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Speaker 1: Wake Up, Wake coming.

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Speaker 2: The mall and it's on the radio, and the Dodgs

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Speaker 2: on time already, lunchbox Morgan too, Steve bred Have, it's

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Speaker 2: trying to put you through. Fuck, he's running this Wig's

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Speaker 2: next bit. The Bobby's on the box, so you know

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Speaker 2: what this is? The Bobby Balls.

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Speaker 3: The Friday Morning Conversation with Kevin Custner. First question about

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Speaker 3: the movie, because it's out today, I haven't seen it yet.

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Speaker 3: I'm gonna be honest, but help me understand because all

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Speaker 3: that I've heard about it is such praise, meaning you

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Speaker 3: get like an eleven minute ovation. We talked about that.

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Speaker 3: We saw that the actors and actresses in it, they

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Speaker 3: are huge names, and people talk about how this is

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Speaker 3: this big epic movie. But I don't understand what's happening

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Speaker 3: in the movie. Can you explain that to me?

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Speaker 1: The fact that you don't understand what's happening in the movie.

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Speaker 4: Well that too, but it's like, what's I don't know

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Speaker 4: what's all the praise is the news and I'm really

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Speaker 4: not getting the plot yet, which is a great problem

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Speaker 4: to have because everybody loves it so much.

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Speaker 3: But tell me when I go watch it, like, what

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Speaker 3: is what's the plot of the movie.

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Speaker 1: Yeah, well it's it's not a plot movie. It's a journey.

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Speaker 1: It's not like Robin a bank Bobby, you know, where

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Speaker 1: you've got to get the team back together and you

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Speaker 1: don't want the crazy guy anymore because you think he's

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Speaker 1: going to be a loose cannon. You draw the maps

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Speaker 1: and you have things going bad and the girl you

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Speaker 1: used to love. You know, there's a plot to taking

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Speaker 1: down a bank. The Westward movement was was just this

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Speaker 1: promise of going going west, and certainly we have a

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Speaker 1: story that is taking shape. The group of people heading

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Speaker 1: to a place called Horizon, and how they get there

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Speaker 1: is like the mystery of any of our lives, you know.

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Speaker 1: You know, the promise of America was was if you

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Speaker 1: could get across that Atlantic, if you could get out

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Speaker 1: of you Europe where you're a third class citizen, and

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Speaker 1: the land was so big it was like the Garden

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Speaker 1: of Eden here. So that if you're looking for a plot,

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Speaker 1: there's there's there's not a plot, but there's certainly a

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Speaker 1: story that has its end and it builds and it's

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Speaker 1: a mystery. And what you actually find out in the

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Speaker 1: fourth one is that the premise at the whole town

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Speaker 1: was built on is a lie. So it's like a

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Speaker 1: novel as you're going and you know, I think if

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Speaker 1: you think back to books you've read, maybe you haven't

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Speaker 1: had this experience. I had it. I'd look over at

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Speaker 1: somebody they're reading a book and ask them how's that book,

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Speaker 1: and they go, you know, it's the first hundred pages.

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Speaker 1: You know. It took me a moment and then suddenly snap,

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Speaker 1: I was into the book. That's what horizon is that

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Speaker 1: you see these people all moving towards something, and as

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Speaker 1: they're moving towards something, the reality is that hopefully what

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Speaker 1: they're doing is equally interesting to you.

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Speaker 3: This sounds like a plot, though, and in the best

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Speaker 3: way to me, because I don't know any about movies,

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Speaker 3: like it sounds like, Okay, I'm invested because I'm watching

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Speaker 3: people and I'm wondering how they're going to end up.

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Speaker 3: And so with these it also feels like a docu

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Speaker 3: series but with great actors, because what you're portraying here

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Speaker 3: is basically the truth.

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Speaker 1: Correct well, it's not a true story, but everything that

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Speaker 1: I put in this movie happened a million times. It

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Speaker 1: just happened in different ways to different people. We all

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Speaker 1: know what bullies are, we all know what it is

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Speaker 1: to be threatened, we all know what it is to

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Speaker 1: be in love. We all know how hard it is

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Speaker 1: to raise children. And if you try doing it in

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Speaker 1: the dirt, in a place that has nothing, you realize

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Speaker 1: that women work themselves to death. So one of the

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Speaker 1: things that emerged in telling these stories was how dominant

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Speaker 1: women became in this movie. They run right through all

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Speaker 1: this different storylines that take you there. My goal is

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Speaker 1: every time you run into a scene that you're transfixed

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Speaker 1: with that scene, you're not looking to go anywhere else.

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Speaker 1: I don't know about you, but when I'm in a theater,

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Speaker 1: I want to just take the ride. And sometimes I

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Speaker 1: think we know too much about movies. And I think

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Speaker 1: the people that maybe what you're talking about stood up

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Speaker 1: for eleven minutes didn't know what they were prepared to see,

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Speaker 1: and maybe it reminded them of something their own experiences

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Speaker 1: when we were younger. Going back to the theater where

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Speaker 1: you just the movie can roll over you.

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Speaker 3: The story was you invest in a significant amount of

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Speaker 3: your own money into this movie? Had you done that prior?

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Speaker 3: And what about this project specifically inspires you to do

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Speaker 3: that well.

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Speaker 1: I have done it before. I you know, it's so funny.

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Speaker 1: I make these very American movies and sometimes the first

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Speaker 1: place I can get money as overseas, and in this

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Speaker 1: instance that wasn't even the case. I don't know what

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Speaker 1: it is. I don't think my stuff is auvant garde.

