WEBVTT - Invented Words, Part 2

0:00:03.000 --> 0:00:09.720
<v Speaker 1>Welcome to Invention, a production of I Heart Radio. Hey,

0:00:09.840 --> 0:00:12.720
<v Speaker 1>welcome to Invention. My name is Robert Lamb and I'm

0:00:12.760 --> 0:00:14.960
<v Speaker 1>Joe McCormick, and we're back with part two of our

0:00:15.040 --> 0:00:19.200
<v Speaker 1>discussion of invented words. So in the last episode we

0:00:19.200 --> 0:00:23.640
<v Speaker 1>were talking about neologisms that were deliberately invented and continuing

0:00:23.640 --> 0:00:25.560
<v Speaker 1>that today, I wanted to start out with a distinction

0:00:25.600 --> 0:00:28.479
<v Speaker 1>that we might find useful, and that's the difference between

0:00:28.720 --> 0:00:34.040
<v Speaker 1>neologisms and something we might call protologisms. So a neologism

0:00:34.120 --> 0:00:36.920
<v Speaker 1>is a newly coined term that's like still in the

0:00:37.000 --> 0:00:40.800
<v Speaker 1>process of coming into common use. You might use the

0:00:40.920 --> 0:00:43.479
<v Speaker 1>term because you're an early adopter of it, but it

0:00:43.920 --> 0:00:45.800
<v Speaker 1>might be the kind of word that people still need

0:00:45.840 --> 0:00:47.800
<v Speaker 1>to look up a good bit. You might need to

0:00:47.840 --> 0:00:50.919
<v Speaker 1>explain what it means if you use it in an article. Right,

0:00:50.920 --> 0:00:52.840
<v Speaker 1>it could be very much be one of those words

0:00:52.880 --> 0:00:55.760
<v Speaker 1>that you get the feeling that's that people in in

0:00:55.880 --> 0:00:58.120
<v Speaker 1>the culture are trying to make happen, like they're trying

0:00:58.160 --> 0:01:01.160
<v Speaker 1>to establish it, uh and and get it into it

0:01:01.200 --> 0:01:03.880
<v Speaker 1>just the the everyday lexicon. Right, that that would be

0:01:03.920 --> 0:01:07.080
<v Speaker 1>what happens if it's successful, it just becomes a regular word.

0:01:07.160 --> 0:01:09.160
<v Speaker 1>You no longer need to explain it. You don't need

0:01:09.200 --> 0:01:12.280
<v Speaker 1>to look it up. Most people just know what it means. Uh.

0:01:12.280 --> 0:01:14.600
<v Speaker 1>And there are a few examples of neologisms like I

0:01:14.600 --> 0:01:17.720
<v Speaker 1>could think of that have just become regular words in

0:01:17.800 --> 0:01:21.720
<v Speaker 1>recent years. One great example, I think is selfie. You

0:01:21.760 --> 0:01:24.160
<v Speaker 1>know how this was once a cute new word, and

0:01:24.240 --> 0:01:26.840
<v Speaker 1>people would remark on the fact that it was a

0:01:26.920 --> 0:01:29.319
<v Speaker 1>cute new word, like the fact that it was a

0:01:29.360 --> 0:01:32.080
<v Speaker 1>neologism was one of the main things you know about it.

0:01:32.240 --> 0:01:34.920
<v Speaker 1>And now it's just sort of a word, and it's

0:01:34.920 --> 0:01:37.959
<v Speaker 1>it's weird, like selfie as a term has this kind

0:01:37.959 --> 0:01:41.800
<v Speaker 1>of like viral presence and movement in our in our culture,

0:01:42.480 --> 0:01:45.200
<v Speaker 1>but but also the act associated with it seemed to

0:01:45.200 --> 0:01:47.360
<v Speaker 1>spread with it. And I wonder to what extent are

0:01:47.360 --> 0:01:51.440
<v Speaker 1>you seeing the the act the practice of taking selfie.

0:01:52.320 --> 0:01:55.600
<v Speaker 1>Is that pulling the term with it through our culture

0:01:55.960 --> 0:01:58.200
<v Speaker 1>or is it the reverse or is it some combination

0:01:58.240 --> 0:02:01.600
<v Speaker 1>of the two. I think that certainly the first part

0:02:01.640 --> 0:02:04.760
<v Speaker 1>that you're talking. I think there are definitely technological pressures

0:02:04.800 --> 0:02:08.960
<v Speaker 1>that made room for this word to intercommon usage. So

0:02:09.080 --> 0:02:11.680
<v Speaker 1>the word was added to the Oxford English Dictionary in

0:02:13.240 --> 0:02:16.160
<v Speaker 1>but the word has a kind of interesting history Before that,

0:02:16.200 --> 0:02:18.400
<v Speaker 1>I was looking up, but what what was the earliest

0:02:18.520 --> 0:02:22.000
<v Speaker 1>use of selfie? Because obviously the act of taking a

0:02:22.040 --> 0:02:24.760
<v Speaker 1>photograph of yourself goes way back. People have been doing

0:02:24.760 --> 0:02:28.040
<v Speaker 1>that for more than a hundred years, with various contraptions,

0:02:28.200 --> 0:02:32.160
<v Speaker 1>even just like timers on cameras and stuff. Um. But

0:02:32.240 --> 0:02:35.360
<v Speaker 1>the first documented use of the word selfie appears to

0:02:35.360 --> 0:02:39.120
<v Speaker 1>come from the year two thousand two, when an Australian

0:02:39.240 --> 0:02:44.000
<v Speaker 1>man posted the following message on an Internet forum on

0:02:44.040 --> 0:02:47.280
<v Speaker 1>a news website. Specifically, this was a thread from September

0:02:47.880 --> 0:02:51.959
<v Speaker 1>two two by a user named Hopie h O p

0:02:52.200 --> 0:02:56.040
<v Speaker 1>e Y, and the statement goes like this, UM drunk

0:02:56.120 --> 0:02:59.880
<v Speaker 1>at a mates twenty one, I tripped over and landed

0:03:00.040 --> 0:03:03.880
<v Speaker 1>lip first with front teeth coming a close second on

0:03:03.919 --> 0:03:06.480
<v Speaker 1>a set of steps. I had a hole about one

0:03:06.520 --> 0:03:09.919
<v Speaker 1>centimeter long right through my bottom lip and sorry about

0:03:09.960 --> 0:03:14.160
<v Speaker 1>the focus. It was a selfie. He attaches a photo

0:03:14.320 --> 0:03:17.080
<v Speaker 1>of his busted lip for people to look at. The

0:03:17.120 --> 0:03:19.640
<v Speaker 1>purpose of the thread was Hopie wondering whether licking his

0:03:19.720 --> 0:03:23.160
<v Speaker 1>lips would make his stitches dissolved too early, and he's

0:03:23.160 --> 0:03:27.160
<v Speaker 1>of course apologizing for the the the quality of the

0:03:27.160 --> 0:03:31.400
<v Speaker 1>photographs saying I have taken it myself. It is a selfie, right,

0:03:31.480 --> 0:03:34.200
<v Speaker 1>so this is before selfie sticks. This is even before

0:03:34.400 --> 0:03:37.240
<v Speaker 1>you know, any kind of high quality camera phone. This

0:03:37.320 --> 0:03:39.040
<v Speaker 1>probably would have been taken I guess with just like

0:03:39.080 --> 0:03:42.440
<v Speaker 1>a handheld digital camera pointed back at his face. But

0:03:42.480 --> 0:03:45.040
<v Speaker 1>he probably wouldn't have the ability to see the screen

0:03:45.160 --> 0:03:47.160
<v Speaker 1>while he's taking the picture, right, so he just has

0:03:47.200 --> 0:03:50.200
<v Speaker 1>to guess yeah, yeah, so yeah. Been the early days

0:03:50.200 --> 0:03:53.440
<v Speaker 1>of selfies when they were, they're even a far more chatic.

0:03:53.720 --> 0:03:56.600
<v Speaker 1>Though it's not clear that the author of this post

0:03:56.600 --> 0:03:59.720
<v Speaker 1>actually intended to invent a word, or even that he

0:03:59.840 --> 0:04:02.560
<v Speaker 1>invented a word at all. It might have been a

0:04:02.600 --> 0:04:06.440
<v Speaker 1>slang word in oral circulation before ever being written out

0:04:06.440 --> 0:04:09.800
<v Speaker 1>in this context, and it does follow a standard way

0:04:09.880 --> 0:04:14.560
<v Speaker 1>of inventing slang words in Australian English, which is adding

0:04:14.600 --> 0:04:17.680
<v Speaker 1>a hyphen i e suffix to a noun, So like

0:04:17.960 --> 0:04:20.960
<v Speaker 1>a barbecue becomes a barbie, you know, put another shrimp

0:04:21.000 --> 0:04:23.960
<v Speaker 1>on the barbie, or a can of beer becomes a

0:04:23.960 --> 0:04:28.080
<v Speaker 1>tinny from tin can. I haven't heard that one in use,

0:04:28.160 --> 0:04:31.280
<v Speaker 1>but it makes sense and by the same lexical logic,

0:04:31.360 --> 0:04:34.359
<v Speaker 1>a photograph of the self becomes a selfie, you know,

0:04:34.400 --> 0:04:37.840
<v Speaker 1>put another duck lips on the selfie. But if this

0:04:38.000 --> 0:04:40.600
<v Speaker 1>was a term in oral slang in Australian English before

0:04:40.600 --> 0:04:42.760
<v Speaker 1>it appeared in print, I would say it probably wasn't

0:04:42.839 --> 0:04:45.240
<v Speaker 1>being used a lot, because if it was used a lot,

0:04:45.320 --> 0:04:47.880
<v Speaker 1>you'd expect to find it written down at this point. Now,

0:04:47.880 --> 0:04:50.360
<v Speaker 1>of course, the obvious question about this is like, why

0:04:50.360 --> 0:04:52.679
<v Speaker 1>does it then get picked up, Why does selfie become

0:04:52.720 --> 0:04:54.640
<v Speaker 1>a tern, how does it create How does this journey

0:04:54.720 --> 0:04:59.240
<v Speaker 1>even begin into widespread usage. Yeah, so after two thousand

0:04:59.279 --> 0:05:01.400
<v Speaker 1>two it pop up here and there, but it didn't

0:05:01.400 --> 0:05:05.040
<v Speaker 1>come anywhere near common usage until around two thousand twelve

0:05:05.160 --> 0:05:07.840
<v Speaker 1>when it's suddenly got very popular. And this probably had

0:05:07.880 --> 0:05:11.880
<v Speaker 1>to do with simultaneous techno cultural trends. You had new

0:05:11.920 --> 0:05:16.279
<v Speaker 1>generations of camera phones and of social media a way

0:05:16.279 --> 0:05:19.480
<v Speaker 1>to take selfies and then also a place to post them.

0:05:19.960 --> 0:05:23.240
<v Speaker 1>And this I think the technology made a pre existing

0:05:23.279 --> 0:05:26.960
<v Speaker 1>word suddenly very useful. And it may also, I think

0:05:26.960 --> 0:05:31.479
<v Speaker 1>have played an important psycho social role, like does having

0:05:31.520 --> 0:05:37.120
<v Speaker 1>a word like selfie help defuse potential doubts or worries

0:05:37.200 --> 0:05:41.120
<v Speaker 1>people have that they are engaging in narcissistic behavior does

0:05:41.160 --> 0:05:43.840
<v Speaker 1>the word take an act that you might worry is

0:05:44.000 --> 0:05:47.560
<v Speaker 1>unsavory and make it cute? Like that? There? I was

0:05:47.600 --> 0:05:50.960
<v Speaker 1>reading something where the editorial director of the Oxford Dictionaries

0:05:51.000 --> 0:05:55.000
<v Speaker 1>in said, specifically of the word, the use of the

0:05:55.080 --> 0:05:58.560
<v Speaker 1>diminutive I e. Suffix is notable as it helps to

0:05:58.640 --> 0:06:03.280
<v Speaker 1>turn and essentially narcissistic enterprise into something rather more endearing.

0:06:03.880 --> 0:06:06.320
<v Speaker 1>But then again, maybe that's overly harsh. You could look

0:06:06.320 --> 0:06:08.240
<v Speaker 1>at it the other way, like, does having a word

0:06:08.320 --> 0:06:12.040
<v Speaker 1>like selfie make it easier to disparage an activity that

0:06:12.200 --> 0:06:14.840
<v Speaker 1>most people do? You know, it's not like you have

0:06:14.920 --> 0:06:18.000
<v Speaker 1>to be some raging narcissists to take a selfie? Does

0:06:18.040 --> 0:06:23.240
<v Speaker 1>it just like make it easier to mock people like this? Well? Yeah, yeah,

0:06:23.240 --> 0:06:25.400
<v Speaker 1>I can certainly see both sides of the coin there.

