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Speaker 1: Hey, everybody, Zach and Donald here. I had a technical

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Speaker 1: glitch while recording this episode, and my fancy digital recorder

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Speaker 1: didn't work. And so Donald sounds perfect and you'll hear

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Speaker 1: his beautiful dulcet voice, but I sound like I'm just

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Speaker 1: on a cell phone. I'm actually just recorded over the

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Speaker 1: Zoom app. So we did the best to make it

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Speaker 1: sound good, but I screwed up.

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Speaker 2: Sorry, Sorry, one job. You had one job, and you

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Speaker 2: screwed it up. You talked all of that shit about

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Speaker 2: Sarah Chalk and how she messed up, and then you

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Speaker 2: turned right around into the exact send.

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Speaker 1: I deserve your admonishment and I'm sorry to everyone listening.

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Speaker 1: It will never happen again, but on this one episode alone,

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Speaker 1: I am not recorded. Well, it's my fault. We love

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Speaker 1: you all. Thanks for listening.

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Speaker 2: Donald and five six seven eight.

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Speaker 1: Making your way in the world today takes everything you got.

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Speaker 2: Taking a break from all your worries sure would help

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Speaker 2: a lot.

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Speaker 1: Wouldn't you like to get.

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Speaker 2: Do no no doom, no no doom. Sometimes you wanna.

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Speaker 1: Go where everybody knows.

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Speaker 2: Your name, boum boum, bounm flm, and they're always glad

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Speaker 2: you came bound bound.

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Speaker 1: You want to be where you can see troubles are

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Speaker 1: all the same.

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Speaker 2: Yeah you do. You want to go where everybody knows

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Speaker 2: your name, don't don't?

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Speaker 1: Well, welcome to doctors, friends, where everybody knows your name.

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Speaker 1: Here's the only theme song in the world that's better

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Speaker 1: than that.

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Speaker 2: Here's some stories about show we made.

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Speaker 1: About a bunch of talks and nurses. Sah jan I said.

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Speaker 2: Here's a story neal s no so goada rob here,

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Speaker 2: YadA rap here our stuffy Who is that?

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Speaker 1: Oh? How's your isolation going? I miss you very much.

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Speaker 2: I miss you too. Oh man, it's uh, it's it's

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Speaker 2: it's it's good. You know. The kids are we're schooling them.

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Speaker 2: We're you know, we're we're trying to run them. I've

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Speaker 2: taken them out on a couple of walks.

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Speaker 1: Now, oh good. I'm glad that you've allowed them to

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Speaker 1: walk around the block.

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Speaker 2: Yeah. Well, we take like we do it like a

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Speaker 2: little neighborhood walk. We have our masks, we have our gloves,

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Speaker 2: we take our dog with it.

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Speaker 1: Can you tell me was it was it? What's Cardi b?

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Speaker 1: Did you see the thing?

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Speaker 2: She's like corona coronavirus shit is real. Ship is real.

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Speaker 2: When they turned it into the song.

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Speaker 1: I can't get I heard the song yet, but I

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Speaker 1: don't know about Cardi b at all, but I that

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Speaker 1: coronavirus thing made crack up.

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Speaker 2: And when you get the chance, look up the song.

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Speaker 2: The ship is real. Oh my god, same way they

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Speaker 2: did like uh double Rainbow and ain't nobody got time

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Speaker 2: for that? And yeah, and uh, He's hiding in your

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Speaker 2: windows snatching your people love.

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Speaker 1: That was the first one. And that was the best one.

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Speaker 2: Kids watch and how to husbands because they raping everybody

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Speaker 2: up out this bitch.

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Speaker 1: That was a fucking jam.

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Speaker 2: That wasn't you don't have to well rebound that We're

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Speaker 2: looking for you. We gonna find dude, We gonna find you.

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Speaker 2: So hot kids, how do? And that shit was dope, dude,

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Speaker 2: I remember that was a song. That was a great one.

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Speaker 1: Oh man, you just reminded me that at my workout mix.

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Speaker 1: That was a fucking jam.

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Speaker 2: That was a gem. It was a you know what

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Speaker 2: else was the jem It's fucking distracting?

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Speaker 1: Who? Yeah, what's that one?

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Speaker 2: The freaking Batman one? No Christian Bale one.

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Speaker 1: Oh that was good. And then they spoofed that with

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Speaker 1: the Kenney Schmidt theme song, which was which was really

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Speaker 1: good too. Do you ever watch Timmy Schmidt?

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Speaker 2: I have never watched com.

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Speaker 1: Oh it's really good. You like it. If you're listening

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Speaker 1: to this podcast and you haven't watched Schmidt, I'll bet

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Speaker 1: you like it. It's got a lot of it's sillier

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Speaker 1: than screw, believe it or not, but it's got some

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Speaker 1: very funny, silly stuff. It should we talk about the

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Speaker 1: show Donald's.

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Speaker 2: We should totally talk about the show. This was a

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Speaker 2: good one. I have no recollection of this show whatsoever.

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Speaker 2: I didn't remember this show until that. We sang Missus Jones.

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Speaker 1: Yeah, Now, did you know Missus Jones the song? Or

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Speaker 1: did you?

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Speaker 2: Absolutely?

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Speaker 1: I didn't really, but you sang it beautifully.

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Speaker 2: Thank you. We got a thing going on. That's a

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Speaker 2: it's a real good song. I wonder if luth I

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Speaker 2: think Lutha might have even covered it.

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Speaker 1: Sometimes when you sing, I just involuntarily.

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Speaker 2: Either Luther or Freddie Jackson, one of them covered that thing.

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Speaker 1: Who's the most famous Joelle's version of of.

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Speaker 2: I think the original Missus Jones?

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Speaker 1: Who's the original? I'm sorry, I don't know.

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Speaker 2: Research is Billy Paul. That does me and missus Jones,

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Speaker 2: I think, so yeah, Billy Paul looks like the original.

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Speaker 2: And then I feel like Luther did do a cover

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Speaker 2: of this.

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Speaker 1: Let's see we got a thing.

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Speaker 2: Freddy Jackson did.

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Speaker 1: Do the cover.

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Speaker 2: Freddy Jackson, I knew it was one of them.

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Speaker 1: Well you sanging beautifully, Donald, Thank.

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Speaker 2: You very much. I remember being so excited that I

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Speaker 2: was going to have the opportunity to sing on the show.

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Speaker 2: I sang a lot as a kid, like in the

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Speaker 2: high school choir and the junior high school choir.

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Speaker 1: I wish you would sing more because you have such

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Speaker 1: a beautiful voice.

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Speaker 2: I would love to sing more. I don't think I

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Speaker 2: have the voice that is the type of voice that

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Speaker 2: people want to hear like all the time.

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Speaker 1: Would you ever do a Broadway musical?

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Speaker 2: Of course I would do a Broadway musical. We all

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Speaker 2: have dreams of winning an egot one day, of getting

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Speaker 2: the egot right.

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Speaker 1: So absolutely, for egot reasons, I'm saying, would you think

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Speaker 1: that would bring you joy to do a Broadway musical?

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Speaker 1: Bill and I got approached to do a version of

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Speaker 1: Fletch after Scrubs.

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Speaker 2: That's so scary, dude, I know, And.

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Speaker 1: The idea of doing it with Bill, who's like the

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Speaker 1: biggest Fletch fan in the world, was interesting. But then

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Speaker 1: you know, I mean, that's that's impossible.

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Speaker 2: You can't feel Chevy Chase. You can't do it.

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Speaker 1: I'm just saying, okay, So back to the musical. I

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Speaker 1: think that it would be great. I would just love

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Speaker 1: to see you. You have such a good voice. And

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Speaker 1: I did a musical on Broadway and I had so

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Speaker 1: much fun doing it. Granted, I was happy when it

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Speaker 1: was over, because when you go see a play, particularly

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Speaker 1: in this case just a my musicals, you always have

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Speaker 1: to come out and go I cannot believe these people

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Speaker 1: are doing this eight times a week. And I was

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Speaker 1: just so exhausted. It was the most tired I've ever

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Speaker 1: been in my life. And no matter what happens, you're

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Speaker 1: going on that day, Like, you know, it's one thing

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Speaker 1: you will play for three months, four months, but.

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Speaker 2: And wow, that's a really that's a half a year,

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Speaker 2: Dude's you were supposed.

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Speaker 1: To do it longer.

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Speaker 2: But wow, I don't know. I go back and forth

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Speaker 2: with the whole you know, musical theater, musical genre. When

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Speaker 2: it's done right, it's really good. But when it's done.

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Speaker 2: When it's done wrong, that's one of those things where

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Speaker 2: it's like, dude, and it was a musical, you know

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Speaker 2: what I mean.

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Speaker 1: I know, but when it works, it's so good. When

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Speaker 1: it works, we love it.

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Speaker 2: Oh, when it works, it's the best thing in the world. Yeah.

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Speaker 1: But when you're in a bad one, you're like, oh, God,

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Speaker 1: make it stop.

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Speaker 2: Right, you know what I mean? How do we get

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Speaker 2: out of this?

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Speaker 1: So this My Bad was written by Gabby Allen Wow

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Speaker 1: and directed by Mark Buckland, who directed the One of Four.

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Speaker 1: Very talented guy. There's a lot of cool shots in

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Speaker 1: this episode. I can always tell, even if I don't

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Speaker 1: look at the who the director is by the cinematography.

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Speaker 1: Who was adding a little lext or something something. And

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Speaker 1: Mark Bucklan was always one of those guys, right.

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Speaker 2: I just remember playing ping pong with Mark Bucklan and

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Speaker 2: how good of a ping pong player he is?

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Speaker 1: Yes, did you win? Because you're pretty good?

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Speaker 2: No, I did not win. I got waxed. And he

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Speaker 2: started off making it look like it was going to

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Speaker 2: be the easiest game in the world, and I'd have

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Speaker 2: a shot and all I'd have to do is just

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Speaker 2: keep the ball on the table. But then after I

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Speaker 2: remember him looking at me and saying to me, Okay,

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Speaker 2: so I'm gonna turned it up a little bit now,

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Speaker 2: and then all of a sudden he became like freaking

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Speaker 2: Federer or freaking uh Nadal or something like that, but

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Speaker 2: on a ping pong table, Djokovic, Right, all of a sudden,

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Speaker 2: out of nowhere, this dude, there's there's there's there's a

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Speaker 2: there's top spin. He's slice nedd spin.

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Speaker 1: I remember you very into trick spin because I played

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Speaker 1: with you a couple of times and I just couldn't

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Speaker 1: even hit the ball back because you put so much

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Speaker 1: spin on it. No matter what I did, it was

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Speaker 1: just going everywhere.

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Speaker 2: Right, This dude had the type of ping pong game

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Speaker 2: where you put the spin on it, and he knew

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Speaker 2: the counter spin. It was the worst. You gotta the

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Speaker 2: counter you gotta know the counterspin.

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Speaker 1: You gotta know the counter spin. I remember playing Bill

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Speaker 1: in ping pong and I'm just like, you know, this

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Speaker 1: is new in the relationship, and I'm like, just you

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Speaker 1: played a little pong with my boss, like just a

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Speaker 1: little bonding. And then he stopped pointing. He goes, would

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Speaker 1: you mind if I played you left handed? Because it

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Speaker 1: wasn't any fun for me. It was so horrible.

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Speaker 2: I was Did they ever play each other? Did you

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Speaker 2: ever witness Buckling and Bill?

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Speaker 1: Right? No? I don't know. I don't know, but I mean,

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Speaker 1: I would love to get good at ping pong. I

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Speaker 1: don't think it really. I don't think it really correlates

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Speaker 1: with tennis that much.

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Speaker 2: Oh, it's it's absolutely the same, dude. Really, your your

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Speaker 2: tennis game probably has helped your ping pong game.

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Speaker 1: Okay, I just haven't had to play ping pong a while,

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Speaker 1: but my tennis game is much better.

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Speaker 2: Absolutely, you probably. I can't wait for us to play again.

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Speaker 2: To be honest with you, I do miss that. I know.

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Speaker 1: I was thinking we could get a video game and

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Speaker 1: play online against each other.

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Speaker 2: If you don't play video games, you'd get your ass kick.

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Speaker 1: There's no real good video game tennis, is there.

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Speaker 2: There's a lot of good video game Why are you

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Speaker 2: yelling at me?

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Speaker 1: Which which one ps PSP.

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Speaker 2: Is that PlayStation? Place?

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Speaker 1: Which one? Which? Which system is a good tennis because

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Speaker 1: I would.

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Speaker 2: Like to socket Xbox Xbox PlayStation four.

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Speaker 1: Oh Dan is saying that the top Spin Spin is good. Man, Mario,

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Speaker 1: I don't want Mario. I don't I like I like

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Speaker 1: my player to look like a real person. I don't

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Speaker 1: want a little avatar running around like it's Mario versus Luigi.

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Speaker 2: Right, So you have a little bit of land or property,

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Speaker 2: there's this thing where you take the ball is connected

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Speaker 2: to like a rope. And remember that thing that what's

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Speaker 2: the wooden paddle with the rubber ball that you would hit.

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Speaker 1: It's called the wooden paddle with the rubber ball.

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Speaker 2: But what is that called where you and it's connected

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Speaker 2: and you hit it and its pop up b b

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Speaker 2: b b b B. Yeah, I know everyone knows your

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Speaker 2: there's a tennis version. There's a tennis version of that

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Speaker 2: where you can practice strokes where you hit it far

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Speaker 2: and it goes far out, bounces and then comes back

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Speaker 2: to you at the same speed. Yeah, you might like that.

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Speaker 2: I don't know what that's called, but that's somebody.

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Speaker 1: Because I need that for my Absolutely, I'm worried. I'm

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Speaker 1: forgetting everything.

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Speaker 2: All you got to do is say tennis near your phone.

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Speaker 2: I'm sure it'll pick it up and add or pop up.

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Speaker 1: I find myself just doing my stroke with with your

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Speaker 1: pantomime turned down, bah catch nice, repeating repeating my mantra.

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Speaker 2: Nice, you're getting really good at tennis. All right, let's

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Speaker 2: get into it. We're twenty two twenty minutes and well

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Speaker 2: you're the one I tell you about a paddle but

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Speaker 2: a ball and paddleball that's what it is. Some shiit

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Speaker 2: like that?

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Speaker 1: Right?

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Speaker 2: All right?

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Speaker 1: Listen, uh Sam Lloyd. It opens the episode. Let's talk

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Speaker 1: about how great Sam Lloyd is.

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Speaker 2: Sam Lloyd's amazing. Not only is he a funny comedic actor,

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Speaker 2: but he is an amazing singer. You want to talk

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Speaker 2: about a really good singer.