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Speaker 1: You know, I never thought of myself as being so

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Speaker 1: kind of weirdly creative that nobody can understand me. But

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Speaker 1: you're supposed to understand that my is good and it's

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Speaker 1: and it's you know, I'm not that. I think that

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Speaker 1: my stuff is very mainstream. What I willing to do,

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Speaker 1: though that may bothers, maybe some people, is that I

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Speaker 1: invest in behavior and I let scenes go a little deeper,

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Speaker 1: so that maybe we understand the value of water just

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Speaker 1: a little bit more than the obvious I'm thirsty. We

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Speaker 1: understand it's a life and death moment. We understand how

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Speaker 1: it has to be shared among people who don't even

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Speaker 1: know each other, maybe in a lot of instances, don't

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Speaker 1: even like each other. We understand that some people are

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Speaker 1: more equipped to go across this country than others. And

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Speaker 1: so what I try to do, man, is just take

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Speaker 1: you to a place where you're interested wherever you're whatever

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Speaker 1: you're watching at that moment. I will get you to

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Speaker 1: the gunfight, and I will even get you to this

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Speaker 1: plot if that's what's important, but it'll come at you sideways.

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Speaker 3: There are four parts to this, and the second part

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Speaker 3: comes out a lot sooner than most second parts to movies.

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Speaker 3: What was the strategy with that and what's the difference

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Speaker 3: in part one and two? Is it the same characters?

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Speaker 1: I don't know. I don't do things like most people.

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Speaker 1: I don't mind a single movie. I wouldn't mind making

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Speaker 1: a haunted house movie with just eight people. But in

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Speaker 1: this instance, you know, I made this big, sprawling movie

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Speaker 1: with these different storylines, and I couldn't kind of turn

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Speaker 1: my back on what it was. The idea of the movie.

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Speaker 1: The idea of the second movie is it gets harder

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Speaker 1: than the first movie. It's harder on the people. What

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Speaker 1: you think is hard when you watch the first one,

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Speaker 1: it gets harder for them. And that's what I want

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Speaker 1: to kind of sync in. And yet during all that thing,

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Speaker 1: I don't want it to be this dreary movie. There's

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Speaker 1: exciting things that are happening. You're seeing relationships, you're seeing

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Speaker 1: you're seeing action. You're seeing things fall and I think,

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Speaker 1: you know, I just have my own style. I mean,

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Speaker 1: I don't paint like you. In fact, I can't paint.

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Speaker 1: I can't even draw an orange. But I guess when

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Speaker 1: I make my movies, I make them for myself, with

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Speaker 1: the idea that they can live forever and that people

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Speaker 1: are going to see exactlyactly what it was. I wanted to.

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Speaker 3: Show them Sam Worthington and Luke Wilson to the big

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Speaker 3: names in the movie. You know a lot of huge names,

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Speaker 3: but those specifically pop out. And when it's a project

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Speaker 3: that you're so personally involved in in every way, is

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Speaker 3: that more of a personal ask to those guys to

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Speaker 3: be in the movie or is it still business as

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Speaker 3: usual where agents reach out to agents.

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Speaker 1: You're going to see how extraordinaries some new actresses are

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Speaker 1: in this thing. They're unbelievable. Women actually dominate. But when

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Speaker 1: it comes down to that, I let the picture speak

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Speaker 1: for itself. I don't ask anybody to do me a favor.

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Speaker 1: It's like actors want to live forever. There's only one

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Speaker 1: way that really happens, and that's if you're in a

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Speaker 1: movie that has the potential to live forever. That people

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Speaker 1: will revisit down the line as you go. I mean,

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Speaker 1: there's some movies I'm sure in your life that you

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Speaker 1: like to step back and rewatch and you know what

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Speaker 1: those are. There's some moments that you like to relive.

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Speaker 1: There might even be moments and movies that formed you

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Speaker 1: as a man about how you'd like to behave. For

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Speaker 1: all the phoniness that movies have, there are moments that

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Speaker 1: are orchestrated morally where you think I have to be

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Speaker 1: that guy, that I need to be that guy and

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Speaker 1: not that guy.

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Speaker 3: It feels like we're in a world where it's remake

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Speaker 3: after remake, and this is absolutely not a remake. This

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Speaker 3: is as original as it gets. So how long have

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Speaker 3: you been waiting to make this? And was that also

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Speaker 3: part of why it felt so good because you were

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Speaker 3: on of zigging when everybody else is zagging?

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Speaker 1: Yeah? Well, you know, I had this idea back in

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Speaker 1: nineteen eighty eight, and it's not like I stayed up

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Speaker 1: every night thinking about it. I did name my son

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Speaker 1: after the lead character, Hayes. He's thirteen years old. But

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Speaker 1: there's something about this story that challenged me and I

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Speaker 1: thought would be exciting for men and women I also

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Speaker 1: think that it's a kind of a story, even though

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Speaker 1: there's an R in front of it for violence or

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Speaker 1: whatever you want to call it. That I think men

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Speaker 1: and women are actually going to go home after seeing

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Speaker 1: this and saying, you know what, I think we should

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Speaker 1: bring our son. I think we should bring our daughter.

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Speaker 1: I think they should understand what their great great grandparents

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Speaker 1: maybe went through and see this. So you know, that's

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Speaker 1: how I you know, I mean, that's really how I

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Speaker 1: look at these things as forever moments, and so I

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Speaker 1: kept at it. You know, I didn't really fall out

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Speaker 1: of love with this thing. I felt that it had value.

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Speaker 1: And when I realized that no one else saw it

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Speaker 1: because it wasn't a sequel, because it wasn't these things

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Speaker 1: that are driving driving instincts out there, I can't be

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Speaker 1: bothered with that. I mean, I live in the real world, right,

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Speaker 1: so I understand that's why it was hard for me

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Speaker 1: to make it. So that's not what's being done. So

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Speaker 1: I just looked to myself, you know, I had acquired

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Speaker 1: some things, and I just didn't want those things to

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Speaker 1: be so in control of me. And if they gave

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Speaker 1: me the ability to financially make this thing while I

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Speaker 1: didn't want to do that, I did do it because

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Speaker 1: I just don't want to kind of spit on my

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Speaker 1: life and avoid the things because I just couldn't do it. Well,

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Speaker 1: it turned out I could do it, and if I

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Speaker 1: had to risk some things, I did it.

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Speaker 3: How hard is it to direct yourself because you're acting.

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Speaker 3: When you're acting, you can't really watch yourself on the screen.

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Speaker 3: And do you know if you don't do it right?

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Speaker 3: Or do you trust someone else to tell you while

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Speaker 3: you're doing the acting part?

