1 00:00:05,280 --> 00:00:07,720 Speaker 1: Hey, this is and Samantha and welcome to stuff. I 2 00:00:07,720 --> 00:00:20,480 Speaker 1: never told your production. I heart radio. And today we 3 00:00:20,480 --> 00:00:22,920 Speaker 1: were talking about a show which I have never seen, Ridgardton. 4 00:00:23,400 --> 00:00:25,560 Speaker 1: Have you watched the new season in Samantha. 5 00:00:25,640 --> 00:00:30,800 Speaker 2: I watched the first half because they split the season annoyingly, 6 00:00:30,880 --> 00:00:33,840 Speaker 2: so I had like a month break and then release 7 00:00:33,920 --> 00:00:36,280 Speaker 2: the other half. I don't know why, something with the 8 00:00:36,320 --> 00:00:38,559 Speaker 2: fact that they changed over the show runner and the 9 00:00:38,600 --> 00:00:43,720 Speaker 2: showrunner may have not handled the season very well. That's 10 00:00:43,760 --> 00:00:46,919 Speaker 2: what I'm getting from. Like me as like just a 11 00:00:47,200 --> 00:00:51,560 Speaker 2: very lightly watching and then moving on because the first 12 00:00:51,600 --> 00:00:54,160 Speaker 2: season I really did enjoy, but then I was like, yeah, okay, 13 00:00:54,400 --> 00:00:55,720 Speaker 2: kind of how I do with like a lot of 14 00:00:55,800 --> 00:00:59,280 Speaker 2: dramas when it gets too like repetitive in my mind 15 00:00:59,280 --> 00:01:01,600 Speaker 2: that I'm like, eh, and I'm done because it was 16 00:01:01,640 --> 00:01:04,080 Speaker 2: new at first. But like I do love some of 17 00:01:04,120 --> 00:01:06,920 Speaker 2: the actors on there, including when I know you're about 18 00:01:06,920 --> 00:01:10,440 Speaker 2: to talk about Nicola Coughlan, who is fantastic in every 19 00:01:10,440 --> 00:01:13,000 Speaker 2: interview i've seen her do and apparently really great and 20 00:01:13,120 --> 00:01:15,000 Speaker 2: Dairy Girls, which I'm very great I. 21 00:01:14,959 --> 00:01:15,520 Speaker 3: Have not seen. 22 00:01:17,080 --> 00:01:18,720 Speaker 1: I haven't seen it either, but it's on my It 23 00:01:18,720 --> 00:01:22,120 Speaker 1: has long been on my watch list, and it's a 24 00:01:22,160 --> 00:01:24,480 Speaker 1: show that people tell me. They're always like, you would 25 00:01:24,560 --> 00:01:26,479 Speaker 1: love that show, and I believe it. Yeah, I am 26 00:01:26,480 --> 00:01:30,480 Speaker 1: in a strange place where I also I never watched Bridgerton, 27 00:01:30,520 --> 00:01:33,520 Speaker 1: but I just there's a lot of new content that 28 00:01:33,600 --> 00:01:36,480 Speaker 1: I have watched, like the first couple seasons of and 29 00:01:36,520 --> 00:01:40,200 Speaker 1: I love. I don't know right now, I'm like, I 30 00:01:40,240 --> 00:01:43,119 Speaker 1: need my space. Let me watch my bad horror movie 31 00:01:43,120 --> 00:01:46,080 Speaker 1: that I don't really have to invest in. Right That's 32 00:01:46,080 --> 00:01:47,560 Speaker 1: just where I am right now. I know I'll watch 33 00:01:47,600 --> 00:01:48,800 Speaker 1: it eventually, but like. 34 00:01:48,800 --> 00:01:50,720 Speaker 3: The mood, Yeah, I see you get Get the Moon. 35 00:01:50,800 --> 00:01:52,400 Speaker 2: You're like okay, because I, like I said, I did 36 00:01:52,440 --> 00:01:54,440 Speaker 2: watch the first half and I was like okay, and 37 00:01:54,480 --> 00:01:57,360 Speaker 2: then kind of quote unquote like Cliffhanger and you know 38 00:01:57,440 --> 00:02:01,320 Speaker 2: things are going to go awry. A lot of revelations 39 00:02:01,360 --> 00:02:05,280 Speaker 2: in this one. But still because the over the top. 40 00:02:06,280 --> 00:02:08,440 Speaker 2: Maybe I've just been so inundated with the content, with 41 00:02:08,440 --> 00:02:11,399 Speaker 2: people's criticisms and like predictions that I'm like, eh, I'll wait. 42 00:02:12,639 --> 00:02:16,040 Speaker 1: Yeah, oh gosh, I have so many thoughts about that. 43 00:02:16,600 --> 00:02:18,440 Speaker 1: I may or may not have written an essay about 44 00:02:18,440 --> 00:02:22,680 Speaker 1: how social media is really impacting our entertainment consumption because 45 00:02:22,680 --> 00:02:24,200 Speaker 1: I write essays when I'm stressed. 46 00:02:25,200 --> 00:02:27,320 Speaker 3: All right, I was like, is this being published? Okay? 47 00:02:27,360 --> 00:02:31,280 Speaker 1: This is your collection me trying to work things out. 48 00:02:31,320 --> 00:02:34,000 Speaker 1: I have a whole holder filled with essays that no 49 00:02:34,000 --> 00:02:35,040 Speaker 1: one will ever read. 50 00:02:36,080 --> 00:02:37,480 Speaker 2: Is this one of the things I have to delete? 