,840 --> 00:02:13,000 Speaker 1: All? 56 00:02:13,040 --> 00:02:13,760 Speaker 3: It's one of those. 57 00:02:13,840 --> 00:02:18,240 Speaker 2: Yeah, but yeah, so that's gotta be weird because usually, 58 00:02:18,320 --> 00:02:21,600 Speaker 2: and look, I love Broadway, we love musicals, and usually 59 00:02:21,639 --> 00:02:24,440 Speaker 2: the understudy is someone who's up and coming and you 60 00:02:24,800 --> 00:02:28,000 Speaker 2: may have not heard of if you're not in Broadway circles. 61 00:02:28,760 --> 00:02:30,760 Speaker 2: But this is a situation where for a year you 62 00:02:30,800 --> 00:02:35,080 Speaker 2: were there and you were known albums music, right, So 63 00:02:35,080 --> 00:02:36,200 Speaker 2: it's it's a little different. 64 00:02:36,320 --> 00:02:39,040 Speaker 4: Yeah, it was. It was well, I knew going into 65 00:02:39,080 --> 00:02:40,800 Speaker 4: it kind of what it was. I mean, it was 66 00:02:40,800 --> 00:02:44,000 Speaker 4: twenty twenty one, the lockdown was still kind of going on. 67 00:02:44,120 --> 00:02:47,320 Speaker 4: And I had done a musical in twenty nineteen. I 68 00:02:47,360 --> 00:02:49,680 Speaker 4: did a Bronx Tale and I did the national tour. 69 00:02:49,720 --> 00:02:52,920 Speaker 4: So that was my first like learning about acting and 70 00:02:53,040 --> 00:02:55,160 Speaker 4: taking classes and and and. 71 00:02:55,120 --> 00:02:55,840 Speaker 3: I fell in love with it. 72 00:02:55,840 --> 00:02:58,400 Speaker 4: So then I got an agent for musical theater and 73 00:02:58,480 --> 00:03:01,480 Speaker 4: I saw in twenty twenty one announcement that Neil Diamond 74 00:03:01,680 --> 00:03:03,840 Speaker 4: musical was going to Broadway. So I texted my agent like, 75 00:03:03,880 --> 00:03:05,680 Speaker 4: this is it thirty They're looking for a thirty year 76 00:03:05,680 --> 00:03:07,679 Speaker 4: old that could play the guitar, thirty to forty that 77 00:03:07,720 --> 00:03:09,880 Speaker 4: could play guitar and sing with a baritone. 78 00:03:09,919 --> 00:03:11,920 Speaker 3: I'm like, that's you know, that's perfect. They're looking for 79 00:03:11,919 --> 00:03:13,680 Speaker 3: net nuts. Yeah, they're looking for those net nuts. 80 00:03:13,680 --> 00:03:20,040 Speaker 4: It's true little gravel in there, Okay, And so he said, Unfortunately, unfortunately, 81 00:03:20,400 --> 00:03:22,480 Speaker 4: you know, the role's already been it's been in the 82 00:03:22,480 --> 00:03:25,640 Speaker 4: works for like two years. So but I just felt, really, 83 00:03:26,680 --> 00:03:28,080 Speaker 4: I just felt like I was supposed to do it. 84 00:03:28,120 --> 00:03:30,480 Speaker 4: And my father is like a diehard Neil fan. I 85 00:03:30,520 --> 00:03:33,400 Speaker 4: grew up with him playing Neil Diamond songs and he 86 00:03:33,440 --> 00:03:35,600 Speaker 4: brought me to my first concert, which was Neil Diamond 87 00:03:35,600 --> 00:03:37,720 Speaker 4: when I was four years old. Oh really, sort of God, 88 00:03:37,800 --> 00:03:39,320 Speaker 4: So I just felt like there was some reason I 89 00:03:39,320 --> 00:03:40,960 Speaker 4: should do it. And I've still had a lot to 90 00:03:41,040 --> 00:03:43,480 Speaker 4: learn in terms of my acting in musical theater, so 91 00:03:43,760 --> 00:03:46,040 Speaker 4: I think doing this for a year has just really 92 00:03:46,200 --> 00:03:49,280 Speaker 4: my experience has like gone, you know, it's like on 93 00:03:49,320 --> 00:03:52,880 Speaker 4: a speed track of learning about musical theater. 94 00:03:53,000 --> 00:03:55,440 Speaker 2: This is very cool and I'll tell you Neil Diamond 95 00:03:55,480 --> 00:03:57,480 Speaker 2: well as old as I am, I grew up listening 96 00:03:57,480 --> 00:03:59,520 Speaker 2: to Neil Diamond. I mean, Neil Diamond's been a force 97 00:03:59,560 --> 00:04:00,320 Speaker 2: for many. 98 00:04:00,560 --> 00:04:02,040 Speaker 5: Did your dad meet Neil Diamond. 99 00:04:02,240 --> 00:04:02,920 Speaker 3: He didn't get to. 100 00:04:03,040 --> 00:04:05,760 Speaker 4: He hasn't gotten to meet him yet, but he's gonna 101 00:04:05,880 --> 00:04:08,120 Speaker 4: if he does, he's gonna freak out. Oh yeah, Like, 102 00:04:08,200 --> 00:04:11,680 Speaker 4: my dad's very emotional. So like, first, sure, we'll start crying. 103 00:04:12,720 --> 00:04:12,960 Speaker 3: Crying. 104 00:04:13,040 --> 00:04:15,720 Speaker 4: Da just that my sister just got married and he 105 00:04:15,840 --> 00:04:19,120 Speaker 4: walked her down the aisle and it was like so ridiculous. 106 00:04:19,200 --> 00:04:22,840 Speaker 3: I mean, just really crying heavy and we're like, you 107 00:04:22,920 --> 00:04:25,360 Speaker 3: gotta smile. Looks like you're walking down a funeral procession. 