WEBVTT - Session 475: On the Couch with the Characters of The Five Star Weekend

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<v Speaker 1>Welcome to the Therapy for Black Girls Podcast, a weekly

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<v Speaker 1>conversation about mental health, personal development, and all the small

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<v Speaker 1>decisions we can make to become the best possible versions

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<v Speaker 1>of ourselves. I'm your host, doctor joy hard and Bradford,

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<v Speaker 1>a licensed psychologist in Atlanta, Georgia. For more information or

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<v Speaker 1>to find a therapist in your area, visit our website

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<v Speaker 1>at Therapy for Blackgirls dot com. While I hope you

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<v Speaker 1>love listening to and learning from the podcast, it is

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<v Speaker 1>not meant to be a substitute for a relationship with

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<v Speaker 1>a licensed mental health professional. Hey, y'all, thanks so much

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<v Speaker 1>for joining me for session four seventy five of the

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<v Speaker 1>Therapy for Black Girls Podcast. I'm so glad that you're

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<v Speaker 1>spending some more time with me today, because today I'm

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<v Speaker 1>welcoming the characters from the fire Star Weekend to the couch.

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<v Speaker 1>We'll get right into this conversation after a quick word

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<v Speaker 1>from our sponsors. So, after hearing about it from the

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<v Speaker 1>Girl's own threads, I decided to binge the five Star Weekend.

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<v Speaker 1>It's a show that pulls you in with complicated friendships

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<v Speaker 1>and plenty of twists, but underneath all of that, it's

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<v Speaker 1>asking much bigger questions, how well do we ever truly

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<v Speaker 1>know the people closest to us, what happens when grief

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<v Speaker 1>collides with long held secrets, and what does it take

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<v Speaker 1>to finally reckon with the version of yourself you've spent

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<v Speaker 1>years protecting. Today, we're unpacking the emotional journeys of each

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<v Speaker 1>of the women at the center of the series. We'll

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<v Speaker 1>break down the wounds and patterns they're carrying into the weekend,

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<v Speaker 1>how each character navigates friendship, grief, forgiveness, and self discovery,

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<v Speaker 1>and how the events of the weekend transport them and

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<v Speaker 1>their relationships. So, if you finish the series or don't

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<v Speaker 1>mind a few spoilers, get comfortable, because we're diving into

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<v Speaker 1>the Five Star Weekend for a special episode of On

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<v Speaker 1>the Couch. Let's get into it. So a little bit

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<v Speaker 1>of a breakdown of what we actually see happening in

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<v Speaker 1>the Five Star Weekend. So we have food blogger Hollis

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<v Speaker 1>who's played by Jennifer Gorner, and she's trying to combat

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<v Speaker 1>the loss of her husband, Matthew by recreating a five

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<v Speaker 1>Star wee can get away at her house on Nantucket

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<v Speaker 1>with four friends from different stages of her life. So

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<v Speaker 1>there is her childhood friend Tatum, her college friend Dreuanne

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<v Speaker 1>who's played by the hilarious Regina Hall, her motherhood friend Brooke,

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<v Speaker 1>as well as a woman Gigi, who she recently met online.

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<v Speaker 1>As the five friends spend the weekend together, they mature

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<v Speaker 1>in ways they could never imagine, as boundaries are pushed

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<v Speaker 1>and secrets are exposed. So if you have watched the series,

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<v Speaker 1>then I'm sure that you have lots of thought as

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<v Speaker 1>I do about all of the characters, which is why

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<v Speaker 1>I thought it would make a great on the Couch episode.

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<v Speaker 1>So let's just start with Hollis. So, Hollis is our

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<v Speaker 1>main character. She is a food blogger. As women, as people,

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<v Speaker 1>we all have our own coping strategies in the ways

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<v Speaker 1>that we try to manage difficult things in our lives.

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<v Speaker 1>And so Hollis Is, it feels like main coping strategy

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<v Speaker 1>is perfectionism and presentation as a way to avoid things. Right. So,

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<v Speaker 1>you know, she is a food blogger and a lot

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<v Speaker 1>of her life revolves around making beautiful food to photograph

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<v Speaker 1>and share with her audience, and so there's a lot

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<v Speaker 1>of focus on things looking beautiful. Right, But this does

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<v Speaker 1>not just stop in her world as it relates to

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<v Speaker 1>her food and her work. There's also a very heavy

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<v Speaker 1>focus on what her presentation of grief looks like. It

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<v Speaker 1>looks like she is much more focused on how she

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<v Speaker 1>is to the world as a grieving widow and not

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<v Speaker 1>really wanting people to think that her world is falling apart.

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<v Speaker 1>Then she is actually feeling the feelings of grief, and

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<v Speaker 1>this actually leads to some tension with her daughter, Caroline,

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<v Speaker 1>who is a college student, because Caroline doesn't feel like

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<v Speaker 1>Mom is actually grieving the loss of Hollis's husband, and

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<v Speaker 1>so there's some tension there because Caroline of course feels

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<v Speaker 1>awful that her dad has passed away, but doesn't actually

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<v Speaker 1>feel like Mom is so sad, and so there's some

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<v Speaker 1>tension there. It feels like Caroline is trying to push

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<v Speaker 1>Mom away because she doesn't feel like she really gets

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<v Speaker 1>what the grief has done to her life. Now, of course,

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<v Speaker 1>Hollis is grieving in her own way, which I think

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<v Speaker 1>is an important thing to point out right that grief

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<v Speaker 1>can look different for lots of different people. So, of

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<v Speaker 1>course Hollis is grieving, but it doesn't look like what

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<v Speaker 1>Caroline thinks it should look like. Which is where the

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<v Speaker 1>tension comes from. So Hollis plans this weekend on Nantucket

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<v Speaker 1>for four of her friends. So, like we said, she

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<v Speaker 1>has the childhood friend Tatum, who grew up on Nantucket

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<v Speaker 1>with Hollis and they considered themselves sisters. So she actually

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<v Speaker 1>moved into Tatum's home after her mom passed away, so

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<v Speaker 1>they have grown up very very close. But Tatum still

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<v Speaker 1>lives on Nantucket. And so Hollis is now in New York.

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<v Speaker 1>Her work and her you know, family have taken her

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<v Speaker 1>in lots of different places, and Tatum still is in

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<v Speaker 1>her hometown. And I think that that is an interesting dynamic,

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<v Speaker 1>right when we see friendships where there is this history,

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<v Speaker 1>but somebody has moved away and created a very different life,

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<v Speaker 1>whereas the other person is still kind of in the

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<v Speaker 1>hometown and maybe has not been exposed to as much

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<v Speaker 1>as the other friend. And so we definitely see some

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<v Speaker 1>tension there. Though it isn't always spoken, you could definitely

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<v Speaker 1>feel it through the characters. There is this tension there

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<v Speaker 1>about the differences in the different routes that their lives

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<v Speaker 1>has taken them. And this is most pronounced with the

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<v Speaker 1>introduction of which is Regina Hall's character. So drew Anne

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<v Speaker 1>is the college friend. She is a high powered agent.

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<v Speaker 1>She is managing a tennis star who we see there

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<v Speaker 1>is some she's canceled by the internet because she makes

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<v Speaker 1>a comment around this tennis star wo needs to take

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<v Speaker 1>a break and she says like, oh, this is not

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<v Speaker 1>a struggle for her. She doesn't have mental health concerns,

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<v Speaker 1>and she faces some backlash there. But drew Anne and

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<v Speaker 1>Tatum clearly have some tension. It feels like more from

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<v Speaker 1>Tatum's side because in a lot of ways it feels

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<v Speaker 1>like she has been replaced by drew Anne. I think

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<v Speaker 1>that that is what Tatum is feeling. And it also

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<v Speaker 1>feels like there is some tension related to the wedding.

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<v Speaker 1>I guess Drew Ayne made a comment about some shoes

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<v Speaker 1>that Tatum was wearing, like oh, are you planning to

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<v Speaker 1>wear those? And Tatum kind of took that as if

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<v Speaker 1>she was not good enough right now. I'm guessing that

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<v Speaker 1>there were already some feelings therefore Tatum around like I said,

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<v Speaker 1>the being replaced by this new friend, is there still

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<v Speaker 1>space for me in Hollis's life? But there is definitely

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<v Speaker 1>some underlying tension there, and you see periods of it

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<v Speaker 1>boiling over in the relationship between Tatum and Duane. Now Tatum,

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<v Speaker 1>when we talk about going back to like what are

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<v Speaker 1>people's primary coping mechanisms, what we see from Tatum is

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<v Speaker 1>that she is very avoidant. Right, So, what we learned

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<v Speaker 1>throughout the show with her is that she's having a

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<v Speaker 1>health scare and mom died of breast cancer and she

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<v Speaker 1>has gone in for her mammogram and they found a

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<v Speaker 1>lump and so what a lot of what we see

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<v Speaker 1>throughout the show is her waiting on the results of this,

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<v Speaker 1>but she does not necessarily disclose this very early on.

