1 00:00:20,280 --> 00:00:25,160 Speaker 1: Howdy partners, It's me Rosie Night. Definitely somebody from Texas 2 00:00:25,200 --> 00:00:28,280 Speaker 1: and not from London. Welcome to a very special episode 3 00:00:28,320 --> 00:00:30,800 Speaker 1: of X ray Vision to celebrate the release of Twisters, 4 00:00:31,080 --> 00:00:35,720 Speaker 1: directed by Minari's Lee Isaac Chung. I'm coming to you 5 00:00:35,760 --> 00:00:38,279 Speaker 1: from Universal Studios, where I was lucky enough to take 6 00:00:38,320 --> 00:00:41,760 Speaker 1: an actual hay ride to the famous Stage forty four, 7 00:00:42,120 --> 00:00:45,640 Speaker 1: where such classic movies like The Birds, Jurassic Park three, 8 00:00:45,880 --> 00:00:48,879 Speaker 1: and Furious seven were filled. When I was there, I 9 00:00:48,920 --> 00:00:50,920 Speaker 1: was able to chow down on barbecue and chat some 10 00:00:50,960 --> 00:00:53,400 Speaker 1: of the stars of Twisters, A Man in the Wasps, 11 00:00:53,440 --> 00:01:01,880 Speaker 1: Katie O'Brien, Nopes, Brandon Praier, and Hellboy Sasha Lane. Hello, guys, 12 00:01:01,920 --> 00:01:04,319 Speaker 1: thank you so much for taking time to talk to me. 13 00:01:04,480 --> 00:01:06,040 Speaker 2: Of course, of course, I just wanted. 14 00:01:05,880 --> 00:01:10,960 Speaker 1: To start by saying love lives Bleeding Nope, American Honey, Pipeline. 15 00:01:10,959 --> 00:01:13,720 Speaker 1: There's very special movies to me, So I really appreciate 16 00:01:13,920 --> 00:01:15,680 Speaker 1: being able to chat to you guys about this, which 17 00:01:15,760 --> 00:01:16,600 Speaker 1: I also loved. 18 00:01:16,600 --> 00:01:18,920 Speaker 2: See, So thank you for taking the time to do this. 19 00:01:19,120 --> 00:01:21,760 Speaker 1: Yeah, very excited. So first of all, I was going 20 00:01:21,840 --> 00:01:24,280 Speaker 1: to say something I love about this movie is in 21 00:01:24,360 --> 00:01:27,440 Speaker 1: disaster movies, we usually see people who are trying to 22 00:01:27,440 --> 00:01:31,240 Speaker 1: get away from the danger, trying to kind of prepare 23 00:01:31,280 --> 00:01:34,759 Speaker 1: for it, like hide, shuffle themselves away. But you guys 24 00:01:34,760 --> 00:01:36,920 Speaker 1: get to embrace it and you get to chase. It 25 00:01:37,000 --> 00:01:38,760 Speaker 1: was that kind of a cathartic feeling. What did it 26 00:01:38,800 --> 00:01:41,640 Speaker 1: feel like to kind of get to embrace the danger 27 00:01:41,720 --> 00:01:43,120 Speaker 1: of chasing tornadoes. 28 00:01:44,920 --> 00:01:47,520 Speaker 3: It's hard to sick for me because it's I feel like, realistically, 29 00:01:47,560 --> 00:01:50,240 Speaker 3: we're in a safe vehicle, and like even if there 30 00:01:50,280 --> 00:01:54,400 Speaker 3: was lightning, we weren't allowed to be outside, so realistically 31 00:01:54,480 --> 00:01:57,320 Speaker 3: we didn't really do anything. But I think it's really 32 00:01:57,400 --> 00:02:00,320 Speaker 3: it's cool that we got to at least learn a 33 00:02:00,360 --> 00:02:04,080 Speaker 3: little bit more about the people that do and and 34 00:02:04,560 --> 00:02:05,880 Speaker 3: what drives them to do it. 35 00:02:06,280 --> 00:02:09,720 Speaker 2: Yeah, I had to experience watching so much content and 36 00:02:09,800 --> 00:02:12,400 Speaker 2: videos of people chasing, just seeing that thrill ride that 37 00:02:12,440 --> 00:02:14,640 Speaker 2: they go on and just this i don't know, like 38 00:02:14,680 --> 00:02:17,600 Speaker 2: animalistic roar they get when a tornado actually touches down 39 00:02:17,600 --> 00:02:21,320 Speaker 2: and happens. It's just like uncontrollable. And I kind of 40 00:02:21,360 --> 00:02:24,880 Speaker 2: felt that thrill because after the movie, I went back 41 00:02:24,919 --> 00:02:28,600 Speaker 2: to Oklahoma to chase a little bit, and I started 42 00:02:28,720 --> 00:02:31,280 Speaker 2: understanding a bit of why there is that drive to 43 00:02:31,360 --> 