108 00:04:25,440 --> 00:04:27,640 Speaker 3: Next next Dad, By the way, he was a super sweet, 109 00:04:27,680 --> 00:04:30,880 Speaker 3: great music. He came in with you. Yeah, he was 110 00:04:30,920 --> 00:04:35,039 Speaker 3: here once and he cried as I always laugh about. 111 00:04:35,040 --> 00:04:36,479 Speaker 4: I don't know if you remember this, but right after 112 00:04:36,480 --> 00:04:38,360 Speaker 4: I one Idol, I was here and you were we 113 00:04:38,360 --> 00:04:39,919 Speaker 4: were talking about how my dad wants you know, what 114 00:04:40,040 --> 00:04:41,720 Speaker 4: he plays in our band a lot, and he was like, 115 00:04:42,080 --> 00:04:44,520 Speaker 4: and you said something along the lines of, well, now 116 00:04:44,520 --> 00:04:48,720 Speaker 4: he's selling out the Boom Boom Room in Connecticut at 117 00:04:48,720 --> 00:04:50,840 Speaker 4: the day, so he's like Elvis thinks I'm playing the 118 00:04:50,839 --> 00:04:51,600 Speaker 4: boom boom room. 119 00:04:52,520 --> 00:04:52,880 Speaker 1: Why not? 120 00:04:53,880 --> 00:04:55,920 Speaker 3: I thought that was funny. There was a compliment. 121 00:04:56,600 --> 00:04:58,200 Speaker 2: Well okay, so I mean, if you're just turning us 122 00:04:58,200 --> 00:05:01,960 Speaker 2: on Nick Friday, Anni is now going to star on 123 00:05:02,000 --> 00:05:07,000 Speaker 2: Broadway as Neil Diamond Beautiful Noise. And I remember when 124 00:05:07,080 --> 00:05:09,640 Speaker 2: this musical first came out and I was like, I 125 00:05:09,680 --> 00:05:11,960 Speaker 2: gotta go see it, and for some reason never did. 126 00:05:12,560 --> 00:05:15,160 Speaker 2: It was it depends everything, you know, everything just kept 127 00:05:15,200 --> 00:05:17,080 Speaker 2: me out out of this, this this musical. 128 00:05:17,160 --> 00:05:19,320 Speaker 3: Now I gotta go. You have to come. How about 129 00:05:19,320 --> 00:05:19,839 Speaker 3: on Halloween. 130 00:05:19,880 --> 00:05:22,440 Speaker 4: Actually, on Halloween, which is my first show as the 131 00:05:22,680 --> 00:05:25,520 Speaker 4: as the lead is, dress up like Neil Diamond day. 132 00:05:25,560 --> 00:05:28,360 Speaker 4: So if you do come, what I think we should 133 00:05:28,600 --> 00:05:30,279 Speaker 4: all of you guys should dress up like Neil and 134 00:05:30,320 --> 00:05:32,719 Speaker 4: we'll kind of have a vote as to who's what 135 00:05:32,839 --> 00:05:39,440 Speaker 4: a provocative costume. They all sequence the ones nuts neck 136 00:05:39,520 --> 00:05:40,760 Speaker 4: nuts is important in this role. 137 00:05:41,400 --> 00:05:42,000 Speaker 3: Low voice. 138 00:05:42,480 --> 00:05:45,240 Speaker 2: So okay, So when you play Neil Diamond, since I 139 00:05:45,240 --> 00:05:47,360 Speaker 2: haven't seen it, so I can learn from here, do 140 00:05:47,400 --> 00:05:50,120 Speaker 2: they want you to sound like him? Do they want you? 141 00:05:50,240 --> 00:05:52,520 Speaker 2: I mean, do you do you? Did you take Neil 142 00:05:52,560 --> 00:05:57,520 Speaker 2: Diamond lessons? I didn't take Neil Diamond lessons. But I 143 00:05:57,600 --> 00:06:00,760 Speaker 2: kind of gave myself Neil Diamond lessons by listening, and 144 00:06:00,800 --> 00:06:02,719 Speaker 2: I kind of obsessed over it to try to sound 145 00:06:02,800 --> 00:06:04,960 Speaker 2: like him as much as possible. And he has interesting, 146 00:06:05,200 --> 00:06:09,160 Speaker 2: interesting phrasings when he sings, and so yeah, I kind 147 00:06:09,200 --> 00:06:11,159 Speaker 2: of obsessed over it and got it to a place 148 00:06:11,200 --> 00:06:12,919 Speaker 2: where it sounds a lot like. 149 00:06:13,040 --> 00:06:15,720 Speaker 5: What about like watching him, like did you make it? 150 00:06:15,880 --> 00:06:17,839 Speaker 5: Get his mannerisms and all that stuffy? 151 00:06:19,200 --> 00:06:22,480 Speaker 3: Does he have mannerism? Yeah, he does. He's very well. 152 00:06:22,520 --> 00:06:25,320 Speaker 4: He does have like a certain way that he talks, 153 00:06:25,360 --> 00:06:27,360 Speaker 4: which is kind of like almost low, with like a 154 00:06:27,440 --> 00:06:30,960 Speaker 4: vocal fry, and he says the words very interestingly and 155 00:06:31,000 --> 00:06:32,720 Speaker 4: he kind of goes you know. So, so I really 156 00:06:32,760 --> 00:06:35,120 Speaker 4: watched a bunch of videos of him from the time 157 00:06:35,160 --> 00:06:39,320 Speaker 4: he was like twenties to forties and like just watched 158 00:06:39,320 --> 00:06:41,320 Speaker 4: a ton of interviews to get his talking voice down 159 00:06:41,360 --> 00:06:43,640 Speaker 4: and then but the singing. Luckily, I have a similar 160 00:06:43,800 --> 00:06:46,400 Speaker 4: like tambour in my voice as he does, so I 161 00:06:46,440 --> 00:06:48,200 Speaker 4: really just had to figure out the way in which 162 00:06:48,200 --> 00:06:49,520 Speaker 4: he said the words. 