WEBVTT - Cemetery at Midnight

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<v Speaker 1>I remember it being very surreal and asking myself several

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<v Speaker 1>times in the course of the meeting, is this really happening?

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<v Speaker 2>Now?

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<v Speaker 3>There are a couple of things that we should point

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<v Speaker 3>out here. Thirty years is a long time. Three decades

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<v Speaker 3>is a long time, and so I think we have

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<v Speaker 3>most of the details of what happened and what was said,

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<v Speaker 3>or at least the area it was said, maybe either

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<v Speaker 3>a little bit out of order because I didn't write

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<v Speaker 3>anything down that day I went back to work, but

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<v Speaker 3>I do know that we did ask for some identification,

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<v Speaker 3>and what was so weird about the meeting? We asked

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<v Speaker 3>for identification and we get told if the deal comes together,

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<v Speaker 3>then you'll get it. And I remember thinking that's just

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<v Speaker 3>so crazy. How can we make a deal with somebody

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<v Speaker 3>that won't tell us who they are? But it just

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<v Speaker 3>made no sense. And we went back and forth on

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<v Speaker 3>that enough that I think you and I probably had

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<v Speaker 3>one of those knowing glances exchanged where we thought, Okay,

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<v Speaker 3>let's just go with it. The guy's not going to

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<v Speaker 3>tell us right now. I said something else, by the way,

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<v Speaker 3>early on in the meeting that I thought was odd,

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<v Speaker 3>and maybe it was JC, but somebody said that they

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<v Speaker 3>had done some preliminary background checks on it, which was

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<v Speaker 3>so strange, but they implied that they were preliminary and

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<v Speaker 3>that the real thing would happen if we agreed to

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<v Speaker 3>make a deal. They were really going to look into us,

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<v Speaker 3>which also is deeply uncomfortable, saying a guy that won't

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<v Speaker 3>tell you his name is going to do a serious

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<v Speaker 3>background check on you. Listen at that point, but you're

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<v Speaker 3>probably thinking, what about the Harrington story. I'm thinking about

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<v Speaker 3>if you do a background checker, you got to call

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<v Speaker 3>everybody I went to college with. That's not going to

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<v Speaker 3>be a good look for me. And in fact, I

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<v Speaker 3>remember the guy that was called the Captain even act

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<v Speaker 3>of like, yeah, you probably won't pass that. He was

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<v Speaker 3>just so diffident, he was just so snarky. We were

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<v Speaker 3>told by this Captain character, don't ask us any more

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<v Speaker 3>about dates or places. That's not what this meeting is about.

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<v Speaker 3>And that happened. And we also brought up the idea

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<v Speaker 3>because again, if you're going to say you've got a

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<v Speaker 3>lot of things right, we're thinking about jfk Ann Roswell.

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<v Speaker 3>So we query them about that relationship between these two things.

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<v Speaker 3>And as I was thinking about this last week prepping

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<v Speaker 3>for this brand, I remembered very clearly that this guy

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<v Speaker 3>cut us off and he said two words, not today.

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<v Speaker 3>Let me give you some pro arguments for taking a

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<v Speaker 3>deal with these guys. At the time, we thought access

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<v Speaker 3>obviously could give us more authenticity for the show. We

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<v Speaker 3>were idealistic. Potentially we thought, wow, if this actually is

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<v Speaker 3>on the level, we might actually help facilitate real disclosure,

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<v Speaker 3>which was positive. And also given that, as we talked

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<v Speaker 3>about in a previous episode, we started the whole cover

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<v Speaker 3>of fiction thing. The idea that somebody would want to

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<v Speaker 3>come to us with a desire to use cover of

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<v Speaker 3>fiction wasn't as unreasonable as you might think. But I

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<v Speaker 3>think the main argument pro was we'll finally get to

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<v Speaker 3>know what's really going on, We'll get the truth. That

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<v Speaker 3>was seemed to be the promise.

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<v Speaker 1>I think the negatives were primarily that it felt like

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<v Speaker 1>we would be losing control of the narrative. At what

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<v Speaker 1>I mean by that is we had a show, we

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<v Speaker 1>had a vision for the show. We had the network

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<v Speaker 1>on board, the studio on board, we had stories broken,

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<v Speaker 1>scripts written, and these guys being put in charge they

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<v Speaker 1>had certainly the captain made it quite clear that if

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<v Speaker 1>we were in business with him, he was going to

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<v Speaker 1>tell us what was going to happen. He was going

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<v Speaker 1>to be the showrunner in some sense of the word.

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<v Speaker 1>And I think that was terrifying, that sense that loss

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<v Speaker 1>of control. I think another thing that we talked about

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<v Speaker 1>and we had to take seriously was, Okay, these guys

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<v Speaker 1>are saying this is the truth. They're saying they're the heroes, right,

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<v Speaker 1>and we're going to be on their side and disclose

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<v Speaker 1>to the people. Again, they were giving us the pitch

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<v Speaker 1>of us being low and guard and dark skies, let's

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<v Speaker 1>get the truth out to the people. So that was enticing,

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<v Speaker 1>But we also did consider, but what if all of

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<v Speaker 1>this is a syop? What if all of this is lie?

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<v Speaker 1>What if all of this is disinformation? And so that

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<v Speaker 1>idea that we could be end up taking a deal,

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<v Speaker 1>lose control of the show, and only to be being

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<v Speaker 1>used as part of a disinformation campaign was pretty disgusting.

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<v Speaker 3>I'm Bryce Sable. Have you ever wondered if there's a

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<v Speaker 3>secret connection between Hollywood and UFOs? And I'm Brent Friedman.

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<v Speaker 4>You are listening to sound, light and frequency.

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<v Speaker 3>All right. What we're going to be talking about today

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<v Speaker 3>is the second beat, if you will, of what happened

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<v Speaker 3>after JC crashed the Dark Sky's premiere party. And I

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<v Speaker 3>know that some people think, but you don't have to

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<v Speaker 3>refresh our memories on that. We got it. We've listened

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<v Speaker 3>to your previous episodes. But the thing is so many

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<v Speaker 3>new people are coming to this podcast that a little

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<v Speaker 3>bit of refreshment has to happen just to set the stage.

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<v Speaker 3>So here's the least I feel like you need to

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<v Speaker 3>know about this. We're talking about the events that happened

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<v Speaker 3>during the NBC series Dark Skies that we created. And

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<v Speaker 3>in our very first episode of this podcast, we told

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<v Speaker 3>you the story about a guy named JC who crashed

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<v Speaker 3>our premiere party, told us he'd seen the series, said

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<v Speaker 3>he was from the Office of Naval Intelligence and that

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<v Speaker 3>we did things pretty well and they wanted to make

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<v Speaker 3>a deal with us. That's your backstory. Do I need

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<v Speaker 3>any more?

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<v Speaker 2>Is that?

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<v Speaker 3>Okay, there's a little thing called the formula thrown in there,

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<v Speaker 3>but that's not relevant right now. Yeah, it is relevant

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<v Speaker 3>in that people would say, Okay, let's see the formula,

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<v Speaker 3>which we are getting to. We even have a date

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<v Speaker 3>for it. We're going to be putting it out there

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<v Speaker 3>on the literal thirtieth anniversary episode of this September seventeenth,

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<v Speaker 3>the twenty twenty six you will see the formula and

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<v Speaker 3>hear our panel talk about it. But the other thing

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<v Speaker 3>we're going to promise you is we are going to

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<v Speaker 3>tell you what the deal was, what we thought about it,

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<v Speaker 3>and what action we took about it. So all right,

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<v Speaker 3>I guess what you could say is what seemed like

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<v Speaker 3>a bizarre one night encounter suddenly became this organized, deliberate,

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<v Speaker 3>and harder to dismiss storyline. Brett, I don't know how

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<v Speaker 3>else to say it, because we basically saw JC go

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<v Speaker 3>off into the shadows at that dark Sky's party, and

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<v Speaker 3>we went to the office two days later, which was

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<v Speaker 3>our warehouse in North Hollywood. And I don't even remember

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<v Speaker 3>if we've told this before, Stop me if I had,

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<v Speaker 3>But this production facility was actually a warehouse in North

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<v Speaker 3>Hollywood that had been a place dedicated to making porn movies.

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<v Speaker 3>Did we ever say that.

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<v Speaker 1>We haven't said that, but yes, and I remember that

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<v Speaker 1>we discovered that when there was a really interesting little

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<v Speaker 1>treasure trove of stuff in the office bathroom.

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<v Speaker 3>You used, Okay, all right, this at least starts with

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<v Speaker 3>a little bit of humor and degradation. So I was

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<v Speaker 3>an executive producer of the show, and offices were given

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<v Speaker 3>and I got this nice, big office, and I was

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<v Speaker 3>pretty happy with it, and had worked there several weeks.

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<v Speaker 3>We did know that it had been used for making

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<v Speaker 3>porn movies, but there was really no reason to know

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<v Speaker 3>that other than somebody had told us when they rented

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<v Speaker 3>it to us. And on the way to the bath

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<v Speaker 3>through them there were a number of what would you

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<v Speaker 3>call it, just cabinets, cabinets, that's the word cabinet up above.

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<v Speaker 3>So in fact, nobody had ever looked in them because

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<v Speaker 3>they were so high up. And I didn't have a

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<v Speaker 3>ladder or anything, and I had other things to do,

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<v Speaker 3>as did you. And I remember one day one of

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<v Speaker 3>our assistants had a ladder and I said, bring that

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<v Speaker 3>in here, let's see whatever. And we opened it up

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<v Speaker 3>and Brent there were hundreds of the most graphic porn

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<v Speaker 3>magazines I've ever seen, not with titles like Playboy and

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<v Speaker 3>things like that. Now, those are nice. These were pretty

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<v Speaker 3>radical porn magazines. And I said to the assistant, oh man,

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<v Speaker 3>you got to get these out of here, right, So

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<v Speaker 3>make these disappear as I believed the mandate that he

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<v Speaker 3>was given. And later that afternoon, somebody came and said,

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<v Speaker 3>oh my god, have you seen what's out by the

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<v Speaker 3>garbage cans? And apparently our assistant had left them, just

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<v Speaker 3>left them out there, and when people said what are these,

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<v Speaker 3>he said, They're from Bryce's office office. Yeah, so that

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<v Speaker 3>was the office that a lot of this stuff went

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<v Speaker 3>down in, which gives it a little bit of a

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<v Speaker 3>humorous angle. But the point is we went to that office,

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<v Speaker 3>our production facility the monday after this Dark Sky's party

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<v Speaker 3>where this JC character had shown up, and I know

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<v Speaker 3>that we had received the formula that was written on

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<v Speaker 3>the back of a bank envelope, and that's the thing

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<v Speaker 3>we'll be talking about in future episodes, or at least

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<v Speaker 3>showing people. And we went in with it and we

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<v Speaker 3>showed it to certain people anyway, So this was strange. However,

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<v Speaker 3>we had to keep moving on with our lives, right,

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<v Speaker 3>there's a show to produce. We had obviously just debuted.

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<v Speaker 3>All eyes were honest, the network, the studio, everybody's looking

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<v Speaker 3>at ratings and discussing whether we were had the right thing,

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<v Speaker 3>and we were shooting in our next episode Up was

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<v Speaker 3>about Roswell and JFK in the aftermath of the assassination,

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<v Speaker 3>where literally our main character John Longard goes to Dallas,

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<v Speaker 3>Texas and talks to Jesse Marcel Roswell. Yeah wow, I know.

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<v Speaker 1>Crazy, so against all of that, basically business as usual

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<v Speaker 1>on a primetime TV series. I was getting messages from

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<v Speaker 1>my assistant Adam saying JC called.

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<v Speaker 3>Now.

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<v Speaker 1>He had given us his card at the party and

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<v Speaker 1>if you remember, it said simply J dot C dot

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<v Speaker 1>with a three to one zero number.

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<v Speaker 3>We did not call him.

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<v Speaker 1>We had other things to do. I don't think we'd

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<v Speaker 1>made a decision one way or another what we wanted

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<v Speaker 1>to do, but we certainly weren't taking action upon it.

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<v Speaker 1>But he was quite aggressive after the party in following

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<v Speaker 1>up several times, and at some point, probably by the

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<v Speaker 1>third or fourth time, I got a message that JC

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<v Speaker 1>was calling from Adam. I went and took the call,

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<v Speaker 1>and he made some sort of quip about your hard

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<v Speaker 1>man to get on the phone or something along those lines,

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<v Speaker 1>but was still pretty friendly and said, Hey, we want

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<v Speaker 1>to follow up, and I hope you guys had some

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<v Speaker 1>time to think about it, and we'd love to have

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<v Speaker 1>another meeting, and I am being asked to bring a

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<v Speaker 1>superior to this next meet so we can get into

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<v Speaker 1>a little bit more details and see if we can

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<v Speaker 1>close this thing up. And I thought, okay, but we're busy,

0:11:06.120 --> 0:11:07.880
<v Speaker 1>and he said, okay, so we're going to be there

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<v Speaker 1>tomorrow at three o'clock and we'll see you.

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<v Speaker 3>Then I was like hold on.

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<v Speaker 1>All of a sudden, it was like click, and next

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<v Speaker 1>thing I knew he was coming to the office. And

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<v Speaker 1>I remember with a little dread, having to come and

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<v Speaker 1>tell you, Oh, I just made a meeting with JC

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<v Speaker 1>and his superior to talk further about the deal, and.

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<v Speaker 3>How are you here to tell you? And I think

0:11:27.880 --> 0:11:30.520
<v Speaker 3>we both felt the same way. The pressure of doing

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<v Speaker 3>a television series, especially in the days right after your premiere,

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<v Speaker 3>is ungodly. What people have to understand is not only

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<v Speaker 3>do you have a show on the air, you have

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<v Speaker 3>shows that are still being written. You have shows that

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<v Speaker 3>are going into pre production. You have a show in production,

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<v Speaker 3>you have a first cut of something that needs to

0:11:47.920 --> 0:11:50.800
<v Speaker 3>be looked at. You have a show that needs to

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<v Speaker 3>air in ten days or something. So you just have

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<v Speaker 3>so many things going on. I can't tell you that

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<v Speaker 3>I wasn't interested. I'm not going to say I didn't

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<v Speaker 3>want to meet with the guy. I was curious. First

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<v Speaker 3>of all, the most real thing about him coming to

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<v Speaker 3>our party is he had actually seen our pilot, So yeah,

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<v Speaker 3>you kind of wanted to know more, just as a

0:12:09.920 --> 0:12:13.440
<v Speaker 3>human being who's got curiosity, and me being a guy

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<v Speaker 3>that came out of journalism, I was like, yeah, I

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<v Speaker 3>want to take this guy's assessment. So listen, you and

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<v Speaker 3>I were and are both veteran writers who've gone to

0:12:24.000 --> 0:12:27.280
<v Speaker 3>our share of pitches, and we've been exposed to egos

0:12:27.320 --> 0:12:30.240
<v Speaker 3>like you can't believe in strange Hollywood personalities. All of

0:12:30.280 --> 0:12:33.520
<v Speaker 3>that is certainly true, but this was a meeting unlike

0:12:33.600 --> 0:12:35.040
<v Speaker 3>anything I've had.

0:12:35.200 --> 0:12:36.920
<v Speaker 1>I know, we were trying to figure out how do

0:12:36.960 --> 0:12:39.440
<v Speaker 1>you prepare for this? And ultimately, I think all we

0:12:39.520 --> 0:12:42.960
<v Speaker 1>came up with was, look, let's make an agreement between

0:12:42.960 --> 0:12:45.760
<v Speaker 1>the two of us. We're not going to commit to

0:12:45.840 --> 0:12:48.000
<v Speaker 1>anything in the room. We're going to hear them out.

0:12:48.120 --> 0:12:50.360
<v Speaker 1>We're not going to say yes or no to the deal.

0:12:50.480 --> 0:12:52.360
<v Speaker 1>Whatever happens, We're just going to hear them out.

0:12:52.400 --> 0:12:52.880
<v Speaker 3>And that was it.

0:12:52.960 --> 0:12:54.600
<v Speaker 1>And I think that was, aside from a lot of

0:12:54.640 --> 0:12:56.800
<v Speaker 1>angst and probably not a good night's sleep for on

0:12:57.000 --> 0:12:59.439
<v Speaker 1>either of our parts. That was about all the preparation

0:12:59.520 --> 0:13:02.240
<v Speaker 1>we could really do for that meeting. So let's set

0:13:02.280 --> 0:13:05.079
<v Speaker 1>the stage physically for this thing. So aside from the

0:13:05.120 --> 0:13:09.200
<v Speaker 1>colorful detail of cabinets full of porn magazines, next to

0:13:09.240 --> 0:13:12.160
<v Speaker 1>that office was a conference room. And this conference room,

0:13:12.240 --> 0:13:13.880
<v Speaker 1>like a lot of them, it was down a hallway,

0:13:13.880 --> 0:13:16.720
<v Speaker 1>but it was adjacent to my office and frankly just

0:13:16.760 --> 0:13:18.880
<v Speaker 1>around the corner from yours. You and I were very

0:13:18.880 --> 0:13:21.760
<v Speaker 1>close together, and it had a big, clear window, and

0:13:21.840 --> 0:13:25.160
<v Speaker 1>so we knew two things. We knew that everyone would

0:13:25.200 --> 0:13:27.200
<v Speaker 1>be able to see that we were meeting with somebody,

0:13:27.240 --> 0:13:30.720
<v Speaker 1>so if something really untoward was happening, people would see

0:13:30.720 --> 0:13:31.520
<v Speaker 1>it totally.

0:13:31.640 --> 0:13:36.160
<v Speaker 3>Yes, yeah. But we also knew that we had security

0:13:36.440 --> 0:13:39.120
<v Speaker 3>at the production offices, and so we were able to

0:13:39.120 --> 0:13:41.880
<v Speaker 3>tell our security guys, Hey, some people say they're coming

0:13:41.920 --> 0:13:44.800
<v Speaker 3>in this afternoon. We'd like you to pay extra special

0:13:44.840 --> 0:13:48.920
<v Speaker 3>attention and stand menacingly outside the conference room if at

0:13:48.920 --> 0:13:52.000
<v Speaker 3>all possible. So they did, and these guys showed up

0:13:52.000 --> 0:13:55.880
<v Speaker 3>promptly on time. JC and I guess we have to

0:13:55.920 --> 0:13:58.920
<v Speaker 3>discuss what the other guy looked like. I'll let you

0:13:58.960 --> 0:13:59.719
<v Speaker 3>take a crack at.

0:13:59.679 --> 0:14:02.800
<v Speaker 1>That so as a refresher, or if you're new to sound,

0:14:02.880 --> 0:14:07.280
<v Speaker 1>light and frequency. JC himself was we are saying around thirty.

0:14:07.640 --> 0:14:10.120
<v Speaker 1>He looked slightly handsome. He looked like a cross between

0:14:10.120 --> 0:14:12.640
<v Speaker 1>a frat boy and a young military man, and very

0:14:12.679 --> 0:14:16.000
<v Speaker 1>pleasant in his demeanor. The same cannot be said for

0:14:16.360 --> 0:14:18.920
<v Speaker 1>the person that we will now refer to as the captain.

0:14:19.080 --> 0:14:22.440
<v Speaker 1>The captain came in all badass. He had the demeanor

0:14:22.480 --> 0:14:25.520
<v Speaker 1>of a drill sergeant, and we were the grunts and

0:14:26.160 --> 0:14:30.640
<v Speaker 1>he came in. He was much more physically imposing than JC.

0:14:31.040 --> 0:14:33.720
<v Speaker 1>He had on if I remember a Navy bomber jacket

0:14:33.960 --> 0:14:37.520
<v Speaker 1>with all sorts of insignias and patches and things, but

0:14:37.680 --> 0:14:41.160
<v Speaker 1>I think just casual pants. He wasn't in full uniform,

0:14:41.200 --> 0:14:42.160
<v Speaker 1>I guess is what I'm saying.

