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Speaker 1: So it's me, it's Rory mac rae, Bubbo Watson, Jordan's speech,

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Speaker 1: there's Brockmeyer from the new if C show Relations on

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Speaker 1: season two. Brockmeyer.

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Speaker 2: And we're digging a trench.

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Speaker 1: I think that some people call it a French drain

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Speaker 1: because our driveways on the slope. We all live in

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Speaker 1: a house together. We're renting one just for this summer,

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Speaker 1: and uh.

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Speaker 3: I'm doing heavy some heavy work on it, and we're

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Speaker 3: doing heavy work.

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Speaker 1: We're trying to flip it and flipping for real. Yeah,

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Speaker 1: we're flipping the rental to try to rent it at

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Speaker 1: a higher price for the second half of the summer.

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Speaker 1: So so the driveways on the slope where when it rains,

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Speaker 1: the garage floods. So we're trying to put a French

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Speaker 1: drain in front and run it in a neighbor's backyard,

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Speaker 1: make it their problem.

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Speaker 2: And as we're doing we're digging.

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Speaker 1: Yeah, we're aiming it at the garage and we're digging,

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Speaker 1: and we keep getting shovelfuls of gold and we're throwing

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Speaker 1: it over our shoulder and just going like, well, I

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Speaker 1: don't want to deal melting this down or anything. But

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Speaker 1: all these old minor forty nine.

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Speaker 2: Ers, all gold is fools gold.

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Speaker 1: Well, yeah, because think about it, just a rocks think

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Speaker 1: about it. So these minor forty nine ers are sort

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Speaker 1: of starting to gather around and set all the gold.

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Speaker 2: Suddenly it's a boom town.

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Speaker 3: Yes.

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Speaker 1: And so this house rental that was just a simple

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Speaker 1: way for four or five friends to make money, yeah,

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Speaker 1: and hopefully rent out for a higher price for the

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Speaker 1: second half of the summer after we did a lot

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Speaker 1: of work, Yeah, has become this boom town where all

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Speaker 1: these minor forty nine ers are camping in the backyarding

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Speaker 1: beans over the fire, And I am thinking, how do

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Speaker 1: I get out of this now? Because nobody's going to

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Speaker 1: want to rent this for the price we're asking with

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Speaker 1: all these minor forty nine ers cooking beans in the yard.

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Speaker 3: Yeah, I guess the minor forty nine ers would, But you,

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Speaker 3: I guess you don't rent to them?

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Speaker 1: Well, no, and they only want to pay in gold, which,

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Speaker 1: as I said, all gold, this fool's gold. I actually

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Speaker 1: said it, but I was agreed.

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Speaker 2: But I was going off a lot of the stuff

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Speaker 2: you were saying, yeah and uh.

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Speaker 1: And so suddenly it occurs to me what the solution

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Speaker 1: is and it's to start shooting them all with the god.

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Speaker 3: Hey, welcome to Hollywood hand Book, and it's Senter's Guide

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Speaker 3: to gig button dropping names in the red carpet lineback

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Speaker 3: always of this industry would call showbiz.

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Speaker 1: Well it is it isn't a Sean and Hayes And.

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Speaker 2: We're back to an episode. Isn't that strange?

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Speaker 4: April first and suit all of you, Mary trickster, That

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Speaker 4: wasn't necessarily ceasefully done what we intended to do initially.

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Speaker 2: No, oh, it's a nice big trick. Well you think so.

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Speaker 1: Obviously a lot of people thought last episode was the

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Speaker 1: last episode. That last episode wasn't the last episode. The

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Speaker 1: next episode is the last.

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Speaker 2: Episode next, not this upcoming one.

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Speaker 1: But we're doing two more from the last one, so

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Speaker 1: this one and then one more and then that will

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Speaker 1: officially be the end of the show. And we've had

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Speaker 1: a lot of fun doing it, and thanks for everyone,

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Speaker 1: And that's the end of the.

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Speaker 2: Show or is it the prank? And so you never

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Speaker 2: know what to expect.

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Speaker 3: And this is what we do now, this is our

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Speaker 3: new thing that we do.

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Speaker 2: We have a guest coming in later.

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Speaker 1: We're going to impractically joke the staff and have a

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Speaker 1: lot of positive fun with pranks, but we also have

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Speaker 1: been thinking about some larger scale things because we do

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Speaker 1: want to end the show.

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Speaker 3: We never want to do People say like, are you, like,

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Speaker 3: are you ending the show? It's like, yes, ideally, of

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Speaker 3: course we are. Yeah, but as soon as we have

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Speaker 3: something to end.

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Speaker 1: It for, we must get something else off the ground

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Speaker 1: on first, because what happens to us is like, let's

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Speaker 1: say last week we do the final show, it's over.

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Speaker 1: People are going, oh, I missed the show, but it

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Speaker 1: was a great way to go out, and we're going like, uh, oh,

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Speaker 1: we don't have anything to do next week.

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Speaker 3: And if we don't keep it going, yes, if something

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Speaker 3: had come up in between, then yes, which is part

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Speaker 3: of the advantage of ending a lot of our shows

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Speaker 3: with like this is our last show, because then if

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Speaker 3: something comes up, we're already out the door.

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Speaker 1: Literally, any opportunity we would take if anyone has anything

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Speaker 1: for us, we would rather be doing anything else. We

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Speaker 1: don't have any ideas left for what to do with

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Speaker 1: this show. We are rarely having fun. I don't like

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Speaker 1: the show. I understand why people can't get into it.

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Speaker 1: I'm just at a complete loss. So if you have

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Speaker 1: something in entry level position, a mail room I would

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Speaker 1: work in, I will do anything. In the meantime, let's

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Speaker 1: be proactive. Let's think of some pranks, some big scale ones.

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Speaker 5: But that's what we're doing later.

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Speaker 3: We also we do have some other ideas for something

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Speaker 3: to do with this show that could maybe lead to

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Speaker 3: some other things, well, other opportunities some.

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Speaker 1: People, because we now have a brand as Mary Tricksters,

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Speaker 1: some people, there's a certain type of person who to

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Speaker 1: me seems very susceptible to getting involved in a large

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Speaker 1: scale prank project. And these people are, of course this

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Speaker 1: American Life Producers. Yes, as far as I can tell.

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Speaker 1: If I call them up and tell them I found

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Speaker 1: a body, they have to come spend like six months.

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Speaker 3: With me, yes, recording everything I do and say. And

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Speaker 3: you can be very cryptic about it. And that's good

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Speaker 3: because they like stringing and that for a long time. Oh,

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Speaker 3: they're loving it as you're being.

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Speaker 1: Like I don't, well, no, you just when they get there,

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Speaker 1: you start talking about totally other stuff and you go like, wow,

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Speaker 1: I'm actually really interested in pine cones, and then you

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Speaker 1: just do some other crazy shit and then you go like, yeah, no,

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Speaker 1: that old body is still sticks in my craw a bit,

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Speaker 1: and they go like, oh, we got to find out

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Speaker 1: more about the body, but we got to pretend to

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Speaker 1: be friends with this guy for a long time, And that,

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Speaker 1: to me is going to really benefit us because way

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Speaker 1: more people listen to that shit than this ship worth doing.

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Speaker 3: And then we can do more of these body shows.

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Speaker 3: We can be constantly discovering more bodies and it's like

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Speaker 3: unclear what we were doing there and stuff.

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Speaker 2: We could go to jail and call him from jail.

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Speaker 2: So Cody is they are in love with us.

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Speaker 3: A great use of Cody, who already looks like he

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Speaker 3: washed ashore.

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Speaker 1: No, Cody's a textbook floater. He's bloated, he's got bruises,

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Speaker 1: and he.

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Speaker 3: Doesn't well know his blood has all kind of sync

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Speaker 3: to the back of him.

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Speaker 1: Yeah, he doesn't breathe with any regularity. He gets it

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Speaker 1: in spurts where he won't be breathing for a long

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Speaker 1: time and sudden like he's like he was right at

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Speaker 1: the edge. Oh so bad happening. So so I think

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Speaker 1: that could really help us.

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Speaker 2: And Cody.

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Speaker 1: If you want to call up Starley kind, I mean,

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Speaker 1: who's like, who's a thing like the cereal people, Sarah

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Speaker 1: Kane Gable.

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Speaker 2: Yeah, I mean we start with any just start with Ira.

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Speaker 5: I don't know.

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Speaker 1: Does it happen like, can you dial Era up for us? Okay?

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Speaker 6: One second, hold on searching for the number here and.

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Speaker 1: You get in a number.

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Speaker 7: One sock.

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Speaker 6: He's I call him this time a day, every Thursday.

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Speaker 5: It's Ira Glasses phone. I'm Araglass.

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Speaker 1: Hey, Ira, So real guy, normal salt of the earth type,

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Speaker 1: regular person, kind of guys you do that stuff with. Yeah, yeah,

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Speaker 1: Collin found no body in a tree look like a

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Speaker 1: punk rocker, a grunge guy.

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Speaker 3: A body in a tree? What what kind of town

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Speaker 3: was this was? This body found in.

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Speaker 2: The town's so fucked up?

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Speaker 1: Man, But does it seem like a normal town? Yeah,

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Speaker 1: it's normal, but like you know, the normal world is

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Speaker 1: kind of fucked up. Like people in the big city

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Speaker 1: would be really interested in this because it sounds like,

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Speaker 1: oh wow, this is really how towns are.

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Speaker 5: Okay, And what is your what is your relationship to

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Speaker 5: this body?

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Speaker 2: I'm humping it?

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Speaker 5: Okay?

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Speaker 2: And are you generally a little more withholding about that?

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Speaker 3: Yes?

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Speaker 2: Yes, yes, no.

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Speaker 3: Just for the purposes of this folk call, you're just

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Speaker 3: trying to download me on the information.

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Speaker 5: I understand.

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Speaker 1: But yeah, oh I can't really say how I know

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Speaker 1: the body, just that I do know it quite well

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Speaker 1: and that and then I was in the tree because

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Speaker 1: of pine cones.

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Speaker 5: Rita, are you on the line when you're getting this?

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Speaker 2: Yes, I'm good it at all?

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Speaker 3: Okay because of pine cones.

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Speaker 1: Yeah, I was in the tree because of the pine cones.

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Speaker 1: You know, conifers in a way sort of represent to

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Speaker 1: me the truest form of the life cycle. They get

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Speaker 1: big and round and then they fall. So you know,

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Speaker 1: that's maybe something you could put some music under and

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Speaker 1: that's now a powerful message.

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Speaker 3: Is there any way I can speak to the like

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Speaker 3: do we have access to the body itself?

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Speaker 5: Is there?

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Speaker 1: Like, yeah, I'll stump on it and make it make

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Speaker 1: a noise.

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Speaker 3: Hulu, I didn't hear any It seems like the body

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Speaker 3: body didn't make any noise.

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Speaker 1: Huh Okay, that was what was that? It's like he

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Speaker 1: did a thing with his lip, like like.

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Speaker 3: Oh, that's disgusting. That's good, Okay. Any other details about

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Speaker 3: the body we should or like we have the town

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Speaker 3: we have that you're interested in? Uh?

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Speaker 1: In nature?

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Speaker 2: Yeah?

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Speaker 3: Any interesting family history that we can get into.

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Speaker 1: I've got a long sort of barbiglious style story.

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Speaker 2: That's great.

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Speaker 5: Oh god, that's fantastic.

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Speaker 3: We just like we love Barbilia high school, you know, okay,

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Speaker 3: like having a best friend or something.

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Speaker 2: Yeah, is it and growing apart?

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Speaker 3: Is it unusual in anyway from what other people from

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Speaker 3: like what most people do?

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Speaker 1: And how long I talk about it?

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Speaker 5: That's great? That's uh, that's that. That sounds perfect.