0:06:25.400 --> 0:06:27.280
<v Speaker 1>And now, another thing about the about adding I e

0:06:27.480 --> 0:06:31.560
<v Speaker 1>to to something is it comes from the the the

0:06:31.600 --> 0:06:35.839
<v Speaker 1>parental sphere of things and uh and observing how children

0:06:35.839 --> 0:06:38.880
<v Speaker 1>will frequently add that to a word to say, name

0:06:38.880 --> 0:06:41.320
<v Speaker 1>is stuffed animal. So if it's a bear, you might

0:06:41.360 --> 0:06:44.600
<v Speaker 1>just make it it's Barry Buries the name of the bear. Um,

0:06:44.839 --> 0:06:48.120
<v Speaker 1>you know, it's it's a cute. See addition to any

0:06:48.160 --> 0:06:50.839
<v Speaker 1>word uh. And then that lines up with this idea

0:06:50.880 --> 0:06:54.080
<v Speaker 1>that it makes something that could be viewed as being

0:06:54.320 --> 0:06:57.760
<v Speaker 1>you know, egotistical or not narcissistic, as being something that

0:06:57.920 --> 0:07:01.839
<v Speaker 1>is ultimately cute and harmless. Well, if you say, ah ha,

0:07:02.120 --> 0:07:06.200
<v Speaker 1>I took a selfie, it almost is self deprecating in

0:07:06.240 --> 0:07:09.440
<v Speaker 1>a way that defuses the potential for someone to criticize

0:07:09.480 --> 0:07:11.960
<v Speaker 1>you as narcissistic for doing it right, because it is

0:07:12.600 --> 0:07:16.440
<v Speaker 1>it has this feeling of being silly as well as

0:07:17.280 --> 0:07:20.200
<v Speaker 1>you know, silly, harmless, but also maybe a little bit narcissistic.

0:07:20.360 --> 0:07:25.440
<v Speaker 1>But but but but it is acknowledging the inherent narcissism

0:07:25.440 --> 0:07:27.920
<v Speaker 1>of the act, you know, and and dismissing it with

0:07:27.960 --> 0:07:30.760
<v Speaker 1>this air of silliness to it. Like if we instead

0:07:30.760 --> 0:07:33.320
<v Speaker 1>of having picking up the words selfie, if we'd gone

0:07:33.320 --> 0:07:37.560
<v Speaker 1>with ego bonk, you know, like that would probably be

0:07:37.640 --> 0:07:40.240
<v Speaker 1>that's a little bit silly too. But I can see

0:07:40.240 --> 0:07:42.960
<v Speaker 1>where people would be a little less inclined to use

0:07:43.040 --> 0:07:45.960
<v Speaker 1>that terminology if they were like, well, i'm early for

0:07:46.040 --> 0:07:48.720
<v Speaker 1>my meeting. Here's a quick ego bonk. Uh. You know,

0:07:49.080 --> 0:07:51.720
<v Speaker 1>quick selfie works a lot better, and it's a little

0:07:51.760 --> 0:07:54.000
<v Speaker 1>a little catchier. Yeah, or if we'd called it like

0:07:54.400 --> 0:07:57.960
<v Speaker 1>self porn or something. Not going to take that back, Sorry,

0:07:58.640 --> 0:08:00.360
<v Speaker 1>you know I just said, and then try to take

0:08:00.400 --> 0:08:02.920
<v Speaker 1>it back, But you convince me we should go down

0:08:02.920 --> 0:08:04.840
<v Speaker 1>this road. I was saying, another alternative, what would you

0:08:04.880 --> 0:08:07.280
<v Speaker 1>call it? You call it something like mirror porn or

0:08:07.320 --> 0:08:11.000
<v Speaker 1>something like. That's you know, self porn, because this is

0:08:11.040 --> 0:08:14.200
<v Speaker 1>now a common suffix. Actually, absolutely, you hear people talking

0:08:14.200 --> 0:08:17.040
<v Speaker 1>about what food porn or food porn? I think was

0:08:17.080 --> 0:08:20.400
<v Speaker 1>the big one that caught hold the idea that of

0:08:20.200 --> 0:08:25.400
<v Speaker 1>of saying that generally photography of food and a picture

0:08:25.440 --> 0:08:28.240
<v Speaker 1>of some sort of a very delicious looking dish or

0:08:28.440 --> 0:08:31.800
<v Speaker 1>or a beverage or something, uh is therefore therefore should

0:08:31.840 --> 0:08:35.840
<v Speaker 1>be compared to pornography, which is a weird pairing because

0:08:36.160 --> 0:08:40.840
<v Speaker 1>pornography is incredibly divisive in in culture. There it is

0:08:41.240 --> 0:08:43.079
<v Speaker 1>it is, you know, no matter what your personal take

0:08:43.120 --> 0:08:47.000
<v Speaker 1>on it. There's a lot of problematic area to consider

0:08:47.080 --> 0:08:50.600
<v Speaker 1>when thinking about pornography. Why do we drag it then

0:08:50.679 --> 0:08:55.920
<v Speaker 1>in to our consideration of say a very inviting looking lasagna, Well, yeah,

0:08:55.920 --> 0:08:58.240
<v Speaker 1>it could be just what we're talking about with this

0:08:58.280 --> 0:09:02.080
<v Speaker 1>possibility for selfie that it's like self deprecating and ironic

0:09:02.160 --> 0:09:06.199
<v Speaker 1>in a way that diffuses other people's ability to criticize

0:09:06.240 --> 0:09:08.840
<v Speaker 1>you for engaging in it, because it's like you're already

0:09:09.200 --> 0:09:12.080
<v Speaker 1>sort of criticizing yourself, right, and I guess you're also

0:09:12.160 --> 0:09:15.760
<v Speaker 1>leaning into the idea that into the the excess of

0:09:15.920 --> 0:09:21.319
<v Speaker 1>pornography and and therefore diffusing this like food styling, uh

0:09:21.360 --> 0:09:25.439
<v Speaker 1>you know, high art photography, food photography interpretations that might

0:09:25.480 --> 0:09:29.280
<v Speaker 1>otherwise be uh applied to it. So like if you

0:09:29.320 --> 0:09:31.760
<v Speaker 1>were to say, hey, I'm trying to out some food photography,

0:09:31.840 --> 0:09:35.040
<v Speaker 1>then people would have it would be able to say, well, actually,

0:09:35.559 --> 0:09:38.560
<v Speaker 1>i've seen professional food photography, and you know that the

0:09:38.640 --> 0:09:41.280
<v Speaker 1>lighting looks weird here. Um, you know, the the phizz

0:09:41.400 --> 0:09:43.920
<v Speaker 1>isn't right. It's said right. You know, we've all I

0:09:43.920 --> 0:09:46.840
<v Speaker 1>think picked up on some of the various tips, tricks

0:09:46.880 --> 0:09:50.080
<v Speaker 1>and and uh and illusions that are involved in that.

0:09:50.120 --> 0:09:51.920
<v Speaker 1>But if you just say, oh, it's just food porn,

0:09:52.280 --> 0:09:55.800
<v Speaker 1>that kind of implies that that it's it's less about

0:09:55.800 --> 0:10:00.480
<v Speaker 1>the art and more about invoking a visceral bonds to

0:10:00.520 --> 0:10:03.040
<v Speaker 1>the stimuli. Yeah, I think I think you're right there.

0:10:03.720 --> 0:10:06.920
<v Speaker 1>So obviously words like this are are great examples of

0:10:06.960 --> 0:10:10.800
<v Speaker 1>powerful lexical success stories like a selfie, of course is

0:10:11.160 --> 0:10:14.520
<v Speaker 1>though probably a much greater number of newly coined words

0:10:14.600 --> 0:10:16.840
<v Speaker 1>just fall by the wayside, right, you know, Instead, they

0:10:16.960 --> 0:10:20.760
<v Speaker 1>become little blips in literary history that you can find

0:10:20.880 --> 0:10:23.800
<v Speaker 1>in articles from a certain time period, but they just

0:10:23.880 --> 0:10:28.000
<v Speaker 1>don't catch on. They don't become common, right Like I'm imagining, um,

0:10:28.760 --> 0:10:31.920
<v Speaker 1>drunk injured Australian dudes say a lot of interesting things,

0:10:32.360 --> 0:10:36.120
<v Speaker 1>but they don't all become parts of the global lexicon, right.

0:10:36.160 --> 0:10:38.640
<v Speaker 1>And I think with these examples, the things that fall

0:10:38.760 --> 0:10:41.040
<v Speaker 1>by the wayside, it might be useful to think of

0:10:41.080 --> 0:10:45.839
<v Speaker 1>them as sort of failed protologisms or protologism. Oh man,

0:10:46.080 --> 0:10:48.000
<v Speaker 1>I think I'm going back and forth on whether that

0:10:48.000 --> 0:10:50.560
<v Speaker 1>that g is hard or soft. We'll we'll just plow

0:10:50.679 --> 0:10:54.360
<v Speaker 1>right through um. But the idea of a protologism is

0:10:54.400 --> 0:10:59.160
<v Speaker 1>a term introduced by the Russian American UH literary theorist

0:10:59.240 --> 0:11:02.240
<v Speaker 1>Mikhail in Epstein, who I believe is still a professor

0:11:02.280 --> 0:11:04.960
<v Speaker 1>at Emory University here in Atlanta. Quick question, is the

0:11:05.000 --> 0:11:09.400
<v Speaker 1>word protologism a protologism or a neologism? I would say

0:11:09.440 --> 0:11:12.719
<v Speaker 1>at this point it is a neologism. It was originally

0:11:12.720 --> 0:11:15.280
<v Speaker 1>a protology well, I guess I have to define them.

0:11:15.840 --> 0:11:20.000
<v Speaker 1>So a protologism in Mikhail Epstein's definition is that it's

0:11:20.040 --> 0:11:22.920
<v Speaker 1>a word that is freshly coined and hasn't yet been

0:11:22.960 --> 0:11:26.080
<v Speaker 1>accepted by many speakers at all. And the evidence of

0:11:26.080 --> 0:11:28.560
<v Speaker 1>this would be that it has not yet been published

0:11:28.559 --> 0:11:31.840
<v Speaker 1>by anyone other than the person or group that coined it.

0:11:32.120 --> 0:11:34.680
<v Speaker 1>And I imagine they're using the term published here in

0:11:34.679 --> 0:11:37.360
<v Speaker 1>the broader sense, so not merely the printed word, but

0:11:37.720 --> 0:11:40.360
<v Speaker 1>any kind of media publication in the same way, in

0:11:40.400 --> 0:11:43.200
<v Speaker 1>the same way you might treat publishing in publication and

0:11:43.240 --> 0:11:47.319
<v Speaker 1>say both libel and slander law. Right, So if you

0:11:47.400 --> 0:11:51.040
<v Speaker 1>are trying to make fetch happen but nobody else is

0:11:51.080 --> 0:11:54.560
<v Speaker 1>saying fetch, then it's still a protologism for you. Maybe

0:11:54.559 --> 0:11:57.120
<v Speaker 1>if you get a few other people saying fetch, you're

0:11:57.200 --> 0:12:00.920
<v Speaker 1>starting to make fetch happen, then it's becoming a neologism.

0:12:01.840 --> 0:12:04.880
<v Speaker 1>And if it keeps going and then everybody starts using it,

0:12:04.920 --> 0:12:07.760
<v Speaker 1>then it's common use. Not to say it's immortal, not

0:12:07.800 --> 0:12:10.040
<v Speaker 1>to say it cannot then die, fall out of fashion,

0:12:10.040 --> 0:12:13.720
<v Speaker 1>and die again, but it has at least gained a foothold. Yeah,

0:12:13.840 --> 0:12:16.839
<v Speaker 1>So by these standards, I would say protologism was once

0:12:16.880 --> 0:12:20.559
<v Speaker 1>a protologism, but it is no longer a protologism, given

0:12:20.559 --> 0:12:22.840
<v Speaker 1>that you can find articles out there that are not

0:12:22.920 --> 0:12:26.680
<v Speaker 1>written by Michael Epstein himself that are using this term

0:12:26.760 --> 0:12:30.120
<v Speaker 1>and talking about it, so it has probably legitimately graduated

0:12:30.480 --> 0:12:34.160
<v Speaker 1>to being a fledgling neologism. It's, you know, still sort

0:12:34.200 --> 0:12:37.680
<v Speaker 1>of a young word, a word that not everybody knows,

0:12:37.920 --> 0:12:41.120
<v Speaker 1>but it has use outside the the original you know,

0:12:41.160 --> 0:12:43.280
<v Speaker 1>like the room where it was created or the person

0:12:43.320 --> 0:12:46.520
<v Speaker 1>who tried to coin it. So under this model, the

0:12:46.520 --> 0:12:49.040
<v Speaker 1>progression goes like that you've a person or a group

0:12:49.160 --> 0:12:52.280
<v Speaker 1>coins a new term or usage this is a protologism,

0:12:52.320 --> 0:12:54.960
<v Speaker 1>and then an expanded subset of the population sort of

0:12:55.000 --> 0:12:57.319
<v Speaker 1>tries out the new term for a period of time,

0:12:57.600 --> 0:12:59.920
<v Speaker 1>but it still often needs to be defined or look

0:13:00.080 --> 0:13:01.760
<v Speaker 1>to up. At this point you would say it's probably

0:13:01.760 --> 0:13:05.000
<v Speaker 1>a neologism. And then eventually the term just becomes a

0:13:05.000 --> 0:13:07.760
<v Speaker 1>word of common use. It doesn't need to be looked

0:13:07.840 --> 0:13:10.280
<v Speaker 1>up or defined in the context in which it is

0:13:10.320 --> 0:13:13.080
<v Speaker 1>normally used. I mean, people still have to look up

0:13:13.120 --> 0:13:15.160
<v Speaker 1>all kinds of words, but like there there at least

0:13:15.200 --> 0:13:19.120
<v Speaker 1>will be contexts in which the word is regularly used,

0:13:19.200 --> 0:13:21.520
<v Speaker 1>and and the people within those contexts all know what

0:13:21.559 --> 0:13:24.160
<v Speaker 1>it means. I'd say a good indicator here is when

0:13:24.760 --> 0:13:29.320
<v Speaker 1>people mostly stop googling the word for a definition. Imagine

0:13:29.320 --> 0:13:32.000
<v Speaker 1>there's a new word. Let's say it is schmirf plex,

0:13:32.920 --> 0:13:35.440
<v Speaker 1>like in the first time you hear it as someone says, Hey,

0:13:35.440 --> 0:13:37.200
<v Speaker 1>come to my house at eight and bring your smurf

0:13:37.360 --> 0:13:40.280
<v Speaker 1>smirt plex. Well, I don't know what a smirt plex is,

0:13:40.360 --> 0:13:42.360
<v Speaker 1>and that sentence gives me no context. I have no

0:13:42.440 --> 0:13:44.240
<v Speaker 1>idea what I'm supposed to bring. All I know is

0:13:44.240 --> 0:13:47.720
<v Speaker 1>that smirt plex can be brought. But smirt plex could

0:13:47.720 --> 0:13:50.800
<v Speaker 1>be it could be an attitude, it could be it

0:13:50.840 --> 0:13:53.920
<v Speaker 1>could it could be a physical thing. I don't know.

