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Speaker 1: Hello the Internet, and welcome to this episode of the

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Speaker 1: Weekly Zeitgeist. Uh. These are some of our favorite segments

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Speaker 1: from this week, all edited together into one NonStop infotainment

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Speaker 1: laugh stravaganza. Uh yeah, So, without further ado, here is

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Speaker 1: the Weekly Zeitgeist. Well, what is a myth? What's something

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Speaker 1: people think it's true? You know to be false that

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Speaker 1: you can if you have your hazard lights on while

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Speaker 1: you're driving, you can traffic laws don't fly anymore. That

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Speaker 1: is a myth. Yeah. But I have seen like three

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Speaker 1: or four people in the last couple of weeks in

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Speaker 1: in l A where I'm like, you just can't just

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Speaker 1: put them on and do it. I fire them up

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Speaker 1: and I started, I'll stop in the middle of the

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Speaker 1: freeway to get them out of my trunk. Like if

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Speaker 1: you could, Yeah, if you could do that, everyone would

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Speaker 1: just have them on, ramming into each other, like my

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Speaker 1: lights on? What wait? What kind of egregious hazard light used?

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Speaker 1: Did you witness on the way here? Was what sparked

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Speaker 1: it where I was like, man, this is like something

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Speaker 1: I've seen three or four Uh, just one of those

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Speaker 1: star Line tour vans. Dude, just I watched him do

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Speaker 1: it and that he was in the far right lane

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Speaker 1: right in front of me, and he just put on

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Speaker 1: his his hazards and then just win over like and

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Speaker 1: did a complete you turn on Hollywood Boulevard like that.

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Speaker 1: It wasn't like how I'm gonna pick up these passengers

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Speaker 1: double park or something. It's like I'm using this. He

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Speaker 1: was just like he was just gonna, you know, veer

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Speaker 1: off to the right and be like this is how

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Speaker 1: crops to the left. And it was called hazards man,

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Speaker 1: I'm about to be a hazard yeah, and the what

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Speaker 1: I mean. But there's like other people stopping and looking

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Speaker 1: like I did, like, well, you can't right, not even

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Speaker 1: hand out the window that's that used to be the

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Speaker 1: hazard sign. He had this like look on his face

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Speaker 1: like this is how driving happens, Like there was no concern. Also,

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Speaker 1: were the passengers in it. I don't know. I couldn't

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Speaker 1: see because I was like, who is this man? If

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Speaker 1: that was my gig and I knew my company was

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Speaker 1: in short on that ship, I would probably be like

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Speaker 1: my fund that watched this, I'm not even sucking around.

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Speaker 1: I'm just gonna do this. You turn with the hazards on.

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Speaker 1: I mean, there's no emotion either way. It was just

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Speaker 1: like this is how my day goes, right, So that

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Speaker 1: was just I mean, I would I went from being

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Speaker 1: like what in the to being like all right, that's

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Speaker 1: next level that driving when you can't even be mad.

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Speaker 1: You're just like, I'm glad I got out of your way. Amazing.

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Speaker 1: Yeah he may be still doing it, just doing donuts.

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Speaker 1: He's like someone's gonna hit me. I was trying to

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Speaker 1: get hit, but everyone just keeps respecting. I think that

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Speaker 1: too when people go in their emergency lane like to

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Speaker 1: beat like morning rush hour traffic, and I'm always like, please,

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Speaker 1: dear God, if there's a good cop out there, let

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Speaker 1: me see you pull this asshole over right now, because

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Speaker 1: they'll be people just they throw the hazards on, they're

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Speaker 1: flying down their emergency lane. You're like that that is

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Speaker 1: not even that doesn't even prepare somebody just because the

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Speaker 1: lights are on, because by virtue, what you're doing just

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Speaker 1: like busting you turns from the far right lane. It's

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Speaker 1: just you're just gonna see somebody just like yeah there.

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Speaker 1: It's like the motorcycle guys, I respect hate them, yeah equally,

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Speaker 1: I'm like that's cool, but you're gonna die and I'm

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Speaker 1: okay with it, even they're splitting lanes and stuff. It's

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Speaker 1: that risk reward that most of life is. We're just like, right,

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Speaker 1: what's the consequences. You're like, I'm gonna get there thirty

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Speaker 1: minutes early, but I could die, right, Yeah, I'm gonna

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Speaker 1: have fun doing it. But if I don't have fun,

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Speaker 1: I might be dead. It just takes one stone or

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Speaker 1: jam and too hard to modest Yahoo to not notice

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Speaker 1: you swipe you yes and good night you. It's impressive though, Uh,

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Speaker 1: it is kind of impressive. That's why I said I

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Speaker 1: hate respect it. Yeah, yeah, yeah, I think that's the

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Speaker 1: I think that right, Yeah, that is I'm not smared

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Speaker 1: too scared. God gives to live for that is the

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Speaker 1: yea the children thing now, m kids, see this is

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Speaker 1: this where you sucked up. I'm about to buy my

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Speaker 1: motorcycle now. Like. The thing they say about motorcycles is

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Speaker 1: that our brain like sometimes doesn't register them because our

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Speaker 1: brain is just like the way it's built. When we're

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Speaker 1: out driving, we're just looking for car shaped things that

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Speaker 1: are moving like cars, and so people will just drive

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Speaker 1: like it's not there. And I feel like motorcycles like

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Speaker 1: good motorcyclists recognize that and like drive defensively about it,

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Speaker 1: and then bad motorcyclists are like, I'm gonna take advantage

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Speaker 1: of that. They don't see me, like I'm behind you,

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Speaker 1: now I'm in front of you. I mean, all it

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Speaker 1: takes is you one time to almost kill a motorcyclist

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Speaker 1: to forever be afraid of killing one another motorcyclist as

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Speaker 1: a as a driver. Oh, in San Francisco, it's insane.

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Speaker 1: They're everywhere and those heels and everything. You're like, what happens?

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Speaker 1: Will you get hit? Sometimes that's what all of them say.

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Speaker 1: Sometimes you get hit. What's something people think is true?

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Speaker 1: You know to be false. So I had a couple

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Speaker 1: of ideas for this, and uh, like the netfl X

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Speaker 1: model is unsustainable, and now he's like, don't do that.

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Speaker 1: Do something fun. So the myth that I'm going to

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Speaker 1: dispel is the Netflix model is Uh, mozzarella sticks are

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Speaker 1: bad for you. That's the myth, and I'm gonna say no,

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Speaker 1: they're great for you. Follow the logic on this. Have

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Speaker 1: you guys ever been in a high stress situation? Yes?

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Speaker 1: Every day? Okay, And how does your body feel in

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Speaker 1: that high stress situation? I don't know. I never felt

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Speaker 1: different from the womb to the two. So have you

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Speaker 1: ever been in a more stressful situation? Yes? How does

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Speaker 1: your body feel that very very tight? Yes? Okay, okay,

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Speaker 1: So uh a while ago, now, I mean I were

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Speaker 1: in a working on a project that was we're working

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Speaker 1: with some terrible people. This is like, okay, we're I

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Speaker 1: don't know why we decided to sell a TV show

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Speaker 1: to the coach. We're writing scripts for Preger University videos.

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Speaker 1: But it was all about how frack it was there.

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Speaker 1: It was about a fracking team and how they're saving

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Speaker 1: the world and like discovered there's like a whole underground civilization. Hell,

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Speaker 1: it was right there in front of us the whole time. Um.

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Speaker 1: So it was about six years ago now, uh and

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Speaker 1: um I got um chest pains from this. Naomi got

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Speaker 1: an ulcer from this. This thing. It was really it

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Speaker 1: was not It was not good. We're under so much

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Speaker 1: stress and um what was what was the bright spot

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Speaker 1: in our lives? Why the food? We would ye? So

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Speaker 1: now I say this, when you were in a high

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Speaker 1: stress situation, why don't need a Motz realistic? Yeah? Ok?

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Speaker 1: From where from where? From where? From where? Though? Are

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Speaker 1: we well, where are we now in Los Angeles? I mean, like,

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Speaker 1: but I'm just saying that that, like I can't dictate

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Speaker 1: wherever you are. We're the best monz realistic I want

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Speaker 1: to get. Well, that was New York and I don't

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Speaker 1: know exactly call it out here. How suppies surprisingly the

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Speaker 1: best Mozarelli stick I've had a lot of us. Cosablona

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Speaker 1: comes in second because they have a smoky mozarellistick, but

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Speaker 1: it's not but it's like homemade. It's delicious, but it's

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Speaker 1: when you want, like a Mozzarelli stick, flower shell, deliciously fried.

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Speaker 1: How Sa pies. Nothing else on the Mendi was great,

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Speaker 1: but their mozarellisis how spies. You know. That's what I

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Speaker 1: think most doctors say. If you're having chest pains, have

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Speaker 1: some Mozo realistic. I think, what's going on when people

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Speaker 1: people talk about my arm, but I should have these

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Speaker 1: Maza realistics with the other one. When people talk about

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Speaker 1: the placebo effect, they picture like sugar pills only, but

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Speaker 1: I do feel, you know, the placebo effect basically means

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Speaker 1: how you think you feel. It is like how your

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Speaker 1: body is actually going to you know, behave and medically exists,

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Speaker 1: and I feel like, you know, eating comfort food sometimes

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Speaker 1: is oh hell yeah healthy. There's nothing that man, I

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Speaker 1: know outlue what you mean stress eating and I won't

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Speaker 1: go hand in hand, yeah, and also knowing there are

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Speaker 1: certain things that you eat that make you feel really good.