00:02:33,679 Speaker 2: do it. But I was with a professional and he 44 00:02:33,760 --> 00:02:36,120 Speaker 2: kept us at a safe distance from everything. But you 45 00:02:36,200 --> 00:02:38,680 Speaker 2: want it to happen in a sense so bad. We're like, 46 00:02:38,680 --> 00:02:40,240 Speaker 2: oh my god, I want to see this thing. And 47 00:02:40,600 --> 00:02:42,480 Speaker 2: it's so exciting to be in the midst of like 48 00:02:42,520 --> 00:02:44,680 Speaker 2: the hail and the rain and yeah, I don't know. 49 00:02:44,720 --> 00:02:48,560 Speaker 2: There is this adrenaline that's just uncontrollable that just just drive. 50 00:02:48,680 --> 00:02:52,600 Speaker 1: You know what is expensive writing a hay ride around 51 00:02:52,680 --> 00:02:55,239 Speaker 1: Universal Studios. I'm sure that cost them a lot of money. 52 00:02:55,360 --> 00:02:56,880 Speaker 1: Luckily we didn't have to pay for it, but we 53 00:02:56,919 --> 00:02:58,920 Speaker 1: do have to pay for other stuff. So listen to 54 00:02:59,120 --> 00:02:59,640 Speaker 1: the ad. 55 00:03:15,320 --> 00:03:15,760 Speaker 4: My back. 56 00:03:16,160 --> 00:03:21,080 Speaker 1: And something that I thought was felt really organic was 57 00:03:21,120 --> 00:03:24,120 Speaker 1: the relationship that we get with you guys. It's we're 58 00:03:24,160 --> 00:03:26,040 Speaker 1: just thrown into it. We become a part of it. 59 00:03:26,360 --> 00:03:28,480 Speaker 1: What was it like for you guys fostering that and 60 00:03:28,600 --> 00:03:32,440 Speaker 1: kind of making that unit that we that we see. 61 00:03:32,960 --> 00:03:36,160 Speaker 4: I think it's easy when you're shoved into a truck 62 00:03:36,240 --> 00:03:40,520 Speaker 4: for long hours, you just you start to bond and 63 00:03:40,560 --> 00:03:43,720 Speaker 4: like you, I think that's the whole reason why you 64 00:03:43,720 --> 00:03:48,200 Speaker 4: pay attention to casting and understanding the circumstances of like 65 00:03:48,240 --> 00:03:50,120 Speaker 4: if you want this to be authentic, you need to 66 00:03:50,160 --> 00:03:54,000 Speaker 4: get a blend of people who can form authentic relationships. 67 00:03:54,520 --> 00:03:57,040 Speaker 4: And going on the journey and being on location a 68 00:03:57,080 --> 00:04:00,200 Speaker 4: lot and being stuck in random middle places of vocal Home, 69 00:04:00,320 --> 00:04:02,480 Speaker 4: I just kind of made it like very easy to 70 00:04:03,240 --> 00:04:05,360 Speaker 4: form that bond and then make it look real because 71 00:04:05,400 --> 00:04:08,200 Speaker 4: we were genuinely enjoying it. 72 00:04:09,040 --> 00:04:12,360 Speaker 1: Yeah, and you kind of mentioned about like preparing watching 73 00:04:12,400 --> 00:04:16,400 Speaker 1: content like people who do chase. Were there any disaster movies, 74 00:04:16,440 --> 00:04:18,719 Speaker 1: Like do you guys have favorite disaster movies that you 75 00:04:18,839 --> 00:04:21,320 Speaker 1: revisited while this or that you just like outside of 76 00:04:21,360 --> 00:04:21,840 Speaker 1: this job. 77 00:04:23,560 --> 00:04:28,960 Speaker 3: I just to watch Outbreak, which feels real. It's really real, 78 00:04:29,760 --> 00:04:31,400 Speaker 3: and there's something about it. I don't know what it was, 79 00:04:31,400 --> 00:04:32,640 Speaker 3: but I like when I was a kid, I was 80 00:04:32,640 --> 00:04:35,400 Speaker 3: obsessed with it. Yeah, and I barely remember it now. 81 00:04:37,480 --> 00:04:40,800 Speaker 2: I think like watching the original Twister of course to prep, 82 00:04:42,120 --> 00:04:45,120 Speaker 2: and also rewatching Isaac's films to just kind of le 83 00:04:45,240 --> 00:04:48,560 Speaker 2: Isaac Chunk's movies to kind of prep as well. And 84 00:04:48,920 --> 00:04:52,280 Speaker 2: also truly being in something like Nope where it really 85 00:04:52,360 --> 00:04:55,760 Speaker 2: focused on spectacle made it and it was like a 86 00:04:55,800 --> 00:04:59,320 Speaker 2: summer movie as well. Gave me that rev up for 87 00:04:59,520 --> 00:05:02,640 Speaker 2: something like twisters of understanding the scale of what we're doing. 