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<v Speaker 1>She is kind of sitting on the results and not

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<v Speaker 1>really wanting to kind of introduce this topic to Hollis

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<v Speaker 1>and the other women right now. Hollis is, of course

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<v Speaker 1>the person she has the closer relationship with, but she

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<v Speaker 1>is really not wanting to face this right and really

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<v Speaker 1>wanting to kind of have this be something that she's

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<v Speaker 1>dealing with herself and with her husband, until eventually we

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<v Speaker 1>do see that she has to tell Holliss about what's

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<v Speaker 1>going on. When we think about drew Anne's primary coping strategy,

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<v Speaker 1>it is throwing herself into work, right, which I think

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<v Speaker 1>is a pattern many of us can recognize, probably in ourselves,

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<v Speaker 1>that if I just throw all of my energy into

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<v Speaker 1>working and doing what I need to do and really

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<v Speaker 1>focusing on my career, then I don't have to deal

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<v Speaker 1>with all these other things in my life. Now, we

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<v Speaker 1>also see drew Anne has a history of being a

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<v Speaker 1>college athlete. She played soccer, when it sounds like her

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<v Speaker 1>career was ended after an injury, and so we also

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<v Speaker 1>see throughout the show that she has some lingering leg

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<v Speaker 1>issues related to I'm guessing her career as a soccer player,

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<v Speaker 1>but that she also wants to downplay this, and I

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<v Speaker 1>think that that is something that is also important for

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<v Speaker 1>us to pay attention to for our own lives, right,

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<v Speaker 1>Like how often we will ignore signs from our bodies

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<v Speaker 1>or downplay things until it gets too severe when we

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<v Speaker 1>really cannot ignore it anymore. So that's Drew Anne's primary

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<v Speaker 1>coping strategy, is that she is throwing herself into work

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<v Speaker 1>and really ignoring some red flags that her body is

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<v Speaker 1>giving her. And then Brooke is the mom friend, right,

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<v Speaker 1>so it seems like Brooke and Hollis have developed a

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<v Speaker 1>relationship through the relationship that their kids have had, are

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<v Speaker 1>just going to similar schools, and so Brooke is the

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<v Speaker 1>not newest friend, but she is a newer friend to

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<v Speaker 1>the circle, and it feels like there is a more

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<v Speaker 1>tenuous relationship between Hollis and Brooke. Now, Brooke, I think

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<v Speaker 1>has come into more of the limelight because she was

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<v Speaker 1>available the night that Matthew died, Like she was the

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<v Speaker 1>one who was at the hospital with Hollis, and so

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<v Speaker 1>it feels like there has been more significance and more

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<v Speaker 1>maybe gravity added to that relationship as by virtue of

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<v Speaker 1>her being there throughout Mathew passing and being there for

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<v Speaker 1>the funeral and really being there to kind of hold

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<v Speaker 1>Hollis up. But it doesn't feel like there is the

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<v Speaker 1>same history there, and so I think throughout the show,

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<v Speaker 1>what we see is that Brooke is trying to figure

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<v Speaker 1>out where does she actually fit given that she doesn't

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<v Speaker 1>have the same history that drou Anne and Tatum have

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<v Speaker 1>with Hollis. When we think about the primary coping strategy

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<v Speaker 1>for Brooke, it feels like shopping is a big one

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<v Speaker 1>for her. Right so we kind of are introduced to

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<v Speaker 1>Brooke when she is taking in all of these packages

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<v Speaker 1>from her porch that she's just ordered and then once

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<v Speaker 1>she finds out that she's invited to this weekend on Nantucket,

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<v Speaker 1>her immediate response is, Oh, I'm going to need all

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<v Speaker 1>new outfits, right, So it definitely feels like Brooke is

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<v Speaker 1>kind of coping with the things in her life through shopping.

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<v Speaker 1>What we find out throughout the show also is that

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<v Speaker 1>Brooke is struggling in her marriage. So her husband has

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<v Speaker 1>been accused of being inappropriate I think with an intern

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<v Speaker 1>in the office, and so it feels like she is

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<v Speaker 1>kind of questioning what's actually happening in her marriage, but

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<v Speaker 1>also wanting to present to the world that things are okay.

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<v Speaker 1>I also find out, though, is that Brooke is questioning

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<v Speaker 1>her sexuality right, And so there are lots of instances

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<v Speaker 1>throughout the show where we see her kind of introduce

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<v Speaker 1>this conversation and kind of test it out with other

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<v Speaker 1>people to see their reaction, and by the end we

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<v Speaker 1>find out that she has made the decision to leave

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<v Speaker 1>her marriage and explore a relationship with a woman, right,

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<v Speaker 1>Like she kind of leans fully into that. But I

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<v Speaker 1>thought that that was a really interesting nuance that added

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<v Speaker 1>to the character, which was really good to see and

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<v Speaker 1>think about, Like what it might look like you know,

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<v Speaker 1>I think we often think about kind of exploring sexuality

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<v Speaker 1>as something that happens early on in life. But the

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<v Speaker 1>truth is that you can explore your sexuality at any

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<v Speaker 1>point in your life. And so I thought it was

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<v Speaker 1>really cool that we saw a woman in middle age

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<v Speaker 1>think about like, oh, is this something that I'm interested in?

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<v Speaker 1>What might it be like to pursue that. So very

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<v Speaker 1>interesting character development there with Brooke. Now, if you follow

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<v Speaker 1>me on social media, and you absolutely should, because I

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<v Speaker 1>talk to a little bit about this on Instagram. I'm

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<v Speaker 1>at hello, doctor Joy. But one of the main questions

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<v Speaker 1>that I had leaving this series was why in the

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<v Speaker 1>world would Gig actually show up to this weekend at

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<v Speaker 1>Hollis's house. So Gig is the newest quote unquote friend

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<v Speaker 1>in this circle, but Gig is someone who Hollis has

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<v Speaker 1>met through the internet, so she is a follower of

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<v Speaker 1>her page and they have connected online after Matthew passed.

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<v Speaker 1>Now what we find out, of course, very early on,

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<v Speaker 1>is that Gig actually was having an affair with Matthew

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<v Speaker 1>before he passed and connected with Hollis after he passed

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<v Speaker 1>for some reasons that feel unknown. I think when I'm

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<v Speaker 1>thinking about like, what in the world would lead gig

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<v Speaker 1>to actually showing up to this woman's house after she

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<v Speaker 1>knows she has had the affair and Hollis does not

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<v Speaker 1>know this. I'm led to think about a couple of

0:12:55.720 --> 0:12:59.480
<v Speaker 1>different things, right, So one, I think she wanted to

0:12:59.600 --> 0:13:03.560
<v Speaker 1>suss out out like who was this person that Matthew

0:13:03.640 --> 0:13:07.959
<v Speaker 1>had built alike with, right, so a comparison with okay,

0:13:08.000 --> 0:13:10.440
<v Speaker 1>the wife versus the mistress, and like, who is this

0:13:10.440 --> 0:13:13.440
<v Speaker 1>person that he chose? Now, what we do find out

0:13:13.520 --> 0:13:16.240
<v Speaker 1>later in the show is that though they had the

0:13:16.320 --> 0:13:20.200
<v Speaker 1>affair and Matthew was actually leaving the day of his

0:13:20.240 --> 0:13:23.040
<v Speaker 1>accident he died in a car accident, he was leaving

0:13:23.480 --> 0:13:26.440
<v Speaker 1>to go to the airport with and meet Gigi, I

0:13:26.480 --> 0:13:30.560
<v Speaker 1>think in Paris. But he has like second thoughts as

0:13:30.600 --> 0:13:33.360
<v Speaker 1>he's having a conversation leaving the house with Hollis, and

0:13:33.559 --> 0:13:36.800
<v Speaker 1>I think is reconsidering actually working on his marriage again.