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Speaker 3: So we'll send him out. Uh, we'll send out. Is

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Speaker 3: that not going to be white on white? If he's

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Speaker 3: here and I'm doing this, Uh, it helps to just like,

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Speaker 3: once we are really getting some momentum with an interesting

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Speaker 3: story on the show, it helps to bring him in

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Speaker 3: to just start doing his thing for a little while.

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Speaker 3: Who else, Hanna Jeoffrey Waltz. I guess we can uh

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Speaker 3: we can send out as well if that sounds good.

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Speaker 1: Could be good, Jack Hit, Scott Carrier, Jonathan Goldstein, Okay,

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Speaker 1: all people who don't work there anymore.

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Speaker 5: What's a good name for Bodytown?

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Speaker 1: Yeah, body body tree, Body Oh yeah, body.

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Speaker 3: Tree, Yeah, okay, body Tree, Body Town. Maybe it's body Town.

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Speaker 1: And I'm like, uh, next door to a brothel or

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Speaker 1: something or burlesque house. Okay, like, does that feel like

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Speaker 1: there's some or do you feel like there's not enough elements?

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Speaker 2: H No, I think no, I think we can do

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Speaker 2: something with it.

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Speaker 1: Oh and one other thing, this guy, uh, his girlfriend

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Speaker 1: really doesn't want to be a part of the story.

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Speaker 1: So maybe we start just camped out in her house

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Speaker 1: or something.

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Speaker 3: That's good, and we just hear her a little bit

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Speaker 3: saying no that she doesn't want to be on the show.

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Speaker 2: And then and then we give all of her.

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Speaker 1: Information out for people to kind of get in there.

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Speaker 3: That's good. Uh, this will be good money for me.

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Speaker 3: I'm sort of a master of making it and spending it.

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Speaker 1: Frankly, all right, podcast man, Well, I gotta go do

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Speaker 1: something normal, cook a dinner, or I'm going to make

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Speaker 1: up the I'm going to make up the Tory Melodia joke.

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Speaker 3: We do that first, We come up the good Tory

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Speaker 3: Maladier joke, Tory Maltia first, and then and then the

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Speaker 3: show and then we hopefully sort of can engineer our

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Speaker 3: show into the Tory Malta joke somehow.

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Speaker 5: Yes, okay, okay, that's our chef. Bye.

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Speaker 1: You got to say that's our show to me, so great, Yeah,

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Speaker 1: that's great. Oh, I'm sorry. Did you hear the phone call?

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Speaker 5: Hayes?

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Speaker 3: Yeah, I was on my I was on the headphones.

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Speaker 3: I wish I were more involved. It was something that

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Speaker 3: we came up with together.

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Speaker 2: But it's that's weird.

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Speaker 1: Two people like you and Cody you got like, you know,

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Speaker 1: like you only have one sort of odd non figure.

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Speaker 2: Yeah.

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Speaker 5: I don't know.

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Speaker 3: There are lots of characters in all these things. I

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Speaker 3: don't know why the idea that there were, like it

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Speaker 3: could only be two characters.

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Speaker 2: I think is one of the characters is a reporter, right.

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Speaker 1: One of the characters is the unusual guy they're in love.

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Speaker 5: With, right, the girlfriend.

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Speaker 3: I guess who doesn't want to be I guess I

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Speaker 3: could do that.

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Speaker 2: That would be great for you. That's huge.

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Speaker 1: You're in a living room, You're going like, please don't

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Speaker 1: record me. They give all your information. Then people are

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Speaker 1: like showing up in your yard or whatever.

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Speaker 5: I'd like that.

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Speaker 2: Am I still a floater?

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Speaker 1: Cody? You're on a floater? You were found in a tree? Now,

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Speaker 1: how is a floater in a tree? Did there used

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Speaker 1: to be a river in that tree?

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Speaker 8: You know?

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Speaker 2: Is that part of the story.

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Speaker 1: This whole town's changed so much there used to be

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Speaker 1: a river in the trees. And that's sort of like

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Speaker 1: how America's climate change is ruining everything or whatever.

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Speaker 3: We have a different thing that we're doing now with

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Speaker 3: Carl tart on Hollywood Handbook. So it's me, it's Nick

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Speaker 3: van Axel all night er doing the apartment newsletter, you know,

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Speaker 3: like for our apartment building. We print out the newsletter

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Speaker 3: where we're talking about who's likes, has a birthday and

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Speaker 3: who's been making noise? And we hantedtured yes, the apartment

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Speaker 3: news and so we finally this final copies and the

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Speaker 3: news is done, and so we're printing him out, and

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Speaker 3: we print him double sided because we, uh, we don't

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Speaker 3: have that much.

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Speaker 1: Paper and you can't afford the paper yet.

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Speaker 7: Uh.

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Speaker 3: And I see on the other side as these drawings.

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Speaker 3: He's like beautiful drawings. And I'm like, Nick, are these

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Speaker 3: what are these? What are these drawings? He's a secret artist.

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Speaker 3: He secretly is so talented with his heart's about it. Yes,

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Speaker 3: he doesn't even like to talk about being such a

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Speaker 3: good artist because I guess he got made fun of

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Speaker 3: by uh the kem Big Matumbo or somebody. Really yeah,

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Speaker 3: oh that's so said. So he draws him like beating

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Speaker 3: him up.

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Speaker 1: When people have these secrets, goes, Nick draws himself beating

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Speaker 1: eating up. And those are the beautiful drawings. You said, Yes,

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Speaker 1: they are really nice.

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Speaker 2: Wow, oh wow, And I said, Nick.

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Speaker 5: Guess what I said?

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Speaker 1: You said, Nick?

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Speaker 3: But when I say first, oh, first, you went, these

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Speaker 3: are so good and no, I had to I had

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Speaker 3: to say stop the presses.

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Speaker 1: Okay, oh wow, that's really fun. So but it's just

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Speaker 1: a printer. It's just like a laser printer. Yeah, but

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Speaker 1: you have to like stop it. You have to hit

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Speaker 1: cancel on the screen.

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Speaker 3: Yeah.

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Speaker 5: And so guess then what I said?

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Speaker 1: Then you said, Nick, these are so good. Yeah, you

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Speaker 1: have to share these with the world.

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Speaker 5: We have to put these in the news.

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Speaker 1: And yes, hey, look.

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Speaker 5: What a week.

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Speaker 2: It was so interesting.

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Speaker 1: This week has been insane. We learned a lot about ourselves,

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Speaker 1: we learned a lot about other people.

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Speaker 3: Uh we At the end of our last show, I

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Speaker 3: said that we weren't going to do any more shows.

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Speaker 1: And it was a devilish, mischievous uh trick that we

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Speaker 1: play like Loki the tricks to God, Yes, that we

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Speaker 1: do about every five weeks.

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Speaker 2: Uh huh.

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Speaker 1: We were being thora's you know, brother, and.

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Speaker 3: Yeah, and people, all these people we think are going

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Speaker 3: to say, just nice prank, that's what we're.

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Speaker 2: Yeah, thanks for trying to prank me.

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Speaker 1: You've done this fifteen twenty times before, and I'm not

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Speaker 1: falling for it again. But instead, what happened everyone followed

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Speaker 1: for the trick for it. Yeah, so many people cried.

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Speaker 3: Yes, Cody called me saying basically like I'm so sorry.

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Speaker 1: Yeah, Cody called me at four am. He sounded like

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Speaker 1: he was on something and I don't know, you know

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Speaker 1: that world.

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Speaker 2: I told him to take something after he called me.

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Speaker 3: I said that he needed to take something to was

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Speaker 3: he down because he was way like he was very

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Speaker 3: excited when he was talking to me, and I said,

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Speaker 3: you need to take something with me.

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Speaker 1: He sounded yeah, like his jaw was moving slower than

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Speaker 1: his mind, so, which is hard to do, you know.

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Speaker 3: So I said, come a little slower than that. Mine,

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Speaker 3: clean my bath. I made him do that.

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Speaker 1: But he called me very upset about the show and

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Speaker 1: about stuff that's just going on for him and uh,

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Speaker 1: and basically it was such a thrill to me to

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Speaker 1: have done a trick that big and trick the world

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Speaker 1: and fool the whole world, and I thought, now I

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Speaker 1: know why these impractical jokes ers.

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Speaker 3: Yes, we have to talk about it. We have to

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Speaker 3: explain what that is for people that don't know it,

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Speaker 3: because it's an underground thing. Because I'm finding out about

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Speaker 3: this power experience. I'm saying, I have to keep doing

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Speaker 3: this again for the rest of my life. I'm googling tricks.

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Speaker 3: What are some other tricks? Yeah, and coming up over

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Speaker 3: and over again these he's impractical jokers. Do you know

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Speaker 3: about these guys?

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Speaker 1: Jesus?

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Speaker 5: Okay, I guess that's what.

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Speaker 1: Can you believe his job is moving slower than that mind?

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Speaker 2: These guys? All right, well, let's bring in our guests.

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Speaker 1: I mean, maybe Carl could explain a little bit about

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Speaker 1: these guys. They've gone viral at this point.

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Speaker 3: These guys, Yeah, because I'm still kind of figuring out

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Speaker 3: this thing, these impractical jokers. Uh, And Carl, Carl Tart

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Speaker 3: is here from comedy, from shows, from making jokes, from

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Speaker 3: just being an exciting talent.

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Speaker 2: Carl, talk a little bit about you do.

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Speaker 7: Practical, practical jokes. I do practical humor.

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Speaker 1: Yes, it's galractical. Yes it's something you can use use. Yeah,

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Speaker 1: it's Galagher. You're feeding people.

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Speaker 7: Yeah, people crushed watermelon.

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Speaker 1: That's practical in practice, I practical watermelons. He and it's smashed.

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Speaker 1: People could have it.

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Speaker 5: You have to smash it.

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Speaker 7: You gotta smash it.

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Speaker 1: Oh gosh. Yeah. So obviously we talked about Gallagher almost

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Speaker 1: every episode, but here we're gonna talk about somebody who

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Speaker 1: does the opposite. They do these impractical jokes, and these

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Speaker 1: guys have gone viral basically. Yeah, I wouldn't mind going

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Speaker 1: viral myself, because what I see is that's a that's

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Speaker 1: a gravy train.

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Speaker 3: So do you talk about the impractical jokers and your

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Speaker 3: relationship to them?

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Speaker 1: Yeah?

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Speaker 9: I could talk about the impractical jokers in my relationship.

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Speaker 9: We all went to high school together in Long Island

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Speaker 9: and Staten Island.

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Speaker 7: I'm sorry I get them mixed up. I was a

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Speaker 7: transfer transfer.

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Speaker 1: You well, you used transfer every other day right from

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Speaker 1: Long Island Island.

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00:20:46,800 --> 00:20:50,840
Speaker 9: Yeah, yeah, because you know, times were hard back then. Yeah,

401
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Speaker 9: in the early nineties.

402
00:20:52,080 --> 00:20:54,360
Speaker 5: You're stow away on that boat. I guess, hum mm hmm.

403
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Speaker 9: Ellis Island, Long Island, Staten Island. My family came in.

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00:21:00,000 --> 00:21:05,600
Speaker 1: Fire Island, yeah, Fire Island all, yeah, all the the

405
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Speaker 1: whole you know, the.

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Speaker 7: Boys Ghost Island.

407
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Speaker 1: Now now that one, Yeah, that one I didn't know

408
00:21:14,920 --> 00:21:19,040
Speaker 1: so much about. So I guess in between Staten Island

409
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Speaker 1: and Long Island, it only appears, I guess for an

410
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Speaker 1: hour a night there is a ghost Island where the

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Speaker 1: spirits gather for their ghoulish.

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Speaker 2: Yeah.

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Speaker 7: And on ghost Fire Island is where the ghost boys play.