88 00:05:03,720 --> 00:05:07,400 Speaker 2: But this was a new chapter of something that's already 89 00:05:07,400 --> 00:05:10,799 Speaker 2: been done, so there is a different level of pressure there. 90 00:05:10,839 --> 00:05:14,160 Speaker 2: But yeah, it's it's so fun to just kind of 91 00:05:14,279 --> 00:05:15,280 Speaker 2: dive into everything. 92 00:05:15,920 --> 00:05:20,279 Speaker 1: Speaking about Lee, I mean, he's such a fantastic direct 93 00:05:20,680 --> 00:05:23,640 Speaker 1: and coming into this he's making something that's so unlike 94 00:05:23,680 --> 00:05:26,400 Speaker 1: what we've seen before. What was your experience of walking 95 00:05:26,400 --> 00:05:28,280 Speaker 1: with Lee and kind of the johnny of going with 96 00:05:28,400 --> 00:05:29,400 Speaker 1: him on this movie. 97 00:05:29,720 --> 00:05:33,000 Speaker 4: He's so calm, So that was really nice because you're 98 00:05:33,040 --> 00:05:35,680 Speaker 4: making something big scale, and obviously we all kind of 99 00:05:35,720 --> 00:05:39,040 Speaker 4: feel a little bit of pressure given the circumstances, but 100 00:05:39,800 --> 00:05:42,279 Speaker 4: we all had a lot of faith and trust and 101 00:05:42,320 --> 00:05:44,160 Speaker 4: what he was going to do with this film and 102 00:05:44,279 --> 00:05:46,720 Speaker 4: why be down to be a part of it, And 103 00:05:46,800 --> 00:05:49,840 Speaker 4: he just remained so calm and so you could just 104 00:05:49,920 --> 00:05:52,279 Speaker 4: kind of trust his vision because even some of our 105 00:05:53,279 --> 00:05:55,839 Speaker 4: more like improvd parts and whatever, it was just like 106 00:05:56,640 --> 00:05:59,279 Speaker 4: it was just allowed est like room to just go 107 00:05:59,360 --> 00:06:02,000 Speaker 4: with it, so that it was nice. 108 00:06:03,080 --> 00:06:06,200 Speaker 2: Yeah. I think the what I told Isaac the first 109 00:06:06,200 --> 00:06:08,800 Speaker 2: time we sat down and met was you've earned my 110 00:06:08,800 --> 00:06:10,719 Speaker 2: trust as a filmmaker and as an artist. So I 111 00:06:10,760 --> 00:06:13,520 Speaker 2: trust you. I'll do anything. I'd play the bush if 112 00:06:13,520 --> 00:06:16,120 Speaker 2: you need me too, I would literally do anything. You've 113 00:06:16,120 --> 00:06:19,400 Speaker 2: earned my trust in that. And then at the end 114 00:06:19,440 --> 00:06:20,800 Speaker 2: of the meeting, I was like, now you've earned my 115 00:06:20,800 --> 00:06:22,840 Speaker 2: trust as a human. You have a good heart, and 116 00:06:23,480 --> 00:06:26,600 Speaker 2: I'm just here for you as a friend and as 117 00:06:26,600 --> 00:06:29,719 Speaker 2: a collaborator, and let's go on this journey. I'd love 118 00:06:29,760 --> 00:06:30,920 Speaker 2: to be a part of it in any way that 119 00:06:30,960 --> 00:06:34,240 Speaker 2: I can't. And he continued to showcase and earn my 120 00:06:34,240 --> 00:06:36,720 Speaker 2: trust more and more, and especially after seeing the final cut, 121 00:06:36,800 --> 00:06:39,719 Speaker 2: him like I do anything, he says over and over 122 00:06:39,800 --> 00:06:40,440 Speaker 2: and over again. 123 00:06:40,760 --> 00:06:44,120 Speaker 3: Yeah. He also is like, it's a really rare and 124 00:06:44,160 --> 00:06:46,160 Speaker 3: cool thing. But he gives us a lot of onus 125 00:06:46,200 --> 00:06:48,880 Speaker 3: of our character, and so he's like he trusts us 126 00:06:48,920 --> 00:06:51,200 Speaker 3: as well, which is really cool. But yeah, just a 127 00:06:51,240 --> 00:06:54,159 Speaker 3: really brilliant, sweet, smart, lovely human. 