0:13:37.240 --> 0:13:40.160
<v Speaker 1>And so what we find out is that on the way,

0:13:40.520 --> 0:13:44.480
<v Speaker 1>while like briefly I guess before the accident happens, he

0:13:44.520 --> 0:13:47.080
<v Speaker 1>actually called Gigi to let her know that he was

0:13:47.120 --> 0:13:48.960
<v Speaker 1>planning to go back to his wife and that he

0:13:49.080 --> 0:13:52.800
<v Speaker 1>was ending things with her. And so I also think

0:13:52.840 --> 0:13:56.120
<v Speaker 1>that a part of what Gigi was wanting to do

0:13:56.280 --> 0:13:58.360
<v Speaker 1>was to kind of see, Okay, who is this person

0:13:58.440 --> 0:14:02.120
<v Speaker 1>that he chose over me? But I also think that

0:14:02.240 --> 0:14:07.240
<v Speaker 1>there was a deep longing for closeness to Hollis that

0:14:07.320 --> 0:14:11.440
<v Speaker 1>Gig it feels like maybe had, right So, it feels

0:14:11.440 --> 0:14:14.760
<v Speaker 1>like there is not a lot of support necessarily in

0:14:14.800 --> 0:14:17.160
<v Speaker 1>Gig's life. We do see that she has a friendship

0:14:17.200 --> 0:14:19.840
<v Speaker 1>with someone so Gig is a pilot. We see that

0:14:19.920 --> 0:14:22.400
<v Speaker 1>she has a friendship with someone who is a flight

0:14:22.440 --> 0:14:26.200
<v Speaker 1>attendant for her same airline, but we don't know very

0:14:26.240 --> 0:14:29.240
<v Speaker 1>much else about her life, right so it does feel

0:14:29.280 --> 0:14:31.960
<v Speaker 1>like there is a loneliness, and it does feel like

0:14:32.440 --> 0:14:36.920
<v Speaker 1>in another world, in some other very different circumstance, she

0:14:37.000 --> 0:14:39.880
<v Speaker 1>and Hollis actually could have had a relationship, right Like,

0:14:39.920 --> 0:14:42.920
<v Speaker 1>it feels like she could have been someone who became

0:14:43.400 --> 0:14:48.120
<v Speaker 1>Hollis's newest friend in this circle, but under these circumstances

0:14:48.480 --> 0:14:53.280
<v Speaker 1>is incredibly suspect. So another part of what I feel

0:14:53.320 --> 0:14:57.720
<v Speaker 1>like Gigi was attempting to do in going to this weekend,

0:14:58.280 --> 0:15:03.040
<v Speaker 1>I actually think that even Gigi did feel for Hollis

0:15:03.120 --> 0:15:06.360
<v Speaker 1>right like she wanted to be there to try to

0:15:06.400 --> 0:15:09.040
<v Speaker 1>like comfort her in her grief, But of course this

0:15:09.120 --> 0:15:12.480
<v Speaker 1>is very complicated because you have had an affair with

0:15:12.560 --> 0:15:15.960
<v Speaker 1>this woman's husband. So I think that in some ways

0:15:16.040 --> 0:15:18.880
<v Speaker 1>she wanted to be there to support, but it was

0:15:18.920 --> 0:15:22.920
<v Speaker 1>also very complicated. I also think that this was a

0:15:22.960 --> 0:15:27.440
<v Speaker 1>way of Gigi getting some closure on this situation, because

0:15:27.480 --> 0:15:30.560
<v Speaker 1>this is an affair that likely not a lot of

0:15:30.600 --> 0:15:33.040
<v Speaker 1>people knew about, and so what does that look like

0:15:33.520 --> 0:15:37.160
<v Speaker 1>to have this grief that you really can't be public

0:15:37.240 --> 0:15:40.920
<v Speaker 1>about because you were involved in a relationship with somebody who,

0:15:41.760 --> 0:15:45.840
<v Speaker 1>like societally, would not be acceptable, right, And so I

0:15:45.880 --> 0:15:48.560
<v Speaker 1>think that this was a way of her processing her

0:15:48.600 --> 0:15:52.200
<v Speaker 1>own grief through supporting Hollis. But I also think that

0:15:52.400 --> 0:15:56.720
<v Speaker 1>eventually it got to a place where she actually wanted

0:15:56.760 --> 0:15:59.280
<v Speaker 1>to try to be there for Hollis and did actually

0:15:59.320 --> 0:16:03.320
<v Speaker 1>care for her as a friend, even though the situation

0:16:03.440 --> 0:16:06.280
<v Speaker 1>through which she was introduced to Hollis was definitely not

0:16:06.560 --> 0:16:09.800
<v Speaker 1>on up and up. But I still think it was

0:16:09.920 --> 0:16:12.560
<v Speaker 1>very curious that she made the decision to go to

0:16:12.600 --> 0:16:15.480
<v Speaker 1>the weekend in the first place. There is a little

0:16:15.520 --> 0:16:18.760
<v Speaker 1>bit of a breakdown of the characters that we meet here.

0:16:19.120 --> 0:16:21.680
<v Speaker 1>Now I want to move into talking about maybe more

0:16:21.760 --> 0:16:25.760
<v Speaker 1>of the deeper themes that I kind of saw emerge

0:16:25.840 --> 0:16:28.720
<v Speaker 1>from watching the five Star Weekend. And of course one

0:16:28.720 --> 0:16:30.920
<v Speaker 1>of the biggest is grief. Right, So, we of course

0:16:30.960 --> 0:16:36.000
<v Speaker 1>have the immediate grief of Hollis losing her husband, Matthew

0:16:36.040 --> 0:16:38.360
<v Speaker 1>and the car accident. So what does the grief mean

0:16:38.400 --> 0:16:41.640
<v Speaker 1>for her? What does the grief mean for Caroline, her daughter,

0:16:42.520 --> 0:16:44.880
<v Speaker 1>and so of course they are trying to figure out

0:16:44.920 --> 0:16:48.400
<v Speaker 1>where this story starts. Is six months after the car accident, right,

0:16:48.400 --> 0:16:51.840
<v Speaker 1>so they've had six months of living without dad and husband.

0:16:52.200 --> 0:16:54.640
<v Speaker 1>I think when we think about like the timeline for grief,

0:16:54.640 --> 0:16:57.000
<v Speaker 1>and we know there is no timeline, but six months

0:16:57.120 --> 0:17:01.600
<v Speaker 1>post losing your husband feels very very still sudden, right, Like,

0:17:01.800 --> 0:17:04.399
<v Speaker 1>I don't think that anybody would necessarily expect that she

0:17:04.400 --> 0:17:07.840
<v Speaker 1>would be back up in front of her online community.

0:17:08.200 --> 0:17:10.119
<v Speaker 1>One of the earliest scenes that we see with her

0:17:10.240 --> 0:17:13.360
<v Speaker 1>that she's doing like a morning show. She's throwing herself

0:17:13.359 --> 0:17:16.919
<v Speaker 1>back into work kind of after her husband's laws, and

0:17:17.000 --> 0:17:19.199
<v Speaker 1>it feels like something else that we see as a

0:17:19.200 --> 0:17:21.320
<v Speaker 1>way for her to manage her grief is that she

0:17:21.560 --> 0:17:25.639
<v Speaker 1>is really an expert at compartmentalizing, right, Like, Okay, I

0:17:25.680 --> 0:17:27.560
<v Speaker 1>can go do this thing, and then I can tend

0:17:27.640 --> 0:17:31.040
<v Speaker 1>to the grief afterwards. We also hear her talk about

0:17:31.080 --> 0:17:34.399
<v Speaker 1>this folder that she has created on her computer that

0:17:34.560 --> 0:17:36.879
<v Speaker 1>is almost like a checklist or a to do list

0:17:37.320 --> 0:17:40.040
<v Speaker 1>of how to manage grief right now. Of course, there

0:17:40.040 --> 0:17:43.160
<v Speaker 1>are lots of different resources and things that can be

0:17:43.240 --> 0:17:48.200
<v Speaker 1>helpful to manage the more difficult parts of a grief experience,

0:17:48.640 --> 0:17:50.919
<v Speaker 1>but the truth is that a lot of it is

0:17:51.040 --> 0:17:57.359
<v Speaker 1>just sitting with the yucky, difficult, really sad, sad experiences

0:17:57.440 --> 0:18:00.239
<v Speaker 1>of losing somebody who has been important to you. You

0:18:00.520 --> 0:18:04.520
<v Speaker 1>the really difficult experiences of sitting with yourself after you've

0:18:04.560 --> 0:18:07.520
<v Speaker 1>lost someone. And so all of the checklists that we

0:18:07.560 --> 0:18:09.399
<v Speaker 1>think we might be able to complete, all of the

0:18:09.440 --> 0:18:12.359
<v Speaker 1>breathing exercises, and all of the things right like, those

0:18:12.400 --> 0:18:16.240
<v Speaker 1>things can be helpful, but there is no recipe, no

0:18:16.480 --> 0:18:19.679
<v Speaker 1>kind of nice bow that we can tie on the

0:18:19.800 --> 0:18:22.399
<v Speaker 1>experience of grief. And I think that that is what

0:18:22.480 --> 0:18:25.840
<v Speaker 1>we see a lot of with Hollis throughout this experience.

