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Speaker 1: So it's a boys' night.

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Speaker 2: It's me, it's Bomber, it's Paul, and uh, we're blitzed

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Speaker 2: and just hacking celebs iPhone cameras, you know, camera this

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Speaker 2: fappening style and Bomber you know, gets into cloonies okay,

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Speaker 2: and uh and he goes damn Rosemary.

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Speaker 1: So he cause a lot of people don't know that

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Speaker 1: you guys could do this. You actually get into the

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Speaker 1: camera itself and then we make it take picture and

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Speaker 1: you can kind of move it around. It's like, you know,

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Speaker 1: it's like scanning around. Oh yeah, we zoom it all

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Speaker 1: over for something hot to take a pic of.

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Speaker 2: You ever go you ever, you know, open up your

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Speaker 2: camera listeners at home, like you go, open up your phone,

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Speaker 2: look at photos.

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Speaker 1: You go, I don't remember, take this photo and it's

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Speaker 1: of your you know, a member of your family. Yeah,

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Speaker 1: oh your muff. Yes, it's yeah, of your somebody else's muff.

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Speaker 2: A lot of times that's Paul did that, it's Balmer,

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Speaker 2: or it's me or one of the boys.

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Speaker 1: So it's just.

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Speaker 2: We get blitz and that's what's funny to us.

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Speaker 1: Hey, welcome to Hollywood, Hamlet. What up? What I was

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Speaker 1: trying to hurt. I was trying to hurt Ryan's ears

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Speaker 1: and my fun my headphones and my fucking headphones.

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Speaker 2: By the way, Ryan one year keeps going out and

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Speaker 2: staticing out, and it's so distracting. It's like it is

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Speaker 2: if I didn't have a hard enough time during the

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Speaker 2: segment we just recorded fucking half my ship.

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Speaker 1: Did it work? It's not going to get it out

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Speaker 1: like Midnight Special. It feels like Midnight Special.

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Speaker 2: Oh god, I love those magic effects.

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Speaker 1: Oh so amazing. What did you love about it?

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Speaker 2: I loved not wondering what was going to happen from

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Speaker 2: like forty minute. It's it just they said it's probably

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Speaker 2: this is what gonna be the ending, and then you

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Speaker 2: just watch and them that is the ending. How thrilling?

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Speaker 2: What a fucking great story. I think that this is

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Speaker 2: what's going on. All right, that is what's going on.

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Speaker 2: Let's just watch it play out, zero touching, zero anything,

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Speaker 2: no surprise the way they do it about surprising. I

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Speaker 2: hate surprises in film.

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Speaker 1: We want to talk about. Oh no, headphones had to

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Speaker 1: come all the way off that bad. Oh sorry, it

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Speaker 1: must have gotten really bad. It got really it got

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Speaker 1: really bad for me. Headphones wise, and now which Oh yeah, there,

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Speaker 1: we hear it. Yeah, okay, you got it. You're doing

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Speaker 1: a good job over there. We want to talk about sneakers.

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Speaker 1: It is sneaker season. It's the time of year when

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Speaker 1: you take off your heady heavy boots, uh, and you

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Speaker 1: like wash all the snow and mud off and they

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Speaker 1: and then it's time to put on your sneakers again.

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Speaker 1: Oh god, to walk around the dry ground obviously when.

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Speaker 2: It's boots time. I'm not irresponsible with my feets. I

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Speaker 2: put boots on and that's what I walk with. But

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Speaker 2: you guys, not fun.

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Speaker 1: Oh gosh. I have all kinds of fun, but it's

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Speaker 1: a domp and splash. But it's a different kind of fun,

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Speaker 1: and quite frankly, it's not as stylish because I wear

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Speaker 1: the ducky boots. Sure no, yes, sure, I'm not challenging you.

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Speaker 1: You had that. I the way you say sure, yeah,

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Speaker 1: I know, it's like you don't believe I know. I'm sorry,

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Speaker 1: And I could see from the expression of your face

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Speaker 1: I know you wear the ducky boots and I and

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Speaker 1: I know the ducks are having fun when they splash

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Speaker 1: around in the pond and I'm not, well, think about

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Speaker 1: a Duck's life, phaze free bread floating.

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Speaker 2: Yeah, and often I wonder, you know, am I like

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Speaker 2: the duck. On the surface of the water, everything appears calm,

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Speaker 2: but just underneath there's a furious churning, right.

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Speaker 1: And this is like your sort of bowels.

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Speaker 2: My body trying to process what I put into it,

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Speaker 2: because it's always yes, I'm always having new sort of

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Speaker 2: stomach adventures. And just what goes in, you know, and

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Speaker 2: then what comes out.

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Speaker 1: It's like a completely different.

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Speaker 2: Oh gosh, it's unrecognizablendictable, unrecognizable. No, it's true mystery. And

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Speaker 2: I'm so curious about my own body.

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Speaker 1: But we are sneaker heads, and this is the season

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Speaker 1: where you go to the store and you say, give

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Speaker 1: me some of that new stuff in the special box.

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Speaker 2: What I love about sneakers is they're always changing, They're

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Speaker 2: always different. They could do all kinds of colors. They

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Speaker 2: can make the shapes of them different and put styles

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Speaker 2: on them and to me, and let's get first off,

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Speaker 2: let's get some of the funny things you could say

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Speaker 2: out of the way. I Heale's I want the LA

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Speaker 2: gear with the flashing lives.

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Speaker 1: It's good. Something with like velcro, the BK rats soaps. Yeah,

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Speaker 1: the soaps. Uh huh. So that's always a lot of

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Speaker 1: my stuff. But I'll but I'll come up with some

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Speaker 1: other Yeah. No, we'll find new stuff.

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Speaker 2: But the fact that you can do new styles and

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Speaker 2: wear them and have a lot of pairs and buy

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Speaker 2: them all.

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Speaker 1: Is to me what's so cool. Yes, and for a

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Speaker 1: lot of people it's a very unsustainable addiction if you

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Speaker 1: don't have the money to support it. Largely they are marketed,

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Speaker 1: I think, to people who should not be buying.

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Speaker 2: Shouldn't be buying, Yes, an expensive thing in the dozens

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Speaker 2: that it has no practical difference. What I think is

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Speaker 2: cool is really rich guys like maybe Jay Lego, they

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Speaker 2: collect cars. Yeah, but if your feats are your car,

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Speaker 2: because you're not really rich, then you can feel kind

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Speaker 2: of rich by having, you know, feets cars, which is

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Speaker 2: what I think of sneakers as.

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Speaker 1: And when rich guys like us become sneakerheads, then it

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Speaker 1: encourages other people to spend all their money on sneakers

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Speaker 1: as well, even though they have less. Oh yeah, we

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Speaker 1: can continue to buy other stuff.

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Speaker 2: Frankly, I could buy another car if I wanted, but

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Speaker 2: instead I'm buying twenty more feets, cars, sneakers. What are

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Speaker 2: you What did you cop recently? Oh?

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Speaker 1: What did I cop? Oh?

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Speaker 2: Just the new dopeness, just all the hottest freshy fresh,

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Speaker 2: just what I'm copping. Oh dude, Well, first of all,

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Speaker 2: I just I went into you know, I went into

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Speaker 2: the friggin headquarters, right oh, like the secret, the secret,

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Speaker 2: the dumb dumb Nike sterot, the labs, seeing them working

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Speaker 2: on all the new shit, and the blaziness chick showed

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Speaker 2: me around.

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Speaker 1: Bro, she was so blazed. Was she like a science

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Speaker 1: laziness you've ever seen?

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Speaker 2: Had to be, had to be big cat eye glasses

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Speaker 2: and just okay, and oh, what do you want to

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Speaker 2: try on the fresh? And then she's like, well, what

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Speaker 2: do you what sport do you like? What do you

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Speaker 2: like to play? I said, freakin' I don't know. Uh,

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Speaker 2: maybe look at me and just figure it out. And

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Speaker 2: she check out my caps for one second and goes, okay,

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Speaker 2: this guy plays cricket.

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Speaker 1: And she took me over to that section and was

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Speaker 1: like do waah, that's the freaking the doors opening wah.

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Speaker 2: Just like pick anything you like and I go, I'll

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Speaker 2: tell you one age.

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Speaker 1: Shoe you can see where I copped recently. Oh yeah, dude,

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Speaker 1: I got so dope. I got the new seth green

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Speaker 1: Robot Chicken model. It's got the clay, guys from the

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Speaker 1: Robot Chicken opener. The scientist is I want you the

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Speaker 1: chicken on the other shoe, and the chicken is like

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Speaker 1: being FRANKENSTI. It's by the Scientist. I wear these other

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Speaker 1: court and the clay has kind of melting a little bit,

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Speaker 1: and everyone else is slipping around in the clay, and

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Speaker 1: I'm going straight to the rack, homie, did you get

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Speaker 1: anything else that was cool? What else did I cop? Oh?

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Speaker 2: Well, let me see, did I cop any stupid tight

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Speaker 2: dumb dumb?

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Speaker 1: It's just silly shit. And I'm just going through all

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Speaker 1: my boxes.

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Speaker 2: Here, oh oh, here come the boom.

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Speaker 1: That's right.

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Speaker 2: Yeah, Joe Dirt too on my freaking tongue on my

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Speaker 2: shoes and he's sticking his tongue out like ah, like

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Speaker 2: he's listening to some ted Nugent. That's the kind of

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Speaker 2: music he likes, and it's freaking and it's this second

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Speaker 2: Joe Dirt, So you know, they had to up the

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Speaker 2: Annie a kid rock so he so you know, and

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Speaker 2: he's the mullet is back and it's and party in

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Speaker 2: the back.

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Speaker 1: Yeah. So the back of the shoe has hair.

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Speaker 2: Yes, the back of the shoe has hair, and so

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Speaker 2: it can be a little unsafe. I usually only really

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Speaker 2: wear it in the pool because I know that the water,

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Speaker 2: I won't step on the hair and trip because the

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Speaker 2: back doesn't have hair. And when I other and when

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Speaker 2: I have tried to wear it to play squash on

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Speaker 2: the squash court, a lot of what happens is I

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Speaker 2: will accidentally step on the hair, pull the hair on

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Speaker 2: the shoe, shoes out, and I fall down. I wound

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Speaker 2: up doing a perfect front flip and also put the

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Speaker 2: racket up from behind my legs and sort of as

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Speaker 2: I'm spinning, hit a great squash shot shot when the game,

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Speaker 2: but it could have been pretty dangerous because I could

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Speaker 2: have landed on a kid or something.