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00:21:34,320 --> 00:21:38,159
Speaker 1: Yes, and like to play those ghost boys? Do you

415
00:21:38,400 --> 00:21:41,879
Speaker 1: like to play? So you went to high school with

416
00:21:41,920 --> 00:21:45,520
Speaker 1: them and then your relationships? Were they pranking you at

417
00:21:45,560 --> 00:21:46,200
Speaker 1: this point?

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Speaker 3: Or can we talk about these guys like, because these

419
00:21:48,760 --> 00:21:52,600
Speaker 3: are your guys, these jokers, what are the It's Urdle

420
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Speaker 3: uh uh.

421
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Speaker 5: What are some of the other ones?

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Speaker 7: Damien Urdle, Damian uh fix Row, fixed Row.

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Speaker 1: Fixed Row, Yeah, f I x r oh yeah fixed Row.

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Speaker 7: We played football together.

425
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Speaker 9: Yeah, he was the front back and uh, it's Rutal

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Speaker 9: Damien fix Row.

427
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Speaker 1: Rudel, Damien fix Row fix Row was the front back. Yeah,

428
00:22:21,480 --> 00:22:23,600
Speaker 1: and then Rudel was the side to side.

429
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Speaker 7: And Tane uh.

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Speaker 1: And that's bringing me back.

431
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Speaker 9: Yeah, he's Tane is the Tane is the guy who

432
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Speaker 9: I was gonna say, Rude.

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Speaker 3: Rudo, yeah, fix Row, Damien and Taine. And when Tanne

434
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Speaker 3: shows No, it's the pain show.

435
00:22:46,560 --> 00:22:52,720
Speaker 1: Okay, that's true. And so, of course, I mean I

436
00:22:52,720 --> 00:22:55,680
Speaker 1: should say I was the headmaster of the school. Uh

437
00:22:55,720 --> 00:22:57,480
Speaker 1: so I know all these guys. I have a little

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Speaker 1: bit of a different relationship.

439
00:22:58,760 --> 00:23:00,239
Speaker 2: But I was hard on you, call all.

440
00:23:00,240 --> 00:23:02,919
Speaker 1: But I was hard on you because I saw potential

441
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Speaker 1: you are.

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Speaker 9: You kicked me a school every day and then I

443
00:23:05,400 --> 00:23:07,520
Speaker 9: come back every other day. Yeah, that's why I kept

444
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Speaker 9: having a transfer from Staaten Island.

445
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Speaker 3: But a light it's not really. It's like kind of

446
00:23:12,680 --> 00:23:15,840
Speaker 3: the equivalent of like face mugging. Somebody put his foot

447
00:23:15,960 --> 00:23:18,639
Speaker 3: up against your button gently and then just give you

448
00:23:18,680 --> 00:23:19,399
Speaker 3: a little.

449
00:23:19,440 --> 00:23:23,120
Speaker 1: No velocity to it. Yeah, just sort of guiding you

450
00:23:23,160 --> 00:23:26,359
Speaker 1: with the foot. I'm sitting in a rolling chair and

451
00:23:26,400 --> 00:23:29,119
Speaker 1: I'm sort of rolling myself along with the foot, moving

452
00:23:29,200 --> 00:23:30,040
Speaker 1: you towards the door.

453
00:23:30,320 --> 00:23:33,880
Speaker 2: Yeah, and you're propelling backwards. I guess, yes, that's right.

454
00:23:33,960 --> 00:23:34,440
Speaker 1: That's right.

455
00:23:34,720 --> 00:23:36,520
Speaker 7: I don't move because I'm a brick shit house.

456
00:23:37,040 --> 00:23:39,600
Speaker 1: No, and that was your position. We should talk about that. Yeah,

457
00:23:39,640 --> 00:23:43,960
Speaker 1: you played brick shit house. You were obviously, no wonder

458
00:23:43,960 --> 00:23:45,600
Speaker 1: you were so close to the front back. I mean,

459
00:23:45,640 --> 00:23:48,120
Speaker 1: you guys are basically the partners in there.

460
00:23:48,240 --> 00:23:51,360
Speaker 7: His front, back, side to side in his brick shit.

461
00:23:51,240 --> 00:23:54,200
Speaker 1: Housem hm h yeah, and if you got those three

462
00:23:54,240 --> 00:23:57,000
Speaker 1: positions locked down, it's gonna be hard to score a goal,

463
00:23:57,920 --> 00:23:58,280
Speaker 1: you know.

464
00:23:59,160 --> 00:24:01,760
Speaker 2: For anyone. Yeah, yeah, what happened there.

465
00:24:01,880 --> 00:24:04,240
Speaker 9: You know sometimes when you have a brig ship house,

466
00:24:05,000 --> 00:24:07,760
Speaker 9: the foundation on that house gives let's just say, I'll

467
00:24:07,840 --> 00:24:08,320
Speaker 9: leave it there.

468
00:24:08,840 --> 00:24:10,760
Speaker 7: I'll leave that to the imagination of the listener.

469
00:24:10,880 --> 00:24:13,960
Speaker 1: And I'm just and I'm you know, an earthquake. I'm

470
00:24:14,000 --> 00:24:16,240
Speaker 1: looking at your feet. Sounds like there was an earthquake

471
00:24:16,320 --> 00:24:17,000
Speaker 1: at your feet.

472
00:24:17,440 --> 00:24:19,720
Speaker 5: And that's what the.

473
00:24:19,880 --> 00:24:22,119
Speaker 9: That's what the event was called because everybody saw it

474
00:24:22,440 --> 00:24:25,320
Speaker 9: out with. All the college scouts were in the audience.

475
00:24:25,400 --> 00:24:31,440
Speaker 9: California State, Arizona State, Exco State, Utah State, Yeah, Texas State,

476
00:24:31,640 --> 00:24:35,960
Speaker 9: Mississippi State, Alabama State, all the state schools, yeah, none

477
00:24:35,960 --> 00:24:38,920
Speaker 9: of the universities, all the state colleges were in the audience,

478
00:24:39,080 --> 00:24:41,840
Speaker 9: and they called it the earthquake in Stanton.

479
00:24:41,520 --> 00:24:42,119
Speaker 5: Long Island.

480
00:24:42,480 --> 00:24:46,120
Speaker 9: Yeah, when the brick ship house lost its foundations and feet.

481
00:24:46,200 --> 00:24:47,600
Speaker 7: Yeah, you can google it.

482
00:24:48,160 --> 00:24:51,240
Speaker 1: No, yeah, yeah, you can google it. Nothing comes up,

483
00:24:51,840 --> 00:24:54,919
Speaker 1: but it's just you can google. But you can literally

484
00:24:54,960 --> 00:24:55,639
Speaker 1: google anything.

485
00:24:55,680 --> 00:24:57,000
Speaker 7: I'm just telling you you can do it.

486
00:24:57,240 --> 00:25:01,720
Speaker 3: Yeah, what was it? What there were they're print then?

487
00:25:02,000 --> 00:25:03,720
Speaker 3: Like even before.

488
00:25:03,600 --> 00:25:07,240
Speaker 1: Yeah, I mean you mentioned Tane bringing the Paine.

489
00:25:06,600 --> 00:25:11,320
Speaker 7: Brings the pain. Yeah, fizro't you?

490
00:25:12,880 --> 00:25:13,080
Speaker 2: Yeah?

491
00:25:13,160 --> 00:25:18,000
Speaker 3: Yeah, Damien you can go go to Rudle next like

492
00:25:18,080 --> 00:25:19,920
Speaker 3: tostrud uh.

493
00:25:20,680 --> 00:25:23,520
Speaker 1: Damien and he's gonna get it by any means necessary.

494
00:25:23,680 --> 00:25:27,440
Speaker 7: Yeah. Yeah, and Damien brings the pain.

495
00:25:29,240 --> 00:25:30,080
Speaker 1: That's the truth.

496
00:25:30,200 --> 00:25:30,400
Speaker 10: Man.

497
00:25:31,240 --> 00:25:34,240
Speaker 1: Oh gosh, brings me back thinking about those guys and

498
00:25:34,320 --> 00:25:36,080
Speaker 1: having to kick him out of school every other day.

499
00:25:36,160 --> 00:25:37,880
Speaker 1: They invite him back the following day.

500
00:25:39,880 --> 00:25:42,240
Speaker 3: But you're in that rolling chair, and it became that

501
00:25:42,440 --> 00:25:45,320
Speaker 3: in order to move in one direction, you would have

502
00:25:45,359 --> 00:25:48,840
Speaker 3: to kick someone out of out of school, So that

503
00:25:48,920 --> 00:25:51,600
Speaker 3: I think it became just kind of like practical for

504
00:25:51,680 --> 00:25:54,439
Speaker 3: you just to move around. Yeah, because how else are

505
00:25:54,440 --> 00:25:55,240
Speaker 3: you gonna.

506
00:25:55,320 --> 00:25:58,439
Speaker 1: We're gonna talk a lot about practicality and impracticality today,

507
00:25:58,480 --> 00:26:01,480
Speaker 1: and yeah, it was a practical method of movement for me.

508
00:26:03,119 --> 00:26:05,480
Speaker 1: I had had so many tacks put on my chair

509
00:26:05,560 --> 00:26:07,160
Speaker 1: that my butt was pinned to the chair.

510
00:26:07,280 --> 00:26:07,600
Speaker 7: M hm.

511
00:26:08,000 --> 00:26:10,920
Speaker 1: And that's part of being a headmaster. Yeah, at a

512
00:26:10,960 --> 00:26:13,520
Speaker 1: school like that, mm hmm, that you are going to

513
00:26:13,600 --> 00:26:15,399
Speaker 1: get pinned to the chair, and you are gonna not

514
00:26:15,480 --> 00:26:18,080
Speaker 1: want to admit that you can't stand up, and you're

515
00:26:18,119 --> 00:26:21,560
Speaker 1: gonna pretend that as you're sort of pushing with one

516
00:26:21,600 --> 00:26:25,240
Speaker 1: foot and have the other foot stuck out straight from

517
00:26:25,280 --> 00:26:27,120
Speaker 1: another prank that happened to you where you can't bend

518
00:26:27,119 --> 00:26:30,040
Speaker 1: your knee anymore. Uh, that's what you're choosing to do.

519
00:26:31,920 --> 00:26:33,919
Speaker 1: And that's the power dynamic that we have.

520
00:26:34,280 --> 00:26:36,960
Speaker 3: So Carl, you're watching these guys and your friends, and

521
00:26:37,000 --> 00:26:39,480
Speaker 3: you're watching them do these pranks, and you're saying, like,

522
00:26:39,800 --> 00:26:42,320
Speaker 3: are you like learning from them? Are you studying some

523
00:26:42,400 --> 00:26:44,200
Speaker 3: of these impractical jokes that they're doing.

524
00:26:44,359 --> 00:26:47,040
Speaker 9: Yeah, I'm kind of checking it out because after the

525
00:26:47,040 --> 00:26:50,639
Speaker 9: earthquake in last nine, I needed a I needed to

526
00:26:50,640 --> 00:26:51,359
Speaker 9: find new lane.

527
00:26:51,440 --> 00:26:53,360
Speaker 7: You know, football wasn't going to do it.

528
00:26:53,480 --> 00:26:57,200
Speaker 3: No, so construction on that way and now yeah yeah

529
00:26:57,720 --> 00:27:01,960
Speaker 3: Cones Yeah, you know Tany also brings a lane and

530
00:27:03,119 --> 00:27:04,840
Speaker 3: he gave me the lane.

531
00:27:04,600 --> 00:27:08,760
Speaker 9: Of practical jokes. Yeah, And I said, no, I'm over practical.

532
00:27:08,960 --> 00:27:10,399
Speaker 5: Is there a pain lane that he?