0:18:26.200 --> 0:18:28.840
<v Speaker 1>You know, So she plans this weekend as a way

0:18:28.960 --> 0:18:32.760
<v Speaker 1>of her really it feels like distracting herself from the grief,

0:18:32.800 --> 0:18:35.479
<v Speaker 1>and really, you know, maybe wanting some support, but it

0:18:35.560 --> 0:18:37.320
<v Speaker 1>isn't as if you know, and of course she has

0:18:37.359 --> 0:18:40.600
<v Speaker 1>like planned out this perfect itinerary of things for them

0:18:40.600 --> 0:18:43.959
<v Speaker 1>to do, and it doesn't necessarily include like any like

0:18:44.080 --> 0:18:47.000
<v Speaker 1>downtime for her to just talk with her friends about

0:18:47.040 --> 0:18:51.800
<v Speaker 1>how she's feeling, which Tatum calls to her attention, right like, Hey,

0:18:51.840 --> 0:18:54.360
<v Speaker 1>you brought us all here, You brought the most important

0:18:54.359 --> 0:18:57.000
<v Speaker 1>people in your life together, and it feels like you

0:18:57.080 --> 0:18:59.800
<v Speaker 1>don't actually want to talk about this, right, And I

0:19:00.040 --> 0:19:03.399
<v Speaker 1>think it brings up an interesting question because you know,

0:19:03.480 --> 0:19:08.040
<v Speaker 1>Tatum kind of being her longest standing friend and already

0:19:08.080 --> 0:19:10.600
<v Speaker 1>supporting her through an experience of brief right because she

0:19:10.680 --> 0:19:13.200
<v Speaker 1>moved in with her after her mom has I think

0:19:13.200 --> 0:19:15.520
<v Speaker 1>she kind of knows maybe a little bit more than

0:19:15.560 --> 0:19:18.679
<v Speaker 1>the rest of the group around what kind of support

0:19:19.240 --> 0:19:22.320
<v Speaker 1>Hollis actually needs. But does she actually want to lean

0:19:22.359 --> 0:19:24.879
<v Speaker 1>into it? And I think for Hollis the answer is no,

0:19:25.000 --> 0:19:27.520
<v Speaker 1>she doesn't. But Tatum, I think, and the rest of

0:19:27.560 --> 0:19:32.439
<v Speaker 1>the group to certain extents also recognize, Hey, like, you

0:19:32.560 --> 0:19:35.320
<v Speaker 1>haven't really talked about this. And I think it was

0:19:35.359 --> 0:19:38.000
<v Speaker 1>also really interesting that at one point we hear Holli

0:19:38.119 --> 0:19:40.879
<v Speaker 1>talk about the fact that she felt more comfortable talking

0:19:40.920 --> 0:19:43.760
<v Speaker 1>to Gigi, who is the newest friend, than maybe she

0:19:43.880 --> 0:19:46.439
<v Speaker 1>did talking to her friends who had been there for

0:19:46.520 --> 0:19:48.960
<v Speaker 1>longer parts of her life, right, And I don't think

0:19:48.960 --> 0:19:53.040
<v Speaker 1>that that's necessarily uncommon, you know, especially when you are

0:19:53.080 --> 0:19:56.280
<v Speaker 1>dealing with something so difficult, Maybe it feels easier to

0:19:56.280 --> 0:19:58.320
<v Speaker 1>talk to people who don't have all of the history,

0:19:58.359 --> 0:20:02.240
<v Speaker 1>who don't know maybe the complicated stories of what has happened.

0:20:02.240 --> 0:20:04.600
<v Speaker 1>That sometimes it just feels a little easier to talk

0:20:04.640 --> 0:20:07.320
<v Speaker 1>to somebody who's a stranger. But I do think that

0:20:07.800 --> 0:20:12.119
<v Speaker 1>Duanne and Tatum, and maybe to even some point Brooke

0:20:12.480 --> 0:20:15.480
<v Speaker 1>felt something related to the fact that she found it

0:20:15.520 --> 0:20:20.879
<v Speaker 1>easier to talk to gg More from our conversation after

0:20:20.920 --> 0:20:32.520
<v Speaker 1>the break, so, you know, we see Hollis talk about like, Okay,

0:20:32.560 --> 0:20:34.200
<v Speaker 1>you want me to talk about it, fine, I can

0:20:34.240 --> 0:20:37.199
<v Speaker 1>talk about it, but she still isn't really wanting to

0:20:37.240 --> 0:20:40.200
<v Speaker 1>go there. Now we do eventually see after she finds

0:20:40.240 --> 0:20:42.119
<v Speaker 1>out about the affair and all of those things, we

0:20:42.200 --> 0:20:44.840
<v Speaker 1>see her go a little further. But I think that

0:20:44.920 --> 0:20:48.520
<v Speaker 1>she is a great example of how we can have

0:20:48.680 --> 0:20:51.760
<v Speaker 1>all of these feelings, especially related to greed, that we

0:20:52.040 --> 0:20:54.919
<v Speaker 1>just refuse to deal with and kind of keep pushing

0:20:54.920 --> 0:20:57.720
<v Speaker 1>and pushing until they pop up in lots of different ways. Right,

0:20:57.880 --> 0:21:01.840
<v Speaker 1>So we see her basically have this meltdown in the

0:21:01.920 --> 0:21:04.720
<v Speaker 1>kitchen where she's breaking things and throwing things on the floor,

0:21:05.080 --> 0:21:07.080
<v Speaker 1>And I think that sometimes, though that may be an

0:21:07.080 --> 0:21:10.960
<v Speaker 1>extreme example, that is an example of what can happen

0:21:11.000 --> 0:21:13.399
<v Speaker 1>when we try to bottle grief up and try to

0:21:13.480 --> 0:21:15.880
<v Speaker 1>avoid dealing with it in lots of different ways until

0:21:15.880 --> 0:21:18.959
<v Speaker 1>it finally demands to have a voice and a presence

0:21:19.000 --> 0:21:21.080
<v Speaker 1>in our lives. And so that's one of the ways

0:21:21.080 --> 0:21:23.560
<v Speaker 1>that it can look. So, of course, like I said,

0:21:23.600 --> 0:21:26.520
<v Speaker 1>we do have the grief related to the loss of Matthew,

0:21:26.960 --> 0:21:29.080
<v Speaker 1>but I think that there is grief that we see

0:21:29.119 --> 0:21:33.199
<v Speaker 1>in lots of different ways in throughout the show. And

0:21:33.280 --> 0:21:35.879
<v Speaker 1>one of the ways that I think grief presents is

0:21:35.920 --> 0:21:40.280
<v Speaker 1>in the way that your relationships transition throughout your life. Right, So,

0:21:40.480 --> 0:21:41.919
<v Speaker 1>you know, I think that there is kind of the

0:21:41.960 --> 0:21:46.800
<v Speaker 1>playful banter with Tatum Andrew Ayne around who is Hollis's

0:21:46.800 --> 0:21:49.640
<v Speaker 1>best friend, But I think that there is grief related

0:21:49.680 --> 0:21:53.480
<v Speaker 1>to your best friend moving on, going to college in

0:21:53.520 --> 0:21:56.840
<v Speaker 1>a different place, and developing relationships with other people that

0:21:56.880 --> 0:21:59.680
<v Speaker 1>you aren't necessarily a part of and so there is

0:21:59.680 --> 0:22:03.199
<v Speaker 1>a grief related to those transitions and those changes that

0:22:03.280 --> 0:22:06.000
<v Speaker 1>happen in our lives related to our friendship. I don't

0:22:06.000 --> 0:22:08.240
<v Speaker 1>think that we always call it that, and I think

0:22:08.240 --> 0:22:10.520
<v Speaker 1>we've talked about this here on the podcast before. I

0:22:10.560 --> 0:22:13.639
<v Speaker 1>definitely talked about it in Sister the Heels, where I

0:22:13.720 --> 0:22:17.480
<v Speaker 1>talk about, you know, our relationships change, and I think

0:22:17.600 --> 0:22:21.160
<v Speaker 1>a lot of our reactions to those changes are often

0:22:21.280 --> 0:22:24.440
<v Speaker 1>grief reactions, but we don't actually recognize it in that

0:22:24.520 --> 0:22:27.199
<v Speaker 1>because we don't actually recognize it as that because we

0:22:27.240 --> 0:22:30.560
<v Speaker 1>typically only think about griefs as related to the loss

0:22:30.760 --> 0:22:34.520
<v Speaker 1>or the death of someone. But grief reactions can actually

0:22:34.600 --> 0:22:37.960
<v Speaker 1>be responses that we have to the loss of anything

0:22:38.200 --> 0:22:41.760
<v Speaker 1>that felt important to us. And so when a friendship changes,

0:22:41.880 --> 0:22:44.359
<v Speaker 1>even if we're happy, right like typically you're happy if

0:22:44.400 --> 0:22:47.440
<v Speaker 1>your friend gets a big promotion or it goes off

0:22:47.440 --> 0:22:50.240
<v Speaker 1>and gets married or has a baby, like, you're typically

0:22:50.320 --> 0:22:54.560
<v Speaker 1>happy for them, but at the same time, you are

0:22:54.560 --> 0:22:57.960
<v Speaker 1>holding space for the ways that your relationship now has

0:22:58.000 --> 0:23:00.919
<v Speaker 1>to change because of what else has happened. Right, So,

0:23:01.119 --> 0:23:04.000
<v Speaker 1>somebody who you were talking to all day, all the time,

0:23:04.400 --> 0:23:07.119
<v Speaker 1>whenever there was a free moment, maybe they don't have

0:23:07.280 --> 0:23:10.240
<v Speaker 1>that same kind of time now and things have to change,

0:23:10.359 --> 0:23:13.000
<v Speaker 1>right And so as much as you understand and can

0:23:13.040 --> 0:23:16.040
<v Speaker 1>be happy for the changes that are happening, it also

0:23:16.200 --> 0:23:19.240
<v Speaker 1>does introduce this different way of being with one another

0:23:19.720 --> 0:23:22.800
<v Speaker 1>that can cause some grief. And so I think when

0:23:22.800 --> 0:23:24.840
<v Speaker 1>we think about grief that we see in the show,

0:23:24.920 --> 0:23:27.080
<v Speaker 1>it's not just related to Matthew. I think it is

0:23:27.119 --> 0:23:30.920
<v Speaker 1>also related to the changes that we see in our friendships.