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Speaker 1: No, I can see it right away. Well, one thing

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Speaker 1: I do is I got a bad habit. I don't

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Speaker 1: give myself as much time is I give my other actors.

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Speaker 1: I have a tendency to just you know, do it

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Speaker 1: once or you know, maybe twice, and then I'm and

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Speaker 1: once in a while somebody will whispering to Kevin, give

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Speaker 1: yourself a chance, because I'm already moving on. I want

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Speaker 1: my other actors to succeed so wildly that I I

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Speaker 1: just I just do so sometimes I have to be

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Speaker 1: reminded that I can tell right away, Bobby. But you

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Speaker 1: know what I want to do a little differently.

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Speaker 3: In American Saga. It's in theaters today Mike d watched

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Speaker 3: it movie Mike and gave us just a wonderful review

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Speaker 3: of it. And it's four chapters, with the second chapter

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Speaker 3: coming out in August, and are all four going to

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Speaker 3: be released in the same pattern, like just a couple

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Speaker 3: of months from each other.

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Speaker 1: No, I don't. They can't be, because I'm in the

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Speaker 1: middle of making three right now. There was a reason

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Speaker 1: why they wanted to do this, so I'm trying. I

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Speaker 1: saw two two days ago, and I'm happy to and

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Speaker 1: I wasn't sure I was going to be able to

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Speaker 1: say this, but it's as good as one, if not better.

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Speaker 1: And I didn't really know that, and I got a

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Speaker 1: pretty high bar for myself, and i'd have to just

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Speaker 1: tell you that. A week ago I was going to

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Speaker 1: tee you I don't, and then boom, I saw it.

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Speaker 1: I thought, Okay, we got over the hump. But what

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Speaker 1: happens is they each get harder and three, three really explodes.

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Speaker 1: I begin to play in three a lot more than

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Speaker 1: I am in one and two. It's an ensemble, but

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Speaker 1: as things start to move towards towards horizon, things get

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Speaker 1: become more distilled and more succinct, and it zeros in

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Speaker 1: on life in this town. It just takes advantage of

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Speaker 1: all different people and storylines, and that makes it easier

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Speaker 1: to jump around.

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Speaker 4: The Friday Morning Conversation with Kevin Cusner.

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Speaker 3: An American Saga in theater starting today tonight. Hey, Kevin,

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Speaker 3: a question that's not an American Saga related. What do

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Speaker 3: you feel like people know you for most as an

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Speaker 3: actor if they see you out, like, what do they

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Speaker 3: yell at you? Which which character?

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Speaker 1: That's a really good question. You know, they do yell

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Speaker 1: at me, and they call me different names, tin Cup, Crash,

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Speaker 1: Billy Chappel, you know, they just do. He'll call me

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Speaker 1: Hayes now. But the one thing, maybe the one thing

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Speaker 1: I'm maybe happiest about, when people actually come up to

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Speaker 1: me versus yelling at me to tell me what meant

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Speaker 1: the most of them, you know, and I get some

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Speaker 1: very cool things once in a while. Some things are exhausting,

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Speaker 1: as you know, but once in a while I get

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Speaker 1: somebody saying, you know what, my dad passed away in

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Speaker 1: the last two weeks of his life. All we did

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Speaker 1: was watch your movies. And that stops me, and it

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Speaker 1: reminds me why I need to stop. When somebody comes

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Speaker 1: up to me, But the idea of what they call

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Speaker 1: out to me most I can't peg that down. But

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Speaker 1: what makes me the happiest is that when they tell

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Speaker 1: me what maybe their favorite movie is, it doesn't boil

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Speaker 1: down to a single movie for me, And I think

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Speaker 1: that makes me happier that it's not a single movie.

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Speaker 1: One of twelve or fifteen movies can will come out

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Speaker 1: of their mouth. I just don't know if it's going

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Speaker 1: to be water World or Fandango or Surprise Me or

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Speaker 1: but you know it's Dances or Field or Bodyguard or JFK.

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Speaker 1: It starts to roll around. That makes me the happiest

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Speaker 1: that movies can can can touch you, and every choice

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Speaker 1: I make has a chance to be a forever moment.

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Speaker 3: Do you have a favorite movie of all time? I'm

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Speaker 3: talking to one of the great actors, like, do you

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Speaker 3: have a favorite movie of all time that you automatically

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Speaker 3: go to in? Someone ask that question, Well, there's four

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Speaker 3: or five that I like.

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Speaker 1: But let's you know, I like this is going to

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Speaker 1: be a pretty eclectic thing. I love The Wizard of Oz, right,

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Speaker 1: I love sand Pebbles, I love cool hen Luke. Uh,

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Speaker 1: you know, I really love Liberty Balance, I love the Godfather.

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Speaker 1: So you know, pretty weird, right, you know, Wizard of Oz, Godfather.

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Speaker 1: But there are movies that when you see them, you

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Speaker 1: always see something new. There's and that's what because they're detailed.

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Speaker 1: Sand Pebbles, I don't know if you've ever seen it, man,

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Speaker 1: have you don't even know what it is, buddy, take

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Speaker 1: take some time and watch Steve McQueen in the sand Pebbles.

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Speaker 3: Okay, making a note, sand pebbles one word. I probably

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Speaker 3: just google it right, it'll pop up. It's pretty famous.

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Speaker 3: I don't know sand pebbles. I know that all the

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Speaker 3: other ones though.

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Speaker 1: Yeah, no, So I'm giving you something. And and that

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Speaker 1: movie touched me. That movie just was gut wrenching, and

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Speaker 1: I think, uh, that's what we That's the chance I

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Speaker 1: have when I make a movie is something that can

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Speaker 1: be shared. I mean, I I don't know any of

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Speaker 1: us that don't. I mean, you must come in there

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Speaker 1: after hearing a song you never heard and go, you know,

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Speaker 1: I just heard the best song. You know, your people

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Speaker 1: you do this this thing with. Come in say you know,

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Speaker 1: I just read the best book. Really, and you know,

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Speaker 1: I want my movie to be one of those things.

