WEBVTT - 1 | Preditor

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<v Speaker 1>Consumed is a production of iHeart Podcast and Grimm and

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<v Speaker 1>Mild from Aaron Mackey Headphones Recommended Listener discretion advised.

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<v Speaker 2>Before us said, I mean they're leading the league and

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<v Speaker 2>even strength goals.

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<v Speaker 3>There and you just missed Spooky by the legendary Dusty

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<v Speaker 3>spring Feed.

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<v Speaker 4>I love that song.

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<v Speaker 5>You're on w l O S Tunes for the Mountains

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<v Speaker 5>of All Hampshires New and old.

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<v Speaker 4>What old Hampshire like England up.

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<v Speaker 6>Next to classic from the Masters of Rock.

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<v Speaker 4>That's just Hampshire.

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<v Speaker 7>Shit, not now, Alex, hold on, I've got to put

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<v Speaker 7>you on speaker.

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<v Speaker 4>Good damn it. Sorry? Hi, Hello, Sis, are you okay?

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<v Speaker 4>I'm fine? Hello, and good afternoon to you as well.

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<v Speaker 8>Alex, Yes, Hi, Hello, Good day, blood relatives. Shall I

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<v Speaker 8>send you a TikTok DM and we can just talk

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<v Speaker 8>that way.

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<v Speaker 4>You don't know how TikTok works, do you.

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<v Speaker 6>Well?

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<v Speaker 8>I stopped caring when those suburban girls made thousands off

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<v Speaker 8>appropriating dance moves created by women of color and not

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<v Speaker 8>sharing in those.

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<v Speaker 7>Profits millions what millions they've made and continue to make.

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<v Speaker 4>So there you go, yes, but that's not all TikTok.

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<v Speaker 7>You know what we can get into all social media

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<v Speaker 7>debates and Thanksgiving.

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<v Speaker 6>Okay, actually that's why I am, like, why you.

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<v Speaker 4>Miss my space so much? Oh Jesus are you okay? Yeah? Yeah,

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<v Speaker 4>I almost just slammed into the biggest year I've ever seen.

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<v Speaker 4>Was that a moose. I have no Jesus fucked. I

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<v Speaker 4>was close, But dear, where are you?

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<v Speaker 6>I thought you were in Boston?

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<v Speaker 4>God damn it, Rain Sarah. Oh oh, yeah about that.

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<v Speaker 4>I moved out about three weeks ago.

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<v Speaker 6>You what.

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<v Speaker 7>Yeah, I was gonna let the fam know, but I

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<v Speaker 7>had to pay up and go for this job ob

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<v Speaker 7>up in the.

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<v Speaker 4>Great Bay National Wildlife Reserve.

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<v Speaker 7>You're in Maine, technically New Hampshire, but right on the border.

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<v Speaker 6>Job off.

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<v Speaker 7>So check this out. WNPS. You know how much I

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<v Speaker 7>love NPS because you and mom better a.

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<v Speaker 8>Local m PR affiliate than some of the stuff Spotify

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<v Speaker 8>players nowadays.

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<v Speaker 4>Okay, Boomer, stay on target.

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<v Speaker 7>So NPS announced that submissions were open for one of

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<v Speaker 7>their producer positions.

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<v Speaker 6>But aren't they located in the city.

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<v Speaker 7>Will you let me finish or I'll go back and

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<v Speaker 7>let that deer in me.

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<v Speaker 6>Go on?

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<v Speaker 7>So I decided that since Spooky season was coming up,

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<v Speaker 7>I bet there would be a ton of submissions and

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<v Speaker 7>packages dealing with Salem and they're witches, right, But what

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<v Speaker 7>if I track down some of these super old folklore

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<v Speaker 7>legends up in rural New England. Like, dearest sister, I

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<v Speaker 7>thought you'd never ask, have you ever heard of the

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<v Speaker 7>Succubus of Stratham Hill? So what the Succubus of Stratham Hill?

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<v Speaker 6>Stay them like the transporter?

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<v Speaker 4>Too straight thumb?

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<v Speaker 7>And that's an oddly specific choice considering Jason Statham's UVRA.

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<v Speaker 8>So you went up to the preserve to interview people?

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<v Speaker 8>Did you bring a crew with you?