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Speaker 1: I love a French dip sandwich. That's just that's just

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Speaker 1: how I self medicaid with food with French dip. That

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Speaker 1: seems yeah. Well, I mean like you have philips you

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Speaker 1: can get you know, there's a way to make it

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Speaker 1: yourself where you get the little packet and uh just

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Speaker 1: make a weird one on your stove, not that great French,

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Speaker 1: right am I? Right? Well, you know when you you'll

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Speaker 1: see my ex massage, security guards beat the ship out

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Speaker 1: of you if you try to get I was wondering

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Speaker 1: if authenticity is becoming less of a thing in in

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Speaker 1: like modern hip hop and just modern culture in general,

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Speaker 1: because we have like YouTube stars who are like the

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Speaker 1: Paul Brothers, who are just like bad. They're just caricature

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Speaker 1: w a caricatures of like something but like not actually

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Speaker 1: believe probably authentic in any way. Right well, but then

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Speaker 1: I think, but but really, the artists that do really

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Speaker 1: well are the actual artists who are really like, this

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Speaker 1: is me, this is what I'm doing, this is how

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Speaker 1: I'm choosing to express myself, no matter what the genres,

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Speaker 1: because I think there's a sincerity about someone really expressing

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Speaker 1: themselves truly that no matter what the beats are, the lyrics,

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Speaker 1: or the package, it just it just connects with people

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Speaker 1: on a deeper level. You know. I think that authenticity

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Speaker 1: is a term that's thrown around a lot these days,

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Speaker 1: and and and I and look, I think that I

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Speaker 1: am very authentic. I think I have a very authentic voice.

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Speaker 1: I think that my memoir is very authentic, and anything

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Speaker 1: that I do is authentic. Um So, if people are

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Speaker 1: going to be storytellers and the claim is that they

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Speaker 1: are telling their own story right as opposed to writing fiction,

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Speaker 1: then I want authenticity. And I think that m c

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Speaker 1: s would probably consider of themselves storytellers. I think the

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Speaker 1: best of them are. And here in I also want authenticity.

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Speaker 1: I think That's why I think I'm having an issue

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Speaker 1: with saying, Okay, you know, I'm down with this, or

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Speaker 1: I do that, or you know, going back to the

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Speaker 1: guys I was telling you about in the industry, who

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Speaker 1: you know suddenly acted like they were, you know, so

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Speaker 1: so down. I mean to me, one of the most

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Speaker 1: beautiful manifestations of authenticity and hip hop was Redman's episode

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Speaker 1: of Cribs. You know this is you know for that

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Speaker 1: show MTV Cribs. They used to rent houses for the rappers,

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Speaker 1: they used to rent cars for the rappers. So that's

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Speaker 1: the furthest thing from authenticity, right, that's the opposite. And

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Speaker 1: he's so disrupted that he completely subverted that most what's right,

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Speaker 1: right because right because exactly here, here's the here's the

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Speaker 1: box on top of them, here's a cereal box on

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Speaker 1: top of my fridges has the dollar bills, right, And

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Speaker 1: I think that's also speaks very much to his talent

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Speaker 1: and his confidence and knowing there's nothing that I could

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Speaker 1: do or show you that's going to ever shake who

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Speaker 1: I am as Red Man. And so the notion that

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Speaker 1: there is a show based on luxury, on aspirational living

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Speaker 1: and it's all about consumerism, that too, is kind of

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Speaker 1: offensive to me. I never fucking watched that show. I

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Speaker 1: never watched I never watched Lifestyles of the Rich and Famous.

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Speaker 1: I never watched any of those things that shoved in

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Speaker 1: my face. Wouldn't your life be amazing if it was this,

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Speaker 1: because those are not the things that define happiness external,

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Speaker 1: that's right, They're completely external. And look, I would love

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Speaker 1: a nice, big fat crib. I'd love to fucking fly

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Speaker 1: private and all that. I would love that, but that's

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Speaker 1: not I'm not on the paper chase. So the fact

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Speaker 1: that there there there was so much programming. I don't

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Speaker 1: know if there's anymore. I don't really watch television like that.

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Speaker 1: But the fact that there was so much programming around,

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Speaker 1: um wanting to be wealthy and live in luxury, I

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Speaker 1: think is kind of gross to the point that you

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Speaker 1: fake it again. It's fake it, right, rent this house

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Speaker 1: with which house do you want? I want the one

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Speaker 1: with the fucking big gass, you know. I want the

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Speaker 1: one with the big gass aquarium. And it's got to

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Speaker 1: have the ye, I don't know, obscene aquarium. Okay, Well, yeah,

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Speaker 1: just all of those markers of success which are firmly

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Speaker 1: based in capitalism, absolutely right, which kind of goes back

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Speaker 1: to the conversation about billionaires like capital and capitalism. My

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Speaker 1: girlfriend Trevial lindsay, it's a capitalism makes us ship hard,

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Speaker 1: so it makes it hard you know, it's it just

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Speaker 1: it just necessarily, if you think about it, it it necessarily

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Speaker 1: compromises everything we do. I own a home, right, Yeah, Well,

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Speaker 1: and I think it's funny too, as you say, like

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Speaker 1: they need to sell a mirage of aspirational wealth and

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Speaker 1: things like that, because to to really inoculate people or

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Speaker 1: get people to buy into that thinking is the precisely

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Speaker 1: kinds of ship you see in the form of like centrism,

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Speaker 1: where really evaluating what the issues are and if there

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Speaker 1: is a class of wealth in this country that is

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Speaker 1: actually working against everything and a lot of systemic issues

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Speaker 1: are coming from this mentality of like consume, consolidates, gather

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Speaker 1: as much as possible to the detriment of others. You Like,

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Speaker 1: that's sort of how these programs function because it's sort

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Speaker 1: of like this thing in the back of your mind.

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Speaker 1: It's like why don't should I be Should I be

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Speaker 1: mad at millionaires? Because like what if I'm a millionaire?

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Speaker 1: You know, like that would be sick. So maybe I

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Speaker 1: should go easy on them because that could be me,

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Speaker 1: you know what I mean, Like there's that suddenly works

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Speaker 1: on your subconscious because for me, as a fucking what

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Speaker 1: fourteen year old probably watching cribs at the time fifteen,

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Speaker 1: I was fully fully I'm sure you found a completely

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Speaker 1: I went to the back of the Source magazine and

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Speaker 1: ordered fake canary yellow diamond areas and ship. I wanted

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Speaker 1: to fucking show out because in my mind that really

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Speaker 1: was I had a very one dimensional idea of what

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Speaker 1: success or happiness as do most of that. Absolutely, but

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Speaker 1: that's but again, that's where we live. We live in America,

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Speaker 1: right right. I love fancy things. I wear a Gucci hat,

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Speaker 1: I buy product shoes. You know, I I absolutely am

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Speaker 1: part of this system. There's no doubt in my mind.

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Speaker 1: You know. The other thing I think about you guys

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Speaker 1: in terms of authenticity is that you know, I came

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Speaker 1: up in an erraw where there was no social media, righty,

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Speaker 1: And so I think about I think, is it safe

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Speaker 1: to say that Instagram is probably the most robust platform

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Speaker 1: for artists more definitely more so than Twitter and Facebook. Yeah. Yeah,

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Speaker 1: it depends on where you Yeah Instagram for sure. Right.

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Speaker 1: So let's say I have one, two, three, ten million followers,

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Speaker 1: and it's all about pictures. So it's all about what

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Speaker 1: I wear, where I live, what I drive, whom I'm fucking,

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Speaker 1: what I'm eating what I'm drinking. I mean, I cannot imagine,

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Speaker 1: you guys, the how onerous it is to sustain this

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Speaker 1: big willie. Back in the day, we used to say

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Speaker 1: big Willie, this big willy lifestyle, you know. I mean,

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Speaker 1: you know, so what if you walk down the street

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Speaker 1: and you just want to like, you're not wearing whatever

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Speaker 1: the fuck or whatever the brands are, whatever the sneakers are,

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Speaker 1: and stuff like that. You know, I never I never

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Speaker 1: want to be in a position where I'm going to

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Speaker 1: be I take uber pools. I'm a fucking immigrant. When

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Speaker 1: I look at the four dollar price difference, I'm like,

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Speaker 1: I could afford the four dollars, but I can't prostitutionally.

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Speaker 1: As an immigrant, I can't tell a voice in your yeah,

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Speaker 1: my mother, Yeah, it's my mother going, why don't you

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Speaker 1: take the subway? Right? And I'm like, I'm treating myself

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Speaker 1: to a pool. But just the notion of, you know,

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Speaker 1: going back to authenticity, a lot of that too, I

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Speaker 1: think is not necessarily authentic because I think a lot

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Speaker 1: of the artists out there are spending their money on

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Speaker 1: these things that present a lifestyle. But then, do you

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Speaker 1: own a home, right, do you have a trust for

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Speaker 1: your children, right, where is your money parked? Right? So

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Speaker 1: you might not, you might not go into the stock

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Speaker 1: market or whatever, but is it somewhere Because some of

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Speaker 1: these guys, millions of dollars will go through their hands

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Speaker 1: and leave their hands. And that's okay. Look, if I

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Speaker 1: was a nineteen year old kid, I'd spend the ship

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Speaker 1: out of my money. I would be. I would be,

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Speaker 1: I would be off the chains, I would be all

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Speaker 1: the rails. I would be foolish. Right. But the notion

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Speaker 1: that I now, oh, fuck you guys, I gotta post.