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Speaker 1: I saw a movie last night that I wasn't sure

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Speaker 1: where it was going, and it took me somewhere. And

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Speaker 1: the promise of the second one is it's going to

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Speaker 1: take me deeper. It's going to hurt me even more so.

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Speaker 3: In Horizon American Saga, you mentioned there are a lot

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Speaker 3: of new actors that maybe we don't know yet that

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Speaker 3: are just about to be stars, and they are working

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Speaker 3: with some of these big stars, and I'm assuming you

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Speaker 3: have the awareness to know they're probably a little bit

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Speaker 3: intimidated by working with you because you're one of the greats.

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Speaker 3: Did you ever have that as a young actor where

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Speaker 3: you're working with one of the greats and you were

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Speaker 3: a little like, holy crap, and they were cool to you.

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Speaker 1: Yeah, I was. You know, I've worked with Gene Hackman,

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Speaker 1: I worked with DeNiro, I work with Sean Connery. You know,

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Speaker 1: I was pretty young. I wish I knew a little

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Speaker 1: bit more when that was going down. But yeah, you

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Speaker 1: feel that, but you quickly have to get over it.

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Speaker 1: And it's my job to break that ice really quickly,

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Speaker 1: because you know, I'm there to help them, and they

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Speaker 1: realize that they also have a script where they can

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Speaker 1: succeed wildly. One of the things I think people are

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Speaker 1: going to notice is that these are great acting parts.

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Speaker 1: This isn't just part of being in a Western. This

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Speaker 1: is our Shakespeare, and I've given these people's speeches and

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Speaker 1: and the drama to blow people away with their performances.

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Speaker 1: You watch Cianna Miller, you watch Abby Lee, Ella Hunt.

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Speaker 1: These guys are are burning it down in their own way.

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Speaker 1: I mean, Cianna Miller is just just luminous, and Abby

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Speaker 1: Lee is going to blow your mind, and so is

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Speaker 1: Ella Hunt. These are actresses that are going to be around.

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Speaker 1: They're just They're just strong, They're brave, and they have

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Speaker 1: the material to really flex.

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Speaker 3: Three final questions. Number one is with Horizon in American Saga,

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Speaker 3: and it's in theaters. Have you or will you pop

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Speaker 3: into any theaters just to get a gauge.

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Speaker 1: I won't. I've done that in the past, and it's

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Speaker 1: been fun. I've gone into You know, when you realize

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Speaker 1: that Field of Dreams took over the country. Dances with

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Speaker 1: Wolves were the first movie I ever directed. I wasn't

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Speaker 1: even here in the country. I was making Robinhood. I

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Speaker 1: didn't get to see it unfold. In this instance, I

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Speaker 1: probably won't do that but my friends are always begging

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Speaker 1: me to go in. I made it for people. There's

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Speaker 1: not a thing in this movie that wasn't designed to

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Speaker 1: somehow catch your attention and work. It's just how I

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Speaker 1: do it.

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Speaker 3: Your name is Kevin. Would you say your name? We

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Speaker 3: have a debate on how to say your name. This

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Speaker 3: is question two of three. Would you say your name?

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Speaker 3: As someone said, sir, what is your name? Kevin? Please?

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Speaker 3: Kevin when your last day, say your last name, please, Castionner. Okay,

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Speaker 3: that's how I say your name. We have a guy

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Speaker 3: in the show that for years has swore that you

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Speaker 3: pronounce your name Kevin Kosner with a Z, which I

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Speaker 3: don't think. Okay, go ahead, mister Costner, go ahead.

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Speaker 1: No, no, I get it, I get it. Listened. My

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Speaker 1: grandmother never said my name right. She's a little Oklahoma

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Speaker 1: girl married at fourteen. She called me Cavin forever. I

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Speaker 1: thought that's what my name was because Grandma said it.

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Speaker 1: But but no, it's Costner. It's a it's a it's

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Speaker 1: a German name.

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Speaker 3: Listeners want to know about it. So you did say

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Speaker 3: you're not doing Yellowstone anymore. I know, I know, I know.

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Speaker 3: You don't want to have to answer something about Yellowstone.

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Speaker 3: But how long had.

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Speaker 1: You look at your kind enough to give me a platform. Look,

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Speaker 1: I'm an independent filmmaker, right, and you're going to see

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Speaker 1: a lot of sequels unless independent guys are making movies

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Speaker 1: that they just feel like are original. So you know

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Speaker 1: you're given me a really nice platform, Bobby to talk

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Speaker 1: about horizons. So you want to question about something like that,

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Speaker 1: I'm going to try to answer it.

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Speaker 3: How long did you know it was over before you announced.

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Speaker 1: It was over? Probably? You know I was hoping that

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Speaker 1: we could continue. I was I really love that show.

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Speaker 1: I mean I was going to do one season. I

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Speaker 1: did five, and in the end I needed to work

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Speaker 1: more than twice a year, more than once a year.

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Speaker 1: I wanted to and I made sure that how I

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Speaker 1: was going to do that would work. The Yellowstone would

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Speaker 1: have a first position. I would handle Yellowstone's business, and

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Speaker 1: then I would go do my own. But eventually that

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Speaker 1: even became something that just for whatever reason, couldn't happen.

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Speaker 1: And when I realized that I knew that, then I

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Speaker 1: would just go forward. And so it was just about

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Speaker 1: three days before I just decided to make that announcement.

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Speaker 1: It's like I didn't want people guessing about my life.

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Speaker 1: I will say this in life, anything as possible, but

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Speaker 1: I wanted to just make it final. I'm not going

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Speaker 1: to do Yellowstone. If something changes dramatically or whatever reason.

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Speaker 1: You know my mind, my heart's open to anything. But

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Speaker 1: I'm done with that show at this point and I'm

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Speaker 1: not thinking about it. I'm not willing it to come back.

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Speaker 1: It has marked me. It's something that I love that

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Speaker 1: audience has rallied around. It was that I thought it

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Speaker 1: would work, and that's what I love about when people

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Speaker 1: decide they'll see hat filled the McCoys or that I've

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Speaker 1: just I've judged that it has an entertainment value, and

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Speaker 1: people who have followed me my career, I really want

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Speaker 1: to honor that. Horizon is the same thing. I think,

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Speaker 1: while you know, people are trying to make sense of

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Speaker 1: a guy who's made four without even knowing if the

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Speaker 1: first one works, I don't care. I've already made up

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Speaker 1: my mind, and.

