1 00:00:11,000 --> 00:00:15,240 Speaker 1: It's hell a level. 2 00:00:15,560 --> 00:00:18,200 Speaker 2: Welcome to the Naughty but Nice I'm your host, Shooter, 3 00:00:18,280 --> 00:00:21,000 Speaker 2: and it is Thursday, which means our dear friend Mark 4 00:00:21,079 --> 00:00:23,720 Speaker 2: Lupo joins us, Hey, Lubi, are you there? Lupy Blue 5 00:00:24,000 --> 00:00:26,400 Speaker 2: is here. I don't think I've told you the big news, 6 00:00:26,440 --> 00:00:29,360 Speaker 2: so I'll tell it you on air while we record. 7 00:00:29,880 --> 00:00:32,920 Speaker 2: Elvis and iHeart have asked if maybe once a week 8 00:00:33,320 --> 00:00:35,800 Speaker 2: we do a little bit of video too, so I'll 9 00:00:35,840 --> 00:00:37,520 Speaker 2: have to put on a nicer T shirt. You always 10 00:00:37,520 --> 00:00:39,559 Speaker 2: look lovely in the morning's mark, and the lights are 11 00:00:39,560 --> 00:00:41,879 Speaker 2: good in your apartment, so I don't think you have 12 00:00:42,000 --> 00:00:44,159 Speaker 2: much to worry about with that face. Monster. 13 00:00:45,080 --> 00:00:46,880 Speaker 1: I might have got a bed earlier. 14 00:00:46,479 --> 00:00:50,800 Speaker 2: But you're gonna look at even nicer. So we might 15 00:00:50,840 --> 00:00:53,199 Speaker 2: be doing some video. So everybody's been warned naughty. I 16 00:00:53,240 --> 00:00:55,280 Speaker 2: know I've been talking about this now. Garrett mentioned it 17 00:00:55,320 --> 00:00:58,800 Speaker 2: on Monday. I didn't think he would. But is it's 18 00:00:58,840 --> 00:01:01,920 Speaker 2: going to be soon? I don't oh how soon. Maybe 19 00:01:02,040 --> 00:01:04,399 Speaker 2: once I get a haircut soon sort of round about, 20 00:01:04,400 --> 00:01:10,760 Speaker 2: then it might help I roll out of bed. Like 21 00:01:10,840 --> 00:01:13,119 Speaker 2: I roll out of bed. We've have a cup of tea, 22 00:01:13,400 --> 00:01:15,920 Speaker 2: I wash my face, I clean my teeth, and then 23 00:01:15,959 --> 00:01:19,600 Speaker 2: I sit down and I thoroughly enjoy talking with the naughties. Okay, 24 00:01:19,640 --> 00:01:21,560 Speaker 2: let's jump into the show how time is it? My 25 00:01:21,600 --> 00:01:23,600 Speaker 2: Friends and his tea Time big story at the top 26 00:01:23,600 --> 00:01:26,080 Speaker 2: of the show. So Megan Mokel is clapping back at 27 00:01:26,080 --> 00:01:29,959 Speaker 2: her critics, saying I need to work. So Meghan's done 28 00:01:30,000 --> 00:01:33,640 Speaker 2: apologizing and now she's about making the money. The Duchess 29 00:01:33,680 --> 00:01:37,720 Speaker 2: of Sussex is facing her haters head on, Mark as 30 00:01:37,760 --> 00:01:40,640 Speaker 2: she launches her new products that they've already sold out. 31 00:01:40,959 --> 00:01:43,720 Speaker 2: You could get some mixed, some jam mix for about 32 00:01:43,760 --> 00:01:47,200 Speaker 2: fourteen dollars. Some flower sprinkles, I'm not sure what they 33 00:01:47,240 --> 00:01:50,320 Speaker 2: are for fifteen dollars. All of this stuff is really 34 00:01:50,360 --> 00:01:52,720 Speaker 2: selling very well. So she did a big interview with 35 00:01:52,800 --> 00:01:55,920 Speaker 2: The New York Times and she said, I need to work, 36 00:01:56,360 --> 00:01:59,400 Speaker 2: and my life has not always been like this. It 37 00:01:59,440 --> 00:02:02,680 Speaker 2: was really interesting, Mark. She the New York Times was 38 00:02:02,720 --> 00:02:06,080 Speaker 2: pretty aggressive and they asked her about being unrelatable and 39 00:02:06,160 --> 00:02:09,360 Speaker 2: out of touch, and she reminded everybody that she started 40 00:02:09,400 --> 00:02:13,240 Speaker 2: working when she was just thirteen years old. Mark, and 41 00:02:13,280 --> 00:02:17,120 Speaker 2: she didn't exactly just roll into Buckingham Palace or into 42 00:02:17,160 --> 00:02:21,919 Speaker 2: her current fourteen million dollar compound. She said she likes 43 00:02:21,960 --> 00:02:24,639 Speaker 2: to work. She has to work. She's not a trust 44 00:02:24,680 --> 00:02:27,960 Speaker 2: fund baby. She was not given money by her parents. 45 00:02:28,400 --> 00:02:32,239 Speaker 2: Meghan is a self made millionaire before she even met Harry. 46 00:02:32,600 --> 00:02:37,080 Speaker 2: She made her own money. Now marrying a prince changed everything. 47 00:02:37,600 --> 00:02:40,560 Speaker 2: But I do think it's important to remember this. We 48 00:02:40,680 --> 00:02:43,160 Speaker 2: get annoyed with Meghan when she sells her stuff, when 49 00:02:43,160 --> 00:02:46,680 Speaker 2: she seems too ambitious, when she seems too pushy. But 50 00:02:47,400 --> 00:02:50,440 Speaker 2: if she doesn't do this, they've got to figure out 51 00:02:50,440 --> 00:02:53,200 Speaker 2: another way to make money. Yeah, they do. 52 00:02:53,280 --> 00:02:55,919 Speaker 1: And I think it's true. You know, Meghan, her father 53 00:02:56,560 --> 00:02:58,520 Speaker 1: was a lading guy or a sound guy on her 54 00:02:58,560 --> 00:03:00,360 Speaker 1: TV shows, you know, when she was younger. But that 55 00:03:00,400 --> 00:03:03,320 Speaker 1: doesn't mean that they were wealthy, Like that's an average salary. 