51 00:02:37,560 --> 00:02:40,119 Speaker 2: Just think like later down the road. 52 00:02:41,000 --> 00:02:43,200 Speaker 1: It might make some people mad, but they'll move on 53 00:02:43,320 --> 00:02:49,640 Speaker 1: quickly because some social media. Sorry, that's a different topic. 54 00:02:51,520 --> 00:02:57,160 Speaker 1: So I don't know. As someone who's never interacted with 55 00:02:57,200 --> 00:03:01,400 Speaker 1: this media, I'm gonna say spoilers just in case, but 56 00:03:02,680 --> 00:03:05,120 Speaker 1: I don't know. But if you're really like I do 57 00:03:05,160 --> 00:03:07,840 Speaker 1: not want any spoilers and you don't know what happens, 58 00:03:08,360 --> 00:03:12,160 Speaker 1: maybe wait on this one. And content warning for fat phobia. 59 00:03:13,520 --> 00:03:16,240 Speaker 1: So we are a bit behind the times here. But 60 00:03:17,000 --> 00:03:19,400 Speaker 1: as I've mentioned recently, I got to go on a 61 00:03:19,440 --> 00:03:21,960 Speaker 1: trip with some friends and they were talking all about 62 00:03:21,960 --> 00:03:25,160 Speaker 1: Bridgerton and this came up. I hadn't heard about it, 63 00:03:25,560 --> 00:03:28,240 Speaker 1: and I was like, wait what, And so here we are. 64 00:03:29,760 --> 00:03:33,720 Speaker 1: So in the newest season of the Netflix show Bridgerton, 65 00:03:34,160 --> 00:03:40,200 Speaker 1: Penelope Featherington played by Nikola Cochlan and Colin Bridgerton played 66 00:03:40,200 --> 00:03:44,800 Speaker 1: by Luke Newton have sparked some romance. Their ship name 67 00:03:44,880 --> 00:03:47,560 Speaker 1: is Paulin. I guess that's how you say that the 68 00:03:48,400 --> 00:03:50,400 Speaker 1: and them getting together is something that a lot of 69 00:03:50,400 --> 00:03:54,040 Speaker 1: folks have been looking forward to. And throughout this process, 70 00:03:54,440 --> 00:03:57,600 Speaker 1: Cocklan has dealt with a lot of fat shaming and 71 00:03:57,680 --> 00:04:03,160 Speaker 1: just overall body shaming, especially when compared to Newton. From 72 00:04:03,160 --> 00:04:06,400 Speaker 1: the Independent quote. There's been a bizarre affixation on the 73 00:04:06,480 --> 00:04:10,040 Speaker 1: latter's body type Cocklan in general, ranging from a Guardian 74 00:04:10,120 --> 00:04:13,200 Speaker 1: article calling her a little bit fat and a lot 75 00:04:13,320 --> 00:04:18,000 Speaker 1: hot to downright poisonous Spectator article that stated, as if 76 00:04:18,000 --> 00:04:21,719 Speaker 1: it were fact, that Cocklan is not hot and that 77 00:04:21,800 --> 00:04:24,680 Speaker 1: the idea of a fat girl who wins the Prince 78 00:04:25,120 --> 00:04:30,719 Speaker 1: wasn't remotely plausible. I will say others have also said 79 00:04:30,760 --> 00:04:34,200 Speaker 1: she doesn't really even qualify as plus size in real life. 80 00:04:35,040 --> 00:04:39,080 Speaker 1: I feel like that's kind of another territory. But basically 81 00:04:39,080 --> 00:04:44,120 Speaker 1: they're like, she still's not really plus size, and you're 82 00:04:44,160 --> 00:04:46,120 Speaker 1: making these comments. 83 00:04:47,240 --> 00:04:50,960 Speaker 2: I think more than anything, she's just shorter. She's like 84 00:04:51,000 --> 00:04:55,039 Speaker 2: a shorter person in the series. Again, I'm not gonna 85 00:04:55,360 --> 00:04:57,839 Speaker 2: vouch for the books because I have never read the books, 86 00:04:57,839 --> 00:05:00,520 Speaker 2: and we have I know many people who are die 87 00:05:00,520 --> 00:05:03,560 Speaker 2: hard for the books. We've also had criticisms, and I 88 00:05:03,600 --> 00:05:06,839 Speaker 2: got criticized for watching that first season and when we 89 00:05:06,920 --> 00:05:10,239 Speaker 2: talked about it, because there is that conversation of rape 90 00:05:11,200 --> 00:05:12,400 Speaker 2: with the male lead. 91 00:05:13,320 --> 00:05:13,960 Speaker 3: So all of. 92 00:05:13,920 --> 00:05:17,479 Speaker 2: That is very very legitimate, and I hear, y'all, we 93 00:05:17,560 --> 00:05:19,760 Speaker 2: hear you, we know this. But I think in one 94 00:05:19,800 --> 00:05:22,000 Speaker 2: of the ways that they did change and flip some 95 00:05:22,040 --> 00:05:26,440 Speaker 2: of the narrative, especially for a period piece such as this, 96 00:05:26,800 --> 00:05:30,880 Speaker 2: is having Nicola Cocklin