533
00:27:11,240 --> 00:27:15,280
Speaker 9: Yeah, pain, there's a pain lane that taine and he

534
00:27:15,320 --> 00:27:22,760
Speaker 9: walks a great Dane on that murmur dude, duke. Wow,

535
00:27:23,400 --> 00:27:27,760
Speaker 9: these guys were getting like college scholarship looks for for

536
00:27:28,960 --> 00:27:33,240
Speaker 9: impractical jokes. Montana State, Idaho State, Yeah, North Dakota State,

537
00:27:33,320 --> 00:27:34,160
Speaker 9: South Dakota State.

538
00:27:34,280 --> 00:27:35,640
Speaker 2: That's a lot of people's ticket out.

539
00:27:35,760 --> 00:27:38,480
Speaker 1: Now. Yeah, it's like if you that's the.

540
00:27:38,400 --> 00:27:41,080
Speaker 5: Only way school. Look, that's the only way off the island.

541
00:27:41,200 --> 00:27:42,160
Speaker 1: M hmmm.

542
00:27:44,240 --> 00:27:47,960
Speaker 3: You don't behave your way off the island. They say,

543
00:27:48,080 --> 00:27:49,560
Speaker 3: that's for sure, prank your way off.

544
00:27:49,840 --> 00:27:52,199
Speaker 1: No, there's a lot of skeletons on that island of

545
00:27:52,200 --> 00:27:54,439
Speaker 1: guys who thought they could behave their way off and

546
00:27:54,480 --> 00:27:57,359
Speaker 1: you just became just bumps.

547
00:27:56,480 --> 00:27:57,359
Speaker 7: To fire island.

548
00:27:57,640 --> 00:28:00,880
Speaker 9: Uh slogan to you. Don't don't behave you went off

549
00:28:00,880 --> 00:28:02,359
Speaker 9: that this is what the boys.

550
00:28:02,480 --> 00:28:05,160
Speaker 1: No, that's where the boys play. You play you off

551
00:28:05,160 --> 00:28:07,520
Speaker 1: that island with the other boys.

552
00:28:07,640 --> 00:28:09,040
Speaker 2: Yeah, yeah it is.

553
00:28:09,480 --> 00:28:13,680
Speaker 3: Why not you've either got like a jump shot or

554
00:28:13,760 --> 00:28:15,359
Speaker 3: a sling shot m m.

555
00:28:15,800 --> 00:28:16,600
Speaker 5: They say these days.

556
00:28:16,720 --> 00:28:21,160
Speaker 3: Yeah, you're either firing a sling shot at the principal.

557
00:28:20,760 --> 00:28:23,159
Speaker 1: Tennis a mint of style firing it, you know, paper

558
00:28:23,280 --> 00:28:27,959
Speaker 1: wasp into the dude's rear end. Yeah, or you're van

559
00:28:28,040 --> 00:28:33,879
Speaker 1: Exel or your van Exel all comes back around. So

560
00:28:34,119 --> 00:28:38,560
Speaker 1: obviously you were inspired. You saw some of these impractical jokes.

561
00:28:38,560 --> 00:28:42,680
Speaker 1: You saw this as a window maybe. Okay, football is

562
00:28:42,720 --> 00:28:45,000
Speaker 1: not going to happen for me. This is another way

563
00:28:45,040 --> 00:28:48,320
Speaker 1: for me to find my ticket out. Do you remember

564
00:28:48,360 --> 00:28:51,200
Speaker 1: your first prank? When did you first realize you were pranking?

565
00:28:51,760 --> 00:28:52,160
Speaker 3: Uh?

566
00:28:52,200 --> 00:28:52,400
Speaker 1: You know.

567
00:28:52,560 --> 00:28:55,680
Speaker 9: I started running with that crowd and it was it

568
00:28:55,760 --> 00:28:59,240
Speaker 9: was a bad time. So basically, like fix Fixed Row

569
00:28:59,240 --> 00:29:02,320
Speaker 9: walked up to me. I was like, Yo, go over here.

570
00:29:03,120 --> 00:29:06,360
Speaker 9: This is what you need to do. You need to

571
00:29:06,440 --> 00:29:09,320
Speaker 9: go up to that guy over there. You need to

572
00:29:09,320 --> 00:29:10,680
Speaker 9: put this post it note on his.

573
00:29:10,680 --> 00:29:13,760
Speaker 1: Back, say anything.

574
00:29:14,880 --> 00:29:16,960
Speaker 7: It's a blank post it note. It's blank.

575
00:29:17,000 --> 00:29:17,600
Speaker 2: And I'm like, you don't.

576
00:29:17,840 --> 00:29:20,720
Speaker 9: I'm not just gonna waste a stack of post it notes, Okay.

577
00:29:20,800 --> 00:29:22,760
Speaker 9: I'm like, I'm just trying to make it out of

578
00:29:22,840 --> 00:29:25,400
Speaker 9: high school. Yeah, And they were like, this is what

579
00:29:25,440 --> 00:29:29,320
Speaker 9: you need to do. I'm called over Tanane's gonna run

580
00:29:29,360 --> 00:29:31,240
Speaker 9: down the lane. He's gonna bring the pain. He's gonna

581
00:29:31,240 --> 00:29:32,200
Speaker 9: bite you with his great day.

582
00:29:32,320 --> 00:29:38,160
Speaker 3: Oh no, Tane's very effective for the pranks being implemented. Yeah,

583
00:29:38,280 --> 00:29:40,320
Speaker 3: because people wasn't a threat of Tane.

584
00:29:40,440 --> 00:29:43,040
Speaker 7: Yeah mm hmm. It's gonna make you go insane.

585
00:29:43,680 --> 00:29:46,600
Speaker 1: And yes, and as far as I know, Tane's great

586
00:29:46,640 --> 00:29:50,520
Speaker 1: Dane has never actually brought the pain. It's the idea

587
00:29:50,600 --> 00:29:51,560
Speaker 1: that he's going to.

588
00:29:52,000 --> 00:29:55,200
Speaker 3: Yea is a powerful enough I've never seen it. But

589
00:29:55,320 --> 00:29:59,600
Speaker 3: the leash is very long. Seems like it must be

590
00:29:59,600 --> 00:29:59,960
Speaker 3: a big.

591
00:30:00,400 --> 00:30:03,400
Speaker 1: Yeah, And it's a and I should say this, it

592
00:30:03,520 --> 00:30:07,360
Speaker 1: is a leash that is long, that is fully extended.

593
00:30:07,440 --> 00:30:10,160
Speaker 1: It's not one of these leashes that pulls out further

594
00:30:10,160 --> 00:30:12,120
Speaker 1: from you're not supposed to use those.

595
00:30:12,920 --> 00:30:14,080
Speaker 2: They encourage pulling.

596
00:30:15,280 --> 00:30:17,680
Speaker 7: Oh I don't. I don't have any dogs.

597
00:30:19,040 --> 00:30:21,440
Speaker 1: No, no, But I'm just saying if you'd see Taine

598
00:30:21,600 --> 00:30:22,680
Speaker 1: like let that's why he's.

599
00:30:22,560 --> 00:30:26,800
Speaker 9: Talk I'll see much anymore besides on on truth TV.

600
00:30:27,200 --> 00:30:27,880
Speaker 5: Truth TV.

601
00:30:28,320 --> 00:30:34,560
Speaker 1: Yeah, it's not reality, it's actuality. And there's a fine

602
00:30:34,600 --> 00:30:40,880
Speaker 1: line to distinguish the two. One is real stuff, the

603
00:30:41,000 --> 00:30:43,640
Speaker 1: other one is just called actuality.

604
00:30:44,520 --> 00:30:45,520
Speaker 2: Right, you know what I mean?

605
00:30:45,680 --> 00:30:47,080
Speaker 5: Can you explain that a little more?

606
00:30:47,200 --> 00:30:51,440
Speaker 1: Okay, it's kind of a difference between a lawyer and

607
00:30:51,520 --> 00:30:57,400
Speaker 1: a catfish. They're pretty similar, Yeah, but you can't find

608
00:30:57,400 --> 00:30:58,680
Speaker 1: a difference if you poke.

609
00:30:58,520 --> 00:30:59,120
Speaker 5: Around a bit.

610
00:31:00,880 --> 00:31:02,040
Speaker 7: I don't have any pits.

611
00:31:02,600 --> 00:31:07,840
Speaker 1: Well, I'm sorry. Uh, it's gonna be hard to do.

612
00:31:07,920 --> 00:31:10,320
Speaker 1: So many animal metaphors on this show.

613
00:31:11,560 --> 00:31:13,480
Speaker 3: We want to see one of these things because we

614
00:31:13,520 --> 00:31:15,479
Speaker 3: want to be doing more of this viral stuff.

615
00:31:15,520 --> 00:31:18,600
Speaker 1: We'd like to go viral, and we bring somebody who knows,

616
00:31:18,920 --> 00:31:20,560
Speaker 1: you know, how these guys operate.

617
00:31:20,600 --> 00:31:23,800
Speaker 9: I knew how they operated. You know this is we

618
00:31:23,800 --> 00:31:28,320
Speaker 9: were in high school twenty years ago. I can tell

619
00:31:28,320 --> 00:31:31,000
Speaker 9: you how they operated. Then I can give you I

620
00:31:31,800 --> 00:31:34,200
Speaker 9: watched the show on truth TV, and I can tell

621
00:31:34,200 --> 00:31:36,160
Speaker 9: you a little bit about what they do now. But okay,

622
00:31:36,200 --> 00:31:38,560
Speaker 9: I just won you. Now, there's a reason that there's

623
00:31:38,560 --> 00:31:41,840
Speaker 9: a ghost Island. Okay, oh no, oh wow.

624
00:31:42,800 --> 00:31:43,560
Speaker 7: It's from breaks.

625
00:31:44,280 --> 00:31:46,840
Speaker 5: They send the ghost Island and that's where they have

626
00:31:46,920 --> 00:31:48,160
Speaker 5: to resolve.

627
00:31:47,840 --> 00:31:50,120
Speaker 9: Their You just you just let me just tell you this.

628
00:31:50,160 --> 00:31:51,240
Speaker 9: You're playing with hot water.

629
00:31:51,760 --> 00:31:56,640
Speaker 1: People who were pranked in life, then yeah, have to

630
00:31:56,680 --> 00:31:59,520
Speaker 1: go to ghost Island. Yeah, that's in order to take

631
00:31:59,560 --> 00:32:00,000
Speaker 1: their revente.

632
00:32:00,120 --> 00:32:02,320
Speaker 3: This is different for me because I am usually playing

633
00:32:02,360 --> 00:32:05,080
Speaker 3: with warm water. Give me like a nice big cup

634
00:32:05,120 --> 00:32:08,000
Speaker 3: of warm water, and I'm good for the day, just

635
00:32:08,080 --> 00:32:09,920
Speaker 3: the terms of entertaining myself.

636
00:32:09,960 --> 00:32:10,840
Speaker 7: Yeah, you can play with it.

637
00:32:11,200 --> 00:32:13,800
Speaker 9: That's a great toy. You can do a lot of

638
00:32:13,800 --> 00:32:16,440
Speaker 9: stuff with warm water. But you're playing with hot water

639
00:32:16,480 --> 00:32:17,440
Speaker 9: when you start branking it.

640
00:32:17,640 --> 00:32:21,200
Speaker 2: Okay, it would help to maybe watch you do it first.

641
00:32:21,680 --> 00:32:24,720
Speaker 1: Okay, And I hate to invite you back to this

642
00:32:24,840 --> 00:32:25,440
Speaker 1: dark place.

643
00:32:25,840 --> 00:32:28,160
Speaker 7: It's all right. I'll do anything for you, guys.

644
00:32:29,400 --> 00:32:31,640
Speaker 3: So maybe we do one where you go up to Cody.

645
00:32:31,760 --> 00:32:34,240
Speaker 3: I tell Cody. Yeah, okay, So go to co Cody,

646
00:32:34,240 --> 00:32:37,080
Speaker 3: turn your things, like, do whatever you're listening.