56 00:03:03,600 --> 00:03:05,680 Speaker 1: And it's true she is a self made millionaire. She 57 00:03:05,760 --> 00:03:07,920 Speaker 1: was on suits and I had other projects going on. 58 00:03:08,480 --> 00:03:10,360 Speaker 1: But I think, Robert, it kind of reminds me like 59 00:03:10,400 --> 00:03:11,920 Speaker 1: me and you like, even if we had all the 60 00:03:11,960 --> 00:03:13,519 Speaker 1: money in the world, we would still want to work. 61 00:03:13,600 --> 00:03:15,320 Speaker 1: We still want to do this podcast. And so I 62 00:03:16,080 --> 00:03:18,360 Speaker 1: don't give her a you know, knox for wanting to 63 00:03:18,400 --> 00:03:19,840 Speaker 1: do this and to have a living. But it's true 64 00:03:19,840 --> 00:03:22,080 Speaker 1: they live a very expensive lifestyle and someone has to 65 00:03:22,120 --> 00:03:23,119 Speaker 1: pay for it. 66 00:03:23,120 --> 00:03:25,280 Speaker 2: It's expensive, isn't it. When you look at these celebrities 67 00:03:25,280 --> 00:03:27,240 Speaker 2: and you think how rich they are, often they're not 68 00:03:27,280 --> 00:03:30,880 Speaker 2: because they live too large. Yeah, they live so big. 69 00:03:30,919 --> 00:03:34,239 Speaker 2: Reality stars to make this mistake because it doesn't ever last. 70 00:03:34,400 --> 00:03:36,160 Speaker 2: They think that they're earning good money and it's going 71 00:03:36,200 --> 00:03:39,000 Speaker 2: to last for twenty thirty years, and it never does. 72 00:03:39,040 --> 00:03:41,000 Speaker 2: And they buy all this stuff and they get themselves 73 00:03:41,000 --> 00:03:44,400 Speaker 2: in a ton of trouble. So I actually really enjoyed 74 00:03:44,720 --> 00:03:47,240 Speaker 2: this interview. I thought it was great that Megan did it. 75 00:03:47,280 --> 00:03:50,119 Speaker 2: She's aware of what we're saying. She's aware of what's 76 00:03:50,120 --> 00:03:52,880 Speaker 2: out there. She reads comments, she's on the blog. She 77 00:03:52,920 --> 00:03:55,960 Speaker 2: pretends she's not, but she is. She sees all this stuff, 78 00:03:55,960 --> 00:03:59,200 Speaker 2: and she did have a life before Harry, and so 79 00:03:59,240 --> 00:04:01,600 Speaker 2: she knows what it's like to hustle. She was always 80 00:04:01,600 --> 00:04:03,600 Speaker 2: a hustler. You met her mark when she came into 81 00:04:03,640 --> 00:04:05,480 Speaker 2: hustle for a job at the Wendy Williams Show, which 82 00:04:05,480 --> 00:04:08,040 Speaker 2: I thought it was fantastic. I wanted to be on 83 00:04:08,080 --> 00:04:10,440 Speaker 2: the Wendy Williams Show, so I hustled. I called Rob 84 00:04:10,520 --> 00:04:12,840 Speaker 2: Dabba like you call people you used to be the 85 00:04:12,880 --> 00:04:15,960 Speaker 2: executive producer of the show you call People you Hustle. 86 00:04:16,240 --> 00:04:19,400 Speaker 2: I think when women do it, we don't like it. 87 00:04:19,600 --> 00:04:22,320 Speaker 2: When men do it, we sort of think it's okay. 88 00:04:23,160 --> 00:04:23,600 Speaker 2: It's true. 89 00:04:23,640 --> 00:04:26,760 Speaker 1: And when she came to interview with us, essentially, she 90 00:04:26,880 --> 00:04:30,360 Speaker 1: was so lovely and she was direct, and she knew 91 00:04:30,360 --> 00:04:33,360 Speaker 1: what she wanted and we appreciated that. We really liked her, 92 00:04:33,800 --> 00:04:35,919 Speaker 1: and she came off as likable and relatable at that 93 00:04:35,960 --> 00:04:38,120 Speaker 1: time because she wasn't, you know, married to a prince. 94 00:04:38,920 --> 00:04:39,840 Speaker 2: But however, you. 95 00:04:39,800 --> 00:04:42,520 Speaker 1: Know, it showed how much that she, you know, would 96 00:04:42,520 --> 00:04:44,599 Speaker 1: fight for herself. And that's why I'm not surprised that 97 00:04:44,640 --> 00:04:47,080 Speaker 1: she's ended up on the light that she has now right, 98 00:04:47,160 --> 00:04:48,279 Speaker 1: it was always the case, you know. 99 00:04:48,480 --> 00:04:50,440 Speaker 2: Yeah, I can see it when people want to work 100 00:04:50,440 --> 00:04:52,520 Speaker 2: with me and I'm the Prince Harry or a member 101 00:04:52,560 --> 00:04:55,520 Speaker 2: of the royal family. But I like ambition. I like 102 00:04:55,640 --> 00:04:58,320 Speaker 2: people that text me, that email me that' say have 103 00:04:58,400 --> 00:04:59,960 Speaker 2: you got a job open? Or send me their resd 104 00:05:00,520 --> 00:05:02,480 Speaker 2: or I read this story rather and I thought this 105 00:05:02,520 --> 00:05:04,920 Speaker 2: was really interesting. But I know this fact and I 106 00:05:05,000 --> 00:05:07,360 Speaker 2: sort of enjoy it. And I think now with cell 107 00:05:07,360 --> 00:05:11,279 Speaker 2: phones and texts, it's so much easier to communicate twenty 108 00:05:11,360 --> 00:05:13,040 Speaker 2: years ago, fifteen years ago. If you