being a main character and being 97 00:05:31,040 --> 00:05:34,599 Speaker 2: seen as a leading lady, even though people were like, 98 00:05:34,680 --> 00:05:37,040 Speaker 2: what is going on and seeing this as revolutionary, which 99 00:05:37,040 --> 00:05:40,400 Speaker 2: is again is annoying. And maybe the main fact within 100 00:05:41,120 --> 00:05:44,920 Speaker 2: the movies and the show itself, they don't reference her 101 00:05:44,920 --> 00:05:48,200 Speaker 2: body at all. That maybe I've missed some parts, maybe 102 00:05:48,200 --> 00:05:50,400 Speaker 2: it's spent a long time. I don't remember any real 103 00:05:50,480 --> 00:05:53,560 Speaker 2: fat shaming in the conversation. I don't like they were 104 00:05:53,680 --> 00:05:56,240 Speaker 2: more shaming her outfits because her mom is over the 105 00:05:56,279 --> 00:05:58,600 Speaker 2: top with the colors and everybody would like, oh, look 106 00:05:58,640 --> 00:06:02,120 Speaker 2: at them, they're wearing orange to this like everybody else 107 00:06:02,160 --> 00:06:05,120 Speaker 2: wearing light green and whites and or like. And the 108 00:06:05,200 --> 00:06:09,760 Speaker 2: mother really loved very bright neon colors, which she hates, 109 00:06:10,120 --> 00:06:13,840 Speaker 2: like the character of Penelope hates and a part of 110 00:06:13,920 --> 00:06:17,640 Speaker 2: the her like new being out trying to find a husband, 111 00:06:18,480 --> 00:06:20,479 Speaker 2: is her being able to choose her own colors and 112 00:06:20,480 --> 00:06:23,320 Speaker 2: outfits and really standing out like her welcome out. It 113 00:06:23,400 --> 00:06:27,240 Speaker 2: was her being in very beautiful Emeralds green dress. So like, 114 00:06:27,440 --> 00:06:29,520 Speaker 2: none of the shame factor has been based on her 115 00:06:29,520 --> 00:06:32,560 Speaker 2: body in the show as where you know, sometimes there's 116 00:06:32,600 --> 00:06:35,359 Speaker 2: a token and that's the center of the conversation and 117 00:06:35,400 --> 00:06:37,839 Speaker 2: the jokes and the plot. That's not been a thing. 118 00:06:37,920 --> 00:06:40,880 Speaker 2: So from the series in itself, that's not a concern. 119 00:06:41,120 --> 00:06:44,400 Speaker 2: It's literally been everybody else. And I know, like in 120 00:06:44,440 --> 00:06:47,600 Speaker 2: these conversations about this, she has outright said it kind 121 00:06:47,600 --> 00:06:49,440 Speaker 2: of ignored all of that and just being like, I know. 122 00:06:49,400 --> 00:06:50,400 Speaker 3: I've got the best breast. 123 00:06:50,760 --> 00:06:54,920 Speaker 2: It's like absolutely, yes, girl, you do amazing show them off. 124 00:06:56,320 --> 00:06:59,320 Speaker 2: But like that that's not in the show, but it's 125 00:06:59,360 --> 00:07:04,640 Speaker 2: always like constant conversation for outside of that. 126 00:07:05,839 --> 00:07:10,000 Speaker 1: Yes, yes, And it really blew up recently. That conversation 127 00:07:10,120 --> 00:07:13,320 Speaker 1: did soon after the release of the show, when activist 128 00:07:13,400 --> 00:07:17,680 Speaker 1: and author Virgie Tovar wrote a piece for Forbes titled Ridgerdton, 129 00:07:18,040 --> 00:07:20,520 Speaker 1: Are we still not ready for a mixed weight romance 130 00:07:20,560 --> 00:07:23,800 Speaker 1: on screen. Okay, so, as you can imagine, people had 131 00:07:23,840 --> 00:07:25,720 Speaker 1: a lot of thoughts, uh. 132 00:07:27,200 --> 00:07:31,000 Speaker 2: So, like what the hell like that title as if 133 00:07:31,040 --> 00:07:33,240 Speaker 2: implying like that's not a thing. 134 00:07:34,160 --> 00:07:39,640 Speaker 1: Yeah, we're gonna bring it down. When somebody did respond 135 00:07:39,640 --> 00:07:42,760 Speaker 1: and was like, aren't we all mixed weight couples? Right? 136 00:07:43,360 --> 00:07:46,000 Speaker 2: They're all bolt gonna you were mixed weight, whether it's 137 00:07:46,040 --> 00:07:49,160 Speaker 2: one's like over the top like weightlifting, and the other 138 00:07:49,200 --> 00:07:52,360 Speaker 2: one it has like perfect slim body, like what. 139 00:07:53,800 --> 00:07:58,400 Speaker 1: Yes, And I will say I read the article and 140 00:07:58,600 --> 00:08:02,800 Speaker 1: somebody else that wasn't me said, really, what is missing here? 141 00:08:04,040 --> 00:08:08,960 Speaker 1: Was for women because it's like not a the article 142 00:08:09,040 --> 00:08:11,080 Speaker 1: is not bad and it has a lot of good points, 143 00:08:11,120 --> 00:08:15,560 Speaker 1: but the title, and that's what everybody saw and was 144 00:08:15,600 --> 00:08:20,600 Speaker 1: like what so I feel like there just could have 145 00:08:20,600 --> 00:08:36,120 Speaker 1: been better wording. Wording. So here's a quote from the article. 