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Speaker 1: Hang on, I gotta go buy these shoes. Hang on,

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Speaker 1: I gotta go do that. I gotta go do that.

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Speaker 1: That's a lot. I gotta pose by this like villa. Yeah,

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Speaker 1: I've got to be in a G five. I perform

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Speaker 1: at my friends from TV or also my friends in reality. Yeah.

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Speaker 1: Well yeah, And I think that's sort of That's why

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Speaker 1: I think the Instagram is that it's the perfect sales

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Speaker 1: tool because it sells people on seemingly authentic versions of life.

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Speaker 1: Because people it's like, well a person posted that not

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Speaker 1: person with a stylist sucking whole marketing plant, and lightning

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Speaker 1: was yeah, who has someone probably editing the photo itself,

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Speaker 1: so it probably has deals going with brands to figure

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Speaker 1: out like okay, well here's the deal. We'll get you

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Speaker 1: to this location and then do subtle things and that

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Speaker 1: kind of helps, you know, create this thing of longing

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Speaker 1: through your your phone screen. Yeah, and it's even worse

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Speaker 1: for women, right right, So okay, take that picture, but

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Speaker 1: get rid of all my age spots, you guys, get

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Speaker 1: rid of the bags under my eyes and get rid

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Speaker 1: of the wrinkles and everything. And I'm going to get

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Speaker 1: surgery and I'm going to do all this and I'm gonna,

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Speaker 1: you know, my tids are gonna be bigger, and my

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Speaker 1: waist is going to be smaller, my ass is going

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Speaker 1: to be bigger. And no shade to anybody that does this,

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Speaker 1: I'm That's not what I'm saying. But we are living

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Speaker 1: in a time where there where we can actually buy

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Speaker 1: a certain kind of beauty. Right, So if we if

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Speaker 1: we have the means, and we're all going towards frankly,

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Speaker 1: what I think is a very a narrow right the

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Speaker 1: definition of beauty. Well, first of all, we're gonna become

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Speaker 1: more homogeneous, which I never like, right, And then what

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Speaker 1: does it mean for me raising a daughter who was

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Speaker 1: a yellow girl again in a white world, right, who

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Speaker 1: does not fit into this paradigm of beauty. How do

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Speaker 1: I tell her if she says to me, and she

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Speaker 1: never would, but if she said to me, Mommy, I

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Speaker 1: want to get this job or that job or whatever,

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Speaker 1: you know, the things that we have to battle, and

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Speaker 1: so to be a famous woman too, Like nobody gives

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Speaker 1: a funk what a man eats. Okay, nobody gives a fuck.

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Speaker 1: But if somebody sees an actress, let's say she's a

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Speaker 1: thin actress and she's eating a cheeseburger, Like, what that's

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Speaker 1: a fucking story. Now, who she's brave? Yeah, right, exactly,

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Speaker 1: She's brave for eating what she wants human beings. Yeah, yeah,

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Speaker 1: ah man, it's uh yeah. And I think also, like

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Speaker 1: growing up in l Amen, I've I see how quickly

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Speaker 1: people's ship gets poisoned by this like performative. I've heard

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Speaker 1: that too, like wealth ship, and it's yeah, it's and

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Speaker 1: the beauty right, like if I'm going to go out

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Speaker 1: and I'm going to be on the red car, but

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Speaker 1: you know what, Sophia is not quite pretty. You know what,

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Speaker 1: I think I have to upgrade from Sophia, right right, right,

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Speaker 1: I've got to get somebody who's younger and thinner. Yes,

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Speaker 1: And yeah, they're like, oh, well, like I can't pull

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Speaker 1: up to a party with you because you're college to

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Speaker 1: that's right. And I can't pull up in this car either, yeah, exactly,

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Speaker 1: Like okay, what you can park your prelude around the corner, right, Yeah,

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Speaker 1: we'll act like our limo broke down. Okay, that goes

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Speaker 1: mom the city bike in New York. Yeah, and I

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Speaker 1: take gouberpools there you go. I mean, but that's the thing, like, right,

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Speaker 1: I think it's about people being able to realign what

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Speaker 1: makes them happy or redefine what makes them happy. I

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Speaker 1: think because we have because consumer culture makes us think

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Speaker 1: when I attain X, then I will be happy. That's

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Speaker 1: not I will be happy. Right, then I can attain whatever,

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00:19:52,240 --> 00:19:55,159
Speaker 1: and and those things have to be the gravy, not

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Speaker 1: the meat. Right, Like my X and I talked about

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Speaker 1: this in my memoir is a three four generation Joleon Monk.

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Speaker 1: And when we started seeing each other, I you know completely.

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Speaker 1: I was a stylist and he started wearing product sport

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Speaker 1: and stuff like that, and he looked really great, and

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Speaker 1: I remember people looking askance at him and they're like, oh,

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Speaker 1: I didn't know that Buddhist monks could wear a product

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Speaker 1: like you know what sucker they call me, because it's

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Speaker 1: not about it's not about him wearing the product. It's

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Speaker 1: about him being attached to it. And he would never

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Speaker 1: be attached right right, right right, he fucking slept on

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Speaker 1: a concrete floor for like, I don't think he's going

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00:20:28,560 --> 00:20:31,679
Speaker 1: to care if he can't wear a fucking product jacket tomorrow.

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Speaker 1: It's like not having running water will kind of that

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Speaker 1: exactly exactly the notion. It's not about having it for me,

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Speaker 1: it's about I have to actively exercise not being attached

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Speaker 1: to it. And I think that what's really really important

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Speaker 1: for us spiritually and just for our soul and our

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Speaker 1: our internal happiness is to not let the external world

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Speaker 1: define it. Am I happy if I buy a new

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Speaker 1: pair of shoes, Sure I am. But does that to

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Speaker 1: find my happiness or define me? Of course it does,

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00:21:03,800 --> 00:21:05,679
Speaker 1: because if if the shoes are taken away and it

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Speaker 1: sucks you up, then right, that's exactly what happens. It's

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00:21:09,800 --> 00:21:11,760
Speaker 1: the same thing with praise, right of getting too attached

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Speaker 1: to people's praise it's like, yes, that can feel good,

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Speaker 1: but if that becomes your be all, end all, what

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Speaker 1: do you do when that you no longer hear that

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00:21:19,119 --> 00:21:21,720
Speaker 1: from It's like it's a good reminder, but I don't

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00:21:21,760 --> 00:21:24,080
Speaker 1: need that. I don't feed off. That's not my fucking oxygen.

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Speaker 1: You have to have your your internal barometer and your

396
00:21:28,800 --> 00:21:33,760
Speaker 1: internal compass have to be so fucking solid. And then

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00:21:33,840 --> 00:21:36,760
Speaker 1: all of it is like you take it and it

398
00:21:36,840 --> 00:21:40,760
Speaker 1: comes and it goes and it's fine, smooth like water baby.

399
00:21:40,840 --> 00:21:43,359
Speaker 1: Yeah exactly. It's like Bruce Lee, you like water, my friend.

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Speaker 1: All Right, we're gonna take a quick break and we're back.

401
00:21:57,280 --> 00:22:01,639
Speaker 1: Let's talk about Lebron James. Uh. This this upset me

402
00:22:01,720 --> 00:22:05,680
Speaker 1: more than I more than it should have, more than

403
00:22:05,720 --> 00:22:09,879
Speaker 1: I cared to admit. Yeah. Um So, look, the n

404
00:22:09,920 --> 00:22:13,119
Speaker 1: B a uh and pretty much any company doing business

405
00:22:13,160 --> 00:22:15,399
Speaker 1: with China that's an American based company is going through

406
00:22:15,440 --> 00:22:17,600
Speaker 1: a bit of a time now where people have to

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Speaker 1: be like, should we talk out loud in favor of

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Speaker 1: people who are being oppressed by this autocratic regime? I

409
00:22:22,960 --> 00:22:25,880
Speaker 1: don't know, order like money better. And the NBA saga

410
00:22:26,240 --> 00:22:29,480
Speaker 1: unfolded when Darryl Moria from the Rockets tweeted out an

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00:22:29,480 --> 00:22:32,439
Speaker 1: image and solidarity of the Hong Kong protests and then

412
00:22:33,320 --> 00:22:37,959
Speaker 1: fired dude cause a cause of massive profits fire like

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Speaker 1: Leaning Sports, where ended their deal with the Rockets ten

414
00:22:41,560 --> 00:22:43,479
Speaker 1: Cent like every company a lot of companies are doing

415
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Speaker 1: business with the NBA, or like, we're done. Harden and

416
00:22:45,640 --> 00:22:48,120
Speaker 1: Russell Westbrooke in the immediate aftermath were like, we love

417
00:22:48,200 --> 00:22:52,359
Speaker 1: China is actually really tight to me fans, They're super

418
00:22:52,400 --> 00:22:58,760
Speaker 1: tight author communism slash capitalism, so sick though whatever, I

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00:22:58,800 --> 00:23:01,359
Speaker 1: guess I'm more I was more willing to forgive that

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00:23:01,400 --> 00:23:04,280
Speaker 1: because it was the day after and they were clearly

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00:23:04,359 --> 00:23:08,320
Speaker 1: like had a gun to their head, whereas this is like, yeah, well,