0:14:42.240 --> 0:14:45.200
<v Speaker 3>I had jeans on, because one detail I remember is

0:14:45.280 --> 0:14:48.040
<v Speaker 3>he wore boots, and I had forgotten this detail. But

0:14:48.080 --> 0:14:51.200
<v Speaker 3>they weren't boots that were scuffed up with cowdong or anything.

0:14:51.440 --> 0:14:55.000
<v Speaker 3>They seemed to be lightly dusted with sand or something.

0:14:55.040 --> 0:14:58.160
<v Speaker 3>I just remember. They weren't cleanly polished. They were sandy.

0:14:58.240 --> 0:15:00.960
<v Speaker 1>Yeah, had the real feel of an off duty He

0:15:01.080 --> 0:15:04.760
<v Speaker 1>came in and there wasn't any real chit chat. It

0:15:04.880 --> 0:15:08.600
<v Speaker 1>was we got right down to business. And the one

0:15:08.640 --> 0:15:11.600
<v Speaker 1>thing I want to frame this with is the whole meeting,

0:15:11.720 --> 0:15:14.400
<v Speaker 1>from my point of view, had a good cop bad

0:15:14.480 --> 0:15:18.200
<v Speaker 1>cop quality to it. Clearly, JC, who was the one

0:15:18.200 --> 0:15:20.800
<v Speaker 1>that first made contact with us, was the good cop,

0:15:21.120 --> 0:15:22.880
<v Speaker 1>and he was the one who was always trying to

0:15:22.960 --> 0:15:26.040
<v Speaker 1>lighten the situation throughout this meeting or get it back

0:15:26.080 --> 0:15:30.480
<v Speaker 1>on track, whereas the Captain clearly embraced the bad cop

0:15:30.560 --> 0:15:32.640
<v Speaker 1>role in many ways which will lay out.

0:15:32.760 --> 0:15:35.880
<v Speaker 3>People have asked, who were these guys? What were their names?

0:15:35.880 --> 0:15:38.600
<v Speaker 3>Did you see their idea or whatever? We did ask

0:15:38.640 --> 0:15:41.000
<v Speaker 3>for their names this time. I think we were both

0:15:41.000 --> 0:15:44.360
<v Speaker 3>taken aback at the party and probably not thinking with

0:15:44.400 --> 0:15:46.720
<v Speaker 3>all our critical faculties, but we had a little time

0:15:46.960 --> 0:15:50.080
<v Speaker 3>and forewarning about this one. The one detail I wanted

0:15:50.080 --> 0:15:51.640
<v Speaker 3>to just add to that is I don't know that

0:15:51.680 --> 0:15:53.880
<v Speaker 3>we actually in the meeting called them the captain. I

0:15:53.920 --> 0:15:56.520
<v Speaker 3>think was introduced as the captain and we never called

0:15:56.560 --> 0:16:00.400
<v Speaker 3>them by anything. But I do remember thinking very strongly

0:16:00.800 --> 0:16:03.600
<v Speaker 3>that he reminded me of the Navy seal. He looked

0:16:03.640 --> 0:16:07.000
<v Speaker 3>like what you'd expect whereas JC was slight, not a

0:16:07.040 --> 0:16:09.480
<v Speaker 3>whimp or anything like that, but a normal guy.

0:16:09.760 --> 0:16:13.280
<v Speaker 1>If I had to assess them, I'd say that JC

0:16:13.600 --> 0:16:18.320
<v Speaker 1>gave off intelligence officer vibes and the captain was clearly

0:16:18.360 --> 0:16:19.280
<v Speaker 1>a military man.

0:16:19.680 --> 0:16:22.640
<v Speaker 3>Yeah, keep those two things in mind, folks, because what

0:16:22.680 --> 0:16:24.640
<v Speaker 3>we're about to tell you is what went on in

0:16:24.680 --> 0:16:27.280
<v Speaker 3>this meeting that in my remembrance about an hour and

0:16:27.320 --> 0:16:29.920
<v Speaker 3>a half. Does that sound about right to you? Yes,

0:16:30.120 --> 0:16:33.080
<v Speaker 3>And it went by rather quickly. I remember it being

0:16:33.240 --> 0:16:37.760
<v Speaker 3>very surreal and asking myself several times in the course

0:16:37.800 --> 0:16:40.000
<v Speaker 3>of the meeting, is this really happening? Now, there are

0:16:40.000 --> 0:16:42.600
<v Speaker 3>a couple of things that we should point out here.

0:16:42.760 --> 0:16:45.400
<v Speaker 3>Thirty years is a long time. Three decades is a

0:16:45.440 --> 0:16:48.520
<v Speaker 3>long time, and so I think we have most of

0:16:48.560 --> 0:16:51.480
<v Speaker 3>the details of what happened and what was said, or

0:16:51.520 --> 0:16:54.080
<v Speaker 3>at least the area it was said. Maybe either a

0:16:54.160 --> 0:16:56.840
<v Speaker 3>little bit out of order because I didn't write anything

0:16:56.920 --> 0:16:58.880
<v Speaker 3>down that day I went back to work, but I

0:16:58.920 --> 0:17:02.200
<v Speaker 3>do know that we'd did ask for some identification, and

0:17:02.480 --> 0:17:05.359
<v Speaker 3>this was what was so weird about the meeting. We

0:17:05.400 --> 0:17:08.160
<v Speaker 3>asked for identification, and we get told if the deal

0:17:08.240 --> 0:17:11.679
<v Speaker 3>comes together, then you'll get it. And I remember thinking

0:17:11.800 --> 0:17:14.360
<v Speaker 3>that's just so crazy. How can we make a deal

0:17:14.400 --> 0:17:16.600
<v Speaker 3>with somebody that won't tell us who they are. It

0:17:16.760 --> 0:17:20.119
<v Speaker 3>just made no sense. And we went back and forth

0:17:20.160 --> 0:17:22.760
<v Speaker 3>on that enough that I think you and I probably

0:17:22.760 --> 0:17:26.359
<v Speaker 3>had one of those knowing glances exchanged where we thought, Okay,

0:17:26.440 --> 0:17:29.439
<v Speaker 3>let's just go with it. The guy's not going to

0:17:29.480 --> 0:17:31.800
<v Speaker 3>tell us right now. He said something else, by the way,

0:17:32.080 --> 0:17:34.879
<v Speaker 3>early on in the meeting that I thought was odd,

0:17:35.560 --> 0:17:38.000
<v Speaker 3>and maybe it was JC, but somebody said that they

0:17:38.000 --> 0:17:41.240
<v Speaker 3>had done some preliminary background checks on it, which was

0:17:41.280 --> 0:17:44.359
<v Speaker 3>so strange. But they implied that they were preliminary and

0:17:44.400 --> 0:17:46.560
<v Speaker 3>that the real thing would happen if we agreed to

0:17:46.560 --> 0:17:49.479
<v Speaker 3>make a deal. They were really going to look into us,

0:17:49.800 --> 0:17:54.280
<v Speaker 3>which also is deeply uncomfortable, saying a guy that won't

0:17:54.320 --> 0:17:56.960
<v Speaker 3>tell you his name is going to do a serious

0:17:57.000 --> 0:18:00.679
<v Speaker 3>background check on you. Listen at that point, probably thinking

0:18:00.760 --> 0:18:03.760
<v Speaker 3>what about the Harrington story. I'm thinking about if you

0:18:03.800 --> 0:18:05.919
<v Speaker 3>do a background checker, you've got to call everybody I

0:18:05.920 --> 0:18:07.760
<v Speaker 3>went to college with. That's not going to be a

0:18:07.800 --> 0:18:10.119
<v Speaker 3>good look for me. And in fact, I remember the

0:18:10.160 --> 0:18:12.680
<v Speaker 3>guy that was called the Captain even acted like, yeah,

0:18:12.720 --> 0:18:15.160
<v Speaker 3>you probably won't pass that. He was just so diffident.

0:18:15.359 --> 0:18:17.159
<v Speaker 3>He was just so snarky.

0:18:17.520 --> 0:18:20.760
<v Speaker 1>He did give off this energy of why do I

0:18:20.840 --> 0:18:24.359
<v Speaker 1>have to be here? I felt like JC and he

0:18:24.560 --> 0:18:26.960
<v Speaker 1>were told go back and have a meeting with these

0:18:27.000 --> 0:18:29.920
<v Speaker 1>guys and figure out if they're for if there were

0:18:29.920 --> 0:18:32.280
<v Speaker 1>going to do this or not. And the Captain probably

0:18:32.359 --> 0:18:35.040
<v Speaker 1>rolled his eyes and said you could just tell he

0:18:35.160 --> 0:18:37.680
<v Speaker 1>did not respect Hollywood. He didn't want to be there,

0:18:37.880 --> 0:18:40.200
<v Speaker 1>and he had very little confidence in us.

0:18:40.280 --> 0:18:43.480
<v Speaker 3>It seemed to be whereas JAC seemed like he was there,

0:18:43.800 --> 0:18:47.040
<v Speaker 3>but he was clearly outranked. So as we get into this,

0:18:47.119 --> 0:18:50.040
<v Speaker 3>there were questions that were asked, etc. But they weren't

0:18:50.119 --> 0:18:53.359
<v Speaker 3>answered by j C first ever. It was either the

0:18:53.440 --> 0:18:56.399
<v Speaker 3>captain either said something or he dismissed it, and then

0:18:56.520 --> 0:19:00.720
<v Speaker 3>JAC said something, but let's throw something of subst's out there,

0:19:00.880 --> 0:19:03.000
<v Speaker 3>I believe. In the late eighties, there was a TV

0:19:03.119 --> 0:19:06.440
<v Speaker 3>documentary called UFO Cover Up Live, and that's the one

0:19:06.720 --> 0:19:11.280
<v Speaker 3>people famously remembered because there were some shadow interviews from

0:19:11.320 --> 0:19:13.880
<v Speaker 3>people supposedly on the cover up and they were talking

0:19:13.880 --> 0:19:18.800
<v Speaker 3>about having an extraterrestrial biological entity and custody that famously

0:19:19.000 --> 0:19:23.880
<v Speaker 3>liked strawberry ice cream okay, which a very specific thing. Okay,

0:19:24.080 --> 0:19:27.400
<v Speaker 3>And there's a whole background on UFO cover Up Live

0:19:27.400 --> 0:19:28.960
<v Speaker 3>that we don't have time to go into. Let's just

0:19:29.000 --> 0:19:31.280
<v Speaker 3>say that we knew that had happened because it was

0:19:31.320 --> 0:19:34.760
<v Speaker 3>about five six years prior to this meeting we're having

0:19:34.840 --> 0:19:37.600
<v Speaker 3>at Dark Skies. But one of the things that UFO

0:19:37.720 --> 0:19:41.440
<v Speaker 3>cover Up did is it introduced the concept of the Aviary,

0:19:41.840 --> 0:19:45.240
<v Speaker 3>which was a faction of the Air Force. Correct not

0:19:45.359 --> 0:19:48.960
<v Speaker 3>too subtle aviary birds flying around. But where it got

0:19:49.040 --> 0:19:53.120
<v Speaker 3>weird for us and why we invoked that is these

0:19:53.160 --> 0:19:55.520
<v Speaker 3>guys said that they were part of the aquarium.

0:19:56.119 --> 0:20:01.000
<v Speaker 1>Yes, and the implication was obviously Aquarium, Navy, AVI Air Force.

0:20:01.240 --> 0:20:05.719
<v Speaker 1>The implication that they put forward to us was that

0:20:06.200 --> 0:20:09.479
<v Speaker 1>the Aquarium were the good guys. They were the people

0:20:09.560 --> 0:20:13.159
<v Speaker 1>trying to working for disclosure, coming out, making deals with

0:20:13.160 --> 0:20:16.919
<v Speaker 1>people in Hollywood to slow drip the truth through the

0:20:16.960 --> 0:20:19.960
<v Speaker 1>media and condition people give them a soft landing, all

0:20:20.000 --> 0:20:24.439
<v Speaker 1>of those euphemisms. Whereas the Air Force wanted the cover up,

0:20:24.640 --> 0:20:28.639
<v Speaker 1>was definitely actively working to keep things covered up, and

0:20:28.920 --> 0:20:31.720
<v Speaker 1>we didn't get into the specifics of why. I think

0:20:31.960 --> 0:20:35.000
<v Speaker 1>in the intervening years, there's talk that there's more of

0:20:35.040 --> 0:20:39.320
<v Speaker 1>a religious viewpoint of the phenomenon and aliens and everything

0:20:39.400 --> 0:20:42.000
<v Speaker 1>in the Air Force, and so they wanted to keep

0:20:42.040 --> 0:20:45.159
<v Speaker 1>it secret. Whatever the case may be, it was clear

0:20:45.200 --> 0:20:48.800
<v Speaker 1>that JC and the Captain were presenting themselves as the

0:20:48.840 --> 0:20:51.680
<v Speaker 1>good guys in this battle, and they wanted to recruit

0:20:51.800 --> 0:20:58.840
<v Speaker 1>us to be part of the good team.

0:20:58.960 --> 0:21:01.240
<v Speaker 3>In fairness, I have to tell you, over the years,

0:21:01.480 --> 0:21:04.720
<v Speaker 3>where I've told partial tidbits of this story or at

0:21:04.800 --> 0:21:08.520
<v Speaker 3>least ask people, I do remember multiple people when I

0:21:08.560 --> 0:21:12.000
<v Speaker 3>said aquarium they kind of laughed like that was funny

0:21:12.040 --> 0:21:15.760
<v Speaker 3>to them. And I think that their attitude, and in

0:21:15.800 --> 0:21:18.320
<v Speaker 3>fact our attitude at the time was maybe this is

0:21:18.359 --> 0:21:21.680
<v Speaker 3>all just disinformation. Maybe these guys are here to find

0:21:21.680 --> 0:21:24.840
<v Speaker 3>out how gullible Freedman and Zabel really are. And we

0:21:24.880 --> 0:21:27.480
<v Speaker 3>didn't get hung up on that issue, but it did

0:21:27.560 --> 0:21:31.560
<v Speaker 3>come out there. So what happened is at this conference

0:21:31.680 --> 0:21:35.360
<v Speaker 3>room thing, the Captain was just yes, JC had said,

0:21:35.359 --> 0:21:37.240
<v Speaker 3>you got a lot of things right. The Captain was

0:21:37.280 --> 0:21:39.480
<v Speaker 3>there to tell us what we didn't get right, and

0:21:39.600 --> 0:21:43.600
<v Speaker 3>what we didn't get right was this ganglion, which was

0:21:43.800 --> 0:21:48.520
<v Speaker 3>a biological thing that embedded itself into somebody's brain and right,

0:21:48.760 --> 0:21:51.840
<v Speaker 3>And I remember him specifically saying, and you and I

0:21:51.840 --> 0:21:55.960
<v Speaker 3>have used this phrase over the years several times when

0:21:56.000 --> 0:21:59.720
<v Speaker 3>talking about this. He said, that's not the way it works.

0:22:00.320 --> 0:22:03.520
<v Speaker 1>Yeah, and I remember when he said that, he said

0:22:03.520 --> 0:22:06.879
<v Speaker 1>it was such disdain. He actually made me think of

0:22:07.359 --> 0:22:10.960
<v Speaker 1>Frank Bach, our captain, our Navy captain character.

0:22:10.800 --> 0:22:11.680
<v Speaker 3>In Dark Skies.

0:22:11.720 --> 0:22:14.800
<v Speaker 1>It felt like we were getting chastised by one of

0:22:14.840 --> 0:22:16.520
<v Speaker 1>our own characters at that moment.

0:22:16.800 --> 0:22:21.040
<v Speaker 3>Yeah. And Frank Buch was played by the late actor J. T. Walsh,

0:22:21.080 --> 0:22:23.800
<v Speaker 3>who was in a future episode. We'll talk about what

0:22:23.920 --> 0:22:28.159
<v Speaker 3>a seriously troubled dude this guy was. His character was

0:22:28.280 --> 0:22:30.440
<v Speaker 3>mean and nasty, and so was the actor, at least

0:22:30.440 --> 0:22:32.720
<v Speaker 3>at that time of his life. To say that he

0:22:32.840 --> 0:22:37.760
<v Speaker 3>reminded you of Frank Bach scary. The reason we hired J. T. Walsh, remember,

0:22:38.119 --> 0:22:41.400
<v Speaker 3>was was intimidating. He was intimidating. And when we first said,

0:22:41.560 --> 0:22:43.480
<v Speaker 3>when it was in casting, can we get J. T.

0:22:43.600 --> 0:22:46.200
<v Speaker 3>Walsh to play Frank Bach and people like, no, he's

0:22:46.240 --> 0:22:49.240
<v Speaker 3>a major guy. You make it a J. T. Walsh

0:22:49.440 --> 0:22:52.480
<v Speaker 3>type of actor. And we said, can't you just ask?

0:22:52.600 --> 0:22:55.280
<v Speaker 3>And we did and they gave it to him. Another thing,

0:22:55.359 --> 0:22:57.760
<v Speaker 3>by the way, that came up because it was so

0:22:57.920 --> 0:23:01.080
<v Speaker 3>much on our minds because remember the is about the

0:23:01.200 --> 0:23:05.359
<v Speaker 3>Roswell piece and given to JFK, and the first episode

0:23:05.359 --> 0:23:11.040
<v Speaker 3>now is literally merging the Roswell's story into the aftermath

0:23:11.080 --> 0:23:14.399
<v Speaker 3>of the assassination in Dallas. So Roswell was on our minds.

0:23:14.600 --> 0:23:18.160
<v Speaker 3>Maybe it's because I was a reformed journalist at that point,

0:23:18.320 --> 0:23:21.080
<v Speaker 3>but I had questions. So I thought, if these guys

0:23:21.119 --> 0:23:23.560
<v Speaker 3>are going to play this game, let's at least find

0:23:23.560 --> 0:23:25.680
<v Speaker 3>out they want to know what we know. I want

0:23:25.680 --> 0:23:27.680
<v Speaker 3>to know what they know. If they're telling us there's

0:23:27.720 --> 0:23:30.560
<v Speaker 3>a deal to be had, then maybe they should dangle

0:23:30.640 --> 0:23:33.679
<v Speaker 3>some of this information out here, because if they're not

0:23:33.760 --> 0:23:36.440
<v Speaker 3>even going to tell us their names yet, JC did,

0:23:36.520 --> 0:23:38.720
<v Speaker 3>or at least he gave us a name. Anyway, the

0:23:38.800 --> 0:23:42.639
<v Speaker 3>idea that Roswell was an anomalous event did get acknowledged

0:23:42.680 --> 0:23:46.800
<v Speaker 3>in this meeting, but we were told by this Captain character,

0:23:47.080 --> 0:23:50.160
<v Speaker 3>don't ask us any more about dates or places. That's

0:23:50.200 --> 0:23:54.160
<v Speaker 3>not what this meeting is about. And that happened, And

0:23:54.359 --> 0:23:57.400
<v Speaker 3>we also brought up the idea because again, if you're

0:23:57.400 --> 0:23:58.880
<v Speaker 3>going to say you've got a lot of things right,

0:23:59.160 --> 0:24:02.919
<v Speaker 3>we're thinking about Ken Roswell. So we query them about

0:24:02.960 --> 0:24:06.320
<v Speaker 3>that relationship between these two things. And as I was

0:24:06.359 --> 0:24:08.879
<v Speaker 3>thinking about this last week prepping for this brand, I

0:24:08.960 --> 0:24:12.560
<v Speaker 3>remembered very clearly that this guy cut us off and

0:24:12.600 --> 0:24:15.600
<v Speaker 3>he said two words, not today. Yes, no.

