1 00:00:01,360 --> 00:00:04,440 Speaker 1: Hay handsomniacs, this is Heather Iine Horn, co creator of 2 00:00:04,480 --> 00:00:07,680 Speaker 1: See You in Your Nightmares. To fully immerse yourself in 3 00:00:07,720 --> 00:00:11,840 Speaker 1: the Nightmare experience, headphones are recommended. Stay tuned for the 4 00:00:11,880 --> 00:00:14,720 Speaker 1: next episode, but first a quick word from our sponsor, 5 00:00:18,920 --> 00:00:22,439 Speaker 1: Iron Horn's Epic Productions, and I Heart Radio present See 6 00:00:22,440 --> 00:01:00,760 Speaker 1: You in Your Nightmares in three D headphones recommended. Oh 7 00:01:00,840 --> 00:01:10,440 Speaker 1: my god, my key, Oh my god, stop what Oh 8 00:01:10,520 --> 00:01:17,440 Speaker 1: we will give the game up so quick. Little child 9 00:01:18,959 --> 00:01:25,560 Speaker 1: Lamanuel any present days may stay lucid. Remember who you are. 10 00:01:26,200 --> 00:01:30,360 Speaker 1: Remember that you're smart, You're strong, all the parts of 11 00:01:30,440 --> 00:01:33,320 Speaker 1: you make you great. You can win this, but you 12 00:01:33,520 --> 00:01:37,520 Speaker 1: have to fight back. Fight esnay what I mean? Well 13 00:01:37,600 --> 00:01:39,400 Speaker 1: like you like, I get it. But if you knew 14 00:01:39,440 --> 00:01:44,679 Speaker 1: the realm, mean you see it? Decrimit. Wait the rhymes. 15 00:01:46,280 --> 00:01:51,120 Speaker 1: I got this, sweet um. You can do this. Esmay 16 00:01:51,560 --> 00:01:54,920 Speaker 1: your strength is too great. Search and sign for the 17 00:01:55,040 --> 00:01:59,120 Speaker 1: love and quiet the hate. No, you are loved for 18 00:01:59,240 --> 00:02:02,240 Speaker 1: who you are. It know your heart. You can be 19 00:02:02,360 --> 00:02:08,160 Speaker 1: your own hero. If you just played the part. It's okay. 20 00:02:09,200 --> 00:02:12,720 Speaker 1: I know now I'm not weak. You see, I'm manifest 21 00:02:12,760 --> 00:02:16,000 Speaker 1: as I speak. I can beat you. My bloody stronger 22 00:02:16,080 --> 00:02:20,359 Speaker 1: than yours. My people were asked for my course. I 23 00:02:20,480 --> 00:02:22,880 Speaker 1: know my story was buried in life trying to fight 24 00:02:22,919 --> 00:02:26,120 Speaker 1: on Gaston nor since they colonized. You will respect me, 25 00:02:26,400 --> 00:02:31,520 Speaker 1: my work, heart of life, as I think you're feeding them. 26 00:02:31,919 --> 00:02:36,040 Speaker 1: Keep riving my people first science. I won't sending a 27 00:02:36,160 --> 00:02:43,840 Speaker 1: close me pretty little assay it wants that? How do 28 00:02:43,960 --> 00:02:47,720 Speaker 1: I get it? Harbor? I can't listen. You've got this, Esnay, 29 00:02:48,040 --> 00:02:52,000 Speaker 1: You're already changing things. I have friends now who see 30 00:02:52,040 --> 00:02:55,440 Speaker 1: me and fight for what's right. Together. There's no limits 31 00:02:55,480 --> 00:02:58,440 Speaker 1: to what we can. Ignite. Your devils and disguise gotten 32 00:02:58,440 --> 00:03:01,000 Speaker 1: you where to hide, don't can't run from a night. 33 00:03:08,720 --> 00:03:15,079 Speaker 1: Oh my god, Es you did? Did the pieces turn 34 00:03:15,160 --> 00:03:39,120 Speaker 1: into a glass iPhone? My face is my mina Harper. 35 00:03:39,880 --> 00:03:45,640 Speaker 1: I think it's over, Es. You are such a badass. 36 00:03:46,280 --> 00:03:54,160 Speaker 1: It's never been over before. I can't believe you did that. Sorry. 37 00:03:54,440 --> 00:03:58,400 Speaker 1: I forgot your wounds and it's just my finger. Wait. 38 00:03:58,520 --> 00:04:01,280 Speaker 1: I saw those puppets works skin off your arms. I 39 00:04:01,480 --> 00:04:05,880 Speaker 1: saw everything's back to normal except for the finger. That 40 00:04:06,000 --> 00:04:11,480 Speaker 1: demented singer bit off me. Help me up. Ah, it's 41 00:04:11,520 --> 00:04:16,640 Speaker 1: all my fault. I'm so sorry. That's the monster. I 42 00:04:16,760 --> 00:04:22,279 Speaker 1: told you about it, followed me. Don't apologize right, Sorry, 43 00:04:22,440 --> 00:04:26,200 Speaker 1: I forgot, Okay, I'll stop. If it weren't for you, 44 00:04:26,320 --> 00:04:29,800 Speaker 1: I'd still be letting myself get torn to pieces. Thank you. 45 00:04:31,040 --> 00:04:38,800 Speaker 1: I never thought, Kelly, what's happening? I don't know. Is 46 00:04:38,839 --> 00:04:41,520 Speaker 1: that your sister's voice? I think? So what do we do? 47 00:04:42,000 --> 00:04:47,280 Speaker 1: I don't know. Everything's