WEBVTT - Twisters: Live From Universal Studios

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<v Speaker 1>Howdy partners, It's me Rosie Night. Definitely somebody from Texas

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<v Speaker 1>and not from London. Welcome to a very special episode

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<v Speaker 1>of X ray Vision to celebrate the release of Twisters,

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<v Speaker 1>directed by Minari's Lee Isaac Chung. I'm coming to you

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<v Speaker 1>from Universal Studios, where I was lucky enough to take

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<v Speaker 1>an actual hay ride to the famous Stage forty four,

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<v Speaker 1>where such classic movies like The Birds, Jurassic Park three,

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<v Speaker 1>and Furious seven were filled. When I was there, I

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<v Speaker 1>was able to chow down on barbecue and chat some

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<v Speaker 1>of the stars of Twisters, A Man in the Wasps,

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<v Speaker 1>Katie O'Brien, Nopes, Brandon Praier, and Hellboy Sasha Lane. Hello, guys,

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<v Speaker 1>thank you so much for taking time to talk to me.

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<v Speaker 2>Of course, of course, I just wanted.

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<v Speaker 1>To start by saying love lives Bleeding Nope, American Honey, Pipeline.

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<v Speaker 1>There's very special movies to me, So I really appreciate

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<v Speaker 1>being able to chat to you guys about this, which

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<v Speaker 1>I also loved.

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<v Speaker 2>See, So thank you for taking the time to do this.

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<v Speaker 1>Yeah, very excited. So first of all, I was going

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<v Speaker 1>to say something I love about this movie is in

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<v Speaker 1>disaster movies, we usually see people who are trying to

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<v Speaker 1>get away from the danger, trying to kind of prepare

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<v Speaker 1>for it, like hide, shuffle themselves away. But you guys

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<v Speaker 1>get to embrace it and you get to chase. It

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<v Speaker 1>was that kind of a cathartic feeling. What did it

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<v Speaker 1>feel like to kind of get to embrace the danger

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<v Speaker 1>of chasing tornadoes.

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<v Speaker 3>It's hard to sick for me because it's I feel like, realistically,

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<v Speaker 3>we're in a safe vehicle, and like even if there

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<v Speaker 3>was lightning, we weren't allowed to be outside, so realistically

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<v Speaker 3>we didn't really do anything. But I think it's really

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<v Speaker 3>it's cool that we got to at least learn a

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<v Speaker 3>little bit more about the people that do and and

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<v Speaker 3>what drives them to do it.

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<v Speaker 2>Yeah, I had to experience watching so much content and

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<v Speaker 2>videos of people chasing, just seeing that thrill ride that

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<v Speaker 2>they go on and just this i don't know, like

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<v Speaker 2>animalistic roar they get when a tornado actually touches down

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<v Speaker 2>and happens. It's just like uncontrollable. And I kind of

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<v Speaker 2>felt that thrill because after the movie, I went back

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<v Speaker 2>to Oklahoma to chase a little bit, and I started

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<v Speaker 2>understanding a bit of why there is that drive to

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<v Speaker 2>do it. But I was with a professional and he

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<v Speaker 2>kept us at a safe distance from everything. But you

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<v Speaker 2>want it to happen in a sense so bad. We're like,

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<v Speaker 2>oh my god, I want to see this thing. And

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<v Speaker 2>it's so exciting to be in the midst of like

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<v Speaker 2>the hail and the rain and yeah, I don't know.

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<v Speaker 2>There is this adrenaline that's just uncontrollable that just just drive.

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<v Speaker 1>You know what is expensive writing a hay ride around

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<v Speaker 1>Universal Studios. I'm sure that cost them a lot of money.

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<v Speaker 1>Luckily we didn't have to pay for it, but we

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<v Speaker 1>do have to pay for other stuff. So listen to

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<v Speaker 1>the ad.

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<v Speaker 4>My back.

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<v Speaker 1>And something that I thought was felt really organic was

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<v Speaker 1>the relationship that we get with you guys. It's we're

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<v Speaker 1>just thrown into it. We become a part of it.