163 00:06:51,360 --> 00:06:54,320 Speaker 3: He has this phrasing when he sings where he'll hit 164 00:06:54,360 --> 00:06:56,880 Speaker 3: a note and he'll drop it. He'll go Love on 165 00:06:56,960 --> 00:06:57,880 Speaker 3: the Rocks. 166 00:06:57,960 --> 00:07:02,520 Speaker 1: Yeah, Love on the Rocks. 167 00:07:02,640 --> 00:07:05,240 Speaker 3: That was good, though, you just sounded like Neil Diamond 168 00:07:05,720 --> 00:07:06,880 Speaker 3: or Sweet. 169 00:07:09,720 --> 00:07:11,240 Speaker 2: You kind of have it, I mean hits a No, 170 00:07:11,600 --> 00:07:14,280 Speaker 2: I could be your under I was gonna say, Nick 171 00:07:14,360 --> 00:07:17,360 Speaker 2: Cardiani not here tonight playing the part of Neil Diamond, 172 00:07:17,360 --> 00:07:18,680 Speaker 2: Elvis durhan Ah crap. 173 00:07:19,680 --> 00:07:21,800 Speaker 3: No. I think people would pay a lot of money. 174 00:07:21,760 --> 00:07:24,960 Speaker 3: I think we'd sell out every night. Who's his idiot 175 00:07:25,000 --> 00:07:25,880 Speaker 3: playing Diamond? 176 00:07:26,000 --> 00:07:26,840 Speaker 1: You know it's so crazy. 177 00:07:26,880 --> 00:07:29,200 Speaker 5: You're you're now in the show playing the guy who 178 00:07:29,280 --> 00:07:31,600 Speaker 5: we all sing in the bars. You know, Sweet Caroline. 179 00:07:31,640 --> 00:07:35,040 Speaker 5: Everyone screams it out college parties. You scream out that song. 180 00:07:35,200 --> 00:07:35,960 Speaker 3: It's really crazy. 181 00:07:35,960 --> 00:07:38,520 Speaker 4: I mean it's funny, but we do it in the show, 182 00:07:39,000 --> 00:07:43,320 Speaker 4: uh a few times, and uh it every night. I 183 00:07:43,320 --> 00:07:45,960 Speaker 4: mean people just get crazy over that song. I mean, 184 00:07:46,200 --> 00:07:48,040 Speaker 4: I think it's one of those songs no matter where 185 00:07:48,040 --> 00:07:48,760 Speaker 4: you are, you know. 186 00:07:49,280 --> 00:07:50,320 Speaker 3: You just have to sing along. 187 00:07:50,640 --> 00:07:54,080 Speaker 2: Now, Gandhi not as old as me. So Neil Diamond 188 00:07:54,120 --> 00:07:56,280 Speaker 2: has he ever been in your universe? I mean you're 189 00:07:56,320 --> 00:07:57,560 Speaker 2: familiar with who he is. 190 00:07:57,600 --> 00:08:01,960 Speaker 6: Of course. I saw Saving Silverman. If they were obsessed 191 00:08:02,000 --> 00:08:04,080 Speaker 6: with Meal Diamond. If you haven't seen it, but I 192 00:08:04,120 --> 00:08:06,600 Speaker 6: have a question about being an understudy before you were 193 00:08:06,600 --> 00:08:09,680 Speaker 6: this lead role. Are you guys all friendly and you 194 00:08:09,720 --> 00:08:11,360 Speaker 6: all get along and you're just like, yeah, kill it, 195 00:08:11,480 --> 00:08:13,240 Speaker 6: or do you secretly wish behind the scenes, like, oh, 196 00:08:13,240 --> 00:08:17,960 Speaker 6: I hope they trip and fall on nothing totally detrimental, 197 00:08:18,040 --> 00:08:18,600 Speaker 6: but just like. 198 00:08:18,640 --> 00:08:23,120 Speaker 3: Right, little little ankle twist. No, I mean, damn it 199 00:08:23,640 --> 00:08:24,240 Speaker 3: one day someone. 200 00:08:24,480 --> 00:08:26,040 Speaker 4: I mean, I don't think so, but I mean I 201 00:08:26,040 --> 00:08:29,000 Speaker 4: think some people really want to go on and uh. 202 00:08:29,360 --> 00:08:31,200 Speaker 4: But usually over the course of a year, like you 203 00:08:31,240 --> 00:08:32,600 Speaker 4: know you're going to be on a lot. I mean 204 00:08:32,640 --> 00:08:34,480 Speaker 4: I did. I was an alternate, so I was doing 205 00:08:34,559 --> 00:08:36,880 Speaker 4: the show twice a week anyway, like I had set 206 00:08:36,960 --> 00:08:39,680 Speaker 4: dates and then you know, it's a lot of work. 207 00:08:39,720 --> 00:08:41,520 Speaker 4: So a lot of times they call out, you know, 208 00:08:41,600 --> 00:08:43,000 Speaker 4: once a week or twice a week, and. 209 00:08:43,000 --> 00:08:44,920 Speaker 3: This is the same I'm doing a Broadway show. 210 00:08:45,720 --> 00:08:50,160 Speaker 2: I don't get I could not do that schedule because 211 00:08:50,160 --> 00:08:52,920 Speaker 2: you do what I'm assuming like eight shows a week. 212 00:08:53,320 --> 00:08:55,520 Speaker 4: And I signed on, like I'm not having an alternate, 213 00:08:55,559 --> 00:08:57,720 Speaker 4: so I'm doing it. I'm doing eight shows a week, 214 00:08:58,440 --> 00:09:01,360 Speaker 4: are you man? Yes see I think I'm like, like 215 00:09:01,400 --> 00:09:03,360 Speaker 4: I'm trying. Yeah, you don't even started I'm not trying 216 00:09:03,360 --> 00:09:06,160 Speaker 4: to talk you out of it. This is a bad idea. 217 00:09:06,320 --> 00:09:08,800 Speaker 4: I like talked it up in my head prior. I 218 00:09:08,840 --> 00:09:10,080 Speaker 4: was like, I could do eight shows a week, And 219 00:09:10,120 --> 00:09:11,880 Speaker 4: I have done eight shows a week in this show. 220 00:09:11,960 --> 00:09:16,160 Speaker 4: Like There's been times with COVID and with vacations where 221 00:09:16,160 --> 00:09:17,679 Speaker 4: I've done it, so I know I could do eight 222 00:09:17,720 --> 00:09:20,560 Speaker 4: shows a week one time. I'm just now figuring if 223 00:09:20,559 --> 00:09:21,360 Speaker 4: I could do that for. 224 00:09:21,280 --> 00:09:24,680 Speaker 3: Like a year. God, so let's let's review this decision. 225 00:09:24,800 --> 00:09:27,920 Speaker 3: Those neck nuts are going to be really they're gonna 226 00:09:27,920 --> 00:09:34,600 Speaker 3: being dragging the ground all right. So well, congratulations. 227 00:09:34,640 --> 00:09:37,440 Speaker 2: First of all, I mean, you know, to be in 228 00:09:37,480 --> 00:09:40,520 Speaker 2: the Broadway community in New York City is just it's 229 00:09:40,559 --> 00:09:44,120 Speaker 2: so much fun. And COVID really frightened us as far 230 00:09:44,120 --> 00:09:46,360 Speaker 2: as the Broadway community goes, because we're not talking just 231 00:09:46,480 --> 00:09:47,840 Speaker 2: actors and on stage. 232 00:09:47,840 --> 00:09:49,120 Speaker 3: We're talking about back of house. 233 00:09:50,080 --> 00:09:52,280 Speaker 2: So many people that are a part of the machine, 234 00:09:52,640 --> 00:09:54,560 Speaker 2: and a lot of them haven't come back yet. 235 00:09:55,360 --> 00:09:56,640 Speaker 3: But you're here. This is great. 236 00:09:56,840 --> 00:09:58,800 Speaker 4: I finally got it too. I got COVID for the 237 00:09:58,840 --> 00:10:00,200 Speaker 4: first time like three weeks ago. 238 00:10:00,280 --> 00:10:03,680 Speaker 3: Congratulations, Yes, thank you, And it was and it was 239 00:10:04,160 --> 00:10:05,960 Speaker 3: have understudies. Would you like it again, I can. 240 00:10:07,440 --> 00:10:10,960 Speaker 4: It was. It was about twenty minutes before I was 241 00:10:10,960 --> 00:10:13,120 Speaker 4: supposed to go on. It was a Thursday matinee, and 242 00:10:13,320 --> 00:10:16,679 Speaker 4: we started dropping like flies a little bit and people 243 00:10:16,679 --> 00:10:19,280 Speaker 4: were getting it, and then I got it. Right before 244 00:10:19,320 --> 00:10:21,199 Speaker 4: I was supposed to go on. I finally tested and. 245 00:10:21,280 --> 00:10:23,599 Speaker 3: Is there an alternate to the alternative? There's an understudy 246 00:10:23,640 --> 00:10:27,240 Speaker 3: to the alternate? Oh wow? That guy was like what 247 00:10:28,559 --> 00:10:29,240 Speaker 3: I was asleep? 248 00:10:30,160 --> 00:10:33,480 Speaker 2: All right, Well, okay, so you brought the guitar I did, 249 00:10:33,640 --> 00:10:36,559 Speaker 2: or I have the I have the Caryoke version. 250 00:10:36,679 --> 00:10:38,760 Speaker 3: I don't know. I think we could do it. The 251 00:10:38,840 --> 00:10:41,880 Speaker 3: guitar could be the way like we're sitting by the fire. 252 00:10:42,000 --> 00:10:43,640 Speaker 2: You know something you may not have in the show. 253 00:10:45,200 --> 00:10:46,600 Speaker 2: He had some of the He had one of the 254 00:10:46,600 --> 00:10:49,920 Speaker 2: best Christmas albums of all time. Oh wow, the greatest 255 00:10:50,000 --> 00:10:52,160 Speaker 2: Christmas album. You know, Jewish people have the best Christmas 256 00:10:52,200 --> 00:10:57,320 Speaker 2: album Barbara streisand Diamond dinamon Zel. 257 00:10:57,559 --> 00:11:03,120 Speaker 3: I know. Anyway, look at his micuation. So I don't 258 00:11:03,160 --> 00:11:04,720 Speaker 3: know how to hit him in the head with the 259 00:11:04,760 --> 00:11:08,320 Speaker 3: microp Jesus, don't knock his tooth out. I'm only singing. 260 00:11:08,720 --> 00:11:10,400 Speaker 3: I'll sing like the first But you guys have to 261 00:11:10,480 --> 00:11:11,360 Speaker 3: join in for the chorus. 262 00:11:12,240 --> 00:11:16,959 Speaker 2: No problems there, Nick, I don't have a scar. I 263 00:11:17,000 --> 00:11:18,280 Speaker 2: don't know what button to push? How do you work 264 00:11:18,400 --> 00:11:18,640 Speaker 2: this thing? 