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<v Speaker 4>A crew? Okay, twenty ten? No, sister, I am the crew.

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<v Speaker 7>That's the position media has since pivoted to one person

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<v Speaker 7>doing the job of five for the same salary. How Well, Luckily,

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<v Speaker 7>with this trusty phone, a mike and a laptop, I

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<v Speaker 7>can write, shoot, edit and submit anything from my car

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<v Speaker 7>if I.

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<v Speaker 6>Wanted, Sarah, you know what I'm gonna say.

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<v Speaker 4>Yes, I do get a real job, a real life.

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<v Speaker 7>You know, sometimes I wonder if maybe I'm just a

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<v Speaker 7>ghost to everyone, since nothing I do is real.

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<v Speaker 6>That's not what I'm The thing is lex.

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<v Speaker 4>The picket fence, the mortgage, the property, taxes.

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<v Speaker 6>That's not for me, Sarah.

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<v Speaker 7>You have a wonderful wife. I have a cat named

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<v Speaker 7>jonesy two. Sarah, the thought of a cubicle is what

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<v Speaker 7>I picture Rikers.

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<v Speaker 6>Shara up, for fuck's sake, shut up and listen to

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<v Speaker 6>me for god yamn minute.

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<v Speaker 4>Okay, sure, so what's up?

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<v Speaker 8>I'm sorry? I was complaining because Mom said, try to

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<v Speaker 8>thank you.

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<v Speaker 4>Hello, Alex.

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<v Speaker 7>Sorry, Sorry, the signal is is real bad up here,

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<v Speaker 7>you said, Mom is trying to call me down.

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<v Speaker 6>Dare I've been trying to take chess. That's the hospital.

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<v Speaker 7>What wait?

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<v Speaker 4>What happened is is Mom, okay, I can bear the girls.

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<v Speaker 4>And then mister Russ's pants ripped when he went to

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<v Speaker 4>pick it up.

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<v Speaker 7>Honestly, I don't know what was more embarrassing, the rip

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<v Speaker 7>or the tidy whities he was wearing underneath.

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<v Speaker 5>Support comes in all shapes and sizes, me hoping, princey, PESSI, princesses.

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<v Speaker 5>We don'tknock support groups, dew we No, we don't knock

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<v Speaker 5>support for community organizations dew we No, definitely not, And

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<v Speaker 5>we most definitely don't knock support for the socksm So,

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<v Speaker 5>if a man needs certain kinds of drawers support.

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<v Speaker 3>Who are we to judge what kind of relise he's using?

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<v Speaker 3>The lease? Settle down, Conrad. You'll learn that one next year.

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<v Speaker 5>And remember, ain't nobody judging you for getting Mayo and

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<v Speaker 5>your grilled cheese.

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<v Speaker 3>Sorry, all good. Hope you find your Nokia in time.

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<v Speaker 5>My mom still has a Nokia now, granted she's seventy three.

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<v Speaker 4>What was that about supporting? I have to take this.

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<v Speaker 5>Hey, I didn't mean it that way.

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<v Speaker 9>It's okay.

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<v Speaker 5>She's been jampos chitchen now, God damn it.

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<v Speaker 9>You know I'm one of two people with access to

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<v Speaker 9>our town tow truck, so you're mighty lucky. I'm not

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<v Speaker 9>out of town like Buster is.

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<v Speaker 4>Seriously, thank you.

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<v Speaker 9>What happened?

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<v Speaker 7>I almost got demolished by a deer about ten miles back,

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<v Speaker 7>and then the rain started, so I was on full alert,

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<v Speaker 7>which is why I think I must have overcompensated when

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<v Speaker 7>I thought I saw another deer but wasn't a deer

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<v Speaker 7>because I don't think so. And then my sister, oh shit,

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<v Speaker 7>I couldn't understand anything she was She missed think do

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<v Speaker 7>you have a cell phone?

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<v Speaker 9>Yes? And no?

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<v Speaker 6>What?

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<v Speaker 9>Yes? I have one, but as I believe you've experienced.

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<v Speaker 9>There's only one cell tower and it covers town center,

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<v Speaker 9>about twenty miles west to here, and currently it's out

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<v Speaker 9>of order.