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Speaker 1: Yes, that a cappella group that's featured in later later

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Speaker 1: episodes is really Sam's band and the Blanks. Yeah, and

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Speaker 1: they after right after Scrubs, they were so popular. They

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Speaker 1: were really touring and doing gigs. Yeah, there's so talented

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Speaker 1: those guys.

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Speaker 2: Oh man, they do a they do a cover of

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Speaker 2: John Williams Superman theme song, and it is amazing.

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Speaker 1: You can find that if you're if you're if you're

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Speaker 1: a fan of The Blanks a cappella man, you can

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Speaker 1: find I think they probably even have an album or something.

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Speaker 1: You can find them doing.

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Speaker 2: Oh yeah, they're all over it tuned and they're amazing.

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Speaker 1: And he's Christopher Lloyd's nephew. Yes, I know I mentioned

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Speaker 1: not another episode maybe, yeah, a little trivia. Yes, And

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Speaker 1: I got to direct Christopher Lloyd in uh, in Going

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Speaker 1: and Style.

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Speaker 2: You also were in a play with Christopher.

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Speaker 1: I was in Twelfth Night in Central Park and the

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Speaker 1: Delacorte Theater with Christopher Lay And when I when I

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Speaker 1: went to direct him and Going into Style, I don't

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Speaker 1: think he had any recollection of what I was. Well. No,

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Speaker 1: he's an amazing man and I love him. But he

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Speaker 1: is a little bit like Doc.

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Speaker 2: He's a little like Oh, well, he's worked so much though,

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Speaker 2: you got to give the man a break.

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Speaker 1: I know I'm not giving I don't need to give

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Speaker 1: a break. He's a sweetheart. But I'm saying, when you

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Speaker 1: meet him, he's a little he is a little like Doc.

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Speaker 1: He's a little like.

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Speaker 2: One of my favorite Christopher Lloyd's stories is the story

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Speaker 2: of when he found out that Eric Stoltz wasn't doing

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Speaker 2: Marty McFly anymore, uh, and that Michael J. Fox was

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Speaker 2: doing it and uh, you know Eric Stoltz while it's

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Speaker 2: in this famous book that Justin Long gave me to read, right,

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Speaker 2: and it's like the making of back to the Futures one, two,

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Speaker 2: and three, and apparently Eric Stoltz told everybody on set,

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Speaker 2: don't call me Eric, call me Marty.

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Speaker 1: That can't be true.

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Speaker 2: This is in the book.

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Speaker 1: It's a very fun whenever I hear these stories about

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Speaker 1: people saying no eye contact and all these horrible behavior,

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Speaker 1: I just can't never believe it's true.

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Speaker 2: Okay, well this is go ahead, this is in the book,

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Speaker 2: you know, so everybody does it. He finally gets fired

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Speaker 2: and they bring Michael J.

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Speaker 3: Fox in.

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Speaker 2: But before they bring Michael J. Fox and they tell

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Speaker 2: Christopher Lloyd They're like, listen, so we had to fire

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Speaker 2: Eric and we're bringing someone in. He's like, well, who's Eric?

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Speaker 2: And they go to guy that was playing martyr and

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Speaker 2: they go no. He's like, oh okay. And then and

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Speaker 2: then they do and then and then they bring Michael J.

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Speaker 2: Fox in and they said the chemistry was like one

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Speaker 2: point and the rest is history, and now we have,

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Speaker 2: you know, back to the future.

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Speaker 1: He's amazing and I had a lot of fun working

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Speaker 1: with him, going and style.

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Speaker 2: He's you've worked with both of them. You've worked with

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Speaker 2: You've worked with Michael J. Fox, and you've worked with Christopher.

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Speaker 2: He worked with Doc and Marty.

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Speaker 1: Yes, I know Doc and Marty. Yeah, we try and

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Speaker 1: get Michael J. Fox on when we get to him.

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Speaker 2: That would be kind of cool. Maybe Bill can pull

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Speaker 2: his Bill strings, that would be great.

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Speaker 1: At forty five seconds in, there's the most cartoonish dry

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Speaker 1: by noise, and I know Bill kept saying like, oh,

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Speaker 1: and this is when I was starting to phase out

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Speaker 1: the sound effects, but I was like, not yet, bro,

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Speaker 1: because this episode has so many sound effects in it.

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Speaker 2: Yeah, yeah, yeah, yeah, yeah. There are a couple of

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Speaker 2: those in here. You behind the door when you look

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Speaker 2: away and you come back and then you look back

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Speaker 2: in again. That was hilarious.

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Speaker 1: There's a funny thing that happens with you know. They

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Speaker 1: would always try and time it so that if there

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Speaker 1: was a holiday like Halloween, it was airing, it was

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Speaker 1: airing around Halloween, and we'd have like our Halloween episode, right.

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Speaker 1: And it's funny though, because at fifty one seconds in

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Speaker 1: you don't really know that yet, but there's two nurses

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Speaker 1: that walk by in the background with ears on, and

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Speaker 1: I was like, my brain went to, oh, this must

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Speaker 1: be the Halloween episode. But if you didn't have the

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Speaker 1: context yet, it's just so weird, like, why are those

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Speaker 1: background people wearing wacky Halloween ears?

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Speaker 2: Speaking of background, this is the first time we see

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Speaker 2: Snoop Dogg.

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Speaker 1: I spotted him too.

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Speaker 2: Buddy Manly Henry wrote it.

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Speaker 1: I wrote it down because it was a big moment.

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Speaker 2: Well, he's walking in the hallway. He's in the.

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Speaker 1: Surprise I saw him in the surprise room.

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Speaker 2: Well he's walking in the hallway. Well way before that.

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Speaker 1: But for those of you who don't know, what would

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Speaker 1: happen was that these background performers were the same people

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Speaker 1: every day. I mean, lots would rotate, but a lot

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Speaker 1: of them would be the same folks every day. We

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Speaker 1: got to know them and became friendly with them all.

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Speaker 1: And some of them Bill would pick out because he

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Speaker 1: thought or one of the other writer would pick out

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Speaker 1: and go, oh my god, he's got an interesting look,

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Speaker 1: or he's funny, or he can actually deliver a line.

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Speaker 1: And they would get lines occasionally. Well, someone thought that

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Speaker 1: Manley Henry looked like a Snoop Dogg.

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Speaker 2: Do you think that, Yeah, they kind of do. They

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Speaker 2: kind of do favor each other if you look at them.

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Speaker 2: I mean, he's tall, he's black, gotta look like.

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Speaker 1: More than that anyway, so Manly Henry who is Snoop

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Speaker 1: Dogg Attending Resident and everything else makes it.

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Speaker 2: He started off snoop Dogg in Turn and then he

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Speaker 2: became snoop Dogg Resident. Yeah, and then he became snoop

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Speaker 2: Dogg Attending. He's a big fan of our podcast.

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Speaker 1: Man, he did you talk?

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Speaker 2: Yeah, he's still in my d He promotes our podcast

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Speaker 2: on his Instagram page and stuff like that. He's a sweetheart, man,

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Speaker 2: He's a very sweet guy.

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Speaker 1: And anyway, so this is a shout out for Manley

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Speaker 1: Henry for your first appearance. If you, if you. I

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Speaker 1: didn't see him walk by, but I saw him in

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Speaker 1: the surprise fantasy. He's in the background.

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Speaker 2: There shout out Snoop Dogg in Turn.

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Speaker 1: I have no memory of doing that type of walk gang.

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Speaker 1: This is one of the first fantasies I've absolutely no

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Speaker 1: memory of.

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Speaker 2: I have no memory of the episode, dude, you remember

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Speaker 2: the episode of the whole episode like and you so

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Speaker 2: recently when watching the show, there have been little things

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Speaker 2: that have come on that I was like, oh wow,

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Speaker 2: you know what, I take it back. I do remember

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Speaker 2: the Miss Jones part, but usually I'm like, okay. In

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Speaker 2: the first round when I said, I didn't remember the

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Speaker 2: Asspin episode until I said, you know, I think I'm

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Speaker 2: gonna get her a nice pin and I was like,

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Speaker 2: holy shit, it's the ass Pen episode. You know what

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Speaker 2: I mean. There's always something.

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Speaker 1: You remember, the missus Jones, right, and I'm sure you

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Speaker 1: remembered one of the greatest guest stars of all time,

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Speaker 1: Jimmy Walker.

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Speaker 2: Absolutely and a very lovely line reading, by the way,

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Speaker 2: also by him. I think he totally made the joke better.

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Speaker 2: Like I wrote that down. I wrote down, Wow, what

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00:17:32,600 --> 00:17:38,800
Speaker 2: an interesting way to say that line. And Jimmy Walker, Yeah, yeah, yeah, yeah.

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Speaker 1: Plea should stop for one second. For those of you

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Speaker 1: who don't know, because some of you were young, Jimmy Walker,

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Speaker 1: who's in my fantasy around sixteen eleven seconds, was the

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Speaker 1: star of a very popular show when we were growing

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Speaker 1: up called Good Times.

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Speaker 2: Yes, one of the most realistic shows about project life

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Speaker 2: on television. As an African American male growing up, I

401
00:18:01,520 --> 00:18:04,160
Speaker 2: mean the show was called good Times, but they didn't

402
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Speaker 2: have the most good times on that show. Man things

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Speaker 2: bad things would happen, like the dad died, like all

404
00:18:09,400 --> 00:18:10,520
Speaker 2: types of shit, and the.

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Speaker 1: White kids in the suburbs. It was like myself. It

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Speaker 1: was educational because not only was it hilarious, but I

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Speaker 1: watched shows like that and What's Happening, and it was

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Speaker 1: it got to show a different side of the way

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Speaker 1: people lived, and we didn't I didn't know anything about

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Speaker 1: the projects when I was a little kid growing up

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Speaker 1: in the Jersey suburbs, right, And you fell in love

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Speaker 1: with this in Good Times and you just followed them

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Speaker 1: through and like, like like a lot of comedies, I like,

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00:18:39,800 --> 00:18:42,320
Speaker 1: they would also be heartbreaking, right right, they would keep

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Speaker 1: it like would they would go deep into.

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Speaker 2: Oh my gosh, they went deep into drama on Good Times.

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Speaker 2: Janet Jackson was on Good Times, you know what I mean.

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Speaker 2: She played Penny. Her mom was abusive and like burnt

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Speaker 2: her with an iron type shit abusive, you know what

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Speaker 2: I mean, like for real, for real?

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Speaker 1: Right.

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Speaker 2: Her mom was so bad that they took her away

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Speaker 2: from her mom and she lived with Alma, who was

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Speaker 2: the next door neighbor. Oh right, right, you don't remember anything.

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Speaker 1: I don't remember that episode, but I do remember being

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Speaker 1: young and being like totally in love with that show.

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Speaker 2: Am I right about that? It's Alma? Right, I'm not tripping.

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Speaker 1: Joell's googling Joe Well and what about what's happening?

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Speaker 2: We also had Thelma Watch it be Thelma or some

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Speaker 2: shit like that.

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Speaker 1: We also had the legendary fred Barry.

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Speaker 2: Rerun rerun, Frederick run Berry came on. He came on

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Speaker 2: the show right before he passed away. Actually he passed

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Speaker 2: away like a couple of months after he was on

435
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Speaker 2: the show, I believe, But I remember. I remember we

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Speaker 2: all got dressed up like Fredrie run Berry and he

437
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Speaker 2: taught us how to do the dance and everything like that. Yeah,

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Speaker 2: that was a lot of fun.

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00:19:44,320 --> 00:19:47,240
Speaker 1: I remember that Jimmy Walker wouldn't say dynamite unless you

440
00:19:47,720 --> 00:19:50,480
Speaker 1: paid him the next level money. Oh really, Yeah, I

441
00:19:50,520 --> 00:19:52,560
Speaker 1: remember that being a thing when they told us Jimmy

442
00:19:52,560 --> 00:19:54,000
Speaker 1: Walker was coming on, and was like, oh my god.

443
00:19:54,160 --> 00:19:56,199
Speaker 1: Oh again. Sorry for those who don't know. He had

444
00:19:56,240 --> 00:19:59,280
Speaker 1: a catchphrase on Good Times and he'd go dine oh

445
00:19:59,440 --> 00:20:01,240
Speaker 1: Mike right, Donald.

446
00:20:01,240 --> 00:20:04,560
Speaker 2: Dyna might He was kid dynamite. That was his. That's

447
00:20:04,560 --> 00:20:08,480
Speaker 2: who he was. He was kid dynamite. JJ James, like every.

448
00:20:08,359 --> 00:20:10,920
Speaker 1: Good sitcom star. He had a catchphrase and uh and

449
00:20:11,040 --> 00:20:13,080
Speaker 1: dyna mighte was his, but he wouldn't say it on

450
00:20:13,160 --> 00:20:17,080
Speaker 1: Scrubs unless you like up the rig understandably.

451
00:20:16,600 --> 00:20:17,240
Speaker 2: Like I get it.

452
00:20:17,600 --> 00:20:18,000
Speaker 1: Pay them.

453
00:20:18,080 --> 00:20:20,760
Speaker 2: You know, that's like asking Gary Coleman to say what

454
00:20:20,840 --> 00:20:21,720
Speaker 2: you're talking about Willis.

455
00:20:21,920 --> 00:20:24,440
Speaker 1: I imagine if Gary Coleman come on Scrubs, he would

456
00:20:24,480 --> 00:20:26,320
Speaker 1: have said, Hey, I'll come on for this fee. But

457
00:20:26,359 --> 00:20:28,119
Speaker 1: if you want what you talking about Willis, it's this

458
00:20:28,280 --> 00:20:32,240
Speaker 1: amount of money. There's a premium for what you're talking about. Willis. Absolutely,

459
00:20:32,359 --> 00:20:33,640
Speaker 1: I bet paid.

460
00:20:34,000 --> 00:20:34,960
Speaker 2: I'll put the money on it.

461
00:20:35,160 --> 00:20:38,919
Speaker 1: Yeah. Wait, did Gary Coleman pass too? Right?

462
00:20:39,200 --> 00:20:39,400
Speaker 2: Yeah?

463
00:20:39,440 --> 00:20:42,800
Speaker 1: He did? Wow, all three of these. Did Jimmy Walker die?

464
00:20:43,080 --> 00:20:44,320
Speaker 2: No, Jimmy Walker still alive.

465
00:20:44,400 --> 00:20:47,719
Speaker 1: But it's interesting that Fred Barry and Gary Coleman.

466
00:20:49,440 --> 00:20:51,920
Speaker 2: Yeah, a lot of a lot of our favorite sitcom

467
00:20:52,040 --> 00:20:55,560
Speaker 2: stars when we were young passed away from either drugs

468
00:20:55,720 --> 00:20:56,600
Speaker 2: or you know.