0:13:54.520 --> 0:13:58.120
<v Speaker 1>Or someone might say pizza cutter, Yeah, there's no way

0:13:58.160 --> 0:14:00.480
<v Speaker 1>to tell. Someone might say, Gosh, I really like Dylan,

0:14:00.720 --> 0:14:03.880
<v Speaker 1>I just wish he wasn't so smirt plexy. Again, no idea.

0:14:04.000 --> 0:14:06.600
<v Speaker 1>That's depending on how it said. You might be able

0:14:06.640 --> 0:14:10.360
<v Speaker 1>to lean into positive or negative interpretations, but beyond that

0:14:10.800 --> 0:14:13.360
<v Speaker 1>hard to say. Now, if someone says I can't wait

0:14:13.360 --> 0:14:16.199
<v Speaker 1>to smirt plex that slice of pizza, or do do

0:14:16.240 --> 0:14:18.360
<v Speaker 1>you smirt plex that slice of pizza? In one goal.

0:14:18.880 --> 0:14:21.320
<v Speaker 1>Both of these examples give you far more context for

0:14:21.560 --> 0:14:23.800
<v Speaker 1>not only how it is being used, but then how

0:14:23.840 --> 0:14:27.760
<v Speaker 1>it can be reused appropriately yea, or at least semi appropriately,

0:14:27.840 --> 0:14:30.440
<v Speaker 1>And then with some course correction, you can wind up

0:14:30.440 --> 0:14:32.200
<v Speaker 1>in a place where you were finally using this new

0:14:32.320 --> 0:14:36.200
<v Speaker 1>term correctly and passing it viraly onto those around you. Well,

0:14:36.200 --> 0:14:38.800
<v Speaker 1>this example brings up a great question, which is why

0:14:38.840 --> 0:14:42.520
<v Speaker 1>would you bother inventing a new word for something? The

0:14:42.600 --> 0:14:46.240
<v Speaker 1>side of course, to illustrate a point in a podcast, right, yes,

0:14:46.560 --> 0:14:48.120
<v Speaker 1>now it's clear why you do it there, But what

0:14:48.280 --> 0:14:50.560
<v Speaker 1>like what if you were actually trying to make smirt

0:14:50.600 --> 0:14:54.680
<v Speaker 1>plex happen? Is there a reason you would be doing this?

0:14:55.000 --> 0:14:56.360
<v Speaker 1>Maybe we should take a break and then when we

0:14:56.400 --> 0:15:03.920
<v Speaker 1>come back we can talk about that. Alright, we're back,

0:15:04.200 --> 0:15:08.080
<v Speaker 1>all right. We were asking the question of why protologisms

0:15:08.080 --> 0:15:11.160
<v Speaker 1>are coined. When somebody comes up with a new word

0:15:11.240 --> 0:15:15.160
<v Speaker 1>for something on purpose, Why does that happen? One pretty

0:15:15.200 --> 0:15:18.160
<v Speaker 1>important reason for coining into a new term, obviously, I

0:15:18.160 --> 0:15:21.320
<v Speaker 1>think it comes about often in science, and that's discovering

0:15:21.360 --> 0:15:24.440
<v Speaker 1>a new process or proposing a new theory. You're essentially

0:15:24.440 --> 0:15:28.160
<v Speaker 1>saying we have new new content in the world. Now,

0:15:28.200 --> 0:15:30.760
<v Speaker 1>and we need a word to describe it. It's not

0:15:30.960 --> 0:15:34.080
<v Speaker 1>something that you're already familiar with that we just wanted

0:15:34.080 --> 0:15:37.080
<v Speaker 1>a different word for right. So I found a short

0:15:37.200 --> 0:15:40.400
<v Speaker 1>article from two thousand eleven by Andrew Moore, who's the

0:15:40.600 --> 0:15:43.840
<v Speaker 1>editor in chief of a journal called bio Essays, and

0:15:44.000 --> 0:15:47.080
<v Speaker 1>in this article he talks about the importance of neologisms

0:15:47.120 --> 0:15:51.160
<v Speaker 1>and the sciences, and he writes the following. Neologisms or

0:15:51.200 --> 0:15:57.240
<v Speaker 1>protologisms quote may be considered seductive in two senses. Firstly,

0:15:57.440 --> 0:16:00.280
<v Speaker 1>because their creators are seduced by the ability need to

0:16:00.360 --> 0:16:04.400
<v Speaker 1>express a potentially new scientific concept in language, a creative

0:16:04.440 --> 0:16:07.400
<v Speaker 1>act that might stake their claim as the first to

0:16:07.480 --> 0:16:12.120
<v Speaker 1>discover something. Secondly, because they often find favor in the

0:16:12.120 --> 0:16:17.040
<v Speaker 1>rest of the scientific community for their conciseness. So here

0:16:17.080 --> 0:16:20.720
<v Speaker 1>more argues that in the science is protologisms play multiple roles.

0:16:21.000 --> 0:16:24.960
<v Speaker 1>The first, of course, is the straightforward utility, being that

0:16:25.040 --> 0:16:28.760
<v Speaker 1>they are concise. So like once Charles Barnes invented the

0:16:28.800 --> 0:16:32.760
<v Speaker 1>word photosynthesis, it was much more convenient to just say

0:16:32.800 --> 0:16:37.200
<v Speaker 1>photosynthesis than to say the process by which autotrophic organisms

0:16:37.240 --> 0:16:40.400
<v Speaker 1>like plants use energy from sunlight to convert carbon dioxide

0:16:40.440 --> 0:16:44.080
<v Speaker 1>and water into sugars, rolls off the tongue much better,

0:16:44.360 --> 0:16:46.040
<v Speaker 1>right You. You don't want to have to explain that

0:16:46.080 --> 0:16:48.240
<v Speaker 1>process every time you talk about it. You can just

0:16:48.360 --> 0:16:50.920
<v Speaker 1>use the one new word now. And new terms appear

0:16:50.920 --> 0:16:54.160
<v Speaker 1>in the sciences all the time because they're indisputably useful.

0:16:54.240 --> 0:16:57.120
<v Speaker 1>They save time, they save space, and now now you

0:16:57.200 --> 0:16:59.600
<v Speaker 1>all have the same word you can refer to when

0:16:59.600 --> 0:17:02.280
<v Speaker 1>you're talking about something, so you know you're talking about

0:17:02.280 --> 0:17:05.359
<v Speaker 1>the same thing. In addition to that, though that this

0:17:05.720 --> 0:17:08.200
<v Speaker 1>thing more is drawing attention to, is that they may

0:17:08.200 --> 0:17:12.080
<v Speaker 1>play a psychological and social role within their use in

0:17:12.119 --> 0:17:15.560
<v Speaker 1>the sciences because the neologism number one, it helps its

0:17:15.600 --> 0:17:20.280
<v Speaker 1>coiner secure credit for having identified or proposed the thing

0:17:20.760 --> 0:17:23.800
<v Speaker 1>or the hypothesis in question. And I think this is

0:17:23.920 --> 0:17:26.840
<v Speaker 1>really truly the case. I think how often on this

0:17:27.000 --> 0:17:32.520
<v Speaker 1>very show, historical priority for discoveries and inventions is in

0:17:32.600 --> 0:17:35.880
<v Speaker 1>fact a disputed, but we generally end up trying to

0:17:35.960 --> 0:17:39.399
<v Speaker 1>give recognition to the first person to use the same

0:17:39.520 --> 0:17:43.320
<v Speaker 1>word that everybody still uses for the thing. Right. Yeah, Well,

0:17:43.400 --> 0:17:46.720
<v Speaker 1>when when someone is calling the particular invention by a

0:17:46.720 --> 0:17:50.320
<v Speaker 1>different term, it's sort of implied that they didn't have

0:17:50.400 --> 0:17:53.280
<v Speaker 1>it figured out all the way, right even maybe even

0:17:53.320 --> 0:17:56.639
<v Speaker 1>if that person was more important in the in the

0:17:56.680 --> 0:18:00.800
<v Speaker 1>technological discoveries that led to the to the invention, right right, Yeah,

0:18:00.840 --> 0:18:03.080
<v Speaker 1>because ultimately, yeah, that the spread of the name is

0:18:03.080 --> 0:18:05.159
<v Speaker 1>tied with the spread of the idea. I feel like

0:18:05.200 --> 0:18:08.240
<v Speaker 1>we have repeatedly run into this in invention history, where

0:18:08.320 --> 0:18:12.040
<v Speaker 1>you know, somebody else's work was more pivotal, but ultimately

0:18:12.119 --> 0:18:15.000
<v Speaker 1>credit goes to the person who came up with the word.

0:18:15.640 --> 0:18:17.760
<v Speaker 1>But then, the other point is that the new word

0:18:17.880 --> 0:18:22.800
<v Speaker 1>also makes other scientists more likely to remember and discuss

0:18:22.920 --> 0:18:26.520
<v Speaker 1>your hypothesis or discovery, because it's easier to talk about

0:18:26.520 --> 0:18:28.280
<v Speaker 1>when it has a name, especially if it has a

0:18:28.280 --> 0:18:32.560
<v Speaker 1>catchy name. Uh So more rights. He gives an example quote.

0:18:32.840 --> 0:18:35.320
<v Speaker 1>It is said that kur at All, in their landmark

0:18:35.440 --> 0:18:39.720
<v Speaker 1>nineteen seventy two paper, coined the term apoptosis, and of

0:18:39.760 --> 0:18:42.560
<v Speaker 1>course that means um, you know, programmed cell death within

0:18:42.600 --> 0:18:46.840
<v Speaker 1>the body uh from the Greek apo meaning from and

0:18:46.920 --> 0:18:52.120
<v Speaker 1>potosis meaning falling uh to sound similar to necrosis, it's

0:18:52.200 --> 0:18:55.920
<v Speaker 1>biological counterpart. Though at the time more than a few

0:18:55.960 --> 0:18:58.919
<v Speaker 1>scientists doubted that the new word was anything more than

0:18:58.960 --> 0:19:03.880
<v Speaker 1>an impostor disguising a specific case of necrosis. It's certainly

0:19:04.000 --> 0:19:07.560
<v Speaker 1>helped to catapult the concept into new realms of attention

0:19:08.000 --> 0:19:12.000
<v Speaker 1>and hence testability. So this is interesting. It's like if

0:19:12.040 --> 0:19:14.879
<v Speaker 1>you're a scientist, you've got a new phenomenon you you

0:19:14.880 --> 0:19:17.840
<v Speaker 1>think you've discovered, or a hypothesis you want more people

0:19:17.880 --> 0:19:20.960
<v Speaker 1>to investigate. If you come up with a good word

0:19:21.240 --> 0:19:24.480
<v Speaker 1>for it, other scientists are more likely to pay attention

0:19:24.600 --> 0:19:27.320
<v Speaker 1>and start putting your idea to the test. In a

0:19:27.320 --> 0:19:30.720
<v Speaker 1>weird way. To come back to the invention parallels, it's

0:19:30.800 --> 0:19:34.359
<v Speaker 1>very much like branding and marketing. Yeah, I think evolution

0:19:34.440 --> 0:19:36.760
<v Speaker 1>is another great example of this. You know, like the

0:19:37.320 --> 0:19:42.280
<v Speaker 1>term uh so nicely sums up what is otherwise a

0:19:42.320 --> 0:19:45.560
<v Speaker 1>fairly complicated process that might not roll off the tongue