called me all 109 00:05:13,080 --> 00:05:15,320 Speaker 2: the time, it probably bugged me. But I can get 110 00:05:15,360 --> 00:05:17,920 Speaker 2: ten texts now, and I'm quite happy to say yes 111 00:05:18,040 --> 00:05:19,839 Speaker 2: or no. I might not text you back the answer 112 00:05:19,920 --> 00:05:23,440 Speaker 2: you want, but I'm really I'm really open to it. Mark. 113 00:05:23,520 --> 00:05:25,880 Speaker 2: It's not a bother to me. But I'm quite curious, 114 00:05:26,240 --> 00:05:30,480 Speaker 2: very curious. I like interaction. I like being nosy. I 115 00:05:30,680 --> 00:05:33,919 Speaker 2: like talking, I like texting. You're more private, Mark, but 116 00:05:34,080 --> 00:05:36,080 Speaker 2: you know how to hustle, like you're successful at what 117 00:05:36,120 --> 00:05:37,760 Speaker 2: you do. Oh yeah, I mean you know. 118 00:05:37,800 --> 00:05:40,160 Speaker 1: I might not be sharing everything online, but I very 119 00:05:40,200 --> 00:05:42,320 Speaker 1: much am in communication with people that can help. And 120 00:05:42,440 --> 00:05:44,920 Speaker 1: I take carls and texting emails, and I also call 121 00:05:44,960 --> 00:05:46,719 Speaker 1: people and ask for favors. You've helped me get a 122 00:05:46,800 --> 00:05:48,960 Speaker 1: job in the past, and I'll help you when I 123 00:05:49,000 --> 00:05:50,240 Speaker 1: can put you on TV. 124 00:05:50,400 --> 00:05:50,919 Speaker 2: Whatever it is. 125 00:05:50,960 --> 00:05:53,160 Speaker 1: It's you know, it's a friendship, and you want to 126 00:05:53,200 --> 00:05:53,880 Speaker 1: support people. 127 00:05:54,360 --> 00:05:56,240 Speaker 2: I want to support people. And that's why I don't 128 00:05:56,279 --> 00:05:59,680 Speaker 2: understand how Meghan has gone into this position. How did 129 00:05:59,720 --> 00:06:03,520 Speaker 2: it get so bad? It started so well, a billion 130 00:06:03,600 --> 00:06:07,599 Speaker 2: people watching this wedding, and over what four or five 131 00:06:07,680 --> 00:06:09,640 Speaker 2: years it's got to a place where she has to 132 00:06:09,680 --> 00:06:12,240 Speaker 2: defend herself to the New York Times because she wants 133 00:06:12,279 --> 00:06:14,560 Speaker 2: to sell some jam. Let us sell her jam. See 134 00:06:14,600 --> 00:06:17,560 Speaker 2: what like the people? There's some really big people in 135 00:06:17,640 --> 00:06:21,000 Speaker 2: show business. We know them, Blake Lively, we know that 136 00:06:21,120 --> 00:06:27,880 Speaker 2: we know these people. It's not that she's upset a 137 00:06:27,880 --> 00:06:31,159 Speaker 2: lot of people. And I'm not quite sure I totally 138 00:06:31,240 --> 00:06:34,880 Speaker 2: understand why. Let us sell her jam? The good news 139 00:06:34,880 --> 00:06:38,479 Speaker 2: here it's sold out. All this is funny. Mark. I 140 00:06:38,520 --> 00:06:41,200 Speaker 2: know a friend of hers, it really does know her, 141 00:06:41,240 --> 00:06:44,000 Speaker 2: like hangs out with her, and she gave them some 142 00:06:44,080 --> 00:06:48,120 Speaker 2: of her raspberry I think raspberry jam. They thought it 143 00:06:48,160 --> 00:06:51,480 Speaker 2: was okay. And now all the friends have this dilemma 144 00:06:51,880 --> 00:06:55,320 Speaker 2: because Megan's pushing, so she's texting, what did you think? 145 00:06:55,360 --> 00:06:57,960 Speaker 2: Did you like the jam? I want to improve it? 146 00:06:58,040 --> 00:07:02,360 Speaker 2: But what do you say when Fred asks you your opinion? 147 00:07:02,640 --> 00:07:04,880 Speaker 2: Do you tell the whole truth? Would you say? What 148 00:07:05,080 --> 00:07:08,000 Speaker 2: was a little bit too sweet? Megan? Oh, I didn't 149 00:07:08,040 --> 00:07:08,840 Speaker 2: really love it. 150 00:07:10,000 --> 00:07:11,840 Speaker 1: I mean, I'll say this. I did look at the 151 00:07:12,000 --> 00:07:15,880 Speaker 1: ingredients and several Crow products this morning. They were nothing special. 152 00:07:15,920 --> 00:07:17,760 Speaker 1: They were actually kind of ingredients you'd find in the 153 00:07:17,760 --> 00:07:22,600 Speaker 1: grocery I'm surprised by this means. 154 00:07:22,440 --> 00:07:25,280 Speaker 2: But it does come with a lovely little package. It does. 155 00:07:25,480 --> 00:07:27,320 Speaker 2: I would like, I'm going to get one of these jams, 156 00:07:27,560 --> 00:07:29,640 Speaker 2: and I'm not going to let anybody eat it, but 157 00:07:29,720 --> 00:07:31,760 Speaker 2: I am gonna put it in my refrigerator. So every 158 00:07:31,800 --> 00:07:33,440 Speaker 2: time I open it, I see a little bit of royal, 159 00:07:33,600 --> 00:07:35,040 Speaker 2: a little duchess waving at me. 160 00:07:35,200 --> 00:07:36,400 Speaker 1: And you're going to be casual about it. 161 00:07:36,440 --> 00:07:39,640 Speaker 2: You won't like very casual. I'll be like, well, you'll 162 00:07:39,680 --> 00:07:41,080 Speaker 2: be in the kitchen, Mark, and I say, would like 163 00:07:41,120 --> 00:07:43,160 Speaker 2: some milk with your coffee? Mark, And I'll open the 164 00:07:43,200 --> 00:07:45,640 Speaker 2: fridge very casually, and There'll be a whole row of 165 00:07:45,760 --> 00:07:49,840 Speaker 2: duchess jab which brings us to our whole question. After day, 166 00:07:50,160 --> 00:07:53,560 Speaker 2: Megan's clapping back at her critics, saying I need to 167 00:07:53,680 --> 00:07:56,440 Speaker 2: work to live this life. She lives a big life 168 00:07:56,440 --> 00:07:59,160 Speaker 2: of fourteen million dollar has. She has a rich husband, 169 00:07:59,240 --> 00:08:01,600 Speaker 2: but he does not have booking compat this money anymore. 