422
00:23:08,359 --> 00:23:11,360
Speaker 1: I think week and a half later, Lebron James he

423
00:23:11,480 --> 00:23:13,600
Speaker 1: has to say so. I'm sure he was probably asked,

424
00:23:13,760 --> 00:23:16,800
Speaker 1: I'm sure that's how it all happened, and his answer anyway,

425
00:23:16,800 --> 00:23:18,199
Speaker 1: he just has this quote he said, I don't want

426
00:23:18,240 --> 00:23:20,159
Speaker 1: to get into a verbal feud with Daryl Morey, but

427
00:23:20,200 --> 00:23:23,040
Speaker 1: I believe he wasn't educated on the situation at hand,

428
00:23:24,119 --> 00:23:27,640
Speaker 1: and he spoke, and he spoke, uh, and so many

429
00:23:27,640 --> 00:23:33,159
Speaker 1: people could have been harmed, not only financially physically emotionally, spiritually,

430
00:23:33,400 --> 00:23:35,879
Speaker 1: So just be careful what we tweet and say, and

431
00:23:35,960 --> 00:23:38,800
Speaker 1: we do even though yes, we do have freedom of speech,

432
00:23:38,840 --> 00:23:40,720
Speaker 1: but there can be a lot of negative that comes

433
00:23:40,760 --> 00:23:43,040
Speaker 1: with that too. I mean, unless we play in China,

434
00:23:43,080 --> 00:23:48,200
Speaker 1: than we don't. Right, I'm just what what was? What? What?

435
00:23:48,200 --> 00:23:51,240
Speaker 1: What is he? I don't understand that he he he

436
00:23:51,320 --> 00:23:54,560
Speaker 1: wasn't educated on the situation. What is he misinformed by?

437
00:23:55,480 --> 00:23:59,160
Speaker 1: I was confused? What? What? What did le Bron James

438
00:23:59,280 --> 00:24:02,560
Speaker 1: think that dare almore? He didn't know when he tweeted

439
00:24:02,600 --> 00:24:06,480
Speaker 1: support for the people in Hong Kong who are being

440
00:24:06,640 --> 00:24:10,879
Speaker 1: like riot policed to I think I don't know the

441
00:24:10,960 --> 00:24:14,040
Speaker 1: cinecals and the whole like the law, like what was

442
00:24:14,080 --> 00:24:16,760
Speaker 1: going on with the is an extradition? I forget the

443
00:24:16,760 --> 00:24:21,960
Speaker 1: exactly Like what the reason why rendition? I think? Yeah?

444
00:24:22,240 --> 00:24:25,680
Speaker 1: I think really what it says the translation might be

445
00:24:25,800 --> 00:24:29,200
Speaker 1: talking about China can funk up everyone's money. We aren't

446
00:24:29,240 --> 00:24:32,720
Speaker 1: willing to confront their transgressions because it would risk our revenues,

447
00:24:32,760 --> 00:24:34,919
Speaker 1: so we have chosen to ignore this because money is

448
00:24:34,920 --> 00:24:39,600
Speaker 1: more important. Yeah, I think is what he meant, right, See, guys,

449
00:24:39,920 --> 00:24:43,639
Speaker 1: it's a class war. No, but but again, you know,

450
00:24:43,720 --> 00:24:46,400
Speaker 1: and it's a very odd It was a weird thing

451
00:24:46,440 --> 00:24:49,760
Speaker 1: to say, and I can only imagine the league's biggest

452
00:24:49,760 --> 00:24:53,720
Speaker 1: star probably has to send up a flare to Chinese

453
00:24:53,760 --> 00:24:56,639
Speaker 1: business interests to say like, I am still in line

454
00:24:56,720 --> 00:24:58,840
Speaker 1: with whatever y'all are trying to But even the NBA,

455
00:24:59,119 --> 00:25:03,920
Speaker 1: after they initially issued a statement that was like kind

456
00:25:03,960 --> 00:25:07,560
Speaker 1: of the in this direction, that was sort of like, well,

457
00:25:07,640 --> 00:25:12,879
Speaker 1: you know, there's multiple sides to everything. Uh, Adam Silver

458
00:25:13,000 --> 00:25:16,440
Speaker 1: came out and was, you know, said made a statement

459
00:25:16,520 --> 00:25:21,000
Speaker 1: that was definitely picking the side of you know, freedom

460
00:25:21,040 --> 00:25:25,239
Speaker 1: of speech and pissing China off. So like it's not

461
00:25:25,320 --> 00:25:28,640
Speaker 1: like Adam Silver was behind him being like say this

462
00:25:28,760 --> 00:25:32,239
Speaker 1: or or else. Yeah, No, it was all about not

463
00:25:32,320 --> 00:25:35,439
Speaker 1: fucking up his money. It's like he's about progressive values

464
00:25:35,520 --> 00:25:38,159
Speaker 1: until it becomes unconfident. It's a little Yeah, it's a

465
00:25:38,200 --> 00:25:40,439
Speaker 1: little sad to see because on one hand, I I

466
00:25:40,480 --> 00:25:42,960
Speaker 1: can understand privately if he's what he's saying is to

467
00:25:43,000 --> 00:25:45,520
Speaker 1: someone else who goes man, Darrell should have known. He's like,

468
00:25:45,920 --> 00:25:48,400
Speaker 1: we've we're in bed with China. That's like a third

469
00:25:48,480 --> 00:25:51,359
Speaker 1: rail topic, like you only talk about the business and

470
00:25:51,359 --> 00:25:53,960
Speaker 1: that don't talk about anything about what their government does

471
00:25:54,240 --> 00:25:56,800
Speaker 1: or anything to do with their domestic reform. You can

472
00:25:56,800 --> 00:26:00,720
Speaker 1: talk about the meg another international co production and how

473
00:26:01,119 --> 00:26:05,040
Speaker 1: and how sick Leaning footwear is. But like, that's where

474
00:26:05,600 --> 00:26:07,600
Speaker 1: I wish you would have just not said anything at all,

475
00:26:07,960 --> 00:26:11,359
Speaker 1: because I can stomach him just being, you know, about

476
00:26:11,400 --> 00:26:14,119
Speaker 1: his money and not really trying to act like he's

477
00:26:14,200 --> 00:26:17,280
Speaker 1: some kind of savior type person. But it's drawn a

478
00:26:17,320 --> 00:26:19,840
Speaker 1: lot of criticism. Him saying this has drawn a lot

479
00:26:19,840 --> 00:26:22,719
Speaker 1: of krypt Muhammad Ali's wife was like, Muhammad Ali wouldn't

480
00:26:22,720 --> 00:26:24,720
Speaker 1: have done that, and he wouldn't have. No, he wouldn't have.

481
00:26:24,880 --> 00:26:28,560
Speaker 1: But I I do think it's sometimes important to remember,

482
00:26:28,680 --> 00:26:32,400
Speaker 1: like you you shouldn't have your hopes like pinned on.

483
00:26:32,920 --> 00:26:36,040
Speaker 1: Like I don't watch athlete interviews after the game for

484
00:26:36,080 --> 00:26:40,159
Speaker 1: a reason, like they are always boring as fuck, and

485
00:26:40,280 --> 00:26:43,960
Speaker 1: like I like they don't have interesting performances. Thank God,

486
00:26:44,800 --> 00:26:48,200
Speaker 1: I want to thank Leaning sportswear. Jesus. I want to

487
00:26:48,240 --> 00:26:54,720
Speaker 1: thank I'm sorry I mispoke, not Jesus jimping. She's in

488
00:26:54,800 --> 00:27:00,879
Speaker 1: Christ Yeah, but Ali Kaepernick, Uh, Like you can't you

489
00:27:00,920 --> 00:27:04,560
Speaker 1: can't really count that many athletes who were like important,

490
00:27:04,560 --> 00:27:09,879
Speaker 1: you know, O J. Simpson on Twitter. Uh, sorry, obviously

491
00:27:10,160 --> 00:27:13,240
Speaker 1: you know the great What did O J say? Oh

492
00:27:13,280 --> 00:27:16,800
Speaker 1: my god, he's just much He's incredible. Love China make

493
00:27:16,880 --> 00:27:22,120
Speaker 1: some great knives, right, Well, I think that's the whole deal,

494
00:27:22,240 --> 00:27:24,920
Speaker 1: right as certain people in your activism, if you're really

495
00:27:24,920 --> 00:27:27,960
Speaker 1: about your activism, you will follow that path wherever leads

496
00:27:28,000 --> 00:27:30,440
Speaker 1: you for the faint of heart. And I think that's

497
00:27:30,480 --> 00:27:31,960
Speaker 1: what we see is at the end of the day,

498
00:27:32,680 --> 00:27:35,639
Speaker 1: Lebron James is a capitalist. That's his prerogative. I mean,

499
00:27:35,640 --> 00:27:39,200
Speaker 1: this is what Michael Jordan's probably would have done or said, Yeah,

500
00:27:39,320 --> 00:27:43,960
Speaker 1: he would have been protesters exactly. I mean, is that

501
00:27:43,960 --> 00:27:45,800
Speaker 1: your Michael Jordan impression? No, we just not. I don't.

502
00:27:45,920 --> 00:27:48,280
Speaker 1: I don't think there's a way to properly do Michael Jordan's.