0:23:31.200 --> 0:23:34.080
<v Speaker 1>But I also think that each of the characters had

0:23:34.119 --> 0:23:37.320
<v Speaker 1>their own personal stories with grief, right, So Tatum and

0:23:37.400 --> 0:23:40.920
<v Speaker 1>her health challenges, and I think thinking about what does

0:23:40.960 --> 0:23:43.280
<v Speaker 1>that mean from my life? Is this going to be

0:23:43.320 --> 0:23:46.800
<v Speaker 1>a terminal illness? She has a husband and a daughter

0:23:46.840 --> 0:23:51.199
<v Speaker 1>and a grandchild, and so thinking about like anticipatory grief, right, like,

0:23:51.240 --> 0:23:53.000
<v Speaker 1>if this is something that's going to be terminal, what

0:23:53.040 --> 0:23:55.480
<v Speaker 1>does this mean for me? But also I think the

0:23:55.520 --> 0:23:58.480
<v Speaker 1>grief related to maybe what she imagined her life to be,

0:23:58.640 --> 0:24:01.320
<v Speaker 1>Like did she imagine that she would always be in

0:24:01.400 --> 0:24:04.840
<v Speaker 1>Nantucket or did she have visions for her life doing

0:24:04.880 --> 0:24:07.879
<v Speaker 1>something else. I think there's greed there. I think for

0:24:08.000 --> 0:24:11.920
<v Speaker 1>Dreuanne there is grief related to we see her throughout

0:24:11.960 --> 0:24:14.520
<v Speaker 1>the show try to figure out, like, Okay, where does

0:24:14.560 --> 0:24:17.280
<v Speaker 1>my career go next? Right, So, after she is canceled

0:24:17.680 --> 0:24:21.000
<v Speaker 1>by the Internet for her comments about mental health, I

0:24:21.000 --> 0:24:25.040
<v Speaker 1>think it really introduces her to the idea of if

0:24:25.080 --> 0:24:27.560
<v Speaker 1>I can be canceled so easily, and if my boss

0:24:27.640 --> 0:24:30.760
<v Speaker 1>is willing to perhaps terminate me for something after I

0:24:30.840 --> 0:24:33.359
<v Speaker 1>have done so much for the company and maybe made

0:24:33.359 --> 0:24:35.240
<v Speaker 1>so much money and like put so much in my

0:24:35.320 --> 0:24:38.320
<v Speaker 1>personal life on the back law for this job, then

0:24:38.720 --> 0:24:41.560
<v Speaker 1>is just something that I'm really that invested in, right,

0:24:41.600 --> 0:24:43.639
<v Speaker 1>And I think sometimes those kinds of things have to

0:24:43.680 --> 0:24:47.080
<v Speaker 1>happen before we realize like, oh, I may need to

0:24:47.119 --> 0:24:50.000
<v Speaker 1>reevaluate my relationship to this. And so I think there's

0:24:50.040 --> 0:24:53.320
<v Speaker 1>grief for Dreuanne as it relates to the next phase

0:24:53.359 --> 0:24:55.879
<v Speaker 1>of her career and kind of what has she given

0:24:55.960 --> 0:24:59.879
<v Speaker 1>up to be at this place in her career. For Brooke,

0:25:00.359 --> 0:25:03.439
<v Speaker 1>I think there is the loss of the relationship with

0:25:03.480 --> 0:25:06.479
<v Speaker 1>her husband, right, and he has definitely made some choices

0:25:06.520 --> 0:25:09.159
<v Speaker 1>that have led to her decision to leave. But I

0:25:09.200 --> 0:25:11.840
<v Speaker 1>also think, you know, be given that she is somebody

0:25:11.880 --> 0:25:14.800
<v Speaker 1>who it feels like is really focused on presentation and

0:25:14.880 --> 0:25:17.399
<v Speaker 1>kind of what my family looks like to the world.

0:25:17.800 --> 0:25:19.960
<v Speaker 1>That is also, of course a grief, right Like, even

0:25:20.000 --> 0:25:23.080
<v Speaker 1>if you know you are leaving for under good circumstances

0:25:23.119 --> 0:25:25.480
<v Speaker 1>and it is a good choice for you and your kids,

0:25:25.840 --> 0:25:29.080
<v Speaker 1>there's also a grief related to having to leave the

0:25:29.200 --> 0:25:31.520
<v Speaker 1>life that you built and the life that you kind

0:25:31.520 --> 0:25:35.560
<v Speaker 1>of envision for yourself. But also, as she explores her sexuality,

0:25:35.640 --> 0:25:37.440
<v Speaker 1>right like, even while it may be a good thing,

0:25:37.480 --> 0:25:40.159
<v Speaker 1>is something that she's really excited about, I'm sure that

0:25:40.240 --> 0:25:44.880
<v Speaker 1>there is also some trepidation and hesitancy about what does

0:25:44.920 --> 0:25:47.320
<v Speaker 1>this mean for my life? Right Like? Is this something

0:25:47.320 --> 0:25:49.439
<v Speaker 1>that I'm going to really dive all the way into?

0:25:49.680 --> 0:25:51.639
<v Speaker 1>How do I talk about this to my kids? Like,

0:25:51.960 --> 0:25:55.240
<v Speaker 1>there's still a lot that you are negotiating and leaving behind.

0:25:55.760 --> 0:25:59.280
<v Speaker 1>Even as you maybe walk into something that feels exciting

0:25:59.320 --> 0:26:02.400
<v Speaker 1>to you, there still grief there. And then for Gigi,

0:26:02.440 --> 0:26:05.480
<v Speaker 1>we already talked about this a little bit, but there

0:26:05.560 --> 0:26:08.240
<v Speaker 1>is the grief related to losing Matthew and not being

0:26:08.280 --> 0:26:12.000
<v Speaker 1>able to publicly claim that grief because of who she

0:26:12.320 --> 0:26:14.320
<v Speaker 1>was in his life, right and not being able to

0:26:14.359 --> 0:26:18.200
<v Speaker 1>necessarily have support around that. But I also think there's

0:26:18.320 --> 0:26:22.239
<v Speaker 1>the grief now related to losing the relationship with Hollish, Right, So,

0:26:22.280 --> 0:26:25.000
<v Speaker 1>of course after we find out about the affair, after

0:26:25.080 --> 0:26:28.120
<v Speaker 1>she shares that, then Hollis of course does not want

0:26:28.160 --> 0:26:31.040
<v Speaker 1>to have a relationship with her. And so even though

0:26:31.080 --> 0:26:35.520
<v Speaker 1>she came into Hollis's life under the circumstance circumstance, I

0:26:35.600 --> 0:26:39.600
<v Speaker 1>do feel like she actually did begin to develop friendship

0:26:39.640 --> 0:26:42.840
<v Speaker 1>feelings for her, and so now to lose that on

0:26:42.920 --> 0:26:46.159
<v Speaker 1>top of the loss of Matthew, who she you know,

0:26:46.200 --> 0:26:49.440
<v Speaker 1>it sounds like was kind of developing a vision of

0:26:49.480 --> 0:26:52.720
<v Speaker 1>a future with. Now there is grief related to this

0:26:52.760 --> 0:26:55.320
<v Speaker 1>person that you had spent so much time talking to

0:26:55.480 --> 0:26:58.399
<v Speaker 1>and kind of supporting and maybe supporting you that you

0:26:58.560 --> 0:27:00.800
<v Speaker 1>now have to figure out, like, Okay, how do I

0:27:00.840 --> 0:27:03.960
<v Speaker 1>get those needs? Men? So there's great there for her

0:27:04.040 --> 0:27:07.400
<v Speaker 1>as well. One of the other themes that I think

0:27:07.600 --> 0:27:11.560
<v Speaker 1>is very visible, very kind of present in what we

0:27:11.600 --> 0:27:14.320
<v Speaker 1>see happening in the Five Star Weekend, And we talked

0:27:14.359 --> 0:27:16.000
<v Speaker 1>a little bit about this kind of as I talked

0:27:16.000 --> 0:27:18.600
<v Speaker 1>about the individual journeys. But one of the other things

0:27:18.600 --> 0:27:21.960
<v Speaker 1>that I think we see is a real reckoning with

0:27:22.280 --> 0:27:27.000
<v Speaker 1>self through these characters, right, So a transition between kind

0:27:27.000 --> 0:27:29.439
<v Speaker 1>of who they were before this weekend and who they

0:27:29.480 --> 0:27:32.840
<v Speaker 1>were afterwards. And I think that that's also really poigning

0:27:32.960 --> 0:27:36.000
<v Speaker 1>right to think about, like what can happen in the

0:27:36.040 --> 0:27:39.000
<v Speaker 1>course of a weekend when you put a group of

0:27:39.040 --> 0:27:42.840
<v Speaker 1>women together. Again a throwback to the sisterhood heels. I

0:27:42.920 --> 0:27:45.240
<v Speaker 1>also thought that there was a very strong kind of

0:27:45.280 --> 0:27:50.240
<v Speaker 1>sisterhood lens across this whole weekend, right across the whole show.