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Speaker 3: I definitely felt like for the first time, like you

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Speaker 3: don't have a dislike for Yellowstone, you just have more

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Speaker 3: of a love for what you wanted to do as

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Speaker 3: well as.

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Speaker 1: That Yellowstone, I have a healthy love of what it's

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Speaker 1: done for me, what it did for a lot of people,

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Speaker 1: what it did for the audiences that are willing to

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Speaker 1: follow me. No one knew about Yellowstone. I decided I

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Speaker 1: would do it. I went out over to Europe and

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Speaker 1: sold it. I was the only guy over there saying, yeah,

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Speaker 1: I think this will be good. I love that show

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Speaker 1: and so not like love. But there's a moment in

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Speaker 1: time where you I think you nailed it. You have

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Speaker 1: to be able to go forward. I in my life,

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Speaker 1: I don't want to close doors, but I also want

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Speaker 1: to be able to shut them in a way that's meaningful.

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Speaker 3: And it's pretty deep. That's pretty deep right there. Horizon

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Speaker 3: in American Sauka, chapter one. It's out now, chapter two

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Speaker 3: in August. Kevin Costner, mister Costner, thank you for your time.

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Speaker 3: We're massive fans and we hope just massive things for

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Speaker 3: this project.

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Speaker 1: Bobby, you've got a lot of stuff on your desk.

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Speaker 1: I mean you got some Arkansas stuff going there.

430
00:21:46,359 --> 00:21:47,919
Speaker 3: I have a lot of memorabilia. Do you have Do

431
00:21:47,920 --> 00:21:50,040
Speaker 3: you have cool memorabilia from your movies that you keep

432
00:21:50,040 --> 00:21:50,800
Speaker 3: the super valuable.

433
00:21:51,640 --> 00:21:53,480
Speaker 1: I've kept it all. I bought the you know, I

434
00:21:53,520 --> 00:21:57,520
Speaker 1: bought the Shelby Kobra for bull dron that nineteen sixty eighteen.

435
00:21:57,560 --> 00:22:01,480
Speaker 1: I bought the at the where I hunt down Bonnie

436
00:22:01,520 --> 00:22:04,520
Speaker 1: and Clyde. I even got a truck from Yellowstone. I

437
00:22:04,560 --> 00:22:04,960
Speaker 1: love it.

438
00:22:05,359 --> 00:22:08,920
Speaker 3: What about like balls, like golf stuff or baseballs.

439
00:22:08,520 --> 00:22:11,399
Speaker 1: All that stuff, you know, I have and I've given

440
00:22:11,440 --> 00:22:15,879
Speaker 1: sometimes I've given it to charity, but I'm yeah, I

441
00:22:16,359 --> 00:22:19,840
Speaker 1: have kept it because I know it's it's of some value,

442
00:22:19,920 --> 00:22:22,840
Speaker 1: not to sell, but to kind of show at some point,

443
00:22:22,840 --> 00:22:24,600
Speaker 1: and I look forward to doing that with people.

444
00:22:24,800 --> 00:22:26,800
Speaker 3: That's super cool. Mitch Costner, thank you for your time,

445
00:22:26,800 --> 00:22:28,560
Speaker 3: and hope you have a great weekend, and good luck

446
00:22:28,560 --> 00:22:29,120
Speaker 3: to the movie.

447
00:22:29,280 --> 00:22:30,800
Speaker 1: Thank you very much. Bye, guys.

448
00:22:33,560 --> 00:22:36,320
Speaker 3: The segment of Sensitive for Children's Years sort of we

449
00:22:36,359 --> 00:22:39,840
Speaker 3: talked about on the show how the guy guys could

450
00:22:39,880 --> 00:22:43,920
Speaker 3: go in and get injections into their special man little thing. Yeah,

451
00:22:43,960 --> 00:22:47,639
Speaker 3: and fifteen thousand dollars procedure, and like women get their

452
00:22:47,680 --> 00:22:51,200
Speaker 3: lips plumped, a guy could get a special man plumped.

453
00:22:51,840 --> 00:22:54,399
Speaker 3: I'm just being careful, you know. The procedure is not

454
00:22:54,520 --> 00:22:57,760
Speaker 3: FDA approved, but fifteen thousand bucks they can make they

455
00:22:57,760 --> 00:23:02,680
Speaker 3: can make you plumpier, you know. And so this doctor

456
00:23:02,720 --> 00:23:05,919
Speaker 3: in the story because I do have an update. This

457
00:23:06,000 --> 00:23:08,520
Speaker 3: doctor and the story talked about how it works and

458
00:23:08,560 --> 00:23:10,439
Speaker 3: that when he first began, he was doing ten to

459
00:23:10,480 --> 00:23:12,840
Speaker 3: twenty procedures a week and now even though it's not

460
00:23:12,840 --> 00:23:15,760
Speaker 3: been approved by the FDA, that this man plumping, that

461
00:23:16,080 --> 00:23:21,200
Speaker 3: it's happening almost every day. So we had talked about

462
00:23:21,200 --> 00:23:23,240
Speaker 3: on the show, does anybody do that here where we live?

463
00:23:24,040 --> 00:23:25,280
Speaker 3: And you did some investigating.

464
00:23:25,560 --> 00:23:27,439
Speaker 5: Yeah, and I got a d M from a doctor.

465
00:23:27,520 --> 00:23:29,439
Speaker 6: He used to be on The Bachelor Aurette and he

466
00:23:29,480 --> 00:23:32,080
Speaker 6: was on Bachelor in Paradise, Evan Bass. He is a

467
00:23:32,080 --> 00:23:38,280
Speaker 6: doctor like a doctor, and he is a.

468
00:23:36,359 --> 00:23:37,440
Speaker 5: Unit doctor.