503
00:27:48,880 --> 00:27:52,240
Speaker 1: But but he did say sound like kids. Yeah, he's

504
00:27:52,600 --> 00:27:54,560
Speaker 1: he's not a very kind guy. But like you know,

505
00:27:54,640 --> 00:27:57,600
Speaker 1: for example, you know Ennis Cantor, who's a Turkish player.

506
00:27:57,720 --> 00:28:01,480
Speaker 1: He tweeted out basically after came out, he said, have

507
00:28:01,800 --> 00:28:05,320
Speaker 1: so anyway and his Cantor is basically cannot go back

508
00:28:05,359 --> 00:28:09,920
Speaker 1: to Turkey dead. Yeah, And and and his Cantor has been

509
00:28:09,960 --> 00:28:12,439
Speaker 1: outspoken and a very big critic of Ara to Wan

510
00:28:12,600 --> 00:28:15,639
Speaker 1: and so that comes with consequences, and he tweeted, haven't

511
00:28:15,680 --> 00:28:19,160
Speaker 1: seen or talked to my family five years, jailed my dad,

512
00:28:19,400 --> 00:28:23,760
Speaker 1: my siblings can't find jobs, revoked my passport, international arrest warrant,

513
00:28:23,840 --> 00:28:26,680
Speaker 1: my family can't leave the country. Got death threats every day,

514
00:28:26,800 --> 00:28:30,240
Speaker 1: got attacked, harassed, tried to kidnap me. In Indonesia, freedom

515
00:28:30,320 --> 00:28:34,159
Speaker 1: is not free. And I think that sort of realigning

516
00:28:34,200 --> 00:28:36,880
Speaker 1: the stakes for people here. It's like this isn't just

517
00:28:37,400 --> 00:28:39,840
Speaker 1: some It's not just like is the is it? Did it?

518
00:28:39,960 --> 00:28:45,000
Speaker 1: Was it? Yanni or Laurel. It's like here, it's not like,

519
00:28:45,040 --> 00:28:48,160
Speaker 1: oh yeah, I'm either cool with this or no, actually

520
00:28:48,200 --> 00:28:50,680
Speaker 1: this is actually and I cannot abide by this. It

521
00:28:50,800 --> 00:28:53,240
Speaker 1: just depends on your point of view. And again should

522
00:28:53,280 --> 00:28:56,360
Speaker 1: have taken other people's point of views into account. Take

523
00:28:56,400 --> 00:28:58,240
Speaker 1: the middle road like most people and just don't say

524
00:28:58,240 --> 00:29:01,360
Speaker 1: anything at all, you know, but if you're going to don't,

525
00:29:01,560 --> 00:29:04,240
Speaker 1: don't don't speak speak on the right side please. Um.

526
00:29:04,320 --> 00:29:07,520
Speaker 1: By the way, has anyone ever done an arid Juan

527
00:29:08,320 --> 00:29:16,120
Speaker 1: slash and one mash up? Because I would that. Yeah,

528
00:29:16,160 --> 00:29:20,280
Speaker 1: I mean, his crossover was masked. I saw him fucking

529
00:29:20,440 --> 00:29:25,240
Speaker 1: spin hot sauce in half. It was incredible. What is

530
00:29:25,600 --> 00:29:28,040
Speaker 1: a myth? What's something people think is true? You know

531
00:29:28,160 --> 00:29:32,280
Speaker 1: to be false that Asian men aren't sexy? Okay, okay,

532
00:29:32,600 --> 00:29:34,840
Speaker 1: I don't have a problem if you have a preference.

533
00:29:34,920 --> 00:29:37,360
Speaker 1: I totally get that. We all we all have preferences.

534
00:29:38,160 --> 00:29:44,480
Speaker 1: But when people make the blanket statements that's right, Come on, everybody,

535
00:29:44,720 --> 00:29:49,560
Speaker 1: nobody finds Asian sexy. Um, I want to slap the

536
00:29:49,560 --> 00:29:58,600
Speaker 1: ship out because you are effectively erasing a whole gender,

537
00:29:59,120 --> 00:30:01,960
Speaker 1: of a whole race. And I've been thinking about this

538
00:30:02,040 --> 00:30:04,960
Speaker 1: a lot, you guys, in terms of my memoir, visibility

539
00:30:05,040 --> 00:30:12,320
Speaker 1: and eraser and black women too erased, me, too erased, right,

540
00:30:12,880 --> 00:30:18,640
Speaker 1: and how we actively have to ourselves und erase ourselves

541
00:30:18,720 --> 00:30:22,160
Speaker 1: and give ourselves the visibility, which isn't fair. We shouldn't

542
00:30:22,200 --> 00:30:24,400
Speaker 1: have to do that, we should just have it right,

543
00:30:24,440 --> 00:30:26,560
Speaker 1: but we don't, so we have to fight for that.

544
00:30:27,240 --> 00:30:30,200
Speaker 1: So you know the notion, I mean, the father of

545
00:30:30,200 --> 00:30:33,080
Speaker 1: my two children is a thirty four generation Shallon monk

546
00:30:33,160 --> 00:30:35,720
Speaker 1: who could kill you with his bare hands in thirty seconds.

547
00:30:35,720 --> 00:30:38,920
Speaker 1: But there are a myriad other incredibly sexy man Bruce Lee,

548
00:30:39,640 --> 00:30:43,760
Speaker 1: god reciscal Chean Fat, Tony Long, I mean, Jake CHOI.

549
00:30:44,160 --> 00:30:49,640
Speaker 1: It's just to the way that the West has systematically

550
00:30:50,240 --> 00:30:58,360
Speaker 1: emasculated and castrated my brothers while simultaneously exoticizing, eroticizing, and

551
00:30:58,400 --> 00:31:05,240
Speaker 1: fetishizing me. Isn't fury? Yeah, um, you fell in love

552
00:31:05,240 --> 00:31:10,960
Speaker 1: with Chian Fat because who um? So I grew up

553
00:31:11,360 --> 00:31:14,080
Speaker 1: yellow in a white world and yellow wanting to be

554
00:31:14,160 --> 00:31:16,000
Speaker 1: white in a white world. And then I heard hip

555
00:31:16,040 --> 00:31:17,520
Speaker 1: hop that I moved to New York and then I

556
00:31:17,800 --> 00:31:20,880
Speaker 1: then I meet Wu Tang and you know they're talking

557
00:31:20,920 --> 00:31:24,400
Speaker 1: about you know, you know there's that great skin on

558
00:31:24,440 --> 00:31:26,920
Speaker 1: thirty six Chambers where Ray is saying, you know, meth,

559
00:31:26,920 --> 00:31:29,479
Speaker 1: where's my killer tape? Where's my killer tape? And and

560
00:31:29,520 --> 00:31:31,000
Speaker 1: I was like, Okay, you know what, I'm gonna pay

561
00:31:31,000 --> 00:31:35,200
Speaker 1: attention to this because they were so deeply respectful of

562
00:31:35,240 --> 00:31:37,960
Speaker 1: Asian culture in general. But they loved John Woo. So

563
00:31:38,200 --> 00:31:40,160
Speaker 1: I watched The Killer, and I watched Hard Boiled, and

564
00:31:40,160 --> 00:31:42,080
Speaker 1: I went down the John rabbit hole and I watched

565
00:31:42,080 --> 00:31:44,040
Speaker 1: all of his movies. I still have the laser discs.

566
00:31:44,040 --> 00:31:47,720
Speaker 1: I watched all of his movies. Still. I actually still

567
00:31:47,760 --> 00:31:50,800
Speaker 1: have a way to google it. Um, I've I don't

568
00:31:50,840 --> 00:31:53,760
Speaker 1: know how many times I've seen The Killer, Um, I don't.

569
00:31:53,840 --> 00:31:56,560
Speaker 1: It's my favorite movie all time, of all time. Chian

570
00:31:56,640 --> 00:31:58,600
Speaker 1: Fat is his muse in the same way that DeNiro

571
00:31:59,040 --> 00:32:02,400
Speaker 1: um of course, as he's mused. And to me, John

572
00:32:02,400 --> 00:32:05,160
Speaker 1: Woo was the greatest director of all time and Giant

573
00:32:05,200 --> 00:32:07,200
Speaker 1: Fad is the greatest actor of all time. And I

574
00:32:07,240 --> 00:32:11,200
Speaker 1: think that what Asian action movies managed to do that

575
00:32:11,280 --> 00:32:14,440
Speaker 1: I don't know that Western ones are able to do

576
00:32:15,560 --> 00:32:20,080
Speaker 1: is infuse philosophy. And maybe that comes from the martial

577
00:32:20,160 --> 00:32:22,920
Speaker 1: arts tradition, right, because in the martial arts movies, you

578
00:32:23,000 --> 00:32:26,880
Speaker 1: have action, but you always have philosophy, whether it's Buddhism

579
00:32:26,960 --> 00:32:30,240
Speaker 1: or Taoism or you know, a form of Confucianism. And

580
00:32:30,320 --> 00:32:32,760
Speaker 1: so a perfect example, I'll tell you there's a movie

581
00:32:32,760 --> 00:32:35,440
Speaker 1: called It Departed, right, and it was huge at one

582
00:32:35,440 --> 00:32:40,880
Speaker 1: the Academy Award that year. Um. That movie was a

583
00:32:41,040 --> 00:32:45,160
Speaker 1: remake of a Hong Kong movie called Infernal Affairs, and

584
00:32:45,200 --> 00:32:49,440
Speaker 1: it was directed by Andy Law. I believe now, if

585
00:32:49,480 --> 00:32:51,840
Speaker 1: you watch The Departed, it was my favorite movie of

586
00:32:51,840 --> 00:32:53,760
Speaker 1: that year. If you watch The Departed and then you

587
00:32:53,800 --> 00:32:58,080
Speaker 1: watch Infernal Affairs, you can see that The Departed had

588
00:32:58,120 --> 00:33:01,080
Speaker 1: to have a Hollywood andy right in a way that

589
00:33:01,200 --> 00:33:04,160
Speaker 1: Infernal Affairs did not feel beholden to, making you know

590
00:33:04,440 --> 00:33:07,960
Speaker 1: it's going to be right, the bad guy's going to

591
00:33:08,040 --> 00:33:11,080
Speaker 1: get it, and the conflict and there were great actors

592
00:33:11,080 --> 00:33:13,440
Speaker 1: in the department and it's going to He's an amazing director.