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Speaker 1: Wow.

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Speaker 2: Yeah, so I did cop to Joe dirt to sneakies

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Speaker 2: and what did you do with your sneaky new sneaker purchased,

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Speaker 2: mister sneakerhead.

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Speaker 1: I got the hail Caesar Zeros, It's got everybody the shoelaces.

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Speaker 1: Tilda Went and Josh Brolin Channing Tatum David Crumbholtz, Jonahill

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Speaker 1: and just a little part. But it makes you think

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Speaker 1: that he's in a big part of the movie, but

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Speaker 1: he's the shoe. Makes you think he's in a big

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Speaker 1: part of the shoe, but he's actually in a very

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Speaker 1: very small part of the shoe at the end. And

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Speaker 1: they're sort of like sandals, like the Hail Season party.

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Speaker 1: George Cloti is not on the shoes or I'm still

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Speaker 1: looking for him. He might be in a part of

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Speaker 1: it that I haven't seen yet. Mm hmmm. And this

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Speaker 1: is this is all like, we don't buy shoes. We're

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Speaker 1: not sneaker heads. We're not like consciously not buying the

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Speaker 1: shoes on the ear Wolf wall. You know, we're not

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Speaker 1: trying to show that there are other shoes out there. Oh,

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Speaker 1: I didn't even think of that. Are there shoes out

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Speaker 1: there that can be even cooler than the ones that

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Speaker 1: are on the wall at Earwolf Studios that don't feat

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Speaker 1: Duress very prominently.

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Speaker 2: It's not directed at anyone at ear Wolf or anyone

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Speaker 2: who makes shoes for ear Wolf or anyone who works

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Speaker 2: and runs ear Wolf.

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Speaker 1: It doesn't have anything to do with them.

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Speaker 2: It's just my passion for shoes, which I've always had

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Speaker 2: and I think we've probably talked about before. But if

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Speaker 2: it's the first time it's coming up, that's just funny coincidence.

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Speaker 2: And uh yeah to me, it's just what I'm into,

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Speaker 2: uh is shoes that happen to have nothing to do

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Speaker 2: with your wolf uh and feature stuff that's actually pretty cool,

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Speaker 2: like the Vagant Hail Caesar zeros, like the Joe dirt

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Speaker 2: to h straight to DV feet.

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Speaker 1: Yeah uh uh, and and am like those great robot

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Speaker 1: chicken ones.

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Speaker 2: I also did get the BoJack horseshoe.

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Speaker 1: Wow. Yeah, those shoes are very undergraded. Mm hmm, what

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Speaker 1: you want to describe them. It takes a couple of

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Speaker 1: wears to break them in. At first, you put them

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Speaker 1: out and you're like, eh, and it's not they're not

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Speaker 1: like super funny, but but there they actually are good shoes.

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Speaker 1: They are interesting. They actually are I would say they

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Speaker 1: are good shoes. But when you first put him on,

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Speaker 1: you're like, okay, And then after a couple of years

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Speaker 1: you go like you find yourself being like, actually, I'm

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Speaker 1: gonna put those shoes on again. I've never wore the shoes,

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Speaker 1: but yeah, I've heard that that's the I've been binge

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Speaker 1: wearing them. We have what a guest today, Mike Lawrence

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Speaker 1: is here, the comedy man, make a joke, cracking shit out.

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Speaker 2: Uh careful, maybe turn your speakers down because the energy

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Speaker 2: is gonna blast you through a wall. Dude had instant

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Speaker 2: chemistry with me and Hayes spoiler we already recorded. Dude

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Speaker 2: had instant chemistry. It was as if, almost like he

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Speaker 2: was a third host of Hollywood A Handbook, because he's

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Speaker 2: clearly a fan of the show, and it just really

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Speaker 2: translates and you're gonna feel like, you know, it's a

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Speaker 2: He took it like a duck to water ducks again.

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Speaker 1: So uh uh listen until't turn it off. Bye, Hollywood Book.

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Speaker 1: So atv four Wheeling expedition with the subway hero the rescuer,

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Speaker 1: I decided he needed a you know, a prize. This

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Speaker 1: is back when he rescued that guy, yeah, from the subway,

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Speaker 1: and I thought, i' give him a big prize and

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Speaker 1: me go to the beach and we take the take

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Speaker 1: the four un to take the four wheels out for

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Speaker 1: trip expedition. Why not? So he's looking at me like,

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Speaker 1: you know, we're sort of revving the engine and ship

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Speaker 1: and sort of like seeing if I have guided me

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Speaker 1: to pop one, right, like if you're gonna if you're

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Speaker 1: gonna go twelve o'clock. Yes, And so I'm like, who

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Speaker 1: the fuck this is? This nobody. I don't even know

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Speaker 1: this guy's name anymore. And so I start to go

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Speaker 1: twelve o'clock. I go back to pop one, and my

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Speaker 1: front wheels both fall off. Okay, right, so now I'm

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Speaker 1: stuck in axes, just straight up busted. I mean, what

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Speaker 1: were you doing? I had screwed them on a little

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Speaker 1: bit loose on purpose, so they wouldn't be so hard

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Speaker 1: to take off next time. Yeah, And so I'm in

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Speaker 1: the end. I want to make it look like I

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Speaker 1: did it on purpose, so I'm like, get out of here, wheels.

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Speaker 1: I'm like telling the wheels to go away. Yeah. But

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Speaker 1: now I'm like stuck in the air and like I can't.

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Speaker 1: You can't bring it down. You got to kind of

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Speaker 1: sit on the bat. I have to stay in the wheelie.

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Speaker 1: And I'm getting very tired as well. So I had

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Speaker 1: to drive it into the ocean ultimately, and that I

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Speaker 1: made sound like an attentional thing too, like let's get wet.

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Speaker 1: And then I took it into the ocean. That's that's good.

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Speaker 1: That broke. Here's an idea for the subway hero guy.

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Speaker 1: I don't know if you want to or if you

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Speaker 1: still talk to it. It's for him, just like him

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Speaker 1: versus pizza rat m And I don't know where it goes.

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Speaker 2: I don't know if it's a poster. H it probably is.

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Speaker 2: They're in a fight, Yeah, they sort of are. They're

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Speaker 2: stomp in the same sandbox.

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Speaker 1: You know, yeah, stump yeah, yeah, Hey, well with handbook

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Speaker 1: and insider sky to kicking button, dropping hands in the

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Speaker 1: red carpet, linebacker always of this industry, we call show

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Speaker 1: what I put up? Mike Lawrence is here. Hey, how's

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Speaker 1: it going. It's good, Mike, nice, And we have some

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Speaker 1: questions for you too, okay, because we don't know you, Mike. Okay,

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Speaker 1: we know of you, we know your work, we know

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Speaker 1: your stand up. We've got the internet seeing you. Were

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Speaker 1: you on at midnight? Yeah it was, Yeah, So we

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Speaker 1: know you from that. Yeah, but we don't know you.

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Speaker 1: They're inside brain, okay. And so the one thing that

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Speaker 1: we do sometimes we have this segment called the popcorn Gallery.

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Speaker 1: Do you want to explain that? And maybe I'll pull

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Speaker 1: up the song and I'll get the cable for Ryan. Yes,

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Speaker 1: which is a new experience for me and Ryan, the

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Speaker 1: exchange of the sound cable.

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Speaker 2: Because movies are such a big part of entertainment, and

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Speaker 2: entertainment is such a big.

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Speaker 1: Part of what we talk about on the show.

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Speaker 2: The popcorn is the food you eat at the movies,

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Speaker 2: and so what we've done is sort of retrofit the

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Speaker 2: concept of a peanut gallery where people are chiming in

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Speaker 2: from the audience to suit the show better, with popcorn

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Speaker 2: in place of the peanuts. So when they ask the questions,

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Speaker 2: they do it on a computer and then we're able

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Speaker 2: to read them through technology and we ask them to

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Speaker 2: you in person here. So they're learning about entertainment through

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Speaker 2: the popcorn Gallery.

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Speaker 1: Do you have any questions about it? No? Okay, all right,

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Speaker 1: Well you're the opposite of our audience. They have so

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Speaker 1: many questions for you, and it's okay if you do

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Speaker 1: have questions, Okay, it's okay. If you don't have.

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Speaker 2: Questions, Yeah, you don't have to have a question. If

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Speaker 2: you did, hey, Hayes is ready to answer it.

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Speaker 1: And the sound started playing, and then Ryan killed the

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Speaker 1: sound and he's supposed to be helping the sound.

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Speaker 2: Is the reason it's called the popcorn Gallery and run.

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Speaker 1: Yeah, what kind of song do you like? Mike? And

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Speaker 1: I'm a big hoopa stank fan. No, no, you're not.

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Speaker 2: I'm not the No, come on you guys, don't.

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Speaker 1: I used to sing that with I had a five

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Speaker 1: person a cappella group in and that's the name of it,

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Speaker 1: the song people. Oh, that's great, and I here exactly.

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Speaker 2: So many times people try to be so clever with

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Speaker 2: their appella names that you don't actually know what you're

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Speaker 2: getting now, but this is describing exactly what I'm going

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Speaker 2: to see.

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Speaker 1: We could song people, We couldn't think of any It's

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Speaker 1: like sing street right, and we used to sing that song. Yeah,

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Speaker 1: and I would do the high parts and the percussion

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Speaker 1: part at the same time.

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Speaker 2: You do the percussion part in the back, but you're

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Speaker 2: not doing them.

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Speaker 1: Do you ever sing a song like every once in

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Speaker 1: a while, what's your favorite song to sing? Geez? I

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Speaker 1: don't know. Oasis? No, it's not Oasis. Okay, yeah, that's guys. Yeah,

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Speaker 1: And we don't want to take any questions away from

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Speaker 1: the guy. Ye are here. We are asked questions.

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Speaker 2: We already have them.

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Speaker 1: Yeah, uh, okay, this one's from Chicken Sandwich. Okay, this

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Speaker 1: is the first question from the Popcorn gallery, and then

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Speaker 1: we'll go on to do other stuff others. Yeah, something

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Speaker 1: sounds cool, okay.

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Speaker 2: And then should we also explain that we need to

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Speaker 2: reach into the bag when we get a question.

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Speaker 1: Yes, we got to reach into the popcorn. Sorry, almost

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Speaker 1: a question. This is a sound effect reach in the back,

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Speaker 1: so almost as a question without having a question. So

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Speaker 1: my friend Mark from high school records a bunch of

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Speaker 1: soundrop for us to use. That is the sound of

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Speaker 1: a handreaching and a pop punk bag pulls out something unique,

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Speaker 1: and then we'll ask the question.