469
00:20:57,000 --> 00:20:59,920
Speaker 1: A Different Strokes cast has just been the most track.

470
00:21:01,480 --> 00:21:04,680
Speaker 2: I mean, Todd Bridges is my doppel gang. You're still living.

471
00:21:04,800 --> 00:21:06,080
Speaker 2: Todd Bridges is still alive.

472
00:21:06,440 --> 00:21:08,600
Speaker 1: Todd's still alive, but a lot of the others have had.

473
00:21:10,119 --> 00:21:14,000
Speaker 2: Todd's had a pretty good career after Different Strokes. He

474
00:21:14,040 --> 00:21:17,160
Speaker 2: went on to I mean, he's been a very good

475
00:21:17,240 --> 00:21:19,200
Speaker 2: actor in the projects that he's been in.

476
00:21:20,280 --> 00:21:22,440
Speaker 1: Different Strokes, so much that was like my favorite show.

477
00:21:22,680 --> 00:21:26,600
Speaker 2: Absolutely yeah, but everything happened to that family. Man, everything

478
00:21:26,680 --> 00:21:29,680
Speaker 2: happened to that family. How many times does Arnold get kidnapped?

479
00:21:29,960 --> 00:21:32,760
Speaker 2: He's been child molested, He's all types of things.

480
00:21:32,800 --> 00:21:33,359
Speaker 1: He got he was.

481
00:21:36,800 --> 00:21:39,439
Speaker 2: Right. But not only was Dudley molested. His dad smoked

482
00:21:39,480 --> 00:21:42,040
Speaker 2: a lot of cigarettes and had you know there was

483
00:21:42,080 --> 00:21:45,560
Speaker 2: a cigarette episode, Like like, everything happened to that family.

484
00:21:45,760 --> 00:21:48,360
Speaker 1: And then when nothing else, everything happened to everybody. Look

485
00:21:48,359 --> 00:21:50,159
Speaker 1: at the show er like, imagine all the sudden that's

486
00:21:50,160 --> 00:21:50,920
Speaker 1: happened in that er.

487
00:21:51,119 --> 00:21:53,639
Speaker 2: But I'm just saying, after everything happened to every character

488
00:21:53,760 --> 00:21:55,960
Speaker 2: on that show, they went out and got Sam so

489
00:21:56,160 --> 00:21:58,920
Speaker 2: everything could happen to Sam. And Sam was an anomaly.

490
00:21:59,240 --> 00:22:03,040
Speaker 2: He was a freaking country singing, breakdancing, I could break

491
00:22:03,160 --> 00:22:05,920
Speaker 2: dance and played the guitar, mister d He was all

492
00:22:05,960 --> 00:22:06,440
Speaker 2: of that shit.

493
00:22:06,920 --> 00:22:09,399
Speaker 1: That is when they brought Sam on, it was the end.

494
00:22:09,920 --> 00:22:10,680
Speaker 1: It was the end.

495
00:22:11,040 --> 00:22:15,120
Speaker 2: That's another show that went from a network that switched networks.

496
00:22:15,520 --> 00:22:17,600
Speaker 1: I was trying to bring it, trying to get the

497
00:22:17,680 --> 00:22:20,760
Speaker 1: ratings back up because Gary was such a cute kid,

498
00:22:20,920 --> 00:22:22,240
Speaker 1: and then when he got older, they were like, we

499
00:22:22,359 --> 00:22:25,000
Speaker 1: need a new cute kid, bring in the red haired

500
00:22:25,359 --> 00:22:26,720
Speaker 1: country singing.

501
00:22:26,520 --> 00:22:28,719
Speaker 2: Kid, the country Breakdancer.

502
00:22:28,840 --> 00:22:31,760
Speaker 1: I don't have any memories of Sam episodes. Really, I

503
00:22:31,800 --> 00:22:34,879
Speaker 1: think I tuned out there it is I was local

504
00:22:34,920 --> 00:22:44,280
Speaker 1: to Gary. I was like, should we get back to

505
00:22:44,320 --> 00:22:45,440
Speaker 1: the show Donalds.

506
00:22:45,200 --> 00:22:51,879
Speaker 2: Absolutely, Christa Miller, Holy cow man, Let's begin with holy cow.

507
00:22:52,240 --> 00:22:53,440
Speaker 1: Has she looks so hot?

508
00:22:53,520 --> 00:22:54,560
Speaker 2: She is so hot.

509
00:22:54,920 --> 00:22:57,119
Speaker 1: Let me tell you something about Krystal Miller. She was

510
00:22:57,200 --> 00:22:58,480
Speaker 1: the very first cover.

511
00:22:58,480 --> 00:23:00,399
Speaker 2: Of maxim was it maximums stuff?

512
00:23:00,560 --> 00:23:03,400
Speaker 1: I'm looking at the still of her she uh, two

513
00:23:03,520 --> 00:23:06,440
Speaker 1: thirty two? She looks obviously. Bill was like, not only

514
00:23:06,520 --> 00:23:08,440
Speaker 1: is kristin a knockout, but you know the boss was like,

515
00:23:08,480 --> 00:23:10,760
Speaker 1: all right, I want the filter, I want the backlight,

516
00:23:10,800 --> 00:23:11,160
Speaker 1: I want.

517
00:23:11,080 --> 00:23:13,520
Speaker 3: The slow motion, I want the fan. That's the first

518
00:23:13,560 --> 00:23:15,679
Speaker 3: time I want the dolly push in. Yeah, we did

519
00:23:15,800 --> 00:23:18,080
Speaker 3: a bunch on Scruggs, but like she got the first

520
00:23:18,520 --> 00:23:21,879
Speaker 3: oh moment of like the hot chipwalking in Absolutely.

521
00:23:22,119 --> 00:23:25,320
Speaker 2: I also noticed that her character talks exactly the way

522
00:23:25,560 --> 00:23:29,240
Speaker 2: Cox talked. Yeah, and if you go back and watch it,

523
00:23:29,920 --> 00:23:34,399
Speaker 2: that storyline very attracts, very well, like when the reveal happens,

524
00:23:34,440 --> 00:23:36,680
Speaker 2: If you go back and look at how she talked

525
00:23:36,680 --> 00:23:40,680
Speaker 2: to JD before the reveal of them being ex husband

526
00:23:40,720 --> 00:23:44,520
Speaker 2: and wife. It's like JD's talking to a female version

527
00:23:44,560 --> 00:23:46,480
Speaker 2: of Cox in the in the scene.

528
00:23:46,640 --> 00:23:49,440
Speaker 1: Yeah, because she's like just got rattling off these sort

529
00:23:49,480 --> 00:23:52,440
Speaker 1: of wise Ansmartins. Absolutely, and it's very quick witted and

530
00:23:53,440 --> 00:23:56,639
Speaker 1: it's funny. I think she's inspired by Christa herself, if

531
00:23:56,680 --> 00:23:59,760
Speaker 1: I could be so bold, because you know, christ is a.

532
00:23:59,760 --> 00:24:04,000
Speaker 2: Tough Yeah, it ain't not soft about I mean there's

533
00:24:04,040 --> 00:24:06,840
Speaker 2: a lot of soft about Krista and once you get

534
00:24:06,880 --> 00:24:09,440
Speaker 2: to know her, but when you first meet her, yeah,

535
00:24:09,480 --> 00:24:11,720
Speaker 2: she's a very she could be a bit scary. Yeah,

536
00:24:11,760 --> 00:24:14,160
Speaker 2: she she had no problem and she has no problem

537
00:24:14,520 --> 00:24:16,920
Speaker 2: letting you know, back the fuck off dude.

538
00:24:17,000 --> 00:24:21,240
Speaker 1: Yeah, and she and Bill can both be snarky. And

539
00:24:21,359 --> 00:24:23,120
Speaker 1: I used to say, did you guys meet it mean camp?

540
00:24:23,359 --> 00:24:29,000
Speaker 1: Because they but so here I am. I've got this

541
00:24:29,119 --> 00:24:32,560
Speaker 1: brand new job and I'm so excited. And I read

542
00:24:32,640 --> 00:24:34,400
Speaker 1: the script and it says that I'm going to make

543
00:24:34,480 --> 00:24:36,000
Speaker 1: out with my boss's wife.

544
00:24:36,240 --> 00:24:38,240
Speaker 2: Did you know that it was going to be his wife?

545
00:24:39,119 --> 00:24:41,840
Speaker 1: You know, I had met Krista threw Bill at the

546
00:24:41,920 --> 00:24:44,240
Speaker 1: table read and stuff, and I knew she was obviously

547
00:24:44,320 --> 00:24:47,160
Speaker 1: from Drew Carrey and Drew carry was still going, yeah, yeah,

548
00:24:47,320 --> 00:24:49,680
Speaker 1: absolutely it was, And that show is very popular, and

549
00:24:49,800 --> 00:24:52,520
Speaker 1: of course she was in magazines and she's so pretty,

550
00:24:52,600 --> 00:24:54,879
Speaker 1: and so I of course knew she was, but I

551
00:24:54,920 --> 00:24:57,119
Speaker 1: had barely met her, and I was totally intimidated and

552
00:24:57,200 --> 00:25:00,159
Speaker 1: scared by her. I remember, it's kissing, it's not. It's

553
00:25:00,200 --> 00:25:02,640
Speaker 1: funny rewatching the show now, and it's not in the show.

554
00:25:02,760 --> 00:25:05,720
Speaker 1: But I remember we filmed us making out, and I

555
00:25:06,880 --> 00:25:08,840
Speaker 1: was so nervous. I was. I remember being like, this

556
00:25:09,080 --> 00:25:13,080
Speaker 1: is the weirdest job in the world. I'm make out

557
00:25:13,280 --> 00:25:15,960
Speaker 1: with my really pretty boss's wife for him.

558
00:25:16,520 --> 00:25:18,920
Speaker 2: Yeah, and how do you think he felt about it?

559
00:25:19,000 --> 00:25:20,359
Speaker 2: That's I think he liked it a bit.

560
00:25:20,400 --> 00:25:22,840
Speaker 1: I think he's a little bit like that. So I'm

561
00:25:22,840 --> 00:25:25,160
Speaker 1: gonna be so bold to say that man's a little kinky.

562
00:25:25,359 --> 00:25:26,520
Speaker 2: Yeah, he's got a little bit of cakey.

563
00:25:26,800 --> 00:25:30,080
Speaker 1: I think he might like it. We can we can

564
00:25:30,200 --> 00:25:33,440
Speaker 1: insert a budget Joelle Bill Lawrence's voice note here, we

565
00:25:33,560 --> 00:25:35,520
Speaker 1: gotta ask him, did you did you like it a

566
00:25:35,560 --> 00:25:35,919
Speaker 1: little bit?

567
00:25:36,560 --> 00:25:40,600
Speaker 4: No, Zach and Donald, I don't enjoy forcing actors to

568
00:25:41,000 --> 00:25:45,840
Speaker 4: make out with my wife on television. I enjoy that

569
00:25:46,040 --> 00:25:48,400
Speaker 4: in our in our personal lives, but just not on TV.

570
00:25:50,200 --> 00:25:53,200
Speaker 4: It's part of the gig though, right because I dook.

571
00:25:53,240 --> 00:25:58,560
Speaker 4: I enjoyed watching how uncomfortable Zach was that first year

572
00:25:58,760 --> 00:26:01,119
Speaker 4: having to kiss my wife, but it was all acting

573
00:26:01,560 --> 00:26:03,280
Speaker 4: rights acting because he.

574
00:26:03,800 --> 00:26:05,879
Speaker 2: Brought her back and then made Johnny do the same thing.

575
00:26:06,040 --> 00:26:08,879
Speaker 1: Yeah, well during this episode too, I think he was.

576
00:26:09,080 --> 00:26:10,480
Speaker 1: You know, there's some dudes who are into that. I

577
00:26:10,520 --> 00:26:18,639
Speaker 1: think Bill might like a smidget of that. I I mean,

578
00:26:19,200 --> 00:26:21,200
Speaker 1: I don't know that I would be. I would probably

579
00:26:21,240 --> 00:26:22,120
Speaker 1: be jealous.

580
00:26:21,880 --> 00:26:23,760
Speaker 2: But yeah, I don't share. I don't like to share.

581
00:26:24,280 --> 00:26:26,119
Speaker 2: I wonder if my wife. My wife says some of

582
00:26:26,200 --> 00:26:30,200
Speaker 2: the craziest things when when I have kissing scenes with people,

583
00:26:30,720 --> 00:26:32,800
Speaker 2: Like I remember my wife being like, like one time

584
00:26:32,840 --> 00:26:35,520
Speaker 2: I kissed the girl on television and she was like, well,

585
00:26:35,560 --> 00:26:36,520
Speaker 2: that wasn't believable.

586
00:26:37,720 --> 00:26:41,120
Speaker 1: Like what the trick with a TV slash movie kiss

587
00:26:41,359 --> 00:26:44,000
Speaker 1: is not is just to open your mouth but not

588
00:26:44,200 --> 00:26:46,200
Speaker 1: be jamming your tongue in anyone's.

589
00:26:45,880 --> 00:26:49,320
Speaker 2: Mouth, right, And for a lot of people, jamming your

590
00:26:49,400 --> 00:26:53,960
Speaker 2: tongue in someone's mouth isn't necessarily the way they like

591
00:26:54,119 --> 00:26:56,879
Speaker 2: to kiss. So some people in real life kiss like

592
00:26:57,080 --> 00:26:59,680
Speaker 2: they kiss on television where it's just an open mouth kiss.

593
00:27:00,119 --> 00:27:02,800
Speaker 1: But have you found with your movie TV kisses that

594
00:27:03,480 --> 00:27:05,119
Speaker 1: the onus is on you? I think is a man

595
00:27:05,240 --> 00:27:08,600
Speaker 1: to be like, all right, let the female set what

596
00:27:08,840 --> 00:27:11,159
Speaker 1: this is going to be. That's how I think about it.

597
00:27:11,520 --> 00:27:14,600
Speaker 1: And then sometimes you're like, whoa, you're really going all out.

598
00:27:14,680 --> 00:27:15,680
Speaker 1: There's a tongue in my mouth.

599
00:27:16,000 --> 00:27:20,399
Speaker 2: Right. Somebody told me that they even have like mediators

600
00:27:20,480 --> 00:27:23,320
Speaker 2: that come in, like people that uh, stage this now.