128 00:06:54,640 --> 00:06:57,440 Speaker 1: Yeah. I was going to say something that really struck 129 00:06:57,520 --> 00:07:00,680 Speaker 1: me about kind of the Tornado Wrangler crew is there 130 00:07:00,680 --> 00:07:05,000 Speaker 1: are archetypes. There's somebody who's the wingman, there's somebody who's 131 00:07:05,040 --> 00:07:09,720 Speaker 1: good at tech, but they feel unique. So could you 132 00:07:09,760 --> 00:07:12,040 Speaker 1: talk a little bit about those archetypes laid out for you? 133 00:07:12,160 --> 00:07:13,760 Speaker 1: Was that something in the script did you kind of 134 00:07:13,800 --> 00:07:16,120 Speaker 1: improve to bring those characters to life in a way 135 00:07:16,160 --> 00:07:17,400 Speaker 1: that felt a bit more natural. 136 00:07:18,320 --> 00:07:20,400 Speaker 4: I mean I feel like in terms of me with 137 00:07:20,440 --> 00:07:24,200 Speaker 4: the drones that was given for me, yeah, but then 138 00:07:24,280 --> 00:07:27,360 Speaker 4: having free range of not even having to like, hey, 139 00:07:27,480 --> 00:07:29,120 Speaker 4: talk like you're from here or talk like this. It 140 00:07:29,240 --> 00:07:31,280 Speaker 4: was just you just really get to embody it and 141 00:07:31,280 --> 00:07:33,440 Speaker 4: go with it and kind of But I also could, 142 00:07:34,080 --> 00:07:36,280 Speaker 4: for me at least like hide behind my prop if anything. 143 00:07:36,280 --> 00:07:41,600 Speaker 4: It was like drone and goggles, you know, I couldn't 144 00:07:41,600 --> 00:07:44,600 Speaker 4: see anything, so I was just I was just living. 145 00:07:44,960 --> 00:07:47,680 Speaker 2: Yeah, I think that's what I received too, is just 146 00:07:48,320 --> 00:07:50,800 Speaker 2: in one of the early drafts, it was something about 147 00:07:50,960 --> 00:07:54,840 Speaker 2: Boon being into the music aspect and then also being 148 00:07:55,040 --> 00:07:57,560 Speaker 2: the camera guy. But that's all I really got from it. 149 00:07:57,640 --> 00:08:00,320 Speaker 2: Everything else is kind of just shaped. And what's funny 150 00:08:00,360 --> 00:08:03,360 Speaker 2: is I never got to showcase how I play Boone 151 00:08:03,440 --> 00:08:06,440 Speaker 2: really like I ended up ultimately just getting that role. 152 00:08:06,920 --> 00:08:09,320 Speaker 2: So there's in the midst of my prep, like a 153 00:08:09,320 --> 00:08:11,000 Speaker 2: few weeks in, I was just like, oh my god, 154 00:08:11,040 --> 00:08:13,400 Speaker 2: I have to send a voice note to Isaac to 155 00:08:13,520 --> 00:08:15,840 Speaker 2: be like, Hey, this is all I'm gonna sound. Man. 156 00:08:15,880 --> 00:08:18,840 Speaker 2: I hope it's all right. I hope boon because that's 157 00:08:18,840 --> 00:08:20,880 Speaker 2: not written, you know. And he was just like, oh yeah, 158 00:08:21,080 --> 00:08:22,800 Speaker 2: I love hearing boone and then just gave me the 159 00:08:22,840 --> 00:08:25,640 Speaker 2: thumbs up and I just ran and threw things at 160 00:08:25,680 --> 00:08:28,760 Speaker 2: the wall, and it was just good to continuously get 161 00:08:28,760 --> 00:08:31,040 Speaker 2: that push and trust of like keep pushing, go, go, go, 162 00:08:31,280 --> 00:08:32,800 Speaker 2: do whatever you want, and. 163 00:08:33,280 --> 00:08:34,959 Speaker 4: So wild to hear that accept for the first time 164 00:08:36,000 --> 00:08:37,360 Speaker 4: just talking to him. And then all of a sudden 165 00:08:37,360 --> 00:08:38,640 Speaker 4: he was like, oh, let's run a teat and he's 166 00:08:38,679 --> 00:08:39,080 Speaker 4: like I want to. 167 00:08:39,160 --> 00:08:43,840 Speaker 2: I'm like, yeah, like I could. 168 00:08:43,960 --> 00:08:44,800 Speaker 3: Yeah, I couldn't do that. 169 00:08:44,960 --> 00:08:47,440 Speaker 2: I'm like you, I don't even know where a game from. 170 00:08:47,520 --> 00:08:48,199 Speaker 2: It was just like in the. 171 00:08:48,160 --> 00:08:51,280 Speaker 3: Moment, just like I like, I know people to do 172 00:08:51,280 --> 00:08:53,800 Speaker 3: that all the time. Yeah, yeah, it's great. 