593
00:33:14,320 --> 00:33:20,600
Speaker 1: But the conflict that was demonstrated in Infernal Affairs was

594
00:33:21,040 --> 00:33:27,440
Speaker 1: made that movie so much more touching and compelling, emotionally

595
00:33:27,440 --> 00:33:30,680
Speaker 1: compelling for me. Does it end with a rat coming

596
00:33:30,680 --> 00:33:35,600
Speaker 1: in and winking at the camera. That should be the

597
00:33:35,640 --> 00:33:44,239
Speaker 1: alternate flip your laser disc over. Alright, guys, we have

598
00:33:44,280 --> 00:33:48,360
Speaker 1: to get to the story of Robert Downey Jr's return

599
00:33:49,120 --> 00:33:57,600
Speaker 1: to the big screen silver screen Tempole post COMMI Robert

600
00:33:57,640 --> 00:34:01,840
Speaker 1: Downey Jr. Is do it all just like Joker, So

601
00:34:01,880 --> 00:34:07,920
Speaker 1: this is like Joker. It's equally anticipated. Also won the

602
00:34:08,440 --> 00:34:11,319
Speaker 1: award for Top Film at the Venice Film Festival when

603
00:34:11,320 --> 00:34:16,040
Speaker 1: it premiered there, Yeah do little uh sobbing in the audience.

604
00:34:16,239 --> 00:34:20,000
Speaker 1: So this movie, I think technically is the opposite of

605
00:34:20,040 --> 00:34:24,239
Speaker 1: those attributes, and that it was set for to be

606
00:34:24,320 --> 00:34:29,680
Speaker 1: released last spring and has instead been held for January,

607
00:34:30,320 --> 00:34:33,160
Speaker 1: which is generally like studio dumping ground where they just

608
00:34:34,040 --> 00:34:36,560
Speaker 1: all the I mean it's a kids movie, right, So

609
00:34:36,600 --> 00:34:38,920
Speaker 1: I don't know that like a kids movie. I mean

610
00:34:38,960 --> 00:34:42,640
Speaker 1: it is a kids movie because Dr Doolittle lives in

611
00:34:42,680 --> 00:34:45,880
Speaker 1: an enchanted castle where he has a toy train running

612
00:34:45,880 --> 00:34:48,640
Speaker 1: through it for some reason. Uh like a weird Fao

613
00:34:48,760 --> 00:34:53,200
Speaker 1: schwartz in mushroom. Yeah, like toys the Robin Williams movie.

614
00:34:53,280 --> 00:34:59,120
Speaker 1: Love it, but it's so what One sign that we're

615
00:34:59,560 --> 00:35:03,440
Speaker 1: in on shaky ground is that Robert Downey Junior, in

616
00:35:03,520 --> 00:35:09,440
Speaker 1: order to keep himself focused, attempted a Welsh accent. Yeah.

617
00:35:09,480 --> 00:35:13,399
Speaker 1: I don't know what that was. She literally said, he's

618
00:35:13,440 --> 00:35:16,880
Speaker 1: doing it as a fun challenge for himself. A Welsh accent.

619
00:35:18,120 --> 00:35:22,520
Speaker 1: So it is Christian Bale's accent, which if you've ever

620
00:35:22,560 --> 00:35:25,920
Speaker 1: listened to Christian Bale in interviews, sometimes he sounds like

621
00:35:25,960 --> 00:35:28,200
Speaker 1: he has an accent, sometimes he doesn't. It's like, why

622
00:35:28,200 --> 00:35:30,600
Speaker 1: does Christian Bale have a fake accent? He doesn't. He

623
00:35:30,600 --> 00:35:32,880
Speaker 1: has a Welsh accent, which even Welsh people are like,

624
00:35:32,960 --> 00:35:36,279
Speaker 1: it's really a weird accent, or depending on where you are,

625
00:35:36,600 --> 00:35:39,760
Speaker 1: just differ. I mean, Katherine Zeta Jones is also Welsh,

626
00:35:40,239 --> 00:35:44,040
Speaker 1: and you're like, I it's like vaguely English but so

627
00:35:44,120 --> 00:35:48,680
Speaker 1: like Madonna. Yeah, like Lindsay Lohan. Like the other time

628
00:35:48,719 --> 00:35:52,040
Speaker 1: that somebody tried to do a really difficult accent. Leonardo

629
00:35:52,080 --> 00:35:56,239
Speaker 1: DiCaprio did a South African accent in Blood Diamond, and

630
00:35:56,280 --> 00:36:00,200
Speaker 1: everyone's like, it's the worst accent work ever. But then

631
00:36:00,239 --> 00:36:02,920
Speaker 1: South some South African people were like, no, it's actually

632
00:36:03,040 --> 00:36:05,920
Speaker 1: really good, but we just have a weird accent that like,

633
00:36:06,600 --> 00:36:08,600
Speaker 1: on some words, it sounds like you forgot to do

634
00:36:08,640 --> 00:36:10,799
Speaker 1: the accent, and in other words it sounds like you

635
00:36:10,840 --> 00:36:13,400
Speaker 1: have a thick act. I remember my first trumpet teacher

636
00:36:13,480 --> 00:36:15,440
Speaker 1: when I was taking lessons as a kid, who like

637
00:36:15,520 --> 00:36:18,160
Speaker 1: worked at my school. His wife was South African, and

638
00:36:18,160 --> 00:36:19,719
Speaker 1: when she spoke, I was like, as a kid, I

639
00:36:19,760 --> 00:36:22,360
Speaker 1: didn't know what the accent was, and I thought, I

640
00:36:22,440 --> 00:36:25,120
Speaker 1: was like, it sounds like she's from Texas mixed with England.

641
00:36:25,880 --> 00:36:28,800
Speaker 1: Is what my first description of the South African action. Yeah, anyways,

642
00:36:28,880 --> 00:36:32,640
Speaker 1: this movie is it's fucking I don't know, it's garbage.

643
00:36:32,680 --> 00:36:34,959
Speaker 1: It looks like absolute trash. The trade looks like absolute trash.

644
00:36:35,120 --> 00:36:37,399
Speaker 1: It's not for you, it's for children, okay, but it's

645
00:36:37,560 --> 00:36:42,640
Speaker 1: very serious that it has a very serious vibe to it,

646
00:36:42,680 --> 00:36:45,800
Speaker 1: Like it starts with like really dramatic, like sweeping shots

647
00:36:45,800 --> 00:36:50,439
Speaker 1: and dramatic Louis Armstrong. It's a wonderful world, is not.

648
00:36:52,760 --> 00:36:55,360
Speaker 1: That's when he's going to be terrible, that my terrible

649
00:36:55,400 --> 00:37:05,600
Speaker 1: attempts who smooth? But it's not that it's and it's

650
00:37:05,600 --> 00:37:09,680
Speaker 1: a normal presentation. It is the like echo e version

651
00:37:10,080 --> 00:37:13,439
Speaker 1: where like like the Facebook movie whatever that was called

652
00:37:13,480 --> 00:37:16,560
Speaker 1: Social Network, right right right right? Uh, you know, I

653
00:37:18,320 --> 00:37:20,879
Speaker 1: just there were so many things in it that were

654
00:37:20,960 --> 00:37:24,880
Speaker 1: very odd. I just, for whatever reason, I just can't

655
00:37:24,920 --> 00:37:28,360
Speaker 1: stand the polar bearer wearing a nit cap. Why. I

656
00:37:28,360 --> 00:37:32,760
Speaker 1: don't know, Come, are you guys angry? That includes animals

657
00:37:32,760 --> 00:37:35,600
Speaker 1: that will be extinct within our lifetime? Here's what about?

658
00:37:35,719 --> 00:37:39,640
Speaker 1: It cost a hundred and seventy five million dollars to make. Jesus,

659
00:37:39,680 --> 00:37:44,960
Speaker 1: they spent a Marvel movies worth of budget on this movie.

660
00:37:45,120 --> 00:37:49,200
Speaker 1: It's like, you guys don't live in Los Angeles. Yeah,

661
00:37:50,920 --> 00:37:53,839
Speaker 1: it's made by the guy who wrote and directed Syriana

662
00:37:55,160 --> 00:37:58,600
Speaker 1: wrote Traffic? Are you serious? And he had to be

663
00:37:58,640 --> 00:38:01,840
Speaker 1: replaced halfway through because of Cprently he was The animals

664
00:38:01,840 --> 00:38:04,680
Speaker 1: were attacking doctor Doolittle, killing him. I hear David Simon

665
00:38:04,680 --> 00:38:09,680
Speaker 1: wrote the original script. Yeah, the a lot of the imagery.