0:24:15.680 --> 0:24:19.000
<v Speaker 1>But I remember thinking at the time he didn't poo

0:24:19.040 --> 0:24:21.000
<v Speaker 1>poo it like he did the Gangli, and he didn't

0:24:21.080 --> 0:24:25.240
<v Speaker 1>confirm nor deny that there was a relationship between JFK

0:24:25.400 --> 0:24:28.560
<v Speaker 1>and Roswell. He just said not today, because, as it

0:24:28.560 --> 0:24:31.320
<v Speaker 1>turned out, they had pressing business they wanted to talk

0:24:31.359 --> 0:24:31.639
<v Speaker 1>with us.

0:24:31.720 --> 0:24:34.080
<v Speaker 3>Sure, And by the way, just to show you that

0:24:34.520 --> 0:24:37.080
<v Speaker 3>I don't take no for an answer, sometimes to my

0:24:37.119 --> 0:24:40.720
<v Speaker 3>own detriment. After having said not today, what was on

0:24:40.840 --> 0:24:43.439
<v Speaker 3>my mind was we were actually in the middle of

0:24:43.480 --> 0:24:46.840
<v Speaker 3>breaking a story about Scoro, New Mexico. Oh right, that

0:24:46.880 --> 0:24:49.679
<v Speaker 3>would become an episode. I believe Jim Perriot wrote it,

0:24:50.000 --> 0:24:52.960
<v Speaker 3>and it was called Hostile Convergence, And so we were

0:24:52.960 --> 0:24:55.400
<v Speaker 3>in the middle of a lot of those writers' room

0:24:55.480 --> 0:24:58.639
<v Speaker 3>discussions about how to make this happen. So I asked

0:24:58.680 --> 0:25:02.639
<v Speaker 3>him something about it again just shut down with the

0:25:02.800 --> 0:25:04.880
<v Speaker 3>I don't remember the specifics, but it would have been

0:25:04.880 --> 0:25:08.000
<v Speaker 3>something like not on the agenda. The guy was terse

0:25:08.359 --> 0:25:11.400
<v Speaker 3>and negative, not on the agenda, and one other thing

0:25:11.440 --> 0:25:13.880
<v Speaker 3>that came up. I'm just giving the content stuff here.

0:25:14.119 --> 0:25:17.480
<v Speaker 3>I believe another thing that came up was clearly the

0:25:17.520 --> 0:25:20.879
<v Speaker 3>abduction phenomenon, because in the pilot we had Betty and

0:25:20.920 --> 0:25:24.560
<v Speaker 3>Barney Hill as characters in it, right, And then also

0:25:24.640 --> 0:25:30.440
<v Speaker 3>in the pilot, John Loanguard's girlfriend, Kim Sayers was abducted herself, right, right,

0:25:30.520 --> 0:25:34.880
<v Speaker 3>So abductions were a pretty major thing, and he seemed

0:25:34.880 --> 0:25:38.720
<v Speaker 3>to acknowledge that. He seemed to acknowledge that not only

0:25:38.840 --> 0:25:42.400
<v Speaker 3>was happening, but they were clearly tinkering with our DNA.

0:25:42.760 --> 0:25:45.600
<v Speaker 3>And I might be wrong about this one, so I'm

0:25:45.640 --> 0:25:49.159
<v Speaker 3>kind of curious if your recollection matches it. One of

0:25:49.240 --> 0:25:52.000
<v Speaker 3>us might have been you even But somebody said, how

0:25:52.040 --> 0:25:54.480
<v Speaker 3>long has this been going on? Is this a long

0:25:54.640 --> 0:25:57.119
<v Speaker 3>term thing? Or is this something that just started with

0:25:57.160 --> 0:26:00.600
<v Speaker 3>Betty and Barney? And again he dismissed it and moved

0:26:00.600 --> 0:26:01.920
<v Speaker 3>on by saying something like.

0:26:02.200 --> 0:26:05.960
<v Speaker 1>Next, yeah, yeah, no, I that actually topic. I'm pretty

0:26:05.960 --> 0:26:07.879
<v Speaker 1>sure it was me that tried to probe on that

0:26:07.920 --> 0:26:10.919
<v Speaker 1>because it interested me greatly. But he just wasn't, Like

0:26:10.960 --> 0:26:13.640
<v Speaker 1>I said, he was not interested in answering our questions.

0:26:13.920 --> 0:26:17.160
<v Speaker 1>This was one of those things where you're being interrogated

0:26:17.200 --> 0:26:18.960
<v Speaker 1>by a cop and you're trying to ask questions to

0:26:18.960 --> 0:26:21.160
<v Speaker 1>the cop and they say, no, I asked the questions right.

0:26:21.240 --> 0:26:23.879
<v Speaker 1>In this case, he was trying to run the meeting,

0:26:24.000 --> 0:26:27.240
<v Speaker 1>and we were flailing for answers, right because we've got

0:26:27.240 --> 0:26:29.920
<v Speaker 1>two people suddenly on the inside. We're trying to get

0:26:29.960 --> 0:26:32.399
<v Speaker 1>anything we can out of this meeting, and he is

0:26:32.760 --> 0:26:36.119
<v Speaker 1>just intent on taking it exactly where he wants me

0:26:36.200 --> 0:26:36.399
<v Speaker 1>to get.

0:26:36.440 --> 0:26:38.280
<v Speaker 3>And we are going to get to that in one second.

0:26:38.320 --> 0:26:41.040
<v Speaker 3>But I wrote one other thing down that I recall

0:26:41.400 --> 0:26:45.520
<v Speaker 3>really pissed him off, right, because remember, these guys had

0:26:45.560 --> 0:26:48.720
<v Speaker 3>acknowledged we're from the Office of Naval Intelligence, which, by

0:26:48.720 --> 0:26:52.439
<v Speaker 3>the way, is historically a thing Bob Lazar his story

0:26:52.560 --> 0:26:56.440
<v Speaker 3>was tied to Office of Naval Intelligence people, and later,

0:26:56.560 --> 0:26:58.679
<v Speaker 3>if we have time, we'll talk about John Lear and

0:26:58.720 --> 0:27:02.439
<v Speaker 3>how he acknowledged that. So I think our question was,

0:27:02.760 --> 0:27:05.840
<v Speaker 3>if you're from the Office of Naval Intelligence, why are

0:27:05.880 --> 0:27:08.600
<v Speaker 3>you guys in charge of things that are flying around

0:27:08.600 --> 0:27:11.480
<v Speaker 3>in the skies. What about the things in the oceans,

0:27:11.640 --> 0:27:16.440
<v Speaker 3>which now is a hot topic USO's unidentified submerged objects.

0:27:16.640 --> 0:27:20.320
<v Speaker 3>So that was not a question this gentleman wanted to hear.

0:27:21.000 --> 0:27:24.840
<v Speaker 3>He did, though, by my recollection, want to know what

0:27:24.880 --> 0:27:27.320
<v Speaker 3>we are going to do about that. We're rewriting some

0:27:27.440 --> 0:27:30.399
<v Speaker 3>episodes because he hadn't seen any yet, which was so

0:27:30.560 --> 0:27:33.879
<v Speaker 3>disturbing that somebody, this guy knew more about what was

0:27:33.880 --> 0:27:37.000
<v Speaker 3>coming up in the show, potentially than some network executives

0:27:37.040 --> 0:27:39.560
<v Speaker 3>that we had right, so he's not seeing it in

0:27:39.600 --> 0:27:43.600
<v Speaker 3>the show. And I know my fault at that time

0:27:43.640 --> 0:27:46.359
<v Speaker 3>in that meeting, as I was a little too practical.

0:27:46.520 --> 0:27:50.040
<v Speaker 3>So I went into this dissertation about how it's very

0:27:50.080 --> 0:27:52.800
<v Speaker 3>difficult to shoot on water and you got to get

0:27:52.800 --> 0:27:56.440
<v Speaker 3>water tanks. I'm talking about the production part of all

0:27:56.480 --> 0:27:59.800
<v Speaker 3>of that, and he was not satisfied at all about that.

0:28:00.080 --> 0:28:01.920
<v Speaker 3>And then I think he did get to the thing

0:28:02.000 --> 0:28:03.159
<v Speaker 3>he wanted to talk about.

0:28:03.280 --> 0:28:05.840
<v Speaker 1>Yes, So I guess let's get into the meat of

0:28:05.920 --> 0:28:10.040
<v Speaker 1>the meeting here. So here's what happened. As Bryce pointed out,

0:28:10.280 --> 0:28:13.119
<v Speaker 1>these guys had seen our pilot, they had seemingly looked

0:28:13.119 --> 0:28:17.280
<v Speaker 1>at our briefing book, and there was an understanding that

0:28:17.320 --> 0:28:19.879
<v Speaker 1>we were going to be taking the show into space.

0:28:20.040 --> 0:28:24.520
<v Speaker 1>Our season two was largely focused on all of the moonflights,

0:28:24.560 --> 0:28:27.280
<v Speaker 1>the Moon missions, and we had a whole alternate history

0:28:27.760 --> 0:28:28.800
<v Speaker 1>storyline around that.

0:28:29.080 --> 0:28:31.240
<v Speaker 3>Let me just add one point to that and then

0:28:31.480 --> 0:28:34.600
<v Speaker 3>run with it. Our first season ended in nineteen sixty

0:28:34.640 --> 0:28:37.199
<v Speaker 3>seven in the Summer of Love, and that was a

0:28:37.200 --> 0:28:39.479
<v Speaker 3>little different than what our Bible said. We thought we

0:28:39.480 --> 0:28:41.800
<v Speaker 3>were going to go decade by decade, but we found

0:28:41.800 --> 0:28:44.280
<v Speaker 3>out there were so many things happening that we only

0:28:44.480 --> 0:28:48.120
<v Speaker 3>got by our twentieth hour of production to the Summer

0:28:48.160 --> 0:28:50.240
<v Speaker 3>of Love. And what we were going to start the

0:28:50.240 --> 0:28:53.560
<v Speaker 3>next season with was nineteen sixty eight, which is still

0:28:53.600 --> 0:28:56.959
<v Speaker 3>considered one of the toughest years in American history, and

0:28:57.000 --> 0:28:59.440
<v Speaker 3>we were going to move through at least to Watergate,

0:28:59.440 --> 0:29:02.960
<v Speaker 3>which was night teen seventy four, which means the whole

0:29:02.960 --> 0:29:05.120
<v Speaker 3>Apollo program right part of it.

0:29:05.320 --> 0:29:08.400
<v Speaker 1>Yeah, So they had some awareness based on our Bible

0:29:08.440 --> 0:29:11.480
<v Speaker 1>that we were going to go there out into space

0:29:11.520 --> 0:29:14.520
<v Speaker 1>as it were, and I remember there's some declaration of

0:29:14.640 --> 0:29:16.800
<v Speaker 1>we're going to have to move that up. You're going

0:29:16.840 --> 0:29:19.400
<v Speaker 1>to have to get to that sooner because.

0:29:19.360 --> 0:29:20.160
<v Speaker 3>What's going on.

0:29:20.680 --> 0:29:23.160
<v Speaker 1>And this is where he went from not answering any

0:29:23.240 --> 0:29:27.280
<v Speaker 1>questions to basically getting up on his high horse and

0:29:27.320 --> 0:29:30.840
<v Speaker 1>telling us what the whole point from his or from

0:29:30.960 --> 0:29:34.360
<v Speaker 1>the Office of Naval Intelligence purview, the whole point of

0:29:34.520 --> 0:29:38.360
<v Speaker 1>the UAP phenomenon was, which is it's all about the moon.

0:29:38.680 --> 0:29:42.680
<v Speaker 1>And I remember thinking, what we had some ideas and

0:29:42.680 --> 0:29:45.760
<v Speaker 1>there were certainly conspiracy theories about the moon landings being

0:29:45.760 --> 0:29:49.640
<v Speaker 1>faked and whatnot, but I had never contemplated that. As

0:29:49.680 --> 0:29:52.320
<v Speaker 1>he said, it was all about the moon. So this

0:29:52.400 --> 0:29:55.640
<v Speaker 1>really came out of left field. But he then went

0:29:55.840 --> 0:29:59.320
<v Speaker 1>on to explain that the reason that it was all

0:29:59.360 --> 0:30:03.280
<v Speaker 1>about the Moon is that there are others. I think

0:30:03.320 --> 0:30:07.320
<v Speaker 1>that was his word for aliens. I know specifically, he didn't.

0:30:07.480 --> 0:30:10.640
<v Speaker 1>He never used the word aliens. He used others. And

0:30:11.000 --> 0:30:13.560
<v Speaker 1>he said there are others who are using the Moon

0:30:13.760 --> 0:30:19.560
<v Speaker 1>as a staging ground for various activities that included manufacturing, mining,

0:30:19.600 --> 0:30:23.160
<v Speaker 1>all sorts of stuff for some sort of meta material

0:30:23.480 --> 0:30:24.440
<v Speaker 1>that was being.

0:30:24.280 --> 0:30:26.040
<v Speaker 3>Used to produce craft.

0:30:26.320 --> 0:30:28.440
<v Speaker 1>I think that was what he said, that was coming

0:30:28.480 --> 0:30:31.160
<v Speaker 1>and going from Earth to the Moon. And he said

0:30:31.160 --> 0:30:35.520
<v Speaker 1>this with such kind of matter of fact confidence that

0:30:35.640 --> 0:30:39.040
<v Speaker 1>when I heard this, I thought, WHOA, Okay, so that's

0:30:39.080 --> 0:30:42.960
<v Speaker 1>what's going on. He sold it really well in the room.

0:30:43.040 --> 0:30:45.960
<v Speaker 3>He did. Yeah. By the way, just as a sidebar,

0:30:46.280 --> 0:30:49.120
<v Speaker 3>when Richard Dolan, and I wrote ad after Disclosure, we

0:30:49.160 --> 0:30:52.600
<v Speaker 3>were wondering what to call these aliens or nhi or whatever.

0:30:52.840 --> 0:30:55.280
<v Speaker 3>And remember Whitley Street where he called them the visitors,

0:30:55.360 --> 0:30:57.680
<v Speaker 3>and so we can't call them the visitors, and we

0:30:57.680 --> 0:30:59.880
<v Speaker 3>don't want to call them aliens because what if they're

0:30:59.880 --> 0:31:02.800
<v Speaker 3>not aliens? What if they're time travelers, or what if

0:31:02.840 --> 0:31:07.160
<v Speaker 3>they're interdimensionals whatever. So I harkened back to that and

0:31:07.640 --> 0:31:10.160
<v Speaker 3>suggested to rich we call them the others, and that's

0:31:10.200 --> 0:31:14.400
<v Speaker 3>what's in a d book. But this thing takes a

0:31:14.520 --> 0:31:19.160
<v Speaker 3>radical turn, though, because confident as he was, and overwhelming

0:31:19.200 --> 0:31:21.520
<v Speaker 3>as that may have seemed, and you make a good point,

0:31:21.720 --> 0:31:23.560
<v Speaker 3>it felt I guess I have to believe that, but

0:31:23.680 --> 0:31:26.720
<v Speaker 3>I totally did not at that point, right. I don't

0:31:26.720 --> 0:31:29.320
<v Speaker 3>remember what questions I was asking, but it just was like,

0:31:29.400 --> 0:31:32.320
<v Speaker 3>wait a minute, what are you talking about. I don't

0:31:32.320 --> 0:31:34.920
<v Speaker 3>think I was as verbal about that, but you can

0:31:34.960 --> 0:31:36.720
<v Speaker 3>sort of read a guy in a room. We were

0:31:36.760 --> 0:31:38.920
<v Speaker 3>trying to read them, they were reading us, and I

0:31:39.000 --> 0:31:42.000
<v Speaker 3>probably had that look on my face of what are

0:31:42.000 --> 0:31:46.400
<v Speaker 3>you talking about? And I recall at that point he

0:31:46.520 --> 0:31:50.520
<v Speaker 3>pulled out a little vial, a little glass vial and

0:31:50.840 --> 0:31:53.880
<v Speaker 3>you've seen these. They're little sample vials. They're tiny, had

0:31:53.920 --> 0:31:57.040
<v Speaker 3>a black screwtop on the top, and it had something

0:31:57.080 --> 0:31:59.800
<v Speaker 3>in it. And I'm going to let you go with that. Yes.

0:32:00.200 --> 0:32:03.200
<v Speaker 1>When we questioned him about the moon being the center

0:32:03.280 --> 0:32:07.000
<v Speaker 1>of everything, he again got annoyed, reached into his coat

0:32:07.040 --> 0:32:09.600
<v Speaker 1>pocket and took out this little vial and like almost

0:32:09.640 --> 0:32:12.320
<v Speaker 1>slammed it down on the table and said, this is

0:32:12.360 --> 0:32:15.040
<v Speaker 1>what it's all about. And both you and I were

0:32:15.080 --> 0:32:18.280
<v Speaker 1>looking at it like that, this what's in this little vial.

0:32:18.480 --> 0:32:21.440
<v Speaker 1>That's the explanation for roswell and the cover up and

0:32:21.520 --> 0:32:24.400
<v Speaker 1>everything else, like oh okay, And I know we each

0:32:24.440 --> 0:32:26.720
<v Speaker 1>took a turn picking it up and looking at it.

0:32:27.080 --> 0:32:30.400
<v Speaker 1>What I remember is picking it up and seeing that

0:32:30.480 --> 0:32:32.160
<v Speaker 1>it had what looked.

0:32:31.880 --> 0:32:33.760
<v Speaker 3>Like to me fool's gold.

0:32:33.880 --> 0:32:37.040
<v Speaker 1>A fool's gold is something that actually looks more like

0:32:37.120 --> 0:32:41.120
<v Speaker 1>gold than actual gold. It was more like this brightish yellow,

0:32:41.640 --> 0:32:44.320
<v Speaker 1>but it was like it was flaky. It looked was

0:32:44.360 --> 0:32:48.120
<v Speaker 1>like gold flakes almost, And I remember looking at it

0:32:48.160 --> 0:32:51.640
<v Speaker 1>and shaking it to see, okay, how light is this stuff?

0:32:51.800 --> 0:32:55.600
<v Speaker 1>And everything like a snow globe just fluttered throughout the

0:32:55.640 --> 0:32:58.720
<v Speaker 1>little vial, except there was no liquid in it. I'm

0:32:58.760 --> 0:33:01.400
<v Speaker 1>kind of shaking it and it's all just fluttering, right.

0:33:01.840 --> 0:33:04.360
<v Speaker 1>So either this vial was some sort of a vacuum

0:33:04.640 --> 0:33:07.800
<v Speaker 1>or there was some strange quality to this stuff, but

0:33:08.360 --> 0:33:11.320
<v Speaker 1>there was nothing really spectacular about it other than it

0:33:11.360 --> 0:33:14.880
<v Speaker 1>was just this kind of gold meta material apparently that

0:33:15.080 --> 0:33:18.680
<v Speaker 1>had a slightly lighter than air quality to it, if

0:33:18.720 --> 0:33:19.719
<v Speaker 1>you can believe that.

0:33:19.960 --> 0:33:20.800
<v Speaker 3>And that was it.

0:33:20.880 --> 0:33:23.720
<v Speaker 1>That was the entire piece of evidence that he was

0:33:23.720 --> 0:33:24.719
<v Speaker 1>willing to share with us.

0:33:24.720 --> 0:33:28.320
<v Speaker 3>Pretty light evidence, if you will. Now, Okay, I don't

0:33:28.360 --> 0:33:31.880
<v Speaker 3>remember the snow globe aspect. This is where again it's

0:33:31.960 --> 0:33:35.440
<v Speaker 3>rasham on time. Although maybe it's not even that you

0:33:35.520 --> 0:33:38.280
<v Speaker 3>looked at it you shook it. I remember looking at it.