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<v Speaker 7>Fuck, I'm sorry, it's just that I think she was

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<v Speaker 7>trying to tell me something about my mother.

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<v Speaker 4>Shit, I'm sorry, I don't mean to.

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<v Speaker 9>I'll tell you what. By the looks of this axle,

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<v Speaker 9>you came pretty close to having to be airlifted to Manchester.

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<v Speaker 9>So let's enjoy that for a second. Oh wow, that

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<v Speaker 9>bad huh h Germans, bad tires, good seatbelts, whatever deer

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<v Speaker 9>you saw, it was you a few grand easy, great,

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<v Speaker 9>And there's more good news and bad.

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<v Speaker 4>News, awesome, bad news.

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<v Speaker 9>First always, this is fixable, but only Buster can fix this.

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<v Speaker 9>And as I mentioned, he's out of town, so I

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<v Speaker 9>can toe this to his shop, but he'll be back tomorrow.

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<v Speaker 9>And depending on the parts, you or your car may

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<v Speaker 9>be stuck here for a few days.

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<v Speaker 4>No car, no phone, no home. How is there any

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<v Speaker 4>possibility of good news?

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<v Speaker 9>Well, this is what one would call country hospitality. You're

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<v Speaker 9>welcome to come use the landline in my house, our

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<v Speaker 9>house where my wife's son and puppy named mishall live.

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<v Speaker 9>Make whatever cause you want and if needed. You're welcome

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<v Speaker 9>to stay in our guest room.

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<v Speaker 4>Thank you.

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<v Speaker 7>But the real question is what kind of puppy?

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<v Speaker 3>You can't talk to them like that? And I understand, Boss,

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<v Speaker 3>kid gloves this whole woke generation totally. One complain to

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<v Speaker 3>their parents and they'll see our pants off.

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<v Speaker 9>And that means you're out.

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<v Speaker 3>Of a job, absolutely, and I think that should worry you. Boss.

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<v Speaker 3>I'm very sorry, and it won't happen again.

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<v Speaker 5>You need to be more focused or quite frankly, Alfonso,

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<v Speaker 5>I'll have to start looking at my options.

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<v Speaker 8>All right, I'll seat them.

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<v Speaker 3>Just take out the trash and make sure the takeout

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<v Speaker 3>station is stocked and cleaned up. You got it, Boss,

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<v Speaker 3>right on it. Descra Seattle.

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<v Speaker 4>Calvo.

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<v Speaker 3>H m hmmm mm hmm, Mama, who slow down?

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<v Speaker 6>My what?

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<v Speaker 3>Yeah? I'll be home at two am. Come and mister

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<v Speaker 3>Sean wants me back at eight a m as usual.

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<v Speaker 6>CC.

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<v Speaker 5>I know, and yes, I won't smoke a cigarette. Okay, okay, okay, child, Sorry, Mama,

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<v Speaker 5>better fuck U?

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<v Speaker 3>Tad what.

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<v Speaker 9>No answer?

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<v Speaker 6>Oh?

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<v Speaker 4>So, I can't believe these phones still exist.

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<v Speaker 7>They're slowly becoming obsolete, just like good and honest people.

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<v Speaker 4>I love it, though, what a beautiful home you have.

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<v Speaker 4>Thank you so much for letting me spend the night.

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<v Speaker 4>Oh and you can thank Jack. It was his idea,

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<v Speaker 4>of course. Avery. Why don't you go get washed up

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<v Speaker 4>and hit the hay. But it's only ten fifteen, Ma,

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<v Speaker 4>we have guests. Oh please, don't put yourself out on

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<v Speaker 4>my account. Avery, Now.

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<v Speaker 9>Alrighty, her car is over it Busters. I left him

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<v Speaker 9>a note and as soon as he gets back and assesses,

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<v Speaker 9>he'll give us a call. Everything Rema, good night, Good

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<v Speaker 9>night dad.

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<v Speaker 3>Miss Simmons.

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<v Speaker 7>You know what, I could just head into town tonight

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<v Speaker 7>and find a hotel. At this hour, it's only ten fifteen.

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<v Speaker 7>I think I could uber Uber.

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<v Speaker 9>I'll make you a deal. If you get a signal

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<v Speaker 9>out here, get me one as well.

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<v Speaker 6>Fair.