647
00:32:37,280 --> 00:32:40,560
Speaker 1: Yeah all right, I'm never listening anyway. So going to

648
00:32:40,680 --> 00:32:46,680
Speaker 1: Cody and and ask him like to order like a

649
00:32:46,720 --> 00:32:47,640
Speaker 1: hot dog or something.

650
00:32:47,800 --> 00:32:50,560
Speaker 7: Oh my gosh, start me.

651
00:32:51,080 --> 00:32:56,400
Speaker 3: Oh wait, Ken, this is earlier than we want. Kevin,

652
00:32:56,480 --> 00:32:59,360
Speaker 3: just yeah, go thank you, Okay, come back later.

653
00:32:59,760 --> 00:33:04,040
Speaker 1: Ok So, so go up to Cody and what do

654
00:33:04,080 --> 00:33:05,120
Speaker 1: you wanted to say to Cody.

655
00:33:05,560 --> 00:33:07,760
Speaker 3: Well, you were saying you want to Cody to order

656
00:33:07,880 --> 00:33:10,520
Speaker 3: hot Have Cody order a hot dog, and.

657
00:33:10,480 --> 00:33:12,840
Speaker 1: Then ask Cody if he thinks heyes, is cute?

658
00:33:14,720 --> 00:33:17,000
Speaker 7: Thanks? Okay?

659
00:33:18,200 --> 00:33:20,960
Speaker 9: This is this is crazy. This is nuts. And let

660
00:33:20,960 --> 00:33:22,080
Speaker 9: me just tell you this. I wouldn't be doing this.

661
00:33:22,680 --> 00:33:24,000
Speaker 9: I wouldn't be doing this if I didn't love you

662
00:33:24,080 --> 00:33:28,240
Speaker 9: two guys. Baby, I love your ways. Yes, I want

663
00:33:28,280 --> 00:33:29,240
Speaker 9: to tell you I love your ways.

664
00:33:29,360 --> 00:33:32,400
Speaker 1: We're all have a lot of love for one another,

665
00:33:33,040 --> 00:33:35,000
Speaker 1: and we wouldn't have asked you to do something this

666
00:33:35,560 --> 00:33:40,800
Speaker 1: uh fucked up? Yeah, you know, uh and the devastated.

667
00:33:42,880 --> 00:33:45,120
Speaker 1: I think it's good for people to hear. I think

668
00:33:45,200 --> 00:33:48,680
Speaker 1: we could go viral and we're all best friends.

669
00:33:49,720 --> 00:33:51,040
Speaker 2: Okay, do the hot dog big?

670
00:33:51,680 --> 00:33:51,920
Speaker 1: All right?

671
00:33:52,000 --> 00:33:59,160
Speaker 9: Here goes Hey, Hey, hey Cody, Yeah yeah, yeah yeah.

672
00:33:59,360 --> 00:34:02,600
Speaker 9: I wanted to Uh. I wanted to know if you could.

673
00:34:02,680 --> 00:34:02,760
Speaker 3: Uh.

674
00:34:05,080 --> 00:34:09,200
Speaker 9: I just opened up a hot dog business and I'm

675
00:34:09,239 --> 00:34:13,200
Speaker 9: giving away free hot dogs today here in the studio.

676
00:34:13,320 --> 00:34:18,160
Speaker 9: Art okay, and I I want to offer you what

677
00:34:18,160 --> 00:34:19,239
Speaker 9: would you like to order?

678
00:34:19,840 --> 00:34:21,439
Speaker 1: You want to offer me a hot dog?

679
00:34:22,880 --> 00:34:28,359
Speaker 7: You want to hide zug? Do you want to dude?

680
00:34:28,400 --> 00:34:29,239
Speaker 2: I'll take a hot dog?

681
00:34:29,360 --> 00:34:30,879
Speaker 1: You want to take a hot dog?

682
00:34:31,160 --> 00:34:31,319
Speaker 3: Man?

683
00:34:31,480 --> 00:34:31,799
Speaker 5: All right?

684
00:34:32,200 --> 00:34:34,000
Speaker 7: But first, what do you want to do? You want

685
00:34:34,000 --> 00:34:35,680
Speaker 7: to catch up? Ketchup?

686
00:34:35,760 --> 00:34:37,040
Speaker 1: Sounds sounds good.

687
00:34:39,760 --> 00:34:40,440
Speaker 5: Doing the boys.

688
00:34:41,719 --> 00:34:43,360
Speaker 2: Honey mustard, Honey mustard?

689
00:34:43,360 --> 00:34:46,520
Speaker 7: You want honey mustard and catch up? You want honey mail?

690
00:34:47,320 --> 00:34:49,480
Speaker 7: Do you want? You want?

691
00:34:49,920 --> 00:34:50,080
Speaker 3: No?

692
00:34:50,080 --> 00:34:51,600
Speaker 7: No, no, no, no, no no no no, just how

693
00:34:51,600 --> 00:34:51,840
Speaker 7: it is?

694
00:34:51,840 --> 00:34:52,000
Speaker 4: Now?

695
00:34:52,000 --> 00:34:52,439
Speaker 5: That's fine?

696
00:34:52,520 --> 00:34:55,960
Speaker 7: Ketchup and honey mustard. There is a hot dog, and

697
00:34:56,239 --> 00:34:59,680
Speaker 7: also you can see it. I gotta ask you something.

698
00:35:00,080 --> 00:35:05,000
Speaker 9: What you see that guy over there? He is right here,

699
00:35:05,120 --> 00:35:12,480
Speaker 9: Hayes hay or Sean Hayes his ah. Do you do

700
00:35:12,520 --> 00:35:13,759
Speaker 9: you find him attractive at all?

701
00:35:16,160 --> 00:35:17,600
Speaker 1: What?

702
00:35:17,600 --> 00:35:18,600
Speaker 7: What the fuck?

703
00:35:19,800 --> 00:35:20,040
Speaker 3: Hmm?

704
00:35:20,360 --> 00:35:21,160
Speaker 7: Do you think he's cute?

705
00:35:21,800 --> 00:35:22,920
Speaker 1: What the fuck?

706
00:35:23,160 --> 00:35:24,960
Speaker 5: Actually, I'm gonna get ahead.

707
00:35:25,280 --> 00:35:27,080
Speaker 3: I'm sorry. I have to put a stop to this.

708
00:35:27,440 --> 00:35:30,840
Speaker 3: Cody does have a girlfriend. I didn't Why didn't you

709
00:35:30,880 --> 00:35:32,799
Speaker 3: tell me then? I know, I'm sorry. I didn't think

710
00:35:32,800 --> 00:35:34,399
Speaker 3: of that at the I don't like to prank people

711
00:35:34,440 --> 00:35:36,960
Speaker 3: in relationships. I know, I know, I know, I know,

712
00:35:37,200 --> 00:35:40,239
Speaker 3: I know. I'm sorry, Cody, I know, I'm sorry. I

713
00:35:40,280 --> 00:35:41,800
Speaker 3: forgot that Cody has a girlfriend.

714
00:35:41,840 --> 00:35:42,720
Speaker 2: Cody has a girlfriend.

715
00:35:42,760 --> 00:35:45,480
Speaker 3: I'm so sorry, Cody. This was a prank. Cody, this

716
00:35:45,600 --> 00:35:48,760
Speaker 3: is a prank. We planned this all out. We forgot

717
00:35:48,760 --> 00:35:52,880
Speaker 3: that you have a girlfriend. Uh, it's not nice for

718
00:35:52,920 --> 00:35:57,000
Speaker 3: you to have to think about cuteness of other people.

719
00:35:57,360 --> 00:36:03,560
Speaker 1: Cody is a law ile lover, yes, and for him

720
00:36:03,600 --> 00:36:08,600
Speaker 1: to consider whether Hayes is cute is going to shake

721
00:36:08,719 --> 00:36:11,719
Speaker 1: up his whole relationship. And he's been working pretty hard

722
00:36:11,719 --> 00:36:13,759
Speaker 1: in that relationship. He brings his girlfriend to work a

723
00:36:13,800 --> 00:36:15,360
Speaker 1: lot so we can see her.

724
00:36:15,360 --> 00:36:17,600
Speaker 3: And we'll say yes, that's right. Why is she here

725
00:36:17,719 --> 00:36:20,600
Speaker 3: so much? It must be just so we can behold

726
00:36:20,680 --> 00:36:22,759
Speaker 3: her and remember that the.

727
00:36:22,760 --> 00:36:25,600
Speaker 1: Cody can't be that is her to be here.

728
00:36:25,640 --> 00:36:29,080
Speaker 3: Cody is a boyfriend, and Cody is very bad at

729
00:36:29,120 --> 00:36:33,239
Speaker 3: his job. He is very bad at everything else that

730
00:36:33,280 --> 00:36:38,360
Speaker 3: he likes to do outside of his job, just skateboarding,

731
00:36:38,520 --> 00:36:39,640
Speaker 3: walking around and stuff.

732
00:36:39,920 --> 00:36:42,920
Speaker 2: But he has a very sweet boyfriend.

733
00:36:44,680 --> 00:36:46,759
Speaker 3: And that was so I guess this is a good

734
00:36:46,760 --> 00:36:49,280
Speaker 3: example of how these things can go so well, Yeah,

735
00:36:49,320 --> 00:36:52,200
Speaker 3: you've shown us that this can blow up in our Facebook. Kevin,

736
00:36:52,239 --> 00:36:56,920
Speaker 3: get Kevin, get out of here. Getting that was close.

737
00:36:57,560 --> 00:36:59,680
Speaker 1: So we've learned a little bit about these things can

738
00:36:59,719 --> 00:37:02,120
Speaker 1: go pretty wrong if you have somebody whose whole identity

739
00:37:02,160 --> 00:37:05,760
Speaker 1: is wrapped up in them being a boyfriend and uh

740
00:37:05,880 --> 00:37:10,680
Speaker 1: doing very small venmo transactions with their girlfriends and keeping

741
00:37:10,680 --> 00:37:13,400
Speaker 1: their settings to public so everyone can see it. It's like,

742
00:37:13,400 --> 00:37:15,279
Speaker 1: if he thinks Hayes is cute, then what's he going

743
00:37:15,320 --> 00:37:17,680
Speaker 1: to be paying Hayes for? Now? Why is he sending

744
00:37:17,680 --> 00:37:19,080
Speaker 1: Hayes three point fifty I've.

745
00:37:19,000 --> 00:37:23,560
Speaker 3: Just started to see mysterious tiny vemo Bavin's yeah up

746
00:37:23,760 --> 00:37:26,520
Speaker 3: my phone, and I'm starting to think that Cody's going

747
00:37:26,560 --> 00:37:28,480
Speaker 3: into boyfriend mode again and we're going.

748
00:37:28,480 --> 00:37:31,160
Speaker 1: To expect something back from you. And I think that

749
00:37:31,239 --> 00:37:34,600
Speaker 1: could have really destroyed Cody's life in a way, just

750
00:37:34,640 --> 00:37:36,919
Speaker 1: from doing this one small and practical joke.

751
00:37:37,000 --> 00:37:37,280
Speaker 5: Frank.

752
00:37:37,640 --> 00:37:39,520
Speaker 6: Yeah, I mean, so that's what I'm saying, Like, Carl,

753
00:37:39,560 --> 00:37:42,040
Speaker 6: I appreciate the question and stuff, and that's cool, Like

754
00:37:42,200 --> 00:37:45,439
Speaker 6: I'm usually down to answer questions, but this in this case,

755
00:37:45,520 --> 00:37:46,479
Speaker 6: like Cody's very.

756
00:37:48,040 --> 00:37:50,080
Speaker 1: But you saw it almost made him explode.

757
00:37:50,200 --> 00:37:54,160
Speaker 7: It was close, man, Like, I go, what do you

758
00:37:54,200 --> 00:37:54,719
Speaker 7: guys tell it?