170 00:08:01,800 --> 00:08:04,680 Speaker 2: She said, I'd need to work. What do you think? 171 00:08:04,680 --> 00:08:07,920 Speaker 2: Have we been too harsh on becon yes or no? 172 00:08:08,200 --> 00:08:11,160 Speaker 2: Go votes on our Twitter page at Naughty Nice Rob. 173 00:08:11,480 --> 00:08:14,760 Speaker 2: Our facebook page is Naughtyosip and be sure to check 174 00:08:14,840 --> 00:08:18,520 Speaker 2: back to Marau to hear your results. Hey, lupy Lou, 175 00:08:18,640 --> 00:08:19,560 Speaker 2: what are you working on? 176 00:08:20,000 --> 00:08:24,040 Speaker 1: You're gonna love this story. Lake Lovely is being slammed 177 00:08:24,160 --> 00:08:30,640 Speaker 1: as a hypocrite after she improvised grabbing a co stars crotch. Well, well, okay, 178 00:08:31,080 --> 00:08:33,920 Speaker 1: So the actress who is currently suing director Justin Baldoni 179 00:08:33,960 --> 00:08:37,640 Speaker 1: over at alleged unscripted intimacy during filming, is now under 180 00:08:37,679 --> 00:08:41,800 Speaker 1: fire after a behind the scenes clip has resurfaced. The 181 00:08:41,840 --> 00:08:45,200 Speaker 1: scene in question a steamy moment in twenty eighteen It's 182 00:08:45,200 --> 00:08:49,000 Speaker 1: a simple Favor where Lively character grabs Henry Golding's crash 183 00:08:49,080 --> 00:08:52,000 Speaker 1: in a moment that fans long assumed was scripted. 184 00:08:52,880 --> 00:08:57,760 Speaker 3: Surprise, surprise, it was not scripted, and Lively proudly revealed 185 00:08:57,760 --> 00:09:00,199 Speaker 3: she improvised the growing grab, saying it was something she 186 00:09:00,320 --> 00:09:04,319 Speaker 3: felt her character would do naturally, and director of the 187 00:09:04,360 --> 00:09:06,960 Speaker 3: film even encourage her to go further, reportedly. 188 00:09:06,600 --> 00:09:09,920 Speaker 1: Asking her to squeeze harder. Rob What do you think 189 00:09:09,960 --> 00:09:10,280 Speaker 1: about this. 190 00:09:10,880 --> 00:09:15,679 Speaker 2: Oh Mark, it's just getting worse and worse for Blake. 191 00:09:16,400 --> 00:09:20,400 Speaker 2: I think personally, and I don't want to make anybody 192 00:09:20,520 --> 00:09:24,280 Speaker 2: uncomfortable here, but actors should talk about all this stuff 193 00:09:24,320 --> 00:09:26,720 Speaker 2: before we shoot a scene. More particularly if it's a 194 00:09:26,760 --> 00:09:29,439 Speaker 2: sexual scene, I think we should sort of say I 195 00:09:29,480 --> 00:09:31,680 Speaker 2: think that's a good idea, or that's realistic, that doesn't 196 00:09:31,720 --> 00:09:34,760 Speaker 2: make me feel comfortable. But to grab someone's crutch and 197 00:09:34,880 --> 00:09:36,920 Speaker 2: squeeze it and it's not in the script, and to 198 00:09:36,960 --> 00:09:40,960 Speaker 2: not warn them, you could say that sexual harassment. In fact, 199 00:09:41,160 --> 00:09:45,640 Speaker 2: Blake has said that is sexual harassment when somebody touches 200 00:09:45,720 --> 00:09:48,880 Speaker 2: her on a set without permission. I think where we 201 00:09:48,920 --> 00:09:52,080 Speaker 2: can get crazy here is there's film in a movie 202 00:09:52,200 --> 00:09:56,000 Speaker 2: and there's real life, and they're both are very different things. 203 00:09:56,280 --> 00:09:58,200 Speaker 2: If you walk into a bar and walk up to 204 00:09:58,240 --> 00:10:01,640 Speaker 2: somebody and grab their crutch, be arrested. If you're on 205 00:10:01,679 --> 00:10:05,240 Speaker 2: a movie set filming a love scene, Mark, I think 206 00:10:05,280 --> 00:10:08,720 Speaker 2: then we have to be a little bit more careful 207 00:10:08,840 --> 00:10:10,880 Speaker 2: about how we talk about it. We have to put 208 00:10:10,880 --> 00:10:15,400 Speaker 2: it into that context. Justin did not grab Blake in 209 00:10:15,480 --> 00:10:18,080 Speaker 2: a bar and a nightclub, in the hotel room. This 210 00:10:18,240 --> 00:10:21,160 Speaker 2: was not a Harvey Weinstein situation. He was filming a 211 00:10:21,200 --> 00:10:23,320 Speaker 2: movie where he played the love interest, in fact, an 212 00:10:23,360 --> 00:10:26,600 Speaker 2: abusive love interest. And so I think there is a 213 00:10:26,760 --> 00:10:29,600 Speaker 2: nuance there that we all have to be really aware of. 214 00:10:29,679 --> 00:10:32,960 Speaker 2: Because I've seen TV reports where Justin grabbed her, and 215 00:10:33,000 --> 00:10:35,920 Speaker 2: they don't add on a movie set, and there is 216 00:10:36,360 --> 00:10:39,199 Speaker 2: a difference. Now some people would say in a workplace, 217 00:10:39,640 --> 00:10:41,840 Speaker 2: it's even worse if you get grabbed in your office. 