601
00:27:23,520 --> 00:27:25,720
Speaker 1: Yeah, that's a new thing now, which is definitely good

602
00:27:25,760 --> 00:27:27,560
Speaker 1: because no one ever knew what to do. And now,

603
00:27:27,640 --> 00:27:30,159
Speaker 1: of course in this stage it's they have people come

604
00:27:30,200 --> 00:27:31,560
Speaker 1: in and go, Okay, let's all talk about what this

605
00:27:31,600 --> 00:27:33,520
Speaker 1: is going to be and let's choreograph it and right.

606
00:27:33,560 --> 00:27:35,359
Speaker 1: But when we were doing this, it was just I

607
00:27:35,400 --> 00:27:38,600
Speaker 1: would have these different guest stars. I don't know. I

608
00:27:38,720 --> 00:27:41,639
Speaker 1: just remember being embarrassed as I watched some like with

609
00:27:41,760 --> 00:27:45,360
Speaker 1: Amy Smart, that we were just like full on going

610
00:27:45,440 --> 00:27:48,800
Speaker 1: at it, and and I was like, this is a sitcom,

611
00:27:48,880 --> 00:27:51,080
Speaker 1: like we shouldn't be seeing our tongues like from the

612
00:27:51,160 --> 00:27:53,560
Speaker 1: side of our kiss. It's a little I was very

613
00:27:53,600 --> 00:27:54,680
Speaker 1: giddy about Amy Smart.

614
00:27:54,720 --> 00:27:57,480
Speaker 2: I must confess, yes, you were very giddy about Amy

615
00:27:58,640 --> 00:27:59,320
Speaker 2: and if there.

616
00:27:59,240 --> 00:28:01,720
Speaker 1: Were tongues flying, I was. I wanted to be a

617
00:28:01,760 --> 00:28:07,280
Speaker 1: part of it. I had such a crush on Amy.

618
00:28:07,560 --> 00:28:10,560
Speaker 2: Yeah you did. That was Oh my gosh. I remember, listen,

619
00:28:11,040 --> 00:28:11,640
Speaker 2: you have something.

620
00:28:11,680 --> 00:28:13,760
Speaker 1: I've never been so happy at work as that.

621
00:28:13,920 --> 00:28:16,000
Speaker 2: That was prett Yeah, because your crush for Amy Smart

622
00:28:16,119 --> 00:28:19,040
Speaker 2: came well before she was ever on the show.

623
00:28:19,240 --> 00:28:22,960
Speaker 1: My crustion from maybe Smart went back to Todd Phillips's movie.

624
00:28:23,320 --> 00:28:26,600
Speaker 2: Road Trip, road Trip, Yeah, Breck and Meyer.

625
00:28:26,840 --> 00:28:31,959
Speaker 1: Wreck and Meyer. Todd Phillips, who's now an Oscar nominated

626
00:28:32,080 --> 00:28:33,440
Speaker 1: director for The Worker.

627
00:28:33,359 --> 00:28:36,080
Speaker 2: For the Joker. Who else is it that Tom Greens in?

628
00:28:36,160 --> 00:28:39,720
Speaker 1: Then? I don't remember the movie. I just remember being like, wow,

629
00:28:40,000 --> 00:28:42,120
Speaker 1: that that woman is so pretty to me.

630
00:28:42,720 --> 00:28:46,000
Speaker 2: Yeah, well she was on, yes, and she was.

631
00:28:46,120 --> 00:28:48,840
Speaker 1: She was very funny. Yeah she's very funny, all right.

632
00:28:48,760 --> 00:28:51,440
Speaker 2: But not in this episode, buddy, she wasn't in this episode.

633
00:28:51,520 --> 00:28:53,480
Speaker 1: Sorry, christ We're back to how hot you are? We

634
00:28:53,520 --> 00:28:55,560
Speaker 1: got we digressed and started talking about name this morning.

635
00:28:56,560 --> 00:28:57,480
Speaker 1: We gotta have Christa on.

636
00:28:57,640 --> 00:28:59,400
Speaker 2: By the way, I agree with you one hundred percent.

637
00:28:59,400 --> 00:29:00,800
Speaker 2: I think we should have Johnny and Judy.

638
00:29:00,920 --> 00:29:02,880
Speaker 1: Of course, Johnny and christ so we gotta get we

639
00:29:02,920 --> 00:29:03,760
Speaker 1: got to schedule them.

640
00:29:04,000 --> 00:29:06,320
Speaker 2: Try and get Neil and Ken. It'd be really interesting.

641
00:29:06,480 --> 00:29:10,000
Speaker 1: Let's go through all the main stars and then and

642
00:29:10,080 --> 00:29:13,240
Speaker 1: then and then and start being in them directors and writers.

643
00:29:12,920 --> 00:29:15,280
Speaker 2: And well, let's ask the fans also who they want

644
00:29:15,320 --> 00:29:15,600
Speaker 2: to see?

645
00:29:15,880 --> 00:29:19,080
Speaker 1: Just drop us, tell us on the social media. Who

646
00:29:19,120 --> 00:29:19,600
Speaker 1: do you want to hear?

647
00:29:19,760 --> 00:29:22,240
Speaker 2: Yeah? Who you want to hear? Here, guys, we'll reach

648
00:29:22,280 --> 00:29:23,280
Speaker 2: out to anyone.

649
00:29:23,480 --> 00:29:26,520
Speaker 1: Do you remember the Magic Garden when we were growing up?

650
00:29:26,640 --> 00:29:27,520
Speaker 2: Absolutely no.

651
00:29:27,600 --> 00:29:29,200
Speaker 1: I don't know if you had this if you're listening

652
00:29:29,280 --> 00:29:30,840
Speaker 1: where you grew up, but it was was it like

653
00:29:30,880 --> 00:29:33,040
Speaker 1: a local East Coast I feel like it.

654
00:29:33,120 --> 00:29:35,920
Speaker 2: Was like a PBS show, But I'm sure there were

655
00:29:36,000 --> 00:29:38,000
Speaker 2: so many people who were local.

656
00:29:38,120 --> 00:29:40,160
Speaker 1: I don't know, because we grew up a half hour

657
00:29:40,200 --> 00:29:42,280
Speaker 1: from each other, him, me and Jersey and him in Manhattan.

658
00:29:42,400 --> 00:29:44,200
Speaker 1: But anyway, there was this logo show, and I remember

659
00:29:44,200 --> 00:29:47,280
Speaker 1: at the end they would go and and she'd have

660
00:29:47,440 --> 00:29:49,640
Speaker 1: like a magic class, and she'd look into the camera

661
00:29:49,720 --> 00:29:52,960
Speaker 1: and she'd go, n I see Jin and John and

662
00:29:53,240 --> 00:29:55,160
Speaker 1: Tony do you remember And she would just list.

663
00:29:55,040 --> 00:29:56,200
Speaker 2: Off like a bunch of names.

664
00:29:56,240 --> 00:29:57,719
Speaker 1: Ye, a bunch of names. And of course now as

665
00:29:57,720 --> 00:29:59,600
Speaker 1: an adult, I'm going, oh, the woman was just listing

666
00:29:59,680 --> 00:30:02,280
Speaker 1: off the those popular names, so the maximum amount of

667
00:30:02,360 --> 00:30:05,720
Speaker 1: kids go oh my god, she sees she never said

668
00:30:05,920 --> 00:30:06,760
Speaker 1: does she ever say Donald?

669
00:30:06,960 --> 00:30:08,719
Speaker 2: No, well, I didn't go as Donald as a kid.

670
00:30:08,760 --> 00:30:09,680
Speaker 2: I was at Dao Shoon.

671
00:30:09,760 --> 00:30:14,240
Speaker 1: So funny. She's like, I see Tom and John and

672
00:30:14,360 --> 00:30:19,560
Speaker 1: Adeo Shoon. I love that show. I would love that.

673
00:30:19,600 --> 00:30:21,680
Speaker 1: I got a YouTube the Magic Garden, but I remember

674
00:30:21,840 --> 00:30:23,280
Speaker 1: just being tripped out. The reason I thought of that

675
00:30:23,400 --> 00:30:25,000
Speaker 1: random thought was like, we could do that with her

676
00:30:25,000 --> 00:30:31,680
Speaker 1: before we go, Hey, hey, John, Tom, Jennifer, Jessica, we'd

677
00:30:31,760 --> 00:30:32,720
Speaker 1: like to hear what you think.

678
00:30:33,080 --> 00:30:35,120
Speaker 2: And then you got to say some like different names

679
00:30:35,440 --> 00:30:43,240
Speaker 2: that Mosha fu kwan A, Bertha, Tariq, Malik, Taick because

680
00:30:43,280 --> 00:30:45,960
Speaker 2: some people aren't Tarik, some people are Taick.

681
00:30:46,240 --> 00:30:47,480
Speaker 1: Some people are Anthrony.

682
00:30:47,720 --> 00:30:50,200
Speaker 2: We found that out. Yes there is an Anthony.

683
00:30:50,360 --> 00:30:51,640
Speaker 1: Yes, Shalom.

684
00:30:52,520 --> 00:30:53,840
Speaker 2: I don't know anybody named Shalom.

685
00:30:53,960 --> 00:30:54,160
Speaker 1: I do.

686
00:30:54,800 --> 00:30:56,760
Speaker 2: But that's like asked, do you know any white people

687
00:30:56,800 --> 00:30:59,960
Speaker 2: with the last name Washington? No, do you know any

688
00:31:00,080 --> 00:31:05,880
Speaker 2: white people with the last name Jefferson Thomas? Yeah, that's

689
00:31:05,880 --> 00:31:06,920
Speaker 2: saying something, isn't it.

690
00:31:08,080 --> 00:31:10,960
Speaker 1: Listen, let's talk about you and me, missus Jones. So

691
00:31:11,160 --> 00:31:12,880
Speaker 1: you're in the end of the room and you're singing

692
00:31:12,920 --> 00:31:15,760
Speaker 1: the song. If it was really sexy and romantic, I

693
00:31:15,800 --> 00:31:17,959
Speaker 1: felt like you and Judy were really to make out

694
00:31:18,040 --> 00:31:18,360
Speaker 1: for real.

695
00:31:18,480 --> 00:31:21,200
Speaker 2: There I was saying that. I was I was gonna

696
00:31:21,200 --> 00:31:25,200
Speaker 2: say that about the show. Uh, Carla and Turk are

697
00:31:25,280 --> 00:31:25,960
Speaker 2: so cute.

698
00:31:26,360 --> 00:31:28,360
Speaker 1: Yeah, they're so cute.

699
00:31:28,760 --> 00:31:32,480
Speaker 2: You really root for them. And I find myself when

700
00:31:32,520 --> 00:31:35,760
Speaker 2: I watch it. I find myself, you know, looking back

701
00:31:35,800 --> 00:31:40,840
Speaker 2: at it. Obviously, I thought, uh, Judy Rayes was is

702
00:31:41,000 --> 00:31:44,120
Speaker 2: and still is an amazing actress. But I looked at

703
00:31:44,120 --> 00:31:46,000
Speaker 2: her like my sister, you know what I mean. And

704
00:31:46,120 --> 00:31:48,720
Speaker 2: so when we did the scenes, it was, you know,

705
00:31:49,000 --> 00:31:52,520
Speaker 2: me doing scenes with my sister. Now that I look

706
00:31:52,640 --> 00:31:55,960
Speaker 2: back at it, though, it's like, wow, we had such

707
00:31:56,040 --> 00:31:57,479
Speaker 2: good chemistry, because you did.

708
00:31:57,560 --> 00:31:59,280
Speaker 1: But I don't think it was like your sister, did you.

709
00:32:00,600 --> 00:32:03,600
Speaker 2: Judy was Judy was the type of per Listen, you

710
00:32:03,720 --> 00:32:06,240
Speaker 2: were attracted her when I look well, yeah, when we

711
00:32:06,360 --> 00:32:08,480
Speaker 2: did scenes and stuff like that. But when I look back,

712
00:32:09,120 --> 00:32:10,760
Speaker 2: let me finish. When I look back at it now,

713
00:32:10,800 --> 00:32:15,480
Speaker 2: I'm like, yo, dude, I wonder why I never looked

714
00:32:15,520 --> 00:32:18,760
Speaker 2: at Judy and I know why because you know they're

715
00:32:18,760 --> 00:32:20,400
Speaker 2: a saying never shit where you eat, you know what

716
00:32:20,440 --> 00:32:21,320
Speaker 2: I mean, that's not.

717
00:32:21,600 --> 00:32:24,920
Speaker 1: You didn't allow yourself to fall in love or.

718
00:32:25,280 --> 00:32:27,720
Speaker 2: To feel that type of way. But when I look

719
00:32:27,800 --> 00:32:30,760
Speaker 2: back at it now, I'm like, holy cow, Judy was

720
00:32:30,800 --> 00:32:35,320
Speaker 2: there his whole time, and she looks, oh like, well,

721
00:32:35,360 --> 00:32:38,320
Speaker 2: not only that, she's just such an amazing actress, you

722
00:32:38,360 --> 00:32:41,120
Speaker 2: know what I mean. And she played Carlos, so you

723
00:32:41,240 --> 00:32:43,920
Speaker 2: know so well. You know, she spoke for a lot

724
00:32:44,000 --> 00:32:47,840
Speaker 2: of people. You know, Judy did for nurses for for

725
00:32:48,200 --> 00:32:50,440
Speaker 2: uh at the time, there won a lot of latinas

726
00:32:50,480 --> 00:32:52,640
Speaker 2: on television, you know what I mean. It was like

727
00:32:52,800 --> 00:32:54,840
Speaker 2: j Lo and that's it, dude, you know what I mean,

728
00:32:54,920 --> 00:32:57,760
Speaker 2: twenty years ago, and Judy was the other one, you

729
00:32:57,800 --> 00:32:59,920
Speaker 2: know what I mean. And so you know, big prop

730
00:33:00,240 --> 00:33:01,239
Speaker 2: to Judy rays Man.

731
00:33:01,360 --> 00:33:03,760
Speaker 1: You. I also wanted to say that it's interesting in

732
00:33:03,800 --> 00:33:07,600
Speaker 1: this episode that both women are are really in charge

733
00:33:09,360 --> 00:33:13,040
Speaker 1: of of their sexuality and their power in the bedroom.

734
00:33:13,240 --> 00:33:15,480
Speaker 1: Is I just noticed that there's a parallel on this

735
00:33:16,120 --> 00:33:21,240
Speaker 1: Both Carla and Jordan are calling the shots in these

736
00:33:21,320 --> 00:33:22,520
Speaker 1: sexual encounters.

737
00:33:23,040 --> 00:33:24,560
Speaker 2: But that's how it should be, you know what I mean.

738
00:33:24,920 --> 00:33:27,160
Speaker 2: If we're in it together. We're all doing this. You

739
00:33:27,240 --> 00:33:27,640
Speaker 2: know what I mean.