666
00:38:09,719 --> 00:38:11,319
Speaker 1: I mean, it's one of those things. It's a hard

667
00:38:11,360 --> 00:38:14,000
Speaker 1: needle to thread with Doctor Doolittle movies, I feel like,

668
00:38:14,040 --> 00:38:18,040
Speaker 1: because it has to almost be fully cartoonish so for

669
00:38:18,120 --> 00:38:21,640
Speaker 1: it to not like sort of start veering into the absolutely.

670
00:38:21,960 --> 00:38:24,719
Speaker 1: I think that's what we're responding to is it's like

671
00:38:24,800 --> 00:38:28,880
Speaker 1: if you made Flipper a dramatic, dramatic film, where like

672
00:38:28,920 --> 00:38:31,920
Speaker 1: Flipper was a trained assassin. Like, that's what this trailer

673
00:38:31,960 --> 00:38:36,319
Speaker 1: feels like. Imagine Red Sparrow mixed with Flipper exactly, it's

674
00:38:36,440 --> 00:38:40,799
Speaker 1: just red tie. That's actually. I mean the there was

675
00:38:40,840 --> 00:38:43,040
Speaker 1: a time when the CIA was trying to do that.

676
00:38:43,280 --> 00:38:46,480
Speaker 1: Not the CIA. It was like some Russian or intelligence

677
00:38:46,480 --> 00:38:48,359
Speaker 1: there was some intelligence agent that was trying to train

678
00:38:48,440 --> 00:38:51,239
Speaker 1: dolphins to do think the Germans. I think everybody was

679
00:38:51,560 --> 00:38:53,960
Speaker 1: basically like, I don't know, fucking get these sea dogs.

680
00:38:54,719 --> 00:38:56,680
Speaker 1: We have billions of dollars, we might as well do

681
00:38:56,719 --> 00:38:58,480
Speaker 1: whatever what the funk we want. They tried to do

682
00:38:58,520 --> 00:39:01,279
Speaker 1: it with cats. It was called Operation Acoustic Kitty, and

683
00:39:01,400 --> 00:39:03,920
Speaker 1: it did not go well, are you serious like to

684
00:39:04,000 --> 00:39:06,680
Speaker 1: do what? It was something I think they were bomb

685
00:39:07,040 --> 00:39:12,680
Speaker 1: like bomb carrying cats. But are the reason the the no, No,

686
00:39:12,800 --> 00:39:16,040
Speaker 1: there were cats spies. They were cats with recording devices,

687
00:39:16,360 --> 00:39:19,919
Speaker 1: got it, And that's why I was acoustic kitty. And uh,

688
00:39:19,960 --> 00:39:27,480
Speaker 1: there's a reason that hurting cats is something that's a

689
00:39:27,520 --> 00:39:30,439
Speaker 1: saying for something that's impossible. Well, I mean they should

690
00:39:30,480 --> 00:39:32,400
Speaker 1: have just got doctor Doolittle because he could have just

691
00:39:32,440 --> 00:39:34,160
Speaker 1: had the cats back and say what did you hear?

692
00:39:34,200 --> 00:39:37,040
Speaker 1: Oh my god, there's your gritty remake of doing where

693
00:39:37,080 --> 00:39:41,960
Speaker 1: he's trained. He's getting animals to right, right right. That

694
00:39:42,000 --> 00:39:44,799
Speaker 1: would actually be interesting to see Doolittle in the modern world.

695
00:39:44,880 --> 00:39:48,080
Speaker 1: But this is just like Doolittle in Pirate Pirates of

696
00:39:48,120 --> 00:39:51,200
Speaker 1: the Caribbeans, like vaguely vaguely Pirates of the Caribbean. Yeah,

697
00:39:51,239 --> 00:39:53,719
Speaker 1: that would be great, like like a series of Homeland

698
00:39:54,080 --> 00:39:59,680
Speaker 1: type but little Doolittle, Yes, right, thank you. What's the

699
00:40:00,080 --> 00:40:06,720
Speaker 1: me is that the inconclusive? Yes, this is the second

700
00:40:06,920 --> 00:40:09,520
Speaker 1: winner of a movie idea that we've come up with

701
00:40:09,560 --> 00:40:12,560
Speaker 1: in the past three episodes. It's a free punch up. Yeah,

702
00:40:12,719 --> 00:40:16,080
Speaker 1: the Nightmare on Elm Street, but it's people who get

703
00:40:16,120 --> 00:40:20,240
Speaker 1: too high is the other their panic brings on Freddy

704
00:40:20,320 --> 00:40:24,640
Speaker 1: Krueger to freak them up. So it's like how high plus? Yeah? Yeah?

705
00:40:24,719 --> 00:40:30,239
Speaker 1: Too high? Yeah? How high? All right, We're gonna take

706
00:40:30,239 --> 00:40:44,080
Speaker 1: another quick break. We'll be right back, and we're back. Well,

707
00:40:44,120 --> 00:40:47,720
Speaker 1: as much as I'd like to continue discussing the only

708
00:40:47,760 --> 00:40:51,680
Speaker 1: news story we should care about, the impending doom of

709
00:40:51,760 --> 00:40:56,680
Speaker 1: our earth, it's time we talk about the fact that

710
00:40:56,719 --> 00:40:59,440
Speaker 1: people could be putting weed in your kids halloween candy.

711
00:41:00,719 --> 00:41:07,280
Speaker 1: Happy Halloween. The Johnstown Police Department in Pennsylvania are back

712
00:41:07,360 --> 00:41:10,000
Speaker 1: at it again. In my mind, I believe we've talked

713
00:41:10,000 --> 00:41:12,400
Speaker 1: about this department before when they were asking people to

714
00:41:12,840 --> 00:41:17,080
Speaker 1: volunteer get drunk for a study. But either way, they

715
00:41:17,200 --> 00:41:21,800
Speaker 1: just viral stunts. I don't know, could you have? That's

716
00:41:21,840 --> 00:41:24,760
Speaker 1: probably where we're headed at least department doing viral content.

717
00:41:24,800 --> 00:41:26,560
Speaker 1: I don't know what they get out of it, but

718
00:41:26,600 --> 00:41:29,680
Speaker 1: like the well, if the social media the head of

719
00:41:29,719 --> 00:41:33,200
Speaker 1: social media for their police department is like you, gets promoted,

720
00:41:33,320 --> 00:41:36,200
Speaker 1: a few viral stunts are like proposal videos can paper

721
00:41:36,239 --> 00:41:38,719
Speaker 1: over a shooting? Yeah, like, well what about that white

722
00:41:39,560 --> 00:41:41,440
Speaker 1: what about the white cop that you know hit them

723
00:41:41,480 --> 00:41:43,680
Speaker 1: folks at that barbecue? You know what I mean? The

724
00:41:43,760 --> 00:41:47,319
Speaker 1: dance not literally hitting somebody the dance move. You've never

725
00:41:47,320 --> 00:41:50,680
Speaker 1: seen an undercover mille rock. Yeah, hious? And they kiss

726
00:41:50,719 --> 00:41:54,840
Speaker 1: a dog, not they just shot a woman fucking in

727
00:41:54,920 --> 00:41:57,720
Speaker 1: her own home in Fort Worth through a fucking window.

728
00:41:58,400 --> 00:42:00,400
Speaker 1: But upload that video of the police are doing the

729
00:42:00,440 --> 00:42:03,359
Speaker 1: Harlem shake, right, we forgot to be fair. I do

730
00:42:03,440 --> 00:42:06,480
Speaker 1: think that cops don't have problems going virall right now,

731
00:42:06,560 --> 00:42:09,000
Speaker 1: just not for the reasons they would probably like, Yeah,

732
00:42:09,680 --> 00:42:12,879
Speaker 1: I mean maybe that's the idea. Is that there? Thank you?

733
00:42:13,920 --> 00:42:19,520
Speaker 1: That's a straight up for you the yeah may I

734
00:42:19,520 --> 00:42:21,719
Speaker 1: I could totally see the meeting where they come up

735
00:42:21,719 --> 00:42:24,359
Speaker 1: with that strategy of like, we got to combat all

736
00:42:24,360 --> 00:42:27,080
Speaker 1: this negative social media publicity that we're getting out there.

737
00:42:27,160 --> 00:42:30,839
Speaker 1: Come on, pitch me ideas, guys. Cops can be fun, Yeah,

738
00:42:31,320 --> 00:42:33,960
Speaker 1: can be fun. This cop was a former break dancer.

739
00:42:34,280 --> 00:42:37,160
Speaker 1: I would that people need to remember that we are

740
00:42:37,239 --> 00:42:40,040
Speaker 1: out there protecting their children. What's the story that we

741
00:42:40,040 --> 00:42:42,600
Speaker 1: could tell about that? Oh what about that child that

742
00:42:42,680 --> 00:42:44,279
Speaker 1: was shot because they thought he had a gun? Not

743
00:42:44,440 --> 00:42:49,680
Speaker 1: that the Remember how we used to be afraid that

744
00:42:49,719 --> 00:42:52,960
Speaker 1: people would put razor blades in our candy boom? Yeah,

745
00:42:52,960 --> 00:42:55,760
Speaker 1: here we go there, How would that even work? Okay?