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<v Speaker 1>What was it like for you guys fostering that and

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<v Speaker 1>kind of making that unit that we that we see.

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<v Speaker 4>I think it's easy when you're shoved into a truck

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<v Speaker 4>for long hours, you just you start to bond and

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<v Speaker 4>like you, I think that's the whole reason why you

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<v Speaker 4>pay attention to casting and understanding the circumstances of like

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<v Speaker 4>if you want this to be authentic, you need to

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<v Speaker 4>get a blend of people who can form authentic relationships.

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<v Speaker 4>And going on the journey and being on location a

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<v Speaker 4>lot and being stuck in random middle places of vocal Home,

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<v Speaker 4>I just kind of made it like very easy to

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<v Speaker 4>form that bond and then make it look real because

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<v Speaker 4>we were genuinely enjoying it.

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<v Speaker 1>Yeah, and you kind of mentioned about like preparing watching

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<v Speaker 1>content like people who do chase. Were there any disaster movies,

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<v Speaker 1>Like do you guys have favorite disaster movies that you

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<v Speaker 1>revisited while this or that you just like outside of

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<v Speaker 1>this job.

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<v Speaker 3>I just to watch Outbreak, which feels real. It's really real,

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<v Speaker 3>and there's something about it. I don't know what it was,

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<v Speaker 3>but I like when I was a kid, I was

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<v Speaker 3>obsessed with it. Yeah, and I barely remember it now.

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<v Speaker 2>I think like watching the original Twister of course to prep,

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<v Speaker 2>and also rewatching Isaac's films to just kind of le

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<v Speaker 2>Isaac Chunk's movies to kind of prep as well. And

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<v Speaker 2>also truly being in something like Nope where it really

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<v Speaker 2>focused on spectacle made it and it was like a

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<v Speaker 2>summer movie as well. Gave me that rev up for

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<v Speaker 2>something like twisters of understanding the scale of what we're doing.

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<v Speaker 2>But this was a new chapter of something that's already

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<v Speaker 2>been done, so there is a different level of pressure there.

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<v Speaker 2>But yeah, it's it's so fun to just kind of

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<v Speaker 2>dive into everything.

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<v Speaker 1>Speaking about Lee, I mean, he's such a fantastic direct

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<v Speaker 1>and coming into this he's making something that's so unlike

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<v Speaker 1>what we've seen before. What was your experience of walking

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<v Speaker 1>with Lee and kind of the johnny of going with

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<v Speaker 1>him on this movie.

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<v Speaker 4>He's so calm, So that was really nice because you're

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<v Speaker 4>making something big scale, and obviously we all kind of

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<v Speaker 4>feel a little bit of pressure given the circumstances, but

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<v Speaker 4>we all had a lot of faith and trust and

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<v Speaker 4>what he was going to do with this film and

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<v Speaker 4>why be down to be a part of it, And

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<v Speaker 4>he just remained so calm and so you could just

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<v Speaker 4>kind of trust his vision because even some of our

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<v Speaker 4>more like improvd parts and whatever, it was just like

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<v Speaker 4>it was just allowed est like room to just go

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<v Speaker 4>with it, so that it was nice.

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<v Speaker 2>Yeah. I think the what I told Isaac the first

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<v Speaker 2>time we sat down and met was you've earned my

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<v Speaker 2>trust as a filmmaker and as an artist. So I

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<v Speaker 2>trust you. I'll do anything. I'd play the bush if

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<v Speaker 2>you need me too, I would literally do anything. You've

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<v Speaker 2>earned my trust in that. And then at the end

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<v Speaker 2>of the meeting, I was like, now you've earned my

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<v Speaker 2>trust as a human. You have a good heart, and

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<v Speaker 2>I'm just here for you as a friend and as

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<v Speaker 2>a collaborator, and let's go on this journey. I'd love

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<v Speaker 2>to be a part of it in any way that

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<v Speaker 2>I can't. And he continued to showcase and earn my

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<v Speaker 2>trust more and more, and especially after seeing the final cut,

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<v Speaker 2>him like I do anything, he says over and over

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<v Speaker 2>and over again.