146 00:08:36,440 --> 00:08:39,400 Speaker 1: For some this romance is unsettling because it forces them 147 00:08:39,440 --> 00:08:42,160 Speaker 1: to consider that humans are simply not governed by tidy, 148 00:08:42,360 --> 00:08:46,240 Speaker 1: predictable rules. This romance upsets you. It says more about 149 00:08:46,240 --> 00:08:49,040 Speaker 1: how deeply you've internalized fat phobia than it says about 150 00:08:49,080 --> 00:08:52,839 Speaker 1: the bodies of the actors playing Penelopie and Colin, And 151 00:08:52,880 --> 00:08:55,760 Speaker 1: I just want to say, also, mixed weight, this is 152 00:08:55,760 --> 00:08:59,200 Speaker 1: not the first time that has been used. Really, yeah 153 00:08:59,559 --> 00:09:02,880 Speaker 1: around for a minute, and I read an article about why, 154 00:09:03,080 --> 00:09:06,520 Speaker 1: like the need for something to describe when you're in 155 00:09:06,520 --> 00:09:14,000 Speaker 1: like a pretty a major weight difference in your relationship 156 00:09:14,080 --> 00:09:16,400 Speaker 1: and that not existing yet, So I don't want to 157 00:09:16,840 --> 00:09:20,520 Speaker 1: negate that conversation. And there's a lot of argument disagreement 158 00:09:20,520 --> 00:09:23,760 Speaker 1: about that. Mixed weight was like in one of the 159 00:09:23,840 --> 00:09:26,920 Speaker 1: articles I read was like they knew it wasn't that great, 160 00:09:26,960 --> 00:09:28,960 Speaker 1: but they wanted something better and they didn't really have it. 161 00:09:29,920 --> 00:09:32,600 Speaker 3: So that's what I imagine. But why even terment? 162 00:09:33,559 --> 00:09:37,200 Speaker 1: Yeah, yeah, well there's there is a lot of conversation 163 00:09:37,320 --> 00:09:44,280 Speaker 1: around it, and yeah, I mean it sounds but at 164 00:09:44,360 --> 00:09:46,600 Speaker 1: first you're like, okay, sure, sure, sure, but when you 165 00:09:46,600 --> 00:09:49,080 Speaker 1: think about it for like two seconds. Almost every popular 166 00:09:49,160 --> 00:09:53,520 Speaker 1: sitcom in recent memory has featured a bigger, usually beer 167 00:09:53,559 --> 00:09:57,559 Speaker 1: bellied man and a smaller thanner wife. Just a few 168 00:09:57,600 --> 00:09:59,240 Speaker 1: examples off the top of my head. You've got King 169 00:09:59,240 --> 00:10:00,720 Speaker 1: of Queens, you got f I'm the Guy, You've got 170 00:10:00,760 --> 00:10:04,800 Speaker 1: the Simpsons. Here's a quote from The Independent in the nineties. 171 00:10:04,880 --> 00:10:08,200 Speaker 1: It was seen as nothing but totally reasonable that larger 172 00:10:08,240 --> 00:10:11,040 Speaker 1: than life John Candy would fall in love with the slender, 173 00:10:11,160 --> 00:10:15,040 Speaker 1: ally sheety and only the lonely, while in the naughties, 174 00:10:15,760 --> 00:10:19,480 Speaker 1: Will Ferrell regularly bared his furry, untoned dad bod in 175 00:10:19,520 --> 00:10:21,800 Speaker 1: comedies that saw him bed some of the world's most 176 00:10:21,840 --> 00:10:27,000 Speaker 1: beautiful women Nicole Kidman, Christina Applegate, Eva Mendez, Rachel mcadam's 177 00:10:27,160 --> 00:10:30,160 Speaker 1: Need I Go On. Around the same time, a portly 178 00:10:30,240 --> 00:10:33,959 Speaker 1: young Jonah Hill wasn't spurned in his insulting and clumsy 179 00:10:34,000 --> 00:10:37,520 Speaker 1: advances towards Emma Stone's slim girl next Door character and 180 00:10:37,640 --> 00:10:40,640 Speaker 1: super Bad. In fact, it's part of a wider chope 181 00:10:40,679 --> 00:10:44,120 Speaker 1: that sees distinctly average looking men paired with Hollywood sirens, 182 00:10:44,640 --> 00:10:49,880 Speaker 1: this apparently being realistic while the reverse is implausible. I 183 00:10:50,000 --> 00:10:53,679 Speaker 1: think Jason Segall films in which no suspension of disbelief 184 00:10:53,760 --> 00:10:57,400 Speaker 1: is required to accept that Mili Cunas, Kristen Bell, Cameron Diaz, 185 00:10:57,880 --> 00:11:01,920 Speaker 1: and Catherine Heigel would be his romantic equal. Think Jack 186 00:11:02,120 --> 00:11:05,840 Speaker 1: Black Bagging, Shannon Sosimon, and Kate Winslet in The Holiday. 