0:33:38.440 --> 0:33:40.440
<v Speaker 3>I don't think I shook it. So what I saw

0:33:41.040 --> 0:33:44.040
<v Speaker 3>was if the thing was this big, the little flakes

0:33:44.040 --> 0:33:46.400
<v Speaker 3>were about that much of it, maybe a little less

0:33:46.400 --> 0:33:49.520
<v Speaker 3>than half of it. And I grew up in a

0:33:49.560 --> 0:33:52.040
<v Speaker 3>pretty poor family. We did not have gold lying around,

0:33:52.480 --> 0:33:55.880
<v Speaker 3>no gold coins, no gold bouoyon, no gold flakes, no nothing,

0:33:56.040 --> 0:33:59.000
<v Speaker 3>so I had no experience with what gold actually would

0:33:59.040 --> 0:34:00.880
<v Speaker 3>look like to be on with you. I knew it

0:34:00.960 --> 0:34:04.520
<v Speaker 3>as a color, but not as a substance, and I

0:34:04.600 --> 0:34:07.840
<v Speaker 3>honestly can't say that it impressed me in any real

0:34:07.920 --> 0:34:10.640
<v Speaker 3>way other than the fact that he thought it was

0:34:10.640 --> 0:34:13.000
<v Speaker 3>so impressive. As you said, he sold it. It was

0:34:13.160 --> 0:34:15.960
<v Speaker 3>challenging the way he put it out there. Of course,

0:34:16.719 --> 0:34:18.560
<v Speaker 3>it was almost like I wasn't going to show it

0:34:18.600 --> 0:34:21.520
<v Speaker 3>to you guys, but you're so difficult that yeah, kind

0:34:21.520 --> 0:34:22.200
<v Speaker 3>of like that.

0:34:22.200 --> 0:34:24.760
<v Speaker 1>That was like, you want evidence, Fine, here's your evidence.

0:34:25.000 --> 0:34:27.200
<v Speaker 1>And that was it, and that was as far as

0:34:27.560 --> 0:34:30.560
<v Speaker 1>he was going to go with the explanation. I think

0:34:30.680 --> 0:34:33.479
<v Speaker 1>the interesting thing too at that point was it brought

0:34:33.520 --> 0:34:36.600
<v Speaker 1>up a lot of questions for me. What was going

0:34:36.640 --> 0:34:40.200
<v Speaker 1>through my head and why I was maybe both intrigued

0:34:40.280 --> 0:34:43.879
<v Speaker 1>by the story but also probably resistant in some way.

0:34:44.120 --> 0:34:47.480
<v Speaker 1>Was I was already fast forwarding to, Oh, no, we're

0:34:47.480 --> 0:34:51.040
<v Speaker 1>going to have to rewrite so much. We're gonna our

0:34:51.080 --> 0:34:53.120
<v Speaker 1>whole second season where you have to pull up and

0:34:53.200 --> 0:34:54.640
<v Speaker 1>what are we going to do? This is gonna be

0:34:54.640 --> 0:34:57.920
<v Speaker 1>so much work, Because in my mind I was already thinking, Okay,

0:34:58.000 --> 0:35:00.080
<v Speaker 1>I guess we're probably going to take this deal, and

0:35:00.440 --> 0:35:02.120
<v Speaker 1>it's going to be a ton of work, And so

0:35:02.239 --> 0:35:05.120
<v Speaker 1>I was already thinking that's a great reason not to

0:35:05.200 --> 0:35:05.799
<v Speaker 1>take the deal.

0:35:06.040 --> 0:35:08.520
<v Speaker 3>Yeah, and by the way, that's a good transition though,

0:35:08.560 --> 0:35:11.080
<v Speaker 3>because that's where we kind of went back to the deal.

0:35:11.120 --> 0:35:13.560
<v Speaker 3>But I just want to make one kind of overall statement.

0:35:13.800 --> 0:35:16.680
<v Speaker 3>Over the years, I have heard various people tell me

0:35:16.840 --> 0:35:19.120
<v Speaker 3>what they think is going on. I've heard David Grush

0:35:19.200 --> 0:35:22.640
<v Speaker 3>tell me, and Colthart and Dolan and people. We've had

0:35:22.680 --> 0:35:25.440
<v Speaker 3>these conversations, and a lot of the things that I

0:35:25.480 --> 0:35:28.840
<v Speaker 3>didn't hear until David Grush was holding up his hand

0:35:29.600 --> 0:35:32.680
<v Speaker 3>in Congress were sort of implied in that meeting, the

0:35:32.719 --> 0:35:36.600
<v Speaker 3>idea that there have been crashes, like going back to Roswell.

0:35:36.680 --> 0:35:39.279
<v Speaker 3>I think he was agreeing with Roswell, but again he

0:35:39.320 --> 0:35:41.719
<v Speaker 3>did it so dismissively. He did it like that, if

0:35:41.760 --> 0:35:45.320
<v Speaker 3>you kids think that's the only time these things have crashed,

0:35:45.360 --> 0:35:47.640
<v Speaker 3>then I don't know what to do about you guys. Right,

0:35:47.800 --> 0:35:50.000
<v Speaker 3>So there was an implication there were more than one.

0:35:50.200 --> 0:35:53.600
<v Speaker 3>There was a sort of implication that there was some

0:35:53.680 --> 0:35:56.680
<v Speaker 3>kind of reverse engineering. I don't remember how it came up,

0:35:56.680 --> 0:35:58.920
<v Speaker 3>but how do you think these things are? You know,

0:35:59.239 --> 0:36:02.279
<v Speaker 3>not all of them are theirs or something like that.

0:36:02.480 --> 0:36:05.480
<v Speaker 3>So certain key elements that have become part of the

0:36:05.560 --> 0:36:08.759
<v Speaker 3>lore were feathered in there. So I do feel like

0:36:09.000 --> 0:36:12.359
<v Speaker 3>there's a consistency between what the captain said to us

0:36:12.400 --> 0:36:15.400
<v Speaker 3>and what David grushed old Congress that there's other stuff. Anyway.

0:36:15.600 --> 0:36:19.239
<v Speaker 3>At a certain point, remember JC is talking a little bit,

0:36:19.280 --> 0:36:21.640
<v Speaker 3>but mostly he's letting us talk and he's letting the

0:36:21.680 --> 0:36:24.960
<v Speaker 3>guy talk, right, And at a certain point on this

0:36:25.080 --> 0:36:28.360
<v Speaker 3>moon thing, it got a little I wouldn't say heated,

0:36:28.400 --> 0:36:31.680
<v Speaker 3>but it was like that moment where there's ten seconds

0:36:31.680 --> 0:36:34.960
<v Speaker 3>of silence and everyone's looking at each other and you're thinking, Okay,

0:36:35.000 --> 0:36:38.200
<v Speaker 3>this isn't going real. Well, what's going to go on?

0:36:38.520 --> 0:36:42.120
<v Speaker 3>And we're already over an hour into this thing. So

0:36:43.000 --> 0:36:45.839
<v Speaker 3>at that point, my recollection is he jumps in, trying

0:36:45.880 --> 0:36:48.160
<v Speaker 3>to be the good cop again and trying to get

0:36:48.160 --> 0:36:50.799
<v Speaker 3>this conversation moving in the right direction. He kind of

0:36:50.840 --> 0:36:53.880
<v Speaker 3>blurts out, let's talk about how to move forward with

0:36:53.960 --> 0:36:54.440
<v Speaker 3>this deal.

0:36:54.880 --> 0:36:57.040
<v Speaker 1>Yeah, the logistics. That was what he wanted to talk

0:36:57.040 --> 0:36:58.200
<v Speaker 1>about right now.

0:36:58.320 --> 0:37:00.920
<v Speaker 3>It's so weird because with all this other stuff going on,

0:37:01.320 --> 0:37:03.560
<v Speaker 3>the thing that we get hung up on in this

0:37:03.719 --> 0:37:08.960
<v Speaker 3>meeting is actually funny in retrospect. But they basically were

0:37:09.120 --> 0:37:12.920
<v Speaker 3>still arguing, look, we will provide you with access to

0:37:13.120 --> 0:37:17.000
<v Speaker 3>certain key facts and you will provide us with this

0:37:17.520 --> 0:37:21.520
<v Speaker 3>forum for this slow drip disclosure. And so I started

0:37:21.560 --> 0:37:24.680
<v Speaker 3>when he said that, I was like, what, how would

0:37:24.719 --> 0:37:27.239
<v Speaker 3>this work? And we would give you things and then

0:37:27.520 --> 0:37:29.440
<v Speaker 3>they'd be typed up and you'd put them into your

0:37:29.760 --> 0:37:33.239
<v Speaker 3>It was sort of dismissive to the writing process it were. Now,

0:37:33.280 --> 0:37:36.040
<v Speaker 3>what you have to understand is at that point you

0:37:36.120 --> 0:37:40.080
<v Speaker 3>and I had gone through a really rough thing on

0:37:40.640 --> 0:37:44.560
<v Speaker 3>that we had been forced into a writer's guild arbitration

0:37:45.280 --> 0:37:50.680
<v Speaker 3>over dark Skies because the network a week before production

0:37:51.000 --> 0:37:54.400
<v Speaker 3>had said to the studio, hey, let's get some guys

0:37:54.400 --> 0:37:56.840
<v Speaker 3>in here. Let's get another writing team in here to

0:37:56.920 --> 0:37:59.680
<v Speaker 3>punch up a couple of the scenes. And so what

0:37:59.760 --> 0:38:02.839
<v Speaker 3>ended up happening is people we didn't know and we

0:38:02.840 --> 0:38:06.400
<v Speaker 3>weren't told about, provided some dialogue for a couple of scenes,

0:38:06.760 --> 0:38:09.360
<v Speaker 3>and only one line ever made it into the film,

0:38:09.400 --> 0:38:12.279
<v Speaker 3>and it had something to do with the drapes in

0:38:12.360 --> 0:38:15.240
<v Speaker 3>the apartment that Languard was going to be in. They said,

0:38:15.360 --> 0:38:18.480
<v Speaker 3>these drapes look older than the Coolidge administration. That was

0:38:18.520 --> 0:38:21.520
<v Speaker 3>their line. Suddenly we were defending our lives with a

0:38:21.560 --> 0:38:23.480
<v Speaker 3>writer's guild arbitration just to.

0:38:23.520 --> 0:38:27.040
<v Speaker 1>Jump into quick an arbitration, for anyone who doesn't know,

0:38:27.600 --> 0:38:31.560
<v Speaker 1>is when the credit either story credit or write written

0:38:31.560 --> 0:38:35.080
<v Speaker 1>by credit on a teleplay, a screenplay, whatever it may be,

0:38:35.560 --> 0:38:39.440
<v Speaker 1>is contested. A multiple peeable feel they deserve the credit

0:38:39.520 --> 0:38:41.839
<v Speaker 1>or more credit or first position or whatever it is.

0:38:42.120 --> 0:38:45.080
<v Speaker 1>And our union, which is the Writer's Guild of America,

0:38:45.200 --> 0:38:49.680
<v Speaker 1>basically acts as the arbitrator of that kind of contested

0:38:49.840 --> 0:38:54.239
<v Speaker 1>credits case. And they bring in various writers and they say, okay,

0:38:54.239 --> 0:38:57.239
<v Speaker 1>everybody read all the material and evaluate who made the

0:38:57.239 --> 0:39:00.279
<v Speaker 1>big contribution and who made the smaller contribution, and then

0:39:00.360 --> 0:39:02.960
<v Speaker 1>we'll figure out what the official crample.

0:39:03.040 --> 0:39:04.520
<v Speaker 3>We're going to everybody's stuff.

0:39:04.840 --> 0:39:07.000
<v Speaker 1>And that's part of what you agree to when you

0:39:07.120 --> 0:39:10.640
<v Speaker 1>join the Writers Guild, that when these things go to arbitration,

0:39:10.800 --> 0:39:13.480
<v Speaker 1>you will accept the arbitration it is, therefore buying it.

0:39:13.719 --> 0:39:17.359
<v Speaker 3>And it's done anonymously. The arbiters are anonymous, so were

0:39:17.400 --> 0:39:20.480
<v Speaker 3>the writers. So you and I were writer A. We

0:39:20.520 --> 0:39:22.960
<v Speaker 3>had to write a statement of writer A. We don't

0:39:22.960 --> 0:39:25.080
<v Speaker 3>even know if these other guys or actually it was

0:39:25.080 --> 0:39:27.399
<v Speaker 3>I think a husband wife team. I found out later

0:39:27.640 --> 0:39:30.719
<v Speaker 3>would be writer B. And listen, I found the It's

0:39:30.760 --> 0:39:33.000
<v Speaker 3>seven pages long. I'm not going to read it, but

0:39:33.040 --> 0:39:35.360
<v Speaker 3>the run the finale to it, I think is just

0:39:35.440 --> 0:39:38.840
<v Speaker 3>worth reading because it's fun. Because this was our conclusion

0:39:38.880 --> 0:39:41.480
<v Speaker 3>we wrote. The teleplay for Dark Skies is based on

0:39:41.520 --> 0:39:44.840
<v Speaker 3>a concept with a Bible timeline which runs from seventy

0:39:44.880 --> 0:39:48.160
<v Speaker 3>five million BC to the year two thousand and eight.

0:39:48.480 --> 0:39:51.360
<v Speaker 3>It reinterprets all of human history through the prism of

0:39:51.480 --> 0:39:55.640
<v Speaker 3>UFO contact with an alien parasite civilization named the Hive,

0:39:55.920 --> 0:39:59.160
<v Speaker 3>been on world domination by the millennium. In the teleplay

0:39:59.200 --> 0:40:02.000
<v Speaker 3>you have read, Dark Skies begins the creation of an

0:40:02.160 --> 0:40:06.000
<v Speaker 3>entire alternative history where the most important date ever occurred

0:40:06.000 --> 0:40:10.480
<v Speaker 3>in our lifetimes February seventeenth, nineteen sixty two, the discovery

0:40:10.480 --> 0:40:14.240
<v Speaker 3>of Patients zero. The pilot script speculates on alien involvement

0:40:14.239 --> 0:40:17.120
<v Speaker 3>in the shooting down of Francis Gary Powers, the Cuban

0:40:17.160 --> 0:40:21.000
<v Speaker 3>Missile crisis, and ultimately the assassination of John Kennedy. It

0:40:21.040 --> 0:40:24.640
<v Speaker 3>takes the reader viewer into a covert military organization whose

0:40:24.680 --> 0:40:28.040
<v Speaker 3>activities are unknown to our leaders, much less our citizens,

0:40:28.320 --> 0:40:30.560
<v Speaker 3>and then it concludes, we don't mean to be flipped,

0:40:30.600 --> 0:40:33.080
<v Speaker 3>but clearly this outweighs a line of dialogue about some

0:40:33.160 --> 0:40:35.560
<v Speaker 3>old curtains, which I thought this one of our best

0:40:35.600 --> 0:40:38.239
<v Speaker 3>better written things you and I have ever written. And

0:40:38.280 --> 0:40:40.800
<v Speaker 3>we also pointed out that we had done thirteen drafts

0:40:40.840 --> 0:40:41.719
<v Speaker 3>and all of.

0:40:41.680 --> 0:40:45.560
<v Speaker 1>This leafs these Yeah, okay, so needless to say, by

0:40:45.600 --> 0:40:46.920
<v Speaker 1>the way, we got sole credit.

0:40:47.200 --> 0:40:51.080
<v Speaker 3>Yeah, we did, and the arbitration came back very quickly.

0:40:51.239 --> 0:40:53.880
<v Speaker 3>I don't even know if writer be Ever even wrote something,

0:40:53.880 --> 0:40:55.319
<v Speaker 3>but we felt like we had to hit him with

0:40:55.600 --> 0:41:00.840
<v Speaker 3>overpowering force. So hence seven pages anyway, normally not important,

0:41:00.880 --> 0:41:03.640
<v Speaker 3>but it was important in our mind state at this

0:41:03.800 --> 0:41:06.920
<v Speaker 3>point that sometimes you have to defend your life and

0:41:06.960 --> 0:41:09.520
<v Speaker 3>you have to defend your creative input and if we

0:41:09.520 --> 0:41:12.360
<v Speaker 3>don't defend it strongly, So in the middle of preparing

0:41:12.400 --> 0:41:15.160
<v Speaker 3>for production, you and I had to drop everything and

0:41:15.160 --> 0:41:18.480
<v Speaker 3>write this statement to try to get credit for the pilot,

0:41:18.640 --> 0:41:21.080
<v Speaker 3>which we did and then also we got the creative

0:41:21.120 --> 0:41:23.799
<v Speaker 3>buy for the TV series because of them. Anyway, so

0:41:23.960 --> 0:41:26.680
<v Speaker 3>this is in my mind as this guy's telling us,

0:41:26.719 --> 0:41:28.920
<v Speaker 3>we're going to give you stuff, and I started asking

0:41:29.040 --> 0:41:31.960
<v Speaker 3>questions about, Okay, you're going to give us storylines, do

0:41:32.000 --> 0:41:35.120
<v Speaker 3>you want credit on this? What writers? Are you going

0:41:35.200 --> 0:41:38.319
<v Speaker 3>to try to suggest writers? Because the network has their

0:41:38.360 --> 0:41:42.040
<v Speaker 3>writers that they're suggesting, and the studio as writers they're suggesting,

0:41:42.080 --> 0:41:44.600
<v Speaker 3>and Brent and I have writers that were suggesting, and

0:41:45.040 --> 0:41:48.319
<v Speaker 3>you want us to tell the network in the studio that, hey,

0:41:48.600 --> 0:41:50.800
<v Speaker 3>we got some writers we don't want to tell you about,

0:41:50.880 --> 0:41:54.239
<v Speaker 3>but they've got some good ideas. And then I think

0:41:54.280 --> 0:41:56.880
<v Speaker 3>the other thing is we are feeling protective of our staff.

0:41:57.120 --> 0:42:00.720
<v Speaker 3>That writers make a living and have family is based

0:42:00.760 --> 0:42:03.760
<v Speaker 3>on having residual fees that come based on the credit

0:42:03.880 --> 0:42:05.799
<v Speaker 3>risk that they get on the scripts. Yeah, and so

0:42:05.840 --> 0:42:08.200
<v Speaker 3>we started asking him about these things. I think it

0:42:08.239 --> 0:42:12.120
<v Speaker 3>was mostly me. I think you were probably in shock

0:42:12.280 --> 0:42:15.640
<v Speaker 3>that I was going down this road. But this guy

0:42:15.760 --> 0:42:18.640
<v Speaker 3>was getting increasingly frustrated because I was taking this thing

0:42:18.840 --> 0:42:21.719
<v Speaker 3>that he was just tossing off and I was like, no, wait,

0:42:21.800 --> 0:42:24.080
<v Speaker 3>so you would then do this, and then you would

0:42:24.120 --> 0:42:26.759
<v Speaker 3>do that, but wait, no, we couldn't do that. We

0:42:26.800 --> 0:42:30.919
<v Speaker 3>could and write. So it got very, uh, I don't

0:42:30.960 --> 0:42:32.960
<v Speaker 3>know what contentious.

0:42:39.080 --> 0:42:41.480
<v Speaker 1>He was not in a good move when he arrived,

0:42:41.560 --> 0:42:43.920
<v Speaker 1>and I think we worked him into a state of

0:42:44.040 --> 0:42:49.319
<v Speaker 1>complete discombobulation. He was so confused and frustrated why we

0:42:49.320 --> 0:42:53.640
<v Speaker 1>were now talking about writerskilled residuals and he made it

0:42:53.760 --> 0:42:57.040
<v Speaker 1>very clear that either he nor anyone that he worked

0:42:57.040 --> 0:42:59.840
<v Speaker 1>with cared about credits or money. That's not what this

0:43:00.120 --> 0:43:03.080
<v Speaker 1>was about. We've had enough, This isn't gonna work. And

0:43:03.560 --> 0:43:06.319
<v Speaker 1>next thing we knew, the meeting was falling apart and

0:43:06.800 --> 0:43:10.200
<v Speaker 1>they were heading for the door, and that was unceremoniously

0:43:10.320 --> 0:43:11.680
<v Speaker 1>that was the end of the meeting.