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Speaker 2: Oh, it's the chorus or it's the one part of

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Speaker 2: Uh Don't Look Back in Anger where he tells you

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Speaker 2: not to put your life in the hands of a

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Speaker 2: rock and roll band. So that's what we found the

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Speaker 2: pop So that's an example of something you take out

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Speaker 2: of it. This one's were in Chicken Sandwich. One of

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Speaker 2: our listeners, he's not listening right now, Mike. I recently

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Speaker 2: took a trip to the UK and I bumped into

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Speaker 2: a man. He got super angry at me and he

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Speaker 2: said he would beat the tits off me. How do

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Speaker 2: I learn to stand up to the mean bullies?

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Speaker 3: Well, if he's a guy with tits, maybe he should

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Speaker 3: let the guy beat them all.

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Speaker 1: Beat them away. It's a weight loss tactic. Yeah. Well,

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Speaker 1: and getting beat up is good cardio.

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Speaker 3: You you stand up to the bullies by taking them

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Speaker 3: to Batman Versus Superman, because that is the ultimate movie

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Speaker 3: for bullies, and it lets them know that they have

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Speaker 3: successfully taken our culture and that we will never get

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Speaker 3: it back.

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Speaker 1: I think that's what you do. So you let them

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Speaker 1: know that they're the boss and they won. Yeah. Well,

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Speaker 1: because then there's no real reason to beat us up.

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Speaker 1: You've already beat up sort of the entire world. Now

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Speaker 1: we're into nerd stuff as well. Love it. Yeah, Uh,

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Speaker 1: we were sort of there first. I feel like we

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Speaker 1: were very early on it. And I'm not saying that

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Speaker 1: you're like late to the game on this thing, but

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Speaker 1: Sean and I were sort of in there even when

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Speaker 1: we were kids. Yes, comics and a lot of people.

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Speaker 1: I assume you sort of took this on as an adult.

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Speaker 1: You just started reading comics. I have seen like the

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Speaker 1: nerd I was like five, since you were five. Okay,

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Speaker 1: what about what if you were like a baby reading

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Speaker 1: comics like I was. Yeah, I guess, But when were

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Speaker 1: you a baby? I was a baby. That's a good question.

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Speaker 1: This is a great question. I think of what I remember.

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Speaker 1: We didn't have We had a television, but it had

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Speaker 1: like a very small little screen, and there was just

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Speaker 1: Felix the Cat on it and the comic books that

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Speaker 1: could have been any era, and you were just poor. Well,

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Speaker 1: I definitely was poor.

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Speaker 2: Yeah. I actually think it's inspiring that I was poor,

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Speaker 2: just because of how far I've come. Yeah, but I

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Speaker 2: can't remember when Hayes was a baby, just because it's

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Speaker 2: been such a crazy month. But I will say, what

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Speaker 2: if we just asked another question and just see if

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Speaker 2: that launches us onto a whole new thing. Okay, this

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Speaker 2: is from Spunky Foonerism. Oh that's.

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Speaker 1: This time. It's the chorus from Dolic Beckenheger. This is

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Speaker 1: from Spunky Foonerism. Mike, I went to your word press

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Speaker 1: blog and it didn't have any blog entries. It was

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Speaker 1: just contact info and links to your projects and stuff.

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Speaker 1: How are we supposed to know how you're doing if

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Speaker 1: you don't write anything on your blog? Also, stop calling

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00:23:08,400 --> 00:23:10,760
Speaker 1: it a blog and now some of these can get

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Speaker 1: very aggressive, it gets personal. Yeah, and some of our

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Speaker 1: and I got to say, some of the bullies are

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Speaker 1: in our listener base. Yeah.

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Speaker 3: Well, I mean, you know, my projects are who I am,

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Speaker 3: So that's that's how you get to know me.

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Speaker 2: How do you ever separate them?

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00:23:28,840 --> 00:23:33,000
Speaker 3: They're not I am my at midnight appearances and nothing more.

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Speaker 1: What does that feel like to be in at midnight appearance?

406
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Speaker 1: Feels good? You know?

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Speaker 3: I mean, it's it's you know, it's I think it's

408
00:23:43,119 --> 00:23:47,399
Speaker 3: great to to only have a twenty minute lifespan and

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Speaker 3: to not be said about it. I mean, you could

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Speaker 3: pretty much do everything within twenty minutes.

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Speaker 1: Mike, Will we ever know hashtag piece? We won't. Yes,

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Speaker 1: it'll never happen in our time. So what do you do?

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Speaker 3: But I do imagine they're being hashtag veterans in a

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Speaker 3: couple of years.

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Speaker 1: What do you do when you get home from at midnight? Like,

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Speaker 1: I just want to know what your consciousness is like?

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Speaker 1: Are you experiencing stuff at that point or is it

418
00:24:15,880 --> 00:24:18,000
Speaker 1: kind of You're on a podcast now, so you're like

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Speaker 1: tuned in, but.

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Speaker 3: It's eleven am on a Saturday, so I'm totally tuned out.

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00:24:23,200 --> 00:24:27,960
Speaker 1: Oh okay, yeah, right, it's not midnight. No, Okay, midnight's

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Speaker 1: when you kind of switch on, but only only if

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Speaker 1: they're symbols next to the time, okay, And what's it

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00:24:35,080 --> 00:24:37,840
Speaker 1: like the rest of the time, it's you.

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Speaker 3: Know, it's tough because like I tried to buy things

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Speaker 3: with points, of which I have so many, and they're

427
00:24:46,400 --> 00:24:49,680
Speaker 3: non transferable, so it's very difficult.

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Speaker 1: That's what's that conversation, Like you go into like what

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Speaker 1: are you trying to buy food?

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Speaker 3: Yeah, and then and then I'm like, you know, I said, Queen,

431
00:24:59,800 --> 00:25:04,159
Speaker 3: look Kwifa tonight, can I please have this sandwich? And

432
00:25:04,359 --> 00:25:09,360
Speaker 3: they'll say no, and then I leave.

433
00:25:09,240 --> 00:25:10,720
Speaker 1: And you so you think it's a question of not

434
00:25:10,760 --> 00:25:14,240
Speaker 1: having enough points. You go back on that midnight you

435
00:25:14,280 --> 00:25:16,000
Speaker 1: accumulated a few more points.

436
00:25:16,160 --> 00:25:18,679
Speaker 2: Qu a little racket Hardwick Scott because he makes you

437
00:25:18,760 --> 00:25:21,639
Speaker 2: totally points dependent. Basically, he forces you to live in

438
00:25:21,760 --> 00:25:26,560
Speaker 2: his economy where the only way to really for you

439
00:25:26,600 --> 00:25:28,240
Speaker 2: to get food or something is to be back in

440
00:25:28,280 --> 00:25:31,880
Speaker 2: the green room where you can then spend points on whatever.

441
00:25:31,960 --> 00:25:34,320
Speaker 3: Since it's la, no one else eats the food, so

442
00:25:34,640 --> 00:25:35,960
Speaker 3: I get to have as much as I want.

443
00:25:36,000 --> 00:25:40,800
Speaker 1: It's pretty great. It sounds very good. It sounds good

444
00:25:40,840 --> 00:25:42,520
Speaker 1: while you're there, but he's ironic.

445
00:25:42,680 --> 00:25:45,639
Speaker 3: In New York, I am of a size which is

446
00:25:45,720 --> 00:25:48,720
Speaker 3: castable fat, but when I come out here, I am

447
00:25:48,920 --> 00:25:50,320
Speaker 3: just morbidly obese.

448
00:25:51,920 --> 00:25:55,080
Speaker 2: Well see, it makes me think of, you know, in scientology,

449
00:25:55,160 --> 00:25:57,080
Speaker 2: how they make them go to special schools so that

450
00:25:57,119 --> 00:25:59,080
Speaker 2: they don't have enough life skills in order to be

451
00:25:59,119 --> 00:26:02,280
Speaker 2: able to leave side telligence. Yeah, at midnight's kind of

452
00:26:02,320 --> 00:26:03,000
Speaker 2: the same thing.

453
00:26:03,600 --> 00:26:06,200
Speaker 1: You're supposed to make more than thirty cents a day.

454
00:26:07,200 --> 00:26:10,280
Speaker 1: You can't have a job, certainly because you're upsoletly.

455
00:26:10,840 --> 00:26:13,399
Speaker 2: Oh gosh, I mean yeah, and you can't work the

456
00:26:13,400 --> 00:26:15,560
Speaker 2: graveyard shift because that's when you're working.

457
00:26:15,720 --> 00:26:16,680
Speaker 1: Right. Well, that's the thing.

458
00:26:16,720 --> 00:26:18,520
Speaker 3: You know, you go to you go to bed at

459
00:26:18,560 --> 00:26:20,440
Speaker 3: twelve thirty, but then you have to wake up again

460
00:26:20,480 --> 00:26:22,760
Speaker 3: at three am for the West Coast, and it's just

461
00:26:22,840 --> 00:26:23,560
Speaker 3: very exhausting.

462
00:26:24,280 --> 00:26:26,600
Speaker 1: You can't go to your job and be like, hey,

463
00:26:26,720 --> 00:26:28,720
Speaker 1: you know, I'd like to work at night, but I'm

464
00:26:28,720 --> 00:26:31,639
Speaker 1: just gonna have to leave for you know, twenty two minutes.

465
00:26:31,720 --> 00:26:34,719
Speaker 3: I had to leave when right when it's eleven fifty

466
00:26:34,800 --> 00:26:36,199
Speaker 3: nine and fifty nine seconds.

467
00:26:36,359 --> 00:26:40,400
Speaker 2: Mmm, Okay, here here's another question.

468
00:26:40,440 --> 00:26:43,680
Speaker 1: We're almost done with the popcorn gallery, but we're just uh,

469
00:26:43,760 --> 00:26:49,280
Speaker 1: you know, we usually do three questions. That's Liam Gallagher.

470
00:26:51,920 --> 00:26:55,760
Speaker 1: This one's from No Horseman. Mike, what did you think

471
00:26:55,800 --> 00:26:58,960
Speaker 1: of that most recent episode of Horace and Pete? Powerful stuff?