187 00:11:06,360 --> 00:11:08,880 Speaker 1: There are entire movies such as She's Out of My 188 00:11:08,960 --> 00:11:14,400 Speaker 1: League based around this very premise. Yeah, also others pointing 189 00:11:14,440 --> 00:11:16,839 Speaker 1: that we don't use mixed height or mixed hair or 190 00:11:17,120 --> 00:11:18,360 Speaker 1: right things like that. 191 00:11:18,360 --> 00:11:22,720 Speaker 2: It's such an odd conversation because again it's the perfectly 192 00:11:22,760 --> 00:11:25,520 Speaker 2: paired weighted meaning like they both weigh the same amount. 193 00:11:25,800 --> 00:11:29,160 Speaker 2: Like is that what we're saying, So there's like a 194 00:11:29,200 --> 00:11:31,000 Speaker 2: fifty pound difference that's mixed weight. 195 00:11:31,120 --> 00:11:32,160 Speaker 3: Nuh? 196 00:11:33,080 --> 00:11:35,480 Speaker 2: Like if the dude is one hundred and eighty pounds 197 00:11:35,520 --> 00:11:38,240 Speaker 2: and the girl is one hundred and twenty pounds, is 198 00:11:38,280 --> 00:11:38,679 Speaker 2: that not. 199 00:11:40,640 --> 00:11:41,280 Speaker 3: Mixed weight? 200 00:11:41,600 --> 00:11:44,640 Speaker 2: Also, if the dude is one's sixty and the woman 201 00:11:44,760 --> 00:11:47,880 Speaker 2: is once fifty five, still. 202 00:11:49,160 --> 00:11:52,120 Speaker 1: Right, Yeah, And I just it plays a difference to. 203 00:11:53,960 --> 00:11:57,320 Speaker 2: This doesn't make sense. But I hear they're trying to 204 00:11:57,360 --> 00:12:00,000 Speaker 2: say like something positive been like you need a good 205 00:11:59,840 --> 00:12:02,200 Speaker 2: o your fat phobic self. I get that, but that 206 00:12:02,360 --> 00:12:04,960 Speaker 2: term is unnecessary. 207 00:12:06,360 --> 00:12:09,280 Speaker 1: I also want to say, I think this is a 208 00:12:09,320 --> 00:12:14,880 Speaker 1: salient point from the Independent. It's something we've talked about before. 209 00:12:16,160 --> 00:12:23,240 Speaker 1: But also Nicola Cocklan is beautiful, like gorgeous, like because 210 00:12:23,280 --> 00:12:25,480 Speaker 1: all of these women are like white and thin, right, 211 00:12:26,559 --> 00:12:32,800 Speaker 1: but n cochlan also beautiful. I don't think that's what 212 00:12:32,840 --> 00:12:34,920 Speaker 1: they were saying, But I just want to add that 213 00:12:35,000 --> 00:12:37,640 Speaker 1: in in case it wasn't clear. 214 00:12:38,080 --> 00:12:40,400 Speaker 2: Like the fact that she is a different weight at 215 00:12:40,440 --> 00:12:44,360 Speaker 2: standard than everybody else and still not overweight. Let's be honest, 216 00:12:45,000 --> 00:12:47,520 Speaker 2: that's enough for people to disqualify her as the lead 217 00:12:47,760 --> 00:12:50,600 Speaker 2: of anything and disqualify her of being with a good 218 00:12:50,600 --> 00:12:54,080 Speaker 2: looking dude who is also technically yes in this like 219 00:12:54,160 --> 00:12:56,640 Speaker 2: in this segment of the series, yes they are the 220 00:12:56,720 --> 00:12:59,680 Speaker 2: lead because they highlight typically within they are the lead, 221 00:12:59,679 --> 00:13:03,240 Speaker 2: but prea they were not. So even before then were 222 00:13:03,320 --> 00:13:05,920 Speaker 2: they not, you know, like how they were Like it 223 00:13:06,320 --> 00:13:08,480 Speaker 2: doesn't make sense. Why couldn't they And they have a 224 00:13:08,520 --> 00:13:12,160 Speaker 2: built up relationship and then he's like they shame him 225 00:13:12,160 --> 00:13:14,840 Speaker 2: for whatever reason, but there's no implication of what reason 226 00:13:14,880 --> 00:13:17,520 Speaker 2: other than maybe like the family is being seen as 227 00:13:17,640 --> 00:13:20,320 Speaker 2: being silly or without money or had the father had 228 00:13:20,360 --> 00:13:24,080 Speaker 2: died gambling and then incurred this huge amount of debt 229 00:13:24,240 --> 00:13:25,839 Speaker 2: and they were in trouble, like they were going to 230 00:13:25,880 --> 00:13:28,560 Speaker 2: be really poor and cast out of society. Mm hm, 231 00:13:28,800 --> 00:13:32,319 Speaker 2: So that was the Whispers more than anything else, and 232 00:13:32,400 --> 00:13:35,920 Speaker 2: like it's such an odd of course she is the 233 00:13:35,920 --> 00:13:39,960 Speaker 2: main character. She is If you haven't watched the first season, 234 00:13:40,640 --> 00:13:44,640 Speaker 2: missus Whistledown, who is the whole reason for all the 235 00:13:44,679 --> 00:13:46,200 Speaker 2: plot essentially. 