0:43:11.920 --> 0:43:17.480
<v Speaker 3>Yeah, and I remember feeling almost relieved because the minute

0:43:17.480 --> 0:43:20.560
<v Speaker 3>they hit the door, I got up, grabbed a cup

0:43:20.600 --> 0:43:22.880
<v Speaker 3>of coffee, and went back to my office and started

0:43:22.920 --> 0:43:25.480
<v Speaker 3>doing whatever is I had to do, because that's just it.

0:43:25.520 --> 0:43:28.160
<v Speaker 3>If this would happen under a normal situation, if happened

0:43:28.200 --> 0:43:30.680
<v Speaker 3>to you and me today, we'd have had them walk

0:43:30.719 --> 0:43:33.319
<v Speaker 3>out and then said, holy shit, can you imagine what

0:43:33.360 --> 0:43:35.759
<v Speaker 3>are they saying here? And we probably did that for

0:43:35.880 --> 0:43:38.000
<v Speaker 3>a couple of minutes, but then we had scripts and

0:43:38.040 --> 0:43:40.520
<v Speaker 3>production all this stuff going on, and so we just

0:43:40.560 --> 0:43:43.440
<v Speaker 3>went back to work. And so if we do an

0:43:43.480 --> 0:43:46.480
<v Speaker 3>interlude here at all, it would simply be to ask

0:43:46.520 --> 0:43:49.160
<v Speaker 3>ourselves what we thought of this whole moon thing, because

0:43:49.480 --> 0:43:53.000
<v Speaker 3>the moon is a seriously important thing in science fiction.

0:43:53.200 --> 0:43:56.440
<v Speaker 3>It's a place where secrets are kept, right, people are

0:43:56.480 --> 0:43:59.680
<v Speaker 3>either mining or there's military on the moon or the

0:43:59.680 --> 0:44:00.840
<v Speaker 3>moonlight is fake?

0:44:01.040 --> 0:44:04.240
<v Speaker 1>Well, the moon is moon is not real. It's an artificial.

0:44:05.400 --> 0:44:08.600
<v Speaker 3>Yeah, which is Roland Emerick, who we were talking about

0:44:08.640 --> 0:44:10.720
<v Speaker 3>for Independence Dy he wrote it. He did a movie

0:44:10.760 --> 0:44:13.720
<v Speaker 3>Moonfall where it's falling into the earth. So there's always

0:44:13.760 --> 0:44:17.320
<v Speaker 3>all these secrets about the moon, and the moon is

0:44:17.360 --> 0:44:20.359
<v Speaker 3>an important thing to a lot of people, and you

0:44:20.400 --> 0:44:21.920
<v Speaker 3>take a crack at it. But I do have a

0:44:21.920 --> 0:44:24.799
<v Speaker 3>personal story that is not relevant to dark skies. But

0:44:24.840 --> 0:44:26.160
<v Speaker 3>if I don't tell it right now, I'm going to

0:44:26.200 --> 0:44:28.719
<v Speaker 3>hate myself. So you can run with whatever you got first.

0:44:28.840 --> 0:44:30.600
<v Speaker 1>No, if you want to, I don't want you to

0:44:30.640 --> 0:44:32.880
<v Speaker 1>hate yourself, So please share your story.

0:44:32.920 --> 0:44:35.440
<v Speaker 3>Okay, here's the thing. This is going to date me

0:44:35.640 --> 0:44:37.600
<v Speaker 3>and people that know math are going to know how

0:44:37.640 --> 0:44:39.480
<v Speaker 3>old I am, and I hate that. But on the

0:44:39.480 --> 0:44:42.200
<v Speaker 3>other end, when you google somebody these days, it tells

0:44:42.200 --> 0:44:44.560
<v Speaker 3>you how old they are, So okay, screw it now

0:44:44.600 --> 0:44:47.600
<v Speaker 3>you know. But when I was fifteen years old, I

0:44:47.840 --> 0:44:51.760
<v Speaker 3>was a fry cook at the Arctic Circle restaurant in Hillsboro, Oregon,

0:44:52.080 --> 0:44:54.839
<v Speaker 3>and Brent I'd worked my way up. I started at

0:44:54.840 --> 0:44:57.400
<v Speaker 3>a dollar ten an hour and I was up to

0:44:57.440 --> 0:45:00.920
<v Speaker 3>a dollar thirty five an hour, and I was feeling good.

0:45:01.040 --> 0:45:04.040
<v Speaker 3>But I was also interested in space. And July twentieth,

0:45:04.160 --> 0:45:07.239
<v Speaker 3>nineteen sixty nine was coming up and my boss, who

0:45:07.320 --> 0:45:11.280
<v Speaker 3>was a Basque separatist immigrant who had come to the US,

0:45:12.160 --> 0:45:15.400
<v Speaker 3>I asked him, Hey, his name is Mariano Bilboo, and

0:45:15.440 --> 0:45:17.719
<v Speaker 3>I said, Mariano, can i'd like to have the night

0:45:17.800 --> 0:45:20.120
<v Speaker 3>They put the schedule up and I was scheduled to

0:45:20.120 --> 0:45:23.040
<v Speaker 3>work on that night and I said, I really feel

0:45:23.040 --> 0:45:25.640
<v Speaker 3>like i'd like to see the moon landing? Right, so

0:45:25.880 --> 0:45:28.000
<v Speaker 3>can I have that night off? And he goes, this

0:45:28.080 --> 0:45:30.400
<v Speaker 3>is not this is a business. No, you can't have

0:45:30.520 --> 0:45:32.440
<v Speaker 3>the night off. And I said can we put a

0:45:32.480 --> 0:45:35.239
<v Speaker 3>TV in here? And he goes, TV, No, you can't

0:45:35.239 --> 0:45:38.040
<v Speaker 3>put a TV. And what about a radio? No, no radio.

0:45:38.320 --> 0:45:40.719
<v Speaker 3>You come to work. And so because it was such

0:45:40.719 --> 0:45:43.719
<v Speaker 3>a good and high paying job, I said, okay, I'll

0:45:43.719 --> 0:45:46.680
<v Speaker 3>do it. So that night comes and it's the moon

0:45:46.760 --> 0:45:50.080
<v Speaker 3>landing's happening in about thirty five minutes or so, and

0:45:50.560 --> 0:45:53.680
<v Speaker 3>I just can't handle it. And so I called my

0:45:54.040 --> 0:45:56.319
<v Speaker 3>father at home. And my father was one of these

0:45:56.400 --> 0:45:58.120
<v Speaker 3>you had a tough dad. I had a tough dad,

0:45:58.200 --> 0:46:00.680
<v Speaker 3>not a lot of praise, a lot of critics, kind

0:46:00.680 --> 0:46:05.200
<v Speaker 3>of thing, tight emotional state on the guy, and I said, Dad,

0:46:05.520 --> 0:46:07.799
<v Speaker 3>I really want to see the moon landing. Can you

0:46:07.840 --> 0:46:10.160
<v Speaker 3>come pick me up? And then I pulled the phone

0:46:10.160 --> 0:46:13.160
<v Speaker 3>out because I know the lecture's coming. He's going to say, no,

0:46:13.400 --> 0:46:16.239
<v Speaker 3>you you made a commitment to that job, and by God,

0:46:16.320 --> 0:46:18.920
<v Speaker 3>you've got to serve that commitment. And so I'm thinking

0:46:19.120 --> 0:46:21.280
<v Speaker 3>this is hail Mary, but it's not going to go anywhere.

0:46:21.320 --> 0:46:23.800
<v Speaker 3>And to his credit, in kind of a Wonder Year's

0:46:23.880 --> 0:46:27.560
<v Speaker 3>kind of moment, my father says, I'll be right down. Wow.

0:46:29.120 --> 0:46:32.200
<v Speaker 3>So I say great, I take off my apron I

0:46:32.280 --> 0:46:34.600
<v Speaker 3>go wait outside. My father comes, I get in the

0:46:34.600 --> 0:46:36.960
<v Speaker 3>car and he goes, you know you'll be fired, and

0:46:37.200 --> 0:46:39.600
<v Speaker 3>I'm fifteen years old, and I said, yeah, I know,

0:46:39.840 --> 0:46:42.480
<v Speaker 3>and he said, okay, let's go. We went home. We

0:46:42.560 --> 0:46:45.120
<v Speaker 3>watched the moon landing. It was everything I hoped it

0:46:45.120 --> 0:46:48.680
<v Speaker 3>would be. We all anyone who was alive knows what

0:46:48.719 --> 0:46:51.040
<v Speaker 3>it felt like. And at the end of the moon landing,

0:46:51.400 --> 0:46:54.120
<v Speaker 3>at about half an hour in of watching, my father

0:46:54.200 --> 0:46:56.080
<v Speaker 3>turns to me and he says, I think it's time

0:46:56.080 --> 0:46:58.000
<v Speaker 3>for you to go face the music. So I get

0:46:58.040 --> 0:46:59.960
<v Speaker 3>in the car. We drive back to the Arctic Circle

0:47:00.120 --> 0:47:04.000
<v Speaker 3>and there's Mariano who's been called in that Bryce has

0:47:04.040 --> 0:47:07.560
<v Speaker 3>abandoned his post. And Mariano sees me get out of

0:47:07.560 --> 0:47:10.040
<v Speaker 3>the car and he fires me instantly, and my father,

0:47:10.160 --> 0:47:12.320
<v Speaker 3>God bless him, because this is the only time I

0:47:12.480 --> 0:47:15.040
<v Speaker 3>really have this great feeling about him. He looks at

0:47:15.040 --> 0:47:18.080
<v Speaker 3>Mariano Bilbao and he goes, you know, sir, you do

0:47:18.239 --> 0:47:21.640
<v Speaker 3>not understand how important this is and how it's going

0:47:21.680 --> 0:47:24.600
<v Speaker 3>to change the course of human history, and you're going

0:47:24.640 --> 0:47:26.680
<v Speaker 3>to feel bad about what you've done for the rest

0:47:26.680 --> 0:47:29.200
<v Speaker 3>of your life. Son, get in the car and we

0:47:29.239 --> 0:47:32.840
<v Speaker 3>went home. Okay, And I never worked there again, obviously.

0:47:33.239 --> 0:47:35.799
<v Speaker 3>But so I guess the reason I feel like I

0:47:35.880 --> 0:47:38.480
<v Speaker 3>have to tell this story because when I think about

0:47:38.480 --> 0:47:41.439
<v Speaker 3>the moon and the moon landing, it's not about where

0:47:41.480 --> 0:47:43.760
<v Speaker 3>I was when I saw the moon landing. It's about

0:47:43.760 --> 0:47:45.480
<v Speaker 3>where I was. And that's my story.

0:47:45.600 --> 0:47:48.960
<v Speaker 1>That's a great story, and it's a very interesting segue

0:47:49.120 --> 0:47:52.360
<v Speaker 1>into my story about the first movie I ever saw,

0:47:52.440 --> 0:47:55.920
<v Speaker 1>which was two thousand and one A Space Honesty. Yeah,

0:47:55.960 --> 0:47:58.440
<v Speaker 1>I will date myself as well. When the movie came

0:47:58.480 --> 0:48:01.719
<v Speaker 1>out in nineteen sixty eight, I was five years old. Now,

0:48:01.760 --> 0:48:04.440
<v Speaker 1>if you've seen two thousand and one, a space Odyssey

0:48:04.680 --> 0:48:08.200
<v Speaker 1>by the renowned director Stanley Kubrick, you'll know it is

0:48:08.280 --> 0:48:11.440
<v Speaker 1>not appropriate material for a five year old. But my

0:48:11.560 --> 0:48:14.960
<v Speaker 1>dad took me to the Oaks Theater in Berkeley, California.

0:48:15.040 --> 0:48:17.560
<v Speaker 1>I had never been in a movie theater before, right,

0:48:18.000 --> 0:48:21.160
<v Speaker 1>and walking up to the balcony, I remember he wanted

0:48:21.160 --> 0:48:21.880
<v Speaker 1>to sit in the ballow.

0:48:22.320 --> 0:48:23.719
<v Speaker 3>Wait a minute, are you telling me two thousand and

0:48:23.760 --> 0:48:27.120
<v Speaker 3>one is the first theater, first theater movie that I

0:48:27.160 --> 0:48:30.160
<v Speaker 3>ever saw. That's age five years old? Yep.

0:48:30.480 --> 0:48:33.400
<v Speaker 1>So we're sitting in the balcony of this old theater

0:48:33.520 --> 0:48:38.040
<v Speaker 1>in Berkeley, California, and just the sound track of that

0:48:38.200 --> 0:48:41.799
<v Speaker 1>movie alone was so bombastic. We're not going to get

0:48:41.800 --> 0:48:43.840
<v Speaker 1>into all of the scenes in the movie, but suffice

0:48:43.880 --> 0:48:46.040
<v Speaker 1>to say that it opens up with something probably a

0:48:46.040 --> 0:48:48.239
<v Speaker 1>lot of people have seen or they've seen parodies of,

0:48:48.280 --> 0:48:50.920
<v Speaker 1>which is you're back in prehistory with a bunch of

0:48:51.080 --> 0:48:54.640
<v Speaker 1>apes when humans were apes, running around picking up bones,

0:48:54.719 --> 0:48:57.359
<v Speaker 1>beating each other up, killing each other. And then they

0:48:57.400 --> 0:49:01.799
<v Speaker 1>find the monolith, the famous black rectangle, right, which is

0:49:01.960 --> 0:49:07.120
<v Speaker 1>this iconic mythic symbol of man's consciousness or higher consciousness

0:49:07.160 --> 0:49:10.600
<v Speaker 1>or something. Anyway, these monkeys in ancient times are finding

0:49:10.640 --> 0:49:13.840
<v Speaker 1>this monolith which starts humming, and one of them throws

0:49:13.840 --> 0:49:16.480
<v Speaker 1>a bone at it, and next thing, the bone spins

0:49:16.600 --> 0:49:19.040
<v Speaker 1>up into the air and becomes a spaceship, and we're

0:49:19.040 --> 0:49:21.400
<v Speaker 1>in space. And that's how the whole movie opened. And

0:49:21.400 --> 0:49:23.960
<v Speaker 1>that I say all of this because from about that

0:49:24.080 --> 0:49:26.520
<v Speaker 1>point on, as a five year old, I think I

0:49:26.680 --> 0:49:30.480
<v Speaker 1>just went numb. I really didn't remember anything about the

0:49:30.520 --> 0:49:32.920
<v Speaker 1>rest of the movie other than that. But here's the

0:49:32.960 --> 0:49:35.920
<v Speaker 1>funny thing. My dad was so taken with the movie

0:49:36.320 --> 0:49:39.200
<v Speaker 1>that he bought the soundtrack. And I grew up in

0:49:39.520 --> 0:49:42.239
<v Speaker 1>Berkeley in the sixties and my parents were artists and

0:49:42.280 --> 0:49:44.839
<v Speaker 1>fairly young. There was a lot of partying that went

0:49:44.880 --> 0:49:47.600
<v Speaker 1>on at our house, and I remember, not on one occasion,

0:49:47.719 --> 0:49:50.759
<v Speaker 1>but many occasions waking up in the middle of the

0:49:50.840 --> 0:49:53.680
<v Speaker 1>night two three in the morning. My parents were out

0:49:53.719 --> 0:49:56.400
<v Speaker 1>partying with their friends, and my dad was playing the

0:49:56.800 --> 0:50:00.759
<v Speaker 1>soundtrack to two thousand and one at high vault. So

0:50:00.800 --> 0:50:04.040
<v Speaker 1>what I was hearing were the sound of monkeys hooting

0:50:04.080 --> 0:50:07.880
<v Speaker 1>and hollering in Bay. And I remember so many times

0:50:07.880 --> 0:50:10.520
<v Speaker 1>waking up to the sound of these monkeys screaming, right,

0:50:10.560 --> 0:50:12.880
<v Speaker 1>which explains a lot of my childhood. And so that

0:50:13.040 --> 0:50:15.359
<v Speaker 1>was my two thousand and one experience until much later

0:50:15.440 --> 0:50:17.200
<v Speaker 1>when I went back, and I've seen it many times.

0:50:17.200 --> 0:50:19.640
<v Speaker 1>It's not up there with close encounters or contact where

0:50:19.640 --> 0:50:21.160
<v Speaker 1>I've seen it twenty or thirty, but I have seen

0:50:21.160 --> 0:50:23.759
<v Speaker 1>it probably ten times. It's a fantastic movie. We can

0:50:23.800 --> 0:50:26.080
<v Speaker 1>talk a little bit about some of the things in it.

0:50:26.239 --> 0:50:29.560
<v Speaker 3>I had to talk about that soundtrack one moment, though, yes, please,

0:50:29.880 --> 0:50:33.720
<v Speaker 3>I owned the soundtrack as an LP, of course, an album,

0:50:33.920 --> 0:50:36.440
<v Speaker 3>and I'm just telling everybody right now, if you google

0:50:36.600 --> 0:50:40.840
<v Speaker 3>two thousand and one soundtrack album and look for images,

0:50:41.160 --> 0:50:44.400
<v Speaker 3>the back cover of the two thousand and one soundtrack

0:50:44.480 --> 0:50:47.680
<v Speaker 3>shows a couple of astronauts looking at a tablet, and

0:50:47.719 --> 0:50:50.400
<v Speaker 3>if you look at that tablet, you will see two

0:50:50.840 --> 0:50:55.320
<v Speaker 3>letters on it, BZ and as Bryce's Abel. You know BZ.

0:50:55.800 --> 0:50:58.560
<v Speaker 3>Just well. When I first realized that I was in

0:50:58.600 --> 0:51:01.360
<v Speaker 3>college and we we're going to see two thousand and

0:51:01.400 --> 0:51:04.680
<v Speaker 3>one on Saturday nights, everybody would go to the midnight

0:51:04.719 --> 0:51:07.279
<v Speaker 3>show of two thousand and one stoned out of their

0:51:07.280 --> 0:51:09.840
<v Speaker 3>minds because they wanted to see the final sequence. But

0:51:09.920 --> 0:51:12.840
<v Speaker 3>I was very proud, it said, BZ. Listen. The film

0:51:13.160 --> 0:51:16.640
<v Speaker 3>is so interesting because it suggests that humanity is part

0:51:16.680 --> 0:51:21.160
<v Speaker 3>of a larger evolutionary experiment that's been guided by this

0:51:21.400 --> 0:51:25.799
<v Speaker 3>unseen non human intelligence. And the key to it, though, Brent,

0:51:26.000 --> 0:51:28.960
<v Speaker 3>is that the Moon is serving as the trigger point

0:51:29.000 --> 0:51:32.760
<v Speaker 3>in that process. So, yes, these guys in the movie

0:51:32.880 --> 0:51:35.399
<v Speaker 3>go all the way to Jupiter and that's where the

0:51:35.520 --> 0:51:39.200
<v Speaker 3>starchild and all this great ending stuff. But there's the

0:51:39.280 --> 0:51:43.080
<v Speaker 3>sequence on the Moon where they are excavating this thing,

0:51:43.520 --> 0:51:46.960
<v Speaker 3>and so what begins is a story about space exploration.

0:51:47.120 --> 0:51:51.680
<v Speaker 3>Ultimately it becomes a meditation on existence itself, and the

0:51:51.719 --> 0:51:55.600
<v Speaker 3>Moon is positioned not as a destination but as a

0:51:55.640 --> 0:51:59.879
<v Speaker 3>silent signal that something or somebody has been watching and waiting,

0:52:00.360 --> 0:52:02.799
<v Speaker 3>And that, to me is why two thousand and one.