218 00:10:41,840 --> 00:10:44,439 Speaker 2: And although on a movie set is a workplace, it's 219 00:10:44,480 --> 00:10:48,120 Speaker 2: a very specific workplace. If you know actors, we do, Mark, 220 00:10:48,440 --> 00:10:50,240 Speaker 2: this is part of the job. I don't think I 221 00:10:50,240 --> 00:10:52,400 Speaker 2: could be an actor, Mark. I can't act and be 222 00:10:52,960 --> 00:10:55,520 Speaker 2: I don't think i'd want to kiss somebody that wasn't Bruce, 223 00:10:55,640 --> 00:10:57,800 Speaker 2: or I wouldn't be able to do love scenes like 224 00:10:57,840 --> 00:10:59,960 Speaker 2: it just doesn't I just would feel really weird, like 225 00:11:00,080 --> 00:11:02,840 Speaker 2: that kiss you Mark on a set. I'd be like, 226 00:11:02,960 --> 00:11:05,040 Speaker 2: I don't know if this feels really right. I mean, 227 00:11:05,040 --> 00:11:06,839 Speaker 2: that's that's why I wouldn't be an actor. Blake's an 228 00:11:06,880 --> 00:11:10,880 Speaker 2: actor here. What Blake has done though, this lawsuit against Justin, 229 00:11:11,040 --> 00:11:15,080 Speaker 2: against the film company, has now opened her up for 230 00:11:15,240 --> 00:11:20,920 Speaker 2: her whole history to be examined. And we all have skeletons, 231 00:11:21,080 --> 00:11:23,720 Speaker 2: We all have things that we wish we hadn't done, 232 00:11:23,720 --> 00:11:26,199 Speaker 2: and we probably would do different today. We all have 233 00:11:26,280 --> 00:11:27,840 Speaker 2: them in that classt They're all going to come out. 234 00:11:28,559 --> 00:11:31,800 Speaker 1: They are you know, as someone who I've taken improv before. 235 00:11:32,040 --> 00:11:35,000 Speaker 1: I was in several improv shows and I've acted, and 236 00:11:35,000 --> 00:11:38,200 Speaker 1: that's listen, Improvising is hard and you have to kind 237 00:11:38,200 --> 00:11:40,720 Speaker 1: of think and act on the fly. However, I'd never 238 00:11:40,840 --> 00:11:44,600 Speaker 1: grabbed anyone in improv scene. It's like there is those 239 00:11:44,679 --> 00:11:46,880 Speaker 1: natural boundaries in your mind, you know, like that is 240 00:11:46,920 --> 00:11:49,520 Speaker 1: not okay, that's not appropriate. You can't grab someone even 241 00:11:49,559 --> 00:11:51,280 Speaker 1: the heat of the moment. You're on a movie set. 242 00:11:51,400 --> 00:11:53,400 Speaker 1: You don't grab someone's crotch and squeeze. So you just 243 00:11:53,400 --> 00:11:55,959 Speaker 1: don't do that. And I think there is something about 244 00:11:56,000 --> 00:11:58,600 Speaker 1: her that she had this power. She felt as though 245 00:11:58,600 --> 00:12:00,840 Speaker 1: she could just act as however she once and it's 246 00:12:00,880 --> 00:12:03,440 Speaker 1: just not the reality of life. And I bet she 247 00:12:03,559 --> 00:12:06,280 Speaker 1: really does regret ever restroying this last tuo because now, 248 00:12:06,360 --> 00:12:10,360 Speaker 1: like you said, everything is fair game, her whole everything. 249 00:12:10,600 --> 00:12:13,280 Speaker 2: Everything is fair game. Okay, moving along, we told you 250 00:12:13,360 --> 00:12:17,360 Speaker 2: first Saturday Night Live feels a little bit used. So 251 00:12:17,520 --> 00:12:20,880 Speaker 2: Morgan Walland's controversial walk off, We've been talking about it 252 00:12:20,920 --> 00:12:24,400 Speaker 2: since Saturday was a PR stunt to sell merchandise. So 253 00:12:24,640 --> 00:12:27,160 Speaker 2: just days after he walked off the set. Remember at 254 00:12:27,160 --> 00:12:29,280 Speaker 2: the end of the show, the cat they all hug 255 00:12:29,280 --> 00:12:31,520 Speaker 2: and they say goodbye, and there's a stage manager on 256 00:12:31,640 --> 00:12:34,240 Speaker 2: the show. There's a stage manager standing by the cameras 257 00:12:34,280 --> 00:12:36,840 Speaker 2: that tells people to just stay put. They have their hand. 258 00:12:36,840 --> 00:12:38,840 Speaker 2: If I've been to s and I've been to rehearsals, 259 00:12:38,840 --> 00:12:40,720 Speaker 2: I've been behind the scenes. I've been to live shows, 260 00:12:40,880 --> 00:12:43,880 Speaker 2: there's a stage manager there making it very clear just 261 00:12:43,960 --> 00:12:46,240 Speaker 2: hold it. The cameras are still rolling, and then when 262 00:12:46,280 --> 00:12:49,000 Speaker 2: the cameras stop rolling, it's very clear the show's over. 263 00:12:49,320 --> 00:12:51,560 Speaker 2: It's not an accident. This is not something that's just 264 00:12:51,600 --> 00:12:54,800 Speaker 2: like on the fly. No, this is organized. So we 265 00:12:54,840 --> 00:12:56,920 Speaker 2: knew the cameras were on when he walked off, So 266 00:12:56,920 --> 00:12:59,480 Speaker 2: I didn't buy