236 00:13:46,640 --> 00:13:52,000 Speaker 1: Yes, and so again, a lot of people had a 237 00:13:52,040 --> 00:13:56,319 Speaker 1: lot of thoughts about this. Here's a quote from CNN 238 00:13:56,720 --> 00:14:00,320 Speaker 1: writer and critic Zoe Rose Bryant shared on x I 239 00:14:00,360 --> 00:14:02,960 Speaker 1: find it interesting how there are accountless fictional couples in 240 00:14:03,000 --> 00:14:05,400 Speaker 1: film and television where the man weighs more than the woman, 241 00:14:05,640 --> 00:14:09,280 Speaker 1: but people didn't start writing articles about whatever the mixed 242 00:14:09,280 --> 00:14:12,520 Speaker 1: weight romance is until it was the other way around. 243 00:14:13,760 --> 00:14:17,760 Speaker 1: The Independent article I quoted earlier said that the article 244 00:14:17,920 --> 00:14:20,040 Speaker 1: was Yeah, I like nuance, but the title should have 245 00:14:20,040 --> 00:14:22,240 Speaker 1: been are we still not ready for a mixed weight 246 00:14:22,320 --> 00:14:25,360 Speaker 1: romance on screen where the woman is fat? Which is 247 00:14:25,400 --> 00:14:29,080 Speaker 1: what I was mentioning earlier. Tobar has responded to all 248 00:14:29,160 --> 00:14:31,600 Speaker 1: this and said that she thinks this conversation is important 249 00:14:31,960 --> 00:14:35,720 Speaker 1: and wants to hear from those that disagree with her. Meanwhile, Yes, 250 00:14:35,840 --> 00:14:39,280 Speaker 1: like you said, Cochland has been open about the fact 251 00:14:39,360 --> 00:14:42,720 Speaker 1: she was aware of the conversation surrounding her body and 252 00:14:42,880 --> 00:14:46,920 Speaker 1: that she pushed for certain lines and scenes based off 253 00:14:46,960 --> 00:14:50,440 Speaker 1: of it, including a scene where she is naked. Quote. 254 00:14:50,480 --> 00:14:52,680 Speaker 1: It just felt like the biggest cue to all the 255 00:14:52,720 --> 00:14:58,320 Speaker 1: conversations surrounding my body it was amazingly empowering. And to 256 00:14:58,800 --> 00:15:01,080 Speaker 1: go back to the quote that you mentioned, we should 257 00:15:01,120 --> 00:15:05,080 Speaker 1: say it all because it's so great. So I believe 258 00:15:05,200 --> 00:15:08,880 Speaker 1: it was a fan somebody basically quoted her saying they 259 00:15:08,920 --> 00:15:14,320 Speaker 1: said she was brave for existing essentially, and she responded, 260 00:15:15,360 --> 00:15:18,280 Speaker 1: you know, it is hard because I think women with 261 00:15:18,360 --> 00:15:22,080 Speaker 1: my body type, women with perfect breast, don't see ourselves 262 00:15:22,080 --> 00:15:24,720 Speaker 1: on screen enough. I am very proud as a member 263 00:15:24,880 --> 00:15:28,320 Speaker 1: of the perfect breast community. I hope you enjoy seeing 264 00:15:28,360 --> 00:15:29,720 Speaker 1: them so. 265 00:15:29,800 --> 00:15:31,520 Speaker 3: Good, which is a great clap back. 266 00:15:31,600 --> 00:15:34,880 Speaker 2: And you know, I again thinking about this, this conversation 267 00:15:35,080 --> 00:15:39,160 Speaker 2: did not start until because she, I said, even though 268 00:15:39,160 --> 00:15:41,800 Speaker 2: it didn't always feature her as the leading lady, she's 269 00:15:41,800 --> 00:15:44,880 Speaker 2: been the leading lady. She has been whistled down and 270 00:15:44,920 --> 00:15:48,680 Speaker 2: that's been the big reveal. She's been like the catalyst 271 00:15:48,760 --> 00:15:51,640 Speaker 2: in this whole series. It wasn't until she was paired 272 00:15:51,680 --> 00:15:55,880 Speaker 2: up with a dude that she started getting critiques. And 273 00:15:55,960 --> 00:15:58,920 Speaker 2: from what I gather, there was a lot that was 274 00:15:58,960 --> 00:16:02,480 Speaker 2: cut when it comes to the intimate scenes. And again, 275 00:16:02,640 --> 00:16:05,840 Speaker 2: kind of that showrunner who was a new showrunner may 276 00:16:05,880 --> 00:16:10,320 Speaker 2: have like fallen prey to the conversations and criticisms to 277 00:16:10,440 --> 00:16:11,760 Speaker 2: a lot of people's disappointments. 278 00:16:12,040 --> 00:16:16,920 Speaker 1: Yeah, because so many people were, like I said, wanted 279 00:16:16,960 --> 00:16:20,160 Speaker 1: this couple to be together. We're excited to see it. 280 00:16:20,360 --> 00:16:22,720 Speaker 2: They want it in real life, to the detriment of 281 00:16:22,760 --> 00:16:26,040 Speaker 2: his girlfriend today, like his real life Luke Newton's. 282 00:16:25,640 --> 00:16:27,520 Speaker 3: Real life girlfriends. Apparently they're good friends. 