0:52:03.040 --> 0:52:05.720
<v Speaker 3>I'm with you. I've seen it at least a dozen times,

0:52:05.760 --> 0:52:06.520
<v Speaker 3>possibly more.

0:52:06.680 --> 0:52:09.200
<v Speaker 1>Yeah, we've before, we've kind of read loglines. You just

0:52:09.200 --> 0:52:12.279
<v Speaker 1>did a great job of encapsulating not the plot so much,

0:52:12.280 --> 0:52:14.600
<v Speaker 1>but what it's about. What's the meaning of two thousand

0:52:14.640 --> 0:52:16.799
<v Speaker 1>and one, because I think the plot would be difficult

0:52:16.840 --> 0:52:19.920
<v Speaker 1>to summarize because it's a movie that's told in segments

0:52:19.920 --> 0:52:22.640
<v Speaker 1>that are related, but go see the movie. It's amazing.

0:52:22.719 --> 0:52:25.080
<v Speaker 1>It still holds up today. It looks as good as

0:52:25.120 --> 0:52:27.080
<v Speaker 1>any movie that is out right now.

0:52:27.600 --> 0:52:30.240
<v Speaker 3>I actually look forward to us doing an entire episode

0:52:30.280 --> 0:52:34.080
<v Speaker 3>about moon movies and a long form dissertation on two

0:52:34.120 --> 0:52:37.080
<v Speaker 3>thousand and one, but I know we have other business

0:52:37.120 --> 0:52:39.080
<v Speaker 3>to take care of. I will say there is a

0:52:39.120 --> 0:52:42.520
<v Speaker 3>collection of Moon movies just waiting for us to weigh

0:52:42.560 --> 0:52:44.799
<v Speaker 3>in on them. But the one that's about if you

0:52:44.840 --> 0:52:47.560
<v Speaker 3>will Mining on the Moon, which is what the captain

0:52:47.840 --> 0:52:50.279
<v Speaker 3>was saying, Yes, this is what it's about. The most

0:52:50.360 --> 0:52:54.640
<v Speaker 3>recent one that I've seen that's all about that is Moon. Yes.

0:52:55.520 --> 0:52:58.399
<v Speaker 3>Heelium three, wasn't it? Yes? And I saw it last night.

0:52:58.840 --> 0:53:00.680
<v Speaker 3>It holds together, folks. If you want to see a

0:53:00.719 --> 0:53:03.920
<v Speaker 3>great film. Sam Rockwell is the star of it. He

0:53:03.960 --> 0:53:06.880
<v Speaker 3>plays all the roles in it. And it is Helium

0:53:06.960 --> 0:53:10.160
<v Speaker 3>three that they're going after, so a fascinating thing. Now,

0:53:10.480 --> 0:53:14.200
<v Speaker 3>most recently there's been my gosh, there's Moonfall. That's the

0:53:14.200 --> 0:53:16.439
<v Speaker 3>one we just talked about. Fly Me to the Moon

0:53:16.520 --> 0:53:18.440
<v Speaker 3>came out a couple of years ago where they're saying

0:53:18.480 --> 0:53:20.799
<v Speaker 3>it was faked. And I couldn't even watch that one

0:53:20.800 --> 0:53:23.160
<v Speaker 3>because I know it wasn't faked, so I don't like

0:53:23.239 --> 0:53:24.359
<v Speaker 3>to talk about that.

0:53:24.640 --> 0:53:26.920
<v Speaker 1>But on that topic, and I think this is interesting

0:53:27.320 --> 0:53:30.640
<v Speaker 1>is that when people do talk about the moon landings

0:53:30.680 --> 0:53:34.120
<v Speaker 1>being faked, who do they say directed them right on?

0:53:34.560 --> 0:53:35.480
<v Speaker 1>Stanley Kubrick.

0:53:35.560 --> 0:53:37.719
<v Speaker 3>You bet. And the reason was is because.

0:53:37.400 --> 0:53:39.920
<v Speaker 1>The moon landings happened a year after two thousand and

0:53:39.960 --> 0:53:42.360
<v Speaker 1>one came out, and I think a lot of people

0:53:42.400 --> 0:53:44.720
<v Speaker 1>watch two thousand and one and it felt like watching

0:53:44.719 --> 0:53:48.560
<v Speaker 1>a documentary. It felt like what everyone imagined space would

0:53:48.600 --> 0:53:52.160
<v Speaker 1>look like. And so I think that no surprise when

0:53:52.160 --> 0:53:55.160
<v Speaker 1>people said, how could they have pulled off these fake moonlandings?

0:53:55.280 --> 0:53:56.719
<v Speaker 3>Have Kubrick do it? Right?

0:53:57.040 --> 0:53:59.600
<v Speaker 1>He just pulled off a miracle with two thousand and one.

0:54:00.120 --> 0:54:03.640
<v Speaker 1>So obviously there's no evidence that ever happened. There's a

0:54:03.680 --> 0:54:07.360
<v Speaker 1>lot of conspiracy theories about it being faked, about Kubrick,

0:54:07.840 --> 0:54:12.120
<v Speaker 1>about it being an artificial structure, there being mining going

0:54:12.160 --> 0:54:15.080
<v Speaker 1>on the moon. This is where we get into kind

0:54:15.120 --> 0:54:17.839
<v Speaker 1>of the rabbit hole of what is really going on

0:54:17.920 --> 0:54:21.160
<v Speaker 1>with the Moon and asking ourselves all these years later,

0:54:21.480 --> 0:54:23.879
<v Speaker 1>was there anything to what the captain told us.

0:54:24.080 --> 0:54:26.719
<v Speaker 3>Point of fact, I'm not one hundred percent sure of

0:54:26.760 --> 0:54:30.080
<v Speaker 3>this part but when he did raise the moon as

0:54:30.080 --> 0:54:34.400
<v Speaker 3>an issue, I do remember saying somebody saying something like

0:54:34.400 --> 0:54:37.840
<v Speaker 3>like in two thousand and one, just some sidebar reference,

0:54:38.040 --> 0:54:40.399
<v Speaker 3>and again this guy being such a put down artist,

0:54:40.480 --> 0:54:43.319
<v Speaker 3>saying something, if you think that the moon is all

0:54:43.360 --> 0:54:46.879
<v Speaker 3>about classical music and blah blah blah, then you are

0:54:47.239 --> 0:54:49.960
<v Speaker 3>not as smart as you think you are. Just something

0:54:50.440 --> 0:54:53.319
<v Speaker 3>like that. So yeah, I also think, by the way,

0:54:53.400 --> 0:54:56.440
<v Speaker 3>in context of your story, I believe Kubrick was asked

0:54:56.480 --> 0:55:00.440
<v Speaker 3>about that and of course strenuously denied that it happened

0:55:00.600 --> 0:55:02.839
<v Speaker 3>that he would fake the moon landing. On the other hand,

0:55:03.000 --> 0:55:05.080
<v Speaker 3>people who think the moon landing was fake would say,

0:55:05.200 --> 0:55:08.120
<v Speaker 3>of course he'd deny it, so you can't ever get around.

0:55:07.800 --> 0:55:10.080
<v Speaker 1>He had a sense of humor though, because in The

0:55:10.120 --> 0:55:13.480
<v Speaker 1>Shining Danny has a sweater that says Apollo eleven on it,

0:55:13.719 --> 0:55:16.799
<v Speaker 1>so clearly he was well aware of what the rumors were.

0:55:16.960 --> 0:55:19.600
<v Speaker 3>Listen, there's so much to that, and all I know

0:55:19.719 --> 0:55:21.640
<v Speaker 3>is that I did a lot of research on it,

0:55:21.680 --> 0:55:24.600
<v Speaker 3>as did you, and we haven't even touched this surface.

0:55:24.640 --> 0:55:27.120
<v Speaker 3>So let's just resolve. We're going to come back to that,

0:55:27.200 --> 0:55:30.720
<v Speaker 3>but right now we've got to resolve the Captain and JC.

0:55:31.480 --> 0:55:35.080
<v Speaker 3>And as we left our story, we had a situation

0:55:35.160 --> 0:55:38.200
<v Speaker 3>where these guys have left and not in a happy way.

0:55:38.239 --> 0:55:40.600
<v Speaker 3>It was not a happy place where they left, and

0:55:40.640 --> 0:55:44.000
<v Speaker 3>you and I had gone back to work, and time elapsed.

0:55:44.080 --> 0:55:48.560
<v Speaker 3>I'm unclear how much time elapsed, because time kind of

0:55:48.600 --> 0:55:51.640
<v Speaker 3>compresses when you're producing a TV series. It's like it's

0:55:51.880 --> 0:55:54.640
<v Speaker 3>twenty four to seven. Now. You even dream about your

0:55:54.680 --> 0:55:56.879
<v Speaker 3>series because you have to. Your brain has to keep

0:55:56.920 --> 0:55:59.000
<v Speaker 3>working because you've got to show up at seven in

0:55:59.040 --> 0:56:01.520
<v Speaker 3>the morning and right keep going and stay till nine

0:56:01.560 --> 0:56:04.600
<v Speaker 3>at night and then drive home. So yeah, so that

0:56:04.719 --> 0:56:06.920
<v Speaker 3>was going on, and then something happened.

0:56:07.040 --> 0:56:12.360
<v Speaker 1>So what happened was JC resurfaced and started calling I

0:56:12.400 --> 0:56:15.200
<v Speaker 1>started getting more messages from my assistant. And why he

0:56:15.280 --> 0:56:17.240
<v Speaker 1>was calling me, I can't say. I think he felt

0:56:17.280 --> 0:56:18.400
<v Speaker 1>I was the easier mark.

0:56:18.960 --> 0:56:21.120
<v Speaker 3>I'm sure of that. I'm sure that's what happened.

0:56:21.239 --> 0:56:24.600
<v Speaker 1>And so I finally once again got on the phone

0:56:24.640 --> 0:56:28.239
<v Speaker 1>with him, and this time he had a little bit

0:56:28.320 --> 0:56:30.839
<v Speaker 1>more kind of edge to his voice. He wasn't quite

0:56:30.840 --> 0:56:34.319
<v Speaker 1>as friendly because obviously everyone knew that last meeting hadn't

0:56:34.360 --> 0:56:38.080
<v Speaker 1>gone well. And he proceeded to say that we were

0:56:38.120 --> 0:56:41.200
<v Speaker 1>being given one more chance to make this deal work,

0:56:41.560 --> 0:56:44.480
<v Speaker 1>and they were pulling out the big guns. I think

0:56:44.520 --> 0:56:47.680
<v Speaker 1>there was some kind of strange quote like that, And

0:56:47.680 --> 0:56:50.440
<v Speaker 1>what it came down to was they were going to

0:56:50.920 --> 0:56:53.640
<v Speaker 1>get us a meeting with an admiral, so someone even

0:56:53.920 --> 0:56:57.200
<v Speaker 1>higher up than the captain. And what I was told

0:56:57.480 --> 0:57:00.600
<v Speaker 1>was that there was I think an aircraft carrier or

0:57:00.680 --> 0:57:05.040
<v Speaker 1>some navy vessel coming into San Pedro, which is south

0:57:05.080 --> 0:57:07.440
<v Speaker 1>of Los Angeles in one of the big port areas,

0:57:07.640 --> 0:57:09.120
<v Speaker 1>and was going to be coming in there in a

0:57:09.160 --> 0:57:12.920
<v Speaker 1>couple days, and the admiral of that ship was going

0:57:13.000 --> 0:57:16.840
<v Speaker 1>to take a personal leave from the ship and go

0:57:16.960 --> 0:57:19.240
<v Speaker 1>on to shore to have a meeting with us that

0:57:19.280 --> 0:57:21.080
<v Speaker 1>would not be an official meeting.

0:57:21.320 --> 0:57:24.400
<v Speaker 3>And before you lay that part out, though, let's just

0:57:24.560 --> 0:57:27.920
<v Speaker 3>recall before that call came in, you and I did

0:57:28.360 --> 0:57:31.280
<v Speaker 3>have time to have a couple of conversations, right. It

0:57:31.440 --> 0:57:33.680
<v Speaker 3>still weighed on us, not so much that we thought

0:57:33.720 --> 0:57:36.040
<v Speaker 3>the deal was on the table much we were like,

0:57:36.360 --> 0:57:38.920
<v Speaker 3>I guess that didn't work out, But we still were

0:57:38.920 --> 0:57:41.520
<v Speaker 3>talking about what's the point of view should we take

0:57:41.560 --> 0:57:43.960
<v Speaker 3>this deal, what would that mean? Should we not take

0:57:43.960 --> 0:57:45.840
<v Speaker 3>the deal, what would that mean? So that was an

0:57:45.920 --> 0:57:48.840
<v Speaker 3>active conversation that we're having, and then it got real

0:57:48.920 --> 0:57:53.440
<v Speaker 3>serious because they got back in touch with us correct.

0:57:53.280 --> 0:57:56.880
<v Speaker 1>And so I'm listening to this proposal that we're going

0:57:56.920 --> 0:57:59.520
<v Speaker 1>to be meeting with an admiral, and I was thinking, Wow,

0:57:59.840 --> 0:58:01.400
<v Speaker 1>the captain was so intimidating.

0:58:01.680 --> 0:58:02.440
<v Speaker 3>I can't think of.

0:58:02.440 --> 0:58:05.880
<v Speaker 1>Someone meeting with someone more intimidating. But then the situation

0:58:06.200 --> 0:58:09.280
<v Speaker 1>took a very dark turn because I said, Okay, where

0:58:09.320 --> 0:58:12.320
<v Speaker 1>would we be meeting with this admiral and he said,

0:58:12.360 --> 0:58:14.600
<v Speaker 1>that's the thing. This will not be an official meeting.

0:58:15.000 --> 0:58:17.960
<v Speaker 1>So after hours he is going to request a personal

0:58:18.040 --> 0:58:19.959
<v Speaker 1>leave from the ship to come visit.

0:58:20.200 --> 0:58:22.760
<v Speaker 3>And the reason though, just to be clear, they said,

0:58:22.800 --> 0:58:25.360
<v Speaker 3>you can't meet him on the ship because you have

0:58:25.440 --> 0:58:27.960
<v Speaker 3>to log you guys in exactly and you cannot be

0:58:28.040 --> 0:58:30.800
<v Speaker 3>logged in. Now that's a very convenient thing if you're

0:58:30.840 --> 0:58:33.000
<v Speaker 3>not who you say you are, say I can't bing

0:58:33.040 --> 0:58:35.240
<v Speaker 3>you on the ship. But that that seemed plausible. They're

0:58:35.240 --> 0:58:37.240
<v Speaker 3>not about to log in Friedman and is able to

0:58:38.000 --> 0:58:40.160
<v Speaker 3>meet an admiral if you're trying to keep a big

0:58:40.200 --> 0:58:44.960
<v Speaker 3>secret for a Dark Sky's creative meeting. But where he

0:58:45.040 --> 0:58:48.960
<v Speaker 3>wanted to meet us was Apparently the cover story that

0:58:49.000 --> 0:58:51.560
<v Speaker 3>the admiral was using was he was going to go

0:58:51.680 --> 0:58:54.320
<v Speaker 3>visit a friend of his, a deceased friend, and pay

0:58:54.320 --> 0:58:57.520
<v Speaker 3>his respects at a nearby cemetery in Long Beach. The

0:58:57.640 --> 0:59:01.760
<v Speaker 3>plan was, as JC state, you are going to meet

0:59:02.200 --> 0:59:05.000
<v Speaker 3>the admiral at a specific gravesite, which we.

0:59:04.920 --> 0:59:07.320
<v Speaker 1>Will give you the name of, at midnight. And all

0:59:07.360 --> 0:59:11.320
<v Speaker 1>I heard was cemetery at midnight. And immediately what went

0:59:11.360 --> 0:59:13.920
<v Speaker 1>into my mind was, we're going to go to this

0:59:14.040 --> 0:59:17.200
<v Speaker 1>grave site and it's not going to be the gravesite

0:59:17.240 --> 0:59:19.520
<v Speaker 1>of some friend of the admirals. I'm going to see

0:59:19.840 --> 0:59:23.480
<v Speaker 1>Brent Friedman's tombstone and bruck Sables tombstone, and there's going

0:59:23.520 --> 0:59:27.120
<v Speaker 1>to be two holes dug six feet deep. And as

0:59:27.160 --> 0:59:29.320
<v Speaker 1>we're taking all of this in, we're going to get

0:59:29.400 --> 0:59:31.720
<v Speaker 1>popped in the back of the head and that's where

0:59:31.720 --> 0:59:32.160
<v Speaker 1>we will be.

0:59:32.240 --> 0:59:32.880
<v Speaker 3>Laid to rest.

0:59:33.000 --> 0:59:35.720
<v Speaker 1>That was all of this went through my mind when

0:59:35.760 --> 0:59:37.600
<v Speaker 1>he said cemetery at midnight.

0:59:37.360 --> 0:59:39.520
<v Speaker 3>Mine too, because remember you had to come into my

0:59:39.600 --> 0:59:42.680
<v Speaker 3>office and say there's been a development, and then you

0:59:42.720 --> 0:59:45.480
<v Speaker 3>had to lay that on me. Now, as I've considered

0:59:45.480 --> 0:59:47.280
<v Speaker 3>this over the years, to be told we're going to

0:59:47.320 --> 0:59:50.520
<v Speaker 3>have a meeting in a cemetery at midnight. It's crazy.

0:59:50.680 --> 0:59:53.880
<v Speaker 3>It's insane. Yeah, and there aren't a lot of great

0:59:53.920 --> 0:59:58.120
<v Speaker 3>reasons why that would be worthwhile or why it would

0:59:58.160 --> 1:00:00.840
<v Speaker 3>even be done. I thought when I I first heard this,

1:00:01.080 --> 1:00:04.520
<v Speaker 3>my first take Brent was it's some kind of weird initiation.

1:00:04.920 --> 1:00:07.480
<v Speaker 1>Yeah, it felt like a test. If these guys are

1:00:07.480 --> 1:00:11.600
<v Speaker 1>willing to do this, then they're either complete idiots and

1:00:11.640 --> 1:00:14.560
<v Speaker 1>we own them, or they're committed and they're in and

1:00:14.560 --> 1:00:15.400
<v Speaker 1>we can trust them.

1:00:15.640 --> 1:00:18.040
<v Speaker 3>One was a two. I remember saying you though, like,

1:00:18.200 --> 1:00:20.440
<v Speaker 3>what is this some kind of weird initiation? You had

1:00:20.480 --> 1:00:22.920
<v Speaker 3>a different take at the time. You were like, I

1:00:22.920 --> 1:00:25.960
<v Speaker 3>don't know, maybe there's something buried there that they're going

1:00:26.000 --> 1:00:29.120
<v Speaker 3>to show us. Yes, at the time, I will be

1:00:29.200 --> 1:00:33.840
<v Speaker 3>perfectly honest. I was completely terrified, but I was equally intrigued.

1:00:34.080 --> 1:00:36.800
<v Speaker 3>And here was the good news. You had kids. I

1:00:36.840 --> 1:00:38.280
<v Speaker 3>didn't have kids yet, so.

1:00:38.320 --> 1:00:40.120
<v Speaker 1>There was a part of me that was like, maybe

1:00:40.200 --> 1:00:42.200
<v Speaker 1>i'll go, Bryce, you don't have to go, I'll go.

1:00:42.320 --> 1:00:44.200
<v Speaker 1>And I think what it came down to was, no,

1:00:44.320 --> 1:00:47.960
<v Speaker 1>we're in this together. You're not going. I'm not going.

1:00:48.000 --> 1:00:50.040
<v Speaker 1>We have a show to run. No one's going to

1:00:50.080 --> 1:00:51.360
<v Speaker 1>a cemetery at midnight.