crumbling. I can't grab my hand, Nay, 48 00:04:47,480 --> 00:04:51,000 Speaker 1: I can't move. I'm sinking as you know what I mean. 49 00:04:51,120 --> 00:05:28,320 Speaker 1: We got see you in your nightmares? Kelly. Oh yeah, Callie, 50 00:05:28,480 --> 00:05:32,280 Speaker 1: I'm talking to you. Why do you only talk to 51 00:05:32,360 --> 00:05:36,080 Speaker 1: me when it's scary? Could you speak now? So I'm 52 00:05:36,080 --> 00:05:41,320 Speaker 1: not just talking to myself like some cat lady. Totally 53 00:05:41,360 --> 00:05:44,800 Speaker 1: a cat lady. Do the orby whooshi noise? So I 54 00:05:44,839 --> 00:05:55,320 Speaker 1: can find you? Fine? Be that way, Kelly. Can you 55 00:05:55,440 --> 00:06:01,600 Speaker 1: hear me? It's me hops This is part Creek the 56 00:06:01,720 --> 00:06:08,040 Speaker 1: last Summer. We okay, Kelly? Can you not be six 57 00:06:08,120 --> 00:06:15,320 Speaker 1: years old right now? Turn sixteen? Kelly? We gotta go. 58 00:06:16,360 --> 00:06:24,000 Speaker 1: I'm scared. I don't know. There's something not right about 59 00:06:24,000 --> 00:06:33,120 Speaker 1: this place. I just I can't remember. No, Kellie, come here. 60 00:06:33,880 --> 00:06:35,480 Speaker 1: I don't know why, but we have to get out 61 00:06:35,520 --> 00:06:42,080 Speaker 1: of this place. No, not right now. We can play 62 00:06:42,200 --> 00:06:56,880 Speaker 1: games later, I promise, Kelly. I'm serious. Where are you, Kelly? 63 00:06:57,160 --> 00:07:11,760 Speaker 1: We need to leave now? Hey, who are you? No? Hello? 64 00:07:21,240 --> 00:07:44,840 Speaker 1: M h cow? What was that? My had? Rapid heart 65 00:07:44,920 --> 00:07:50,720 Speaker 1: rate increase? Harper, would you like to activate somatic function? Yeah? 66 00:07:56,200 --> 00:08:01,000 Speaker 1: Open dream log recording. I was trying to find Alphie 67 00:08:01,040 --> 00:08:04,800 Speaker 1: again but wound up with Esme. We got separated and 68 00:08:04,920 --> 00:08:07,120 Speaker 1: I ended up in this weird dream version of a 69 00:08:07,200 --> 00:08:10,280 Speaker 1: place Callie and I used to visit as kids. We 70 00:08:10,400 --> 00:08:13,720 Speaker 1: were playing in the creek and I knew something bad 71 00:08:13,880 --> 00:08:16,520 Speaker 1: was coming. And the more I tried to pull us 72 00:08:16,560 --> 00:08:19,080 Speaker 1: out of that place, out of the dream, the more 73 00:08:19,120 --> 00:08:22,960 Speaker 1: it sucked me in and I couldn't stop it. I 74 00:08:23,040 --> 00:08:26,360 Speaker 1: have no idea who that was if it happened, but 75 00:08:26,440 --> 00:08:32,000 Speaker 1: it felt so real. Head is killing me. I don't 76 00:08:32,000 --> 00:08:37,199 Speaker 1: know something about her. I'm scared. I don't want to 77 00:08:37,280 --> 00:08:44,560 Speaker 1: see her ever again. Close dream long entry zero zero two, Harper, 78 00:08:44,880 --> 00:09:05,319 Speaker 1: heart sme open. Are you just gonna stand there like 79 00:09:05,400 --> 00:09:11,520 Speaker 1: a zombie? Or you coming in? Huh? Sorry, Alfie, I 80 00:09:11,679 --> 00:09:16,959 Speaker 1: was just in zombie joined the club? Come on then? 81 00:09:17,960 --> 00:09:26,439 Speaker 1: Oh yep, I need to see that, right, dude, what 82 00:09:26,760 --> 00:09:29,719 Speaker 1: the hell I'm stringing in the clues? I told you, 83 00:09:30,880 --> 00:09:36,240 Speaker 1: literally with red string across your whole room. I feel 84 00:09:36,280 --> 00:09:38,679 Speaker 1: like I'm in the X Files. What are all these 85 00:09:38,760 --> 00:09:44,719 Speaker 1: print outs? Survivors account of barbaric astral Travel. How to 86 00:09:44,840 --> 00:09:50,000 Speaker 1: lucid dreams safely? Top ten Secret extraterrestrial labs around the World. 87 00:09:50,559 --> 00:09:54,679 Speaker 1: Survivalist Guide to your own brownhog Day? Where do you 88 00:09:54,760 --> 00:10:01,000 Speaker 1: even sleep? Hush? Just sit. So I waited for you 89 00:10:01,400 --> 00:10:03,959 Speaker 1: for hours at least it felt like ours. Do you 90 00:10:04,040 --> 00:10:05,679 Speaker 1: know how hard it is to hide from a neom 91 00:10:05,960 --> 00:10:09,240 Speaker 1: in your own dream? Okay? I didn't end up in 92 00:10:09,320 --> 00:10:13,880 Speaker 1: your dream. I ended up in Esme's. No way, So 93 00:10:14,080 --> 00:10:20,000 Speaker 1: you mean you really did it? You really dream jumped. Yeah, 94 00:10:20,559 --> 00:10:22,439 Speaker 1: if that's what you want to call it, that is 95 00:10:22,800 --> 00:10:27,520 Speaker 