469
00:23:38,720 --> 00:23:41,600
Speaker 3: Like a urologist. I don't know he I never heard

470
00:23:41,640 --> 00:23:43,400
Speaker 3: of a unit doctor. And if that was the gut

471
00:23:43,480 --> 00:23:44,399
Speaker 3: it and I know you.

472
00:23:44,440 --> 00:23:47,359
Speaker 6: Keep pointing at your talking about Yeah, and he sent

473
00:23:47,400 --> 00:23:47,960
Speaker 6: me a d M.

474
00:23:48,280 --> 00:23:49,600
Speaker 3: What would that be called officially?

475
00:23:50,160 --> 00:23:50,280
Speaker 7: Uh?

476
00:23:51,119 --> 00:23:55,280
Speaker 3: We we talking about proct.

477
00:23:55,160 --> 00:23:55,480
Speaker 5: Doctor.

478
00:23:55,600 --> 00:23:59,240
Speaker 6: So he d you and he said, hey, man was

479
00:23:59,320 --> 00:24:02,960
Speaker 6: listening to this and was laughing, hilarious, we do it

480
00:24:02,960 --> 00:24:03,919
Speaker 6: here in Nashville.

481
00:24:04,080 --> 00:24:05,600
Speaker 5: It's freaking awesome.

482
00:24:06,119 --> 00:24:10,760
Speaker 6: Would love to bring in eurologist if y'all want to

483
00:24:10,800 --> 00:24:11,760
Speaker 6: make it a bigger deal.

484
00:24:11,880 --> 00:24:15,240
Speaker 3: Pun intended. What you said urologists, which is correct.

485
00:24:15,240 --> 00:24:19,359
Speaker 8: It involves like a kidney's bladder, prostate man friend and

486
00:24:19,480 --> 00:24:21,840
Speaker 8: man's the friends of the man friend.

487
00:24:22,240 --> 00:24:23,840
Speaker 3: And the reason that Amy and I don't talk about

488
00:24:23,840 --> 00:24:25,879
Speaker 3: it with the real words because we could clinical is it.

489
00:24:25,960 --> 00:24:28,760
Speaker 3: We we think you two would run wild with it,

490
00:24:28,800 --> 00:24:31,720
Speaker 3: absolutely keeping it, keeping itself.

491
00:24:32,160 --> 00:24:34,159
Speaker 6: So he is a doctor here in Nashville, and so

492
00:24:34,200 --> 00:24:37,320
Speaker 6: obviously they do it at his place so that he

493
00:24:37,359 --> 00:24:40,760
Speaker 6: could come in and talk about it or do it.

494
00:24:41,320 --> 00:24:42,960
Speaker 1: I mean, who wants it?

495
00:24:43,040 --> 00:24:44,439
Speaker 5: I mean, you have to put yourselves on the wheel.

496
00:24:44,480 --> 00:24:47,080
Speaker 3: I can't. No, I know I can't. I'm gonna honest

497
00:24:47,080 --> 00:24:54,120
Speaker 3: with you, guys. I can't take any more sodiculous change.

498
00:24:54,520 --> 00:25:04,240
Speaker 7: There are enough threads already. Well, he's shorter. I would

499
00:25:04,280 --> 00:25:04,960
Speaker 7: like to talk.

500
00:25:04,880 --> 00:25:07,480
Speaker 3: To him, Okay, I wanted to come in. I don't

501
00:25:07,480 --> 00:25:10,639
Speaker 3: think anyone's going to get plumped if they were, If

502
00:25:10,640 --> 00:25:12,440
Speaker 3: anyone were to get plump, which would be hilarious, I

503
00:25:12,440 --> 00:25:14,399
Speaker 3: would give somebody, if somebody on the show would do it,

504
00:25:14,400 --> 00:25:17,359
Speaker 3: I would give you an extra five hundred bucks cash

505
00:25:17,440 --> 00:25:18,160
Speaker 3: and pay for it.

506
00:25:18,720 --> 00:25:21,080
Speaker 5: I mean that's not going to cover pay for the

507
00:25:21,119 --> 00:25:22,320
Speaker 5: injection if we need to.

508
00:25:22,920 --> 00:25:24,440
Speaker 3: How much did you say they were, but I don't

509
00:25:24,440 --> 00:25:26,080
Speaker 3: know this guy. We can talk to the doctor because

510
00:25:26,119 --> 00:25:28,119
Speaker 3: this is an actual thing and we won't know this

511
00:25:28,280 --> 00:25:34,280
Speaker 3: real deal pun intended. If we want to say, I

512
00:25:34,280 --> 00:25:34,480
Speaker 3: don't know.

513
00:25:34,640 --> 00:25:35,280
Speaker 5: That's not what he said.

514
00:25:35,359 --> 00:25:38,440
Speaker 6: He said, I would love to bring in eurologists if

515
00:25:38,520 --> 00:25:40,800
Speaker 6: y'all want to make it a bigger deal.

516
00:25:41,080 --> 00:25:41,760
Speaker 5: Pun intended.

517
00:25:41,800 --> 00:25:45,119
Speaker 3: That's the fun. So he's not a urologist.

518
00:25:45,880 --> 00:25:46,280
Speaker 5: I don't know.

519
00:25:46,320 --> 00:25:48,320
Speaker 6: I just remember being on TV and him saying he

520
00:25:48,400 --> 00:25:49,840
Speaker 6: was a doctor.

521
00:25:50,320 --> 00:25:52,239
Speaker 3: Why don't you do this because we're going to go

522
00:25:52,560 --> 00:25:55,560
Speaker 3: and we have we have a couple news shows next

523
00:25:55,600 --> 00:25:58,000
Speaker 3: week and we're gone for fourth July for a few days.

524
00:25:58,160 --> 00:26:00,560
Speaker 3: When we come back, you should give Scuba Steve his

525
00:26:00,640 --> 00:26:02,800
Speaker 3: information reply back, say hey, we'd love to talk to you.

526
00:26:02,840 --> 00:26:04,159
Speaker 3: Can I get a cell phone number to call? I

527
00:26:04,160 --> 00:26:06,040
Speaker 3: have our producer call, so I have Scoop Steve call.