1:00:51.520 --> 1:00:53.520
<v Speaker 3>Let's drop it. I just I did feel like I

1:00:53.560 --> 1:00:55.959
<v Speaker 3>have a wife and three kids, and yes, the last

1:00:56.360 --> 1:00:59.040
<v Speaker 3>the least responsible thing I could do in that position

1:00:59.400 --> 1:01:02.680
<v Speaker 3>was to go to a cemetery at midnight. But before

1:01:02.720 --> 1:01:05.640
<v Speaker 3>we actually lay out the ending of this, let's just

1:01:05.720 --> 1:01:09.680
<v Speaker 3>summarize the conversations that we had before that phone call

1:01:09.760 --> 1:01:12.840
<v Speaker 3>and even a little bit after it, before we weighed this.

1:01:13.200 --> 1:01:15.800
<v Speaker 3>Let me give you some pro arguments for taking a

1:01:15.920 --> 1:01:18.600
<v Speaker 3>deal with these guys. At the time, we thought access

1:01:19.040 --> 1:01:22.240
<v Speaker 3>obviously could give us more authenticity for the show. We

1:01:22.240 --> 1:01:26.120
<v Speaker 3>were idealistic. Potentially we thought, wow, if this actually is

1:01:26.120 --> 1:01:29.840
<v Speaker 3>on the level, we might actually help facilitate real disclosure,

1:01:30.120 --> 1:01:33.280
<v Speaker 3>which was positive. And also given that, as we talked

1:01:33.280 --> 1:01:36.479
<v Speaker 3>about in a previous episode, we started the whole cover

1:01:36.560 --> 1:01:39.320
<v Speaker 3>of fiction thing, the idea that somebody would want to

1:01:39.360 --> 1:01:42.160
<v Speaker 3>come to us with a desire to use cover of

1:01:42.240 --> 1:01:46.040
<v Speaker 3>fiction wasn't as unreasonable as you might think. But I

1:01:46.040 --> 1:01:49.960
<v Speaker 3>think the main argument pro was we'll finally get to

1:01:50.000 --> 1:01:52.320
<v Speaker 3>know what's really going on, We'll get the truth, and

1:01:52.360 --> 1:01:54.120
<v Speaker 3>that was seemed to be the promise in and I

1:01:54.200 --> 1:01:57.600
<v Speaker 3>remember I do remember talking about that sitting and I

1:01:57.680 --> 1:02:00.120
<v Speaker 3>think we're sitting in my office because it had a

1:02:00.200 --> 1:02:02.120
<v Speaker 3>on the other side. I was behind my chair, and

1:02:02.160 --> 1:02:05.040
<v Speaker 3>we would talk to each other across that big old

1:02:05.080 --> 1:02:08.000
<v Speaker 3>desk that they had, and we thought we might get

1:02:08.040 --> 1:02:16.000
<v Speaker 3>to see a craft and a body.

1:02:16.080 --> 1:02:18.640
<v Speaker 1>Yes, that was the inducement. That was seemed to be

1:02:18.720 --> 1:02:22.080
<v Speaker 1>the promise. They never used those words, but in our minds,

1:02:22.560 --> 1:02:25.400
<v Speaker 1>if we were going to go to a cemetery at midnight,

1:02:25.640 --> 1:02:28.000
<v Speaker 1>it was because there was a craft and a body

1:02:28.240 --> 1:02:29.720
<v Speaker 1>somewhere that we were going to be shown.

1:02:29.840 --> 1:02:31.720
<v Speaker 3>Now you were more open to taking it. So I'm

1:02:31.720 --> 1:02:33.600
<v Speaker 3>going to let you take some negative. What are the

1:02:33.640 --> 1:02:35.479
<v Speaker 3>negatives to taking such a deal?

1:02:35.600 --> 1:02:39.240
<v Speaker 1>Look, I think that other than it sounds insane, I

1:02:39.280 --> 1:02:43.200
<v Speaker 1>think the negatives were primarily that it felt like we

1:02:43.240 --> 1:02:47.280
<v Speaker 1>would be losing control of the narrative. At what I

1:02:47.320 --> 1:02:49.880
<v Speaker 1>mean by that is we had a show, We had

1:02:49.880 --> 1:02:53.360
<v Speaker 1>a vision for the show. We had the network on board,

1:02:53.400 --> 1:02:57.160
<v Speaker 1>the studio on board, we had stories broken, scripts written,

1:02:57.560 --> 1:03:01.320
<v Speaker 1>and these guys being put in charge they had certainly

1:03:01.320 --> 1:03:04.240
<v Speaker 1>the captain made it quite clear that if we were

1:03:04.280 --> 1:03:06.440
<v Speaker 1>in business with him, he was going to tell us

1:03:06.480 --> 1:03:08.640
<v Speaker 1>what was going to happen. He was going to be

1:03:08.720 --> 1:03:12.000
<v Speaker 1>the showrunner in some sense of the word, and I

1:03:12.000 --> 1:03:15.000
<v Speaker 1>think that was terrifying, that sense, that loss of control.

1:03:15.280 --> 1:03:18.320
<v Speaker 1>I think another thing that we talked about and we

1:03:18.440 --> 1:03:21.640
<v Speaker 1>had to take seriously was, Okay, these guys are saying

1:03:21.800 --> 1:03:24.919
<v Speaker 1>this is the truth. They're saying they're the heroes, right,

1:03:25.000 --> 1:03:27.160
<v Speaker 1>and we're going to be on their side and.

1:03:27.120 --> 1:03:28.320
<v Speaker 3>Disclose to the people.

1:03:28.680 --> 1:03:31.200
<v Speaker 1>Again, they were giving us the pitch of us being

1:03:31.280 --> 1:03:32.600
<v Speaker 1>low and guard and dark skies.

1:03:32.680 --> 1:03:33.240
<v Speaker 3>Let's get the.

1:03:33.200 --> 1:03:36.240
<v Speaker 1>Truth out to the people. So that was enticing, But

1:03:36.320 --> 1:03:38.640
<v Speaker 1>we also did consider but what if all of this

1:03:38.760 --> 1:03:41.160
<v Speaker 1>is a syop? What if all of this is a lie?

1:03:41.240 --> 1:03:44.160
<v Speaker 1>What if all of this is disinformation? And so that

1:03:44.320 --> 1:03:46.439
<v Speaker 1>idea that we could be end up taking a deal,

1:03:46.560 --> 1:03:49.680
<v Speaker 1>lose control of the show, and only to be being

1:03:49.920 --> 1:03:55.520
<v Speaker 1>used as part of a disinformation campaign was pretty disgusting. Additionally,

1:03:55.600 --> 1:03:57.200
<v Speaker 1>there was the thing of if we do take the

1:03:57.240 --> 1:03:59.160
<v Speaker 1>deal and they give us information, are we going to

1:03:59.160 --> 1:04:01.560
<v Speaker 1>be blackmail at some point? Are people going to say

1:04:01.680 --> 1:04:03.800
<v Speaker 1>years later, these guys didn't write the show. This was

1:04:03.840 --> 1:04:06.400
<v Speaker 1>all given to them. So I think there was plenty

1:04:06.440 --> 1:04:10.160
<v Speaker 1>of reasons not to do it. Again beyond just self preservation,

1:04:10.400 --> 1:04:13.120
<v Speaker 1>I also think there was a personal reason for both

1:04:13.120 --> 1:04:15.880
<v Speaker 1>of us. Even though you didn't have kids, you had

1:04:15.880 --> 1:04:18.720
<v Speaker 1>a skeptical spouse, as did I, and I think that

1:04:18.880 --> 1:04:22.360
<v Speaker 1>it would have created a legitimate personal rift between us

1:04:22.440 --> 1:04:25.240
<v Speaker 1>and our lovels, and that would have been a difficult thing.

1:04:25.440 --> 1:04:27.280
<v Speaker 1>So I agree with that we didn't want to be

1:04:27.400 --> 1:04:30.480
<v Speaker 1>conduits for disinformation. The other thing, by the way, what

1:04:30.520 --> 1:04:32.760
<v Speaker 1>if it had become public that we had done this.

1:04:33.200 --> 1:04:34.760
<v Speaker 1>If we had done it.

1:04:34.360 --> 1:04:37.000
<v Speaker 3>It just seemed like that is so unknowable, and it

1:04:37.120 --> 1:04:39.800
<v Speaker 3>clearly weighed on both of us, and I just want

1:04:39.840 --> 1:04:42.960
<v Speaker 3>to make one thing clear. Having some fun talking about

1:04:42.960 --> 1:04:46.520
<v Speaker 3>it right now, but in the moment, I was disturbed.

1:04:46.680 --> 1:04:50.400
<v Speaker 3>It was disturbed that somebody, let me put it this way,

1:04:50.480 --> 1:04:52.160
<v Speaker 3>I didn't know if these guys were on the level

1:04:52.240 --> 1:04:55.040
<v Speaker 3>or not, but I did feel like somebody had spent

1:04:55.080 --> 1:04:58.120
<v Speaker 3>a lot of time or and or money trying to

1:04:58.160 --> 1:05:03.160
<v Speaker 3>build this situation around us, and it wasn't clear why.

1:05:03.240 --> 1:05:05.479
<v Speaker 3>If it was on the level, that would also mean

1:05:05.880 --> 1:05:10.880
<v Speaker 3>that we'd be in a real troubling situation. I guess

1:05:10.880 --> 1:05:13.320
<v Speaker 3>it's time. I don't think it's a mystery to anybody.

1:05:13.600 --> 1:05:17.320
<v Speaker 3>But what it finally really came down to was the

1:05:17.360 --> 1:05:21.720
<v Speaker 3>approach that these guys made from invading this party for

1:05:21.800 --> 1:05:25.520
<v Speaker 3>the Dark Skuy's premiere and then coming to our offices

1:05:25.960 --> 1:05:29.280
<v Speaker 3>and behaving the way they behaved, and then offering a

1:05:29.320 --> 1:05:32.880
<v Speaker 3>cemetery at midnight, all of that seemed very alarming. It

1:05:32.920 --> 1:05:37.160
<v Speaker 3>seemed dangerous, It was coercive, and what's the word you use,

1:05:37.280 --> 1:05:40.760
<v Speaker 3>It's insane. At least it felt insane. So at the

1:05:40.840 --> 1:05:43.680
<v Speaker 3>end of the day, I know my position was, I've

1:05:43.720 --> 1:05:46.360
<v Speaker 3>got a wife and three kids. I'm not meeting anybody,

1:05:46.760 --> 1:05:49.600
<v Speaker 3>any human being or any non human being at a

1:05:49.640 --> 1:05:50.760
<v Speaker 3>cemetery at midnight.

1:05:50.840 --> 1:05:53.240
<v Speaker 1>We came to the same conclusion. One of the interesting

1:05:53.320 --> 1:05:55.720
<v Speaker 1>things though, is that once we came to that conclusion,

1:05:55.960 --> 1:05:59.200
<v Speaker 1>the story that we told ourselves was those guys, who

1:05:59.200 --> 1:06:01.640
<v Speaker 1>knows they were probably lying right. It was comforting to

1:06:01.720 --> 1:06:03.880
<v Speaker 1>think that it was all we did, the right thing.

1:06:04.000 --> 1:06:06.040
<v Speaker 1>There was no truth there. But I think a couple

1:06:06.160 --> 1:06:09.880
<v Speaker 1>things to just look at in the intervening years is that,

1:06:10.360 --> 1:06:13.480
<v Speaker 1>obviously there's much more talk now than there was in

1:06:13.560 --> 1:06:16.520
<v Speaker 1>nineteen ninety six about all sorts of stuff going out

1:06:16.560 --> 1:06:19.200
<v Speaker 1>on in space in the up on the Moon. There's

1:06:19.200 --> 1:06:22.360
<v Speaker 1>obviously been in this New Moon mission with Artemis but

1:06:22.760 --> 1:06:25.440
<v Speaker 1>all of the speculation about what might be going on

1:06:25.520 --> 1:06:28.040
<v Speaker 1>in space or even up on the Moon has reached

1:06:28.080 --> 1:06:32.160
<v Speaker 1>a crescendo of late And something that happened a couple

1:06:32.240 --> 1:06:36.440
<v Speaker 1>weeks ago was Gary McKinnon, who was the famous kind

1:06:36.440 --> 1:06:40.880
<v Speaker 1>of British hacker from I believe the nineties, was arrested

1:06:41.080 --> 1:06:44.280
<v Speaker 1>when he was just a teenager for hacking into a

1:06:44.280 --> 1:06:48.240
<v Speaker 1>bunch of US intelligence agencies and seeing things that he

1:06:48.440 --> 1:06:49.720
<v Speaker 1>was not supposed to see.

1:06:49.960 --> 1:06:51.720
<v Speaker 3>And there's a whole.

1:06:51.680 --> 1:06:54.040
<v Speaker 1>Rabbit hole we can go down that we're not going

1:06:54.040 --> 1:06:57.080
<v Speaker 1>to if you're interested, check it out. He gave an

1:06:57.080 --> 1:07:00.840
<v Speaker 1>interview recently with Jesse Michaels on American Alchemy. Shout out

1:07:00.840 --> 1:07:04.680
<v Speaker 1>to Jesse Michaels, love his podcast anyway. In that interview,

1:07:04.720 --> 1:07:08.080
<v Speaker 1>he says a couple things that actually align with what

1:07:08.120 --> 1:07:10.800
<v Speaker 1>the captain told us, oh so many years ago, and

1:07:10.840 --> 1:07:14.920
<v Speaker 1>so again, maybe coincidence, but I think it's interesting to

1:07:14.960 --> 1:07:17.720
<v Speaker 1>start comparing some notes. Some of the things he said

1:07:17.800 --> 1:07:21.080
<v Speaker 1>he saw were that he got into Fort Meade, he

1:07:21.120 --> 1:07:25.000
<v Speaker 1>got into the Defense Information System Agency, the DoD networks,

1:07:25.040 --> 1:07:28.640
<v Speaker 1>the Basic Army Networks, the Navy networks, the UASF, the

1:07:28.800 --> 1:07:32.560
<v Speaker 1>US Air Force, networks, and also the Johnson Space Center.

1:07:32.800 --> 1:07:36.560
<v Speaker 1>This teenager hacked into all of these places was but

1:07:36.720 --> 1:07:39.480
<v Speaker 1>was obviously working with very low speed internet, so he

1:07:39.560 --> 1:07:41.920
<v Speaker 1>was like trying to download all of this information was

1:07:41.960 --> 1:07:44.240
<v Speaker 1>going very slowly. But one of the things that he

1:07:44.360 --> 1:07:48.200
<v Speaker 1>saw was he saw from the Johnson Space Center a

1:07:48.320 --> 1:07:52.760
<v Speaker 1>spreadsheet that was titled non Terrestrial Officers, and it went

1:07:52.800 --> 1:07:56.640
<v Speaker 1>on to delineate something about that had ship names, and

1:07:57.160 --> 1:07:59.600
<v Speaker 1>there was a material that was being transferred. There was

1:07:59.680 --> 1:08:05.040
<v Speaker 1>chemicals like molly b D, denim, strontium, barium, There was

1:08:05.120 --> 1:08:08.000
<v Speaker 1>all rex sorts of records of ship to ship transfers

1:08:08.120 --> 1:08:12.520
<v Speaker 1>of materials, and for a moment apparently he thought, oh,

1:08:12.520 --> 1:08:16.160
<v Speaker 1>they're talking about US Navy ships. But when he researched it,

1:08:16.240 --> 1:08:18.880
<v Speaker 1>none of these names matched up with actual Navy ships,

1:08:19.160 --> 1:08:22.200
<v Speaker 1>which then implies that there was a whole kind of

1:08:22.560 --> 1:08:26.120
<v Speaker 1>network of work being done up in space, none of

1:08:26.160 --> 1:08:29.040
<v Speaker 1>which we are aware of or that has been officially

1:08:29.120 --> 1:08:32.600
<v Speaker 1>revealed in any capacity. And so then you're going to

1:08:32.680 --> 1:08:35.599
<v Speaker 1>go down the rabbit hole a little bit and you say, Okay,

1:08:35.720 --> 1:08:38.400
<v Speaker 1>the captain told us there was mining going on the

1:08:38.439 --> 1:08:41.360
<v Speaker 1>Moon for some sort of material. When you start looking

1:08:41.360 --> 1:08:43.840
<v Speaker 1>at these things that he laid out. All of them

1:08:43.840 --> 1:08:47.880
<v Speaker 1>are these rare minerals and elements that are found in

1:08:48.120 --> 1:08:51.840
<v Speaker 1>various quantities up on the moon. So again, is this

1:08:52.000 --> 1:08:54.760
<v Speaker 1>all a coincidence or are these dots starting to be

1:08:54.880 --> 1:08:56.679
<v Speaker 1>connected thirty years later?

1:08:56.920 --> 1:08:59.759
<v Speaker 3>I'll connect one other dot for you. Yeah, after McKinnon

1:08:59.840 --> 1:09:02.880
<v Speaker 3>got arrested, I'm not sure he was a teenager when

1:09:02.920 --> 1:09:03.320
<v Speaker 3>he did that.

1:09:03.360 --> 1:09:05.160
<v Speaker 1>I think no, no, I'm sorry he hacked and then he

1:09:05.200 --> 1:09:06.519
<v Speaker 1>was arrested a couple of years later.

1:09:06.840 --> 1:09:09.960
<v Speaker 3>So when he got arrested, and he's a U cases

1:09:10.040 --> 1:09:13.000
<v Speaker 3>and so when he got first arrested, the British were

1:09:13.040 --> 1:09:15.400
<v Speaker 3>looking into it, and they were treating it as it's

1:09:15.439 --> 1:09:18.599
<v Speaker 3>not as big a deal. But then the British sent

1:09:18.720 --> 1:09:22.160
<v Speaker 3>some people over to talk to the guess what, the

1:09:22.200 --> 1:09:26.720
<v Speaker 3>Office of Naval Intelligence, and they came back quite chastened,

1:09:27.000 --> 1:09:31.880
<v Speaker 3>and the Office of Naval Intelligence was invoked strenuously in

1:09:31.960 --> 1:09:35.200
<v Speaker 3>this thing. So there's O and I again. Now I'm

1:09:35.200 --> 1:09:37.760
<v Speaker 3>not I don't think either of us are saying that

1:09:37.800 --> 1:09:41.719
<v Speaker 3>these are clear connections. But I think what interests us,

1:09:42.040 --> 1:09:44.920
<v Speaker 3>both of us, is that for every this O and

1:09:45.000 --> 1:09:48.960
<v Speaker 3>I keeps appearing as the Naval Intelligence name attached to

1:09:49.040 --> 1:09:53.280
<v Speaker 3>secrecy and access and compartmentalization. And it fits right in

1:09:53.360 --> 1:09:56.400
<v Speaker 3>with us being told you got a lot of things right, oh,

1:09:56.439 --> 1:09:59.120
<v Speaker 3>and I and the Navy and yeah, So what is

1:09:59.120 --> 1:10:01.840
<v Speaker 3>the status of Gary McKinnon right now? Based on what

1:10:01.960 --> 1:10:02.760
<v Speaker 3>he told the.

1:10:02.720 --> 1:10:05.519
<v Speaker 1>British government stood their ground and would not allow him

1:10:05.520 --> 1:10:09.160
<v Speaker 1>to be extradited. So he got in trouble, clearly, But

1:10:09.320 --> 1:10:11.000
<v Speaker 1>he did. I think they were going to put him

1:10:11.000 --> 1:10:14.000
<v Speaker 1>away for fifty years or something, for seventy f for

1:10:14.120 --> 1:10:18.919
<v Speaker 1>breaching these networks and seeing and getting access to classified information.

1:10:19.360 --> 1:10:22.840
<v Speaker 3>So Jarry McKinnon's not going to Disneyland anytime soon. He'll

1:10:22.880 --> 1:10:25.519
<v Speaker 3>be picked up and arrested anyway.