173 00:08:53,920 --> 00:08:55,960 Speaker 1: Yeah. I also like I didn't go to college, so 174 00:08:56,040 --> 00:08:57,960 Speaker 1: I was really I love I didn't go to college 175 00:08:57,960 --> 00:09:01,720 Speaker 1: representations show. I was like in the screening, like thank you. 176 00:09:01,920 --> 00:09:03,680 Speaker 3: Yeah. I mean I feel like a lot of time, 177 00:09:03,960 --> 00:09:05,520 Speaker 3: depending on what you're doing, you don't need it. 178 00:09:05,600 --> 00:09:06,880 Speaker 4: You know. The trade is a. 179 00:09:06,880 --> 00:09:09,839 Speaker 3: Really like an underutilized thing these days. 180 00:09:09,920 --> 00:09:11,880 Speaker 2: Yeah, people have been asking me, what do you relate 181 00:09:11,920 --> 00:09:13,280 Speaker 2: to with boone. I've been like, I don't really know 182 00:09:13,320 --> 00:09:18,080 Speaker 2: he's longer, but I can relate to the go to college. 183 00:09:18,640 --> 00:09:20,959 Speaker 1: Yeah, I'm like, we've made it all kinds of right 184 00:09:21,040 --> 00:09:24,720 Speaker 1: things you kind of touched on seeing the finished cut. 185 00:09:24,800 --> 00:09:27,640 Speaker 1: I was not even tease a pun, I just say 186 00:09:27,640 --> 00:09:29,480 Speaker 1: this look becau. I'm English, But I was blown away 187 00:09:29,520 --> 00:09:32,880 Speaker 1: by the movie. It was like, it was absolutely wonderful. 188 00:09:33,040 --> 00:09:34,880 Speaker 1: How did it feel to go on that journey, be 189 00:09:34,960 --> 00:09:37,560 Speaker 1: on location, be in those trucks, and then see the 190 00:09:37,600 --> 00:09:40,200 Speaker 1: finished cut and see that kind of the vision the 191 00:09:40,240 --> 00:09:41,839 Speaker 1: isa is a cad because I feel like you feel 192 00:09:41,840 --> 00:09:43,960 Speaker 1: his care and you feel that his skill is on 193 00:09:44,000 --> 00:09:46,960 Speaker 1: the screen. We were talking about it after watching the 194 00:09:46,960 --> 00:09:49,160 Speaker 1: film yesterday, but it almost feels like you're not watching 195 00:09:49,160 --> 00:09:51,880 Speaker 1: a movie. You're just in it with you guys, and 196 00:09:51,920 --> 00:09:54,640 Speaker 1: it feels really natural. So how did it feel to 197 00:09:54,720 --> 00:09:56,360 Speaker 1: kind of watch that final cut? 198 00:09:57,520 --> 00:10:00,839 Speaker 2: I haven't seen the official final Yeah you yeah, watching 199 00:10:00,880 --> 00:10:03,320 Speaker 2: the final cut was just like I said, maybe you're 200 00:10:03,320 --> 00:10:06,840 Speaker 2: in Isaac's trust even more. But then also being surprised 201 00:10:06,840 --> 00:10:08,680 Speaker 2: because there's stuff that I was filming on the cell 202 00:10:08,679 --> 00:10:10,600 Speaker 2: phone that I thought were going to be dead shots, 203 00:10:10,640 --> 00:10:13,439 Speaker 2: because you know, and this is just I'm giving it 204 00:10:13,559 --> 00:10:16,240 Speaker 2: up to the effects team for this, because yeah, I'd 205 00:10:16,240 --> 00:10:18,280 Speaker 2: be filming the windshield and normally there's like the c 206 00:10:18,400 --> 00:10:20,040 Speaker 2: stand in the camera and all that stuff there, and 207 00:10:20,040 --> 00:10:22,520 Speaker 2: then the VFX team wiped it all out, and my 208 00:10:22,720 --> 00:10:25,800 Speaker 2: camera phone footage is so like in there so much, 209 00:10:26,120 --> 00:10:28,120 Speaker 2: and I was just so blown away by the final product. 210 00:10:28,120 --> 00:10:32,000 Speaker 2: And then also seeing Isaac's style be added to a 211 00:10:32,040 --> 00:10:35,760 Speaker 2: big blockbuster summer movie, Like he knows how to pull 212 00:10:35,800 --> 00:10:40,840 Speaker 2: in your heart strings seamlessly, and his shot selection is incredible, 213 00:10:40,920 --> 00:10:44,320 Speaker 2: and also just the way he takes those beats and 214 00:10:44,360 --> 00:10:47,120 Speaker 2: moments where they don't feel stretched, they feel like a 215 00:10:47,480 --> 00:10:50,240 Speaker 2: like you said, like you are there and invested in this, 216 00:10:50,400 --> 00:10:53,600 Speaker 2: And it's just such a talented artist And I hope 217 00:10:53,600 --> 00:10:57,240 Speaker 2: it showcases to big studios to trust directors like Isaac 218 00:10:57,280 --> 00:10:58,920 Speaker 2: to be at the helm of these big movies. 