759
00:37:56,840 --> 00:38:02,799
Speaker 3: What telling that this that this was a prank? Yeah,

760
00:38:03,360 --> 00:38:05,200
Speaker 3: it was a prank that we were doing. I feel

761
00:38:05,200 --> 00:38:06,239
Speaker 3: like I did do that.

762
00:38:06,680 --> 00:38:07,000
Speaker 5: We did.

763
00:38:07,040 --> 00:38:08,839
Speaker 3: I feel like I gave that some time doing that.

764
00:38:08,880 --> 00:38:11,040
Speaker 3: But you were writing you want to do which is?

765
00:38:11,360 --> 00:38:12,000
Speaker 2: Which is?

766
00:38:12,120 --> 00:38:13,600
Speaker 7: When do you guys tell him do.

767
00:38:13,560 --> 00:38:16,200
Speaker 1: You want to double reversy prank him where we then

768
00:38:16,320 --> 00:38:18,399
Speaker 1: say now that this part was a prank and try

769
00:38:18,400 --> 00:38:19,880
Speaker 1: to get him back into the other prank.

770
00:38:20,480 --> 00:38:24,279
Speaker 7: When do you guys tell him that first one was

771
00:38:24,320 --> 00:38:24,720
Speaker 7: a prank?

772
00:38:25,200 --> 00:38:29,080
Speaker 3: Oh gosh, I really I feel like we told him

773
00:38:29,080 --> 00:38:31,520
Speaker 3: and I think then we did just tell you that

774
00:38:31,520 --> 00:38:33,080
Speaker 3: that it was a prank, But you were writing your

775
00:38:33,160 --> 00:38:33,840
Speaker 3: name on the table.

776
00:38:34,000 --> 00:38:35,080
Speaker 7: I get that. I get that, I get that. I

777
00:38:35,160 --> 00:38:37,320
Speaker 7: just wanted to know. Yeah, I understand.

778
00:38:37,560 --> 00:38:38,439
Speaker 2: Go ahead, you have a question.

779
00:38:38,480 --> 00:38:39,280
Speaker 1: We keep interrupting.

780
00:38:39,280 --> 00:38:40,040
Speaker 2: What do you want to know?

781
00:38:40,200 --> 00:38:41,000
Speaker 7: This is all I want to know.

782
00:38:41,000 --> 00:38:43,239
Speaker 9: If I could just get this out, When do you

783
00:38:43,280 --> 00:38:47,560
Speaker 9: guys tell him that originally thing that I did to

784
00:38:47,640 --> 00:38:49,400
Speaker 9: him was a prank, you guys to him that? Or

785
00:38:49,440 --> 00:38:50,520
Speaker 9: do we just like let it go?

786
00:38:50,840 --> 00:38:51,439
Speaker 2: You know what?

787
00:38:51,560 --> 00:38:55,440
Speaker 1: Maybe magic, Maybe it's best to let it go right

788
00:38:55,800 --> 00:38:58,560
Speaker 1: and maybe we can move on to a nice one

789
00:38:58,560 --> 00:39:01,759
Speaker 1: with Kevin, because that one was so nasty, so mean.

790
00:39:02,760 --> 00:39:06,360
Speaker 3: Nice to pull it back a little bit can be positive.

791
00:39:06,800 --> 00:39:11,640
Speaker 1: And I think that if you recall, there was a

792
00:39:11,640 --> 00:39:16,959
Speaker 1: little group called flash Mob everywhere that you know, would

793
00:39:17,000 --> 00:39:21,120
Speaker 1: bring movies to life and have Tyrannosaurus running in New

794
00:39:21,200 --> 00:39:23,240
Speaker 1: York City and all these events.

795
00:39:24,800 --> 00:39:26,759
Speaker 7: Guys VI, oh you did.

796
00:39:28,640 --> 00:39:29,880
Speaker 5: The whole flash mob.

797
00:39:30,440 --> 00:39:33,320
Speaker 2: Oh that's right. I was headmaster for the flash mob.

798
00:39:34,440 --> 00:39:37,480
Speaker 3: It's rough at those because the class sizes are really

799
00:39:38,160 --> 00:39:41,120
Speaker 3: not built for all these flash mobs.

800
00:39:41,120 --> 00:39:44,120
Speaker 7: In the class people dancing, there'd.

801
00:39:43,800 --> 00:39:46,160
Speaker 1: Be a two hundred. There'd be one teacher for a

802
00:39:46,160 --> 00:39:47,719
Speaker 1: two hundred person flash mob.

803
00:39:47,840 --> 00:39:50,520
Speaker 3: It's hard to learn because there's a frigging pillow fight.

804
00:39:50,600 --> 00:39:55,279
Speaker 3: It was like knowing me, Yeah, Kevin, leave, Kevin, get out,

805
00:39:55,480 --> 00:39:56,000
Speaker 3: get out.

806
00:39:55,840 --> 00:39:56,239
Speaker 7: Get out.

807
00:39:56,600 --> 00:39:58,680
Speaker 1: Well I remember they'd all be dressed as best Buy

808
00:39:58,760 --> 00:40:02,399
Speaker 1: employees or you know they and they just bust out

809
00:40:02,440 --> 00:40:03,279
Speaker 1: these dances.

810
00:40:04,680 --> 00:40:10,239
Speaker 5: Yeah, uh, what was that? What was that? Tell me?

811
00:40:10,440 --> 00:40:14,759
Speaker 9: I was too caught up with the impractical jokers to

812
00:40:14,840 --> 00:40:17,520
Speaker 9: really notice the flash mob. You didn't even notice the

813
00:40:17,520 --> 00:40:18,120
Speaker 9: flash mob?

814
00:40:18,480 --> 00:40:21,560
Speaker 1: Yeah it was. It was not until you were going

815
00:40:21,600 --> 00:40:24,440
Speaker 1: through your yearbook later and saw that the entire flash

816
00:40:24,480 --> 00:40:25,560
Speaker 1: mob had signed it.

817
00:40:25,680 --> 00:40:28,040
Speaker 9: Yeah, the entire Like it was like three pages for

818
00:40:28,400 --> 00:40:30,560
Speaker 9: over people's pictures too, which.

819
00:40:30,400 --> 00:40:34,160
Speaker 3: I didn't do it to the side, do it to

820
00:40:34,239 --> 00:40:34,760
Speaker 3: the side.

821
00:40:34,800 --> 00:40:37,520
Speaker 5: There's that's what the space is for. In the back.

822
00:40:37,800 --> 00:40:39,080
Speaker 7: Flash mobs don't give a fuck.

823
00:40:39,600 --> 00:40:41,440
Speaker 5: They're just rolling through school.

824
00:40:41,800 --> 00:40:42,240
Speaker 1: Mmmm.

825
00:40:43,480 --> 00:40:46,120
Speaker 5: Okay, maybe we do a flash mob on Kevin.

826
00:40:46,400 --> 00:40:48,640
Speaker 1: Yeah, let's try to do a flash mob style prank

827
00:40:48,680 --> 00:40:49,200
Speaker 1: on Kevin.

828
00:40:49,440 --> 00:40:52,600
Speaker 7: Then positive, and then that we tell we tell him

829
00:40:52,640 --> 00:40:53,120
Speaker 7: that that was.

830
00:40:53,480 --> 00:40:57,600
Speaker 1: Tell Cody the original thing was a prank. Yeah, sure, sure, cool?

831
00:40:58,239 --> 00:41:02,800
Speaker 1: Uh come ahead, got it, go.

832
00:41:02,600 --> 00:41:12,239
Speaker 10: On, Kevin, come it on, Okay, Okay, Kevin, he's here,

833
00:41:12,400 --> 00:41:15,840
Speaker 10: he's okay, Kevin stand in the corner, back down in

834
00:41:15,840 --> 00:41:16,600
Speaker 10: the corner a little bit.

835
00:41:16,680 --> 00:41:20,719
Speaker 3: Okay, So Carl, this is Kevin. So if you look

836
00:41:20,719 --> 00:41:25,520
Speaker 3: at him, he oh you did what kind of click

837
00:41:25,640 --> 00:41:26,000
Speaker 3: was here?

838
00:41:26,600 --> 00:41:28,160
Speaker 7: Yeah? He was a part of the daily Delies.

839
00:41:28,719 --> 00:41:30,879
Speaker 1: Oh no, and they're always a little late.

840
00:41:34,600 --> 00:41:38,719
Speaker 3: Okay, So Kevin, Uh, Kevin did hurt himself over the

841
00:41:38,800 --> 00:41:40,400
Speaker 3: last couple of days. You can see he has his

842
00:41:40,680 --> 00:41:43,799
Speaker 3: arm and a sling. Uh. Maybe what like, maybe you

843
00:41:43,840 --> 00:41:45,880
Speaker 3: can look at him and think of a good flash

844
00:41:45,880 --> 00:41:49,840
Speaker 3: mom to do on him, Kevin.

845
00:41:51,880 --> 00:41:54,000
Speaker 7: All the girls in the party, look at that. Body's

846
00:41:54,080 --> 00:41:55,920
Speaker 7: checking that thing like you never did see you got

847
00:41:55,920 --> 00:41:56,239
Speaker 7: a knife.

848
00:41:56,239 --> 00:41:58,640
Speaker 3: And I'm just reading a newspaper. I'm just like you

849
00:41:58,800 --> 00:42:00,840
Speaker 3: keep going here and i I'm just like a business

850
00:42:00,840 --> 00:42:02,560
Speaker 3: guy and I'm like walking around and being like.

851
00:42:02,480 --> 00:42:03,120
Speaker 2: What's going on.

852
00:42:03,200 --> 00:42:06,239
Speaker 3: I'm a lifeguard up in a chair, just sort of surveying,

853
00:42:06,680 --> 00:42:08,200
Speaker 3: just like I'm And.

854
00:42:08,160 --> 00:42:13,320
Speaker 2: Now I'm gonna blow my whistle. Everybody into the flash mob.

855
00:42:14,800 --> 00:42:17,439
Speaker 2: And I'm the business guy. Like now I'm like groobing too.

856
00:42:17,560 --> 00:42:19,520
Speaker 3: All of a sudden, I'm like dancing the same as

857
00:42:19,520 --> 00:42:21,879
Speaker 3: you guys.

858
00:42:22,480 --> 00:42:24,760
Speaker 1: Oh knowing the sharks swim up out of the water

859
00:42:24,840 --> 00:42:26,040
Speaker 1: and it's actually engineering.

860
00:42:26,080 --> 00:42:28,040
Speaker 3: Okay, okay, now I am gonna have to put us

861
00:42:28,120 --> 00:42:31,759
Speaker 3: after this that like, that's much too scary for what

862
00:42:31,760 --> 00:42:34,319
Speaker 3: we're trying to do. This was supposed to be a fun,

863
00:42:34,360 --> 00:42:36,440
Speaker 3: positive flash mob for cabin.

864
00:42:36,600 --> 00:42:40,080
Speaker 1: Kevin needs our help right now. He's a sexual deviant

865
00:42:40,560 --> 00:42:41,719
Speaker 1: who has an injury.

866
00:42:43,840 --> 00:42:45,000
Speaker 6: Can I be like I was just one of those

867
00:42:45,040 --> 00:42:46,920
Speaker 6: harmless sharks and not one of the dangerous ones like

868
00:42:46,960 --> 00:42:49,760
Speaker 6: a nurse shark, tiger shark, or the killer whale.

869
00:42:51,000 --> 00:42:54,800
Speaker 1: What about a killer whale, hump back whale. Yeah, the Baileen,

870
00:42:56,160 --> 00:43:00,360
Speaker 1: so he's come back whale. Don't have tee and and

871
00:43:00,400 --> 00:43:06,000
Speaker 1: you'll appreciate this, they have us known as Bileen and

872
00:43:06,120 --> 00:43:10,239
Speaker 1: it is a to be permeable membrane outside their mouth.