472
00:27:00,280 --> 00:27:03,920
Speaker 1: I haven't seen it, and so you're part of the problem, Mike. Yeah,

473
00:27:04,280 --> 00:27:07,280
Speaker 1: I know, because you know that I very sick. You know,

474
00:27:07,320 --> 00:27:10,480
Speaker 1: he's I know a lot of the people that work

475
00:27:10,520 --> 00:27:13,320
Speaker 1: on it, I oh my god, he's at death's door.

476
00:27:13,440 --> 00:27:16,720
Speaker 1: And you know that people that want to be saying this, Mike,

477
00:27:16,760 --> 00:27:20,080
Speaker 1: you shouldn't have admitted that they accept Can we help

478
00:27:20,119 --> 00:27:22,360
Speaker 1: you out now? Now? We can't know? I mean, that's

479
00:27:22,400 --> 00:27:22,760
Speaker 1: the thing.

480
00:27:22,920 --> 00:27:25,399
Speaker 3: It's like, you know, he tried doing this new you know,

481
00:27:25,440 --> 00:27:30,399
Speaker 3: distribution system of money instead of points, and I wasn't

482
00:27:30,480 --> 00:27:32,040
Speaker 3: able to afford to watch it.

483
00:27:32,480 --> 00:27:35,320
Speaker 1: M What do you what do you know about it?

484
00:27:35,359 --> 00:27:37,480
Speaker 1: What do you think it is? What do you imagine

485
00:27:37,520 --> 00:27:37,800
Speaker 1: it is?

486
00:27:39,200 --> 00:27:44,360
Speaker 3: I imagine that Horace and Pete get all the attention

487
00:27:44,480 --> 00:27:46,320
Speaker 3: and and just gets forgotten.

488
00:27:47,000 --> 00:27:48,560
Speaker 1: Oh you have an interesting imagination.

489
00:27:48,800 --> 00:27:51,800
Speaker 3: Yeah, I just I feel I feel like, you know,

490
00:27:53,000 --> 00:27:57,240
Speaker 3: it's something that I I want to see. But since

491
00:27:57,320 --> 00:28:00,320
Speaker 3: I don't know anyone else who's seen it, and I

492
00:28:00,359 --> 00:28:02,600
Speaker 3: would want to see it to talk about it. I

493
00:28:02,600 --> 00:28:04,000
Speaker 3: don't feel like I'll ever see it.

494
00:28:04,000 --> 00:28:06,240
Speaker 1: It's not really putting the pressure on you, right, because

495
00:28:06,240 --> 00:28:09,800
Speaker 1: nobody else is bringing it up. Yeah, you certainly don't

496
00:28:09,800 --> 00:28:11,480
Speaker 1: want to bring it up and just hit a brick wall.

497
00:28:11,680 --> 00:28:13,560
Speaker 1: Well what about what about the no Horseman?

498
00:28:14,600 --> 00:28:14,639
Speaker 2: He?

499
00:28:15,280 --> 00:28:17,399
Speaker 1: I think? Has he said? It was powerful stuff?

500
00:28:18,160 --> 00:28:19,679
Speaker 2: Do you not want to be associated with the no

501
00:28:19,800 --> 00:28:22,840
Speaker 2: Horseman from our forums? No?

502
00:28:22,960 --> 00:28:28,280
Speaker 1: I guess not. Yeah, well you're not alone there. No,

503
00:28:28,280 --> 00:28:31,480
Speaker 1: Now he doesn't have a horse or me. Should we

504
00:28:31,520 --> 00:28:34,119
Speaker 1: do one more question? Yeah, let's do one more. We

505
00:28:34,240 --> 00:28:36,840
Speaker 1: usually do three, let's make it four. This time we

506
00:28:36,960 --> 00:28:42,920
Speaker 1: have some good ones. That's the cover. Definitely, Maybe.

507
00:28:44,360 --> 00:28:45,880
Speaker 3: I want to just keep doing that to see how

508
00:28:45,920 --> 00:28:47,520
Speaker 3: many Oasis references you can get.

509
00:28:47,680 --> 00:28:50,400
Speaker 1: It sounds like it is getting thin and so this

510
00:28:50,520 --> 00:28:54,240
Speaker 1: is it's a sound drop that we play from Sean

511
00:28:54,360 --> 00:28:57,600
Speaker 1: kun Mark. That's Ryan Adams cover of Wonderwall. It's fun

512
00:29:00,080 --> 00:29:01,840
Speaker 1: is some of the scariest popcorn we've had.

513
00:29:01,960 --> 00:29:04,840
Speaker 3: Also, it just sounds like you're like doing like an

514
00:29:04,880 --> 00:29:08,080
Speaker 3: impression of what you think Hebrew sounds like like.

515
00:29:10,480 --> 00:29:11,840
Speaker 1: Oh if that's what Mark's doing.

516
00:29:11,880 --> 00:29:14,440
Speaker 2: That's very I hope that that's not what my high

517
00:29:14,440 --> 00:29:16,760
Speaker 2: school friend Mark is doing when he makes those sound drops,

518
00:29:16,800 --> 00:29:18,320
Speaker 2: is trying to sort of.

519
00:29:18,480 --> 00:29:21,680
Speaker 1: Is that consistent Hebrew? Is that consistent with other stuff

520
00:29:21,880 --> 00:29:23,960
Speaker 1: we've been talking about.

521
00:29:23,520 --> 00:29:27,440
Speaker 2: With everything that he's into. Yeah, it's consistent with some

522
00:29:27,480 --> 00:29:28,800
Speaker 2: of the tattoos on his neck.

523
00:29:31,000 --> 00:29:36,160
Speaker 1: His question is from ran Ran. Ran Ran asked what

524
00:29:36,200 --> 00:29:38,440
Speaker 1: should I wear to a meeting with my boss tomorrow?

525
00:29:39,160 --> 00:29:42,280
Speaker 1: And now this is a chick m hm. And she's

526
00:29:42,320 --> 00:29:45,320
Speaker 1: in a friggin band. Ran RAN's like a band chick.

527
00:29:45,400 --> 00:29:48,120
Speaker 2: She's like a music chick, and she rocks.

528
00:29:48,960 --> 00:29:51,640
Speaker 3: I know how sad my life is when I hear

529
00:29:51,760 --> 00:29:54,880
Speaker 3: band chicken thinks she like plays the bassoon or something.

530
00:29:55,600 --> 00:30:00,360
Speaker 1: It's it's part of your Horce and Pete imagination, you know.

531
00:30:00,400 --> 00:30:02,040
Speaker 3: But I didn't see Horse and Pete. So how would

532
00:30:02,080 --> 00:30:03,480
Speaker 3: I have a Horse and Pete imagination?

533
00:30:03,560 --> 00:30:05,880
Speaker 1: Well, you imagine what Horace and Pete is like, Yeah,

534
00:30:06,040 --> 00:30:06,440
Speaker 1: you use here.

535
00:30:06,560 --> 00:30:08,320
Speaker 2: Once you see Horace and Pete, you don't have a

536
00:30:08,320 --> 00:30:11,320
Speaker 2: Horse and Pete imagination. There's only the cold reality of

537
00:30:11,360 --> 00:30:12,920
Speaker 2: an episode of Horace and Pete.

538
00:30:13,160 --> 00:30:17,480
Speaker 1: Now, she's like, she plays like just a. I was

539
00:30:17,560 --> 00:30:18,120
Speaker 1: upset that.

540
00:30:18,120 --> 00:30:20,040
Speaker 3: It wasn't Pete and Pete. And then one of the

541
00:30:20,080 --> 00:30:22,720
Speaker 3: Pete's left and then like was replaced by a guy

542
00:30:22,800 --> 00:30:23,320
Speaker 3: named Horace.

543
00:30:23,440 --> 00:30:27,200
Speaker 1: Name Horace, Yeah, oh right, yeah, Horace Grant. I guess.

544
00:30:27,280 --> 00:30:29,200
Speaker 1: So it's Horace Grant and one of the grown up

545
00:30:29,240 --> 00:30:31,160
Speaker 1: Pete and Pete brothers, and we assume the other one

546
00:30:31,320 --> 00:30:35,040
Speaker 1: just yeah, fell in a manhole. And so we were

547
00:30:35,040 --> 00:30:37,800
Speaker 1: talking about what Rammeran is gonna wear to her boss

548
00:30:37,800 --> 00:30:41,200
Speaker 1: tomorrow meeting with the boss who I guess is like,

549
00:30:41,360 --> 00:30:44,640
Speaker 1: since she's yeah, I guess her boss is probably Bruce

550
00:30:44,680 --> 00:30:48,640
Speaker 1: Briggs Dade. If she's in a band, then he's.

551
00:30:48,520 --> 00:30:53,280
Speaker 3: She showed up at the meeting wearing a short skirt

552
00:30:53,440 --> 00:30:54,800
Speaker 3: and a shirt.

553
00:30:55,120 --> 00:30:58,200
Speaker 1: So that's the suggestion. Okay, yeah, so we had to

554
00:30:58,240 --> 00:30:59,200
Speaker 1: back into it.

555
00:30:59,080 --> 00:31:02,240
Speaker 2: From pretty uncanny Springsteen.

556
00:31:02,760 --> 00:31:05,640
Speaker 3: Man, it was like he was in the room just now,

557
00:31:07,280 --> 00:31:09,760
Speaker 3: now that he canceled his North Carolina gig, he had

558
00:31:09,800 --> 00:31:10,920
Speaker 3: time to do this podcast.

559
00:31:11,200 --> 00:31:15,080
Speaker 1: He just ran in, ran ran in, And so you

560
00:31:15,120 --> 00:31:17,920
Speaker 1: wanted to wear a short skirt. What does it feel

561
00:31:18,000 --> 00:31:20,560
Speaker 1: like to have that kind of power over women's clothes?

562
00:31:22,720 --> 00:31:26,160
Speaker 1: I don't is that a wedding ring? Yes it is.

563
00:31:26,560 --> 00:31:29,400
Speaker 1: It's a green lantern wedding ring. What is so your

564
00:31:29,520 --> 00:31:30,600
Speaker 1: wife is the green lantern?

565
00:31:31,040 --> 00:31:35,720
Speaker 2: No, you're the green lantern and you're married to his wife? No, okay,

566
00:31:35,840 --> 00:31:37,560
Speaker 2: what makes it the green lantern wedding ring.