283 00:16:27,640 --> 00:16:30,560 Speaker 2: Nicola Coughlin and the girlfriend are really good friends, but 284 00:16:30,720 --> 00:16:33,960 Speaker 2: like they kind of harass or being like, but. 285 00:16:34,000 --> 00:16:36,480 Speaker 3: You're not Nikola, why are you on his arm? 286 00:16:37,040 --> 00:16:39,080 Speaker 2: Like she had to hide I think at one point 287 00:16:39,120 --> 00:16:41,360 Speaker 2: for the press, not because of being harassed, but for 288 00:16:41,440 --> 00:16:45,240 Speaker 2: the press to see how great Nicola and Luke were together. 289 00:16:45,560 --> 00:16:48,000 Speaker 1: I did read about that. I did read and it 290 00:16:48,080 --> 00:16:50,280 Speaker 1: was like, right after the press tour was done, she 291 00:16:50,760 --> 00:16:54,520 Speaker 1: came out. He was like, I have a girlfriend, right, 292 00:16:54,600 --> 00:16:57,480 Speaker 1: and you're supposed. 293 00:16:57,000 --> 00:16:59,280 Speaker 3: To be Is that true? We know you loved Nichol. 294 00:17:01,440 --> 00:17:01,680 Speaker 2: Yeah. 295 00:17:01,720 --> 00:17:06,280 Speaker 1: So people wanted it. Were you know, always talking about 296 00:17:06,320 --> 00:17:10,000 Speaker 1: the need for more representation. People were loving it, and 297 00:17:10,080 --> 00:17:12,680 Speaker 1: so I hope that that's not true, but I would 298 00:17:12,760 --> 00:17:29,440 Speaker 1: definitely believe that it is. Unfortunately, and also to end 299 00:17:29,520 --> 00:17:33,800 Speaker 1: on a bummer, When I was researching this, I a 300 00:17:33,880 --> 00:17:38,919 Speaker 1: lot of articles came up about women who were afraid 301 00:17:39,200 --> 00:17:41,639 Speaker 1: the men in their life would lead them if they 302 00:17:41,760 --> 00:17:46,000 Speaker 1: gained weight or didn't lose weight, and how it caused 303 00:17:46,040 --> 00:17:50,160 Speaker 1: tensions in their relationship. Are women feeling like they're being 304 00:17:50,200 --> 00:17:54,639 Speaker 1: fat shamed by their partner and finding comfort in the 305 00:17:54,760 --> 00:17:56,879 Speaker 1: label mixed weight just to see if others had the 306 00:17:56,880 --> 00:17:59,760 Speaker 1: same experience. So, like I was saying, it's like a 307 00:18:00,160 --> 00:18:03,560 Speaker 1: term people need. It's just not maybe this one, but 308 00:18:04,840 --> 00:18:07,399 Speaker 1: it's true. I mean, like, if you think about all 309 00:18:07,560 --> 00:18:10,000 Speaker 1: the talk we have about you know, you're losing the 310 00:18:10,000 --> 00:18:12,840 Speaker 1: weight before the wedding, And I've definitely felt this when 311 00:18:12,840 --> 00:18:19,560 Speaker 1: I've been in relationships. So this situation with Bridgerton, I 312 00:18:19,600 --> 00:18:25,880 Speaker 1: think is really highlighting something that a lot of us 313 00:18:25,920 --> 00:18:29,800 Speaker 1: have experienced. And it's terrible because I thought I was 314 00:18:29,840 --> 00:18:34,240 Speaker 1: going to go in and be like, yeah, fans can 315 00:18:34,280 --> 00:18:38,439 Speaker 1: be terrible or whatever, the media is bad or I 316 00:18:38,440 --> 00:18:40,879 Speaker 1: don't know, and then I came out like, oh, damn 317 00:18:40,880 --> 00:18:42,959 Speaker 1: you right, my real life, that's true? 318 00:18:43,640 --> 00:18:43,920 Speaker 2: Right? 319 00:18:46,119 --> 00:18:50,680 Speaker 1: Oh yeah, which I knew. It's not like it was 320 00:18:50,720 --> 00:18:54,120 Speaker 1: a surprise. I think I was just I wasn't expecting 321 00:18:54,119 --> 00:18:55,919 Speaker 1: so many of those articles to come up when I 322 00:18:56,000 --> 00:18:58,920 Speaker 1: was researching this specific thing. 323 00:18:59,760 --> 00:19:02,600 Speaker 2: Yeah, but they did, yeah, and I think again, like 324 00:19:03,240 --> 00:19:06,560 Speaker 2: when we talk about women and their bodies, if it's 325 00:19:06,680 --> 00:19:10,880 Speaker 2: not used as the punchline, they're uncomfortable like seeing them 326 00:19:11,080 --> 00:19:15,320 Speaker 2: in normal, real or like romantic relationships. It makes people 327 00:19:15,640 --> 00:19:19,400 Speaker 2: like and I can't stand her as a as an actress, 328 00:19:19,440 --> 00:19:21,840 Speaker 2: and I don't like I've definitely had problems with what 329 00:19:21,920 --> 00:19:25,880 Speaker 2: she's done and said. But Lena Dunham when she did 330 