it for one minute. And now we 267 00:12:59,559 --> 00:13:04,280 Speaker 2: think days he's already selling merchandise with Get Me to 268 00:13:04,480 --> 00:13:08,320 Speaker 2: God's Country on it. So that's what he said when 269 00:13:08,400 --> 00:13:11,320 Speaker 2: he left. It's all a stunt. His album's coming out. 270 00:13:11,360 --> 00:13:14,160 Speaker 2: He knew this would excite his bass. SNL is considered 271 00:13:14,240 --> 00:13:17,880 Speaker 2: a liberal show in liberal New York with all those lefties, 272 00:13:18,200 --> 00:13:21,679 Speaker 2: and so I think he really managed to use SNL 273 00:13:21,800 --> 00:13:25,360 Speaker 2: to really get his base, really really excited, and I'm 274 00:13:25,360 --> 00:13:29,000 Speaker 2: sure the album will be a huge hit. I love 275 00:13:29,000 --> 00:13:31,400 Speaker 2: a pr stunt. But I only like it when it's 276 00:13:31,480 --> 00:13:35,040 Speaker 2: mutually beneficial. I would have asked, can I do this? 277 00:13:35,400 --> 00:13:38,160 Speaker 2: Do you mind? And the fact that the merchandise came 278 00:13:38,200 --> 00:13:43,120 Speaker 2: out just so quick Mark baseball camps, T shirts, key chains, 279 00:13:43,360 --> 00:13:46,880 Speaker 2: they're selling like hotcakes. This was a bit shady. 280 00:13:47,000 --> 00:13:49,439 Speaker 1: Mark it is and I will Incidentally, I was in 281 00:13:49,480 --> 00:13:51,800 Speaker 1: the audience of SNL the first time he appeared on 282 00:13:51,800 --> 00:13:53,960 Speaker 1: the show, so you know, I was a witness to 283 00:13:54,120 --> 00:13:56,760 Speaker 1: his you know, experience. I can tell you you know 284 00:13:56,840 --> 00:13:59,160 Speaker 1: for a fact that he knows how this goes, and 285 00:13:59,760 --> 00:14:01,400 Speaker 1: you know that he knows what is doing. You know, 286 00:14:01,760 --> 00:14:04,120 Speaker 1: is it worth it? And my thing is like the 287 00:14:04,160 --> 00:14:08,080 Speaker 1: bigger picture of your career and you know, promotional opportunities 288 00:14:08,080 --> 00:14:10,360 Speaker 1: in the future. Do you really want to burn SNL? 289 00:14:10,400 --> 00:14:13,040 Speaker 1: It's a great place to some sell stuff, but like 290 00:14:13,200 --> 00:14:15,560 Speaker 1: for this, for T shirts, I don't think. 291 00:14:15,400 --> 00:14:18,360 Speaker 2: That although if you sell five million dollars of T shirts, 292 00:14:20,160 --> 00:14:22,360 Speaker 2: I might walk right out of Doris's house if the 293 00:14:22,400 --> 00:14:24,840 Speaker 2: cameras are rolling. If I could sell I'm leaving Doris 294 00:14:24,920 --> 00:14:27,880 Speaker 2: T shirts. Maybe that's okay. Quickly, before we get a 295 00:14:27,880 --> 00:14:30,240 Speaker 2: bright mob, what is Gizelle up to? Big news? 296 00:14:31,040 --> 00:14:34,280 Speaker 1: So Gizelle Bunschin has made her glamorous return to the 297 00:14:34,280 --> 00:14:39,080 Speaker 1: fashion world, fronting the new Marc O Polo spring campaign, 298 00:14:39,160 --> 00:14:42,560 Speaker 1: just weeks after welcoming her third child with her boyfriend Joaquim, 299 00:14:42,960 --> 00:14:45,880 Speaker 1: But sources behind the glowing beach shot in equal friendly 300 00:14:45,920 --> 00:14:49,480 Speaker 1: style is a very real financial imbalance, one that's left 301 00:14:49,720 --> 00:14:51,240 Speaker 1: Gizelle's shouldering. 302 00:14:50,760 --> 00:14:51,840 Speaker 2: Most of the lude. 303 00:14:51,920 --> 00:14:54,640 Speaker 1: Joaqum does well in the fitness world, the sources told, 304 00:14:55,040 --> 00:14:57,520 Speaker 1: you know, not but nice, but he simply can't afford 305 00:14:57,600 --> 00:14:59,920 Speaker 1: to live like Giselle and the kids not even close. 306 00:15:00,560 --> 00:15:02,280 Speaker 1: This is the private planes, is the shet. 307 00:15:03,680 --> 00:15:06,040 Speaker 2: Yeah, you gotta earn that money, girl, Like, if you 308 00:15:06,080 --> 00:15:08,480 Speaker 2: want to live like Giselle, you've gotta make Giselle money. 309 00:15:08,520 --> 00:15:10,760 Speaker 2: And so like it's really tricky, isn't it. I when 310 00:15:10,760 --> 00:15:13,120 Speaker 2: you have a partner that has just that much more 311 00:15:13,160 --> 00:15:15,800 Speaker 2: money Mark, not just a little bit, like but just 312 00:15:15,960 --> 00:15:18,280 Speaker 2: that Brewster's better than I do. But he's not Gizelle, 313 00:15:18,680 --> 00:15:22,520 Speaker 2: Like he does really well, but it's I didn't marry stink, 314 00:15:22,880 --> 00:15:27,000 Speaker 2: Like can you imagine? I think Gizelle is the highest 315 00:15:27,040 --> 00:15:30,400 Speaker 2: Paige supermodel in the world. And he has his yoga 316 00:15:30,400 --> 00:15:33,640 Speaker 2: instructing studio and he does great. He does great. I 317 00:15:33,880 --> 00:15:39,000 Speaker 2: love eems money, but he doesn't make Giselle. But if 318 00:15:39,000 --> 00:15:42,320 Speaker 2: they want the private yachts and the private plays Giselle, 319 00:15:42,360 --> 00:15:45,280 