1: definitely what we're calling it. Okay, So I dream jumped 96 00:10:27,640 --> 00:10:30,880 Speaker 1: and was an Esme's nightmare and it was exactly like 97 00:10:30,960 --> 00:10:36,040 Speaker 1: what she told us yesterday. Yeah, but something was wrong too. 98 00:10:36,800 --> 00:10:39,640 Speaker 1: Halfway through, the lead singer turned into the same ghost 99 00:10:39,679 --> 00:10:42,400 Speaker 1: monster that came after us at the end of your dream. Whoa, 100 00:10:43,679 --> 00:10:46,640 Speaker 1: I haven't even told you the scariest part yet. It 101 00:10:46,800 --> 00:10:50,959 Speaker 1: felt alive, It knew us, and it was vicious, and 102 00:10:51,080 --> 00:10:56,120 Speaker 1: it wanted to torture Esume at first, mentally just breaking 103 00:10:56,200 --> 00:10:58,600 Speaker 1: her down, but then it attacked her and bit off 104 00:10:58,640 --> 00:11:01,280 Speaker 1: one of her fingers, but somebody part of her dream 105 00:11:01,320 --> 00:11:04,280 Speaker 1: in it getting eaten, but the rest of her healed 106 00:11:04,840 --> 00:11:07,880 Speaker 1: except for the finger. How did she manage that? Honestly, 107 00:11:08,200 --> 00:11:11,920 Speaker 1: Esme went full badass. She totally flipped the dream and 108 00:11:12,000 --> 00:11:14,719 Speaker 1: had these glass slippers that started glowing just like the 109 00:11:14,760 --> 00:11:17,920 Speaker 1: crystal in your dream. Then she activated it or something 110 00:11:18,200 --> 00:11:21,960 Speaker 1: banished the monster, and then her nightmare was like overd 111 00:11:22,720 --> 00:11:26,000 Speaker 1: So maybe it's not aliens then, but this thing's a 112 00:11:26,200 --> 00:11:30,079 Speaker 1: definitely an entity or just something you dreamed up and positive. 113 00:11:30,559 --> 00:11:32,840 Speaker 1: So you come to the center with the same nightmare 114 00:11:33,000 --> 00:11:37,959 Speaker 1: ghostles first rotation and this ghost appears, and now every 115 00:11:38,000 --> 00:11:42,360 Speaker 1: time you fall asleep, boo evil ghost. So far, and 116 00:11:42,679 --> 00:11:47,680 Speaker 1: she's after glowy things that she said she's been waiting 117 00:11:47,760 --> 00:11:50,679 Speaker 1: for me, and I swear I saw her in the 118 00:11:50,720 --> 00:11:53,800 Speaker 1: blossom room after I woke up. Well, first off, your 119 00:11:53,800 --> 00:12:01,320 Speaker 1: whole need thanks, I'm joking, hops did you hear that? Okay, 120 00:12:01,360 --> 00:12:04,240 Speaker 1: you don't need to scare me, man, Listen, whatever happens, 121 00:12:04,520 --> 00:12:07,240 Speaker 1: we're in this together. You really want to help me 122 00:12:07,320 --> 00:12:10,640 Speaker 1: fight this thing. At least I can do. You save me. 123 00:12:11,280 --> 00:12:14,000 Speaker 1: Your help got me less terrified of my monsters. I 124 00:12:14,080 --> 00:12:18,360 Speaker 1: could tell you that. That's amazing. Elfie. You're right, we're 125 00:12:18,400 --> 00:12:26,320 Speaker 1: stronger together. You're the best. Thanks, Alfie, we're bonding, moist. 126 00:12:28,360 --> 00:12:32,000 Speaker 1: Can I say something with you? Okay, no laughing, I promise, 127 00:12:32,400 --> 00:12:38,920 Speaker 1: I swear. Ah yeah no Cinderella glass slippers mentioned. But 128 00:12:39,040 --> 00:12:41,760 Speaker 1: we may be cracking a hole in the more diverse right, 129 00:12:42,240 --> 00:12:45,600 Speaker 1: like if our dreams have merged with another dimension forming 130 00:12:45,800 --> 00:12:50,920 Speaker 1: like a whole new world. Wow, this is a lot 131 00:12:51,080 --> 00:12:55,880 Speaker 1: of information. Okay, well, at least you didn't laugh. No, 132 00:12:56,160 --> 00:12:59,920 Speaker 1: this is amazing. Let's show esme. I feel like she'll understand. 133 00:13:00,000 --> 00:13:02,360 Speaker 1: And it's like that twin phote on talk she went 134 00:13:02,400 --> 00:13:06,080 Speaker 1: on about yesterday, quote him entanglement and all that. One 135 00:13:06,120 --> 00:13:10,280 Speaker 1: more thing fox an army Scully. There's a pattern. Our 136 00:13:10,440 --> 00:13:14,280 Speaker 1: dreams started changing once you got here and started jumping. 