219 00:10:59,040 --> 00:11:01,360 Speaker 1: Yeah, I think it brings like a hat and a 220 00:11:01,440 --> 00:11:04,080 Speaker 1: humanity to them. I was going to say, I mean, 221 00:11:04,120 --> 00:11:06,680 Speaker 1: obviously you're coming at this as actors from a place 222 00:11:06,720 --> 00:11:09,560 Speaker 1: of character, but did that feel like that was something 223 00:11:09,600 --> 00:11:12,640 Speaker 1: you had to get used to to balance bringing this 224 00:11:12,760 --> 00:11:15,800 Speaker 1: kind of hat and humanity in the face of these 225 00:11:15,840 --> 00:11:19,120 Speaker 1: giant tornadoes or was that something that just felt normal. 226 00:11:20,000 --> 00:11:22,680 Speaker 4: I would say I felt normal just because also on 227 00:11:22,720 --> 00:11:26,000 Speaker 4: the flip side, it's just like tornadoes here here, you know, 228 00:11:27,040 --> 00:11:28,960 Speaker 4: you know what I mean. So like, I think it 229 00:11:29,040 --> 00:11:32,080 Speaker 4: was very easy to stay grounded because we're on location 230 00:11:32,200 --> 00:11:34,040 Speaker 4: and we're dealing with all these extra things, but we 231 00:11:34,080 --> 00:11:38,839 Speaker 4: aren't actually like witnessing all these major tornadoes while we're 232 00:11:38,840 --> 00:11:41,720 Speaker 4: doing it, so like you stay intimate, and then they 233 00:11:42,280 --> 00:11:44,480 Speaker 4: add all the extra big stuff and then you're. 234 00:11:44,360 --> 00:11:46,720 Speaker 3: Like, ah, but it was it was always fascinating to 235 00:11:46,720 --> 00:11:50,480 Speaker 3: walk in on set what set deck had done overnight 236 00:11:50,559 --> 00:11:54,800 Speaker 3: or whatever. Walk and we're looking at completely wrecked houses 237 00:11:54,880 --> 00:11:57,839 Speaker 3: and stuff thrown all over the place, and you can 238 00:11:57,880 --> 00:12:00,440 Speaker 3: really you know really and they based out off of, 239 00:12:00,920 --> 00:12:05,160 Speaker 3: you know, actual photos of scenes that happened after tornadoes, 240 00:12:05,200 --> 00:12:07,480 Speaker 3: and so it really does hit you where you're like, wow, 241 00:12:07,520 --> 00:12:11,320 Speaker 3: this is what people woke up to one day. We're 242 00:12:11,360 --> 00:12:13,560 Speaker 3: like here's the refrigerator. They're missing their dog, you know, 243 00:12:13,760 --> 00:12:15,600 Speaker 3: like where's my kid? These kind of things that it 244 00:12:15,679 --> 00:12:18,440 Speaker 3: really does add this like the severity of it, and 245 00:12:18,480 --> 00:12:21,880 Speaker 3: it's not just it's not just oh it's a lot 246 00:12:21,880 --> 00:12:26,520 Speaker 3: of property damage. There's literally like people's lives are lost, ruined, 247 00:12:26,559 --> 00:12:27,960 Speaker 3: and devastated because of this. 248 00:12:28,360 --> 00:12:28,600 Speaker 4: Yeah. 249 00:12:28,679 --> 00:12:30,160 Speaker 2: One thing I bought up earlier too, is that there's 250 00:12:30,200 --> 00:12:32,160 Speaker 2: one of the towns where we were in a neighborhood 251 00:12:32,200 --> 00:12:34,600 Speaker 2: and there's buildings that were messed up, and I was like, oh, man, 252 00:12:34,679 --> 00:12:38,720 Speaker 2: the prop team they all killed Setek and the neighbors 253 00:12:38,760 --> 00:12:40,840 Speaker 2: are like, no, that's just like torn up buildings that 254 00:12:41,280 --> 00:12:43,719 Speaker 2: I just haven't been able to get fixed yet. And they're like, yeah, 255 00:12:43,800 --> 00:12:46,640 Speaker 2: real tornado actually hit here and that's real damage. Then 256 00:12:46,679 --> 00:12:49,000 Speaker 2: you guys added to it, and I was like what Yeah, 257 00:12:49,240 --> 00:12:52,000 Speaker 2: So it just makes you really feel we're doing something 258 00:12:52,160 --> 00:12:54,359 Speaker 2: more important than this summer movie. 