265 00:11:18,760 --> 00:11:23,040 Speaker 3: Like? I don't know? This is so? What is this? 266 00:11:24,240 --> 00:11:25,880 Speaker 3: All these buttons? What is that? 267 00:11:27,240 --> 00:11:29,160 Speaker 4: The other cool thing about this show is that uh 268 00:11:29,440 --> 00:11:32,280 Speaker 4: I get to play uh these all these different Gibson 269 00:11:32,440 --> 00:11:35,320 Speaker 4: acoustic guitars. So they have like that's what he played 270 00:11:35,440 --> 00:11:38,080 Speaker 4: and uh so we have about five or six different 271 00:11:38,080 --> 00:11:39,200 Speaker 4: guitars for different scenes. 272 00:11:39,200 --> 00:11:40,800 Speaker 3: I'm what, what the hell are you doing? 273 00:11:42,600 --> 00:11:46,880 Speaker 2: I want to hear give some guitar story. 274 00:11:45,520 --> 00:11:50,680 Speaker 3: I think Wait, you're wrapping Nick up with the headphone corn. 275 00:11:51,440 --> 00:11:53,880 Speaker 1: Before you can do This is a very. 276 00:11:53,720 --> 00:11:58,600 Speaker 2: Well polished show. Nick's never had to come back around. 277 00:11:58,640 --> 00:12:01,400 Speaker 2: These people are allowing me. These people get to the chair. 278 00:12:01,480 --> 00:12:04,080 Speaker 2: We're fools in this place. Sorry. We don't have an 279 00:12:04,120 --> 00:12:07,400 Speaker 2: engineerer tonight. As you can tell, we don't have to 280 00:12:07,520 --> 00:12:10,439 Speaker 2: use we don't have to use union engineers. 281 00:12:10,480 --> 00:12:14,480 Speaker 3: Obviously this is nice. Look at them, are you okay? 282 00:12:15,160 --> 00:12:17,959 Speaker 3: People kept no idea? What's going on? Well? No, you 283 00:12:17,960 --> 00:12:20,720 Speaker 3: should see this. It's like I don't know what what 284 00:12:20,720 --> 00:12:28,520 Speaker 3: do we do? Hey? Hey, okay, is that lab you're 285 00:12:28,559 --> 00:12:30,880 Speaker 3: you're it's red. The thing is, the meters are red. 286 00:12:34,040 --> 00:12:36,520 Speaker 3: Tell me when to start. I think your sound crew 287 00:12:37,280 --> 00:12:38,760 Speaker 3: at the at the show, it's. 288 00:12:38,720 --> 00:12:39,480 Speaker 1: Just as fastest. 289 00:12:39,559 --> 00:12:43,920 Speaker 3: This is tremendous. I've had a lot worse. Actually no 290 00:12:44,040 --> 00:12:49,440 Speaker 3: you haven't. Oh yes, Nick Frediani and his guitar. All right, 291 00:12:49,440 --> 00:12:51,880 Speaker 3: we're gonna do some Neil. I'll do full Neil Diamond impersonation. 292 00:12:51,920 --> 00:12:55,640 Speaker 3: A right, Okay, there we go. 293 00:12:57,240 --> 00:13:03,280 Speaker 7: Wave it be again. But I can't begin to know when. 294 00:13:05,080 --> 00:13:10,000 Speaker 7: But then I know it's screwl winds Strow. It's kind 295 00:13:10,000 --> 00:13:13,080 Speaker 7: of easier to do it in the morning. It was 296 00:13:13,160 --> 00:13:21,079 Speaker 7: in the spring, and spring became the summer. Who to 297 00:13:21,320 --> 00:13:23,760 Speaker 7: believe he come along? 298 00:13:24,480 --> 00:13:35,040 Speaker 6: I hear what you guys. 299 00:13:32,080 --> 00:13:32,520 Speaker 3: Touching? 300 00:13:36,880 --> 00:13:42,920 Speaker 1: Shut up touching me, touching? 301 00:13:47,040 --> 00:13:47,400 Speaker 4: Sweet? 302 00:13:48,240 --> 00:13:58,320 Speaker 7: Cal you times never seemed so good, so so. 303 00:13:57,320 --> 00:14:14,840 Speaker 3: So, never sweet, even strapped in this chair. You know, 304 00:14:14,920 --> 00:14:15,720 Speaker 3: I love that word. 305 00:14:15,840 --> 00:14:23,080 Speaker 2: I have never felt so whitefe neither crazy. 306 00:14:23,520 --> 00:14:26,080 Speaker 3: She went from brown to white. Oh my god, you 307 00:14:26,120 --> 00:14:27,760 Speaker 3: do you you do sound like him? 308 00:14:27,840 --> 00:14:28,640 Speaker 6: Yeah, it's crazy. 309 00:14:28,680 --> 00:14:32,400 Speaker 3: You know, it's kind of creepy in a way. Thank you. 310 00:14:32,640 --> 00:14:35,320 Speaker 3: You take requests? Oh yeah, okay, I'd like to hear 311 00:14:35,360 --> 00:14:38,920 Speaker 3: a little America, America or crackling Rosie. 312 00:14:40,960 --> 00:14:46,360 Speaker 5: I would tell Scary to pay you. 313 00:14:47,120 --> 00:14:49,320 Speaker 3: I was not prepared for this. But no, don't do 314 00:14:49,360 --> 00:14:54,280 Speaker 3: something that makes you uncomfortable or embarrasses yourself. Can't you 315 00:14:54,280 --> 00:14:57,120 Speaker 3: hear this? You've messed up our engineering word? 316 00:15:01,360 --> 00:15:08,720 Speaker 7: Oh far, we've been traveling far. 317 00:15:10,760 --> 00:15:15,920 Speaker 1: Without a home, but not without a star. 318 00:15:19,240 --> 00:15:24,680 Speaker 7: Who foe on, little wan be free? 319 00:15:26,160 --> 00:15:32,240 Speaker 1: We had a close We hang on to a dream. 