0:19:45.560 --> 0:19:48.520
<v Speaker 1>as easily. Oh and this was huge at the time,

0:19:48.840 --> 0:19:53.080
<v Speaker 1>with you know, Darwin agonizing over what was the best

0:19:53.200 --> 0:19:56.960
<v Speaker 1>terminology to use to explain in a simple way his

0:19:57.080 --> 0:20:00.520
<v Speaker 1>complex ideas, Like there was the competition within the theory

0:20:00.760 --> 0:20:03.400
<v Speaker 1>for you know, was it better to call it natural

0:20:03.520 --> 0:20:06.679
<v Speaker 1>selection or survival of the fittest. We have an episode

0:20:06.680 --> 0:20:08.440
<v Speaker 1>of stuff to blow your mind where we talk about

0:20:08.480 --> 0:20:11.400
<v Speaker 1>just like the fight back and forth between those two

0:20:11.480 --> 0:20:14.400
<v Speaker 1>terms which sort of described the same thing, but they

0:20:14.400 --> 0:20:18.679
<v Speaker 1>have different marketing appeals. Now, the other side of the

0:20:18.720 --> 0:20:20.640
<v Speaker 1>coin and all of this is is that why while

0:20:20.680 --> 0:20:23.359
<v Speaker 1>the use of words like this can certainly make it

0:20:23.400 --> 0:20:27.800
<v Speaker 1>easier to communicate about topics within the sciences, there's there

0:20:27.840 --> 0:20:30.600
<v Speaker 1>is evidence to indicate that it can in some cases

0:20:30.640 --> 0:20:33.879
<v Speaker 1>make it harder for those outside the field to understand

0:20:34.040 --> 0:20:36.639
<v Speaker 1>what's being discussed. Uh. And then this can often result

0:20:36.640 --> 0:20:39.320
<v Speaker 1>in a in a lack of interest in science or

0:20:39.480 --> 0:20:42.439
<v Speaker 1>politics is another example that's brought up or a feeling

0:20:42.480 --> 0:20:45.840
<v Speaker 1>that one is not good at science or politics, you

0:20:45.840 --> 0:20:48.080
<v Speaker 1>know and so so not not an idea that you

0:20:48.119 --> 0:20:51.440
<v Speaker 1>don't understand it and maybe you can't understand it. Um.

0:20:51.480 --> 0:20:54.760
<v Speaker 1>This according to a fairly recent study from Hilary Shulman,

0:20:54.800 --> 0:20:58.360
<v Speaker 1>Assistant Professor of Communication at the Ohio State University. UM,

0:20:58.440 --> 0:21:01.880
<v Speaker 1>you just came out in a patst couple of months. Basically,

0:21:01.880 --> 0:21:05.199
<v Speaker 1>the idea is that the the specialized terms they're looking at,

0:21:05.240 --> 0:21:08.600
<v Speaker 1>we're proving to be a stumbling block to interest. And

0:21:08.600 --> 0:21:11.240
<v Speaker 1>this of course just drives home the importance of science

0:21:11.280 --> 0:21:15.200
<v Speaker 1>communication and journalism in the fields of science and politics,

0:21:15.760 --> 0:21:20.040
<v Speaker 1>because obviously you need those specialized terms within science, within

0:21:20.080 --> 0:21:25.399
<v Speaker 1>the sciences, within like you know, academic discussion of politics, etcetera.

0:21:25.800 --> 0:21:27.720
<v Speaker 1>But then if you were going to convey those ideas

0:21:27.720 --> 0:21:30.760
<v Speaker 1>to the to the world outside of that in group,

0:21:31.480 --> 0:21:33.680
<v Speaker 1>you have to have more generalized terminology. You have to

0:21:33.680 --> 0:21:35.480
<v Speaker 1>find to have a way of reaching him, at least

0:21:36.320 --> 0:21:39.280
<v Speaker 1>until those terms become so widely used that you don't

0:21:39.280 --> 0:21:41.280
<v Speaker 1>have to worry about it, right, I mean, yeah, I

0:21:41.280 --> 0:21:44.520
<v Speaker 1>mean there are different considerations in play in these different

0:21:44.520 --> 0:21:48.480
<v Speaker 1>types of communication. I mean in scientific publications. Yeah, you

0:21:48.560 --> 0:21:51.440
<v Speaker 1>would waste a lot of space if you couldn't use

0:21:51.480 --> 0:21:54.119
<v Speaker 1>technical jargon. It just like allows you to say a

0:21:54.119 --> 0:21:56.520
<v Speaker 1>lot more in a lot less words, right, And a

0:21:56.560 --> 0:22:00.600
<v Speaker 1>lot of this also comes down to intended audience as well, Like, uh,

0:22:00.840 --> 0:22:03.080
<v Speaker 1>you know, the average person on the street is not

0:22:03.119 --> 0:22:08.520
<v Speaker 1>the intended reader for an academic neuroscience paper. Likewise, I

0:22:08.560 --> 0:22:11.639
<v Speaker 1>am not the the intended listener for a you know,

0:22:11.640 --> 0:22:17.640
<v Speaker 1>a very specific nineties dance hall uh reggae tune. You know. Um,

0:22:17.800 --> 0:22:20.199
<v Speaker 1>I have to come to it as an outsider. And

0:22:20.240 --> 0:22:22.280
<v Speaker 1>now it's possible that you know, years or decades down

0:22:22.320 --> 0:22:25.520
<v Speaker 1>the road, some of those terminal terms become part of

0:22:25.520 --> 0:22:29.359
<v Speaker 1>the general lexicon in either example. But it's not necessarily

0:22:29.400 --> 0:22:32.400
<v Speaker 1>going to be the case. Now there are examples, clearly,

0:22:32.440 --> 0:22:35.720
<v Speaker 1>I think where what you're talking about, though, where technical

0:22:35.800 --> 0:22:41.480
<v Speaker 1>language is just purely counterproductive, or at least counterproductive given

0:22:41.560 --> 0:22:44.560
<v Speaker 1>what somebody might state their their aims are, maybe not

0:22:44.600 --> 0:22:47.000
<v Speaker 1>to what their actual aims are. Joe, are you saying

0:22:47.040 --> 0:22:50.920
<v Speaker 1>that it's time to synergize backwards overflow? I think it's

0:22:50.920 --> 0:22:54.040
<v Speaker 1>time to talk a little bit about corporate speak. Yeah.

0:22:53.880 --> 0:22:56.280
<v Speaker 1>Uh so, of course one of my favorite sources of

0:22:56.320 --> 0:22:59.880
<v Speaker 1>everyday comedy and shame is corporate speak, this vast, shallow

0:23:00.000 --> 0:23:03.919
<v Speaker 1>cool of business neologisms that I sometimes imagine us just

0:23:04.000 --> 0:23:07.080
<v Speaker 1>sort of spending our days ladling over one another, like

0:23:07.240 --> 0:23:10.199
<v Speaker 1>so much stagnant pond water. We have to swim through

0:23:10.240 --> 0:23:12.560
<v Speaker 1>it from time to time. Yeah, And there was recently

0:23:12.600 --> 0:23:15.879
<v Speaker 1>a really excellent article I thought on corporate speak in

0:23:15.920 --> 0:23:18.440
<v Speaker 1>New York Magazine. It was from February of this year,

0:23:18.520 --> 0:23:24.040
<v Speaker 1>so by Molly Young called garbage language. Why do corporations

0:23:24.119 --> 0:23:27.119
<v Speaker 1>speak the way they do? Uh? In my opinion, this

0:23:27.200 --> 0:23:30.119
<v Speaker 1>was a very funny and insightful article on on the

0:23:30.119 --> 0:23:34.080
<v Speaker 1>phenomena of business buzzwords, which she calls garbage language, taking

0:23:34.080 --> 0:23:36.760
<v Speaker 1>the term from a novelist, and by that you might

0:23:36.800 --> 0:23:38.880
<v Speaker 1>guess where she stands on the subject. And of course

0:23:39.119 --> 0:23:41.800
<v Speaker 1>this kind of language is easy to hate, but that

0:23:41.880 --> 0:23:45.119
<v Speaker 1>doesn't make her wrong. She begins with an example of

0:23:45.119 --> 0:23:47.840
<v Speaker 1>a corporate word that she encountered at a startup where

0:23:47.840 --> 0:23:53.040
<v Speaker 1>she recently worked. Quote. The term was parallel path. And

0:23:53.119 --> 0:23:56.159
<v Speaker 1>I first heard it in this sentence, we're waiting on

0:23:56.240 --> 0:24:00.280
<v Speaker 1>specs from the San Francisco installation. Can you pari well

0:24:00.440 --> 0:24:05.280
<v Speaker 1>path two versions? Translated, this means we're waiting on specs

0:24:05.320 --> 0:24:09.919
<v Speaker 1>from the San Francisco installation? Can you make two versions?

0:24:09.960 --> 0:24:13.000
<v Speaker 1>So she summarizes, in other words, to parallel path is

0:24:13.040 --> 0:24:16.520
<v Speaker 1>to do two things at once. That's all. But it

0:24:16.560 --> 0:24:18.399
<v Speaker 1>gives it this kind of It almost has like a

0:24:18.440 --> 0:24:22.520
<v Speaker 1>Buddhist air to it. Right, there's a middle path, parallel paths.

0:24:23.359 --> 0:24:26.439
<v Speaker 1>It sounds far more peaceful than can you do twice

0:24:26.440 --> 0:24:30.119
<v Speaker 1>as much work as we originally talked about. I'm sure

0:24:30.160 --> 0:24:32.119
<v Speaker 1>you know you've probably heard me complain about this on

0:24:32.119 --> 0:24:34.159
<v Speaker 1>one of our shows before. This kind of thing is

0:24:34.200 --> 0:24:36.200
<v Speaker 1>so annoying to me, and I want to be clear,

0:24:36.400 --> 0:24:40.080
<v Speaker 1>I understand the creation of new technical terms in business

0:24:40.200 --> 0:24:43.040
<v Speaker 1>when they function the way that words normally do, right

0:24:43.160 --> 0:24:46.600
<v Speaker 1>by putting a concise name to something that would otherwise

0:24:46.640 --> 0:24:49.439
<v Speaker 1>require more explanation. And I think there are plenty of

0:24:49.600 --> 0:24:53.640
<v Speaker 1>perfectly legitimate business terms that are actually useful, and they

0:24:53.640 --> 0:24:57.080
<v Speaker 1>could be compared to specific technical jargon, and like medicine

0:24:57.119 --> 0:25:00.040
<v Speaker 1>or the science is one example. Here might be the

0:25:00.119 --> 0:25:04.280
<v Speaker 1>original use of disruption or disruptive. Like originally this referred

0:25:04.280 --> 0:25:06.879
<v Speaker 1>to a specific thing. It wasn't a new word, but

0:25:06.920 --> 0:25:08.960
<v Speaker 1>it was a word that gained a new usage in

0:25:08.960 --> 0:25:12.600
<v Speaker 1>a business context. And uh, this was coined by a

0:25:12.600 --> 0:25:16.080
<v Speaker 1>guy named Clayton Christensen in the nineties, and it referred

0:25:16.080 --> 0:25:19.719
<v Speaker 1>to like an innovation that creates a new market and

0:25:19.760 --> 0:25:23.800
<v Speaker 1>a new type of value, displacing old markets and old values.

0:25:23.880 --> 0:25:27.000
<v Speaker 1>So an example might be the mass production of automobiles

0:25:27.040 --> 0:25:29.480
<v Speaker 1>with the Model T, which isn't just a new competitor

0:25:29.480 --> 0:25:33.000
<v Speaker 1>and entering a market, but it completely kind of disrupts

0:25:33.000 --> 0:25:35.679
<v Speaker 1>the transportation market. It, you know, upsets the old like

0:25:35.720 --> 0:25:39.520
<v Speaker 1>traditional horse and buggy market. Uh. But even with this word,

0:25:39.560 --> 0:25:42.600
<v Speaker 1>which originally I think has a specific meaning and is useful,

0:25:42.880 --> 0:25:45.520
<v Speaker 1>I think there's a kind of semantic creep, right, whereover

0:25:45.640 --> 0:25:50.080
<v Speaker 1>time its meaning becomes less specific and people start using

0:25:50.119 --> 0:25:54.080
<v Speaker 1>the word disruption or disruptive to just refer to any

0:25:54.119 --> 0:25:57.480
<v Speaker 1>business innovation or maneuver that they want to be seen

0:25:57.520 --> 0:26:00.760
<v Speaker 1>as new and dynamic. It's like it's like using the

0:26:00.760 --> 0:26:05.520
<v Speaker 1>word like powerful or strong. You see people describing business

0:26:05.520 --> 0:26:09.680
<v Speaker 1>things as disruptive that are in no way really changing markets,

0:26:09.680 --> 0:26:13.000
<v Speaker 1>are creating new markets. They're just like they're just saying, like,

0:26:13.080 --> 0:26:15.800
<v Speaker 1>you know, we're gonna be big, We're gonna spend a

0:26:15.800 --> 0:26:18.560
<v Speaker 1>lot of money on this and enter the market. So

0:26:18.640 --> 0:26:20.920
<v Speaker 1>some words really have a meaning, But at the same time,

0:26:20.920 --> 0:26:23.960
<v Speaker 1>a lot of corporate speak just feels like replacing one

0:26:24.080 --> 0:26:28.000
<v Speaker 1>number of normal, understandable words with an equal number or

0:26:28.080 --> 0:26:33.639
<v Speaker 1>more of confusing, buzzy technical words. There's no efficiency advantage

0:26:33.680 --> 0:26:38.120
<v Speaker 1>in the communication. The communication becomes understandable by a smaller

0:26:38.240 --> 0:26:42.360
<v Speaker 1>number of people. Why does this happen well? With regard

0:26:42.400 --> 0:26:45.600
<v Speaker 1>to the idea of a parallel path, Young continues quote,

0:26:46.000 --> 0:26:49.480
<v Speaker 1>I thought there was something gorgeously and inadvertently candid about

0:26:49.480 --> 0:26:52.600
<v Speaker 1>the phrases assumption that a person would ever not be

0:26:52.720 --> 0:26:55.240
<v Speaker 1>doing more than one thing at a time in an office.