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<v Speaker 4>I'm just sorry to have to put you out.

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<v Speaker 9>Don't sweat it. Sorry for my wife. We've been having

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<v Speaker 9>some issues with our son. Nothing major, just teenagers, you know,

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<v Speaker 9>but she's taking it a bit hard.

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<v Speaker 4>Been there been one? I'm sorry.

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<v Speaker 9>Yeah, that's fine. It'll be nice to have someone else here.

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<v Speaker 9>I'm sure she'll feel much better in the morning and

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<v Speaker 9>we can all break fast and head into town.

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<v Speaker 4>Totally.

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<v Speaker 6>Just let me know.

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<v Speaker 4>Where guest room is.

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<v Speaker 7>I could absolutely use some sleep, preferably twelve hours.

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<v Speaker 9>Oh we're right next to the Beacon farm, so unless

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<v Speaker 9>you want to go wrestle the rooster over there, you'll

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<v Speaker 9>have the world's oldest alarm clock singing you a song

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<v Speaker 9>at six am sharp.

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<v Speaker 4>Of course, Well then good night, Ullah.

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<v Speaker 5>Aaron? Is that you? Yo?

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<v Speaker 4>Who's there?

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<v Speaker 7>Aaron?

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<v Speaker 5>Is that you?

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<v Speaker 3>Look? I didn't mean it about those.

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<v Speaker 9>Hello?

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<v Speaker 6>This? No, no, no, ou.

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<v Speaker 4>Already?

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<v Speaker 6>What day is this?

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<v Speaker 7>Tuesday, October eleventh, twenty twenty one, No twenty two. This

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<v Speaker 7>is Sarah Simmons and this is audio blog entry four

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<v Speaker 7>thirty seven, or as I like to call it, how

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<v Speaker 7>many days since my last job? So last we heard

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<v Speaker 7>from our intrepid explorer, that's me. She had been gallivanting

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<v Speaker 7>up in the frozen tundra of Stratham in search of

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<v Speaker 7>the supposed succubi that has haunted the town for decades. Ough,

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<v Speaker 7>intrepid who is your audience?

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<v Speaker 6>Here?

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<v Speaker 4>Simmons? Fancy charted, Okay, okay, you got this? What Hello?

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<v Speaker 4>One more time?

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<v Speaker 7>Back to the succubiss shortly, but on the seventh day,

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<v Speaker 7>something unexpected happened.

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<v Speaker 4>After crashing my car and according.

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<v Speaker 7>To the local who came to my rescue, narrowly escaping

0:14:21.360 --> 0:14:24.880
<v Speaker 7>brutal injury. I found myself stranded in a small town,

0:14:25.320 --> 0:14:28.000
<v Speaker 7>or rather on the outskirts of a small town, with

0:14:28.360 --> 0:14:29.280
<v Speaker 7>no reception.

0:14:29.480 --> 0:14:30.880
<v Speaker 4>No car, and nowhere to go.

0:14:32.120 --> 0:14:34.440
<v Speaker 7>I had little choice but to accept an offer to

0:14:34.480 --> 0:14:36.720
<v Speaker 7>stay in what feels like the oldest and least insulated

0:14:36.760 --> 0:14:37.440
<v Speaker 7>home ever built.

0:14:39.240 --> 0:14:42.440
<v Speaker 4>Wow, what as if on you you could.

0:14:42.240 --> 0:14:43.960
<v Speaker 7>Sleep in a life sized block of Swiss cheese and

0:14:44.040 --> 0:14:46.920
<v Speaker 7>it would be less breezy? I mean, who made it

0:14:47.040 --> 0:14:48.960
<v Speaker 7>part of the New England way of life that we

0:14:49.080 --> 0:14:50.640
<v Speaker 7>had to be as cold and wet as possible in

0:14:50.680 --> 0:14:52.520
<v Speaker 7>the winter in order to appreciate the fourteen days of

0:14:52.520 --> 0:14:56.560
<v Speaker 7>perfect weather in April. It's October eleventh and I'm wearing

0:14:56.640 --> 0:15:02.360
<v Speaker 7>two sweaters to bed. Oh shit, I did it again, Sarah.