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<v Speaker 3>Yeah. He also is like, it's a really rare and

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<v Speaker 3>cool thing. But he gives us a lot of onus

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<v Speaker 3>of our character, and so he's like he trusts us

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<v Speaker 3>as well, which is really cool. But yeah, just a

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<v Speaker 3>really brilliant, sweet, smart, lovely human.

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<v Speaker 1>Yeah. I was going to say something that really struck

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<v Speaker 1>me about kind of the Tornado Wrangler crew is there

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<v Speaker 1>are archetypes. There's somebody who's the wingman, there's somebody who's

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<v Speaker 1>good at tech, but they feel unique. So could you

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<v Speaker 1>talk a little bit about those archetypes laid out for you?

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<v Speaker 1>Was that something in the script did you kind of

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<v Speaker 1>improve to bring those characters to life in a way

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<v Speaker 1>that felt a bit more natural.

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<v Speaker 4>I mean I feel like in terms of me with

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<v Speaker 4>the drones that was given for me, yeah, but then

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<v Speaker 4>having free range of not even having to like, hey,

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<v Speaker 4>talk like you're from here or talk like this. It

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<v Speaker 4>was just you just really get to embody it and

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<v Speaker 4>go with it and kind of But I also could,

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<v Speaker 4>for me at least like hide behind my prop if anything.

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<v Speaker 4>It was like drone and goggles, you know, I couldn't

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<v Speaker 4>see anything, so I was just I was just living.

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<v Speaker 2>Yeah, I think that's what I received too, is just

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<v Speaker 2>in one of the early drafts, it was something about

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<v Speaker 2>Boon being into the music aspect and then also being

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<v Speaker 2>the camera guy. But that's all I really got from it.

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<v Speaker 2>Everything else is kind of just shaped. And what's funny

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<v Speaker 2>is I never got to showcase how I play Boone

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<v Speaker 2>really like I ended up ultimately just getting that role.

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<v Speaker 2>So there's in the midst of my prep, like a

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<v Speaker 2>few weeks in, I was just like, oh my god,

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<v Speaker 2>I have to send a voice note to Isaac to

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<v Speaker 2>be like, Hey, this is all I'm gonna sound. Man.

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<v Speaker 2>I hope it's all right. I hope boon because that's

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<v Speaker 2>not written, you know. And he was just like, oh yeah,

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<v Speaker 2>I love hearing boone and then just gave me the

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<v Speaker 2>thumbs up and I just ran and threw things at

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<v Speaker 2>the wall, and it was just good to continuously get

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<v Speaker 2>that push and trust of like keep pushing, go, go, go,

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<v Speaker 2>do whatever you want, and.

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<v Speaker 4>So wild to hear that accept for the first time

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<v Speaker 4>just talking to him. And then all of a sudden

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<v Speaker 4>he was like, oh, let's run a teat and he's

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<v Speaker 4>like I want to.

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<v Speaker 2>I'm like, yeah, like I could.

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<v Speaker 3>Yeah, I couldn't do that.

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<v Speaker 2>I'm like you, I don't even know where a game from.

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<v Speaker 2>It was just like in the.

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<v Speaker 3>Moment, just like I like, I know people to do

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<v Speaker 3>that all the time. Yeah, yeah, it's great.

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<v Speaker 1>Yeah. I also like I didn't go to college, so

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<v Speaker 1>I was really I love I didn't go to college

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<v Speaker 1>representations show. I was like in the screening, like thank you.

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<v Speaker 3>Yeah. I mean I feel like a lot of time,

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<v Speaker 3>depending on what you're doing, you don't need it.

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<v Speaker 4>You know. The trade is a.

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<v Speaker 3>Really like an underutilized thing these days.

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<v Speaker 2>Yeah, people have been asking me, what do you relate

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<v Speaker 2>to with boone. I've been like, I don't really know

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<v Speaker 2>he's longer, but I can relate to the go to college.