0:26:55.920 --> 0:26:58.399
<v Speaker 1>It's denial that the whole point of having an office

0:26:58.480 --> 0:27:03.040
<v Speaker 1>job is to multitask in effectively instead of single tasking effectively.

0:27:03.640 --> 0:27:06.399
<v Speaker 1>Why invent a term for what people were already forced

0:27:06.400 --> 0:27:09.560
<v Speaker 1>to do? It was, and it's fakery and puffery and

0:27:09.640 --> 0:27:13.240
<v Speaker 1>lack of a reason to exist. The perfect corporate neologism

0:27:13.359 --> 0:27:17.000
<v Speaker 1>now hold on. One can multitask and effectively at home

0:27:17.119 --> 0:27:19.760
<v Speaker 1>as well as in the office. That's quite true. I

0:27:20.880 --> 0:27:22.600
<v Speaker 1>think we can all attest to that. But but no,

0:27:22.720 --> 0:27:25.040
<v Speaker 1>I get their point here. As she discusses a bunch

0:27:25.080 --> 0:27:27.080
<v Speaker 1>more examples, I think I'd say the article is very

0:27:27.119 --> 0:27:30.560
<v Speaker 1>worth reading. And of course she's fairly merciless and hypothesizing

0:27:30.720 --> 0:27:34.040
<v Speaker 1>the reasons these terms are often used. For example, she

0:27:34.040 --> 0:27:37.439
<v Speaker 1>says that you know, some corporate speak simply reflects a

0:27:37.560 --> 0:27:41.399
<v Speaker 1>desire to reimagine exactly what type of work it is

0:27:41.480 --> 0:27:45.439
<v Speaker 1>you're doing and what that work means. She says, quote,

0:27:45.480 --> 0:27:48.840
<v Speaker 1>our attraction to certain words surely reflects an inner yearning.

0:27:49.200 --> 0:27:52.760
<v Speaker 1>Computer metaphors appeal to us because they imply futurism and

0:27:52.840 --> 0:27:56.399
<v Speaker 1>hyper efficiency, while the language of self empowerment hides a

0:27:56.440 --> 0:27:59.879
<v Speaker 1>deeper anxiety about our relationship to work, a sense that

0:28:00.040 --> 0:28:03.480
<v Speaker 1>what we're doing may actually be trivial, that the reward

0:28:03.520 --> 0:28:07.400
<v Speaker 1>of free snacks for cultural fealty is not an exchange

0:28:07.400 --> 0:28:10.320
<v Speaker 1>that benefits us, that none of this was worth going

0:28:10.320 --> 0:28:12.720
<v Speaker 1>into student debt for, and that we could be fired

0:28:12.760 --> 0:28:16.280
<v Speaker 1>instantly for complaining on Slack about it. And she ends

0:28:16.320 --> 0:28:19.600
<v Speaker 1>this uh string of thoughts by saying, empowerment language is

0:28:19.640 --> 0:28:23.320
<v Speaker 1>a self marketing asset as much as anything else, a

0:28:23.400 --> 0:28:27.879
<v Speaker 1>way of selling our jobs back to ourselves. I think

0:28:27.960 --> 0:28:31.080
<v Speaker 1>there's a lot of truth to that. Yeah, yeah, And

0:28:31.160 --> 0:28:33.679
<v Speaker 1>a lot of times it does seem very you know,

0:28:33.720 --> 0:28:38.880
<v Speaker 1>intentionally euphemistic, you know, to try to having to explain

0:28:39.240 --> 0:28:44.080
<v Speaker 1>describe something in terms that are less damaging or more positive.

0:28:44.800 --> 0:28:47.600
<v Speaker 1>Like one example that comes to mind is is something

0:28:47.600 --> 0:28:50.680
<v Speaker 1>that's used a lot in business speaking, that's pivoting, you know,

0:28:51.000 --> 0:28:54.520
<v Speaker 1>pivoting to video, for example, which sounds a lot better

0:28:54.560 --> 0:28:58.840
<v Speaker 1>than you know, drastically or recklessly changing course or being

0:28:58.960 --> 0:29:02.440
<v Speaker 1>thrown in the throne off course by you know, the

0:29:02.640 --> 0:29:06.479
<v Speaker 1>slightest change and the winds of of of public demand

0:29:06.520 --> 0:29:09.360
<v Speaker 1>and business. That sort of thing, Uh, pivot sounds like

0:29:09.560 --> 0:29:15.520
<v Speaker 1>very geometric, you know, it sounds very precise and premeditated.

0:29:15.560 --> 0:29:17.560
<v Speaker 1>It's what your office chair does when you turn to

0:29:17.600 --> 0:29:21.600
<v Speaker 1>look at your other monitor, an obvious one about obvious.

0:29:21.600 --> 0:29:23.840
<v Speaker 1>One of these euphemisms is just trying to cover up

0:29:23.840 --> 0:29:26.720
<v Speaker 1>hard truths. Is like when I don't know all of

0:29:26.760 --> 0:29:31.440
<v Speaker 1>the buzzy corporate words for basically firing people. Oh yeah, like,

0:29:31.440 --> 0:29:33.840
<v Speaker 1>are you gonna fire people? Are you going to terminate people?

0:29:33.880 --> 0:29:37.440
<v Speaker 1>Are you going to engage in a strategic head count reduction?

0:29:38.080 --> 0:29:40.120
<v Speaker 1>Or a new one? This was one that only came

0:29:40.160 --> 0:29:44.520
<v Speaker 1>out recently to my knowledge, employment dislocation, which when I

0:29:44.560 --> 0:29:46.360
<v Speaker 1>first read it, I had no idea what it meant.

0:29:46.400 --> 0:29:48.360
<v Speaker 1>I was like, oh, I guess they moved their jobs

0:29:48.360 --> 0:29:52.560
<v Speaker 1>to another city, like there's there's a geographic change, and

0:29:52.600 --> 0:29:55.400
<v Speaker 1>maybe it wasn't that bad. And I think, now what

0:29:55.440 --> 0:29:58.560
<v Speaker 1>we're talking about is just people being terminated. I mean,

0:29:58.800 --> 0:30:00.840
<v Speaker 1>but but then again, you know, look at it from

0:30:00.960 --> 0:30:04.800
<v Speaker 1>a business's standpoint and like, no, what business is going

0:30:04.880 --> 0:30:07.800
<v Speaker 1>to you know, send out a corporate email and begin

0:30:07.960 --> 0:30:11.280
<v Speaker 1>by saying, who, we just really had a blood bath. Everybody.

0:30:11.960 --> 0:30:15.080
<v Speaker 1>If you're reading this, you're all right, but you know, no, no,

0:30:15.080 --> 0:30:17.640
<v Speaker 1>nobody's gonna engage in that kind of uh, you know,

0:30:18.720 --> 0:30:22.160
<v Speaker 1>intercommunication about what has happened or out of communication you're

0:30:22.360 --> 0:30:24.520
<v Speaker 1>you're you're gonna want to put a positive spin on

0:30:24.560 --> 0:30:30.040
<v Speaker 1>it and leave the negative interpretations to other folks to do.

0:30:30.640 --> 0:30:32.800
<v Speaker 1>What do you know? One of the worst things about

0:30:32.840 --> 0:30:35.400
<v Speaker 1>this type of language is as much as I hate it,

0:30:35.600 --> 0:30:39.840
<v Speaker 1>I sometimes find myself unconsciously using it in work emails

0:30:39.840 --> 0:30:42.600
<v Speaker 1>and stuff I don't mean to, but it infects you.

0:30:43.280 --> 0:30:45.280
<v Speaker 1>Here's the Well, here's one that we've I've seen used

0:30:45.320 --> 0:30:48.000
<v Speaker 1>to hear at work from time to time. What happens

0:30:48.000 --> 0:30:51.720
<v Speaker 1>when a new podcast or even an older podcast UH

0:30:51.840 --> 0:30:55.680
<v Speaker 1>is not living up to expectations? Well, do you just

0:30:56.240 --> 0:30:59.440
<v Speaker 1>cancel it? Do you terminate it? Or do you son

0:30:59.520 --> 0:31:03.320
<v Speaker 1>set it? That's one of those great examples. Yeah. Well,

0:31:03.400 --> 0:31:05.240
<v Speaker 1>one of the things that Young talks about a lot

0:31:05.240 --> 0:31:09.120
<v Speaker 1>in the article is the recent explosion of new ag

0:31:09.480 --> 0:31:13.320
<v Speaker 1>language in UH in business, you know, corporate speak, Like

0:31:13.360 --> 0:31:16.600
<v Speaker 1>there are these phases where corporate speak in the eighties

0:31:16.680 --> 0:31:20.640
<v Speaker 1>was infected with all these Wall Street style terms, and

0:31:20.720 --> 0:31:22.840
<v Speaker 1>in the nineties there was a lot of there was

0:31:22.880 --> 0:31:26.120
<v Speaker 1>a lot of like war and battle type language in

0:31:26.200 --> 0:31:28.840
<v Speaker 1>corporate speak. And for some reason, now we're in an

0:31:28.840 --> 0:31:33.240
<v Speaker 1>age of new age kind of mystical corporate speak. Are

0:31:33.240 --> 0:31:35.800
<v Speaker 1>they saying things like, alright, it's time to really open

0:31:35.880 --> 0:31:38.440
<v Speaker 1>up the chakras on this new ad campaign. I think

0:31:38.440 --> 0:31:40.040
<v Speaker 1>there are some things like that. I think a lot

0:31:40.080 --> 0:31:42.440
<v Speaker 1>of it probably comes from the tech world actually, where

0:31:42.440 --> 0:31:43.680
<v Speaker 1>they're you know, there are a ton of people in

0:31:43.720 --> 0:31:46.200
<v Speaker 1>the tech world who are also plugged into like Eastern

0:31:46.240 --> 0:31:48.800
<v Speaker 1>religion and stuff, so so I guess you could say

0:31:48.800 --> 0:31:51.320
<v Speaker 1>a lot of it is is tied to in these

0:31:51.320 --> 0:31:55.320
<v Speaker 1>cases to putting a new spin on something that is familiar. Uh,

0:31:55.720 --> 0:31:59.600
<v Speaker 1>Like taking something that may seem even exotic and using

0:31:59.640 --> 0:32:02.880
<v Speaker 1>that is a way to recast something that is for

0:32:03.080 --> 0:32:05.280
<v Speaker 1>far more ordinary. Yeah, I think there there are several

0:32:05.320 --> 0:32:07.520
<v Speaker 1>reasons we can come away with here why we often

0:32:07.560 --> 0:32:11.000
<v Speaker 1>see the introduction of neologisms in the corporate world. One

0:32:11.160 --> 0:32:14.360
<v Speaker 1>is to sort of reimagine or put a new psychological

0:32:14.400 --> 0:32:16.479
<v Speaker 1>spin on what it is you're doing that you know,

0:32:17.200 --> 0:32:20.120
<v Speaker 1>makes it feel maybe more spiritual, or makes it feel

0:32:20.160 --> 0:32:22.520
<v Speaker 1>more combative or something whatever it is that gets you

0:32:22.600 --> 0:32:26.640
<v Speaker 1>amped up. Another is to be euphemistic, to like to

0:32:26.840 --> 0:32:30.080
<v Speaker 1>take hard truths and make them sound like something different

0:32:30.080 --> 0:32:32.400
<v Speaker 1>than they are. And then I would say there is

0:32:32.440 --> 0:32:37.800
<v Speaker 1>another one, which is just a desire to sound professional,

0:32:38.720 --> 0:32:41.760
<v Speaker 1>like there's this idea that okay, where are people definitely

0:32:41.880 --> 0:32:44.720
<v Speaker 1>doing real work. One place you know that they're doing

0:32:44.760 --> 0:32:48.719
<v Speaker 1>that is like in the sciences and in engineering and stuff,

0:32:48.840 --> 0:32:51.920
<v Speaker 1>and they have lots of technical jargon, you know. But

0:32:52.120 --> 0:32:54.520
<v Speaker 1>in the sciences and engineering you probably need a lot

0:32:54.560 --> 0:32:58.520
<v Speaker 1>of technical jargon that is not actually there's nothing equivalent

0:32:58.520 --> 0:33:01.920
<v Speaker 1>to it that's necessary in a normal office. But you

0:33:02.000 --> 0:33:05.480
<v Speaker 1>have this desire to feel like you are accomplishing things

0:33:05.520 --> 0:33:08.360
<v Speaker 1>at the same level as the sciences are in engineering.