1:10:26.280 --> 1:10:29.240
<v Speaker 1>Yeah, it's so there's and there's one last piece of

1:10:29.280 --> 1:10:31.120
<v Speaker 1>the puzzle that we want to throw out, and it's

1:10:31.479 --> 1:10:34.960
<v Speaker 1>it's possibly the strangest, the most unsettling, and also the

1:10:34.960 --> 1:10:38.559
<v Speaker 1>most speculative. After we had turned down the deal, and

1:10:38.600 --> 1:10:40.519
<v Speaker 1>by the way we turned it down by simply not

1:10:40.720 --> 1:10:43.800
<v Speaker 1>taking any more phone calls from JC. We just never

1:10:44.240 --> 1:10:47.960
<v Speaker 1>allowed there to be any further communications. But about probably

1:10:48.040 --> 1:10:51.200
<v Speaker 1>a week or two after the offer to go to

1:10:51.240 --> 1:10:53.960
<v Speaker 1>the cemetery at midnight, I remember one day coming into

1:10:54.000 --> 1:10:58.080
<v Speaker 1>the dark Sky's office, and my assistant Adam, looked ashen faced,

1:10:58.120 --> 1:10:59.800
<v Speaker 1>and he waited until we were in the office. He

1:10:59.800 --> 1:11:01.600
<v Speaker 1>colt closed the door and he wanted to show me

1:11:01.680 --> 1:11:05.440
<v Speaker 1>something that seemed very important, and it was a newspaper,

1:11:05.439 --> 1:11:07.439
<v Speaker 1>one of those little newspapers from the West side. I

1:11:07.439 --> 1:11:09.439
<v Speaker 1>don't remember a west side of Los Angeles. I don't

1:11:09.439 --> 1:11:12.040
<v Speaker 1>remember which one it was. But he quickly opened it

1:11:12.120 --> 1:11:15.360
<v Speaker 1>up and he showed me an article about a body

1:11:15.600 --> 1:11:18.519
<v Speaker 1>that had washed ashore down by the Santa Monica Pier

1:11:18.840 --> 1:11:21.920
<v Speaker 1>that had no id on it, but that fit the

1:11:21.960 --> 1:11:26.800
<v Speaker 1>description of jc OH. And my first thought was, Oh, no,

1:11:28.000 --> 1:11:30.880
<v Speaker 1>he couldn't close the deal, and so they took him out.

1:11:31.080 --> 1:11:34.080
<v Speaker 3>We're alledging that, by the way, this one wasn't. This

1:11:34.120 --> 1:11:37.960
<v Speaker 3>is more speculative than cemeteries at midnight, absolutely, But I think.

1:11:37.800 --> 1:11:41.520
<v Speaker 1>The point of that is that once you get immersed

1:11:41.600 --> 1:11:44.679
<v Speaker 1>in the paranoia of a situation, And by the way,

1:11:45.040 --> 1:11:47.360
<v Speaker 1>in the aftermath of all this, we did start telling

1:11:47.400 --> 1:11:50.040
<v Speaker 1>more people about cemetery at midnight and all that kind

1:11:50.040 --> 1:11:53.120
<v Speaker 1>of stuff. So now people were making a show about

1:11:53.160 --> 1:11:55.800
<v Speaker 1>a cover up, but they were all still feeling part

1:11:55.840 --> 1:11:57.920
<v Speaker 1>of the cover up. So now you have people seeing

1:11:58.360 --> 1:12:00.400
<v Speaker 1>all sorts of strange things all over the place, and

1:12:00.439 --> 1:12:03.599
<v Speaker 1>your assistant bringing you in stories about somebody showing up

1:12:03.680 --> 1:12:06.320
<v Speaker 1>dead at the Santa Monica Peer. Obviously we have no

1:12:06.439 --> 1:12:10.240
<v Speaker 1>idea if that was JC or what happened to him,

1:12:10.479 --> 1:12:13.439
<v Speaker 1>but it was one of those kind of punctuation marks

1:12:13.479 --> 1:12:16.240
<v Speaker 1>on the whole thing that just left this sense of

1:12:16.680 --> 1:12:21.519
<v Speaker 1>unsettling mystery, which really explains a whole feeling of JC

1:12:21.720 --> 1:12:23.800
<v Speaker 1>and the captain and the offer and the deal and

1:12:23.840 --> 1:12:27.160
<v Speaker 1>the formula. It all felt like we were in the

1:12:27.240 --> 1:12:28.280
<v Speaker 1>twilight Zone.

1:12:28.520 --> 1:12:31.320
<v Speaker 3>I really feel like Rod Sterling should have been narrating

1:12:31.560 --> 1:12:34.439
<v Speaker 3>our dark Sky's experience. I thought you were going to

1:12:34.520 --> 1:12:36.880
<v Speaker 3>tell a slightly different story. And I know we've gone along,

1:12:36.880 --> 1:12:39.679
<v Speaker 3>but I'm I think we'd be remiss not to throw

1:12:39.680 --> 1:12:44.759
<v Speaker 3>this out there. One day after that cemetery, at midnight

1:12:44.960 --> 1:12:48.160
<v Speaker 3>moment and all that, we come to the office and

1:12:48.640 --> 1:12:52.920
<v Speaker 3>John Lear is silling John Bobby. He has come unannounced.

1:12:53.080 --> 1:12:56.479
<v Speaker 3>Now for people who don't know, John Lear was the

1:12:56.479 --> 1:12:59.200
<v Speaker 3>son of Bill Lear, who was the famed inventor who

1:12:59.240 --> 1:13:02.760
<v Speaker 3>created the Lear Jet business aircraft and also the eight

1:13:02.840 --> 1:13:07.759
<v Speaker 3>track system. John Lear was a significant player in UFO history,

1:13:07.880 --> 1:13:11.400
<v Speaker 3>but he was also a significant pilot was he had

1:13:11.479 --> 1:13:14.200
<v Speaker 3>thousands of flight hours as a pilot. He flew more

1:13:14.240 --> 1:13:17.599
<v Speaker 3>than one hundred aircraft types. He worked as a test pilot,

1:13:17.840 --> 1:13:21.880
<v Speaker 3>He held speed records. He knew everything about aviation. But

1:13:22.360 --> 1:13:25.880
<v Speaker 3>he's also the guy that got famous with his Lear

1:13:25.960 --> 1:13:29.840
<v Speaker 3>hypothesis or the Lear statement where and I'm just going

1:13:29.920 --> 1:13:32.200
<v Speaker 3>to read you a list of things that he said

1:13:32.240 --> 1:13:34.680
<v Speaker 3>there and see if they make any if they ring

1:13:34.720 --> 1:13:37.400
<v Speaker 3>any bells. In his statement, John Lear is the guy

1:13:37.439 --> 1:13:40.680
<v Speaker 3>that said alien craft had crashed and been recovered. This

1:13:40.760 --> 1:13:43.360
<v Speaker 3>is in the late eighties, in the early nineties, so

1:13:43.680 --> 1:13:46.360
<v Speaker 3>a few years before US, but a few years after

1:13:46.439 --> 1:13:50.120
<v Speaker 3>say Bob Lazar. He Lear said bodies had been retrieved.

1:13:50.600 --> 1:13:56.080
<v Speaker 3>Secret treaties existed between the US and extraterrestrials, human abductions

1:13:56.120 --> 1:13:59.880
<v Speaker 3>were occurring, and underground bases were involved in joint pride

1:14:00.560 --> 1:14:03.800
<v Speaker 3>with non humans. Okay, so back when he was saying

1:14:03.880 --> 1:14:06.560
<v Speaker 3>this is crazy shit, right, and then he you know,

1:14:06.600 --> 1:14:10.240
<v Speaker 3>he was talking about reverse engineering, black budgets, all that stuff,

1:14:10.479 --> 1:14:13.479
<v Speaker 3>and Barry is sitting in our lobby. We weren't expecting him.

1:14:13.680 --> 1:14:15.880
<v Speaker 3>We let him sit in the lobby for a couple

1:14:15.920 --> 1:14:18.639
<v Speaker 3>of hours because we were like, maybe he'll go away.

1:14:18.680 --> 1:14:19.880
<v Speaker 3>I don't but whatever.

1:14:19.960 --> 1:14:21.880
<v Speaker 1>But Arry, this is the son of the guy who

1:14:21.880 --> 1:14:24.800
<v Speaker 1>invented the lear jet, right, as he said, he's got

1:14:24.840 --> 1:14:27.439
<v Speaker 1>like serious credentials, and he's sitting in our lobby for

1:14:27.479 --> 1:14:29.800
<v Speaker 1>several hours because we're too busy to meet with him.

1:14:29.920 --> 1:14:32.080
<v Speaker 3>The reason I bring it up in this episode, and

1:14:32.120 --> 1:14:34.559
<v Speaker 3>maybe we'll go into more depth later, but he had

1:14:34.600 --> 1:14:36.720
<v Speaker 3>a few things when we did meet with him that

1:14:36.840 --> 1:14:38.880
<v Speaker 3>did happen, and he had some things to say about

1:14:38.880 --> 1:14:39.679
<v Speaker 3>the moon himself.

1:14:40.000 --> 1:14:43.280
<v Speaker 1>Yes, and his whole stance was the moon is artificial.

1:14:43.600 --> 1:14:46.040
<v Speaker 1>It's not at all what we've been told. It's in fact,

1:14:46.040 --> 1:14:50.360
<v Speaker 1>it's a massive artificial structure, and there are hidden civilizations

1:14:50.479 --> 1:14:55.760
<v Speaker 1>operating beyond Earth utilizing the Moon, and NASA is concealing everything,

1:14:55.880 --> 1:14:58.320
<v Speaker 1>all of the alien architecture and the mining that is

1:14:58.360 --> 1:15:01.559
<v Speaker 1>going up on the moon. Again, we have a meeting

1:15:01.880 --> 1:15:05.240
<v Speaker 1>with JC and the captain where the captain tells us

1:15:05.479 --> 1:15:09.320
<v Speaker 1>it's all about the moon. And then unexpectedly days later,

1:15:09.400 --> 1:15:11.760
<v Speaker 1>a week later, whatever it was, John Lear shows up

1:15:11.760 --> 1:15:14.200
<v Speaker 1>at our office to tell us about what he knows

1:15:14.200 --> 1:15:14.880
<v Speaker 1>about the moon.

1:15:15.080 --> 1:15:18.120
<v Speaker 3>And it's possible that maybe you didn't do this, but

1:15:18.200 --> 1:15:20.920
<v Speaker 3>maybe I didn't treat him with the proper respect because

1:15:21.080 --> 1:15:23.040
<v Speaker 3>I think I was a little done with people coming

1:15:23.040 --> 1:15:26.120
<v Speaker 3>into my office to tell me Moon stories and stuff

1:15:26.200 --> 1:15:29.960
<v Speaker 3>when we had such real responsibilities to get the show out.

1:15:30.160 --> 1:15:32.400
<v Speaker 3>Because and I couldn't find it for this show, but

1:15:32.479 --> 1:15:35.320
<v Speaker 3>maybe I will find it. He wrote me a letter afterwards,

1:15:35.479 --> 1:15:39.000
<v Speaker 3>and it's a pretty critical letter, basically saying, well, I

1:15:39.000 --> 1:15:41.080
<v Speaker 3>guess you guys don't want to know what's really going on.

1:15:41.280 --> 1:15:44.400
<v Speaker 3>You're just too busy making your TV show or whatever.

1:15:44.520 --> 1:15:47.519
<v Speaker 3>But he came out, we talked to him, and interestingly enough,

1:15:47.960 --> 1:15:51.400
<v Speaker 3>he was Bob Lazar, who was the guy that said

1:15:51.439 --> 1:15:54.920
<v Speaker 3>he worked at Area fifty one and S four. He

1:15:55.080 --> 1:15:59.280
<v Speaker 3>was Bob Lazar's biggest supporter when Lazarre first told his

1:15:59.360 --> 1:16:03.280
<v Speaker 3>story to Jordeap back in nineteen eighty nine. And in

1:16:03.320 --> 1:16:07.240
<v Speaker 3>the latest Bob Lazar documentary which just came out, it's

1:16:07.240 --> 1:16:10.840
<v Speaker 3>called S four. One of the recreations based on Bob

1:16:10.960 --> 1:16:14.080
<v Speaker 3>Lazar's testimony is a document they made him read when

1:16:14.080 --> 1:16:16.439
<v Speaker 3>he first went there, and it's got Office of Naval

1:16:16.479 --> 1:16:19.960
<v Speaker 3>Intelligence on it. My mind just signed yes, and I

1:16:19.960 --> 1:16:22.559
<v Speaker 3>think let's wrap this up. I know this has gone long,

1:16:22.600 --> 1:16:25.240
<v Speaker 3>this has been a crazy trip down memory lane. Going

1:16:25.240 --> 1:16:27.599
<v Speaker 3>back to JC. Right, let's hope he's alive.

1:16:27.680 --> 1:16:30.200
<v Speaker 1>In fact, our secret wish is that he is and

1:16:30.240 --> 1:16:33.479
<v Speaker 1>that he's listening to this podcast. And towards that end,

1:16:33.960 --> 1:16:36.719
<v Speaker 1>because we're Hollywood writers, we thought it would be fun

1:16:37.000 --> 1:16:40.479
<v Speaker 1>to imagine what JC is up to right now, our

1:16:40.520 --> 1:16:44.200
<v Speaker 1>old friend JC. And so we have been writing and

1:16:44.240 --> 1:16:47.080
<v Speaker 1>producing a little micro series called The Deal.

1:16:47.400 --> 1:16:50.479
<v Speaker 3>When we launched a podcast, we don't Know, I Know.

1:16:50.680 --> 1:16:53.800
<v Speaker 1>And when we launched our podcast, we put out the

1:16:53.840 --> 1:16:56.000
<v Speaker 1>first Deal kind of under the radar. We just put

1:16:56.040 --> 1:16:58.240
<v Speaker 1>it out there. It's on YouTube, it's on the Stellar

1:16:58.439 --> 1:16:59.680
<v Speaker 1>channel and by the.

1:16:59.600 --> 1:17:03.639
<v Speaker 3>Way, people can access at Hollywood UFOs dot com. There

1:17:03.640 --> 1:17:03.920
<v Speaker 3>you go.

1:17:04.080 --> 1:17:06.519
<v Speaker 1>And so the first episode is very short, less than

1:17:06.520 --> 1:17:11.479
<v Speaker 1>a minute, contemplates what would JC do if he heard

1:17:11.640 --> 1:17:14.080
<v Speaker 1>that we were had a podcast and we were telling

1:17:14.120 --> 1:17:17.240
<v Speaker 1>stories about him. And so we have a six episode

1:17:17.439 --> 1:17:20.080
<v Speaker 1>micro series in mind, the second episode of which we're

1:17:20.080 --> 1:17:22.360
<v Speaker 1>going to leave you with, and we encourage you now

1:17:22.360 --> 1:17:25.160
<v Speaker 1>to go back watch the first episode second and they'll

1:17:25.160 --> 1:17:27.639
<v Speaker 1>be running in parallel with the rest of the season,

1:17:27.920 --> 1:17:30.120
<v Speaker 1>and we promise you that by the time you get

1:17:30.120 --> 1:17:32.880
<v Speaker 1>to the sixth episode, it'll all fold back on itself

1:17:32.920 --> 1:17:34.320
<v Speaker 1>and you'll have a fun little ride.

1:17:34.640 --> 1:17:36.800
<v Speaker 3>Why don't we just let's play that right now and

1:17:36.840 --> 1:17:48.360
<v Speaker 3>then come back for a goodbye. We have a problem.

1:17:48.680 --> 1:17:50.480
<v Speaker 3>Dark Skies is back on radar.

1:17:51.840 --> 1:17:53.920
<v Speaker 2>Have a real life man in black, and he tells

1:17:54.000 --> 1:17:58.120
<v Speaker 2>us that he's been sent by the Office of Naval Intelligence.

1:17:58.200 --> 1:18:01.400
<v Speaker 2>That deal was to be part of the government's slow

1:18:01.520 --> 1:18:03.960
<v Speaker 2>drip disclosure program around UFOs.

1:18:04.200 --> 1:18:05.559
<v Speaker 3>Never told me you were ow and I back then,

1:18:05.680 --> 1:18:09.280
<v Speaker 3>is it theired yet? Not un till February nineteenth. It's

1:18:09.280 --> 1:18:11.599
<v Speaker 3>called sound, light and frequency, of course it is.

1:18:11.840 --> 1:18:13.519
<v Speaker 1>It's from iHeart, so it'll be everywhere.

1:18:14.600 --> 1:18:21.280
<v Speaker 3>But we have resources use them. Okay, that was fun. Okay,

1:18:21.280 --> 1:18:24.519
<v Speaker 3>here's what I've enjoyed about doing those things. Brent, And

1:18:24.640 --> 1:18:26.400
<v Speaker 3>I don't know if everyone will get our sense of

1:18:26.479 --> 1:18:29.479
<v Speaker 3>humor or our sense of drama or whatever. But I

1:18:29.600 --> 1:18:32.920
<v Speaker 3>have always wondered, and I'm sure you have from time

1:18:32.960 --> 1:18:35.160
<v Speaker 3>to time, what would have happened if we took the

1:18:35.200 --> 1:18:39.479
<v Speaker 3>deal back in nineteen ninety six. Would we have been killed,

1:18:39.560 --> 1:18:42.720
<v Speaker 3>would we have been brought inside? Would we have had

1:18:42.720 --> 1:18:45.360
<v Speaker 3>a tom DeLong done on us? I don't know what

1:18:45.400 --> 1:18:47.559
<v Speaker 3>would have happened. So It's a nice little thing to

1:18:47.600 --> 1:18:50.800
<v Speaker 3>see these things being made. We've had several friends say

1:18:50.800 --> 1:18:53.200
<v Speaker 3>to me, why are you poking the bear? You want

1:18:53.240 --> 1:18:55.439
<v Speaker 3>this guy to come back into your life, And I

1:18:55.479 --> 1:18:57.560
<v Speaker 3>will say, right here and now, at this point in

1:18:57.640 --> 1:19:00.280
<v Speaker 3>my life, I'm ready to talk about the deal. I'm

1:19:00.320 --> 1:19:02.280
<v Speaker 3>not ready to sign anything yet, but I'm ready to

1:19:02.360 --> 1:19:04.760
<v Speaker 3>have some more deeper conversations about the deal.

1:19:04.800 --> 1:19:07.920
<v Speaker 1>So I hope that Jac is out there listening, and Jac,

1:19:08.120 --> 1:19:10.400
<v Speaker 1>if you're listening to this podcast right now, get in

1:19:10.439 --> 1:19:10.960
<v Speaker 1>touch with us.

1:19:11.200 --> 1:19:13.360
<v Speaker 3>Yeah. And I would just say, my kids are all

1:19:13.400 --> 1:19:15.559
<v Speaker 3>growing up, so I have an open mind about it. Now,

1:19:15.960 --> 1:19:23.599
<v Speaker 3>there you go. Sound Light and Frequency is an iHeart

1:19:23.640 --> 1:19:27.519
<v Speaker 3>podcast produced by Stellar Productions. It's executive produced by Nick

1:19:27.600 --> 1:19:31.160
<v Speaker 3>Johnson and for Stellar Jackie's Abel. Our show's music was

1:19:31.160 --> 1:19:34.599
<v Speaker 3>written by Anna Stump and Hamilton Lighthouser, and Your hosts

1:19:34.600 --> 1:19:38.400
<v Speaker 3>and executive producers are Brice Abel, That's me and Brent Friedman.

1:19:38.760 --> 1:19:39.559
<v Speaker 3>Watch the Skies

1:20:14.840 --> 1:20:14.880
<v Speaker 2>P