00:19:25,960 --> 00:19:29,000 Speaker 2: her episode with her show The Girls and she was 331 00:19:29,119 --> 00:19:30,879 Speaker 2: naked a lot, They're like, why why do they have 332 00:19:30,920 --> 00:19:32,440 Speaker 2: to throw it in my face? I don't need to 333 00:19:32,440 --> 00:19:36,160 Speaker 2: see it? Like, bro, what that's just a normal boy? 334 00:19:36,240 --> 00:19:36,720 Speaker 3: You say? 335 00:19:37,400 --> 00:19:39,440 Speaker 2: You most of the people who are really critical are 336 00:19:39,520 --> 00:19:43,000 Speaker 2: usually cis men. Heterosexual assistmen are the ones who are 337 00:19:43,040 --> 00:19:45,400 Speaker 2: like wanting to sleep with women, but you don't want 338 00:19:45,400 --> 00:19:50,240 Speaker 2: to see a normal woman naked mm hm, and you're 339 00:19:50,280 --> 00:19:54,800 Speaker 2: bothered by this, So what you're telling me that hmm, 340 00:19:55,080 --> 00:19:58,680 Speaker 2: like that this level of conversation that how being normal 341 00:19:58,840 --> 00:20:01,480 Speaker 2: like this was a very romantic sweet and like very 342 00:20:01,560 --> 00:20:05,520 Speaker 2: like beautifully laid out romantic scenes from what I imagine 343 00:20:05,520 --> 00:20:08,200 Speaker 2: with what Bridgiston usually does, and then like just having 344 00:20:08,240 --> 00:20:11,119 Speaker 2: anything normal if it's not the punchline, then why are 345 00:20:11,119 --> 00:20:14,240 Speaker 2: people so like, that's that's not that that's a problem. 346 00:20:14,280 --> 00:20:16,560 Speaker 2: We need to have that conversation why that's a problem 347 00:20:16,600 --> 00:20:18,160 Speaker 2: for you, right. 348 00:20:18,600 --> 00:20:22,280 Speaker 1: Are why it's unbelievable to you that it is the norm. 349 00:20:22,400 --> 00:20:25,040 Speaker 2: Right when that's the average person you're going to see. Dude, 350 00:20:25,080 --> 00:20:25,920 Speaker 2: just calm down. 351 00:20:27,040 --> 00:20:34,120 Speaker 1: Yeah, yeah, And as we've both said, this was very 352 00:20:34,119 --> 00:20:38,879 Speaker 1: specific topic wise. Neither of buzz have seen the whole show, 353 00:20:39,720 --> 00:20:42,760 Speaker 1: so we don't know. There might be other I'm sure 354 00:20:42,760 --> 00:20:44,480 Speaker 1: there are other issues we could discuss, but. 355 00:20:44,440 --> 00:20:45,520 Speaker 3: This was very issues. 356 00:20:45,680 --> 00:20:49,760 Speaker 2: There's many issues, yeah, so if we could discuss about those, 357 00:20:50,119 --> 00:20:51,359 Speaker 2: like we could talk about the fact that it had 358 00:20:51,359 --> 00:20:53,720 Speaker 2: this been a woman of color that was normal weight, 359 00:20:54,119 --> 00:20:57,320 Speaker 2: the level of like hate in the vitriol this would 360 00:20:57,320 --> 00:21:01,639 Speaker 2: have gotten would have been ten times worse. Like but 361 00:21:02,359 --> 00:21:06,240 Speaker 2: we're not going there because we know. But there's like 362 00:21:06,320 --> 00:21:06,960 Speaker 2: it just like. 363 00:21:08,600 --> 00:21:12,639 Speaker 1: Headaches and sue, Yes, headaches do and sue. But listeners, 364 00:21:12,760 --> 00:21:14,720 Speaker 1: if you have seen it and there's something you think 365 00:21:14,720 --> 00:21:17,199 Speaker 1: we should be talking about that we didn't, this was 366 00:21:17,240 --> 00:21:22,280 Speaker 1: very specific, but please let us know. You can write 367 00:21:22,320 --> 00:21:25,000 Speaker 1: to us as Stefani mom stuff at iHeartMedia dot com. 368 00:21:25,320 --> 00:21:27,160 Speaker 1: You can find us on Twitter at mom stuff podcast 369 00:21:27,280 --> 00:21:29,360 Speaker 1: or on Instagram and TikTok at stuff when Never Told 370 00:21:29,400 --> 00:21:31,439 Speaker 1: You or else on YouTube. We have a tea puppet 371 00:21:31,440 --> 00:21:33,120 Speaker 1: store and we have a book we can get wherever 372 00:21:33,200 --> 00:21:35,520 Speaker 1: you get your books. Thanks as always too, our super 373 00:21:35,560 --> 00:21:39,520 Speaker 1: producer Christina, our executive producer Maya and Urchtrictre Joey, thank you, 374 00:21:39,960 --> 00:21:42,080 Speaker 1: and thanks to you for listening. Stuff I've Never Told 375 00:21:42,119 --> 00:21:44,040 Speaker 1: You is protection of iHeart Radio. For more podcast from 376 00:21:44,080 --> 00:21:45,760 Speaker 1: my heart Radio, you can check out the heart Radio app, 377 00:21:45,760 --> 00:21:56,080 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.