0:33:09.640 --> 0:33:11.240
<v Speaker 1>And then of course to come back to politics, and

0:33:11.320 --> 0:33:14.440
<v Speaker 1>politics is very much an example of of of of

0:33:14.480 --> 0:33:18.120
<v Speaker 1>a situation where you're needing to continually spin things, uh,

0:33:18.560 --> 0:33:21.440
<v Speaker 1>either in one direction or the other and uh, and

0:33:21.480 --> 0:33:25.600
<v Speaker 1>in doing so you come up with different different terminologies

0:33:25.880 --> 0:33:29.719
<v Speaker 1>to different descriptions of of what of things that are

0:33:29.760 --> 0:33:32.880
<v Speaker 1>essentially the same. Yes, I think that fits more in

0:33:33.040 --> 0:33:36.000
<v Speaker 1>with the the one about you know, wanting to reimagine

0:33:36.040 --> 0:33:38.440
<v Speaker 1>your job or sell your job back to yourself with

0:33:38.640 --> 0:33:42.160
<v Speaker 1>you know, new uh corporate neologisms because they help you

0:33:42.360 --> 0:33:45.440
<v Speaker 1>feel a certain way. You know, in politics, obviously you're

0:33:45.480 --> 0:33:47.840
<v Speaker 1>trying to make other people feel a certain way about

0:33:47.840 --> 0:33:51.040
<v Speaker 1>a concept by using pushy terminology about it all right,

0:33:51.040 --> 0:33:53.000
<v Speaker 1>we're gonna take one more break, but when we come back,

0:33:53.280 --> 0:33:55.520
<v Speaker 1>you know, we're gonna get into a little bit of

0:33:55.560 --> 0:33:59.560
<v Speaker 1>science fiction e territory here as we look at a

0:33:59.600 --> 0:34:03.680
<v Speaker 1>couple of examples of of new words that came up

0:34:03.720 --> 0:34:07.480
<v Speaker 1>on us and and some of their their their fictional origins,

0:34:07.520 --> 0:34:11.000
<v Speaker 1>but also some of the fictional engines that help them

0:34:11.040 --> 0:34:20.200
<v Speaker 1>reach their place in our lexicon. Alright, we're back, So

0:34:20.400 --> 0:34:23.560
<v Speaker 1>we're going to talk about a couple more interesting examples

0:34:23.600 --> 0:34:25.840
<v Speaker 1>of invented words and what they tell us about the

0:34:25.960 --> 0:34:28.240
<v Speaker 1>you know, the the process by which words are coined.

0:34:28.800 --> 0:34:31.680
<v Speaker 1>The next one I think is interesting because it's common

0:34:31.800 --> 0:34:36.320
<v Speaker 1>usage is so uh intention with the spirit of its coinage.

0:34:36.800 --> 0:34:40.719
<v Speaker 1>And that word is robot, right and boy, And this

0:34:40.800 --> 0:34:44.280
<v Speaker 1>is one that is um. Robot is so broadly used

0:34:44.320 --> 0:34:47.920
<v Speaker 1>these days to things that are perhaps not technically robots

0:34:47.920 --> 0:34:52.080
<v Speaker 1>get called robots um, and the things that sometimes things

0:34:52.160 --> 0:34:55.560
<v Speaker 1>that are for all intents and purposes robots don't get

0:34:55.600 --> 0:34:59.640
<v Speaker 1>called robot. It's uh, it's it's a weird one. So

0:35:00.040 --> 0:35:03.040
<v Speaker 1>will be a wonderful journey. So you could be forgiven

0:35:03.080 --> 0:35:06.719
<v Speaker 1>for assuming that the word robot was coined by an inventor, right,

0:35:06.800 --> 0:35:10.719
<v Speaker 1>somebody who maybe somebody who made automata or somebody who

0:35:10.760 --> 0:35:14.200
<v Speaker 1>created an early autonomous machine. But no, not at all.

0:35:14.680 --> 0:35:17.360
<v Speaker 1>This invented word, like so many others we have discussed,

0:35:17.360 --> 0:35:20.640
<v Speaker 1>actually comes from a work of fiction. That work was

0:35:20.719 --> 0:35:24.600
<v Speaker 1>a play called are You Are, which stood for Rossom's

0:35:24.760 --> 0:35:28.120
<v Speaker 1>Universal Robots. And this was a play written by the

0:35:28.320 --> 0:35:33.919
<v Speaker 1>check writer and intellectual Karl Choppeck. It premiered in nineteen one,

0:35:34.120 --> 0:35:37.240
<v Speaker 1>and it's basic plot was that an inventor named Rossum

0:35:37.760 --> 0:35:41.719
<v Speaker 1>creates a series of artificial humans to serve as slaves

0:35:41.719 --> 0:35:45.920
<v Speaker 1>for regular humans. But these slaves ultimately revolt against their

0:35:46.000 --> 0:35:49.480
<v Speaker 1>human creators and they basically kill all the humans and

0:35:49.600 --> 0:35:52.000
<v Speaker 1>they take over, and then they find out, oh no,

0:35:52.160 --> 0:35:55.440
<v Speaker 1>we don't know how to make more of ourselves. But

0:35:55.520 --> 0:35:58.719
<v Speaker 1>these slaves in the play are known as robots. And

0:35:58.800 --> 0:36:01.680
<v Speaker 1>this word is not invented out of whole cloth. It's

0:36:01.719 --> 0:36:04.399
<v Speaker 1>adapted from a check word. I think that comes from

0:36:04.400 --> 0:36:07.600
<v Speaker 1>an old Slavonic term. Uh. The word is robot to

0:36:08.000 --> 0:36:11.520
<v Speaker 1>r O b O t a, which means forced labor

0:36:11.760 --> 0:36:14.879
<v Speaker 1>or servitude. It is the kind of labor that would

0:36:14.880 --> 0:36:18.719
<v Speaker 1>have been done by surfs under feudalism. Now, of course,

0:36:18.840 --> 0:36:21.040
<v Speaker 1>this idea of a robot is somewhat different from what

0:36:21.080 --> 0:36:25.319
<v Speaker 1>it usually means today. Today, a robot is generally some

0:36:25.440 --> 0:36:29.920
<v Speaker 1>kind of machine that operates with some degree of independence

0:36:30.120 --> 0:36:34.040
<v Speaker 1>and moves with some degree of freedom, mimicking human or

0:36:34.120 --> 0:36:37.080
<v Speaker 1>animal movement. You can tell from what I just said,

0:36:37.080 --> 0:36:39.360
<v Speaker 1>of course, that the concept is actually a little bit hazy,

0:36:39.400 --> 0:36:42.600
<v Speaker 1>even though it is so widely used. But the robots

0:36:42.600 --> 0:36:46.839
<v Speaker 1>in Shopics Play, while they are manufactured products, are not

0:36:46.960 --> 0:36:51.240
<v Speaker 1>depicted as being mechanical machines made out of metal. They're closer,

0:36:51.280 --> 0:36:54.239
<v Speaker 1>I think, to the replicants of Blade Runner. They are

0:36:54.280 --> 0:36:58.400
<v Speaker 1>sort of like basically humans in every respect, except they

0:36:58.400 --> 0:37:02.560
<v Speaker 1>are manufactured instead born, And the comparison to Blade Runner

0:37:02.640 --> 0:37:04.680
<v Speaker 1>is very close when you look at some of the

0:37:04.719 --> 0:37:07.359
<v Speaker 1>texts in the play. For example, there's this part where

0:37:07.400 --> 0:37:11.239
<v Speaker 1>there's a triumphal speech given by a robot named Radius

0:37:11.280 --> 0:37:14.879
<v Speaker 1>after he and the other robot rebels sees power from

0:37:14.880 --> 0:37:18.239
<v Speaker 1>the humans. Roddy As says, quote, the power of man

0:37:18.360 --> 0:37:21.680
<v Speaker 1>has fallen. By gaining possession of the factory, we have

0:37:21.800 --> 0:37:26.160
<v Speaker 1>become masters of everything. The period of mankind has passed away.

0:37:26.560 --> 0:37:30.719
<v Speaker 1>A new world has arisen. Mankind is no more mankind

0:37:30.800 --> 0:37:35.120
<v Speaker 1>gave us two little life. We wanted more life. Oh man,

0:37:35.320 --> 0:37:37.880
<v Speaker 1>that's Roy Batty, right, yeah, you can just you can

0:37:38.000 --> 0:37:40.600
<v Speaker 1>envision him giving that speech. And so it makes me

0:37:40.640 --> 0:37:45.200
<v Speaker 1>think that Are you Are must have directly inspired Blade Runner. Yeah, yeah, yeah,

0:37:45.239 --> 0:37:49.839
<v Speaker 1>certainly really Scott's adaptation of the original Philip K. Dick,

0:37:50.400 --> 0:37:53.239
<v Speaker 1>Uh do Android's stream of Electric Sheep. But I don't

0:37:53.239 --> 0:37:55.719
<v Speaker 1>think that line is in the Philip K. Dick. I don't.

0:37:55.800 --> 0:37:57.640
<v Speaker 1>It's when a long time, so they're reddit, but I don't.

0:37:57.680 --> 0:37:59.880
<v Speaker 1>I don't remember that as being parted. Like I remember

0:38:00.480 --> 0:38:03.239
<v Speaker 1>picking up that is. I think that was the first

0:38:03.239 --> 0:38:05.799
<v Speaker 1>phil K Dick book I read, and my experience was

0:38:05.840 --> 0:38:07.319
<v Speaker 1>probably like a lot of people would pick it up

0:38:07.320 --> 0:38:10.440
<v Speaker 1>expecting Blade Runner at the film and it's you get

0:38:10.480 --> 0:38:12.400
<v Speaker 1>something different. Is there are a lot of differences between

0:38:12.400 --> 0:38:14.760
<v Speaker 1>the novel and the book is great, but oh it's wonderful.

0:38:14.760 --> 0:38:18.160
<v Speaker 1>It's very different. It's very different. The book is wonderful

0:38:18.320 --> 0:38:21.360
<v Speaker 1>for the kind of state of unreality that it conjures

0:38:21.520 --> 0:38:24.920
<v Speaker 1>because of like the moments where the main character starts

0:38:24.960 --> 0:38:27.279
<v Speaker 1>to wonder if he is real or not. It's very

0:38:27.320 --> 0:38:30.120
<v Speaker 1>Philip K. Dick I was. I would remember being so

0:38:30.600 --> 0:38:33.560
<v Speaker 1>excited to read Blade Runner that I even read another

0:38:33.680 --> 0:38:36.960
<v Speaker 1>another novel that was called Blade Runner. There was like

0:38:37.360 --> 0:38:40.400
<v Speaker 1>a futuristic sci fi world about. It had to do

0:38:40.440 --> 0:38:44.080
<v Speaker 1>with like a medical um, a medical black market, like

0:38:44.160 --> 0:38:47.759
<v Speaker 1>generally somebody who's running like surgical blades. Did this come

0:38:47.800 --> 0:38:50.640
<v Speaker 1>out after the movie? This was like, I'm not sure

0:38:50.760 --> 0:38:53.160
<v Speaker 1>when it came out. I just remember finding a what

0:38:53.280 --> 0:38:57.239
<v Speaker 1>felt like an old book in my school library and

0:38:57.239 --> 0:38:59.359
<v Speaker 1>I was like, all right, it's close enough, I'll read

0:38:59.440 --> 0:39:02.400
<v Speaker 1>the whole thing. So I remember being entertaining, but it

0:39:02.520 --> 0:39:06.080
<v Speaker 1>also not Late Runner. Well, anyway, I was reading a

0:39:06.120 --> 0:39:08.440
<v Speaker 1>good article about this in the m I. T Press

0:39:08.480 --> 0:39:11.520
<v Speaker 1>by a Penn State professor named John im Jordan's uh.

0:39:11.560 --> 0:39:14.680
<v Speaker 1>And Jordan lays out some interesting context for are you

0:39:14.719 --> 0:39:18.239
<v Speaker 1>are uh? He writes of Choppe quote. Like many of

0:39:18.280 --> 0:39:21.319
<v Speaker 1>his peers, he was appalled by the carnage wrought by

0:39:21.320 --> 0:39:24.319
<v Speaker 1>the mechanical and chemical weapons that marked World War One

0:39:24.680 --> 0:39:27.960
<v Speaker 1>as a departure from previous combat. He was also deeply

0:39:28.000 --> 0:39:31.839
<v Speaker 1>skeptical of the utopian notions of science and technology. And

0:39:31.960 --> 0:39:34.240
<v Speaker 1>you should remember that this was a time of great

0:39:34.360 --> 0:39:38.040
<v Speaker 1>technological utopianism. You know, remember our episodes on the invention

0:39:38.480 --> 0:39:42.080
<v Speaker 1>of the supposed death ray in this period, which despite

0:39:42.120 --> 0:39:46.440
<v Speaker 1>the name, was actually pitched as something beautiful and humane.