740
00:33:27,920 --> 00:33:30,440
Speaker 1: Well, I mean it could be whoever a couple wants it.

741
00:33:30,480 --> 00:33:33,240
Speaker 1: But I'm just saying I noticed just in this episode

742
00:33:33,280 --> 00:33:36,880
Speaker 1: that there's there's some of these parallel stories of of

743
00:33:37,600 --> 00:33:40,840
Speaker 1: of strong women in the bedroom, and and Jordan says

744
00:33:40,880 --> 00:33:42,880
Speaker 1: to JD, you had absolutely nothing to do with why

745
00:33:42,880 --> 00:33:44,440
Speaker 1: I left with you. I thought that was really funny.

746
00:33:44,560 --> 00:33:46,240
Speaker 2: I thought that was hilarious when she's given you the

747
00:33:46,280 --> 00:33:48,760
Speaker 2: whole speeches, like you know, you meet someone and you

748
00:33:48,880 --> 00:33:52,800
Speaker 2: hope that it goes. I'm sorry that we've got a date.

749
00:33:53,960 --> 00:33:56,320
Speaker 1: I also allowed I laughed out loud at four fifty

750
00:33:56,360 --> 00:33:58,160
Speaker 1: one when you said, tell her put the game down.

751
00:33:58,640 --> 00:34:01,280
Speaker 2: Tell telling them what I let him, put the cane down.

752
00:34:02,080 --> 00:34:03,600
Speaker 2: I had no recollection of that.

753
00:34:04,120 --> 00:34:04,960
Speaker 1: You don't hear that seat.

754
00:34:05,240 --> 00:34:08,400
Speaker 2: I don't remember that at all. That shit had me rolling.

755
00:34:08,680 --> 00:34:09,920
Speaker 1: You don't remember that woman at all.

756
00:34:10,200 --> 00:34:12,080
Speaker 2: No, I know that, I know that the character passes

757
00:34:12,120 --> 00:34:12,719
Speaker 2: away later on.

758
00:34:12,840 --> 00:34:14,160
Speaker 1: I do know that Boilers.

759
00:34:14,600 --> 00:34:16,440
Speaker 2: I mean, if you haven't watched the show.

760
00:34:16,600 --> 00:34:18,080
Speaker 1: I think if you've listening to this, he watched the

761
00:34:18,120 --> 00:34:20,520
Speaker 1: show was funny.

762
00:34:20,880 --> 00:34:24,320
Speaker 2: Put the cane down, telling her to put the cane down. Also,

763
00:34:24,600 --> 00:34:28,239
Speaker 2: Elliot sees the janitor and the whole angry Yeah, I

764
00:34:28,360 --> 00:34:31,480
Speaker 2: told you that little freaking the janitor is a figment

765
00:34:31,520 --> 00:34:34,160
Speaker 2: of JD's imagination. It doesn't track telling.

766
00:34:34,040 --> 00:34:36,640
Speaker 1: Donald, I know, and I'm sad about it because it

767
00:34:36,800 --> 00:34:39,560
Speaker 1: was a beautiful lore and I don't poke holes in

768
00:34:39,719 --> 00:34:42,800
Speaker 1: in in in allure that I feel like Bill himself

769
00:34:42,840 --> 00:34:45,520
Speaker 1: has propagated. But he doesn't remember all these little moments.

770
00:34:46,000 --> 00:34:49,040
Speaker 1: And you know what Sarah told every We've all been

771
00:34:49,080 --> 00:34:51,080
Speaker 1: saying the season one, he didn't talk to anyone and

772
00:34:51,160 --> 00:34:54,440
Speaker 1: he doesn't really, but he does interact with Sarah. I

773
00:34:54,520 --> 00:34:55,040
Speaker 1: wrote it down.

774
00:34:55,120 --> 00:34:58,239
Speaker 2: Donald's absolutely because what she does triggers him to do

775
00:34:58,360 --> 00:35:00,200
Speaker 2: what he does to you up.

776
00:35:01,719 --> 00:35:04,400
Speaker 1: And so I'm sorry, I'm sad to say we are.

777
00:35:04,920 --> 00:35:10,560
Speaker 1: I feel like we're like detectives and we're uncovering the truth. Absolutely,

778
00:35:10,600 --> 00:35:13,840
Speaker 1: that little, that little bit of Scrubs lore is bullshit.

779
00:35:14,480 --> 00:35:17,880
Speaker 2: Well, not only that, they also set up something that

780
00:35:18,360 --> 00:35:22,080
Speaker 2: goes away for a while, but Elliott's relationship with her mom. Also,

781
00:35:22,360 --> 00:35:25,920
Speaker 2: Elliott talking to her mom on the on the telephone

782
00:35:26,320 --> 00:35:28,719
Speaker 2: and her mom talking about how short hair gives her

783
00:35:28,920 --> 00:35:31,880
Speaker 2: pig face. Yes so, but later on we bring in

784
00:35:32,680 --> 00:35:38,320
Speaker 2: Markey Post yes, absolutely, to play Elliot's mom, and the

785
00:35:38,400 --> 00:35:41,719
Speaker 2: storyline still works from that phone call. But they set

786
00:35:41,719 --> 00:35:43,799
Speaker 2: it up in this phone call. I don't know how

787
00:35:43,840 --> 00:35:46,520
Speaker 2: many episodes later or how it might even been seasons

788
00:35:46,840 --> 00:35:47,880
Speaker 2: when Marquee comes on.

789
00:35:48,280 --> 00:35:50,480
Speaker 1: Right, I forgot when that happens, when all our parents come.

790
00:35:50,680 --> 00:35:54,320
Speaker 1: But yeah, so you're getting backstory on Sarah. And also

791
00:35:55,120 --> 00:35:57,920
Speaker 1: there's a big thing in this episode about therapy. I mean,

792
00:35:57,920 --> 00:36:01,360
Speaker 1: I was watching you give like a advocates for therapy

793
00:36:01,440 --> 00:36:03,320
Speaker 1: in this episode, and I thought I was just watching this,

794
00:36:03,480 --> 00:36:06,319
Speaker 1: going that's a good public service announcement for people to hear,

795
00:36:06,520 --> 00:36:09,680
Speaker 1: you know, from a character they like, this is two

796
00:36:09,760 --> 00:36:14,200
Speaker 1: thousand and one. And I think this depending on how

797
00:36:14,239 --> 00:36:16,040
Speaker 1: you grew up. I happened to grow up with my

798
00:36:16,239 --> 00:36:18,719
Speaker 1: mom was a psychologist and my stepfather was a psychologist.

799
00:36:18,920 --> 00:36:20,840
Speaker 1: I had therapy all over my life. But depending on

800
00:36:20,960 --> 00:36:23,920
Speaker 1: how it grew up, there can be stigma around it.

801
00:36:23,960 --> 00:36:26,680
Speaker 1: And I was happy to see that Bill and the

802
00:36:26,680 --> 00:36:29,640
Speaker 1: writers wrote in this sort of you know, advocacy for

803
00:36:30,160 --> 00:36:30,960
Speaker 1: seeing a therapist.

804
00:36:31,320 --> 00:36:34,680
Speaker 2: Oh, I totally agree. It's really interesting. How you know

805
00:36:35,320 --> 00:36:38,760
Speaker 2: it's twenty years ago, but we're still talking about issues

806
00:36:38,800 --> 00:36:41,160
Speaker 2: that are really important today. And I know we bring

807
00:36:41,239 --> 00:36:43,840
Speaker 2: this up a lot, but I'm really proud of that.

808
00:36:43,960 --> 00:36:45,480
Speaker 2: You know, I'm really proud to be on a show

809
00:36:45,600 --> 00:36:48,320
Speaker 2: that that did that. Even every time I see something

810
00:36:48,400 --> 00:36:51,000
Speaker 2: like that, I'm like, holy cow, we were talking about

811
00:36:51,080 --> 00:36:54,640
Speaker 2: that well before, like even the talking about the Rock

812
00:36:54,880 --> 00:36:57,480
Speaker 2: and how the Rock was a movie star. I'm proud

813
00:36:57,560 --> 00:36:59,800
Speaker 2: that we knew that back then we called it, you

814
00:36:59,880 --> 00:37:02,880
Speaker 2: know what I mean, I'm so I I am so

815
00:37:03,239 --> 00:37:06,200
Speaker 2: happy that we knew what the heck we were talking about.

816
00:37:06,400 --> 00:37:07,520
Speaker 2: The Simpsons do it a lot.

817
00:37:07,800 --> 00:37:11,720
Speaker 1: Oh yeah, they always forecast well anyway, you know, Donald

818
00:37:11,719 --> 00:37:14,719
Speaker 1: and I both believe in in therapy. So if you're

819
00:37:15,280 --> 00:37:17,960
Speaker 1: we're here to say, we're here to say that if

820
00:37:18,000 --> 00:37:20,520
Speaker 1: you're having trouble and you need help, you should please

821
00:37:20,719 --> 00:37:23,320
Speaker 1: see a therapist now, because it's there's been plenty of

822
00:37:23,400 --> 00:37:25,920
Speaker 1: times in my life where that has been very very

823
00:37:25,960 --> 00:37:28,760
Speaker 1: helpful to me to get me through some rocky times.

824
00:37:29,080 --> 00:37:31,920
Speaker 1: And uh, as a as a as a son of

825
00:37:32,000 --> 00:37:36,800
Speaker 1: a of two therapists psychologists, I have to repeat that

826
00:37:36,960 --> 00:37:39,640
Speaker 1: it's been very helpful for me at times, and.

827
00:37:39,719 --> 00:37:42,400
Speaker 2: It seems to really work for Elliott who's having a

828
00:37:42,600 --> 00:37:45,000
Speaker 2: really hard time in this episode.

829
00:37:45,200 --> 00:37:47,080
Speaker 1: That was funny. That guy did a good job. The

830
00:37:47,160 --> 00:37:50,480
Speaker 1: whole got to hear the guy just can't talk to

831
00:37:50,880 --> 00:37:52,880
Speaker 1: Elliott sitting there asking for free therapy.

832
00:37:54,800 --> 00:37:57,040
Speaker 2: That joke is hilarious. How does it make you feel?

833
00:37:57,200 --> 00:37:58,680
Speaker 2: She goes, I don't know what makes me feel, and

834
00:37:58,760 --> 00:38:02,200
Speaker 2: then he puts up the sign pills so I don't

835
00:38:02,200 --> 00:38:03,000
Speaker 2: need to do pain pills.

836
00:38:03,040 --> 00:38:07,759
Speaker 1: He's like, for me, that's funny. I laughed at six

837
00:38:07,920 --> 00:38:11,000
Speaker 1: fifty one when when Ken goes, heck, maybe even get

838
00:38:11,040 --> 00:38:11,800
Speaker 1: to meet Charro.

839
00:38:12,560 --> 00:38:15,880
Speaker 2: Right, but that's such a such a smart joke.

840
00:38:16,239 --> 00:38:18,520
Speaker 1: To explain to the young folks that Charro was often

841
00:38:18,600 --> 00:38:20,440
Speaker 1: on the show love Boat, and he's making a we

842
00:38:20,560 --> 00:38:22,680
Speaker 1: got a lot of eighties TV references in this episode.

843
00:38:22,800 --> 00:38:26,040
Speaker 2: Absolutely, but he But it's such a smart joke also

844
00:38:26,160 --> 00:38:29,120
Speaker 2: because you know, that's one of those shows where the

845
00:38:29,239 --> 00:38:33,560
Speaker 2: doctor on the ship cares about everyone on the boat

846
00:38:33,800 --> 00:38:35,759
Speaker 2: and wants to make sure that everyone on the boat

847
00:38:35,880 --> 00:38:38,600
Speaker 2: lives right and or whatever it is, it's healthy, et cetera.

848
00:38:39,360 --> 00:38:43,840
Speaker 2: And Cox got suspended for breaking the rules and caring

849
00:38:44,080 --> 00:38:47,240
Speaker 2: about his patient, and so the joke goes even deeper

850
00:38:47,320 --> 00:38:49,920
Speaker 2: when he says to him, you know, maybe you should

851
00:38:49,920 --> 00:38:51,640
Speaker 2: get on a cruise ship. I don't know. They could

852
00:38:51,680 --> 00:38:53,920
Speaker 2: call you Doc and you guys could sail in from

853
00:38:53,960 --> 00:38:56,400
Speaker 2: wherever to wherever and you could maybe even meet Charro.

854
00:38:56,880 --> 00:39:00,440
Speaker 2: Yeah that makes so much sense to the character itself,

855
00:39:00,880 --> 00:39:03,839
Speaker 2: and the joke is funny also, you know what I mean,

856
00:39:03,920 --> 00:39:04,920
Speaker 2: like it all blinds.

857
00:39:05,160 --> 00:39:07,600
Speaker 1: We end up having a lot of love boat docs on.

858
00:39:07,840 --> 00:39:10,520
Speaker 2: Yeah, we did have some love We had Doc, we

859
00:39:10,600 --> 00:39:12,960
Speaker 2: had Isaac, we had I know they were on the show.

860
00:39:13,040 --> 00:39:13,760
Speaker 1: Yeah, yeah, okay.

861
00:39:14,080 --> 00:39:16,440
Speaker 2: We also had Saying Elsewhere. We had some of the

862
00:39:16,960 --> 00:39:19,960
Speaker 2: oh yeah, we did a whole episodes with Ed Bagueley.

863
00:39:20,200 --> 00:39:21,160
Speaker 2: We had a bunch of people.

864
00:39:21,320 --> 00:39:23,520
Speaker 1: Yeah, all right, see this is our memory. So screwge

865
00:39:23,560 --> 00:39:25,880
Speaker 1: Scrubs fans. So sorry if you're if you're laughing at

866
00:39:25,920 --> 00:39:27,400
Speaker 1: we all, but we vaguely do.

867
00:39:27,840 --> 00:39:28,080
Speaker 2: Yeah.

868
00:39:28,320 --> 00:39:30,439
Speaker 1: So at seven to twenty five, Ken walks off singing

869
00:39:30,480 --> 00:39:32,200
Speaker 1: row your boat. And for those of you who don't know,

870
00:39:32,320 --> 00:39:34,839
Speaker 1: there's all these songs that are public domain, which means

871
00:39:34,840 --> 00:39:37,160
Speaker 1: you don't have to pay to use them because on

872
00:39:37,239 --> 00:39:40,040
Speaker 1: a TV show, if it's if it's if it's not

873
00:39:40,120 --> 00:39:42,239
Speaker 1: a public domain song, if the license it, and they

874
00:39:42,280 --> 00:39:44,239
Speaker 1: can obviously be some of these songs we had on

875
00:39:44,320 --> 00:39:47,439
Speaker 1: scrubs can be super expensive. But there's like this list

876
00:39:47,600 --> 00:39:50,480
Speaker 1: of songs that that we always had, the script supervisors

877
00:39:50,520 --> 00:39:52,759
Speaker 1: that always had and we just wanted to sponsaneously had

878
00:39:52,800 --> 00:39:55,879
Speaker 1: someone singing something. You can like, look at the free

879
00:39:56,040 --> 00:39:58,040
Speaker 1: song list and row row your boat is one of them.