567
00:31:38,680 --> 00:31:40,960
Speaker 1: And has the green lantern symbol on it? Right? Has

568
00:31:40,960 --> 00:31:44,880
Speaker 1: the green lantern symbol on it? Should we? I don't

569
00:31:45,040 --> 00:31:47,440
Speaker 1: like because now I'm reaching a point where like we've

570
00:31:47,480 --> 00:31:49,560
Speaker 1: done the popcorn gallery, but we always do it at

571
00:31:49,600 --> 00:31:53,040
Speaker 1: the end, so I don't know how to transition out. Yeah,

572
00:31:53,080 --> 00:31:57,800
Speaker 1: there's really nothing after it, So I'm playing the song again. Okay?

573
00:31:58,040 --> 00:32:02,160
Speaker 1: Is that helping? It's getting Actually it's now we're farther

574
00:32:02,280 --> 00:32:06,520
Speaker 1: in like we've started at the beginning.

575
00:32:07,640 --> 00:32:10,920
Speaker 3: It has exactly a thousand views on YouTube, and I

576
00:32:11,000 --> 00:32:12,440
Speaker 3: feel like they're all from you.

577
00:32:13,480 --> 00:32:17,200
Speaker 1: Well, yeah, I mean the reasons I watch it.

578
00:32:17,240 --> 00:32:20,960
Speaker 2: Sometimes we practice six or seven times before we have

579
00:32:21,160 --> 00:32:24,400
Speaker 2: the guests actually come in right, And as you can see,

580
00:32:24,480 --> 00:32:26,920
Speaker 2: even with all that practice, engineer Ryan did manage to

581
00:32:26,960 --> 00:32:31,440
Speaker 2: cut the sound out. So it's just we probably need

582
00:32:31,480 --> 00:32:34,280
Speaker 2: to do it eight or nine times. But now that

583
00:32:34,320 --> 00:32:35,960
Speaker 2: I've heard the song, I do need to reach back

584
00:32:35,960 --> 00:32:37,680
Speaker 2: into the bag, and I guess we'll just grab another

585
00:32:37,720 --> 00:32:38,160
Speaker 2: question out.

586
00:32:38,200 --> 00:32:46,360
Speaker 1: Okay, we do have some more questions. That's the master plan. Okay.

587
00:32:46,400 --> 00:32:49,480
Speaker 1: So here's this is the one from Chansen and he

588
00:32:49,560 --> 00:32:52,520
Speaker 1: asks sat Amantium is that some kind of nerd thing?

589
00:32:52,680 --> 00:32:58,400
Speaker 1: Please explain? And Chanson is sort of a self styled bully.

590
00:32:58,600 --> 00:33:02,160
Speaker 2: Yeah, it's one of these bullies who you really don't

591
00:33:02,160 --> 00:33:02,600
Speaker 2: buy it.

592
00:33:03,800 --> 00:33:05,920
Speaker 1: Yeah, and he lives on one of those islands at Seattle,

593
00:33:06,000 --> 00:33:10,440
Speaker 1: so he has to like he's looking for targets to bully.

594
00:33:10,520 --> 00:33:10,920
Speaker 2: Mm hmm.

595
00:33:11,080 --> 00:33:12,200
Speaker 1: Yeah, he's kind of alone.

596
00:33:13,600 --> 00:33:18,920
Speaker 3: Uh yeah, it's you know, Wolverine's clause or Adamantium. And

597
00:33:19,400 --> 00:33:23,000
Speaker 3: I'm sad a lot, and that is the reason for

598
00:33:23,080 --> 00:33:23,880
Speaker 3: the album title.

599
00:33:24,360 --> 00:33:27,960
Speaker 1: Now, how was the sadness affected by an at Midnight appearance?

600
00:33:30,120 --> 00:33:33,280
Speaker 3: My record is two wins and nine losses, so very

601
00:33:33,360 --> 00:33:36,640
Speaker 3: much so, and I lose almost every time.

602
00:33:39,120 --> 00:33:39,600
Speaker 1: Who are you?

603
00:33:39,960 --> 00:33:44,040
Speaker 3: And I think that of like, whenever I'm on an episode,

604
00:33:45,320 --> 00:33:49,080
Speaker 3: people on like Reddit and stuff like dislike me more

605
00:33:49,160 --> 00:33:51,960
Speaker 3: than anyone else because I look like them, and when

606
00:33:52,000 --> 00:33:55,520
Speaker 3: I lose, it feels like they're losing two, so they

607
00:33:55,560 --> 00:33:56,600
Speaker 3: take it really personally.

608
00:33:57,040 --> 00:34:01,160
Speaker 2: It's difficult to be the avatar for an entire website

609
00:34:01,160 --> 00:34:06,360
Speaker 2: of angry people. Huh, Now, wait, who have you lost to?

610
00:34:06,600 --> 00:34:10,439
Speaker 1: Yeah? How are they doing there? Good? Yeah? But who

611
00:34:10,440 --> 00:34:13,080
Speaker 1: are some of them? They? I don't know.

612
00:34:13,160 --> 00:34:16,600
Speaker 3: But if you ever see someone with blood and beard

613
00:34:16,600 --> 00:34:20,000
Speaker 3: hairs on their knuckles, you know that they've defeated me.

614
00:34:21,000 --> 00:34:24,399
Speaker 1: Okay, I would like to move on to the normal,

615
00:34:24,480 --> 00:34:27,400
Speaker 1: like the normal kind of segment we do. Okay, but

616
00:34:29,800 --> 00:34:34,040
Speaker 1: I don't know how to close this up the popcorn

617
00:34:34,080 --> 00:34:39,080
Speaker 1: gallery popcorn gallery, Yes, right, because I like, you know

618
00:34:39,120 --> 00:34:41,400
Speaker 1: what I mean, I'm stuck in this Well is it

619
00:34:41,520 --> 00:34:43,839
Speaker 1: just asking a question without a sound drop? Would that

620
00:34:44,080 --> 00:34:46,160
Speaker 1: we can try that? That's actually a really good idea

621
00:34:46,200 --> 00:34:50,640
Speaker 1: because we've never done that before. Yeah. This one's from

622
00:34:51,480 --> 00:34:56,719
Speaker 1: ban more Stuff, Mike Lawrence. More like like more ants?

623
00:34:57,000 --> 00:34:58,719
Speaker 1: Why do you like them so much? And why do

624
00:34:58,760 --> 00:35:00,799
Speaker 1: you want so many? More? So? The premise of this

625
00:35:00,880 --> 00:35:04,680
Speaker 1: question is that your name is like more ants, and

626
00:35:04,680 --> 00:35:08,080
Speaker 1: that you it must mean that you like yeah, that

627
00:35:08,120 --> 00:35:12,360
Speaker 1: you like ants and you want more ants. So sticking

628
00:35:12,400 --> 00:35:15,839
Speaker 1: with the premise of this question, you know, which, bear

629
00:35:15,840 --> 00:35:17,560
Speaker 1: in mind, we didn't ask the question that might help

630
00:35:17,600 --> 00:35:18,279
Speaker 1: us get out of it.

631
00:35:18,719 --> 00:35:22,000
Speaker 3: I just had like this, this intense fear that as

632
00:35:22,040 --> 00:35:26,399
Speaker 3: I'm dying, that moment will be the last thing that's

633
00:35:26,400 --> 00:35:30,359
Speaker 3: played in my head, and that horrifies me on like

634
00:35:30,400 --> 00:35:34,320
Speaker 3: a really deeply personal level like that, like the blood

635
00:35:34,360 --> 00:35:36,560
Speaker 3: will be leaving my body and the life will be

636
00:35:36,640 --> 00:35:39,880
Speaker 3: leaving my eyes, and I will know that I am

637
00:35:39,920 --> 00:35:43,360
Speaker 3: at my final moment and like more, ants will be

638
00:35:43,400 --> 00:35:46,400
Speaker 3: the last thing that I remember, and I will feel like,

639
00:35:46,480 --> 00:35:49,160
Speaker 3: no matter what else I do, I will have completely

640
00:35:49,200 --> 00:35:53,839
Speaker 3: wasted my life. And that is a very crippling, horrifying

641
00:35:53,920 --> 00:35:55,120
Speaker 3: thing to deal with.

642
00:35:55,520 --> 00:35:57,120
Speaker 2: What do you and who's doing that to you? Is

643
00:35:57,160 --> 00:35:58,560
Speaker 2: that your brain does that to you?

644
00:35:58,640 --> 00:36:00,399
Speaker 1: Like? Yeah, I think it just locked it up.

645
00:36:00,560 --> 00:36:03,560
Speaker 3: Yeah, Like I've been having this like what got me

646
00:36:03,680 --> 00:36:04,640
Speaker 3: to this moment?

647
00:36:04,840 --> 00:36:08,080
Speaker 1: Right? No thoughts in my head right now? But the

648
00:36:08,200 --> 00:36:09,719
Speaker 1: question is why do you like them so much? And

649
00:36:09,719 --> 00:36:13,440
Speaker 1: why do you want so anymore? Oh? I don't know anymore? Oh, okay,

650
00:36:13,600 --> 00:36:14,120
Speaker 1: I think.

651
00:36:14,560 --> 00:36:17,600
Speaker 2: Speaking of ants, remember when ant Man's trying to.

652
00:36:17,520 --> 00:36:21,080
Speaker 1: Steal the Hulk's last coke? What did you think of?

653
00:36:21,120 --> 00:36:21,920
Speaker 1: Whose side were.

654
00:36:21,760 --> 00:36:24,640
Speaker 3: You on when that was an out of continuity story?

655
00:36:24,680 --> 00:36:25,960
Speaker 3: And therefore I don't.

656
00:36:25,920 --> 00:36:28,799
Speaker 1: That's not Cannon, No, it's not Cannon. When am Man's

657
00:36:28,880 --> 00:36:29,479
Speaker 1: taking the coke.

658
00:36:29,880 --> 00:36:32,439
Speaker 2: Well, the coke is small, like ant Man. I think

659
00:36:32,440 --> 00:36:35,239
Speaker 2: that's why he thought it would be his, because how's

660
00:36:35,280 --> 00:36:37,120
Speaker 2: the also small?

661
00:36:37,239 --> 00:36:41,400
Speaker 3: If ant Man is small, the amount of sugar that

662
00:36:41,560 --> 00:36:43,719
Speaker 3: is in that coke would immediately kill him.

663
00:36:44,000 --> 00:36:45,920
Speaker 2: Well, and what's funny too, At the end of the commercial,

664
00:36:45,960 --> 00:36:49,480
Speaker 2: he does get a little like bead of coke and

665
00:36:49,520 --> 00:36:52,600
Speaker 2: that seems like plenty for him. Yeah, like he never

666
00:36:52,640 --> 00:36:54,240
Speaker 2: needed to run away with the whole can.