0:39:46.600 --> 0:39:49.680
<v Speaker 1>It was a technology that would end all possibility of war,

0:39:49.760 --> 0:39:52.200
<v Speaker 1>It would bring about an era of peace and harmony.

0:39:52.560 --> 0:39:54.719
<v Speaker 1>And the death ray was by far, you know, not

0:39:54.760 --> 0:39:56.600
<v Speaker 1>the only example. This was the time of you know,

0:39:56.680 --> 0:39:59.880
<v Speaker 1>Tesla and Marconi in so many others fielding the idea

0:40:00.040 --> 0:40:03.760
<v Speaker 1>that coming technologies would eliminate war and disease and want.

0:40:04.560 --> 0:40:07.040
<v Speaker 1>But of course there were many others like Chopek who

0:40:07.480 --> 0:40:10.640
<v Speaker 1>reacted to the technological horrors of World War One with

0:40:10.680 --> 0:40:14.880
<v Speaker 1>skepticism about the promises of of new science and technology.

0:40:15.200 --> 0:40:17.839
<v Speaker 1>Uh and so, yeah, he's criticizing this idea of of

0:40:17.880 --> 0:40:21.080
<v Speaker 1>science that is that is not concerned with big questions,

0:40:21.200 --> 0:40:24.360
<v Speaker 1>or with ethics, or or even the the ultimate purpose

0:40:24.440 --> 0:40:27.200
<v Speaker 1>of its own endeavor, That is just concerned with like

0:40:27.320 --> 0:40:30.680
<v Speaker 1>what sort of leverage it can have over the physical world,

0:40:30.760 --> 0:40:35.200
<v Speaker 1>what can you produce? But Jordan's characterizes chop x opinion

0:40:35.440 --> 0:40:40.680
<v Speaker 1>on mechanization by saying, quote, when mechanization overtakes basic human traits,

0:40:40.719 --> 0:40:46.080
<v Speaker 1>people lose the ability to reproduce, as robots increase in capability, vitality,

0:40:46.080 --> 0:40:50.240
<v Speaker 1>and self awareness, humans become more like their machines. Humans

0:40:50.280 --> 0:40:53.440
<v Speaker 1>and robots, in chop x critique are essentially one and

0:40:53.480 --> 0:40:57.560
<v Speaker 1>the same. The measure of worth industrial productivity is one

0:40:57.680 --> 0:40:59.799
<v Speaker 1>by the robots that can do the work of two

0:40:59.800 --> 0:41:03.799
<v Speaker 1>and half men. Such a contest implicitly critiques the efficiency

0:41:03.880 --> 0:41:07.280
<v Speaker 1>movement that emerged just before World War One, which ignored

0:41:07.400 --> 0:41:10.879
<v Speaker 1>many essential human traits. Of course, this makes me think

0:41:10.880 --> 0:41:14.640
<v Speaker 1>about Dune, right, the implications of the past but lerry

0:41:14.680 --> 0:41:18.080
<v Speaker 1>a jihad, that's right, hey, when which humans rise up

0:41:18.120 --> 0:41:22.840
<v Speaker 1>against the rule of machines. But it's implied, it's certainly

0:41:22.840 --> 0:41:26.040
<v Speaker 1>in the original books that it's not just a it's

0:41:26.160 --> 0:41:29.520
<v Speaker 1>not simply a matter of rising up against machine overlords

0:41:29.520 --> 0:41:33.280
<v Speaker 1>in the physical totalitarian sense, but in a philosophical sense,

0:41:33.320 --> 0:41:36.520
<v Speaker 1>the idea that the machine way of life, the machine

0:41:36.560 --> 0:41:39.160
<v Speaker 1>way of thinking, has corrupted what it is to be

0:41:39.239 --> 0:41:42.560
<v Speaker 1>human exactly. Yes, it's not just that they're like, you know,

0:41:42.680 --> 0:41:45.160
<v Speaker 1>enemies that are trying to rule us. They've changed our

0:41:45.280 --> 0:41:48.600
<v Speaker 1>nature and we don't want that. Yeah. But anyway, given

0:41:48.640 --> 0:41:51.840
<v Speaker 1>the views of the play, there's just some intense irony

0:41:51.960 --> 0:41:54.960
<v Speaker 1>that this is actually the terminology that was adopted by

0:41:54.960 --> 0:41:57.920
<v Speaker 1>people who would end up wanting to make autonomous machines

0:41:57.960 --> 0:42:00.279
<v Speaker 1>for a living, like you know. And of course I

0:42:00.280 --> 0:42:02.680
<v Speaker 1>don't think there's anything wrong with wanting to go into robotics.

0:42:02.719 --> 0:42:05.840
<v Speaker 1>I think robots canna have a lot of wonderful uses. Yes, certainly.

0:42:06.000 --> 0:42:08.359
<v Speaker 1>But the term you're using is saying like I want

0:42:08.360 --> 0:42:11.520
<v Speaker 1>to go into robotics, is like literally like I want

0:42:11.520 --> 0:42:15.240
<v Speaker 1>to go into creating slaves that will destroy our spirit

0:42:15.280 --> 0:42:19.239
<v Speaker 1>and render us useless. Yeah, that's fascinating. One last thing

0:42:19.239 --> 0:42:22.200
<v Speaker 1>about the word robot. It's pronunciation also appears to have

0:42:22.320 --> 0:42:24.920
<v Speaker 1>changed over time. At various times it might have been

0:42:24.960 --> 0:42:28.000
<v Speaker 1>pronounced more like a robot robot? Is it ever bot?

0:42:28.080 --> 0:42:32.000
<v Speaker 1>Was it ever pronounced robot like Zoidberg does its futurama?

0:42:32.080 --> 0:42:34.040
<v Speaker 1>I think maybe at some point it was there. There

0:42:34.040 --> 0:42:37.200
<v Speaker 1>have been multiple different ways of saying now speaking of

0:42:37.360 --> 0:42:41.759
<v Speaker 1>technological fear and apprehension. Um, the next word we're going

0:42:41.800 --> 0:42:44.040
<v Speaker 1>to consider here is is a perfect extension of this

0:42:44.160 --> 0:42:45.840
<v Speaker 1>and ties into some of these same themes, and that

0:42:45.960 --> 0:42:51.319
<v Speaker 1>is of course clone. So clone was apparently first recorded,

0:42:51.680 --> 0:42:55.920
<v Speaker 1>uh to have been used somewhere between nineteen and nineteen

0:42:55.920 --> 0:43:00.360
<v Speaker 1>o five, and it's from the Greek word clone, a

0:43:00.480 --> 0:43:07.040
<v Speaker 1>slip a twig with clear botanical roots. Here. Plant physiologist

0:43:07.120 --> 0:43:09.880
<v Speaker 1>Herbert J. Webber coined the term in reference to the

0:43:09.920 --> 0:43:15.480
<v Speaker 1>technique for propagating new plants UH through the use of cuttings, bulbs,

0:43:15.520 --> 0:43:18.920
<v Speaker 1>and buds. And I was reading about this, UH in

0:43:18.960 --> 0:43:22.880
<v Speaker 1>an interview that Science Friday in their Science Diction series

0:43:23.280 --> 0:43:26.840
<v Speaker 1>UH conducted with Harold Marco, professor of History of Medicine

0:43:27.640 --> 0:43:30.560
<v Speaker 1>at the University of Michigan, and Ann Arbor UH. And

0:43:30.880 --> 0:43:35.160
<v Speaker 1>one thing that Marco pointed out is that Webber was

0:43:35.239 --> 0:43:37.200
<v Speaker 1>kind of trying to decide what term to use, Like

0:43:37.200 --> 0:43:39.440
<v Speaker 1>you didn't just fire from the hip here and think,

0:43:39.440 --> 0:43:41.439
<v Speaker 1>all right, what is the what? What? What words should

0:43:41.440 --> 0:43:43.959
<v Speaker 1>I use? Maybe with some of those considerations we talked

0:43:43.960 --> 0:43:47.520
<v Speaker 1>about earlier exactly. Yeah. So one of the other, like

0:43:47.640 --> 0:43:51.000
<v Speaker 1>major contender that he came up with is actually pretty great. Uh.

0:43:51.000 --> 0:43:56.400
<v Speaker 1>It is the word strength, a combination of strain and wraith. Wow.

0:43:57.080 --> 0:44:00.319
<v Speaker 1>But he, you know, decided it was too clumsy. But

0:44:00.400 --> 0:44:01.880
<v Speaker 1>that being said, I want there's got to be a

0:44:01.880 --> 0:44:05.120
<v Speaker 1>sci fi treatment out there, UM, somewhere where someone has

0:44:05.120 --> 0:44:09.480
<v Speaker 1>decided to abandon the word clone and just talk about streiths. UH.

0:44:09.520 --> 0:44:13.480
<v Speaker 1>Like that that just changes the whole situation. Imagine, if

0:44:13.520 --> 0:44:17.239
<v Speaker 1>you will, if throughout the Star Wars universe, instead of

0:44:17.239 --> 0:44:20.640
<v Speaker 1>saying clone, they said straight yeah, like that would have

0:44:20.680 --> 0:44:22.759
<v Speaker 1>had it would have made it feel it would have

0:44:22.800 --> 0:44:26.360
<v Speaker 1>been rooted in the actual origin of our usage of clone,

0:44:26.719 --> 0:44:29.160
<v Speaker 1>but it would have given it this slightly different feel

0:44:29.600 --> 0:44:33.279
<v Speaker 1>and indeed strength with its Wraith connotation. It feels a

0:44:33.320 --> 0:44:36.359
<v Speaker 1>little weird or like it's more in line with well,

0:44:36.480 --> 0:44:39.360
<v Speaker 1>it's good to come back to Herbert. The use of

0:44:39.400 --> 0:44:42.000
<v Speaker 1>the golas in Dune, you know where you know, it

0:44:42.040 --> 0:44:44.360
<v Speaker 1>doesn't it doesn't call them clones, It call you know,

0:44:44.440 --> 0:44:47.759
<v Speaker 1>calls them goulas, creates this new word that drags in

0:44:47.920 --> 0:44:53.040
<v Speaker 1>other um, other you know, feelings, other words, other connotations.

0:44:53.080 --> 0:44:57.360
<v Speaker 1>So um and anyway, Marco, you know, as this concept

0:44:57.400 --> 0:45:00.680
<v Speaker 1>steadily took off, you saw it u a lot in

0:45:01.080 --> 0:45:03.960
<v Speaker 1>the agricultural world world because that's of course where it

0:45:03.960 --> 0:45:09.480
<v Speaker 1>was originally utilized. But then it bleeds over into science fiction. However,

0:45:09.680 --> 0:45:12.319
<v Speaker 1>there are cases where you could have seen someone use

0:45:12.400 --> 0:45:14.640
<v Speaker 1>clone a lot more of where they did. In for instance,

0:45:14.840 --> 0:45:18.680
<v Speaker 1>Huxley in Brave New World doesn't refer to it as cloning,

0:45:18.719 --> 0:45:24.080
<v Speaker 1>refers to instead as the Bakonovsky process. But uh, but

0:45:24.200 --> 0:45:27.480
<v Speaker 1>Market points to two specific uses of clone in the

0:45:27.560 --> 0:45:30.279
<v Speaker 1>nineteen seventies that really helped to push it into the

0:45:30.280 --> 0:45:34.880
<v Speaker 1>popular lexicon, the first of which is Alvin and Heidi

0:45:34.960 --> 0:45:38.800
<v Speaker 1>Toffler's best seller Future Shock from the year nineteen seventy.

0:45:39.000 --> 0:45:43.359
<v Speaker 1>I know you like this and the Weird Orson Welles documentary. Yeah,

0:45:43.360 --> 0:45:46.719
<v Speaker 1>the weird the weird Horson Weil documentary, which I recommend

0:45:46.800 --> 0:45:49.560
<v Speaker 1>looking up on YouTube, is great and a little bit cheesy.

0:45:49.840 --> 0:45:52.160
<v Speaker 1>The work of the Tofflers throughout their career, they wrote

0:45:52.239 --> 0:45:56.040
<v Speaker 1>various texts of futurism, texts where they're talking about, you know,

0:45:56.080 --> 0:46:00.640
<v Speaker 1>trends and how we how we um anticipate and receive

0:46:00.760 --> 0:46:03.719
<v Speaker 1>new technologies, and generally the idea of future shock is

0:46:04.080 --> 0:46:07.680
<v Speaker 1>the idea that the world is changing so rapidly, there's

0:46:07.760 --> 0:46:10.920
<v Speaker 1>all these new technologies coming online that it overwhelms us

0:46:10.960 --> 0:46:13.520
<v Speaker 1>and we feel the sense of future shock. Uh And

0:46:13.520 --> 0:46:15.560
<v Speaker 1>and even today it's a you know, it's it's a

0:46:15.600 --> 0:46:17.799
<v Speaker 1>work that is to a certain extent dated by their

0:46:17.880 --> 0:46:20.960
<v Speaker 1>later works. You know that they spent their their lives,

0:46:20.960 --> 0:46:24.400
<v Speaker 1>they spent their careers covering this, uh, this area of

0:46:24.440 --> 0:46:27.640
<v Speaker 1>consideration but it's still a very readable text, and I

0:46:27.680 --> 0:46:29.439
<v Speaker 1>recommend it that this is a This is a line

0:46:29.480 --> 0:46:31.960
<v Speaker 1>from Future This is a paragraph from Future Shock, where

0:46:32.000 --> 0:46:35.279
<v Speaker 1>the Tofflers discuss this quote. One of the more fascinating

0:46:35.320 --> 0:46:38.120
<v Speaker 1>possibilities is that man will be able to make biological

0:46:38.160 --> 0:46:41.840
<v Speaker 1>carbon copies of himself through a process known as cloning.