259 00:12:54,120 --> 00:12:56,000 Speaker 1: And we're going to take a quick break and we'll 260 00:12:56,040 --> 00:13:14,200 Speaker 1: be right back. We're back, Yeah, I mean talking about that, 261 00:13:14,480 --> 00:13:18,360 Speaker 1: there's a moment that felt so lead to me. But 262 00:13:18,480 --> 00:13:21,160 Speaker 1: it was like, after all of the damage, the first 263 00:13:21,200 --> 00:13:23,000 Speaker 1: thing we see is like a woman and she's picking 264 00:13:23,080 --> 00:13:25,200 Speaker 1: up like a handmade mug and it's like the thing 265 00:13:25,280 --> 00:13:27,560 Speaker 1: she wants to save. So I really felt like there's 266 00:13:27,600 --> 00:13:30,080 Speaker 1: those moments in there where you feel the human cost, 267 00:13:30,120 --> 00:13:33,160 Speaker 1: which obviously also plays a part as the movie goes along. 268 00:13:33,360 --> 00:13:36,080 Speaker 1: Speaking of which, something I love about the film is 269 00:13:36,520 --> 00:13:39,440 Speaker 1: you guys are introduced in one way, let's say, and 270 00:13:39,480 --> 00:13:42,320 Speaker 1: as the movie changes, you don't change any of your behavior, 271 00:13:42,360 --> 00:13:45,400 Speaker 1: but the perception that we get of your characters changes 272 00:13:45,440 --> 00:13:48,480 Speaker 1: with the movie. What was that like to approach knowing 273 00:13:48,520 --> 00:13:51,520 Speaker 1: that you would be presented in a certain light and 274 00:13:51,600 --> 00:13:54,040 Speaker 1: kind of knowing the truth of your characters as you 275 00:13:54,080 --> 00:13:54,600 Speaker 1: went along. 276 00:13:55,600 --> 00:14:00,319 Speaker 3: It's like it's more of Daisy's journey. You know, she's 277 00:14:00,360 --> 00:14:05,160 Speaker 3: seeing Okay or Kate, I guess kind of has this 278 00:14:05,320 --> 00:14:09,360 Speaker 3: like weird, icky feeling about going home and maybe even 279 00:14:09,440 --> 00:14:12,160 Speaker 3: kind of has this prejudice of the people around her 280 00:14:12,440 --> 00:14:14,400 Speaker 3: or where she grew up. And then it's like kind 281 00:14:14,440 --> 00:14:16,760 Speaker 3: of realizing, oh, no, home is where people, where the 282 00:14:16,760 --> 00:14:19,000 Speaker 3: heart is, and where people are like taking care of 283 00:14:19,040 --> 00:14:22,840 Speaker 3: their own community. So I think I love that it 284 00:14:22,880 --> 00:14:26,880 Speaker 3: played in her kind of reappreciating where she came from 285 00:14:27,160 --> 00:14:27,880 Speaker 3: in her journey. 286 00:14:28,440 --> 00:14:31,240 Speaker 1: Yeah, that's definitely one of the coolest parts of the movie. 287 00:14:31,800 --> 00:14:35,080 Speaker 1: So when you're approaching a film like this, like obviously 288 00:14:35,120 --> 00:14:37,560 Speaker 1: it's a job, right, how does it feel to kind 289 00:14:37,600 --> 00:14:39,520 Speaker 1: of be at that coming to the end of this 290 00:14:39,720 --> 00:14:41,680 Speaker 1: job and knowing that it's about to be out there 291 00:14:41,680 --> 00:14:43,760 Speaker 1: and this kind of intimate thing, those hours spent in 292 00:14:43,800 --> 00:14:45,600 Speaker 1: the truck when it was just you guys building these 293 00:14:45,640 --> 00:14:48,040 Speaker 1: relationships is about to be out there and people are 294 00:14:48,080 --> 00:14:48,560 Speaker 1: seeing it. 295 00:14:49,320 --> 00:14:52,360 Speaker 4: It's exciting because I feel really proud of it. And 296 00:14:52,400 --> 00:14:55,440 Speaker 4: like we said, like I think what the Isaac's done 297 00:14:55,520 --> 00:14:58,280 Speaker 4: is something incredible and I can't wait for him to 298 00:14:58,320 --> 00:15:00,640 Speaker 4: get his flowers for that as well, and so like 299 00:15:01,160 --> 00:15:04,200 Speaker 4: if anything not really is like usually i'd be like, 300 00:15:04,760 --> 00:15:06,720 Speaker 4: we are they going to think? And with this it's 301 00:15:06,800 --> 00:15:09,640 Speaker 4: just like have fun. Like I think, I think it's 302 00:15:09,720 --> 00:15:12,200 Speaker 4: ultimately gonna just it's gonna be great to have it 303 00:15:12,200 --> 00:15:12,520 Speaker 4: out there. 