528
00:26:06,119 --> 00:26:09,439
Speaker 3: Set it up and we'll we'll not do it, but

529
00:26:09,440 --> 00:26:11,680
Speaker 3: we'll talk. We'll have a conversation. Okay, what's his name?

530
00:26:12,000 --> 00:26:12,719
Speaker 5: Hevin Bass?

531
00:26:13,440 --> 00:26:14,520
Speaker 3: And you're sure he's a doctor?

532
00:26:15,119 --> 00:26:17,000
Speaker 6: I mean from what I remember watching him on TV,

533
00:26:17,080 --> 00:26:18,399
Speaker 6: he said he was a doctor.

534
00:26:18,600 --> 00:26:22,120
Speaker 3: Got it. I'm all for hearing about this. I think

535
00:26:22,160 --> 00:26:25,120
Speaker 3: this is needed. It's medical news. Some guys maybe could

536
00:26:25,200 --> 00:26:29,320
Speaker 3: use it if they had injuries. Man, not us. Yet,

537
00:26:29,359 --> 00:26:32,040
Speaker 3: we're all good. We're all good here. What they're talking about, Okay, cool,

538
00:26:32,200 --> 00:26:33,960
Speaker 3: So we'll try to set it up and we'll do that.

539
00:26:34,359 --> 00:26:36,360
Speaker 3: Thank you guys for hanging out. We're gonna message back

540
00:26:36,359 --> 00:26:38,760
Speaker 3: to Ding Dong Doctor Bobby Bone show.

541
00:26:39,680 --> 00:26:40,679
Speaker 7: Sorry up today.

542
00:26:41,320 --> 00:26:45,159
Speaker 6: This story comes us from Lakeland, Florida. Police got a

543
00:26:45,160 --> 00:26:47,600
Speaker 6: call about a disturbance at a local business and they

544
00:26:47,640 --> 00:26:48,080
Speaker 6: show up.

545
00:26:48,040 --> 00:26:49,960
Speaker 5: And they're like, yeah, man, can't find the guy that

546
00:26:50,040 --> 00:26:52,359
Speaker 5: looks like ah, I guess we're about to leave. And

547
00:26:52,359 --> 00:26:53,960
Speaker 5: then all of a sudden, from the ceiling they hear.

548
00:26:54,080 --> 00:26:56,640
Speaker 3: Ring, ring, ring, ring, ring.

549
00:26:56,680 --> 00:26:57,920
Speaker 5: You got a call? You got a call?

550
00:26:58,160 --> 00:27:00,600
Speaker 3: So funny, I guess you don't if I turn your

551
00:27:00,640 --> 00:27:03,240
Speaker 3: ringer off. Whenever you're robbin, you should always have it off.

552
00:27:04,640 --> 00:27:06,320
Speaker 3: Always have mine off. Because of the show. I don't

553
00:27:06,320 --> 00:27:08,040
Speaker 3: want to ring you on the air, right, I never

554
00:27:08,119 --> 00:27:11,520
Speaker 3: have mine on. However, if I'm not somewhere where, it

555
00:27:11,520 --> 00:27:14,240
Speaker 3: doesn't matter as much. Like if my job is a robber,

556
00:27:14,359 --> 00:27:15,320
Speaker 3: I don't think that matters.

557
00:27:17,400 --> 00:27:18,800
Speaker 6: I mean, what if he's waiting for a call from

558
00:27:18,840 --> 00:27:20,919
Speaker 6: the getaway driver, like, hey, I'm over here at this corner.

559
00:27:21,000 --> 00:27:22,920
Speaker 5: Still vibrate would work, I would think.

560
00:27:22,960 --> 00:27:25,800
Speaker 3: So that's funny, but also not something I ever thought about, Like,

561
00:27:25,800 --> 00:27:27,800
Speaker 3: if I'm going to go commit a crime, should I

562
00:27:27,840 --> 00:27:30,800
Speaker 3: turn my ringer off? So in case I'm hiding from

563
00:27:30,840 --> 00:27:33,440
Speaker 3: the law, it doesn't go off and they're put onto

564
00:27:33,440 --> 00:27:35,520
Speaker 3: me all those shows that I see, though, you should

565
00:27:35,520 --> 00:27:36,680
Speaker 3: probably just leave your phone at home.

566
00:27:36,760 --> 00:27:38,000
Speaker 1: You're probably gonna go somewhere.

567
00:27:38,200 --> 00:27:40,679
Speaker 3: Man, Yes, but what if you, like, are in trouble

568
00:27:40,680 --> 00:27:43,359
Speaker 3: and need your boy to come help you out, or

569
00:27:43,400 --> 00:27:44,719
Speaker 3: you need to move or eat or something.

570
00:27:45,440 --> 00:27:47,600
Speaker 5: I'm lunchbox. That's your bonehead story of the day.

571
00:27:49,119 --> 00:27:49,919
Speaker 3: Amy, what's going on?

572
00:27:50,000 --> 00:27:53,520
Speaker 8: Well, my daughter got her first warning ticket, like for

573
00:27:53,640 --> 00:27:55,680
Speaker 8: making an inappropriate turn?

574
00:27:56,160 --> 00:27:57,600
Speaker 3: Was she embarrassed? What she told you? Oh?

575
00:27:57,680 --> 00:28:01,760
Speaker 8: She didn't tell us? So yeah, her, she got new

576
00:28:01,840 --> 00:28:04,840
Speaker 8: insurance and been her dad. He was at my house

577
00:28:04,880 --> 00:28:06,960
Speaker 8: picking up some stuff and she was with him that week.

578
00:28:07,000 --> 00:28:09,199
Speaker 8: So I said, hey, throw this, throw this in her

579
00:28:09,240 --> 00:28:11,440
Speaker 8: glove box when you get to the house. So he did,

580
00:28:11,440 --> 00:28:14,040
Speaker 8: and he opened it up and a warning ticket fell out,

581
00:28:14,160 --> 00:28:15,600
Speaker 8: and he took a picture and said it to me.