320 00:15:32,440 --> 00:15:33,400 Speaker 3: I think it goes to g. 321 00:15:35,680 --> 00:15:41,680 Speaker 1: On the boats and on the planes. They're coming to America. 322 00:15:45,680 --> 00:15:51,520 Speaker 3: We don't do this, but they're coming to America. There's 323 00:15:51,520 --> 00:15:56,120 Speaker 3: a cut in them. That was awesome. 324 00:15:56,240 --> 00:15:59,760 Speaker 2: You know, people, when you hear things like this or 325 00:15:59,840 --> 00:16:02,720 Speaker 2: go to a show like like this, you forget how 326 00:16:02,760 --> 00:16:04,479 Speaker 2: many hits this guy has? 327 00:16:05,200 --> 00:16:07,000 Speaker 3: Do you know that? Do you know that he wrote 328 00:16:07,000 --> 00:16:10,840 Speaker 3: this song? Ah? Wait? Oh my god, Lauren, what is 329 00:16:10,880 --> 00:16:14,120 Speaker 3: the song? Am I thinking of? Read his mind quickly? 330 00:16:15,600 --> 00:16:17,440 Speaker 1: Oh, I thought love? 331 00:16:17,640 --> 00:16:22,160 Speaker 7: It was only true infairity, really real time wrote it 332 00:16:22,600 --> 00:16:25,320 Speaker 7: man for someone else, but not for me. 333 00:16:28,880 --> 00:16:33,600 Speaker 1: Love that to give me? That's the way it scene. 334 00:16:35,240 --> 00:16:40,520 Speaker 7: Disappoem in Haunty and all my dreams. And then saw 335 00:16:40,600 --> 00:16:41,600 Speaker 7: her face. 336 00:16:42,920 --> 00:16:44,360 Speaker 1: And now I'm a believer. 337 00:16:45,480 --> 00:16:46,200 Speaker 3: Yeah that was Neil. 338 00:16:46,360 --> 00:16:50,040 Speaker 4: He wrote that for the this is incredible. Another one, 339 00:16:50,040 --> 00:16:52,920 Speaker 4: another one, You're not gonna believe. This one freaked me out. 340 00:16:53,360 --> 00:16:54,640 Speaker 3: Uh, what's that song again? 341 00:16:56,600 --> 00:17:02,720 Speaker 1: Read read one really stick close to me. 342 00:17:06,520 --> 00:17:09,880 Speaker 3: This guy's rolling in cash. He's a genius songwriter. 343 00:17:10,560 --> 00:17:14,240 Speaker 2: I can imagine while this show is going on, when 344 00:17:14,320 --> 00:17:17,160 Speaker 2: another hit starts coming out of your mouth, the audience 345 00:17:17,400 --> 00:17:18,880 Speaker 2: just goes berserve. 346 00:17:19,560 --> 00:17:22,119 Speaker 3: But Banana's just crazy. They love Neil. He's got a 347 00:17:22,119 --> 00:17:22,679 Speaker 3: lot of fans. 348 00:17:22,720 --> 00:17:25,880 Speaker 4: They really they love him, and and it's cool because 349 00:17:25,880 --> 00:17:29,080 Speaker 4: you know, unfortunately he can't perform anymore. So this is 350 00:17:29,200 --> 00:17:31,200 Speaker 4: kind of like for the people that want to see 351 00:17:31,240 --> 00:17:32,919 Speaker 4: him still or have seen him their whole lives, they 352 00:17:32,960 --> 00:17:34,840 Speaker 4: can come see the show and it's it's basically like 353 00:17:34,840 --> 00:17:37,800 Speaker 4: you're seeing him in concert throughout the and it goes 354 00:17:38,280 --> 00:17:39,360 Speaker 4: through many, many. 355 00:17:39,200 --> 00:17:39,960 Speaker 3: Years of his life. 356 00:17:40,040 --> 00:17:44,159 Speaker 4: You want to approve you, I know this time around, 357 00:17:44,240 --> 00:17:47,880 Speaker 4: yes again like once I was taking over the role, 358 00:17:47,960 --> 00:17:50,080 Speaker 4: but I'm not sure in terms of when I was 359 00:17:50,119 --> 00:17:51,880 Speaker 4: the alternate or not. But I have met him many 360 00:17:51,880 --> 00:17:52,840 Speaker 4: times and spoke to him. 361 00:17:53,040 --> 00:17:54,880 Speaker 3: Wow, it was pretty it's pretty cool. 362 00:17:55,200 --> 00:17:57,880 Speaker 2: So here's a weird question. You're going to be doing 363 00:17:57,880 --> 00:17:59,960 Speaker 2: this for at least a year, eight shows a week 364 00:18:00,440 --> 00:18:04,480 Speaker 2: sounding like Neil Diamond. Can Nick Frodiani sound like Nick Frodian? 365 00:18:05,440 --> 00:18:09,080 Speaker 2: I mean it's like Elvis right exactly? 366 00:18:09,160 --> 00:18:12,200 Speaker 4: Can you pop out of my buddy Nick Abraham, who 367 00:18:12,200 --> 00:18:14,320 Speaker 4: I wrote he's been here before they got out the 368 00:18:14,320 --> 00:18:16,679 Speaker 4: Beard and he played guitar for me and we we 369 00:18:16,760 --> 00:18:19,600 Speaker 4: just put an album out together writing. He was a 370 00:18:19,720 --> 00:18:22,000 Speaker 4: co writer and producer with me back in November of 371 00:18:22,040 --> 00:18:25,919 Speaker 4: twenty two. And when I started doing this, he was like, 372 00:18:26,000 --> 00:18:28,359 Speaker 4: we we do a couple of shows in between. He's like, 373 00:18:28,480 --> 00:18:31,520 Speaker 4: don't go into the Neil voice on our songs because 374 00:18:31,560 --> 00:18:35,280 Speaker 4: like sometimes like you just yeah forget. But but I 375 00:18:35,359 --> 00:18:36,960 Speaker 4: just sang at my sister's wedding and she asked me 376 00:18:37,040 --> 00:18:38,560 Speaker 4: to sing one of my own songs and my dad 377 00:18:38,560 --> 00:18:40,760 Speaker 4: said it was nice to hear your own voice there. 