0:15:03.600 --> 0:15:06.520
<v Speaker 7>Stop going off topic. Stop living in a dream world. Sarah,

0:15:06.600 --> 0:15:08.080
<v Speaker 7>find a husband, a job, of a house.

0:15:08.280 --> 0:15:14.960
<v Speaker 4>Be more like me, Sarah, be like shit, the wind

0:15:15.080 --> 0:15:16.440
<v Speaker 4>just blew the outdawn window open.

0:15:23.440 --> 0:15:23.800
<v Speaker 6>What the.

0:15:25.960 --> 0:15:26.480
<v Speaker 8>What is that.

0:15:44.120 --> 0:15:50.840
<v Speaker 4>Danville police lines being recorded? What's your emergency? Hello, Danville police?

0:15:50.880 --> 0:15:54.120
<v Speaker 4>What's your emergency? Tanna?

0:15:54.760 --> 0:15:55.160
<v Speaker 6>Is that you.

0:15:57.600 --> 0:15:58.000
<v Speaker 9>All right?

0:15:58.400 --> 0:16:03.360
<v Speaker 4>Listen up? Idiots? You know we can trace this right, Hello,

0:16:03.600 --> 0:16:08.520
<v Speaker 4>I can hear you. Okay, I'm hanging up unless you

0:16:08.560 --> 0:16:11.240
<v Speaker 4>have something to say, all right.

0:16:21.080 --> 0:16:26.200
<v Speaker 1>Consumed Episode one, Predator, written by Carlos Folia, editing and

0:16:26.360 --> 0:16:31.320
<v Speaker 1>sound design by Trevor Young, Starring Rachel Rosenbloom and Arturo Castro,

0:16:31.600 --> 0:16:37.600
<v Speaker 1>with Ruth Connell, Sam Rod, Genevieve Padialaki, Benjamin Stockholm, Charlie

0:16:37.720 --> 0:16:42.160
<v Speaker 1>David Newell, Mike Korich, Anna East Fairweather, Junior A Lobby,

0:16:42.600 --> 0:16:48.720
<v Speaker 1>Alma Martinez, Tracy Martin, Laura Shine, George Vincent, and Rafael Corkill.

0:16:49.200 --> 0:16:54.040
<v Speaker 1>Directed by Alexander Williams, Assistant director Trevor Young, Casting by

0:16:54.120 --> 0:16:59.920
<v Speaker 1>Sunday Bowling CSA and Meg Mormon CSA. Production coordinator Wayna Calderon.

0:17:00.440 --> 0:17:04.680
<v Speaker 1>Music by Carlos Folia. Consumed the season one score available

0:17:04.760 --> 0:17:08.600
<v Speaker 1>now on Apple Music, Spotify, or wherever music is streamed.

0:17:09.000 --> 0:17:14.520
<v Speaker 1>Executive producers Aaronmanky, Carlos Folia, Matt Frederick and Alexander Williams.

0:17:14.880 --> 0:17:19.760
<v Speaker 1>Supervising producers Trevor Young and Josh Thain. Producers Noami Griffin,

0:17:19.960 --> 0:17:24.080
<v Speaker 1>Jesse Funk, and Rima Ilkali. Recorded at This Is Sound

0:17:24.119 --> 0:17:30.440
<v Speaker 1>Design Studios, Burbank California engineered by Ross erroneou east Side Studios, Austin,

0:17:30.520 --> 0:17:35.120
<v Speaker 1>Texas engineered by Austin Sisler and Aroos Creative and Sound

0:17:35.280 --> 0:17:39.919
<v Speaker 1>o Hi California engineered by Ken Aros. Consumed was created

0:17:40.040 --> 0:17:43.560
<v Speaker 1>by Carlos Folia, inspired by the novel by Aaron Manky.

0:17:44.000 --> 0:17:47.280
<v Speaker 1>Consumed is the newest chapter in the Bridgewater universe. To

0:17:47.400 --> 0:17:51.520
<v Speaker 1>learn more and catch up, visit Grimandmild dot com Slash Bridgewater.

0:17:52.080 --> 0:17:55.680
<v Speaker 1>Learn more about Consumed at grimmanmil dot com Slash Consumed,

0:17:55.760 --> 0:17:59.880
<v Speaker 1>and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

0:18:00.119 --> 0:18:03.359
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.