582
00:28:15,600 --> 00:28:17,920
Speaker 8: He's like, hey, did you know about this, I said no,

583
00:28:18,119 --> 00:28:20,280
Speaker 8: and we checked the date like I zoom in, and

584
00:28:20,320 --> 00:28:22,800
Speaker 8: it was from a month ago. And so she didn't

585
00:28:22,800 --> 00:28:25,120
Speaker 8: say anything, and it was a warning. If it had

586
00:28:25,119 --> 00:28:28,480
Speaker 8: been a ticket, there's obviously steps would need to be taken,

587
00:28:28,600 --> 00:28:30,640
Speaker 8: and I'm sure she would have told us. But yeah,

588
00:28:30,680 --> 00:28:33,600
Speaker 8: she just threw it in her glovebox and said she

589
00:28:33,760 --> 00:28:35,960
Speaker 8: learned from it. Of course, you know, he went and

590
00:28:35,960 --> 00:28:39,040
Speaker 8: had to talk with her. She understands exactly what she

591
00:28:39,120 --> 00:28:42,360
Speaker 8: did wrong, which was turn when she wasn't a turn

592
00:28:42,440 --> 00:28:44,000
Speaker 8: lane and she cut off a car and the car

593
00:28:44,040 --> 00:28:45,080
Speaker 8: happened to be the police officer.

594
00:28:45,840 --> 00:28:46,960
Speaker 3: So bad timing.

595
00:28:47,040 --> 00:28:50,520
Speaker 4: Oh, that's inappropriate, that's appropriate.

596
00:28:50,800 --> 00:28:53,920
Speaker 3: Got her. What she really did wrong was keep the

597
00:28:53,960 --> 00:28:55,160
Speaker 3: warning ticck in the glovebox.

598
00:28:56,760 --> 00:28:59,680
Speaker 8: I don't think she that's evidence.

599
00:29:00,040 --> 00:29:01,680
Speaker 3: Spoken to that evidence. There's no need to keep that.

600
00:29:01,680 --> 00:29:03,080
Speaker 3: Maybe she doesn't know she doesn't need to keep that.

601
00:29:03,480 --> 00:29:04,520
Speaker 3: But they never catch her.

602
00:29:04,920 --> 00:29:05,840
Speaker 8: No, we wouldn't have known.

603
00:29:07,600 --> 00:29:09,680
Speaker 3: Was she embarrassed once you went to her.

604
00:29:09,680 --> 00:29:10,400
Speaker 8: He handled it.

605
00:29:10,840 --> 00:29:11,200
Speaker 3: Yeah.

606
00:29:11,240 --> 00:29:15,240
Speaker 8: So that's the thing about there with him for a

607
00:29:15,280 --> 00:29:16,720
Speaker 8: week and then they're with me for a week, and

608
00:29:16,800 --> 00:29:18,560
Speaker 8: things that happened on the weeks. That's sort of I'm

609
00:29:18,600 --> 00:29:21,000
Speaker 8: like oh. Sometimes I'm like, oh, oh, glad he's having

610
00:29:21,000 --> 00:29:22,320
Speaker 8: to handle this. I'm a little tired.

611
00:29:22,640 --> 00:29:24,800
Speaker 3: So they don't risk, they don't get double trouble, they

612
00:29:24,800 --> 00:29:26,320
Speaker 3: don't come back to you, and then you bring it

613
00:29:26,400 --> 00:29:27,239
Speaker 3: up again and get them in.

614
00:29:27,440 --> 00:29:30,160
Speaker 8: No, I'll have a conversation with her with it, but

615
00:29:30,280 --> 00:29:32,920
Speaker 8: I don't. It's not like, oh, well, you were grounded

616
00:29:32,960 --> 00:29:34,720
Speaker 8: in dad's house. Guess what now you're here, so you're

617
00:29:34,720 --> 00:29:37,080
Speaker 8: grounded again because you didn't tell me. Like Ben and

618
00:29:37,080 --> 00:29:40,680
Speaker 8: I worked together to handle what the appropriate punishment should be,

619
00:29:41,200 --> 00:29:43,680
Speaker 8: which in this case there wasn't. She learned from the lesson,

620
00:29:43,720 --> 00:29:46,200
Speaker 8: and we told her, you should tell us about these

621
00:29:46,240 --> 00:29:48,400
Speaker 8: things so that we can help you. And we want

622
00:29:48,440 --> 00:29:50,360
Speaker 8: to make sure we know what to pay attention to

623
00:29:50,440 --> 00:29:51,560
Speaker 8: when we're driving with you.

624
00:29:51,640 --> 00:29:53,320
Speaker 3: Why was she cutting off the cop or why she

625
00:29:53,360 --> 00:29:54,520
Speaker 3: cut off anything?

626
00:29:54,800 --> 00:29:57,440
Speaker 8: She thought she could turn and it was over by

627
00:29:57,440 --> 00:29:59,520
Speaker 8: her school. She thought she could turn and she couldn't.

628
00:30:00,120 --> 00:30:01,960
Speaker 3: Dang, she got pulled over in from school.

629
00:30:02,320 --> 00:30:08,760
Speaker 8: Oh yeah, I think that he. I think he had compassion.

630
00:30:08,880 --> 00:30:11,080
Speaker 8: She honestly, it was an innocent mistake.

631
00:30:11,160 --> 00:30:14,880
Speaker 3: She doesn't know. Humiliating and I felt bad for her. Yeah,

632
00:30:15,440 --> 00:30:16,920
Speaker 3: I think she needs some ice cream or something.

633
00:30:18,040 --> 00:30:19,440
Speaker 8: Yeah, as long as she learns from it and she

634
00:30:19,480 --> 00:30:22,200
Speaker 8: doesn't do it again, and thankfully nobody was hurt.

635
00:30:22,600 --> 00:30:24,240
Speaker 3: Mostly, get rid of the evidence. It's not a real ticket.

636
00:30:24,240 --> 00:30:27,120
Speaker 3: That's what you should have learned. Get rid of the one. Yeah,

637
00:30:27,200 --> 00:30:29,960
Speaker 3: thank you guys, have a great weekend. We'll see you Monday.

638
00:30:30,000 --> 00:30:31,400
Speaker 3: Bye everybody.

639
00:30:31,720 --> 00:30:32,560
Speaker 5: Bobby Bones