378 00:18:40,840 --> 00:18:44,240 Speaker 2: So so you gotta get tickets. 379 00:18:44,280 --> 00:18:47,040 Speaker 3: A beautiful Noise the musical dot Com. Now when do 380 00:18:47,080 --> 00:18:52,440 Speaker 3: you officially start? October? On Halloween October starting? My god, 381 00:18:52,480 --> 00:18:55,159 Speaker 3: how excited are you? I'm very excited. I really am. 382 00:18:55,320 --> 00:18:57,080 Speaker 3: This is this is a big deal. 383 00:18:57,200 --> 00:18:59,320 Speaker 4: And know I was saying, you know, if you told 384 00:18:59,359 --> 00:19:03,080 Speaker 4: me seven years ago that I would be doing musical 385 00:19:03,160 --> 00:19:05,760 Speaker 4: theater on Broadway. I've truly laughed at you, and so 386 00:19:05,840 --> 00:19:07,399 Speaker 4: this is a it's got you. 387 00:19:08,160 --> 00:19:10,040 Speaker 2: I mean, you could just stay in studios and do 388 00:19:10,160 --> 00:19:13,080 Speaker 2: concerts and never ever step foot on a Broadway stage 389 00:19:13,760 --> 00:19:15,560 Speaker 2: and act, but you're doing it. 390 00:19:15,600 --> 00:19:18,320 Speaker 3: What got you into it? Well, I got a it's funny. 391 00:19:18,359 --> 00:19:22,000 Speaker 4: It was twenty nineteen and I got a Facebook message 392 00:19:22,080 --> 00:19:26,240 Speaker 4: on my fan page from a casting director that wanted 393 00:19:26,280 --> 00:19:28,000 Speaker 4: to have me come in for a work session to 394 00:19:28,040 --> 00:19:30,800 Speaker 4: do a Bronx tale, and so I did that for 395 00:19:30,840 --> 00:19:33,440 Speaker 4: a year almost and that just kind of got me 396 00:19:33,480 --> 00:19:35,919 Speaker 4: hooked into it. And to be honest with you, I 397 00:19:35,920 --> 00:19:39,240 Speaker 4: mean I've been you know, I won Idol in twenty fifteen, 398 00:19:39,320 --> 00:19:41,359 Speaker 4: and you know, I've had a very up and down 399 00:19:41,480 --> 00:19:43,840 Speaker 4: career and it's been really frustrating at times. And I 400 00:19:43,920 --> 00:19:46,000 Speaker 4: think I found out in life that I just really 401 00:19:46,000 --> 00:19:48,800 Speaker 4: love to perform, and this is just kind of I'm 402 00:19:48,800 --> 00:19:50,879 Speaker 4: just trying to find all different avenues to continue to 403 00:19:50,920 --> 00:19:53,480 Speaker 4: do that. And I was so lucky that, you know, 404 00:19:53,520 --> 00:19:55,520 Speaker 4: I just never gave up and I try. I'm still 405 00:19:55,560 --> 00:19:57,120 Speaker 4: doing my own thing, but this has been a cool 406 00:19:57,160 --> 00:19:59,879 Speaker 4: way to just kind of keep moving forward. And so 407 00:20:00,040 --> 00:20:01,960 Speaker 4: it's been it's been a blessing to be able to 408 00:20:01,960 --> 00:20:02,399 Speaker 4: do it. 409 00:20:02,320 --> 00:20:04,680 Speaker 3: Because I always you know, when Adam Lambert was last 410 00:20:04,720 --> 00:20:08,119 Speaker 3: year and we're good friends, and what's it like playing 411 00:20:08,119 --> 00:20:09,840 Speaker 3: Freddy Mercury so crazy? 412 00:20:09,840 --> 00:20:10,000 Speaker 1: You know? 413 00:20:10,440 --> 00:20:12,840 Speaker 2: And uh, and that's a whole different thing because Freddie 414 00:20:12,840 --> 00:20:16,000 Speaker 2: Mercury no longer with us. But then going out on 415 00:20:16,240 --> 00:20:19,280 Speaker 2: tour with the band band I know, and now you're 416 00:20:19,280 --> 00:20:22,400 Speaker 2: doing I mean, a legend, Neil Diamond, a legend. That's 417 00:20:22,720 --> 00:20:25,720 Speaker 2: that's heavy. I mean, that's I mean, you've got to 418 00:20:25,760 --> 00:20:28,639 Speaker 2: like walk into this with all nothing but respect. 419 00:20:28,840 --> 00:20:31,359 Speaker 3: Yeah, mister sure, I definitely don't take it lightly. 