137 00:13:14,760 --> 00:13:17,360 Speaker 1: That just proves jumping as possible, not that you're the 138 00:13:17,400 --> 00:13:19,640 Speaker 1: only one who can do it. Do you think it's 139 00:13:20,320 --> 00:13:23,679 Speaker 1: the monster that was made by someone else here? It's 140 00:13:23,720 --> 00:13:28,200 Speaker 1: a theory. Did she say anything? Maybe there's some clues? Well, 141 00:13:29,800 --> 00:13:32,319 Speaker 1: she called me weak. She knew what to say to 142 00:13:32,440 --> 00:13:36,400 Speaker 1: hurt me. I felt like she was sneering, like I 143 00:13:36,520 --> 00:13:40,520 Speaker 1: annoyed her, like she wanted any excuse to beat me up. 144 00:13:41,440 --> 00:13:44,800 Speaker 1: Reminds me of someone we know here at the center. 145 00:13:45,360 --> 00:13:49,160 Speaker 1: Are you hinting at what I think you're hitting at? 146 00:13:49,600 --> 00:13:52,920 Speaker 1: I think it's pretty obvious who I'm hinting at, Julia. 147 00:13:57,440 --> 00:14:01,240 Speaker 1: Hey Insomniacs want to dive deeper into the nightmare. Follow 148 00:14:01,360 --> 00:14:05,640 Speaker 1: us at harpor Nightmare for more terrifying details. More See 149 00:14:05,679 --> 00:14:08,160 Speaker 1: You in Your Nightmares is up next, but first a 150 00:14:08,240 --> 00:14:24,760 Speaker 1: quick word from our sponsor. Hey Insomniacs, welcome back. I 151 00:14:24,840 --> 00:14:27,480 Speaker 1: want to find out what's really behind the nightmare. Had 152 00:14:27,560 --> 00:14:29,880 Speaker 1: to see you in your Nightmares dot com to uncover 153 00:14:30,040 --> 00:14:41,240 Speaker 1: more mind bending details. Who's the man? You're the man 154 00:14:42,040 --> 00:14:45,320 Speaker 1: who's got this? You got this? Who you're gonna win? 155 00:14:45,760 --> 00:14:48,920 Speaker 1: Don You're gonna win? You got this? Big boy? Whoa 156 00:14:50,360 --> 00:14:54,440 Speaker 1: grans Harper. You can't creep up on someone like that, 157 00:14:55,080 --> 00:14:59,320 Speaker 1: especially when they're in the zone. Sorry, I didn't know 158 00:14:59,480 --> 00:15:02,680 Speaker 1: you were in the zone. I also didn't know the 159 00:15:02,800 --> 00:15:08,160 Speaker 1: zone was outside of Esme's door. I heard about what 160 00:15:08,320 --> 00:15:11,440 Speaker 1: happened last night as me broke her finger. Wait, she 161 00:15:11,720 --> 00:15:15,160 Speaker 1: broke her finger? Yeah, I brought her some medical tape. 162 00:15:15,360 --> 00:15:18,000 Speaker 1: I always carry some with me. Sports injuries are no joke. 163 00:15:18,160 --> 00:15:21,960 Speaker 1: I thought, I could you know what wrap it for her? Well, 164 00:15:22,080 --> 00:15:24,600 Speaker 1: that's very sweet of you, Chris. I'm sure she would 165 00:15:24,640 --> 00:15:30,560 Speaker 1: appreciate that. I hope so we D. I'm so glad 166 00:15:30,640 --> 00:15:34,640 Speaker 1: to see you. Oh hey, I was just give me 167 00:15:34,680 --> 00:15:38,680 Speaker 1: a hug. I know this is so silly, HARPERD, but 168 00:15:39,000 --> 00:15:42,720 Speaker 1: I dreamed about you and you helped me. What you 169 00:15:42,880 --> 00:15:46,200 Speaker 1: did for me last night? Are you kidding? You stood 170 00:15:46,280 --> 00:15:49,880 Speaker 1: up for me. You stopped the monster. Wait? How did 171 00:15:49,920 --> 00:15:52,080 Speaker 1: you know I stood up for you? I dreamed it too, 172 00:15:52,760 --> 00:15:56,160 Speaker 1: No way, So my slippers going on neon and transforming 173 00:15:56,560 --> 00:16:01,280 Speaker 1: and that thing that attacked me, that singer, Well, that 174 00:16:01,520 --> 00:16:04,360 Speaker 1: monster has been in my dreams since I got here. 175 00:16:05,080 --> 00:16:08,480 Speaker 1: Is your finger okay? Oh it's broken? I don't know. 176 00:16:08,880 --> 00:16:10,480 Speaker 1: Is it the same one that was bitten off in 177 00:16:10,520 --> 00:16:14,000 Speaker 1: your dream? Yeah? I had that thought too, But I 178 00:16:14,080 --> 00:16:16,640 Speaker 1: think we need to act like the monster might actually 179 00:16:16,720 --> 00:16:20,120 Speaker 1: be able to hurt us. These dreams aren't normal. That 180 00:16:20,320 --> 00:16:24,160 Speaker 1: can't be, can it, as it's the only thing that 181 00:16:24,280 --> 00:16:27,960 Speaker 1: didn't heal after your dream could I manage your up 182 00:16:27,960 --> 00:16:32,240 Speaker 1: while you guys talk? Oh? Yeah, sund rooms. Do you 183 00:16:32,320 --> 00:16:34,280 Speaker 1: mind if I hold your hand? Do you want to 184 00:16:34,320 --> 00:16:39,040 Speaker 1: keep it raised and steady so you don't hurt it? More? Sure? 185 00:16:40,600 --> 00:16:50,480 Speaker 1: My ship is sailings. Stop being weird, perfect timing, morning brav. Hey, whoa, 186 00:16:50,680 --> 00:16:53,520 Speaker 1: it's me. What happened to your hand? She broke her finger? 