873
00:43:10,400 --> 00:43:11,560
Speaker 5: Carl doesn't have any pets.

874
00:43:12,320 --> 00:43:15,000
Speaker 7: I don't have any pets. I don't have any pets.

875
00:43:15,400 --> 00:43:18,279
Speaker 1: The plank didn't come through. Well okay, uh, Carl doesn't

876
00:43:18,280 --> 00:43:19,960
Speaker 1: have any pets. So we'll have to do this lesson

877
00:43:20,000 --> 00:43:22,520
Speaker 1: another time. But I can't get out of headmaster mode

878
00:43:22,560 --> 00:43:24,040
Speaker 1: sometimes with these kids.

879
00:43:24,600 --> 00:43:28,320
Speaker 3: So what I hate to see that go so badly?

880
00:43:29,440 --> 00:43:33,880
Speaker 3: Kevin comes in here, he did hurt him, so just

881
00:43:33,880 --> 00:43:36,640
Speaker 3: to explain to you, Carl, Kevin takes these pictures, he

882
00:43:36,680 --> 00:43:39,000
Speaker 3: takes them back to this little layer of his and

883
00:43:39,280 --> 00:43:43,160
Speaker 3: he uses his dungeon for a little like a little

884
00:43:43,200 --> 00:43:46,920
Speaker 3: frittage play where he brings himself to the edge but

885
00:43:47,080 --> 00:43:50,920
Speaker 3: never gets like a full release, which you could say,

886
00:43:51,080 --> 00:43:52,919
Speaker 3: like probably a way to do that is to use

887
00:43:53,000 --> 00:43:56,000
Speaker 3: your left hand. And we noticed today Kevin does have

888
00:43:56,080 --> 00:43:59,680
Speaker 3: his left arm in a sling, probably from.

889
00:43:59,560 --> 00:44:03,040
Speaker 2: Bringing himself potentially too close to the edge.

890
00:44:03,120 --> 00:44:07,680
Speaker 1: Well, and what Kevin is telling people is the story

891
00:44:07,719 --> 00:44:10,480
Speaker 1: of how he got hurt as he's pretending that a

892
00:44:10,560 --> 00:44:14,680
Speaker 1: woman hit him with his car, and he did pretend

893
00:44:14,719 --> 00:44:17,239
Speaker 1: to the woman. That is Kevin's pickup style. Kevin, do

894
00:44:17,239 --> 00:44:18,960
Speaker 1: you want to talk a little bit about your pickup style.

895
00:44:20,600 --> 00:44:20,799
Speaker 3: Yeah.

896
00:44:20,800 --> 00:44:26,480
Speaker 8: I'll often jump in front of cars and say like, hey,

897
00:44:26,520 --> 00:44:30,920
Speaker 8: you almost broke my heart there, sweetheart. Often they call

898
00:44:30,960 --> 00:44:34,240
Speaker 8: the police and it doesn't go to my benefit.

899
00:44:34,320 --> 00:44:37,000
Speaker 1: And the tea doesn't need to be hit so hard.

900
00:44:37,000 --> 00:44:41,560
Speaker 1: In the word often, Often people think they're going to

901
00:44:41,600 --> 00:44:43,600
Speaker 1: sound smart when they do that. But I actually read

902
00:44:43,640 --> 00:44:46,359
Speaker 1: an interview with Will Smith once, who's kind of like

903
00:44:46,880 --> 00:44:52,319
Speaker 1: a grammar mania, and he said that he drives him

904
00:44:52,360 --> 00:44:55,960
Speaker 1: crazy when people hit the tee and often because you know,

905
00:44:56,000 --> 00:44:58,200
Speaker 1: they think they're sounding smart, but that's actually not how it's.

906
00:44:58,920 --> 00:45:00,960
Speaker 9: Kevin and I are from the island, so we say

907
00:45:01,000 --> 00:45:05,800
Speaker 9: often often long stand in island, Ghost Island, Fire Island

908
00:45:05,840 --> 00:45:09,359
Speaker 9: with a boy's play. We that's where you're from. That's

909
00:45:09,360 --> 00:45:10,840
Speaker 9: what we say. You know, Kevin used to kick it

910
00:45:10,880 --> 00:45:11,360
Speaker 9: with Tane.

911
00:45:12,239 --> 00:45:15,120
Speaker 1: What Kevin, you're tight with Tane? Did he teach you

912
00:45:15,160 --> 00:45:17,080
Speaker 1: this pickup style? Did he bring you the pain?

913
00:45:17,239 --> 00:45:17,439
Speaker 3: Yeah?

914
00:45:17,480 --> 00:45:21,000
Speaker 8: He brought me the pain figuratively and literally, and gave

915
00:45:21,040 --> 00:45:22,920
Speaker 8: me a notebook with all these pickup lines.

916
00:45:23,560 --> 00:45:27,000
Speaker 1: I don't have any pets either. You're so so okay.

917
00:45:27,080 --> 00:45:30,120
Speaker 1: So your pickup style is based in pain and trickery,

918
00:45:30,520 --> 00:45:32,920
Speaker 1: which are the two things we know Tane really loves.

919
00:45:33,320 --> 00:45:34,960
Speaker 1: Although Tane does have a pet.

920
00:45:35,400 --> 00:45:38,160
Speaker 9: He does he's a great Dane that he stands on

921
00:45:38,200 --> 00:45:41,840
Speaker 9: the lane and follows the rain on Kopidi plane.

922
00:45:41,920 --> 00:45:43,320
Speaker 7: I thought Dane was his roommate.

923
00:45:44,360 --> 00:45:47,160
Speaker 3: Great That is a great Dane is a dog. That's

924
00:45:47,200 --> 00:45:48,760
Speaker 3: the name of the kind of dog.

925
00:45:49,400 --> 00:45:51,520
Speaker 1: That's what he called his roommate, Great Dane.

926
00:45:51,920 --> 00:45:55,839
Speaker 3: No, No, I'm sorry, and I wasn't there, but I

927
00:45:55,920 --> 00:45:58,160
Speaker 3: know that's not what happened. I know it was a dog.

928
00:45:59,000 --> 00:46:01,160
Speaker 7: You were his best rain in high school, Kevin.

929
00:46:02,200 --> 00:46:04,520
Speaker 3: And also, this is high school there lived with. It's

930
00:46:04,560 --> 00:46:06,840
Speaker 3: not really a roommate situation. Maybe there is, because you

931
00:46:06,920 --> 00:46:09,319
Speaker 3: would describe yourself as a headmaster, which is kind of

932
00:46:09,400 --> 00:46:12,920
Speaker 3: like a private schooly thing. But this is a school

933
00:46:12,960 --> 00:46:15,920
Speaker 3: that seems to exist on multiple as part of an island.

934
00:46:16,080 --> 00:46:16,480
Speaker 2: Shane.

935
00:46:16,520 --> 00:46:19,000
Speaker 1: You were the closest person to other than his girlfriend

936
00:46:19,040 --> 00:46:26,560
Speaker 1: Dominic Swain. Yeah, we would hang out often, and so Kevin,

937
00:46:26,680 --> 00:46:27,880
Speaker 1: I get it.

938
00:46:27,920 --> 00:46:29,200
Speaker 5: I saw you did that on purpose.

939
00:46:29,960 --> 00:46:33,399
Speaker 3: I'm sorry that we scared you and you did hurt

940
00:46:33,400 --> 00:46:38,879
Speaker 3: yourself and that we threatened you with additional shark pain,

941
00:46:39,000 --> 00:46:42,719
Speaker 3: which is that was not a good prank to do.

942
00:46:42,960 --> 00:46:45,359
Speaker 2: That was not a nice flash mob.

943
00:46:46,160 --> 00:46:49,719
Speaker 1: Yeah, and the intention was to bring something positive to

944
00:46:49,719 --> 00:46:51,160
Speaker 1: try to sort of heal you.

945
00:46:53,040 --> 00:46:54,160
Speaker 2: On a couple levels.

946
00:46:54,360 --> 00:46:55,480
Speaker 5: Yeah.

947
00:46:56,040 --> 00:47:04,640
Speaker 1: One, you know, physically your arm is up. Two, yourself

948
00:47:05,280 --> 00:47:14,399
Speaker 1: fucked up, like you're so fucking sick. You're sexual experience

949
00:47:14,600 --> 00:47:19,520
Speaker 1: is so tied up in all these like freakish sort

950
00:47:19,560 --> 00:47:26,160
Speaker 1: of lies and just secrets and just nasty little dark

951
00:47:26,360 --> 00:47:29,920
Speaker 1: corners of your life. It just it's a it's a

952
00:47:30,320 --> 00:47:32,680
Speaker 1: it's a spiral or something like, it's only going to

953
00:47:32,760 --> 00:47:34,200
Speaker 1: get worse and more intense.

954
00:47:34,440 --> 00:47:35,839
Speaker 5: Imagine what he would do with a pet.

955
00:47:36,000 --> 00:47:38,040
Speaker 3: When we were talking about pets, I saw him get

956
00:47:38,040 --> 00:47:40,080
Speaker 3: an idea and I don't know what it was, but

957
00:47:40,120 --> 00:47:41,160
Speaker 3: he licked his lips.

958
00:47:41,400 --> 00:47:44,760
Speaker 1: Yeah, what was the idea?

959
00:47:44,920 --> 00:47:45,240
Speaker 5: Kevin?

960
00:47:47,520 --> 00:47:49,680
Speaker 1: I don't want to share it. Well, and that's part

961
00:47:49,680 --> 00:47:52,840
Speaker 1: of the problem is you're not sharing these things. Yeah,

962
00:47:53,000 --> 00:47:54,480
Speaker 1: it's creating a shame spiral.

963
00:47:55,560 --> 00:47:58,400
Speaker 8: Part of the pleasure is not sharing it with you guys.

964
00:47:58,440 --> 00:47:59,880
Speaker 8: It's keeping it to myself.

965
00:48:00,200 --> 00:48:02,960
Speaker 2: That's not pleasure, Kevin. You're creating a shame spiral.

966
00:48:03,719 --> 00:48:06,600
Speaker 3: What's a what's a good Maybe bring like Josh in

967
00:48:06,640 --> 00:48:09,239
Speaker 3: here or something and we do like a nice like

968
00:48:09,400 --> 00:48:12,320
Speaker 3: really get this right, do something that can go viral

969
00:48:12,400 --> 00:48:13,360
Speaker 3: and a nice way.

970
00:48:13,440 --> 00:48:13,960
Speaker 2: I wouldn't.

971
00:48:14,120 --> 00:48:14,560
Speaker 7: I wouldn't.

972
00:48:14,560 --> 00:48:17,239
Speaker 2: I wouldn't do that. You don't want Josh Oh, I

973
00:48:17,239 --> 00:48:18,160
Speaker 2: don't care about that.

974
00:48:18,239 --> 00:48:18,800
Speaker 7: I just wouldn't.

975
00:48:18,800 --> 00:48:20,440
Speaker 8: I mean, I don't give a ship, but like, I

976
00:48:20,480 --> 00:48:21,680
Speaker 8: would not recommend it.

977
00:48:22,200 --> 00:48:26,320
Speaker 3: See these guys, these guys have been like the little

978
00:48:26,400 --> 00:48:27,799
Speaker 3: stars of the show for so.

979
00:48:27,840 --> 00:48:29,480
Speaker 2: Long, and they're like, oh no, you don't want to

980
00:48:29,480 --> 00:48:30,480
Speaker 2: bring Josh into this.

981
00:48:30,960 --> 00:48:34,240
Speaker 3: I think they're scared of potentially a good new energy

982
00:48:34,280 --> 00:48:36,000
Speaker 3: that Josh could be bringing to the show.

983
00:48:36,280 --> 00:48:42,360
Speaker 9: Going to tell Kevin if that was a flash, Mom.