880
00:39:58,120 --> 00:39:59,640
Speaker 1: I was looking at some of the others. For a

881
00:39:59,760 --> 00:40:03,640
Speaker 1: very long time. Happy Birthday was not public domain and

882
00:40:03,719 --> 00:40:04,600
Speaker 1: it was expensive.

883
00:40:04,960 --> 00:40:07,040
Speaker 2: Yeah, I think it's a crap ton of money. It

884
00:40:07,200 --> 00:40:10,399
Speaker 2: since changed, but that's the reason why Stevie Wonder woke

885
00:40:10,480 --> 00:40:16,080
Speaker 2: the song happy Birthday to Your Happy Birthday, to Your

886
00:40:16,800 --> 00:40:21,480
Speaker 2: Happy Birthday. That originally it was from Martin Luther King,

887
00:40:21,840 --> 00:40:24,200
Speaker 2: and I believe he wanted to just sing the original

888
00:40:24,239 --> 00:40:26,360
Speaker 2: Happy Birthday song, but it costs so much money that

889
00:40:26,440 --> 00:40:29,080
Speaker 2: Stevie was like, Yo, you know what, I'll create another song,

890
00:40:29,600 --> 00:40:35,040
Speaker 2: and he created Happy Birthday to you Happy. I have

891
00:40:35,120 --> 00:40:36,919
Speaker 2: no idea if that's true, but I don't know either,

892
00:40:36,960 --> 00:40:37,839
Speaker 2: but it sounds true.

893
00:40:37,880 --> 00:40:40,160
Speaker 1: Well, listen if you're ever watching TV shows or movies now,

894
00:40:40,200 --> 00:40:41,920
Speaker 1: and you'll see a lot of times when they bring

895
00:40:42,000 --> 00:40:45,160
Speaker 1: the cake in, they'll avoid singing Happy Birthday. They'll sing

896
00:40:45,239 --> 00:40:47,320
Speaker 1: like for he's a jolly good fellow, or they do

897
00:40:47,400 --> 00:40:51,040
Speaker 1: something that's so non natural to what most in the

898
00:40:51,080 --> 00:40:53,520
Speaker 1: real world. It's because they're avoiding having to pay for

899
00:40:53,600 --> 00:40:56,000
Speaker 1: happy Birthday, although that since changed. I think now it's

900
00:40:56,040 --> 00:40:59,000
Speaker 1: become public domain. Anyway, you guys can google public domain

901
00:40:59,080 --> 00:41:00,440
Speaker 1: songs and learn which ones are.

902
00:41:00,760 --> 00:41:02,920
Speaker 2: Okay, so, but check this out. Did you realize that

903
00:41:03,000 --> 00:41:05,880
Speaker 2: there are people in the bed in the title sequence?

904
00:41:06,920 --> 00:41:11,160
Speaker 2: I can't do this all on my own. They're like,

905
00:41:11,600 --> 00:41:14,080
Speaker 2: there are people in the beds, yeah, and you see

906
00:41:14,120 --> 00:41:18,480
Speaker 2: their faces. For Scrubs fans out there, I would love

907
00:41:19,160 --> 00:41:22,839
Speaker 2: if you were able to find who those people were

908
00:41:23,520 --> 00:41:26,160
Speaker 2: in the bed in the title sequence, because they did not.

909
00:41:26,320 --> 00:41:29,719
Speaker 2: They had nine years on television and I don't think

910
00:41:29,840 --> 00:41:32,239
Speaker 2: anyone's ever asked, who knows people in the bed?

911
00:41:32,600 --> 00:41:34,560
Speaker 1: Can you really make out any faces? I'm scrolling through

912
00:41:34,600 --> 00:41:35,359
Speaker 1: it slow right now.

913
00:41:35,719 --> 00:41:37,040
Speaker 2: You can make out faces? Yes?

914
00:41:37,480 --> 00:41:40,440
Speaker 1: Okay, Well, there you go. Donald has a request if

915
00:41:40,480 --> 00:41:43,080
Speaker 1: you're in the title sequence in bed slide, if.

916
00:41:43,000 --> 00:41:47,880
Speaker 2: You're into Scrubs trivia, I have the ultimate trivia for you.

917
00:41:48,800 --> 00:41:52,280
Speaker 2: Who are the patients in the bed in the title sequence?

918
00:41:53,200 --> 00:41:55,840
Speaker 1: I have some This is the first episode where we

919
00:41:55,960 --> 00:42:00,560
Speaker 1: learned that Cox's name is Perry Nice. There's another episode

920
00:42:00,800 --> 00:42:04,319
Speaker 1: all of that's called My Bad Too spelled too.

921
00:42:04,400 --> 00:42:06,280
Speaker 2: Like, look who's talking to Yes.

922
00:42:07,040 --> 00:42:10,360
Speaker 1: The footage at the end of Jordan's wedding is actually

923
00:42:10,440 --> 00:42:12,800
Speaker 1: from Bill and Christa's wedding. Did you know that?

924
00:42:13,200 --> 00:42:15,000
Speaker 2: I figured that out? That was pretty easy.

925
00:42:15,200 --> 00:42:16,319
Speaker 1: She looks so pretty. Huh.

926
00:42:16,400 --> 00:42:19,520
Speaker 2: Also, that's I guess he's not watching it on television.

927
00:42:19,719 --> 00:42:23,719
Speaker 2: So is this a fantasy that doctor Cox has early on?

928
00:42:24,239 --> 00:42:27,439
Speaker 1: It must be a flashback. That's interesting. That's an interesting point.

929
00:42:27,960 --> 00:42:31,440
Speaker 1: Did other people have flashbacks besides JD It looks like

930
00:42:31,560 --> 00:42:33,400
Speaker 1: Perry did Perry Perry Cox?

931
00:42:33,480 --> 00:42:33,640
Speaker 2: Did?

932
00:42:34,800 --> 00:42:37,520
Speaker 1: I like this as a homage to the graduate at

933
00:42:37,680 --> 00:42:41,080
Speaker 1: ten minutes in one second when I dropped my pants

934
00:42:41,640 --> 00:42:45,160
Speaker 1: and through my legs to see Jordan in her leather

935
00:42:45,680 --> 00:42:50,400
Speaker 1: dress a Mark Buckland homage to the graduate Nice, and

936
00:42:50,520 --> 00:42:53,680
Speaker 1: I look very skinny when I'm lying on the bed.

937
00:42:53,719 --> 00:42:54,560
Speaker 1: I was happy about that.

938
00:42:54,800 --> 00:42:57,000
Speaker 2: It's really interesting when you're twenty six years old. When

939
00:42:57,040 --> 00:42:58,120
Speaker 2: you're twenty six years.

940
00:42:57,920 --> 00:42:59,200
Speaker 1: Old, it's easier to get abs.

941
00:42:59,560 --> 00:43:01,760
Speaker 2: Well. Back at I look back at all of this stuff,

942
00:43:01,800 --> 00:43:04,120
Speaker 2: I was like, I remember dieting and going to the

943
00:43:04,200 --> 00:43:06,840
Speaker 2: gym all the time and trying to you know what

944
00:43:06,920 --> 00:43:09,600
Speaker 2: I mean, I'd killed to weigh that much again.

945
00:43:09,719 --> 00:43:12,600
Speaker 1: It's so hard to You can work so much harder

946
00:43:12,960 --> 00:43:18,120
Speaker 1: to so much less effect in your forties. Yeah yeah,

947
00:43:18,239 --> 00:43:19,680
Speaker 1: love handles fucking left and right.

948
00:43:20,160 --> 00:43:22,560
Speaker 2: Love handle ship. I eat a cookie, that shit stays

949
00:43:22,600 --> 00:43:24,080
Speaker 2: on my ass like like.

950
00:43:24,080 --> 00:43:28,440
Speaker 1: A melted candle. I'm trying, though. Do you find when

951
00:43:28,480 --> 00:43:30,319
Speaker 1: you're doing scenes and you're in your boxers that there's

952
00:43:30,320 --> 00:43:34,399
Speaker 1: a there's a fine line between not wanting to look

953
00:43:35,000 --> 00:43:37,080
Speaker 1: like there's nothing going on but also not wanting to

954
00:43:37,120 --> 00:43:39,160
Speaker 1: overdo it. You don't have that problem.

955
00:43:39,280 --> 00:43:39,880
Speaker 2: I can't have.

956
00:43:40,640 --> 00:43:43,040
Speaker 1: And looked at your face. I knew your answer was

957
00:43:43,080 --> 00:43:45,080
Speaker 1: going to have that problem.

958
00:43:44,960 --> 00:43:47,800
Speaker 2: I've never thought about. Are you talking about fluffing?

959
00:43:48,120 --> 00:43:50,120
Speaker 1: You're talking not fluffing. I don't mean to getting any

960
00:43:50,120 --> 00:43:52,000
Speaker 1: blood going. I just mean, like, when I was looking

961
00:43:52,000 --> 00:43:53,360
Speaker 1: at myself lying in the bend there, I think I

962
00:43:53,440 --> 00:43:55,719
Speaker 1: remember being like, okay, well, I don't obviously don't want

963
00:43:55,719 --> 00:43:58,360
Speaker 1: any thing to show, but I also don't look like

964
00:43:58,440 --> 00:44:00,080
Speaker 1: I'm like a ken doll, So like, is there a

965
00:44:00,120 --> 00:44:03,120
Speaker 1: happy medium where I can and what are you looking

966
00:44:03,160 --> 00:44:03,360
Speaker 1: at me?

967
00:44:05,400 --> 00:44:05,520
Speaker 2: Out?

968
00:44:06,840 --> 00:44:09,320
Speaker 1: Joel's cracking up right now? I'm so sad that you're like,

969
00:44:09,360 --> 00:44:10,520
Speaker 1: I have no idea, No.

970
00:44:10,560 --> 00:44:11,880
Speaker 2: I just want to know what you figured out. What

971
00:44:11,960 --> 00:44:14,359
Speaker 2: did you decide to do. I think I gave moment.

972
00:44:14,400 --> 00:44:16,000
Speaker 1: I think I gave everything a little ruffle.

973
00:44:17,800 --> 00:44:21,840
Speaker 2: I'm done. I'm done. I'm done, I'm done.

974
00:44:22,520 --> 00:44:28,879
Speaker 1: Give everything a little On that note, let's cool down.

975
00:44:29,440 --> 00:44:31,359
Speaker 1: Let's cool down and take a commercial break.

976
00:44:31,680 --> 00:44:42,080
Speaker 2: Let's do it, and we are back. And we're back

977
00:44:42,120 --> 00:44:42,680
Speaker 2: with the caller.

978
00:44:43,520 --> 00:44:46,479
Speaker 1: Well introduced us to today's college. It looks like there's

979
00:44:46,520 --> 00:44:48,040
Speaker 1: two colleges. Joel will give it to.

980
00:44:50,440 --> 00:44:52,680
Speaker 2: Susan bought a friend. Susan bought a friend.

981
00:44:53,000 --> 00:44:55,520
Speaker 1: It's like a millionaire. You can bring a friend, call

982
00:44:55,600 --> 00:44:58,160
Speaker 1: a friend. I have to bring my husband. Sorry, I

983
00:44:58,400 --> 00:45:05,600
Speaker 1: love it, damn it. I always get that. I'm so sorry. Hi, guys,

984
00:45:06,520 --> 00:45:10,440
Speaker 1: why we've I've been drinking all day. So sorry.

985
00:45:10,800 --> 00:45:16,439
Speaker 2: Oh no it Donald, It's so it's fine.

986
00:45:16,920 --> 00:45:18,880
Speaker 1: Oh. I love your accent. I'm such a fan of

987
00:45:18,960 --> 00:45:22,719
Speaker 1: that accent. Okay, go ahead with the question for the

988
00:45:22,800 --> 00:45:25,160
Speaker 1: legendary Donald Faison or me whach ever one?

989
00:45:25,560 --> 00:45:26,560
Speaker 2: Yeah, for both of you.

990
00:45:26,760 --> 00:45:29,279
Speaker 5: You've mentioned in podcasts two that you didn't get to

991
00:45:29,360 --> 00:45:30,920
Speaker 5: steal rowdy or take rowdy.

992
00:45:31,000 --> 00:45:34,439
Speaker 1: But what did you take from the sets? You must

993
00:45:34,480 --> 00:45:37,400
Speaker 1: have taken something. I got something I can grab for you, Donald,

994
00:45:37,480 --> 00:45:38,200
Speaker 1: Did you take anything?

995
00:45:38,680 --> 00:45:40,360
Speaker 2: I did, but I don't know where they are anymore.

996
00:45:40,480 --> 00:45:44,479
Speaker 2: I did get quite a few scrubs, the green ones,

997
00:45:44,880 --> 00:45:48,319
Speaker 2: and I do have some sneakers from the show as well. Yes,

998
00:45:48,680 --> 00:45:50,840
Speaker 2: not the bowling shoes. I don't have the bowling shoes

999
00:45:50,880 --> 00:45:51,160
Speaker 2: on four.

1000
00:45:51,800 --> 00:45:54,120
Speaker 1: You see these antlers, These are from the pilot when

1001
00:45:54,160 --> 00:45:55,320
Speaker 1: I was a deer in headlights.

1002
00:45:56,080 --> 00:45:58,400
Speaker 2: So these are actually the scrubs.

1003
00:45:58,840 --> 00:46:01,440
Speaker 1: Donald did his closets. Just reached down to the gallery.

1004
00:46:03,040 --> 00:46:07,480
Speaker 2: These shoes right here are the actual Scrubs wrap party

1005
00:46:07,560 --> 00:46:08,759
Speaker 2: shoes that they gave us.

1006
00:46:09,120 --> 00:46:11,239
Speaker 1: Those are limited edition and you wore them mine or

1007
00:46:11,280 --> 00:46:11,839
Speaker 1: mine are mint?

1008
00:46:12,200 --> 00:46:14,279
Speaker 2: Oh my gosh, she's were worn you know.

1009
00:46:14,920 --> 00:46:17,560
Speaker 1: Yeah, I didn't wear your own swag. It's a little lame.