420 00:20:31,440 --> 00:20:33,160 Speaker 4: And when I go out there, you know, not only 421 00:20:33,280 --> 00:20:35,080 Speaker 4: do I know people you know, spend a lot of 422 00:20:35,080 --> 00:20:37,199 Speaker 4: money to see the show, but also you know, like 423 00:20:37,240 --> 00:20:40,439 Speaker 4: you said, you're you're kind of continuing the legacy of 424 00:20:40,480 --> 00:20:43,160 Speaker 4: somebody that currently can't perform, and this is their music 425 00:20:43,200 --> 00:20:45,600 Speaker 4: and their stories. So I try to every single night 426 00:20:46,440 --> 00:20:48,760 Speaker 4: give it like one hundred percent. It's not always easy 427 00:20:48,760 --> 00:20:51,480 Speaker 4: to do, but it's but once I'm out there, you know, 428 00:20:51,520 --> 00:20:53,480 Speaker 4: sometimes it's hard to get going when you do something 429 00:20:53,520 --> 00:20:55,920 Speaker 4: like that every day or a lot, but once you're 430 00:20:55,960 --> 00:20:58,720 Speaker 4: out there, it's just like the adrenaline. It's it's such 431 00:20:58,720 --> 00:21:00,880 Speaker 4: a fun show and the people are or you feel 432 00:21:00,920 --> 00:21:02,920 Speaker 4: like you're at a concert. So it's a lot of fun. 433 00:21:03,000 --> 00:21:05,080 Speaker 3: So this is the show you gotta go see. 434 00:21:05,440 --> 00:21:06,960 Speaker 5: It is like a field trip coming from you. 435 00:21:07,960 --> 00:21:10,119 Speaker 4: Just let me know any anytime you guys want to go, 436 00:21:10,160 --> 00:21:10,760 Speaker 4: please tell me. 437 00:21:10,840 --> 00:21:13,360 Speaker 3: I'd love love to have you, guys. I love as 438 00:21:13,400 --> 00:21:15,400 Speaker 3: your guest, but I usually get my own tickets because 439 00:21:15,400 --> 00:21:16,679 Speaker 3: I can get better tickets than any of you. 440 00:21:17,880 --> 00:21:18,399 Speaker 4: I really do. 441 00:21:21,200 --> 00:21:25,120 Speaker 3: I really you think I'm always like the best each. 442 00:21:26,960 --> 00:21:28,320 Speaker 4: I don't now I know who to call when I 443 00:21:28,359 --> 00:21:30,120 Speaker 4: need tickets to another Broadway show. 444 00:21:30,240 --> 00:21:34,879 Speaker 2: Yeah, call me big Dad. Big Daddy gets the best seats. No, 445 00:21:35,040 --> 00:21:38,879 Speaker 2: in all sincerity, thank you, Nick, Nick Froddiani. What you 446 00:21:38,880 --> 00:21:41,080 Speaker 2: should see? What people are saying. I feel like we're 447 00:21:41,080 --> 00:21:43,120 Speaker 2: listening to Neil Diamond live. This is the best segment ever. 448 00:21:43,160 --> 00:21:46,320 Speaker 2: How do I get my tickets? Look at this? Loving you? 449 00:21:46,760 --> 00:21:49,480 Speaker 4: I'd love to hear Brother Brother Loves Traveling Salvage show. 450 00:21:49,520 --> 00:21:51,200 Speaker 4: That's also in the show. That's a fun one. 451 00:21:51,400 --> 00:21:53,560 Speaker 3: I will tell you. My favorite song of all time 452 00:21:53,720 --> 00:21:55,640 Speaker 3: was with two of my favorite performers of all time, 453 00:21:55,640 --> 00:22:01,000 Speaker 3: who both had great Christmas albums both Jewish Neil Diamond 454 00:22:01,000 --> 00:22:03,560 Speaker 3: and Barbaris Dreis and You Don't bring Me Flowers Anymore? 455 00:22:04,480 --> 00:22:06,760 Speaker 3: Why are you laughing? Get out of here, time out 456 00:22:06,800 --> 00:22:09,480 Speaker 3: for you. It's one of those beautiful songs ever written, 457 00:22:10,040 --> 00:22:13,280 Speaker 3: sad gripping song. It is. Yeah, go listen to it. 458 00:22:13,320 --> 00:22:15,760 Speaker 4: Every night we that we do that song. You hear 459 00:22:15,960 --> 00:22:17,720 Speaker 4: the crowd do an actual. 460 00:22:17,480 --> 00:22:23,720 Speaker 3: Like every night. I would. I would break down. It's beautiful. 461 00:22:23,840 --> 00:22:29,040 Speaker 2: I would roll down the aisles anyway. Nick Froddiani, here's 462 00:22:29,040 --> 00:22:32,800 Speaker 2: where you go. A Beautiful Noisethemusical dot Com. Or if 463 00:22:32,800 --> 00:22:35,760 Speaker 2: you if you can't remember this and your driving, Google 464 00:22:36,040 --> 00:22:40,040 Speaker 2: Broadway show Neil Diamond, you'll find it. Okay, get these 465 00:22:40,040 --> 00:22:44,320 Speaker 2: tickets starting uh Halloween night, Nick Froddyanni is starring as 466 00:22:44,320 --> 00:22:44,879 Speaker 2: Neil Diamond. 467 00:22:44,880 --> 00:22:47,280 Speaker 3: A Beautiful Noise the Musical dot Com. Thank you for coming. 468 00:22:47,359 --> 00:22:48,840 Speaker 3: Thank you so much. You guys are great. Tell your 469 00:22:48,880 --> 00:22:57,520 Speaker 3: dad I said, hi, I will awesome. Elvister ran in 470 00:22:57,560 --> 00:22:58,760 Speaker 3: the Morning shows. 471 00:22:59,280 --> 00:23:01,840 Speaker 5: The series about feeling and opening yourself up to new 472 00:23:01,880 --> 00:23:05,080 Speaker 5: beginnings in Sullivan's Crossing, based on the New York Times 473 00:23:05,080 --> 00:23:08,800 Speaker 5: bestselling books, Sullivan's Crossing stars Morgan Cohen and marks the 474 00:23:08,800 --> 00:23:11,760 Speaker 5: return of Chad Michael Murray and Scott Patterson to the CW. 475 00:23:11,920 --> 00:23:14,919 Speaker 5: Sullivan's crossing Wednesday's eight seventh Central on the CW