Speaker 2: you better get back to work. She looks fabulous. I 320 00:15:45,360 --> 00:15:48,000 Speaker 2: like that they're making it, making it literally work. Okay, 321 00:15:48,040 --> 00:15:49,920 Speaker 2: We're going to take a quick break to pay our 322 00:15:49,960 --> 00:15:55,160 Speaker 2: bills and we will be right back. Welcome back to 323 00:15:55,200 --> 00:15:57,280 Speaker 2: the naughty, n ICEHAMI hostrom shoot with my dear friend 324 00:15:57,280 --> 00:15:59,720 Speaker 2: Mark Glupo. Hey, Lupi, let's get to the polls that hour. 325 00:16:00,240 --> 00:16:02,880 Speaker 2: So a judge ruled that a real housewife, Liam mcsweey, 326 00:16:03,240 --> 00:16:06,480 Speaker 2: can move forward with her lawsuit against the Bravo Our 327 00:16:06,560 --> 00:16:09,280 Speaker 2: question was very naughty and very unrealistic, but it made 328 00:16:09,280 --> 00:16:14,120 Speaker 2: me giggle. Should Bravo televise the trial? What watch I 329 00:16:14,800 --> 00:16:17,040 Speaker 2: would watch? I love a trial. We haven't had a 330 00:16:17,040 --> 00:16:19,800 Speaker 2: good trial since Johnny Depp. We haven't, we haven't who 331 00:16:19,800 --> 00:16:23,120 Speaker 2: I'd love to watch this Andy on the witness stand, 332 00:16:23,160 --> 00:16:27,360 Speaker 2: all those housewives, the fashion alone, what these ladies will 333 00:16:27,400 --> 00:16:30,880 Speaker 2: wear when they are sitting there testify? And what do 334 00:16:30,920 --> 00:16:36,040 Speaker 2: you think else? Should should Bravo televise the trial? Ninety 335 00:16:36,040 --> 00:16:39,320 Speaker 2: five percent said yes, absolutely must, This would be the 336 00:16:39,360 --> 00:16:42,040 Speaker 2: best thing that's happened to Bravo since Queer Eye. Okay, 337 00:16:42,080 --> 00:16:45,160 Speaker 2: don't forget to vote on our Twitter poll at Naughty 338 00:16:45,240 --> 00:16:48,200 Speaker 2: Nice Rob or our Facebook page which is not a gossip, 339 00:16:48,200 --> 00:16:50,920 Speaker 2: and be sure to check back tomorrow to hear your results. 340 00:16:50,920 --> 00:16:54,320 Speaker 2: And now, oh it's time for our noisiest of the day. 341 00:16:54,640 --> 00:16:57,840 Speaker 1: Ah, it's Megan mark Rob. 342 00:16:58,480 --> 00:17:00,000 Speaker 2: We're having a good day for Meccan. 343 00:17:00,080 --> 00:17:04,320 Speaker 1: Sure, so Megan Marcle it's for a really funny reason too. 344 00:17:04,320 --> 00:17:06,800 Speaker 1: Megan Markele's sources tell Naughty but Nice that the Duchess 345 00:17:06,800 --> 00:17:10,720 Speaker 1: of Sussex has one unshakeable rule for anyone who enters 346 00:17:10,760 --> 00:17:13,760 Speaker 1: your house and that's it what no photos allowed? 347 00:17:14,119 --> 00:17:15,119 Speaker 2: Oh? I like it? Mm hm. 348 00:17:15,200 --> 00:17:17,320 Speaker 1: So this is not just reporter sources to say. It's 349 00:17:17,480 --> 00:17:20,360 Speaker 1: the same for friends, family, former co stars, even royalty. 350 00:17:20,640 --> 00:17:22,560 Speaker 1: The phone is staying in your bag. 351 00:17:22,920 --> 00:17:25,280 Speaker 2: What do you think? I think that's really nice. I 352 00:17:25,320 --> 00:17:27,480 Speaker 2: get a little I'm know, Megan Markle, but I don't 353 00:17:27,520 --> 00:17:29,520 Speaker 2: like it when people come into my house and take pictures, 354 00:17:29,560 --> 00:17:31,040 Speaker 2: like if you we're in a bar and you take 355 00:17:31,040 --> 00:17:33,120 Speaker 2: yourself a A couple of nights ago, I was having 356 00:17:33,200 --> 00:17:36,280 Speaker 2: drinks with a friend, a friend who works at Access Hollywood, 357 00:17:36,280 --> 00:17:37,879 Speaker 2: and that I met somebody else just by chance in 358 00:17:37,880 --> 00:17:39,679 Speaker 2: the bar and he's taking all these selfies and then 359 00:17:39,680 --> 00:17:41,800 Speaker 2: he started to video us, and I was like, really, 360 00:17:42,200 --> 00:17:44,640 Speaker 2: put the camera down. It's just felt really weird. Had 361 00:17:44,640 --> 00:17:46,760 Speaker 2: that been my house, it would have really freaked me out. 362 00:17:46,840 --> 00:17:49,719 Speaker 2: So I totally get this. It's your house, it's your rules. 363 00:17:49,760 --> 00:17:51,679 Speaker 2: I believe that if you want me to take my 364 00:17:51,720 --> 00:17:54,239 Speaker 2: shoes off at your house, that's your house. I'll do 365 00:17:54,280 --> 00:17:56,159 Speaker 2: what you want. If you want me to put my 366 00:17:56,560 --> 00:17:59,080 Speaker 2: phone away, it's your house. What do you think, Mark, 367 00:17:59,119 --> 00:18:01,440 Speaker 2: I'm quite stract, like a I don't allow very many 368 00:18:01,440 --> 00:18:03,760 Speaker 2: people in my apartment. I've been here a really long 369 00:18:03,800 --> 00:18:05,840 Speaker 2: time and probably like a handful of friends I've ever 370 00:18:05,840 --> 00:18:08,280 Speaker 2: been in my apartment. New York's different from the rest 371 00:18:08,280 --> 00:18:10,760 Speaker 2: of the country. We meet at bars, we meet at rest, 372 00:18:11,040 --> 00:18:13,880 Speaker 2: I meet you outside the theater. I don't say come 373 00:18:13,960 --> 00:18:16,880 Speaker 2: over like it just very rarely happens. Are you quite 374 00:18:16,880 --> 00:18:17,880 Speaker 2: strict about your apartment? 