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<v Speaker 1>Yeah, I'm like, we've made it all kinds of right

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<v Speaker 1>things you kind of touched on seeing the finished cut.

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<v Speaker 1>I was not even tease a pun, I just say

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<v Speaker 1>this look becau. I'm English, But I was blown away

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<v Speaker 1>by the movie. It was like, it was absolutely wonderful.

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<v Speaker 1>How did it feel to go on that journey, be

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<v Speaker 1>on location, be in those trucks, and then see the

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<v Speaker 1>finished cut and see that kind of the vision the

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<v Speaker 1>isa is a cad because I feel like you feel

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<v Speaker 1>his care and you feel that his skill is on

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<v Speaker 1>the screen. We were talking about it after watching the

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<v Speaker 1>film yesterday, but it almost feels like you're not watching

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<v Speaker 1>a movie. You're just in it with you guys, and

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<v Speaker 1>it feels really natural. So how did it feel to

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<v Speaker 1>kind of watch that final cut?

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<v Speaker 2>I haven't seen the official final Yeah you yeah, watching

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<v Speaker 2>the final cut was just like I said, maybe you're

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<v Speaker 2>in Isaac's trust even more. But then also being surprised

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<v Speaker 2>because there's stuff that I was filming on the cell

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<v Speaker 2>phone that I thought were going to be dead shots,

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<v Speaker 2>because you know, and this is just I'm giving it

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<v Speaker 2>up to the effects team for this, because yeah, I'd

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<v Speaker 2>be filming the windshield and normally there's like the c

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<v Speaker 2>stand in the camera and all that stuff there, and

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<v Speaker 2>then the VFX team wiped it all out, and my

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<v Speaker 2>camera phone footage is so like in there so much,

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<v Speaker 2>and I was just so blown away by the final product.

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<v Speaker 2>And then also seeing Isaac's style be added to a

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<v Speaker 2>big blockbuster summer movie, Like he knows how to pull

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<v Speaker 2>in your heart strings seamlessly, and his shot selection is incredible,

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<v Speaker 2>and also just the way he takes those beats and

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<v Speaker 2>moments where they don't feel stretched, they feel like a

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<v Speaker 2>like you said, like you are there and invested in this,

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<v Speaker 2>And it's just such a talented artist And I hope

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<v Speaker 2>it showcases to big studios to trust directors like Isaac

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<v Speaker 2>to be at the helm of these big movies.

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<v Speaker 1>Yeah, I think it brings like a hat and a

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<v Speaker 1>humanity to them. I was going to say, I mean,

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<v Speaker 1>obviously you're coming at this as actors from a place

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<v Speaker 1>of character, but did that feel like that was something

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<v Speaker 1>you had to get used to to balance bringing this

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<v Speaker 1>kind of hat and humanity in the face of these

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<v Speaker 1>giant tornadoes or was that something that just felt normal.

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<v Speaker 4>I would say I felt normal just because also on

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<v Speaker 4>the flip side, it's just like tornadoes here here, you know,

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<v Speaker 4>you know what I mean. So like, I think it

0:11:29.040 --> 0:11:32.080
<v Speaker 4>was very easy to stay grounded because we're on location

0:11:32.200 --> 0:11:34.040
<v Speaker 4>and we're dealing with all these extra things, but we

0:11:34.080 --> 0:11:38.839
<v Speaker 4>aren't actually like witnessing all these major tornadoes while we're

0:11:38.840 --> 0:11:41.720
<v Speaker 4>doing it, so like you stay intimate, and then they

0:11:42.280 --> 0:11:44.480
<v Speaker 4>add all the extra big stuff and then you're.