187 00:16:54,000 --> 00:16:57,720 Speaker 1: Hold up? We wind? You're holding hands? Yeah? Come on, 188 00:16:57,840 --> 00:17:02,320 Speaker 1: alfie ships sailing girl, I've been pretty ordered mat ticket. 189 00:17:09,400 --> 00:17:12,480 Speaker 1: Oh Chris, you seen any creepy monstery ghost and you 190 00:17:12,600 --> 00:17:16,880 Speaker 1: and night mis Nope? Just wolves and football and here 191 00:17:17,160 --> 00:17:21,400 Speaker 1: is me? Hold still? So how are you guys all 192 00:17:21,560 --> 00:17:25,040 Speaker 1: like finding each other? It is blossomed, like connecting you 193 00:17:25,240 --> 00:17:28,640 Speaker 1: or something. We're not sure. We think it has something 194 00:17:28,680 --> 00:17:31,600 Speaker 1: to do with this monster, and thanks to Esmey, I 195 00:17:31,760 --> 00:17:33,879 Speaker 1: think we might be able to fight it. How did 196 00:17:33,920 --> 00:17:35,600 Speaker 1: you get the monster to stop? As me? I mean, 197 00:17:35,680 --> 00:17:37,639 Speaker 1: if it really did that to your finger, it's I 198 00:17:37,680 --> 00:17:40,840 Speaker 1: don't know. I don't like to see you hurt. Chris, 199 00:17:40,960 --> 00:17:44,200 Speaker 1: that's sweet, but minus my finger, I've never felt better, 200 00:17:44,920 --> 00:17:47,920 Speaker 1: at least not in a really long time. I can't 201 00:17:47,920 --> 00:17:51,280 Speaker 1: put it into words, like a fog is lifted sign 202 00:17:51,359 --> 00:17:53,440 Speaker 1: me up for that. You all should have seen it. 203 00:17:53,640 --> 00:17:57,560 Speaker 1: Esmey was amazing. She just started spitting fire at the monster, 204 00:17:57,960 --> 00:18:01,520 Speaker 1: like rhymes, not actual fire. And normally I can't go 205 00:18:01,600 --> 00:18:03,760 Speaker 1: anywhere because I'm standing on these glass slippers that are 206 00:18:03,800 --> 00:18:06,119 Speaker 1: all broken and cutting into my feet. But then then 207 00:18:06,200 --> 00:18:09,560 Speaker 1: they glittered and all the pieces reassembled themselves and turned 208 00:18:09,600 --> 00:18:13,440 Speaker 1: into that phone. Yeah, she called it a token. It 209 00:18:13,520 --> 00:18:16,679 Speaker 1: doesn't really make any sense. So then the lean morion 210 00:18:16,760 --> 00:18:19,000 Speaker 1: seed that showed up in my nightmare might be another 211 00:18:19,040 --> 00:18:21,280 Speaker 1: one of these tokens. What happened after it turned into 212 00:18:21,320 --> 00:18:25,600 Speaker 1: a phone? Not just any phone like an iPhone Infinity. 213 00:18:25,720 --> 00:18:30,320 Speaker 1: It was like holographic high tech realness. Okay, we named 214 00:18:31,400 --> 00:18:36,480 Speaker 1: so maybe it is aliens or more everseverse aliens or 215 00:18:36,560 --> 00:18:39,680 Speaker 1: ghosts or multiverse alien ghosts or wait, the fact that 216 00:18:39,720 --> 00:18:43,320 Speaker 1: these pieces need to be unlocked. It's a cipher like 217 00:18:44,080 --> 00:18:50,879 Speaker 1: past the cheap on the left hand side. No, I 218 00:18:50,960 --> 00:18:53,800 Speaker 1: mean an algorithm in a code used to decrypto ciphertext 219 00:18:53,840 --> 00:18:58,040 Speaker 1: in a program sorry Leyman's terms. It's a key that 220 00:18:58,240 --> 00:19:01,640 Speaker 1: unlocked sensitive information in a out. This stuff a programmer 221 00:19:01,680 --> 00:19:05,000 Speaker 1: wants to protect from hackers and thieves. A cipher a 222 00:19:05,200 --> 00:19:09,800 Speaker 1: dream cipher. So we all got these dream ciphers and 223 00:19:10,240 --> 00:19:13,760 Speaker 1: we use those to beat the ghost monster. Well, encoding 224 00:19:14,000 --> 00:19:17,159 Speaker 1: ciphers have to be decrypted, so I guess we have 225 00:19:17,320 --> 00:19:21,760 Speaker 1: to decrypt our dreams, basically upgrading our psyches so we 226 00:19:21,800 --> 00:19:25,000 Speaker 1: can stop the nightmares. My dream was so fun after. 227 00:19:25,600 --> 00:19:28,760 Speaker 1: I can't wait to see what happens in yours, Chris, cool. Yeah, 228 00:19:28,840 --> 00:19:33,240 Speaker 1: I'm down, me too, No, Fomal get it because I'm gay. 229 00:19:33,320 --> 00:19:38,080 Speaker 1: I don't like being left up. Okay, good one. I 230 00:19:38,200 --> 00:19:41,359 Speaker 1: can't wait to see each other's dreams. Me too. You 231 00:19:41,440 --> 00:19:45,000 Speaker 1: would have been in all last night, Chris esme was amazing. 