667
00:36:54,520 --> 00:36:57,400
Speaker 1: No, were you scared when Deadpool was going to take

668
00:36:57,440 --> 00:37:00,400
Speaker 1: over the Big Game? Yeah? I remember dead was going

669
00:37:00,440 --> 00:37:03,040
Speaker 1: to invade the Big Game? Yeah, sorry, invade? You know

670
00:37:03,160 --> 00:37:05,440
Speaker 1: it's the big Game. The Big Game was the Big

671
00:37:05,520 --> 00:37:09,000
Speaker 1: super Game, where where the ant Man commercial initially premiered

672
00:37:09,120 --> 00:37:11,600
Speaker 1: sports stuff. I didn't even watch the Super Bowl.

673
00:37:11,800 --> 00:37:14,080
Speaker 2: Even though, But you like com you were afraid of

674
00:37:14,239 --> 00:37:19,239
Speaker 2: Deadpool invading I guess yeah, that was the same way.

675
00:37:19,280 --> 00:37:21,319
Speaker 2: I could barely watch it because I'm thinking I've heard

676
00:37:21,400 --> 00:37:22,560
Speaker 2: Deadpool is going to invade it.

677
00:37:22,600 --> 00:37:25,879
Speaker 1: Who knows what he'll do next. Okay, let me see

678
00:37:25,920 --> 00:37:29,719
Speaker 1: we are still in it. That didn't get us out? Now,

679
00:37:31,880 --> 00:37:38,840
Speaker 1: what do you think? Is it a computer thing? Ryan? No,

680
00:37:38,960 --> 00:37:42,319
Speaker 1: everything's fine over here. Okay, the levels are fine. Yeah,

681
00:37:42,360 --> 00:37:47,080
Speaker 1: it's not. It's not the computer. Uh should we ask

682
00:37:47,239 --> 00:37:51,879
Speaker 1: a question from someone who's already asked a question? Ummm yeah,

683
00:37:51,960 --> 00:37:55,319
Speaker 1: let's try that. Okay, but we'll do the sound We

684
00:37:55,400 --> 00:37:57,279
Speaker 1: never do that. We'll do the sound drop. Yeah, we'll

685
00:37:57,280 --> 00:38:08,080
Speaker 1: do the sound drop. It's just freaking Liam Geller. This

686
00:38:08,160 --> 00:38:10,040
Speaker 1: one's from Chicken Sandwich again. This is the guy with

687
00:38:10,080 --> 00:38:15,440
Speaker 1: the big tits. Mm hmmm, Mike, are you still passed

688
00:38:15,440 --> 00:38:22,640
Speaker 1: about Dylan going electric? No, that's fine. It's funny that, like.

689
00:38:24,239 --> 00:38:27,160
Speaker 3: There was a time when people would actually get mad

690
00:38:27,480 --> 00:38:34,000
Speaker 3: about like art and and they would say critical things

691
00:38:34,040 --> 00:38:38,400
Speaker 3: about the art and not just be mean and homophobic.

692
00:38:38,440 --> 00:38:40,880
Speaker 3: It's it's kind of pleasant. I mean, do you imagine

693
00:38:40,920 --> 00:38:43,520
Speaker 3: YouTube if Dylan went electric?

694
00:38:43,600 --> 00:38:43,839
Speaker 1: Now?

695
00:38:44,040 --> 00:38:48,960
Speaker 3: Like what the all of the anti semitism and stuff like,

696
00:38:49,040 --> 00:38:51,880
Speaker 3: no one, no one insulted him for being Jewish because

697
00:38:52,480 --> 00:38:56,480
Speaker 3: he did music they didn't like. They just insulted the music. Mark,

698
00:38:56,520 --> 00:38:57,719
Speaker 3: like a really refreshing time.

699
00:38:57,960 --> 00:39:01,040
Speaker 1: I remember, Mark, at the time, your high school friend

700
00:39:01,600 --> 00:39:02,840
Speaker 1: did have a lot of stuff.

701
00:39:03,520 --> 00:39:05,320
Speaker 2: Didn't like him going to electric.

702
00:39:05,360 --> 00:39:08,440
Speaker 1: It's not for him, something about him using all the power.

703
00:39:11,600 --> 00:39:14,319
Speaker 2: Each new moment that occurs in this podcast, Mike, does

704
00:39:14,360 --> 00:39:16,880
Speaker 2: it replace the like more Ants moment for you? Is

705
00:39:16,920 --> 00:39:20,080
Speaker 2: Coch Like, Okay, now this is I think the bottom.

706
00:39:20,160 --> 00:39:20,600
Speaker 1: Yeah.

707
00:39:20,760 --> 00:39:25,520
Speaker 2: Is it just you know, sort of like revealing these

708
00:39:26,320 --> 00:39:29,920
Speaker 2: new layers and just taking it down another level? Or

709
00:39:30,920 --> 00:39:32,360
Speaker 2: are there a little bit of like an up and

710
00:39:32,400 --> 00:39:35,360
Speaker 2: down graph happening. I mean I think that was the

711
00:39:35,400 --> 00:39:37,080
Speaker 2: peak the like more Ants moment.

712
00:39:37,280 --> 00:39:38,480
Speaker 1: Yeah, as we look back.

713
00:39:39,200 --> 00:39:43,840
Speaker 3: Yeah, like the pride that person probably felt in writing.

714
00:39:43,920 --> 00:39:46,960
Speaker 3: That makes me glad that pride is a sin because

715
00:39:47,000 --> 00:39:49,880
Speaker 3: I know they'll burn in hell and that makes me

716
00:39:49,880 --> 00:39:51,880
Speaker 3: feel the real good you know.

717
00:39:53,000 --> 00:39:57,880
Speaker 1: Yeah, here's what I think. I like to try to

718
00:39:57,960 --> 00:39:59,680
Speaker 1: maybe to get us out of this. Rather than you

719
00:39:59,719 --> 00:40:01,760
Speaker 1: answer the question, you just tell us how the question

720
00:40:01,840 --> 00:40:02,600
Speaker 1: makes you feel.

721
00:40:02,960 --> 00:40:06,480
Speaker 3: Oh, that's really like if someone could listen to this

722
00:40:06,800 --> 00:40:12,320
Speaker 3: and completely get the difference between New York and Lah

723
00:40:12,719 --> 00:40:14,960
Speaker 3: this entire thing, that they'd be like, oh I get

724
00:40:14,960 --> 00:40:15,319
Speaker 3: it now.

725
00:40:15,520 --> 00:40:21,040
Speaker 1: Where pizza? Yeah, yeah, the water is no good here.

726
00:40:21,080 --> 00:40:24,960
Speaker 1: You can't make good pizza. So I'll just reach back

727
00:40:25,040 --> 00:40:27,920
Speaker 1: to the back. Right, did I do Liam twice? I

728
00:40:27,920 --> 00:40:31,120
Speaker 1: guess it's no Gallagher. No, this question is from Houston

729
00:40:32,040 --> 00:40:34,440
Speaker 1: when I found out the myth Busters were just work friends.

730
00:40:34,440 --> 00:40:36,480
Speaker 1: It broke my heart. I know you don't have to

731
00:40:36,480 --> 00:40:38,480
Speaker 1: be best friends with everyone you work with, but are

732
00:40:38,520 --> 00:40:42,759
Speaker 1: you and Ike friends in real life? And now? Rather,

733
00:40:42,880 --> 00:40:44,960
Speaker 1: you don't have to answer the question about whether you

734
00:40:45,000 --> 00:40:47,799
Speaker 1: and I because it's like a Mic and Ike thing, right, yeah, yeah,

735
00:40:47,840 --> 00:40:53,239
Speaker 1: So just respond to the feelings that are being generated

736
00:40:53,239 --> 00:40:54,440
Speaker 1: and you buy that question.

737
00:40:55,520 --> 00:40:59,680
Speaker 3: I think that the myth busters, you know, we're work friends,

738
00:40:59,760 --> 00:41:04,280
Speaker 3: and then when they saw that they were getting replaced

739
00:41:04,320 --> 00:41:06,960
Speaker 3: by like the more youthful people on the show, they

740
00:41:07,000 --> 00:41:10,640
Speaker 3: became best friends. They realized that they were both being

741
00:41:10,680 --> 00:41:12,880
Speaker 3: phased out and that they had to stand their ground.

742
00:41:14,040 --> 00:41:16,880
Speaker 1: So that is not so it's not an emotional response,

743
00:41:16,920 --> 00:41:20,239
Speaker 1: but it feels like that you're responding more positively to

744
00:41:20,239 --> 00:41:22,680
Speaker 1: that question than the like more answer question, which is,

745
00:41:22,960 --> 00:41:26,200
Speaker 1: you know, the point of comparison that we have yea

746
00:41:27,600 --> 00:41:31,959
Speaker 1: better than the like more ant's question. Okay, good, let's

747
00:41:31,960 --> 00:41:35,200
Speaker 1: try Let's try one more with with the sound drop. Okay, yeah,

748
00:41:35,280 --> 00:41:37,000
Speaker 1: because I do think this is getting us out of it.

749
00:41:37,600 --> 00:41:43,320
Speaker 1: I actually think this is gonna work. What's the story wing?

750
00:41:44,280 --> 00:41:48,359
Speaker 1: This one's from Jeffrey Parties Mike. Any fun stories from

751
00:41:48,360 --> 00:41:51,720
Speaker 1: the set of brotherly love. How is Joey doing? Oh God,

752
00:41:55,400 --> 00:41:59,279
Speaker 1: that's my answer? So okay, So where where is that

753
00:42:00,360 --> 00:42:01,719
Speaker 1: in the like more answer.

754
00:42:03,080 --> 00:42:09,600
Speaker 3: Questions, you know, like reconsidering, uh, you know, like I've

755
00:42:09,640 --> 00:42:11,200
Speaker 3: never really drank.

756
00:42:11,239 --> 00:42:11,959
Speaker 1: I've had a few.

757
00:42:12,200 --> 00:42:17,640
Speaker 3: Like that question made me completely understand alcoholism and how

758
00:42:17,640 --> 00:42:18,759
Speaker 3: comforting it could be.

759
00:42:18,880 --> 00:42:21,760
Speaker 1: Sure, just wanting to blank everything out just by Vivian

760
00:42:22,080 --> 00:42:23,000
Speaker 1: any which way you can.

761
00:42:23,320 --> 00:42:25,200
Speaker 3: I think after that, like I'm gonna go on a

762
00:42:25,239 --> 00:42:30,320
Speaker 3: bender today and just you know, probably probably divorced my wife.