304 00:15:12,560 --> 00:15:12,920 Speaker 3: Finally. 305 00:15:13,360 --> 00:15:14,640 Speaker 2: Yeah, I feel like it's been a part of our 306 00:15:14,680 --> 00:15:16,840 Speaker 2: lives for so long and now I'm ready for it 307 00:15:16,880 --> 00:15:19,640 Speaker 2: to be out there. I'm excited and I'm like, oh, 308 00:15:19,680 --> 00:15:21,440 Speaker 2: I wish I was out there like right now. 309 00:15:21,680 --> 00:15:21,840 Speaker 4: Yea. 310 00:15:22,560 --> 00:15:26,720 Speaker 2: But yeah, also with Isaac, I know I won't act 311 00:15:26,760 --> 00:15:29,200 Speaker 2: like this was an easy shoot, like it's an easy 312 00:15:29,200 --> 00:15:33,120 Speaker 2: shoot for him. This is a big deal and yeah, 313 00:15:33,320 --> 00:15:35,840 Speaker 2: it was a massive thing to take on. And like 314 00:15:35,920 --> 00:15:39,520 Speaker 2: he said, he said, facing this big type of movie, 315 00:15:39,640 --> 00:15:43,280 Speaker 2: big tent pole movie after a film like Minati is 316 00:15:43,320 --> 00:15:46,280 Speaker 2: almost like chasing a tornado and facing one and how 317 00:15:46,280 --> 00:15:48,960 Speaker 2: are you going to operate within it? And yeah, I 318 00:15:49,000 --> 00:15:51,360 Speaker 2: think it being out there would be amazing in him 319 00:15:51,440 --> 00:15:53,600 Speaker 2: to receive his flowers for that as well. And I 320 00:15:53,680 --> 00:15:56,440 Speaker 2: just hope, like I said before, I help other filmmakers 321 00:15:56,520 --> 00:15:58,640 Speaker 2: like Isaac get these opportunities because I feel like he 322 00:15:58,680 --> 00:16:01,560 Speaker 2: knocked it out the park and just trust these filmmakers. 323 00:16:01,920 --> 00:16:04,040 Speaker 3: It's cool because I'm like, literally just not even worried, 324 00:16:04,520 --> 00:16:06,640 Speaker 3: you know, like I haven't seen the finished product, and 325 00:16:06,680 --> 00:16:07,800 Speaker 3: I'm like, yeah, no, it's gonna be great. 326 00:16:07,880 --> 00:16:11,920 Speaker 1: Yeah, that's awesome. Yeah, that's wonderful. Thank you all so much. 327 00:16:12,280 --> 00:16:14,920 Speaker 1: I really appreciate it. It was just the joy to 328 00:16:14,960 --> 00:16:16,280 Speaker 1: talk to you and congress on the movie. 329 00:16:16,320 --> 00:16:18,640 Speaker 2: It's absolutely thank you so much. 330 00:16:19,080 --> 00:16:21,520 Speaker 1: Thanks for listening. Twisters is out now, and if you 331 00:16:21,560 --> 00:16:23,840 Speaker 1: want the coolest Twisters much check out our friends It's 332 00:16:23,880 --> 00:16:27,720 Speaker 1: super Yucky links in the show notes, and remember stay 333 00:16:27,760 --> 00:16:30,240 Speaker 1: tuned next week for more House of the Dragon coverage 334 00:16:30,320 --> 00:16:34,040 Speaker 1: and five Days of Depot and Wolverine YEP, a new 335 00:16:34,080 --> 00:16:38,280 Speaker 1: episode every single day featuring superstar comic book creators, rankings, lists, 336 00:16:38,280 --> 00:16:41,800 Speaker 1: and of course, deep dives about the stars of the 337 00:16:41,920 --> 00:16:44,440 Speaker 1: MCUs upcoming movie. 338 00:16:45,000 --> 00:16:53,800 Speaker 5: Bye x Ray Vision is hosted by Jason Epson and 339 00:16:53,920 --> 00:16:58,040 Speaker 5: Rosie Knight, and there's a production of iHeart podcasts. Our 340 00:16:58,080 --> 00:17:02,320 Speaker 5: executive producers are Joelle Smith and Aaron Kaufman. Our supervising 341 00:17:02,360 --> 00:17:07,040 Speaker 5: producer is a Boo Zafar. Our producers are Carmen Laurent 342 00:17:07,840 --> 00:17:11,480 Speaker 5: and Mia Taylor. Our theme song is by Brian Basquez. 343 00:17:11,960 --> 00:17:16,240 Speaker 1: Special thanks to Soul Rubin and Chris Laude, Kenny Goodman 344 00:17:16,600 --> 00:17:18,679 Speaker 1: and Heidi our discord moderator.