1010
00:46:17,800 --> 00:46:20,640
Speaker 2: Well, it's fuck you man. First of all, it says

1011
00:46:20,640 --> 00:46:24,000
Speaker 2: Scrubs in the back, and it's the hundredth episode, and

1012
00:46:24,120 --> 00:46:24,880
Speaker 2: I did rock them.

1013
00:46:25,320 --> 00:46:27,480
Speaker 1: I never like when you're an actor on the show,

1014
00:46:27,600 --> 00:46:29,840
Speaker 1: you can't normally wear like the squat. You look a

1015
00:46:29,880 --> 00:46:32,120
Speaker 1: little douche you wearing like the scrub sneakers.

1016
00:46:32,600 --> 00:46:35,480
Speaker 2: Oh, man, I still have pants from Scrubs that I

1017
00:46:35,800 --> 00:46:38,719
Speaker 2: wore a pair of pants for a real long time,

1018
00:46:38,920 --> 00:46:42,200
Speaker 2: like most of them. So Susan, to answer your question,

1019
00:46:42,480 --> 00:46:45,960
Speaker 2: most of the stuff that I got from Scrubs was

1020
00:46:47,120 --> 00:46:50,799
Speaker 2: wardrobe because it was easy. It's easy to steal wardrobe.

1021
00:46:51,000 --> 00:46:54,279
Speaker 2: Quiet has kept when you're acting in a project on

1022
00:46:54,440 --> 00:46:57,000
Speaker 2: the last day, when you know you're never gonna see

1023
00:46:57,040 --> 00:46:59,759
Speaker 2: anybody again, you can get away with some things if

1024
00:46:59,840 --> 00:47:02,879
Speaker 2: the wardrobe department is cool with it, and most likely

1025
00:47:03,000 --> 00:47:04,520
Speaker 2: isn't going to be the stuff that you wore in

1026
00:47:04,680 --> 00:47:09,080
Speaker 2: the show, but it's stuff that they'll probably have to

1027
00:47:09,160 --> 00:47:10,960
Speaker 2: return or something like that, and they'll take the hit.

1028
00:47:11,520 --> 00:47:13,840
Speaker 2: I stole a lot of I didn't steal. Actually I

1029
00:47:14,040 --> 00:47:17,719
Speaker 2: took and it was allowed to take. I liberated quite

1030
00:47:17,719 --> 00:47:21,600
Speaker 2: a few outfits of Chris Turk's and most of them

1031
00:47:21,600 --> 00:47:22,200
Speaker 2: were scrubs.

1032
00:47:22,320 --> 00:47:26,000
Speaker 1: When you're hanging which you're hanging behind him? Soon? Do

1033
00:47:26,040 --> 00:47:28,080
Speaker 1: you have another question in my head?

1034
00:47:28,440 --> 00:47:29,720
Speaker 2: First of all, you guys are so cute.

1035
00:47:29,960 --> 00:47:33,960
Speaker 1: Oh yes, how's your isolation going over there in Scotland?

1036
00:47:35,640 --> 00:47:40,560
Speaker 5: This is our fourth week and it's tough, but the

1037
00:47:40,600 --> 00:47:41,680
Speaker 5: way that's good at the moment.

1038
00:47:41,840 --> 00:47:45,840
Speaker 1: So that's helpful, right this, Yes, that's happened to us

1039
00:47:45,920 --> 00:47:48,360
Speaker 1: in Los Angeles as well. It's been raining NonStop and

1040
00:47:48,440 --> 00:47:50,359
Speaker 1: the sun finally came out, so I think we can.

1041
00:47:50,440 --> 00:47:52,120
Speaker 1: It's a little bit easier to smile when the when

1042
00:47:52,160 --> 00:47:53,120
Speaker 1: the sun's oh.

1043
00:47:53,040 --> 00:47:55,439
Speaker 5: Yeah, just be glad to when it's all over. Yeah,

1044
00:47:56,560 --> 00:47:59,920
Speaker 5: do you guys ever get drunk? And we love all skates.

1045
00:48:00,080 --> 00:48:02,800
Speaker 5: She's like the Sanford and songs one because I just

1046
00:48:02,880 --> 00:48:04,640
Speaker 5: will that's my husband's feed.

1047
00:48:05,960 --> 00:48:08,560
Speaker 1: Me and my son. Actually this song?

1048
00:48:09,080 --> 00:48:10,280
Speaker 2: Do you do the song? Donald?

1049
00:48:10,360 --> 00:48:11,200
Speaker 1: Can you do a little bit for me?

1050
00:48:12,120 --> 00:48:15,200
Speaker 2: There's there's there's the there's the sanfred in some theme,

1051
00:48:15,320 --> 00:48:18,560
Speaker 2: and then there's the Turk version when Carla won't when

1052
00:48:18,640 --> 00:48:19,880
Speaker 2: Carla won't leave him alone?

1053
00:48:20,040 --> 00:48:20,520
Speaker 1: You remember it?

1054
00:48:21,000 --> 00:48:25,640
Speaker 2: Quiet down, now it is time to watch the show. Yes,

1055
00:48:25,760 --> 00:48:30,520
Speaker 2: it started. Don't be licking me, no mold, matter of fact.

1056
00:48:30,600 --> 00:48:42,640
Speaker 2: Can I get a handy? Why? And then we come

1057
00:48:42,719 --> 00:48:46,080
Speaker 2: back from break after we sang it just you do

1058
00:48:46,280 --> 00:48:55,759
Speaker 2: like Sanfredan sona bran up?

1059
00:48:56,920 --> 00:48:57,200
Speaker 1: Fine?

1060
00:48:57,480 --> 00:48:57,760
Speaker 5: Fine?

1061
00:49:00,320 --> 00:49:04,319
Speaker 2: And you even did Elizabeth I'm coming Elizabeth. Yeah.

1062
00:49:06,480 --> 00:49:08,640
Speaker 1: He used to die in almost every episode like this.

1063
00:49:12,360 --> 00:49:14,759
Speaker 1: It's not a program where you had over here at all.

1064
00:49:14,960 --> 00:49:18,279
Speaker 1: So we had to google the obviously the credits to

1065
00:49:18,360 --> 00:49:21,799
Speaker 1: find out what the original Oh really, really, I think

1066
00:49:21,840 --> 00:49:23,560
Speaker 1: I know what you guys are doing tonight. You're gonna

1067
00:49:23,640 --> 00:49:26,319
Speaker 1: go on YouTube or wherever and start watching some Sanford and.

1068
00:49:26,360 --> 00:49:29,560
Speaker 2: Son Samford and Son marathon. Sounds great right now?

1069
00:49:29,719 --> 00:49:31,640
Speaker 1: Actually, nothing else to do, I suppose.

1070
00:49:32,120 --> 00:49:35,919
Speaker 2: Yeah, it's listen if you want to laugh a nothing

1071
00:49:36,080 --> 00:49:39,919
Speaker 2: like Red Fox going at it. Oh my gosh, he's

1072
00:49:39,960 --> 00:49:44,120
Speaker 2: one of the I mean Red Foxes. He was before

1073
00:49:44,280 --> 00:49:47,200
Speaker 2: Richard Pryor, before Eddie Murphy. It was red you know

1074
00:49:47,239 --> 00:49:47,640
Speaker 2: what I mean.

1075
00:49:47,800 --> 00:49:50,760
Speaker 1: So it really is the theme of this podcast episode

1076
00:49:50,800 --> 00:49:52,880
Speaker 1: of eighty eighty sitcoms.

1077
00:49:53,080 --> 00:49:54,880
Speaker 2: Yeah, well that's a seventy sitcom.

1078
00:49:54,960 --> 00:49:56,680
Speaker 1: I think I'm really proud of us that we we

1079
00:49:57,400 --> 00:50:00,960
Speaker 1: we developed a theme for this one. Absolutely all right, guys, Well,

1080
00:50:01,000 --> 00:50:03,080
Speaker 1: thank you for calling in all the way from Scotland,

1081
00:50:03,120 --> 00:50:04,319
Speaker 1: and keep drinking and.

1082
00:50:04,520 --> 00:50:06,040
Speaker 2: Stay safe, stay healthy.

1083
00:50:07,560 --> 00:50:09,200
Speaker 1: If we want you, we want you to get drunk

1084
00:50:09,239 --> 00:50:16,279
Speaker 1: and watch sanfrand something, you'll thank us. Oh man, I

1085
00:50:16,320 --> 00:50:18,560
Speaker 1: couldn't get the Irish Scottish thing, right, That's that's what

1086
00:50:18,640 --> 00:50:20,560
Speaker 1: you never do. You're going to get so much ship

1087
00:50:20,719 --> 00:50:23,560
Speaker 1: for that. I'm so upset you never do d to

1088
00:50:23,719 --> 00:50:26,839
Speaker 1: all my people of Ireland and Scotland. I'm sorry. One

1089
00:50:26,920 --> 00:50:28,000
Speaker 1: day I planned to get it right.

1090
00:50:29,880 --> 00:50:33,040
Speaker 2: You took a picture, Susan. Susan took a picture.

1091
00:50:33,160 --> 00:50:35,040
Speaker 1: Trying to sneak out the door by taking a figures.

1092
00:50:35,760 --> 00:50:36,440
Speaker 2: Don't worry about it.

1093
00:50:36,480 --> 00:50:37,960
Speaker 1: I would have fixed my hair, Susan.

1094
00:50:38,000 --> 00:50:38,880
Speaker 2: I don't worry about it.

1095
00:50:38,960 --> 00:50:40,200
Speaker 1: I did not put any product.

1096
00:50:42,239 --> 00:50:44,040
Speaker 2: No, it didn't. We just heard it. We just heard it.

1097
00:50:44,080 --> 00:50:44,520
Speaker 2: But it's all right.

1098
00:50:44,560 --> 00:50:45,440
Speaker 1: Don't worry about Susan.

1099
00:50:45,640 --> 00:50:48,560
Speaker 2: You could post it on Instagram or Facebook or whatever

1100
00:50:48,640 --> 00:50:53,200
Speaker 2: it is that you have. Just be like, look what

1101
00:50:53,360 --> 00:50:56,160
Speaker 2: show we were on. We love the press, Thank you

1102
00:50:56,360 --> 00:51:03,640
Speaker 2: very much. Later, I love having couples. They were like adorable,

1103
00:51:04,080 --> 00:51:05,000
Speaker 2: they were so cute.

1104
00:51:05,280 --> 00:51:06,359
Speaker 1: I want to be friends with them.

1105
00:51:06,520 --> 00:51:08,600
Speaker 2: He totally jacked it. She was like, I'm gonna be

1106
00:51:08,680 --> 00:51:10,120
Speaker 2: I got in, I got it, I got it.

1107
00:51:10,160 --> 00:51:12,440
Speaker 1: And he was like, you're sitting there in Scotland and quarantine.

1108
00:51:12,600 --> 00:51:13,840
Speaker 1: He's not gonna be like, oh, I'll go in the

1109
00:51:13,920 --> 00:51:15,480
Speaker 1: other room. He's like, yeah, let me on that fucking

1110
00:51:15,560 --> 00:51:16,000
Speaker 1: zoom call.

1111
00:51:16,400 --> 00:51:20,800
Speaker 2: Yeah, you know. He was like, you know, you know,

1112
00:51:21,000 --> 00:51:22,840
Speaker 2: you know what we're doing at one you know what

1113
00:51:22,920 --> 00:51:23,400
Speaker 2: we're doing it.

1114
00:51:23,440 --> 00:51:25,120
Speaker 1: One, not at one. What time is it there?

1115
00:51:25,160 --> 00:51:27,600
Speaker 2: It's I don't know, it's like eight hour difference.

1116
00:51:27,640 --> 00:51:30,400
Speaker 1: It's eight hours, right o'clock.

1117
00:51:30,560 --> 00:51:32,440
Speaker 2: You know we're doing a ten. You know we're doing

1118
00:51:32,480 --> 00:51:32,719
Speaker 2: a ten.

1119
00:51:33,040 --> 00:51:35,600
Speaker 1: I'm on name. It was a surprise. Maybe she didn't

1120
00:51:35,600 --> 00:51:37,560
Speaker 1: tell them. She's like, we're gonna zoom some old friends.

1121
00:51:38,080 --> 00:51:40,120
Speaker 2: He was the cob. That was the Calmus reaction.

1122
00:51:40,680 --> 00:51:42,960
Speaker 1: Yeah, well they were. She said, they've been drinking all day.

1123
00:51:43,040 --> 00:51:47,040
Speaker 1: That's true, Like you are you drinking orange juice? That's

1124
00:51:47,080 --> 00:51:48,480
Speaker 1: a fucking mimosa. It's gotta be.

1125
00:51:49,920 --> 00:51:51,120
Speaker 2: This is orange juice.

1126
00:51:51,320 --> 00:51:52,919
Speaker 1: Is there any screw in that driver?

1127
00:51:53,440 --> 00:51:55,440
Speaker 2: There is no screw, but there is taki.

1128
00:51:57,080 --> 00:51:59,719
Speaker 1: Motherfucker. I knew what's that called orange juice?

1129
00:51:59,719 --> 00:52:01,560
Speaker 2: To keep tequila? Sunrise? Right?

1130
00:52:01,840 --> 00:52:02,480
Speaker 1: The sunrise?

1131
00:52:03,000 --> 00:52:03,280
Speaker 2: Okay.

1132
00:52:05,120 --> 00:52:07,160
Speaker 1: I think it's such a fucked up thing at sixteen

1133
00:52:07,200 --> 00:52:09,680
Speaker 1: forty three to say someone to someone, I don't dislike you.

1134
00:52:10,239 --> 00:52:10,880
Speaker 1: I nothing you.

1135
00:52:11,520 --> 00:52:16,280
Speaker 2: Yeah, And that's a that's an actual Krista Miller is saying, yes.

1136
00:52:16,480 --> 00:52:19,440
Speaker 1: I have no feelings for you. Know, you don't understand you.

1137
00:52:19,640 --> 00:52:22,400
Speaker 1: So little affect me that I don't even have energy.

1138
00:52:22,600 --> 00:52:24,080
Speaker 1: I don't right, I don't even I don't even have

1139
00:52:24,160 --> 00:52:25,239
Speaker 1: feelings of not liking you.

1140
00:52:25,360 --> 00:52:27,360
Speaker 2: I just I just don't think of nothing you.

1141
00:52:27,560 --> 00:52:28,520
Speaker 1: I don't even think about you.

1142
00:52:28,760 --> 00:52:31,400
Speaker 2: I remember, I remember Chrystal telling me, she's like, you,

1143
00:52:31,520 --> 00:52:35,040
Speaker 2: if you ever want to hurt someone, she she oh,

1144
00:52:35,120 --> 00:52:35,759
Speaker 2: she handed out.