763
00:42:32,239 --> 00:42:34,040
Speaker 3: Just really reconsider everything.

764
00:42:34,200 --> 00:42:37,120
Speaker 1: God, Okay. So we had a pleasant little interlude with

765
00:42:37,160 --> 00:42:40,600
Speaker 1: the MythBusters. That Midbusters one was a peak for us.

766
00:42:40,719 --> 00:42:43,840
Speaker 1: That felt pretty good. Yeah, and then and now we're

767
00:42:43,880 --> 00:42:45,200
Speaker 1: back in the depths.

768
00:42:45,560 --> 00:42:48,359
Speaker 2: Is there any other MythBusters stuff in there? Because man,

769
00:42:48,920 --> 00:42:50,280
Speaker 2: just cruising when we had.

770
00:42:50,120 --> 00:42:54,080
Speaker 1: That, that's it. We don't have any more of that property,

771
00:42:54,080 --> 00:42:57,399
Speaker 1: brothers anything. Is there a comment board for this podcast? Yes,

772
00:42:57,440 --> 00:42:59,640
Speaker 1: that's where. Yeah, that's where all the questions are coming out.

773
00:42:59,760 --> 00:43:02,120
Speaker 3: I feel like people are gonna hate me so much

774
00:43:02,160 --> 00:43:05,680
Speaker 3: on it, and well, I'm also wrestling with the feelings.

775
00:43:05,280 --> 00:43:08,560
Speaker 1: Of like don't you want to matter? Is it okay?

776
00:43:08,680 --> 00:43:10,960
Speaker 1: It certainly doesn't matter. I know that, and if I

777
00:43:11,040 --> 00:43:14,160
Speaker 1: read it, that's my fault. So why don't you respond

778
00:43:14,200 --> 00:43:17,080
Speaker 1: to them preemptively? The people on the con.

779
00:43:17,480 --> 00:43:20,680
Speaker 3: The like the guys who like like respond to Yelp

780
00:43:20,680 --> 00:43:22,839
Speaker 3: reviews like that's one of the sasons thanks to me.

781
00:43:23,600 --> 00:43:26,600
Speaker 2: Yeah, okay, Jeff, I'm the manager here. It seems like

782
00:43:26,640 --> 00:43:27,840
Speaker 2: there was a misunderstanding.

783
00:43:28,000 --> 00:43:31,160
Speaker 1: Yeah, so you could do. I think you're being extra salty.

784
00:43:32,040 --> 00:43:37,919
Speaker 1: Oh genuine laugh. That's good. I have confidence. Okay, let's

785
00:43:37,920 --> 00:43:40,319
Speaker 1: see how that affects. Because I think we may, I

786
00:43:40,320 --> 00:43:44,640
Speaker 1: mean maximum want more of these things. We do we

787
00:43:44,640 --> 00:43:48,279
Speaker 1: we somehow still have a bunch more, but hopefully this

788
00:43:48,320 --> 00:43:50,680
Speaker 1: will get us out of it. Do we want to

789
00:43:50,719 --> 00:43:53,239
Speaker 1: try a drop for this one or no drop? I

790
00:43:53,280 --> 00:43:55,000
Speaker 1: don't think we. I think we actually do need to

791
00:43:55,040 --> 00:43:57,560
Speaker 1: do we have to Yeah, the pattern, I think we

792
00:43:57,600 --> 00:43:58,439
Speaker 1: do have to do it drop.

793
00:43:58,520 --> 00:44:01,440
Speaker 3: Okay, you should just start doing the Beatles songs that

794
00:44:01,520 --> 00:44:03,239
Speaker 3: always just blatantly ripped off.

795
00:44:03,320 --> 00:44:07,720
Speaker 1: Well they well I will, Lindy, did I am the Walrus?

796
00:44:07,760 --> 00:44:14,000
Speaker 1: They straight up covered? Okay, this one's from the Jjar

797
00:44:15,320 --> 00:44:17,840
Speaker 1: Mikey boy. He says, now what is that doing? Just

798
00:44:17,880 --> 00:44:19,400
Speaker 1: him addressing you as Mikey.

799
00:44:19,120 --> 00:44:22,000
Speaker 2: Boy feels too familiar or you're liking it.

800
00:44:22,200 --> 00:44:26,360
Speaker 1: Yeah it's okay, okay, all right, yeah, not bad good news. Jjar.

801
00:44:27,080 --> 00:44:29,200
Speaker 1: Do you think Carson Wentz is the real deal? Or

802
00:44:29,280 --> 00:44:31,440
Speaker 1: is playing at puny North Dakota State too much of

803
00:44:31,480 --> 00:44:37,600
Speaker 1: a detriment to overlook? Also Kuiper or mcshah Okay, he's

804
00:44:37,640 --> 00:44:40,399
Speaker 1: tickled by this one, but I don't know it might

805
00:44:40,400 --> 00:44:41,160
Speaker 1: be in a bad way.

806
00:44:41,960 --> 00:44:45,600
Speaker 3: Well, now I'm wrestling with this thought of like, I

807
00:44:45,640 --> 00:44:48,759
Speaker 3: can't tell if you guys wrote these questions yourself. And

808
00:44:48,840 --> 00:44:51,399
Speaker 3: if you did, then that's even like, you know, god,

809
00:44:51,440 --> 00:44:55,000
Speaker 3: I feel even worse. But if I did genuinely get

810
00:44:55,040 --> 00:44:58,799
Speaker 3: people to write questions because they knew I was on

811
00:44:58,840 --> 00:45:00,920
Speaker 3: the show, then I'm like, oh, I guess they do

812
00:45:01,040 --> 00:45:01,839
Speaker 3: matter after all.

813
00:45:02,680 --> 00:45:06,200
Speaker 1: Well that's where I'm at most. I love the request

814
00:45:06,200 --> 00:45:10,719
Speaker 1: for context. These are written by actual people who's not us,

815
00:45:10,760 --> 00:45:13,640
Speaker 1: and we have looked into this. Okay, Yeah, I for

816
00:45:13,719 --> 00:45:15,600
Speaker 1: a while thought it might be Sean. Sean thought it

817
00:45:15,680 --> 00:45:19,239
Speaker 1: might be me. It these are after a lot of

818
00:45:19,320 --> 00:45:22,960
Speaker 1: nanny cams. Yes, it turns out different people who are

819
00:45:22,960 --> 00:45:29,919
Speaker 1: not in this room. I got you, But the questioner

820
00:45:30,080 --> 00:45:36,839
Speaker 1: mcshae just neutral. Is it sort of a don't make

821
00:45:37,360 --> 00:45:42,319
Speaker 1: MythBusters or like more ants? I don't know.

822
00:45:42,440 --> 00:45:44,800
Speaker 3: Now I'm looking at the I'm sending at a table

823
00:45:44,960 --> 00:45:46,880
Speaker 3: with all these names written on it.

824
00:45:47,120 --> 00:45:49,440
Speaker 1: Yeah, that I do have an effect now, I know.

825
00:45:49,520 --> 00:45:53,680
Speaker 3: I've done a podcast here before, okay, and I don't

826
00:45:53,680 --> 00:45:55,960
Speaker 3: know if I wrote on it, or if I did

827
00:45:56,000 --> 00:45:57,839
Speaker 3: write on it, or if it was a race, so

828
00:45:58,000 --> 00:45:59,920
Speaker 3: I can now. I'm now I'm dealing with whether or

829
00:45:59,960 --> 00:46:01,000
Speaker 3: not they actually exist?

830
00:46:01,560 --> 00:46:03,840
Speaker 2: Is the is the way out of the popcorn gallery

831
00:46:03,880 --> 00:46:06,200
Speaker 2: to just investigate the table for a while, to see

832
00:46:06,200 --> 00:46:07,479
Speaker 2: if we can find this name?

833
00:46:08,560 --> 00:46:10,719
Speaker 1: Where do you think you sat? And where would you

834
00:46:10,760 --> 00:46:14,359
Speaker 1: have signed? There's equipment covering stuff. I I have no idea, right,

835
00:46:14,400 --> 00:46:16,680
Speaker 1: but that was probably there when you were here? Yeah,

836
00:46:19,080 --> 00:46:19,719
Speaker 1: how are now?

837
00:46:19,760 --> 00:46:22,200
Speaker 2: There have been two tables as well? There was another

838
00:46:22,200 --> 00:46:23,000
Speaker 2: table at one point.

839
00:46:23,239 --> 00:46:23,439
Speaker 1: Yeah.

840
00:46:23,440 --> 00:46:25,080
Speaker 3: I think the last time I was here was in

841
00:46:25,440 --> 00:46:30,919
Speaker 3: twenty fourteen around brisk Clarborough Country. No, no, I'm doing

842
00:46:30,920 --> 00:46:33,000
Speaker 3: that a couple of days though February.

843
00:46:33,520 --> 00:46:35,719
Speaker 1: Now, there's one hundred percent chance that someone on this

844
00:46:35,800 --> 00:46:39,760
Speaker 1: table has beaten you it at midnight. Oh yeah, there's

845
00:46:39,840 --> 00:46:42,560
Speaker 1: there's there's there's no way of paul Off Tompkins, and

846
00:46:42,640 --> 00:46:45,040
Speaker 1: he has his name on this thing at least six

847
00:46:45,040 --> 00:46:46,680
Speaker 1: times I've seen. Yes, you're not going to be able

848
00:46:46,719 --> 00:46:48,960
Speaker 1: to escape Paul Off Tompkins. So he did so he

849
00:46:48,960 --> 00:46:51,759
Speaker 1: would be one of your betters on. Oh yeah, unbelievable.

850
00:46:53,680 --> 00:46:57,040
Speaker 1: Uh god, maybe a short one. I'm sorry, we are

851
00:46:57,120 --> 00:47:01,960
Speaker 1: still in this are going crazy over here, by the way,

852
00:47:02,000 --> 00:47:04,719
Speaker 1: on my laptop? Are you not seeing this? Ryan? Right?

853
00:47:06,040 --> 00:47:09,960
Speaker 1: There were like just the like not the sound levels, but.

854
00:47:09,880 --> 00:47:12,640
Speaker 2: They's supposed to be sound coming from your computer right now.

855
00:47:12,800 --> 00:47:16,719
Speaker 1: No, but just like all my uh like equipped So

856
00:47:16,760 --> 00:47:19,760
Speaker 1: you hear that ping that's out of control? Oh okay,

857
00:47:20,719 --> 00:47:23,200
Speaker 1: well I can't do anything about that. I'm sorry. Okay,

858
00:47:23,239 --> 00:47:29,319
Speaker 1: this one's from Diet Meat, okay, Robby Clark.