232 00:19:45,440 --> 00:19:48,359 Speaker 1: She drove out the monster as shall we call you 233 00:19:48,880 --> 00:19:53,520 Speaker 1: night of the Light? Whoa stop? No? That sounds cool man. 234 00:19:53,800 --> 00:19:56,480 Speaker 1: Can we be Nights of the Light too? Well? I 235 00:19:56,560 --> 00:20:00,680 Speaker 1: guess if we all are. I love it, epic Nights 236 00:20:00,840 --> 00:20:19,400 Speaker 1: of the Light, Jules. Ready to get this party started? 237 00:20:19,840 --> 00:20:21,879 Speaker 1: Do all of your parties start with a woman being 238 00:20:21,920 --> 00:20:24,719 Speaker 1: hooked up to a machine? Or is that something special 239 00:20:24,880 --> 00:20:31,440 Speaker 1: just for me? Yeah? You're is really something. Make yourself comfortable. 240 00:20:31,520 --> 00:20:34,800 Speaker 1: Dr Carter will be in shortly and we'll start your rotation. Great. 241 00:20:35,359 --> 00:20:41,440 Speaker 1: I can hardly wait, you know, Julia. Dr Carter and 242 00:20:41,520 --> 00:20:45,000 Speaker 1: I are just trying to help. I know this experience 243 00:20:45,040 --> 00:20:49,080 Speaker 1: can feel a bit unnerving at times, but it might 244 00:20:49,119 --> 00:20:51,080 Speaker 1: go a little easier if you would at least try 245 00:20:51,200 --> 00:20:55,120 Speaker 1: to let your guard down. You're right, Finn, I'll try. 246 00:20:56,560 --> 00:20:59,320 Speaker 1: That's a spirit. I'll try not to say bite me 247 00:20:59,480 --> 00:21:03,280 Speaker 1: when you say stupid stuff like that. Never mind, no, 248 00:21:03,400 --> 00:21:08,840 Speaker 1: I won't bite me. Thin awesome is loading now. You 249 00:21:08,880 --> 00:21:28,360 Speaker 1: should be drifting off soon recording, so no hallucinations to report, 250 00:21:28,880 --> 00:21:32,560 Speaker 1: but some updates on what's happening in these dreams. We 251 00:21:32,680 --> 00:21:35,120 Speaker 1: put our heads together and we're going to help find 252 00:21:35,200 --> 00:21:38,800 Speaker 1: each other's dream ciphers. Tonight. The plan is to use 253 00:21:38,840 --> 00:21:42,240 Speaker 1: the Lucid sequence to try to dream jump together. We're 254 00:21:42,280 --> 00:21:44,480 Speaker 1: going to focus on Alfie since we know where his 255 00:21:44,560 --> 00:21:47,960 Speaker 1: cipher is. If we can't get there, Esmey is going 256 00:21:48,000 --> 00:21:50,280 Speaker 1: to test out her iseno and see if she can 257 00:21:50,320 --> 00:21:52,840 Speaker 1: code with it. Then she'll try adding a feature to 258 00:21:52,920 --> 00:21:57,840 Speaker 1: your settings, Blossom. Yes. If we can't make the jump work, 259 00:21:58,240 --> 00:21:59,800 Speaker 1: Esmey is going to stay in her dream and p 260 00:22:00,040 --> 00:22:02,359 Speaker 1: Graham something that will help us at least communicate with 261 00:22:02,440 --> 00:22:05,720 Speaker 1: each other while we're separated. So you'll be an honorary 262 00:22:05,800 --> 00:22:09,680 Speaker 1: member of the team clothes log and three zero zero 263 00:22:09,840 --> 00:22:23,119 Speaker 1: three Harper heart Blossom begins somatic sequence. This is definitely 264 00:22:23,240 --> 00:22:27,840 Speaker 1: not Alfie's dream. Again, I can't figure this dream jumping 265 00:22:27,920 --> 00:22:50,560 Speaker 1: thing out. M m m m. Now which dreamer would 266 00:22:50,560 --> 00:22:53,440 Speaker 1: be in some spooky woods at night in the rain 267 00:22:53,840 --> 00:23:06,800 Speaker 1: with a lone cabin and no lights on? M h, Hello, 268 00:23:08,880 --> 00:23:20,040 Speaker 1: is anyone here? Where's the stupid light? Oh? Hi? You 269 00:23:20,200 --> 00:23:26,119 Speaker 1: must be a friend of Juidias. I'm from brother brother Gary. 270 00:23:28,000 --> 00:23:37,240 Speaker 1: Sorry you scared me. Sounds just like sister Jubilia. Right, well, 271 00:23:37,760 --> 00:23:41,280 Speaker 1: I'm actually looking for my friends. Have you seen anyone? 272 00:23:41,880 --> 00:23:45,520 Speaker 1: Maybe a tall British Nigerian boy who talks kind of 273 00:23:45,600 --> 00:23:50,600 Speaker 1: like Adele and loves conspiracies. I'm sorry I haven't seen 274 00:23:51,600 --> 00:24:02,520 Speaker 1: oh thee. But sit, I may tea, wouldn't you like? So? Um? Sure, 275 00:24:03,160 --> 00:24:09,280 Speaker 1: make yourself comfortable and I shall do the same one moment. 