0:27:50.600 --> 0:27:52.760
<v Speaker 1>But I also think that it really shows the power

0:27:52.760 --> 0:27:55.320
<v Speaker 1>of what can happen when you are locked in together

0:27:55.400 --> 0:27:58.000
<v Speaker 1>for a weekend, and the kinds of conversations that can happen,

0:27:58.119 --> 0:28:01.240
<v Speaker 1>especially when people are not use the real world language,

0:28:01.240 --> 0:28:04.199
<v Speaker 1>but start getting really real with one another, right. And

0:28:04.240 --> 0:28:06.080
<v Speaker 1>I think that that is often what happens when we

0:28:06.119 --> 0:28:09.040
<v Speaker 1>take trips like this or we go to a retreat,

0:28:09.119 --> 0:28:12.400
<v Speaker 1>is that we have left the trappings of our daily life.

0:28:12.600 --> 0:28:16.040
<v Speaker 1>You're not in the same routine. You're having conversations maybe

0:28:16.160 --> 0:28:19.160
<v Speaker 1>that you aren't typically having, and so it really does

0:28:19.240 --> 0:28:23.280
<v Speaker 1>sometimes cause you to get very familiar with yourself, right,

0:28:23.320 --> 0:28:26.600
<v Speaker 1>and to really confront some parts of yourself that maybe

0:28:26.680 --> 0:28:29.840
<v Speaker 1>are only visible to you when it is reflected to

0:28:29.920 --> 0:28:31.880
<v Speaker 1>other people. And I think that that is a lot

0:28:31.920 --> 0:28:35.080
<v Speaker 1>of what was happening throughout the weekend. Across the show,

0:28:35.240 --> 0:28:37.760
<v Speaker 1>what we saw was people really having to reckon with

0:28:38.240 --> 0:28:41.800
<v Speaker 1>new ideas of themselves. Right. So for Hollis, I think

0:28:41.840 --> 0:28:45.520
<v Speaker 1>she is reckoning with of course life post her husband,

0:28:46.080 --> 0:28:51.960
<v Speaker 1>but also this very persistent focus on presentation, like I said, right,

0:28:52.320 --> 0:28:55.240
<v Speaker 1>and really being more concerned with the looks of something

0:28:55.320 --> 0:28:58.360
<v Speaker 1>as opposed to the reality of a situation. I think

0:28:58.400 --> 0:29:01.479
<v Speaker 1>that that was the big reckoning for her, and also

0:29:01.880 --> 0:29:04.880
<v Speaker 1>the links that she would go to to kind of

0:29:05.000 --> 0:29:09.920
<v Speaker 1>make things just right, even to the extent of abandoning herself. Right, Like,

0:29:09.960 --> 0:29:12.680
<v Speaker 1>I think a lot of what we saw in flashbacks

0:29:12.720 --> 0:29:15.720
<v Speaker 1>but also throughout the weekend was her wanting to make

0:29:15.720 --> 0:29:19.680
<v Speaker 1>sure that other people were more comfortable than she was, right,

0:29:19.760 --> 0:29:22.560
<v Speaker 1>and how often that that was a pattern throughout her life,

0:29:22.720 --> 0:29:24.520
<v Speaker 1>and so it feels like that is what she is

0:29:24.560 --> 0:29:27.160
<v Speaker 1>really kind of reckoning with on the other side of

0:29:27.200 --> 0:29:31.160
<v Speaker 1>this weekend. For Drouanne, I think it was again kind

0:29:31.160 --> 0:29:34.120
<v Speaker 1>of reckoning with who she has been as a career

0:29:34.200 --> 0:29:37.320
<v Speaker 1>woman and the effort and energy she has really put

0:29:37.360 --> 0:29:40.120
<v Speaker 1>into her career and what does that look like now

0:29:40.160 --> 0:29:43.520
<v Speaker 1>on the other side of this canceling, what it lends

0:29:43.520 --> 0:29:45.320
<v Speaker 1>to is that it feels like she's going to sew

0:29:45.360 --> 0:29:48.280
<v Speaker 1>her own thing and maybe aim to do things differently

0:29:48.320 --> 0:29:51.320
<v Speaker 1>and to have a different, more gentle touch maybe with

0:29:51.400 --> 0:29:54.200
<v Speaker 1>the people that she represents. But it definitely feels like

0:29:54.240 --> 0:29:57.080
<v Speaker 1>she is reckoning with this idea of having put so

0:29:57.160 --> 0:29:59.680
<v Speaker 1>much energy into something else and then what has been

0:29:59.680 --> 0:30:03.480
<v Speaker 1>the pay y'all for Tatum? I think she is reckoning

0:30:03.560 --> 0:30:06.560
<v Speaker 1>with her health, right And what does this mean? You know?

0:30:06.720 --> 0:30:08.360
<v Speaker 1>Kind of even at the end and we see that

0:30:08.440 --> 0:30:13.400
<v Speaker 1>she isn't still being completely forthcoming with Hollis about her help.

0:30:13.520 --> 0:30:16.160
<v Speaker 1>She's gotten information from the doctor that she doesn't share

0:30:16.720 --> 0:30:19.440
<v Speaker 1>with Hollis, and so I think it will be reckoning

0:30:19.480 --> 0:30:23.120
<v Speaker 1>with her around what does support actually look like? Right? Like,

0:30:23.160 --> 0:30:24.880
<v Speaker 1>it feels like she is very much the person who

0:30:24.880 --> 0:30:28.120
<v Speaker 1>shows up for other people but has real trouble asking

0:30:28.160 --> 0:30:30.320
<v Speaker 1>for help and allowing people to show up for her

0:30:30.720 --> 0:30:33.040
<v Speaker 1>in those same ways. And so what does it mean

0:30:33.240 --> 0:30:36.640
<v Speaker 1>as somebody who maybe will have to undergo treatment and

0:30:36.760 --> 0:30:38.600
<v Speaker 1>maybe not be able to take care of herself in

0:30:38.640 --> 0:30:40.880
<v Speaker 1>the same ways. What will it look like for her

0:30:40.960 --> 0:30:44.000
<v Speaker 1>to maybe be in a position where she is maybe

0:30:44.040 --> 0:30:48.840
<v Speaker 1>needing to ask for more help more from our conversation

0:30:49.200 --> 0:31:01.440
<v Speaker 1>after the break, and then for Brook the reckoning will

0:31:01.480 --> 0:31:04.360
<v Speaker 1>be on the other side of this weekend, like what

0:31:04.400 --> 0:31:06.920
<v Speaker 1>does it look like now to have left my marriage

0:31:07.000 --> 0:31:10.000
<v Speaker 1>and to be exploring my sexuality maybe in a relationship

0:31:10.000 --> 0:31:12.440
<v Speaker 1>with a woman, whether it's the woman that she met

0:31:12.480 --> 0:31:15.240
<v Speaker 1>on Nantucket or someone else. It definitely feels like she

0:31:15.400 --> 0:31:18.560
<v Speaker 1>is reckoning with this path version of her life versus

0:31:18.880 --> 0:31:21.720
<v Speaker 1>this new one now that she's very excited to explore.