859
00:47:30,600 --> 00:47:33,760
Speaker 2: Okay, so we are just the biggest name I could see. Okay,

860
00:47:34,880 --> 00:47:36,920
Speaker 2: Mark said, go ahead.

861
00:47:37,600 --> 00:47:40,960
Speaker 1: So he asks, did you ever get bullied so bad?

862
00:47:41,040 --> 00:47:43,120
Speaker 1: You cried? I don't know what it is with all

863
00:47:43,120 --> 00:47:43,640
Speaker 1: the bulletes.

864
00:47:43,880 --> 00:47:47,120
Speaker 2: Seems like this huge theme here and I don't know

865
00:47:47,160 --> 00:47:50,480
Speaker 2: where that good gracious, it's.

866
00:47:50,320 --> 00:47:54,759
Speaker 1: Either that or like stuff about your name horse and

867
00:47:54,840 --> 00:47:56,920
Speaker 1: peede of course, yeah.

868
00:47:56,440 --> 00:48:00,440
Speaker 3: And the word press, which that's a horse and peak question.

869
00:48:00,600 --> 00:48:04,399
Speaker 3: Was written by c K as a way to publicize the.

870
00:48:04,360 --> 00:48:08,799
Speaker 2: Show, any which we they've got to find some kind

871
00:48:08,880 --> 00:48:11,840
Speaker 2: of new style of marketing. And if it's getting in

872
00:48:11,920 --> 00:48:14,920
Speaker 2: the popcorn gallery and infiltrating on our audience.

873
00:48:14,560 --> 00:48:19,239
Speaker 1: And people be like everybody's talking about it. And so

874
00:48:20,440 --> 00:48:25,160
Speaker 1: that question, did that provoke any emotions in you? Okay?

875
00:48:26,320 --> 00:48:30,399
Speaker 3: I think my my like my spirit has now left

876
00:48:30,400 --> 00:48:30,920
Speaker 3: my body?

877
00:48:32,640 --> 00:48:35,760
Speaker 1: Is that? And that? Is that good? I don't know yet. Okay,

878
00:48:36,000 --> 00:48:38,440
Speaker 1: we're gonna figure it out. Not let's not put any

879
00:48:38,520 --> 00:48:41,920
Speaker 1: judgment on it now here. This one seems like a

880
00:48:42,080 --> 00:48:45,840
Speaker 1: like a real personal question. Should we try that? Yeah, okay,

881
00:48:46,400 --> 00:48:51,719
Speaker 1: let's do no sound Yeah, please Listen's from norm and

882
00:48:51,760 --> 00:48:54,759
Speaker 1: it's Mike. Can you tell me one of your mom's jokes?

883
00:48:57,680 --> 00:49:02,800
Speaker 3: Yeah, it was why uh, why can't Frankenstein have kids

884
00:49:03,200 --> 00:49:04,680
Speaker 3: because his nuts are on his neck?

885
00:49:06,440 --> 00:49:09,640
Speaker 1: That did it? Yeah, that got us at Oh wow,

886
00:49:09,920 --> 00:49:14,080
Speaker 1: that's great. All the levels are back to Normans mom.

887
00:49:14,480 --> 00:49:16,120
Speaker 1: We are out of time to do any of the

888
00:49:16,160 --> 00:49:18,439
Speaker 1: other the movie stuff that we all the movie stuff

889
00:49:18,480 --> 00:49:21,000
Speaker 1: we were talking about we wanted to do. Yeah, but Mike,

890
00:49:21,040 --> 00:49:22,839
Speaker 1: thank you for coming on the show. Where is your

891
00:49:22,840 --> 00:49:23,520
Speaker 1: spirit now?

892
00:49:25,200 --> 00:49:29,520
Speaker 3: It is at the Mike Lawrence on Twitter. Oh, mikel

893
00:49:30,080 --> 00:49:31,720
Speaker 3: Comedy dot com.

894
00:49:31,760 --> 00:49:33,439
Speaker 1: That was a great great say right there.

895
00:49:33,640 --> 00:49:40,320
Speaker 3: Yeah, yeah, and it was on Thursday's at Midnight episode

896
00:49:40,360 --> 00:49:43,040
Speaker 3: that you can announce THEE on the Comedy Central app

897
00:49:43,560 --> 00:49:47,960
Speaker 3: and also my upcoming Comedy Central web series on Snapchat.

898
00:49:48,040 --> 00:49:52,200
Speaker 3: You're wrong, And I wrote on Inside Amy Schumer this

899
00:49:52,280 --> 00:49:57,200
Speaker 3: season and that that is on Comedy Central starting the

900
00:49:57,280 --> 00:49:59,919
Speaker 3: twenty first of April, but maybe the stairs after who knows.

901
00:50:00,600 --> 00:50:04,080
Speaker 1: Now, I'm so sorry about this, but that's something you

902
00:50:04,080 --> 00:50:06,480
Speaker 1: said there did get us back into the powwork gallery

903
00:50:07,280 --> 00:50:10,919
Speaker 1: because somebody at one of our users actually asked if

904
00:50:11,440 --> 00:50:16,399
Speaker 1: if you considered changing your u r L from Mike

905
00:50:16,480 --> 00:50:20,759
Speaker 1: Laurence dot com to Mike Lawrence dot Comedy. And I

906
00:50:20,800 --> 00:50:22,960
Speaker 1: forget exactly who it was, but I can, but I

907
00:50:23,200 --> 00:50:25,000
Speaker 1: since we're in the popcorn gallery, I do have to

908
00:50:25,040 --> 00:50:28,600
Speaker 1: find it. And then is that something you've considered or.

909
00:50:31,080 --> 00:50:34,000
Speaker 2: No? Yeah, I don't think it wouldn't work.

910
00:50:34,680 --> 00:50:37,280
Speaker 1: Oh those are real people. Yeah, these are all real people.

911
00:50:37,320 --> 00:50:40,360
Speaker 1: And I guess you know, whoever asked this will probably

912
00:50:40,360 --> 00:50:44,920
Speaker 1: get the pro version. Let me see and see it

913
00:50:44,960 --> 00:50:47,719
Speaker 1: was robotam see. Yeah, he asked chortening it from Mike

914
00:50:47,800 --> 00:50:50,480
Speaker 1: Lawrence Comedy dot com to my Mike Laurence dot Comedy.

915
00:50:51,120 --> 00:50:54,440
Speaker 1: Oh I got you. Mm hmmm. So I guess we

916
00:50:54,520 --> 00:50:56,799
Speaker 1: will be living at the Popcorn Gallery for the rest

917
00:50:56,840 --> 00:51:01,160
Speaker 1: of this week since we are in it and Mike

918
00:51:01,200 --> 00:51:03,640
Speaker 1: has lived in it as well. But this will be good.

919
00:51:03,640 --> 00:51:05,280
Speaker 1: I think it will give us more of an opportunity

920
00:51:05,280 --> 00:51:06,560
Speaker 1: to kind of like get to know each other and

921
00:51:06,600 --> 00:51:09,520
Speaker 1: ask more questions We'll be doing off the podcast, but

922
00:51:09,680 --> 00:51:13,400
Speaker 1: we will, but just know that's happening to ask these

923
00:51:13,520 --> 00:51:17,640
Speaker 1: question But at what moment do we revert to cannibalism.

924
00:51:17,760 --> 00:51:20,839
Speaker 1: We can't die. We cannot die. I mean, we're gonna

925
00:51:20,840 --> 00:51:24,160
Speaker 1: get sick of the popcorn, sure, but that's actually useful

926
00:51:24,200 --> 00:51:27,520
Speaker 1: for the cannibalism because we can eat each other and

927
00:51:27,520 --> 00:51:29,800
Speaker 1: and like, and then we're going to start thinking about

928
00:51:29,840 --> 00:51:33,400
Speaker 1: how like buttery or inside will be because of the popcorn,

929
00:51:33,480 --> 00:51:36,000
Speaker 1: and that's going to make us want to kill each other.

930
00:51:36,200 --> 00:51:39,440
Speaker 1: But sure, yeah, just to use it as we.

931
00:51:39,440 --> 00:51:43,440
Speaker 3: Know that's I'm looking and realizing like I'm burlier and

932
00:51:43,480 --> 00:51:46,560
Speaker 3: bigger than you guys. But but that also means that you,

933
00:51:46,920 --> 00:51:49,480
Speaker 3: with your podcasting history, could double team me.

934
00:51:50,239 --> 00:51:51,200
Speaker 1: And possibly beat me.

935
00:51:51,239 --> 00:51:54,040
Speaker 3: But if I take you out individually, I probably easily

936
00:51:54,120 --> 00:51:54,400
Speaker 3: kill you.

937
00:51:54,400 --> 00:51:54,680
Speaker 1: Guys.

938
00:51:54,760 --> 00:51:56,440
Speaker 2: Yeah, you probably want to get a jump on it,

939
00:51:56,480 --> 00:51:59,479
Speaker 2: but there is no doubt, but we can be aware.

940
00:52:00,040 --> 00:52:02,960
Speaker 1: Yeah. No, I'm thinking there is sort of endlessly brutalizing

941
00:52:03,000 --> 00:52:06,399
Speaker 1: each other in the Popcorn Gallery because there is no death.

942
00:52:06,400 --> 00:52:08,680
Speaker 1: That's really can't actually die in there. The only entertainment

943
00:52:08,760 --> 00:52:10,799
Speaker 1: we have, but others can't. But you can't chop each

944
00:52:10,800 --> 00:52:12,760
Speaker 1: other up, use each other as a sauce other than

945
00:52:12,880 --> 00:52:13,960
Speaker 1: other than the questions.

946
00:52:14,600 --> 00:52:22,360
Speaker 3: I just imagine, like like biting your leg as Sean

947
00:52:22,520 --> 00:52:24,800
Speaker 3: is like screaming out always as b sides.

948
00:52:26,520 --> 00:52:29,120
Speaker 1: So here's a question from Mike Benetti and he asks

949
00:52:29,280 --> 00:52:42,560
Speaker 1: Mike Cool name, huh yeah, Bye bye, Holly. Hollywood Handbook

950
00:52:42,800 --> 00:52:46,080
Speaker 1: is brought to you by Wolf Cool Production, to subsidiary

951
00:52:46,120 --> 00:52:58,399
Speaker 1: of calvinobs Ow Baby