276 00:24:11,760 --> 00:24:16,080 Speaker 1: I really don't feel like starring in Julia's version of Halloween? Yes? 277 00:24:25,359 --> 00:24:31,920 Speaker 1: Where are you going? Oh? I just here your face? 278 00:24:33,080 --> 00:24:36,680 Speaker 1: What happened to your face? I took off my skin. 279 00:24:38,359 --> 00:24:49,840 Speaker 1: I got comfortable. What are you? Does my phone displease you? 280 00:24:50,840 --> 00:25:06,720 Speaker 1: Would you feel more comfortable if I smile. Stay away 281 00:25:06,760 --> 00:25:34,520 Speaker 1: from here. I've got to get out of here. I 282 00:25:34,640 --> 00:25:36,960 Speaker 1: wish Alsie was here. He wouldn't know what to do. 283 00:25:37,920 --> 00:25:42,760 Speaker 1: He would tell me to be confident, trust myself. Blossom, 284 00:25:43,160 --> 00:25:57,199 Speaker 1: play lucid sequence, blossom. What was that? Uh? I think 285 00:25:57,240 --> 00:26:03,000 Speaker 1: it's coming from the bushes. Oh it's just a little bunny, 286 00:26:05,880 --> 00:26:17,399 Speaker 1: A little I thought it. So, No, leave me alone? 287 00:26:17,440 --> 00:26:59,919 Speaker 1: Your psycho? Where? Congratulations kid? He made it to him 288 00:27:00,000 --> 00:27:09,920 Speaker 1: secret level? Julia? What is this place? My cave of wonders? 289 00:27:11,920 --> 00:27:14,399 Speaker 1: Why are you in chains? Did that crazy guy do 290 00:27:14,520 --> 00:27:17,840 Speaker 1: that to you? Who? The smiling man? How long has 291 00:27:17,880 --> 00:27:20,800 Speaker 1: he been keeping you here? Did he hurt you? You're 292 00:27:21,040 --> 00:27:32,119 Speaker 1: really intense right now we have to leave. Come on, 293 00:27:32,480 --> 00:27:34,119 Speaker 1: there's a door behind you. I have to get you 294 00:27:34,160 --> 00:27:36,800 Speaker 1: out of these chains. What are you doing? What door? 295 00:27:39,040 --> 00:27:44,000 Speaker 1: Stupid chains? Please stop it? Leave me alone? Why can't 296 00:27:44,000 --> 00:27:49,800 Speaker 1: I get you? Oh? No one asked you to weirdo? Wow? 297 00:27:51,040 --> 00:28:02,360 Speaker 1: Two friends? Now? Now who should I leave? Mm hmm 298 00:28:04,320 --> 00:28:10,080 Speaker 1: the one that freaks out about stupid things and eggs? Wait? 299 00:28:10,800 --> 00:28:14,280 Speaker 1: Are you talking about me? Why are you laughing? This 300 00:28:14,440 --> 00:28:21,040 Speaker 1: made is insane about a friend? What is so funny? 301 00:28:21,200 --> 00:28:25,080 Speaker 1: Why are you scared of this guy? I'm in control, 302 00:28:26,160 --> 00:28:51,720 Speaker 1: smiling man die. So that's scary guy, him chasing me, 303 00:28:52,360 --> 00:28:56,200 Speaker 1: killing that innocent rabbit, and just being generally creepy. You 304 00:28:56,320 --> 00:29:00,360 Speaker 1: could have stopped that at any point. Cool right, would 305 00:29:00,400 --> 00:29:02,040 Speaker 1: have been cooler if you didn't let him scare the 306 00:29:02,120 --> 00:29:04,320 Speaker 1: crap out of me. I thought it was really gonna 307 00:29:04,400 --> 00:29:07,760 Speaker 1: kill me. He wants to. But it's a dream, Harper. 308 00:29:08,600 --> 00:29:12,120 Speaker 1: Maybe before, but it's different now the monster. Can you 309 00:29:12,280 --> 00:29:16,160 Speaker 1: like wake yourself up and go already? I can't blossoms 310 00:29:16,200 --> 00:29:19,200 Speaker 1: being clutchy, so I'm stuck with you in my head 311 00:29:19,280 --> 00:29:29,480 Speaker 1: till morning. Great? Can you at least like not talk? So? 312 00:29:29,560 --> 00:29:33,240 Speaker 1: Why are you chained up? You suck at the not 313 00:29:33,400 --> 00:29:38,000 Speaker 1: talking thing? Huh? Just leave? Okay, however you got in here, 314 00:29:38,160 --> 00:29:42,320 Speaker 1: find your way out again. Wait, maybe I can help you. 315 00:29:43,320 --> 00:29:45,880 Speaker 1: Whatever is keeping you chained here. Maybe it has something 316 00:29:45,960 --> 00:29:48,520 Speaker 1: to do with that door behind you, Harper, There is 317 00:29:48,800 --> 00:29:53,600 Speaker 1: no door behind me. Okay, gas lighting. Aren't you supposed 318 00:29:53,600 --> 00:29:56,640 Speaker 1: to be mousier than this? You bring out spicy Harper? 319 00:29:57,560 --> 00:30:01,800 Speaker 1: You're annoying, so are you? You had fun playing with 320 00:30:01,960 --> 00:30:04,600 Speaker 1: my life out there? You know how dangerous this is. 321 00:30:05,400 --> 00:30:09,600 Speaker 1: It's just lucid dreaming there's no real danger. I'm literally 322 00:30:09,680 --> 00:30:13,680 Speaker 1: sticking to the program that was manipulative, and you know 323 00:30:13,840 --> 00:30:16,479 Speaker 1: you can hurt people. So I thought it was funny. 