0:11:44.360 --> 0:11:46.720
<v Speaker 3>Like, ah, but it was it was always fascinating to

0:11:46.720 --> 0:11:50.480
<v Speaker 3>walk in on set what set deck had done overnight

0:11:50.559 --> 0:11:54.800
<v Speaker 3>or whatever. Walk and we're looking at completely wrecked houses

0:11:54.880 --> 0:11:57.839
<v Speaker 3>and stuff thrown all over the place, and you can

0:11:57.880 --> 0:12:00.440
<v Speaker 3>really you know really and they based out off of,

0:12:00.920 --> 0:12:05.160
<v Speaker 3>you know, actual photos of scenes that happened after tornadoes,

0:12:05.200 --> 0:12:07.480
<v Speaker 3>and so it really does hit you where you're like, wow,

0:12:07.520 --> 0:12:11.320
<v Speaker 3>this is what people woke up to one day. We're

0:12:11.360 --> 0:12:13.560
<v Speaker 3>like here's the refrigerator. They're missing their dog, you know,

0:12:13.760 --> 0:12:15.600
<v Speaker 3>like where's my kid? These kind of things that it

0:12:15.679 --> 0:12:18.440
<v Speaker 3>really does add this like the severity of it, and

0:12:18.480 --> 0:12:21.880
<v Speaker 3>it's not just it's not just oh it's a lot

0:12:21.880 --> 0:12:26.520
<v Speaker 3>of property damage. There's literally like people's lives are lost, ruined,

0:12:26.559 --> 0:12:27.960
<v Speaker 3>and devastated because of this.

0:12:28.360 --> 0:12:28.600
<v Speaker 4>Yeah.

0:12:28.679 --> 0:12:30.160
<v Speaker 2>One thing I bought up earlier too, is that there's

0:12:30.200 --> 0:12:32.160
<v Speaker 2>one of the towns where we were in a neighborhood

0:12:32.200 --> 0:12:34.600
<v Speaker 2>and there's buildings that were messed up, and I was like, oh, man,

0:12:34.679 --> 0:12:38.720
<v Speaker 2>the prop team they all killed Setek and the neighbors

0:12:38.760 --> 0:12:40.840
<v Speaker 2>are like, no, that's just like torn up buildings that

0:12:41.280 --> 0:12:43.719
<v Speaker 2>I just haven't been able to get fixed yet. And they're like, yeah,

0:12:43.800 --> 0:12:46.640
<v Speaker 2>real tornado actually hit here and that's real damage. Then

0:12:46.679 --> 0:12:49.000
<v Speaker 2>you guys added to it, and I was like what Yeah,

0:12:49.240 --> 0:12:52.000
<v Speaker 2>So it just makes you really feel we're doing something

0:12:52.160 --> 0:12:54.359
<v Speaker 2>more important than this summer movie.

0:12:54.120 --> 0:12:56.000
<v Speaker 1>And we're going to take a quick break and we'll

0:12:56.040 --> 0:13:14.200
<v Speaker 1>be right back. We're back, Yeah, I mean talking about that,

0:13:14.480 --> 0:13:18.360
<v Speaker 1>there's a moment that felt so lead to me. But

0:13:18.480 --> 0:13:21.160
<v Speaker 1>it was like, after all of the damage, the first

0:13:21.200 --> 0:13:23.000
<v Speaker 1>thing we see is like a woman and she's picking

0:13:23.080 --> 0:13:25.200
<v Speaker 1>up like a handmade mug and it's like the thing

0:13:25.280 --> 0:13:27.560
<v Speaker 1>she wants to save. So I really felt like there's

0:13:27.600 --> 0:13:30.080
<v Speaker 1>those moments in there where you feel the human cost,

0:13:30.120 --> 0:13:33.160
<v Speaker 1>which obviously also plays a part as the movie goes along.

0:13:33.360 --> 0:13:36.080
<v Speaker 1>Speaking of which, something I love about the film is

0:13:36.520 --> 0:13:39.440
<v Speaker 1>you guys are introduced in one way, let's say, and

0:13:39.480 --> 0:13:42.320
<v Speaker 1>as the movie changes, you don't change any of your behavior,

0:13:42.360 --> 0:13:45.400
<v Speaker 1>but the perception that we get of your characters changes

0:13:45.440 --> 0:13:48.480
<v Speaker 1>with the movie. What was that like to approach knowing

0:13:48.520 --> 0:13:51.520
<v Speaker 1>that you would be presented in a certain light and

0:13:51.600 --> 0:13:54.040
<v Speaker 1>kind of knowing the truth of your characters as you

0:13:54.080 --> 0:13:54.600
<v Speaker 1>went along.