984
00:48:40,600 --> 00:48:43,800
Speaker 1: Okay, I see, I've written your name a few more times, Carl.

985
00:48:47,520 --> 00:48:49,360
Speaker 2: We did tell Kevin it was a flash.

986
00:48:49,400 --> 00:48:51,000
Speaker 1: Mom. I don't expect you to hear this.

987
00:48:51,200 --> 00:48:53,480
Speaker 7: I get that. I get that.

988
00:48:53,680 --> 00:48:54,920
Speaker 2: Yeah, but you have a question.

989
00:48:55,000 --> 00:48:56,879
Speaker 7: So, yeah, are you going to tell him though?

990
00:48:58,120 --> 00:49:04,359
Speaker 3: Sometimes your name is written as mister Taine, which I don't.

991
00:49:04,520 --> 00:49:08,840
Speaker 3: Is it like, are you hoping to marry Tane?

992
00:49:09,600 --> 00:49:13,240
Speaker 9: Yeah, I'm hoping to mary Tane.

993
00:49:13,680 --> 00:49:17,359
Speaker 7: Tane is a guy who brings the pain. You want

994
00:49:17,400 --> 00:49:17,759
Speaker 7: the pain?

995
00:49:18,120 --> 00:49:18,799
Speaker 5: Yeah?

996
00:49:19,120 --> 00:49:22,440
Speaker 7: I want to kiss him the rain Uncle Pedi plane

997
00:49:22,960 --> 00:49:23,399
Speaker 7: mm hmm.

998
00:49:24,719 --> 00:49:26,680
Speaker 1: And you won't rest till all his other suitors have

999
00:49:26,760 --> 00:49:27,600
Speaker 1: been slain.

1000
00:49:27,480 --> 00:49:32,040
Speaker 7: Yep, including Dominique Swain, Yes, his main.

1001
00:49:31,960 --> 00:49:40,839
Speaker 1: Dame Swain spiral. So maybe we get Josh in here,

1002
00:49:40,880 --> 00:49:43,440
Speaker 1: And what's the sort of concept for a prank we

1003
00:49:43,480 --> 00:49:46,200
Speaker 1: could do with Josh that's really going to be positive

1004
00:49:46,239 --> 00:49:50,960
Speaker 1: and not become scary like Kevin's or challenges entire identity

1005
00:49:51,040 --> 00:49:51,719
Speaker 1: like Cody's.

1006
00:49:52,080 --> 00:49:55,600
Speaker 3: Maybe yeah, so maybe we think of it's not a prank.

1007
00:49:55,640 --> 00:49:57,920
Speaker 3: It's not a flash mob. Has be something in between

1008
00:49:58,920 --> 00:50:04,200
Speaker 3: the job Josh, Josh and great Dana is here tipped?

1009
00:50:04,280 --> 00:50:07,919
Speaker 1: Oh yeah, great Dana, Dana, Josh and Dana.

1010
00:50:09,680 --> 00:50:11,880
Speaker 5: So what's a different kind you do? All these pranks?

1011
00:50:12,040 --> 00:50:14,080
Speaker 7: The other kind of Okay, so.

1012
00:50:15,239 --> 00:50:17,600
Speaker 1: You guys just stand in the corner until we're ready.

1013
00:50:17,680 --> 00:50:18,520
Speaker 5: Just stand in the corner.

1014
00:50:18,680 --> 00:50:22,399
Speaker 1: Yeah, just stand in the corner. Okay. So what would

1015
00:50:22,480 --> 00:50:26,920
Speaker 1: be like something that impractical jokers might do? Uh, that

1016
00:50:27,040 --> 00:50:29,840
Speaker 1: would you know, maybe be a little bit more positive.

1017
00:50:30,760 --> 00:50:33,080
Speaker 7: The most prominent one I remember is the post it

1018
00:50:33,120 --> 00:50:33,840
Speaker 7: on the back.

1019
00:50:35,320 --> 00:50:39,600
Speaker 1: Okay, Okay, I don't know how to do that.

1020
00:50:40,000 --> 00:50:43,080
Speaker 9: There's also another one where they drive up in a

1021
00:50:43,160 --> 00:50:46,399
Speaker 9: van and tell strangers to get in the van.

1022
00:50:47,480 --> 00:50:48,959
Speaker 5: Okay, it could be cool.

1023
00:50:49,239 --> 00:50:51,040
Speaker 8: You could give them a pair of yoga pants and

1024
00:50:51,080 --> 00:50:54,160
Speaker 8: say like, hey, put these on, and then say you

1025
00:50:54,160 --> 00:50:56,640
Speaker 8: actually look really great in these, Like it really compliments

1026
00:50:56,840 --> 00:50:59,319
Speaker 8: you know, your figure. I think they did that once.

1027
00:50:59,520 --> 00:51:02,919
Speaker 9: That's a that's a great that's a great brank right there.

1028
00:51:03,320 --> 00:51:04,319
Speaker 9: I think we should.

1029
00:51:04,520 --> 00:51:07,800
Speaker 1: Well, it's good. It's a positive body image prank.

1030
00:51:08,160 --> 00:51:10,640
Speaker 6: Okay, you can steal their identities, that's a great I

1031
00:51:10,680 --> 00:51:11,560
Speaker 6: think Kevin.

1032
00:51:11,600 --> 00:51:14,919
Speaker 3: Cody, we found we found something, Cody, we just found

1033
00:51:14,960 --> 00:51:18,360
Speaker 3: something that we like. And it is obviously to indulge

1034
00:51:18,440 --> 00:51:21,040
Speaker 3: Kevin's desire to have people look away.

1035
00:51:21,520 --> 00:51:23,640
Speaker 9: Somebody's got to tell Kevin about that flash mom, because

1036
00:51:23,680 --> 00:51:25,440
Speaker 9: he is coming with great branks.

1037
00:51:25,640 --> 00:51:27,040
Speaker 1: Yeah, he deserves to know.

1038
00:51:28,480 --> 00:51:30,360
Speaker 3: But then Cody's like, oh, but what about this? It

1039
00:51:30,480 --> 00:51:33,640
Speaker 3: was like, no, we just got it. Cody just saw

1040
00:51:33,760 --> 00:51:38,680
Speaker 3: the identity Thief movie. Okay, but let's go with that.

1041
00:51:38,840 --> 00:51:42,839
Speaker 3: So Carl, you'd go up to take the yoga pants, then, okay,

1042
00:51:42,920 --> 00:51:43,399
Speaker 3: you know what.

1043
00:51:43,280 --> 00:51:43,960
Speaker 7: To do, all right.

1044
00:51:45,080 --> 00:51:50,399
Speaker 9: Hey guys, Hey, hey, I got you.

1045
00:51:50,400 --> 00:51:58,799
Speaker 7: To pairs Lulu and yoga pants and you put them on. Here,

1046
00:51:58,840 --> 00:52:00,160
Speaker 7: here's your parent. Here's a.

1047
00:52:02,320 --> 00:52:04,879
Speaker 2: Extra small Yeah, you guys figured it out.

1048
00:52:04,920 --> 00:52:06,160
Speaker 7: Are smaller framed folks.

1049
00:52:06,160 --> 00:52:08,799
Speaker 11: I don't you know, I have some some friends who

1050
00:52:08,840 --> 00:52:10,040
Speaker 11: would love this. I mean, thank you.

1051
00:52:10,120 --> 00:52:10,520
Speaker 3: I don't know.

1052
00:52:10,520 --> 00:52:15,440
Speaker 11: If I don't know if I feel comfortable, I'm gonna ruining.

1053
00:52:15,360 --> 00:52:16,799
Speaker 7: The PANTSIL put the pants on both of you.

1054
00:52:17,000 --> 00:52:19,160
Speaker 2: I'm putting it not over your other band.

1055
00:52:19,239 --> 00:52:22,000
Speaker 11: Now this feels I feel really uncomfortable with this and

1056
00:52:22,239 --> 00:52:22,960
Speaker 11: being ashamed of.

1057
00:52:23,000 --> 00:52:25,680
Speaker 1: I don't have any of my lower body's blowing it.

1058
00:52:26,120 --> 00:52:28,360
Speaker 1: Put the pants on, Josh is ruining it. Just like,

1059
00:52:28,400 --> 00:52:29,560
Speaker 1: turn your head a little bit, though.

1060
00:52:29,600 --> 00:52:31,719
Speaker 11: I don't want you to get like like the full look.

1061
00:52:32,280 --> 00:52:36,160
Speaker 1: Dana wants you to have like peripheral angle on her.

1062
00:52:37,000 --> 00:52:39,120
Speaker 11: Okay, just like hold on, I'm gonna.

1063
00:52:39,000 --> 00:52:39,680
Speaker 2: He's actually fit.

1064
00:52:39,840 --> 00:52:41,560
Speaker 7: Like not that you look great in them.

1065
00:52:41,880 --> 00:52:47,600
Speaker 11: I'm still she's taking them back off. I want to

1066
00:52:47,600 --> 00:52:50,280
Speaker 11: put them on and off again. It feels good putting

1067
00:52:50,280 --> 00:52:50,520
Speaker 11: them on.

1068
00:52:50,760 --> 00:52:52,719
Speaker 7: You look great. You look damn great.

1069
00:52:52,800 --> 00:52:53,040
Speaker 3: Josh.

1070
00:52:53,040 --> 00:52:53,600
Speaker 2: You know what I got.

1071
00:52:53,640 --> 00:52:56,000
Speaker 11: I'm most I got most of this leg in there,

1072
00:52:56,160 --> 00:52:57,000
Speaker 11: and I think.

1073
00:52:57,800 --> 00:52:59,720
Speaker 2: This lower body is so bad.

1074
00:53:01,400 --> 00:53:04,280
Speaker 1: No wonder you didn't want to do this.

1075
00:53:04,280 --> 00:53:05,680
Speaker 11: This is not a good look.

1076
00:53:05,840 --> 00:53:09,320
Speaker 1: Not a good look, and so wet, slipper.

1077
00:53:10,200 --> 00:53:13,920
Speaker 11: I get really sweaty when I put on tight pants.

1078
00:53:13,960 --> 00:53:16,080
Speaker 1: It's falling apart.

1079
00:53:16,840 --> 00:53:17,280
Speaker 7: Josh.

1080
00:53:18,960 --> 00:53:22,440
Speaker 11: My sweats also acid and I'm sorry.

1081
00:53:23,160 --> 00:53:30,640
Speaker 2: Pants. Oh these pants those to Oh Josh ruined it.

1082
00:53:31,320 --> 00:53:34,680
Speaker 1: I don't okay. So I would say this was like

1083
00:53:35,320 --> 00:53:39,120
Speaker 1: a success for the most part, that this prank was

1084
00:53:39,160 --> 00:53:42,280
Speaker 1: a success and met success for sure, which is Dana

1085
00:53:42,440 --> 00:53:43,520
Speaker 1: liked it too much.

1086
00:53:44,840 --> 00:53:45,960
Speaker 2: And Josh ruined it.

1087
00:53:46,320 --> 00:53:48,440
Speaker 1: Yeah, but there's no way we could have predicted it.

1088
00:53:48,480 --> 00:53:50,040
Speaker 1: Wasn't something we did to Josh.

1089
00:53:50,360 --> 00:53:56,799
Speaker 3: No, this is this feels like, Yeah, why you guys

1090
00:53:56,840 --> 00:53:58,080
Speaker 3: going to tell them about this prank?

1091
00:54:05,960 --> 00:54:07,440
Speaker 2: I'm a horny girl wolf.

1092
00:54:07,800 --> 00:54:11,520
Speaker 1: This has been an Earwolf production, executive produced by Scott Ackerman,

1093
00:54:11,680 --> 00:54:13,520
Speaker 1: Colin Anderson, and Chris Bannon.

1094
00:54:13,640 --> 00:54:20,440
Speaker 2: For more information and content, visit earwolf dot com. Oh