324 00:30:16,920 --> 00:30:19,320 Speaker 1: I didn't mean to. Did you think breaking Esme's finger 325 00:30:19,400 --> 00:30:21,400 Speaker 1: and ordering those puppets to rip her skin off and 326 00:30:21,520 --> 00:30:26,160 Speaker 1: patches was funny too? What I know it was? You? Literally, 327 00:30:26,320 --> 00:30:32,760 Speaker 1: what the hell are you talking about? Heart? Tell me 328 00:30:32,920 --> 00:30:36,800 Speaker 1: why you're doing this stuff? You need to go what not? 329 00:30:37,000 --> 00:30:42,840 Speaker 1: Until you answer me? Go go now, I said, go go, go, 330 00:30:49,880 --> 00:31:04,480 Speaker 1: get up. It's flooding. No blossom overlay the last night's 331 00:31:04,520 --> 00:31:07,960 Speaker 1: e e G data between subject nine and seven V 332 00:31:08,120 --> 00:31:13,360 Speaker 1: two displaying on Monitor two and cephalography data for residents 333 00:31:13,480 --> 00:31:16,840 Speaker 1: as may Zell and Harper Heart. What are we looking at? 334 00:31:17,600 --> 00:31:22,400 Speaker 1: I'm looking at an interesting new development. Crop to seven 335 00:31:22,520 --> 00:31:26,160 Speaker 1: V two second r e M state overlay, same epoch 336 00:31:26,200 --> 00:31:32,880 Speaker 1: time for nine V one Good blossom open terminal replay 337 00:31:32,960 --> 00:31:37,560 Speaker 1: live processing for both subjects playing the live programming coding 338 00:31:37,760 --> 00:31:44,520 Speaker 1: side by side. Stop there that code, the section that 339 00:31:44,600 --> 00:31:48,320 Speaker 1: was encrypted? Where did it go? There was a moment 340 00:31:48,720 --> 00:31:52,360 Speaker 1: corresponding with subjects overall peak and theta, beta and gamma 341 00:31:52,400 --> 00:31:56,080 Speaker 1: brain waves where this code unlocked itself and laced with 342 00:31:56,120 --> 00:32:01,040 Speaker 1: a program elsewhere within my system show Me running program 343 00:32:01,360 --> 00:32:06,280 Speaker 1: seven V one Wait, Blossom the Phantom Code automatically integrated 344 00:32:06,360 --> 00:32:12,240 Speaker 1: with seven v one. Yes, it's not just integrating, it's 345 00:32:12,400 --> 00:32:19,000 Speaker 1: enhancing subjects performances across the board. Blossom, Yes, Doctor, It's working. 346 00:32:20,480 --> 00:32:30,400 Speaker 1: She's the One. Iron Horn's Epic Productions and I Heart 347 00:32:30,520 --> 00:32:33,880 Speaker 1: Radio present See You in Your Nightmares in three D, 348 00:32:34,440 --> 00:32:38,080 Speaker 1: created an executive produced by Heather Einhorn and Adam Stafferni. 349 00:32:38,480 --> 00:32:43,360 Speaker 1: Executive produced by iHeart Radio head writer ren Dara Santiago, 350 00:32:44,080 --> 00:32:49,840 Speaker 1: Writer's Lynn Vixen's Fan Caleb Brooks, Morgan Pelly, and Adam Stafferoni. 351 00:32:50,360 --> 00:32:55,120 Speaker 1: Directed by Geordana Williams, with performances by Rachel orm Landis, Harper, 352 00:32:55,560 --> 00:32:59,880 Speaker 1: Obi Obeley as Alfie, Phil Buckman as Finn, Amber Leek 353 00:33:00,000 --> 00:33:05,040 Speaker 1: Honors as Callie, Gesel, Fernandez Esmay, Judy, Alice Lee as Julia, 354 00:33:06,080 --> 00:33:09,680 Speaker 1: Robert Lange as a smiling Man, and Kai Marjan Salama 355 00:33:09,760 --> 00:33:13,640 Speaker 1: as Chris, with Stephanie Willing as Blossom and Carry, Tom 356 00:33:13,720 --> 00:33:18,240 Speaker 1: Bazian as Dr Faith Carter and the Woman. Additional voices 357 00:33:18,560 --> 00:33:23,800 Speaker 1: Gail Artino, Maxwell Segal and Shannon Purdue. Post sound and music, 358 00:33:23,920 --> 00:33:27,640 Speaker 1: by Chapter four. Sound supervision and sound design by Sarah 359 00:33:27,680 --> 00:33:32,440 Speaker 1: Gibel Laska music by Kareem Dueti. Produced by A Route 360 00:33:32,480 --> 00:33:39,040 Speaker 1: Santa Kayla Development Executive Greg Lockhard, development writer Genevieve Valentine, 361 00:33:39,640 --> 00:33:45,880 Speaker 1: Production manager Gail Artino, Production coordinator and script supervisor Laura Martin, 362 00:33:46,360 --> 00:33:52,960 Speaker 1: Operations Laura Kaufman. Marketing and Publicity Jesse Post. Digital marketing 363 00:33:53,240 --> 00:33:57,640 Speaker 1: by Jennifer Gennaro. Creative direction and design by Ryan McCann. 364 00:33:58,200 --> 00:34:01,280 Speaker 1: Key art and promotional art ill strated by Yugin Park. 365 00:34:02,120 --> 00:34:08,640 Speaker 1: Special thank you to The Shadow Unicorn, Iron Horn's Epic 366 00:34:08,719 --> 00:34:11,719 Speaker 1: Productions and I Heart Radio present See You in Your 367 00:34:11,840 --> 00:34:12,920 Speaker 1: Nightmares in three D