746
00:42:55,880 --> 00:42:59,600
Speaker 1: Bite into a candy bar well, because I think I

747
00:42:59,600 --> 00:43:02,400
Speaker 1: think you you push the razorblade into the flesh of

748
00:43:02,400 --> 00:43:05,360
Speaker 1: the apple and then the caramel app the caramel covers

749
00:43:05,440 --> 00:43:09,960
Speaker 1: over the actual Also just like candy bars with my

750
00:43:10,000 --> 00:43:16,200
Speaker 1: teeth the most impervious that my mouth bones, right if

751
00:43:16,239 --> 00:43:18,360
Speaker 1: you took a full on bite though, and there was

752
00:43:18,400 --> 00:43:22,719
Speaker 1: a razorblade and will cut your mouth. It's just not

753
00:43:22,800 --> 00:43:26,840
Speaker 1: the most efficient way to do harm via Halloween um on.

754
00:43:27,120 --> 00:43:29,640
Speaker 1: This apparently is according to the Johnstown Police Department. They

755
00:43:29,680 --> 00:43:33,720
Speaker 1: have this whole Facebook post says attention, the Johnstown Police

756
00:43:33,760 --> 00:43:36,320
Speaker 1: would like to draw extra attention to the nerds rope

757
00:43:36,440 --> 00:43:41,960
Speaker 1: edibles containing four milligrams of thhc are so good. I

758
00:43:42,000 --> 00:43:48,560
Speaker 1: know one fucking movie candy um foundering a search warrant

759
00:43:48,800 --> 00:43:51,640
Speaker 1: in Stony Creek. It says, Okay, during this Halloween, we

760
00:43:51,719 --> 00:43:54,120
Speaker 1: urge parents to be ever vigilant and checking their children's

761
00:43:54,120 --> 00:43:56,919
Speaker 1: candy before allowing them to consume those treats. Drug laced

762
00:43:57,000 --> 00:43:59,920
Speaker 1: edibles are package like regular candy and maybe hard to

763
00:44:00,000 --> 00:44:02,960
Speaker 1: distinguished from real candy. Okay, now it looks like maybe

764
00:44:02,960 --> 00:44:05,040
Speaker 1: if you're just like the dude who's making your own

765
00:44:05,080 --> 00:44:07,920
Speaker 1: wild edibles you sell them like this to avoid detection

766
00:44:08,000 --> 00:44:10,200
Speaker 1: from the police, not because you have a scheme where

767
00:44:10,239 --> 00:44:13,279
Speaker 1: you're throwing thousands of dollars away to play a sick

768
00:44:13,360 --> 00:44:16,480
Speaker 1: ass prank from the kids of this town. I want

769
00:44:16,480 --> 00:44:19,359
Speaker 1: to bankrupt myself by getting a bunch of six year

770
00:44:19,360 --> 00:44:22,960
Speaker 1: old ties use of my money, give away all of

771
00:44:23,520 --> 00:44:28,560
Speaker 1: the weed that I bought to sell kids to make

772
00:44:28,560 --> 00:44:31,239
Speaker 1: their Halloween extra spooks. I mean, you should obviously check

773
00:44:31,280 --> 00:44:35,040
Speaker 1: your kids candy. I think that's that's all fair, But

774
00:44:35,120 --> 00:44:37,320
Speaker 1: I don't know if this is like they're like, what

775
00:44:37,560 --> 00:44:40,600
Speaker 1: where Kiva mints? Are those for kids? I mean, I'll

776
00:44:40,640 --> 00:44:43,680
Speaker 1: personally be giving away jewel pods at my house for

777
00:44:43,800 --> 00:44:47,359
Speaker 1: this trigger yeah hell yeah, yeah, dude, I just want

778
00:44:47,360 --> 00:44:49,840
Speaker 1: to be cool with the kids. For me, it's to

779
00:44:49,880 --> 00:44:53,120
Speaker 1: be cool, you know what. I mean that some Fortnite stuff,

780
00:44:54,120 --> 00:44:56,719
Speaker 1: But in the long run, it might be just as

781
00:44:56,760 --> 00:45:00,400
Speaker 1: bad as putting razor blades in an Apple fiber glass

782
00:45:00,440 --> 00:45:04,799
Speaker 1: truth campaign. Dang, yeah, you're giving a fucking jarum clove cigarettes?

783
00:45:04,960 --> 00:45:10,000
Speaker 1: Yeah do that? Wait? What did those really like? What

784
00:45:10,040 --> 00:45:14,120
Speaker 1: did those do? I mean, hadn't taste delicious? I remember

785
00:45:14,160 --> 00:45:19,000
Speaker 1: the myth was that they like they were like fiberglass fibers,

786
00:45:19,480 --> 00:45:21,960
Speaker 1: because that's why they hit so smooth. Dude. Oh yeah,

787
00:45:22,040 --> 00:45:24,399
Speaker 1: that was like, that's why they hit so smooth because

788
00:45:24,400 --> 00:45:30,719
Speaker 1: the fiberglass is four khc a strong edible like a lot.

789
00:45:30,920 --> 00:45:37,479
Speaker 1: That's yes, Danial is headbanging and that is too much

790
00:45:37,719 --> 00:45:42,760
Speaker 1: kids to one day elementary school age. You're on Halloween

791
00:45:42,760 --> 00:45:46,000
Speaker 1: because it is like spooky, you do like maybe fifteen

792
00:45:46,160 --> 00:45:50,839
Speaker 1: twenty to go to sleep nice. I don't know if

793
00:45:50,840 --> 00:45:52,720
Speaker 1: they I mean, I don't think they found a lethal

794
00:45:52,760 --> 00:45:55,400
Speaker 1: dose of thhc that there's such a thing. I don't know.

795
00:45:55,719 --> 00:46:00,200
Speaker 1: I think I found mine. And like most of in

796
00:46:00,280 --> 00:46:04,960
Speaker 1: this I pick theater. I'm right now. I'm in my

797
00:46:05,040 --> 00:46:12,520
Speaker 1: afterlife a dream. This makes sense. Perjury, Yeah, you're like anxiety.

798
00:46:14,320 --> 00:46:17,279
Speaker 1: Your anxiety attack can kill you Freddy Krueger style, like

799
00:46:17,320 --> 00:46:22,040
Speaker 1: just because you believe you're dead. Yes, that's what Freddy

800
00:46:22,080 --> 00:46:28,440
Speaker 1: Krueger was happening. That's really good idea. Freddy Kruger attacks

801
00:46:28,480 --> 00:46:39,360
Speaker 1: people are too high. It's my nightmare. It's like you

802
00:46:39,480 --> 00:46:50,400
Speaker 1: do this every time one CBD drink. I don't know,

803
00:46:50,520 --> 00:46:52,759
Speaker 1: but it's something from your search history that's regaling about

804
00:46:52,760 --> 00:46:55,120
Speaker 1: who you are today. I was reading with a friend

805
00:46:55,160 --> 00:46:57,640
Speaker 1: of mine today and I could not remember the answer

806
00:46:57,680 --> 00:47:00,279
Speaker 1: to this, so I was googling a queen quean who

807
00:47:00,360 --> 00:47:04,520
Speaker 1: fucked horses? Yes, you talked about the Great? Yeah, I

808
00:47:04,600 --> 00:47:13,000
Speaker 1: made it Catherine the Great reference. Yeah, and that name

809
00:47:13,120 --> 00:47:15,920
Speaker 1: came to my mind much easier than it should have.

810
00:47:16,080 --> 00:47:19,319
Speaker 1: So I think we were like pulling the same and

811
00:47:19,360 --> 00:47:22,360
Speaker 1: it all happened when we were riffing about like hot posters.

812
00:47:22,360 --> 00:47:23,800
Speaker 1: We would have had his kids. I'm like, anybody have

813
00:47:23,800 --> 00:47:30,160
Speaker 1: a daisy flints? And then I went back like Twinky, Wait,

814
00:47:30,200 --> 00:47:32,360
Speaker 1: does she have a sex withal horse? Now? That's just

815
00:47:33,320 --> 00:47:37,200
Speaker 1: like Napoleon. The worst they could come up with about

816
00:47:37,280 --> 00:47:39,680
Speaker 1: him was that he was short, right now, that's stuck.

817
00:47:39,760 --> 00:47:43,880
Speaker 1: And that's how the Great Katherine the Great, which is

818
00:47:44,200 --> 00:47:48,320
Speaker 1: a little uneven. Yeah, yeah, I've seen that video with

819
00:47:48,400 --> 00:47:51,200
Speaker 1: Kenny Pinion. Yeah, but it's just like that's that's how

820
00:47:51,280 --> 00:47:55,560
Speaker 1: sensitive men are. Yeah, just like, yeah, one thing we

821
00:47:55,680 --> 00:47:58,680
Speaker 1: know will piss him off is if you ignore that

822
00:47:58,719 --> 00:48:10,399
Speaker 1: he is of average. Yeah, exactly. This is when Mike

823
00:48:10,400 --> 00:48:18,359
Speaker 1: Tyson wants a high seat. Yeah, all right, that's gonna

824
00:48:18,440 --> 00:48:22,279
Speaker 1: do it. For this week's weekly Zeite, guys, please like

825
00:48:22,400 --> 00:48:26,200
Speaker 1: and review the show. If you like the show, uh

826
00:48:26,600 --> 00:48:30,480
Speaker 1: means the world to Miles. He needs your validation. Folks.

827
00:48:31,080 --> 00:48:34,120
Speaker 1: I hope you're having a great weekend and I will

828
00:48:34,160 --> 00:49:10,560
Speaker 1: talk to you Monday. By S.