0:13:55.600 --> 0:14:00.319
<v Speaker 3>It's like it's more of Daisy's journey. You know, she's

0:14:00.360 --> 0:14:05.160
<v Speaker 3>seeing Okay or Kate, I guess kind of has this

0:14:05.320 --> 0:14:09.360
<v Speaker 3>like weird, icky feeling about going home and maybe even

0:14:09.440 --> 0:14:12.160
<v Speaker 3>kind of has this prejudice of the people around her

0:14:12.440 --> 0:14:14.400
<v Speaker 3>or where she grew up. And then it's like kind

0:14:14.440 --> 0:14:16.760
<v Speaker 3>of realizing, oh, no, home is where people, where the

0:14:16.760 --> 0:14:19.000
<v Speaker 3>heart is, and where people are like taking care of

0:14:19.040 --> 0:14:22.840
<v Speaker 3>their own community. So I think I love that it

0:14:22.880 --> 0:14:26.880
<v Speaker 3>played in her kind of reappreciating where she came from

0:14:27.160 --> 0:14:27.880
<v Speaker 3>in her journey.

0:14:28.440 --> 0:14:31.240
<v Speaker 1>Yeah, that's definitely one of the coolest parts of the movie.

0:14:31.800 --> 0:14:35.080
<v Speaker 1>So when you're approaching a film like this, like obviously

0:14:35.120 --> 0:14:37.560
<v Speaker 1>it's a job, right, how does it feel to kind

0:14:37.600 --> 0:14:39.520
<v Speaker 1>of be at that coming to the end of this

0:14:39.720 --> 0:14:41.680
<v Speaker 1>job and knowing that it's about to be out there

0:14:41.680 --> 0:14:43.760
<v Speaker 1>and this kind of intimate thing, those hours spent in

0:14:43.800 --> 0:14:45.600
<v Speaker 1>the truck when it was just you guys building these

0:14:45.640 --> 0:14:48.040
<v Speaker 1>relationships is about to be out there and people are

0:14:48.080 --> 0:14:48.560
<v Speaker 1>seeing it.

0:14:49.320 --> 0:14:52.360
<v Speaker 4>It's exciting because I feel really proud of it. And

0:14:52.400 --> 0:14:55.440
<v Speaker 4>like we said, like I think what the Isaac's done

0:14:55.520 --> 0:14:58.280
<v Speaker 4>is something incredible and I can't wait for him to

0:14:58.320 --> 0:15:00.640
<v Speaker 4>get his flowers for that as well, and so like

0:15:01.160 --> 0:15:04.200
<v Speaker 4>if anything not really is like usually i'd be like,

0:15:04.760 --> 0:15:06.720
<v Speaker 4>we are they going to think? And with this it's

0:15:06.800 --> 0:15:09.640
<v Speaker 4>just like have fun. Like I think, I think it's

0:15:09.720 --> 0:15:12.200
<v Speaker 4>ultimately gonna just it's gonna be great to have it

0:15:12.200 --> 0:15:12.520
<v Speaker 4>out there.

0:15:12.560 --> 0:15:12.920
<v Speaker 3>Finally.

0:15:13.360 --> 0:15:14.640
<v Speaker 2>Yeah, I feel like it's been a part of our

0:15:14.680 --> 0:15:16.840
<v Speaker 2>lives for so long and now I'm ready for it

0:15:16.880 --> 0:15:19.640
<v Speaker 2>to be out there. I'm excited and I'm like, oh,

0:15:19.680 --> 0:15:21.440
<v Speaker 2>I wish I was out there like right now.

0:15:21.680 --> 0:15:21.840
<v Speaker 4>Yea.