1145
00:52:35,800 --> 00:52:35,960
Speaker 5: Yeah.

1146
00:52:36,120 --> 00:52:38,160
Speaker 2: She was like, this is how you do it. She

1147
00:52:38,320 --> 00:52:40,520
Speaker 2: was like, I've always thought this was the funniest way

1148
00:52:40,560 --> 00:52:43,160
Speaker 2: to do it. I don't dislike you. I nothing you

1149
00:52:43,400 --> 00:52:44,080
Speaker 2: I nothing.

1150
00:52:44,160 --> 00:52:48,239
Speaker 1: You don't you know, we don't advise you being that

1151
00:52:48,400 --> 00:52:50,799
Speaker 1: mean to anyone in your life. You're that's covid well

1152
00:52:51,040 --> 00:52:52,720
Speaker 1: Doctor's Real Friends podcast.

1153
00:52:52,400 --> 00:52:54,560
Speaker 2: But it's the television show. It's a great joke.

1154
00:52:54,960 --> 00:52:57,680
Speaker 1: No, I'm just saying something to say to someone. Yeah,

1155
00:52:57,880 --> 00:52:59,799
Speaker 1: I remember we had a whole riff on like what's

1156
00:52:59,840 --> 00:53:01,480
Speaker 1: the worst thing that someone could ever say to you?

1157
00:53:01,600 --> 00:53:10,319
Speaker 1: And it was like, would you just please leaves? Oh

1158
00:53:10,440 --> 00:53:13,080
Speaker 1: my gosh, we like we like zoned in on, like

1159
00:53:13,160 --> 00:53:15,040
Speaker 1: what's the like if someone just looks at you and

1160
00:53:15,160 --> 00:53:19,480
Speaker 1: just says, but you just please leave? That was the

1161
00:53:19,520 --> 00:53:20,080
Speaker 1: most hurtful.

1162
00:53:20,760 --> 00:53:23,359
Speaker 2: The horrible. Sean Hayes has a good one too, where

1163
00:53:23,800 --> 00:53:27,080
Speaker 2: you know where you're talking to someone and you don't

1164
00:53:27,560 --> 00:53:31,760
Speaker 2: want to talk to someone who's approaching, and they approach

1165
00:53:32,560 --> 00:53:33,960
Speaker 2: and you turn to them and go, you're gonna have

1166
00:53:34,000 --> 00:53:35,600
Speaker 2: to give me a second, and you turn back to

1167
00:53:35,640 --> 00:53:36,719
Speaker 2: the person you were talking to.

1168
00:53:37,160 --> 00:53:39,640
Speaker 1: Yeah, he had a lot of funny ones where you

1169
00:53:39,719 --> 00:53:41,560
Speaker 1: go someone interrupted you, I'm sorry, I'm not used to

1170
00:53:41,560 --> 00:53:42,120
Speaker 1: being interrupted.

1171
00:53:46,080 --> 00:53:48,319
Speaker 2: I thought that was you, dude. You stole that one.

1172
00:53:48,360 --> 00:53:51,000
Speaker 1: Oh, I stole that from Shawn Hayes. That's going up,

1173
00:53:51,160 --> 00:53:52,600
Speaker 1: He's coming up in an episode.

1174
00:53:52,680 --> 00:53:53,279
Speaker 2: I can't wait.

1175
00:53:53,680 --> 00:53:55,120
Speaker 1: Is that that was season one? Right?

1176
00:53:55,280 --> 00:53:57,240
Speaker 2: It definitely was season one because it happened.

1177
00:53:57,040 --> 00:53:58,840
Speaker 1: The same oh, September eleventh.

1178
00:53:58,960 --> 00:53:59,960
Speaker 2: September eleventh. Yep.

1179
00:54:00,760 --> 00:54:02,799
Speaker 1: The song that ends the show is a Good Life

1180
00:54:02,840 --> 00:54:04,720
Speaker 1: by Holy con Yes.

1181
00:54:04,800 --> 00:54:07,640
Speaker 2: Can I say something please? I've been bumping Good Life

1182
00:54:08,280 --> 00:54:11,280
Speaker 2: in my car for the past and on my iPad

1183
00:54:11,800 --> 00:54:15,160
Speaker 2: or iPhone, whatever it is, my whatever, wherever it is.

1184
00:54:15,400 --> 00:54:17,960
Speaker 2: You listen to your music. Wherever it is, usten to

1185
00:54:18,040 --> 00:54:22,080
Speaker 2: your music. I have been bumping Good Life for about

1186
00:54:22,160 --> 00:54:24,960
Speaker 2: two years now, and I thought I found some deep

1187
00:54:25,080 --> 00:54:28,120
Speaker 2: cut on a not the best of playlist, but you know,

1188
00:54:28,239 --> 00:54:30,319
Speaker 2: like the you know how they have the eighties now

1189
00:54:30,719 --> 00:54:34,480
Speaker 2: music and they have like the love song from the

1190
00:54:34,600 --> 00:54:37,880
Speaker 2: eighties or love songs from the Coast or whatever it is,

1191
00:54:38,000 --> 00:54:39,640
Speaker 2: you know what I mean. I thought I found a

1192
00:54:39,719 --> 00:54:42,480
Speaker 2: deep cut and it was good life, and then when

1193
00:54:42,520 --> 00:54:44,399
Speaker 2: it came on today, I was like, this is where

1194
00:54:44,440 --> 00:54:45,319
Speaker 2: I know the song from.

1195
00:54:45,440 --> 00:54:48,239
Speaker 1: Yeah, it's a great song, and like like like you,

1196
00:54:48,360 --> 00:54:50,320
Speaker 1: I think a lot of people found some good tunes

1197
00:54:50,440 --> 00:54:53,520
Speaker 1: on scrubs. And just a reminder for those of you

1198
00:54:53,719 --> 00:54:57,560
Speaker 1: who don't know, on streaming platforms always have all the

1199
00:54:57,640 --> 00:54:59,840
Speaker 1: same songs that we reference on this podcast because of

1200
00:55:00,120 --> 00:55:03,280
Speaker 1: licensing deals. And these were all contracts that were signed

1201
00:55:03,320 --> 00:55:07,680
Speaker 1: before streaming existed, So it's really only on if you

1202
00:55:07,800 --> 00:55:10,840
Speaker 1: buy it iTunes or the DVDs. I'll tell you about it.

1203
00:55:11,440 --> 00:55:12,960
Speaker 1: We don't care, but I'm just saying that some of

1204
00:55:12,960 --> 00:55:15,280
Speaker 1: the music might be different, so you might be listening

1205
00:55:15,320 --> 00:55:17,920
Speaker 1: to something that's not Francis dunnering if you're streaming it

1206
00:55:18,480 --> 00:55:21,800
Speaker 1: because some of the songs didn't have contracts that lasted

1207
00:55:21,880 --> 00:55:22,640
Speaker 1: until twenty twenty.

1208
00:55:22,840 --> 00:55:25,920
Speaker 2: Well, this was on Hulu that I heard this, So so.

1209
00:55:26,280 --> 00:55:28,719
Speaker 1: That's the episode that was That was what else we

1210
00:55:28,760 --> 00:55:29,120
Speaker 1: gotta say.

1211
00:55:29,280 --> 00:55:30,719
Speaker 2: I'm trying to think. I'm trying to think if I

1212
00:55:30,800 --> 00:55:33,480
Speaker 2: had anything else, how many times have they used the

1213
00:55:33,640 --> 00:55:37,000
Speaker 2: inside the mouth shot to somebody saying say now say

1214
00:55:37,080 --> 00:55:38,400
Speaker 2: ah no is That was.

1215
00:55:38,400 --> 00:55:40,439
Speaker 1: Definitely one of the Mark Buckler the trick shots. There's

1216
00:55:40,440 --> 00:55:42,480
Speaker 1: also a close up shot of Jordan with the mirror.

1217
00:55:42,560 --> 00:55:45,319
Speaker 1: There's also the sidewage shot of Sarah from the from

1218
00:55:45,360 --> 00:55:48,680
Speaker 1: the Psychologists, a lot of cookie fun.

1219
00:55:49,120 --> 00:55:50,719
Speaker 2: Mark. I thought that was really cool. I think like

1220
00:55:50,800 --> 00:55:52,480
Speaker 2: the only time that I'd ever seen that was like

1221
00:55:52,960 --> 00:55:55,759
Speaker 2: Little Shapahara is when Steve Martin is looking in the

1222
00:55:55,840 --> 00:55:59,000
Speaker 2: person's mouth, He's like say ah, like ah.

1223
00:56:00,160 --> 00:56:01,960
Speaker 1: Up this episode, you wanted to go back to the

1224
00:56:02,040 --> 00:56:02,640
Speaker 1: very first.

1225
00:56:02,480 --> 00:56:05,920
Speaker 2: Shot, the very first shot of the episode.

1226
00:56:06,000 --> 00:56:07,799
Speaker 1: Start at the very beginning.

1227
00:56:08,640 --> 00:56:09,680
Speaker 2: You love that reference.

1228
00:56:09,880 --> 00:56:10,320
Speaker 3: I love you.

1229
00:56:10,840 --> 00:56:12,840
Speaker 2: I love you too, man. I miss you, man, I

1230
00:56:12,960 --> 00:56:17,200
Speaker 2: really do you know? I I dream and hope that

1231
00:56:17,280 --> 00:56:19,960
Speaker 2: this will all be over soon, you know. And we

1232
00:56:20,080 --> 00:56:21,120
Speaker 2: can sit in the.

1233
00:56:21,120 --> 00:56:24,719
Speaker 1: Studio to do this, sitting across from each other.

1234
00:56:24,960 --> 00:56:25,160
Speaker 2: Yeah.

1235
00:56:25,160 --> 00:56:26,680
Speaker 1: And we could offer each other snacks.

1236
00:56:27,160 --> 00:56:29,360
Speaker 2: Yeah, maybe drink a Coca cola together.

1237
00:56:29,680 --> 00:56:33,120
Speaker 1: You could offer me a tequila sunrise or although I'm

1238
00:56:33,160 --> 00:56:36,080
Speaker 1: not day drinking yet today, I probably will in a

1239
00:56:36,120 --> 00:56:37,920
Speaker 1: bit because the sun's out. It might be time for

1240
00:56:37,960 --> 00:56:39,040
Speaker 1: an ice cold beverage.

1241
00:56:39,440 --> 00:56:45,160
Speaker 2: Yeah, you know, they say that during this pandemic quarantine,

1242
00:56:45,200 --> 00:56:48,520
Speaker 2: a lot of people are playing video games, drinking, smoking

1243
00:56:48,560 --> 00:56:50,400
Speaker 2: a lot of weed, and eating.

1244
00:56:51,239 --> 00:56:54,920
Speaker 1: I love that marijuana in the at least Los Angeles

1245
00:56:55,200 --> 00:56:59,160
Speaker 1: has been considered an essential service. Of course, I respect

1246
00:56:59,200 --> 00:57:03,320
Speaker 1: that some people do for medicine and it is required

1247
00:57:03,480 --> 00:57:06,360
Speaker 1: to help them. For Donald and I, who don't always

1248
00:57:06,719 --> 00:57:10,080
Speaker 1: use it for medical purposes, we occasionally find ourselves using

1249
00:57:10,120 --> 00:57:14,919
Speaker 1: it for recreational services. I do appreciate that the weed

1250
00:57:14,960 --> 00:57:15,839
Speaker 1: stores are all open.

1251
00:57:17,120 --> 00:57:18,960
Speaker 2: You know. It definitely calms the spirit.

1252
00:57:19,320 --> 00:57:21,080
Speaker 1: Yeah, you know what, when you need to take a

1253
00:57:21,120 --> 00:57:22,600
Speaker 1: little bit of anxiety edge off.

1254
00:57:24,360 --> 00:57:26,840
Speaker 2: We're not endorsing it, but if anybody out there has

1255
00:57:26,920 --> 00:57:32,400
Speaker 2: a weed company and wants to sponsor our show, we'd

1256
00:57:32,480 --> 00:57:36,360
Speaker 2: be more than happy to first try your product. Right

1257
00:57:40,720 --> 00:57:42,440
Speaker 2: drug deals gone down on Zoom.

1258
00:57:42,720 --> 00:57:44,680
Speaker 1: I don't know if there's any I don't know if

1259
00:57:44,720 --> 00:57:49,000
Speaker 1: there's any weed distributors advertising on podcasts, but we'll soon

1260
00:57:49,160 --> 00:57:53,120
Speaker 1: find out, won't we do? This is three two seven, dude?

1261
00:57:53,400 --> 00:57:54,160
Speaker 2: Enough enough?

1262
00:57:54,520 --> 00:57:58,880
Speaker 1: Okay? Sorry, Hey fans, we love you. If you're a

1263
00:57:58,960 --> 00:58:01,120
Speaker 1: health worker on the front walk, thank you so much

1264
00:58:01,200 --> 00:58:04,040
Speaker 1: for everything you're doing and for your courage whether you're

1265
00:58:04,040 --> 00:58:06,280
Speaker 1: a nurse or a doctor, or a janitor or a medic,

1266
00:58:06,440 --> 00:58:09,720
Speaker 1: or a cop or a fireman, we are grateful to

1267
00:58:09,840 --> 00:58:12,439
Speaker 1: you for being so brave during this time.

1268
00:58:12,840 --> 00:58:15,880
Speaker 2: Yes, we are absolutely very grateful to all of the

1269
00:58:15,920 --> 00:58:19,080
Speaker 2: people that work in the grocery stores and put themselves

1270
00:58:19,440 --> 00:58:23,680
Speaker 2: in the viruses way by putting out food and helping

1271
00:58:23,720 --> 00:58:27,200
Speaker 2: people at the grocery stores. Or we thank you as well.

1272
00:58:27,280 --> 00:58:30,880
Speaker 2: You you guys are all heroes to us, and thank you.

1273
00:58:31,000 --> 00:58:33,720
Speaker 2: Thank you so so so so much for your service.

1274
00:58:34,160 --> 00:58:36,320
Speaker 1: Yes, thank you so much. And to the brave souls

1275
00:58:36,400 --> 00:58:39,680
Speaker 1: manning all the pot shops in Los Angeles, thank you.

1276
00:58:40,360 --> 00:58:47,480
Speaker 1: Donald count five six stories about you. We made about

1277
00:58:47,520 --> 00:58:54,160
Speaker 1: a bunch of docs and nurses said.

1278
00:58:51,800 --> 00:58:52,640
Speaker 2: Here's a story.

1279
00:58:56,600 --> 00:58:58,240
Speaker 1: So ya around you here

1280
00:59:00,160 --> 00:59:03,880
Speaker 2: Do here office scutch, We watch o miss and get down.