375 00:18:17,880 --> 00:18:21,520 Speaker 1: Mark, I don't like shoes in my apartment, but I mean, 376 00:18:21,640 --> 00:18:22,760 Speaker 1: you know, I used to have a lot of parties 377 00:18:22,800 --> 00:18:25,400 Speaker 1: here in fun things, but you do. But now it's true, 378 00:18:25,440 --> 00:18:27,920 Speaker 1: when you get older, it's like old meet out for dinner, 379 00:18:27,960 --> 00:18:28,800 Speaker 1: but don't more around. 380 00:18:29,000 --> 00:18:30,720 Speaker 2: Wait for dinner and then I can leave. You'll go 381 00:18:30,760 --> 00:18:33,440 Speaker 2: home and close my door. You're annoying, but yes, that's 382 00:18:33,520 --> 00:18:36,480 Speaker 2: New York and naughty is the day, naughty, naughty. This 383 00:18:36,640 --> 00:18:40,080 Speaker 2: is just heartbreaking. So Tom Cruise is inconsolable after the 384 00:18:40,119 --> 00:18:42,879 Speaker 2: death of el kill Ma. So lots of celebrities have 385 00:18:42,880 --> 00:18:45,240 Speaker 2: put out statements as of now as at this moment, 386 00:18:45,280 --> 00:18:47,400 Speaker 2: it might change the day. Thomas not. And I'm told 387 00:18:47,440 --> 00:18:49,160 Speaker 2: you feel like it feels like you lost a brother. 388 00:18:49,560 --> 00:18:53,040 Speaker 2: Tom was really really invested. If you remember when they 389 00:18:53,080 --> 00:18:56,640 Speaker 2: did the reboot in twenty twenty two Top Co Maverick, 390 00:18:56,920 --> 00:18:59,080 Speaker 2: there was a really beautiful scene with the two of them, 391 00:18:59,080 --> 00:19:03,040 Speaker 2: and Tom really hard to make that scene just as 392 00:19:03,080 --> 00:19:06,720 Speaker 2: beautiful as it was. He is absolutely devastated. People grieve 393 00:19:06,760 --> 00:19:09,640 Speaker 2: in different ways, and so if you're expecting a statement 394 00:19:09,720 --> 00:19:11,520 Speaker 2: right away and you don't get one, that does not 395 00:19:11,640 --> 00:19:14,159 Speaker 2: mean he does not love him. It means it's tanna 396 00:19:14,200 --> 00:19:16,800 Speaker 2: to take him a minute and say, let's give Tom 397 00:19:16,840 --> 00:19:20,720 Speaker 2: and everybody all the grace all the time that they need. 398 00:19:20,960 --> 00:19:24,280 Speaker 2: Just heartbreaking, just heartbreaking. Okay, let's end with a moment 399 00:19:24,320 --> 00:19:28,560 Speaker 2: of rob you get a rub room. You can't control 400 00:19:28,600 --> 00:19:31,800 Speaker 2: your feelings, but you can control what you do. Let 401 00:19:31,800 --> 00:19:35,639 Speaker 2: me explain. You might feel anxious, tired, and motivated or 402 00:19:35,720 --> 00:19:40,679 Speaker 2: even overwhelmed, and that's okay. Feelings aren't always in your control, 403 00:19:41,119 --> 00:19:46,080 Speaker 2: but here's what is your response. You can feel fear, Mark, 404 00:19:46,520 --> 00:19:49,200 Speaker 2: and you can still take a leap. You can feel 405 00:19:49,280 --> 00:19:52,560 Speaker 2: doubt and you can still show up. You can feel 406 00:19:52,680 --> 00:19:57,720 Speaker 2: heavy and you can still move forward. Your emotions are valid, 407 00:19:58,320 --> 00:20:01,480 Speaker 2: but they don't get to run the show unless you 408 00:20:01,640 --> 00:20:06,000 Speaker 2: let them. Action is always a choice, Mark, and every 409 00:20:06,119 --> 00:20:11,159 Speaker 2: time you choose action over feelings over excuses, you build 410 00:20:11,480 --> 00:20:15,480 Speaker 2: strength and that is how you move forward. Once again, 411 00:20:15,760 --> 00:20:19,680 Speaker 2: you can't control your feelings, but you can control what 412 00:20:19,720 --> 00:20:22,359 Speaker 2: you do about them. I've really learned this, Mark. I 413 00:20:22,359 --> 00:20:24,840 Speaker 2: can feel frustrated and angry, but I don't need to 414 00:20:24,920 --> 00:20:28,080 Speaker 2: lash out. I can have a quiet moment. I can't 415 00:20:28,119 --> 00:20:31,679 Speaker 2: control how I feel right away, but I can control 416 00:20:32,080 --> 00:20:34,640 Speaker 2: what I do. Hey, that is it for today. Thank 417 00:20:34,640 --> 00:20:36,359 Speaker 2: you so much for listening to the Naughty Bit Nice 418 00:20:36,440 --> 00:20:39,080 Speaker 2: with Rob and Mark show or a production of iHeartRadio. 419 00:20:39,119 --> 00:20:42,280 Speaker 2: Don't forget to subscribe on the iHeartRadio app, Apple podcasts 420 00:20:42,280 --> 00:20:44,080 Speaker 2: wherever you listen, leave us a review if you can. 421 00:20:44,119 --> 00:20:46,720 Speaker 2: They really do help. And remember altogether now, if you're 422 00:20:46,760 --> 00:20:52,080 Speaker 2: going to be naughty, you got to be to care everybody, 423 00:20:52,880 --> 00:20:54,800 Speaker 2: not even nice with Rum