0:46:41.880 --> 0:46:44.080
<v Speaker 1>It will be possible to grow from the nucleus of

0:46:44.080 --> 0:46:47.200
<v Speaker 1>an adult sell a new organism that has the same

0:46:47.239 --> 0:46:51.200
<v Speaker 1>genetic characteristics of the person contributing the cell nucleus. The

0:46:51.280 --> 0:46:54.960
<v Speaker 1>resultant human copy would start life with a genetic endowment

0:46:55.040 --> 0:46:58.799
<v Speaker 1>identical to that of the donor, although cultural differences might

0:46:58.920 --> 0:47:03.799
<v Speaker 1>thereafter alter personality or physical development of the clone. And

0:47:04.000 --> 0:47:08.200
<v Speaker 1>uh Interestingly enough, in that Science Friday interview, Howard Marcle

0:47:08.680 --> 0:47:11.080
<v Speaker 1>pointed to another work from the seventies, this time of

0:47:11.120 --> 0:47:15.800
<v Speaker 1>fictional work venties six novel by Ira Levin, The Boys

0:47:15.880 --> 0:47:18.799
<v Speaker 1>from Brazil. Oh, the one about don't they want to

0:47:18.800 --> 0:47:22.239
<v Speaker 1>clone Another Hitler? Yeah, it's a It concerns a a

0:47:22.360 --> 0:47:26.640
<v Speaker 1>fictional plot where you have uh not Nazi ex pats

0:47:26.719 --> 0:47:29.400
<v Speaker 1>living in South America who are hatching a scheme to

0:47:29.520 --> 0:47:32.800
<v Speaker 1>clone at off Hitler. Uh, you know, using cloning technology

0:47:32.840 --> 0:47:36.920
<v Speaker 1>to create all of these uh the these these male children,

0:47:37.000 --> 0:47:39.160
<v Speaker 1>and then trying to figure out how to raise them

0:47:39.200 --> 0:47:43.279
<v Speaker 1>so that you can nurture their genetic legacy into you know,

0:47:43.320 --> 0:47:46.520
<v Speaker 1>I guess the ideal form of the fere um, which

0:47:46.960 --> 0:47:49.160
<v Speaker 1>I know. There are a lot of problems with this plot,

0:47:49.400 --> 0:47:51.560
<v Speaker 1>a lot of holes in this plot, but it was

0:47:51.560 --> 0:47:55.680
<v Speaker 1>a very popular work and they made a pretty uh

0:47:55.719 --> 0:47:58.960
<v Speaker 1>I remember being a pretty entertaining film version of this

0:47:59.000 --> 0:48:02.479
<v Speaker 1>as well, and which Greg Repact plays uh uh Dr

0:48:02.600 --> 0:48:05.759
<v Speaker 1>Joseph Mangela, but also Laurence Olivier is the good guy,

0:48:05.840 --> 0:48:09.799
<v Speaker 1>right hunter um yeah, And so I I have very

0:48:10.080 --> 0:48:11.880
<v Speaker 1>vague memories of this film. I think I saw it

0:48:11.920 --> 0:48:13.960
<v Speaker 1>on American movie Classics back in the day, but I

0:48:13.960 --> 0:48:17.760
<v Speaker 1>remember it. I remember it being disturbing and effective in places.

0:48:18.080 --> 0:48:20.520
<v Speaker 1>I never read the book myself, but I was leafing.

0:48:20.560 --> 0:48:22.160
<v Speaker 1>I picked up grabbed a copy of it and leaf

0:48:22.239 --> 0:48:26.000
<v Speaker 1>through it before we were we recorded this with this episode,

0:48:26.360 --> 0:48:29.600
<v Speaker 1>and I did run across the passage where one character

0:48:29.680 --> 0:48:32.600
<v Speaker 1>is telling another about the origin of the word clone

0:48:32.719 --> 0:48:35.640
<v Speaker 1>and referring to the uh you know, the Greek and

0:48:35.760 --> 0:48:39.799
<v Speaker 1>the uh and the the the botanical origins of the term.

0:48:40.320 --> 0:48:42.239
<v Speaker 1>Uh So, anyway, I guess the idea here is that,

0:48:42.320 --> 0:48:44.239
<v Speaker 1>you know, you have two popular works that are using

0:48:44.800 --> 0:48:47.720
<v Speaker 1>the word clone, and they helped to sort of boost

0:48:47.760 --> 0:48:51.480
<v Speaker 1>the signal throughout uh, you know, the fictional world and

0:48:51.560 --> 0:48:54.880
<v Speaker 1>just the the the popular conceptions of the science itself.

0:48:55.200 --> 0:48:57.600
<v Speaker 1>One of the funny things though, in this selection you

0:48:57.680 --> 0:49:01.320
<v Speaker 1>pulled out is that one character says that the old

0:49:01.360 --> 0:49:05.160
<v Speaker 1>word for cloning was mono nuclear reproduction, and then complains,

0:49:05.200 --> 0:49:07.440
<v Speaker 1>why would you coin a new word like clone when

0:49:07.480 --> 0:49:10.880
<v Speaker 1>the old ones convey more? The other character says, cloning

0:49:10.960 --> 0:49:14.960
<v Speaker 1>is shorter. Oh, yes, how true coloss Uh yeah, and uh.

0:49:15.000 --> 0:49:17.000
<v Speaker 1>I was going to actually read this this uh this

0:49:17.080 --> 0:49:20.360
<v Speaker 1>bit from the Boys from Brazil, but I thought it

0:49:20.400 --> 0:49:23.759
<v Speaker 1>might be a little confusing because the the character that

0:49:23.880 --> 0:49:28.800
<v Speaker 1>is explaining it mentions a different biologists and mentions in

0:49:28.840 --> 0:49:32.120
<v Speaker 1>English biologists by the name of Haldane, which I thought

0:49:32.200 --> 0:49:35.920
<v Speaker 1>might confuse people who were listening to the origin story

0:49:35.920 --> 0:49:38.759
<v Speaker 1>that we've presented thus far. Okay, well, I hope I

0:49:38.800 --> 0:49:41.960
<v Speaker 1>didn't confuse anybody. But I like how they reproduced the

0:49:42.000 --> 0:49:47.160
<v Speaker 1>same conversation. It's interesting and it is again worth I think,

0:49:47.160 --> 0:49:51.279
<v Speaker 1>stressing the importance of science fiction especially with scientific terminology,

0:49:51.280 --> 0:49:55.040
<v Speaker 1>because there are plenty of other examples where a bit

0:49:55.200 --> 0:49:58.440
<v Speaker 1>uh like an idea is presented first in science fiction

0:49:58.520 --> 0:50:02.319
<v Speaker 1>and then gets picked up as a possibility within the sciences. Yeah,

0:50:02.440 --> 0:50:05.480
<v Speaker 1>you might think that somebody created a robot and then

0:50:05.640 --> 0:50:08.680
<v Speaker 1>came up with the name robot, but no, yeah goodness.

0:50:08.680 --> 0:50:11.439
<v Speaker 1>And this is without even getting into the situation where

0:50:11.440 --> 0:50:15.879
<v Speaker 1>you have fictional worlds that in which the creator comes

0:50:15.960 --> 0:50:19.280
<v Speaker 1>up with their own lexicon for like a an alternate

0:50:19.320 --> 0:50:22.200
<v Speaker 1>reality or futuristic reality like one of them. Think the

0:50:22.200 --> 0:50:26.000
<v Speaker 1>more jarring examples of this would be a clockwork orange

0:50:26.680 --> 0:50:29.640
<v Speaker 1>or inn In Banks wrote a book called Fearsome Engine

0:50:30.360 --> 0:50:35.560
<v Speaker 1>that is totally a totally um worthwhile read. But it

0:50:35.640 --> 0:50:37.759
<v Speaker 1>has like I think, three different perspectives in it, and

0:50:37.880 --> 0:50:41.680
<v Speaker 1>one of them is a is is is written in

0:50:41.719 --> 0:50:45.680
<v Speaker 1>this futuristic slang, and it's really really takes a little

0:50:45.680 --> 0:50:47.839
<v Speaker 1>bit of getting used to before you're rolling with it

0:50:47.880 --> 0:50:51.160
<v Speaker 1>and understanding what the character is saying. Um now, I

0:50:51.160 --> 0:50:53.560
<v Speaker 1>don't know. I mean, it's arguable to what extent those

0:50:53.600 --> 0:50:57.600
<v Speaker 1>kind of exercises ever actually produced new words, but there's

0:50:57.600 --> 0:51:01.640
<v Speaker 1>certainly the potentiality is there, um, you know, any time

0:51:02.320 --> 0:51:04.880
<v Speaker 1>any time a new word is presented, you're you're putting

0:51:04.880 --> 0:51:08.200
<v Speaker 1>out the possibility that it could, uh, it could become

0:51:08.239 --> 0:51:10.520
<v Speaker 1>a part of language itself. Yeah, I guess, so, I

0:51:10.520 --> 0:51:13.920
<v Speaker 1>guess you can't know what uh, you can't know when

0:51:13.960 --> 0:51:17.040
<v Speaker 1>you're making a word happen? Right? Can you introduce something

0:51:17.120 --> 0:51:19.120
<v Speaker 1>and it's like, I don't know, it's it's in their

0:51:19.160 --> 0:51:22.520
<v Speaker 1>hands now? Yeah? All right, Well, you know, hopefully this

0:51:22.920 --> 0:51:25.360
<v Speaker 1>we received a lot of great feedback from our previous

0:51:25.400 --> 0:51:28.080
<v Speaker 1>episode on invented words, so hopefully we'll hear a lot

0:51:28.120 --> 0:51:31.000
<v Speaker 1>of great feedback on this episode as well. We would

0:51:31.000 --> 0:51:35.680
<v Speaker 1>obviously love to hear everyone's thoughts on on new words

0:51:35.680 --> 0:51:38.600
<v Speaker 1>that they've picked up, new words that you've rejected, or

0:51:38.719 --> 0:51:42.040
<v Speaker 1>are there words from science fiction specifically that you find

0:51:42.080 --> 0:51:45.040
<v Speaker 1>yourself using within a particular in group or a fandom.

0:51:45.280 --> 0:51:47.319
<v Speaker 1>Are there are there some that you wish would be

0:51:47.320 --> 0:51:50.600
<v Speaker 1>picked up by the by the wider world at large?

0:51:50.840 --> 0:51:54.880
<v Speaker 1>What are the worst business neologisms you've to deal with

0:51:54.920 --> 0:51:57.800
<v Speaker 1>on a regular basis? Please share those with us for sure?

0:51:58.040 --> 0:52:00.040
<v Speaker 1>Or the best you know? Again, I don't want to

0:52:00.120 --> 0:52:03.000
<v Speaker 1>deny sometimes they might be useful. Sometimes they're very useful,

0:52:03.600 --> 0:52:08.759
<v Speaker 1>all right, you say with utter despair. No all right.

0:52:08.840 --> 0:52:11.160
<v Speaker 1>In the meantime, if you want to check out other

0:52:11.200 --> 0:52:14.480
<v Speaker 1>episodes of Invention, you will find this show anywhere you

0:52:14.520 --> 0:52:17.200
<v Speaker 1>get your podcasts, wherever that happens to be. Just make

0:52:17.239 --> 0:52:19.840
<v Speaker 1>sure you rate, review and subscribe. If you go to

0:52:19.880 --> 0:52:22.000
<v Speaker 1>invention pod dot com, that will also shoot you over

0:52:22.000 --> 0:52:24.720
<v Speaker 1>to the I heart listing for this show. Huge thanks

0:52:24.760 --> 0:52:27.920
<v Speaker 1>as always to our excellent audio producer Seth Nicholas Johnson.

0:52:28.000 --> 0:52:29.560
<v Speaker 1>If you would like to get in touch with us

0:52:29.600 --> 0:52:32.320
<v Speaker 1>with feedback on this episode or any other, to suggest

0:52:32.320 --> 0:52:34.319
<v Speaker 1>a topic for the future, or just to say hi,

0:52:34.440 --> 0:52:41.800
<v Speaker 1>you can email us at contact at invention pod dot com.

0:52:41.800 --> 0:52:44.920
<v Speaker 1>Invention is production of I heart Radio. For more podcasts

0:52:44.960 --> 0:52:47.800
<v Speaker 1>from my heart Radio because the iHeart Radio app, Apple Podcasts,

0:52:47.880 --> 0:52:49.480
<v Speaker 1>or wherever you listen to your favorite shows.