0:15:22.560 --> 0:15:26.720
<v Speaker 2>But yeah, also with Isaac, I know I won't act

0:15:26.760 --> 0:15:29.200
<v Speaker 2>like this was an easy shoot, like it's an easy

0:15:29.200 --> 0:15:33.120
<v Speaker 2>shoot for him. This is a big deal and yeah,

0:15:33.320 --> 0:15:35.840
<v Speaker 2>it was a massive thing to take on. And like

0:15:35.920 --> 0:15:39.520
<v Speaker 2>he said, he said, facing this big type of movie,

0:15:39.640 --> 0:15:43.280
<v Speaker 2>big tent pole movie after a film like Minati is

0:15:43.320 --> 0:15:46.280
<v Speaker 2>almost like chasing a tornado and facing one and how

0:15:46.280 --> 0:15:48.960
<v Speaker 2>are you going to operate within it? And yeah, I

0:15:49.000 --> 0:15:51.360
<v Speaker 2>think it being out there would be amazing in him

0:15:51.440 --> 0:15:53.600
<v Speaker 2>to receive his flowers for that as well. And I

0:15:53.680 --> 0:15:56.440
<v Speaker 2>just hope, like I said before, I help other filmmakers

0:15:56.520 --> 0:15:58.640
<v Speaker 2>like Isaac get these opportunities because I feel like he

0:15:58.680 --> 0:16:01.560
<v Speaker 2>knocked it out the park and just trust these filmmakers.

0:16:01.920 --> 0:16:04.040
<v Speaker 3>It's cool because I'm like, literally just not even worried,

0:16:04.520 --> 0:16:06.640
<v Speaker 3>you know, like I haven't seen the finished product, and

0:16:06.680 --> 0:16:07.800
<v Speaker 3>I'm like, yeah, no, it's gonna be great.

0:16:07.880 --> 0:16:11.920
<v Speaker 1>Yeah, that's awesome. Yeah, that's wonderful. Thank you all so much.

0:16:12.280 --> 0:16:14.920
<v Speaker 1>I really appreciate it. It was just the joy to

0:16:14.960 --> 0:16:16.280
<v Speaker 1>talk to you and congress on the movie.

0:16:16.320 --> 0:16:18.640
<v Speaker 2>It's absolutely thank you so much.

0:16:19.080 --> 0:16:21.520
<v Speaker 1>Thanks for listening. Twisters is out now, and if you

0:16:21.560 --> 0:16:23.840
<v Speaker 1>want the coolest Twisters much check out our friends It's

0:16:23.880 --> 0:16:27.720
<v Speaker 1>super Yucky links in the show notes, and remember stay

0:16:27.760 --> 0:16:30.240
<v Speaker 1>tuned next week for more House of the Dragon coverage

0:16:30.320 --> 0:16:34.040
<v Speaker 1>and five Days of Depot and Wolverine YEP, a new

0:16:34.080 --> 0:16:38.280
<v Speaker 1>episode every single day featuring superstar comic book creators, rankings, lists,

0:16:38.280 --> 0:16:41.800
<v Speaker 1>and of course, deep dives about the stars of the

0:16:41.920 --> 0:16:44.440
<v Speaker 1>MCUs upcoming movie.

0:16:45.000 --> 0:16:53.800
<v Speaker 5>Bye x Ray Vision is hosted by Jason Epson and

0:16:53.920 --> 0:16:58.040
<v Speaker 5>Rosie Knight, and there's a production of iHeart podcasts. Our

0:16:58.080 --> 0:17:02.320
<v Speaker 5>executive producers are Joelle Smith and Aaron Kaufman. Our supervising

0:17:02.360 --> 0:17:07.040
<v Speaker 5>producer is a Boo Zafar. Our producers are Carmen Laurent

0:17:07.840 --> 0:17:11.480
<v Speaker 5>and Mia Taylor. Our theme song is by Brian Basquez.

0:17:11.960 --> 0:17:16.240
<v Speaker 1>Special thanks to Soul Rubin and Chris Laude, Kenny Goodman

0:17:16.600 --> 0:17:18.679
<v Speaker 1>and Heidi our discord moderator.