0:31:22.240 --> 0:31:24.920
<v Speaker 1>And then for Gigi, I think the reckoning with herself

0:31:24.960 --> 0:31:27.160
<v Speaker 1>will come on the other side of this weekend of

0:31:27.520 --> 0:31:30.440
<v Speaker 1>what did I do? Right? Like, what does it mean

0:31:30.560 --> 0:31:33.320
<v Speaker 1>that I had an affair? What does it mean that

0:31:33.400 --> 0:31:37.080
<v Speaker 1>I then got close to his widow? What does it

0:31:37.160 --> 0:31:40.360
<v Speaker 1>mean that I then showed up there? Right? Like? How

0:31:40.360 --> 0:31:43.120
<v Speaker 1>do you make sense of all of that? And what

0:31:43.160 --> 0:31:45.560
<v Speaker 1>does that mean now for the pieces of your life

0:31:45.560 --> 0:31:47.720
<v Speaker 1>that you now have to put back together? Right? Because

0:31:47.760 --> 0:31:50.480
<v Speaker 1>I do think, like I alluded to earlier, it does

0:31:50.560 --> 0:31:54.360
<v Speaker 1>feel like this getting close to Hollis really spoke to

0:31:54.800 --> 0:31:58.000
<v Speaker 1>the lack of connections maybe that she had in other

0:31:58.040 --> 0:32:00.960
<v Speaker 1>places of her life and now that she doesn't have

0:32:01.040 --> 0:32:03.600
<v Speaker 1>this relationship with Hollis, like, what is that going to

0:32:03.640 --> 0:32:06.320
<v Speaker 1>look like, right, like, how does she manage that greed

0:32:06.400 --> 0:32:09.680
<v Speaker 1>for herself? So the reckoning with self, I think, was

0:32:09.720 --> 0:32:13.400
<v Speaker 1>also another major theme that I saw throughout the five

0:32:13.400 --> 0:32:16.960
<v Speaker 1>Star weekend. I also thought it was just a really cool,

0:32:17.080 --> 0:32:19.480
<v Speaker 1>like I mentioned, you know, like sisterhood is the foundation

0:32:19.600 --> 0:32:24.200
<v Speaker 1>of the entire story, But I do think it introduced

0:32:24.200 --> 0:32:27.320
<v Speaker 1>these interesting conversations around what does it mean to bring

0:32:27.360 --> 0:32:30.680
<v Speaker 1>together different people from different parts of your life? Right?

0:32:30.720 --> 0:32:32.720
<v Speaker 1>And I think about, you know, so often we have

0:32:32.880 --> 0:32:35.680
<v Speaker 1>situations where we kind of only do things with our

0:32:35.680 --> 0:32:38.000
<v Speaker 1>work friends, or we only do things with our childhood friends,

0:32:38.040 --> 0:32:39.760
<v Speaker 1>or we only do things with our college friends, and

0:32:39.800 --> 0:32:41.640
<v Speaker 1>I think that there's a place for that. But I

0:32:41.720 --> 0:32:44.720
<v Speaker 1>think what we saw here is what it might look

0:32:44.760 --> 0:32:46.960
<v Speaker 1>like to have all those people together, right, and to

0:32:47.080 --> 0:32:50.400
<v Speaker 1>even think about for yourself, like who are you to

0:32:50.440 --> 0:32:52.720
<v Speaker 1>all of these different people, because it's likely that they're

0:32:52.760 --> 0:32:55.640
<v Speaker 1>different versions or at least different parts of yourself that

0:32:55.720 --> 0:32:58.440
<v Speaker 1>maybe feel more present in the relationships with all of

0:32:58.480 --> 0:33:01.479
<v Speaker 1>these different people. And so as much as it, of

0:33:01.480 --> 0:33:03.920
<v Speaker 1>course I think makes for some drama, as we saw

0:33:04.040 --> 0:33:06.840
<v Speaker 1>between Drew Ane and Tatum, though that doesn't always have

0:33:06.920 --> 0:33:09.280
<v Speaker 1>to be the case, I do think it lends to

0:33:09.480 --> 0:33:12.959
<v Speaker 1>some interesting questions around who are we in our groups

0:33:12.960 --> 0:33:15.000
<v Speaker 1>of friends and what might it look like to bring

0:33:15.040 --> 0:33:18.440
<v Speaker 1>together different people from different parts of our lives, maybe

0:33:18.520 --> 0:33:21.840
<v Speaker 1>under different circumstances. But what would that look like? Right? Like?

0:33:22.000 --> 0:33:24.160
<v Speaker 1>Is this something that you maybe are even thinking of

0:33:24.240 --> 0:33:26.560
<v Speaker 1>doing for yourself or for your friend circle? Right Like,

0:33:26.600 --> 0:33:29.760
<v Speaker 1>what would it need to go to a house on

0:33:29.880 --> 0:33:33.000
<v Speaker 1>Nantucket or a house wherever, kind of have a weekend

0:33:33.280 --> 0:33:36.640
<v Speaker 1>just designed to really take care of yourself, but also

0:33:36.720 --> 0:33:40.600
<v Speaker 1>maybe to deepen the relationships with other people. I think

0:33:40.600 --> 0:33:42.600
<v Speaker 1>it is also an interesting question kind of as a

0:33:42.600 --> 0:33:46.200
<v Speaker 1>psychologist watching this and as somebody who is interested in

0:33:46.240 --> 0:33:49.080
<v Speaker 1>doing retreats for groups of friends. Right if Hollis had

0:33:49.120 --> 0:33:51.800
<v Speaker 1>called me and said, Hey, I'm thinking about doing this

0:33:51.880 --> 0:33:54.040
<v Speaker 1>retreat for a group of my friends. I want you

0:33:54.080 --> 0:33:56.120
<v Speaker 1>to come in and do like a workshop or something,

0:33:56.400 --> 0:33:59.280
<v Speaker 1>Thinking about like how I maybe would have designed that

0:33:59.400 --> 0:34:02.600
<v Speaker 1>weekend now, of course, knowing what we know, knowing what

0:34:02.640 --> 0:34:05.760
<v Speaker 1>we know about Hollis and like these other people, I

0:34:05.840 --> 0:34:09.719
<v Speaker 1>definitely think that I would have encouraged more downtime for

0:34:09.880 --> 0:34:14.120
<v Speaker 1>conversations as opposed to the by the minute planning of

0:34:14.160 --> 0:34:16.440
<v Speaker 1>all of the activities because I think that that was

0:34:16.480 --> 0:34:21.000
<v Speaker 1>again Hollis's attempt to avoid dealing with some really difficult feelings.

0:34:21.400 --> 0:34:23.359
<v Speaker 1>So I definitely would have encouraged her to have more

0:34:23.480 --> 0:34:27.000
<v Speaker 1>time to actually spend just talking with one another and

0:34:27.040 --> 0:34:29.879
<v Speaker 1>actually checking in with one another. Right when I think

0:34:29.920 --> 0:34:31.920
<v Speaker 1>that they eventually got to that, when we see the

0:34:32.000 --> 0:34:34.360
<v Speaker 1>scene where they're in the bathroom passing around the bottle

0:34:34.400 --> 0:34:37.520
<v Speaker 1>shampoo as a talking stick, that is what I would

0:34:37.600 --> 0:34:42.640
<v Speaker 1>have wanted to see earlier in the retreat experience. Now, granted,

0:34:42.719 --> 0:34:45.000
<v Speaker 1>it may have been better where it fell, right because

0:34:45.040 --> 0:34:48.000
<v Speaker 1>we now see that defenses are down. This is after

0:34:48.120 --> 0:34:50.680
<v Speaker 1>the meltdown in the kitchen has happened, and so maybe

0:34:50.680 --> 0:34:54.000
<v Speaker 1>people are more comfortable talking at that point. But I

0:34:54.000 --> 0:34:56.840
<v Speaker 1>think that there could have If I were designing this weekend,

0:34:57.200 --> 0:35:01.319
<v Speaker 1>I would have had multiple touch points for open conversation

0:35:01.480 --> 0:35:04.560
<v Speaker 1>as opposed to okay, everything is planned to the minute

0:35:04.600 --> 0:35:07.560
<v Speaker 1>and there is no real time for downtime. So thinking

0:35:07.600 --> 0:35:09.439
<v Speaker 1>about what that might look like for me to plan

0:35:09.480 --> 0:35:11.759
<v Speaker 1>a weekend for somebody like Hollis and her friends or

0:35:11.920 --> 0:35:15.080
<v Speaker 1>another group of friends, I think if I had to

0:35:15.280 --> 0:35:18.480
<v Speaker 1>wrap up with thinking about like a piece of advice,

0:35:18.600 --> 0:35:21.160
<v Speaker 1>I would offer us to their friend group, I would

0:35:21.239 --> 0:35:25.560
<v Speaker 1>encourage them to maybe make this annual kind of experience,

0:35:25.680 --> 0:35:28.680
<v Speaker 1>or at least a more regular experience, because I think

0:35:28.719 --> 0:35:30.800
<v Speaker 1>one of the things that we saw in the show

0:35:31.000 --> 0:35:34.919
<v Speaker 1>is that Drouanne and Hollis did have a weekend where

0:35:34.920 --> 0:35:37.760
<v Speaker 1>they had spent some time together years ago, and then

0:35:38.040 --> 0:35:41.640
<v Speaker 1>life got busy, right like Hollis's blog took off, Duanne

0:35:41.880 --> 0:35:44.920
<v Speaker 1>climbed the career letter and her job, and so then

0:35:45.000 --> 0:35:48.000
<v Speaker 1>it became very difficult for them to schedule that. And

0:35:48.080 --> 0:35:50.640
<v Speaker 1>so I think that is an experience that many of

0:35:50.719 --> 0:35:52.680
<v Speaker 1>us have, right, Like we have these really good intentions

0:35:52.680 --> 0:35:55.240
<v Speaker 1>of her and girls trips every year, and then things

0:35:55.280 --> 0:35:57.920
<v Speaker 1>happen and we can't stick to the schedule. But I

0:35:57.960 --> 0:35:59.960
<v Speaker 1>think if there were one piece of advice I would

0:36:00.080 --> 0:36:02.520
<v Speaker 1>give to the group is to put this back on

0:36:02.560 --> 0:36:05.640
<v Speaker 1>the calendar and make it a priority and protect it

0:36:05.760 --> 0:36:09.160
<v Speaker 1>just like you protect all the other things in your calendar.

0:36:09.680 --> 0:36:13.120
<v Speaker 1>Because what we see is that then it becomes more

0:36:13.160 --> 0:36:16.040
<v Speaker 1>difficult to ask for help, or there's been so much

0:36:16.080 --> 0:36:18.520
<v Speaker 1>time this passed that you didn't realize this thing happened

0:36:18.520 --> 0:36:21.200
<v Speaker 1>with this person, right, And if there are more regular

0:36:21.360 --> 0:36:25.239
<v Speaker 1>touch points, then you don't necessarily see those lapses, and

0:36:25.280 --> 0:36:29.120
<v Speaker 1>I think that is really important for women's mental help. Right, Like,

0:36:29.280 --> 0:36:32.879
<v Speaker 1>as we saw through this show, we do realize how

0:36:32.960 --> 0:36:36.560
<v Speaker 1>much strength comes from us being able to rely on

0:36:36.560 --> 0:36:39.959
<v Speaker 1>one another, to laugh with one another, to really show

0:36:40.000 --> 0:36:43.000
<v Speaker 1>support for one another. And I think making sure that

0:36:43.080 --> 0:36:46.239
<v Speaker 1>we are building that into our schedules makes it so

0:36:46.360 --> 0:36:49.160
<v Speaker 1>that it is not always like a crisis intervention kind

0:36:49.200 --> 0:36:52.520
<v Speaker 1>of thing, but it is more just a regular maintenance

0:36:52.680 --> 0:36:55.880
<v Speaker 1>kind of opportunity for us. And so that is the

0:36:55.920 --> 0:36:57.919
<v Speaker 1>advice that I would give to Hollis and this group

0:36:57.960 --> 0:37:01.359
<v Speaker 1>of friends if they were actually people, is to make

0:37:01.440 --> 0:37:04.520
<v Speaker 1>a more concerted effort to have regular touch points with

0:37:04.560 --> 0:37:07.560
<v Speaker 1>one another like this. Right, so maybe every July you

0:37:07.640 --> 0:37:10.840
<v Speaker 1>go to Nantucket and spend a weekend together, or maybe

0:37:10.880 --> 0:37:14.400
<v Speaker 1>it rotates, or even if it can't be every year, like,

0:37:14.440 --> 0:37:17.120
<v Speaker 1>maybe it is every two years. And then on the

0:37:17.160 --> 0:37:20.120
<v Speaker 1>off years we make a more considerative effort to do

0:37:20.200 --> 0:37:23.239
<v Speaker 1>something virtually, but to not let there be so much

0:37:23.320 --> 0:37:27.320
<v Speaker 1>time that passes before you're able to get your group together,

0:37:27.440 --> 0:37:30.839
<v Speaker 1>because we saw the incredible amount of support and transformation

0:37:31.440 --> 0:37:35.080
<v Speaker 1>that can happen, and when you have the designated time

0:37:35.120 --> 0:37:37.960
<v Speaker 1>and space to really just focus on being with one another.

0:37:38.400 --> 0:37:40.359
<v Speaker 1>So that's the advice that I would give to this

0:37:40.360 --> 0:37:43.360
<v Speaker 1>group if I had to give this show a different

0:37:43.440 --> 0:37:47.319
<v Speaker 1>name besides Five Star Weekend. Knowing now what I know

0:37:47.440 --> 0:37:51.239
<v Speaker 1>about it, I think the Secrets of the Island could

0:37:51.239 --> 0:37:53.480
<v Speaker 1>be a good one, right because we saw that they

0:37:53.520 --> 0:37:56.799
<v Speaker 1>all came in with varying levels of secrets that they

0:37:56.880 --> 0:37:59.759
<v Speaker 1>brought to Nantucket, and so I think the Secrets of

0:37:59.760 --> 0:38:02.360
<v Speaker 1>the Eye could be a good one. Maybe feels a

0:38:02.360 --> 0:38:05.560
<v Speaker 1>little more scandalous than actually what happened, but it feels

0:38:05.600 --> 0:38:07.680
<v Speaker 1>like the best one I could come up with right now.

0:38:08.680 --> 0:38:11.640
<v Speaker 1>If you have already watched Five Star Weekend, I would

0:38:11.680 --> 0:38:14.680
<v Speaker 1>love to hear your kind of thoughts around people's different

0:38:15.040 --> 0:38:18.960
<v Speaker 1>coping strategies that you saw, maybe what it even introduced

0:38:18.960 --> 0:38:22.480
<v Speaker 1>into your own personal reflections of friendships, right Like, are

0:38:22.520 --> 0:38:25.080
<v Speaker 1>you thinking about your friendships differently based on what we

0:38:25.120 --> 0:38:27.920
<v Speaker 1>saw on Five Star Weekend, or you maybe planning a

0:38:27.960 --> 0:38:30.560
<v Speaker 1>retreat for you and your girls based on what you saw,

0:38:30.640 --> 0:38:33.640
<v Speaker 1>or maybe just the idea kind of sparked because of

0:38:33.640 --> 0:38:35.799
<v Speaker 1>the show. I would love to hear your thoughts and

0:38:35.800 --> 0:38:38.080
<v Speaker 1>for you to weigh in on the five Star Weekend.

0:38:38.480 --> 0:38:40.640
<v Speaker 1>Like I say, it is one of my favorite watches

0:38:40.800 --> 0:38:43.680
<v Speaker 1>of the recent history. So if you have not already

0:38:43.680 --> 0:38:45.840
<v Speaker 1>two din, you can find it on peacock. All the

0:38:46.040 --> 0:38:48.800
<v Speaker 1>episodes are available I think yeah, typically around thirty thirty

0:38:48.800 --> 0:38:51.160
<v Speaker 1>five minutes, so it's not a long watch. I think

0:38:51.160 --> 0:38:53.560
<v Speaker 1>I finished it in like two days, maybe even one

0:38:53.600 --> 0:38:56.120
<v Speaker 1>I can't quite remember. But it definitely is something that

0:38:56.280 --> 0:38:58.960
<v Speaker 1>is worthy to add to your watch list, so definitely

0:38:59.080 --> 0:39:01.799
<v Speaker 1>check it out. Did you know that you could leave

0:39:01.880 --> 0:39:04.920
<v Speaker 1>us a voicemail with your questions or suggestions for the podcast?

0:39:05.400 --> 0:39:07.440
<v Speaker 1>If you have topics that you'd like us to discuss,

0:39:07.480 --> 0:39:09.640
<v Speaker 1>some movies or shows that you'd like us to review,

0:39:10.000 --> 0:39:12.479
<v Speaker 1>drop us a message at Memo dot fm sash Therapy

0:39:12.560 --> 0:39:14.560
<v Speaker 1>for Black Girls and let us know what's on your mind.

0:39:14.880 --> 0:39:17.719
<v Speaker 1>We just might feature it on the podcast. If you're

0:39:17.760 --> 0:39:20.320
<v Speaker 1>looking for a therapist in your area, visit our therapist

0:39:20.320 --> 0:39:24.479
<v Speaker 1>directory at Therapy for Blackgirls dot com stanch directory. Don't

0:39:24.480 --> 0:39:27.320
<v Speaker 1>forget to follow us on Instagram at Therapy for Black Girls.

0:39:27.719 --> 0:39:30.280
<v Speaker 1>You can join us in our Patreon community at community

0:39:30.320 --> 0:39:33.600
<v Speaker 1>dot Therapy for Blackgirls dot com for exclusive updates, behind

0:39:33.600 --> 0:39:37.280
<v Speaker 1>the scenes content, and much more. This episode was produced

0:39:37.280 --> 0:39:41.319
<v Speaker 1>by Elise Ellis, Indechubu and Bria Moseley. Editing was done

0:39:41.360 --> 0:39:44.160
<v Speaker 1>by Dennison Bradford. Thank y'all so much for joining me

0:39:44.200 --> 0:39:47.080
<v Speaker 1>again this week. I'll look forward to continuing this conversation

0:39:47.200 --> 0:39:49.520
<v Speaker 1>with you all real soon. Take it care